1 00:00:00,120 --> 00:00:04,840 Speaker 1: M hey, Welcome Episode two oh nine. We try to 2 00:00:04,840 --> 00:00:06,720 Speaker 1: hop on some fridays to talk about new music if 3 00:00:06,720 --> 00:00:08,959 Speaker 1: there's a lot to talk about, which there is. It's 4 00:00:08,960 --> 00:00:11,400 Speaker 1: a it's a pretty good music day, man. Why don't 5 00:00:11,400 --> 00:00:14,520 Speaker 1: we start with Miranda Lambert, who has wild Card out today. 6 00:00:14,640 --> 00:00:17,599 Speaker 1: It's their seventh album. There's also the duet with Marion 7 00:00:17,640 --> 00:00:19,920 Speaker 1: Morris on there, and people are waiting a long time 8 00:00:19,960 --> 00:00:21,960 Speaker 1: for this record. Her. By the way, let me say 9 00:00:22,000 --> 00:00:23,760 Speaker 1: before I play club, but this one, her last record, 10 00:00:24,200 --> 00:00:26,920 Speaker 1: was my favorite record of hers because it was just 11 00:00:26,960 --> 00:00:32,720 Speaker 1: so SONGWRITERI that's just my style. Um so. But she's 12 00:00:32,760 --> 00:00:35,360 Speaker 1: gone back to more of her traditional sound. But here's 13 00:00:35,360 --> 00:00:36,920 Speaker 1: the clip of her and Manor and doing way too 14 00:00:36,960 --> 00:00:52,080 Speaker 1: Pretty for Prison, Pretty Prison. So I like Miranda's music, 15 00:00:52,159 --> 00:00:55,400 Speaker 1: but I love the h that last record because that 16 00:00:55,560 --> 00:00:59,880 Speaker 1: was like I could just be sad. There's a double album, right, yeah, 17 00:01:00,320 --> 00:01:01,880 Speaker 1: a lot. It was like she's written a bunch of 18 00:01:01,880 --> 00:01:03,240 Speaker 1: songs and nowhere to put it. Let's just put it 19 00:01:03,240 --> 00:01:04,720 Speaker 1: all on one record. And it won a bunch of 20 00:01:04,840 --> 00:01:08,080 Speaker 1: awards because it was so artist e. Um So, Miranda 21 00:01:08,120 --> 00:01:09,760 Speaker 1: is gonna new record out today. Who do you? The 22 00:01:09,760 --> 00:01:12,880 Speaker 1: Blowfish has a new record called Imperfect Circle. And I'm 23 00:01:13,000 --> 00:01:15,600 Speaker 1: such a hoodie I would say that. Yeah, I'm gonna 24 00:01:15,600 --> 00:01:19,000 Speaker 1: say it. I'm a hoodie. Stand. Yeah, I'm a hoodie stand. 25 00:01:19,040 --> 00:01:21,240 Speaker 1: Those two words have probably never been used together because 26 00:01:21,240 --> 00:01:24,560 Speaker 1: they're generationally so far apart. I love Who Do You 27 00:01:24,560 --> 00:01:26,560 Speaker 1: the Blowfish? One of my most listened to albums ever, 28 00:01:26,840 --> 00:01:28,840 Speaker 1: which later on in this podcast, Eddie's Gonna come by. 29 00:01:28,840 --> 00:01:31,759 Speaker 1: We're gonna talk about our most listened to album, Mount Rushmore, 30 00:01:32,360 --> 00:01:35,600 Speaker 1: but who he has a record called Imperfect Circle. Now 31 00:01:35,640 --> 00:01:37,000 Speaker 1: I want to start with we have a cup of 32 00:01:37,000 --> 00:01:41,479 Speaker 1: hold On. Yeah. This is their single hold On, written 33 00:01:41,480 --> 00:01:44,280 Speaker 1: by Chris Stapleton and Jim Beavers, who did a podcast 34 00:01:44,280 --> 00:01:46,240 Speaker 1: with us a few back, and he talks about this 35 00:01:46,280 --> 00:01:49,200 Speaker 1: song not knowing if it's gonna be the single. He 36 00:01:49,280 --> 00:01:50,920 Speaker 1: played the work tape of it. We have the christ 37 00:01:50,960 --> 00:01:53,240 Speaker 1: Ableton work tape. He plays it, yeah, and so it's 38 00:01:53,240 --> 00:01:55,720 Speaker 1: in that in that podcast, So go check that out. 39 00:01:55,760 --> 00:01:58,720 Speaker 1: But I love Hooting the Blowfish. There's also a song 40 00:01:59,160 --> 00:02:01,040 Speaker 1: co written by Edge You're in with the guys called 41 00:02:01,120 --> 00:02:16,679 Speaker 1: Wildfire Love Everything's Cool. There's also I'll give you a 42 00:02:16,720 --> 00:02:24,800 Speaker 1: few songs here, Rolling Good, That Gold, even Miss California, 43 00:02:25,280 --> 00:02:29,720 Speaker 1: Miss California, and some of us sounds so much like 44 00:02:29,720 --> 00:02:32,200 Speaker 1: Hoodie from the nineties, and some of it's pretty like contemporary. 45 00:02:32,240 --> 00:02:33,560 Speaker 1: You can tell they're going, hey, we can do some 46 00:02:33,600 --> 00:02:35,960 Speaker 1: country stuff with this. So I'm really rooting for hold 47 00:02:36,000 --> 00:02:37,960 Speaker 1: On to be a big hit. When Darius puts our 48 00:02:38,000 --> 00:02:39,600 Speaker 1: songs are all big hits. This doesn't sound that different 49 00:02:39,639 --> 00:02:43,400 Speaker 1: than just Darius putting out a song. I love this 50 00:02:43,440 --> 00:02:45,480 Speaker 1: song good. I didn't know it's gonna be single, but 51 00:02:45,480 --> 00:02:47,440 Speaker 1: they played it I already music festival, and I was like, oh, 52 00:02:47,440 --> 00:02:50,360 Speaker 1: this song is real good. And you you root for 53 00:02:50,400 --> 00:02:52,320 Speaker 1: your people to put out good music. When they don't, 54 00:02:52,360 --> 00:02:55,560 Speaker 1: you go, oh, no, like, how am I gonna face 55 00:02:55,639 --> 00:02:59,320 Speaker 1: my friends? But luckily it's good? Really good? Are you doing? 56 00:03:00,480 --> 00:03:04,040 Speaker 1: Charlie's Angel soundtrack is out featuring Ariana Grande. She teamed 57 00:03:04,080 --> 00:03:05,960 Speaker 1: up with Miley Cyrus and Lanta del Ray for a 58 00:03:06,000 --> 00:03:09,960 Speaker 1: song called Don't Call Me Angel, and Ariana hopped on 59 00:03:10,000 --> 00:03:12,359 Speaker 1: a track with Normandy and Nicki Minaj. We have a 60 00:03:12,400 --> 00:03:24,160 Speaker 1: clip this one. This is called bad to You. None 61 00:03:24,200 --> 00:03:25,959 Speaker 1: of the Ariana Grande songs are good to me until 62 00:03:26,000 --> 00:03:27,800 Speaker 1: hear about a thousand times, then they're great. To me, 63 00:03:28,760 --> 00:03:30,240 Speaker 1: but and then I just can't get him out of 64 00:03:30,280 --> 00:03:32,120 Speaker 1: my head. I want don't hear it? Once? Ago like 65 00:03:32,160 --> 00:03:34,560 Speaker 1: this my jam, but it's forced to the pop stations. 66 00:03:34,600 --> 00:03:37,280 Speaker 1: I listened like Zoo one hundred, or I listen to 67 00:03:37,360 --> 00:03:39,119 Speaker 1: kiss M in Los Angeles and I'm like, I hate 68 00:03:39,120 --> 00:03:40,920 Speaker 1: this song. I hate this song. I love this song. 69 00:03:41,040 --> 00:03:43,200 Speaker 1: There is no middle with these Ariana Grande songs, and 70 00:03:43,240 --> 00:03:46,720 Speaker 1: I always end up loving them bad. To you is 71 00:03:46,840 --> 00:03:50,000 Speaker 1: this one? Yeah? Um, I'll read you some other. Let's 72 00:03:50,000 --> 00:03:53,160 Speaker 1: see yellow Wolf. Remember yellow Wolf from back in the day. 73 00:03:53,200 --> 00:03:55,880 Speaker 1: I remember the name. He's like a white rapper and 74 00:03:55,960 --> 00:03:57,440 Speaker 1: I think he's is he seeing with HM and M 75 00:03:57,440 --> 00:03:59,560 Speaker 1: in that camp or no thing? So he has a 76 00:04:00,080 --> 00:04:02,600 Speaker 1: stuff out today. Mariah Carey has a Merry Christmas, a 77 00:04:02,600 --> 00:04:05,040 Speaker 1: deluxe edition of her all Over Christmas? Is you a 78 00:04:05,040 --> 00:04:08,119 Speaker 1: bunch of rare stuff? Cold War Kids who I've seen 79 00:04:08,120 --> 00:04:10,200 Speaker 1: a c l a couple of times, never been a 80 00:04:10,280 --> 00:04:12,040 Speaker 1: huge fan of. I've always been a moderate fan of 81 00:04:12,120 --> 00:04:13,240 Speaker 1: or if they're just playing at a stage in your 82 00:04:13,280 --> 00:04:15,880 Speaker 1: body walk over. So cold War Kids have music out today. 83 00:04:16,160 --> 00:04:21,120 Speaker 1: Montgomery Gentry has some stuff out today. I think that's 84 00:04:21,120 --> 00:04:24,480 Speaker 1: pretty much it as far as albums. We have at 85 00:04:24,480 --> 00:04:28,000 Speaker 1: four new songs. We have clips of these songs. Kane 86 00:04:28,040 --> 00:04:30,320 Speaker 1: Brown put out a new song he just had a daughter, 87 00:04:31,040 --> 00:04:32,520 Speaker 1: and he has a song called from My Daughter, which 88 00:04:32,520 --> 00:04:35,159 Speaker 1: I thought was pretty good. Here's the club of that 89 00:04:37,040 --> 00:04:46,719 Speaker 1: the best say Dan smooth shape you Away. I guess 90 00:04:46,839 --> 00:04:49,720 Speaker 1: Monday Do a Lipa has a song which I was 91 00:04:50,120 --> 00:04:52,279 Speaker 1: looking at Twitter ready for it. I guess she has 92 00:04:52,320 --> 00:04:56,240 Speaker 1: a pretty hardcore fan base. This is called Don't Start Now, 93 00:04:56,960 --> 00:05:00,200 Speaker 1: Don't come Now. I like that. That's funky. Huh that 94 00:05:00,480 --> 00:05:02,160 Speaker 1: I don't even to hear anymore. I'm in it's the faith. 95 00:05:02,920 --> 00:05:06,200 Speaker 1: What's her other song? Her big song? Uh? What is it? 96 00:05:10,680 --> 00:05:12,160 Speaker 1: I know she had the one that was like shut 97 00:05:12,200 --> 00:05:14,919 Speaker 1: the f up or something different. One yeah, looked that 98 00:05:15,040 --> 00:05:19,240 Speaker 1: up because she had a massive new rules. Oh, I 99 00:05:19,279 --> 00:05:21,640 Speaker 1: got new rules. Then turn the music down so you 100 00:05:21,680 --> 00:05:23,920 Speaker 1: can sing it. I got new rules this then then 101 00:05:24,000 --> 00:05:29,800 Speaker 1: I got new rules Iana and it's like rule one yeah, one, yeah, 102 00:05:30,240 --> 00:05:32,520 Speaker 1: It's like that. Him has a song called now I'm 103 00:05:32,520 --> 00:05:40,800 Speaker 1: in It. And Mandy Moore has a song huh yeah, 104 00:05:40,839 --> 00:05:43,520 Speaker 1: what's this from? She's like working on a new project, 105 00:05:43,560 --> 00:05:47,520 Speaker 1: like really folky. She's putting out of music again. Oh okay. 106 00:05:48,120 --> 00:05:50,000 Speaker 1: I like Fulkey Mandy Moore. She did some stuff as 107 00:05:50,000 --> 00:05:52,400 Speaker 1: Folkey Mandy Moore before she got out of music. This 108 00:05:52,400 --> 00:06:05,480 Speaker 1: is called I'd rather to lose. So do we wanna 109 00:06:05,720 --> 00:06:08,080 Speaker 1: take a break and then do the news and then 110 00:06:08,080 --> 00:06:17,120 Speaker 1: we'll do them Mount Rushmore. Okay, a right, the bgs 111 00:06:17,160 --> 00:06:21,080 Speaker 1: are getting their own biopic. That would be good. And 112 00:06:21,160 --> 00:06:23,760 Speaker 1: I think, man, if you can get your own biopic 113 00:06:23,880 --> 00:06:28,440 Speaker 1: now and your music resells like crazy re streams, you 114 00:06:28,440 --> 00:06:33,760 Speaker 1: can retour, so Paramount, but they're not all alive, right, No, okay. 115 00:06:34,480 --> 00:06:37,679 Speaker 1: Paramount Pictures is teaming up with the producer of Bohemian 116 00:06:37,760 --> 00:06:41,280 Speaker 1: Rhapsody and making a movie about the bigs. They sold 117 00:06:41,279 --> 00:06:46,880 Speaker 1: over two million records. Barry Robin and Maurice Gibb. They 118 00:06:46,920 --> 00:06:49,719 Speaker 1: start in the fifties, but they wrote songs for Saturday 119 00:06:49,760 --> 00:06:51,359 Speaker 1: that fever and that's where they blew up, like songs 120 00:06:51,400 --> 00:06:55,360 Speaker 1: like this when that that disco type stuff. So they're like, 121 00:06:55,400 --> 00:06:59,680 Speaker 1: all right, we're on and so they're they're rolling with it. 122 00:06:59,720 --> 00:07:02,000 Speaker 1: I wish I knew more. I know they're all islands 123 00:07:02,000 --> 00:07:09,080 Speaker 1: in the stream and they sang it. Yeah, they wrote this. 124 00:07:11,560 --> 00:07:14,000 Speaker 1: I wish I knew more about the b GS to Go. 125 00:07:14,240 --> 00:07:15,960 Speaker 1: This would be a great movie. I just think it's 126 00:07:16,000 --> 00:07:18,320 Speaker 1: fun whenever they do these old movie people like I 127 00:07:18,480 --> 00:07:20,400 Speaker 1: like biopics. I mean, even with the Queen movie. I 128 00:07:20,400 --> 00:07:22,240 Speaker 1: didn't know a lot about Queen, and watching that, I 129 00:07:22,280 --> 00:07:24,120 Speaker 1: was like, oh, that's awesome, and it when made me 130 00:07:24,160 --> 00:07:27,360 Speaker 1: go back and listen to their music Tool. The band 131 00:07:27,400 --> 00:07:30,920 Speaker 1: Tool started a fire in the studio while recording their 132 00:07:30,920 --> 00:07:35,840 Speaker 1: new album, which I did not think. I would like 133 00:07:35,920 --> 00:07:37,840 Speaker 1: the new album and I don't listen to it a lot. 134 00:07:38,200 --> 00:07:40,440 Speaker 1: But when I'm on an airplane and I'm exhausted, I 135 00:07:40,520 --> 00:07:42,680 Speaker 1: put the new Tool album on because I not to 136 00:07:42,720 --> 00:07:45,520 Speaker 1: worry about tracks. They're like fifteen minutes songs like there's 137 00:07:45,520 --> 00:07:47,640 Speaker 1: like a fifteen minute, a thirteen minute, eleven minute. There's 138 00:07:47,640 --> 00:07:49,360 Speaker 1: a couple of short ones too, like every other one's 139 00:07:49,360 --> 00:07:52,600 Speaker 1: like shorter. But when they were recording their new album, 140 00:07:52,680 --> 00:07:55,680 Speaker 1: they lit candles. The drummer was playing so already knocked 141 00:07:55,720 --> 00:07:57,559 Speaker 1: candle over and set one of his drums on fire. 142 00:07:58,560 --> 00:08:00,880 Speaker 1: They were putting campbells in the ambiance of the room. 143 00:08:00,880 --> 00:08:04,720 Speaker 1: Apparently I didn't know there was Again, I'm not a 144 00:08:04,800 --> 00:08:08,040 Speaker 1: huge Tool fan. I just happened to I got caught 145 00:08:08,120 --> 00:08:10,960 Speaker 1: up in seeing the data from a Tool beating Taylor Swift. 146 00:08:11,240 --> 00:08:12,520 Speaker 1: It was like, let me check this out. And then 147 00:08:12,560 --> 00:08:14,280 Speaker 1: I was like, oh, I kind of like this because 148 00:08:14,280 --> 00:08:18,680 Speaker 1: it's not hard metal, it can still be heavy industrial. 149 00:08:19,040 --> 00:08:22,160 Speaker 1: Is that what it's called? And so at thirteen years 150 00:08:22,200 --> 00:08:26,240 Speaker 1: between albums, I didn't know that. I know that Skism 151 00:08:26,280 --> 00:08:28,560 Speaker 1: was a big song back when I was young, maybe 152 00:08:28,600 --> 00:08:31,480 Speaker 1: the biggest song. Do you know tool Skism? No, pull 153 00:08:31,520 --> 00:08:33,160 Speaker 1: it up and see if see if you play it? 154 00:08:33,559 --> 00:08:37,000 Speaker 1: And while you're doing that, I'll my Chemical Romance is back. 155 00:08:37,520 --> 00:08:39,199 Speaker 1: And so they're gonna play for the first time. It's 156 00:08:39,240 --> 00:08:52,800 Speaker 1: two thousand and twelve. Do you know this? I don't. 157 00:08:52,840 --> 00:08:55,680 Speaker 1: I don't think i've ever heard this. Oh yeah, okay, 158 00:08:55,880 --> 00:09:04,040 Speaker 1: I didn't know that lick is so famous. If you 159 00:09:04,160 --> 00:09:06,960 Speaker 1: because I just listened to the Edge in Dallas. Yeah, 160 00:09:07,040 --> 00:09:09,240 Speaker 1: and your from Dallas. But I would have a friends 161 00:09:09,800 --> 00:09:11,560 Speaker 1: just record like an hour and an hour on the 162 00:09:11,559 --> 00:09:14,079 Speaker 1: other side, just mail me the tapes and it. This 163 00:09:14,160 --> 00:09:18,120 Speaker 1: reminds me of listen to the Edge Dallas. This is 164 00:09:18,400 --> 00:09:19,640 Speaker 1: it made. I don't know if it's the biggest song 165 00:09:19,720 --> 00:09:21,280 Speaker 1: or not, but it's the one I remember most from them. 166 00:09:21,320 --> 00:09:24,600 Speaker 1: I mean even this song sixty two, Oh it is? 167 00:09:25,440 --> 00:09:32,880 Speaker 1: Do you have any my Chemical Romance? What's this? This 168 00:09:32,920 --> 00:09:35,400 Speaker 1: is sing? Okay? The song I know from them was 169 00:09:35,440 --> 00:09:39,120 Speaker 1: Welcome to the Black Parade. Yeah, that song, it's so 170 00:09:39,200 --> 00:09:44,760 Speaker 1: good and people would give them crap. Yeah, why because 171 00:09:44,800 --> 00:09:48,640 Speaker 1: it was very scene, very emo, and people feel like 172 00:09:48,640 --> 00:09:50,800 Speaker 1: they weren't real, like it was a gimmicky Yeah, I 173 00:09:50,840 --> 00:09:53,040 Speaker 1: did a thing that I'm not like, proud of you 174 00:09:53,400 --> 00:09:56,079 Speaker 1: what I went. I loved alkin Here. They're one of 175 00:09:56,080 --> 00:09:58,240 Speaker 1: my favorite bands growing up, and they toured with my 176 00:09:58,280 --> 00:10:02,000 Speaker 1: Chemical Romance, and I hated Chemical Romance so much. I 177 00:10:02,120 --> 00:10:06,199 Speaker 1: left before they played because my Chemical Romance was headlining 178 00:10:06,240 --> 00:10:07,840 Speaker 1: and I wanted to the outline trio, but I didn't 179 00:10:07,840 --> 00:10:10,520 Speaker 1: want to see my Chemical Romance, so I left. In 180 00:10:10,520 --> 00:10:13,600 Speaker 1: the protests, I protested, but then I was like, man, 181 00:10:13,720 --> 00:10:17,320 Speaker 1: they're actually pretty good. Man. I guess I'm not into 182 00:10:17,360 --> 00:10:20,959 Speaker 1: the scene enough to have respect for what's punk I 183 00:10:21,040 --> 00:10:24,320 Speaker 1: wants not. I just just seeing his very posary. Do 184 00:10:24,360 --> 00:10:28,120 Speaker 1: you feel like they were opposary looking back? No? But 185 00:10:28,320 --> 00:10:30,440 Speaker 1: I was like fourteen, and I'm like, oh, that's lame. 186 00:10:30,960 --> 00:10:34,280 Speaker 1: It's like mall punk. Why they break up? Um? They 187 00:10:34,320 --> 00:10:36,440 Speaker 1: would was the main guy does like a bunch of 188 00:10:36,440 --> 00:10:38,640 Speaker 1: other different stuff and then they just broke up. Anything 189 00:10:38,640 --> 00:10:41,480 Speaker 1: I would know the main guy does. Um, the Umbrella Academy, 190 00:10:41,720 --> 00:10:44,320 Speaker 1: the movie, the TV show, the TV show. He wrote 191 00:10:44,360 --> 00:10:46,520 Speaker 1: the graphic novel for that that it's based on. He 192 00:10:46,600 --> 00:10:51,280 Speaker 1: wrote the book that's his comic book. Wow yeh. By 193 00:10:51,320 --> 00:10:53,360 Speaker 1: the way, if you haven't seen Umbrella Academy on Netflix, 194 00:10:53,720 --> 00:10:56,600 Speaker 1: fantastic Yeah, I can't wait from Burrell Academy too, And 195 00:10:56,640 --> 00:10:58,559 Speaker 1: he wrote the book. He wrote the it's I thought 196 00:10:58,600 --> 00:11:00,000 Speaker 1: you were gonna say an actor on the movie. It's 197 00:11:00,200 --> 00:11:02,080 Speaker 1: all good for him. But he wrote the freaking book 198 00:11:02,120 --> 00:11:05,840 Speaker 1: comic book series. He wrote it, Wow, my mind's blown 199 00:11:05,880 --> 00:11:07,760 Speaker 1: a little bit. What else you got you do? Anything 200 00:11:07,760 --> 00:11:09,920 Speaker 1: else you know of? That's about it? What other songs 201 00:11:09,920 --> 00:11:11,960 Speaker 1: do they have? Because I know that one that was 202 00:11:12,040 --> 00:11:15,079 Speaker 1: a big one. I'm not okay when I was a 203 00:11:15,240 --> 00:11:18,720 Speaker 1: young boy. Yeah that's a good one though, Um, yeah 204 00:11:18,720 --> 00:11:21,719 Speaker 1: that's good. How many people do you know they get 205 00:11:21,720 --> 00:11:23,880 Speaker 1: excited about luggage? I do. I travel all the time 206 00:11:24,080 --> 00:11:28,199 Speaker 1: and away suitcases are known as lifestyle luggage because they 207 00:11:28,200 --> 00:11:29,880 Speaker 1: help you get more out of your travel time and 208 00:11:29,960 --> 00:11:32,240 Speaker 1: ways you never think about until you're actually away Listen. 209 00:11:32,280 --> 00:11:34,880 Speaker 1: I'm an expert in suitcases, like they have the built 210 00:11:34,920 --> 00:11:37,720 Speaker 1: in t s A approved lock, the adjectable battery which 211 00:11:37,800 --> 00:11:40,960 Speaker 1: is awesome, or built in compression pad. That's what helps 212 00:11:40,960 --> 00:11:43,120 Speaker 1: you pack in even more than the average carry on. 213 00:11:43,320 --> 00:11:44,880 Speaker 1: The suitcase is awesome. I don't feel like I'm an 214 00:11:44,880 --> 00:11:46,720 Speaker 1: expert in many things, but this I do. My favorite 215 00:11:46,760 --> 00:11:48,520 Speaker 1: part is the charger. I don't have to hug a 216 00:11:48,520 --> 00:11:50,439 Speaker 1: wall at the airport to charge my phone. I just 217 00:11:50,520 --> 00:11:53,360 Speaker 1: charge it right there on a suitcase. Away Luggage is lightweight, 218 00:11:53,559 --> 00:11:55,680 Speaker 1: comes in a bunch of colors and materials, and its 219 00:11:55,720 --> 00:11:58,840 Speaker 1: minimal design is sized just right by T s A standards. 220 00:11:58,960 --> 00:12:02,360 Speaker 1: It's wheels are multidirect. Again, not expert on much, but 221 00:12:02,400 --> 00:12:04,640 Speaker 1: I am suitcases. It's a great gift idea for the 222 00:12:04,679 --> 00:12:07,000 Speaker 1: person that travels and for your own travel. Right now, 223 00:12:07,200 --> 00:12:10,240 Speaker 1: Away is offering twenty off a suitcase of your choice. 224 00:12:10,400 --> 00:12:14,000 Speaker 1: Just visit Away travel dot com slash Bobby cast and 225 00:12:14,080 --> 00:12:17,640 Speaker 1: use that promo code Bobby away Travel dot com slash 226 00:12:17,720 --> 00:12:21,800 Speaker 1: Bobby Cast. You'll love it. Probably are you gonna bring 227 00:12:21,840 --> 00:12:23,680 Speaker 1: in Eddie for this part of the show. We're gonna 228 00:12:23,720 --> 00:12:26,920 Speaker 1: do our Mount Rushmore of most listened to albums of 229 00:12:26,920 --> 00:12:29,720 Speaker 1: all time and so not favorite but most listened to. Yes, 230 00:12:29,760 --> 00:12:31,960 Speaker 1: well this is fun because I mean, I don't listen 231 00:12:31,960 --> 00:12:33,640 Speaker 1: to a lot of albums now, so it just took 232 00:12:33,679 --> 00:12:35,880 Speaker 1: me back to a time when that's what I did, 233 00:12:36,160 --> 00:12:40,000 Speaker 1: listen to full albums from start to finish. And earlier 234 00:12:40,000 --> 00:12:42,080 Speaker 1: I mentioned that Hoodie and the Blowfish, which you wren't 235 00:12:42,080 --> 00:12:43,880 Speaker 1: here for that part, is one of my most listen 236 00:12:43,920 --> 00:12:45,560 Speaker 1: to albums ever, just from I listen to it so 237 00:12:45,640 --> 00:12:48,000 Speaker 1: much being in high school that when I go, what 238 00:12:48,080 --> 00:12:50,439 Speaker 1: have I listened to the most? That was it? So um, 239 00:12:50,480 --> 00:12:53,400 Speaker 1: I'll go first. These are my and our mount Rushmore's 240 00:12:53,440 --> 00:12:56,880 Speaker 1: are four plus one. Yep, because everybody I was like, 241 00:12:56,960 --> 00:12:59,520 Speaker 1: let me do one more? Yes, thanks for letting us 242 00:12:59,520 --> 00:13:02,400 Speaker 1: do that. My mountains five people, but that's why it's four. 243 00:13:04,280 --> 00:13:06,719 Speaker 1: And the plus one doesn't have to be the fifth one. 244 00:13:06,720 --> 00:13:08,360 Speaker 1: It can just be it's just five. There are five 245 00:13:08,360 --> 00:13:11,640 Speaker 1: heads on our version amount Rushmore mine. I put John 246 00:13:11,679 --> 00:13:15,560 Speaker 1: Mary Continuum as one of my most listen two albums, 247 00:13:16,160 --> 00:13:19,120 Speaker 1: possibly my favorite album of all time, probably my favorite 248 00:13:19,120 --> 00:13:22,280 Speaker 1: album of all time. It's tough, but yes, it's my 249 00:13:22,320 --> 00:13:24,040 Speaker 1: favorite album of all This is a good one. Yeah, 250 00:13:24,120 --> 00:13:29,800 Speaker 1: turn this one up. And I was writing the stage 251 00:13:29,800 --> 00:13:32,600 Speaker 1: of my life where you're started to make all the 252 00:13:32,600 --> 00:13:35,880 Speaker 1: big decisions and so that music when you're in your 253 00:13:36,720 --> 00:13:40,160 Speaker 1: mid late twenties even early third it's like the adult 254 00:13:40,200 --> 00:13:43,400 Speaker 1: decision album where you're like all right, So like I 255 00:13:43,440 --> 00:13:46,720 Speaker 1: associate all that with like my life taking big turns. 256 00:13:46,760 --> 00:13:49,760 Speaker 1: And it even has like a very soothing feel to 257 00:13:49,840 --> 00:13:52,400 Speaker 1: the whole album, like that's not really rocking or anything, 258 00:13:52,559 --> 00:13:54,640 Speaker 1: it's kind of cool, like it's it's like you are 259 00:13:54,679 --> 00:13:56,720 Speaker 1: growing up, because even John marrin his music was kind 260 00:13:56,760 --> 00:13:59,480 Speaker 1: of growing up in this album too. The only kind 261 00:13:59,480 --> 00:14:02,880 Speaker 1: of rockings on and there is the Jimi Hendricks cover um, 262 00:14:02,920 --> 00:14:05,800 Speaker 1: but yeah, it's it's a pretty light, pretty light and 263 00:14:05,800 --> 00:14:09,400 Speaker 1: bluesy record. Listening Beastie Boys License to Ill is on 264 00:14:09,480 --> 00:14:14,960 Speaker 1: my mount rushmore of most listen to albums. Why did 265 00:14:15,040 --> 00:14:17,760 Speaker 1: you start listening to this? Obviously not right when it 266 00:14:17,800 --> 00:14:20,400 Speaker 1: came out, because I had no idea there was out 267 00:14:20,440 --> 00:14:25,480 Speaker 1: in like six or something before us. Yeah you're alive, 268 00:14:25,520 --> 00:14:28,960 Speaker 1: but we weren't able to pick our music. So probably 269 00:14:28,960 --> 00:14:33,240 Speaker 1: when I was like nine eighty nine, because Fight for 270 00:14:33,280 --> 00:14:36,040 Speaker 1: Your Right was still a song, still an anthem. But 271 00:14:36,080 --> 00:14:39,040 Speaker 1: I remember watching Beastie Boys and going, Wow, those kind 272 00:14:39,040 --> 00:14:41,720 Speaker 1: of dorky white guys are rapping and they're doing rock. 273 00:14:41,960 --> 00:14:46,240 Speaker 1: That's cool. And so this is one of my most 274 00:14:46,280 --> 00:14:48,720 Speaker 1: listen to albums. I know every song on it, Girls 275 00:14:49,240 --> 00:14:53,600 Speaker 1: or No Sleep, too Right for Your Right, all of it, 276 00:14:54,200 --> 00:14:56,000 Speaker 1: hooting the blow of Fish, letter Cry, this is a 277 00:14:56,040 --> 00:14:58,200 Speaker 1: song in her Cry, but cracked review was the record 278 00:14:58,480 --> 00:15:04,760 Speaker 1: high school out twelfth grade. Every day wore out the tape. 279 00:15:05,360 --> 00:15:07,960 Speaker 1: I had the tape and I switched it, just turn it. 280 00:15:08,080 --> 00:15:11,400 Speaker 1: I didn't own this one. You didn't own one, but 281 00:15:11,440 --> 00:15:13,000 Speaker 1: all my friends had it. So I listened to it 282 00:15:13,000 --> 00:15:15,760 Speaker 1: all the time. I had played this tape so much 283 00:15:15,760 --> 00:15:17,600 Speaker 1: that it started to burn on the side of it. 284 00:15:17,840 --> 00:15:20,840 Speaker 1: All the all of the words were burning off the cassette. 285 00:15:20,920 --> 00:15:23,360 Speaker 1: It's like you couldn't read what cassette it was. And 286 00:15:23,440 --> 00:15:25,800 Speaker 1: I treated it like I do the office now. I 287 00:15:25,840 --> 00:15:28,080 Speaker 1: just watch it in real I just over and over again. 288 00:15:28,080 --> 00:15:30,840 Speaker 1: I don't fast forward, I don't skip. I would just 289 00:15:30,840 --> 00:15:33,480 Speaker 1: play every song off of it. And later in my 290 00:15:33,560 --> 00:15:36,680 Speaker 1: life I show a story I mentioned on the show. 291 00:15:36,800 --> 00:15:38,760 Speaker 1: Darius played an album cut for me at a show once. 292 00:15:38,920 --> 00:15:39,960 Speaker 1: I was like, man, I used to love that song 293 00:15:40,000 --> 00:15:41,920 Speaker 1: running from Angel. He's like, man, I thought about that 294 00:15:41,920 --> 00:15:44,160 Speaker 1: one in fifteen years. I didn't know he's gonna go 295 00:15:44,160 --> 00:15:45,200 Speaker 1: work it up. When it worked it up and they 296 00:15:45,240 --> 00:15:47,480 Speaker 1: played it at the show, now, it was really crazy. 297 00:15:47,960 --> 00:15:51,360 Speaker 1: It's yeah, so so far up. John Mayer continuing Beastie Boys, 298 00:15:51,360 --> 00:15:55,480 Speaker 1: Licensed Ill Hoodie and the Blowfish, which is cracked review. 299 00:15:56,080 --> 00:15:59,120 Speaker 1: And I started it's all most listened to albums and 300 00:15:59,120 --> 00:16:01,200 Speaker 1: different parts of my life life. As I can see here, 301 00:16:01,240 --> 00:16:04,640 Speaker 1: it's like kid then it was like high school. Then 302 00:16:04,680 --> 00:16:07,480 Speaker 1: it was the twenties, and so these are really the 303 00:16:07,560 --> 00:16:09,680 Speaker 1: leaders in the clubhouse for all of the stages of 304 00:16:09,720 --> 00:16:13,440 Speaker 1: my life. And as I were to go to my thirties, 305 00:16:13,920 --> 00:16:17,840 Speaker 1: like early mid thirties, it's same trailer, different part from 306 00:16:17,880 --> 00:16:22,800 Speaker 1: Casey Musgraves. Every song NonStop. You would come in a 307 00:16:22,920 --> 00:16:26,480 Speaker 1: lot talking about b sides or songs that no one 308 00:16:26,520 --> 00:16:28,320 Speaker 1: even knew existed on that album. Would be like, dude, 309 00:16:28,320 --> 00:16:29,640 Speaker 1: this is good to need should listen to that her 310 00:16:29,640 --> 00:16:32,960 Speaker 1: first record, and it's when we started here too, and 311 00:16:33,000 --> 00:16:35,120 Speaker 1: it was just all the time and her an old 312 00:16:35,120 --> 00:16:38,120 Speaker 1: dominion of my favorite country artists, like contemporary country artists, 313 00:16:38,680 --> 00:16:42,160 Speaker 1: and so this more than even Golden Hour, which one 314 00:16:42,200 --> 00:16:44,000 Speaker 1: all the awards, but I think Golden Now wouldn't have 315 00:16:44,000 --> 00:16:46,520 Speaker 1: existed had paget material which else to a Lot which 316 00:16:46,560 --> 00:16:49,600 Speaker 1: second one and obviously same trailer, different party, But I 317 00:16:49,600 --> 00:16:51,160 Speaker 1: think this is on my Mount Rushmore for most of 318 00:16:51,200 --> 00:16:54,400 Speaker 1: the two albums. And then the cheater was I did 319 00:16:54,440 --> 00:16:57,480 Speaker 1: live a citral part from Garth. It's a cheater because 320 00:16:57,480 --> 00:17:00,480 Speaker 1: it's the greatest it's but for many years I would 321 00:17:00,520 --> 00:17:03,520 Speaker 1: know the cheer parts, like the parts he would talk 322 00:17:04,119 --> 00:17:06,400 Speaker 1: because I would listen to this record so much. There's 323 00:17:06,440 --> 00:17:14,560 Speaker 1: shameless and I had the VHS and I'd watch him 324 00:17:14,600 --> 00:17:17,200 Speaker 1: swing out of the crowd, and I know it's the 325 00:17:17,240 --> 00:17:19,399 Speaker 1: greatest hits, But if I did have the c D, 326 00:17:20,160 --> 00:17:23,280 Speaker 1: the greatest hits the live and Central Park, no rules, 327 00:17:23,280 --> 00:17:25,119 Speaker 1: you can do whatever you want. This is on your 328 00:17:25,160 --> 00:17:27,239 Speaker 1: Mountain RuSHA, This is your Mount Rushmore, dude. I know. 329 00:17:27,440 --> 00:17:29,200 Speaker 1: And I don't even really like live albums that much 330 00:17:30,040 --> 00:17:34,440 Speaker 1: unless they're comedy albums. But if I were just really 331 00:17:34,440 --> 00:17:37,840 Speaker 1: tabulating what I listened to the most, um, it would 332 00:17:37,840 --> 00:17:41,680 Speaker 1: be Garth Livenst Park close. Next one up was Chili Peppers. 333 00:17:42,160 --> 00:17:46,240 Speaker 1: Oh which one um Sex Hot Magic, Yeah, that one 334 00:17:46,400 --> 00:17:50,159 Speaker 1: was a lot of that, a lot of Wheezer, Blue Record, Nirvana, 335 00:17:51,560 --> 00:17:55,080 Speaker 1: Um never Mind do you Nirvana? Do you like the 336 00:17:55,720 --> 00:17:59,440 Speaker 1: don't you like the Unplugged? My favorite record is Navana Unplugged, 337 00:17:59,560 --> 00:18:01,239 Speaker 1: But I be listening to never Mind a lot more 338 00:18:01,320 --> 00:18:06,959 Speaker 1: that that, baby. One favorite is Unplugged. Probably listening to 339 00:18:06,960 --> 00:18:10,520 Speaker 1: never Mind more though, So that's mine. John Mayer continuing 340 00:18:10,560 --> 00:18:14,320 Speaker 1: Beastie Boys Licensed Ill Hooting the Blowfish, Same Cracked review, 341 00:18:14,560 --> 00:18:18,040 Speaker 1: Casey Musgrave's Same trailer, different part, Garth Brooks Live in 342 00:18:18,080 --> 00:18:23,240 Speaker 1: Central Park. That's my five most listened to album, Mount Rushmore. 343 00:18:24,320 --> 00:18:26,680 Speaker 1: All right, Eddy, I brought you into also take part 344 00:18:26,720 --> 00:18:28,920 Speaker 1: in this. I believe that this is why we're such 345 00:18:29,000 --> 00:18:32,000 Speaker 1: good friends and we get along so well because it's 346 00:18:32,040 --> 00:18:34,800 Speaker 1: so similar. We did not talk about this beforehand, but 347 00:18:34,920 --> 00:18:37,439 Speaker 1: I'm starting with Garth Brooks Rope in the Win because 348 00:18:37,480 --> 00:18:41,240 Speaker 1: that was a cassette that was one of my first 349 00:18:41,240 --> 00:18:43,679 Speaker 1: cassettes ever. But and there's a theme too that I 350 00:18:43,760 --> 00:18:45,400 Speaker 1: found a lot of these artists that ended up being 351 00:18:45,400 --> 00:18:48,600 Speaker 1: my favorite artists of all time, and on their third record. 352 00:18:48,920 --> 00:18:51,880 Speaker 1: I really wasn't big on first Garth Brooks. I really 353 00:18:51,920 --> 00:18:56,439 Speaker 1: wasn't big on um well, no, Fences. It was. It 354 00:18:56,520 --> 00:18:59,240 Speaker 1: was big around like my school, and people always played it, 355 00:18:59,280 --> 00:19:01,679 Speaker 1: but I didn't buy it. But I started getting the 356 00:19:01,800 --> 00:19:03,560 Speaker 1: kind of the oh wow, man of the Garth Brothers, 357 00:19:03,600 --> 00:19:05,399 Speaker 1: this is really good stuff. But I didn't catch it 358 00:19:05,480 --> 00:19:07,679 Speaker 1: until the third album, Roping the Wind. So when I 359 00:19:07,720 --> 00:19:11,720 Speaker 1: bought Roping the Wind again, dude, I couldn't see the cassette, 360 00:19:11,800 --> 00:19:13,720 Speaker 1: the writing on the cassette. After a while, it was 361 00:19:13,760 --> 00:19:17,120 Speaker 1: worn out. And I remember that Garth was on Capitol 362 00:19:17,160 --> 00:19:20,080 Speaker 1: Records because after all of the ink had gone away 363 00:19:20,080 --> 00:19:22,280 Speaker 1: from the cassette, all that would stay was the Capitol 364 00:19:22,320 --> 00:19:25,320 Speaker 1: Records logo. That's how I remember that he was on 365 00:19:25,400 --> 00:19:29,359 Speaker 1: Capitol Records. But Roping the Wind to me number one 366 00:19:29,600 --> 00:19:32,679 Speaker 1: on my mount Rushmore. And also, if you bought music 367 00:19:32,720 --> 00:19:34,320 Speaker 1: back then you have to spend your own money on it, 368 00:19:35,080 --> 00:19:37,040 Speaker 1: you know. You talk about records you bought then became 369 00:19:37,080 --> 00:19:40,080 Speaker 1: your favorite. Then it was you felt even more so 370 00:19:40,200 --> 00:19:42,040 Speaker 1: like you were invested in it. You're getting your money's worth, 371 00:19:42,080 --> 00:19:44,159 Speaker 1: Like I spent this money, I better love it. If 372 00:19:44,160 --> 00:19:46,119 Speaker 1: I don't, I'm gonna force myself to love it, right 373 00:19:46,119 --> 00:19:48,680 Speaker 1: because I remember being at the record or the Walmart 374 00:19:48,760 --> 00:19:50,840 Speaker 1: even just kind of looking at like is it worth buying? 375 00:19:51,000 --> 00:19:52,960 Speaker 1: I don't know if I'm gonna listen to it that much. 376 00:19:53,600 --> 00:19:55,719 Speaker 1: First up Garth Brooks, Open the Wind Ye. Next up 377 00:19:55,720 --> 00:19:58,119 Speaker 1: in your album of Mount Rushmore. Most listened to my 378 00:19:58,200 --> 00:20:01,520 Speaker 1: all time favorite band again There third album, Pearl Jam 379 00:20:01,680 --> 00:20:07,600 Speaker 1: Vitology not their best album. I I was gonna say, 380 00:20:07,680 --> 00:20:09,080 Speaker 1: I like this album a lot, but I'm not a 381 00:20:09,080 --> 00:20:10,720 Speaker 1: hardcore Pearl Jam fan. And when I would say it's 382 00:20:10,720 --> 00:20:13,359 Speaker 1: my favorite album, people be like, no, man, this is 383 00:20:13,359 --> 00:20:15,800 Speaker 1: not the best album. This is I think when America 384 00:20:15,880 --> 00:20:18,800 Speaker 1: started to lose interest in Pearl Jam. But Again is 385 00:20:18,840 --> 00:20:21,240 Speaker 1: their third album, and I had found them. I had 386 00:20:21,359 --> 00:20:23,720 Speaker 1: heard all their other stuff, but this was my first 387 00:20:23,880 --> 00:20:26,479 Speaker 1: again record store commitment of all right, I'm gonna buy 388 00:20:26,520 --> 00:20:28,480 Speaker 1: a Pearl Jam. Did you buy the CD? Because I 389 00:20:28,760 --> 00:20:30,520 Speaker 1: bought the CD too. I got it from like Columbia, 390 00:20:30,640 --> 00:20:32,760 Speaker 1: That's where I got mine too, so and I remember 391 00:20:32,760 --> 00:20:35,760 Speaker 1: the dark cover. Yes, And they just said bytology and 392 00:20:35,800 --> 00:20:37,320 Speaker 1: like gold letters of a a yellow letters and were you 393 00:20:37,359 --> 00:20:38,960 Speaker 1: like me, were like, I don't know how to pronounce 394 00:20:39,000 --> 00:20:41,320 Speaker 1: that word. I don't even know what that word means. 395 00:20:41,320 --> 00:20:43,639 Speaker 1: Pretty pretty good at words, Oh, you're smart, Pretty good 396 00:20:43,640 --> 00:20:45,760 Speaker 1: at words. I just remember that bug song on there 397 00:20:46,240 --> 00:20:50,040 Speaker 1: him and Eddie Veteran accordion doing I want bugs. I 398 00:20:50,080 --> 00:20:52,800 Speaker 1: got bugs in my room. That's a good one. Yes, 399 00:20:52,920 --> 00:20:56,119 Speaker 1: that's um so all. That's Pearl Jam. Next. I'm shocked 400 00:20:56,119 --> 00:20:58,640 Speaker 1: that you didn't pick this. I know I couldn't put 401 00:20:58,640 --> 00:21:01,200 Speaker 1: to live. I couldn't put two great at tips because 402 00:21:01,359 --> 00:21:03,200 Speaker 1: this is why I didn't want to mention too Great, 403 00:21:03,200 --> 00:21:05,119 Speaker 1: because I felt like a sellout. But yes, I know 404 00:21:05,160 --> 00:21:07,000 Speaker 1: what you're gonna say. Well, the next three are greatest 405 00:21:07,040 --> 00:21:09,240 Speaker 1: hits albums because it's I can do whatever I want. 406 00:21:09,400 --> 00:21:13,560 Speaker 1: But I did Counting Crows Live Across the Wire, which 407 00:21:13,560 --> 00:21:15,399 Speaker 1: I call it across a live wire and I always 408 00:21:15,480 --> 00:21:17,680 Speaker 1: have Is that wrong? No? I don't know, Mike, what's 409 00:21:17,680 --> 00:21:19,439 Speaker 1: the official You're probably right. I just realized that I 410 00:21:19,440 --> 00:21:22,560 Speaker 1: call it across a live wire. Let me check this. 411 00:21:22,800 --> 00:21:24,320 Speaker 1: I'm not sure what it's called. But it was a 412 00:21:24,320 --> 00:21:28,000 Speaker 1: double disc set, Blue and Red, correct two different shows. 413 00:21:28,000 --> 00:21:31,960 Speaker 1: Blue was the acoustic VH one Storytellers. Red was the 414 00:21:32,520 --> 00:21:37,679 Speaker 1: MTVAN Live whatever it got. It was both in New 415 00:21:37,760 --> 00:21:41,160 Speaker 1: York City. Um dang, dude. So I was dating my 416 00:21:41,160 --> 00:21:43,800 Speaker 1: my girlfriend weird dating. She lived in Austin. I lived 417 00:21:43,800 --> 00:21:46,159 Speaker 1: in Huntsville, Texas going to Sam Houston State and I 418 00:21:46,160 --> 00:21:48,639 Speaker 1: would drive to visit her and this was my music 419 00:21:48,720 --> 00:21:51,520 Speaker 1: every single time, and I would time it out perfect. 420 00:21:51,760 --> 00:21:55,520 Speaker 1: Both both CDs would end that I listened to both 421 00:21:55,520 --> 00:21:56,840 Speaker 1: and it would be done as soon as I pulled 422 00:21:56,920 --> 00:21:58,960 Speaker 1: up to her house. It was perfect time. And this 423 00:21:59,040 --> 00:22:01,320 Speaker 1: with us is the record we probably quote the most 424 00:22:01,320 --> 00:22:06,639 Speaker 1: of each other. The talking parts Madam, hey, uh, my 425 00:22:06,680 --> 00:22:09,320 Speaker 1: favorite band, uh County Crows. It's the very beginning, the 426 00:22:09,320 --> 00:22:10,960 Speaker 1: guy who's doing the intro and at the end of 427 00:22:11,000 --> 00:22:14,159 Speaker 1: the Red album because like Adams talking about cleaning up 428 00:22:14,200 --> 00:22:16,960 Speaker 1: that discussing river, Hudson River, and he's like, don't wanna 429 00:22:17,000 --> 00:22:20,600 Speaker 1: think dogs, I've view being on the rope with Peters 430 00:22:19,960 --> 00:22:24,680 Speaker 1: blast Man, get a pamphlet when you walk said, this 431 00:22:24,760 --> 00:22:28,520 Speaker 1: record is what Michaels are called Across a Wire. Okay, 432 00:22:28,640 --> 00:22:31,520 Speaker 1: I got it right, Yeah, Live across Live, Across the Wire. 433 00:22:32,640 --> 00:22:35,720 Speaker 1: It's a great, great record. Again, it's the greatest hits. 434 00:22:35,720 --> 00:22:38,000 Speaker 1: It's live, so that would be my my live record. 435 00:22:38,200 --> 00:22:42,280 Speaker 1: And then number four, oh man, this is just anthem 436 00:22:42,359 --> 00:22:47,000 Speaker 1: of my beach life, Bob Marley. But it's legend so 437 00:22:47,040 --> 00:22:48,920 Speaker 1: to me, this is the greatest album of all time. 438 00:22:48,960 --> 00:22:52,000 Speaker 1: It's the greatest hits. But again I didn't wasn't around 439 00:22:52,000 --> 00:22:54,640 Speaker 1: when Bob Marley was producing hits, So to me, this 440 00:22:54,720 --> 00:22:57,120 Speaker 1: was the album to have. It's got jam in Three 441 00:22:57,160 --> 00:23:02,119 Speaker 1: Little Birds, It's got the Jamaica theme song of Is 442 00:23:02,200 --> 00:23:04,679 Speaker 1: This Love, It's all every every Bob Marley song that 443 00:23:04,880 --> 00:23:08,119 Speaker 1: everyone knows it's on. This album never been about Marley 444 00:23:08,160 --> 00:23:11,159 Speaker 1: gun weird. Yeah, I love Three Little Birds like a 445 00:23:11,160 --> 00:23:13,720 Speaker 1: couple of big, big, big ones, but never all the 446 00:23:13,760 --> 00:23:15,760 Speaker 1: songs sounds so the same to me. It's got the 447 00:23:15,800 --> 00:23:19,320 Speaker 1: same rhythm for the most far little upbeat rhythm, reggae beat. 448 00:23:19,440 --> 00:23:21,359 Speaker 1: But you did grow up on the beach though I 449 00:23:21,400 --> 00:23:23,480 Speaker 1: did well. I grew up forty five minutes from South Padre, 450 00:23:23,640 --> 00:23:25,720 Speaker 1: so like that was my life. And it leads to 451 00:23:25,760 --> 00:23:28,960 Speaker 1: my fifth my fifth route Mount Rushmore, which is Jimmy 452 00:23:29,000 --> 00:23:33,960 Speaker 1: Buffett Waste. It's the greatest hits. It this songs I 453 00:23:33,960 --> 00:23:36,800 Speaker 1: know by heart. Again, wasn't around by when jimm Buffett 454 00:23:36,840 --> 00:23:39,800 Speaker 1: was making hits. But high school to me, man, I mean, 455 00:23:39,800 --> 00:23:42,199 Speaker 1: it was just me and my buddies. We we like 456 00:23:42,320 --> 00:23:45,199 Speaker 1: to surf and we like to underage drink, and I 457 00:23:45,240 --> 00:23:48,399 Speaker 1: feel like that was what Jimmy Buffett always talked about, 458 00:23:48,400 --> 00:23:52,240 Speaker 1: the ocean life, fishing, drinking, Marguerite de Ville, whatever. It's 459 00:23:52,280 --> 00:23:53,679 Speaker 1: kind of just how I live my life. So we 460 00:23:53,680 --> 00:23:56,560 Speaker 1: would play his music all the time, and I remember, 461 00:23:57,320 --> 00:23:59,480 Speaker 1: I mean, Jimmy Buffet's got some curse words and some songs. 462 00:23:59,520 --> 00:24:03,159 Speaker 1: He's songs about weed or whatever. And my dad he's like, 463 00:24:03,160 --> 00:24:04,960 Speaker 1: I really like this music. Let me borrow your CD. 464 00:24:05,080 --> 00:24:07,200 Speaker 1: And he went and put it in his car and 465 00:24:07,280 --> 00:24:08,560 Speaker 1: listen to what. He came back, He's like, I don't 466 00:24:08,560 --> 00:24:10,560 Speaker 1: want you to listen to this crap ever again. I'm like, Dad, 467 00:24:10,560 --> 00:24:12,960 Speaker 1: come on, it's so good, but I'll never forget. My 468 00:24:13,040 --> 00:24:15,280 Speaker 1: dad wanted to actually, for the first time in his life, 469 00:24:16,000 --> 00:24:17,520 Speaker 1: listen to what I was listening to. That was a 470 00:24:17,520 --> 00:24:19,960 Speaker 1: big step because my dad doesn't like music. And he 471 00:24:20,040 --> 00:24:21,520 Speaker 1: was like, let me, I mean, borrow that CD. I 472 00:24:21,560 --> 00:24:23,240 Speaker 1: like the way that sounds. He came back, like, you 473 00:24:23,240 --> 00:24:26,639 Speaker 1: can take that back. I don't want that. That's funny. Yeah, alright. 474 00:24:26,720 --> 00:24:28,760 Speaker 1: You have Garth books, Open the Wind, Pearl, jam Bitology, 475 00:24:28,880 --> 00:24:32,760 Speaker 1: Counting Crows Across the Wire, if three greatest hits wreck, 476 00:24:32,760 --> 00:24:34,200 Speaker 1: I'm not gonna call you a sellout because you can 477 00:24:34,200 --> 00:24:38,680 Speaker 1: make the rules. Bob Marley Legend and Jimmy Buffett songs 478 00:24:38,720 --> 00:24:40,520 Speaker 1: you know by heart. Mike D. Starn Is up here 479 00:24:40,560 --> 00:24:43,800 Speaker 1: real quick, Mike dy go, you're much more the punk guy. 480 00:24:44,359 --> 00:24:49,760 Speaker 1: Yours is number one Lameria Get better. I don't want 481 00:24:49,760 --> 00:24:51,960 Speaker 1: to hear this. And I know he loves him, but 482 00:24:52,960 --> 00:24:54,800 Speaker 1: you got their tattoo on my arm? Yeah he does. 483 00:24:54,840 --> 00:24:56,760 Speaker 1: That's why I know him, just from his tattoo. Mike 484 00:24:56,880 --> 00:25:02,000 Speaker 1: is this is the tattoo from this album? Do you 485 00:25:02,240 --> 00:25:05,120 Speaker 1: direct message with him? Yeah? Your friends with him? Yeah, 486 00:25:05,160 --> 00:25:10,240 Speaker 1: a little bit. It's kind of cool. Did they sell where? 487 00:25:10,240 --> 00:25:16,080 Speaker 1: Do they sell? Like big punk clubs? Are they pretty 488 00:25:16,080 --> 00:25:19,080 Speaker 1: big in the punk world? Yeah, they're pretty big. What 489 00:25:19,160 --> 00:25:21,359 Speaker 1: else you got? I have a Blink one eight two 490 00:25:21,400 --> 00:25:24,600 Speaker 1: inema the State. Oh that was a good one. Come on. 491 00:25:25,320 --> 00:25:26,959 Speaker 1: I used to college radio and play this one all 492 00:25:26,960 --> 00:25:28,879 Speaker 1: the time and play this whole record. This is the 493 00:25:29,000 --> 00:25:30,879 Speaker 1: porn star on the cover, right, but then she's in 494 00:25:30,920 --> 00:25:35,359 Speaker 1: the nurse outfit? Is it? Jenna Jamison? That's it. I 495 00:25:35,400 --> 00:25:39,880 Speaker 1: don't think I forget who I know. So few porn 496 00:25:39,960 --> 00:25:42,199 Speaker 1: people they have to like cross into pop culture. Weal 497 00:25:42,240 --> 00:25:43,520 Speaker 1: for me to know who it is. She did for 498 00:25:43,520 --> 00:25:45,399 Speaker 1: a little bit after that, I forgot her name. It's 499 00:25:45,400 --> 00:25:47,760 Speaker 1: not Jenna Jamison though it's the only one I know. 500 00:25:48,960 --> 00:25:51,399 Speaker 1: Did Jenna Jamison do porn anymore? I don't think so. 501 00:25:53,040 --> 00:25:56,240 Speaker 1: She's married to Jannine Linda muled Er. Oh yeah, no 502 00:25:56,280 --> 00:25:59,879 Speaker 1: idea she was married to like Tito Ortiz. Okay, so 503 00:26:00,000 --> 00:26:01,560 Speaker 1: link one I to n M of State. Not only 504 00:26:01,600 --> 00:26:03,800 Speaker 1: had What's mage again? But did it have all the 505 00:26:03,800 --> 00:26:06,800 Speaker 1: small small things? Come on? Yeah? What else you have 506 00:26:06,880 --> 00:26:11,440 Speaker 1: on there? Had um aliens exist? But any think any 507 00:26:11,480 --> 00:26:15,760 Speaker 1: other singles that I wouldn't know? Uh? Adams song? Oh yeah? 508 00:26:16,000 --> 00:26:20,360 Speaker 1: How does that one? Sad? I never thought I die alone? 509 00:26:24,359 --> 00:26:26,360 Speaker 1: I knew that one? All right? What else? And then 510 00:26:26,359 --> 00:26:34,000 Speaker 1: I have a newfound glory sticks and stones? Every Is 511 00:26:34,040 --> 00:26:36,879 Speaker 1: this my friends over you? Yeah? I choose my friends 512 00:26:36,960 --> 00:26:49,680 Speaker 1: over Yeah that's my jam man turn that up? My 513 00:26:49,800 --> 00:26:53,040 Speaker 1: friends over yeah? Yeah, that's the sixth grade for me. 514 00:26:53,160 --> 00:26:56,640 Speaker 1: Mike do you mash? He puts on his Instagram story. 515 00:26:57,040 --> 00:26:58,919 Speaker 1: It's my that's my favorite thing. That's why I go 516 00:26:58,960 --> 00:27:01,359 Speaker 1: to these shows. Do you punch kick or just you 517 00:27:01,400 --> 00:27:03,560 Speaker 1: just push? You get up front, you sing out loud 518 00:27:03,560 --> 00:27:08,000 Speaker 1: and then you you know, don though it's fun l 519 00:27:08,040 --> 00:27:11,320 Speaker 1: O l at his washing Instagram stories because he's quiet. 520 00:27:11,960 --> 00:27:15,399 Speaker 1: It's yeah, it's like just a great release of his energy, 521 00:27:15,480 --> 00:27:17,760 Speaker 1: and everybody else is like it's it's a fun thing. 522 00:27:17,840 --> 00:27:19,800 Speaker 1: Nobody's like trying to hurt it. Okay, you all respect 523 00:27:19,800 --> 00:27:23,159 Speaker 1: each other, and somebody falls, you pick them up. Nobody 524 00:27:23,200 --> 00:27:28,159 Speaker 1: respects anybody equally. Whoa or that equally? Though? But I 525 00:27:28,200 --> 00:27:30,199 Speaker 1: mean some shows like people like spit and stuff that's 526 00:27:30,240 --> 00:27:32,919 Speaker 1: kind of gross. Uh, what else you got? I have 527 00:27:33,040 --> 00:27:39,359 Speaker 1: a post Malone stony his first album, Mighty Love, Mighty 528 00:27:39,400 --> 00:27:43,320 Speaker 1: Love post Malone before post Malone was a big thing. 529 00:27:44,160 --> 00:27:46,880 Speaker 1: His SoundCloud is when I found him like way way way, 530 00:27:47,280 --> 00:27:49,600 Speaker 1: first single ever, and I was like, post Malone is awesome. 531 00:27:49,640 --> 00:27:52,680 Speaker 1: And then maybe like a few years ago people already 532 00:27:52,720 --> 00:27:55,040 Speaker 1: knowing him. Are there any hits on this album? Yeah, 533 00:27:55,040 --> 00:27:57,440 Speaker 1: this one, I've never heard it. Have you ever heard 534 00:27:57,480 --> 00:28:02,359 Speaker 1: the song? No? Man, I guess I only know this 535 00:28:02,359 --> 00:28:07,120 Speaker 1: stuff from a year ago. Well that's like that's all 536 00:28:07,160 --> 00:28:10,960 Speaker 1: I know. Um, all right, give me one more mind, 537 00:28:11,119 --> 00:28:13,680 Speaker 1: you're your your mount Rushmore And I have Kanye West, 538 00:28:13,760 --> 00:28:18,960 Speaker 1: My Beautiful, dark, Twisted Fantasy yeah, this record was your favorite, 539 00:28:18,960 --> 00:28:21,720 Speaker 1: It was my favorite. I listen to it the most, 540 00:28:21,840 --> 00:28:23,800 Speaker 1: maybe my least fit. You know what, the new one. 541 00:28:24,119 --> 00:28:26,920 Speaker 1: I don't like the new one, like no, I don't 542 00:28:26,960 --> 00:28:29,640 Speaker 1: care if it's secular, non secular and just just give 543 00:28:29,680 --> 00:28:31,560 Speaker 1: me good stuff. I just don't think his new albums 544 00:28:31,600 --> 00:28:35,120 Speaker 1: like good, like four times not into it. I love 545 00:28:35,200 --> 00:28:40,080 Speaker 1: Kanye too, by the way. Love then my beautiful dark 546 00:28:40,080 --> 00:28:42,080 Speaker 1: Twists of Fantasy is fine. I like eight O eight 547 00:28:42,120 --> 00:28:44,959 Speaker 1: and Heartbeats RB it's whatever better And people didn't love 548 00:28:45,000 --> 00:28:47,680 Speaker 1: that one. What made this album so different? It's darker 549 00:28:48,000 --> 00:28:52,040 Speaker 1: and like the beats are just like crazy. It's a 550 00:28:52,040 --> 00:28:58,280 Speaker 1: great song. I would run to this. What was the 551 00:28:58,600 --> 00:29:02,480 Speaker 1: is it? Heart eight? Heartbeats all right? Heartbeats and waits 552 00:29:02,480 --> 00:29:05,800 Speaker 1: and heartbreaks heartbreaks? Yeah. And then I saw him live 553 00:29:05,840 --> 00:29:07,720 Speaker 1: when he around this album, so it also kind of 554 00:29:07,720 --> 00:29:10,880 Speaker 1: stuck with me. Well, there you go. That musical is 555 00:29:10,920 --> 00:29:13,000 Speaker 1: kind of how we all fall. I like it. There 556 00:29:13,120 --> 00:29:14,720 Speaker 1: there's a constant theme to all of us. I like 557 00:29:14,800 --> 00:29:17,680 Speaker 1: it's kind of cool. Which that theme is just different 558 00:29:17,720 --> 00:29:21,080 Speaker 1: themes like mine was beach yours is your life life? 559 00:29:21,160 --> 00:29:24,520 Speaker 1: Very life driven through minds, different chapters of my life 560 00:29:24,840 --> 00:29:26,840 Speaker 1: yours is the Beach and Mike D's is I'm a 561 00:29:26,840 --> 00:29:29,440 Speaker 1: twelve year old locked on my parents basement, just trying 562 00:29:29,440 --> 00:29:32,240 Speaker 1: to be heard. I love it alright. I appreciate everybody 563 00:29:32,280 --> 00:29:34,720 Speaker 1: hanging out for this episode. You can check Eddie out 564 00:29:34,760 --> 00:29:38,400 Speaker 1: on the Sore Losers sports podcast and where do you 565 00:29:38,400 --> 00:29:40,000 Speaker 1: listen to your podcast? Check it out Sore Losers. You 566 00:29:40,000 --> 00:29:41,320 Speaker 1: guys do how many shows a week? You guys do? 567 00:29:41,360 --> 00:29:43,080 Speaker 1: We do five? We do try to do five and 568 00:29:43,080 --> 00:29:45,720 Speaker 1: if ever we have like something come up or whatever, 569 00:29:45,760 --> 00:29:47,160 Speaker 1: we'll do for but for the most part we do 570 00:29:47,200 --> 00:29:49,520 Speaker 1: five a week. Check that out. Good. Good to have 571 00:29:49,600 --> 00:29:51,360 Speaker 1: you jump in, Eddie, Thanks man, thanks for having me that. 572 00:29:51,760 --> 00:29:55,440 Speaker 1: Everybody for checking it out. And I don't forget On Monday, 573 00:29:55,600 --> 00:29:58,960 Speaker 1: our boy Blanco Brown will be in Yeah, and he 574 00:29:59,000 --> 00:30:01,120 Speaker 1: does the get Up, but we do an hour long 575 00:30:01,160 --> 00:30:03,920 Speaker 1: talk about his life. Really interesting story, interesting guy. Thank 576 00:30:03,920 --> 00:30:05,320 Speaker 1: you very much. Let me encourage you to to check out 577 00:30:05,360 --> 00:30:07,400 Speaker 1: Ingred Andrews that podcast. Let me encourage to check out 578 00:30:07,400 --> 00:30:09,640 Speaker 1: Thomas Rhett. We did one with him, maybe our most 579 00:30:09,680 --> 00:30:14,680 Speaker 1: listened to ever. Thomas Rhett oneret Maybe the first Jacowen 580 00:30:14,720 --> 00:30:17,000 Speaker 1: would have had bigger numbers, but we moved all of 581 00:30:17,040 --> 00:30:20,280 Speaker 1: our podcasts over to a new county, so you lost 582 00:30:20,280 --> 00:30:22,360 Speaker 1: some of that, We lost some of it. It's like baseball, 583 00:30:23,360 --> 00:30:25,840 Speaker 1: you know, there are different stages where it's like in 584 00:30:25,840 --> 00:30:29,760 Speaker 1: the modern era, in the steroid era, right right, but 585 00:30:29,800 --> 00:30:31,560 Speaker 1: you gotta get rid of all those numbers. Thank you 586 00:30:31,600 --> 00:30:33,520 Speaker 1: guys for hanging out here on the Bobbycast. Appreciate you. 587 00:30:35,360 --> 00:30:35,400 Speaker 1: M