WEBVTT - One on One: Arielle Kebbel

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<v Speaker 1>I am all Inlets.

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<v Speaker 2>You, I am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I Am all in podcast one

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<v Speaker 1>eleven productions I Heart Radio. We are going to speak

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<v Speaker 1>with the one, the Only Ariel Kebble, who played the

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<v Speaker 1>role of Lindsay Lister for nine episodes from two thousand

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<v Speaker 1>and three to two thousand and four. She is a

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<v Speaker 1>stars Hollow teen, a local teen who attends stars Hollow

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<v Speaker 1>High with Lane and Dean, and attended primary school with

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<v Speaker 1>Rory as well. She starts dating Dean Forrester after his

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<v Speaker 1>relationship with Rory ends, and they marry in two thousand

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<v Speaker 1>and three, but divorce a year later after Lindsay discovers

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<v Speaker 1>that Dean cheated on her with Rory. And we have

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<v Speaker 1>a little hat, a little bit to say about that,

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<v Speaker 1>didn't we. The first time we see Ariel is Lindsay

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<v Speaker 1>is in season three, episode fifteen, Face Off. The last

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<v Speaker 1>time we see is season five, episode two, A Messenger

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<v Speaker 1>nothing More. She has starred in a number of films

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<v Speaker 1>and buck fastin your Seat Belts. She's got quite the resume.

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<v Speaker 1>She's been in prestigious film festivals such as Brooklyn Brothers,

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<v Speaker 1>Beat The Best, I Melt With You, starring Rob Low

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<v Speaker 1>and Jeremy Piven supporting characters, which premiered in twenty twelve

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<v Speaker 1>Tribeca Film Festival. She played Gia Matteo in a final

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<v Speaker 1>installment of Fifty Shades of Gray saga, Fifty Shades Freed,

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<v Speaker 1>which premiered February twenty eighteen, breaking box office records. Her

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<v Speaker 1>other film credits include John Tucker Must Die, The Uninvited,

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<v Speaker 1>The Grudge, To Think Like a Man, An Aquamarine. Most recently,

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<v Speaker 1>Ariel can be seen playing Lucy Otto and Fox's Nine

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<v Speaker 1>to one one, and Kimberly in Netflix's After We Fell

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<v Speaker 1>and After Ever Happy. In twenty twenty, she played the

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<v Speaker 1>lead role of Amelia in the NBC series Lincoln Rhyme

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<v Speaker 1>Hunt for the Bone Collector. On the small screen, she

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<v Speaker 1>started opposite Dwayne Johnson and the HBO hit series Ballers.

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<v Speaker 1>She also caught the attention of critics and audiences alike

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<v Speaker 1>with her scene stealing turn as the villainous Brittany in

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<v Speaker 1>lifetimes critically acclaimed series Unreal, a performance which Entertainment Weekly

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<v Speaker 1>cited is one of the best of twenty and fifteen.

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<v Speaker 1>Ariel is perhaps most familiar to television audiences from her

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<v Speaker 1>role in the CW's The Vampire Diaries, which she played

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<v Speaker 1>Lexi Branson. Additional television credits include My God, This Girl

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<v Speaker 1>Works a Lot, Uh, recurring roles on Gilmore Girl's Life, Unexpected,

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<v Speaker 1>Grounded for Life, The League, The Grinder, CW's nine O

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<v Speaker 1>two one zero, as well as guest starring roles on

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<v Speaker 1>True Blood, Hawaii five zero, Law and Order SVU. Let

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<v Speaker 1>me take a breath, Let us welcome. Ariel Kebble. Hey, Hey,

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<v Speaker 1>how you doing?

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<v Speaker 3>Long time no talk?

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<v Speaker 1>You haven't aged? What's going on? What's happening? Where are you?

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<v Speaker 1>Where do you live?

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<v Speaker 3>I live in New York.

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<v Speaker 1>You're in New York and you have an aged This

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<v Speaker 1>is not possible.

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<v Speaker 3>Well that's very kind of view.

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<v Speaker 1>I just I just got back from New York. I

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<v Speaker 1>was in New York for three days. A city is

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<v Speaker 1>has come to life.

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<v Speaker 3>Again, it has it has. What were you doing in

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<v Speaker 3>New York?

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<v Speaker 1>We were doing the sort of a scale down upfront

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<v Speaker 1>for I'm on a new show that the CW picked up,

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<v Speaker 1>and they're going to add to their fall schedule, so

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<v Speaker 1>they brought brought us there to meet you know you

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<v Speaker 1>know to hobnob and do well relations.

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<v Speaker 3>I love New York. I'm a little I call it

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<v Speaker 3>fake up state. I'm about fifteen minutes outside the city

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<v Speaker 3>on lands.

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<v Speaker 2>Yeah.

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<v Speaker 1>Well good, that's a good place to be. That's beautiful

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<v Speaker 1>country up there.

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<v Speaker 3>Yeah.

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<v Speaker 1>A lot of farms, a lot of it's just great

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<v Speaker 1>suburbs and trees and lakes and forests. It's wonderful.

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<v Speaker 3>It is. I grew up riding horses, and I am

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<v Speaker 3>very passionate about horse rescue. I work with an organization

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<v Speaker 3>called Skydog Sanctuary. They're out west in Malibu and Oregan.

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<v Speaker 3>They help rescue wild horses from slaughter and roundups. And

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<v Speaker 3>a lot of people don't know our tax dollars go

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<v Speaker 3>to these roundups every single year, and it's unfortunately very political.

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<v Speaker 3>We can we won't. Well, I know we're here to

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<v Speaker 3>talk about Gilmore girls.

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<v Speaker 1>No, no, you talk about anything you want, talking about

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<v Speaker 1>anything you want.

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<v Speaker 3>But it's it's a it's a huge passion of mine,

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<v Speaker 3>and it's you know, we America used to have two

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<v Speaker 3>million wild horses and now we have like under fifty thousand.

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<v Speaker 3>There's over sixty thousand in holding, and it's just a

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<v Speaker 3>really horrible situation that we need to fix. And so

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<v Speaker 3>part of me being out here is being on land

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<v Speaker 3>and working with horses. And I rescued my first must

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<v Speaker 3>saying through Skydog recently, and so it's been a huge,

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<v Speaker 3>huge life change, but something I just I feel I

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<v Speaker 3>need to be doing.

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<v Speaker 1>Yeah. Great, and it's called Skydog. Is there a website

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<v Speaker 1>Skydog dot Commerce.

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<v Speaker 3>There is Skydog Sanctuary, very huge on Instagram and Facebook.

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<v Speaker 3>You also have a website and Claire Staples is the

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<v Speaker 3>founder and she is the real deal. She is horsewoman

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<v Speaker 3>through and through.

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<v Speaker 1>Fantastic. Well, congratulations, I hope it's going well. People can

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<v Speaker 1>go there and donate if they want. I guess, oh

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<v Speaker 1>you'll donate. Donations are always accepted and appreciated. But let's

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<v Speaker 1>let's talk about Gilmore. Let's get into it a little bit. Lindsey,

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<v Speaker 1>you are much discussed over here, let me tell you.

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<v Speaker 1>And then here you are here on the hot seat.

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<v Speaker 1>I think one one, I think we're more on the

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<v Speaker 1>hot seat than you are.

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<v Speaker 3>Yeah. Well, I have to say when I heard you

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<v Speaker 3>guys you all asked me on. I was thrilled because

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<v Speaker 3>I know you've had so many amazing guests come on,

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<v Speaker 3>and I feel like, you know, it's just time Lindsay

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<v Speaker 3>gets her day in court, you.

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<v Speaker 1>Know, Lindsay Lindsay. You know, here's the thing I think

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<v Speaker 1>about Lindsay was how they structured her story, forced me

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<v Speaker 1>to root for Dean and Rory, and then after the fact,

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<v Speaker 1>after the damage was done to the marriage, to everybody's lives,

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<v Speaker 1>then they start to develop your character and then people

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<v Speaker 1>then we start to like you and then empathize with you.

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<v Speaker 1>And I just thought that was I don't know, it

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<v Speaker 1>was a little tricky for me.

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<v Speaker 3>You know, it was tricky. It was tricky, and I

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<v Speaker 3>think you know, I was so young. That was my

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<v Speaker 3>first job. I moved from Florida to Los Angeles for

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<v Speaker 3>that job, right, I was seventeen years old. My first

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<v Speaker 3>day on set, my mom was still with me, you know.

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<v Speaker 3>So and as the show went on, you know, I

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<v Speaker 3>became an adult on set. But I was so young

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<v Speaker 3>and I was so thrilled to be part of the show.

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<v Speaker 3>I just I showed up every day just wanting to

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<v Speaker 3>learn and do the best that I could and absorb

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<v Speaker 3>everything that was happening around me. So it's funny it

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<v Speaker 3>even for me, and like, of course, I didn't love

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<v Speaker 3>what happened to Lindsay. But I think I also just

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<v Speaker 3>understood the story in terms of, like, yeah, the two

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<v Speaker 3>leads are the love interests, you know. You know, like

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<v Speaker 3>so I never really took it personally that way, but

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<v Speaker 3>I don't think it was until later, in this kind

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<v Speaker 3>of resurgence and people finding the show again and looking

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<v Speaker 3>back at clips that I'm like, my god, that was awful,

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<v Speaker 3>Like yeah, the way that they pegged her. I mean,

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<v Speaker 3>like the you know, like like I was just rewatching

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<v Speaker 3>the scene to get to remind myself. I'm like, Okay,

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<v Speaker 3>how bad was that dinner scene? And it's like he

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<v Speaker 3>comes home from being with Rory and she's like, my

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<v Speaker 3>mom made gummy bear brownies, you know, and I'm like,

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<v Speaker 3>oh my god, like you yes, I had to this character.

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<v Speaker 3>It was a very challenging. I had to be likable,

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<v Speaker 3>but I was such a victim. But I was also

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<v Speaker 3>like painted as like this goody two shoes who just

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<v Speaker 3>like makes brownies with gummy bears and pot roast, and like,

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<v Speaker 3>you know, it's like, how how can you like that?

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<v Speaker 3>That's so annoying?

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<v Speaker 1>Man. That was an unforgiving role.

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<v Speaker 3>It was just so yeah, So I it was hard

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<v Speaker 3>and then but in retrospect, I'm I it's like, man,

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<v Speaker 3>I would like to see I would like to see

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<v Speaker 3>Lindsay's redemption. You know, it really wasn't She wasn't get

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<v Speaker 3>a full shot. I don't think she was given a full,

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<v Speaker 3>like well full, well rounded character. And I understand that

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<v Speaker 3>that's kind of for the story sake, but and I

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<v Speaker 3>think I just got so used to people hating me

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<v Speaker 3>that I was like, yeah, well that's my job.

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<v Speaker 1>I'm really for character development. I don't care if it's

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<v Speaker 1>a smaller role or it's a role that's not going

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<v Speaker 1>to last. And they know that, but I just, you know,

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<v Speaker 1>just I want to see the character developed. I want

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<v Speaker 1>to get to know or I want to see them

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<v Speaker 1>in a relationship. I want to see their struggles. Otherwise,

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<v Speaker 1>how do we take the ride? And then we become

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<v Speaker 1>very biased and it's just sort of manipulative. It feels manipulative.

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<v Speaker 1>I don't know, I was somewhat We discussed the Rory

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<v Speaker 1>Dean drama the Lindsay drama at length, we really did so. Anyway,

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<v Speaker 1>so you're seventeen years old, you're coming from floor, you're

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<v Speaker 1>acting in Florida, you're doing high school plays, I assume,

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<v Speaker 1>and you're and everybody's saying how amazing you are? And

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<v Speaker 1>how do you go from Florida to Hollywood with your mom?

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<v Speaker 1>How does that? How does that happen?

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<v Speaker 3>Well, I funny, I actually wasn't doing plays. My sister

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<v Speaker 3>was doing plays. I was doing more commercials and music

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<v Speaker 3>videos and anything I could, a lot of modeling, you know,

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<v Speaker 3>anything I could to understand what the set experience was like.

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<v Speaker 3>And then uh, and I was in very serious acting classes.

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<v Speaker 3>I had taken myself out of public school and put

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<v Speaker 3>myself in a private performing art school so I could

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<v Speaker 3>graduate early. My parents taught me I had to reinvest

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<v Speaker 3>any money and made from the business into my business.

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<v Speaker 3>So like I was paying for I was helping pay

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<v Speaker 3>for my school, I was paying for headshots. I was,

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<v Speaker 3>you know, really working towards making this my career.

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<v Speaker 1>You're really motivated at a young age, Yeah, I was.

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<v Speaker 3>I was, And because in the back of my mind,

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<v Speaker 3>I just thought, the sooner I go out there and

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<v Speaker 3>try this, the sooner I'm going to know if it

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<v Speaker 3>works or not, and I can get on with my life.

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<v Speaker 3>So for me, I was never I was always a

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<v Speaker 3>great student. I was never interested in college. But it

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<v Speaker 3>wasn't because I didn't love school. It was because I

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<v Speaker 3>was like, I just need to get out here and

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<v Speaker 3>try this, and I don't want to waste time because

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<v Speaker 3>if it doesn't work, I need to find a different career,

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<v Speaker 3>you know. And then I had agents that would put

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<v Speaker 3>me on tape for things, so it was Freaky. I

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<v Speaker 3>tested for Freaky Friday. They flew me to LA I

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<v Speaker 3>didn't get me. But then I came back for Mean Girls.

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<v Speaker 3>I didn't get it. Then I came back for Mean Girls.

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<v Speaker 3>I was close on that. Somewhere along the way my

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<v Speaker 3>tape got passed around. I got representation, and then my

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<v Speaker 3>agent sent me a VHS remember those ed and they said, hey,

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<v Speaker 3>there's this show, the Gilmour Girls on the WB I

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<v Speaker 3>missed that little dancing frog and they said right and

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<v Speaker 3>uh and they said, hey, the only requirements are you

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<v Speaker 3>have to talk fast and you have to be five

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<v Speaker 3>eight or taller. And I was like, in my mind,

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<v Speaker 3>I'm like great in the bag, I got this. And

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<v Speaker 3>then so just timing wise, I said, hey, I want

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<v Speaker 3>to finish my life in Florida and then move out

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<v Speaker 3>for pilot season, which would coincide with this audition. So

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<v Speaker 3>that's what we did. We packed up the car my

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<v Speaker 3>mom and I packed our record player in records and

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<v Speaker 3>and I went to l A and I had the

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<v Speaker 3>audition the next day, and then a week later I

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<v Speaker 3>was on set.

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<v Speaker 1>Who is it? Who is it? The audition?

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<v Speaker 3>It was Kenny Ortega, he was checking the episodes, and

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<v Speaker 3>it was Amy and Dan, I think, the casting director

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<v Speaker 3>and casting associate. And it was interesting. I bombed my

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<v Speaker 3>first and I wanted to run out of the room,

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<v Speaker 3>and he put his hand down almost like kind of

0:13:04.360 --> 0:13:07.200
<v Speaker 3>stopped me at the door, and he said get back

0:13:07.240 --> 0:13:10.280
<v Speaker 3>in here. He's like, take a breath, and he goes,

0:13:10.360 --> 0:13:12.680
<v Speaker 3>put yourself in this girl's shoes. You can do this.

0:13:12.840 --> 0:13:15.560
<v Speaker 3>I know you can. And he said, she feels awkward.

0:13:15.840 --> 0:13:18.600
<v Speaker 3>It was the scene the audition scene was when I

0:13:18.720 --> 0:13:21.520
<v Speaker 3>run into Rory at the ice skating at the ice

0:13:21.559 --> 0:13:24.480
<v Speaker 3>hockey rink and I know that I'm with Dean, but

0:13:24.520 --> 0:13:27.640
<v Speaker 3>I know that she doesn't know yet, and so I'm

0:13:27.640 --> 0:13:31.200
<v Speaker 3>a little awkward and she doesn't know why. And I

0:13:31.280 --> 0:13:33.760
<v Speaker 3>did a take two and it was like something came

0:13:33.800 --> 0:13:36.920
<v Speaker 3>from above and it channeled through me and I knew

0:13:36.920 --> 0:13:39.200
<v Speaker 3>when I walked out of that room. I felt so

0:13:39.440 --> 0:13:42.640
<v Speaker 3>good and I felt so grateful to Kenny and to

0:13:42.720 --> 0:13:46.240
<v Speaker 3>the entire team in the room that allowed this space

0:13:46.440 --> 0:13:50.080
<v Speaker 3>to work, you know, to work through it that I

0:13:50.120 --> 0:13:53.040
<v Speaker 3>said I'm gonna be okay, and truly in that moment,

0:13:53.440 --> 0:13:54.760
<v Speaker 3>I'm in sure. Of course, I would have lowed to

0:13:54.800 --> 0:13:57.520
<v Speaker 3>get the roll, but I didn't. I knew I was

0:13:57.600 --> 0:13:59.320
<v Speaker 3>up against so much. I didn't really expect to get

0:13:59.360 --> 0:14:02.320
<v Speaker 3>the roll. I just felt amazing that I knew I

0:14:02.400 --> 0:14:04.000
<v Speaker 3>was in LA for a reason. I'm like, I can

0:14:04.080 --> 0:14:06.560
<v Speaker 3>do this, you know, and then the cherry on top

0:14:06.720 --> 0:14:07.240
<v Speaker 3>was getting it.

0:14:08.160 --> 0:14:12.920
<v Speaker 1>Wow. All right, first down set, you meet Jared, right, Yeah,

0:14:13.000 --> 0:14:13.679
<v Speaker 1>what was I like?

0:14:14.920 --> 0:14:19.160
<v Speaker 3>Well, I had this thing when I was younger where

0:14:19.200 --> 0:14:22.680
<v Speaker 3>I tried to like be cool all the time, or

0:14:22.720 --> 0:14:27.160
<v Speaker 3>like hide my nerves with being cool. So we're in

0:14:27.280 --> 0:14:29.160
<v Speaker 3>I meet him for the first time in hair makeup

0:14:29.160 --> 0:14:35.360
<v Speaker 3>trailer and I'm just trying to act cool and I'm like, oh, hey, Dean,

0:14:35.440 --> 0:14:39.560
<v Speaker 3>what's up? So I'll be working with you anyways, Dean,

0:14:39.600 --> 0:14:43.000
<v Speaker 3>do you want to talk about the scene? And you know,

0:14:43.040 --> 0:14:45.280
<v Speaker 3>he's very he's being very nice back to me, and

0:14:45.440 --> 0:14:50.400
<v Speaker 3>finally he goes, my name's Jared, and I had been

0:14:50.520 --> 0:14:56.040
<v Speaker 3>so nervous. I had been calling him by his character name. Hey,

0:14:56.240 --> 0:14:58.760
<v Speaker 3>that's a your makeup trailer, and I was like, oh

0:14:58.800 --> 0:15:02.800
<v Speaker 3>my god, I wanted to and hide. And then we

0:15:02.840 --> 0:15:05.920
<v Speaker 3>get to set and the first scene up. It wasn't

0:15:05.920 --> 0:15:07.320
<v Speaker 3>the first scene, it was the second scene, but it's

0:15:07.360 --> 0:15:11.560
<v Speaker 3>definitely My first day of filming is the kissing scene.

0:15:11.720 --> 0:15:14.240
<v Speaker 3>And it was my first on screen kiss. Ever.

0:15:15.080 --> 0:15:19.240
<v Speaker 1>So your first thing you do in your first job

0:15:20.320 --> 0:15:26.680
<v Speaker 1>is to kiss Jared Padleeki. Yeah, okay, that's what tell.

0:15:27.400 --> 0:15:32.360
<v Speaker 3>After I've called him Dean, I like probably looked like

0:15:32.360 --> 0:15:35.160
<v Speaker 3>such a fangirl. In reality, I hadn't really watched the

0:15:35.240 --> 0:15:38.320
<v Speaker 3>show other than the clips, so I was just naive.

0:15:38.520 --> 0:15:43.320
<v Speaker 3>But anyways, so then I'm thinking, okay, I got this

0:15:43.440 --> 0:15:46.320
<v Speaker 3>be cool. He comes up to me as we're rehearsing.

0:15:46.400 --> 0:15:52.160
<v Speaker 3>He's like, so, is this really your first on screen kiss?

0:15:53.560 --> 0:15:56.400
<v Speaker 3>I either go white or red, I don't know. But

0:15:56.480 --> 0:15:59.080
<v Speaker 3>I look over and I see my mom and she's

0:15:59.120 --> 0:16:04.120
<v Speaker 3>like and she had freaking told Jared like, I don't know,

0:16:04.200 --> 0:16:06.800
<v Speaker 3>to be nice, treat me nice. It was my first

0:16:06.840 --> 0:16:09.520
<v Speaker 3>kiss or something. I don't know. All I know is

0:16:09.600 --> 0:16:16.680
<v Speaker 3>I was like, so my cover was blown. I could

0:16:16.760 --> 0:16:20.640
<v Speaker 3>no longer play it cool. Everybody knew. I was nervous

0:16:20.680 --> 0:16:22.920
<v Speaker 3>as hell. It was my first day and my first

0:16:23.000 --> 0:16:24.160
<v Speaker 3>miss and that's it.

0:16:25.040 --> 0:16:31.720
<v Speaker 1>Wow. Yeah, So you did you know Lindsay would end

0:16:31.800 --> 0:16:33.520
<v Speaker 1>up marrying? Did they tell you that?

0:16:34.360 --> 0:16:36.480
<v Speaker 3>No? I thought that that came out of left field.

0:16:36.600 --> 0:16:41.280
<v Speaker 3>I thought that was bizarre. I mean, again, this is

0:16:41.360 --> 0:16:44.440
<v Speaker 3>my first show, so I didn't know how things worked.

0:16:44.640 --> 0:16:47.840
<v Speaker 3>So I had a mixed reaction because on the one hand,

0:16:47.880 --> 0:16:51.120
<v Speaker 3>I thought I'm very young to be getting married, and

0:16:51.160 --> 0:16:53.400
<v Speaker 3>then on the other hand, I thought, well, I guess

0:16:53.400 --> 0:16:56.240
<v Speaker 3>this means they like me and I'm in the show now,

0:16:56.960 --> 0:16:58.040
<v Speaker 3>So right.

0:16:57.960 --> 0:17:00.560
<v Speaker 1>Did you think that? Did you think that that meant, oh,

0:17:00.640 --> 0:17:04.200
<v Speaker 1>here comes a six year deal. Here it comes, They're

0:17:04.200 --> 0:17:05.040
<v Speaker 1>going to lock me in.

0:17:06.680 --> 0:17:10.680
<v Speaker 3>I didn't even know about the six years, Okay, I think,

0:17:10.720 --> 0:17:12.920
<v Speaker 3>but I did think that I was going to have

0:17:14.000 --> 0:17:17.560
<v Speaker 3>I thought I thought I was going to people were

0:17:17.560 --> 0:17:19.280
<v Speaker 3>going to root for me more. I thought like this

0:17:19.520 --> 0:17:22.040
<v Speaker 3>was their way of bringing me kind of into the clan,

0:17:22.960 --> 0:17:28.119
<v Speaker 3>versus creating drama for Rory. And I think that the

0:17:28.200 --> 0:17:31.359
<v Speaker 3>thing was is I was so young and naive. I

0:17:31.560 --> 0:17:33.800
<v Speaker 3>never had a conversation with the producers it was like

0:17:33.840 --> 0:17:36.000
<v Speaker 3>to me, it was like, Oh, they're in their throne

0:17:36.040 --> 0:17:39.959
<v Speaker 3>over there, leave them alone. So why had just asked

0:17:40.000 --> 0:17:43.560
<v Speaker 3>anyone or had a conversation. I'm sure I would have

0:17:43.600 --> 0:17:46.840
<v Speaker 3>been filled in, but I for some reason, I thought like, oh,

0:17:46.880 --> 0:17:51.720
<v Speaker 3>don't talk to them unless they talk to you. So

0:17:51.880 --> 0:17:54.199
<v Speaker 3>every script I got I was really I had no

0:17:54.320 --> 0:17:56.520
<v Speaker 3>idea where my character was going.

0:17:58.400 --> 0:18:03.000
<v Speaker 1>So you know, fans obviously are very much invested.

0:18:03.680 --> 0:18:05.560
<v Speaker 3>Well, let me just tell you this that I swear

0:18:05.560 --> 0:18:08.400
<v Speaker 3>to God this just happened. So our appoint in time

0:18:08.440 --> 0:18:11.520
<v Speaker 3>was twelve three, at two fifty five. My dear friend

0:18:11.600 --> 0:18:13.800
<v Speaker 3>who is a producer and she has two girls. We

0:18:13.880 --> 0:18:15.760
<v Speaker 3>worked on a show and I got very close to

0:18:15.800 --> 0:18:18.720
<v Speaker 3>her two girls. They're young, they are let me tell

0:18:18.720 --> 0:18:21.960
<v Speaker 3>you they're nine and thirteen. She texts me this picture.

0:18:22.040 --> 0:18:24.120
<v Speaker 3>I kid you not. I don't know if you can see.

0:18:24.160 --> 0:18:27.560
<v Speaker 3>That's Lindsay and her mom in that like multicolored scarf,

0:18:27.720 --> 0:18:30.240
<v Speaker 3>which is actually my scarf, and wardrobe liked it so

0:18:30.320 --> 0:18:32.719
<v Speaker 3>much they have me wear it. She texts me this

0:18:32.800 --> 0:18:35.479
<v Speaker 3>picture and she goes the girls and I are very

0:18:35.560 --> 0:18:39.480
<v Speaker 3>protective of Lindsay, and I write back, Holy, I'm literally

0:18:39.520 --> 0:18:44.680
<v Speaker 3>about to do a two Worlds podcast and then she goes, well,

0:18:44.720 --> 0:18:46.639
<v Speaker 3>you can tell them how your nine year old and

0:18:46.680 --> 0:18:49.440
<v Speaker 3>three year old buddies are binging and very invested.

0:18:49.640 --> 0:18:52.520
<v Speaker 1>Uh huh, yes they are. They are. So did you

0:18:52.640 --> 0:18:59.120
<v Speaker 1>get did fans approach you? Were you getting negative feedback

0:18:59.200 --> 0:19:01.520
<v Speaker 1>from fans? Were you? Were you kind of like a

0:19:01.560 --> 0:19:02.320
<v Speaker 1>bad girl?

0:19:03.320 --> 0:19:06.600
<v Speaker 3>Well? I wasn't, honestly, Thank god Instagram didn't exist in

0:19:06.720 --> 0:19:08.320
<v Speaker 3>I don't know if I would have been strong enough.

0:19:09.960 --> 0:19:14.840
<v Speaker 3>I there, like after the first episode aired. I remember

0:19:15.960 --> 0:19:18.359
<v Speaker 3>I called my mom every day. We talked every day,

0:19:18.359 --> 0:19:19.480
<v Speaker 3>and so I was on the phone with my mom

0:19:19.560 --> 0:19:21.679
<v Speaker 3>and I was going to Coffee Bean in my juicy

0:19:21.760 --> 0:19:24.439
<v Speaker 3>couturs to jumpsuit as you did when you were an

0:19:24.440 --> 0:19:26.000
<v Speaker 3>actress in La in two thousand and six.

0:19:26.080 --> 0:19:27.800
<v Speaker 1>I think I remember that it was pink, right.

0:19:29.040 --> 0:19:30.720
<v Speaker 3>I think I had a pink one.

0:19:31.760 --> 0:19:33.680
<v Speaker 1>You had a tan one. I think a tan one

0:19:33.720 --> 0:19:35.919
<v Speaker 1>and a light blue a baby I had.

0:19:36.000 --> 0:19:38.000
<v Speaker 3>Yeah, the blue was my favorite, But I.

0:19:37.920 --> 0:19:44.680
<v Speaker 1>Do I do remember the pink buddy. Oh my god.

0:19:46.800 --> 0:19:49.240
<v Speaker 3>So I'm on the phone and these girls tap me

0:19:49.280 --> 0:19:51.080
<v Speaker 3>on the shoulder in line at Coffee Bean and they say,

0:19:51.080 --> 0:19:53.959
<v Speaker 3>excuse me, are you Aeriel Cable and I'm like, well,

0:19:54.080 --> 0:19:57.880
<v Speaker 3>hang on, yeah, and they go, oh my god from

0:19:57.920 --> 0:20:01.080
<v Speaker 3>Gilmore Girls and I go yeah, yeah, and I'm thinking, oh,

0:20:01.200 --> 0:20:08.400
<v Speaker 3>this is my first we hate you. And my mom

0:20:08.440 --> 0:20:11.480
<v Speaker 3>heard the whole thing, and I was like, well, welcome.

0:20:11.240 --> 0:20:14.800
<v Speaker 1>Hollywood baptism by fire.

0:20:16.600 --> 0:20:20.760
<v Speaker 3>But it's interesting because this resurgence now people are more

0:20:20.800 --> 0:20:24.439
<v Speaker 3>on Lindsay's side. My entire first half of my career,

0:20:24.480 --> 0:20:25.840
<v Speaker 3>everyone hated her hands down.

0:20:25.960 --> 0:20:27.920
<v Speaker 1>Maybe that's what the next reboot's going to be. Maybe

0:20:27.960 --> 0:20:30.200
<v Speaker 1>it's I get my wedding and you get your comeuppance.

0:20:30.280 --> 0:20:33.399
<v Speaker 3>Right, Hey, I would love that. I'm all for that.

0:20:33.520 --> 0:20:36.000
<v Speaker 3>I'm not gonna lie little. I was a little hurt.

0:20:36.040 --> 0:20:38.679
<v Speaker 3>I wasn't in the other one.

0:20:38.960 --> 0:20:41.280
<v Speaker 1>Oh that, Oh the reboots, the Netflix stuff.

0:20:41.840 --> 0:20:44.640
<v Speaker 3>Yeah, I was hoping we'd get to see like Lindsay

0:20:45.320 --> 0:20:48.159
<v Speaker 3>doing well in that. But so I still feel like

0:20:48.200 --> 0:20:50.600
<v Speaker 3>her day is coming, you know what.

0:20:50.720 --> 0:20:55.040
<v Speaker 1>Yeah, it would have made complete sense given who they

0:20:55.240 --> 0:21:00.520
<v Speaker 1>invited into that world, right, Yeah, I know, I know,

0:21:01.119 --> 0:21:04.720
<v Speaker 1>I know, I know, I know. All right, let's talk

0:21:04.760 --> 0:21:09.520
<v Speaker 1>about Dean and Roy getting together the way they did.

0:21:10.840 --> 0:21:13.080
<v Speaker 1>When you read that, did your jaw drop?

0:21:13.560 --> 0:21:16.320
<v Speaker 3>It did? Because I felt I felt cheated on by

0:21:16.359 --> 0:21:21.399
<v Speaker 3>the show. But but I'll tell you why is because

0:21:21.440 --> 0:21:27.000
<v Speaker 3>again I didn't get any warning. So but again, looking

0:21:27.040 --> 0:21:30.240
<v Speaker 3>back on it, I also didn't communicate with the producers,

0:21:30.280 --> 0:21:32.560
<v Speaker 3>so you know, it's a two way street. I was young,

0:21:32.600 --> 0:21:34.480
<v Speaker 3>I was fresh. I would I think they knew I

0:21:34.480 --> 0:21:36.800
<v Speaker 3>would just show up and do whatever was whatever was

0:21:36.840 --> 0:21:42.879
<v Speaker 3>there like, so, so it was incredibly shocking for me.

0:21:44.160 --> 0:21:46.359
<v Speaker 3>But I also was kind of used to being shocked

0:21:46.359 --> 0:21:48.880
<v Speaker 3>because we had already had the wedding episode come in,

0:21:49.040 --> 0:21:51.720
<v Speaker 3>you know, so like I was equally shocked reading that

0:21:51.800 --> 0:21:53.760
<v Speaker 3>I was getting married because I think the way it

0:21:53.840 --> 0:21:55.840
<v Speaker 3>read it was like we were only in a I

0:21:55.880 --> 0:21:58.040
<v Speaker 3>was only in a few episodes in whom we were married.

0:21:58.080 --> 0:22:00.800
<v Speaker 3>So it even it wasn't just a shock of having

0:22:00.840 --> 0:22:03.360
<v Speaker 3>a being young and being married, It was that our

0:22:03.359 --> 0:22:06.679
<v Speaker 3>relationship in and of itself was young, you know, like

0:22:06.760 --> 0:22:10.119
<v Speaker 3>it felt like we we were still dating and then

0:22:10.160 --> 0:22:13.159
<v Speaker 3>all of a sudden we were married. And again, so

0:22:13.200 --> 0:22:15.600
<v Speaker 3>I didn't know how to feel about that, But again

0:22:15.920 --> 0:22:18.159
<v Speaker 3>I wanted to just stay positive and go, well, I

0:22:18.200 --> 0:22:19.800
<v Speaker 3>guess this means they like me. I guess I'm on

0:22:19.800 --> 0:22:23.800
<v Speaker 3>the show more, you know. And then when the Rory

0:22:23.880 --> 0:22:28.880
<v Speaker 3>Dean thing, happened. I was very shocked. I was surprised

0:22:28.920 --> 0:22:33.280
<v Speaker 3>I didn't get a heads up, but again because I

0:22:33.320 --> 0:22:35.639
<v Speaker 3>think I thought, well, does this mean I'm off the show?

0:22:36.040 --> 0:22:38.639
<v Speaker 3>It was just very tumultuous, and in my own brain

0:22:38.800 --> 0:22:41.439
<v Speaker 3>all of the time, I never felt safe, you know, like,

0:22:42.520 --> 0:22:45.919
<v Speaker 3>but I didn't know what questions to ask to help

0:22:46.359 --> 0:22:50.280
<v Speaker 3>get clarity. I think I just felt like I'm just

0:22:51.080 --> 0:22:54.960
<v Speaker 3>kind of voiceless along on this journey because I don't know,

0:22:55.119 --> 0:22:58.080
<v Speaker 3>a month ago, I was living in Florida, yeah, you know,

0:23:00.040 --> 0:23:05.119
<v Speaker 3>well longer after the show went on. But so I again,

0:23:05.160 --> 0:23:07.840
<v Speaker 3>it wasn't something I really talked about. I wish I

0:23:07.920 --> 0:23:10.280
<v Speaker 3>had talked about my feelings a little more, even if

0:23:10.320 --> 0:23:12.560
<v Speaker 3>it just helped me get clarity on this story they

0:23:12.560 --> 0:23:16.080
<v Speaker 3>were trying to paint, and that it wasn't personal. And

0:23:16.600 --> 0:23:18.359
<v Speaker 3>you know, because of course I thought like, well, am

0:23:18.400 --> 0:23:20.679
<v Speaker 3>I not acting well enough? Is it me? If I

0:23:20.720 --> 0:23:22.840
<v Speaker 3>had done something differently? Would they want me on the

0:23:22.880 --> 0:23:24.919
<v Speaker 3>show more? Is this their way of just getting rid

0:23:24.960 --> 0:23:26.200
<v Speaker 3>of me because I'm not working?

0:23:27.200 --> 0:23:29.240
<v Speaker 1>You know, I don't think a lot kind of.

0:23:29.480 --> 0:23:31.200
<v Speaker 3>Very self deprecating with it.

0:23:31.200 --> 0:23:35.439
<v Speaker 1>All right, Really, I don't think many people in that

0:23:35.520 --> 0:23:38.840
<v Speaker 1>cast had a dialogue with the producers. I don't think

0:23:38.880 --> 0:23:43.840
<v Speaker 1>there was really a lot of give and take or discussions.

0:23:44.119 --> 0:23:47.000
<v Speaker 1>You know. I don't know that that went on very often.

0:23:47.760 --> 0:23:50.439
<v Speaker 1>You know, maybe sometimes in rehearsal and the diner with

0:23:50.520 --> 0:23:52.840
<v Speaker 1>Lauren or you know, we get into it a little

0:23:52.880 --> 0:23:56.600
<v Speaker 1>bit and discuss things, but it wasn't to any great extent.

0:23:57.520 --> 0:24:00.520
<v Speaker 1>So oh yeah, yeah, no, no, no, it was like an

0:24:00.560 --> 0:24:03.400
<v Speaker 1>open forum where hey, I've got some ideas and I'd

0:24:03.440 --> 0:24:07.440
<v Speaker 1>like to talk about them. It's like, no, it's not good.

0:24:07.800 --> 0:24:11.440
<v Speaker 1>They're like, huh, just stand on your mark, shut up,

0:24:12.240 --> 0:24:14.879
<v Speaker 1>say action, say the words, you get your paycheck.

0:24:15.119 --> 0:24:17.439
<v Speaker 3>I guess it turns out I was just my intuition

0:24:17.840 --> 0:24:18.520
<v Speaker 3>was just like.

0:24:25.320 --> 0:24:29.480
<v Speaker 1>Okay, so now you know, we're getting a little further

0:24:29.600 --> 0:24:32.159
<v Speaker 1>along the lines with this character starting to develop, you

0:24:32.200 --> 0:24:35.280
<v Speaker 1>getting married. What was the reaction from fans out there

0:24:35.280 --> 0:24:39.240
<v Speaker 1>in the world, and uh, when that happened.

0:24:39.520 --> 0:24:41.600
<v Speaker 3>I think they still hated me, you know, I don't

0:24:41.640 --> 0:24:44.400
<v Speaker 3>think that really. I mean, look, every now and again

0:24:44.400 --> 0:24:45.879
<v Speaker 3>i'd have someone come up it would be like a

0:24:45.920 --> 0:24:48.560
<v Speaker 3>mother daughter duo, and they'd be like, we love your character,

0:24:48.600 --> 0:24:51.000
<v Speaker 3>we feel bad for her, you know, but forty of

0:24:51.040 --> 0:24:55.320
<v Speaker 3>people did not like her. And but now in the

0:24:55.400 --> 0:24:59.080
<v Speaker 3>last I don't know, three years, five years now, the

0:24:59.119 --> 0:25:01.440
<v Speaker 3>majority of people that could up to me say Lindsay

0:25:01.440 --> 0:25:05.600
<v Speaker 3>deserved better. I know what she's doing now, feel so

0:25:05.720 --> 0:25:09.679
<v Speaker 3>bad for her. We're protective of her, you know, and

0:25:09.720 --> 0:25:13.479
<v Speaker 3>I'm like, thank you. You know she was great?

0:25:14.840 --> 0:25:16.120
<v Speaker 1>Yeah, I mean you know.

0:25:16.840 --> 0:25:20.520
<v Speaker 3>So that's felt like a really just pleasant surprise. And

0:25:20.560 --> 0:25:24.480
<v Speaker 3>I do have to say I've always thanked there was another.

0:25:24.640 --> 0:25:28.080
<v Speaker 3>There was two big moments for me on that show

0:25:28.119 --> 0:25:31.640
<v Speaker 3>in terms of professional learning, and the first was Kenny

0:25:31.760 --> 0:25:34.080
<v Speaker 3>Ortega when he helped me get I truly believe helped

0:25:34.080 --> 0:25:36.320
<v Speaker 3>me get the role because he the direction he gave me,

0:25:36.920 --> 0:25:39.120
<v Speaker 3>and I've always thanked him for that. And the other

0:25:39.480 --> 0:25:43.800
<v Speaker 3>is Amy Sherman Palladino. She directed the episode I always

0:25:43.800 --> 0:25:46.159
<v Speaker 3>get this wrong. The fans are gonna kill me. I

0:25:46.200 --> 0:25:48.480
<v Speaker 3>always go, is it pot roast or roast b or

0:25:48.560 --> 0:25:51.760
<v Speaker 3>meat loaf? But I think it was pot ROAs you

0:25:51.760 --> 0:25:55.880
<v Speaker 3>can tell I don't cook it. Still, the whole episode

0:25:55.960 --> 0:25:58.280
<v Speaker 3>was like, if I just get this pot roast right,

0:25:58.840 --> 0:26:01.040
<v Speaker 3>Dean will love me and I and fix our marriage.

0:26:01.960 --> 0:26:05.360
<v Speaker 3>And she was directing that episode, and that's actually what

0:26:05.440 --> 0:26:07.960
<v Speaker 3>she had said to me, because when I'm in there

0:26:08.040 --> 0:26:10.440
<v Speaker 3>ordering the meat and I'm kind of freaking out, what

0:26:10.480 --> 0:26:13.719
<v Speaker 3>I wasn't understanding was the subtext of like I have

0:26:13.800 --> 0:26:16.720
<v Speaker 3>to save my marriage. I was reading it more like

0:26:17.280 --> 0:26:19.919
<v Speaker 3>I want to be perfect for him, so kind of

0:26:19.960 --> 0:26:23.679
<v Speaker 3>the same feeling, but one was much deeper and had

0:26:23.720 --> 0:26:26.280
<v Speaker 3>more weight than the other. And she was the one

0:26:26.320 --> 0:26:28.320
<v Speaker 3>that came in and talked to me like that. And

0:26:28.359 --> 0:26:30.639
<v Speaker 3>again at the time, I felt like this was one

0:26:30.680 --> 0:26:34.840
<v Speaker 3>of those really special moments, like woman to woman, where

0:26:35.680 --> 0:26:37.399
<v Speaker 3>she was kind of asking me to grow up a

0:26:37.400 --> 0:26:40.560
<v Speaker 3>little bit, and it was a deeper thing that was

0:26:40.600 --> 0:26:43.080
<v Speaker 3>going on. And I really didn't know that or clock

0:26:43.160 --> 0:26:46.439
<v Speaker 3>that until we had that conversation. And that always stuck

0:26:46.480 --> 0:26:52.320
<v Speaker 3>with me too, because those are deep. You know, when

0:26:52.320 --> 0:26:55.560
<v Speaker 3>a woman is going through those feelings, it doesn't matter

0:26:55.680 --> 0:26:58.040
<v Speaker 3>even if she's a young bride or a young woman.

0:26:59.359 --> 0:27:03.159
<v Speaker 3>It's a lot, it's a it's very layered. And I

0:27:03.200 --> 0:27:05.280
<v Speaker 3>hadn't clocked that till she talk to me about that,

0:27:05.320 --> 0:27:07.679
<v Speaker 3>and I always I always loved that.

0:27:09.240 --> 0:27:11.160
<v Speaker 1>Let's talk about when you discovered the letter.

0:27:12.960 --> 0:27:16.320
<v Speaker 3>Oh what letter? The letter? Oh? When I throw this

0:27:16.320 --> 0:27:23.240
<v Speaker 3>stuff out the window? Yeah, oh yeah, yeah, yeah, okay, okay, yes,

0:27:23.560 --> 0:27:24.600
<v Speaker 3>I remember. I remember.

0:27:25.880 --> 0:27:28.680
<v Speaker 1>Tell us, tell us what that was? Like, Uh, do

0:27:28.720 --> 0:27:33.440
<v Speaker 1>you think Lindsey handled that the right way? Is there

0:27:33.440 --> 0:27:35.520
<v Speaker 1>any other way to handle it? I mean, what do

0:27:35.560 --> 0:27:38.159
<v Speaker 1>you think tell us about tell us about that. Tell

0:27:38.240 --> 0:27:39.480
<v Speaker 1>us what you remember about that day.

0:27:40.320 --> 0:27:43.560
<v Speaker 3>Okay, here's the thing. If I'm talking to like, you know,

0:27:43.600 --> 0:27:45.800
<v Speaker 3>if I'm trying to be a role model today, I

0:27:45.840 --> 0:27:48.480
<v Speaker 3>would say, like, no, go to therapy. But let me

0:27:48.480 --> 0:27:51.560
<v Speaker 3>tell you something. When I got that scene, I was

0:27:51.760 --> 0:27:56.200
<v Speaker 3>so happy because I felt like I had all this

0:27:56.440 --> 0:27:59.960
<v Speaker 3>pent up, every script It was like what, like, wow,

0:28:00.520 --> 0:28:04.840
<v Speaker 3>I'm just getting like murdered over here. So when I

0:28:04.960 --> 0:28:09.919
<v Speaker 3>had this seat, I was like, hell, yes, this is

0:28:10.000 --> 0:28:15.879
<v Speaker 3>my moment. I am going to rage. And that's what

0:28:15.920 --> 0:28:18.040
<v Speaker 3>I did. And I think I heared the shit out

0:28:18.080 --> 0:28:20.560
<v Speaker 3>of them because the way I was yelling was I mean,

0:28:20.560 --> 0:28:22.439
<v Speaker 3>it was always scripted. I throw stuff out the window.

0:28:22.600 --> 0:28:24.720
<v Speaker 3>But I remember the boom guy coming in having to

0:28:24.760 --> 0:28:28.640
<v Speaker 3>fix the mic because I was yelling and I was shaking.

0:28:28.800 --> 0:28:32.120
<v Speaker 3>I was I mean, I was like a terror and

0:28:32.200 --> 0:28:34.639
<v Speaker 3>I wanted it to be that way. And the thing is,

0:28:34.680 --> 0:28:36.760
<v Speaker 3>you don't even really I mean again, I don't even

0:28:36.800 --> 0:28:40.240
<v Speaker 3>think you if someone could find the footage of what

0:28:40.320 --> 0:28:43.240
<v Speaker 3>we shot versus what people saw, I would be so

0:28:43.440 --> 0:28:48.080
<v Speaker 3>curious because I went for it. That was fun. That

0:28:48.120 --> 0:28:48.680
<v Speaker 3>was a fun day.

0:28:48.800 --> 0:28:52.320
<v Speaker 1>You went down and got that stuff. H man. Yeah,

0:28:52.360 --> 0:28:54.760
<v Speaker 1>those are fun days when you can empty the tank.

0:28:54.840 --> 0:28:56.240
<v Speaker 1>Was that the only scene you had that day? And

0:28:56.280 --> 0:28:58.040
<v Speaker 1>you could empty the tank and you didn't have anything

0:28:58.040 --> 0:28:59.440
<v Speaker 1>else to do the rest of the day.

0:29:00.200 --> 0:29:02.400
<v Speaker 3>Yeah, I'm pretty sure. I'm pretty sure I was it

0:29:02.560 --> 0:29:04.040
<v Speaker 3>like that episode or if not?

0:29:04.600 --> 0:29:09.960
<v Speaker 1>Yeah, anyways, okay, so yeah, go ahead, I'm sorry.

0:29:10.560 --> 0:29:13.400
<v Speaker 3>Oh no, I just I remember going into the work

0:29:13.440 --> 0:29:15.280
<v Speaker 3>that day being like, I'm gonna load.

0:29:18.480 --> 0:29:22.600
<v Speaker 1>Both barrels. You're coming in delivering both barrels. Uh? And

0:29:22.680 --> 0:29:26.240
<v Speaker 1>you did that? Was that was a harrowing scene. That

0:29:26.360 --> 0:29:31.080
<v Speaker 1>was That was quite something. Do you think Lindsay Uh

0:29:31.240 --> 0:29:35.960
<v Speaker 1>deserved a better send off than just that little sort

0:29:36.000 --> 0:29:38.520
<v Speaker 1>of silent conference. You didn't really say anything at the gazebo,

0:29:38.600 --> 0:29:43.160
<v Speaker 1>did you? Your mother, you know, gave gave Rory what for,

0:29:43.360 --> 0:29:46.040
<v Speaker 1>but you know, you just you didn't have They didn't

0:29:46.040 --> 0:29:51.880
<v Speaker 1>give anything to say. There was nothing. Did you get

0:29:51.880 --> 0:29:52.920
<v Speaker 1>descript had issues?

0:29:55.440 --> 0:29:59.400
<v Speaker 3>You know? I you know, I think exactly what you

0:29:59.440 --> 0:30:02.160
<v Speaker 3>said is why I would love for her to have

0:30:02.280 --> 0:30:06.920
<v Speaker 3>some life now. You know, I think that it's time

0:30:07.200 --> 0:30:11.880
<v Speaker 3>it really she deserves more.

0:30:12.200 --> 0:30:15.120
<v Speaker 2>Mm hmm. Yeah.

0:30:15.320 --> 0:30:17.280
<v Speaker 1>And it is odd that you didn't come back now

0:30:17.320 --> 0:30:18.880
<v Speaker 1>that I think about it. I mean, you've got quite

0:30:18.920 --> 0:30:22.640
<v Speaker 1>the resume, You've got the chops. No, no really, I

0:30:22.720 --> 0:30:27.080
<v Speaker 1>mean your career has been terrific, and yeah, it's kind

0:30:27.080 --> 0:30:29.720
<v Speaker 1>of odd you didn't come back. I I thanks for

0:30:29.760 --> 0:30:32.760
<v Speaker 1>bringing that up, because that's uh, that's something we'll go

0:30:32.840 --> 0:30:34.680
<v Speaker 1>to the mat on next time.

0:30:34.760 --> 0:30:35.680
<v Speaker 3>Oh, well, thank you.

0:30:35.840 --> 0:30:38.920
<v Speaker 1>That would be if I have anything to say about it.

0:30:38.960 --> 0:30:39.440
<v Speaker 1>And I don't.

0:30:40.320 --> 0:30:45.440
<v Speaker 3>I know, I know no, And I've seen Amy a

0:30:45.440 --> 0:30:47.600
<v Speaker 3>few times and we have good laughs. We have a

0:30:47.600 --> 0:30:50.600
<v Speaker 3>great relationship. We have a great thing. I you know,

0:30:51.160 --> 0:30:53.040
<v Speaker 3>I didn't take it personally in the sense that I

0:30:53.160 --> 0:30:55.760
<v Speaker 3>was like, why I didn't they invite me back? I

0:30:55.880 --> 0:30:59.440
<v Speaker 3>Moore was bummed because I thought, Wow, this could have

0:30:59.480 --> 0:31:02.520
<v Speaker 3>been a cool moment, you know. When I when I

0:31:02.560 --> 0:31:05.720
<v Speaker 3>found out, I wasn't I know how these things work.

0:31:05.800 --> 0:31:08.000
<v Speaker 3>It's like, you've only got so much time to tell

0:31:08.120 --> 0:31:09.800
<v Speaker 3>so many stories. I mean, I'm in the middle of

0:31:09.840 --> 0:31:12.280
<v Speaker 3>producing something right now where some characters are coming back

0:31:12.320 --> 0:31:15.960
<v Speaker 3>from something, and you know, it's it's hard rearranging everybody,

0:31:16.000 --> 0:31:18.800
<v Speaker 3>and some people are coming back, some people aren't. And so,

0:31:19.680 --> 0:31:24.600
<v Speaker 3>you know, I never took it personally, but I was

0:31:24.600 --> 0:31:27.600
<v Speaker 3>more just personally bummed for you know, because I thought, oh,

0:31:27.680 --> 0:31:30.200
<v Speaker 3>this would be a cool moment, you know, right right.

0:31:30.080 --> 0:31:34.880
<v Speaker 1>Right right, Let's talk about other things that you're doing.

0:31:34.920 --> 0:31:37.440
<v Speaker 1>You mentioned something that you're producing. Now, what does that

0:31:37.480 --> 0:31:39.520
<v Speaker 1>tell us a little bit about I am?

0:31:39.760 --> 0:31:45.000
<v Speaker 3>I am, So I'm still acting, and I'm on a

0:31:45.000 --> 0:31:48.160
<v Speaker 3>show called nine on one and I go back and forth.

0:31:48.360 --> 0:31:52.000
<v Speaker 3>And then I did this really cool INDI called Site.

0:31:52.080 --> 0:31:54.400
<v Speaker 3>It it's like a psychological thriller, but it deals with

0:31:54.520 --> 0:31:59.080
<v Speaker 3>past lives, which is something I'm fascinated by. And then

0:31:59.080 --> 0:32:01.360
<v Speaker 3>I'm about to go shoot the movie next month. But

0:32:01.760 --> 0:32:07.320
<v Speaker 3>in between, I started producing during the pandemic and sold

0:32:07.440 --> 0:32:09.480
<v Speaker 3>a studio film to Fox.

0:32:09.680 --> 0:32:10.040
<v Speaker 1>Wow.

0:32:11.920 --> 0:32:20.680
<v Speaker 3>I'm not allowed to talk now, but it's it's been

0:32:20.720 --> 0:32:24.200
<v Speaker 3>a long, big dream of a dream of mine for

0:32:24.240 --> 0:32:27.080
<v Speaker 3>a long time, and so it is very exciting that

0:32:27.160 --> 0:32:29.080
<v Speaker 3>we're making it. And I think people are going to

0:32:29.120 --> 0:32:30.560
<v Speaker 3>be excited.

0:32:30.720 --> 0:32:35.520
<v Speaker 1>Did you write it or or you just took and

0:32:36.000 --> 0:32:36.760
<v Speaker 1>got it?

0:32:37.080 --> 0:32:41.320
<v Speaker 3>We have a great We have a great writer Janae Savage,

0:32:41.840 --> 0:32:47.320
<v Speaker 3>and we are very close on the script. So it's.

0:32:49.080 --> 0:32:51.360
<v Speaker 1>Boy, it's so hard to get anything made these days,

0:32:51.440 --> 0:32:53.440
<v Speaker 1>especially in film film world.

0:32:54.560 --> 0:32:58.640
<v Speaker 3>It's been really exciting, and you know, we're still it's

0:32:58.720 --> 0:33:01.600
<v Speaker 3>moving quickly, but it's like, you know, every stage is

0:33:01.720 --> 0:33:05.360
<v Speaker 3>It's been a lot of learning already, you know, and

0:33:05.400 --> 0:33:11.640
<v Speaker 3>it's been really nice to just give artists, I don't know,

0:33:11.720 --> 0:33:14.960
<v Speaker 3>to be able to like speak to artists the way

0:33:15.000 --> 0:33:18.880
<v Speaker 3>that sometimes I wish I was spoken to on set,

0:33:19.000 --> 0:33:24.960
<v Speaker 3>you know. And also working with women. The women that

0:33:24.960 --> 0:33:27.400
<v Speaker 3>we're working with, the twentieth Century, the producers over there,

0:33:27.400 --> 0:33:33.080
<v Speaker 3>are the studio heads over there, it's three females. They

0:33:33.680 --> 0:33:37.240
<v Speaker 3>have been amazing to work with. For our very first meeting,

0:33:37.600 --> 0:33:39.400
<v Speaker 3>they were like, this is a collaboration, this is a

0:33:39.440 --> 0:33:43.080
<v Speaker 3>safe space. You know. I've just been blown away by

0:33:43.120 --> 0:33:45.760
<v Speaker 3>the support we've had from these incredible women at the

0:33:45.840 --> 0:33:48.360
<v Speaker 3>studio and it makes a huge difference. It makes a

0:33:48.400 --> 0:33:51.240
<v Speaker 3>huge difference. So it's been a great experience. I'm I

0:33:51.280 --> 0:33:54.120
<v Speaker 3>have a few other projects in development, a TV show,

0:33:55.400 --> 0:33:58.680
<v Speaker 3>a docu series, and another film, but so yeah, there's

0:33:58.720 --> 0:34:01.080
<v Speaker 3>a lot going on. It's been I mean, look, it's

0:34:01.120 --> 0:34:04.600
<v Speaker 3>been a hard few years for everybody. But I've just

0:34:04.680 --> 0:34:09.560
<v Speaker 3>been doing what I can to take care of myself

0:34:09.600 --> 0:34:11.920
<v Speaker 3>and you know, keep chugging along.

0:34:12.040 --> 0:34:16.040
<v Speaker 1>Yeah, man, that's all you can do. I dreamed up

0:34:16.080 --> 0:34:19.640
<v Speaker 1>this podcast in the middle of pandemic because I, you know,

0:34:19.719 --> 0:34:22.040
<v Speaker 1>I had to do something. You got to do something.

0:34:23.280 --> 0:34:24.920
<v Speaker 1>And the funny part about it is I thought I

0:34:24.960 --> 0:34:29.920
<v Speaker 1>had this amazing original idea of a rewatch. Right there

0:34:30.000 --> 0:34:33.520
<v Speaker 1>was already like twenty thousand of them.

0:34:33.640 --> 0:34:36.279
<v Speaker 3>Yeah, but how cool you have such a huge fan base.

0:34:36.320 --> 0:34:38.640
<v Speaker 3>This is such a success. I mean, thank god you

0:34:38.719 --> 0:34:40.280
<v Speaker 3>did it. It's been so great.

0:34:40.320 --> 0:34:41.759
<v Speaker 1>I don't know why I didn't think of it soon.

0:34:42.080 --> 0:34:43.440
<v Speaker 1>I don't know why I didn't think of it sooner.

0:34:43.800 --> 0:34:45.560
<v Speaker 1>I was too busy to think of it sooner. And

0:34:45.600 --> 0:34:48.120
<v Speaker 1>then when it all got shut down, I was like, woy,

0:34:48.160 --> 0:34:48.920
<v Speaker 1>I gotta do something.

0:34:50.680 --> 0:34:53.480
<v Speaker 3>Isn't it funny what happens in stillness? Like you know,

0:34:53.520 --> 0:34:56.000
<v Speaker 3>when you're going, going, going, you don't think of ideas,

0:34:56.040 --> 0:34:58.319
<v Speaker 3>But when you get quiet, suddenly the ideas just come.

0:34:58.600 --> 0:35:00.520
<v Speaker 1>No, I think of ideas going on. They're just not

0:35:00.600 --> 0:35:03.840
<v Speaker 1>good ideas, you know, Like, no, you don't want to

0:35:03.840 --> 0:35:12.560
<v Speaker 1>do it? All right, We're gonna play a little game

0:35:12.640 --> 0:35:16.520
<v Speaker 1>now called rapid Fire. You ready, I'm gonna fire questions

0:35:16.520 --> 0:35:19.399
<v Speaker 1>out you fire answers back to me to the best

0:35:19.440 --> 0:35:23.000
<v Speaker 1>of your ability. I think you got this. Are you ready?

0:35:23.239 --> 0:35:24.280
<v Speaker 1>How do you like your coffee?

0:35:26.160 --> 0:35:27.960
<v Speaker 3>I'm with Oat Milk?

0:35:29.040 --> 0:35:36.040
<v Speaker 1>Your team, Logan team, Jesster team, Dean team, Lindsay, what's

0:35:36.120 --> 0:35:40.120
<v Speaker 1>your favorite Gilmore Girls couple? Luke and laureli Are Richard.

0:35:39.840 --> 0:35:44.200
<v Speaker 3>Emiley, Rory and Lawrence?

0:35:44.320 --> 0:35:46.600
<v Speaker 1>Name and who and who?

0:35:47.560 --> 0:35:49.839
<v Speaker 3>What was Lauren's name on the show, Laura Lai?

0:35:51.360 --> 0:35:55.919
<v Speaker 1>Okay, okay, so right there you go, my daughter, right mother, daughter,

0:35:55.920 --> 0:35:58.680
<v Speaker 1>There you go. What would you order it? Luke Steiner?

0:36:02.200 --> 0:36:04.640
<v Speaker 3>Did you make like a good fried egg? Samwitch?

0:36:04.719 --> 0:36:05.600
<v Speaker 1>Oh, you're damn straight?

0:36:06.600 --> 0:36:07.839
<v Speaker 3>Okay? I think that would be.

0:36:09.600 --> 0:36:12.560
<v Speaker 1>Jackson or Taylor for towns.

0:36:12.239 --> 0:36:17.440
<v Speaker 3>Selectmen, I stay out of politics.

0:36:20.560 --> 0:36:23.719
<v Speaker 1>Would you rather listen to Hep Alien or the Troubadour's

0:36:23.800 --> 0:36:28.720
<v Speaker 1>cover songs? Do you know what I'm talking about?

0:36:29.400 --> 0:36:29.760
<v Speaker 2>No?

0:36:35.680 --> 0:36:38.160
<v Speaker 1>You got this look deer in the headlights? Then? Now

0:36:38.239 --> 0:36:41.359
<v Speaker 1>that's a deer in the headlights. That's the look you gave.

0:36:41.480 --> 0:36:44.680
<v Speaker 1>I would pull over, stop, help you out. You know

0:36:44.960 --> 0:36:47.640
<v Speaker 1>that's that's that's not a deer. I'd honk at or

0:36:47.719 --> 0:36:50.160
<v Speaker 1>like get out of my way. I'd get out and say,

0:36:50.200 --> 0:36:59.560
<v Speaker 1>you know, listen, oh man, uh help. Alien was Lane's band.

0:37:00.080 --> 0:37:04.880
<v Speaker 1>She was in with Sebastian Bach and then Zach and Todd.

0:37:04.960 --> 0:37:08.080
<v Speaker 1>I think so they had their little band, remember that.

0:37:09.320 --> 0:37:13.759
<v Speaker 1>And the troubadour was Grantlee Phillips. And every once in

0:37:13.760 --> 0:37:18.200
<v Speaker 1>a while the camera would pan. Once in a while,

0:37:18.560 --> 0:37:21.200
<v Speaker 1>the camera would pan and the town square the opening

0:37:21.320 --> 0:37:23.040
<v Speaker 1>or something, and there there'd be playing one of his

0:37:23.080 --> 0:37:27.719
<v Speaker 1>cool songs. Okay, okay, the moody guy. You know, the

0:37:27.719 --> 0:37:34.080
<v Speaker 1>cool moody guy. Anyway, that was a classic. Look okay,

0:37:34.600 --> 0:37:35.720
<v Speaker 1>Harvard or Yale?

0:37:38.080 --> 0:37:40.520
<v Speaker 3>I mean, I guess you gotta go Harvard if it's.

0:37:40.440 --> 0:37:43.480
<v Speaker 1>An okay, why.

0:37:45.280 --> 0:37:48.960
<v Speaker 3>Because it's so snatty, you gotta go.

0:37:49.160 --> 0:37:53.200
<v Speaker 1>You gotta go with the SNAUGHTI what's Rory's bigger mistake?

0:37:53.960 --> 0:37:58.040
<v Speaker 1>Crashing the car her boyfriend built for her or sleeping

0:37:58.120 --> 0:38:02.000
<v Speaker 1>with her ex who was married, which you're the same guy. Actually,

0:38:02.600 --> 0:38:08.480
<v Speaker 1>I'm gonna go with that one her. Yeah, that's that's

0:38:08.640 --> 0:38:12.960
<v Speaker 1>that's a bigger mistake. Just you know, all friends being equal.

0:38:13.560 --> 0:38:19.919
<v Speaker 1>Uh who from Gilmour would you not want with you?

0:38:20.200 --> 0:38:23.800
<v Speaker 1>Stuck on a Desert Island.

0:38:25.400 --> 0:38:27.600
<v Speaker 3>Probably oralized mom.

0:38:28.560 --> 0:38:32.520
<v Speaker 1>Because oh she would be complaining a little bit. Yeah,

0:38:32.560 --> 0:38:34.640
<v Speaker 1>she'd be complaining, right, Yeah.

0:38:34.440 --> 0:38:36.399
<v Speaker 3>I think actually I think she would make I think

0:38:36.440 --> 0:38:38.920
<v Speaker 3>she would entertain me for like the first hour with

0:38:39.000 --> 0:38:41.920
<v Speaker 3>because her comments are always so funny, and then I

0:38:41.960 --> 0:38:49.400
<v Speaker 3>think I would go insane Jackie. Now, who what is

0:38:49.440 --> 0:38:50.239
<v Speaker 3>her character name?

0:38:50.760 --> 0:38:57.880
<v Speaker 1>Emily? Emily, Yes, Emily, uh something in your life? You

0:38:58.160 --> 0:39:05.400
<v Speaker 1>are all in on. I think I think we know horses, horses,

0:39:05.400 --> 0:39:07.320
<v Speaker 1>horses coming in from all directions.

0:39:07.320 --> 0:39:09.719
<v Speaker 3>Why wild horse Rescue? Yeah?

0:39:09.920 --> 0:39:16.400
<v Speaker 1>Yeah, baby, Well, I wish we had more time. Please

0:39:16.760 --> 0:39:19.319
<v Speaker 1>carve out some more time for us, because we will

0:39:19.320 --> 0:39:22.960
<v Speaker 1>call again. There's more to discuss. Actually I didn't get

0:39:22.960 --> 0:39:25.879
<v Speaker 1>the evening. Like there's there's fan questions that I didn't

0:39:25.880 --> 0:39:29.799
<v Speaker 1>even get to. Oh no, there's a whole list. Oh

0:39:29.880 --> 0:39:32.160
<v Speaker 1>you have no idea. The fans are obsessed with you.

0:39:32.520 --> 0:39:39.000
<v Speaker 1>They are obsessed. Yeah. Well yeah, so come back on sometime. Okay,

0:39:39.560 --> 0:39:40.120
<v Speaker 1>we'll be in touch.

0:39:40.160 --> 0:39:42.520
<v Speaker 3>We tell everybody. I said, Hi, that's so sweet.

0:39:42.640 --> 0:39:47.200
<v Speaker 1>I will tell everybody and thank you for your time,

0:39:47.239 --> 0:39:50.279
<v Speaker 1>Thanks so much, and good luck with say what it

0:39:50.360 --> 0:39:51.320
<v Speaker 1>is a sky.

0:39:51.760 --> 0:39:56.240
<v Speaker 3>Oh skydog sanctuary. Okay, and that's their name on Instagram

0:39:56.360 --> 0:39:59.360
<v Speaker 3>and my name on Instagram is at Ariel Kevl. I

0:39:59.400 --> 0:40:01.400
<v Speaker 3>also talk about out them there, so between the two

0:40:01.520 --> 0:40:06.520
<v Speaker 3>you can always find information. And they rescue wild horses

0:40:06.520 --> 0:40:09.680
<v Speaker 3>from round up and slaughter and terrible conditions.

0:40:09.960 --> 0:40:12.640
<v Speaker 1>I uh, after I'm done here today, I'm gonna I'm

0:40:12.640 --> 0:40:14.799
<v Speaker 1>gonna check it out. I'm kind of a horse guy too.

0:40:16.080 --> 0:40:18.759
<v Speaker 1>When I was a kid, we moved out of New

0:40:18.840 --> 0:40:22.600
<v Speaker 1>Jersey to this to the country, the Maryland countryside, and

0:40:22.760 --> 0:40:25.920
<v Speaker 1>down the street from us, or down the hill, was

0:40:26.920 --> 0:40:29.000
<v Speaker 1>lived a woman named Mary super who was a Grand

0:40:29.080 --> 0:40:33.279
<v Speaker 1>National champion, and we used to work. She gave us

0:40:33.360 --> 0:40:39.160
<v Speaker 1>jobs in her stable, oh my gosh, and she didn't

0:40:39.160 --> 0:40:42.520
<v Speaker 1>pay us anything. She allowed us on the property after

0:40:42.560 --> 0:40:45.640
<v Speaker 1>we were done our chores to go swimming in the

0:40:45.680 --> 0:40:50.080
<v Speaker 1>stream in the back of a property, and we did

0:40:50.120 --> 0:40:53.240
<v Speaker 1>every day. So it was kind of a wonderful existence

0:40:53.239 --> 0:40:54.640
<v Speaker 1>there for three years. And then we moved back to

0:40:54.640 --> 0:40:56.319
<v Speaker 1>New Jersey, which is still great, but it was just

0:40:56.360 --> 0:40:59.160
<v Speaker 1>a whole different country vibe, and it was it was fantastic.

0:40:59.239 --> 0:41:02.600
<v Speaker 1>And we rode for and the neighbor across the street

0:41:02.640 --> 0:41:06.120
<v Speaker 1>at horses and my sister just fell in love with horses.

0:41:07.320 --> 0:41:09.839
<v Speaker 3>And look at all these memories you mad, I mean

0:41:09.880 --> 0:41:12.440
<v Speaker 3>you still remember just.

0:41:12.040 --> 0:41:15.319
<v Speaker 1>Just got bucked off, got back on, you know when

0:41:15.320 --> 0:41:18.480
<v Speaker 1>I you know, had that experience and get went right

0:41:18.520 --> 0:41:22.399
<v Speaker 1>into the mud. So anyway, but thank you so much,

0:41:22.520 --> 0:41:27.120
<v Speaker 1>good luck with everything, all your projects, and well hopefully

0:41:27.280 --> 0:41:27.960
<v Speaker 1>we'll talk soon.

0:41:28.000 --> 0:41:31.560
<v Speaker 3>Okay, thank you. This has been a nice memory.

0:41:31.640 --> 0:41:34.200
<v Speaker 1>L Yes, it has been all right, Dariel, thanks so much.

0:41:35.280 --> 0:42:07.440
<v Speaker 4>All the us, Hey everybody, and don't forget follow us

0:42:07.480 --> 0:42:11.720
<v Speaker 4>on Instagram at I Am all In podcast and email

0:42:11.840 --> 0:42:16.040
<v Speaker 4>us at Gilmore at iHeartRadio dot com.

0:42:16.080 --> 0:42:17.839
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