1
00:00:04,120 --> 00:00:12,440
Speaker 1: So I'm walking around Hey's man walking and I am

2
00:00:13,039 --> 00:00:16,840
Speaker 1: I'm recording now. You weren't recording from the beginning.

3
00:00:18,120 --> 00:00:22,640
Speaker 2: I'm not sure, but I but I'm I'm definitely recording now,

4
00:00:23,480 --> 00:00:27,520
Speaker 2: so you know, just because obviously, if I'm going to

5
00:00:27,560 --> 00:00:29,200
Speaker 2: react to your story, it sounds like you have a

6
00:00:29,200 --> 00:00:29,840
Speaker 2: story to tell.

7
00:00:29,960 --> 00:00:31,479
Speaker 3: If I'm going to react to it, I think we

8
00:00:31,520 --> 00:00:34,640
Speaker 3: want to get both. I was telling it great, but

9
00:00:34,720 --> 00:00:36,720
Speaker 3: you didn't know if I have a story to tell.

10
00:00:36,760 --> 00:00:39,640
Speaker 3: I was telling it. Everyone else had said they were recording,

11
00:00:39,640 --> 00:00:42,320
Speaker 3: and I had not said it yet. I would hope

12
00:00:42,320 --> 00:00:44,600
Speaker 3: that you would want to get my end of things

13
00:00:44,600 --> 00:00:46,080
Speaker 3: if I'm going to be reacting to it.

14
00:00:47,560 --> 00:00:52,360
Speaker 1: So I'm recording now. I hope. I hope the reactions

15
00:00:52,360 --> 00:00:56,040
Speaker 1: are great. I hope they're like, oh, you record it.

16
00:00:56,080 --> 00:00:57,600
Speaker 3: If your reactions are up to your.

17
00:00:57,520 --> 00:01:00,560
Speaker 1: Stands, like you have something planned for your reaction, that's

18
00:01:00,600 --> 00:01:03,280
Speaker 1: like especially worthy of recording. So let me know. I

19
00:01:03,320 --> 00:01:03,760
Speaker 1: don't know.

20
00:01:03,800 --> 00:01:05,600
Speaker 3: I don't plan it out at all. Actually, this is

21
00:01:05,600 --> 00:01:09,080
Speaker 3: a free flowing conversation that occasionally touches on mature subjects.

22
00:01:09,560 --> 00:01:11,840
Speaker 3: So so I don't plan it out.

23
00:01:12,040 --> 00:01:14,640
Speaker 1: I share my story and it'll it'll play out how

24
00:01:14,680 --> 00:01:15,560
Speaker 1: it plays out there.

25
00:01:15,600 --> 00:01:17,520
Speaker 3: But if but if, but if you're worried that my

26
00:01:17,560 --> 00:01:20,720
Speaker 3: reactions are not going to be and should not be

27
00:01:21,160 --> 00:01:24,360
Speaker 3: look worried, then perhaps someone else could react to it.

28
00:01:26,080 --> 00:01:29,120
Speaker 1: I'm walking around and I'm playing, Yeah, you look terrified.

29
00:01:30,080 --> 00:01:34,400
Speaker 1: I'm playing. No, I don't shape, I'm playing. I'm playing

30
00:01:34,520 --> 00:01:38,600
Speaker 1: Gentleman's Go. Save the video of this, Kevin Gentleman's Go.

31
00:01:40,080 --> 00:01:41,400
Speaker 3: Is it looks terrified?

32
00:01:41,680 --> 00:01:48,560
Speaker 1: Of course? Pokemon go with the League of Extraordinary Gentleman's

33
00:01:49,440 --> 00:01:52,880
Speaker 1: and it's it's not it's not like a phone thing.

34
00:01:52,920 --> 00:01:57,680
Speaker 1: It's like a live action game where you go around,

35
00:01:57,800 --> 00:01:59,760
Speaker 1: You walk around, and you wait to hear them make

36
00:01:59,800 --> 00:02:03,520
Speaker 1: one of their sounds, like different members of the League

37
00:02:03,520 --> 00:02:05,840
Speaker 1: of Extraordinary Gentleman's making their sounds, and they it's like

38
00:02:05,840 --> 00:02:09,400
Speaker 1: the Pokemon So it's like instead of Pikachu or whatever,

39
00:02:09,400 --> 00:02:17,120
Speaker 1: you hear like Alan Quatermain m hmm, Allan Quatermain, Captain Nemo,

40
00:02:19,120 --> 00:02:21,560
Speaker 1: Captain Nemo Solge.

41
00:02:21,200 --> 00:02:23,240
Speaker 3: For two hundred right, it's Sean Connery.

42
00:02:24,639 --> 00:02:29,160
Speaker 1: Well he doesn't know. They don't. It's not it's not

43
00:02:29,360 --> 00:02:34,320
Speaker 1: really shot. So this is what's hmm, do you the sorry,

44
00:02:34,600 --> 00:02:35,960
Speaker 1: did you have a net to catch them?

45
00:02:36,400 --> 00:02:39,480
Speaker 3: No, you just you just have to use your great

46
00:02:39,919 --> 00:02:42,960
Speaker 3: So let me tag out for a second. Just obviously

47
00:02:43,120 --> 00:02:48,520
Speaker 3: you had a reaction that you wanted. Your friend here

48
00:02:48,600 --> 00:02:50,720
Speaker 3: is giving it to you. You didn't even want me

49
00:02:50,760 --> 00:02:54,040
Speaker 3: to record mine. So just tell him the story. Tell

50
00:02:54,120 --> 00:02:57,440
Speaker 3: this man the story, and I'll just chill out for

51
00:02:57,560 --> 00:03:01,760
Speaker 3: this one. He this is just to me now, so

52
00:03:02,280 --> 00:03:04,720
Speaker 3: the full reaction is on my shoulders yours.

53
00:03:04,960 --> 00:03:06,799
Speaker 1: I mean, what he did was he asked a question,

54
00:03:07,080 --> 00:03:09,520
Speaker 1: which I really appreciated, and I think more often when

55
00:03:09,560 --> 00:03:12,000
Speaker 1: I tell stories, it's nice to be asked questions instead

56
00:03:12,040 --> 00:03:15,600
Speaker 1: of to be told a story that happened to the

57
00:03:15,720 --> 00:03:17,359
Speaker 1: person that who are you talking to?

58
00:03:17,480 --> 00:03:19,360
Speaker 3: Are you talking to me? I'm not recording anymore.

59
00:03:19,440 --> 00:03:22,120
Speaker 1: I'm actually speaking very generally just of what I like.

60
00:03:22,400 --> 00:03:25,280
Speaker 1: What I appreciate when I'm telling a story is sometimes.

61
00:03:25,200 --> 00:03:31,800
Speaker 3: To well, you won't because I'm not recording, Kevin, are

62
00:03:31,840 --> 00:03:33,480
Speaker 3: you getting his side stopped?

63
00:03:34,040 --> 00:03:35,880
Speaker 1: Okay? But are you getting his side of it?

64
00:03:36,160 --> 00:03:37,960
Speaker 4: I have a backup, but I can turn it off

65
00:03:38,000 --> 00:03:45,200
Speaker 4: of a nest cam that you could use. Okay, yeah,

66
00:03:45,320 --> 00:03:51,400
Speaker 4: just use that sewn. Are you holding binoculars right now? Yes?

67
00:03:51,520 --> 00:03:53,720
Speaker 3: I can turn off my video if it helps you focus,

68
00:03:53,840 --> 00:03:55,360
Speaker 3: I guess on Hayes's story.

69
00:03:56,080 --> 00:03:58,480
Speaker 4: Yeah, no, no, no, no, I I can do both,

70
00:03:58,520 --> 00:04:00,520
Speaker 4: but I'm not. I'm just not going to look at you. Okay, hey,

71
00:04:00,640 --> 00:04:01,000
Speaker 4: go for it.

72
00:04:01,640 --> 00:04:05,680
Speaker 1: So to answer your question, Chris, you don't use in that,

73
00:04:05,880 --> 00:04:09,440
Speaker 1: you use just your arms. To respond to Sean's statement

74
00:04:10,360 --> 00:04:14,960
Speaker 1: about whether Sean Connery is doing not even himself doing

75
00:04:15,120 --> 00:04:19,040
Speaker 1: Darryl Hammond's impersonation to him from Sorry Night Live, No,

76
00:04:19,160 --> 00:04:21,120
Speaker 1: that doesn't happen. It's not really Sean Connery. They have

77
00:04:21,240 --> 00:04:23,960
Speaker 1: actors playing these characters.

78
00:04:24,440 --> 00:04:26,800
Speaker 4: So it's kind of like a Hey Ride type thing.

79
00:04:26,960 --> 00:04:29,960
Speaker 1: Yeah, exactly, except for the fact that, like, so the

80
00:04:30,279 --> 00:04:32,760
Speaker 1: movie came out a while ago, obviously, and Sean Connery

81
00:04:32,880 --> 00:04:35,000
Speaker 1: was already pretty old.

82
00:04:35,240 --> 00:04:35,599
Speaker 3: But it is.

83
00:04:37,640 --> 00:04:39,560
Speaker 4: Like an Anaheim Community Theater troupe or something.

84
00:04:39,680 --> 00:04:42,840
Speaker 1: It's it's Tustin. It's really close to Anaheim. Actually, okay, okay,

85
00:04:42,880 --> 00:04:46,560
Speaker 1: so you know Tustin of course. Yeah. They give over

86
00:04:46,680 --> 00:04:50,400
Speaker 1: the whole town to this. Basically, three times a week,

87
00:04:50,480 --> 00:04:53,280
Speaker 1: the entire town plays a gentleman's go.

88
00:04:54,600 --> 00:05:00,160
Speaker 4: Do they get reimbursed all? Who's they the town? No,

89
00:05:00,240 --> 00:05:02,400
Speaker 4: they pay the town. Oh sorry, I thought you meant

90
00:05:02,440 --> 00:05:03,880
Speaker 4: the town is the is the general.

91
00:05:03,760 --> 00:05:07,400
Speaker 3: Not going so smooth anymore, is it, Hayes, He's asking

92
00:05:07,440 --> 00:05:11,279
Speaker 3: you you wanted questions just now? The questions are actually

93
00:05:11,360 --> 00:05:12,800
Speaker 3: derailing the entire show.

94
00:05:13,200 --> 00:05:15,799
Speaker 4: Why just why just the league of extraordinary gentlemen?

95
00:05:17,200 --> 00:05:18,040
Speaker 1: Well they have now.

96
00:05:18,279 --> 00:05:21,920
Speaker 3: Now you're getting bogged down in the questions. Questions can

97
00:05:21,960 --> 00:05:25,560
Speaker 3: be thieves, can't they, Hayes, And statements can be gifts.

98
00:05:27,040 --> 00:05:29,760
Speaker 1: I will say there is a certain number of questions

99
00:05:29,800 --> 00:05:31,720
Speaker 1: that is kind of the optimal amount for me. I

100
00:05:31,760 --> 00:05:34,440
Speaker 1: don't know whether we've reached it or yet yet or not.

101
00:05:34,640 --> 00:05:35,679
Speaker 4: You think I'm too curious?

102
00:05:35,839 --> 00:05:38,120
Speaker 1: Okay, why no? And I actually wasn't saying that.

103
00:05:38,279 --> 00:05:40,440
Speaker 4: I was saying, okay, I'm going to try to new technique.

104
00:05:40,480 --> 00:05:44,160
Speaker 4: Tell tell me affect from the story, the fact from

105
00:05:44,200 --> 00:05:47,520
Speaker 4: the story is any story. This is my new technique

106
00:05:47,520 --> 00:05:49,880
Speaker 4: of actually call it a story. At this point, it's

107
00:05:49,960 --> 00:05:54,200
Speaker 4: just a Q and a. Now, just a fucking Q

108
00:05:54,360 --> 00:05:54,560
Speaker 4: and a.

109
00:05:54,880 --> 00:05:58,080
Speaker 1: I didn't catch Tom Sawyer. I did see him. Aha,

110
00:06:00,839 --> 00:06:03,280
Speaker 1: I caught two Dorian Grays.

111
00:06:04,680 --> 00:06:06,239
Speaker 4: Two yippie yippie.

112
00:06:07,560 --> 00:06:11,320
Speaker 1: And that's nice. And also I'll tell you something else

113
00:06:11,360 --> 00:06:15,440
Speaker 1: else that I like, just a nice affirmation. Never once

114
00:06:15,600 --> 00:06:16,240
Speaker 1: has said.

115
00:06:16,480 --> 00:06:20,359
Speaker 3: No conflict and now there's no engine for this show.

116
00:06:20,640 --> 00:06:22,880
Speaker 1: I don't know what that would be like. I'm not

117
00:06:23,000 --> 00:06:25,240
Speaker 1: sure what that would be like as a host of

118
00:06:25,320 --> 00:06:27,400
Speaker 1: this show. So I can't actually tell you whether I

119
00:06:27,480 --> 00:06:30,480
Speaker 1: would like it or not. That's outside of my experience.

120
00:06:30,720 --> 00:06:33,480
Speaker 4: It brings the energy or is it toxicity?

121
00:06:33,600 --> 00:06:39,080
Speaker 3: You know? Yeah, No, I don't know, Chris, tell me.

122
00:06:41,080 --> 00:06:44,960
Speaker 3: So this is from well, yeah, you're asking more than

123
00:06:46,760 --> 00:06:49,520
Speaker 3: and as the only person actually who has who has

124
00:06:49,600 --> 00:06:52,640
Speaker 3: a story, who has a story about Shane West that

125
00:06:52,720 --> 00:06:56,480
Speaker 3: they've told on the podcast before, I'm just sitting this

126
00:06:56,600 --> 00:06:57,000
Speaker 3: one out.

127
00:06:57,720 --> 00:06:58,040
Speaker 4: Wow.

128
00:06:59,000 --> 00:07:01,760
Speaker 1: Okay, So we're being deprived of an opportunity for you

129
00:07:01,960 --> 00:07:04,440
Speaker 1: to tell a story to Retell a story you have

130
00:07:04,560 --> 00:07:07,880
Speaker 1: already told to Yes to Retell us on the show

131
00:07:08,040 --> 00:07:10,760
Speaker 1: Shane West. Yes, and it's and it's that you look

132
00:07:10,880 --> 00:07:11,559
Speaker 1: like Shane West.

133
00:07:11,680 --> 00:07:18,240
Speaker 3: Right, Well, that's not the whole that's not the whole story, but.

134
00:07:18,360 --> 00:07:19,320
Speaker 1: That's a big part of it.

135
00:07:20,640 --> 00:07:22,400
Speaker 4: So the story is that you look like Shane West.

136
00:07:22,680 --> 00:07:24,040
Speaker 1: That's part of this No, that's that.

137
00:07:24,240 --> 00:07:27,240
Speaker 3: No, actually that's not the story. That's part of the story.

138
00:07:28,640 --> 00:07:29,760
Speaker 4: Is it the middle of the story.

139
00:07:29,960 --> 00:07:35,360
Speaker 3: Well, so Forrest Gump is about running, No it's about

140
00:07:35,360 --> 00:07:38,920
Speaker 3: the entirety of this amazing human life. This man lived,

141
00:07:39,600 --> 00:07:42,880
Speaker 3: touched on all these pieces of history. Does he run

142
00:07:42,960 --> 00:07:48,240
Speaker 3: in the movie? Yeah, for quite a bit actually, but

143
00:07:48,280 --> 00:07:50,840
Speaker 3: it's not a movie. That's not that. That's not the movie.

144
00:07:52,080 --> 00:07:54,520
Speaker 1: You looking like. Shane West takes a running big a

145
00:07:54,560 --> 00:07:58,120
Speaker 1: bigger share of the story than than running does in

146
00:07:58,480 --> 00:08:01,920
Speaker 1: the movie Forrest Gump. No is not, no, it does not.

147
00:08:02,160 --> 00:08:07,640
Speaker 3: Really, that's true. Here's the story, Chris, and after this

148
00:08:07,760 --> 00:08:08,480
Speaker 3: I'll tag out.

149
00:08:08,720 --> 00:08:11,760
Speaker 1: I do want to say, I want to introduce Chris.

150
00:08:11,840 --> 00:08:14,000
Speaker 1: First of all, welcome to Hollywood Handbook and the Titters

151
00:08:14,040 --> 00:08:16,080
Speaker 1: Guy to kicking button dropping names in the red carpet

152
00:08:16,160 --> 00:08:18,720
Speaker 1: lineback hallways of this industry we call showbiz. We have

153
00:08:18,880 --> 00:08:30,120
Speaker 1: Chris Fleming as a guest YEP, comedy impresario, multi media

154
00:08:32,080 --> 00:08:36,320
Speaker 1: independent voice. On this scene. He is like he's doing

155
00:08:36,480 --> 00:08:40,560
Speaker 1: podcasts now as well, he's guesting on show. We're excited

156
00:08:40,640 --> 00:08:42,680
Speaker 1: to have him before the show.

157
00:08:42,760 --> 00:08:44,040
Speaker 3: Apparent at this point.

158
00:08:44,240 --> 00:08:47,000
Speaker 1: Before the show, I made the mistake of mentioning Deshaun

159
00:08:47,040 --> 00:08:50,079
Speaker 1: that I had met Chris before, So I'll do so.

160
00:08:50,280 --> 00:08:51,840
Speaker 4: I've got two stories to a tailspin.

161
00:08:52,120 --> 00:08:55,880
Speaker 3: Yeah, I've got two stories to tell I'll take it

162
00:08:55,920 --> 00:08:56,480
Speaker 3: from here, Chris.

163
00:08:58,040 --> 00:09:00,280
Speaker 1: So, the first one this.

164
00:09:02,240 --> 00:09:06,280
Speaker 3: I was working at a dry cleaner. The woman who

165
00:09:06,320 --> 00:09:09,679
Speaker 3: was a regular customer, who was the mother of a

166
00:09:11,360 --> 00:09:14,480
Speaker 3: very popular girl from my high school. This was several

167
00:09:14,600 --> 00:09:17,240
Speaker 3: years after high school. Everyone else I knew was in

168
00:09:17,280 --> 00:09:20,719
Speaker 3: college and I was working at a dry cleaner in

169
00:09:20,840 --> 00:09:27,199
Speaker 3: my hometown. The woman came in with her daughter. She

170
00:09:27,920 --> 00:09:30,599
Speaker 3: pointed at me. I went to get her order. She

171
00:09:30,640 --> 00:09:34,680
Speaker 3: didn't have any clothes, and she said see. And her daughter,

172
00:09:34,760 --> 00:09:38,959
Speaker 3: who recognized me, sort of got kind of sheepish and

173
00:09:39,120 --> 00:09:41,240
Speaker 3: a little bit embarrassed, but not as embarrassed as I was,

174
00:09:41,320 --> 00:09:44,400
Speaker 3: because what was going on? And I said, sorry, can

175
00:09:44,440 --> 00:09:47,480
Speaker 3: I help you? Are you dropping something off? And the woman,

176
00:09:47,559 --> 00:09:48,720
Speaker 3: the regular customer.

177
00:09:48,440 --> 00:09:49,400
Speaker 1: Said no.

178
00:09:50,000 --> 00:09:52,439
Speaker 3: We watched a Walk to Remember last night, and I

179
00:09:52,760 --> 00:09:55,680
Speaker 3: told my daughter, you have to see this boy at

180
00:09:55,720 --> 00:09:58,280
Speaker 3: the dry cleaner. He looks like this boy in the movie.

181
00:09:59,280 --> 00:10:04,600
Speaker 1: And so, while it's fresh in our minds, your resemblance

182
00:10:04,679 --> 00:10:08,319
Speaker 1: to Shane West is is you might even say the

183
00:10:08,520 --> 00:10:10,760
Speaker 1: entirety of the story you took a little true.

184
00:10:10,920 --> 00:10:10,959
Speaker 2: No.

185
00:10:11,200 --> 00:10:14,800
Speaker 4: No, that's what Sean's saying. That is that is legitimately

186
00:10:14,840 --> 00:10:15,240
Speaker 4: a story.

187
00:10:16,280 --> 00:10:19,760
Speaker 1: No. I agree that it is. I agree that it's

188
00:10:19,800 --> 00:10:22,560
Speaker 1: a story. I'm talking about the share of the story

189
00:10:23,320 --> 00:10:29,360
Speaker 1: occupied by the concept of Sean resembling Shane West. There's

190
00:10:29,400 --> 00:10:32,319
Speaker 1: a little side of the story about like to establish

191
00:10:32,679 --> 00:10:36,960
Speaker 1: your I guess like hard scrabble background, that you worked

192
00:10:37,000 --> 00:10:39,599
Speaker 1: on a dry cleaner after high school. But that is

193
00:10:39,720 --> 00:10:44,880
Speaker 1: not really part of the story. When it is, but

194
00:10:45,120 --> 00:10:47,640
Speaker 1: compare it to how much of Forrest Gump is about running.

195
00:10:47,720 --> 00:10:50,000
Speaker 1: It's about so much other.

196
00:10:49,960 --> 00:10:54,040
Speaker 4: Stuff that's true. The Shane West appearance is probably or

197
00:10:54,280 --> 00:10:57,079
Speaker 4: a resemblance is probably about eighty five percent of that story.

198
00:10:57,400 --> 00:11:01,559
Speaker 3: Forrest Gump runs the braces off of his legs at

199
00:11:01,640 --> 00:11:05,079
Speaker 3: like minute twenty two of the movie. He then runs

200
00:11:05,160 --> 00:11:07,920
Speaker 3: his way through a full college scholarship. He runs all

201
00:11:08,000 --> 00:11:10,960
Speaker 3: of his friends out of the Vietnam War, saving their lives.

202
00:11:11,400 --> 00:11:14,200
Speaker 3: Then he runs across the entirety of the United States

203
00:11:14,440 --> 00:11:17,760
Speaker 3: and back and becomes an international phenomenon for doing this.

204
00:11:18,280 --> 00:11:22,080
Speaker 3: It is the spine of the film that this man

205
00:11:22,160 --> 00:11:24,360
Speaker 3: is an accomplished runner. I agree, it is about many

206
00:11:24,400 --> 00:11:28,600
Speaker 3: other things because in addition to him running, we develop

207
00:11:28,679 --> 00:11:32,200
Speaker 3: this character as a human being, a man with flaws,

208
00:11:32,400 --> 00:11:36,360
Speaker 3: a man with feelings. As I the dry cleaner kid

209
00:11:37,920 --> 00:11:43,160
Speaker 3: from a heart scrabble background, as you so snarkily put it,

210
00:11:43,960 --> 00:11:47,840
Speaker 3: when actually it was pretty tough working at that dry cleaner.

211
00:11:50,120 --> 00:11:55,520
Speaker 3: I am someone who has feelings. In case you've forgotten,

212
00:11:55,679 --> 00:11:57,719
Speaker 3: I am a human being. I'm a person, and it's

213
00:11:57,720 --> 00:12:00,679
Speaker 3: about where I was in my life. It's out who

214
00:12:00,840 --> 00:12:02,920
Speaker 3: the characters are who are coming and talking to me.

215
00:12:03,440 --> 00:12:06,679
Speaker 3: On the one hand, it's you know, it's it's humble brag. Right, Ooh,

216
00:12:06,800 --> 00:12:10,280
Speaker 3: I look like movie star Shane West. What the girls really?

217
00:12:10,440 --> 00:12:13,520
Speaker 3: I look like the Cheshire dry cleaner version of Shane West,

218
00:12:14,040 --> 00:12:17,720
Speaker 3: enough that this woman drags in this girl, this popular star,

219
00:12:17,840 --> 00:12:18,720
Speaker 3: successful girl.

220
00:12:18,960 --> 00:12:19,160
Speaker 1: Yeah.

221
00:12:20,960 --> 00:12:22,800
Speaker 3: The old hockey team captain.

222
00:12:23,200 --> 00:12:26,280
Speaker 4: Chris is asking you a question when when she when

223
00:12:26,360 --> 00:12:29,199
Speaker 4: her mom said this boy to you, and an air

224
00:12:29,480 --> 00:12:32,000
Speaker 4: airshot of you said this boy looks like Shane West.

225
00:12:32,520 --> 00:12:35,199
Speaker 4: What what did the girl who knew you, who was

226
00:12:35,360 --> 00:12:37,800
Speaker 4: very very popular, what did she say to kind of

227
00:12:37,880 --> 00:12:40,720
Speaker 4: cut through cut through the because I'm sure you didn't

228
00:12:41,160 --> 00:12:43,679
Speaker 4: she kind of give a she was like, uh huh, okay.

229
00:12:44,840 --> 00:12:49,319
Speaker 4: She didn't say oh hi Sean, okay, ah, did not

230
00:12:49,520 --> 00:12:50,880
Speaker 4: engage with me as a.

231
00:12:52,440 --> 00:12:54,520
Speaker 3: Person. It kind of reminded me of the way Hayes

232
00:12:54,559 --> 00:12:55,559
Speaker 3: has been treating me today.

233
00:12:55,800 --> 00:12:57,840
Speaker 4: How did you how did you react? What did you say?

234
00:12:59,800 --> 00:13:05,319
Speaker 1: I was like, oh, yeah, I can see where why

235
00:13:05,440 --> 00:13:06,640
Speaker 1: this story ended where it did.

236
00:13:06,960 --> 00:13:08,800
Speaker 4: So there was no there was no social grace to

237
00:13:08,880 --> 00:13:11,640
Speaker 4: be found in this Hayes man. I'm not here to

238
00:13:11,679 --> 00:13:12,880
Speaker 4: answer questions.

239
00:13:14,240 --> 00:13:16,720
Speaker 3: The stories the story. I'm gonna give you the relevant

240
00:13:16,760 --> 00:13:19,800
Speaker 3: information when I tell the story that's true. I'm not

241
00:13:20,520 --> 00:13:22,200
Speaker 3: another game of cat and mouse here.

242
00:13:22,480 --> 00:13:24,160
Speaker 4: It was a little fat to the story. That's true.

243
00:13:24,800 --> 00:13:30,760
Speaker 3: So so here's the other story. I start this podcast

244
00:13:30,800 --> 00:13:34,880
Speaker 3: with my buddy, I don't know. I thought it was

245
00:13:34,960 --> 00:13:38,000
Speaker 3: going pretty well, and all of a sudden, he starts

246
00:13:38,080 --> 00:13:43,319
Speaker 3: talking about this other guy who's so funny. I I go,

247
00:13:43,679 --> 00:13:45,640
Speaker 3: I never heard of this fucking guy in my whole

248
00:13:45,760 --> 00:13:46,400
Speaker 3: damn life.

249
00:13:46,760 --> 00:13:47,760
Speaker 4: I don't know who that is.

250
00:13:47,840 --> 00:13:51,640
Speaker 1: He goes, don't start with hilarious.

251
00:13:52,480 --> 00:13:56,280
Speaker 3: It's so funny. We gotta have him on, all right, Okay,

252
00:13:56,440 --> 00:13:57,840
Speaker 3: what does he do? He's like, oh, he's.

253
00:13:59,640 --> 00:14:00,400
Speaker 4: He's funny.

254
00:14:00,800 --> 00:14:02,840
Speaker 3: Then I go, I think it's done. I go, okay,

255
00:14:03,000 --> 00:14:04,800
Speaker 3: you know, let the baby have his bottle. We'll put

256
00:14:04,840 --> 00:14:08,880
Speaker 3: the guy on the show. I am inundated with texts

257
00:14:09,000 --> 00:14:12,360
Speaker 3: from fucking Kevin bartel Of, like Chris is doing this

258
00:14:12,480 --> 00:14:13,040
Speaker 3: other show.

259
00:14:14,480 --> 00:14:15,319
Speaker 4: He's killing it.

260
00:14:15,400 --> 00:14:18,440
Speaker 3: He's so funny, he's on fire, he's cracking up. Kevin,

261
00:14:18,760 --> 00:14:20,400
Speaker 3: who is my employee?

262
00:14:20,840 --> 00:14:24,800
Speaker 1: He works for me. Okay, he is not supposed to

263
00:14:24,840 --> 00:14:26,800
Speaker 1: be with Hayes.

264
00:14:26,920 --> 00:14:29,080
Speaker 3: Okay, you know we're a little bit unequal, futting with

265
00:14:29,200 --> 00:14:30,040
Speaker 3: my show.

266
00:14:30,360 --> 00:14:32,120
Speaker 4: Fine, he's not your employee.

267
00:14:33,320 --> 00:14:34,800
Speaker 3: Yeah, he's not gonna be anymore.

268
00:14:35,640 --> 00:14:37,680
Speaker 1: Look and and this on this one, I do have

269
00:14:37,800 --> 00:14:43,440
Speaker 1: to take Sean saideh. He may not work for us directly,

270
00:14:43,600 --> 00:14:47,360
Speaker 1: but he works because of us directly. Okay, Okay, you

271
00:14:47,520 --> 00:14:50,400
Speaker 1: get the binoculars up. Is that the end of the story.

272
00:14:51,680 --> 00:14:54,520
Speaker 3: As far as I'm concerned. So you're here, Chris, and

273
00:14:54,960 --> 00:14:55,600
Speaker 3: good luck to you.

274
00:14:55,960 --> 00:15:00,400
Speaker 4: I'm that's what you say when you're signing off. You

275
00:15:00,440 --> 00:15:03,000
Speaker 4: don't say that, I am say that in the beginning.

276
00:15:03,120 --> 00:15:06,240
Speaker 3: I am signing you're actually I will be laying back

277
00:15:06,320 --> 00:15:08,920
Speaker 3: in the cut and I will watch and learn what's

278
00:15:09,000 --> 00:15:11,960
Speaker 3: so funny to Hayes that makes him just laugh so much,

279
00:15:12,120 --> 00:15:14,760
Speaker 3: and I I'm sure I'll enjoy.

280
00:15:14,600 --> 00:15:18,040
Speaker 1: It part of this. And I am really sorry about this, Chris.

281
00:15:18,160 --> 00:15:21,280
Speaker 1: And not that I didn't know. I didn't know. But

282
00:15:22,240 --> 00:15:24,080
Speaker 1: part of this is the other show that you were

283
00:15:24,200 --> 00:15:29,120
Speaker 1: on was Andy Richter's Questions three yes.

284
00:15:29,440 --> 00:15:32,320
Speaker 4: Say Amy Richter, Yeah, yes, yes, yes, yes, yes, that's.

285
00:15:32,360 --> 00:15:35,160
Speaker 1: The three questions and that yeah. And so maybe this

286
00:15:35,280 --> 00:15:37,680
Speaker 1: is where all the question asking energy came from. Is

287
00:15:37,760 --> 00:15:41,520
Speaker 1: you you think that this is podcast but it's not. Yeah?

288
00:15:42,240 --> 00:15:44,200
Speaker 1: Uh And I said it very clearly Andy Richter.

289
00:15:45,000 --> 00:15:45,960
Speaker 3: Uh And.

290
00:15:47,520 --> 00:15:49,280
Speaker 1: And I'm sorry, this is this is shot you know,

291
00:15:49,440 --> 00:15:56,320
Speaker 1: this is coming from h and that show was one

292
00:15:56,360 --> 00:15:58,640
Speaker 1: that is it has been suggested to Andy that we

293
00:15:59,400 --> 00:16:00,840
Speaker 1: be guessed on at some point.

294
00:16:00,720 --> 00:16:03,560
Speaker 4: And he said no, okay, yeah, this isn't a common

295
00:16:03,640 --> 00:16:06,240
Speaker 4: and he said no specifically to me. Yeah, I mean

296
00:16:06,360 --> 00:16:07,720
Speaker 4: I get that.

297
00:16:08,000 --> 00:16:09,800
Speaker 3: He said that Hayes could do the show by himself

298
00:16:09,920 --> 00:16:11,080
Speaker 3: or Hayes could do the show with you.

299
00:16:12,320 --> 00:16:16,720
Speaker 4: Well, it's a very confrontational energy that you have, you

300
00:16:16,840 --> 00:16:19,400
Speaker 4: know that I think maybe he doesn't need in his life.

301
00:16:19,480 --> 00:16:20,480
Speaker 4: I think that might be the problem.

302
00:16:20,520 --> 00:16:23,040
Speaker 3: Well, I'm sure Andy coddled you on the show and

303
00:16:23,280 --> 00:16:26,400
Speaker 3: just it was a big warm bear hug, and I

304
00:16:28,280 --> 00:16:31,960
Speaker 3: respect and admire the man for his approach to show business.

305
00:16:32,000 --> 00:16:33,240
Speaker 4: Do you think he was my wet nurse? Is that

306
00:16:33,320 --> 00:16:34,200
Speaker 4: what you're suggesting.

307
00:16:36,240 --> 00:16:39,640
Speaker 3: I'm not suggesting it. I'm outright stating. This man allowed

308
00:16:39,680 --> 00:16:40,920
Speaker 3: you to suckle from his teet.

309
00:16:42,080 --> 00:16:45,479
Speaker 4: I don't have any more wet nurses, Sean anymore.

310
00:16:46,400 --> 00:16:49,200
Speaker 1: No, you went, you went through a lot of them.

311
00:16:49,480 --> 00:16:51,560
Speaker 4: It's during the pandemic, of course, I don't have any

312
00:16:51,600 --> 00:16:52,560
Speaker 4: more wet nurses. Man.

313
00:16:53,240 --> 00:16:55,640
Speaker 3: No, I'm the one asking questions, how many did you

314
00:16:55,800 --> 00:16:59,800
Speaker 3: have prior to the pandemic? Not a ton ballpark?

315
00:16:59,840 --> 00:17:00,080
Speaker 2: It it?

316
00:17:01,600 --> 00:17:04,040
Speaker 1: Oh, by the way, let me just say this, Bakers

317
00:17:04,080 --> 00:17:07,320
Speaker 1: doesn't for anyone who is not still paying your wet

318
00:17:07,440 --> 00:17:13,159
Speaker 1: nurse like like you should continue paying them while they

319
00:17:13,200 --> 00:17:18,120
Speaker 1: are not able to come to your house and work

320
00:17:19,840 --> 00:17:20,600
Speaker 1: right with you.

321
00:17:22,160 --> 00:17:25,520
Speaker 4: I am still I'm still FedExing them a ton of money.

322
00:17:25,560 --> 00:17:28,480
Speaker 4: You have to Yeah, you have to keep there. Do

323
00:17:28,520 --> 00:17:30,800
Speaker 4: you know they're all in Tampa. Every one of them

324
00:17:31,040 --> 00:17:34,280
Speaker 4: lives in Tampa. So they all live near the International

325
00:17:34,359 --> 00:17:36,399
Speaker 4: Airport in Tampa. So I've been sending a lot of

326
00:17:37,800 --> 00:17:39,240
Speaker 4: a lot of cashier's checks to that.

327
00:17:39,480 --> 00:17:42,320
Speaker 1: Was that was that difficult while they were working for you?

328
00:17:43,760 --> 00:17:45,520
Speaker 4: Yeah, the commute was treacherous.

329
00:17:46,359 --> 00:17:50,800
Speaker 1: You would go to Tampa and you would I was sample.

330
00:17:50,520 --> 00:17:53,720
Speaker 3: Where you'd be met at the airport by thirteen wet nurses.

331
00:17:53,840 --> 00:17:55,200
Speaker 4: I live in Sarasota.

332
00:17:56,560 --> 00:17:58,800
Speaker 1: Oh that's not bad. That's actually a nice start. There's

333
00:17:58,800 --> 00:18:01,360
Speaker 1: a nice long bridge you drive over.

334
00:18:03,000 --> 00:18:06,440
Speaker 4: Yeah, mans the Key baby, Yeah you too. No, you're

335
00:18:06,640 --> 00:18:09,320
Speaker 4: here in Quincy right now, to Key.

336
00:18:09,680 --> 00:18:09,960
Speaker 5: Brother.

337
00:18:11,480 --> 00:18:14,080
Speaker 1: See this, Yeah, I never know what it is, but

338
00:18:16,119 --> 00:18:21,000
Speaker 1: there's a there's like a button that first press different.

339
00:18:21,280 --> 00:18:23,159
Speaker 3: But now you're making sense to me.

340
00:18:23,640 --> 00:18:26,400
Speaker 1: Yeah, he conveniently left that out.

341
00:18:27,280 --> 00:18:30,240
Speaker 4: I haven't seen I. I don't even recognize your face

342
00:18:30,320 --> 00:18:35,000
Speaker 4: with that grand now, my brother, I'm I. I feel

343
00:18:35,040 --> 00:18:36,760
Speaker 4: like I have face blindness right now. I feel like

344
00:18:36,800 --> 00:18:39,159
Speaker 4: a new person's in the chat since you've warmed up.

345
00:18:39,160 --> 00:18:43,159
Speaker 4: When you heard me drop the soda, he just nodded,

346
00:18:43,240 --> 00:18:47,680
Speaker 4: like Johnny Carson, don't give me that. Don't give me that, man.

347
00:18:49,200 --> 00:18:51,919
Speaker 3: I'll give you whatever you want. You look me up

348
00:18:51,920 --> 00:18:56,000
Speaker 3: with a ticket down to Sarah Souda, Mama, it's just

349
00:18:56,040 --> 00:18:58,240
Speaker 3: a jump over to c to Key.

350
00:18:58,760 --> 00:19:01,280
Speaker 1: Just because he lives there doesn't mean that he can

351
00:19:01,480 --> 00:19:04,520
Speaker 1: like that. He can get you a ticket to Sarasota

352
00:19:04,720 --> 00:19:07,080
Speaker 1: more than like any anyone else could.

353
00:19:07,200 --> 00:19:08,240
Speaker 3: Do I have local rates?

354
00:19:09,720 --> 00:19:13,359
Speaker 1: Do they have local rates to travel to Sarasota. It's

355
00:19:13,400 --> 00:19:15,480
Speaker 1: it's what do you mean local rates? Like from where

356
00:19:15,600 --> 00:19:15,880
Speaker 1: to where?

357
00:19:16,119 --> 00:19:16,840
Speaker 3: It's Sarasota.

358
00:19:16,920 --> 00:19:17,080
Speaker 2: You know.

359
00:19:17,160 --> 00:19:20,680
Speaker 3: Me and my boys call it Sharrisota. Where the why?

360
00:19:20,800 --> 00:19:21,919
Speaker 3: And your girl is silent?

361
00:19:24,640 --> 00:19:26,240
Speaker 4: Oh you're saying it's a swingers community.

362
00:19:26,760 --> 00:19:33,800
Speaker 6: Yes, okay, Sharrisota, baby. I don't know if it is

363
00:19:33,840 --> 00:19:35,960
Speaker 6: a swingers community. I don't think that's what it's not.

364
00:19:36,040 --> 00:19:37,639
Speaker 6: I think it's actually just like a lot of former

365
00:19:37,760 --> 00:19:40,400
Speaker 6: nuns kind of. I don't think it's really a swinging.

366
00:19:40,240 --> 00:19:42,240
Speaker 1: There's like a big circus culture there too.

367
00:19:43,240 --> 00:19:44,080
Speaker 4: Oh really okay?

368
00:19:44,320 --> 00:19:47,640
Speaker 1: Yeah, yeah, but no, I don't know about anything really.

369
00:19:47,720 --> 00:19:49,679
Speaker 3: And who swings more than the circus right?

370
00:19:49,840 --> 00:19:50,840
Speaker 1: Yeah? The acrobats?

371
00:19:50,920 --> 00:19:52,440
Speaker 4: Yeah, do you know any do you know any kids

372
00:19:52,480 --> 00:19:54,280
Speaker 4: that went to circus camp as youths?

373
00:19:55,240 --> 00:19:56,080
Speaker 1: Who are you asking?

374
00:19:56,680 --> 00:19:58,600
Speaker 4: Both of you guys? What do you mean? Who am

375
00:19:58,640 --> 00:19:58,800
Speaker 4: I am?

376
00:19:59,080 --> 00:20:03,560
Speaker 1: Actually we actually involve uh the engineer and this is

377
00:20:03,640 --> 00:20:08,160
Speaker 1: engineer Jordan Uh and of course our producer Kevin as well.

378
00:20:08,320 --> 00:20:11,639
Speaker 1: They actually are involved in the show and amazing and

379
00:20:11,800 --> 00:20:16,040
Speaker 1: are like human beings that we uh talk to and

380
00:20:16,119 --> 00:20:20,280
Speaker 1: interact with. I know Andy likes to keep it a

381
00:20:20,440 --> 00:20:21,440
Speaker 1: lot of distance.

382
00:20:21,760 --> 00:20:25,760
Speaker 4: Yes, Kevin was wearing a muzzle. Actually during during and

383
00:20:26,800 --> 00:20:29,280
Speaker 4: during the whole thing was texting.

384
00:20:29,480 --> 00:20:33,800
Speaker 1: He was only able to text Sean how how how

385
00:20:33,920 --> 00:20:34,960
Speaker 1: good the episode was?

386
00:20:35,400 --> 00:20:37,399
Speaker 4: Yeah, Yeah, we.

387
00:20:37,480 --> 00:20:39,800
Speaker 1: Want to talk with Chris. We've got to talk about YouTube,

388
00:20:41,160 --> 00:20:41,520
Speaker 1: right right?

389
00:20:41,600 --> 00:20:42,080
Speaker 4: I got this.

390
00:20:42,600 --> 00:20:42,919
Speaker 1: Wow.

391
00:20:43,440 --> 00:20:45,840
Speaker 4: I got warnings from my reps that you were going

392
00:20:45,920 --> 00:20:49,320
Speaker 4: to be uh and that you're interested in breaking out

393
00:20:49,359 --> 00:20:49,960
Speaker 4: on YouTube.

394
00:20:50,240 --> 00:20:53,399
Speaker 1: We are thinking about doing this for real.

395
00:20:53,920 --> 00:20:58,960
Speaker 3: Really, we've been tiptoeing around it. Yeah, and we've done

396
00:20:59,240 --> 00:21:03,440
Speaker 3: multiple episodes with this exact same premise, but we're we're

397
00:21:03,520 --> 00:21:05,760
Speaker 3: now looking at it in a new We have a

398
00:21:05,840 --> 00:21:08,600
Speaker 3: new guest on today, and we're doing it in a

399
00:21:08,720 --> 00:21:11,679
Speaker 3: new and different way. And it's twenty twenty, isn't it.

400
00:21:13,520 --> 00:21:13,560
Speaker 2: Is.

401
00:21:14,359 --> 00:21:16,560
Speaker 1: It's one of the first times we've done this episode

402
00:21:16,640 --> 00:21:19,600
Speaker 1: this year. But one thing that I think we've never

403
00:21:19,880 --> 00:21:25,920
Speaker 1: really focused on, okay in having this conversation is and

404
00:21:26,000 --> 00:21:27,600
Speaker 1: it's so weird for me because this is what I

405
00:21:27,720 --> 00:21:32,040
Speaker 1: just naturally kind of like drift forward with my interests YouTube. No,

406
00:21:32,400 --> 00:21:34,639
Speaker 1: I'm going to say what it is. Oh, I already

407
00:21:34,680 --> 00:21:35,200
Speaker 1: said YouTube.

408
00:21:35,240 --> 00:21:37,000
Speaker 3: And again the questions I've become.

409
00:21:38,560 --> 00:21:40,800
Speaker 1: I want to talk about the more harm than help

410
00:21:41,119 --> 00:21:44,120
Speaker 1: I want to talk about the gear, right, of course,

411
00:21:44,600 --> 00:21:50,760
Speaker 1: I want to talk about the shopping list at circuit City,

412
00:21:51,200 --> 00:21:56,720
Speaker 1: where like what do we pick up to have like

413
00:21:57,520 --> 00:22:01,159
Speaker 1: just like what's like the full kit to do YouTube

414
00:22:01,320 --> 00:22:03,400
Speaker 1: like this? What do we need.

415
00:22:05,119 --> 00:22:06,959
Speaker 3: Speaking in a circuit city? Do you know anybody who

416
00:22:07,000 --> 00:22:08,120
Speaker 3: went to circuit camp.

417
00:22:07,960 --> 00:22:08,400
Speaker 1: As a kid.

418
00:22:09,200 --> 00:22:16,080
Speaker 3: We'll call back to Chris's question. So you know, obviously

419
00:22:16,200 --> 00:22:19,359
Speaker 3: we're gear heads and we really want to know what

420
00:22:19,520 --> 00:22:23,359
Speaker 3: we what we need to launch into the stratosphere. And

421
00:22:23,520 --> 00:22:26,639
Speaker 3: a quick story about gear and I think we'll all

422
00:22:26,720 --> 00:22:33,200
Speaker 3: relate to. So I was going tubing with community of friends.

423
00:22:34,960 --> 00:22:41,000
Speaker 3: You have a tube not YouTube river tubing, Okay, I like.

424
00:22:42,560 --> 00:22:46,240
Speaker 3: And as we're preparing to embark and you know, get

425
00:22:46,280 --> 00:22:51,159
Speaker 3: into the water, there's a little shop just outside the

426
00:22:51,240 --> 00:22:55,359
Speaker 3: drop in and one man walks out of the shop

427
00:22:55,760 --> 00:23:01,359
Speaker 3: and on his sunglasses. We see his purchase and applied

428
00:23:01,720 --> 00:23:06,280
Speaker 3: a set of crokies so that in the river, if

429
00:23:07,320 --> 00:23:09,840
Speaker 3: his sunglasses were to fall off his face or if

430
00:23:09,840 --> 00:23:12,960
Speaker 3: you arrest them somewhere, boom, they're on the neck and

431
00:23:13,080 --> 00:23:15,080
Speaker 3: they become a necklace and a piece of jewelry and

432
00:23:15,280 --> 00:23:18,240
Speaker 3: very luxurious and beautiful in their own way.

433
00:23:18,560 --> 00:23:20,239
Speaker 4: Yeah, Sean, that's a I mean, that's a great thing

434
00:23:20,320 --> 00:23:22,119
Speaker 4: to have, but it's not going to help you in

435
00:23:22,240 --> 00:23:25,080
Speaker 4: terms of like filming gear like that's more about protecting

436
00:23:25,119 --> 00:23:27,520
Speaker 4: eyewear from falling off during a sporting.

437
00:23:27,240 --> 00:23:27,720
Speaker 1: In the water.

438
00:23:28,680 --> 00:23:31,480
Speaker 3: But the point will remain. I think you'll find that

439
00:23:32,400 --> 00:23:38,960
Speaker 3: within moments every other person waiting for the tubes had

440
00:23:39,560 --> 00:23:43,600
Speaker 3: purchased Crokies. And a gentleman turned to me and he's watching.

441
00:23:43,640 --> 00:23:46,560
Speaker 3: He's just shaking his head, the gentleman who had bought

442
00:23:46,560 --> 00:23:47,440
Speaker 3: the Croakes furst.

443
00:23:47,280 --> 00:23:49,080
Speaker 4: And he goes man.

444
00:23:50,280 --> 00:23:52,360
Speaker 3: Gear is contagious.

445
00:23:55,840 --> 00:23:56,920
Speaker 1: But three stories.

446
00:23:57,200 --> 00:23:59,520
Speaker 4: The life that you the way that you seem to

447
00:24:00,320 --> 00:24:02,760
Speaker 4: go through life. This reminds me very much of Nick

448
00:24:02,800 --> 00:24:05,400
Speaker 4: Carroway and The Great Gatsby, and that people just say

449
00:24:05,520 --> 00:24:07,960
Speaker 4: these things to you, Sean, and and and you you

450
00:24:08,119 --> 00:24:13,600
Speaker 4: come off as a very bold gentleman from behind the microphone.

451
00:24:13,640 --> 00:24:17,080
Speaker 4: But but just based on the very those two glimpses

452
00:24:17,119 --> 00:24:20,040
Speaker 4: into your actual life, I amasin participant that you're very

453
00:24:20,160 --> 00:24:23,240
Speaker 4: passive and you're very very quiet when these terrible things

454
00:24:23,280 --> 00:24:24,000
Speaker 4: are happening to you.

455
00:24:24,320 --> 00:24:27,480
Speaker 3: You're the second person to call me Nick Carroway from

456
00:24:27,520 --> 00:24:31,520
Speaker 3: The Great Gatsby, the first My high school theater teacher

457
00:24:31,640 --> 00:24:34,760
Speaker 3: who was arrested for molesting his students.

458
00:24:35,560 --> 00:24:36,760
Speaker 4: Come on, man, are you serious?

459
00:24:37,280 --> 00:24:38,800
Speaker 3: I swear to god.

460
00:24:39,240 --> 00:24:41,640
Speaker 4: He said that you were like Nick Carroway, he said,

461
00:24:41,800 --> 00:24:42,280
Speaker 4: he said.

462
00:24:42,119 --> 00:24:44,040
Speaker 3: You're sort of a Nick Carroway. Carn't you.

463
00:24:45,720 --> 00:24:45,960
Speaker 1: Fuck?

464
00:24:46,040 --> 00:24:47,640
Speaker 4: Why are you putting me on I set camp?

465
00:24:48,840 --> 00:24:49,720
Speaker 3: I apologize?

466
00:24:50,040 --> 00:24:50,280
Speaker 4: That is.

467
00:24:51,760 --> 00:24:54,120
Speaker 1: Another story. I mean I have counts.

468
00:24:55,520 --> 00:24:59,040
Speaker 4: You are you also? Just just the way that these

469
00:24:59,119 --> 00:25:02,359
Speaker 4: have been serious teacher, the way okay, the way that

470
00:25:02,440 --> 00:25:05,200
Speaker 4: these have been seared into your mind, that that is

471
00:25:05,359 --> 00:25:08,880
Speaker 4: also why you are in it. Carraway m hm, because.

472
00:25:08,800 --> 00:25:12,200
Speaker 1: Because the Carraway remembered all that stuff. That's right, He's

473
00:25:12,400 --> 00:25:14,800
Speaker 1: crazy how much it's like, why do you remember that?

474
00:25:15,359 --> 00:25:16,760
Speaker 3: A life of reflection? Yeah?

475
00:25:17,200 --> 00:25:21,040
Speaker 4: Yes, beagle smelled like what the beagle could be. Yeah,

476
00:25:21,600 --> 00:25:22,040
Speaker 4: mm hmm.

477
00:25:23,280 --> 00:25:27,040
Speaker 1: Chris, what kind of what kind of stick do you use?

478
00:25:27,440 --> 00:25:27,840
Speaker 4: Kimball?

479
00:25:28,800 --> 00:25:29,640
Speaker 1: A kimbal stick?

480
00:25:29,800 --> 00:25:33,240
Speaker 4: Yeah, you got to use the kimbal to point.

481
00:25:33,040 --> 00:25:40,359
Speaker 1: At stuff that is like happening on in the video.

482
00:25:41,160 --> 00:25:43,520
Speaker 1: Oh oh oh, you mean to use as the pointer

483
00:25:44,920 --> 00:25:47,040
Speaker 1: just so people like so you can like point out

484
00:25:47,040 --> 00:25:50,760
Speaker 1: a different thing and be like, this is here's this,

485
00:25:51,040 --> 00:25:52,679
Speaker 1: look at that. There's a birch.

486
00:25:53,520 --> 00:25:54,639
Speaker 3: What's kind of stick?

487
00:25:54,720 --> 00:25:58,600
Speaker 4: What would you want? Okay, okay, you actually you want

488
00:25:58,680 --> 00:26:00,680
Speaker 4: a thick wood for that? You don't, you don't, you

489
00:26:00,720 --> 00:26:03,119
Speaker 4: definitely don't want like people used to use laser pointers

490
00:26:03,160 --> 00:26:07,160
Speaker 4: and stuff. That's very very Y two K, very very.

491
00:26:07,080 --> 00:26:09,280
Speaker 1: White two K. Wow, that could actually So you're saying

492
00:26:09,359 --> 00:26:11,800
Speaker 1: that could actually incite why two K?

493
00:26:12,480 --> 00:26:14,159
Speaker 4: It could bring about the Y two K bug that

494
00:26:14,320 --> 00:26:17,120
Speaker 4: never happened, that redodged that it would happen, It did happen,

495
00:26:17,280 --> 00:26:19,960
Speaker 4: It did actually happen in some communities, but no to

496
00:26:20,080 --> 00:26:22,800
Speaker 4: flirt with it. Yeah, so what you want to use

497
00:26:23,119 --> 00:26:23,679
Speaker 4: to not bring them?

498
00:26:23,880 --> 00:26:26,000
Speaker 1: You don't hear about those communities too much anymore. Do

499
00:26:26,160 --> 00:26:30,240
Speaker 1: you ever noticed how you almost never hear about the

500
00:26:30,400 --> 00:26:35,000
Speaker 1: communities that were evaporated by the Y two K virus?

501
00:26:35,520 --> 00:26:35,720
Speaker 4: Yeah?

502
00:26:35,760 --> 00:26:38,320
Speaker 1: No, no, you don't nothing to hear at this point

503
00:26:39,080 --> 00:26:41,639
Speaker 1: the lots of echoes of screams.

504
00:26:41,640 --> 00:26:45,919
Speaker 4: The lost city of Wanona. Mm hmmm no, I uh

505
00:26:46,119 --> 00:26:48,040
Speaker 4: So you're saying, what kind of stick to would I

506
00:26:48,160 --> 00:26:48,680
Speaker 4: recommend you?

507
00:26:48,760 --> 00:26:51,160
Speaker 1: Guys use to be prepared a different things.

508
00:26:51,480 --> 00:26:54,080
Speaker 4: So you're saying that in you once you've made the video,

509
00:26:54,160 --> 00:26:55,879
Speaker 4: you want to be able to point the good parts

510
00:26:55,920 --> 00:26:56,720
Speaker 4: out of your video.

511
00:26:57,280 --> 00:26:59,480
Speaker 1: Well, you do both, so while you're into the video,

512
00:27:00,200 --> 00:27:02,800
Speaker 1: you're filming it, you're pointing at different stuff and saying

513
00:27:02,880 --> 00:27:04,040
Speaker 1: what it is in the video.

514
00:27:04,560 --> 00:27:07,280
Speaker 3: Ideally, you only ever make one video and then every

515
00:27:07,320 --> 00:27:09,800
Speaker 3: other video just becomes you pointing at stuff from the

516
00:27:09,880 --> 00:27:10,400
Speaker 3: first one.

517
00:27:11,240 --> 00:27:14,520
Speaker 1: It's sort of what this podcast is. That's what you

518
00:27:14,600 --> 00:27:17,680
Speaker 1: know these guys Jake and emrr Yeah, yeah, yeah, that's

519
00:27:17,760 --> 00:27:19,120
Speaker 1: kind of what they do now. They play their old

520
00:27:19,160 --> 00:27:21,080
Speaker 1: videos and they point at them. They're like, look at that.

521
00:27:22,119 --> 00:27:23,280
Speaker 4: They react to their old video.

522
00:27:23,400 --> 00:27:24,280
Speaker 1: What was I wearing?

523
00:27:26,400 --> 00:27:29,000
Speaker 4: Yeah, wow, look at my cowlick? That kind of stuff.

524
00:27:29,119 --> 00:27:32,399
Speaker 4: Uh huh right right right, Okay, So I think what

525
00:27:32,520 --> 00:27:36,520
Speaker 4: you could use for that is kind of like a

526
00:27:38,119 --> 00:27:40,640
Speaker 4: uh I would I would say, like a little piece

527
00:27:40,720 --> 00:27:45,120
Speaker 4: of driftwood. I think would be kind of interesting found art. Yeah, yeah,

528
00:27:45,200 --> 00:27:49,240
Speaker 4: I think that could be really interesting art. Yeah. Yeah,

529
00:27:49,320 --> 00:27:50,840
Speaker 4: So you could kind of hold you could kind of

530
00:27:50,920 --> 00:27:53,320
Speaker 4: cradle it. So you could so because a lot of people,

531
00:27:53,480 --> 00:27:55,159
Speaker 4: you know, you think about like, but you could be

532
00:27:55,240 --> 00:27:58,560
Speaker 4: pointing at it kind of almost Bazookas style, because it's

533
00:27:58,600 --> 00:28:02,240
Speaker 4: because it's kind of and if you're actually kind of

534
00:28:02,320 --> 00:28:05,480
Speaker 4: like Boff hitting the screen and stuff with the driftwood

535
00:28:05,480 --> 00:28:09,120
Speaker 4: and getting that kind of wet lichen and barnacles all

536
00:28:09,240 --> 00:28:12,119
Speaker 4: over the screen. That's gonna set you apart for And

537
00:28:12,200 --> 00:28:14,600
Speaker 4: this is the most important thing about you know, branding.

538
00:28:15,040 --> 00:28:17,360
Speaker 3: Hey, my understanding is that lichen is a big part

539
00:28:17,400 --> 00:28:25,560
Speaker 3: of YouTube. Uh god, God damn it, Christopher.

540
00:28:26,720 --> 00:28:27,560
Speaker 4: Yeah, I guess it is.

541
00:28:29,160 --> 00:28:33,280
Speaker 3: Hopefully right. Hopefully there's a lot of liking going on

542
00:28:33,520 --> 00:28:35,720
Speaker 3: when you start making YouTube with that.

543
00:28:36,080 --> 00:28:37,639
Speaker 4: Like I hate that kind of thing when it does

544
00:28:37,720 --> 00:28:40,120
Speaker 4: to my mind, like I'm like, I'm like thinking, oh,

545
00:28:40,160 --> 00:28:42,080
Speaker 4: is there like a is there like a sub section

546
00:28:42,200 --> 00:28:44,680
Speaker 4: of YouTube that's about like mosses. Oh no, he's doing

547
00:28:44,720 --> 00:28:46,800
Speaker 4: a word play about liking of it. And I just

548
00:28:46,880 --> 00:28:50,040
Speaker 4: feel so I feel filthy that I have to and

549
00:28:50,120 --> 00:28:51,760
Speaker 4: now I have to look for that. I have to

550
00:28:51,800 --> 00:28:53,640
Speaker 4: be looking. I have to be a truffled pig for

551
00:28:53,720 --> 00:28:57,720
Speaker 4: wordplay now. And I try to live my life in

552
00:28:57,840 --> 00:29:00,240
Speaker 4: my fifties. In my fifties now, I've tried. I've I've

553
00:29:00,400 --> 00:29:02,400
Speaker 4: cut that kind of thing out of my life.

554
00:29:02,640 --> 00:29:09,520
Speaker 1: Wordplay. No regular pig, I'm not saying they just call

555
00:29:09,560 --> 00:29:13,920
Speaker 1: me a regular pig. You say anything you didn't anything like.

556
00:29:13,960 --> 00:29:14,680
Speaker 4: A regular pig.

557
00:29:15,000 --> 00:29:16,880
Speaker 1: I said, you said you didn't want to be a

558
00:29:16,960 --> 00:29:19,560
Speaker 1: truffle pig, and I said, you want to be like

559
00:29:19,600 --> 00:29:23,880
Speaker 1: a regular pig. And pigs are actually the smartest kind.

560
00:29:24,400 --> 00:29:26,320
Speaker 4: Yeah, they come for full afternoons.

561
00:29:26,320 --> 00:29:27,800
Speaker 3: There's the smartest kind of hog.

562
00:29:28,160 --> 00:29:29,280
Speaker 4: They have full after.

563
00:29:30,880 --> 00:29:34,880
Speaker 3: Hog in the entire hog kingdom. Think about that.

564
00:29:35,080 --> 00:29:37,280
Speaker 1: Did you say sorry? Did you say they come for

565
00:29:37,400 --> 00:29:38,320
Speaker 1: full afternoons.

566
00:29:38,760 --> 00:29:40,920
Speaker 4: Yeah, a pig will come when they have an orgasm.

567
00:29:41,000 --> 00:29:41,960
Speaker 4: It's a full afternoon.

568
00:29:42,640 --> 00:29:44,600
Speaker 1: They come for the entire afternoon.

569
00:29:44,680 --> 00:29:45,800
Speaker 4: Yeah, it's a huge got a.

570
00:29:45,840 --> 00:29:48,840
Speaker 3: Corkscrew wing and so in order for the in order

571
00:29:48,880 --> 00:29:51,240
Speaker 3: for the spoongs to work its way through the sort

572
00:29:51,280 --> 00:29:52,440
Speaker 3: of byzantine labor.

573
00:29:55,200 --> 00:29:57,719
Speaker 1: But I thought it would work like the bud Light

574
00:29:57,840 --> 00:30:03,200
Speaker 1: Vortex bottle. You remember the Vortex bottle? No?

575
00:30:03,400 --> 00:30:06,560
Speaker 3: Oh, yeah, well now I do remember the Vortex bottle,

576
00:30:06,560 --> 00:30:08,800
Speaker 3: and I remember the commercial sport. It reminds me that

577
00:30:09,200 --> 00:30:13,120
Speaker 3: I teased previously that I have an idea for car commercial. Chris,

578
00:30:13,160 --> 00:30:14,720
Speaker 3: would you like to talk about this because this could

579
00:30:14,880 --> 00:30:18,440
Speaker 3: possibly be a YouTube video like a branded partner.

580
00:30:18,560 --> 00:30:19,760
Speaker 1: Definitely be one of these things.

581
00:30:20,000 --> 00:30:22,480
Speaker 4: I don't I don't really see that happening, but yeah, no, dude,

582
00:30:22,480 --> 00:30:24,400
Speaker 4: please feels like something ret and Link could do.

583
00:30:24,560 --> 00:30:25,880
Speaker 1: Do you know that in that case?

584
00:30:25,920 --> 00:30:28,560
Speaker 4: In that case, yeah, yeah, yeah, yeah, you know what

585
00:30:28,720 --> 00:30:32,440
Speaker 4: South and Link h okay, yeah.

586
00:30:32,520 --> 00:30:34,480
Speaker 1: Yeah, for it, go for it. Here you go. What

587
00:30:34,600 --> 00:30:37,600
Speaker 1: if Link had one too, You could put that almost

588
00:30:37,720 --> 00:30:40,080
Speaker 1: anywhere in Link's name and it could still be pronounced

589
00:30:40,120 --> 00:30:42,640
Speaker 1: him if it weren't for that.

590
00:30:42,920 --> 00:30:46,000
Speaker 4: H you think that justin Timberlake in the social network

591
00:30:46,040 --> 00:30:53,720
Speaker 4: came up to retin Link. He's leaving the expensive sushi restaurant.

592
00:30:54,120 --> 00:30:56,200
Speaker 4: I got one more thing for you. Drop an h

593
00:30:56,360 --> 00:30:59,760
Speaker 4: after the R and then he about faces, looking s

594
00:31:00,200 --> 00:31:04,760
Speaker 4: through the glass and wreck comes.

595
00:31:07,080 --> 00:31:08,120
Speaker 3: For a full afternoon.

596
00:31:08,800 --> 00:31:11,200
Speaker 4: Yeah okay, oh right, Sean, tell me your car, tell

597
00:31:11,240 --> 00:31:11,880
Speaker 4: me your car idea.

598
00:31:12,160 --> 00:31:17,520
Speaker 3: Here's my car commercial idea. So scout, you know, normal guy,

599
00:31:17,640 --> 00:31:18,840
Speaker 3: grumpy guy wakes.

600
00:31:18,680 --> 00:31:20,600
Speaker 4: Up in the morning, normal grumpy guy.

601
00:31:20,920 --> 00:31:25,400
Speaker 3: Grumpy guy walks through the kitchen and people are saying

602
00:31:25,520 --> 00:31:29,560
Speaker 3: Hi morning, pal, or hey dad or whatever, and he's going,

603
00:31:29,680 --> 00:31:33,880
Speaker 3: eh yeah, brushing him off that he you know, in

604
00:31:34,000 --> 00:31:36,600
Speaker 3: his pajamas, shuffles out to the drive where it was.

605
00:31:36,720 --> 00:31:40,360
Speaker 3: Sprinkler hits him. He's looking around, he's mad. He gets

606
00:31:40,440 --> 00:31:47,960
Speaker 3: behind the wheel. Okay, of his of his gmc.

607
00:31:47,760 --> 00:31:48,240
Speaker 1: U cor.

608
00:31:51,360 --> 00:31:55,480
Speaker 3: Turns the key, pulls out, hits the open road, pedal

609
00:31:55,560 --> 00:31:58,880
Speaker 3: of the metal, puts the window down, and we see

610
00:31:58,960 --> 00:32:03,760
Speaker 3: this scowl transform into a smile, and the tagline is

611
00:32:09,320 --> 00:32:10,880
Speaker 3: not before I've had my driving.

612
00:32:20,880 --> 00:32:30,040
Speaker 1: That's that's really smart to make driving a car as

613
00:32:30,160 --> 00:32:34,680
Speaker 1: much of like a necessary mourning experience active.

614
00:32:35,040 --> 00:32:37,680
Speaker 4: How long? How far is he driving? You think.

615
00:32:40,080 --> 00:32:40,640
Speaker 1: Pretty far?

616
00:32:40,880 --> 00:32:43,800
Speaker 4: Cry because like dance and stuff.

617
00:32:45,560 --> 00:32:48,840
Speaker 3: Not before I've had my driving. He can't function until

618
00:32:48,880 --> 00:32:50,920
Speaker 3: he's had his driving. You can't talk to his old

619
00:32:50,960 --> 00:32:52,120
Speaker 3: wife and children.

620
00:32:51,800 --> 00:32:56,520
Speaker 4: You can't do anything until he leaves. Yeah, I get

621
00:32:56,640 --> 00:32:58,720
Speaker 4: I kind of get that A and B. When you

622
00:32:58,800 --> 00:33:02,000
Speaker 4: were tell the cadence with which that you were using

623
00:33:02,520 --> 00:33:04,719
Speaker 4: when he turned the way that you kind of paused

624
00:33:04,720 --> 00:33:06,480
Speaker 4: about the way he turned on the car. I was

625
00:33:06,880 --> 00:33:08,840
Speaker 4: one hundred percent certain that the car was going to

626
00:33:08,880 --> 00:33:13,880
Speaker 4: blow up explode. When you when you do part of

627
00:33:13,920 --> 00:33:16,600
Speaker 4: building the tension is okay, So that that's not that's

628
00:33:16,680 --> 00:33:17,800
Speaker 4: intentional tension.

629
00:33:17,920 --> 00:33:20,640
Speaker 1: Yeah. Yeah, that way where he looks at the ignission

630
00:33:23,000 --> 00:33:26,000
Speaker 1: and we zoom all the way in on it, you ol, way, god.

631
00:33:26,400 --> 00:33:28,360
Speaker 4: What if it actually opens, kind of like the way

632
00:33:28,440 --> 00:33:31,440
Speaker 4: casino opens where he it's first him in the car,

633
00:33:31,560 --> 00:33:34,880
Speaker 4: it's him turning the key in it blows up the car.

634
00:33:35,360 --> 00:33:37,000
Speaker 4: You know, so you think that's going to happen, but

635
00:33:37,040 --> 00:33:39,200
Speaker 4: it's misdirection, and then it just the rest of the

636
00:33:39,200 --> 00:33:40,560
Speaker 4: commercial happens after that.

637
00:33:40,880 --> 00:33:42,080
Speaker 1: Well, that would be great.

638
00:33:42,280 --> 00:33:46,880
Speaker 3: And also, you know Hitchcock said you could show a

639
00:33:47,080 --> 00:33:54,560
Speaker 3: scene right of several people talking about sports, the weather, politics, bacoids,

640
00:33:55,720 --> 00:33:59,000
Speaker 3: twenty minute scene, small talk around a table, and then

641
00:34:00,040 --> 00:34:02,840
Speaker 3: a bomb explodes. Okay, now you've got my attention right.

642
00:34:03,040 --> 00:34:06,320
Speaker 3: But if at the beginning of that conversation you pan

643
00:34:06,480 --> 00:34:08,719
Speaker 3: beneath the table and show that there is a bomb

644
00:34:08,760 --> 00:34:11,279
Speaker 3: that could go off at any moment, suddenly the entire

645
00:34:11,400 --> 00:34:16,000
Speaker 3: conversation becomes interesting. That is tension, That is suspense. And

646
00:34:16,120 --> 00:34:18,760
Speaker 3: so perhaps we show a brick of C four wired

647
00:34:18,800 --> 00:34:28,719
Speaker 3: to the club before we even shows a lark go off.

648
00:34:28,840 --> 00:34:29,839
Speaker 3: This man who wakes up.

649
00:34:30,000 --> 00:34:33,160
Speaker 4: It wasn't Hitchcock that said that it was Catan.

650
00:34:35,080 --> 00:34:39,080
Speaker 1: Is Chris Catan? Then that happens in Kirky Romano is

651
00:34:39,080 --> 00:34:40,640
Speaker 1: a big quote he accident?

652
00:34:40,880 --> 00:34:42,520
Speaker 3: Was it him or did he steal that from one

653
00:34:42,560 --> 00:34:43,239
Speaker 3: of his settlers?

654
00:34:46,440 --> 00:34:48,920
Speaker 4: I'm telling you, like alec I don't have much time, man,

655
00:34:49,160 --> 00:34:52,440
Speaker 4: like I don't have he does, He did, he doesn't

656
00:34:52,440 --> 00:34:53,879
Speaker 4: have it, he doesn't have much.

657
00:34:54,000 --> 00:34:56,600
Speaker 3: You gotta split. Hey, I'm on your time, man. I

658
00:34:56,680 --> 00:34:57,960
Speaker 3: thought we were doing this earlier.

659
00:34:58,000 --> 00:34:59,960
Speaker 4: I'm not saying I have to split. I'm saying I

660
00:35:00,040 --> 00:35:01,840
Speaker 4: don't have much time left in my life. And I'm sorry.

661
00:35:01,840 --> 00:35:03,359
Speaker 4: I know I did.

662
00:35:03,640 --> 00:35:05,160
Speaker 1: He did say that before the day.

663
00:35:05,480 --> 00:35:09,000
Speaker 4: I apologize, and I was late this morning. I have

664
00:35:09,120 --> 00:35:10,640
Speaker 4: three hours late to those podcast.

665
00:35:11,000 --> 00:35:13,799
Speaker 3: Three hours late. But you're so damn funny. I'm sure

666
00:35:13,840 --> 00:35:14,839
Speaker 3: it won't matter after all.

667
00:35:15,280 --> 00:35:20,480
Speaker 1: And Kevin told me Chris said before, like, uh, sorry,

668
00:35:20,520 --> 00:35:21,680
Speaker 1: you know, I'm like happy to do this for a

669
00:35:21,719 --> 00:35:25,560
Speaker 1: little while, but life is finite. Well, I do I

670
00:35:25,640 --> 00:35:26,239
Speaker 1: have to do others.

671
00:35:26,280 --> 00:35:27,799
Speaker 4: I'm holding on by a sinew right now.

672
00:35:28,000 --> 00:35:30,719
Speaker 3: So damn bird just flew by and I didn't have

673
00:35:30,760 --> 00:35:31,880
Speaker 3: my binocular.

674
00:35:33,160 --> 00:35:42,440
Speaker 1: Suck. What kind of email do you use to send

675
00:35:43,600 --> 00:35:44,120
Speaker 1: the video?

676
00:35:45,080 --> 00:35:47,800
Speaker 4: To send the video out to? Uh like to industry?

677
00:35:48,560 --> 00:35:52,520
Speaker 1: Well, first guys, YouTube first? Oh you mean you got

678
00:35:52,640 --> 00:35:55,920
Speaker 1: to email. I think we have sented to. Sorry, I

679
00:35:56,120 --> 00:35:57,520
Speaker 1: think we might be a little confused.

680
00:35:58,239 --> 00:36:03,080
Speaker 5: Yeah, Chris, your skip bi a step I think before

681
00:36:03,160 --> 00:36:05,840
Speaker 5: we send it out to the industries. We getting ahead

682
00:36:05,840 --> 00:36:08,680
Speaker 5: of our I think we should send it to YouTube.

683
00:36:09,000 --> 00:36:12,239
Speaker 4: I'm so sorry. You are absolutely right.

684
00:36:12,360 --> 00:36:16,799
Speaker 3: That is too funny, Chris, Chris, I'm so. I don't

685
00:36:16,880 --> 00:36:23,760
Speaker 3: mean to Oh that is too funny. Jordan, don't laugh, Geordan,

686
00:36:24,080 --> 00:36:25,799
Speaker 3: come on, I know you knew what he meant.

687
00:36:25,920 --> 00:36:29,120
Speaker 4: But Kevin's putting it. Kevin's putting his fist through the

688
00:36:29,200 --> 00:36:30,879
Speaker 4: drywall right now. That's how he's back.

689
00:36:32,840 --> 00:36:33,000
Speaker 1: Now.

690
00:36:34,200 --> 00:36:36,360
Speaker 4: Okay, So what email do you want? You want a

691
00:36:36,400 --> 00:36:40,000
Speaker 4: bold email? You want you want an equal amount of

692
00:36:40,440 --> 00:36:43,200
Speaker 4: letters and numbers to make it a strong email.

693
00:36:43,680 --> 00:36:48,360
Speaker 3: Oh wow, yeah, yeah, so fortune favors the email.

694
00:36:49,040 --> 00:36:51,839
Speaker 4: Yeah, so Sean, what would you what? What what comes

695
00:36:51,880 --> 00:36:53,239
Speaker 4: to mind with that prompt for you?

696
00:36:53,480 --> 00:36:55,880
Speaker 1: If you were to the same amount of letters as

697
00:36:56,080 --> 00:36:57,400
Speaker 1: numbers and you also.

698
00:36:57,239 --> 00:37:00,719
Speaker 4: Need to pick your dot com before you make the email. Man,

699
00:37:00,800 --> 00:37:03,000
Speaker 4: you don't, okay, you don't this. This is a misnomer

700
00:37:03,040 --> 00:37:04,480
Speaker 4: to think that you actually have to buy the domain

701
00:37:04,880 --> 00:37:07,160
Speaker 4: to have that email. You don't. So it can be

702
00:37:07,680 --> 00:37:09,560
Speaker 4: you can just write whatever you want to make Sean

703
00:37:09,600 --> 00:37:12,279
Speaker 4: at clements dot com and it's fine, and that's that's

704
00:37:12,320 --> 00:37:12,760
Speaker 4: the email.

705
00:37:12,960 --> 00:37:18,200
Speaker 3: But when I think bold, I think hot chili. Mac okay, okay,

706
00:37:18,440 --> 00:37:22,120
Speaker 3: is that am I alone here? That would be maybe

707
00:37:22,200 --> 00:37:24,160
Speaker 3: that's that could be like a fun password, but it

708
00:37:24,200 --> 00:37:29,600
Speaker 3: doesn't really kind of convey who you are, you know,

709
00:37:30,680 --> 00:37:32,239
Speaker 3: and now that you want me to be Nick dot

710
00:37:32,320 --> 00:37:34,000
Speaker 3: carraway at uh No.

711
00:37:34,200 --> 00:37:36,600
Speaker 4: Maybe like dry cleaner Sean West. Maybe it could be

712
00:37:36,640 --> 00:37:38,880
Speaker 4: interested Shane West, Shawn West.

713
00:37:39,080 --> 00:37:40,680
Speaker 3: No, but it's close.

714
00:37:41,080 --> 00:37:45,200
Speaker 4: Yeah, dry cleaner Shane West and Harvard Hayes I think

715
00:37:45,239 --> 00:37:46,319
Speaker 4: would be the two that we would.

716
00:37:46,440 --> 00:37:49,879
Speaker 1: Sean actually went to Harvard, that was I am sort

717
00:37:49,920 --> 00:37:54,319
Speaker 1: of Harvard Hayes by my affiliation with Sean at this point.

718
00:37:54,520 --> 00:37:56,800
Speaker 1: But no, he's been.

719
00:37:58,360 --> 00:38:00,719
Speaker 3: Allowed to attend some of the functions and stuff as

720
00:38:00,800 --> 00:38:04,520
Speaker 3: my plus one. I've let him tour the attic of

721
00:38:04,560 --> 00:38:07,320
Speaker 3: the castle. Had to blindfold them to get him in.

722
00:38:07,440 --> 00:38:10,560
Speaker 4: But did you let them hang hang out with the

723
00:38:10,600 --> 00:38:13,200
Speaker 4: eunuch that sings to you in the morning, the sweet

724
00:38:13,239 --> 00:38:13,799
Speaker 4: Eunich song.

725
00:38:14,400 --> 00:38:14,960
Speaker 1: I let him.

726
00:38:16,000 --> 00:38:19,480
Speaker 3: I let him hold the Eunix tunic because it happened

727
00:38:19,520 --> 00:38:20,920
Speaker 3: to be in the dryer at the time that we

728
00:38:21,040 --> 00:38:23,000
Speaker 3: were in there touring the attic, and so I took

729
00:38:23,040 --> 00:38:26,160
Speaker 3: it out and I let him hold and fold the

730
00:38:26,239 --> 00:38:26,680
Speaker 3: tunic of.

731
00:38:26,680 --> 00:38:28,600
Speaker 4: The Unuch the Unix tunic.

732
00:38:28,680 --> 00:38:28,879
Speaker 3: Yeah.

733
00:38:29,040 --> 00:38:33,080
Speaker 1: I saw a red Link video recently where they were like,

734
00:38:33,760 --> 00:38:37,759
Speaker 1: we tried every one of these different pop tarts and

735
00:38:37,880 --> 00:38:38,960
Speaker 1: they were all awesome.

736
00:38:39,320 --> 00:38:40,239
Speaker 4: We're sick as hell.

737
00:38:40,719 --> 00:38:43,560
Speaker 1: We've tried everyone day, every pop tart and they loved

738
00:38:43,600 --> 00:38:45,359
Speaker 1: the last one as much as the first one.

739
00:38:45,480 --> 00:38:49,160
Speaker 4: We have Jarndice. Our families have Jarndice. Get us out

740
00:38:49,200 --> 00:38:49,440
Speaker 4: of here.

741
00:38:49,640 --> 00:38:54,520
Speaker 1: Their families got contact jaundice air left us out. But

742
00:38:55,239 --> 00:38:58,719
Speaker 1: for that is this email just like, hey guys, so

743
00:38:59,080 --> 00:39:03,600
Speaker 1: in this video we ate all these different pop tarts.

744
00:39:05,040 --> 00:39:06,120
Speaker 1: They paid us to do this.

745
00:39:06,400 --> 00:39:08,840
Speaker 4: What about the email ret and link at pop darts

746
00:39:08,880 --> 00:39:11,480
Speaker 4: dot pop tarts dot net. That could be kind of interesting.

747
00:39:11,560 --> 00:39:13,320
Speaker 1: That's really good, and that might even slip through the

748
00:39:13,400 --> 00:39:15,279
Speaker 1: cracks that they might just see who it's from and

749
00:39:15,360 --> 00:39:17,040
Speaker 1: be like, well, because it sounds like.

750
00:39:17,040 --> 00:39:21,040
Speaker 3: A viral video, then we might not have descended to YouTube.

751
00:39:21,480 --> 00:39:24,200
Speaker 3: Yeah yeah, then we could send it straight to industry.

752
00:39:24,040 --> 00:39:26,080
Speaker 1: If it's from red and link at pop tarts dot net.

753
00:39:26,200 --> 00:39:29,000
Speaker 3: So here we had this big laugh at Chris's expense,

754
00:39:29,120 --> 00:39:32,760
Speaker 3: but because of his email hack, yeah, he's actually allowing

755
00:39:32,880 --> 00:39:34,319
Speaker 3: us to skip the initial step.

756
00:39:34,719 --> 00:39:37,680
Speaker 4: I have a I read a theory in the New

757
00:39:37,760 --> 00:39:39,680
Speaker 4: York Times, that reddit or you have it.

758
00:39:39,760 --> 00:39:41,239
Speaker 3: I guess you have it now that you've read it.

759
00:39:41,520 --> 00:39:44,000
Speaker 4: I read it. Yeah, I don't have them. I'm going

760
00:39:44,080 --> 00:39:46,600
Speaker 4: to tell you that that Red and Link were actually

761
00:39:46,719 --> 00:39:49,759
Speaker 4: made by Phil Tipkins, who was who was He made

762
00:39:49,760 --> 00:39:52,160
Speaker 4: all the things for Starship Troopers, he made all those

763
00:39:52,239 --> 00:39:56,280
Speaker 4: difference all those bug Yeah, there's this, there's this theory

764
00:39:56,400 --> 00:40:00,680
Speaker 4: going around there. Retin Link were made by him, and

765
00:40:01,280 --> 00:40:03,000
Speaker 4: that you know, he has like three of them in

766
00:40:03,080 --> 00:40:06,160
Speaker 4: the Bay Area that he kind of and they kind

767
00:40:06,160 --> 00:40:09,239
Speaker 4: of sentience and vlog from from that studio. I thought

768
00:40:09,239 --> 00:40:09,880
Speaker 4: that was interesting.

769
00:40:10,040 --> 00:40:12,680
Speaker 1: You're saying that and Link are practical effects.

770
00:40:12,880 --> 00:40:15,520
Speaker 4: That's what I'm saying. Yeah, I don't know if that's true,

771
00:40:15,600 --> 00:40:16,799
Speaker 4: but I read that or that.

772
00:40:16,880 --> 00:40:19,840
Speaker 3: They started as practical effects and perhaps that at this

773
00:40:20,040 --> 00:40:23,600
Speaker 3: point they have become sentient, they become I do have

774
00:40:24,080 --> 00:40:28,000
Speaker 3: a friend who has the gift, and I did show

775
00:40:28,080 --> 00:40:32,400
Speaker 3: him a retin link video where they were eating different

776
00:40:32,480 --> 00:40:36,560
Speaker 3: pop tarts and we got about halfway through video and

777
00:40:36,600 --> 00:40:39,200
Speaker 3: he said pause it, and he placed his hand upon

778
00:40:39,280 --> 00:40:41,759
Speaker 3: the screen. Okay, and he turned to me and he went,

779
00:40:42,800 --> 00:40:43,560
Speaker 3: they're scared.

780
00:40:48,120 --> 00:40:50,080
Speaker 4: He felt that through the screen, he felt it like

781
00:40:50,480 --> 00:40:52,400
Speaker 4: Et and Elliott, he could feel.

782
00:40:52,840 --> 00:40:55,480
Speaker 3: Well, more like Neil Patrick Harrison Starship Troopers when he

783
00:40:55,520 --> 00:40:57,400
Speaker 3: touches the brain is wow.

784
00:40:58,480 --> 00:40:59,759
Speaker 4: Wow, Okay.

785
00:41:01,719 --> 00:41:05,800
Speaker 3: They're both movies, Yeah for sure, due, yes, movies with aliens. No,

786
00:41:05,960 --> 00:41:07,040
Speaker 3: you're closer than you think.

787
00:41:12,440 --> 00:41:15,080
Speaker 4: What kind of uh wait the friend in that story

788
00:41:15,280 --> 00:41:19,160
Speaker 4: was that supposed to be Hayes? Who uh your friend?

789
00:41:19,320 --> 00:41:19,360
Speaker 2: That?

790
00:41:19,480 --> 00:41:19,760
Speaker 1: Wow?

791
00:41:20,239 --> 00:41:20,919
Speaker 4: No, it wasn't.

792
00:41:21,040 --> 00:41:23,240
Speaker 1: It was just it was I don't have the gift anymore,

793
00:41:23,280 --> 00:41:24,440
Speaker 1: faceless friend. No.

794
00:41:24,640 --> 00:41:26,239
Speaker 3: But I have a story about people telling me I

795
00:41:26,280 --> 00:41:27,400
Speaker 3: look like Neil Patrick Harris.

796
00:41:27,440 --> 00:41:31,120
Speaker 4: If you want to hear it, are you serious?

797
00:41:32,239 --> 00:41:32,439
Speaker 1: Yeah?

798
00:41:32,520 --> 00:41:34,239
Speaker 3: Well, the first time I went to a bar with

799
00:41:34,360 --> 00:41:36,520
Speaker 3: a fake I d they were like, this is not

800
00:41:37,600 --> 00:41:39,600
Speaker 3: really you. You can't possibly be old enough.

801
00:41:39,640 --> 00:41:40,680
Speaker 1: And I was like, no, I am.

802
00:41:40,880 --> 00:41:43,160
Speaker 3: And then the bartender started calling me doogie Howser, and

803
00:41:43,200 --> 00:41:45,319
Speaker 3: then everyone at that bar called me doogie howser, all

804
00:41:45,320 --> 00:41:46,800
Speaker 3: the regulars, for like the rest of the time I

805
00:41:46,880 --> 00:41:49,719
Speaker 3: was there. Because he said that, I was like, uh,

806
00:41:50,239 --> 00:41:52,439
Speaker 3: you know, all the same way he was so young

807
00:41:52,520 --> 00:41:54,200
Speaker 3: to be a doctor, I was too young to be

808
00:41:55,080 --> 00:41:56,200
Speaker 3: right drinking.

809
00:41:56,280 --> 00:41:58,440
Speaker 1: Not really that you look like Patrick.

810
00:41:58,239 --> 00:42:00,320
Speaker 3: It was, but it was that was the implication a

811
00:42:00,360 --> 00:42:00,719
Speaker 3: little bit.

812
00:42:00,880 --> 00:42:04,080
Speaker 4: I can't tell if it's that that that that principle

813
00:42:04,120 --> 00:42:06,080
Speaker 4: where like if you're told something, you then't believe it.

814
00:42:06,200 --> 00:42:09,640
Speaker 4: But I'm covering your lower face with my point, with

815
00:42:09,800 --> 00:42:14,040
Speaker 4: my point, and I definitely see a little uh Neil

816
00:42:14,080 --> 00:42:15,080
Speaker 4: Patrick in you right now.

817
00:42:16,080 --> 00:42:17,680
Speaker 1: That could be a great thing to use a big

818
00:42:17,920 --> 00:42:21,240
Speaker 1: washed up log for is to cover up different parts

819
00:42:21,280 --> 00:42:22,480
Speaker 1: of the of the body.

820
00:42:22,600 --> 00:42:23,560
Speaker 3: Who do who do you see now?

821
00:42:23,680 --> 00:42:25,120
Speaker 1: The screen of the body? Yeah?

822
00:42:25,200 --> 00:42:25,880
Speaker 3: Who do you see now?

823
00:42:26,200 --> 00:42:29,760
Speaker 4: Mm hmm, oh, that's really smart cover up like the eyes.

824
00:42:30,719 --> 00:42:35,799
Speaker 1: What kind of gear do you use if you're if

825
00:42:35,920 --> 00:42:39,160
Speaker 1: your phone falls on the ground? Mm hmm, what do

826
00:42:39,239 --> 00:42:42,560
Speaker 1: you use to like pick it up? Or like what

827
00:42:42,680 --> 00:42:43,040
Speaker 1: do you do?

828
00:42:43,760 --> 00:42:45,640
Speaker 3: Or if it's in the toilet too? I mean just

829
00:42:45,760 --> 00:42:46,680
Speaker 3: answer the ground, like.

830
00:42:46,760 --> 00:42:49,160
Speaker 1: While you're doing one of these videos. Yeah, yeah, So

831
00:42:49,360 --> 00:42:51,879
Speaker 1: like say this is actually the thing we've been we've

832
00:42:51,920 --> 00:42:54,400
Speaker 1: been running into we've been doing these videos and suddenly

833
00:42:54,480 --> 00:42:55,600
Speaker 1: the phone is in the toilet.

834
00:42:55,800 --> 00:43:01,400
Speaker 4: I use a chain lasso LASSU So yeah, I say lasso,

835
00:43:01,640 --> 00:43:04,080
Speaker 4: but I use it. I use a chain lasso that

836
00:43:04,239 --> 00:43:06,560
Speaker 4: kind of I like the impact that it makes when

837
00:43:06,600 --> 00:43:07,360
Speaker 4: it hits the phone.

838
00:43:09,840 --> 00:43:11,560
Speaker 3: Well, the grip on those babies.

839
00:43:11,920 --> 00:43:14,680
Speaker 4: Yeah. Yeah, it's almost like another appendage if you can

840
00:43:14,840 --> 00:43:19,080
Speaker 4: just swing it in the bathroom and it's a long chain.

841
00:43:19,280 --> 00:43:22,279
Speaker 1: Whoopas cusha cush.

842
00:43:22,440 --> 00:43:25,680
Speaker 3: You remember when Chandler was unable to make the whipped

843
00:43:25,840 --> 00:43:28,719
Speaker 3: sound effect correctly, you said whooppa, And it makes me

844
00:43:28,800 --> 00:43:31,359
Speaker 3: think of that that chain the Friend's episode where he's

845
00:43:31,520 --> 00:43:33,320
Speaker 3: you know, he's trying to do they supposed to go,

846
00:43:34,440 --> 00:43:37,640
Speaker 3: but he's going whoopa. Anyway, you have to do a

847
00:43:37,719 --> 00:43:43,279
Speaker 3: really tight swing in a in a bathroom. Well, there's

848
00:43:43,280 --> 00:43:45,600
Speaker 3: gonna be some damage, but that could be part of

849
00:43:45,640 --> 00:43:47,480
Speaker 3: the video. Then you then a video pointing out all

850
00:43:47,520 --> 00:43:49,640
Speaker 3: the stuff that got broken with your big stick.

851
00:43:49,920 --> 00:43:52,839
Speaker 4: Did you ever see the weird episode of Friends where

852
00:43:53,640 --> 00:43:54,880
Speaker 4: Phoebe escapes the gator?

853
00:43:55,719 --> 00:43:57,480
Speaker 1: I saw the one, Mabe it was the first half

854
00:43:57,520 --> 00:43:59,959
Speaker 1: of it. I saw when she was like in prison

855
00:44:00,280 --> 00:44:00,840
Speaker 1: by the gator.

856
00:44:01,560 --> 00:44:03,840
Speaker 4: No, it's right after she got out of women's jail

857
00:44:05,400 --> 00:44:08,960
Speaker 4: and then and then she tries the whole the whole premise.

858
00:44:09,040 --> 00:44:10,640
Speaker 4: It's thirty minutes of her trying to remember if you

859
00:44:10,760 --> 00:44:14,640
Speaker 4: zig zag or or if you or if you roll

860
00:44:14,800 --> 00:44:16,920
Speaker 4: up to get away from a gator. And it's actually

861
00:44:17,040 --> 00:44:21,040
Speaker 4: super interesting there's no live audience. And the second half

862
00:44:21,520 --> 00:44:28,360
Speaker 4: is huge clamation. It's super huge clamation, huge clamation.

863
00:44:29,280 --> 00:44:30,120
Speaker 1: Very so small.

864
00:44:30,400 --> 00:44:34,399
Speaker 4: Yes, this is big, big stuff. No, No, I'm talking

865
00:44:34,440 --> 00:44:37,959
Speaker 4: to the difference between Yeah, you guys are talking about

866
00:44:38,640 --> 00:44:42,920
Speaker 4: chicken run. I'm talking about Walston Grammitt clamation. Walston Grammat

867
00:44:42,960 --> 00:44:47,120
Speaker 4: clamation was bigger than we could even imagine how big.

868
00:44:47,239 --> 00:44:49,000
Speaker 4: You never saw anything to scale?

869
00:44:50,120 --> 00:44:50,480
Speaker 1: It took.

870
00:44:50,760 --> 00:44:55,000
Speaker 4: It was, it was truly, it's unfathomably large.

871
00:44:55,320 --> 00:44:58,560
Speaker 3: Actually, no, I now that you're mentioning it, it's not

872
00:44:58,680 --> 00:45:02,279
Speaker 3: true that you never saw anything to scale. There is accidentally, yes,

873
00:45:02,440 --> 00:45:06,000
Speaker 3: that's true. And accidentally and one of the Wallace and

874
00:45:06,080 --> 00:45:10,080
Speaker 3: Grammet shorts they left in a single frame where there

875
00:45:10,200 --> 00:45:14,640
Speaker 3: was a real a Volkswagen thing which is sort of

876
00:45:14,680 --> 00:45:19,640
Speaker 3: this like armored like car vand it's like and it's

877
00:45:19,760 --> 00:45:26,120
Speaker 3: the size of a fucking peanut next to Grammet's paw. Right,

878
00:45:26,360 --> 00:45:28,200
Speaker 3: but you can see if you freeze it, you can

879
00:45:28,280 --> 00:45:32,040
Speaker 3: see and you can zoom in. This car is you know,

880
00:45:32,280 --> 00:45:36,880
Speaker 3: gotta be twenty two hundred pounds. This car, it's a

881
00:45:37,239 --> 00:45:39,040
Speaker 3: very it's a heavy car.

882
00:45:39,560 --> 00:45:41,880
Speaker 4: Right before they cut to the to the credits, you

883
00:45:42,120 --> 00:45:46,960
Speaker 4: you accidentally do see LaGuardia airport in its entirety. And

884
00:45:47,280 --> 00:45:51,120
Speaker 4: it's when you said, peanut, that's what's that It interested me, Sean,

885
00:45:51,160 --> 00:45:54,320
Speaker 4: because this was actually this was actually the size of

886
00:45:54,760 --> 00:45:56,080
Speaker 4: an ants eye.

887
00:45:56,400 --> 00:45:56,880
Speaker 1: How big this?

888
00:45:57,000 --> 00:45:58,440
Speaker 4: How big LaGuardia Airport La.

889
00:45:58,360 --> 00:46:01,200
Speaker 3: Guardian It was so this, So this bulk black thing

890
00:46:01,320 --> 00:46:02,879
Speaker 3: must have actually been huge as well.

891
00:46:03,080 --> 00:46:04,640
Speaker 4: No, no, the camera was closer to it.

892
00:46:05,320 --> 00:46:07,440
Speaker 3: Ah, yes, yes, yes, yes, yes, o. Yeah, it's a

893
00:46:07,760 --> 00:46:09,160
Speaker 3: it's a perspective thing.

894
00:46:09,600 --> 00:46:14,120
Speaker 1: To think that Laguardier Airport would be smaller than a

895
00:46:14,239 --> 00:46:16,560
Speaker 1: single piece of Wallace's beloved cheese.

896
00:46:19,000 --> 00:46:21,360
Speaker 4: And also, if you're going to work so hard to

897
00:46:21,840 --> 00:46:23,920
Speaker 4: try and not show things that are just why not

898
00:46:24,120 --> 00:46:26,560
Speaker 4: just make it smaller. That's what I don't understand.

899
00:46:26,800 --> 00:46:28,719
Speaker 1: Yeah, it is why they did it so big.

900
00:46:29,120 --> 00:46:30,960
Speaker 4: Why did it have to be tall? Why did gramat

901
00:46:31,000 --> 00:46:33,120
Speaker 4: have to be the size of the concord?

902
00:46:33,600 --> 00:46:36,359
Speaker 1: But then they went, I guess they figured it out

903
00:46:36,400 --> 00:46:38,520
Speaker 1: with chicken run And you said, those were those the

904
00:46:38,680 --> 00:46:39,600
Speaker 1: chickens very small?

905
00:46:40,000 --> 00:46:43,560
Speaker 4: Well, that's what's interesting about chicken run is they're actually microscopic.

906
00:46:43,680 --> 00:46:46,440
Speaker 4: You can't you couldn't even if you.

907
00:46:46,480 --> 00:46:47,759
Speaker 1: Had an electron microscope.

908
00:46:47,920 --> 00:46:51,120
Speaker 4: Yeah you would. You you cannot fathom how small they are,

909
00:46:51,360 --> 00:46:52,680
Speaker 4: so that they went a little further.

910
00:46:53,200 --> 00:46:55,640
Speaker 1: You keep saying I can't fathom stuff, Buddy, I could

911
00:46:55,840 --> 00:46:57,640
Speaker 1: fathom quite a bit.

912
00:46:58,160 --> 00:47:00,480
Speaker 3: On the DVD extras of Chicken Run, they actually do

913
00:47:00,600 --> 00:47:02,960
Speaker 3: put a Volkswagen thing next to some of the chickens.

914
00:47:04,160 --> 00:47:10,320
Speaker 3: The entire farm literally could fit like the farm and

915
00:47:10,440 --> 00:47:13,560
Speaker 3: the entire basically city that they live in in Chicken

916
00:47:13,640 --> 00:47:19,759
Speaker 3: Run can fit inside the like point of the W,

917
00:47:20,239 --> 00:47:22,360
Speaker 3: inside the like VW symbol.

918
00:47:22,680 --> 00:47:24,800
Speaker 4: So it sounds like someone who works at Claymation Studios

919
00:47:24,840 --> 00:47:27,600
Speaker 4: that drives a Volkswagen. It's kind of it's possible.

920
00:47:27,680 --> 00:47:28,040
Speaker 1: I don't know.

921
00:47:28,160 --> 00:47:30,160
Speaker 3: And yeah, it's called it a car van. I guess

922
00:47:30,160 --> 00:47:33,279
Speaker 3: its almost like a jeep. It's it's a funky looking like.

923
00:47:33,320 --> 00:47:35,719
Speaker 4: A geotracker or like an a Suzu or something.

924
00:47:36,120 --> 00:47:37,520
Speaker 1: I guess more like a geotrack.

925
00:47:37,640 --> 00:47:40,000
Speaker 3: Yeah, yeah, yeah, Yeah, that's the that's the family.

926
00:47:40,960 --> 00:47:45,160
Speaker 4: Yeah, the paper mache geo tracker kind of thing. That's

927
00:47:45,200 --> 00:47:46,080
Speaker 4: a lightweight vehicle.

928
00:47:46,800 --> 00:47:51,360
Speaker 3: Well, it looks it actually looks sturdy. It's got a

929
00:47:51,480 --> 00:47:57,160
Speaker 3: weird shell to it that looks like armoredy. It's a

930
00:47:57,440 --> 00:48:02,120
Speaker 3: you know, it's like GP this odd you know, Gep's

931
00:48:02,160 --> 00:48:03,640
Speaker 3: kind of a defender or something.

932
00:48:03,840 --> 00:48:05,040
Speaker 1: Yeah, I found bad.

933
00:48:05,200 --> 00:48:06,680
Speaker 4: I found it kind of cute when you said the

934
00:48:06,680 --> 00:48:10,319
Speaker 4: word gep, Sean, I didn't I like that. I thought

935
00:48:10,360 --> 00:48:13,040
Speaker 4: actually found it endearing when you. I was finally endeared

936
00:48:13,040 --> 00:48:15,040
Speaker 4: to you when you said geep. I was earlier when you.

937
00:48:15,239 --> 00:48:17,719
Speaker 3: When you grinned for the forty nine minutes in when

938
00:48:17,760 --> 00:48:18,320
Speaker 3: you when.

939
00:48:18,200 --> 00:48:21,239
Speaker 4: You grinned earlier, you won me over at forty nine.

940
00:48:22,040 --> 00:48:25,040
Speaker 3: Yeah, honestly, fastest I've ever done it.

941
00:48:26,080 --> 00:48:28,680
Speaker 1: You were saying, Chris, you were saying something.

942
00:48:29,200 --> 00:48:31,560
Speaker 4: Oh, I was trying to get back loop back to

943
00:48:31,719 --> 00:48:35,560
Speaker 4: your important question about if I was so what you're

944
00:48:35,640 --> 00:48:40,240
Speaker 4: saying for your YouTube, for your YouTube career. You're wondering

945
00:48:40,280 --> 00:48:43,279
Speaker 4: about the gear about if you drop a phone, what

946
00:48:43,440 --> 00:48:47,080
Speaker 4: to pick the phone up with. That's the right.

947
00:48:47,280 --> 00:48:52,000
Speaker 1: It's just what we have found ourselves. Like Sean said,

948
00:48:52,040 --> 00:48:55,040
Speaker 1: we do this episode every month and a half or so.

949
00:48:55,160 --> 00:48:55,879
Speaker 1: We're in a loop.

950
00:48:56,080 --> 00:48:57,440
Speaker 4: I'm just in a loop kind.

951
00:48:57,320 --> 00:49:00,320
Speaker 1: Of No, you're not in it. I look, you're what

952
00:49:01,040 --> 00:49:03,200
Speaker 1: and no offense. Once this episode is over, you're done

953
00:49:04,719 --> 00:49:11,239
Speaker 1: and that's that. And that's not like like like there's

954
00:49:11,239 --> 00:49:15,239
Speaker 1: no disrespect. That's how the show works. Like every time

955
00:49:15,320 --> 00:49:16,719
Speaker 1: the episode ends, the guests, what.

956
00:49:16,719 --> 00:49:18,640
Speaker 4: Do you mean done? Like, I'm I'm gone.

957
00:49:18,680 --> 00:49:21,799
Speaker 1: It's over. It is over, You're gone. Yes, oh my god,

958
00:49:22,080 --> 00:49:26,200
Speaker 1: we come back. We come back. So nowhere after this,

959
00:49:27,120 --> 00:49:31,759
Speaker 1: that's it? Yes, done, okay, okay, I will say that

960
00:49:31,840 --> 00:49:33,880
Speaker 1: takes my breath away a little bit actually thinking about it.

961
00:49:33,880 --> 00:49:36,200
Speaker 1: You know you are at and I will say this, Chris,

962
00:49:36,320 --> 00:49:38,680
Speaker 1: oh oh I'm still gonna be around. Yeah, you'll be around.

963
00:49:38,800 --> 00:49:38,960
Speaker 4: Yeah.

964
00:49:39,000 --> 00:49:42,640
Speaker 1: And in fact, nobody who has ever been a guest

965
00:49:42,719 --> 00:49:44,479
Speaker 1: on the show has ever died.

966
00:49:45,120 --> 00:49:47,040
Speaker 4: Oh thank god, Okay, thank god?

967
00:49:47,680 --> 00:49:48,200
Speaker 1: Is that true?

968
00:49:49,160 --> 00:49:51,759
Speaker 3: I believe so? I mean, I I have a I

969
00:49:51,800 --> 00:49:56,080
Speaker 3: don't really keep tracked decent guests at who will.

970
00:50:00,200 --> 00:50:00,919
Speaker 4: Do you want to share?

971
00:50:02,280 --> 00:50:08,480
Speaker 1: But there is a very direct correlation between Everlasting the

972
00:50:08,600 --> 00:50:11,240
Speaker 1: show and yes, living forever immortality.

973
00:50:11,440 --> 00:50:14,000
Speaker 4: That's okay, No, I have just we.

974
00:50:14,200 --> 00:50:18,120
Speaker 1: You know, we uh dip our toe in it, as

975
00:50:18,160 --> 00:50:19,840
Speaker 1: it were, into the phone. Is just ends up in

976
00:50:19,920 --> 00:50:20,640
Speaker 1: the toilet a lot.

977
00:50:21,520 --> 00:50:23,800
Speaker 4: He's the way that you're sitting in that chair. It

978
00:50:23,880 --> 00:50:26,800
Speaker 4: matches your the tone of your shirts so perfectly. It

979
00:50:26,840 --> 00:50:30,160
Speaker 4: looks like your shoulders are impossibly crunched above your ears.

980
00:50:30,680 --> 00:50:34,080
Speaker 4: And it's been giving you a real and I mispronounced

981
00:50:34,120 --> 00:50:37,800
Speaker 4: this word is in caricature or caricature, and that is

982
00:50:37,840 --> 00:50:40,680
Speaker 4: a family problem of mine. That's not like a schooling thing.

983
00:50:40,760 --> 00:50:42,239
Speaker 4: My family says up the wrong way.

984
00:50:42,640 --> 00:50:46,759
Speaker 1: No, yes, people say it's wrong. It's caracatterie.

985
00:50:48,040 --> 00:50:49,920
Speaker 4: Like securitary. But wait, how did it?

986
00:50:50,560 --> 00:50:50,719
Speaker 1: Oh?

987
00:50:50,800 --> 00:50:53,080
Speaker 3: I was saying cricket chair because you know, crickets have

988
00:50:53,200 --> 00:50:55,360
Speaker 3: those legs that go up over their heads, so his

989
00:50:55,640 --> 00:50:57,800
Speaker 3: chair gives them an appearance of like a jiminy.

990
00:50:57,960 --> 00:51:00,160
Speaker 1: Yeah yeah, no, but yeah, but you mean like the

991
00:51:00,480 --> 00:51:03,520
Speaker 1: funny drawing of someone. Yet that's exactly the last loud

992
00:51:03,640 --> 00:51:06,000
Speaker 1: drawing of a friend. Yes, that is a caracatgie.

993
00:51:06,160 --> 00:51:09,560
Speaker 4: The only funny thing in the world that you can

994
00:51:10,120 --> 00:51:15,560
Speaker 4: or like, yeah, or whoever a lover, a child, a wife,

995
00:51:16,400 --> 00:51:16,920
Speaker 4: a teacher.

996
00:51:17,040 --> 00:51:22,359
Speaker 3: Yeah, yeah, yeah, I must say I can, right right right?

997
00:51:24,040 --> 00:51:26,359
Speaker 1: Uh? And you had that was that was helpful, Chris?

998
00:51:26,440 --> 00:51:29,000
Speaker 1: And you smashed the toilet. That's what you do with

999
00:51:29,120 --> 00:51:31,680
Speaker 1: the last two right, break the toilet.

1000
00:51:32,520 --> 00:51:34,560
Speaker 4: Yeah, I mean if you have like a week bemis.

1001
00:51:34,640 --> 00:51:38,640
Speaker 1: Absolutely, yeah, okay, so I guess I'll be doing something

1002
00:51:38,680 --> 00:51:42,879
Speaker 1: different because he is the beamis brand of toilet? Oh?

1003
00:51:43,040 --> 00:51:44,840
Speaker 1: Sorry the toilet?

1004
00:51:44,960 --> 00:51:48,720
Speaker 4: Yes, the toilets. Oh I sorry, I list toilet brands.

1005
00:51:48,920 --> 00:51:49,759
Speaker 4: You never look at the.

1006
00:51:51,320 --> 00:51:54,279
Speaker 3: No we do. But but beamis means something else on

1007
00:51:54,360 --> 00:51:59,080
Speaker 3: this show, and that's canon and as ain't working with

1008
00:51:59,200 --> 00:52:02,120
Speaker 3: no weak beamss. You're saying, if you have like an

1009
00:52:02,320 --> 00:52:07,520
Speaker 3: entry level be Miss, then it all just like smash

1010
00:52:07,640 --> 00:52:08,240
Speaker 3: right now, as.

1011
00:52:08,120 --> 00:52:09,759
Speaker 4: Long as you as long as you have like an

1012
00:52:09,840 --> 00:52:12,960
Speaker 4: eighty dollars and above Bemis premium beam, it's gonna take

1013
00:52:13,000 --> 00:52:16,080
Speaker 4: a dent. But it's not gonna smash a Premus Bemis.

1014
00:52:16,400 --> 00:52:20,359
Speaker 4: It's it has it has to be Premus, the Premis level,

1015
00:52:20,920 --> 00:52:23,880
Speaker 4: the Premus line of Bemis. Yeah, you want to get

1016
00:52:23,920 --> 00:52:26,440
Speaker 4: yourself a Premus Bemis. That's absolutely right.

1017
00:52:26,680 --> 00:52:28,160
Speaker 3: Not before I've had my Bemis.

1018
00:52:28,960 --> 00:52:29,759
Speaker 1: You really can do.

1019
00:52:30,080 --> 00:52:34,840
Speaker 3: I mean it's almost any product could use this tagline

1020
00:52:34,840 --> 00:52:37,880
Speaker 3: where you're just subbing out coffee or the thing you

1021
00:52:38,000 --> 00:52:38,800
Speaker 3: need in the morning.

1022
00:52:40,440 --> 00:52:43,680
Speaker 4: The way you describe that man Sean made me sad

1023
00:52:43,760 --> 00:52:44,160
Speaker 4: in a way.

1024
00:52:44,440 --> 00:52:46,920
Speaker 1: Do you know why? Why?

1025
00:52:48,320 --> 00:52:51,359
Speaker 4: The first thing you said about him? You know, he's

1026
00:52:51,400 --> 00:52:53,520
Speaker 4: a normal, normal, normal grumpy.

1027
00:52:53,800 --> 00:52:58,319
Speaker 1: I remember that too. That's that's sticking with you too, Hayes. Yeah, yeah,

1028
00:52:58,840 --> 00:53:02,480
Speaker 1: First of all, what's normal grumpy's normal. I guess I've

1029
00:53:02,520 --> 00:53:06,800
Speaker 1: never you ever meet a normal guy I had. I

1030
00:53:06,920 --> 00:53:07,480
Speaker 1: sure haven't.

1031
00:53:07,640 --> 00:53:09,000
Speaker 4: Yeah, yeah, you gotta go to Akron.

1032
00:53:09,080 --> 00:53:11,439
Speaker 3: Chris has and I think I've met the same guy.

1033
00:53:11,600 --> 00:53:13,960
Speaker 4: Yeah, yeah, yeah, he's it's actually kind of soothing.

1034
00:53:15,600 --> 00:53:16,400
Speaker 1: You went to Akron.

1035
00:53:17,440 --> 00:53:19,480
Speaker 4: Yeah, I met him in an elevator at a holiday inn.

1036
00:53:20,280 --> 00:53:21,800
Speaker 4: He beat the shit out of me.

1037
00:53:22,600 --> 00:53:25,040
Speaker 3: He kicked my ass up and down Main Street. He

1038
00:53:25,200 --> 00:53:27,960
Speaker 3: knocked my happy meal ass from here to next week man,

1039
00:53:28,040 --> 00:53:29,680
Speaker 3: and I thanked him for the pleasure.

1040
00:53:30,120 --> 00:53:31,600
Speaker 4: He threw me to a washing machine.

1041
00:53:33,280 --> 00:53:33,560
Speaker 1: Wow.

1042
00:53:34,360 --> 00:53:36,880
Speaker 3: This guy spun me over his head like I was

1043
00:53:36,960 --> 00:53:39,759
Speaker 3: a goddamn fucking basketball.

1044
00:53:40,080 --> 00:53:41,360
Speaker 4: This guy played the piano with me.

1045
00:53:42,840 --> 00:53:45,040
Speaker 3: Uh, I'll tell you what this guy did to me.

1046
00:53:45,200 --> 00:53:47,399
Speaker 3: Normal guy, most normal guy you'd ever want to meet.

1047
00:53:48,640 --> 00:53:50,920
Speaker 3: He used me to saw down a tree.

1048
00:53:51,520 --> 00:53:54,640
Speaker 4: This guy stuck a reed in the bottom of my

1049
00:53:54,760 --> 00:53:57,439
Speaker 4: feet and he played me like an Alto Sacks.

1050
00:53:58,239 --> 00:54:02,440
Speaker 1: Two different instruments. He used you as two different instruments.

1051
00:54:02,640 --> 00:54:05,680
Speaker 4: No, no, no, He put the reed, the single red

1052
00:54:05,800 --> 00:54:07,920
Speaker 4: in my feet and he played me soloed on me

1053
00:54:08,040 --> 00:54:08,960
Speaker 4: like an Alto Sacks.

1054
00:54:09,360 --> 00:54:09,840
Speaker 1: Yeah, well you.

1055
00:54:09,880 --> 00:54:12,760
Speaker 3: Say no, he made he turned, He turned Chris into

1056
00:54:12,840 --> 00:54:15,280
Speaker 3: an alto sacks and then he used his auto sacks

1057
00:54:15,360 --> 00:54:16,240
Speaker 3: to play the piano.

1058
00:54:16,480 --> 00:54:19,400
Speaker 4: Oh, I forgot that. I also told you that he

1059
00:54:19,680 --> 00:54:22,359
Speaker 4: played he used me to no, no, but he didn't

1060
00:54:22,360 --> 00:54:23,360
Speaker 4: play you like a piano.

1061
00:54:23,480 --> 00:54:24,800
Speaker 3: He played the piano with you.

1062
00:54:25,040 --> 00:54:29,080
Speaker 4: He held me like like a piece of bread, and

1063
00:54:29,239 --> 00:54:32,080
Speaker 4: he hit me against a piano and he soloed on

1064
00:54:32,200 --> 00:54:32,880
Speaker 4: the piano with me.

1065
00:54:32,960 --> 00:54:33,160
Speaker 1: Yeah.

1066
00:54:33,200 --> 00:54:36,000
Speaker 4: No, my relationship with him was very musical. It turns

1067
00:54:36,040 --> 00:54:41,040
Speaker 4: out Sean's Sean's was yours was different. But but but

1068
00:54:41,160 --> 00:54:43,400
Speaker 4: I think it's just location dependent because we were in

1069
00:54:43,480 --> 00:54:44,960
Speaker 4: the wood. You were in the woods. I was in

1070
00:54:45,040 --> 00:54:48,239
Speaker 4: a metropolitan area. Mm hmm, that's why.

1071
00:54:49,000 --> 00:54:49,040
Speaker 2: No.

1072
00:54:49,239 --> 00:54:52,960
Speaker 3: Yeah, he turned me into a bird's nest. He turned

1073
00:54:52,960 --> 00:54:57,640
Speaker 3: my ass into a bird's nest. He weaved my until

1074
00:54:57,680 --> 00:54:59,799
Speaker 3: a bird could, yeah, lay its little eggs in there.

1075
00:55:00,080 --> 00:55:01,719
Speaker 3: He made me wait for them to hatch. Then he

1076
00:55:01,800 --> 00:55:04,160
Speaker 3: made me wait for them to you know, graduate to

1077
00:55:04,200 --> 00:55:06,480
Speaker 3: the fledgling stage at least so they can safely leave

1078
00:55:06,520 --> 00:55:07,320
Speaker 3: the nest, which.

1079
00:55:08,920 --> 00:55:10,399
Speaker 4: How high up in the in the tree.

1080
00:55:10,960 --> 00:55:14,920
Speaker 3: I didn't, you know, I'm not an arborist or whatever.

1081
00:55:15,200 --> 00:55:17,640
Speaker 3: I don't actually know like the names of the branch

1082
00:55:17,719 --> 00:55:21,120
Speaker 3: types believe it or not, I'm a YouTube celebrity.

1083
00:55:22,520 --> 00:55:27,799
Speaker 1: And Chris, how long is it? How long is these?

1084
00:55:29,120 --> 00:55:31,120
Speaker 4: How long do you try the YouTube thing?

1085
00:55:33,000 --> 00:55:41,640
Speaker 3: Okay, I have two questions. Then you guys both had

1086
00:55:41,719 --> 00:55:44,120
Speaker 3: that question, and I'll tell you gears not the only

1087
00:55:44,160 --> 00:55:47,440
Speaker 3: thing that's contagious, because now question asking has become contagious.

1088
00:55:47,600 --> 00:55:48,279
Speaker 1: Okay, Chris.

1089
00:55:48,560 --> 00:55:50,480
Speaker 3: At the beginning of the show, I thought, this is

1090
00:55:50,640 --> 00:55:51,719
Speaker 3: this guy's doing it too much.

1091
00:55:51,800 --> 00:55:52,640
Speaker 1: You got me doing it?

1092
00:55:53,280 --> 00:55:55,680
Speaker 3: Yeah, how long should we try to do it? Is

1093
00:55:55,760 --> 00:55:59,280
Speaker 3: the second question? And how long should each individual.

1094
00:56:00,640 --> 00:56:03,239
Speaker 1: Ute b.

1095
00:56:05,160 --> 00:56:06,160
Speaker 4: The individual ute?

1096
00:56:08,160 --> 00:56:08,480
Speaker 1: All right?

1097
00:56:09,560 --> 00:56:14,000
Speaker 4: You want to stop trying after you turn seventeen, and

1098
00:56:14,120 --> 00:56:19,239
Speaker 4: you want the ute to be around. The thing about

1099
00:56:19,280 --> 00:56:22,800
Speaker 4: online videos is the longer they are, the more the

1100
00:56:22,880 --> 00:56:27,400
Speaker 4: more they catch people's attention. So you want anywhere between

1101
00:56:27,719 --> 00:56:32,640
Speaker 4: forty minutes and forty minutes in an hour and a half,

1102
00:56:32,880 --> 00:56:35,920
Speaker 4: just so it can get passed around really easy. And

1103
00:56:36,000 --> 00:56:37,720
Speaker 4: you want to get like kind of the good stuff,

1104
00:56:38,120 --> 00:56:40,600
Speaker 4: any kind of warmth or charm around the forty nine

1105
00:56:40,680 --> 00:56:43,400
Speaker 4: minute mark, because that's kind of the that's where the

1106
00:56:43,440 --> 00:56:48,320
Speaker 4: algorithm really will really will walk, you know, give you

1107
00:56:48,400 --> 00:56:51,359
Speaker 4: a buttermilk. Buttermilk bath journey you writing this down.

1108
00:56:52,040 --> 00:56:55,120
Speaker 1: Yeah, I'm yep, that's all written down. What do you

1109
00:56:55,239 --> 00:56:57,480
Speaker 1: see you when you say buttermilk?

1110
00:56:57,480 --> 00:56:59,399
Speaker 3: You can see the cleaning products on this guy's table

1111
00:57:00,040 --> 00:57:00,520
Speaker 3: and sorry.

1112
00:57:00,360 --> 00:57:00,799
Speaker 4: What were you saying?

1113
00:57:01,600 --> 00:57:03,680
Speaker 1: The what kind of milk is in this bath?

1114
00:57:04,360 --> 00:57:04,880
Speaker 4: Buttermilk?

1115
00:57:05,840 --> 00:57:06,120
Speaker 1: Okay?

1116
00:57:06,280 --> 00:57:08,319
Speaker 4: Yeah, yeah, yeah, it's it's the same that's type made

1117
00:57:08,360 --> 00:57:11,480
Speaker 4: famous by Charlotte's web by farmer Zuckerman. It's a it's

1118
00:57:11,480 --> 00:57:13,879
Speaker 4: a it's a thick perfect, it's a thick buttermilk that's

1119
00:57:13,880 --> 00:57:14,560
Speaker 4: been out in the sun.

1120
00:57:15,360 --> 00:57:15,640
Speaker 1: Great.

1121
00:57:16,000 --> 00:57:18,600
Speaker 4: Yeah, yeah, yeah, so it kind of looks like Monet's

1122
00:57:18,640 --> 00:57:26,920
Speaker 4: water lilies, but it's milk money that yeah, Chanel Monee

1123
00:57:28,680 --> 00:57:29,720
Speaker 4: Moonne's water lilies.

1124
00:57:29,880 --> 00:57:33,040
Speaker 1: Yeah, any more questions, Sean.

1125
00:57:33,360 --> 00:57:40,600
Speaker 3: I'm fresh out, man. This guy pumped me dry and

1126
00:57:40,720 --> 00:57:45,200
Speaker 3: I thanked him for it. Weird World Man twenty twenty, Right,

1127
00:57:46,360 --> 00:57:46,920
Speaker 3: fucked up.

1128
00:57:47,520 --> 00:57:47,760
Speaker 1: Bye,