1 00:00:00,400 --> 00:00:06,560 Speaker 1: Listen up rapp rate our podcast. Ellia Wilson beat out, 2 00:00:06,600 --> 00:00:09,120 Speaker 1: what up feeling great? Yo? Man? We did we did 3 00:00:09,119 --> 00:00:13,319 Speaker 1: the music exactly extraordinaires man, Kevin Lyles Andre Horral back 4 00:00:13,360 --> 00:00:15,760 Speaker 1: to back. But we ain't just talking about these music exacts, right, 5 00:00:15,760 --> 00:00:18,400 Speaker 1: You gotta go to the artist, the new generational artists. Man, 6 00:00:18,400 --> 00:00:23,319 Speaker 1: we got big baby drama in the building, up maker. 7 00:00:23,440 --> 00:00:25,119 Speaker 1: It looks like that's what you look like when you 8 00:00:25,200 --> 00:00:28,880 Speaker 1: got two million sold man sold Man. I looked at 9 00:00:28,920 --> 00:00:32,280 Speaker 1: my Spotify broccoli it says there's too many anothers just 10 00:00:32,400 --> 00:00:34,839 Speaker 1: like my looks like my bank account on to free. 11 00:00:35,720 --> 00:00:38,400 Speaker 1: That's a lie, yeah, exactly, one to three A four 12 00:00:38,479 --> 00:00:40,840 Speaker 1: to six oh one. That's a hundred and twenty three million, 13 00:00:40,880 --> 00:00:43,479 Speaker 1: eight hundred forty two thousand and six hundred and one. 14 00:00:43,600 --> 00:00:47,000 Speaker 1: Motherfucker's listening to you and little yaddi. Yeah, shout out 15 00:00:47,000 --> 00:00:51,240 Speaker 1: to the man, uh and shout out to everybody that's 16 00:00:51,320 --> 00:00:56,120 Speaker 1: listening to this record. It's a blessing little SoundCloud thing 17 00:00:56,160 --> 00:00:58,920 Speaker 1: you just drew out there. Man, Yo, it's just supposed 18 00:00:58,920 --> 00:01:04,000 Speaker 1: to be SoundCloud like. And that ship what top ten 19 00:01:04,160 --> 00:01:07,280 Speaker 1: Hot one hunted were number eight guy nil. The difference 20 00:01:07,319 --> 00:01:10,000 Speaker 1: of year makes man, that's crazy. In the cool stories, 21 00:01:10,040 --> 00:01:12,720 Speaker 1: you guys actually did that in Rick Ruben's creer right now. 22 00:01:12,959 --> 00:01:18,920 Speaker 1: We met in Rick Ruben's creb. Yeah, Shank with a 23 00:01:18,959 --> 00:01:21,880 Speaker 1: love So it's Rick Ruben's studio. You know I actually 24 00:01:21,959 --> 00:01:24,800 Speaker 1: lived there, but it was it was mad little um. 25 00:01:24,840 --> 00:01:29,840 Speaker 1: We ended up recording a couple of months later in 26 00:01:30,080 --> 00:01:36,200 Speaker 1: l A or whatever. But yeah, two separate times. I 27 00:01:36,240 --> 00:01:39,640 Speaker 1: don't know talking about it's crazy how you keep making 28 00:01:39,680 --> 00:01:41,240 Speaker 1: the big records. You supposed to be the chat that 29 00:01:41,360 --> 00:01:46,240 Speaker 1: guy that's this yeah, big baby. I always fucking knew. 30 00:01:47,120 --> 00:01:49,560 Speaker 1: I always knew, Like I mean, we still got ship 31 00:01:50,240 --> 00:01:53,040 Speaker 1: like in the cutting, you know, but did you think 32 00:01:53,080 --> 00:01:56,520 Speaker 1: this record was gonna take this one? It's one you 33 00:01:56,560 --> 00:01:59,880 Speaker 1: don't expect. Yeah, right, just looked at as like a 34 00:02:00,080 --> 00:02:03,920 Speaker 1: uncollapsed right, that's my god. He goes on first, what 35 00:02:03,960 --> 00:02:05,920 Speaker 1: were you thinking when you said beyond all that function? 36 00:02:06,120 --> 00:02:12,240 Speaker 1: I like that just no telling, but like it's like 37 00:02:12,360 --> 00:02:16,560 Speaker 1: literally like being beyond all that function from from anything. 38 00:02:16,560 --> 00:02:20,040 Speaker 1: It's just like, damn, it's lit. You know what kind 39 00:02:20,040 --> 00:02:22,320 Speaker 1: of you haven't been experiencing? I guess within the last 40 00:02:22,400 --> 00:02:26,120 Speaker 1: maybe a year or so. Oh man, the hey, big 41 00:02:26,200 --> 00:02:32,040 Speaker 1: heads you know the uh fucking uh you know, I'm 42 00:02:32,080 --> 00:02:35,680 Speaker 1: really I'm in the binds. You know, let me hold something, 43 00:02:35,760 --> 00:02:42,440 Speaker 1: drone man. You know, the the nay says, you know, uh, 44 00:02:42,840 --> 00:02:44,680 Speaker 1: you have to overcome that one hit wonder thing, right, 45 00:02:44,720 --> 00:02:46,520 Speaker 1: But the always try to put that on the Mother's 46 00:02:46,560 --> 00:02:50,960 Speaker 1: so crazy because I'm like, what ship all right? If 47 00:02:51,160 --> 00:02:56,959 Speaker 1: you know, considerate done? You know, but is that a 48 00:02:57,000 --> 00:02:59,040 Speaker 1: lot of pressure to kind of like overcome that or 49 00:02:59,080 --> 00:03:01,480 Speaker 1: like oh no, Like the whole thing of the matter 50 00:03:01,600 --> 00:03:04,640 Speaker 1: is like I knew what I had going We we 51 00:03:04,760 --> 00:03:06,600 Speaker 1: as a unit, we as a team, we knew what 52 00:03:06,760 --> 00:03:09,919 Speaker 1: we had. You know, we knew we still have you know, 53 00:03:10,200 --> 00:03:13,639 Speaker 1: uh in the vault, in the chambers, the connections we 54 00:03:13,720 --> 00:03:17,000 Speaker 1: built because this thing is all about relationships. You know, 55 00:03:17,360 --> 00:03:20,639 Speaker 1: it's in a very emotional game. You know, you can 56 00:03:20,680 --> 00:03:23,359 Speaker 1: be you can be smelling. You're not smelling your ship, 57 00:03:23,520 --> 00:03:25,919 Speaker 1: you know what I'm saying. For about a solid year 58 00:03:26,240 --> 00:03:28,320 Speaker 1: and all those motherfucker's that you that you gave that 59 00:03:28,400 --> 00:03:33,080 Speaker 1: little weak as stapp to or whatever, like remember that 60 00:03:33,120 --> 00:03:36,800 Speaker 1: week that broke hand, baby broke hand depth? You know, 61 00:03:36,800 --> 00:03:40,160 Speaker 1: I man, Now you know like we we we definitely 62 00:03:40,320 --> 00:03:43,320 Speaker 1: uh solidify a lot of a lot of you know, 63 00:03:44,280 --> 00:03:48,200 Speaker 1: relationships and just you know, just stay with it. You know, 64 00:03:48,280 --> 00:03:51,400 Speaker 1: took took everything on the chin and just keep it moving. 65 00:03:51,560 --> 00:03:53,440 Speaker 1: When you say we who is exactly as in your team? 66 00:03:53,560 --> 00:03:55,400 Speaker 1: You say, get the buzzers on the payroll, like who 67 00:03:55,480 --> 00:03:57,440 Speaker 1: is actually as your squad? But I don't know, break 68 00:03:57,480 --> 00:04:00,960 Speaker 1: them all down? Okay, you got tuned day, that's the 69 00:04:01,200 --> 00:04:04,880 Speaker 1: uh you would call him the quarterback, the manager. You 70 00:04:04,880 --> 00:04:07,760 Speaker 1: know what I'm saying, got got the uh what I'm saying, 71 00:04:07,800 --> 00:04:10,160 Speaker 1: got the guy damo. You know I'm saying, that's my 72 00:04:10,280 --> 00:04:14,680 Speaker 1: road manager. You know you got uh daff, that's my DJ. 73 00:04:15,400 --> 00:04:18,360 Speaker 1: Got uh what I'm saying, Oh, shout off for Tima. 74 00:04:18,560 --> 00:04:20,440 Speaker 1: You know I'm saying my stylish. We just got a 75 00:04:20,480 --> 00:04:26,480 Speaker 1: stylish right, stylish stylish? I got I got this on 76 00:04:26,600 --> 00:04:30,120 Speaker 1: my own. What I'm saying like, yeah, I got this, 77 00:04:30,600 --> 00:04:35,560 Speaker 1: open shout. But how do you stay focused? Is it 78 00:04:35,640 --> 00:04:37,200 Speaker 1: the team that just tells you to put away your 79 00:04:37,200 --> 00:04:41,080 Speaker 1: phone or just man, if you're not focus yourself, how 80 00:04:41,080 --> 00:04:43,280 Speaker 1: are you gonna? You know, can nobody else do it 81 00:04:43,320 --> 00:04:46,120 Speaker 1: for you? But you a team can help drive it, 82 00:04:46,279 --> 00:04:49,680 Speaker 1: you know, man? And I say we because everything that 83 00:04:49,680 --> 00:04:53,000 Speaker 1: that happens is you know, everybody plays a piece of 84 00:04:53,000 --> 00:04:56,160 Speaker 1: the puzzle. Uh st Stevo know what I'm saying, Um, 85 00:04:56,400 --> 00:04:59,719 Speaker 1: you know saying you know social media guy Stevo with 86 00:04:59,839 --> 00:05:04,520 Speaker 1: the creative direction. What I'm saying, like, um, so it's 87 00:05:04,560 --> 00:05:06,400 Speaker 1: by handling so much to that you can focus on 88 00:05:06,440 --> 00:05:08,320 Speaker 1: the music and not be distracted by things. Is that 89 00:05:08,520 --> 00:05:12,040 Speaker 1: they're now I mean yeah, I mean every you know, 90 00:05:12,160 --> 00:05:15,640 Speaker 1: every artist has has their whole you know, has the 91 00:05:15,680 --> 00:05:18,280 Speaker 1: whole team and stuff. You know that this that and 92 00:05:18,360 --> 00:05:21,000 Speaker 1: the third or whatever you know being you know, if 93 00:05:21,040 --> 00:05:22,800 Speaker 1: they want to make that a public thing or not. 94 00:05:22,960 --> 00:05:25,040 Speaker 1: You know, everyone has of course no, but I think 95 00:05:25,040 --> 00:05:26,520 Speaker 1: it's good break down because I mean I think that 96 00:05:26,560 --> 00:05:29,360 Speaker 1: you're this person and not look like the most likely star, 97 00:05:29,520 --> 00:05:31,559 Speaker 1: you know what I mean, Like you had the odds 98 00:05:31,560 --> 00:05:33,720 Speaker 1: against you coming from v A, you know what I'm saying. 99 00:05:33,720 --> 00:05:35,560 Speaker 1: And I think that people want to get on and 100 00:05:35,600 --> 00:05:38,160 Speaker 1: they want to build something. But it's not just all talk, right, 101 00:05:38,200 --> 00:05:40,240 Speaker 1: Like you're really building a whole movement. You see the 102 00:05:40,240 --> 00:05:42,159 Speaker 1: guy in the front, but there's always a lot behind it. 103 00:05:42,200 --> 00:05:45,360 Speaker 1: Oh yeah, most certainly you just wanted to kind of 104 00:05:45,360 --> 00:05:48,960 Speaker 1: bring that to light more. Yeah, Like so literally, yo, 105 00:05:49,120 --> 00:05:53,200 Speaker 1: like yo, your team. You know, it's very you know, 106 00:05:53,720 --> 00:05:57,360 Speaker 1: vital to to the movement of your career, and you're 107 00:05:57,400 --> 00:06:00,080 Speaker 1: only as strong as your weakest length. You have to 108 00:06:00,360 --> 00:06:06,479 Speaker 1: you have to, uh, you know, evaluate the link. You know, 109 00:06:06,720 --> 00:06:08,880 Speaker 1: as soon as there's a chink in the change, because 110 00:06:08,880 --> 00:06:10,200 Speaker 1: a lot of people ain't build for the pace of 111 00:06:10,240 --> 00:06:12,680 Speaker 1: this game and that record. It's just like talk about 112 00:06:12,760 --> 00:06:16,560 Speaker 1: your life's change, like like, okay, so I have for 113 00:06:16,600 --> 00:06:22,000 Speaker 1: the next six months to three days. Yeah, just too. 114 00:06:22,160 --> 00:06:23,479 Speaker 1: You don't even know what the fun they do, go 115 00:06:23,560 --> 00:06:26,920 Speaker 1: to sleep or something like. Right, the perception of what 116 00:06:27,120 --> 00:06:30,440 Speaker 1: rappers go through is its lights, cameras in action. You know, man, 117 00:06:30,680 --> 00:06:33,440 Speaker 1: I see that's what that's everybody that just wanted for 118 00:06:33,520 --> 00:06:35,240 Speaker 1: the for the for the look of it, you know 119 00:06:35,360 --> 00:06:37,400 Speaker 1: what I'm saying, but to want it for the life 120 00:06:37,440 --> 00:06:40,240 Speaker 1: of it, to need it, to feel like that's all 121 00:06:40,320 --> 00:06:43,159 Speaker 1: you were here for. If that's really what you feel, 122 00:06:43,560 --> 00:06:47,960 Speaker 1: you do everything in your power to you know, keep 123 00:06:47,960 --> 00:06:49,880 Speaker 1: the wheels turning in. So how did you do it? 124 00:06:49,920 --> 00:06:51,279 Speaker 1: I mean you showed that one video where you was 125 00:06:51,279 --> 00:06:53,279 Speaker 1: like a little kid with the mic and like like 126 00:06:53,279 --> 00:06:57,039 Speaker 1: you just was always I always wanted to step Yeah, 127 00:06:57,440 --> 00:07:00,600 Speaker 1: like I feel as though, like I'm most I'm at 128 00:07:00,640 --> 00:07:05,000 Speaker 1: my top, put my top form, my final former purest 129 00:07:05,080 --> 00:07:07,640 Speaker 1: since when i got that mic in my hand, you know, 130 00:07:08,160 --> 00:07:10,520 Speaker 1: and I'm out there letting it out to the crowd. 131 00:07:10,640 --> 00:07:12,720 Speaker 1: You know, even back in the day when it was 132 00:07:12,760 --> 00:07:17,160 Speaker 1: like ten people in the crowd no matter what, you know, 133 00:07:17,280 --> 00:07:18,920 Speaker 1: but now there's a lot of people in the crowd 134 00:07:20,080 --> 00:07:22,680 Speaker 1: spread love to how's that experience been so far? Man, 135 00:07:22,720 --> 00:07:24,800 Speaker 1: it's lit, yo. It's it's like a bunch of spot 136 00:07:24,920 --> 00:07:28,120 Speaker 1: dates all jumbled in to each other, you know, like 137 00:07:28,240 --> 00:07:30,400 Speaker 1: and we're just like, let's coin it something, you know, 138 00:07:30,480 --> 00:07:33,480 Speaker 1: so we just catch the mad flights and ship like that. 139 00:07:34,280 --> 00:07:38,600 Speaker 1: So it's it's been great though, Like you know, college shows, 140 00:07:38,640 --> 00:07:42,080 Speaker 1: you know, one offs, the Red Bull Sounds selects, they're 141 00:07:42,120 --> 00:07:45,560 Speaker 1: they're all very, very very dope in their own special way. 142 00:07:45,680 --> 00:07:48,360 Speaker 1: And I saw you were recently embarrassed too, right, Oh 143 00:07:48,400 --> 00:07:50,880 Speaker 1: yeah in Europe over there? Yeah what was that? Like 144 00:07:50,880 --> 00:07:53,040 Speaker 1: you said you were crying on the plane because you 145 00:07:53,080 --> 00:07:59,640 Speaker 1: were just like, yo, like just thinking about like you know, legit, 146 00:07:59,800 --> 00:08:02,600 Speaker 1: not knowing if I was ever even going to travel 147 00:08:02,640 --> 00:08:05,880 Speaker 1: and see the world, like knowing like, man, I'm gonna 148 00:08:05,880 --> 00:08:08,080 Speaker 1: always go at this music and want to get it off. 149 00:08:08,080 --> 00:08:11,200 Speaker 1: But like I felt like, you know, at certain points 150 00:08:11,200 --> 00:08:13,800 Speaker 1: in my life, like man, it's just really gonna you know, 151 00:08:15,040 --> 00:08:17,360 Speaker 1: and like to really just be sitting there and like, 152 00:08:17,480 --> 00:08:20,920 Speaker 1: you know, lady just passed you to drink and ship 153 00:08:20,960 --> 00:08:24,400 Speaker 1: you're just sipping a drink, Like, damn, I'm really out here, 154 00:08:25,200 --> 00:08:28,520 Speaker 1: like really had to get my passport stamped, you know, 155 00:08:28,880 --> 00:08:34,560 Speaker 1: like a pinch yourself moment, right right right, that's a dope, man. Yeah. Man, 156 00:08:36,080 --> 00:08:38,320 Speaker 1: it started with this damn chord. Like remember he said 157 00:08:38,360 --> 00:08:40,480 Speaker 1: you were just sitting your bed right now song. Yeah, 158 00:08:40,720 --> 00:08:42,360 Speaker 1: it was unlikely to like you think, you know, you 159 00:08:42,360 --> 00:08:44,600 Speaker 1: don't know when the blessing is gonna come, like exactly 160 00:08:44,760 --> 00:08:46,640 Speaker 1: talk about that process. That was just like a why 161 00:08:46,640 --> 00:08:48,160 Speaker 1: do you think that? Why do you think that record 162 00:08:48,840 --> 00:08:51,280 Speaker 1: was the one that was the radiated Like after all 163 00:08:51,280 --> 00:08:53,160 Speaker 1: these years of hard work coming up in VA, why 164 00:08:53,160 --> 00:08:56,760 Speaker 1: do you think it was it was? It was the energy, 165 00:08:57,040 --> 00:08:59,760 Speaker 1: It was a time, and it was the void that 166 00:08:59,840 --> 00:09:02,040 Speaker 1: need to be filled in the game, you know, man, 167 00:09:02,160 --> 00:09:05,520 Speaker 1: Like and we and it's unknowingly what I'm saying, but 168 00:09:05,559 --> 00:09:08,400 Speaker 1: once we acknowledge that, we're like, damn, like, you know, 169 00:09:08,440 --> 00:09:11,600 Speaker 1: there's a lot of darkness or whatever, and and it's 170 00:09:11,640 --> 00:09:14,080 Speaker 1: it's it's very good. I love to listen to all 171 00:09:14,120 --> 00:09:17,280 Speaker 1: of this ship. I mean, like, you know, but to 172 00:09:17,280 --> 00:09:19,880 Speaker 1: to know that, you know, it was really like nothing 173 00:09:20,040 --> 00:09:22,080 Speaker 1: out there kind of like that. I think it was 174 00:09:22,120 --> 00:09:25,920 Speaker 1: just the combination of, you know, the familiarity with the 175 00:09:25,960 --> 00:09:29,080 Speaker 1: Mario simple and then the three and then the heavy 176 00:09:29,120 --> 00:09:31,559 Speaker 1: as eight. Oh wait, see what I'm saying that, like, 177 00:09:31,600 --> 00:09:37,480 Speaker 1: who is this fun big sounding as like people will 178 00:09:37,559 --> 00:09:39,400 Speaker 1: be like, oh my god, he looks just like it 179 00:09:39,480 --> 00:09:44,640 Speaker 1: sounds like little. So it really was just the fact. 180 00:09:44,679 --> 00:09:47,160 Speaker 1: And then also the guys I was doing a record 181 00:09:47,160 --> 00:09:50,280 Speaker 1: with Game nows what I'm saying, Like, Um, I mean, 182 00:09:50,720 --> 00:09:52,920 Speaker 1: we really just went at it like, man, we're gonna 183 00:09:53,000 --> 00:09:56,520 Speaker 1: make this this, this, this this sound. We're gonna we're gonna, 184 00:09:56,679 --> 00:09:59,160 Speaker 1: you know, run at this, you know, hundred miles an hour. 185 00:09:59,720 --> 00:10:02,920 Speaker 1: Have fun with it. And you know, I wasn't really 186 00:10:02,960 --> 00:10:05,240 Speaker 1: able to have fun with it and working with somebody 187 00:10:05,240 --> 00:10:08,240 Speaker 1: that I believe that just as much as myself, you know, 188 00:10:08,880 --> 00:10:11,719 Speaker 1: And uh, that's that's what I really think. It took 189 00:10:11,760 --> 00:10:13,360 Speaker 1: like a whole year for the record to break. A 190 00:10:13,640 --> 00:10:16,960 Speaker 1: right came out before about that journey again just throwing 191 00:10:16,960 --> 00:10:18,679 Speaker 1: the record out of sound cloud, I guess. So yeah. 192 00:10:18,800 --> 00:10:24,400 Speaker 1: So look June one, two thousand fourteen, Gabe had his 193 00:10:24,520 --> 00:10:28,200 Speaker 1: birthday party slash you know, showcase or whatever, and it 194 00:10:28,320 --> 00:10:30,880 Speaker 1: was it was the event for the you know, for 195 00:10:30,920 --> 00:10:34,480 Speaker 1: the for the culture out in the Way seven five seven, 196 00:10:35,679 --> 00:10:44,160 Speaker 1: and I had, you know, I came across this, uh 197 00:10:44,559 --> 00:10:47,319 Speaker 1: the beat, you mean, like we're just in a blue room, 198 00:10:47,360 --> 00:10:51,000 Speaker 1: you know, getting getting liberated, blazed up, you know, and 199 00:10:51,120 --> 00:10:54,439 Speaker 1: my dozen crib and I hear this thing. Come on, 200 00:10:54,520 --> 00:10:56,600 Speaker 1: you know, I'm just like I like to chat to 201 00:10:56,800 --> 00:10:58,800 Speaker 1: everybody laugh. I was like, I'm gonna make that into 202 00:10:58,960 --> 00:11:01,280 Speaker 1: something something. I'm thinking it's just gonna be like a 203 00:11:01,320 --> 00:11:03,760 Speaker 1: little show opener, you know, like get the crowd going. 204 00:11:04,480 --> 00:11:08,720 Speaker 1: So yeah, twenty one June, we performed that junk and uh, 205 00:11:09,040 --> 00:11:11,120 Speaker 1: the crowd went so hand. They made you know, they 206 00:11:11,160 --> 00:11:13,400 Speaker 1: made me performing again. At the end of the set, 207 00:11:13,840 --> 00:11:17,120 Speaker 1: the crowd went so wild. You know, Me and get 208 00:11:17,280 --> 00:11:19,400 Speaker 1: talk to each other next morning with a drunk voice 209 00:11:19,480 --> 00:11:22,640 Speaker 1: like Nigga like, you know, we gotta make that junker song. 210 00:11:23,280 --> 00:11:27,400 Speaker 1: And we held our community hostage for the whole summer 211 00:11:28,160 --> 00:11:33,199 Speaker 1: because we didn't release it online until September nine, two 212 00:11:33,280 --> 00:11:36,360 Speaker 1: thousand fourteen. So every time you wanted to hear that song, 213 00:11:36,720 --> 00:11:40,360 Speaker 1: you would have to come to our event. So we 214 00:11:40,559 --> 00:11:42,880 Speaker 1: we really got it like that. So when the record 215 00:11:42,960 --> 00:11:46,720 Speaker 1: dropped online, you know, seven five seven, already going crazy, 216 00:11:47,120 --> 00:11:50,280 Speaker 1: all of the surrounding areas being you know, colleges and 217 00:11:50,360 --> 00:11:54,160 Speaker 1: all of that whatever whatever, everybody makes sense. And you 218 00:11:54,240 --> 00:11:56,760 Speaker 1: locked your town down already before it went somewhere else, 219 00:11:57,200 --> 00:11:59,800 Speaker 1: that makes sense. So when you approach no way, go ahead. Finished. 220 00:12:01,080 --> 00:12:06,160 Speaker 1: So then within uh six days, because September fifteenth is 221 00:12:06,200 --> 00:12:09,679 Speaker 1: when Jacob from Pigeons and Plane started raving about this 222 00:12:09,880 --> 00:12:13,959 Speaker 1: project that he randomly heard because someone randomly reposted it 223 00:12:14,080 --> 00:12:18,439 Speaker 1: on SoundCloud that he was following, and he went and 224 00:12:18,559 --> 00:12:21,160 Speaker 1: searched and found, you know, the source of it or whatever. 225 00:12:21,679 --> 00:12:24,560 Speaker 1: He asked Gabe, He asked Sunny. You know Sunny and Gabe, 226 00:12:25,000 --> 00:12:28,640 Speaker 1: they were already underneath the Pigeons Planes radar. And so 227 00:12:28,800 --> 00:12:31,199 Speaker 1: when he when he found out about this, he just 228 00:12:31,360 --> 00:12:34,080 Speaker 1: really raved about it. And I mean that really helped 229 00:12:34,400 --> 00:12:37,600 Speaker 1: a lot of stuff. The first icon to to really 230 00:12:37,679 --> 00:12:40,920 Speaker 1: stand behind the record. Like I don't know if y'all know, 231 00:12:41,040 --> 00:12:44,120 Speaker 1: but this is facts. It's a que tip of a 232 00:12:44,200 --> 00:12:49,280 Speaker 1: tribe called quest. This is back in October about it. Oh, 233 00:12:49,400 --> 00:12:51,360 Speaker 1: I mean he went on Twitter, he ran it about it, 234 00:12:51,840 --> 00:12:56,520 Speaker 1: remember that. But then the young Lady nared Beyonce and 235 00:12:58,000 --> 00:13:01,600 Speaker 1: eight nine months later Queen she she just she took 236 00:13:01,640 --> 00:13:03,240 Speaker 1: all that ship out there. He was out here in 237 00:13:03,240 --> 00:13:05,079 Speaker 1: New York when you found out, right, yeah, you know 238 00:13:05,200 --> 00:13:07,000 Speaker 1: I was in the Lower East Side. You know, I 239 00:13:07,040 --> 00:13:10,720 Speaker 1: think it was on Orchestry to soon but you definitely 240 00:13:10,840 --> 00:13:14,920 Speaker 1: met studio though, right, what was that conversation? Like, bro, 241 00:13:15,080 --> 00:13:18,760 Speaker 1: like she she's amazing. Bro, yeah, man, you know at 242 00:13:18,800 --> 00:13:21,400 Speaker 1: the end of the day, man, like she's looking amazing, 243 00:13:21,559 --> 00:13:25,080 Speaker 1: and she's put you know, influential people in the game 244 00:13:25,200 --> 00:13:29,600 Speaker 1: onto onto you know me or me onto them however 245 00:13:29,640 --> 00:13:32,480 Speaker 1: you say or whatever, like uh, you know, Mike Will 246 00:13:32,640 --> 00:13:35,480 Speaker 1: made it um diplo, you know what I'm saying, Like, 247 00:13:36,160 --> 00:13:39,000 Speaker 1: just you know, that's that's a couple that asked to restart, 248 00:13:39,040 --> 00:13:41,640 Speaker 1: Like she was raving about my ship behind the scenes, 249 00:13:41,760 --> 00:13:45,000 Speaker 1: like you know, like shout out to Queen b But 250 00:13:45,200 --> 00:13:47,520 Speaker 1: you know you mentioned pictures in planes and obviously we 251 00:13:47,600 --> 00:13:50,600 Speaker 1: want the website. And often with new artists they come 252 00:13:50,800 --> 00:13:53,160 Speaker 1: we come into fire because we has a blog. They 253 00:13:53,200 --> 00:13:56,120 Speaker 1: feel like we're the gatekeepers to break in the music, right, 254 00:13:56,240 --> 00:13:58,680 Speaker 1: But do you feel like that was really the watershed moment? 255 00:13:58,800 --> 00:14:00,800 Speaker 1: Was it the work previous that you have put in 256 00:14:00,880 --> 00:14:03,160 Speaker 1: in Virginia that made a song blow up the way 257 00:14:03,200 --> 00:14:08,199 Speaker 1: it the way it did? Um, I think it's a 258 00:14:08,320 --> 00:14:11,599 Speaker 1: combination what I'm saying and too to say, you know, 259 00:14:11,720 --> 00:14:15,240 Speaker 1: fifty fifty sixty forty, I really can't tell, but but 260 00:14:15,400 --> 00:14:18,679 Speaker 1: both was a major key in that, you know, because 261 00:14:18,720 --> 00:14:21,080 Speaker 1: I mean that was like the first time in a 262 00:14:21,160 --> 00:14:25,040 Speaker 1: long time a song was like getting raved about anywhere 263 00:14:25,280 --> 00:14:30,000 Speaker 1: without being on any type of platform, you know, like legit. 264 00:14:30,200 --> 00:14:33,920 Speaker 1: You had to go to the DJ's. DJ said, you know, 265 00:14:34,160 --> 00:14:36,480 Speaker 1: just to hear a song like like some like the 266 00:14:36,600 --> 00:14:39,480 Speaker 1: fucking eighties or something, and you didn't plan. That was 267 00:14:39,560 --> 00:14:43,160 Speaker 1: just that first natural reaction and we was like hold up, 268 00:14:43,240 --> 00:14:45,920 Speaker 1: wait a minute. You know, we played it like chat 269 00:14:46,040 --> 00:14:47,920 Speaker 1: Hugo is one of the first guys to hear to 270 00:14:48,000 --> 00:14:49,880 Speaker 1: hear the record too. It was like before it was 271 00:14:50,000 --> 00:14:55,000 Speaker 1: a song, you know, really probably living off the residuals. 272 00:14:56,600 --> 00:15:01,160 Speaker 1: You played it for him game so gay and sunny, 273 00:15:01,320 --> 00:15:03,880 Speaker 1: like they're they're really close one or whatever, and you know, 274 00:15:04,000 --> 00:15:06,320 Speaker 1: we work with each other, but like they really liked 275 00:15:06,720 --> 00:15:09,280 Speaker 1: this stuff together, and you know it was like this 276 00:15:09,400 --> 00:15:12,240 Speaker 1: little cookout event or whatever, and he was there and 277 00:15:12,320 --> 00:15:15,080 Speaker 1: like they played in it was like and like you know, 278 00:15:15,200 --> 00:15:17,160 Speaker 1: he pointed at me or whatever, like like yo, this 279 00:15:17,240 --> 00:15:18,880 Speaker 1: is the guy. And then he was like like you 280 00:15:20,000 --> 00:15:22,840 Speaker 1: like hey, you know, like it was just like damn, 281 00:15:23,040 --> 00:15:24,920 Speaker 1: we really might got to something hit. But when did 282 00:15:24,960 --> 00:15:26,560 Speaker 1: in your mind, did it become like a real hit, 283 00:15:26,720 --> 00:15:28,880 Speaker 1: like a like a hit across the board, and like, 284 00:15:29,080 --> 00:15:30,840 Speaker 1: you know, did you start the show rape went up? 285 00:15:30,840 --> 00:15:34,800 Speaker 1: It's like, well, yeah, like when I saw, like I 286 00:15:34,880 --> 00:15:37,520 Speaker 1: mean the fact you know, when once you're getting paid 287 00:15:37,560 --> 00:15:39,600 Speaker 1: to do gigs and ship like that, you know, it's like, 288 00:15:39,720 --> 00:15:43,320 Speaker 1: oh yeah, I mean something something real. But like when 289 00:15:43,440 --> 00:15:47,000 Speaker 1: Snoop was smoking to that ship, Like when I saw 290 00:15:47,120 --> 00:15:49,320 Speaker 1: that ship, I was like, oh, bro, it's it's out 291 00:15:49,400 --> 00:15:51,480 Speaker 1: of here because he did it on Jimmy Kimmel too, 292 00:15:52,040 --> 00:15:53,200 Speaker 1: you know what I'm saying, Like, and it was just 293 00:15:53,320 --> 00:15:55,960 Speaker 1: like damn, like may this is this is a this 294 00:15:56,160 --> 00:15:59,840 Speaker 1: is a this is a level up you know. Um 295 00:16:00,520 --> 00:16:02,680 Speaker 1: so yeah, one of the one of the many indicators 296 00:16:03,200 --> 00:16:08,960 Speaker 1: you know, Hollid did he love the Ruben November two 297 00:16:09,040 --> 00:16:15,840 Speaker 1: thousand fourteen dates not this ship. I worked on my 298 00:16:16,000 --> 00:16:18,800 Speaker 1: life to to get you know, to this point, even 299 00:16:18,960 --> 00:16:22,800 Speaker 1: even further than where I met right now. So you know, 300 00:16:23,160 --> 00:16:28,320 Speaker 1: certain certain things like that are unforgettable. So Rick just like, okay, 301 00:16:28,440 --> 00:16:31,720 Speaker 1: so you know, he's very He's into the innovative artists, 302 00:16:32,080 --> 00:16:34,800 Speaker 1: you know. So he brought in guys like Chance gold Link, 303 00:16:35,240 --> 00:16:38,720 Speaker 1: you know, others, Generation of Right Real Noise. Yeah, and 304 00:16:39,400 --> 00:16:41,160 Speaker 1: he asked them what they were listening to, and at 305 00:16:41,200 --> 00:16:43,880 Speaker 1: the time, you know, both was like, you know drawn, 306 00:16:44,160 --> 00:16:47,440 Speaker 1: you know, so we got into my full body of work, 307 00:16:47,600 --> 00:16:51,680 Speaker 1: the whole mixtape, the one I picked Summer that the yeah, 308 00:16:51,960 --> 00:16:55,360 Speaker 1: and like I mean, he was it was so dope 309 00:16:55,400 --> 00:16:57,520 Speaker 1: because he only had at the time two tweets. I 310 00:16:57,520 --> 00:16:58,960 Speaker 1: don't know if it's still set up like that, like 311 00:16:59,040 --> 00:17:01,800 Speaker 1: an intro tweet. Then the second tweet is like now 312 00:17:01,960 --> 00:17:05,880 Speaker 1: listening to and um, you know, uh, he'll he'll change 313 00:17:05,920 --> 00:17:08,600 Speaker 1: it every week or so whatever whatever. And he put 314 00:17:08,760 --> 00:17:11,640 Speaker 1: drum get Money, which is like a flip of uh 315 00:17:11,880 --> 00:17:14,639 Speaker 1: that I did like a junior Mafias Get Money merged 316 00:17:14,720 --> 00:17:17,600 Speaker 1: in with the Erica Badu Get Money flipped. We just 317 00:17:17,720 --> 00:17:23,080 Speaker 1: went in or whatever. It was right right, which makes 318 00:17:23,119 --> 00:17:28,159 Speaker 1: it even more really shout out Rick, you know, so 319 00:17:29,160 --> 00:17:31,840 Speaker 1: I'm going crazy, like damn, what the funk? Literally the 320 00:17:31,920 --> 00:17:34,320 Speaker 1: next day I get an email saying and the um 321 00:17:34,480 --> 00:17:38,560 Speaker 1: headers like Rick Rubin and and and you know inside 322 00:17:38,600 --> 00:17:40,440 Speaker 1: of the message, like we'd like to talk to you. 323 00:17:40,920 --> 00:17:43,840 Speaker 1: What's your number? What's your managing? The next day he 324 00:17:43,960 --> 00:17:47,080 Speaker 1: legit called me and I was like damn, like blew 325 00:17:47,160 --> 00:17:52,520 Speaker 1: my mind. And I first met him on February set 326 00:17:52,560 --> 00:17:56,240 Speaker 1: it up just coming down to Cali. Like, you know, 327 00:17:56,640 --> 00:17:59,440 Speaker 1: people hear about that place, So is it People say, 328 00:17:59,640 --> 00:18:02,640 Speaker 1: like's if you're a musician, if you're inspired to do music, 329 00:18:02,800 --> 00:18:10,119 Speaker 1: is heaven facts because the comfortableness, like it's like every 330 00:18:10,280 --> 00:18:15,000 Speaker 1: single toy at your disposal, every single instrument, if you 331 00:18:15,119 --> 00:18:17,320 Speaker 1: need it, they'll go get it. Like before I even 332 00:18:17,400 --> 00:18:22,639 Speaker 1: got there, like yeah, right, facts, no facts, they were running, 333 00:18:22,680 --> 00:18:25,520 Speaker 1: go get that ship. They were running and I hear 334 00:18:25,520 --> 00:18:28,879 Speaker 1: a banjo right now. But like it's it's crazy that 335 00:18:29,119 --> 00:18:30,960 Speaker 1: the way they work. They're like they asked, like, what 336 00:18:31,320 --> 00:18:33,480 Speaker 1: Mike you want. I was just thinking about all the 337 00:18:33,560 --> 00:18:35,760 Speaker 1: mics that I've recorded over you know, just doing all 338 00:18:35,800 --> 00:18:38,400 Speaker 1: this you know, studio sessions. I was like I want 339 00:18:38,480 --> 00:18:41,320 Speaker 1: to manly, Mike the Gold Jump. I forgot all about 340 00:18:41,400 --> 00:18:43,080 Speaker 1: that ship. They act like a couple of weeks before 341 00:18:43,240 --> 00:18:45,480 Speaker 1: when I, you know, I had the session out there. 342 00:18:46,160 --> 00:18:48,320 Speaker 1: I get out there and they legit that the gold 343 00:18:48,400 --> 00:18:51,840 Speaker 1: ask Manly, I'm like, damn, like thank you. You know 344 00:18:51,840 --> 00:18:54,399 Speaker 1: what I'm saying about. When we think about Rick, like 345 00:18:54,480 --> 00:18:56,240 Speaker 1: you always see the infamous thinging him kind of like 346 00:18:56,359 --> 00:18:58,879 Speaker 1: he just pops up. Yeah that that's one thing, right, 347 00:18:59,280 --> 00:19:01,800 Speaker 1: yeah yeah. And also just him like deep in thought 348 00:19:02,000 --> 00:19:04,159 Speaker 1: hearing people play in his music like he need to 349 00:19:04,280 --> 00:19:06,680 Speaker 1: like meditated. He's laying on the couch like what was 350 00:19:06,720 --> 00:19:08,160 Speaker 1: some of it the moments when you play him music 351 00:19:08,200 --> 00:19:10,200 Speaker 1: and like what's been his big feedback to you about 352 00:19:10,280 --> 00:19:13,680 Speaker 1: your music that helped you? Man? He he focuses on 353 00:19:14,359 --> 00:19:18,359 Speaker 1: the good things, you know. So whenever he said like 354 00:19:18,920 --> 00:19:20,720 Speaker 1: the worst he would probably get from him was like 355 00:19:21,040 --> 00:19:23,440 Speaker 1: it's cool. And if you get it's cool, it's like 356 00:19:23,520 --> 00:19:25,280 Speaker 1: he's not really all the way digging it. But like 357 00:19:26,320 --> 00:19:29,879 Speaker 1: the ship that he loves, he loves it and he 358 00:19:30,000 --> 00:19:32,040 Speaker 1: gives you the reason why. I like, like, I mean 359 00:19:32,119 --> 00:19:35,080 Speaker 1: it's not no like generic as you know, like, oh 360 00:19:35,160 --> 00:19:36,639 Speaker 1: I just I love it. You know, like you know 361 00:19:36,880 --> 00:19:39,200 Speaker 1: he can give you the specifics. It's like, you know 362 00:19:39,320 --> 00:19:42,359 Speaker 1: this one part like legit like he watched my my 363 00:19:42,520 --> 00:19:47,960 Speaker 1: Tim Westwood freestyle thing the most beautifulest word like um 364 00:19:49,280 --> 00:19:52,119 Speaker 1: so I didn't even know, you know, he just sent 365 00:19:52,240 --> 00:19:55,240 Speaker 1: me an email out of nowhere like yo, the part 366 00:19:55,400 --> 00:19:58,320 Speaker 1: right here at one fifty nine, like yo, Like it's 367 00:19:58,400 --> 00:20:01,119 Speaker 1: it's crazy, like like you know, let's let's work on 368 00:20:01,240 --> 00:20:04,879 Speaker 1: that that. I'm like, just just me freestyle and what 369 00:20:04,880 --> 00:20:08,040 Speaker 1: I'm saying like, ain't you know he's man shout out 370 00:20:08,080 --> 00:20:11,600 Speaker 1: to Rick. It's like like like look like like for real, 371 00:20:11,680 --> 00:20:15,440 Speaker 1: like my Menstorio like he's a ship. That's pretty good 372 00:20:15,440 --> 00:20:18,720 Speaker 1: mentor what happened when you approached the guys that Nintendo 373 00:20:18,840 --> 00:20:20,680 Speaker 1: to clear the sample where they're not having it or 374 00:20:20,800 --> 00:20:24,120 Speaker 1: what was there? They see? They don't they don't, they don't, 375 00:20:25,080 --> 00:20:27,959 Speaker 1: they don't cooperate with that ship. Like if you if 376 00:20:28,000 --> 00:20:30,800 Speaker 1: you look in the history of Nintendo versus Hip Hop, man, 377 00:20:30,880 --> 00:20:37,440 Speaker 1: they wipe. They wipe niggas clean fucking facts like who 378 00:20:37,760 --> 00:20:39,000 Speaker 1: I know, I only think I can think of it's 379 00:20:39,000 --> 00:20:43,400 Speaker 1: like the little flip right, Yeah, yeah, didn't clear any 380 00:20:43,440 --> 00:20:46,960 Speaker 1: of that. Yeah. Wow, So you just shut it down completely. Yeah, 381 00:20:47,119 --> 00:20:51,240 Speaker 1: like before before uh the ship hit the fan. You know, 382 00:20:51,400 --> 00:20:53,560 Speaker 1: they just pick up the tracks, you know, pick up 383 00:20:53,560 --> 00:20:56,879 Speaker 1: the pieces. And it's like I hated the fact that, 384 00:20:57,000 --> 00:20:59,240 Speaker 1: you know, we had to go through that because you know, 385 00:20:59,480 --> 00:21:04,320 Speaker 1: just the old, original, original vibe and feel. You know, 386 00:21:04,480 --> 00:21:07,440 Speaker 1: it's it's kind of altered, but like you know, it's 387 00:21:07,440 --> 00:21:10,840 Speaker 1: still whatever whatever, but like we just we dodged the bullet. 388 00:21:11,080 --> 00:21:13,879 Speaker 1: And you know, every time I perform, I still do 389 00:21:14,000 --> 00:21:17,200 Speaker 1: the O G version asking me where it's. It's still 390 00:21:17,320 --> 00:21:22,880 Speaker 1: on live mixtapes. You can't get it. Facts one look 391 00:21:22,920 --> 00:21:26,399 Speaker 1: it up. Were you still? Were you still before took? 392 00:21:26,560 --> 00:21:29,440 Speaker 1: We're still working at a Bank of America. No, I 393 00:21:29,600 --> 00:21:37,160 Speaker 1: was working at best Buy on the geek squad, No way, 394 00:21:37,280 --> 00:21:40,920 Speaker 1: baby yo. Like so I had experience on the phone, 395 00:21:41,040 --> 00:21:43,600 Speaker 1: like on the phone jobs, and they just needed someone 396 00:21:43,760 --> 00:21:47,720 Speaker 1: with social skills because they're such fucking introverse, like in 397 00:21:47,800 --> 00:21:51,520 Speaker 1: that little nook back there, like fucking nerds. They're like, 398 00:21:52,040 --> 00:21:57,720 Speaker 1: like it's crazy and I love the job, loath loath. 399 00:21:58,000 --> 00:21:59,600 Speaker 1: So at what point did you say fund this? I'm 400 00:21:59,640 --> 00:22:01,719 Speaker 1: dedicated in my life to the music, Like I mean, 401 00:22:01,800 --> 00:22:04,040 Speaker 1: it was always that, you know, and I would pick 402 00:22:04,119 --> 00:22:06,199 Speaker 1: up a little bullshit jobs here and there. They were 403 00:22:06,240 --> 00:22:08,639 Speaker 1: always short lived. I was always fired at the end 404 00:22:08,680 --> 00:22:11,400 Speaker 1: of the job because funk that ship, man, I mean 405 00:22:11,520 --> 00:22:15,600 Speaker 1: for me though, fuck it right. You know it's funny 406 00:22:15,600 --> 00:22:17,800 Speaker 1: because like listening to Goddamn you on the okay, then 407 00:22:17,880 --> 00:22:19,560 Speaker 1: you said you like you have a chip on your shoulder, 408 00:22:19,880 --> 00:22:22,720 Speaker 1: Like where does that come from? I mean being I 409 00:22:22,800 --> 00:22:26,800 Speaker 1: mean like that, And and then during that time, you 410 00:22:26,840 --> 00:22:30,320 Speaker 1: know what I'm saying, like you know, everything is all 411 00:22:30,400 --> 00:22:34,800 Speaker 1: about like um where everything is all about where I'm 412 00:22:34,920 --> 00:22:38,600 Speaker 1: at and uh in life at that moment that was 413 00:22:38,680 --> 00:22:46,080 Speaker 1: recorded back in like I believe like January, that's not 414 00:22:46,320 --> 00:22:49,800 Speaker 1: like and like I'm legit like coming from you know, 415 00:22:50,440 --> 00:22:53,480 Speaker 1: everybody's saying no, like man, I don't funk with this thing, 416 00:22:54,160 --> 00:22:57,080 Speaker 1: you know, back home whatever whatever to like everybody now 417 00:22:57,160 --> 00:23:00,040 Speaker 1: all of a sudden like trying to be like on it. 418 00:23:00,160 --> 00:23:02,920 Speaker 1: And now now now it's like a responsibility for you 419 00:23:03,040 --> 00:23:05,520 Speaker 1: to Oh man, I called you that nigga. You ain't 420 00:23:05,520 --> 00:23:10,960 Speaker 1: coming back man? Oh man? Is that what inspired that line? 421 00:23:10,960 --> 00:23:13,280 Speaker 1: You said? Like family said songs wouldn't work at first 422 00:23:13,280 --> 00:23:17,040 Speaker 1: and something like that. Facts, but now they treat you different. 423 00:23:17,680 --> 00:23:20,640 Speaker 1: Facts well, I think it's interesting about your new joint. 424 00:23:20,680 --> 00:23:22,960 Speaker 1: It's about to be your next massive hit cash machine, 425 00:23:23,359 --> 00:23:25,560 Speaker 1: so that you also just kind of touching on the 426 00:23:25,640 --> 00:23:27,960 Speaker 1: fame now now you have success and how you're dealing 427 00:23:28,040 --> 00:23:29,359 Speaker 1: with that, Like you got you have a line, like 428 00:23:29,400 --> 00:23:31,720 Speaker 1: you don't got left if you don't got my new number. 429 00:23:31,880 --> 00:23:33,399 Speaker 1: Rich Man told me it's part of the come up. 430 00:23:33,840 --> 00:23:37,879 Speaker 1: I talk about that adjustment of celebratory man. Like you know, 431 00:23:38,920 --> 00:23:41,280 Speaker 1: people people would already think that I ain't got damn 432 00:23:41,400 --> 00:23:43,880 Speaker 1: change my member, but like once once, once the whole, 433 00:23:44,760 --> 00:23:48,720 Speaker 1: once once, the real real deal, you know, once once 434 00:23:48,800 --> 00:23:53,080 Speaker 1: the magnum opus type of event drops. You know, I'm 435 00:23:53,080 --> 00:23:57,200 Speaker 1: definitely changing that number, like immediately, but like you know, 436 00:23:57,400 --> 00:24:02,639 Speaker 1: like get a drop of course screening that call now 437 00:24:02,720 --> 00:24:06,399 Speaker 1: in fact, like say this don't pick up you know, 438 00:24:06,520 --> 00:24:08,800 Speaker 1: it's it's it's it's legit. Like you almost think I 439 00:24:08,880 --> 00:24:11,000 Speaker 1: had a new number. The way I'd be swerving like 440 00:24:11,640 --> 00:24:13,639 Speaker 1: ship or whatever. It's not even on purpose. Most of 441 00:24:13,680 --> 00:24:16,560 Speaker 1: the time. I'm always on the go, always moving. I 442 00:24:16,680 --> 00:24:18,520 Speaker 1: can't really you know, I mean, but why do you 443 00:24:18,560 --> 00:24:21,040 Speaker 1: think like you wanted this, you wanted it so bad, right, 444 00:24:21,160 --> 00:24:23,040 Speaker 1: like how how why do you think you are built 445 00:24:23,119 --> 00:24:24,280 Speaker 1: for it, you know what I mean? Like some people 446 00:24:24,520 --> 00:24:26,359 Speaker 1: want it so bad get it, can't deal with it. 447 00:24:26,640 --> 00:24:28,480 Speaker 1: It seems like you're adjusting well to it, like you're 448 00:24:28,480 --> 00:24:30,240 Speaker 1: built for it. Like what do you think it is 449 00:24:30,280 --> 00:24:32,600 Speaker 1: about you that makes you ready for everything? This game 450 00:24:32,800 --> 00:24:37,400 Speaker 1: comes with? This game acknowledging the progress from every aspect, 451 00:24:38,480 --> 00:24:42,639 Speaker 1: like the little progress, it's still progress, you know what 452 00:24:42,640 --> 00:24:44,960 Speaker 1: I'm saying. When people can't get over the fact that, 453 00:24:45,160 --> 00:24:47,800 Speaker 1: like now I'm not doing this like this or that 454 00:24:48,000 --> 00:24:52,639 Speaker 1: like that guy. Yeah, man, Like no, You'll celebrate every 455 00:24:52,720 --> 00:24:58,480 Speaker 1: one of your accolades, you know, and go about situations 456 00:24:58,560 --> 00:25:02,359 Speaker 1: with positive ativity, even if you for real be like 457 00:25:02,520 --> 00:25:06,880 Speaker 1: man like damn man, I'm tired. Nah yo, nobody gives 458 00:25:06,880 --> 00:25:09,800 Speaker 1: a funk about that. This is your job. So when 459 00:25:09,920 --> 00:25:13,080 Speaker 1: everyone is in the room with smiling faces, you know, 460 00:25:13,400 --> 00:25:15,960 Speaker 1: greet it back with one. Right. So what did you 461 00:25:16,040 --> 00:25:19,159 Speaker 1: do when that check came in? Ship? I spent it. 462 00:25:19,240 --> 00:25:24,440 Speaker 1: I spend it, spending spending true, like Casper Heat was 463 00:25:24,440 --> 00:25:26,760 Speaker 1: inspired that somebody pulled up a phone and they showed 464 00:25:26,800 --> 00:25:31,119 Speaker 1: you something Your not magical, Max? So why the wire 465 00:25:31,160 --> 00:25:37,240 Speaker 1: had hit? Secured the bag facts and a remarkable amount 466 00:25:37,280 --> 00:25:38,639 Speaker 1: of money, I was gonna say how much what what 467 00:25:38,680 --> 00:25:40,200 Speaker 1: did you see? Could you say, Oh, but you saw 468 00:25:40,400 --> 00:25:42,320 Speaker 1: what was the mount? It was just I saw a 469 00:25:42,400 --> 00:25:46,159 Speaker 1: six figure amount. I've never seen that much money was 470 00:25:46,280 --> 00:25:48,879 Speaker 1: coming in at one time. So that's so. I mean, 471 00:25:48,920 --> 00:25:50,480 Speaker 1: you talk about your mom too. You said your mom 472 00:25:50,560 --> 00:25:52,280 Speaker 1: is straight now, like she's kind of been in your 473 00:25:52,320 --> 00:25:53,960 Speaker 1: st of the whole time. Right, facts, you know what 474 00:25:54,000 --> 00:25:56,320 Speaker 1: I'm saying, like drill sergeant, right, my mom? Yeah, my 475 00:25:56,440 --> 00:25:59,880 Speaker 1: mama's only child. You feel me like and I used 476 00:25:59,880 --> 00:26:02,760 Speaker 1: to be like, Mom, let me get forty dollars so 477 00:26:02,800 --> 00:26:04,800 Speaker 1: I can get some gas money go across the water. 478 00:26:05,520 --> 00:26:09,640 Speaker 1: It's this a little showcase. Yeah, man, put about fifteen 479 00:26:09,680 --> 00:26:17,320 Speaker 1: and the tank, get some weeds. Feel about three three 480 00:26:17,840 --> 00:26:21,960 Speaker 1: dollars and everybody get one of those cheapass bottles, the backbreaker. 481 00:26:22,000 --> 00:26:23,600 Speaker 1: You gotta go down to the bottom of the shelf 482 00:26:23,720 --> 00:26:25,840 Speaker 1: to get that liquor, you know what I mean. So 483 00:26:25,920 --> 00:26:28,560 Speaker 1: what's that feeling now? That money that you could take 484 00:26:28,600 --> 00:26:31,520 Speaker 1: care of your mom and things like that, It's it's 485 00:26:31,560 --> 00:26:33,720 Speaker 1: a blessing. It's a gift and a curse to know 486 00:26:33,720 --> 00:26:36,800 Speaker 1: what I'm saying, Like, you gotta learn, you know, what's 487 00:26:36,960 --> 00:26:41,680 Speaker 1: what's what's what's too much, what's too often, what's not enough, 488 00:26:41,800 --> 00:26:46,280 Speaker 1: what's seldom? M you know, when does it feel like 489 00:26:46,520 --> 00:26:48,920 Speaker 1: you're being useful? And then when does it feel like 490 00:26:48,960 --> 00:26:53,639 Speaker 1: you're being used? So who say that again? What does 491 00:26:53,640 --> 00:26:55,919 Speaker 1: it feel like you're being useful? And then when does 492 00:26:55,960 --> 00:26:59,160 Speaker 1: it feel like you're being used? So who's the Tatiana 493 00:26:59,240 --> 00:27:01,600 Speaker 1: check on the record? You mention, yo, like that's my 494 00:27:01,720 --> 00:27:05,760 Speaker 1: extra matters, like facts like we went through the fire, 495 00:27:05,920 --> 00:27:09,440 Speaker 1: you know, I mean like like back back before any 496 00:27:09,480 --> 00:27:12,200 Speaker 1: of this ship. You feel me so, you know, I 497 00:27:12,320 --> 00:27:16,199 Speaker 1: always you know, trying to make sure, like I think 498 00:27:16,280 --> 00:27:19,959 Speaker 1: it's always keep that in mind, always keep that ship grounded, 499 00:27:20,000 --> 00:27:23,280 Speaker 1: because when I had nothing, I mean nothing, not even 500 00:27:23,320 --> 00:27:26,200 Speaker 1: I couldn't even go to the crib type ship, she 501 00:27:26,359 --> 00:27:29,359 Speaker 1: helped me down. So you guys are good. Yeah, I 502 00:27:29,440 --> 00:27:32,240 Speaker 1: mean yeah, like I mean we're not like together like that, 503 00:27:32,760 --> 00:27:34,439 Speaker 1: but you feel like you have an obligation to kind 504 00:27:34,480 --> 00:27:38,480 Speaker 1: of like her my mama still coolest funk, like you know, 505 00:27:38,720 --> 00:27:41,440 Speaker 1: shout out to Aila, her her daughter. You know, I 506 00:27:41,480 --> 00:27:44,160 Speaker 1: mean like when we was first fucking with each other, 507 00:27:44,240 --> 00:27:47,320 Speaker 1: like she was like infant, you mean, like she grew up, 508 00:27:47,600 --> 00:27:49,960 Speaker 1: She grew up knowing me, like, and it's funny because 509 00:27:50,040 --> 00:27:52,320 Speaker 1: even though I'm really there, like you know, I got 510 00:27:52,440 --> 00:27:54,639 Speaker 1: videos and ship you could just watch and just be like, 511 00:27:54,920 --> 00:27:58,119 Speaker 1: that's you know, how you dealing with the success with 512 00:27:58,160 --> 00:27:59,480 Speaker 1: the ladies that come with him? And he said, I 513 00:27:59,520 --> 00:28:01,200 Speaker 1: used to get the hold his shoulders, not get the 514 00:28:01,280 --> 00:28:03,600 Speaker 1: hottest ass. Man, How you doing with these ladies out here? 515 00:28:04,040 --> 00:28:08,399 Speaker 1: What's going on? Man? Ship? I mean, like, you know, 516 00:28:08,560 --> 00:28:10,760 Speaker 1: you talked to me. I talked back. If you're looking 517 00:28:10,800 --> 00:28:12,720 Speaker 1: at me twice, I might talk to you. If you 518 00:28:12,840 --> 00:28:17,640 Speaker 1: talk back, then we conversating that we makes sense. That's 519 00:28:17,640 --> 00:28:21,399 Speaker 1: always the beaus. So who was like on the record facts, 520 00:28:21,480 --> 00:28:24,240 Speaker 1: it seems like that was like going through a tumtionalless 521 00:28:24,280 --> 00:28:28,119 Speaker 1: time in your relationships? Was that with Tann? What was 522 00:28:28,160 --> 00:28:36,920 Speaker 1: inspiring that? Oh? I mean everything is about somebody's girl. 523 00:28:36,960 --> 00:28:39,880 Speaker 1: Who I want? I'm not gonna say a man, you know, 524 00:28:40,880 --> 00:28:44,360 Speaker 1: it was just some real, real, real real patty ship, 525 00:28:44,520 --> 00:28:46,040 Speaker 1: you know what I'm saying, Like and it was just 526 00:28:46,160 --> 00:28:50,680 Speaker 1: like really m hm inspired by true events. Yeah, everything 527 00:28:51,760 --> 00:28:55,240 Speaker 1: every single thing my and my and my music from 528 00:28:55,680 --> 00:29:00,560 Speaker 1: every Yeah you real thoughts. Yeah, you and Sissor make 529 00:29:00,600 --> 00:29:04,160 Speaker 1: a good combination. That man, Yo, that should have been bigger, Man, 530 00:29:04,200 --> 00:29:08,640 Speaker 1: that should have been Man. Look it's it's it's still good. 531 00:29:08,840 --> 00:29:11,240 Speaker 1: It's still you know, yeah, it's it's it's dope. Its health. 532 00:29:11,280 --> 00:29:15,280 Speaker 1: Shout out Scissor. You know. The record was a uh 533 00:29:15,840 --> 00:29:20,440 Speaker 1: originally presented on the Donnie Trumpet and the Social Experiments 534 00:29:20,480 --> 00:29:25,120 Speaker 1: Surf project. What I'm saying, oh yeah, like you listen, 535 00:29:25,160 --> 00:29:27,960 Speaker 1: that's the original junk I mean. And then you know, 536 00:29:28,080 --> 00:29:30,760 Speaker 1: everybody was doing covers of her, everybody was working with 537 00:29:30,960 --> 00:29:34,680 Speaker 1: or whatever whatever. I linked with Scissor, and you know 538 00:29:34,800 --> 00:29:37,920 Speaker 1: we were just um, you know, playing music for each other, 539 00:29:38,120 --> 00:29:40,040 Speaker 1: just catching vibes and show like that we we we 540 00:29:40,120 --> 00:29:43,479 Speaker 1: got cool and like, um, you know when we were 541 00:29:43,600 --> 00:29:46,720 Speaker 1: working on a guddamn project, was like, man, we should 542 00:29:46,760 --> 00:29:49,320 Speaker 1: do an extended version of Caretaker, and like it was 543 00:29:49,400 --> 00:29:51,160 Speaker 1: like it should be kind of like a duet type 544 00:29:51,200 --> 00:29:54,720 Speaker 1: style whatever whatever. So I hit a Scissor, so you know, 545 00:29:55,200 --> 00:29:56,760 Speaker 1: you know, it's like we should be down with it. 546 00:29:56,800 --> 00:29:59,400 Speaker 1: And she was like it's like yeah, she was working 547 00:29:59,440 --> 00:30:04,120 Speaker 1: with it whatever. Um, you know, I was just like, 548 00:30:04,200 --> 00:30:05,720 Speaker 1: you know, could you sing it? You know, just the 549 00:30:05,840 --> 00:30:07,880 Speaker 1: same as that way she was like you know, I 550 00:30:08,600 --> 00:30:10,400 Speaker 1: you know, I do it, but like put my little 551 00:30:10,440 --> 00:30:12,920 Speaker 1: flare on it. So you know, it was like still 552 00:30:13,040 --> 00:30:15,600 Speaker 1: to the to the same, you know thing, but she 553 00:30:15,680 --> 00:30:18,240 Speaker 1: should put a little she put a little sauce on it. 554 00:30:20,040 --> 00:30:21,640 Speaker 1: You know. We have Punch of here a while back 555 00:30:21,680 --> 00:30:23,160 Speaker 1: and he was saying, you guys you had tied. You 556 00:30:23,200 --> 00:30:25,360 Speaker 1: talked about relationships, you had ties with him and TV 557 00:30:25,680 --> 00:30:28,479 Speaker 1: and talk about that, like how did you guys connect, bro, 558 00:30:28,760 --> 00:30:32,760 Speaker 1: Like I mean it was originally through through uh me 559 00:30:32,920 --> 00:30:36,920 Speaker 1: and says to me and but Nigel, um my guy, 560 00:30:37,040 --> 00:30:40,840 Speaker 1: Nigel and Punch they're they're real tight, you know what 561 00:30:40,840 --> 00:30:43,720 Speaker 1: I'm saying, Like, like you know, they always conversing and 562 00:30:43,840 --> 00:30:47,560 Speaker 1: stuff like that. So once we all linked together, everything 563 00:30:47,720 --> 00:30:50,400 Speaker 1: was already cool and ship you know, and punts cool 564 00:30:50,440 --> 00:30:52,480 Speaker 1: as hell, you know. I mean, Like what I'm saying 565 00:30:52,520 --> 00:30:55,280 Speaker 1: when when when you speak listening because he's not going 566 00:30:55,360 --> 00:30:58,120 Speaker 1: to ever say nothing that you're not needing it here 567 00:31:00,040 --> 00:31:03,040 Speaker 1: the record country Lama yet No, but it's it's it's 568 00:31:03,640 --> 00:31:06,880 Speaker 1: you know, it'll be it'll be one one happy day 569 00:31:07,680 --> 00:31:10,800 Speaker 1: and the big baby drawings like yeah, man, once that 570 00:31:10,960 --> 00:31:13,320 Speaker 1: does go down, what's the relationship with Jay? Like trying 571 00:31:13,360 --> 00:31:15,680 Speaker 1: to it seems like the guys. That's that's the that's 572 00:31:16,480 --> 00:31:19,920 Speaker 1: that's the big bro man, what's sell is heat? Man? 573 00:31:20,040 --> 00:31:22,640 Speaker 1: I don't even know I'd be I'd be asking like whatever, 574 00:31:22,720 --> 00:31:27,479 Speaker 1: I get to talk to him wat here? All right? 575 00:31:28,400 --> 00:31:32,320 Speaker 1: He still the guy though, Yeah we're worried. Like you said, 576 00:31:32,320 --> 00:31:34,040 Speaker 1: he's a breath of fresh air. Did y'all link up 577 00:31:34,040 --> 00:31:36,040 Speaker 1: in the studio working now? Yeah? You know we haven't 578 00:31:36,080 --> 00:31:38,680 Speaker 1: even seen each other in the flesh shot. But every 579 00:31:38,720 --> 00:31:42,680 Speaker 1: time he shows to the cho record in his shows 580 00:31:42,760 --> 00:31:46,640 Speaker 1: to your record, that's lit and then walk off, it's like, wow, okay, 581 00:31:48,400 --> 00:31:50,760 Speaker 1: And what about that guy Kanye West? Man, I know 582 00:31:50,880 --> 00:31:53,200 Speaker 1: you worked with him? Yeah, shout out, use you man, 583 00:31:53,480 --> 00:31:57,440 Speaker 1: God damn um Rick Rubin set that up. He was 584 00:31:57,520 --> 00:31:59,720 Speaker 1: just like, you know, hey man, you know you want 585 00:31:59,720 --> 00:32:03,240 Speaker 1: to come in the studio. Got Cayanne Like of course, 586 00:32:03,920 --> 00:32:08,080 Speaker 1: Kim Man, I like what you used about two times 587 00:32:08,120 --> 00:32:11,440 Speaker 1: in the stupid and ship real real real cool, Like 588 00:32:11,600 --> 00:32:16,040 Speaker 1: he's he's he's authentic to to his ship too, like bro, 589 00:32:16,240 --> 00:32:18,560 Speaker 1: like like you know why we're sitting around like he's 590 00:32:19,160 --> 00:32:21,680 Speaker 1: he's looking at like these you know, fashion like the 591 00:32:21,800 --> 00:32:26,280 Speaker 1: fashion ship whatever, talking with you know, like a little assisting, 592 00:32:26,400 --> 00:32:29,520 Speaker 1: you know, like shading some fashion, you know, some real 593 00:32:29,640 --> 00:32:32,560 Speaker 1: fashion as ship or whatever like and then the thing 594 00:32:33,040 --> 00:32:38,040 Speaker 1: with with him like he he like lists like he listened, 595 00:32:38,320 --> 00:32:40,200 Speaker 1: like you know, like if you if you come in 596 00:32:40,720 --> 00:32:45,400 Speaker 1: during ship, like he wants your inputy in the room. Yeah, 597 00:32:45,560 --> 00:32:49,360 Speaker 1: like and it's like I funk with I really do 598 00:32:49,560 --> 00:32:52,040 Speaker 1: funk with that ship. What I'm saying, not like like 599 00:32:52,200 --> 00:32:55,800 Speaker 1: going back thinking about thinking about that the moment, like 600 00:32:56,360 --> 00:32:59,800 Speaker 1: like for real, like you know, like just legit, just talking. 601 00:33:00,000 --> 00:33:02,200 Speaker 1: It's not like you talking to somebody. It's like on 602 00:33:02,320 --> 00:33:05,600 Speaker 1: some brick wallship or whatever. So sometimes it's for fresh 603 00:33:05,720 --> 00:33:09,640 Speaker 1: air that like to to be like damn, like this 604 00:33:09,760 --> 00:33:13,600 Speaker 1: nigga is cool because I was gonna say sometimes people 605 00:33:13,600 --> 00:33:15,880 Speaker 1: always be like wells and student so and so you 606 00:33:15,920 --> 00:33:17,360 Speaker 1: know it does the record come out as it coming 607 00:33:17,360 --> 00:33:18,760 Speaker 1: out and only the value is to that. But I 608 00:33:18,840 --> 00:33:21,160 Speaker 1: guess sometimes the value could just be in those experiences, 609 00:33:21,200 --> 00:33:23,760 Speaker 1: whether that record comes out or not or work what happens, 610 00:33:23,920 --> 00:33:26,120 Speaker 1: you know, I mean that that connection. You may draw 611 00:33:26,280 --> 00:33:28,600 Speaker 1: something from that moment and apply to something you make 612 00:33:28,680 --> 00:33:31,360 Speaker 1: down the world. Right facts fact, I never ever thought 613 00:33:31,360 --> 00:33:35,520 Speaker 1: about it like that. It's pretty good because because like 614 00:33:35,720 --> 00:33:38,320 Speaker 1: send the nature of artists to collaborate, but it doesn't 615 00:33:38,320 --> 00:33:39,640 Speaker 1: mean that you're gonna end up coming up with a 616 00:33:39,720 --> 00:33:42,120 Speaker 1: product that's good enough to merely go out to the world. 617 00:33:42,600 --> 00:33:45,120 Speaker 1: But it doesn't devalue what you're doing, you know. And 618 00:33:45,200 --> 00:33:48,040 Speaker 1: I think working with other professionals like and someone like him, 619 00:33:48,080 --> 00:33:50,640 Speaker 1: I think that obviously he's at he's at, like he said, 620 00:33:50,680 --> 00:33:53,160 Speaker 1: he's at a higher level, but you feel good at 621 00:33:53,200 --> 00:33:54,720 Speaker 1: the level you're at and you know you're growing, so 622 00:33:54,800 --> 00:33:57,640 Speaker 1: you could draw from that experience, right right, right? Hell yeah, 623 00:33:58,040 --> 00:34:00,160 Speaker 1: what about that Boot Collins guy? I know that son 624 00:34:00,200 --> 00:34:03,600 Speaker 1: your wish list? Yeah, definitely on my wish lists. You know, Man, 625 00:34:03,680 --> 00:34:06,680 Speaker 1: I I met you know what I'm saying, actually got 626 00:34:06,760 --> 00:34:09,439 Speaker 1: to work with the George Clinton. You know what I'm saying, 627 00:34:09,560 --> 00:34:18,239 Speaker 1: Like that that's coming out huh man? Like yo, like yo, 628 00:34:18,960 --> 00:34:21,080 Speaker 1: shout out to my team. Yo. Like I just be 629 00:34:21,239 --> 00:34:23,640 Speaker 1: like I'd be I'd be saying ship that I'd be 630 00:34:23,680 --> 00:34:25,759 Speaker 1: wanting to go down and like just be thinking. I'm 631 00:34:25,800 --> 00:34:28,880 Speaker 1: just like, you know, ambitiously wanting, you know, like man, 632 00:34:28,880 --> 00:34:30,279 Speaker 1: I want to do this, you know what I mean? Like, 633 00:34:30,719 --> 00:34:33,160 Speaker 1: and then it's like really soaking in, you know, ten 634 00:34:33,280 --> 00:34:36,800 Speaker 1: days later, like oh, Hey, were you serious about this ship? Like, 635 00:34:36,880 --> 00:34:39,200 Speaker 1: what's you mean? Oh? Yeah, because uh, you know we 636 00:34:39,320 --> 00:34:41,840 Speaker 1: we we got ahold of his people's It's like, damn, 637 00:34:43,280 --> 00:34:46,040 Speaker 1: I was in Tallahassee for two days working with George Clinton. 638 00:34:47,120 --> 00:34:49,200 Speaker 1: Facts that's at his crib or something like that. He 639 00:34:49,280 --> 00:34:54,640 Speaker 1: had a studio compound, studio compound, the mothership. That's what 640 00:34:54,719 --> 00:34:58,160 Speaker 1: I'm going to say that that ship, Yo, that ship 641 00:34:58,320 --> 00:35:01,560 Speaker 1: was a time within itself too, right, It's just it's 642 00:35:01,600 --> 00:35:04,400 Speaker 1: just And then the fact that all these legends are 643 00:35:04,480 --> 00:35:08,120 Speaker 1: just embracing me. You know, I can't do nothing but 644 00:35:08,320 --> 00:35:12,120 Speaker 1: be thankful because I legit like grew up like like 645 00:35:12,520 --> 00:35:16,239 Speaker 1: studying this ship, like listening like vibing, you know what 646 00:35:16,239 --> 00:35:20,800 Speaker 1: I mean, like like you know, like picking apart vibe, 647 00:35:20,880 --> 00:35:24,040 Speaker 1: you know, riding down the road, listening to like different 648 00:35:24,280 --> 00:35:27,279 Speaker 1: types of listening to the same types of records. I 649 00:35:27,280 --> 00:35:29,839 Speaker 1: remember you're saying like this. Nowadays, with streaming, it's easier 650 00:35:29,880 --> 00:35:32,000 Speaker 1: because you could just gold you people's discography. It's it's 651 00:35:32,040 --> 00:35:34,040 Speaker 1: one click away. But you were saying, I think I 652 00:35:34,120 --> 00:35:35,600 Speaker 1: saw one end of you were saying that you went 653 00:35:35,640 --> 00:35:39,839 Speaker 1: through people's discography, like Teddy Pendergrass, Curtis Mayfield and morm 654 00:35:39,880 --> 00:35:42,360 Speaker 1: and getting find your favorites, like talk about what the 655 00:35:42,400 --> 00:35:45,320 Speaker 1: influenced those guys were and like, man, like what what 656 00:35:45,560 --> 00:35:49,759 Speaker 1: maybe your particular favorites from them that you do inspiration from? Okay? Um, 657 00:35:50,960 --> 00:35:55,319 Speaker 1: Teddy Pendergrass is uh the latest and greatest inspiration. Yeah, 658 00:35:55,920 --> 00:36:01,239 Speaker 1: my latest and my greatest Yeah yeah, give me like 659 00:36:01,520 --> 00:36:07,560 Speaker 1: more than just love t KOs my favorite, Uh Marvin 660 00:36:07,640 --> 00:36:11,360 Speaker 1: Gay song is a Distant Lover And the version that 661 00:36:11,480 --> 00:36:15,880 Speaker 1: he did live is my favorite at them. I don't know, 662 00:36:16,120 --> 00:36:19,680 Speaker 1: it's just it's just like the official live version, like 663 00:36:20,320 --> 00:36:23,040 Speaker 1: you can't hear like feedback in the in the mic, 664 00:36:23,160 --> 00:36:26,279 Speaker 1: like during like the first fifteen seconds, like, but the 665 00:36:26,400 --> 00:36:30,120 Speaker 1: crowd was just man, let me killed that ship. Um, 666 00:36:30,680 --> 00:36:40,040 Speaker 1: Curtis Mayfield, Curtis Mayfield, damn okay, give me your love, yeah, 667 00:36:40,560 --> 00:36:48,600 Speaker 1: give me your love? Save yeah, like all right, all right, um, well, 668 00:36:48,760 --> 00:36:54,320 Speaker 1: like Isaac Hayes, come on, that's everyone loves. By the 669 00:36:54,440 --> 00:37:00,120 Speaker 1: time I get the Phoenix's one, right, Okay. So so 670 00:37:00,280 --> 00:37:03,319 Speaker 1: he's talking for like five minutes, right, and then it's 671 00:37:03,400 --> 00:37:07,239 Speaker 1: something when the organ does the cord goes down, it's 672 00:37:07,280 --> 00:37:10,120 Speaker 1: just like ship and then he goes right into the song. 673 00:37:10,360 --> 00:37:13,840 Speaker 1: By the time, like like, oh my god, like it. 674 00:37:14,120 --> 00:37:20,239 Speaker 1: It's so sad his woman was cheating. Student of the 675 00:37:20,320 --> 00:37:23,120 Speaker 1: game man like that? What's that feeling like? And how 676 00:37:23,160 --> 00:37:24,320 Speaker 1: do you like? People are like, well, how do I 677 00:37:24,400 --> 00:37:25,719 Speaker 1: make it here? How do I make a record? It's 678 00:37:25,719 --> 00:37:31,359 Speaker 1: gonna make just just go off for what's in your gut? 679 00:37:31,680 --> 00:37:33,640 Speaker 1: What's in your heart? Let the beat talk to you, 680 00:37:34,360 --> 00:37:36,920 Speaker 1: you talk back to it, and then y'all create your 681 00:37:37,000 --> 00:37:40,480 Speaker 1: own language, simple as that. How do you stay inspired? Though? 682 00:37:40,480 --> 00:37:42,960 Speaker 1: How do you say? Like life life? You know? Like 683 00:37:43,160 --> 00:37:47,480 Speaker 1: everything like life? Know what I'm saying, Like it can 684 00:37:47,520 --> 00:37:49,640 Speaker 1: be the random as ship like you know, like I 685 00:37:49,719 --> 00:37:52,560 Speaker 1: can hear a slogan, I can're a phrase. I can 686 00:37:52,680 --> 00:37:57,280 Speaker 1: hear the way something brushed up against a metal object 687 00:37:57,320 --> 00:37:58,759 Speaker 1: that made a noise, you know what I mean? Like, 688 00:38:00,200 --> 00:38:03,520 Speaker 1: I don't know. Ever since I can remember, I was 689 00:38:03,560 --> 00:38:07,960 Speaker 1: just always hearing melodies and always wanting to fun with ship. 690 00:38:08,160 --> 00:38:09,839 Speaker 1: Do you still like some of your old material? Because 691 00:38:09,880 --> 00:38:11,399 Speaker 1: I was looking back and like the sex of wholic 692 00:38:11,440 --> 00:38:19,000 Speaker 1: anthem that was like took it back to fucking what 693 00:38:19,200 --> 00:38:22,719 Speaker 1: oh naw I was? It still sounds good though, it 694 00:38:22,800 --> 00:38:26,279 Speaker 1: still like it could work today. Yo. I never even 695 00:38:26,400 --> 00:38:29,680 Speaker 1: thought about that ship good, put it back out, man, 696 00:38:30,480 --> 00:38:32,360 Speaker 1: I might, I might re record that whole make it 697 00:38:32,440 --> 00:38:35,880 Speaker 1: sound good at it, but even like better. But the 698 00:38:35,960 --> 00:38:37,759 Speaker 1: money wrecking you had, I mean obvious because it was 699 00:38:37,760 --> 00:38:41,080 Speaker 1: on Donnie Trumpet album like no no, no packaged it 700 00:38:41,320 --> 00:38:45,000 Speaker 1: no no, yeah, we redid it form the god damn 701 00:38:45,080 --> 00:38:51,160 Speaker 1: ep but um, all of those records from One Epic 702 00:38:51,239 --> 00:38:54,240 Speaker 1: Summer that made its way, you know, into other projects 703 00:38:54,320 --> 00:39:00,160 Speaker 1: one pig, you know, one epic fucking goddamn like, they 704 00:39:00,160 --> 00:39:02,840 Speaker 1: were all recorded on that same hundred dollar mic that 705 00:39:02,880 --> 00:39:07,040 Speaker 1: I recorded cho So it has a grittiness to it 706 00:39:07,239 --> 00:39:12,080 Speaker 1: that that no no machine can clean up. Because also 707 00:39:12,200 --> 00:39:14,680 Speaker 1: the computer that was attached to that hundred dollar mike 708 00:39:15,120 --> 00:39:18,959 Speaker 1: has so much dust and fucking spyware and malware bear 709 00:39:19,320 --> 00:39:24,040 Speaker 1: and had this fan noise like all throughout my whole 710 00:39:24,200 --> 00:39:27,399 Speaker 1: vocal through the whole one Epics summer. We was broke 711 00:39:27,480 --> 00:39:30,560 Speaker 1: his head like like like me and Gabe sitting there 712 00:39:30,880 --> 00:39:34,320 Speaker 1: with the splitter and some iPhone headphones. He mixed the 713 00:39:34,400 --> 00:39:38,960 Speaker 1: project on some iPhone headphones. Facts. But if it's if 714 00:39:39,000 --> 00:39:42,719 Speaker 1: it's there, so that's gonna pull through. Talk about the 715 00:39:42,760 --> 00:39:44,759 Speaker 1: Donny trump because that that that leads the connection to 716 00:39:44,880 --> 00:39:46,879 Speaker 1: chance and and obviously got you got a big look 717 00:39:46,920 --> 00:39:49,160 Speaker 1: on that Coloring Book album obviously right now. Oh yeah, 718 00:39:49,400 --> 00:39:55,759 Speaker 1: so you know, um, you know chanting him, you know, 719 00:39:56,200 --> 00:39:59,040 Speaker 1: the whole safe Money squad, like they've been fucking with 720 00:39:59,160 --> 00:40:03,320 Speaker 1: me since like the end of you know, um around 721 00:40:03,360 --> 00:40:06,759 Speaker 1: the time where um, you know, Rick was asking them 722 00:40:06,960 --> 00:40:09,000 Speaker 1: you know what they was listening to and stuff like that. 723 00:40:10,160 --> 00:40:13,360 Speaker 1: So uh, you know, we just always built up you know, 724 00:40:13,840 --> 00:40:17,799 Speaker 1: certain things like Nate Fox, one of the producers and um, 725 00:40:18,080 --> 00:40:21,480 Speaker 1: you know, members of the Social Experiment, Like he was 726 00:40:21,560 --> 00:40:24,000 Speaker 1: sending me beats and stuff like that, like what you 727 00:40:24,080 --> 00:40:25,400 Speaker 1: got to this? What you got to that? And I 728 00:40:25,400 --> 00:40:28,319 Speaker 1: would literally send him shipped back the same day because 729 00:40:28,360 --> 00:40:30,200 Speaker 1: at that point I was still at the crib just 730 00:40:30,320 --> 00:40:33,640 Speaker 1: watching the Internet go up, you know, so I still 731 00:40:33,760 --> 00:40:36,160 Speaker 1: had you know, all of this time and just do whatever. 732 00:40:36,360 --> 00:40:39,080 Speaker 1: And I would try to capitalize, capitalized, capitalize. That's how 733 00:40:39,160 --> 00:40:41,360 Speaker 1: Caretaker came about, he said, you know, and he just 734 00:40:41,440 --> 00:40:45,640 Speaker 1: sent me that beat, um, you know, and it would 735 00:40:45,640 --> 00:40:49,320 Speaker 1: just go on like that. So uh, you know, getting 736 00:40:49,960 --> 00:40:53,600 Speaker 1: getting Donnie Trumpet to you know, play the horns over that. 737 00:40:53,840 --> 00:40:56,759 Speaker 1: You know, it was nothing. We was already established as 738 00:40:57,000 --> 00:41:00,840 Speaker 1: you know poison by that time. But how did the 739 00:41:00,920 --> 00:41:05,680 Speaker 1: Drawing Field Special record come together? Yeah, so I had 740 00:41:05,719 --> 00:41:10,279 Speaker 1: a set when when I was in Shangrila, um like 741 00:41:10,560 --> 00:41:14,040 Speaker 1: with February of this year, I had mad people just 742 00:41:14,239 --> 00:41:18,040 Speaker 1: come in, you know, also had Donnie, Donnie Trump and 743 00:41:18,120 --> 00:41:21,279 Speaker 1: and Nate come through or whatever. Um El Verna was 744 00:41:21,360 --> 00:41:26,239 Speaker 1: there and Donnie was telling me that um he was 745 00:41:26,520 --> 00:41:29,680 Speaker 1: interested in, you know, working on children's music. And I said, 746 00:41:29,719 --> 00:41:32,600 Speaker 1: it's funny because I always wanted to make kids music, 747 00:41:32,880 --> 00:41:34,920 Speaker 1: you know what I'm saying, Like, you know, just like 748 00:41:35,120 --> 00:41:39,280 Speaker 1: some ship that anybody any age can get and receive 749 00:41:39,400 --> 00:41:42,759 Speaker 1: it and it's not cheesy, it's just right. And I said, 750 00:41:42,840 --> 00:41:44,759 Speaker 1: play me, play me you know some ship that you've 751 00:41:44,800 --> 00:41:49,320 Speaker 1: got and he legit played that beat like and like 752 00:41:49,640 --> 00:41:55,040 Speaker 1: soon I was like watch this you uh like and 753 00:41:55,280 --> 00:41:58,920 Speaker 1: like everybody was like yeah, man, l she looked up 754 00:41:59,000 --> 00:42:01,640 Speaker 1: like that. We got got the singing together and ship 755 00:42:01,760 --> 00:42:04,040 Speaker 1: like shout out squirrel. He just came out of nowhere 756 00:42:04,360 --> 00:42:06,960 Speaker 1: with a handheld mike and ship. You know. Everything in 757 00:42:07,040 --> 00:42:12,280 Speaker 1: schangulized recorded by the way, like you yeah, like it's 758 00:42:12,320 --> 00:42:14,160 Speaker 1: a way to figure something out, you know, I mean, 759 00:42:14,400 --> 00:42:18,680 Speaker 1: go and find out that idea, Like no, nothing goes undone. 760 00:42:18,840 --> 00:42:21,560 Speaker 1: So we come out with with this, you know, this 761 00:42:21,800 --> 00:42:25,400 Speaker 1: idea you know special whatever whatever it chance, here's it, 762 00:42:25,560 --> 00:42:29,920 Speaker 1: you know of course because you know Nate and Donnie. 763 00:42:30,160 --> 00:42:32,520 Speaker 1: I mean, like they're all in this stuff. You know, 764 00:42:32,640 --> 00:42:35,520 Speaker 1: everybody's gonna play each other music and stuff. And he 765 00:42:35,640 --> 00:42:38,000 Speaker 1: heard that record and he was, you know, he called 766 00:42:38,040 --> 00:42:40,759 Speaker 1: me mad times like yo, like let me put this 767 00:42:40,800 --> 00:42:44,080 Speaker 1: ship on my project. You know what I'm saying, like away, 768 00:42:44,280 --> 00:42:49,240 Speaker 1: get no. But I mean he's something like he played 769 00:42:49,280 --> 00:42:52,239 Speaker 1: a song. You know, you know it's his his baby girl. 770 00:42:52,360 --> 00:42:54,800 Speaker 1: He was like makes makes her smile and ship whatever 771 00:42:55,040 --> 00:42:58,920 Speaker 1: like and you know, just over just you know, consulting 772 00:42:58,960 --> 00:43:01,360 Speaker 1: and just thinking about it. You know, we're just like 773 00:43:01,520 --> 00:43:03,840 Speaker 1: you know, fucking I mean literally says like this, like 774 00:43:04,080 --> 00:43:06,560 Speaker 1: Kalid has nas album that says drum since special, So 775 00:43:07,320 --> 00:43:10,600 Speaker 1: he presents you in a big way with that. I mean, 776 00:43:11,200 --> 00:43:18,280 Speaker 1: channel bro. I mean the whole saved money is family pison. 777 00:43:18,560 --> 00:43:22,799 Speaker 1: It seems like a gift for melody. It's like it's undeniable. 778 00:43:23,120 --> 00:43:26,640 Speaker 1: Has it come from the church? Yeah yeah, hell yeah, 779 00:43:27,000 --> 00:43:37,040 Speaker 1: you know well hell yeah, I mean literally, like I said, 780 00:43:37,080 --> 00:43:39,960 Speaker 1: ever since I can remember and like all of the 781 00:43:40,120 --> 00:43:42,520 Speaker 1: things that I like to take in musically, Like all 782 00:43:42,600 --> 00:43:45,880 Speaker 1: of my favorite things are very big on melody. The 783 00:43:46,000 --> 00:43:49,480 Speaker 1: sound of music is like, hands down has some of 784 00:43:49,560 --> 00:43:54,080 Speaker 1: the greatest music ever put up. I'm not even gonna 785 00:43:54,120 --> 00:43:59,120 Speaker 1: get into all that. Oh yeah, I just love musicals, well, 786 00:43:59,239 --> 00:44:03,080 Speaker 1: Julie Andrews music, music and like like I used to 787 00:44:03,120 --> 00:44:04,880 Speaker 1: watching with my aunt Judy, you know what I'm saying 788 00:44:05,239 --> 00:44:08,200 Speaker 1: at my grandma house and ship show boat Man like 789 00:44:10,880 --> 00:44:15,880 Speaker 1: musical game now like so just coming up listening to 790 00:44:15,920 --> 00:44:18,920 Speaker 1: that ship like you know, certain things just always rang 791 00:44:19,000 --> 00:44:22,760 Speaker 1: off of my ear, and you know it's it's so crazy, 792 00:44:22,800 --> 00:44:25,239 Speaker 1: like because the Keith Murray record the most beautiful list 793 00:44:25,280 --> 00:44:29,200 Speaker 1: thing in the world. Uh, tupac, I get around. I'm saying, Um, 794 00:44:31,080 --> 00:44:33,400 Speaker 1: Biggie small as you what I'm saying, big Papa. You 795 00:44:33,400 --> 00:44:37,920 Speaker 1: know what I'm saying. All are wrapped around the Osley 796 00:44:38,040 --> 00:44:42,400 Speaker 1: Brothers in between the sheets. And it's that that that 797 00:44:42,800 --> 00:44:46,200 Speaker 1: melody that you know, I mean that the chord progression 798 00:44:46,320 --> 00:44:51,040 Speaker 1: like that's unmatched. You feel me like and and that 799 00:44:51,320 --> 00:44:55,560 Speaker 1: song spawned some of my favorite songs. You know that 800 00:44:55,719 --> 00:44:57,840 Speaker 1: that song is one of my favorite songs spawned some 801 00:44:57,960 --> 00:45:01,760 Speaker 1: of my other favorite songs, you know, And as a child, 802 00:45:02,440 --> 00:45:05,080 Speaker 1: I didn't like take that into now. It's just always 803 00:45:05,280 --> 00:45:07,960 Speaker 1: was just like you know it. Well, Yeah, when you 804 00:45:08,040 --> 00:45:09,400 Speaker 1: had the line about when I was five or six 805 00:45:09,480 --> 00:45:11,840 Speaker 1: years old, I told myself, Okay, you're special, Like what 806 00:45:11,960 --> 00:45:15,480 Speaker 1: we what I knew? I couldn't sing and ship, you know, 807 00:45:15,680 --> 00:45:18,560 Speaker 1: like I was singing and ship people grabbed the napkins. 808 00:45:20,360 --> 00:45:24,200 Speaker 1: I can't really do this ship. Huh was the video 809 00:45:24,239 --> 00:45:25,800 Speaker 1: when he had to think of singing that he getting 810 00:45:25,840 --> 00:45:32,360 Speaker 1: my go and he starts clapping for himself three year like, 811 00:45:32,480 --> 00:45:34,399 Speaker 1: I like this. So was it like in the church 812 00:45:34,520 --> 00:45:38,839 Speaker 1: quiet when you were leaving that effect on people? Yeah? Um, 813 00:45:39,360 --> 00:45:40,719 Speaker 1: what was some of the first things you're saying that 814 00:45:40,800 --> 00:45:43,520 Speaker 1: you felt like like it was really reaching the people? 815 00:45:43,560 --> 00:45:48,640 Speaker 1: Remember some things you're saying, was it y'all? Um? No, 816 00:45:49,560 --> 00:45:52,000 Speaker 1: not even gonna say a lot of you Like it's 817 00:45:52,040 --> 00:45:55,719 Speaker 1: so funny because certain things I remember, like like yesterday, 818 00:45:56,120 --> 00:45:59,480 Speaker 1: some things that you know, I just remember. Yeah, I 819 00:45:59,600 --> 00:46:04,320 Speaker 1: remember the feeling, you know, the first first performance you 820 00:46:04,400 --> 00:46:06,439 Speaker 1: ever did that you that you've connected to the people. 821 00:46:07,000 --> 00:46:12,719 Speaker 1: My Family Union, the Apolo knighte for Family Union. You know, 822 00:46:13,560 --> 00:46:15,560 Speaker 1: I was seven it was. It was that one. It 823 00:46:15,719 --> 00:46:19,759 Speaker 1: was the same where um I had the yellow T 824 00:46:19,920 --> 00:46:22,719 Speaker 1: shirt on. I was had to snaggerlass teeth and ship 825 00:46:22,880 --> 00:46:26,759 Speaker 1: whatever like I sang. Um. The reason why I sang 826 00:46:26,840 --> 00:46:31,439 Speaker 1: by Kirk Franklin or whatever. My cousin Monica was doing 827 00:46:31,520 --> 00:46:38,759 Speaker 1: the Kirk Franklin talking part and I was glory. That's 828 00:46:38,760 --> 00:46:46,040 Speaker 1: how Yeah. Everybody was like oh, and I was like yeah. 829 00:46:46,520 --> 00:46:49,240 Speaker 1: But bet the student of the game, like the Box 830 00:46:49,360 --> 00:46:53,600 Speaker 1: was also intremendual. My god, are we gonna talk about 831 00:46:53,640 --> 00:46:57,160 Speaker 1: the box man? Talk about the Box? You remember the Box? Elliott? Yeah, 832 00:46:57,160 --> 00:47:01,080 Speaker 1: I ran up my phone so bad, my grandma, my 833 00:47:01,160 --> 00:47:04,640 Speaker 1: grandma let me goddamn. But the first record, how about 834 00:47:04,680 --> 00:47:07,520 Speaker 1: this when I first caught onto the box? I caught 835 00:47:07,560 --> 00:47:10,600 Speaker 1: onto the box. And then the first record that that 836 00:47:11,200 --> 00:47:14,319 Speaker 1: I see the video too is jay Z Hard Knock Life. 837 00:47:15,080 --> 00:47:18,759 Speaker 1: How about I knew any Hard Knock Life musical game, 838 00:47:19,160 --> 00:47:21,920 Speaker 1: but I didn't know jay Z. I went to school 839 00:47:21,960 --> 00:47:24,880 Speaker 1: the next day, y'all know who jay Z is. Everybody 840 00:47:24,920 --> 00:47:29,600 Speaker 1: looked like they just want to throw paper as that 841 00:47:29,719 --> 00:47:35,400 Speaker 1: promoters want to throw No, but the boxes you were 842 00:47:35,480 --> 00:47:37,680 Speaker 1: calling the audio videos people that don't know and stuff 843 00:47:37,719 --> 00:47:42,799 Speaker 1: like that. So the box. Yeah, like so Grandma won't 844 00:47:42,840 --> 00:47:45,920 Speaker 1: play that ship Grandma and Grants definitely won't playing this 845 00:47:46,000 --> 00:47:48,160 Speaker 1: ship the boxes. So, like I thought about it recently, 846 00:47:48,200 --> 00:47:49,960 Speaker 1: I was like, Yo, the idea of that when we 847 00:47:50,040 --> 00:47:51,919 Speaker 1: have YouTube, we can just put up your favorite video 848 00:47:52,000 --> 00:47:54,520 Speaker 1: you have to wait back then yeah, yeah, and then 849 00:47:54,719 --> 00:47:59,560 Speaker 1: and then you're watching the people dial up ship five three. 850 00:48:00,840 --> 00:48:03,200 Speaker 1: I don't want tobody want to hear that goddamn ship. 851 00:48:03,960 --> 00:48:07,280 Speaker 1: I want five three to a lot of beatload videos 852 00:48:07,360 --> 00:48:09,600 Speaker 1: and ship you know what? You know what the one 853 00:48:09,680 --> 00:48:12,919 Speaker 1: that I did fun with them? Don't need to walk 854 00:48:13,000 --> 00:48:17,120 Speaker 1: around an circles, walk around an cercles, walk around in circles, 855 00:48:17,200 --> 00:48:21,640 Speaker 1: walk around and don't to walk around And he was 856 00:48:21,719 --> 00:48:28,799 Speaker 1: walking around in circles. He was who the fund was that? Dude? Man, 857 00:48:29,080 --> 00:48:31,719 Speaker 1: I'm about it, legit listen to that as we get 858 00:48:33,800 --> 00:48:37,200 Speaker 1: The box definitely helped curate our childhoods man, that's for sure. 859 00:48:37,320 --> 00:48:40,000 Speaker 1: Facts and now you dominate with streaming, man, why do 860 00:48:40,040 --> 00:48:41,560 Speaker 1: you think why do you streaming? Like go back to 861 00:48:41,600 --> 00:48:43,799 Speaker 1: the streaming white the streaming numbers that just so over 862 00:48:43,880 --> 00:48:48,080 Speaker 1: the charts, bro, Like okay, the combination of like you know, 863 00:48:48,920 --> 00:48:55,280 Speaker 1: the chat guy and then little Yadi, like like Yadi 864 00:48:55,640 --> 00:48:59,360 Speaker 1: is the king of the teams and all of the 865 00:49:00,040 --> 00:49:03,840 Speaker 1: just underneath that you know, man as well as you 866 00:49:03,920 --> 00:49:07,440 Speaker 1: know he's just it's his fan basis colossal and like 867 00:49:08,719 --> 00:49:12,800 Speaker 1: he's he's he's he this ship, you know what I mean. Like, 868 00:49:17,680 --> 00:49:20,480 Speaker 1: well know, people get mad because he does make controversial 869 00:49:20,520 --> 00:49:24,000 Speaker 1: statements about the older He wants to pick up his generation, 870 00:49:24,080 --> 00:49:26,680 Speaker 1: and sometimes he says things that defends the other generations, 871 00:49:26,719 --> 00:49:28,720 Speaker 1: like what do you do you think he's just stirring 872 00:49:28,760 --> 00:49:30,640 Speaker 1: that up or you think that like, like what's he 873 00:49:30,800 --> 00:49:33,520 Speaker 1: like as a person. If people may get taking statements 874 00:49:33,600 --> 00:49:36,040 Speaker 1: and try to build up their whole viewpoint, my thing 875 00:49:36,280 --> 00:49:40,600 Speaker 1: is like funk anything. Man, you gotta listen to people's 876 00:49:40,640 --> 00:49:43,879 Speaker 1: full catalog or a good chunk of it to get 877 00:49:43,920 --> 00:49:49,560 Speaker 1: a real or real perspective or real opinion instead of 878 00:49:49,680 --> 00:49:51,800 Speaker 1: just you know, like who's going about it? You know, 879 00:49:52,280 --> 00:49:55,320 Speaker 1: you know media this and that, you know whatever, whatever, 880 00:49:55,800 --> 00:49:59,440 Speaker 1: Because sometimes people say and do some of the worst 881 00:49:59,520 --> 00:50:03,480 Speaker 1: things imaginable, but you still love their music, you know 882 00:50:03,520 --> 00:50:06,480 Speaker 1: what I mean. But that's funny. Also back to Yaddi, 883 00:50:06,560 --> 00:50:09,279 Speaker 1: though I remember the song, there was a line about Columbine, right, 884 00:50:09,320 --> 00:50:12,239 Speaker 1: and then you guys took it out and put it 885 00:50:12,320 --> 00:50:18,520 Speaker 1: back in. Yo. The fans were enraged. They said, yo, yo, 886 00:50:18,880 --> 00:50:21,160 Speaker 1: this line, you know, like what the and everybody was 887 00:50:21,200 --> 00:50:23,160 Speaker 1: coming to funk at me, like coming at me like 888 00:50:25,040 --> 00:50:27,640 Speaker 1: we're gonna turn this ship to consent. Like everybody added 889 00:50:27,719 --> 00:50:34,200 Speaker 1: me though, like why you at me? Because my song? Right? No, 890 00:50:34,360 --> 00:50:37,200 Speaker 1: but that's what I wear that ship. It is my song. 891 00:50:37,480 --> 00:50:40,160 Speaker 1: But that's a unique situation to sensor yourself and then 892 00:50:40,200 --> 00:50:43,319 Speaker 1: go back and make put it back. You know, how 893 00:50:43,360 --> 00:50:46,320 Speaker 1: did that come about? You? And people? Yeah, like okay, 894 00:50:46,440 --> 00:50:49,680 Speaker 1: so tune down, coach got they're talking. You know, it's like, man, 895 00:50:50,360 --> 00:50:52,520 Speaker 1: you know what about this line? It was both like man, 896 00:50:52,600 --> 00:50:55,680 Speaker 1: we were both thinking about it. So hit up Gazi 897 00:50:56,320 --> 00:50:59,879 Speaker 1: over the Empire and made it happen within three days. 898 00:51:00,280 --> 00:51:02,919 Speaker 1: At where Columbine was right back in the business, they said, 899 00:51:03,000 --> 00:51:06,520 Speaker 1: what the fuck? Like, Yo, put a video on. What 900 00:51:06,719 --> 00:51:11,239 Speaker 1: the fuck is it? Did you have? Apprehensive? Like apprangers 901 00:51:11,239 --> 00:51:14,080 Speaker 1: are putting it out just like na, I mean, Nick's 902 00:51:14,120 --> 00:51:16,680 Speaker 1: out here yelling Tyler band. You know what I mean? 903 00:51:16,800 --> 00:51:21,440 Speaker 1: Like right, yeah, it's all right, and you're about expressions. 904 00:51:21,520 --> 00:51:25,879 Speaker 1: You funk out of here, out of here, cut it out. 905 00:51:26,680 --> 00:51:28,960 Speaker 1: Jeffrey Dahmer lines. You know what I mean, like out it. 906 00:51:29,200 --> 00:51:31,680 Speaker 1: So we're getting hit records, we're getting EPs. Man, what's 907 00:51:31,719 --> 00:51:33,839 Speaker 1: I know? You're probably cooking up some type of LP 908 00:51:34,120 --> 00:51:37,799 Speaker 1: bastardpiece that no one knows about, Like what's what's what's 909 00:51:37,840 --> 00:51:42,520 Speaker 1: the future dates on the drums that look like give 910 00:51:42,600 --> 00:51:46,280 Speaker 1: us a little preview, whatever you can tell us, expect, 911 00:51:46,440 --> 00:51:50,239 Speaker 1: expect expected the full length. You know what I'm saying, 912 00:51:50,320 --> 00:51:53,279 Speaker 1: before the end of this year. Okay, cool and uh. 913 00:51:53,680 --> 00:51:56,279 Speaker 1: In the meantime, funk with me. Man, if you see 914 00:51:56,320 --> 00:51:59,680 Speaker 1: that mer town, you know, come on down. We're gonna 915 00:51:59,680 --> 00:52:02,600 Speaker 1: have a good time. We're gonna spread love. Do you 916 00:52:02,640 --> 00:52:06,000 Speaker 1: still want the Grammy? Fucking I'm gonna come through in 917 00:52:06,040 --> 00:52:09,640 Speaker 1: the Grammy with a plain white tea, plain white tea, 918 00:52:09,719 --> 00:52:12,279 Speaker 1: and some fucking slippers. Like I said on the on 919 00:52:12,400 --> 00:52:14,880 Speaker 1: My Cutch of Though track on one Epic Summer, all 920 00:52:14,960 --> 00:52:17,799 Speaker 1: my real fans, Ay're gonna be like, yeah, we get it. Yeah. 921 00:52:18,120 --> 00:52:21,560 Speaker 1: But when you feel like plaques and trophies validate for yes, 922 00:52:22,520 --> 00:52:27,200 Speaker 1: like that, they don't. They don't. You know, they don't 923 00:52:27,239 --> 00:52:31,239 Speaker 1: define who you are. But validation and definition is two 924 00:52:31,280 --> 00:52:36,920 Speaker 1: completely different terms. They're kind of the same family, but like, nah, no, 925 00:52:37,320 --> 00:52:40,200 Speaker 1: you need them ships. I'm a student to the game, 926 00:52:40,360 --> 00:52:43,480 Speaker 1: like I want them ships that I saw. Motherfucker's get over. 927 00:52:44,000 --> 00:52:47,520 Speaker 1: Don't take my joy away. Don't say, oh, streaming is 928 00:52:47,600 --> 00:52:51,479 Speaker 1: the real Well, then y'all get the goddamn plaques, y'all, 929 00:52:52,280 --> 00:52:58,160 Speaker 1: y'all get it with streaming, y'all do it, motherfucker. You 930 00:52:58,280 --> 00:53:03,520 Speaker 1: know ship were going to that. Don't think you drown? 931 00:53:03,600 --> 00:53:06,160 Speaker 1: Guy that make you? Brother? How do you say this 932 00:53:06,280 --> 00:53:08,320 Speaker 1: is the spirit man? How you say so positive and 933 00:53:08,440 --> 00:53:11,800 Speaker 1: funny and enthusiastic. I think I handed from all the 934 00:53:12,520 --> 00:53:19,600 Speaker 1: cool drunk uncles at everybody's family unions and cookouts and everything. No, no, no, boys, now, 935 00:53:19,760 --> 00:53:22,520 Speaker 1: Like I mean, I just I don't want to be 936 00:53:22,680 --> 00:53:26,439 Speaker 1: that guy that's unlikable, you know, like I always liked 937 00:53:26,480 --> 00:53:29,319 Speaker 1: the guy that everybody like, you know what I mean, 938 00:53:29,400 --> 00:53:31,920 Speaker 1: like that asshole in the corner. Yeah, like, yo, stop 939 00:53:32,000 --> 00:53:38,000 Speaker 1: with that extra that you I mean asshole, like an 940 00:53:41,480 --> 00:53:44,760 Speaker 1: I love you, bro. I'm breaking up drums hotel hotel today. 941 00:53:45,480 --> 00:53:47,680 Speaker 1: It's a wrap now mess. So we'll look forward to 942 00:53:47,760 --> 00:53:55,719 Speaker 1: that man, man, fucking legend Wilson. It's a fucking pleasure's time, 943 00:53:58,160 --> 00:54:02,680 Speaker 1: ya hate the eliot. God damn, I'm a Nazi, hate 944 00:54:02,719 --> 00:54:07,400 Speaker 1: hate rap right off podcast, talk to him all up right. 945 00:54:07,440 --> 00:54:08,359 Speaker 1: Oh my god. Yea