WEBVTT - ReWives ReRant: Public Privacy

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<v Speaker 1>The real Blouzewives. So between a Hulu Nightline special, Rolling Stone,

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<v Speaker 1>and The Collider, there's an onslaught of articles that are

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<v Speaker 1>crystallizing and combining the stories of alcohol abuse being highlighted

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<v Speaker 1>on television and downfalls on real Housewives. And if you

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<v Speaker 1>think about it, I think it's been reported that there

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<v Speaker 1>are like one hundred and fifty to one hundred and

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<v Speaker 1>seventy five housewives, so I personally think at least ten

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<v Speaker 1>that have had a brush with the law, a dui,

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<v Speaker 1>been arrested, blacked out, something that really was drastic. So

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<v Speaker 1>allegedly at at least five to ten percent of housewives

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<v Speaker 1>have relapsed or had some stressful experience culminating in the

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<v Speaker 1>abuse of alcohol. Do we honestly believe that these ten

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<v Speaker 1>to twenty women would have had this same heightened peak

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<v Speaker 1>and crash with a not on reality television. I can

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<v Speaker 1>personally tell you that I know of at least ten

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<v Speaker 1>housewives that have taken anti depressants, anti anxiety something to

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<v Speaker 1>take the edge off as a result of being on

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<v Speaker 1>the show, because the pressure is so great, the pressure

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<v Speaker 1>to look like you have money, the pressure to have

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<v Speaker 1>a storyline, the pressure of fame, the pressure of battling

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<v Speaker 1>your skeletons coming out of the closet, the pressure of

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<v Speaker 1>other people constantly talking about you, Sleepless nights, trips that

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<v Speaker 1>are like a pressure cooker designed for confide like so

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<v Speaker 1>women can really get into it, and then recover reunions

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<v Speaker 1>that people come out of and say that they felt

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<v Speaker 1>like they went through a war. Women are dehydrated, exhausted,

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<v Speaker 1>and need days to recover from these reunions where you

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<v Speaker 1>rehash these manufactured conflicts that you would never have entered

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<v Speaker 1>into were you not on the Housewives. The money is

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<v Speaker 1>too tempting, the fame is too tempting. But at the end,

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<v Speaker 1>there's a pot of gold for some, for the very

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<v Speaker 1>few that fight their way to the top make it

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<v Speaker 1>out alive. The rest are just casualties of the Real

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<v Speaker 1>Housewives atmosphere. So when Andy is asked about the reality

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<v Speaker 1>reckoning and responds with I'm just focusing on the joy,

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<v Speaker 1>that's a bag of bullshit, because there's no other reason

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<v Speaker 1>why Bravo and Shed would be putting out all these

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<v Speaker 1>statements about implementing psychological professionals and measures and tests and

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<v Speaker 1>alcohol controls, et cetera. And as Liam McSweeney said in Nightline,

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<v Speaker 1>even bar is designed for profit to sell alcohol. Stop

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<v Speaker 1>someone when they've exceeded a reasonable amount of alcohol consumption.

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<v Speaker 1>But on the Housewives, which is not a legal workplace,

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<v Speaker 1>excessive alcohol consumption by people that are known addicts in

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<v Speaker 1>the environment is a positive. Everybody gets excited when the

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<v Speaker 1>addict falls off the wagon, gets wasted, does something stupid

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<v Speaker 1>and crazy, because in this upside down that's a positive.

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<v Speaker 1>That's performing well at work. And now this two paste

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<v Speaker 1>is out of the tube, the genie is out of

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<v Speaker 1>the bottle, and we've opened Pandora's box. And I'm sorry,

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<v Speaker 1>not sorry. So yeah, if biting the hand that fed us,

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<v Speaker 1>that hand deserves to be bitten. In thinking about the

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<v Speaker 1>Housewives and like Kyle and Mauricio's breakup, or Dorriad and

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<v Speaker 1>PK and what's going on with them or all of this,

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<v Speaker 1>I was talking to my therapist about in my adult career,

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<v Speaker 1>I was raised in an environment where you have to

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<v Speaker 1>mention it all. You don't really have a private life.

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<v Speaker 1>Kyle cannot not talk about what's going on with her

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<v Speaker 1>in Mauricio. She doesn't have that option. Dorie cannot talk

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<v Speaker 1>about her relationship with PK the girl on the new show.

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<v Speaker 1>I saw something about like she had to talk about

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<v Speaker 1>her boyfriend. Now she's on a reality show, she cannot

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<v Speaker 1>not talk about her relationship with her guy or anyone

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<v Speaker 1>like literally, Nini, who you're dating, it's what they've signed

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<v Speaker 1>up for. And Nini's not even on reality TV anymore.

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<v Speaker 1>But I was thinking. I was talking to my therapists

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<v Speaker 1>and she said, you are trained in an environment where

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<v Speaker 1>you have to share your entire private life, and you

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<v Speaker 1>don't live in that environment anymore. And it's funny because

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<v Speaker 1>when I talk about deprogramming from that and how that

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<v Speaker 1>desensitizes you from normalization, how you think things are normal

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<v Speaker 1>that aren't, and it's the upside down. How something happens

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<v Speaker 1>and you just know that it would be great for

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<v Speaker 1>the cameras. Where are the cameras, like, and you want

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<v Speaker 1>to capture it or save it for the cameras. Or

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<v Speaker 1>someone else does something that you know they did privately,

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<v Speaker 1>and you really feel that it's unfair that they're not

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<v Speaker 1>bringing it into the show. Because you're being forced to

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<v Speaker 1>bring in whatever you're doing into the show. The producers

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<v Speaker 1>might say, you have to talk about this thing that happened,

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<v Speaker 1>and Jane is sleeping with her you know, best friend's husband,

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<v Speaker 1>and you know about it, and you're being held to

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<v Speaker 1>a standard that they're not because maybe they're better at

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<v Speaker 1>sleuthing or and it all comes to the surface. And

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<v Speaker 1>I left that environment and in no area of my life,

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<v Speaker 1>whether it's my daughter or my relationship, or my health

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<v Speaker 1>or my aging or anything, I don't owe anyone anything.

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<v Speaker 1>I don't have to tell anyone anything about my life.

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<v Speaker 1>And I think we live in this world, even on

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<v Speaker 1>social media where like people have followers. They may not

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<v Speaker 1>be famous, but they are speaking to an audience. We

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<v Speaker 1>feel like we have to, you know, tell people about

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<v Speaker 1>our lives. Where's Paul or when does Brittan see her dad?

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<v Speaker 1>You know, like, what are they think I'm gonna post

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<v Speaker 1>Brinn and her dad on my social media, Like it's

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<v Speaker 1>my responsibility to let them know what our custody schedule is,

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<v Speaker 1>how much time is how much time does Brin spend

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<v Speaker 1>with her dad? You're out your fucking mind. When's last

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<v Speaker 1>time you fucked your husband? Like you think you're gonna

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<v Speaker 1>come in my social media and say something like that

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<v Speaker 1>to me, I'll do you just blocked, like you said,

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<v Speaker 1>It's like, who the fuck do people think they actually are?

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<v Speaker 1>Like they're gonna come into my social media and like

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<v Speaker 1>say that to me. Someone yesterday was like, I'm distracted

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<v Speaker 1>because of the piece of food on your mouth. I

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<v Speaker 1>had a tiny piece of seaweed, like tiny. I didn't

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<v Speaker 1>even see it. Fuck you. I can have whatever I

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<v Speaker 1>want in my mouth. I can grub chocolate all over

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<v Speaker 1>my face and post a video in my own house

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<v Speaker 1>because I'm a very rare breed of people who post

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<v Speaker 1>on social media what I want to post. I'm making

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<v Speaker 1>an ice cream cake in my kitchen and pajamas, haven't

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<v Speaker 1>washed my hair, and I've been in bed for three days,

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<v Speaker 1>and I have a piece of ice cream or a

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<v Speaker 1>sprinkle on my nose. It's my own fucking prerogative. And

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<v Speaker 1>it's my own body, my own ice cream, my own sprinkle,

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<v Speaker 1>my own post, my own choice. Why don't you boast

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<v Speaker 1>your daughter more on here? What? Like everybody feels entitled

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<v Speaker 1>to everybody else's information. Someone's on television, now this was

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<v Speaker 1>to tell you everything about themselves. Now, when I put

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<v Speaker 1>myself in my ex on a reality show about our relationship,

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<v Speaker 1>you bit damn fucking right. You want to know because

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<v Speaker 1>I dragged you in. I brought you in. I brought

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<v Speaker 1>you to a fairytale wedding. I thought told you everything was,

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<v Speaker 1>you know, perfect. Then it started to unravel, and I

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<v Speaker 1>felt a responsibility to tell you everything was imperfect. I

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<v Speaker 1>didn't even have to do that. I felt some legal

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<v Speaker 1>obligation because I brought you in that I had to

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<v Speaker 1>bring you out. You know, like j Rod are perfect,

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<v Speaker 1>they're perfect. They're perfect, they're perfect. Then they break up

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<v Speaker 1>and they want privacy, and it feels like you brought

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<v Speaker 1>us in, so now you got to take us out. Megan.

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<v Speaker 1>I always bring up Megan Fox because every day they

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<v Speaker 1>were gushing over their love and they were sharing butd

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<v Speaker 1>and they were making out and it was they were

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<v Speaker 1>one person. One day, something happened with infidelity or something happened.

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<v Speaker 1>I don't know if they're together anymore. They went dark.

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<v Speaker 1>They may not even be celebrities anymore. I mean they

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<v Speaker 1>just went into a cave. Something went on with the

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<v Speaker 1>two of them. They went totally dark. And but you know,

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<v Speaker 1>even having a publicist, well you know, and mine's great, like, well,

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<v Speaker 1>you're gonna have to say something. I got like ten

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<v Speaker 1>phone calls today. Okay, so what I don't want to

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<v Speaker 1>talk about brit, I don't want to talk about my

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<v Speaker 1>custody schedule. I don't have to say anything, you know

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<v Speaker 1>what I mean? Like, things go on and you can

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<v Speaker 1>just choose what version of public or private you want

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<v Speaker 1>to be. You don't have to talk about anything, to

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<v Speaker 1>talk about the food on your mouth. You can be

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<v Speaker 1>a private person, even if your public or a social

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<v Speaker 1>media person, or even in your own neighborhood and your

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<v Speaker 1>own cul to sec at your own country club. It's

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<v Speaker 1>very empowering to just like not talk about what you

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<v Speaker 1>don't want to talk about, and have whatever private life

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<v Speaker 1>you want to have, and do what you want to

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<v Speaker 1>do and don't. It's only when you get really hypocritical

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<v Speaker 1>that people get bothered, Like you're asking someone else to

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<v Speaker 1>share their information, or you told everyone it was perfect,

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<v Speaker 1>or you pretended you were perfect. You pretended you were perfect,

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<v Speaker 1>or you pretended you were so kind and so nice

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<v Speaker 1>and so loving and wonderful. Then if you're not kind

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<v Speaker 1>and loving and wonderful, they're gonna fucking come after you.

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<v Speaker 1>It's just interesting what people's expectations are of you, what

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<v Speaker 1>entitlement they have to you, everybody is now public property

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<v Speaker 1>because they're posting about themselves. So where's the line. Another

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<v Speaker 1>interesting thing about becoming desensitized to what's normal. I never

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<v Speaker 1>liked having a crew in my house, And now what

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<v Speaker 1>happens is they set up tape and everything in your house,

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<v Speaker 1>like to stay for part of the season, sometimes because

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<v Speaker 1>they know they're gonna keep shooting or they're gonna be

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<v Speaker 1>in one room a lot, so they just keep the

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<v Speaker 1>set up there. And what happens when they're shooting in

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<v Speaker 1>your house is an entire couple of trucks come and

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<v Speaker 1>the leanst it could ever be if you're a psychopath

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<v Speaker 1>and like you're having like a like a China party

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<v Speaker 1>of crystal and you wanted no extra footprints. The smallest

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<v Speaker 1>they could ever be would be a producer, a sound person,

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<v Speaker 1>two camera people, and like probably like five people. But

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<v Speaker 1>like on a real normal shoot, there could be twelve people,

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<v Speaker 1>like in and out of your house or in your driveway,

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<v Speaker 1>or things get scratched. People are like laying down on

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<v Speaker 1>floors to try to watch on the small screen, like

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<v Speaker 1>inside what they call video village. And I never liked

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<v Speaker 1>it in the beginning. I tolerated it more but in

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<v Speaker 1>the beginning it wasn't as big of an ordeal, Like

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<v Speaker 1>there weren't budgets like there are now. So that I

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<v Speaker 1>mean it's got Beverly Hills. It has to be shot

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<v Speaker 1>like a Coca Cola commercial. Now now you see those

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<v Speaker 1>interviews and they're usually usually done in another studio in

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<v Speaker 1>New York. They are probably on Beverly Hills. They set

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<v Speaker 1>up a room or a green screen in a room

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<v Speaker 1>and a backdrop and you just like go and your

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<v Speaker 1>makeup and there, but like it's a lot in your house.

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<v Speaker 1>And recently I did something on Nightline and there were

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<v Speaker 1>literally two one to two camera people, one sound person

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<v Speaker 1>and two producers on my property. I was like, I

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<v Speaker 1>had hives. They did nothing wrong, they were invited to

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<v Speaker 1>be here. I don't like someone coming into my space

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<v Speaker 1>and I feel totally violated and invaded one of camera

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<v Speaker 1>crew's at my house even though they're here because I

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<v Speaker 1>asked them to be. And it's because I have PTSD

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<v Speaker 1>from housewives for so long, Like my daughter's home and

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<v Speaker 1>like she's growing up in a world, and it was

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<v Speaker 1>so infrequently it maybe happened her whole life. Two three

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<v Speaker 1>times where she walks into the house and there's a

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<v Speaker 1>camera crew everywhere. Like I felt violated for her, Like

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<v Speaker 1>she's trying to walk in and there are people everywhere

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<v Speaker 1>that she doesn't know. She has to do like a

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<v Speaker 1>nice fake smile and be polite, and like everyone's everywhere

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<v Speaker 1>and the dogs are shaking and nervous because it's a

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<v Speaker 1>whole thing, and like I didn't like the way it feel.

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<v Speaker 1>Made me feel bad. It really really did made me

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<v Speaker 1>feel bad. It's just another one of those things you

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<v Speaker 1>guys wouldn't know about shooting a show like The Housewives,

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<v Speaker 1>that you can have twelve people inside your house two

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<v Speaker 1>to three times a week and they're lovely people and

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<v Speaker 1>they're nice, or you were just like not, you just

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<v Speaker 1>had bad news, you're in a bad mood, someone just died,

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<v Speaker 1>you have your period, you had a bad business call,

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<v Speaker 1>and like you've got to be nice to everybody because

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<v Speaker 1>they're in your home and like you know, and and

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<v Speaker 1>they feel bad too. They don't want to intrude any

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<v Speaker 1>more than you want them to intrude. They feel like

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<v Speaker 1>they have to creep around. It's the worst for them.

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<v Speaker 1>It's just a very strange dynamic. And I don't miss that.

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<v Speaker 1>Another thing about housewives is the difference in the relationships

0:12:46.640 --> 0:12:50.040
<v Speaker 1>you'll have with housewives off the show. There's nothing on

0:12:50.080 --> 0:12:52.760
<v Speaker 1>the table. There's no competition, there's nothing charge. There's no

0:12:52.800 --> 0:12:55.800
<v Speaker 1>one who's got andy'sier more than you or the other.

0:12:55.960 --> 0:12:59.520
<v Speaker 1>There's no like avoiding talking about secret topics that only

0:12:59.520 --> 0:13:02.360
<v Speaker 1>people that are on a show can know. There's no

0:13:02.720 --> 0:13:05.600
<v Speaker 1>like what talk you know. You can't talk about the

0:13:05.600 --> 0:13:07.920
<v Speaker 1>money you got or the opportunities you got, or where

0:13:08.200 --> 0:13:10.120
<v Speaker 1>you went or what was sent to you for free,

0:13:10.120 --> 0:13:13.640
<v Speaker 1>because everybody's always like grabbing and competing, and people can

0:13:13.679 --> 0:13:15.800
<v Speaker 1>pretend on different casts. It can be Salidlake, it can

0:13:15.800 --> 0:13:17.800
<v Speaker 1>be Beverly Hills, it can be wherever. And I know

0:13:17.880 --> 0:13:21.160
<v Speaker 1>people on all those shows, and they all will talk

0:13:21.200 --> 0:13:23.960
<v Speaker 1>about what they got with someone else didn't get there

0:13:24.000 --> 0:13:26.160
<v Speaker 1>in the middle. They got to sit next to Andy.

0:13:26.640 --> 0:13:28.560
<v Speaker 1>The others didn't get invited to go on the trip

0:13:28.640 --> 0:13:32.479
<v Speaker 1>to go to another country, only me. Like every housewife

0:13:32.520 --> 0:13:36.160
<v Speaker 1>is the same, every and they all just really are

0:13:36.240 --> 0:13:40.200
<v Speaker 1>in this other constant competition. Even if it's not overt,

0:13:40.280 --> 0:13:43.680
<v Speaker 1>it's subtle. There's something very subtle about it, and it

0:13:43.800 --> 0:13:48.200
<v Speaker 1>goes on with everyone everywhere, and it's all consuming if

0:13:48.240 --> 0:13:50.120
<v Speaker 1>you go out to dinner with multiple people from the

0:13:50.120 --> 0:13:53.760
<v Speaker 1>housewives sphere or the reality TV like that sphere, it's

0:13:54.480 --> 0:13:57.200
<v Speaker 1>eighty percent of what's talked about. It's just too tempting,

0:13:58.040 --> 0:14:02.240
<v Speaker 1>and everybody who's talking obviously the other person. It happened

0:14:02.280 --> 0:14:04.280
<v Speaker 1>at our big dinner in LA There was a housewife

0:14:04.280 --> 0:14:07.640
<v Speaker 1>there and she was talking about plot lines going on,

0:14:07.720 --> 0:14:09.760
<v Speaker 1>and Jenny Garth was sitting there and had no idea

0:14:09.840 --> 0:14:11.840
<v Speaker 1>what she was talking about. I didn't know what she

0:14:11.880 --> 0:14:15.360
<v Speaker 1>was talking about, but she was in the bubble, so

0:14:15.400 --> 0:14:17.600
<v Speaker 1>she thought that we all knew what she was talking about.

0:14:17.679 --> 0:14:21.280
<v Speaker 1>No one knew what she was talking about. Literally, no

0:14:21.280 --> 0:14:22.880
<v Speaker 1>one knew what she was talking about. And she was

0:14:22.880 --> 0:14:24.840
<v Speaker 1>going on for a while like a housewife way of

0:14:24.880 --> 0:14:26.880
<v Speaker 1>like no, and it's ridiculous because I did that, and

0:14:26.880 --> 0:14:28.640
<v Speaker 1>they did that, and that's what's going to happen. And

0:14:28.680 --> 0:14:30.760
<v Speaker 1>I said this, and I was just like, you were

0:14:30.800 --> 0:14:34.480
<v Speaker 1>talking another language. It's a world unto itself. It's like,

0:14:34.880 --> 0:14:38.720
<v Speaker 1>it's strange that everyone in that environment cult like environment

0:14:38.840 --> 0:14:41.280
<v Speaker 1>thinks that everyone else knows what's going on with them.