1 00:00:13,119 --> 00:00:20,720 Speaker 1: The real Blouzewives. So between a Hulu Nightline special, Rolling Stone, 2 00:00:20,880 --> 00:00:24,720 Speaker 1: and The Collider, there's an onslaught of articles that are 3 00:00:24,760 --> 00:00:32,520 Speaker 1: crystallizing and combining the stories of alcohol abuse being highlighted 4 00:00:32,520 --> 00:00:37,920 Speaker 1: on television and downfalls on real Housewives. And if you 5 00:00:37,920 --> 00:00:40,279 Speaker 1: think about it, I think it's been reported that there 6 00:00:40,280 --> 00:00:42,120 Speaker 1: are like one hundred and fifty to one hundred and 7 00:00:42,120 --> 00:00:47,360 Speaker 1: seventy five housewives, so I personally think at least ten 8 00:00:47,720 --> 00:00:50,919 Speaker 1: that have had a brush with the law, a dui, 9 00:00:51,400 --> 00:00:57,880 Speaker 1: been arrested, blacked out, something that really was drastic. So 10 00:00:58,680 --> 00:01:03,880 Speaker 1: allegedly at at least five to ten percent of housewives 11 00:01:04,680 --> 00:01:11,440 Speaker 1: have relapsed or had some stressful experience culminating in the 12 00:01:11,480 --> 00:01:15,559 Speaker 1: abuse of alcohol. Do we honestly believe that these ten 13 00:01:15,600 --> 00:01:22,560 Speaker 1: to twenty women would have had this same heightened peak 14 00:01:23,200 --> 00:01:26,800 Speaker 1: and crash with a not on reality television. I can 15 00:01:26,840 --> 00:01:29,600 Speaker 1: personally tell you that I know of at least ten 16 00:01:30,080 --> 00:01:37,200 Speaker 1: housewives that have taken anti depressants, anti anxiety something to 17 00:01:37,240 --> 00:01:39,360 Speaker 1: take the edge off as a result of being on 18 00:01:39,400 --> 00:01:43,160 Speaker 1: the show, because the pressure is so great, the pressure 19 00:01:43,200 --> 00:01:45,240 Speaker 1: to look like you have money, the pressure to have 20 00:01:45,280 --> 00:01:48,720 Speaker 1: a storyline, the pressure of fame, the pressure of battling 21 00:01:49,040 --> 00:01:52,200 Speaker 1: your skeletons coming out of the closet, the pressure of 22 00:01:52,720 --> 00:01:56,880 Speaker 1: other people constantly talking about you, Sleepless nights, trips that 23 00:01:57,080 --> 00:02:00,360 Speaker 1: are like a pressure cooker designed for confide like so 24 00:02:00,440 --> 00:02:04,120 Speaker 1: women can really get into it, and then recover reunions 25 00:02:04,160 --> 00:02:07,960 Speaker 1: that people come out of and say that they felt 26 00:02:08,000 --> 00:02:12,279 Speaker 1: like they went through a war. Women are dehydrated, exhausted, 27 00:02:12,440 --> 00:02:15,880 Speaker 1: and need days to recover from these reunions where you 28 00:02:16,040 --> 00:02:19,800 Speaker 1: rehash these manufactured conflicts that you would never have entered 29 00:02:19,840 --> 00:02:23,400 Speaker 1: into were you not on the Housewives. The money is 30 00:02:23,440 --> 00:02:26,880 Speaker 1: too tempting, the fame is too tempting. But at the end, 31 00:02:27,280 --> 00:02:30,960 Speaker 1: there's a pot of gold for some, for the very 32 00:02:31,040 --> 00:02:33,680 Speaker 1: few that fight their way to the top make it 33 00:02:33,680 --> 00:02:37,240 Speaker 1: out alive. The rest are just casualties of the Real 34 00:02:37,280 --> 00:02:41,000 Speaker 1: Housewives atmosphere. So when Andy is asked about the reality 35 00:02:41,080 --> 00:02:45,200 Speaker 1: reckoning and responds with I'm just focusing on the joy, 36 00:02:45,280 --> 00:02:48,600 Speaker 1: that's a bag of bullshit, because there's no other reason 37 00:02:48,680 --> 00:02:52,280 Speaker 1: why Bravo and Shed would be putting out all these 38 00:02:52,280 --> 00:02:59,040 Speaker 1: statements about implementing psychological professionals and measures and tests and 39 00:02:59,240 --> 00:03:03,799 Speaker 1: alcohol controls, et cetera. And as Liam McSweeney said in Nightline, 40 00:03:04,360 --> 00:03:09,079 Speaker 1: even bar is designed for profit to sell alcohol. Stop 41 00:03:09,200 --> 00:03:15,200 Speaker 1: someone when they've exceeded a reasonable amount of alcohol consumption. 42 00:03:16,080 --> 00:03:19,480 Speaker 1: But on the Housewives, which is not a legal workplace, 43 00:03:20,040 --> 00:03:24,080 Speaker 1: excessive alcohol consumption by people that are known addicts in 44 00:03:24,120 --> 00:03:28,640 Speaker 1: the environment is a positive. Everybody gets excited when the 45 00:03:28,720 --> 00:03:32,440 Speaker 1: addict falls off the wagon, gets wasted, does something stupid 46 00:03:32,440 --> 00:03:36,040 Speaker 1: and crazy, because in this upside down that's a positive. 47 00:03:36,360 --> 00:03:40,080 Speaker 1: That's performing well at work. And now this two paste 48 00:03:40,120 --> 00:03:41,720 Speaker 1: is out of the tube, the genie is out of 49 00:03:41,720 --> 00:03:46,040 Speaker 1: the bottle, and we've opened Pandora's box. And I'm sorry, 50 00:03:46,160 --> 00:03:50,320 Speaker 1: not sorry. So yeah, if biting the hand that fed us, 51 00:03:50,880 --> 00:03:58,440 Speaker 1: that hand deserves to be bitten. In thinking about the 52 00:03:58,480 --> 00:04:04,240 Speaker 1: Housewives and like Kyle and Mauricio's breakup, or Dorriad and 53 00:04:04,400 --> 00:04:07,440 Speaker 1: PK and what's going on with them or all of this, 54 00:04:08,280 --> 00:04:12,160 Speaker 1: I was talking to my therapist about in my adult career, 55 00:04:12,760 --> 00:04:17,479 Speaker 1: I was raised in an environment where you have to 56 00:04:17,600 --> 00:04:19,799 Speaker 1: mention it all. You don't really have a private life. 57 00:04:19,960 --> 00:04:23,520 Speaker 1: Kyle cannot not talk about what's going on with her 58 00:04:23,520 --> 00:04:26,920 Speaker 1: in Mauricio. She doesn't have that option. Dorie cannot talk 59 00:04:26,920 --> 00:04:29,760 Speaker 1: about her relationship with PK the girl on the new show. 60 00:04:29,800 --> 00:04:31,400 Speaker 1: I saw something about like she had to talk about 61 00:04:31,400 --> 00:04:34,280 Speaker 1: her boyfriend. Now she's on a reality show, she cannot 62 00:04:34,320 --> 00:04:38,560 Speaker 1: not talk about her relationship with her guy or anyone 63 00:04:38,760 --> 00:04:42,520 Speaker 1: like literally, Nini, who you're dating, it's what they've signed 64 00:04:42,600 --> 00:04:45,000 Speaker 1: up for. And Nini's not even on reality TV anymore. 65 00:04:45,960 --> 00:04:48,239 Speaker 1: But I was thinking. I was talking to my therapists 66 00:04:48,240 --> 00:04:51,200 Speaker 1: and she said, you are trained in an environment where 67 00:04:51,240 --> 00:04:56,280 Speaker 1: you have to share your entire private life, and you 68 00:04:56,320 --> 00:04:58,960 Speaker 1: don't live in that environment anymore. And it's funny because 69 00:04:58,960 --> 00:05:02,880 Speaker 1: when I talk about deprogramming from that and how that 70 00:05:03,000 --> 00:05:07,600 Speaker 1: desensitizes you from normalization, how you think things are normal 71 00:05:07,600 --> 00:05:10,200 Speaker 1: that aren't, and it's the upside down. How something happens 72 00:05:10,240 --> 00:05:12,040 Speaker 1: and you just know that it would be great for 73 00:05:12,080 --> 00:05:14,760 Speaker 1: the cameras. Where are the cameras, like, and you want 74 00:05:14,760 --> 00:05:16,960 Speaker 1: to capture it or save it for the cameras. Or 75 00:05:17,279 --> 00:05:20,200 Speaker 1: someone else does something that you know they did privately, 76 00:05:20,520 --> 00:05:22,600 Speaker 1: and you really feel that it's unfair that they're not 77 00:05:22,640 --> 00:05:25,480 Speaker 1: bringing it into the show. Because you're being forced to 78 00:05:25,480 --> 00:05:27,600 Speaker 1: bring in whatever you're doing into the show. The producers 79 00:05:27,640 --> 00:05:29,720 Speaker 1: might say, you have to talk about this thing that happened, 80 00:05:30,080 --> 00:05:34,440 Speaker 1: and Jane is sleeping with her you know, best friend's husband, 81 00:05:34,440 --> 00:05:37,359 Speaker 1: and you know about it, and you're being held to 82 00:05:37,400 --> 00:05:40,000 Speaker 1: a standard that they're not because maybe they're better at 83 00:05:40,279 --> 00:05:43,440 Speaker 1: sleuthing or and it all comes to the surface. And 84 00:05:43,680 --> 00:05:49,039 Speaker 1: I left that environment and in no area of my life, 85 00:05:49,120 --> 00:05:52,800 Speaker 1: whether it's my daughter or my relationship, or my health 86 00:05:53,080 --> 00:05:58,080 Speaker 1: or my aging or anything, I don't owe anyone anything. 87 00:05:58,080 --> 00:06:00,000 Speaker 1: I don't have to tell anyone anything about my life. 88 00:06:00,040 --> 00:06:02,520 Speaker 1: And I think we live in this world, even on 89 00:06:02,600 --> 00:06:05,000 Speaker 1: social media where like people have followers. They may not 90 00:06:05,040 --> 00:06:07,800 Speaker 1: be famous, but they are speaking to an audience. We 91 00:06:07,960 --> 00:06:11,440 Speaker 1: feel like we have to, you know, tell people about 92 00:06:11,440 --> 00:06:15,000 Speaker 1: our lives. Where's Paul or when does Brittan see her dad? 93 00:06:15,600 --> 00:06:18,400 Speaker 1: You know, like, what are they think I'm gonna post 94 00:06:18,400 --> 00:06:20,880 Speaker 1: Brinn and her dad on my social media, Like it's 95 00:06:20,960 --> 00:06:24,760 Speaker 1: my responsibility to let them know what our custody schedule is, 96 00:06:25,160 --> 00:06:27,320 Speaker 1: how much time is how much time does Brin spend 97 00:06:27,360 --> 00:06:30,360 Speaker 1: with her dad? You're out your fucking mind. When's last 98 00:06:30,360 --> 00:06:32,960 Speaker 1: time you fucked your husband? Like you think you're gonna 99 00:06:32,960 --> 00:06:35,560 Speaker 1: come in my social media and say something like that 100 00:06:35,640 --> 00:06:38,160 Speaker 1: to me, I'll do you just blocked, like you said, 101 00:06:38,160 --> 00:06:40,280 Speaker 1: It's like, who the fuck do people think they actually are? 102 00:06:40,360 --> 00:06:42,640 Speaker 1: Like they're gonna come into my social media and like 103 00:06:43,360 --> 00:06:46,720 Speaker 1: say that to me. Someone yesterday was like, I'm distracted 104 00:06:46,760 --> 00:06:48,839 Speaker 1: because of the piece of food on your mouth. I 105 00:06:48,839 --> 00:06:50,760 Speaker 1: had a tiny piece of seaweed, like tiny. I didn't 106 00:06:50,760 --> 00:06:54,320 Speaker 1: even see it. Fuck you. I can have whatever I 107 00:06:54,360 --> 00:06:56,520 Speaker 1: want in my mouth. I can grub chocolate all over 108 00:06:56,520 --> 00:06:58,080 Speaker 1: my face and post a video in my own house 109 00:06:58,120 --> 00:07:01,320 Speaker 1: because I'm a very rare breed of people who post 110 00:07:01,320 --> 00:07:04,280 Speaker 1: on social media what I want to post. I'm making 111 00:07:04,320 --> 00:07:06,719 Speaker 1: an ice cream cake in my kitchen and pajamas, haven't 112 00:07:06,800 --> 00:07:09,720 Speaker 1: washed my hair, and I've been in bed for three days, 113 00:07:09,880 --> 00:07:11,360 Speaker 1: and I have a piece of ice cream or a 114 00:07:11,360 --> 00:07:13,960 Speaker 1: sprinkle on my nose. It's my own fucking prerogative. And 115 00:07:14,000 --> 00:07:16,040 Speaker 1: it's my own body, my own ice cream, my own sprinkle, 116 00:07:16,040 --> 00:07:20,320 Speaker 1: my own post, my own choice. Why don't you boast 117 00:07:20,360 --> 00:07:25,400 Speaker 1: your daughter more on here? What? Like everybody feels entitled 118 00:07:25,800 --> 00:07:29,080 Speaker 1: to everybody else's information. Someone's on television, now this was 119 00:07:29,160 --> 00:07:31,840 Speaker 1: to tell you everything about themselves. Now, when I put 120 00:07:31,880 --> 00:07:35,760 Speaker 1: myself in my ex on a reality show about our relationship, 121 00:07:36,520 --> 00:07:38,440 Speaker 1: you bit damn fucking right. You want to know because 122 00:07:38,560 --> 00:07:41,000 Speaker 1: I dragged you in. I brought you in. I brought 123 00:07:41,040 --> 00:07:44,280 Speaker 1: you to a fairytale wedding. I thought told you everything was, 124 00:07:44,560 --> 00:07:46,640 Speaker 1: you know, perfect. Then it started to unravel, and I 125 00:07:46,640 --> 00:07:49,680 Speaker 1: felt a responsibility to tell you everything was imperfect. I 126 00:07:49,720 --> 00:07:52,560 Speaker 1: didn't even have to do that. I felt some legal 127 00:07:52,640 --> 00:07:54,560 Speaker 1: obligation because I brought you in that I had to 128 00:07:54,560 --> 00:07:58,800 Speaker 1: bring you out. You know, like j Rod are perfect, 129 00:07:58,800 --> 00:08:00,880 Speaker 1: they're perfect. They're perfect, they're perfect. Then they break up 130 00:08:00,920 --> 00:08:03,720 Speaker 1: and they want privacy, and it feels like you brought 131 00:08:03,800 --> 00:08:06,280 Speaker 1: us in, so now you got to take us out. Megan. 132 00:08:06,320 --> 00:08:08,720 Speaker 1: I always bring up Megan Fox because every day they 133 00:08:08,760 --> 00:08:10,720 Speaker 1: were gushing over their love and they were sharing butd 134 00:08:10,720 --> 00:08:12,120 Speaker 1: and they were making out and it was they were 135 00:08:12,160 --> 00:08:15,800 Speaker 1: one person. One day, something happened with infidelity or something happened. 136 00:08:15,840 --> 00:08:18,960 Speaker 1: I don't know if they're together anymore. They went dark. 137 00:08:19,840 --> 00:08:22,000 Speaker 1: They may not even be celebrities anymore. I mean they 138 00:08:22,160 --> 00:08:24,520 Speaker 1: just went into a cave. Something went on with the 139 00:08:24,520 --> 00:08:29,440 Speaker 1: two of them. They went totally dark. And but you know, 140 00:08:29,520 --> 00:08:33,200 Speaker 1: even having a publicist, well you know, and mine's great, like, well, 141 00:08:33,240 --> 00:08:34,800 Speaker 1: you're gonna have to say something. I got like ten 142 00:08:34,840 --> 00:08:37,800 Speaker 1: phone calls today. Okay, so what I don't want to 143 00:08:37,800 --> 00:08:39,400 Speaker 1: talk about brit, I don't want to talk about my 144 00:08:39,400 --> 00:08:41,839 Speaker 1: custody schedule. I don't have to say anything, you know 145 00:08:41,880 --> 00:08:44,280 Speaker 1: what I mean? Like, things go on and you can 146 00:08:44,360 --> 00:08:47,040 Speaker 1: just choose what version of public or private you want 147 00:08:47,040 --> 00:08:49,240 Speaker 1: to be. You don't have to talk about anything, to 148 00:08:49,240 --> 00:08:51,040 Speaker 1: talk about the food on your mouth. You can be 149 00:08:51,080 --> 00:08:53,800 Speaker 1: a private person, even if your public or a social 150 00:08:53,800 --> 00:08:56,720 Speaker 1: media person, or even in your own neighborhood and your 151 00:08:56,720 --> 00:08:59,000 Speaker 1: own cul to sec at your own country club. It's 152 00:08:59,120 --> 00:09:02,240 Speaker 1: very empowering to just like not talk about what you 153 00:09:02,280 --> 00:09:05,080 Speaker 1: don't want to talk about, and have whatever private life 154 00:09:05,120 --> 00:09:06,559 Speaker 1: you want to have, and do what you want to 155 00:09:06,600 --> 00:09:10,760 Speaker 1: do and don't. It's only when you get really hypocritical 156 00:09:10,800 --> 00:09:13,000 Speaker 1: that people get bothered, Like you're asking someone else to 157 00:09:13,040 --> 00:09:16,600 Speaker 1: share their information, or you told everyone it was perfect, 158 00:09:17,240 --> 00:09:20,120 Speaker 1: or you pretended you were perfect. You pretended you were perfect, 159 00:09:20,200 --> 00:09:22,800 Speaker 1: or you pretended you were so kind and so nice 160 00:09:22,840 --> 00:09:25,080 Speaker 1: and so loving and wonderful. Then if you're not kind 161 00:09:25,120 --> 00:09:27,000 Speaker 1: and loving and wonderful, they're gonna fucking come after you. 162 00:09:27,520 --> 00:09:33,160 Speaker 1: It's just interesting what people's expectations are of you, what 163 00:09:33,440 --> 00:09:38,679 Speaker 1: entitlement they have to you, everybody is now public property 164 00:09:39,240 --> 00:09:43,400 Speaker 1: because they're posting about themselves. So where's the line. Another 165 00:09:43,480 --> 00:09:48,600 Speaker 1: interesting thing about becoming desensitized to what's normal. I never 166 00:09:48,720 --> 00:09:50,760 Speaker 1: liked having a crew in my house, And now what 167 00:09:50,880 --> 00:09:54,160 Speaker 1: happens is they set up tape and everything in your house, 168 00:09:54,320 --> 00:09:56,360 Speaker 1: like to stay for part of the season, sometimes because 169 00:09:56,360 --> 00:09:58,439 Speaker 1: they know they're gonna keep shooting or they're gonna be 170 00:09:58,440 --> 00:10:00,040 Speaker 1: in one room a lot, so they just keep the 171 00:10:00,160 --> 00:10:03,680 Speaker 1: set up there. And what happens when they're shooting in 172 00:10:03,720 --> 00:10:06,520 Speaker 1: your house is an entire couple of trucks come and 173 00:10:06,760 --> 00:10:09,160 Speaker 1: the leanst it could ever be if you're a psychopath 174 00:10:09,200 --> 00:10:14,560 Speaker 1: and like you're having like a like a China party 175 00:10:14,559 --> 00:10:18,040 Speaker 1: of crystal and you wanted no extra footprints. The smallest 176 00:10:18,040 --> 00:10:21,520 Speaker 1: they could ever be would be a producer, a sound person, 177 00:10:22,200 --> 00:10:26,480 Speaker 1: two camera people, and like probably like five people. But 178 00:10:26,559 --> 00:10:28,679 Speaker 1: like on a real normal shoot, there could be twelve people, 179 00:10:28,720 --> 00:10:30,960 Speaker 1: like in and out of your house or in your driveway, 180 00:10:31,080 --> 00:10:33,840 Speaker 1: or things get scratched. People are like laying down on 181 00:10:33,880 --> 00:10:36,400 Speaker 1: floors to try to watch on the small screen, like 182 00:10:36,440 --> 00:10:39,480 Speaker 1: inside what they call video village. And I never liked 183 00:10:39,480 --> 00:10:41,360 Speaker 1: it in the beginning. I tolerated it more but in 184 00:10:41,400 --> 00:10:43,800 Speaker 1: the beginning it wasn't as big of an ordeal, Like 185 00:10:43,840 --> 00:10:45,880 Speaker 1: there weren't budgets like there are now. So that I 186 00:10:45,880 --> 00:10:47,560 Speaker 1: mean it's got Beverly Hills. It has to be shot 187 00:10:47,600 --> 00:10:50,320 Speaker 1: like a Coca Cola commercial. Now now you see those 188 00:10:50,320 --> 00:10:53,720 Speaker 1: interviews and they're usually usually done in another studio in 189 00:10:53,800 --> 00:10:56,400 Speaker 1: New York. They are probably on Beverly Hills. They set 190 00:10:56,440 --> 00:10:58,600 Speaker 1: up a room or a green screen in a room 191 00:10:58,640 --> 00:11:00,280 Speaker 1: and a backdrop and you just like go and your 192 00:11:00,320 --> 00:11:04,400 Speaker 1: makeup and there, but like it's a lot in your house. 193 00:11:04,800 --> 00:11:07,959 Speaker 1: And recently I did something on Nightline and there were 194 00:11:08,040 --> 00:11:13,600 Speaker 1: literally two one to two camera people, one sound person 195 00:11:13,720 --> 00:11:16,240 Speaker 1: and two producers on my property. I was like, I 196 00:11:16,240 --> 00:11:19,400 Speaker 1: had hives. They did nothing wrong, they were invited to 197 00:11:19,440 --> 00:11:22,720 Speaker 1: be here. I don't like someone coming into my space 198 00:11:22,760 --> 00:11:25,959 Speaker 1: and I feel totally violated and invaded one of camera 199 00:11:26,000 --> 00:11:28,199 Speaker 1: crew's at my house even though they're here because I 200 00:11:28,240 --> 00:11:31,360 Speaker 1: asked them to be. And it's because I have PTSD 201 00:11:31,440 --> 00:11:34,280 Speaker 1: from housewives for so long, Like my daughter's home and 202 00:11:34,320 --> 00:11:36,040 Speaker 1: like she's growing up in a world, and it was 203 00:11:36,160 --> 00:11:39,160 Speaker 1: so infrequently it maybe happened her whole life. Two three 204 00:11:39,200 --> 00:11:41,360 Speaker 1: times where she walks into the house and there's a 205 00:11:41,360 --> 00:11:45,040 Speaker 1: camera crew everywhere. Like I felt violated for her, Like 206 00:11:45,080 --> 00:11:46,840 Speaker 1: she's trying to walk in and there are people everywhere 207 00:11:46,880 --> 00:11:48,400 Speaker 1: that she doesn't know. She has to do like a 208 00:11:48,520 --> 00:11:51,559 Speaker 1: nice fake smile and be polite, and like everyone's everywhere 209 00:11:51,559 --> 00:11:53,720 Speaker 1: and the dogs are shaking and nervous because it's a 210 00:11:53,720 --> 00:11:56,520 Speaker 1: whole thing, and like I didn't like the way it feel. 211 00:11:56,600 --> 00:11:59,320 Speaker 1: Made me feel bad. It really really did made me 212 00:11:59,320 --> 00:12:01,680 Speaker 1: feel bad. It's just another one of those things you 213 00:12:01,679 --> 00:12:04,559 Speaker 1: guys wouldn't know about shooting a show like The Housewives, 214 00:12:04,559 --> 00:12:07,520 Speaker 1: that you can have twelve people inside your house two 215 00:12:07,559 --> 00:12:10,240 Speaker 1: to three times a week and they're lovely people and 216 00:12:10,240 --> 00:12:13,280 Speaker 1: they're nice, or you were just like not, you just 217 00:12:13,280 --> 00:12:15,120 Speaker 1: had bad news, you're in a bad mood, someone just died, 218 00:12:15,160 --> 00:12:17,080 Speaker 1: you have your period, you had a bad business call, 219 00:12:17,360 --> 00:12:19,240 Speaker 1: and like you've got to be nice to everybody because 220 00:12:19,240 --> 00:12:21,560 Speaker 1: they're in your home and like you know, and and 221 00:12:21,679 --> 00:12:23,559 Speaker 1: they feel bad too. They don't want to intrude any 222 00:12:23,559 --> 00:12:25,400 Speaker 1: more than you want them to intrude. They feel like 223 00:12:26,240 --> 00:12:28,320 Speaker 1: they have to creep around. It's the worst for them. 224 00:12:28,679 --> 00:12:32,000 Speaker 1: It's just a very strange dynamic. And I don't miss that. 225 00:12:43,640 --> 00:12:46,640 Speaker 1: Another thing about housewives is the difference in the relationships 226 00:12:46,640 --> 00:12:50,040 Speaker 1: you'll have with housewives off the show. There's nothing on 227 00:12:50,080 --> 00:12:52,760 Speaker 1: the table. There's no competition, there's nothing charge. There's no 228 00:12:52,800 --> 00:12:55,800 Speaker 1: one who's got andy'sier more than you or the other. 229 00:12:55,960 --> 00:12:59,520 Speaker 1: There's no like avoiding talking about secret topics that only 230 00:12:59,520 --> 00:13:02,360 Speaker 1: people that are on a show can know. There's no 231 00:13:02,720 --> 00:13:05,600 Speaker 1: like what talk you know. You can't talk about the 232 00:13:05,600 --> 00:13:07,920 Speaker 1: money you got or the opportunities you got, or where 233 00:13:08,200 --> 00:13:10,120 Speaker 1: you went or what was sent to you for free, 234 00:13:10,120 --> 00:13:13,640 Speaker 1: because everybody's always like grabbing and competing, and people can 235 00:13:13,679 --> 00:13:15,800 Speaker 1: pretend on different casts. It can be Salidlake, it can 236 00:13:15,800 --> 00:13:17,800 Speaker 1: be Beverly Hills, it can be wherever. And I know 237 00:13:17,880 --> 00:13:21,160 Speaker 1: people on all those shows, and they all will talk 238 00:13:21,200 --> 00:13:23,960 Speaker 1: about what they got with someone else didn't get there 239 00:13:24,000 --> 00:13:26,160 Speaker 1: in the middle. They got to sit next to Andy. 240 00:13:26,640 --> 00:13:28,560 Speaker 1: The others didn't get invited to go on the trip 241 00:13:28,640 --> 00:13:32,479 Speaker 1: to go to another country, only me. Like every housewife 242 00:13:32,520 --> 00:13:36,160 Speaker 1: is the same, every and they all just really are 243 00:13:36,240 --> 00:13:40,200 Speaker 1: in this other constant competition. Even if it's not overt, 244 00:13:40,280 --> 00:13:43,680 Speaker 1: it's subtle. There's something very subtle about it, and it 245 00:13:43,800 --> 00:13:48,200 Speaker 1: goes on with everyone everywhere, and it's all consuming if 246 00:13:48,240 --> 00:13:50,120 Speaker 1: you go out to dinner with multiple people from the 247 00:13:50,120 --> 00:13:53,760 Speaker 1: housewives sphere or the reality TV like that sphere, it's 248 00:13:54,480 --> 00:13:57,200 Speaker 1: eighty percent of what's talked about. It's just too tempting, 249 00:13:58,040 --> 00:14:02,240 Speaker 1: and everybody who's talking obviously the other person. It happened 250 00:14:02,280 --> 00:14:04,280 Speaker 1: at our big dinner in LA There was a housewife 251 00:14:04,280 --> 00:14:07,640 Speaker 1: there and she was talking about plot lines going on, 252 00:14:07,720 --> 00:14:09,760 Speaker 1: and Jenny Garth was sitting there and had no idea 253 00:14:09,840 --> 00:14:11,840 Speaker 1: what she was talking about. I didn't know what she 254 00:14:11,880 --> 00:14:15,360 Speaker 1: was talking about, but she was in the bubble, so 255 00:14:15,400 --> 00:14:17,600 Speaker 1: she thought that we all knew what she was talking about. 256 00:14:17,679 --> 00:14:21,280 Speaker 1: No one knew what she was talking about. Literally, no 257 00:14:21,280 --> 00:14:22,880 Speaker 1: one knew what she was talking about. And she was 258 00:14:22,880 --> 00:14:24,840 Speaker 1: going on for a while like a housewife way of 259 00:14:24,880 --> 00:14:26,880 Speaker 1: like no, and it's ridiculous because I did that, and 260 00:14:26,880 --> 00:14:28,640 Speaker 1: they did that, and that's what's going to happen. And 261 00:14:28,680 --> 00:14:30,760 Speaker 1: I said this, and I was just like, you were 262 00:14:30,800 --> 00:14:34,480 Speaker 1: talking another language. It's a world unto itself. It's like, 263 00:14:34,880 --> 00:14:38,720 Speaker 1: it's strange that everyone in that environment cult like environment 264 00:14:38,840 --> 00:14:41,280 Speaker 1: thinks that everyone else knows what's going on with them.