1 00:00:00,400 --> 00:00:03,640 Speaker 1: Wake that ass up in the morning. Breakfast Club. 2 00:00:04,360 --> 00:00:08,119 Speaker 2: Morning, everybody, It's the j n V. Jess, Hilarrys Charlamagne 3 00:00:08,119 --> 00:00:10,280 Speaker 2: to God. We are the Breakfast Club. Long the roasters 4 00:00:10,280 --> 00:00:12,600 Speaker 2: filling in for Jess, and we got some special guests 5 00:00:12,640 --> 00:00:14,880 Speaker 2: in the building. There's been some time since you've been 6 00:00:14,920 --> 00:00:17,000 Speaker 2: here before, like seven years last time you're up here 7 00:00:17,000 --> 00:00:20,640 Speaker 2: promoting dinner these one Errod Butler and Oh Jackson Welcome. 8 00:00:21,120 --> 00:00:22,200 Speaker 2: How how you feeling? 9 00:00:22,200 --> 00:00:24,120 Speaker 3: Man? He just pretend it's an audience. 10 00:00:24,160 --> 00:00:28,680 Speaker 1: Here's no shak appreciate well. 11 00:00:28,680 --> 00:00:30,280 Speaker 2: First and foremost, how were you doing? I know you're 12 00:00:30,280 --> 00:00:32,440 Speaker 2: out in La and I see the fires are crazy 13 00:00:32,440 --> 00:00:34,800 Speaker 2: in La? How is that with you in the family. 14 00:00:34,880 --> 00:00:39,239 Speaker 4: I'm literally talking waiting for updates right now. There was 15 00:00:39,920 --> 00:00:43,559 Speaker 4: it's something starting near the valley area. So I'm just 16 00:00:43,640 --> 00:00:46,239 Speaker 4: checking on my daughter and things like that, so, you know, 17 00:00:46,520 --> 00:00:49,280 Speaker 4: little little on edge. But I mean, it's nothing I 18 00:00:49,280 --> 00:00:51,080 Speaker 4: gonna do from here except worry. 19 00:00:51,360 --> 00:00:53,880 Speaker 2: Is that an evacuation plan? Like if this goes go 20 00:00:54,000 --> 00:00:55,200 Speaker 2: this route, I go this or. 21 00:00:55,640 --> 00:00:58,080 Speaker 4: I mean, yeah, but as much as you can. I 22 00:00:59,040 --> 00:01:02,240 Speaker 4: wasn't expecting some of them to be as close as 23 00:01:02,280 --> 00:01:05,199 Speaker 4: they are when I got up. But yeah, so I'm 24 00:01:05,240 --> 00:01:08,000 Speaker 4: just trying to be a helicopter dad right now as 25 00:01:08,080 --> 00:01:08,760 Speaker 4: much as I can. 26 00:01:09,000 --> 00:01:12,080 Speaker 2: Absolutely. Now, let's talk about DN Thieves two seven years. 27 00:01:12,080 --> 00:01:14,000 Speaker 2: Why did it take so long to show to shoot 28 00:01:14,000 --> 00:01:14,440 Speaker 2: part two? 29 00:01:14,520 --> 00:01:18,600 Speaker 5: Yeah, tell us Gerard, Well, you know, because oh, Shay 30 00:01:18,840 --> 00:01:23,000 Speaker 5: is a nightmare and he's such a princess trying to 31 00:01:23,000 --> 00:01:23,479 Speaker 5: get him to. 32 00:01:26,160 --> 00:01:26,600 Speaker 6: I heard. 33 00:01:28,360 --> 00:01:30,840 Speaker 5: Uh no, there was it was a bit of that, 34 00:01:30,959 --> 00:01:33,080 Speaker 5: you know, and a little sprinkle of this, and uh 35 00:01:34,040 --> 00:01:36,319 Speaker 5: it just it took longer than we thought. And by 36 00:01:36,360 --> 00:01:39,440 Speaker 5: the way, truly for various reasons. One one of the 37 00:01:39,440 --> 00:01:41,880 Speaker 5: main reasons is when we first started writing the script 38 00:01:41,959 --> 00:01:44,800 Speaker 5: is I thought we we really hit gold in the 39 00:01:44,840 --> 00:01:46,279 Speaker 5: first one, and it was very different. 40 00:01:46,319 --> 00:01:47,600 Speaker 3: It was very clever. You know. 41 00:01:47,640 --> 00:01:49,440 Speaker 5: It took a long time for that first script to 42 00:01:49,440 --> 00:01:52,360 Speaker 5: get to that stage. So not to just turn out 43 00:01:52,720 --> 00:01:54,640 Speaker 5: something and go, well, here's the second one. You guys 44 00:01:54,680 --> 00:01:58,000 Speaker 5: like the first one. But to be honest, it took 45 00:01:58,040 --> 00:02:00,440 Speaker 5: a long time to make that script work. This one, 46 00:02:00,480 --> 00:02:02,680 Speaker 5: you know, kind of all the twists and turns and 47 00:02:02,680 --> 00:02:05,240 Speaker 5: how because there's a lot going on in this movie, 48 00:02:05,720 --> 00:02:07,640 Speaker 5: and you would always get to the stage we're okay, 49 00:02:07,640 --> 00:02:10,800 Speaker 5: this is good, but this still doesn't work and to 50 00:02:10,919 --> 00:02:13,760 Speaker 5: make it all kind of like a like a jigsaw 51 00:02:13,800 --> 00:02:17,240 Speaker 5: puzzle and then sing and then other shit happened. 52 00:02:17,320 --> 00:02:18,680 Speaker 7: You know, you guys were a part of the writing 53 00:02:18,720 --> 00:02:20,120 Speaker 7: or you mean just mean a script that was brought 54 00:02:20,120 --> 00:02:21,519 Speaker 7: to you. Guys, you get to kind of dissect it 55 00:02:21,560 --> 00:02:22,920 Speaker 7: and say, yes, I know this certain stuff. 56 00:02:22,960 --> 00:02:25,680 Speaker 5: Well, yeah, I'm involved in the writing. Christian wrote the script, 57 00:02:25,760 --> 00:02:28,440 Speaker 5: but then I worked on the development of both scripts, 58 00:02:28,440 --> 00:02:31,040 Speaker 5: but especially this one for and this took there was 59 00:02:31,040 --> 00:02:34,120 Speaker 5: a good three Yeah, I produced a movie, gotcha, so. 60 00:02:34,040 --> 00:02:36,960 Speaker 7: It had it has more of a depth to you 61 00:02:37,000 --> 00:02:38,800 Speaker 7: when you're on camera with it too, because it's your 62 00:02:38,880 --> 00:02:40,359 Speaker 7: actual baby behind the scenes as well. 63 00:02:40,520 --> 00:02:41,000 Speaker 3: Big time. 64 00:02:41,440 --> 00:02:44,200 Speaker 5: I have to say that, you know, talk about what 65 00:02:44,240 --> 00:02:47,560 Speaker 5: you do to prepare for a rope. Probably my main 66 00:02:47,639 --> 00:02:50,760 Speaker 5: preparation is any script I do. Now I've been with 67 00:02:50,840 --> 00:02:54,520 Speaker 5: it for a long time, and you're sitting with it 68 00:02:54,600 --> 00:02:57,079 Speaker 5: thinking of every moment, every part of the character, where 69 00:02:57,120 --> 00:02:59,519 Speaker 5: you can take that. So when you get to the movie, 70 00:02:59,560 --> 00:03:01,800 Speaker 5: you both know where you should be and you kind 71 00:03:01,800 --> 00:03:03,840 Speaker 5: of hate to say this, you're kind of cheating. You 72 00:03:03,919 --> 00:03:06,440 Speaker 5: also know what each moment is kind of going to 73 00:03:06,480 --> 00:03:10,200 Speaker 5: hopefully achieve with the audience so yeah, it's been well 74 00:03:10,240 --> 00:03:10,760 Speaker 5: thought about. 75 00:03:11,040 --> 00:03:16,120 Speaker 2: Now you kill fifty cent in the first one, you 76 00:03:16,240 --> 00:03:20,040 Speaker 2: kill they killed fifty cent in the first one. But 77 00:03:20,080 --> 00:03:26,760 Speaker 2: he's back on this as an EPE thing we learned, 78 00:03:27,040 --> 00:03:29,040 Speaker 2: So why was it important to bring it back as 79 00:03:29,040 --> 00:03:30,959 Speaker 2: an EP and how was he working as an EP? 80 00:03:31,760 --> 00:03:35,320 Speaker 1: I mean, fifty fifty one. His hand is something. It's 81 00:03:35,400 --> 00:03:39,240 Speaker 1: really no denying you know that, dude. 82 00:03:40,040 --> 00:03:44,440 Speaker 4: He's been very instrumental and you know my thought process 83 00:03:44,520 --> 00:03:49,120 Speaker 4: on a lot of things, especially moving forward. Super excited 84 00:03:49,160 --> 00:03:52,760 Speaker 4: about this. He's been giving me some great words of praise. 85 00:03:52,840 --> 00:03:55,160 Speaker 4: But you know, he's the man and whatever he touches 86 00:03:55,240 --> 00:03:57,480 Speaker 4: really turns in the goal. So he knew he couldn't 87 00:03:57,560 --> 00:03:58,200 Speaker 4: let go to dinner. 88 00:03:58,200 --> 00:03:59,800 Speaker 2: Thy you've stop it now, you got whipped a lot. 89 00:04:00,240 --> 00:04:00,880 Speaker 2: They whip chat. 90 00:04:01,360 --> 00:04:03,320 Speaker 1: That's the worst part of the first one. But you 91 00:04:03,360 --> 00:04:04,640 Speaker 1: grow so good. 92 00:04:04,480 --> 00:04:07,320 Speaker 7: Though, because you wouldn't like towards the end of it, 93 00:04:07,320 --> 00:04:09,280 Speaker 7: it all turns around. You would have never expected it 94 00:04:09,320 --> 00:04:11,360 Speaker 7: because you played the character so well as like this 95 00:04:11,400 --> 00:04:14,120 Speaker 7: person that was not in control, but you were very 96 00:04:14,120 --> 00:04:16,400 Speaker 7: in control. 97 00:04:19,440 --> 00:04:21,360 Speaker 1: Yeah, it's always funny. 98 00:04:22,480 --> 00:04:25,159 Speaker 4: When that movie was coming out to see people's tweets 99 00:04:25,520 --> 00:04:27,880 Speaker 4: from the beginning of the movie where it was just like, man, 100 00:04:27,920 --> 00:04:29,600 Speaker 4: I don't know if I was cute, I wouldn't have 101 00:04:29,680 --> 00:04:32,479 Speaker 4: let him did this. And then by the end they 102 00:04:32,560 --> 00:04:34,560 Speaker 4: you know, they talk about how dope the film was, 103 00:04:34,960 --> 00:04:38,920 Speaker 4: but it really was our imitating life a little bit 104 00:04:38,960 --> 00:04:40,120 Speaker 4: because Dinner Thieves won. 105 00:04:40,240 --> 00:04:42,760 Speaker 1: That's my third movie ever, and. 106 00:04:43,320 --> 00:04:46,920 Speaker 4: There was already and there's already an ideology of who 107 00:04:47,000 --> 00:04:50,360 Speaker 4: I am because of my father and what I'm gonna 108 00:04:50,360 --> 00:04:53,320 Speaker 4: bring to the table, or a sense of entitlement or 109 00:04:53,360 --> 00:04:54,440 Speaker 4: that I'm not here to work. 110 00:04:55,000 --> 00:04:56,760 Speaker 1: And Donnie in. 111 00:04:56,720 --> 00:04:59,120 Speaker 4: The first one, it's just somebody who wants to keep 112 00:04:59,120 --> 00:05:01,800 Speaker 4: his head down, focus on what you gotta do, get 113 00:05:01,800 --> 00:05:02,440 Speaker 4: in and get out. 114 00:05:02,480 --> 00:05:05,279 Speaker 1: And that was the same with me at that portion 115 00:05:05,360 --> 00:05:06,000 Speaker 1: in my career. 116 00:05:06,480 --> 00:05:11,440 Speaker 4: And then for the for the second one, you know, 117 00:05:11,520 --> 00:05:13,279 Speaker 4: for it to take as much time as it had, 118 00:05:13,800 --> 00:05:16,560 Speaker 4: I got a lot more projects under my belt, so 119 00:05:16,600 --> 00:05:18,839 Speaker 4: the confidence was there for me to be able to lead, 120 00:05:19,480 --> 00:05:21,680 Speaker 4: get it down, get me a crew to be in 121 00:05:21,800 --> 00:05:24,800 Speaker 4: charge of, and not get my ass kicked for two hours. 122 00:05:26,160 --> 00:05:28,120 Speaker 2: So are you tired of that? I feel like it's 123 00:05:28,120 --> 00:05:29,800 Speaker 2: over now. I feel like you proved yourself enough with 124 00:05:29,960 --> 00:05:31,760 Speaker 2: people are not saying the only reason you're in this 125 00:05:31,839 --> 00:05:33,320 Speaker 2: industry is because of your dad or do you still 126 00:05:33,320 --> 00:05:34,560 Speaker 2: get that a lot? Do you still feel like you 127 00:05:34,560 --> 00:05:35,200 Speaker 2: gotta fight through that? 128 00:05:35,520 --> 00:05:38,400 Speaker 4: It'll forever be there, you know? And I don't have 129 00:05:38,440 --> 00:05:41,640 Speaker 4: a problem with that. It's just people that don't know. 130 00:05:41,839 --> 00:05:44,880 Speaker 4: And I can't. I can't concern myself with people who 131 00:05:45,040 --> 00:05:47,040 Speaker 4: just ignorant to it or try to fight it. 132 00:05:47,400 --> 00:05:49,279 Speaker 1: I mean, I got a kid. I gotta focus on 133 00:05:49,640 --> 00:05:50,880 Speaker 1: me man getting it done. 134 00:05:51,520 --> 00:05:53,520 Speaker 5: Can I think in a couple of those people are 135 00:05:53,560 --> 00:05:55,240 Speaker 5: going to be looking at ice Cube going. 136 00:05:55,000 --> 00:06:20,680 Speaker 6: Hey, look there's. 137 00:06:09,600 --> 00:06:10,880 Speaker 3: I don't have a very time. 138 00:06:11,040 --> 00:06:12,880 Speaker 5: I don't have a very powerful voice, so I have 139 00:06:12,920 --> 00:06:14,880 Speaker 5: to get close to that. 140 00:06:18,839 --> 00:06:19,360 Speaker 8: I forget it. 141 00:06:19,880 --> 00:06:22,440 Speaker 7: So in the second one, because now we know kind 142 00:06:22,440 --> 00:06:25,040 Speaker 7: of like your role a bit more, and how did 143 00:06:25,040 --> 00:06:27,600 Speaker 7: you prepare differently? Because the first time you're prepared as 144 00:06:27,600 --> 00:06:29,159 Speaker 7: an actor, it's like you got to kind of hide 145 00:06:29,200 --> 00:06:31,000 Speaker 7: who you really are the whole time. This time it's 146 00:06:31,040 --> 00:06:33,880 Speaker 7: like it's you know, it's big you, not the little one. 147 00:06:34,240 --> 00:06:38,600 Speaker 4: I mean that was that was really my excitement was 148 00:06:38,640 --> 00:06:41,320 Speaker 4: that I'm able to play the same character but a 149 00:06:41,360 --> 00:06:44,240 Speaker 4: different character at the same time. And a lot of 150 00:06:44,240 --> 00:06:49,760 Speaker 4: the prep was just remembering where Donnie is who Donnie 151 00:06:49,760 --> 00:06:53,960 Speaker 4: really is. And honestly, I watched a lot of John Jones. 152 00:06:54,160 --> 00:06:57,600 Speaker 4: John Jones and the beginning of his fights is just 153 00:06:58,000 --> 00:07:01,480 Speaker 4: so cold and just stick ill, and you can tell 154 00:07:01,600 --> 00:07:03,520 Speaker 4: just his his focus and his prep and it's a 155 00:07:03,560 --> 00:07:06,480 Speaker 4: lot of the same things with Donnie and what he does. 156 00:07:07,120 --> 00:07:08,680 Speaker 9: So you learned the fighting this one because in the 157 00:07:08,680 --> 00:07:14,200 Speaker 9: first one, I'm. 158 00:07:14,120 --> 00:07:17,960 Speaker 4: Kicking ass, and but just the idea of a fighter 159 00:07:18,280 --> 00:07:22,120 Speaker 4: where it's it's what how Donnie thinks in its simplest 160 00:07:22,160 --> 00:07:25,760 Speaker 4: form of one simple mistake and I'm done one simple 161 00:07:25,760 --> 00:07:28,840 Speaker 4: mistake and Donnie is in prison forever. So the same 162 00:07:28,880 --> 00:07:31,400 Speaker 4: thing with a fighter, if one slip up and you sleep, 163 00:07:31,600 --> 00:07:34,920 Speaker 4: you know. So it was a lot of studying studying 164 00:07:34,920 --> 00:07:35,600 Speaker 4: fighters for me. 165 00:07:35,760 --> 00:07:37,840 Speaker 2: Did y'all ask about fifty I just walked into Yeah, 166 00:07:37,840 --> 00:07:38,720 Speaker 2: we had about fifty ep. 167 00:07:38,920 --> 00:07:40,480 Speaker 9: Okay, how did how did that happens? 168 00:07:40,520 --> 00:07:40,640 Speaker 7: Why? 169 00:07:40,640 --> 00:07:40,760 Speaker 1: Why? 170 00:07:40,920 --> 00:07:42,720 Speaker 8: Why aren't all the all producers on the film? How 171 00:07:42,760 --> 00:07:44,200 Speaker 8: does he die in the first movie? 172 00:07:44,640 --> 00:07:47,840 Speaker 1: They come back? You gotta check the credits. 173 00:07:47,880 --> 00:07:53,160 Speaker 2: I was gonna ask, you know what this movie? It 174 00:07:53,200 --> 00:07:54,880 Speaker 2: seemed like this movie leveled up a lot, right it 175 00:07:54,920 --> 00:08:00,800 Speaker 2: as far as scenes action, it looks totally different. Do 176 00:08:00,880 --> 00:08:03,000 Speaker 2: you guys do your own stunts? And how was the 177 00:08:03,000 --> 00:08:05,240 Speaker 2: process of it leveling up so much the first one? 178 00:08:05,280 --> 00:08:07,400 Speaker 2: I'm not gonna say. I mean you could just tell 179 00:08:07,600 --> 00:08:10,280 Speaker 2: just from the airplane scene and the airport like they 180 00:08:10,320 --> 00:08:12,080 Speaker 2: spent a lot of money on that. Does that mean 181 00:08:12,120 --> 00:08:14,520 Speaker 2: more pressure the definitely. 182 00:08:14,600 --> 00:08:17,720 Speaker 4: You know, with a sequel, there's so many things that 183 00:08:17,760 --> 00:08:20,000 Speaker 4: go into it that could make it go the wrong way. 184 00:08:20,080 --> 00:08:22,960 Speaker 4: A lot of times sequels will rely so much on 185 00:08:23,000 --> 00:08:25,760 Speaker 4: the first one, giving you so many nods to the 186 00:08:25,800 --> 00:08:28,120 Speaker 4: first one that it kind of cheapens why you fell 187 00:08:28,120 --> 00:08:30,240 Speaker 4: in love with it in the first place. But uh, 188 00:08:30,400 --> 00:08:33,280 Speaker 4: I don't know. Budget that's like really gerards, you know point, 189 00:08:33,400 --> 00:08:35,840 Speaker 4: But like, definitely you have to step it up. But 190 00:08:35,840 --> 00:08:37,960 Speaker 4: we were able to change the entire dynamic of the film, 191 00:08:38,000 --> 00:08:40,320 Speaker 4: and the first one is more cops versus robbers, and 192 00:08:40,400 --> 00:08:42,840 Speaker 4: this one is much more of a buddy action and 193 00:08:42,920 --> 00:08:45,240 Speaker 4: I think we use that to our advantage. Plus I'm 194 00:08:45,280 --> 00:08:47,079 Speaker 4: a different character than I was in the first one, 195 00:08:47,120 --> 00:08:48,719 Speaker 4: So you're gonna you're getting a film that can not 196 00:08:48,800 --> 00:08:51,520 Speaker 4: only stand alone, but at the same time give you 197 00:08:51,559 --> 00:08:53,160 Speaker 4: what you already loved from Genni. 198 00:08:52,960 --> 00:08:55,400 Speaker 7: Fili even the coloring is different, like I noticed that too. 199 00:08:55,480 --> 00:08:56,520 Speaker 7: Like in the first one, I feel like it was 200 00:08:56,520 --> 00:08:58,720 Speaker 7: a lot warmer. This one's a lot more like cooler tones. 201 00:08:58,720 --> 00:09:00,080 Speaker 7: I don't know if that was on purpose too, but 202 00:09:00,120 --> 00:09:01,280 Speaker 7: it just changes the energy. 203 00:09:02,400 --> 00:09:04,960 Speaker 5: Yeah, yeah, yeah, Now I think the idea was to 204 00:09:05,000 --> 00:09:07,880 Speaker 5: give a very kind of different tone. Like Christian's a 205 00:09:07,880 --> 00:09:10,880 Speaker 5: big fan of kind of new wave of European cinema. 206 00:09:11,120 --> 00:09:13,679 Speaker 5: So it's like Osh says, yeah, you keep the same 207 00:09:14,440 --> 00:09:17,840 Speaker 5: that the same story. Basically you're following these characters, but 208 00:09:17,880 --> 00:09:21,240 Speaker 5: you cinematically it looks very different and it's still kind 209 00:09:21,280 --> 00:09:24,040 Speaker 5: of has a grittiness to it, but it also it 210 00:09:24,080 --> 00:09:27,760 Speaker 5: looks very beautiful and captivating and shows a different kind 211 00:09:27,760 --> 00:09:31,200 Speaker 5: of esthetic in a different tone. So I'm glad you 212 00:09:31,240 --> 00:09:34,960 Speaker 5: noticed that because it is cinematically this movie is beautiful. 213 00:09:35,000 --> 00:09:36,760 Speaker 3: If that's all it was, we still look amazing. 214 00:09:36,800 --> 00:09:39,240 Speaker 5: But fortunately there's a hell of a lot more going 215 00:09:39,280 --> 00:09:41,480 Speaker 5: on than just the you know. 216 00:09:41,480 --> 00:09:43,560 Speaker 3: The scope, but the scope is huge too. I mean, 217 00:09:43,559 --> 00:09:44,040 Speaker 3: we've got a. 218 00:09:43,960 --> 00:09:47,000 Speaker 5: Lot more money for this one, and well we did 219 00:09:47,080 --> 00:09:49,000 Speaker 5: basically that's it. We got more money and we got 220 00:09:49,000 --> 00:09:50,960 Speaker 5: more time. I mean, people make a joker, how long 221 00:09:51,000 --> 00:09:52,680 Speaker 5: it took. It's true, it shouldn't have taken that long. 222 00:09:52,840 --> 00:09:55,400 Speaker 5: But the thing that did give is was to get 223 00:09:55,400 --> 00:09:58,679 Speaker 5: everything in order and to get those little more magic moments. 224 00:09:58,720 --> 00:10:00,920 Speaker 5: Always find that when you developed in a script, if 225 00:10:01,360 --> 00:10:04,600 Speaker 5: you know, often the more time you get to let 226 00:10:04,679 --> 00:10:06,439 Speaker 5: it kind of sit there and think about it, and 227 00:10:06,440 --> 00:10:09,840 Speaker 5: then you find all these extra moments and more layers 228 00:10:09,840 --> 00:10:13,440 Speaker 5: and more nuanced and maybe even bigger surprises. Because this 229 00:10:13,559 --> 00:10:16,880 Speaker 5: movie is it's so full of twists and turns and surprise. 230 00:10:17,000 --> 00:10:19,000 Speaker 5: You just never know where it's gonna go, Where He's 231 00:10:19,000 --> 00:10:20,520 Speaker 5: gonna go, where I'm gonna go, where the panthers are 232 00:10:20,520 --> 00:10:20,880 Speaker 5: going to go? 233 00:10:21,120 --> 00:10:21,720 Speaker 3: Who the hell? 234 00:10:21,920 --> 00:10:22,080 Speaker 1: You know? 235 00:10:22,440 --> 00:10:24,679 Speaker 5: We have a ton of people after is too. In 236 00:10:24,679 --> 00:10:27,640 Speaker 5: the heist itself is just there's a lot going on. 237 00:10:27,760 --> 00:10:29,280 Speaker 5: So it's kind of throwing you all around. 238 00:10:29,360 --> 00:10:31,040 Speaker 2: It's so crazy how you turn off your well, how 239 00:10:31,200 --> 00:10:33,520 Speaker 2: I don't hear the accent in the movie like in 240 00:10:33,520 --> 00:10:36,560 Speaker 2: the movie American all day long, but but now I 241 00:10:36,559 --> 00:10:38,240 Speaker 2: can hear it go in and out. Is crazy. How 242 00:10:38,280 --> 00:10:39,839 Speaker 2: you're able to do that as an actor? Yeah, is 243 00:10:39,880 --> 00:10:40,600 Speaker 2: that difficult. 244 00:10:41,440 --> 00:10:42,080 Speaker 6: It takes work. 245 00:10:42,520 --> 00:10:44,000 Speaker 5: I've done it a lot now, but yeah, I mean 246 00:10:44,040 --> 00:10:45,680 Speaker 5: every morning when I go to set. I have to 247 00:10:45,720 --> 00:10:49,880 Speaker 5: do like forty minutes of voice lessons, you know, the sounds, 248 00:10:50,000 --> 00:10:52,160 Speaker 5: learning to kind of speak, like make more of the vowels, 249 00:10:52,160 --> 00:10:54,320 Speaker 5: because in Scotland we hit the consonants, right, we hit 250 00:10:54,360 --> 00:10:57,120 Speaker 5: the c's and the k's and the t's, and in America, 251 00:10:57,160 --> 00:11:00,480 Speaker 5: you guys come off the constance. You're more like, yeah, 252 00:11:00,960 --> 00:11:04,560 Speaker 5: so I started exercises, but actually I do. I do 253 00:11:04,640 --> 00:11:08,040 Speaker 5: exercise like well, and you start talking. 254 00:11:07,840 --> 00:11:08,760 Speaker 1: Like this, and now you're. 255 00:11:10,920 --> 00:11:14,760 Speaker 3: Yeah, yeah, America, because that pic Nicks is the. 256 00:11:14,720 --> 00:11:16,240 Speaker 1: Whole time, and it depends where you act. 257 00:11:16,320 --> 00:11:18,640 Speaker 9: I say I'm from South Carolina, so I say straight 258 00:11:18,679 --> 00:11:19,679 Speaker 9: street strong. 259 00:11:20,240 --> 00:11:21,400 Speaker 3: Okay, yeah that's true. 260 00:11:21,440 --> 00:11:25,040 Speaker 5: I mean, if it's more urban than like just playing 261 00:11:25,200 --> 00:11:30,079 Speaker 5: in this country, no, but I just played that a 262 00:11:30,120 --> 00:11:32,400 Speaker 5: New York character and that was very much like, you know, 263 00:11:32,720 --> 00:11:35,400 Speaker 5: yeah dude, he did he didn't, you know, like that. 264 00:11:35,400 --> 00:11:38,400 Speaker 3: Kind of thing so urban urban, but that was like 265 00:11:38,480 --> 00:11:40,880 Speaker 3: that was that was New York. That was New York 266 00:11:40,920 --> 00:11:41,600 Speaker 3: master urban. 267 00:11:42,240 --> 00:11:47,839 Speaker 4: Wait his his American murder versus your Scotland murder. 268 00:11:47,920 --> 00:11:52,120 Speaker 3: Oh yeah, that's just calling you go. And then America 269 00:11:52,240 --> 00:11:53,000 Speaker 3: is kind of like murder. 270 00:11:53,480 --> 00:11:55,600 Speaker 5: And I couldn't say that took me years and there 271 00:11:55,679 --> 00:11:57,920 Speaker 5: was a movie once I was shooting. 272 00:11:57,640 --> 00:12:00,760 Speaker 3: What I had to say, no, not if you murdered. 273 00:12:00,800 --> 00:12:02,600 Speaker 3: And I couldn't say. I'm like, no, not if he's 274 00:12:02,760 --> 00:12:05,800 Speaker 3: murdered because we have such a thick R and D 275 00:12:06,080 --> 00:12:06,600 Speaker 3: you know, but. 276 00:12:06,960 --> 00:12:11,040 Speaker 8: You an American nigga in a Scotland nigga. 277 00:12:11,640 --> 00:12:17,360 Speaker 4: So it's not about it's about the challenge. 278 00:12:17,040 --> 00:12:19,720 Speaker 6: Ye, how many careers is he ruined? 279 00:12:23,559 --> 00:12:25,600 Speaker 2: It's not about the money. Is about the challenge. Let's 280 00:12:25,600 --> 00:12:27,280 Speaker 2: talk about that phrase. That's a phrase that's mentioned a 281 00:12:27,320 --> 00:12:29,040 Speaker 2: lot in the movie. Do y'all live by that? 282 00:12:29,360 --> 00:12:29,440 Speaker 1: No? 283 00:12:32,040 --> 00:12:35,120 Speaker 4: You know, like I was talking to him and uh 284 00:12:35,320 --> 00:12:38,480 Speaker 4: for more pressed for this because that quote keeps coming up. 285 00:12:38,840 --> 00:12:42,080 Speaker 4: It's a little bit about the money, like you're I'm 286 00:12:42,160 --> 00:12:45,319 Speaker 4: robbing the Federal Reserve in the World Diamond Center. 287 00:12:45,679 --> 00:12:48,120 Speaker 9: It's a little bit about thought some about in real life. 288 00:12:48,600 --> 00:12:49,719 Speaker 1: Real life. That's about real life. 289 00:12:49,760 --> 00:12:54,160 Speaker 4: I mean, you know about Dion Sanders and my pops 290 00:12:54,200 --> 00:12:56,440 Speaker 4: have a quote, you know, if everybody doing it for 291 00:12:56,520 --> 00:12:58,920 Speaker 4: the love, I'll do it for the love. But if 292 00:12:58,920 --> 00:13:01,200 Speaker 4: everybody you know, we all getting paid, we all getting paid. 293 00:13:01,240 --> 00:13:03,160 Speaker 4: It's just the world that we live in. But you 294 00:13:03,320 --> 00:13:08,240 Speaker 4: have to take those challenges to uplift yourself, to get 295 00:13:08,280 --> 00:13:12,120 Speaker 4: yourself to a new tier. I'm very I'm easily content. 296 00:13:12,200 --> 00:13:14,640 Speaker 4: It's easy to get stagnant when you don't need much. 297 00:13:15,240 --> 00:13:18,040 Speaker 4: So if you don't take those challenges, if you don't 298 00:13:18,080 --> 00:13:19,960 Speaker 4: take those risks, you're just going to be in the 299 00:13:19,960 --> 00:13:25,760 Speaker 4: same spot every single time. And one of the there 300 00:13:25,800 --> 00:13:29,679 Speaker 4: was a portion in my career where I felt stagnant 301 00:13:29,679 --> 00:13:31,880 Speaker 4: where I felt like, you know, we're not We're not 302 00:13:32,040 --> 00:13:35,960 Speaker 4: going up, but we're not going down either, And one 303 00:13:36,040 --> 00:13:40,200 Speaker 4: night I might have been faded. I DM Kobe Bryant 304 00:13:40,440 --> 00:13:44,200 Speaker 4: and Kobe Yeah, I asked him. I was like, dude, 305 00:13:44,200 --> 00:13:48,160 Speaker 4: you've done everything. How do you keep yourself wanting more? 306 00:13:48,240 --> 00:13:52,600 Speaker 4: How do you keep like away from being comfortable? Give 307 00:13:52,640 --> 00:13:55,400 Speaker 4: me some movies, give me some books, give me a quote, 308 00:13:55,400 --> 00:13:56,439 Speaker 4: a mantra or anything. 309 00:13:56,480 --> 00:13:57,120 Speaker 1: He gave me his. 310 00:13:57,120 --> 00:14:00,640 Speaker 4: Number, so I'm. 311 00:13:59,800 --> 00:14:02,040 Speaker 1: Not about to call Kobe like right then and there. 312 00:14:02,160 --> 00:14:05,240 Speaker 4: So I hit him and he was like, all right, 313 00:14:05,320 --> 00:14:07,120 Speaker 4: I'm gonna call you in a few days. So for 314 00:14:07,200 --> 00:14:09,760 Speaker 4: like two weeks I was waiting by my phone, just 315 00:14:09,760 --> 00:14:12,440 Speaker 4: waiting for Kobe to hit me. And then I was 316 00:14:12,480 --> 00:14:16,480 Speaker 4: in an uber coming back from a table read and 317 00:14:16,800 --> 00:14:19,160 Speaker 4: he called me, and I remember I told the Uber driver. 318 00:14:19,200 --> 00:14:20,640 Speaker 4: I was like, hey, can you turn the radio down. 319 00:14:21,040 --> 00:14:24,560 Speaker 4: Kobe Bryant's calling me. He was like, yeah, So now 320 00:14:24,600 --> 00:14:27,040 Speaker 4: the driver is looking in the mirror while I'm on 321 00:14:27,080 --> 00:14:27,480 Speaker 4: the phone. 322 00:14:27,520 --> 00:14:29,360 Speaker 1: And I talked to Kobe for twenty five minutes. 323 00:14:29,760 --> 00:14:33,080 Speaker 4: He said that feeling that you have not done enough, 324 00:14:33,200 --> 00:14:36,040 Speaker 4: or that where you are isn't good enough and you 325 00:14:36,120 --> 00:14:38,760 Speaker 4: want more and you don't know why you want more, 326 00:14:39,320 --> 00:14:42,000 Speaker 4: hold on to it because that's the only thing that's 327 00:14:42,040 --> 00:14:45,640 Speaker 4: gonna make you want to take shots, take risks and 328 00:14:46,720 --> 00:14:49,800 Speaker 4: uplift yourself. And then like that was the first and 329 00:14:49,960 --> 00:14:52,880 Speaker 4: only conversation I had with my hero, because two months 330 00:14:52,960 --> 00:14:55,040 Speaker 4: later he was gone, Wow, I would. 331 00:14:54,760 --> 00:14:57,120 Speaker 8: Think maybe I'm just just me in my mind and 332 00:14:57,120 --> 00:14:58,680 Speaker 8: what I think your life is, Like I thought you 333 00:14:58,760 --> 00:15:01,240 Speaker 8: was having being around these type of people all the time. 334 00:15:01,680 --> 00:15:04,520 Speaker 8: I'm around them, but it's not like I ain't got 335 00:15:04,520 --> 00:15:06,360 Speaker 8: the number to just be like, you know, hit them 336 00:15:06,440 --> 00:15:08,240 Speaker 8: up and call them. But it's just one of those 337 00:15:08,280 --> 00:15:11,720 Speaker 8: things like if I didn't take that challenge, that risk 338 00:15:11,760 --> 00:15:13,040 Speaker 8: to even message him. 339 00:15:13,080 --> 00:15:15,160 Speaker 1: I wouldn't have never had that conversation. Do you ever 340 00:15:15,160 --> 00:15:16,280 Speaker 1: ask your pops like your pops. 341 00:15:16,280 --> 00:15:17,520 Speaker 9: Can you connect me to such and such that you 342 00:15:17,600 --> 00:15:18,840 Speaker 9: just always try to make your own connection. 343 00:15:18,920 --> 00:15:20,520 Speaker 1: No, I try to do it on my own. I don't. 344 00:15:20,560 --> 00:15:23,600 Speaker 1: You know. It's just so it's realer if you do 345 00:15:23,680 --> 00:15:24,600 Speaker 1: it organically. 346 00:15:25,120 --> 00:15:27,760 Speaker 4: So, you know, luckily I've been able to work with 347 00:15:28,240 --> 00:15:31,960 Speaker 4: some amazing people where I can call you know, fifty, 348 00:15:32,200 --> 00:15:34,480 Speaker 4: ask him some stuff. I can talk to Girard, I 349 00:15:34,520 --> 00:15:37,920 Speaker 4: can you know, rest in peace radio to being able 350 00:15:37,960 --> 00:15:40,160 Speaker 4: to work with him and things like that. So it's 351 00:15:40,200 --> 00:15:42,200 Speaker 4: just about keeping my head down and then when I 352 00:15:42,360 --> 00:15:45,080 Speaker 4: when I see the opportunity to take a challenge, knock 353 00:15:45,120 --> 00:15:45,360 Speaker 4: it out. 354 00:15:45,360 --> 00:15:47,240 Speaker 1: The part question did you go to school for screen 355 00:15:47,240 --> 00:15:50,240 Speaker 1: writing USC? Yeah, University of Southern California. 356 00:15:50,360 --> 00:15:52,400 Speaker 8: So it's interesting to me, Like I MB said it earlier, 357 00:15:52,480 --> 00:15:54,240 Speaker 8: just he asked the question about you know, do you 358 00:15:54,240 --> 00:15:56,280 Speaker 8: still do you get respect for yourself? 359 00:15:56,320 --> 00:15:56,440 Speaker 1: Now? 360 00:15:56,440 --> 00:15:58,200 Speaker 8: I'm like, you know, you really put in the work, 361 00:15:58,240 --> 00:16:00,920 Speaker 8: like what really studied your your craft? 362 00:16:00,960 --> 00:16:01,520 Speaker 1: They don't give it. 363 00:16:01,600 --> 00:16:06,760 Speaker 7: Damn get dragged for the nepotism conversation. I think you 364 00:16:06,840 --> 00:16:07,920 Speaker 7: unfairly get that too. 365 00:16:08,120 --> 00:16:09,640 Speaker 1: Yeah, but I love it. You know what I mean. 366 00:16:09,680 --> 00:16:10,640 Speaker 1: You're not about to make. 367 00:16:10,520 --> 00:16:12,720 Speaker 4: Me feel bad of just like, oh, you had a 368 00:16:12,760 --> 00:16:17,800 Speaker 4: good life. I'm sorry, man, you know, I hope y'all 369 00:16:17,840 --> 00:16:20,440 Speaker 4: all grow to have nepple babies yourself. 370 00:16:20,720 --> 00:16:23,320 Speaker 1: But I'm not. I'm not running from that. 371 00:16:23,360 --> 00:16:26,400 Speaker 4: You're not about to make me feel bad for you know, 372 00:16:26,480 --> 00:16:28,320 Speaker 4: my blessings or my family and. 373 00:16:28,280 --> 00:16:29,280 Speaker 1: Try to run from it. 374 00:16:29,680 --> 00:16:33,440 Speaker 4: You know, get mad, get glad, get heavyweight trash bags. 375 00:16:33,440 --> 00:16:34,120 Speaker 1: I don't give a damn. 376 00:16:34,200 --> 00:16:35,280 Speaker 9: We always felt like that. 377 00:16:35,720 --> 00:16:38,240 Speaker 4: I mean no, it takes a lot for you to 378 00:16:38,280 --> 00:16:41,640 Speaker 4: get there. You you start to believe and listen to people. 379 00:16:42,080 --> 00:16:45,600 Speaker 4: Any talks of that getting out of a shadow are 380 00:16:45,920 --> 00:16:49,440 Speaker 4: from the outside looking in. It's not a shadow man, 381 00:16:49,520 --> 00:16:52,960 Speaker 4: Your your parents or whoever did not put it in 382 00:16:53,040 --> 00:16:55,560 Speaker 4: the work for you to feel ashamed. 383 00:16:55,120 --> 00:16:57,720 Speaker 1: For all the sacrifice that they went through. 384 00:16:58,240 --> 00:17:00,480 Speaker 4: So it's just like the way that I look at it, 385 00:17:00,480 --> 00:17:03,640 Speaker 4: it's been happening for centuries. It's not a shadow. It's 386 00:17:03,720 --> 00:17:07,119 Speaker 4: taking the Jackson name and pushing it even further. And 387 00:17:07,160 --> 00:17:09,919 Speaker 4: then when when she's ready, my daughter is gonna have 388 00:17:09,960 --> 00:17:12,240 Speaker 4: to do the exact same thing. So when you look 389 00:17:12,320 --> 00:17:14,400 Speaker 4: back at the you know, the ends of time were 390 00:17:14,440 --> 00:17:14,920 Speaker 4: still there. 391 00:17:15,000 --> 00:17:17,520 Speaker 2: Are you surprised by your voice? Sometimes? Like like how 392 00:17:17,640 --> 00:17:20,800 Speaker 2: big people look at you like I seen when I 393 00:17:20,880 --> 00:17:23,040 Speaker 2: think it was you said something about Andrew Schultz, right 394 00:17:23,080 --> 00:17:25,720 Speaker 2: and with viral like crazy. Were you surprised about that 395 00:17:25,840 --> 00:17:26,879 Speaker 2: or was it one of those things you just with 396 00:17:26,920 --> 00:17:28,679 Speaker 2: the homie like this is how I feeling. You just 397 00:17:28,680 --> 00:17:29,640 Speaker 2: thought it was gonna in there? 398 00:17:29,760 --> 00:17:30,159 Speaker 1: Yeah I did. 399 00:17:30,280 --> 00:17:33,760 Speaker 4: I mean I didn't think my mind words even meant 400 00:17:33,760 --> 00:17:34,160 Speaker 4: that much. 401 00:17:34,200 --> 00:17:36,400 Speaker 1: And I don't have a problem with Scholtz at all. 402 00:17:36,560 --> 00:17:38,040 Speaker 1: I just thought the comment was weird. 403 00:17:38,080 --> 00:17:42,080 Speaker 4: It's not that I had some soapbox moment where I 404 00:17:42,200 --> 00:17:44,880 Speaker 4: put up four or five paragraphs on Twitter or even 405 00:17:44,920 --> 00:17:47,840 Speaker 4: continue to do so. It's just I mean, the comment 406 00:17:47,960 --> 00:17:51,160 Speaker 4: was weird, and that's it. I don't I sometimes don't 407 00:17:51,280 --> 00:17:55,679 Speaker 4: recognize that people give a shit because I've said so 408 00:17:55,760 --> 00:17:58,160 Speaker 4: much that you didn't give a shit about before, So 409 00:17:58,359 --> 00:18:01,199 Speaker 4: like you know, they pick and choose what sticks, and 410 00:18:01,240 --> 00:18:05,600 Speaker 4: you never know what does, and you know, sometimes I 411 00:18:05,600 --> 00:18:08,479 Speaker 4: gotta just remember that you do have a little bit 412 00:18:08,520 --> 00:18:10,560 Speaker 4: of way, And you know, I don't mean nothing by it. 413 00:18:10,640 --> 00:18:11,720 Speaker 1: It just was on my mind. 414 00:18:11,760 --> 00:18:14,520 Speaker 4: And you said you was a fan, Yeah, exactly, bro, Like, 415 00:18:14,640 --> 00:18:17,800 Speaker 4: first of all, he's fucking hilarious and tires love tires, 416 00:18:18,200 --> 00:18:20,120 Speaker 4: But like it's just it's just how. 417 00:18:20,080 --> 00:18:21,200 Speaker 1: People are going wrong with it. 418 00:18:21,240 --> 00:18:24,080 Speaker 4: And even when you do interviews and stuff like that, 419 00:18:24,119 --> 00:18:27,520 Speaker 4: you have to be conscious of like what's gonna get clipped, 420 00:18:27,560 --> 00:18:29,280 Speaker 4: what's going to be spread out there? 421 00:18:29,600 --> 00:18:32,000 Speaker 1: People are not going to click the link to. 422 00:18:32,040 --> 00:18:35,320 Speaker 4: The full interview. It's just not gonna happen. So you 423 00:18:35,480 --> 00:18:37,000 Speaker 4: just got to be mindful of the stuff. It's just 424 00:18:37,040 --> 00:18:38,199 Speaker 4: the game of the internet. 425 00:18:38,440 --> 00:18:41,440 Speaker 2: Has La, how has LA changed from everything that's going 426 00:18:41,480 --> 00:18:43,920 Speaker 2: on in the last year. Right, you're a huge LA fan, 427 00:18:44,119 --> 00:18:46,760 Speaker 2: huge Lakers fan, huge Dodges. 428 00:18:46,480 --> 00:18:47,840 Speaker 9: Fan, huge Kendrick fan. 429 00:18:48,119 --> 00:18:51,680 Speaker 2: Yeah, and we've seen this has been laz last year. 430 00:18:51,720 --> 00:18:54,080 Speaker 2: So how have you seen the change of LA. As 431 00:18:54,080 --> 00:18:55,840 Speaker 2: far as people are outside the. 432 00:18:55,960 --> 00:18:59,560 Speaker 4: Scene, I feel like every region, every now and then, 433 00:18:59,680 --> 00:19:02,520 Speaker 4: whether it be the South, you know, East, East coast, 434 00:19:02,560 --> 00:19:05,719 Speaker 4: West coast, every now and then there's something that jokes 435 00:19:05,760 --> 00:19:08,560 Speaker 4: them where they got the sound and right now I 436 00:19:08,600 --> 00:19:12,240 Speaker 4: feel like with Dot with Tyler. 437 00:19:12,240 --> 00:19:13,199 Speaker 1: We got the sound. 438 00:19:13,320 --> 00:19:16,040 Speaker 4: You know, my Pops and Snoop put out album, like 439 00:19:16,080 --> 00:19:20,760 Speaker 4: the sound is there. There's absolute blue Lips like you like, 440 00:19:21,000 --> 00:19:24,920 Speaker 4: the sound is there right now? And uh, even other 441 00:19:25,040 --> 00:19:28,960 Speaker 4: artists like Thojah and Billie Eilish. My man evinced like, 442 00:19:29,400 --> 00:19:33,360 Speaker 4: we got like twenty people out right now, and so 443 00:19:33,520 --> 00:19:36,000 Speaker 4: it's a you know, it's a beautiful time. On top 444 00:19:36,040 --> 00:19:38,800 Speaker 4: of the Dodgers just being disgusted. I'm sorry, New York Bro, 445 00:19:38,960 --> 00:19:40,000 Speaker 4: I'm sorry. 446 00:19:40,840 --> 00:19:47,400 Speaker 7: Like that nothing with the base sound so clear? 447 00:19:47,920 --> 00:19:54,359 Speaker 1: Was it? Listen? He take it serious, Bro, this is what's. 448 00:19:53,240 --> 00:19:54,560 Speaker 9: The reason that they want? 449 00:19:54,640 --> 00:19:56,040 Speaker 7: Like, how do you feel about that? Like they're like, oh, 450 00:19:56,040 --> 00:19:58,200 Speaker 7: he's the reason part, Like he's a part of the wind, 451 00:19:58,200 --> 00:20:00,199 Speaker 7: Like he's a part of the motivation of doing that's 452 00:20:00,200 --> 00:20:00,600 Speaker 7: the guy. 453 00:20:03,440 --> 00:20:09,159 Speaker 1: Talking about. Dave Roberts. Bro, Dave Roberts, Yeah, that's wild, 454 00:20:09,280 --> 00:20:10,520 Speaker 1: but uh, it was. 455 00:20:10,720 --> 00:20:14,240 Speaker 9: It was a beautiful feeling. 456 00:20:16,080 --> 00:20:17,919 Speaker 1: It was. It was a beautiful feeling. You know. 457 00:20:18,160 --> 00:20:21,200 Speaker 4: I'm I'm not gonna act like I'm this die hard 458 00:20:21,240 --> 00:20:26,679 Speaker 4: baseball fan. I've always said baseball needs more dunks and touchdowns. 459 00:20:26,960 --> 00:20:30,680 Speaker 4: But so going to that game, seeing that field, having 460 00:20:30,680 --> 00:20:35,040 Speaker 4: that nervous feeling of the World Series, and then watching 461 00:20:35,359 --> 00:20:39,640 Speaker 4: my guy walk the entire field doing his thing, being 462 00:20:39,680 --> 00:20:43,400 Speaker 4: in his element, it being so clear, and him knocking 463 00:20:43,440 --> 00:20:44,280 Speaker 4: it out of the park. 464 00:20:44,680 --> 00:20:47,400 Speaker 1: It's just one of the one of the proudest moments 465 00:20:47,400 --> 00:20:49,400 Speaker 1: that I've had as his son. 466 00:20:50,119 --> 00:20:54,720 Speaker 4: And when he was done, I looked over at my brother. 467 00:20:54,520 --> 00:20:56,680 Speaker 1: And my sister and was just like, man, he did it. 468 00:20:56,880 --> 00:20:59,879 Speaker 1: You know. It's just one of those weird feelings that 469 00:21:00,080 --> 00:21:01,119 Speaker 1: are out of a movie. 470 00:21:01,680 --> 00:21:03,840 Speaker 4: Help that we won too, because I and man, it 471 00:21:03,880 --> 00:21:06,320 Speaker 4: would have been I would have been upset. But even 472 00:21:06,359 --> 00:21:08,520 Speaker 4: for him to do it at the parade, it's just 473 00:21:08,560 --> 00:21:11,400 Speaker 4: one of those things where it's just like, how could you? 474 00:21:11,560 --> 00:21:14,840 Speaker 4: How could I ever run away from being blessed by 475 00:21:15,080 --> 00:21:15,520 Speaker 4: that dude? 476 00:21:16,359 --> 00:21:17,600 Speaker 8: I want to say I wanted. I got a couple 477 00:21:17,600 --> 00:21:19,359 Speaker 8: more questions for you. But we talked about l A. 478 00:21:19,840 --> 00:21:22,080 Speaker 8: I feel like LA really needed the year that it 479 00:21:22,200 --> 00:21:25,280 Speaker 8: just had. Yeah, I don't think we talk about the 480 00:21:25,359 --> 00:21:28,760 Speaker 8: loss of Nipsey, the loss of Kobe. La took some 481 00:21:28,840 --> 00:21:31,399 Speaker 8: real big other And there was a part when during 482 00:21:31,440 --> 00:21:33,920 Speaker 8: the Popular Show, Kendrick said that Kendrick, because like Yoda, 483 00:21:33,960 --> 00:21:35,400 Speaker 8: City ain't felt the same since. 484 00:21:35,280 --> 00:21:37,760 Speaker 9: Nipsey died, And I don't think people talk about that enough. 485 00:21:38,240 --> 00:21:44,160 Speaker 4: Yeah, I think period at the time of Nipsy passing, 486 00:21:44,520 --> 00:21:49,160 Speaker 4: he was so obvious like this is gonna be yeah, 487 00:21:49,200 --> 00:21:52,399 Speaker 4: like and so when you take away, you know, just 488 00:21:52,480 --> 00:21:56,480 Speaker 4: like it's just like a ripple effect, and yeah, man, 489 00:21:56,520 --> 00:21:58,879 Speaker 4: they're they're still not over it, you know. I was 490 00:21:59,119 --> 00:22:02,440 Speaker 4: just like, I can't help but talk about Kobe. We 491 00:22:02,359 --> 00:22:05,240 Speaker 4: were just talking about Nip last night at the after 492 00:22:05,320 --> 00:22:08,679 Speaker 4: after party. So it's it's it really was a feeling. 493 00:22:08,720 --> 00:22:11,320 Speaker 4: This is this the healing factor that that had to 494 00:22:11,840 --> 00:22:15,280 Speaker 4: take has finally come to a spot where we are 495 00:22:16,359 --> 00:22:18,480 Speaker 4: forced to be wrecking with right now. I know a 496 00:22:18,520 --> 00:22:20,080 Speaker 4: lot of people are gonna be tired of it, but 497 00:22:20,200 --> 00:22:22,160 Speaker 4: like it is what it is, but. 498 00:22:22,720 --> 00:22:23,960 Speaker 8: Not what you just said is a good way to 499 00:22:23,960 --> 00:22:26,080 Speaker 8: put it in paraphrasm. But yeah, it feel like the 500 00:22:26,119 --> 00:22:26,720 Speaker 8: city's healing. 501 00:22:26,840 --> 00:22:27,680 Speaker 1: Yeah, it's here. 502 00:22:27,800 --> 00:22:30,600 Speaker 4: And then like right now I'm looking at my phone 503 00:22:30,640 --> 00:22:32,800 Speaker 4: to see who's affected by the fires right now. So 504 00:22:32,880 --> 00:22:36,840 Speaker 4: like it's just it's just another another thing. But we're 505 00:22:36,880 --> 00:22:40,919 Speaker 4: in a beautiful place artistically, and I'm proud of everybody 506 00:22:40,960 --> 00:22:42,840 Speaker 4: who who's from the city doing their thing. 507 00:22:42,920 --> 00:22:43,600 Speaker 2: They gotta go too. 508 00:22:43,760 --> 00:22:46,200 Speaker 8: Okay, when it comes to screenwriting, what did you learn 509 00:22:46,240 --> 00:22:49,200 Speaker 8: at USC that your that your father didn't learn because 510 00:22:49,280 --> 00:22:51,000 Speaker 8: I'm only getting this from the strade out of Compty 511 00:22:51,080 --> 00:22:53,880 Speaker 8: movie just writing Friday in his house like it was nothing, 512 00:22:54,600 --> 00:22:55,280 Speaker 8: just just. 513 00:22:55,200 --> 00:22:57,919 Speaker 4: What you know what goes into the just the in 514 00:22:57,960 --> 00:23:01,800 Speaker 4: and out the difference really the difference between mean popcorn 515 00:23:01,880 --> 00:23:05,680 Speaker 4: movies and cinema. You know what they view as cinema. 516 00:23:05,760 --> 00:23:10,520 Speaker 4: We've all seen a movie have crazy box office, but 517 00:23:10,640 --> 00:23:14,240 Speaker 4: don't get no oscar recognition because there there's a mindset 518 00:23:14,400 --> 00:23:19,399 Speaker 4: within Hollywood of popcorn films and cinema and just the 519 00:23:19,480 --> 00:23:23,440 Speaker 4: difference in what that goes into. And I mean personally, 520 00:23:23,520 --> 00:23:26,040 Speaker 4: I feel like, Girard, you don't get enough credit for 521 00:23:26,119 --> 00:23:29,080 Speaker 4: you being able to pull off that American accent. Like 522 00:23:29,200 --> 00:23:32,680 Speaker 4: there's so many actors that get this praise for their 523 00:23:33,240 --> 00:23:36,000 Speaker 4: dialect and all this stuff when you've been doing it forever. 524 00:23:36,080 --> 00:23:36,280 Speaker 1: Man. 525 00:23:36,320 --> 00:23:38,280 Speaker 4: So I just want to give you big ups while 526 00:23:38,359 --> 00:23:40,800 Speaker 4: this topic is there that you deserve so much more 527 00:23:40,920 --> 00:23:43,720 Speaker 4: recognition for doing it as much as you did, because 528 00:23:43,720 --> 00:23:45,840 Speaker 4: it still trips me out when you start talking like 529 00:23:45,840 --> 00:23:46,800 Speaker 4: how to train your dragon? 530 00:23:48,080 --> 00:23:50,280 Speaker 8: One word you could say right now that would make 531 00:23:50,359 --> 00:23:51,919 Speaker 8: everybody be like, oh wow. 532 00:23:51,680 --> 00:23:55,119 Speaker 4: I get I don't care. 533 00:23:58,960 --> 00:23:59,600 Speaker 2: This weekend. 534 00:24:00,400 --> 00:24:09,400 Speaker 5: One know I've been looking this way. 535 00:24:05,480 --> 00:24:10,680 Speaker 2: Butler, oh Jackson, we appreciate you. Dinner Thieves three that 536 00:24:10,760 --> 00:24:13,600 Speaker 2: are threeves Dead of Thieves three working on it. Maybe 537 00:24:13,640 --> 00:24:16,160 Speaker 2: possibility a long time. 538 00:24:16,240 --> 00:24:20,080 Speaker 5: So yeah, this one, by the way, that's if everybody 539 00:24:20,160 --> 00:24:22,159 Speaker 5: goes to see this movie. You know, come on, I 540 00:24:22,200 --> 00:24:25,000 Speaker 5: think you're getting a great movie. But I yeah, there's 541 00:24:25,000 --> 00:24:27,400 Speaker 5: something I wouldn't even say in the works. There's there's 542 00:24:27,440 --> 00:24:31,960 Speaker 5: an idea that's brewing right now, but it's just an idea. 543 00:24:32,119 --> 00:24:32,399 Speaker 1: Okay. 544 00:24:32,880 --> 00:24:35,200 Speaker 2: We appreciate you all for joining us. Make sure you'll 545 00:24:35,200 --> 00:24:38,760 Speaker 2: go see it this weekend. It's The Breakfast Club. Good morning, 546 00:24:39,480 --> 00:24:41,560 Speaker 2: wake that ass up in the morning. 547 00:24:41,720 --> 00:24:42,720 Speaker 1: The Breakfast Club