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Speaker 1: And I invited you here. I thought I made myself

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Speaker 1: perfectly clear. When you're a guest to my home, you

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Speaker 1: gotta come to me empty. And I said, no, guests,

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Speaker 1: your own presences presence enough. And I already had too

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Speaker 1: much stuff, So how do you.

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Speaker 2: Dare to surbey me? Welcome to I said, no gifts.

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Speaker 2: I'm prettyer winegarl. We're here in the studio. I hope

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Speaker 2: you're doing. I hope you're doing as well as your

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Speaker 2: circumstances and brain chemistry allow. I'm fine. What's happening this morning? Well,

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Speaker 2: on the way here, I saw a license plate cover

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Speaker 2: that said a happy wife is spoiled by hobby, which

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Speaker 2: I thought was cute, real sweet. That was on the

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Speaker 2: back of a gray mini van. So true, and that

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Speaker 2: kind of brightened my morning. I've unfortunately tried to go

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Speaker 2: to home depot. I need a new pot.

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Speaker 3: It was a.

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Speaker 2: Disaster, huge mistake. Every pot they had was either boring

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Speaker 2: or tacky. So now I have to think of another

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Speaker 2: place to buy a pot. Where else do you buy

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Speaker 2: a pot? I feel like I had one other thing

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Speaker 2: to complain about, and I can't remember what it was.

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Speaker 2: Maybe that'll come up during conversation. But I think that's everything.

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Speaker 2: I think we should just get into the podcast. Let

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Speaker 2: me see, let me look at my notes. No, we're good.

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Speaker 2: Our guest is fantastic. Truly, everybody loves this person. It's

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Speaker 2: John Marcos Arasi.

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Speaker 3: I don't know that that's very generous.

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Speaker 2: I would say a large chunk of people love the

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Speaker 2: people that get it.

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Speaker 3: Okay, good? Yeah, yeah, I think I would win the

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Speaker 3: popular vote right now by a slim A slim about.

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Speaker 2: Who isn't liking you right now?

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Speaker 3: Oh gosh, I mean, I mean there's definitely I'm canceling.

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Speaker 3: Like I'm saying yes to too many things. Okay, sure,

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Speaker 3: and it's like reaching that thresholder, I'm like, stop saying

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Speaker 3: yes to these things. You then cancel the day before.

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Speaker 3: And I'm talking like comedy shows like stand up shows

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Speaker 3: in New York, small.

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Speaker 2: Show or friends shows that kind of thing.

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Speaker 3: Yeah, and I'm friends, but like just like up and coming.

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Speaker 3: I remember when I had a weekly show and it

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Speaker 3: was like the headliner. I was paying them twenty five

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Speaker 3: bucks and day of they'd cancel and I'd be like,

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Speaker 3: how could you do this to us? You're the big

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Speaker 3: picture on the fly or we made that in Canva.

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Speaker 3: It took me three hours. How could you do this

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Speaker 3: to me?

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Speaker 2: Of course?

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Speaker 3: And now I see you're doing that happening well right,

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Speaker 3: So I imagine there's some people that are bothered.

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Speaker 2: But are you usually pretty dependable? Do you feel like

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Speaker 2: I think? I mean, you got here right on time,

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Speaker 2: which was so nice.

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Speaker 3: I was chastised for being late at like a summer

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Speaker 3: camp once in a way that was so intense it

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Speaker 3: rewired right like it was a musical theater camp. He

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Speaker 3: had been on Broadway once since it was like this

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Speaker 3: an older guy and I don't know. He was offering

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Speaker 3: to give me a little private lesson before the class

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Speaker 3: in the morning, and I just shaving took longer and

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Speaker 3: I was a little late, and he dreamed me. He

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Speaker 3: yelled at this sex seven thirty in the morning, and

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Speaker 3: then he made me do the lesson as the class

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Speaker 3: was shuffling in.

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Speaker 2: Oh, how humiliating.

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Speaker 3: And it was like a tenor song that was too

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Speaker 3: high for me. And I hadn't warmed up properly, so

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Speaker 3: I'm just cracking just could be who knows as the

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Speaker 3: class is shuffling in and and he was like very mad.

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Speaker 3: I think I appropriately showed how much shame I felt,

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Speaker 3: and at the end of the class he gave me

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Speaker 3: like a I appreciate how bad you feel. I know

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Speaker 3: that you didn't mean what you did right and all

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Speaker 3: was forgiven.

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Speaker 2: He felt some earnest repentance. Yes, wow, I mean that's Broadway.

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Speaker 2: That's Broadway baby.

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Speaker 3: Yeah yeah.

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Speaker 2: Wait. So did you do musical theater growing up? Or

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Speaker 2: was this just like a one off?

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Speaker 3: Then I did a lot of musical theater summer camps.

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Speaker 3: I went to college for musical theater. No way, it

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Speaker 3: was what I wanted, right, And then I just singing.

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Speaker 3: I just hit a wall. I kind of got. I

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Speaker 3: had one teacher who I would like. The school didn't

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Speaker 3: want me to see this teacher because it was back home.

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Speaker 3: It was like my high school teacher, and they were like,

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Speaker 3: we have better teachers here. I secretly saw her on

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Speaker 3: the side. How was salacious yet felt it was really.

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Speaker 3: I mean, it's insane looking back, but I would go

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Speaker 3: into the voice booths and I would spend hours there

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Speaker 3: every day. I was obsessive, and I was so scared

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Speaker 3: of being caught in this gigantic campus University of Miami.

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Speaker 3: I would bring my blanket and I would stuff it

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Speaker 3: into the corners of the little private wind yeah, and

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Speaker 3: it would end by these And I was sweating in

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Speaker 3: these booths in Miami, secretly having an hour lesson for

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Speaker 3: no one. No one was catching me, and everyone.

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Speaker 2: Knew what I was doing, right, Clearly something was going on.

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Speaker 3: Yeah, Jamark is missing three hours every day? What is

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Speaker 3: he doing? What's that? Why is that window covered of

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Speaker 3: course with a blue fuzzy blanket.

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Speaker 2: Yeah, it's like, well, they hope he's doing he's singing

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Speaker 2: back there, yeah, yeah, and uh.

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Speaker 3: And I'm sure it was like a gross play. It's like,

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Speaker 3: oh that, why is that blanket of comestans on?

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Speaker 2: Like it from home?

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Speaker 3: Yes? And so I just saw her, and I I

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Speaker 3: believe that she was like it. It was a little bit

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Speaker 3: of a cult, like she has all the answers, right,

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Speaker 3: And then you had seen your year and you're like,

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Speaker 3: I'm not Pavatti and I'm in voice lessons again. Now

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Speaker 3: it's it's a decade later of like quitting and now

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Speaker 3: I'm like flirting with it and singing a little more.

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Speaker 3: And my girlfriend, she's she doesn't care about music. She

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Speaker 3: was raised. She says, let's tell people it's habad, which

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Speaker 3: is like a subsect of no one is. And she

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Speaker 3: tells me she just stop saying habbad. No one knows

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Speaker 3: what it is, and I go, let me educate them.

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Speaker 3: And no music really growing up? Whoa so my singing?

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Speaker 3: I think about the women who I'm not saying be everything,

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Speaker 3: but they might be wooed. They might hear me some

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Speaker 3: enchanted evening and go, oh how nice, how sexy this bird? Nothing.

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Speaker 2: It just doesn't make sense to her, like her brain basically.

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Speaker 3: Yeah, it's like there's no you know, so much of

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Speaker 3: music I think is connected to like nostalgia and our

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Speaker 3: certain age going through puberty. I don't and that's missing.

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Speaker 2: Wow.

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Speaker 3: So she likes Joseph and the Amazing Technical or dream Code.

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Speaker 3: That was the one you doesn't Bible friendly musical for

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Speaker 3: the religious community.

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Speaker 2: Oh they were allowed to listen to that.

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Speaker 3: It wasn't even a it was just had they owned

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Speaker 3: the VHS. Okay, But like she told me a story

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Speaker 3: in high school where it was like the kids they

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Speaker 3: found out she was listening to Britney Spears and like

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Speaker 3: as an insult, they were like, why don't you just

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Speaker 3: go listen to Britney Spears and the shame she all

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Speaker 3: threw it away. So it's like Britney Spears justin in

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Speaker 3: the amazing technical dream code nothing and then Klezmer music.

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Speaker 2: Wow, Wow, what sort of music are you singing? Old

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Speaker 2: show tunes?

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Speaker 3: Yeah, I wish I could sing more pop stuff, but

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Speaker 3: I'm singing Rogers and Hammerstein, I'm singing Sondheim, singing William

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Speaker 3: finn is my favorite Falsetto's and so it's still a

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Speaker 3: little more classical. And I'm trying to learn how to

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Speaker 3: do pop now. All right, it's all very tenory. All

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Speaker 3: that pops uf is so tenery. It's tough.

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Speaker 2: This is what I complain about male pop singers all

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Speaker 2: the time. For whatever reason. I will listen to female

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Speaker 2: pop singers NonStop. Yeah, the best women pop singers. But

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Speaker 2: when a man is singing pop music, it's like one

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Speaker 2: out of fifty isn't irritating?

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Speaker 3: Yeah? Is it too? Is it just too high? It's

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Speaker 3: just like I.

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Speaker 2: Think it's just uh no, it's just too corny. Most

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Speaker 2: of the time. I think there's like a weird earnestness

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Speaker 2: to it that doesn't work. And yeah, I don't know

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Speaker 2: what it is.

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Speaker 3: I'm so you don't feel like with the women, do

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Speaker 3: you feel like you have more of an allowance for

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Speaker 3: the woman to be corny, because like corniness is but

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Speaker 3: my girlfriend we see musicals and she goes, it's so corny, right,

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Speaker 3: And I'm like, okay, you were raised religiously, Like come.

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Speaker 2: On, who are do you say anything?

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Speaker 3: But like, I think the answer is like we all

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Speaker 3: have acceptance for corny in different arenas, right, And I

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Speaker 3: understand if you if if, but like, why is it easier?

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Speaker 2: I think one theory that was given to me by

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Speaker 2: Lewis Vertell former guests, He said that women sell yearning

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Speaker 2: better than men. You can actually you feel like the

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Speaker 2: pain is actually there. And then when men are singing,

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Speaker 2: it's it's too smooth or something. You don't feel like

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Speaker 2: real any texture. But I like, I'll listen to like

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Speaker 2: male rock singers. I see it's a different thing.

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Speaker 3: Yeah, well, so who do you like men? Like like

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Speaker 3: Justin Timberlake in his prime? Was he good?

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Speaker 2: I didn't mind Justin Timberlake before we knew too much,

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Speaker 2: before we know when he had the like those first

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Speaker 2: couple of albums were good, Yeah, pop music. But after that,

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Speaker 2: who are we talking about?

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Speaker 3: Not as many?

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Speaker 2: Yeah, there just simply aren't many good ones.

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Speaker 3: Bruno Mars is cool, you know John Legend.

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Speaker 2: John Legend's not really pop more R and B. Yeah, yeah,

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Speaker 2: I mean that's where you get into the category of

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Speaker 2: like Usher or these. I don't that sure, it's just

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Speaker 2: when it's strictly popped, there's just a And I love

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Speaker 2: corniness and musicals. I actually prefer a corny music really.

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Speaker 2: I love when a musical is not trying to be cool.

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Speaker 3: What's your musicals? What are your what are your favorites?

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Speaker 2: I don't have. My boyfriend is like a Broadway vet,

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Speaker 2: and I know so little about musicals. It's humiliating. But

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Speaker 2: I saw, for example, I saw Hello Dolly when Bette

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Speaker 2: Midler was in it. Okay, sure, unbelievable. What an experience. Yeah,

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Speaker 2: just embracing the core and you can.

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Speaker 3: Tap into that.

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Speaker 2: Sure, when it's like more like trying to be edgy

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Speaker 2: or cool, I have to back away, just like because

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Speaker 2: it's it's simply not Yes.

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Speaker 3: What are some of your favorites. Falsetto's is my favorite

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Speaker 3: musical hands down. It's just a special one for me.

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Speaker 3: And then all of the song times. But I think Company,

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Speaker 3: I like the musical nine you know that if I'm

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Speaker 3: looking like back to the Hello Dolly, because I did

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Speaker 3: Cornelius and yeah, that's great. It was a lot of fun.

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Speaker 3: Those corny ones. It just takes like a second to

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Speaker 3: really get into them. But I like, I mean, I mean,

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Speaker 3: you know, Oklahoma is a beautiful one. Hello Dolly is

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Speaker 3: a beautiful one. What what else is? Jerry Herman Mame

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Speaker 3: is good? South Pacific is put But I got to

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Speaker 3: be in the right mood, right, I really got to

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Speaker 3: enter it.

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Speaker 2: And like music Man, Oh of course.

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Speaker 3: I did that in eighth grade. If I've done it,

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Speaker 3: it automatically enters the favorite territory. But music Man's fantastic.

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Speaker 3: I don't think, Hugh Jackman, you you cannot be that

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Speaker 3: good looking and play some of these roles. Right he

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Speaker 3: goes into seduce the librarian. I think she'd go short.

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Speaker 2: Of course.

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Speaker 3: I don't care who what your thoughts are got, You

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Speaker 3: gotta earn it. So I do think I do think

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Speaker 3: some of those movie stars, I'm like, I'm like, Okay,

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Speaker 3: not this one. You don't get to do this one.

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Speaker 3: You got everything.

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Speaker 2: Else, I know. I mean, we've entered that era of

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Speaker 2: every movie star doing all everything.

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Speaker 3: Yeah, why don't you just be a movie star? Jake

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Speaker 3: Jonhall did Seymour in a little Shop of for It?

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Speaker 2: Oh what that makes no sense to me? Rick moranis

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Speaker 2: exactly what are we talking about? Not that Rick moranis

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Speaker 2: isn't a great looking guy, but he's kind of a geek.

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Speaker 3: Nobody's got to earn it.

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Speaker 2: He's a geek.

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Speaker 3: He's a geek.

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Speaker 2: He's a cute geek. Yeah, but Jillen Hall is like,

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Speaker 2: just like an objectively.

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Speaker 3: Beautiful human being. What are you doing?

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Speaker 2: I will say? In Zodiac he plays a good like

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Speaker 2: kind of nerd kind of like.

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Speaker 3: Yeah, you could be a good actor. But it's like,

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Speaker 3: but what about giving it to the person who can't

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Speaker 3: play They can't play Wolverine, Yah, can't play that guy.

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Speaker 2: Representation and just kind of weird. We don't really talk.

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Speaker 3: About representation when it comes to like looks because it's

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Speaker 3: too hard a conversation because it the mid people would

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Speaker 3: need to acknowledge.

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Speaker 2: That they're mid. Right, Yes, and when you're an actor

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Speaker 2: you really have to just act like you're the best

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Speaker 2: of the best. Yeah, even in Look.

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Speaker 3: But I'll acknowledge it. I should be music man over check.

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Speaker 3: It came down to you and Jack for some reason.

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Speaker 2: Yeah, did you see him in that?

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Speaker 3: No? I didn't see him in that. I've never met him. Okay,

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Speaker 3: we'd have a good I think we'd have a good

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Speaker 3: I'd be able to connect with them on musical theater

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Speaker 3: for sure, right, and I would do that. You people

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Speaker 3: people say, they'll say I look like Hugh Jackman, but

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Speaker 3: with an adjective that makes it hurtful, So it's just.

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Speaker 2: Leave it at huge Jacks. That's a great one because

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Speaker 2: I've been I have been recently reminding people don't tell

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Speaker 2: people who they look like unless it's somebody who's really

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Speaker 2: good looking.

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Speaker 3: Hugh Jackman.

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Speaker 2: You could go a year on that compliment. But then

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Speaker 2: if there's an adjective yeah.

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Speaker 3: It's yeah, you gotta resist. I mean, I get a

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Speaker 3: lot of Jeff Goldblum, Oh interesting, I get a lot

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Speaker 3: of I get Hugh Jackman now and then, but it'll

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Speaker 3: be skinny Hugh Jackman. It'll be jewish Hugh Jackman. Who's

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Speaker 3: telling you. I mean, everyone the internet roast battles. Just generally,

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Speaker 3: I get a lot of gay Hugh Jackman, and I goes,

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Speaker 3: you need to look at Hugh Jackman a little bit.

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Speaker 2: More gay, Huge Jackman, well google Hugh Jackman.

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Speaker 3: Yeah.

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Speaker 2: Yeah, we won't say too much. But she was a

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Speaker 2: great guy. And he loves Broadway and he's got a

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Speaker 2: lot of Broadway, a lot of jazzy elements.

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Speaker 3: And he's dating he's staying son Foster, who we met

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Speaker 3: on the music ma'am.

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Speaker 2: They're best friends. Yeah, they met in the school play

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Speaker 2: and their best friends.

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Speaker 3: Yes, it's a beautiful thing.

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Speaker 2: Now that you're starting to take voice lessonses, they're like

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Speaker 2: some hope, like, oh, maybe I'll audition for musical like

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Speaker 2: actual Broadway.

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Speaker 3: Yeah. I just think there are people who have done well,

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Speaker 3: like they were a movie star, right going to musical

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Speaker 3: theater and they get lauded and celebrated, and the bitch

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Speaker 3: that I am, I sit there and I go, are

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Speaker 3: we all gaslighting each other right now? They are fine?

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Speaker 3: They should not be on Broadway, and I am just

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Speaker 3: I go, I don't want to be the I don't

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Speaker 3: want to be the bad person and in the good thing.

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Speaker 2: Right the whole community is like eh.

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Speaker 3: Yeah or there or it's just it happens with stand

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Speaker 3: up comedians a lot, especially right now, is like stand

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Speaker 3: ups like cool and buzzy, hot, it's like I see

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Speaker 3: and I'm not. I'm not talking about everyone doing it

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Speaker 3: because I know too many friends.

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Speaker 2: Of course, I don't want I.

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Speaker 3: Don't want to be the one that they go, wow,

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Speaker 3: he got it to the end of the song. He

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Speaker 3: got to the end.

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Speaker 2: He remembered all the words.

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Speaker 3: Remembered all the words. And I think my voice teacher

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Speaker 3: is like, I tell him, you know, I do a

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Speaker 3: thing called theater adult and I have like someone on

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Speaker 3: and like, you know, uh, Laura Bananty's doing it soon

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Speaker 3: and these are big right names. And I feel like

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Speaker 3: my voice teacher he really is like he if I

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Speaker 3: get a musical, and I do think it will happen,

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Speaker 3: Oh yeah, I'll do a little stint and something.

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Speaker 2: I think you're on your way to you know, they're

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Speaker 2: gonna be They're gonna want to be like John Marco.

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Speaker 2: Of course, this is the perfect person to slot into

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Speaker 2: this role.

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Speaker 3: I can tell my voice teacher doesn't respect me as

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Speaker 3: a singer, and I think that's yet, but also with

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Speaker 3: an air of like never walking off the stage. Yes,

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Speaker 3: and I think that's good. I think I'm drawn to

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Speaker 3: people who don't respect me because I go, you will

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Speaker 3: keep me grounded of course in a world where no

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Speaker 3: one else will ground me. Right, But I do think

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Speaker 3: i'll do something or i'll do I want to just

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Speaker 3: try to keep it, like, hey, come see me, I'll

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Speaker 3: do a reading of Falsetto's. Tickets are cheap, or we're

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Speaker 3: raising money for a thing, you're doing it. I saw

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Speaker 3: Eliza Minelli in concert in high school and it felt

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Speaker 3: like we were doing a favor for her being there.

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Speaker 3: And she's a legend. But this was like, this was top.

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Speaker 2: Right, this is probably you know, arrested development, Liza.

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Speaker 3: We're doing it because I love you. I want to

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Speaker 3: be here and see you. And as long as that's

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Speaker 3: the premise of the event, I go far. If i'm selling,

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Speaker 3: like come see me, reinvent this classic role and we

336
00:17:07,320 --> 00:17:11,320
Speaker 3: lowered the key and you paid one hundred and fifty bars,

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Speaker 3: and then I feel like then something has gone wrong.

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Speaker 3: It's robbery, yeah, and I just want to avoid that. Right.

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Speaker 2: I feel like you've went to college for it. You're

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Speaker 2: actually you're so far ahead of other people who tried.

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Speaker 3: It doesn't work like that. It's like, well, I have

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Speaker 3: a degree in it, so it is good. But you

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Speaker 3: always have a.

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Speaker 2: Bedrock to build from whereas some others stand up who

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Speaker 2: like sings in the car and that's all their experience.

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Speaker 3: Yeah, but then you see a singer like Mattel Lane's

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Speaker 3: a stand up where it's like he could. I mean,

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Speaker 3: it's a voice from God, and you go, well, what

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Speaker 3: are you gonna do?

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Speaker 2: But put him on Broadway and you're gonna get those

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Speaker 2: Broadway message boards are gonna light up, You're gonna have

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Speaker 2: opinions no matter what.

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Speaker 3: Yeah, the Broadway community is it's a new particular. It's particular.

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Speaker 2: You've really got to earn it.

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Speaker 3: Yeah, yeah, I mean it's so hard. I'm getting to

356
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Speaker 3: a place where I can't shit talk the way that

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Speaker 3: I used to.

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Speaker 2: Isn't that a nightmare? It is a shame.

359
00:18:07,359 --> 00:18:10,680
Speaker 3: It is because I prized I like to chit talk

360
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Speaker 3: and that's part of my the best feeling in the world. Dang,

361
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Speaker 3: but I've gotten It's now like it's I'm starting to

362
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Speaker 3: feel not even bad. But like I did a venue

363
00:18:19,280 --> 00:18:21,639
Speaker 3: recently and a manager can room and said, hey, so

364
00:18:21,680 --> 00:18:23,159
Speaker 3: we work with this other venue and I know you

365
00:18:23,160 --> 00:18:24,639
Speaker 3: had a problem with them, and I was like, what

366
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Speaker 3: do you mean. He said, Well, there was a podcast.

367
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Speaker 3: I guess you can plain, and I didn't even remember

368
00:18:29,400 --> 00:18:31,199
Speaker 3: it because she was like, what can we do to

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Speaker 3: make it better? And I was like, I swear to god,

370
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Speaker 3: I was just like exaggerating a small complaint for comedic effect.

371
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Speaker 2: We are fine, but there's going to be some positive change.

372
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Speaker 2: They're going to look into whatever that complaint was.

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Speaker 3: I mean I could abuse it for sure, of course. Yeah.

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Speaker 2: I feel like you're right at the level, Like next

375
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Speaker 2: level you get to, you'll be able to ship talk

376
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Speaker 2: whoever you want, whenever you want, and it will only

377
00:18:53,760 --> 00:18:55,600
Speaker 2: be for well, at least for your good.

378
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Speaker 3: My girlfriend very wisely, and she's an entertainment and very smart.

379
00:19:00,760 --> 00:19:05,320
Speaker 3: She said, you can decide publicly, are you going to

380
00:19:05,359 --> 00:19:09,920
Speaker 3: be criticizing comedians for their politics or for being bad comedians?

381
00:19:10,119 --> 00:19:13,359
Speaker 3: And she said basically, if you choose to do both,

382
00:19:14,760 --> 00:19:16,840
Speaker 3: you can't be surprised if you don't have a lot

383
00:19:16,840 --> 00:19:20,560
Speaker 3: of friends. And because because I would do the thing

384
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Speaker 3: where I'd shit talk and then I'd come to her

385
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Speaker 3: and be like, well, someone gave me a weird look

386
00:19:24,119 --> 00:19:25,920
Speaker 3: at a thing, and She's like, yeah, of course you

387
00:19:26,000 --> 00:19:29,879
Speaker 3: said they sucked, And so I took it to heart

388
00:19:30,680 --> 00:19:33,840
Speaker 3: and I've got really hard in the political realm of

389
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Speaker 3: shit talk, and so I'm you know, trying to keep

390
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Speaker 3: more to the group chats the people I don't respect.

391
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Speaker 2: It's a safer route to go. I mean it probably

392
00:19:42,680 --> 00:19:45,440
Speaker 2: ultimately in long term in life, you're going to want

393
00:19:45,440 --> 00:19:47,679
Speaker 2: to continue shit talking to political ones. You're never going

394
00:19:47,760 --> 00:19:49,639
Speaker 2: to get into the same You're never going to care

395
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Speaker 2: that they looked at you.

396
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Speaker 3: Man. Yeah, I think it's just that thing where it's

397
00:19:52,920 --> 00:19:56,280
Speaker 3: like you'd see an artist you admire promote something and

398
00:19:56,280 --> 00:19:57,920
Speaker 3: then you saw and you said that was terrible. Why

399
00:19:57,920 --> 00:19:59,560
Speaker 3: did my artist that I loved lie to me? And

400
00:19:59,600 --> 00:20:01,000
Speaker 3: it's like, well, because that's their friend.

401
00:20:02,200 --> 00:20:03,080
Speaker 2: That's the Internet.

402
00:20:03,240 --> 00:20:04,880
Speaker 3: It's because the person might not be gone on stage,

403
00:20:04,920 --> 00:20:08,520
Speaker 3: but they're great at dinner. And that's just how oh.

404
00:20:08,359 --> 00:20:10,840
Speaker 2: My god, I mean, going to see movies, watching TV

405
00:20:10,880 --> 00:20:13,200
Speaker 2: shows at this point you'll be You'll start up. You're like, oh,

406
00:20:13,200 --> 00:20:15,320
Speaker 2: I saw nothing but praise for this. I think, like

407
00:20:15,520 --> 00:20:17,439
Speaker 2: this is one of the worst pieces of art I

408
00:20:17,480 --> 00:20:20,200
Speaker 2: have ever consumed. What's going on? And you're like, oh right,

409
00:20:20,720 --> 00:20:22,879
Speaker 2: people are friends with each other, yeah, and we have

410
00:20:22,920 --> 00:20:25,560
Speaker 2: to say nice things about friends. But then yeah, in

411
00:20:25,600 --> 00:20:28,159
Speaker 2: group chat that you're lighting it up. I mean, there

412
00:20:28,160 --> 00:20:31,520
Speaker 2: are particular people that are just almost legends within group chats.

413
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Speaker 3: I think the worst, the worst, the most toxic thing

414
00:20:33,920 --> 00:20:37,440
Speaker 3: is when they someone you don't respect does something publicly

415
00:20:37,480 --> 00:20:40,480
Speaker 3: and then you look at the comments just to be like, good,

416
00:20:42,200 --> 00:20:45,720
Speaker 3: good someone someone say speaking, someone's saying it. I don't

417
00:20:45,720 --> 00:20:48,800
Speaker 3: have like a burner account. I'm not that petty, but

418
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Speaker 3: I'll look at the comments.

419
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Speaker 2: Oh, of course thee I have one friend who's outside

420
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Speaker 2: of the business, who still consumes a lot of things,

421
00:20:55,200 --> 00:20:58,680
Speaker 2: and he seems so free o. His Instagram story is

422
00:20:58,720 --> 00:21:00,919
Speaker 2: just saying exactly how he feels about everything. I'm like,

423
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Speaker 2: I remember the time when I could just complain on

424
00:21:02,800 --> 00:21:06,360
Speaker 2: the internet. It's just not really an option anymore, less

425
00:21:06,400 --> 00:21:09,560
Speaker 2: and less, less and less. But now the career goal

426
00:21:09,640 --> 00:21:11,960
Speaker 2: is just get to a place where I can I

427
00:21:12,000 --> 00:21:13,240
Speaker 2: can just absolutely know.

428
00:21:13,359 --> 00:21:15,640
Speaker 3: But then there's always you know them, you meet them,

429
00:21:16,160 --> 00:21:19,480
Speaker 3: you meet them. That's like I did. I hosted a

430
00:21:19,560 --> 00:21:21,840
Speaker 3: rally for Zorron this week. Oh wow, good for you,

431
00:21:22,200 --> 00:21:25,960
Speaker 3: thank you everybody. That's yeah, everyone everyone's thinking good for me,

432
00:21:26,359 --> 00:21:28,679
Speaker 3: of course. But it's one of those things where I'm like,

433
00:21:29,200 --> 00:21:34,119
Speaker 3: you meet these people and you feel a human thing

434
00:21:34,280 --> 00:21:36,760
Speaker 3: and the idea of then being able to go on

435
00:21:36,760 --> 00:21:38,400
Speaker 3: a show and being like, you know, if they say

436
00:21:38,440 --> 00:21:40,200
Speaker 3: do something that you disagree with, to be like fuck

437
00:21:40,240 --> 00:21:42,840
Speaker 3: that person. But they were so nice to me. And

438
00:21:42,880 --> 00:21:45,359
Speaker 3: then I can see the trajectory from that to Bill

439
00:21:45,400 --> 00:21:48,000
Speaker 3: Maher being like Trump gave me a really nice dinner,

440
00:21:48,160 --> 00:21:50,560
Speaker 3: and you go, what the fuck what happened? You go,

441
00:21:50,600 --> 00:21:52,840
Speaker 3: you shouldn't have gone to that dinner. We can't help it.

442
00:21:52,920 --> 00:21:55,760
Speaker 3: Of course someone's nice to you, that's the problem. You

443
00:21:55,800 --> 00:21:58,639
Speaker 3: shouldn't meet these people. So it's just like it was

444
00:21:58,680 --> 00:22:00,679
Speaker 3: just I'm a little it's a little close, and I

445
00:22:00,720 --> 00:22:04,560
Speaker 3: go careful, careful, careful, But I feel like you're still

446
00:22:04,600 --> 00:22:09,160
Speaker 3: throwing bombs. I yeah, but I said him, I said, listen,

447
00:22:09,160 --> 00:22:12,000
Speaker 3: if you win, I can't. I have to critique you.

448
00:22:13,040 --> 00:22:16,360
Speaker 3: I have to. And he was like give me one

449
00:22:16,400 --> 00:22:19,760
Speaker 3: term and I'm like okay. I didn't. But I was

450
00:22:19,840 --> 00:22:23,760
Speaker 3: like okay. And it's like ah ah, you can't be charmed.

451
00:22:24,040 --> 00:22:25,400
Speaker 2: No, it's over for you.

452
00:22:25,640 --> 00:22:28,240
Speaker 3: It's over. And that's corruption, and that's getting older.

453
00:22:28,240 --> 00:22:29,840
Speaker 2: You get older and you become corrupted.

454
00:22:30,000 --> 00:22:31,560
Speaker 3: Yes, and then the older people say the younger people

455
00:22:31,560 --> 00:22:33,439
Speaker 3: you don't understand. And the younger people go, no, you're

456
00:22:33,480 --> 00:22:35,800
Speaker 3: full of shit, and it's true, of course, and you're like,

457
00:22:35,800 --> 00:22:37,399
Speaker 3: but I'm old and I just want to be a

458
00:22:37,440 --> 00:22:38,160
Speaker 3: little comfortable.

459
00:22:38,560 --> 00:22:41,280
Speaker 2: I won't be around much longer. Let me just die.

460
00:22:41,560 --> 00:22:43,560
Speaker 3: That's the part I think about it is like when

461
00:22:43,640 --> 00:22:46,119
Speaker 3: you look at the youth and you go because the

462
00:22:46,119 --> 00:22:48,240
Speaker 3: older people go like, the youth are crazy, and you

463
00:22:48,280 --> 00:22:51,119
Speaker 3: go like, can you not at least step outside yourself

464
00:22:51,119 --> 00:22:53,040
Speaker 3: and go When I was the youth, I looked at

465
00:22:53,040 --> 00:22:55,520
Speaker 3: this like this, and but as you get older, you're like,

466
00:22:55,560 --> 00:22:58,760
Speaker 3: I get it, and you're slowly just being chipped away, and.

467
00:23:00,560 --> 00:23:03,959
Speaker 2: I mean speaking of inappropriate things and just complaining and

468
00:23:04,000 --> 00:23:06,960
Speaker 2: criticizing something I'd like to criticize you for.

469
00:23:07,119 --> 00:23:07,520
Speaker 3: Please.

470
00:23:07,920 --> 00:23:09,960
Speaker 2: I was excited to have you here on the podcast today.

471
00:23:09,960 --> 00:23:12,000
Speaker 2: I thought, John Marc will come by, we'll have a

472
00:23:12,080 --> 00:23:15,720
Speaker 2: nice time, and then we'll move on. The podcast is

473
00:23:15,760 --> 00:23:17,720
Speaker 2: called I said no gifts, So I was a little

474
00:23:17,720 --> 00:23:22,439
Speaker 2: surprised when your uber screeched into the parking lot and

475
00:23:22,480 --> 00:23:25,480
Speaker 2: you stepped out holding what was obviously a gift.

476
00:23:26,440 --> 00:23:31,560
Speaker 3: Yes, I I can't out myself, no self control, no

477
00:23:31,640 --> 00:23:34,439
Speaker 3: self control, and you know, there's just an abundance. So

478
00:23:34,560 --> 00:23:37,600
Speaker 3: I actually to make it worse, it's it's it's kind

479
00:23:37,600 --> 00:23:45,520
Speaker 3: of a two parter. Okay, First I hear this is

480
00:23:45,520 --> 00:23:47,600
Speaker 3: the best bakery in all of Los Angeles, and it

481
00:23:47,760 --> 00:23:50,200
Speaker 3: just so happened to be right by my sister's place, where.

482
00:23:50,040 --> 00:23:51,280
Speaker 2: I'm saying, what is this?

483
00:23:51,359 --> 00:23:54,800
Speaker 3: But this is a I washed my hands. This is

484
00:23:54,840 --> 00:23:58,000
Speaker 3: a croissant with with a nice match of power.

485
00:23:58,080 --> 00:23:59,879
Speaker 2: Oh my god, that's beautiful. Where did this?

486
00:24:00,640 --> 00:24:07,040
Speaker 3: It came from from Malu Malao Malao Coffee and kitchen.

487
00:24:07,920 --> 00:24:10,800
Speaker 3: They got good coffee, good food, and good vibes. And

488
00:24:10,960 --> 00:24:12,879
Speaker 3: that's all I tried. I tried to bring the vibes

489
00:24:13,000 --> 00:24:16,439
Speaker 3: from there. And then I travel around a lot and

490
00:24:16,560 --> 00:24:19,760
Speaker 3: my rider. It's not that complicated. It's flass. I asked

491
00:24:19,800 --> 00:24:23,119
Speaker 3: for floss, ask for floss, and they don't give me

492
00:24:23,320 --> 00:24:27,199
Speaker 3: just one flossy. They give me bags. And so, you know,

493
00:24:27,280 --> 00:24:31,720
Speaker 3: don't feel guilty about this because I have so much

494
00:24:31,760 --> 00:24:35,200
Speaker 3: fifty of these bags at my home, so two different

495
00:24:35,240 --> 00:24:38,040
Speaker 3: kinds of flaws. They are opened, that's fine, But it's

496
00:24:38,080 --> 00:24:40,520
Speaker 3: not like they don't go bad.

497
00:24:40,720 --> 00:24:42,480
Speaker 2: Right If I found there's in a gutter open, that's

498
00:24:42,480 --> 00:24:43,160
Speaker 2: a different.

499
00:24:42,920 --> 00:24:45,639
Speaker 3: Source for sure. And sometimes they do open and they

500
00:24:45,720 --> 00:24:47,480
Speaker 3: all pour out in a way that you're like, was

501
00:24:47,520 --> 00:24:49,480
Speaker 3: the bag designed for these to pour out? And I

502
00:24:49,480 --> 00:24:50,879
Speaker 3: don't want to use a dirty one, so I have

503
00:24:50,920 --> 00:24:53,280
Speaker 3: to buy a new one. In this sauce scam, these

504
00:24:53,320 --> 00:24:56,159
Speaker 3: did not. And one's a Crayola.

505
00:24:56,640 --> 00:25:01,080
Speaker 2: I've never seen a Crayola flosser. Yes, fun philossph for kids.

506
00:25:01,720 --> 00:25:02,760
Speaker 3: So these these are good.

507
00:25:02,960 --> 00:25:05,480
Speaker 2: Let me look at this Creola ones. This is very

508
00:25:05,520 --> 00:25:07,679
Speaker 2: interesting to me. Does it do anything like a crayon

509
00:25:07,760 --> 00:25:09,920
Speaker 2: or is it just to appeal to children.

510
00:25:10,000 --> 00:25:11,800
Speaker 3: I just think, you know, it's tough to get kids

511
00:25:11,840 --> 00:25:13,000
Speaker 3: to floss.

512
00:25:13,240 --> 00:25:16,399
Speaker 2: Oh they're great flavored, are they? Yeah?

513
00:25:16,480 --> 00:25:17,000
Speaker 3: That's great?

514
00:25:17,440 --> 00:25:20,000
Speaker 2: Interesting And none of them is purple, so there was

515
00:25:20,000 --> 00:25:23,679
Speaker 2: a mistake on the Craola company's part, pink, green, and blue,

516
00:25:23,840 --> 00:25:25,520
Speaker 2: and then they went, let's do this great.

517
00:25:27,600 --> 00:25:30,199
Speaker 3: I love these. I when people complain about floss, I

518
00:25:30,200 --> 00:25:32,520
Speaker 3: have to stop myself from I've floss with these three

519
00:25:32,600 --> 00:25:34,000
Speaker 3: four times a day, a day.

520
00:25:34,320 --> 00:25:36,320
Speaker 2: After each meal. See what's happening.

521
00:25:36,400 --> 00:25:38,199
Speaker 3: Yeah, I got a couple of crevices that are like

522
00:25:39,119 --> 00:25:41,480
Speaker 3: they really they every something gets stuck every.

523
00:25:41,280 --> 00:25:43,960
Speaker 2: Time, just a biological flaw on your teeth.

524
00:25:44,040 --> 00:25:45,880
Speaker 3: Yeah, I've got it. The dentist and one week, one

525
00:25:45,880 --> 00:25:48,400
Speaker 3: time we filled it up and it still became a problem.

526
00:25:48,560 --> 00:25:50,600
Speaker 2: Does the dentist get after you for flossing even though

527
00:25:50,640 --> 00:25:51,120
Speaker 2: you floss.

528
00:25:51,960 --> 00:25:53,760
Speaker 3: No, the floss they seem to be good with. They

529
00:25:53,800 --> 00:25:57,199
Speaker 3: say more frustrating that I brush too hard. You're not

530
00:25:57,240 --> 00:26:00,000
Speaker 3: in you're electric toothbrush. I do, but I still put

531
00:26:00,080 --> 00:26:03,320
Speaker 3: shit too much. Oh boy, And that's one of those

532
00:26:03,320 --> 00:26:09,040
Speaker 3: frustrating You're like, come on, I'm brushing, brushing too hard. Well,

533
00:26:09,080 --> 00:26:11,760
Speaker 3: I know I have one receiving gum, and I asked them.

534
00:26:11,760 --> 00:26:14,199
Speaker 3: I said, like they say, it doesn't grow back, And

535
00:26:14,240 --> 00:26:17,600
Speaker 3: you go, what a flaw on art designs part. So

536
00:26:17,680 --> 00:26:20,920
Speaker 3: much of us grows back so much lizards their tail,

537
00:26:21,000 --> 00:26:21,720
Speaker 3: it grows back.

538
00:26:21,720 --> 00:26:22,960
Speaker 2: I can get a whole new one.

539
00:26:23,000 --> 00:26:26,320
Speaker 3: And this one piece of gum. And then it's it's

540
00:26:26,320 --> 00:26:28,480
Speaker 3: funny where you try to like tell your your doctors,

541
00:26:28,560 --> 00:26:31,919
Speaker 3: like to be like just so you know I'm on camera,

542
00:26:32,240 --> 00:26:34,919
Speaker 3: You're trying to like instill on them like this is

543
00:26:35,000 --> 00:26:35,959
Speaker 3: really important.

544
00:26:36,160 --> 00:26:38,680
Speaker 2: What the brushing heart is important, That my face.

545
00:26:38,440 --> 00:26:41,560
Speaker 3: That my gum, that my smile, like this has to

546
00:26:41,600 --> 00:26:42,800
Speaker 3: be top notch.

547
00:26:42,920 --> 00:26:43,840
Speaker 2: You're known for your gum.

548
00:26:43,960 --> 00:26:48,520
Speaker 3: It's my job to smile right. So they told me

549
00:26:48,520 --> 00:26:51,640
Speaker 3: about the grafting process. It does not horrify the Oh

550
00:26:51,640 --> 00:26:53,600
Speaker 3: it's and they said, just you know that this is

551
00:26:53,600 --> 00:26:55,399
Speaker 3: where I brought it up. They said, well, we'd have

552
00:26:55,400 --> 00:26:57,240
Speaker 3: to take it from here in the color would be different.

553
00:26:57,280 --> 00:26:59,920
Speaker 3: And I was like, oh, that can't not be. No,

554
00:27:00,160 --> 00:27:03,639
Speaker 3: that has the same because I'm on TV.

555
00:27:03,920 --> 00:27:04,320
Speaker 1: And so on.

556
00:27:04,840 --> 00:27:08,120
Speaker 2: Does the does the gum come from your own mouth

557
00:27:08,200 --> 00:27:08,920
Speaker 2: or a dead mouth?

558
00:27:09,119 --> 00:27:11,239
Speaker 3: Well, they said you're this is where they said, your

559
00:27:11,280 --> 00:27:13,080
Speaker 3: own mouth, and that's why the color would be different

560
00:27:13,080 --> 00:27:14,960
Speaker 3: because it's a different part of the mouth. And then

561
00:27:15,000 --> 00:27:16,760
Speaker 3: I said, well then we will have to go with

562
00:27:17,359 --> 00:27:20,920
Speaker 3: uh dead, or I will pay if we need to

563
00:27:20,960 --> 00:27:24,560
Speaker 3: get someone new. I don't know if when you do

564
00:27:24,680 --> 00:27:31,560
Speaker 3: organ donation it's like donating to an actor. Yes, a

565
00:27:31,600 --> 00:27:34,040
Speaker 3: gum for like they have to be above this level

566
00:27:34,040 --> 00:27:37,440
Speaker 3: an IMDb meter. They can have my gums right.

567
00:27:37,200 --> 00:27:40,160
Speaker 2: My fingernails to a manicure as the sort of thing. Well,

568
00:27:40,400 --> 00:27:42,560
Speaker 2: that's what part of your mouth is so gummy that

569
00:27:42,600 --> 00:27:44,680
Speaker 2: they're able to just harvest it for the rest of

570
00:27:44,720 --> 00:27:46,640
Speaker 2: your mouth. I don't understand. What's I feel like there's

571
00:27:46,680 --> 00:27:47,680
Speaker 2: none there. It's so tight.

572
00:27:47,720 --> 00:27:49,800
Speaker 3: It's but that's why I think they take it. I mean,

573
00:27:49,840 --> 00:27:53,800
Speaker 3: I don't I'm not a medical professional. If that's not clear.

574
00:27:54,160 --> 00:27:55,920
Speaker 3: They seem to say, like from the side or from

575
00:27:55,920 --> 00:27:57,480
Speaker 3: the top of the mouth that I'm like, is that

576
00:27:57,760 --> 00:28:00,920
Speaker 3: is that gum gum? Really just where it's located.

577
00:28:00,960 --> 00:28:03,240
Speaker 2: But it's just mouth, right, why not just take it

578
00:28:03,240 --> 00:28:04,680
Speaker 2: from the back of my arm at that point?

579
00:28:04,840 --> 00:28:05,320
Speaker 3: Yeah?

580
00:28:05,359 --> 00:28:06,840
Speaker 2: Oh that sounds horrifying.

581
00:28:07,160 --> 00:28:09,840
Speaker 3: Yeah, and it's they said, it's it's painful. You can't.

582
00:28:09,880 --> 00:28:14,640
Speaker 3: I mean, it sounds brutal for like this very small.

583
00:28:13,800 --> 00:28:16,200
Speaker 2: Right, And I feel like I'm headed in this direction

584
00:28:16,280 --> 00:28:19,440
Speaker 2: as well, receding gum lines. But I feel like everyone is.

585
00:28:19,840 --> 00:28:22,040
Speaker 2: And I feel like dentists sometimes are a little too careful.

586
00:28:22,359 --> 00:28:25,240
Speaker 2: They're a little too cautious, and so they go overboard.

587
00:28:25,560 --> 00:28:27,440
Speaker 2: So I've got to really have a problem before they're

588
00:28:27,440 --> 00:28:28,879
Speaker 2: going to do surgery on my mouth.

589
00:28:29,119 --> 00:28:31,439
Speaker 3: Yeah, but you'll feel it. I mean, they're just like

590
00:28:32,560 --> 00:28:36,280
Speaker 3: that upper part of the teeth feeling of just like, ah.

591
00:28:35,840 --> 00:28:39,320
Speaker 2: Oh you feel the sensitivity there. Yeah, sometimes now and

592
00:28:39,400 --> 00:28:42,480
Speaker 2: then oh no, oh that sounds how.

593
00:28:42,360 --> 00:28:44,360
Speaker 3: Can I not grow back? Truly, it's one of those

594
00:28:44,920 --> 00:28:47,560
Speaker 3: knowing to be mad at wish I was more religious,

595
00:28:47,600 --> 00:28:49,560
Speaker 3: so I could go to a church and I guess,

596
00:28:49,600 --> 00:28:53,000
Speaker 3: look at Jesus on the cross and go, why why.

597
00:28:53,520 --> 00:28:58,160
Speaker 2: Yeah, you're in pain me too, great gums on him.

598
00:28:59,360 --> 00:29:01,560
Speaker 2: But to me, this was like one of the things

599
00:29:01,600 --> 00:29:03,200
Speaker 2: that they need to start growing on the back of mice.

600
00:29:03,480 --> 00:29:05,440
Speaker 2: You know, they'll put an have an ear growing out

601
00:29:05,440 --> 00:29:07,320
Speaker 2: of a mouse or whatever they've had too good for

602
00:29:07,360 --> 00:29:10,200
Speaker 2: too long. Yeah, we've got to have gum, gum, skin

603
00:29:10,440 --> 00:29:13,080
Speaker 2: or flesh on the back of mice. That's a good im.

604
00:29:13,200 --> 00:29:14,600
Speaker 3: I feel like they must be able to take gum

605
00:29:14,640 --> 00:29:15,680
Speaker 3: out of a pig.

606
00:29:16,040 --> 00:29:19,560
Speaker 2: Oh interesting, interesting, Yeah, it feels like they're not thinking

607
00:29:19,560 --> 00:29:20,080
Speaker 2: hard enough.

608
00:29:20,120 --> 00:29:22,000
Speaker 3: If they can, if they can give you the heart

609
00:29:22,040 --> 00:29:26,200
Speaker 3: of a pig, certainly, I mean, come on, come on,

610
00:29:26,520 --> 00:29:28,040
Speaker 3: what are the pigs doing with their gums?

611
00:29:29,120 --> 00:29:31,560
Speaker 2: When did you start like get getting serious about flossing?

612
00:29:34,040 --> 00:29:36,640
Speaker 3: Honestly, like these these were a game changer for me.

613
00:29:37,120 --> 00:29:39,480
Speaker 3: I like the foss it's a it's I have like

614
00:29:39,480 --> 00:29:42,600
Speaker 3: a little adhd. I I was definitely like as a kid,

615
00:29:42,640 --> 00:29:45,320
Speaker 3: I I went through sucking faces. I was. I was

616
00:29:45,320 --> 00:29:46,000
Speaker 3: a necklace.

617
00:29:46,160 --> 00:29:46,640
Speaker 2: Oh I did.

618
00:29:46,640 --> 00:29:49,200
Speaker 3: The necklace would sometimes have like little like kind of

619
00:29:49,200 --> 00:29:52,320
Speaker 3: slight rashes here the worst, the grossest. For a while,

620
00:29:52,360 --> 00:29:53,800
Speaker 3: I was a shirt and just.

621
00:29:53,760 --> 00:29:56,920
Speaker 2: Like didn't do the shirt. I would do the hoodie string.

622
00:29:57,560 --> 00:29:59,840
Speaker 3: Hoodie string, for sure, Yeah, for sure.

623
00:30:00,320 --> 00:30:01,680
Speaker 2: But the shirt, that's a tough one.

624
00:30:01,760 --> 00:30:02,360
Speaker 3: It's gross.

625
00:30:02,400 --> 00:30:03,719
Speaker 2: How old were you when that was happening?

626
00:30:03,760 --> 00:30:05,880
Speaker 3: My middle school? Then in high school? And then the

627
00:30:05,920 --> 00:30:11,040
Speaker 3: stains were at a different place. And I did pens

628
00:30:11,400 --> 00:30:15,560
Speaker 3: pens constantly. Yeah, a couple back, the little the little

629
00:30:15,640 --> 00:30:17,960
Speaker 3: round thing would pop off and I swallowed maybe two

630
00:30:18,000 --> 00:30:18,960
Speaker 3: in my life. That's what.

631
00:30:19,080 --> 00:30:20,720
Speaker 2: I haven't chewed on a pen in a long time.

632
00:30:20,760 --> 00:30:24,120
Speaker 2: That's a good chewing tool. Yeah me neither gen Z

633
00:30:24,280 --> 00:30:25,920
Speaker 2: doesn't know what it is to chew on a pen.

634
00:30:26,360 --> 00:30:27,959
Speaker 3: I am brutal and like people will lend me a

635
00:30:27,960 --> 00:30:30,800
Speaker 3: pen and within seconds it's in my mouth and I've

636
00:30:30,840 --> 00:30:34,280
Speaker 3: completely forgotten this is someone else's pen pencils I did

637
00:30:34,320 --> 00:30:35,840
Speaker 3: for a little. I remember the time when it would

638
00:30:35,880 --> 00:30:38,600
Speaker 3: be like like maybe I got a splinter in my

639
00:30:38,600 --> 00:30:40,840
Speaker 3: mouth just like I was chewing it. Oh my god,

640
00:30:40,920 --> 00:30:44,360
Speaker 3: getting probably lead, no, like just the middle.

641
00:30:44,080 --> 00:30:46,280
Speaker 2: Like, oh it's crazy, that's very beaver.

642
00:30:46,920 --> 00:30:50,520
Speaker 3: Yeah. Never a thumbsucker. My sister was a thumbsucker. They

643
00:30:50,520 --> 00:30:51,360
Speaker 3: had to get the nail.

644
00:30:51,200 --> 00:30:55,320
Speaker 2: Polish, like the bitter nail polish. Yeah, she sucked with

645
00:30:55,400 --> 00:30:57,200
Speaker 2: them for a while until when.

646
00:30:57,880 --> 00:31:02,200
Speaker 3: I mean feeling like seven eight. It was it was, it.

647
00:31:02,120 --> 00:31:04,440
Speaker 2: Was apparent just a parent. You're like, I don't know

648
00:31:04,480 --> 00:31:06,760
Speaker 2: what to do here. I guess we're going to have

649
00:31:06,800 --> 00:31:08,440
Speaker 2: to punish her with poison.

650
00:31:08,880 --> 00:31:11,640
Speaker 3: Yeah, pretty much I would do. I would try a pacifier.

651
00:31:12,200 --> 00:31:14,360
Speaker 3: I'm a chure like I do gum. I go through

652
00:31:14,360 --> 00:31:16,960
Speaker 3: phase where I save myself like Jamarco, you need to

653
00:31:16,960 --> 00:31:19,680
Speaker 3: take a break from gum because my jaw starts clicking

654
00:31:19,800 --> 00:31:21,200
Speaker 3: and you're like this, this isn't gud.

655
00:31:21,200 --> 00:31:22,440
Speaker 2: Are you chewing multiple pieces?

656
00:31:22,720 --> 00:31:25,360
Speaker 3: Oh? Yeah, I mean the high school went through phase

657
00:31:25,360 --> 00:31:28,080
Speaker 3: where I would do like I do the whole fruit,

658
00:31:28,760 --> 00:31:30,640
Speaker 3: by the what is it for fruit? By the no

659
00:31:31,200 --> 00:31:34,720
Speaker 3: bubble tape, bubble tape, Like I have six feet of

660
00:31:34,800 --> 00:31:39,680
Speaker 3: gum in my mouth, and I will definitely if again

661
00:31:39,720 --> 00:31:43,560
Speaker 3: in orbits like I'm going I'll add that third pretty quick.

662
00:31:43,720 --> 00:31:44,120
Speaker 4: Wow.

663
00:31:44,400 --> 00:31:46,200
Speaker 2: Yeah, see, I for a long time it was only

664
00:31:46,200 --> 00:31:50,000
Speaker 2: a half apiece. Half You take me, my God, to

665
00:31:50,000 --> 00:31:53,360
Speaker 2: get through one pa integrate that in seconds. I was

666
00:31:53,400 --> 00:31:55,000
Speaker 2: split again a half. I thought, this is plenty of

667
00:31:55,000 --> 00:31:56,920
Speaker 2: gum for me now, I'm you know, the little chick

668
00:31:56,960 --> 00:31:59,360
Speaker 2: lit size pop one of those in I can't imagine

669
00:31:59,360 --> 00:32:00,720
Speaker 2: having two pieces of gum in my mouth.

670
00:32:01,160 --> 00:32:03,960
Speaker 3: I don't do it often, but sometimes, if the steaks

671
00:32:04,000 --> 00:32:06,760
Speaker 3: are really low for a gig and I'm filling cocky,

672
00:32:07,000 --> 00:32:10,000
Speaker 3: I'll go up there chewing gum and it feels cool.

673
00:32:10,320 --> 00:32:12,840
Speaker 3: It feels it feels like badass.

674
00:32:12,920 --> 00:32:15,520
Speaker 2: That may feel cool for you as an audience member.

675
00:32:15,880 --> 00:32:16,600
Speaker 2: You're losing me.

676
00:32:16,920 --> 00:32:19,800
Speaker 3: For you, for sure. I can tell you got some standards.

677
00:32:20,000 --> 00:32:21,440
Speaker 3: I can tell you got some standards.

678
00:32:21,600 --> 00:32:23,719
Speaker 2: There are some people who will go on late night

679
00:32:23,760 --> 00:32:28,400
Speaker 2: shows chewing gum or interviews and all just pointed out

680
00:32:28,440 --> 00:32:30,200
Speaker 2: Michael Keaton, if you ever watched an interview with this

681
00:32:30,320 --> 00:32:32,640
Speaker 2: man constantly chewing gum?

682
00:32:32,920 --> 00:32:33,320
Speaker 3: Uh huh.

683
00:32:33,880 --> 00:32:35,360
Speaker 2: Such an irritating.

684
00:32:34,800 --> 00:32:38,000
Speaker 3: Look some people bothers. I get it.

685
00:32:38,120 --> 00:32:38,680
Speaker 2: I get it.

686
00:32:38,680 --> 00:32:41,880
Speaker 3: It's like it calms me. If definitely I was nervous

687
00:32:41,920 --> 00:32:45,200
Speaker 3: for like a talk show thing, gum chewing would absolutely

688
00:32:45,360 --> 00:32:46,800
Speaker 3: like make me looser.

689
00:32:46,920 --> 00:32:49,920
Speaker 2: It's a bit of a fidget spinner, yes, hidden fidget spinner.

690
00:32:50,000 --> 00:32:52,600
Speaker 3: Yeah, because I like even when I'm when I try

691
00:32:52,640 --> 00:32:54,560
Speaker 3: to act, I go back to trying to at Oh,

692
00:32:54,640 --> 00:32:59,360
Speaker 3: give yourself but like my tension, like it's like, what

693
00:32:59,440 --> 00:33:01,600
Speaker 3: is my tongue I'm doing right now? Why am I?

694
00:33:01,640 --> 00:33:04,400
Speaker 3: Why am I thinking about the interior of sing Yeah,

695
00:33:04,440 --> 00:33:07,520
Speaker 3: you feel your whole skull basically, and gum lets it,

696
00:33:07,600 --> 00:33:12,320
Speaker 3: you know, just chewing. Yeah, just barbostize. Any audition for

697
00:33:12,400 --> 00:33:16,040
Speaker 3: Funny Girl famously, she she was chewing gum and they

698
00:33:16,240 --> 00:33:18,760
Speaker 3: the cast directors were like you, oh my god, what

699
00:33:18,840 --> 00:33:21,280
Speaker 3: is this? What is this vile creature? And then at

700
00:33:21,280 --> 00:33:23,600
Speaker 3: the end of the audition took it out put under

701
00:33:23,640 --> 00:33:26,600
Speaker 3: the chair. They went over. There was no gum under

702
00:33:26,600 --> 00:33:29,480
Speaker 3: the chair. She was acting the whole Wow.

703
00:33:29,400 --> 00:33:33,920
Speaker 2: She's that good. She's that she can trick. Someone picks

704
00:33:33,960 --> 00:33:35,720
Speaker 2: my nose and you're like, god, this kind of goes

705
00:33:36,240 --> 00:33:43,560
Speaker 2: no Bookers, He's only disgusting in my imagination. Basically, I

706
00:33:43,640 --> 00:33:47,200
Speaker 2: was swallowing each piece of gum I chewed four years

707
00:33:47,480 --> 00:33:48,920
Speaker 2: and I've recently stopped that.

708
00:33:49,320 --> 00:33:50,040
Speaker 3: But I feel like.

709
00:33:50,000 --> 00:33:52,840
Speaker 2: If it's half a piece, that's that's a little yeah,

710
00:33:52,880 --> 00:33:53,520
Speaker 2: maybe less.

711
00:33:53,920 --> 00:33:57,160
Speaker 3: There is the thing where I'm like, I don't and

712
00:33:57,480 --> 00:33:59,280
Speaker 3: sometimes I don't have the rapper and I put it

713
00:33:59,320 --> 00:34:03,240
Speaker 3: down on something and then it's like a disasters then

714
00:34:04,000 --> 00:34:07,080
Speaker 3: and I'm like, I can swallow this, right, you can?

715
00:34:07,400 --> 00:34:07,800
Speaker 3: You can?

716
00:34:08,200 --> 00:34:11,320
Speaker 2: I think you absolutely? Why is that there's a myth

717
00:34:11,400 --> 00:34:14,240
Speaker 2: the whole seven year thing that's blow blooney?

718
00:34:14,320 --> 00:34:16,680
Speaker 3: But like, is it bad for any reason at all? No?

719
00:34:16,719 --> 00:34:18,879
Speaker 2: I don't. I mean, who I improve that? I mean

720
00:34:18,920 --> 00:34:20,520
Speaker 2: I have a lot of problems, But I don't think

721
00:34:20,520 --> 00:34:22,960
Speaker 2: it has anything to do with chewing gum or swallowing gum.

722
00:34:23,800 --> 00:34:26,040
Speaker 2: I think it just passes through like any other thing.

723
00:34:26,320 --> 00:34:29,800
Speaker 2: You could swallow a nail, Yeah, that might be slightly

724
00:34:29,920 --> 00:34:33,320
Speaker 2: more difficult. The thing you can't swallow is two magnets.

725
00:34:34,239 --> 00:34:36,120
Speaker 2: Those will go through your intestine and then stick to

726
00:34:36,160 --> 00:34:39,120
Speaker 2: each other and forget it. I don't know how you

727
00:34:39,280 --> 00:34:39,799
Speaker 2: do you forget it?

728
00:34:39,840 --> 00:34:40,160
Speaker 3: You die?

729
00:34:40,800 --> 00:34:43,239
Speaker 2: I don't know. They're clamped together and you're intestine.

730
00:34:43,480 --> 00:34:44,319
Speaker 3: How did he die?

731
00:34:44,880 --> 00:34:47,240
Speaker 2: Can you swallow two fridge megnots?

732
00:34:49,360 --> 00:34:50,719
Speaker 3: I have to look this up.

733
00:34:50,960 --> 00:34:53,640
Speaker 2: Yeah, I think that chewing, chewing, and swallowing gum, I

734
00:34:53,640 --> 00:34:55,960
Speaker 2: think we would solve a lot of problems. You know,

735
00:34:56,160 --> 00:34:57,719
Speaker 2: there'd be less under the table.

736
00:34:58,920 --> 00:35:03,120
Speaker 3: One old one like thing where people go if you

737
00:35:03,239 --> 00:35:06,959
Speaker 3: are cold, That doesn't lead to more cold, It doesn't

738
00:35:07,040 --> 00:35:10,839
Speaker 3: lead to you getting a colt, right, and that one,

739
00:35:10,960 --> 00:35:12,640
Speaker 3: no one seems to believe.

740
00:35:12,960 --> 00:35:16,600
Speaker 2: My boyfriend. Yeah, it's a constant finds like you're simply

741
00:35:16,640 --> 00:35:19,000
Speaker 2: not going to get more of a cold or get

742
00:35:19,000 --> 00:35:20,560
Speaker 2: a cold because of your body temperature.

743
00:35:20,600 --> 00:35:22,720
Speaker 3: I think, like, I think what happens is if someone's

744
00:35:22,760 --> 00:35:25,640
Speaker 3: cold and then you're warm, your body like creates mucus

745
00:35:25,640 --> 00:35:27,600
Speaker 3: and so you feel what you would associate with cults.

746
00:35:27,600 --> 00:35:30,719
Speaker 3: And because you just had a visceral ruppeture change, But

747
00:35:30,800 --> 00:35:34,120
Speaker 3: that does not lead to you getting a cold later.

748
00:35:34,320 --> 00:35:37,080
Speaker 2: Right, because it's a virus, does it make your body

749
00:35:37,120 --> 00:35:39,879
Speaker 2: more vulnerable and then it can't fight the virus. That's

750
00:35:39,920 --> 00:35:41,239
Speaker 2: the only logic I could get to.

751
00:35:41,719 --> 00:35:42,320
Speaker 3: But it doesn't.

752
00:35:42,680 --> 00:35:44,840
Speaker 2: Yeah, it's just an old life's tale.

753
00:35:45,040 --> 00:35:48,560
Speaker 3: Yeah, but people, it's it's that I honestly think, like

754
00:35:48,680 --> 00:35:51,760
Speaker 3: some of those things. When I think about like medicine

755
00:35:51,800 --> 00:35:58,239
Speaker 3: and misinformation, I go, it's connected to small things. I

756
00:35:58,280 --> 00:36:03,960
Speaker 3: believe that, like if we cannot establish that drinking a

757
00:36:04,000 --> 00:36:07,279
Speaker 3: lot of vitamin C doesn't cure you, or that being

758
00:36:07,360 --> 00:36:09,920
Speaker 3: cold because it's the same word as cold, doesn't mean

759
00:36:09,960 --> 00:36:13,839
Speaker 3: there's the same If we can't do that, good luck

760
00:36:13,920 --> 00:36:16,319
Speaker 3: with vaccines. Good luck.

761
00:36:16,440 --> 00:36:19,400
Speaker 2: Yeah, Like trying to convince people. Yeah, yeah, what a

762
00:36:19,440 --> 00:36:19,920
Speaker 2: good point.

763
00:36:20,040 --> 00:36:22,520
Speaker 3: I do think. I mean all I think people got

764
00:36:22,560 --> 00:36:25,200
Speaker 3: bitter of like, you know, a red wine is good

765
00:36:25,239 --> 00:36:27,040
Speaker 3: for you. I still have that. And it was one

766
00:36:27,080 --> 00:36:28,480
Speaker 3: study and it was debunked.

767
00:36:28,920 --> 00:36:31,920
Speaker 2: Once a year, we're getting that study. Same with dark chocolate.

768
00:36:32,239 --> 00:36:32,520
Speaker 1: Mmmm.

769
00:36:32,960 --> 00:36:35,319
Speaker 2: And it's like, let's just make up our minds on this.

770
00:36:35,520 --> 00:36:36,200
Speaker 3: Yeah yeah yeah.

771
00:36:36,320 --> 00:36:39,360
Speaker 2: Or maybe it's just not important enough to keep putting

772
00:36:39,360 --> 00:36:40,880
Speaker 2: in the news yause it's confusing.

773
00:36:41,000 --> 00:36:43,279
Speaker 3: Eggs good. Yeah, that's part of the is the news.

774
00:36:43,280 --> 00:36:45,080
Speaker 3: They have to summon up and they go, eggs good

775
00:36:45,160 --> 00:36:46,239
Speaker 3: for you, eggs bad for you?

776
00:36:46,360 --> 00:36:47,800
Speaker 2: Right, And it's like there's no gray area.

777
00:36:48,200 --> 00:36:50,040
Speaker 3: Yeah. And I go to my doctor and they go, hey,

778
00:36:50,080 --> 00:36:52,880
Speaker 3: we don't really know, but it's probably not bad. The

779
00:36:53,000 --> 00:36:55,880
Speaker 3: way these doctors talk sometimes I'm like you go like,

780
00:36:55,920 --> 00:36:59,080
Speaker 3: oh you go, oh yeah, it is a man made system, right, it.

781
00:36:59,000 --> 00:37:01,120
Speaker 2: Is okay, you're a part and you might be bad

782
00:37:01,120 --> 00:37:01,760
Speaker 2: at your job.

783
00:37:02,160 --> 00:37:04,319
Speaker 3: Yeah. And it's just like it's not a consensus. It's

784
00:37:04,400 --> 00:37:05,120
Speaker 3: kind of the thought.

785
00:37:06,680 --> 00:37:10,160
Speaker 2: I think we should try this croissant here. Do you

786
00:37:10,160 --> 00:37:11,040
Speaker 2: want to try some of it?

787
00:37:12,040 --> 00:37:12,640
Speaker 3: I do?

788
00:37:12,800 --> 00:37:15,719
Speaker 2: Okay, you take some first. Actually you're the guest here,

789
00:37:15,800 --> 00:37:16,560
Speaker 2: it's beautiful.

790
00:37:16,840 --> 00:37:22,080
Speaker 3: It is beautiful. I mean, god, croissants, Oh the crunch God,

791
00:37:22,120 --> 00:37:23,200
Speaker 3: it just sounds amazing.

792
00:37:23,920 --> 00:37:26,399
Speaker 2: This is a beautiful. Oh it's green inside as well.

793
00:37:26,440 --> 00:37:28,960
Speaker 2: This is a real Macha croissant. I've never had a

794
00:37:29,000 --> 00:37:29,800
Speaker 2: Macha croissant.

795
00:37:29,920 --> 00:37:32,759
Speaker 3: Actually, I don't know if I have either. Man, it

796
00:37:32,800 --> 00:37:34,080
Speaker 3: looks good.

797
00:37:34,920 --> 00:37:36,560
Speaker 2: Okay, Oh my lord, look at that.

798
00:37:37,440 --> 00:37:39,160
Speaker 3: Hm that's good.

799
00:37:39,560 --> 00:37:40,560
Speaker 2: Oh that's phenomenal.

800
00:37:40,719 --> 00:37:41,399
Speaker 3: That's really good.

801
00:37:42,600 --> 00:37:45,640
Speaker 2: Oh that's so good. That's like an immediately flavorful but

802
00:37:45,719 --> 00:37:50,759
Speaker 2: not overpowering wow. And a good chew, really good chew.

803
00:37:51,280 --> 00:37:52,440
Speaker 2: You have a favorite bakery in New.

804
00:37:52,440 --> 00:37:56,080
Speaker 3: York, No, I need to get one. I I was

805
00:37:56,120 --> 00:38:00,359
Speaker 3: like overly like healthy in a weird way where eat

806
00:38:00,360 --> 00:38:02,080
Speaker 3: a lot, but I would eat and I also would

807
00:38:02,080 --> 00:38:05,040
Speaker 3: eat like so many raw almonds. And my girlfriend was like,

808
00:38:05,040 --> 00:38:07,520
Speaker 3: do you understand these have a lot of calories? And

809
00:38:07,560 --> 00:38:09,040
Speaker 3: I was like what? And that looks up. I was like,

810
00:38:09,160 --> 00:38:11,759
Speaker 3: I could have been having Chris Hans this whole time. Yeah.

811
00:38:11,800 --> 00:38:14,839
Speaker 3: So then I do interim into fasting now. And what

812
00:38:14,880 --> 00:38:17,360
Speaker 3: I like about it is it's for me. It's opened

813
00:38:17,400 --> 00:38:19,680
Speaker 3: up eating things that I didn't for a long time.

814
00:38:19,960 --> 00:38:22,120
Speaker 3: So like I have desserts, oh, I was like I

815
00:38:22,200 --> 00:38:24,560
Speaker 3: was not having desserts like period.

816
00:38:24,640 --> 00:38:25,720
Speaker 2: Wow, that's crazy.

817
00:38:25,920 --> 00:38:27,400
Speaker 3: Yeah, it was just it was just a neurotic thing.

818
00:38:27,400 --> 00:38:29,120
Speaker 3: And now with the interimin fasting, I'm like, it just

819
00:38:29,280 --> 00:38:33,920
Speaker 3: opened up permission in my own self right. And I

820
00:38:34,000 --> 00:38:37,000
Speaker 3: live the crazy travel life, so it keeps me right.

821
00:38:37,400 --> 00:38:39,160
Speaker 2: You don't have a consistent like you don't know where

822
00:38:39,160 --> 00:38:42,120
Speaker 2: you're going to be eating, what you'll be eating. Yeah,

823
00:38:42,200 --> 00:38:44,959
Speaker 2: maybe room service, this kind of thing. So how often

824
00:38:44,960 --> 00:38:45,640
Speaker 2: are you fasting?

825
00:38:46,239 --> 00:38:48,360
Speaker 3: And how I do it? Pretty consistent? I do? I

826
00:38:48,400 --> 00:38:53,200
Speaker 3: do sixteen off eight on sixteen eight oh every day. Yeah,

827
00:38:53,239 --> 00:38:55,920
Speaker 3: and then I'm trying to be more a little bit

828
00:38:55,920 --> 00:38:57,960
Speaker 3: more like could I break it once a week and

829
00:38:58,040 --> 00:38:59,200
Speaker 3: feel okay.

830
00:38:59,080 --> 00:39:00,000
Speaker 2: It's slippery slope.

831
00:39:00,360 --> 00:39:00,920
Speaker 3: Yeah.

832
00:39:01,000 --> 00:39:03,400
Speaker 2: So when do you start eating in the day? It

833
00:39:03,520 --> 00:39:07,080
Speaker 2: depends usually eight hours As long as it's eight hours.

834
00:39:06,840 --> 00:39:10,680
Speaker 3: Yeah, I mean I I lean towards all fast longer

835
00:39:11,239 --> 00:39:13,640
Speaker 3: then if if I'm you know, when I travel with

836
00:39:13,719 --> 00:39:19,280
Speaker 3: time difference. Yeah, And I know this was some people

837
00:39:19,440 --> 00:39:20,840
Speaker 3: just they hear it and they go, oh, you have

838
00:39:20,960 --> 00:39:24,120
Speaker 3: You're describing your eating disorder. For us, it's like, yeah, sure,

839
00:39:24,239 --> 00:39:25,799
Speaker 3: all eatings, it's it's all.

840
00:39:25,680 --> 00:39:28,320
Speaker 2: I kind of like we're all disordered and disorder.

841
00:39:28,000 --> 00:39:29,919
Speaker 3: I'm in la where I guess probably here it's like, yeah,

842
00:39:29,920 --> 00:39:32,200
Speaker 3: that's a rate you eat for an eight hour window.

843
00:39:32,280 --> 00:39:32,520
Speaker 1: Mine.

844
00:39:35,640 --> 00:39:37,480
Speaker 3: So it's usually based on the show, right, I like

845
00:39:37,520 --> 00:39:39,480
Speaker 3: to have my last meal like before the show.

846
00:39:39,680 --> 00:39:40,440
Speaker 2: I think that's smart.

847
00:39:40,520 --> 00:39:43,560
Speaker 3: And so so if my show's tonight is at seven thirty,

848
00:39:43,640 --> 00:39:47,480
Speaker 3: so I would start at eleven thirty and that's and

849
00:39:47,520 --> 00:39:49,319
Speaker 3: then you know, sometimes if I'm going to have a

850
00:39:49,320 --> 00:39:51,720
Speaker 3: big I started it because I was in Australia, Okay.

851
00:39:51,880 --> 00:39:54,960
Speaker 3: I had a promoter bringing me to these meals, right,

852
00:39:55,080 --> 00:39:57,239
Speaker 3: like the best meals you could have in Australia, and

853
00:39:57,280 --> 00:40:00,160
Speaker 3: I was like, I want to pick out, but I

854
00:40:00,200 --> 00:40:02,960
Speaker 3: don't want to come back from Australia feeling like I

855
00:40:03,080 --> 00:40:05,000
Speaker 3: need to catch up. I hate that feeling, right, And

856
00:40:05,680 --> 00:40:10,600
Speaker 3: so I just I started doing it, and everything it

857
00:40:10,640 --> 00:40:14,160
Speaker 3: was so much better. God, I really, I really worked

858
00:40:14,200 --> 00:40:14,600
Speaker 3: for me.

859
00:40:15,760 --> 00:40:18,160
Speaker 2: What were you eating in Australia that was so wonderful?

860
00:40:20,160 --> 00:40:22,600
Speaker 3: It was everywhere has a wonderful food. It's just whether

861
00:40:22,680 --> 00:40:23,680
Speaker 3: someone's paying for it.

862
00:40:23,680 --> 00:40:25,760
Speaker 2: Right, And when someone's paying for food, I mean it's.

863
00:40:25,640 --> 00:40:27,920
Speaker 3: People say New York's the best food city. I'm like really,

864
00:40:27,920 --> 00:40:30,480
Speaker 3: and it's like, yeah, because I when I'm here, I'm

865
00:40:30,480 --> 00:40:32,800
Speaker 3: here Monday through Thursday. I'm not going out to a

866
00:40:32,840 --> 00:40:34,640
Speaker 3: fancy dinner, right, And then you do and you're like,

867
00:40:34,640 --> 00:40:37,080
Speaker 3: oh yeah, people think New York is one of the best.

868
00:40:37,680 --> 00:40:39,040
Speaker 3: I'm just not going right.

869
00:40:39,360 --> 00:40:41,439
Speaker 2: I mean, you can almost any major city. You could

870
00:40:41,440 --> 00:40:43,400
Speaker 2: probably make an argument that it's one of the best

871
00:40:43,480 --> 00:40:45,960
Speaker 2: at this point, if you're willing to pay for it.

872
00:40:46,040 --> 00:40:48,439
Speaker 3: I like Los Angeles because I think they have more

873
00:40:49,480 --> 00:40:54,000
Speaker 3: middle healthy places. Oh absolutely, more than anywhere else in

874
00:40:54,280 --> 00:40:57,280
Speaker 3: the country. I think if you go to like Paris,

875
00:40:57,560 --> 00:41:00,440
Speaker 3: oh my god, there's more healthy options. But in New

876
00:41:00,520 --> 00:41:04,440
Speaker 3: York it's like it's sweet green and then there's nothing

877
00:41:04,480 --> 00:41:08,040
Speaker 3: in the middle. There zero. Absolutely LA will have like

878
00:41:08,120 --> 00:41:10,960
Speaker 3: oh wow, this is like, you know, it's not the

879
00:41:11,040 --> 00:41:13,640
Speaker 3: cheapest launch, but not the crazy right. I like Goop.

880
00:41:14,160 --> 00:41:14,760
Speaker 3: Oh people.

881
00:41:15,200 --> 00:41:17,400
Speaker 2: I finally tried the Group Kitchen recently.

882
00:41:17,480 --> 00:41:17,960
Speaker 3: I like Goo.

883
00:41:18,080 --> 00:41:19,680
Speaker 2: I have to say it was pretty good.

884
00:41:19,920 --> 00:41:22,120
Speaker 3: I was way better than a Sweet Green salad.

885
00:41:22,160 --> 00:41:24,200
Speaker 2: Oh my god, are you kidding me? The kale at

886
00:41:24,200 --> 00:41:26,080
Speaker 2: Sweet Green, I complained about this all the time, is

887
00:41:26,080 --> 00:41:28,840
Speaker 2: the driest food on earth that will choke you.

888
00:41:28,920 --> 00:41:31,120
Speaker 3: It used to be good though, because I I've been

889
00:41:31,160 --> 00:41:33,040
Speaker 3: with Sweet Greens since the beginning, because it started in DC.

890
00:41:33,680 --> 00:41:37,440
Speaker 3: It was a yogurt chop. Originally what salads. I'm ninety

891
00:41:37,480 --> 00:41:39,520
Speaker 3: nine percent sure salads is like a side thing. And

892
00:41:39,520 --> 00:41:40,279
Speaker 3: then that took over.

893
00:41:40,400 --> 00:41:42,520
Speaker 2: They called a yogurt shop Sweet Green.

894
00:41:43,880 --> 00:41:46,560
Speaker 3: I think so maybe it was Machi Yoga, who the

895
00:41:46,600 --> 00:41:48,400
Speaker 3: fuck knows. But then I was in Philly and like

896
00:41:48,440 --> 00:41:50,719
Speaker 3: it opened, like the first one in Philly, and this

897
00:41:50,760 --> 00:41:54,120
Speaker 3: is when it was like they had seasonal crispy kale

898
00:41:54,520 --> 00:41:56,480
Speaker 3: and it was like the bulls are huge and the

899
00:41:56,600 --> 00:41:58,840
Speaker 3: greens were fresh and I and then I remember the

900
00:41:58,880 --> 00:42:00,560
Speaker 3: first one in New York and now it's all over

901
00:42:00,600 --> 00:42:03,320
Speaker 3: near and I've I've watched the decline.

902
00:42:02,920 --> 00:42:04,759
Speaker 2: Of course, I've watched it last time.

903
00:42:05,480 --> 00:42:07,759
Speaker 3: Really, I think about all the places I've watched the

904
00:42:07,760 --> 00:42:10,560
Speaker 3: decline of in my life. And I remember when the

905
00:42:10,560 --> 00:42:13,480
Speaker 3: bowl suddenly there's these indents in the bowl and I

906
00:42:13,520 --> 00:42:14,399
Speaker 3: was like, there's less bowl.

907
00:42:15,040 --> 00:42:18,080
Speaker 2: That's a really sneaky movie on their part, the dimples.

908
00:42:17,760 --> 00:42:20,120
Speaker 3: And they I think I I think I wrote them

909
00:42:20,120 --> 00:42:23,000
Speaker 3: on Instagram and they said the bull is the same.

910
00:42:23,239 --> 00:42:27,560
Speaker 3: I said, I remember when they would have a water

911
00:42:27,680 --> 00:42:29,920
Speaker 3: station with ice, beautiful little ice cubes, and they get

912
00:42:30,000 --> 00:42:32,200
Speaker 3: rid of that, and then it's just one. It's one

913
00:42:32,239 --> 00:42:33,839
Speaker 3: of those, just one little thing.

914
00:42:34,080 --> 00:42:35,879
Speaker 2: Oh is it the one with the little blue thing

915
00:42:35,880 --> 00:42:36,640
Speaker 2: that you push back?

916
00:42:36,960 --> 00:42:37,160
Speaker 3: Yes?

917
00:42:37,320 --> 00:42:38,040
Speaker 2: I hate those ones.

918
00:42:38,080 --> 00:42:42,200
Speaker 3: They're awful. The temperature is awful, it's no ice. What

919
00:42:42,239 --> 00:42:44,920
Speaker 3: do you do? You got to mind? I mean, this

920
00:42:45,040 --> 00:42:48,760
Speaker 3: is just capitalism, and you just watch everything gets so

921
00:42:48,760 --> 00:42:53,279
Speaker 3: so bad. The door dash is so bad. I think

922
00:42:53,280 --> 00:42:56,200
Speaker 3: of the door dash. If you request utensils and they

923
00:42:56,239 --> 00:43:00,680
Speaker 3: don't deliver utensils, it's free. I because what do you

924
00:43:00,680 --> 00:43:03,040
Speaker 3: want me to do? What do you listen? If I'm

925
00:43:03,040 --> 00:43:05,440
Speaker 3: at home, of course I'll use my own suffer. If

926
00:43:05,480 --> 00:43:08,239
Speaker 3: i'm sometimes I get it and I go, what do

927
00:43:08,320 --> 00:43:09,480
Speaker 3: you want me to do?

928
00:43:09,480 --> 00:43:11,600
Speaker 2: Do you want to eat it like a dance dude?

929
00:43:11,800 --> 00:43:13,319
Speaker 3: And then I got to go somewhere else and go

930
00:43:13,640 --> 00:43:16,239
Speaker 3: can I have Can I take a plastic fork? I'm

931
00:43:16,239 --> 00:43:18,680
Speaker 3: not giving you any money. You don't know me. Everyone

932
00:43:18,719 --> 00:43:20,719
Speaker 3: has needs. Can I take something from you?

933
00:43:20,840 --> 00:43:22,600
Speaker 2: It would have to be a super a curry for

934
00:43:22,640 --> 00:43:24,760
Speaker 2: me to seek out. If if it was a salad,

935
00:43:24,760 --> 00:43:27,279
Speaker 2: I would just do hands, just say forget it. I'm

936
00:43:27,320 --> 00:43:30,239
Speaker 2: eating with my hands tonight, and I wouldn't complain. You

937
00:43:30,320 --> 00:43:32,680
Speaker 2: eat this out with your hands, Absolutely nothing stopping me

938
00:43:32,719 --> 00:43:33,400
Speaker 2: from eating a salad.

939
00:43:33,400 --> 00:43:34,400
Speaker 3: Do you put dressing on it?

940
00:43:34,880 --> 00:43:37,239
Speaker 2: Well, see, that's a good, good question. I would have

941
00:43:37,280 --> 00:43:41,640
Speaker 2: to dip. I'd have to turn it into dipping a

942
00:43:41,680 --> 00:43:45,040
Speaker 2: salad piece pie piece. It hasn't come to that yet.

943
00:43:46,239 --> 00:43:49,439
Speaker 2: I'm not a heavy heavy dressing person anyway, me neither.

944
00:43:49,800 --> 00:43:52,080
Speaker 2: So I can see myself creating kind of a little

945
00:43:52,200 --> 00:43:55,840
Speaker 2: bouquet of lettuce and then dipping eating. You know, sure

946
00:43:56,160 --> 00:43:59,600
Speaker 2: times are tough. They don't give you the fork, But

947
00:44:00,000 --> 00:44:02,839
Speaker 2: how am I supposed to do? Find like a big

948
00:44:03,200 --> 00:44:05,239
Speaker 2: ladle in the kitchen? Maybe use a soup ladle to

949
00:44:05,280 --> 00:44:05,560
Speaker 2: eat it?

950
00:44:05,719 --> 00:44:07,759
Speaker 3: I love eating with my hands. I love eating with

951
00:44:07,800 --> 00:44:11,000
Speaker 3: my hands more. Oh it's it feels you're closer to

952
00:44:11,000 --> 00:44:15,279
Speaker 3: your taste better, tastes better. I mean, you see me

953
00:44:15,360 --> 00:44:17,880
Speaker 3: with the rotisserie chicken, Mike girlfriend and I we have

954
00:44:18,160 --> 00:44:21,040
Speaker 3: a similar You seem mannered.

955
00:44:22,160 --> 00:44:23,160
Speaker 2: I appreciate that.

956
00:44:23,960 --> 00:44:28,000
Speaker 3: You know my my favorite musical, Hello Dolly. But but

957
00:44:28,520 --> 00:44:31,320
Speaker 3: some people would wouldn't dare eat a thing with their hands,

958
00:44:31,320 --> 00:44:34,560
Speaker 3: And that's give me a break. Grow up or like babysitter,

959
00:44:34,560 --> 00:44:37,480
Speaker 3: growing up was was Filipino, and she would we eat

960
00:44:37,480 --> 00:44:39,239
Speaker 3: a lot of rice, okay, And my sister was very

961
00:44:39,239 --> 00:44:40,880
Speaker 3: picky eater, and I just remember she'd pick up this

962
00:44:40,920 --> 00:44:42,319
Speaker 3: rice with her hands and just stuff it into my

963
00:44:42,360 --> 00:44:44,320
Speaker 3: sister's mouth. And I just think that that's how I

964
00:44:44,400 --> 00:44:46,680
Speaker 3: view food. I'm just like, yeah, hands, of course, of course,

965
00:44:46,760 --> 00:44:47,719
Speaker 3: of course, especially.

966
00:44:47,400 --> 00:44:49,880
Speaker 2: If it's sticky rice. Sticky rice, I think that you

967
00:44:49,880 --> 00:44:52,600
Speaker 2: almost want to eat that with your hands. So yeah,

968
00:44:52,600 --> 00:44:54,040
Speaker 2: I can see myself eating a lot of rice with

969
00:44:54,080 --> 00:44:54,359
Speaker 2: my hand.

970
00:44:54,360 --> 00:44:56,880
Speaker 3: What I do is I like to slurp a bowl.

971
00:44:57,360 --> 00:45:00,440
Speaker 3: Oh my dream. I watch a lot of manga an

972
00:45:00,480 --> 00:45:02,880
Speaker 3: anime growing up, and my dream is you take the

973
00:45:02,960 --> 00:45:06,600
Speaker 3: chops that you go and I'm going to Japan for

974
00:45:06,600 --> 00:45:09,759
Speaker 3: the first time. It's for a slurper. Oh, I'm going

975
00:45:09,800 --> 00:45:12,360
Speaker 3: to go to town. But like people don't slurp. And

976
00:45:12,360 --> 00:45:15,239
Speaker 3: then you're taking these spoons and you're going, all right,

977
00:45:15,600 --> 00:45:18,040
Speaker 3: take away the soup. We wasted soup.

978
00:45:18,400 --> 00:45:21,960
Speaker 2: No, I will within the United States, I will silently slurp.

979
00:45:22,400 --> 00:45:24,839
Speaker 2: You go to Japan, you're supposed to, so they want

980
00:45:24,840 --> 00:45:25,640
Speaker 2: to hear the slurp.

981
00:45:25,760 --> 00:45:27,520
Speaker 3: I'm so excited. Just prepare yourself.

982
00:45:28,719 --> 00:45:31,799
Speaker 2: Yeah, with the noodles you can just yeah. Oh, it's fantastic. Yeah,

983
00:45:31,840 --> 00:45:33,120
Speaker 2: it's how it's meant to be eaten.

984
00:45:33,400 --> 00:45:34,120
Speaker 3: Yeah.

985
00:45:34,320 --> 00:45:35,960
Speaker 2: When I get too many noodles in my mouth from

986
00:45:36,000 --> 00:45:38,040
Speaker 2: a ramen or a soup and I'm here in the

987
00:45:38,160 --> 00:45:40,120
Speaker 2: United States, it's a nightmare situation for me. I'm like,

988
00:45:40,239 --> 00:45:42,200
Speaker 2: who's looking at me? When do I start chewing this?

989
00:45:42,239 --> 00:45:44,319
Speaker 2: So it falls back into the bowl. I don't know

990
00:45:44,320 --> 00:45:48,400
Speaker 2: what to do. Yes, but go over to Japan, go crazy.

991
00:45:48,680 --> 00:45:52,279
Speaker 2: You probably wouldn't even eat chopsticks, just slurp away.

992
00:45:52,440 --> 00:45:56,280
Speaker 3: Oh that sounds like when are you going? I believe

993
00:45:56,320 --> 00:45:58,040
Speaker 3: at the end of this at the end of this year,

994
00:45:58,080 --> 00:45:59,560
Speaker 3: and then I'm gonna stay. I'm gonna do a tour

995
00:46:00,160 --> 00:46:03,040
Speaker 3: amazing of Asia, first time in Asia. Okay, so I'm

996
00:46:03,040 --> 00:46:09,560
Speaker 3: going to do some shows in Tokyo and Singapore, Hong Kong, fantastic.

997
00:46:09,560 --> 00:46:14,000
Speaker 3: Singapore have to submit a transcript amazing. See, the country

998
00:46:14,040 --> 00:46:17,880
Speaker 3: is very strict. Yeah, we'll see, we'll see. I've i

999
00:46:18,320 --> 00:46:20,080
Speaker 3: it's the whole thing I'm there for, like the adventure

1000
00:46:20,080 --> 00:46:23,200
Speaker 3: of it. And uh, I'm not being paid by the

1001
00:46:23,400 --> 00:46:26,200
Speaker 3: Singaporean government, so it is It's not the same as

1002
00:46:26,239 --> 00:46:28,480
Speaker 3: doing Saudi Arabia right in my opinion.

1003
00:46:28,320 --> 00:46:30,680
Speaker 2: Well, in Singapore doesn't have a lot of human rights abuse.

1004
00:46:30,760 --> 00:46:33,680
Speaker 3: Y's definitely definitely different. But I'm sure it's just one

1005
00:46:33,719 --> 00:46:37,000
Speaker 3: of those things. It's just like any country you go to,

1006
00:46:37,040 --> 00:46:38,759
Speaker 3: you go like it's new.

1007
00:46:38,920 --> 00:46:40,360
Speaker 2: What's the problem at this country?

1008
00:46:40,440 --> 00:46:44,040
Speaker 3: Well, I went to I went to Istanbul, and it's

1009
00:46:44,120 --> 00:46:47,960
Speaker 3: just wild because Istanbul, as far as they were telling me,

1010
00:46:48,080 --> 00:46:51,960
Speaker 3: is like this like more liberal area in Turkey, for example.

1011
00:46:52,000 --> 00:46:54,880
Speaker 3: They told me, they said, you can say anything on stage.

1012
00:46:55,320 --> 00:46:56,719
Speaker 3: And then they said, just you know, there's going to

1013
00:46:56,719 --> 00:46:58,720
Speaker 3: be a Muslim called a prayer at the second show.

1014
00:46:59,160 --> 00:47:00,880
Speaker 3: And they said, but you say whatever you want in

1015
00:47:00,880 --> 00:47:02,360
Speaker 3: the middle of the show, by the way, and not

1016
00:47:02,520 --> 00:47:05,560
Speaker 3: like a quick like hey muzzle prayer, thanks guys, like

1017
00:47:05,560 --> 00:47:08,080
Speaker 3: like five minutes, okay, sure, sure, And they said, and

1018
00:47:08,120 --> 00:47:10,360
Speaker 3: you can, you know, joke about it, and I was like, oh,

1019
00:47:10,440 --> 00:47:12,560
Speaker 3: I was like I can. I can joke about it

1020
00:47:12,600 --> 00:47:14,719
Speaker 3: in any way, and he's like, in any way you want.

1021
00:47:15,040 --> 00:47:17,080
Speaker 2: And I did what I did.

1022
00:47:17,160 --> 00:47:18,440
Speaker 3: Of course, there's a part in the middle of my

1023
00:47:18,520 --> 00:47:21,040
Speaker 3: stand up comedy set and I went hard and then

1024
00:47:21,080 --> 00:47:22,640
Speaker 3: it was it was fun and everyone in the room

1025
00:47:22,680 --> 00:47:24,719
Speaker 3: it was it was clear, you know, I'm reading the room.

1026
00:47:25,280 --> 00:47:27,080
Speaker 3: Then I send them. I'm like, hey, I'm going to

1027
00:47:27,080 --> 00:47:28,440
Speaker 3: post this video if you want to collab on it

1028
00:47:28,520 --> 00:47:30,719
Speaker 3: or whatever. And he was like, do not post that

1029
00:47:30,840 --> 00:47:33,640
Speaker 3: video too far. He's like you you, He's like, you

1030
00:47:33,680 --> 00:47:37,239
Speaker 3: can do it in Istanbul, but if that video goes

1031
00:47:37,360 --> 00:47:41,440
Speaker 3: outside and other parts of tricky you you could get in,

1032
00:47:41,680 --> 00:47:44,439
Speaker 3: you know, to get trouble different and not come back.

1033
00:47:44,520 --> 00:47:46,799
Speaker 2: Varying levels of religion and.

1034
00:47:47,080 --> 00:47:50,600
Speaker 3: Yeah, and it's just like everything has its own everyone's

1035
00:47:50,640 --> 00:47:53,680
Speaker 3: got the system. And you know, there's a part of

1036
00:47:53,719 --> 00:47:56,120
Speaker 3: me that wants Singapore to go do it. You can't

1037
00:47:56,120 --> 00:47:57,799
Speaker 3: do this set. There's a part of me that wants

1038
00:47:57,800 --> 00:48:02,640
Speaker 3: to do a joke there. And my girlfriend goes, please don't.

1039
00:48:03,120 --> 00:48:04,560
Speaker 3: And I also go like, if I get in trouble

1040
00:48:04,600 --> 00:48:08,439
Speaker 3: in another government, Trump is not helping me right right

1041
00:48:08,640 --> 00:48:09,360
Speaker 3: when we got.

1042
00:48:09,160 --> 00:48:10,600
Speaker 2: To when we got a you would be a it

1043
00:48:10,640 --> 00:48:13,919
Speaker 2: would be a tough one to convince him. Oh, you'd

1044
00:48:13,920 --> 00:48:15,600
Speaker 2: have to wait to a new administration.

1045
00:48:15,680 --> 00:48:17,680
Speaker 3: And I have to be willing to go on TV

1046
00:48:17,840 --> 00:48:20,400
Speaker 3: and you know, put on the how we need to

1047
00:48:20,440 --> 00:48:22,080
Speaker 3: make America laugh again?

1048
00:48:22,719 --> 00:48:24,200
Speaker 2: And what a career turn that would be?

1049
00:48:24,440 --> 00:48:27,240
Speaker 3: It would it? Would be tough traveling with the speed

1050
00:48:27,239 --> 00:48:31,040
Speaker 3: which I do. Sometimes you go like more thought should

1051
00:48:31,080 --> 00:48:34,799
Speaker 3: be going into this. But I remember in Amsterdam, I

1052
00:48:34,840 --> 00:48:37,319
Speaker 3: was like talking to my girlfriend about how beautiful Amsidom was,

1053
00:48:37,320 --> 00:48:39,200
Speaker 3: and I was like, I was like, maybe maybe we

1054
00:48:39,520 --> 00:48:42,200
Speaker 3: maybe we could just move, we give upon our whole life.

1055
00:48:42,280 --> 00:48:44,600
Speaker 3: Move here. I'm talking to her about a beautiful and

1056
00:48:44,760 --> 00:48:47,360
Speaker 3: three people as I'm just talking regularly to my girlfriend,

1057
00:48:47,360 --> 00:48:52,719
Speaker 3: they're like, sh you're talking too loud, and I I

1058
00:48:53,120 --> 00:48:57,280
Speaker 3: I filled with rage, filled with a New Yorker rage,

1059
00:48:57,640 --> 00:49:02,560
Speaker 3: like fuck you. And it happened. It happened there, it

1060
00:49:02,560 --> 00:49:05,000
Speaker 3: happened in Germany, and then it gets to Greece. Doesn't

1061
00:49:05,000 --> 00:49:08,560
Speaker 3: happen there, And I go, yeah, it's it's I'm not

1062
00:49:08,760 --> 00:49:11,279
Speaker 3: you found some people for Amsterdam is the way it

1063
00:49:11,360 --> 00:49:14,080
Speaker 3: is because I'm not there right right.

1064
00:49:14,120 --> 00:49:17,600
Speaker 2: Amsterdam doesn't strike me as a quiet country. Yeah I don't.

1065
00:49:17,640 --> 00:49:20,239
Speaker 3: I don't know. It's Quaine and it's beautiful and serene,

1066
00:49:20,920 --> 00:49:23,440
Speaker 3: and so you know, I'm good. I just allowed talker.

1067
00:49:23,760 --> 00:49:24,640
Speaker 2: My dream country.

1068
00:49:25,200 --> 00:49:27,920
Speaker 3: Oh you gotta go, you know, no, Oh, it's it's stunning.

1069
00:49:27,960 --> 00:49:29,520
Speaker 3: It might be for me, but my girlfriend I we

1070
00:49:30,040 --> 00:49:33,680
Speaker 3: were loud Jews and we and she sometimes she was

1071
00:49:33,719 --> 00:49:35,719
Speaker 3: at a nail salon and like someone came over, like

1072
00:49:35,719 --> 00:49:38,360
Speaker 3: you're talking too loud, and it it hurt her feelings

1073
00:49:38,520 --> 00:49:41,040
Speaker 3: all because it's it's uh, it hurts for someone to

1074
00:49:41,120 --> 00:49:42,640
Speaker 3: be like the way you are is.

1075
00:49:42,680 --> 00:49:44,480
Speaker 2: Right, right, your personality is bad?

1076
00:49:44,640 --> 00:49:48,759
Speaker 3: Yes, And I nothing could make me upset more than

1077
00:49:48,800 --> 00:49:50,319
Speaker 3: when I see someone say that, like, hey, could you

1078
00:49:50,360 --> 00:49:51,160
Speaker 3: talk a little.

1079
00:49:50,960 --> 00:49:53,480
Speaker 2: Softer unless you're in a library.

1080
00:49:53,640 --> 00:49:55,160
Speaker 3: Unless you're in a library, sure.

1081
00:49:55,440 --> 00:49:57,680
Speaker 2: Or another country. I feel like in another country, it's like, well,

1082
00:49:57,680 --> 00:49:59,200
Speaker 2: this is the predominant culture.

1083
00:49:59,760 --> 00:50:00,600
Speaker 3: Yes, get with it.

1084
00:50:01,000 --> 00:50:03,840
Speaker 2: Yeah, listen to nail salon. What are you talking about?

1085
00:50:04,000 --> 00:50:07,799
Speaker 3: Listen, I'm not a model of being like you know,

1086
00:50:07,840 --> 00:50:09,640
Speaker 3: I'm just loud. I'm not going to be a dick

1087
00:50:09,680 --> 00:50:11,719
Speaker 3: about it. No, you're a perfectly nice person down the

1088
00:50:11,760 --> 00:50:15,480
Speaker 3: street and I'm a little loud. Wait three seconds, I'll

1089
00:50:15,520 --> 00:50:19,719
Speaker 3: be gone if I'm in motion, No need to make

1090
00:50:19,760 --> 00:50:22,040
Speaker 3: me feel bad. The thing has already happened.

1091
00:50:22,239 --> 00:50:23,920
Speaker 2: Yeah, you don't need to chase me down to give

1092
00:50:23,920 --> 00:50:26,719
Speaker 2: me a note. Yeah, if you're standing behind someone trying

1093
00:50:26,719 --> 00:50:28,720
Speaker 2: to read a book, that's a different story.

1094
00:50:28,760 --> 00:50:31,359
Speaker 3: And listen this why but this why I'm in New York.

1095
00:50:31,360 --> 00:50:33,520
Speaker 3: You're with her around a lot of people getting shipped

1096
00:50:33,560 --> 00:50:36,239
Speaker 3: done in a time crunch. Yes, yes, and so there's

1097
00:50:36,320 --> 00:50:38,880
Speaker 3: more room for that. Like I was, like I was.

1098
00:50:39,160 --> 00:50:41,200
Speaker 3: I was in a coffee shop. What thirty minutes, I

1099
00:50:41,239 --> 00:50:43,680
Speaker 3: was editing a comedy special news do here, and the

1100
00:50:43,719 --> 00:50:46,160
Speaker 3: WiFi was bad and and so you know, in the

1101
00:50:46,200 --> 00:50:47,880
Speaker 3: midst of that, when someone behind me at the coffee

1102
00:50:47,880 --> 00:50:51,359
Speaker 3: shop goes, can you talk a little softer? I go,

1103
00:50:51,960 --> 00:50:54,719
Speaker 3: get me the fuck out of this weird fucking country.

1104
00:50:55,120 --> 00:50:57,359
Speaker 3: I need to go back to New York. I got

1105
00:50:57,360 --> 00:51:00,440
Speaker 3: shited to do. And that's why I guess not a

1106
00:51:00,480 --> 00:51:02,799
Speaker 3: lot of great comedy specials coming out of the Netherlands.

1107
00:51:03,480 --> 00:51:06,120
Speaker 2: And again that's the train off. Very good, that's the

1108
00:51:06,160 --> 00:51:07,680
Speaker 2: train off. What about on a plane?

1109
00:51:08,520 --> 00:51:13,400
Speaker 3: A plane, I'm pretty I'm not loud, okay, you know, like,

1110
00:51:13,480 --> 00:51:15,520
Speaker 3: but listen, I have my lines too. People are playing

1111
00:51:15,600 --> 00:51:17,480
Speaker 3: videos with no headphones.

1112
00:51:17,560 --> 00:51:18,880
Speaker 2: It's a tough pill to swallow.

1113
00:51:19,360 --> 00:51:20,880
Speaker 3: It was great. There was There was one time on

1114
00:51:20,920 --> 00:51:23,560
Speaker 3: a plane where this older guy he just didn't know

1115
00:51:23,600 --> 00:51:26,719
Speaker 3: his headphones weren't connected. So he had his headphones, but

1116
00:51:26,800 --> 00:51:30,479
Speaker 3: he's playing this music full volume and I and I said,

1117
00:51:30,600 --> 00:51:33,640
Speaker 3: as her because you know it's not working, and it was.

1118
00:51:33,840 --> 00:51:34,719
Speaker 3: He was sweet about him.

1119
00:51:34,880 --> 00:51:35,640
Speaker 2: Oh that's nice.

1120
00:51:35,680 --> 00:51:37,680
Speaker 3: I think I'm decent on planes, but I'm taking my

1121
00:51:37,719 --> 00:51:38,239
Speaker 3: shoes off.

1122
00:51:38,560 --> 00:51:39,600
Speaker 2: I take my shoes off.

1123
00:51:39,719 --> 00:51:40,399
Speaker 3: Yeah, I don't.

1124
00:51:40,760 --> 00:51:42,400
Speaker 2: I feel like as long as you are a clean

1125
00:51:42,440 --> 00:51:45,480
Speaker 2: person who has showered within the last forty eight hours, yeah,

1126
00:51:45,600 --> 00:51:47,239
Speaker 2: it's okay to take your shoes off. You're on an

1127
00:51:47,320 --> 00:51:49,600
Speaker 2: uncomfortable thing. You've got to do everything you possibly can

1128
00:51:49,840 --> 00:51:50,840
Speaker 2: to find some level.

1129
00:51:50,680 --> 00:51:52,680
Speaker 3: Of You've got to turn your eye to the planes.

1130
00:51:52,880 --> 00:51:55,640
Speaker 3: I mean, listen, they turn us against each other.

1131
00:51:55,760 --> 00:51:57,719
Speaker 2: This is how the whole country is at this point.

1132
00:51:57,760 --> 00:52:00,600
Speaker 2: That got us fighting with each other than with the plane.

1133
00:52:00,680 --> 00:52:03,440
Speaker 3: My thing with planes, I think we should lie out

1134
00:52:04,920 --> 00:52:08,000
Speaker 3: and that's that's all. I mean. You pay a god

1135
00:52:08,080 --> 00:52:10,879
Speaker 3: forsaken amount of money for first class. Just I don't

1136
00:52:10,960 --> 00:52:13,319
Speaker 3: need it. Don't need warm nuts and a little bowl.

1137
00:52:13,480 --> 00:52:15,560
Speaker 3: That's not what it's for. It's simply so I can

1138
00:52:15,600 --> 00:52:18,839
Speaker 3: be horizontal. If they stacked us, well, they could get

1139
00:52:18,880 --> 00:52:21,799
Speaker 3: more people in the plane. They stack us. You know,

1140
00:52:22,360 --> 00:52:24,040
Speaker 3: it's a pain to get in to get out, but

1141
00:52:24,080 --> 00:52:25,680
Speaker 3: like stack me. You could put a TV over me

1142
00:52:25,800 --> 00:52:28,200
Speaker 3: or nothing. I'll just sleepy, just lie me.

1143
00:52:28,160 --> 00:52:30,920
Speaker 2: Down my ultimate dream, and it feels like, why not,

1144
00:52:31,160 --> 00:52:33,040
Speaker 2: let's at least give one plane a tribe where we're

1145
00:52:33,080 --> 00:52:34,520
Speaker 2: just absolutely stacked in there.

1146
00:52:34,600 --> 00:52:37,000
Speaker 3: If bathroom's an issue, put put it there. Put it,

1147
00:52:37,160 --> 00:52:37,840
Speaker 3: I open it.

1148
00:52:38,560 --> 00:52:39,959
Speaker 2: I guess the bathroom is the one.

1149
00:52:40,120 --> 00:52:42,160
Speaker 3: Put a hole. Put a hole, put my dick in.

1150
00:52:42,360 --> 00:52:44,320
Speaker 2: Provide a catheter, please.

1151
00:52:44,520 --> 00:52:46,200
Speaker 3: There's a lot of flights I'd much rather put in

1152
00:52:46,239 --> 00:52:47,120
Speaker 3: a catheter. Right.

1153
00:52:47,320 --> 00:52:49,560
Speaker 2: They give you the little bag to throw up in, yeah,

1154
00:52:49,680 --> 00:52:50,319
Speaker 2: replace that with.

1155
00:52:51,239 --> 00:52:53,320
Speaker 3: I remember when. I don't see them that much anymore,

1156
00:52:53,320 --> 00:52:55,879
Speaker 3: but I remember when, like as a kid, they were there.

1157
00:52:56,040 --> 00:52:57,319
Speaker 2: Oh yeah every time.

1158
00:52:57,360 --> 00:52:59,280
Speaker 3: Because I guess there was just more turbulence, it happened

1159
00:52:59,280 --> 00:52:59,680
Speaker 3: more often.

1160
00:53:00,320 --> 00:53:03,080
Speaker 2: I feel like turbulence has gotten out of control. Really,

1161
00:53:03,400 --> 00:53:05,200
Speaker 2: Oh my god. Every time I'm on a plane, I'm like, well,

1162
00:53:05,200 --> 00:53:07,040
Speaker 2: this is the fin I better listen to a song.

1163
00:53:07,080 --> 00:53:08,239
Speaker 2: I like, because I'm done.

1164
00:53:08,440 --> 00:53:10,520
Speaker 3: That's that's your fine, that's how you use.

1165
00:53:12,000 --> 00:53:13,680
Speaker 2: I'll just kind of be like, Okay, well the plane's

1166
00:53:13,719 --> 00:53:15,799
Speaker 2: going down, let's enjoy this.

1167
00:53:16,120 --> 00:53:18,880
Speaker 3: I think in my mind, I go, it's a shame

1168
00:53:20,520 --> 00:53:26,040
Speaker 3: I can't jerk off like for the final I think,

1169
00:53:26,080 --> 00:53:28,680
Speaker 3: honestly knowing me Let's say I was on a plane alone,

1170
00:53:28,719 --> 00:53:31,320
Speaker 3: and it was like appropriate because we're as I'm about

1171
00:53:31,320 --> 00:53:33,360
Speaker 3: to die and my death, we're thinking about, you know,

1172
00:53:33,400 --> 00:53:34,919
Speaker 3: don't want to make anyone uncomfortable.

1173
00:53:35,880 --> 00:53:39,560
Speaker 2: I don't want to inconvenience any God to death.

1174
00:53:39,600 --> 00:53:43,000
Speaker 3: God forbid that plane right itself, and I go, oh God,

1175
00:53:43,120 --> 00:53:47,360
Speaker 3: I masturbated in front of the whole plane. But knowing me,

1176
00:53:47,880 --> 00:53:50,520
Speaker 3: if I was on a plane alone, I was going down,

1177
00:53:50,760 --> 00:53:53,600
Speaker 3: I would be so crippled by the like would I

1178
00:53:53,640 --> 00:53:56,560
Speaker 3: be able to get it done in time? That I

1179
00:53:56,600 --> 00:54:02,160
Speaker 3: would die mid thinking about should I masturbates? That's how

1180
00:54:02,200 --> 00:54:02,680
Speaker 3: I would die.

1181
00:54:02,719 --> 00:54:05,040
Speaker 2: For at least you're distracted, you know with.

1182
00:54:05,000 --> 00:54:09,640
Speaker 3: POMPEII, where the volcano out, there's one guy, guy, Oh,

1183
00:54:09,640 --> 00:54:13,520
Speaker 3: there's I'm I'm again. I'm pretty sure where he's Clearly

1184
00:54:13,520 --> 00:54:15,880
Speaker 3: his hand is on his deck, mortifying in the ashes,

1185
00:54:16,320 --> 00:54:18,720
Speaker 3: mortifying because you want to know did he finish?

1186
00:54:18,840 --> 00:54:19,640
Speaker 2: Did he make it there?

1187
00:54:20,120 --> 00:54:24,040
Speaker 3: Did he finish? And I think that's what archaeologist should

1188
00:54:24,040 --> 00:54:28,240
Speaker 3: be looking into. Yes, because I God, you hope, so.

1189
00:54:28,120 --> 00:54:30,960
Speaker 2: We've got the DNA tests, we can figure that out.

1190
00:54:31,560 --> 00:54:34,759
Speaker 3: But you also think, like it's got to be, it's

1191
00:54:34,760 --> 00:54:38,200
Speaker 3: gotta be tough to like get one off, and it's

1192
00:54:38,239 --> 00:54:40,879
Speaker 3: like as you see lava lava. Just if you hear

1193
00:54:40,920 --> 00:54:44,839
Speaker 3: the screaming, you feel the heat, yeah, smoke, maybe the heat.

1194
00:54:45,000 --> 00:54:47,120
Speaker 3: Maybe the heat's nice. Oh interesting, Maybe it's one of

1195
00:54:47,160 --> 00:54:50,200
Speaker 3: those things like actually, the best way is what the

1196
00:54:50,280 --> 00:54:53,839
Speaker 3: laugh is coming towards you. Hopefully, Hopefully for that guy,

1197
00:54:55,120 --> 00:54:56,000
Speaker 3: one could only hope.

1198
00:54:56,080 --> 00:54:58,759
Speaker 2: I hope that was his last bit of enjoyment as

1199
00:54:58,760 --> 00:55:00,200
Speaker 2: he was absolutely can turned.

1200
00:55:00,080 --> 00:55:01,640
Speaker 3: To ask what better way?

1201
00:55:01,680 --> 00:55:05,120
Speaker 2: What else to Well, I'm want to try flossing. It's

1202
00:55:05,160 --> 00:55:08,200
Speaker 2: not appropriate to do. I've been I've been holding because

1203
00:55:08,200 --> 00:55:10,400
Speaker 2: I've been like, I can't fluster by mind, we're going

1204
00:55:10,440 --> 00:55:12,560
Speaker 2: to floss on camera here. I know some people have

1205
00:55:12,560 --> 00:55:14,560
Speaker 2: a problem with people flossing in public. I don't see

1206
00:55:14,600 --> 00:55:16,200
Speaker 2: the big deal as long as things aren't flying.

1207
00:55:17,160 --> 00:55:19,160
Speaker 3: Yeah, well this helps fly. The other thing you.

1208
00:55:19,080 --> 00:55:23,279
Speaker 2: Do is this great?

1209
00:55:23,800 --> 00:55:25,200
Speaker 3: Do you have these at home or do you use

1210
00:55:25,200 --> 00:55:27,919
Speaker 3: a I use a string. I prefer because these break

1211
00:55:27,960 --> 00:55:30,719
Speaker 3: pretty easily. Okay, when you do the string, do you

1212
00:55:31,840 --> 00:55:35,759
Speaker 3: move the string for each two? Okay? Like meat?

1213
00:55:35,800 --> 00:55:38,640
Speaker 2: Either I just use whatever? What are you come on?

1214
00:55:38,800 --> 00:55:45,959
Speaker 3: Some people, it's like a little factory line. Okay, Ah,

1215
00:55:46,640 --> 00:55:47,120
Speaker 3: there we go.

1216
00:55:48,520 --> 00:55:49,879
Speaker 2: Okay, I think I got the whole mouth.

1217
00:55:50,200 --> 00:55:52,960
Speaker 3: When you get a piece, do you go? Do you

1218
00:55:52,960 --> 00:55:53,320
Speaker 3: eat it? No?

1219
00:55:53,680 --> 00:55:58,160
Speaker 2: This is not a what are you talking about? I'm

1220
00:55:58,160 --> 00:56:02,800
Speaker 2: not looking for something to eat here. If I accidentally swallow, sure,

1221
00:56:02,960 --> 00:56:03,480
Speaker 2: go for it.

1222
00:56:04,200 --> 00:56:06,040
Speaker 3: So did the inter manfesting. And then when I'm not

1223
00:56:06,040 --> 00:56:07,719
Speaker 3: in the eating window, I floss and I go does

1224
00:56:07,719 --> 00:56:08,319
Speaker 3: that count? Oh?

1225
00:56:08,320 --> 00:56:08,719
Speaker 2: There we go?

1226
00:56:08,880 --> 00:56:12,760
Speaker 3: That count? I think that was over the five calorie.

1227
00:56:12,040 --> 00:56:15,359
Speaker 2: And you don't have an eating disorder? Okay. Now I'm

1228
00:56:15,400 --> 00:56:20,280
Speaker 2: gonna drink a little water. I feel so clean. Yeah, wow,

1229
00:56:20,880 --> 00:56:22,600
Speaker 2: I love it. And I've got to end a little

1230
00:56:22,600 --> 00:56:24,400
Speaker 2: bit of grape in my mouth, which is interesting. It's

1231
00:56:24,400 --> 00:56:27,960
Speaker 2: a pretty accurate. It's that nice Thailand Children's tilent All

1232
00:56:27,960 --> 00:56:28,759
Speaker 2: grape that we all love.

1233
00:56:28,920 --> 00:56:31,000
Speaker 3: Yeah, yeah, yeah, I'm for it. Why not?

1234
00:56:31,880 --> 00:56:34,040
Speaker 2: Okay, Well, I think we should play a game. Great,

1235
00:56:34,160 --> 00:56:35,959
Speaker 2: We're gonna play a game called Gift or a Curse.

1236
00:56:36,000 --> 00:56:38,239
Speaker 2: But first I need a number between one and ten

1237
00:56:38,320 --> 00:56:38,560
Speaker 2: from you.

1238
00:56:39,719 --> 00:56:40,440
Speaker 3: Seven. Okay.

1239
00:56:40,440 --> 00:56:43,279
Speaker 2: I have to do some light calculating to get our

1240
00:56:43,320 --> 00:56:46,279
Speaker 2: game pieces. So right now you can promote, recommend, do

1241
00:56:46,360 --> 00:56:47,719
Speaker 2: whatever you want and I'll be right back.

1242
00:56:47,760 --> 00:56:50,799
Speaker 3: Great. I have a podcast called the downside where I

1243
00:56:50,920 --> 00:56:55,040
Speaker 3: complain about things, and I got a comedy specialis's on

1244
00:56:55,080 --> 00:56:59,160
Speaker 3: YouTube called Thief of Joy. It's free, it's an our

1245
00:56:59,239 --> 00:57:02,480
Speaker 3: six minutes and it's good. It just broke two million views,

1246
00:57:02,480 --> 00:57:04,560
Speaker 3: so we're really happy with it. Check out Thief of Joy.

1247
00:57:04,600 --> 00:57:07,120
Speaker 3: And I'm a tour all over the world, so check

1248
00:57:07,160 --> 00:57:07,439
Speaker 3: it out.

1249
00:57:07,840 --> 00:57:11,359
Speaker 2: Beautiful. Yeah, I've heard great things about the special. I'm

1250
00:57:11,360 --> 00:57:15,320
Speaker 2: excited to watch. Everybody. Get on YouTube, push the thumbs

1251
00:57:15,400 --> 00:57:17,920
Speaker 2: up button on there, do whatever you have to do.

1252
00:57:18,640 --> 00:57:20,040
Speaker 2: This is how we play Gift or a Curse. I'm

1253
00:57:20,040 --> 00:57:22,040
Speaker 2: going to name three things and then you're going to

1254
00:57:22,080 --> 00:57:23,320
Speaker 2: tell me if there are a gift or a curse

1255
00:57:23,360 --> 00:57:25,560
Speaker 2: and why. I'll tell if you're right or wrong, because

1256
00:57:25,560 --> 00:57:28,120
Speaker 2: there are correct answers right right. This first one is

1257
00:57:28,120 --> 00:57:31,200
Speaker 2: from a listener named Lauren. Gift or a Curse website

1258
00:57:31,240 --> 00:57:33,600
Speaker 2: pop ups that ask if you want fifteen percent off,

1259
00:57:33,680 --> 00:57:36,880
Speaker 2: and the only other option is no thanks, I'll pay

1260
00:57:36,920 --> 00:57:37,480
Speaker 2: full price.

1261
00:57:38,120 --> 00:57:43,560
Speaker 3: Curse why. I hate that smarmy, that feeling of you're

1262
00:57:43,600 --> 00:57:46,560
Speaker 3: going to be You're putting words into my mouth. I

1263
00:57:46,560 --> 00:57:48,600
Speaker 3: want an option, I want no thanks, I'll pay a

1264
00:57:48,600 --> 00:57:52,560
Speaker 3: full price, and then fuck you. I'd not even I

1265
00:57:52,560 --> 00:57:55,360
Speaker 3: didn't even read what it was. And tell whoever designed

1266
00:57:55,360 --> 00:57:59,600
Speaker 3: this they wasted their life. That's what I need. I

1267
00:57:59,680 --> 00:58:02,520
Speaker 3: hate that. I hate that language thing. I hate it.

1268
00:58:03,120 --> 00:58:05,520
Speaker 3: No thanks, I don't want to save money that Oh

1269
00:58:05,640 --> 00:58:09,360
Speaker 3: my god, I see those No thanks, no thanks. I'm

1270
00:58:09,400 --> 00:58:11,720
Speaker 3: a mister piggy piggybank rich boy and I got all

1271
00:58:11,760 --> 00:58:15,040
Speaker 3: the money in the world. Oh I hate it.

1272
00:58:15,320 --> 00:58:20,560
Speaker 2: No thank you. I'm scum. Yeah, yeah, correct, curse. I mean,

1273
00:58:21,040 --> 00:58:24,200
Speaker 2: for so many reasons. The passive aggression here is so

1274
00:58:24,520 --> 00:58:27,439
Speaker 2: don't yeah, don't make me the bad guy here. Also,

1275
00:58:27,520 --> 00:58:31,400
Speaker 2: we don't need everything to have copywriting involved, simple yes

1276
00:58:31,520 --> 00:58:31,720
Speaker 2: or no.

1277
00:58:32,120 --> 00:58:36,120
Speaker 3: Who is persuaded by that? Who goes to like, well,

1278
00:58:36,920 --> 00:58:40,080
Speaker 3: I don't want to pay full price, okay, final filter

1279
00:58:40,160 --> 00:58:40,760
Speaker 3: fucking form.

1280
00:58:41,040 --> 00:58:42,920
Speaker 2: I'm not the guy who pays full price.

1281
00:58:42,960 --> 00:58:44,400
Speaker 3: And you know who it is. You know who it is.

1282
00:58:44,680 --> 00:58:48,919
Speaker 3: It's old people. There are certain abuses where I go this.

1283
00:58:49,200 --> 00:58:51,280
Speaker 3: It's not working on us. It's working on people who

1284
00:58:51,320 --> 00:58:53,520
Speaker 3: are old and frail and are being abused and we

1285
00:58:53,560 --> 00:58:54,680
Speaker 3: should be angrier about it.

1286
00:58:54,760 --> 00:58:56,680
Speaker 2: Yes, because they're not Internet natives.

1287
00:58:56,880 --> 00:58:59,480
Speaker 3: I got a spam phone call once, and you're the

1288
00:58:59,520 --> 00:59:02,360
Speaker 3: guy he's he said, Grandma, is that you It's me Mark,

1289
00:59:02,960 --> 00:59:07,320
Speaker 3: I need some money. And I was like, you are

1290
00:59:07,440 --> 00:59:09,600
Speaker 3: I'm not falling for this. The person who's falling for

1291
00:59:09,640 --> 00:59:11,680
Speaker 3: this is has dementia.

1292
00:59:11,840 --> 00:59:14,160
Speaker 2: Yeah, has something, I mean what a vial?

1293
00:59:14,680 --> 00:59:18,000
Speaker 3: And I went, I went mok, Muke said you I

1294
00:59:18,040 --> 00:59:20,160
Speaker 3: was gonna fuck with him and here that I can die.

1295
00:59:20,160 --> 00:59:22,080
Speaker 3: You're faking And he hung up the phone and I

1296
00:59:22,120 --> 00:59:23,920
Speaker 3: was like, I went to college for musical.

1297
00:59:23,640 --> 00:59:26,160
Speaker 2: Theater and honestly, good for him, good for him for

1298
00:59:26,400 --> 00:59:27,240
Speaker 2: you know calling.

1299
00:59:26,960 --> 00:59:29,680
Speaker 3: It good for him, good for him?

1300
00:59:29,720 --> 00:59:31,680
Speaker 2: All right, you've gotten one right so far. The second

1301
00:59:31,720 --> 00:59:33,959
Speaker 2: one is from a listener named Melinda Gift a curse

1302
00:59:34,080 --> 00:59:37,120
Speaker 2: Coca Cola freestyle machines. Are you familiar with these?

1303
00:59:37,400 --> 00:59:42,680
Speaker 3: I am? I am? I mean listen. I grew up

1304
00:59:42,720 --> 00:59:45,840
Speaker 3: definitely where they went pretty crazy with the die Coke

1305
00:59:46,200 --> 00:59:48,520
Speaker 3: lime cans and the die Coke lemon. I remember when

1306
00:59:48,520 --> 00:59:50,520
Speaker 3: those were like common. And I've been overseas in Europe.

1307
00:59:50,640 --> 00:59:54,000
Speaker 3: Die Coke Lime was there and it was good. I

1308
00:59:54,000 --> 00:59:58,320
Speaker 3: love die Coke. I just think these machines, the few

1309
00:59:58,360 --> 01:00:03,520
Speaker 3: times I participate in them, it just feels syrup. It

1310
01:00:03,560 --> 01:00:11,360
Speaker 3: feels syrup. It doesn't feel like it's great. I love

1311
01:00:11,400 --> 01:00:15,080
Speaker 3: that people get their options, but I would way rather

1312
01:00:15,200 --> 01:00:18,120
Speaker 3: have a fountain machine that gives me a solid diet coke,

1313
01:00:18,240 --> 01:00:22,080
Speaker 3: like just to killer diet coke then than all the

1314
01:00:22,120 --> 01:00:24,960
Speaker 3: options and they all suck. So I'm gonna go curse.

1315
01:00:25,360 --> 01:00:26,680
Speaker 2: The way that you and I are on the same

1316
01:00:26,720 --> 01:00:31,320
Speaker 2: page about this is historically it's a curse. Oh my god,

1317
01:00:31,480 --> 01:00:34,000
Speaker 2: these things. I mean, first of all, what a failure

1318
01:00:34,040 --> 01:00:38,560
Speaker 2: in engineering, this massive refrigerator size machine that serves one

1319
01:00:38,560 --> 01:00:41,680
Speaker 2: person at a time. The soda is not as good,

1320
01:00:42,800 --> 01:00:44,920
Speaker 2: all of these flavors that you try every one of them,

1321
01:00:44,960 --> 01:00:47,200
Speaker 2: and you're like, oh, actually I just want the regular flavor.

1322
01:00:47,280 --> 01:00:48,920
Speaker 3: Yeah, yeah, yeah, just give me.

1323
01:00:49,000 --> 01:00:52,000
Speaker 2: And in an age when these regular soda fountains are

1324
01:00:52,040 --> 01:00:55,160
Speaker 2: becoming extinct, yes, we should be putting all of our

1325
01:00:55,280 --> 01:00:59,160
Speaker 2: energy and resources and getting those back into restaurants. Yes,

1326
01:00:59,720 --> 01:01:01,680
Speaker 2: just pulling up and getting a diet coke that is

1327
01:01:01,760 --> 01:01:03,120
Speaker 2: accurately mixed.

1328
01:01:03,040 --> 01:01:07,240
Speaker 3: And by the way, you know, you know they're data collecting,

1329
01:01:07,520 --> 01:01:11,080
Speaker 3: oh my god, aci recognition. No, but but also they're

1330
01:01:11,120 --> 01:01:17,400
Speaker 3: going which ooh, everyone's ordering raspberry diet coke more and

1331
01:01:17,400 --> 01:01:19,320
Speaker 3: more people. Now we're going to put that in a

1332
01:01:19,360 --> 01:01:24,760
Speaker 3: can you are literally the rats in the lab testing

1333
01:01:24,800 --> 01:01:27,760
Speaker 3: all the shitty mixes, and then they're going to take

1334
01:01:27,760 --> 01:01:29,320
Speaker 3: that data and get something else and.

1335
01:01:29,280 --> 01:01:30,160
Speaker 2: They use you.

1336
01:01:31,000 --> 01:01:32,720
Speaker 3: And it's like as opposed to, Hey, why don't you

1337
01:01:32,720 --> 01:01:35,360
Speaker 3: figure out what's good? And when you charge me money,

1338
01:01:35,360 --> 01:01:37,120
Speaker 3: you give me a good thing. That's why I paid

1339
01:01:37,120 --> 01:01:39,240
Speaker 3: you to figure it out. If you said, hey, free,

1340
01:01:39,560 --> 01:01:42,520
Speaker 3: free machine over here, we're taking some samples. We'd like

1341
01:01:42,560 --> 01:01:44,760
Speaker 3: to learn some stuff. Have as much as you want. Great,

1342
01:01:45,440 --> 01:01:47,720
Speaker 3: do not charge me and use me for data.

1343
01:01:48,440 --> 01:01:51,000
Speaker 2: Yeah, you're kind of unwittingly participating in a survey.

1344
01:01:51,600 --> 01:01:53,480
Speaker 3: You know there's no way they're not.

1345
01:01:53,680 --> 01:01:56,680
Speaker 2: Of course, that's why it's a computer. Wow where you

1346
01:01:56,760 --> 01:02:00,240
Speaker 2: found I mean you've deep, You've really uncovered something deep here. Okay,

1347
01:02:00,240 --> 01:02:02,200
Speaker 2: so you've gotten two right so far. Finally, this is

1348
01:02:02,200 --> 01:02:05,160
Speaker 2: from a listener named web gif. You a curse turning

1349
01:02:05,200 --> 01:02:08,280
Speaker 2: off auto capitalization on your phone?

1350
01:02:09,000 --> 01:02:13,920
Speaker 3: Turning off help me understand turning it?

1351
01:02:14,040 --> 01:02:14,120
Speaker 4: So?

1352
01:02:15,000 --> 01:02:18,880
Speaker 2: I believe? So then everything you text or write is lowercase.

1353
01:02:19,040 --> 01:02:31,560
Speaker 5: Oh oof. This is a tough one. Ultimately, I don't

1354
01:02:32,280 --> 01:02:35,160
Speaker 5: I would not do that. I would not do that

1355
01:02:35,400 --> 01:02:39,840
Speaker 5: because while there's certain contexts I think like Twitter grammar

1356
01:02:39,880 --> 01:02:43,680
Speaker 5: is so fascinating. I've never been great at grammar per se,

1357
01:02:44,120 --> 01:02:45,920
Speaker 5: but I think it's so interesting that they're like Twitter

1358
01:02:45,960 --> 01:02:48,840
Speaker 5: introduced like a different vibe and like I'll see like

1359
01:02:49,600 --> 01:02:50,760
Speaker 5: you don't YABOOKI young white?

1360
01:02:50,880 --> 01:02:51,560
Speaker 2: Oh yeah, of course.

1361
01:02:51,720 --> 01:02:54,680
Speaker 3: Like when I was starting Twitter, he had already mastered

1362
01:02:54,680 --> 01:02:56,640
Speaker 3: it and moved on and I'd see him right. I

1363
01:02:56,680 --> 01:03:00,160
Speaker 3: was like, you know, things I can't even compar have

1364
01:03:00,640 --> 01:03:05,160
Speaker 3: the way that you artistically engage with this. I don't

1365
01:03:05,280 --> 01:03:11,400
Speaker 3: get it, but you got We're still we gotta caps,

1366
01:03:12,360 --> 01:03:15,960
Speaker 3: we gotta caps. I'm gonna say I'm glad that you

1367
01:03:16,040 --> 01:03:18,600
Speaker 3: have the option. I guess so. I don't know if

1368
01:03:18,600 --> 01:03:20,880
Speaker 3: that makes it a blessing, but no, I don't. I

1369
01:03:20,920 --> 01:03:24,120
Speaker 3: don't want that. I wouldn't. I would never choose to

1370
01:03:24,160 --> 01:03:26,760
Speaker 3: have that thing. I need it. I'm starting sentences. I

1371
01:03:26,800 --> 01:03:27,440
Speaker 3: can tell me your tone.

1372
01:03:27,480 --> 01:03:28,880
Speaker 2: You disagree, you're saying curse.

1373
01:03:31,320 --> 01:03:35,400
Speaker 3: That it exists, or that it's a curse.

1374
01:03:35,880 --> 01:03:36,680
Speaker 2: Correct.

1375
01:03:36,520 --> 01:03:41,800
Speaker 3: Wow, you've really almost you overthought it too much.

1376
01:03:41,920 --> 01:03:43,480
Speaker 2: And I was watching you walk up to the cliffs.

1377
01:03:43,480 --> 01:03:44,640
Speaker 3: At the end of the day, you have I overthought it.

1378
01:03:44,720 --> 01:03:46,720
Speaker 3: I said, I have to speak my truth. Yes, any

1379
01:03:46,840 --> 01:03:47,760
Speaker 3: day I couldn't lie.

1380
01:03:47,920 --> 01:03:50,440
Speaker 2: What a lesson for everyone to learn today. Yes, just

1381
01:03:50,600 --> 01:03:53,920
Speaker 2: be honest with yourself and everyone else. No, I think

1382
01:03:54,080 --> 01:03:56,640
Speaker 2: that to me, this is like some attempt at looking

1383
01:03:56,640 --> 01:03:59,560
Speaker 2: like you're very laid back and relaxed, but it's false

1384
01:03:59,600 --> 01:04:01,600
Speaker 2: because you had to get into all of the settings

1385
01:04:01,800 --> 01:04:03,720
Speaker 2: to turn that off. So every time I see that,

1386
01:04:03,760 --> 01:04:06,960
Speaker 2: I think about you getting clicking on settings, going into general,

1387
01:04:07,040 --> 01:04:10,479
Speaker 2: finding keyboard, turning this off. That's not laid back. That's

1388
01:04:10,520 --> 01:04:13,280
Speaker 2: not a relaxed vibe. That's someone who's overthinking how they're seen.

1389
01:04:14,000 --> 01:04:15,920
Speaker 2: And also this whole Twitter thing, you know, I feel

1390
01:04:15,920 --> 01:04:18,240
Speaker 2: like I get your point there, Like I think we

1391
01:04:18,320 --> 01:04:21,000
Speaker 2: kind of did away with punctuation on Twitter. I think

1392
01:04:21,040 --> 01:04:22,240
Speaker 2: that's as far as we need to go.

1393
01:04:22,720 --> 01:04:23,320
Speaker 3: I agree.

1394
01:04:23,440 --> 01:04:27,320
Speaker 2: I mean, if I'm texting using my computer, sure, lowercase

1395
01:04:27,720 --> 01:04:30,439
Speaker 2: it's more like texting or like g chat, the golden

1396
01:04:30,520 --> 01:04:32,400
Speaker 2: days of g Chat. But if I'm on my phone,

1397
01:04:32,400 --> 01:04:34,080
Speaker 2: you're going to see a capitalized letter. Yeah.

1398
01:04:34,120 --> 01:04:37,640
Speaker 3: Yeah, I see tweets as like poetry. Sure, but we

1399
01:04:37,760 --> 01:04:40,880
Speaker 3: need that, We need a baseline to communicate with information

1400
01:04:40,960 --> 01:04:41,560
Speaker 3: that's important.

1401
01:04:41,800 --> 01:04:44,080
Speaker 2: Yes, And on the opposite end of that is the

1402
01:04:44,240 --> 01:04:47,600
Speaker 2: and I think this trend is finally dying. Is musicians

1403
01:04:47,760 --> 01:04:52,160
Speaker 2: doing all caps song titles. I think we're done with that.

1404
01:04:52,160 --> 01:04:55,040
Speaker 2: That trend has run its course. Yeah you see that

1405
01:04:55,160 --> 01:04:58,439
Speaker 2: now and you're like, oh, you've You're not Beyonce. Yeah, yeah, yeah,

1406
01:04:58,440 --> 01:05:02,440
Speaker 2: you know. Let's let's just get back to normal normal capitalization.

1407
01:05:02,800 --> 01:05:05,480
Speaker 2: I so much thinking about capitalizing. Just do it the

1408
01:05:05,520 --> 01:05:09,080
Speaker 2: regular way. Whatever. Well, you won the game. That's an amazing,

1409
01:05:09,160 --> 01:05:11,680
Speaker 2: very short list of people. Okay, now we need to

1410
01:05:11,720 --> 01:05:14,360
Speaker 2: answer a listener question people are writing into I said,

1411
01:05:14,360 --> 01:05:17,000
Speaker 2: no gifts at gmail dot com or sending voice notes.

1412
01:05:17,160 --> 01:05:18,640
Speaker 2: If you send a voice note, it needs to be

1413
01:05:19,280 --> 01:05:24,240
Speaker 2: in a quiet place and sixty seconds long. Follow rules. Okay,

1414
01:05:24,520 --> 01:05:25,400
Speaker 2: let's answer a question.

1415
01:05:25,880 --> 01:05:31,120
Speaker 4: Hi, Bridger and friends. I have a question for how

1416
01:05:31,240 --> 01:05:33,680
Speaker 4: you would react in a certain situation. So yesterday I

1417
01:05:33,720 --> 01:05:36,120
Speaker 4: was at the grocery store, a very large grocery store.

1418
01:05:36,680 --> 01:05:38,720
Speaker 4: I live in the same city that I grew up in,

1419
01:05:38,920 --> 01:05:42,200
Speaker 4: and I happened to see not one, but two people

1420
01:05:42,400 --> 01:05:44,840
Speaker 4: that I knew from growing up. The first person was

1421
01:05:44,840 --> 01:05:47,360
Speaker 4: someone from middle school. Her kids were yelling at her,

1422
01:05:47,560 --> 01:05:50,320
Speaker 4: and I acted like I didn't see her, which felt

1423
01:05:50,360 --> 01:05:52,080
Speaker 4: like the right thing to do in that second because

1424
01:05:52,080 --> 01:05:54,960
Speaker 4: she seemed really stressed out. But then the second person

1425
01:05:55,440 --> 01:05:57,680
Speaker 4: I saw, I knew him in high school. He was

1426
01:05:58,760 --> 01:06:01,480
Speaker 4: over by the yogurts and I was trying to get

1427
01:06:01,520 --> 01:06:05,160
Speaker 4: a lot of faya with honey and I didn't really

1428
01:06:05,200 --> 01:06:08,040
Speaker 4: want him to comment on how many faye's with honey

1429
01:06:08,080 --> 01:06:09,960
Speaker 4: I was getting. I pretended like I didn't see him.

1430
01:06:10,320 --> 01:06:12,120
Speaker 4: Then I saw him by the half and half. Then

1431
01:06:12,160 --> 01:06:13,960
Speaker 4: I saw him by the eggs, and we were sort

1432
01:06:13,960 --> 01:06:17,720
Speaker 4: of on the same route around the store, and I

1433
01:06:17,960 --> 01:06:20,439
Speaker 4: kept ignoring him. I kept pretending like I didn't see him.

1434
01:06:20,480 --> 01:06:25,240
Speaker 4: This was my best friend's next door neighbor. I borrowed

1435
01:06:25,280 --> 01:06:27,760
Speaker 4: a tenacious d VHS from him that he had taped

1436
01:06:27,800 --> 01:06:30,080
Speaker 4: off of HBO and never returned it. I knew this

1437
01:06:30,120 --> 01:06:32,840
Speaker 4: person well, and I pretended like I didn't see him,

1438
01:06:33,240 --> 01:06:35,960
Speaker 4: and honestly, he didn't say hi either, And I.

1439
01:06:35,880 --> 01:06:37,040
Speaker 3: Feel really weird about it.

1440
01:06:37,120 --> 01:06:41,160
Speaker 4: How do you handle bumping into someone from your deep

1441
01:06:41,240 --> 01:06:44,760
Speaker 4: past that you don't want to talk to? And now

1442
01:06:44,800 --> 01:06:46,560
Speaker 4: it's like, oh do we do? I just not know

1443
01:06:46,640 --> 01:06:49,120
Speaker 4: him now when I see him out in the world,

1444
01:06:49,280 --> 01:06:50,360
Speaker 4: we just ignore each other.

1445
01:06:50,680 --> 01:06:51,000
Speaker 3: I don't know.

1446
01:06:51,040 --> 01:06:53,720
Speaker 4: It feels weird, Okay, I love you, Bye.

1447
01:06:54,280 --> 01:06:54,640
Speaker 3: Okay.

1448
01:06:55,680 --> 01:06:57,600
Speaker 2: I mean this feels like a fi A with honey

1449
01:06:57,720 --> 01:07:02,080
Speaker 2: add like a secret this is the yogurt.

1450
01:07:02,320 --> 01:07:05,480
Speaker 3: Yeah, and I think it's a brand f A g E.

1451
01:07:05,760 --> 01:07:07,640
Speaker 2: It's like a white lid, I think, so I never

1452
01:07:07,680 --> 01:07:08,920
Speaker 2: had I think I see it and I'm not a

1453
01:07:08,920 --> 01:07:12,320
Speaker 2: honey person, so I wouldn't eat that. Sure, So that's

1454
01:07:12,360 --> 01:07:14,280
Speaker 2: my The alarm bells are going off. Is this part

1455
01:07:14,320 --> 01:07:15,600
Speaker 2: of them FI a marketing team?

1456
01:07:15,680 --> 01:07:15,840
Speaker 3: Yeah?

1457
01:07:15,880 --> 01:07:18,760
Speaker 2: Yeah, yeah, but we have to put that aside. This

1458
01:07:18,880 --> 01:07:20,520
Speaker 2: is a This is a situation when you go to

1459
01:07:20,520 --> 01:07:22,640
Speaker 2: your hometown and you go to the grocery store. It

1460
01:07:22,680 --> 01:07:24,200
Speaker 2: is kind of like going to a haunted house because

1461
01:07:24,240 --> 01:07:25,880
Speaker 2: you do not know who's going to be around the corner.

1462
01:07:26,680 --> 01:07:28,000
Speaker 2: How do you feel about the situation.

1463
01:07:29,040 --> 01:07:32,120
Speaker 3: I think that the promise like you you, Silence is

1464
01:07:32,160 --> 01:07:36,120
Speaker 3: always weird. Silence is weird. You you You're brain's pinging.

1465
01:07:36,160 --> 01:07:38,480
Speaker 3: You know their brain's pinging. You got to do something.

1466
01:07:38,640 --> 01:07:42,720
Speaker 3: And the bottom line is like, if you're never gonna

1467
01:07:42,800 --> 01:07:44,640
Speaker 3: you're not gonna be there for another year or whatever,

1468
01:07:44,920 --> 01:07:47,120
Speaker 3: then fine, have an awkward moment you leave. If you're

1469
01:07:47,120 --> 01:07:49,520
Speaker 3: gonna be there and see them multiple times, you got

1470
01:07:49,560 --> 01:07:51,800
Speaker 3: and I think you gotta lean towards you got to

1471
01:07:51,840 --> 01:07:56,360
Speaker 3: give a nod. You're risking the conversation. You're risking the conversation,

1472
01:07:56,840 --> 01:07:59,520
Speaker 3: and you could have an escape plan. Oh, the yogurt's

1473
01:07:59,520 --> 01:08:04,040
Speaker 3: gonna go back quick, I gotta check out. But gradually,

1474
01:08:04,240 --> 01:08:09,240
Speaker 3: if you are, if you slightly rude enough, you can

1475
01:08:09,560 --> 01:08:13,640
Speaker 3: you can get it to a nod. I feel this

1476
01:08:14,280 --> 01:08:17,919
Speaker 3: with Ubers. I feel like it feels it feels very classes.

1477
01:08:18,000 --> 01:08:20,040
Speaker 3: It's hard to talk about because you sound like an

1478
01:08:20,200 --> 01:08:23,840
Speaker 3: ass role, but like sometimes you're in a forty minute

1479
01:08:23,880 --> 01:08:25,479
Speaker 3: drive and you go work. You got shit, you gotta

1480
01:08:25,520 --> 01:08:29,920
Speaker 3: get done. I'm editing that comedy special still and the

1481
01:08:30,080 --> 01:08:37,559
Speaker 3: gradual tapering off of answers to yes, And that's that's

1482
01:08:37,600 --> 01:08:41,200
Speaker 3: the road you gotta take. And ultimately, I don't think

1483
01:08:41,200 --> 01:08:42,599
Speaker 3: you're ever gonna get to a point where you never

1484
01:08:42,640 --> 01:08:45,439
Speaker 3: say anything, but you just establish it's a nod, right

1485
01:08:45,600 --> 01:08:48,160
Speaker 3: not and leave right not and leave well.

1486
01:08:48,160 --> 01:08:50,080
Speaker 2: And I feel like she's making a big assumption here

1487
01:08:50,120 --> 01:08:54,439
Speaker 2: that he wasn't ignoring her. Yeah, maybe she's the ignored.

1488
01:08:55,000 --> 01:08:55,280
Speaker 3: Yeah.

1489
01:08:55,400 --> 01:08:59,160
Speaker 2: Also, how big is this dairy section? If yogurt half

1490
01:08:59,160 --> 01:09:01,120
Speaker 2: and half and some other dairy products.

1491
01:09:01,160 --> 01:09:02,880
Speaker 3: A lot of things to be next to I can't

1492
01:09:02,880 --> 01:09:04,960
Speaker 3: believe you stayed next to them that whole time. Even

1493
01:09:05,000 --> 01:09:07,519
Speaker 3: if it was a stranger, I'd be like, what.

1494
01:09:07,439 --> 01:09:09,760
Speaker 2: Do Yeah, of course you'll have to say something wow, yeah,

1495
01:09:09,760 --> 01:09:11,440
Speaker 2: because it has an outank.

1496
01:09:11,120 --> 01:09:14,519
Speaker 3: God for cows something something three times?

1497
01:09:14,640 --> 01:09:17,040
Speaker 2: Is she afraid that she's gonna want the VHS back?

1498
01:09:18,080 --> 01:09:19,520
Speaker 2: How important is the VHS?

1499
01:09:19,600 --> 01:09:23,720
Speaker 3: I I did want someone who let me a UCB

1500
01:09:24,240 --> 01:09:29,400
Speaker 3: Season one box set the uc before and like twelve

1501
01:09:29,479 --> 01:09:31,559
Speaker 3: years later I happened to see them as a thing.

1502
01:09:31,560 --> 01:09:33,880
Speaker 3: And then after that they texted me and listen, this

1503
01:09:33,920 --> 01:09:36,720
Speaker 3: is on me. I didn't give it back and he

1504
01:09:36,920 --> 01:09:38,559
Speaker 3: chose their like, hey you still got that?

1505
01:09:39,080 --> 01:09:39,280
Speaker 2: Whoa?

1506
01:09:39,400 --> 01:09:44,320
Speaker 3: And I I was like, brother, I will buy it

1507
01:09:44,560 --> 01:09:48,000
Speaker 3: off right now. I will. But it was like it

1508
01:09:48,040 --> 01:09:51,880
Speaker 3: was yeah, so some people still but are recording over

1509
01:09:51,960 --> 01:09:52,280
Speaker 3: a thing.

1510
01:09:52,400 --> 01:09:55,120
Speaker 2: Yeah, it's like you can find that at a good will.

1511
01:09:55,840 --> 01:09:58,599
Speaker 3: But it's in your head. Say oh you see them

1512
01:09:58,600 --> 01:10:03,320
Speaker 3: go oh my god, I just remembered. Oh I'm not

1513
01:10:03,320 --> 01:10:04,600
Speaker 3: sure where it is. Do you want to buy it

1514
01:10:04,640 --> 01:10:04,960
Speaker 3: for you?

1515
01:10:05,680 --> 01:10:08,439
Speaker 2: I'm sorry the person after twelve years. If you lend

1516
01:10:08,439 --> 01:10:11,000
Speaker 2: somebody something and don't ask for it after two years,

1517
01:10:11,240 --> 01:10:14,400
Speaker 2: it now belongs to them yes, give me a break.

1518
01:10:14,560 --> 01:10:16,640
Speaker 3: My only thought is that maybe he does want it,

1519
01:10:16,640 --> 01:10:19,080
Speaker 3: because if I'm at a grocery store and it's a woman,

1520
01:10:19,439 --> 01:10:21,200
Speaker 3: I don't want to speak to her. I don't know

1521
01:10:21,800 --> 01:10:25,120
Speaker 3: if I happen by accident to follow her two different places.

1522
01:10:25,640 --> 01:10:28,559
Speaker 3: I'm usually I'm going I'm gonna go get my crackers

1523
01:10:28,560 --> 01:10:33,000
Speaker 3: now because I'm scary. I'm feeling scary. I'm feeling scary

1524
01:10:33,160 --> 01:10:37,679
Speaker 3: in the cold of the milk the milk aisle. So

1525
01:10:38,000 --> 01:10:40,360
Speaker 3: maybe he's thinking, maybe he's just like you gonna say

1526
01:10:40,400 --> 01:10:45,120
Speaker 3: something if you hear him humming and it's like a tenacious.

1527
01:10:44,880 --> 01:10:48,720
Speaker 2: Oh now there's a big hat way to song. You

1528
01:10:48,840 --> 01:10:51,000
Speaker 2: got to take the bait on that situation. It's like, Okay,

1529
01:10:51,040 --> 01:10:53,439
Speaker 2: I'm going home now, I will get the VHS. It's

1530
01:10:53,439 --> 01:10:54,439
Speaker 2: an mom's attic.

1531
01:10:54,680 --> 01:10:56,240
Speaker 3: But you want to establish nods. I have a lot

1532
01:10:56,240 --> 01:10:59,400
Speaker 3: of people where like you've just established you nod if

1533
01:10:59,439 --> 01:11:01,400
Speaker 3: you're if you in the neighborhood with someone and you

1534
01:11:01,439 --> 01:11:03,479
Speaker 3: really don't want to be the friend, but you know there,

1535
01:11:03,600 --> 01:11:04,200
Speaker 3: you know them.

1536
01:11:04,479 --> 01:11:08,280
Speaker 2: You have to acknowledge another human beings exists. Come on

1537
01:11:08,720 --> 01:11:11,600
Speaker 2: common decency. Yeah, and this woman has not. You know

1538
01:11:11,640 --> 01:11:13,639
Speaker 2: she hasn't practiced any of that. In the grocery store,

1539
01:11:13,800 --> 01:11:15,639
Speaker 2: she's ignored two dear friends.

1540
01:11:15,760 --> 01:11:17,760
Speaker 3: Yeah, what what do you We can't talk to someone

1541
01:11:17,760 --> 01:11:19,160
Speaker 3: at the grocery store. You're busy.

1542
01:11:19,360 --> 01:11:21,360
Speaker 2: What's going on? She's so focused on the yogurt.

1543
01:11:21,760 --> 01:11:24,800
Speaker 3: I'm listening. I'm more like a podcast. I'm listening to things.

1544
01:11:24,800 --> 01:11:27,479
Speaker 3: And so it's just like, oh, Ice, and I wish

1545
01:11:27,560 --> 01:11:30,840
Speaker 3: I had bigger headphones. That's people don't respect to your pod, right,

1546
01:11:30,880 --> 01:11:31,160
Speaker 3: they don't.

1547
01:11:31,880 --> 01:11:32,760
Speaker 2: They don't care what's going on.

1548
01:11:32,840 --> 01:11:34,320
Speaker 3: Then I will try to This is how I like,

1549
01:11:34,320 --> 01:11:40,639
Speaker 3: click it and go hi. And I'm like, I need suck.

1550
01:11:40,640 --> 01:11:42,879
Speaker 3: I need a helmet. I need a helmet.

1551
01:11:43,720 --> 01:11:46,040
Speaker 2: I do a before taking it out, I do even

1552
01:11:46,080 --> 01:11:47,760
Speaker 2: if I heard what they said, I'm sorry, what did

1553
01:11:47,800 --> 01:11:50,720
Speaker 2: you say? Then I take it out. Then it's it's

1554
01:11:50,800 --> 01:11:53,439
Speaker 2: crystal clear that there is audio going into my ears.

1555
01:11:53,600 --> 01:11:55,880
Speaker 2: There's something plugging my ear, and now you've ruined my day.

1556
01:11:56,000 --> 01:11:56,920
Speaker 3: Uh huh uh huh.

1557
01:11:57,400 --> 01:11:59,880
Speaker 2: So maybe if she's so worried, get some giant headphones.

1558
01:12:00,280 --> 01:12:04,160
Speaker 3: Yeah, put on a pair of sunglasses so theyhones.

1559
01:12:06,600 --> 01:12:09,160
Speaker 2: Well, we answered the question perfectly. I mean, if you

1560
01:12:09,160 --> 01:12:10,200
Speaker 2: can't complain.

1561
01:12:09,960 --> 01:12:12,080
Speaker 3: You can't complain. You'll get there, you got to, You'll

1562
01:12:12,120 --> 01:12:15,479
Speaker 3: get the nod. You risk a small conversation, but it

1563
01:12:15,560 --> 01:12:17,559
Speaker 3: sounds like you got the skills to be rude enough

1564
01:12:17,600 --> 01:12:19,640
Speaker 3: to curb that conversation.

1565
01:12:21,200 --> 01:12:24,599
Speaker 2: Well, I've got this beautiful croissant to finish, and I'll

1566
01:12:24,600 --> 01:12:26,240
Speaker 2: be able to floss it all out of my teeth,

1567
01:12:26,280 --> 01:12:28,160
Speaker 2: which is amazing. Of course, I'm want to put this

1568
01:12:28,320 --> 01:12:30,640
Speaker 2: at least one bag of these in my car. What

1569
01:12:30,720 --> 01:12:31,519
Speaker 2: a great thing to happen.

1570
01:12:31,600 --> 01:12:33,400
Speaker 3: Now, I got them in every drawer of my house.

1571
01:12:33,479 --> 01:12:35,599
Speaker 2: This is what I am with gum. Now you'll gum

1572
01:12:35,600 --> 01:12:37,640
Speaker 2: in the bag, gum in the car. You never know

1573
01:12:37,680 --> 01:12:40,880
Speaker 2: where you're gonna need it. So it's what a wonderful gift,

1574
01:12:41,200 --> 01:12:43,000
Speaker 2: my pleasure. Thank you for being here, Thank you for

1575
01:12:43,000 --> 01:12:47,880
Speaker 2: having me listener. The podcast is over. Eventually the audio

1576
01:12:47,920 --> 01:12:52,200
Speaker 2: will stop, and hopefully you'll find something exciting to do,

1577
01:12:52,560 --> 01:12:56,639
Speaker 2: or maybe you'll listen to another episode. Maybe you'll write

1578
01:12:56,680 --> 01:12:58,880
Speaker 2: a threatening letter to someone I don't know, find something

1579
01:12:58,920 --> 01:13:07,080
Speaker 2: to do with your day. Goodbye, I said no Gifts

1580
01:13:07,120 --> 01:13:10,880
Speaker 2: is an exactly right production. Our senior producer is on

1581
01:13:11,040 --> 01:13:14,919
Speaker 2: Alisa Nelson, and our episodes are beautifully mixed by Ben Holliday.

1582
01:13:15,600 --> 01:13:19,040
Speaker 2: The theme song is by miracle Worker Amy Mann and

1583
01:13:19,080 --> 01:13:22,000
Speaker 2: we couldn't do it without our booker, Patrick Cottner. You

1584
01:13:22,280 --> 01:13:25,400
Speaker 2: must follow the show on Instagram at I said no gifts,

1585
01:13:25,439 --> 01:13:27,200
Speaker 2: that's where you're going to see pictures of all these

1586
01:13:27,240 --> 01:13:29,960
Speaker 2: wonderful gifts I'm getting. And don't you want to see

1587
01:13:30,000 --> 01:13:36,400
Speaker 2: the gifts line? Why did you hear? Gonta man?

1588
01:13:36,520 --> 01:13:38,360
Speaker 1: Myself perfectly clear?

1589
01:13:39,640 --> 01:13:40,920
Speaker 2: But you're a guest to me.

1590
01:13:43,800 --> 01:13:49,160
Speaker 1: You gotta come to me empty And I said.

1591
01:13:49,160 --> 01:13:50,040
Speaker 2: No guests.

1592
01:13:50,160 --> 01:13:57,120
Speaker 1: Your presences presents enough and I'm already too much stuff.

1593
01:13:57,760 --> 01:14:00,000
Speaker 2: So how did your dad to surbey?

1594
01:14:00,080 --> 01:14:00,880
Speaker 1: Hey me

1595
01:14:03,640 --> 01:14:05,920
Speaker 3: Boo