WEBVTT - Mini Crush #165

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday with Noel

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<v Speaker 1>Brown and Charles W. Chuck Bryant in the hot seat.

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<v Speaker 1>What's your hot take? Hello, Chuck, I'm I'm lukewarm this morning.

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<v Speaker 1>I don't really have any hot days. Wait a minute,

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<v Speaker 1>hold on the Royal family is weird for getting purely

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<v Speaker 1>symbolic and they don't actually do anything to affect policy

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<v Speaker 1>or governance of the United Kingdom. Are you saying that

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<v Speaker 1>it is an antiquated system and they should just get

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<v Speaker 1>rid of the Royals? Already a little bit people like

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<v Speaker 1>them though, Man, Brits are weird, like the old money Brits,

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<v Speaker 1>like the legacy business e, you know, imperial kind of

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<v Speaker 1>Brits are very strange. I'm obviously a lot of amazing

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<v Speaker 1>progressive human beings in the UK, but as a country

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<v Speaker 1>and as a system, there's some weirdness there. We we we

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<v Speaker 1>go over it and stuff they don't want you to

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<v Speaker 1>know all the time. And just discussed all the stuff

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<v Speaker 1>that's been happening with Megan Markle and the kind of

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<v Speaker 1>low key shaded racism, sure me and lobbed at her

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<v Speaker 1>and like you know, they're non attention to mental health

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<v Speaker 1>that extends as far back as you know generations. But

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<v Speaker 1>also like with Diana, she needed mental health assistance and

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<v Speaker 1>they basically swept that out of the carpet and look

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<v Speaker 1>what happened there. Sorry, I don't know why I'm talking

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<v Speaker 1>about the royals at the top. This is just my

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<v Speaker 1>hot take. You asked me for a hot take, Chuck,

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<v Speaker 1>It's gonna get hot. I love it, man, I watched

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<v Speaker 1>that interview. We're into it, we love the Crown. We're

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<v Speaker 1>we're some of those Americans that are not royals obsessed,

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<v Speaker 1>but we're into those stories. Man. And I thought that

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<v Speaker 1>racism thing was not surprising. And of course they're like,

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<v Speaker 1>we're not racist, um, Whereas I think what they should

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<v Speaker 1>be saying is we're not overtly racist. It's it's like,

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<v Speaker 1>but about that bloodline, just that's not racist? If we

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<v Speaker 1>want it really white, is it pure? Is the driven snow?

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<v Speaker 1>There's there was a story in the Crown. You you've

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<v Speaker 1>seen the Crown all the way through, yes, all the

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<v Speaker 1>way through. So there's a story that comes up about

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<v Speaker 1>I believe it was Elizabeth's like like developmentally disabled sisters

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<v Speaker 1>or cousins or something, and they essentially said they were

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<v Speaker 1>dead and just like put the exile in this like

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<v Speaker 1>creepy you know. What they would call in those days

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<v Speaker 1>a sanatorium. Now we call a mental health facility or whatever,

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<v Speaker 1>but they called it that because they were horrible places

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<v Speaker 1>and they were not clean, that the methods of treatment

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<v Speaker 1>were very barbaric. And apparently these royal you know cousins

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<v Speaker 1>were just kind of trundled off there and claimed to

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<v Speaker 1>have been dead and then it turns out they were

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<v Speaker 1>not all dead. Uh, And that's sort of a benchmark

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<v Speaker 1>for the way the Royal family treats mental health issues. Yeah,

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<v Speaker 1>I mean the Kennedy's did the same thing. They had.

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<v Speaker 1>There was a Kennedy sister that went away as well,

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<v Speaker 1>you know what, you know what I mean, I do.

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<v Speaker 1>And weren't the Great Gardens Sisters related to the Kennedy's

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<v Speaker 1>distantly in some way? The Gray Gardens sisters little little

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<v Speaker 1>Little and little Phoebe well whatever her name was, you know, Yeah,

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<v Speaker 1>they were great documentary Um, they were, Yes, they were

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<v Speaker 1>relatives of I think it was Eady Bouvier Beal. I

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<v Speaker 1>think they were Jackie's original family because Jackie was a

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<v Speaker 1>Bouvier previous to being a Kennedy and in Onassis. So yeah,

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<v Speaker 1>there's a there's a headline. I found Fox News grain

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<v Speaker 1>of salt this but Jackie Kennedy Onassis was horrified of

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<v Speaker 1>reclusive aunt cousin living and crumbling. Gray Gardens book claims,

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<v Speaker 1>by the way, no, you got trounced for your good fellas.

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<v Speaker 1>You know. Look, And the sad thing is, I could

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<v Speaker 1>have claimed I hadn't seen it in years, but I

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<v Speaker 1>literally just rewatched it. Um. I forgot they went to

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<v Speaker 1>Florida too. I forgot they went to Florida, and a

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<v Speaker 1>dozen times or more. It was a blip. And the

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<v Speaker 1>reason I started thinking, you know, and neither one of

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<v Speaker 1>us could place where exactly the whole show movie was

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<v Speaker 1>supposed to take place. We did determine that it was Brooklyn.

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<v Speaker 1>I believe in the episode at some point, I don't know.

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<v Speaker 1>People up, I gotta say, Austin Handler and Ethan Yavine Anastasio,

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<v Speaker 1>you guys can shove it. Hey, I'm gonna bring I'm

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<v Speaker 1>gonna bring that back. Shove it, shove it. Uh yeah,

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<v Speaker 1>what what what did what did Bart Simpson used to say,

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<v Speaker 1>eat my shorts? Yes, eat our collective shorts and mine

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<v Speaker 1>and your shorts shorts shorts in that context, would that

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<v Speaker 1>mean like my you know, short pants or like underwear.

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<v Speaker 1>I didn't eat my shorts means underwear. I think you're

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<v Speaker 1>probably right. That would be more gross. Eat my cargo pants.

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<v Speaker 1>He the large oversized pockets of my cargo pants that

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<v Speaker 1>had all their contents that hold four beers and a hammer.

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<v Speaker 1>So Nola is pouring down rain right now, thank god,

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<v Speaker 1>because Atlanta is having the week of yellow pollen, and

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<v Speaker 1>now there are yellow rivers running down the streets of Atlanta.

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<v Speaker 1>My dear, dear friend Harry is visiting me, and he

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<v Speaker 1>is the sweetest house guest. He literally went out and

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<v Speaker 1>swept the pollen out of my car port without even

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<v Speaker 1>and she just did it. And then then the very

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<v Speaker 1>next day yellow over all over again. You gotta wait

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<v Speaker 1>for that rain. I saw a a line of cars

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<v Speaker 1>outside the car wash, like sixty cars waiting to get through.

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<v Speaker 1>I was like, what are you doing? Why bother? Let

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<v Speaker 1>your car be yellow for a week, then it goes

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<v Speaker 1>away the week and a half or so. It's not

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<v Speaker 1>a long severe I mean the pollen count aside, but

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<v Speaker 1>the yellow stuff it's only for a week or two.

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<v Speaker 1>Do you think that cold Play songs about life in

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<v Speaker 1>the South so yellow and yellow? I liked one of

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<v Speaker 1>those albums back in the day. That's the one. Now,

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<v Speaker 1>that's the one, Parachutes, that's a good record. I like

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<v Speaker 1>the cold Rush of Blood to the Head is that

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<v Speaker 1>That was the next one. I thought that was pretty

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<v Speaker 1>good too. That one had clocks on it. That one's

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<v Speaker 1>good too. Those were two. Those are too good, back

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<v Speaker 1>to backs. I think I ended up just wanting to

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<v Speaker 1>kind of face punch Chris Martin for various reasons. He's

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<v Speaker 1>got a very punchable face, and it's probably not fair. Yeah,

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<v Speaker 1>I'm sure he's a lovely man, but he just something

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<v Speaker 1>about him, and like the way he's just constantly grinning

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<v Speaker 1>and just showing all his teeth. You know, I don't

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<v Speaker 1>know something about that. He's a little too happy for

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<v Speaker 1>my happy for my taste too. And also they named

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<v Speaker 1>their daughter Apple, which bothers me. Was that bother I

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<v Speaker 1>don't know why that bothers me? I don't know. People,

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<v Speaker 1>we don't want to yuck their young. No old people

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<v Speaker 1>can name their kids. They might think your daughter's name

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<v Speaker 1>is dumb. They might and now we still get a

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<v Speaker 1>face punch and they can eat our collective shorts. Yeah,

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<v Speaker 1>i'd be find the name a kid like sandwich or something,

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<v Speaker 1>you know, sandwich brown apple, apple and sandwich and then

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<v Speaker 1>and then fruit cup. How about gonna name I'm gonna

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<v Speaker 1>have another kid. No, We're gonna adopt another son, and

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<v Speaker 1>I'm gonna name him Lunchable Bryant, Chuck, I have to

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<v Speaker 1>make a confession on the podcast really quickly. I may

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<v Speaker 1>have I have him nine am early call every two weeks,

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<v Speaker 1>and I may have accidentally fallen asleep for about a

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<v Speaker 1>minute and a half during Today's during Today's and I

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<v Speaker 1>think people may have heard me snore once or twice.

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<v Speaker 1>I don't know this for a fact, but I'm I'm

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<v Speaker 1>fishing for it with like you know, kind of probing

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<v Speaker 1>texts that like about other things, like so everything's cool, right,

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<v Speaker 1>tell him it's the pollen. You can blame everything on pollen.

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<v Speaker 1>I think I could probably do that, Chuck. It's also like,

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<v Speaker 1>come on, if it hasn't happened yet in this world

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<v Speaker 1>of COVID, I think I probably get one pass for

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<v Speaker 1>one's call snooze right at nine am. If you ever

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<v Speaker 1>fall asleep on a mini crush. You're fired from the

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<v Speaker 1>job that pays you nothing. Okay, fair, No, this is

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<v Speaker 1>my prestige. Is the prestige part of the up all right? Normal?

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<v Speaker 1>So what we're gonna do this week is we're gonna

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<v Speaker 1>do because we usually have a longer catch up when

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<v Speaker 1>we don't talk for a couple of weeks, like we

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<v Speaker 1>just did in episode one of two that we're recording.

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<v Speaker 1>We're gonna go with a movie crusher post from the

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<v Speaker 1>great Patrick Gorman, who always has he brings the goods.

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<v Speaker 1>And then we're gonna do a stream this because I

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<v Speaker 1>have quite a few little things to talk about. Uh,

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<v Speaker 1>so let's get it fired up, Sir Gorman said, this,

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<v Speaker 1>nol you wake up in the last movie you watched?

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<v Speaker 1>What do you do first? And how's your day looking?

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<v Speaker 1>I drank too much last night and watched the last

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<v Speaker 1>Waltz again and stopped making sense again. Wow, So I'm

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<v Speaker 1>in one of those movies, those those counts movies. Are

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<v Speaker 1>you on stage? Are you in the band? Literally the band?

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<v Speaker 1>Are you in the Talking Heads? Or just like a

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<v Speaker 1>happy spectator? I mean, unfortunately I think I'm a spectator.

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<v Speaker 1>But you know, my my concert time Machine. Answer is

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<v Speaker 1>always last Waltz. Like, if you could go to any

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<v Speaker 1>show at any time, it would be at that show

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<v Speaker 1>at winter Land ball Room in San Francisco in six Um.

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<v Speaker 1>So yeah, that's that's where I am. So my day

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<v Speaker 1>is going great? And what do you do first? The

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<v Speaker 1>first thing I do is, uh, sniff around, see if

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<v Speaker 1>anything's anybody's holding near by me? Exactly, go get a beer. Yeah,

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<v Speaker 1>give Neil Young a heads up on that big old

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<v Speaker 1>rock of cocaine hanging out of his nose. They had

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<v Speaker 1>the cookea booger. Had to tell Himilie about that. Had

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<v Speaker 1>to google a picture of it because they took it

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<v Speaker 1>out right or and they took it out. They took

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<v Speaker 1>it out like frame by frame. I think they had to,

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<v Speaker 1>That's what I mean. Yeah, yeah, exactly, it's I think

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<v Speaker 1>they got George Lucas on that. You know, what's the

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<v Speaker 1>last movie you watching? All? Where are you working up today?

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<v Speaker 1>Full movie? I watched, Oh that's Snyder cut, Baby. We'll

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<v Speaker 1>put a pin in that for extream this. Then, um,

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<v Speaker 1>quite a few people actually watch the Snyder Cut last

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<v Speaker 1>because I'm looking down the list here and Genesis Chapman,

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<v Speaker 1>Welcome to the show. Genesis says, damn it, I guess

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<v Speaker 1>that in Sax Snyder's Justice League thing, I'm I'm living

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<v Speaker 1>in a great nightmare hell escape. My world is entirely

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<v Speaker 1>in slow motion. Everything is just lightning, bolts flickering, and

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<v Speaker 1>I trying to get to the fridge but slow It's unbelievable. Dude,

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<v Speaker 1>it's it's it's laughable. We'll get into it. But I

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<v Speaker 1>overall quite enjoyed the film, but there are some some

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<v Speaker 1>Zack snyderisms that have always bugged me, and it is

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<v Speaker 1>on full blast in this thing. I don't know about

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<v Speaker 1>that guy. Not a huge fan, not a huge fan.

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<v Speaker 1>He keeps getting these big movies, though, and he knows

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<v Speaker 1>how to make them like he makes them, but I

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<v Speaker 1>just don't like the way he makes them. Well, he

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<v Speaker 1>knows how to finish the film and get it released.

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<v Speaker 1>Do you mean he just has this aesthetic that he's

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<v Speaker 1>been using it since that three D and three hundred

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<v Speaker 1>really well, and so you know, he did a Watchman

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<v Speaker 1>movie that was fine, but it just wasn't a huge, huge,

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<v Speaker 1>hugely into his aesthetic. A great Uh let me see here.

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<v Speaker 1>Nick Kelly says, RoboCop two, so I'll probably get murdered

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<v Speaker 1>by criminals or by killer robots. Gorman himself says, the

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<v Speaker 1>Snyder cut days looking pretty bleak, So I'm going straight

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<v Speaker 1>down to party in Atlantis. Atlanta does seem like the

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<v Speaker 1>most chill of the bunch. You know, they've got their

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<v Speaker 1>whole world kind of I don't know, got they got

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<v Speaker 1>a they got a good vibe. I like them, the Atlanteans. Uh,

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<v Speaker 1>let me see here. Michael Ormand says, does into the

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<v Speaker 1>Spider verse. Count of course it does. You can wake

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<v Speaker 1>up in that movie. Um. Yeah, But Michael doesn't see

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<v Speaker 1>what's going on there, what he's doing. He says this,

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<v Speaker 1>It was only ten minutes until I realized that it

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<v Speaker 1>was Thursday night not Friday. I'm not sure what Michael saying.

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<v Speaker 1>I'm sorry, Michael, explain yourself. Yes, please clarify. Uh Andy

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<v Speaker 1>Keppler says, Fugazi instrument, So things are looking pretty good

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<v Speaker 1>for me. Nice? Was that like a documentary? I guess

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<v Speaker 1>I didn't know those of Fugazi documentary. I gotta see that. Yeah,

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<v Speaker 1>I remember hearing the name of that. I like that instrument.

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<v Speaker 1>That's great, Yeah, documentary because they're they're the history of

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<v Speaker 1>that band is so much about the history of like

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<v Speaker 1>DC punk and hardcore, like kind of more political uh

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<v Speaker 1>punk and hardcore. I'd love to see that. I don't

0:12:30.760 --> 0:12:32.800
<v Speaker 1>know them super well, but they're one of the more

0:12:32.960 --> 0:12:36.960
<v Speaker 1>melodic bands in that bunch. They actually have cool melodies

0:12:37.080 --> 0:12:39.720
<v Speaker 1>and they're not just screaming scream, which doesn't do it

0:12:39.760 --> 0:12:41.599
<v Speaker 1>for me. Must Yeah, he still loves Fugazi back in

0:12:41.640 --> 0:12:44.640
<v Speaker 1>the day in college and um, what was the other

0:12:44.679 --> 0:12:48.480
<v Speaker 1>BANDI Helmet? You remember Helmett? Helmet was cool, Helmett was

0:12:48.800 --> 0:12:51.880
<v Speaker 1>fucking awesome. Well, the drummer for Helmet went on to

0:12:52.000 --> 0:12:54.760
<v Speaker 1>be in that band Battles that was kind of like

0:12:54.800 --> 0:12:58.640
<v Speaker 1>an electronic tinged sort of math rock band, and he

0:12:59.240 --> 0:13:01.080
<v Speaker 1>the thing when he played live where he has one

0:13:01.160 --> 0:13:03.840
<v Speaker 1>symbol that's like six ft up in the air and

0:13:03.880 --> 0:13:05.880
<v Speaker 1>he has to reach up like with this one long

0:13:05.960 --> 0:13:08.880
<v Speaker 1>arm and like, you know, hit it. It's sort of

0:13:08.880 --> 0:13:11.160
<v Speaker 1>a gimmick, but I guess it's his thing. But it's

0:13:11.240 --> 0:13:15.720
<v Speaker 1>drummers to things like that. Sometimes. The drummer for Emily

0:13:15.880 --> 0:13:18.880
<v Speaker 1>used to know, or I guess still does know the

0:13:18.920 --> 0:13:22.000
<v Speaker 1>two of the people in Silver Sun Pickups when we

0:13:22.000 --> 0:13:24.120
<v Speaker 1>were in l A before they when they were just

0:13:24.160 --> 0:13:26.080
<v Speaker 1>a very small little band in l A. She knew

0:13:26.120 --> 0:13:28.840
<v Speaker 1>them because they worked like production jobs when Emily was

0:13:28.840 --> 0:13:32.760
<v Speaker 1>a producer, and uh, they ended up getting to be

0:13:32.800 --> 0:13:36.920
<v Speaker 1>a much bigger band. And when uh, my buddies to

0:13:36.960 --> 0:13:39.199
<v Speaker 1>Henry Clay people rolled through town, they opened for the

0:13:39.240 --> 0:13:43.760
<v Speaker 1>Silversun Pickups at the Tabernacle got us backstage and Emily

0:13:43.800 --> 0:13:46.240
<v Speaker 1>we got to say hi to the Silversun people. I

0:13:46.240 --> 0:13:49.080
<v Speaker 1>think the bass player and the and the maybe the

0:13:49.160 --> 0:13:52.000
<v Speaker 1>lead singer or who she knew, but their drummer long

0:13:52.040 --> 0:13:55.240
<v Speaker 1>winded story had these crazy, weird high symbols if I

0:13:55.240 --> 0:13:59.360
<v Speaker 1>remember correctly, and I just didn't get it. Can you

0:13:59.400 --> 0:14:02.800
<v Speaker 1>google that? Yeah? Yeah, I actually am, and I wanted

0:14:02.800 --> 0:14:05.160
<v Speaker 1>it's funny that you say that. My buddy Matthew Bizelle,

0:14:05.320 --> 0:14:08.160
<v Speaker 1>who is a filmmaker who lived in l A, live

0:14:08.280 --> 0:14:11.079
<v Speaker 1>next door to the bassis of the Silver Sun Pickups,

0:14:11.120 --> 0:14:12.920
<v Speaker 1>and she I played in a little band with him

0:14:12.960 --> 0:14:16.560
<v Speaker 1>called Night People with Shaun Eden from Luna, and she

0:14:16.920 --> 0:14:19.600
<v Speaker 1>did some guest vocals on a couple of songs that

0:14:19.640 --> 0:14:22.720
<v Speaker 1>we did, like remotely or whatever. But her name is

0:14:22.800 --> 0:14:26.960
<v Speaker 1>Nicky Nicki monager Um, and he lived next door to

0:14:27.000 --> 0:14:30.680
<v Speaker 1>her somewhere in LUs Phillis area, Los Feliz, Los Felis,

0:14:30.760 --> 0:14:34.840
<v Speaker 1>Les Felis, that's where we lived. Yeah, I'm looking at

0:14:34.880 --> 0:14:37.400
<v Speaker 1>the strummer. He has this one symbol jacked up there

0:14:37.440 --> 0:14:41.360
<v Speaker 1>like seven ft high? Wild? Why do people do that?

0:14:41.360 --> 0:14:43.520
<v Speaker 1>What a drummers do? Weird things, you know? I mean

0:14:43.560 --> 0:14:45.920
<v Speaker 1>it's very particular, Like I have a drum kit here,

0:14:46.000 --> 0:14:47.800
<v Speaker 1>and every time a different drummers sits on it, like

0:14:47.840 --> 0:14:50.480
<v Speaker 1>they always tend to tweak things just so slightly, like

0:14:50.560 --> 0:14:53.440
<v Speaker 1>move the symbols, the angle of the symbols of course. Yeah. Yeah,

0:14:53.480 --> 0:14:56.320
<v Speaker 1>every time I uh set up the drum kit for

0:14:56.400 --> 0:15:00.760
<v Speaker 1>my drummer when we move band spaces, he always comes

0:15:00.760 --> 0:15:02.080
<v Speaker 1>in and just sort of pats me on my head

0:15:02.120 --> 0:15:04.080
<v Speaker 1>and goes, you're cute, let me let me do it right.

0:15:05.800 --> 0:15:08.000
<v Speaker 1>I like a little height on the symbols though, because

0:15:08.000 --> 0:15:09.440
<v Speaker 1>it's sort of about like, you know, if you're really

0:15:09.440 --> 0:15:12.040
<v Speaker 1>getting into it, you want to be able to kind

0:15:12.040 --> 0:15:14.360
<v Speaker 1>of just like lunge and hit them, and so they

0:15:14.360 --> 0:15:15.720
<v Speaker 1>need to be have a little height to him or

0:15:15.760 --> 0:15:17.600
<v Speaker 1>else you'll accidentally hit him while you're hitting the toms

0:15:17.680 --> 0:15:27.800
<v Speaker 1>or something. Yeah, I hear you. What else we got?

0:15:28.280 --> 0:15:31.800
<v Speaker 1>I got Daisy Christina A brew. One of our old

0:15:31.840 --> 0:15:35.360
<v Speaker 1>pals says, putting on She's putting on a little black

0:15:35.440 --> 0:15:38.840
<v Speaker 1>dress and going to Tiffany's unless it's Thursday, in which

0:15:38.880 --> 0:15:41.880
<v Speaker 1>case she's heading to Sing Sing to get the weather

0:15:41.920 --> 0:15:48.880
<v Speaker 1>report from Sally Tomato. Goodness me, Sally Tomato. I don't

0:15:48.920 --> 0:15:53.320
<v Speaker 1>know this character. I don't either, ok uh. One of

0:15:53.320 --> 0:15:55.680
<v Speaker 1>our old pals, Caroline Gaston, says, finally got around to

0:15:55.760 --> 0:15:58.520
<v Speaker 1>Trial of the Chicago Seven. I'll stand out since they

0:15:58.560 --> 0:16:02.040
<v Speaker 1>were like three whole women in the movie. I haven't

0:16:02.080 --> 0:16:04.400
<v Speaker 1>seen that one yet. It does the only it has

0:16:04.440 --> 0:16:07.880
<v Speaker 1>some B D E in that movie. What does b

0:16:08.000 --> 0:16:10.960
<v Speaker 1>D E b D energy think about a bit? You know,

0:16:11.040 --> 0:16:15.960
<v Speaker 1>bit man man manpower, b D big big dick Oh

0:16:16.120 --> 0:16:20.160
<v Speaker 1>geez yeah, big dick energy is a thing. I just

0:16:20.160 --> 0:16:23.160
<v Speaker 1>mean there's a lot of big, tough, posturing males in

0:16:23.200 --> 0:16:24.920
<v Speaker 1>that movie trying to change the world. You know, that's

0:16:24.920 --> 0:16:27.840
<v Speaker 1>the vibe I get. How do you feel about what's

0:16:27.840 --> 0:16:29.880
<v Speaker 1>his face as Abby Hoffman? As can you take him

0:16:29.880 --> 0:16:32.920
<v Speaker 1>seriously as a serious actor. I didn't see it, but

0:16:32.960 --> 0:16:36.000
<v Speaker 1>I mean in general, in general, sure, I'm all about him,

0:16:36.000 --> 0:16:37.840
<v Speaker 1>Like I think he could be. I think he probably

0:16:37.880 --> 0:16:40.280
<v Speaker 1>is a really good actor, and and it's it's not

0:16:40.320 --> 0:16:42.760
<v Speaker 1>fair to say stuff like Borat isn't good acting, because

0:16:43.960 --> 0:16:46.840
<v Speaker 1>that's a hell of a disappearance he makes in those movies.

0:16:46.880 --> 0:16:49.120
<v Speaker 1>You know, completely, No, I agree with you. I used

0:16:49.120 --> 0:16:50.640
<v Speaker 1>to love that Ali G show back in the day.

0:16:50.720 --> 0:16:53.160
<v Speaker 1>That was good. It was great. It was Has he

0:16:53.200 --> 0:16:55.360
<v Speaker 1>done a big movie with all the characters? And my

0:16:55.480 --> 0:16:58.240
<v Speaker 1>missing one? There's Ali G in the house? Bore at

0:16:58.240 --> 0:16:59.880
<v Speaker 1>two of those and then obviously the Bruno one. Was

0:16:59.920 --> 0:17:01.680
<v Speaker 1>it those three characters or did you have a fourth

0:17:01.680 --> 0:17:06.800
<v Speaker 1>one that I'm forgetting? Those are the three that I Yeah, yeah,

0:17:07.680 --> 0:17:11.240
<v Speaker 1>brilliant comedian. I love all three of those guys. They're

0:17:11.240 --> 0:17:17.000
<v Speaker 1>all great. Yeah. Yeah, the movie was you know, it

0:17:17.359 --> 0:17:19.600
<v Speaker 1>wasn't as successful, but as a sketch or whatever. The

0:17:19.640 --> 0:17:21.840
<v Speaker 1>little Speaking of prank things, have you seen this new

0:17:21.960 --> 0:17:27.480
<v Speaker 1>Eric Andre things on Netflix called Bad Trip. Crushers were

0:17:27.480 --> 0:17:29.320
<v Speaker 1>talking about it. I want to see it. I guess

0:17:29.440 --> 0:17:31.320
<v Speaker 1>it's it's apparently sort of a calm. It's like it's

0:17:31.320 --> 0:17:34.280
<v Speaker 1>it's definitely in the spirit of Borat, where they're doing

0:17:34.400 --> 0:17:37.520
<v Speaker 1>real things, where the characters are interacting with real people,

0:17:37.840 --> 0:17:40.800
<v Speaker 1>and it's it's intermixed with like you know, shot type

0:17:41.080 --> 0:17:44.200
<v Speaker 1>scene type things that are written. But it sounds interesting,

0:17:44.200 --> 0:17:46.320
<v Speaker 1>sounds like a hybrid. It's from the director of Jackass,

0:17:46.359 --> 0:17:50.160
<v Speaker 1>so I guess that all makes sense. Very interesting. I'll

0:17:50.160 --> 0:17:51.800
<v Speaker 1>have to check that out to do. Like Eric andre

0:17:52.960 --> 0:17:56.280
<v Speaker 1>uh Nathan Nichols says, Manchester by the Sea, things are

0:17:56.520 --> 0:18:00.919
<v Speaker 1>looking grim to say the least. God nikes, yikes. William

0:18:00.920 --> 0:18:04.000
<v Speaker 1>Angus is in Scream too, so William is checking all

0:18:04.040 --> 0:18:09.479
<v Speaker 1>the corners and looking behind all the doors. Two is good.

0:18:09.920 --> 0:18:12.359
<v Speaker 1>I liked. We talked about this. I think all the

0:18:12.400 --> 0:18:14.480
<v Speaker 1>way through like three there, they were all pretty good,

0:18:14.520 --> 0:18:17.600
<v Speaker 1>but like I think one and two were really my favorites. Yeah,

0:18:17.600 --> 0:18:21.600
<v Speaker 1>I agreed, agreed. Emily worked on Scream too. That was

0:18:21.600 --> 0:18:26.240
<v Speaker 1>shot here at Agnes Scott. That's right, we've we've definitely

0:18:26.240 --> 0:18:28.719
<v Speaker 1>talked about that before. That's cool. Katie Howard says, having

0:18:28.760 --> 0:18:30.280
<v Speaker 1>a white Russian and going out to get a new

0:18:30.359 --> 0:18:33.879
<v Speaker 1>rug and then bowling after that. I know what Katie

0:18:33.880 --> 0:18:41.520
<v Speaker 1>watched Our oldest of friends. Melinda Baccalo says, wet, hot

0:18:41.560 --> 0:18:44.720
<v Speaker 1>American summer, so pretty busy, lots of Shenanigan's. Maybe some

0:18:44.800 --> 0:18:47.439
<v Speaker 1>hooking up going to be a good day. That'd be

0:18:47.440 --> 0:18:49.600
<v Speaker 1>a fun movie to be in. Did you see this

0:18:49.680 --> 0:18:51.800
<v Speaker 1>the series they made out of that for Netflix? Of

0:18:51.880 --> 0:18:54.800
<v Speaker 1>course it was so good. I thought it really hit

0:18:54.880 --> 0:18:57.800
<v Speaker 1>the same spirit of the movie, uh and felt in

0:18:58.160 --> 0:19:00.800
<v Speaker 1>not okay, necessaries maybe the wrong word, but if connected.

0:19:00.960 --> 0:19:03.400
<v Speaker 1>I didn't feel like an afterthought or some kind of throwaway.

0:19:03.760 --> 0:19:08.359
<v Speaker 1>I love that world. Tera Lee Shaw says saw who Boy,

0:19:08.720 --> 0:19:11.439
<v Speaker 1>not much I can do since I'm chained to some

0:19:11.480 --> 0:19:14.200
<v Speaker 1>pipes in a grimy old bathroom. I've had better days.

0:19:14.480 --> 0:19:17.000
<v Speaker 1>Oh boy, thanks, no, thanks, Not the movie you want

0:19:17.000 --> 0:19:21.439
<v Speaker 1>to wake up in. Pete Drummond says kikiS Delivery Service.

0:19:21.480 --> 0:19:25.879
<v Speaker 1>Remind me not to board the blimp. Yeah, spoiler alert,

0:19:26.040 --> 0:19:30.119
<v Speaker 1>bad thing happens with the blimp? All right, Well, but

0:19:30.200 --> 0:19:32.840
<v Speaker 1>she saves the day. God. Sorry, that movie is like

0:19:32.840 --> 0:19:36.320
<v Speaker 1>thirty years old. It's fair. I'd say that's like from

0:19:36.359 --> 0:19:38.280
<v Speaker 1>the eighties, I believe. I don't think. Why don't I

0:19:38.320 --> 0:19:41.359
<v Speaker 1>know that movie? Oh you haven't watched kikiS with your daughter?

0:19:41.400 --> 0:19:46.160
<v Speaker 1>She'll love it. She's a really badass, powerful young woman character. Um.

0:19:46.240 --> 0:19:48.479
<v Speaker 1>And it's a difference a spin on the witch trope,

0:19:48.480 --> 0:19:50.439
<v Speaker 1>where like witches aren't bad at all, and there's some

0:19:50.480 --> 0:19:52.840
<v Speaker 1>bad ones, but she's like a good witch who's kind

0:19:52.840 --> 0:19:55.400
<v Speaker 1>of who's like kind of does this sort of pilgrimage

0:19:55.640 --> 0:19:57.360
<v Speaker 1>that they do when they leave the house and kind

0:19:57.359 --> 0:19:58.879
<v Speaker 1>of go out into the world, and it's sort of

0:19:58.880 --> 0:20:02.639
<v Speaker 1>a coming of age thing. I'm all over peak Mia Zaki,

0:20:02.720 --> 0:20:05.719
<v Speaker 1>and there's a cat but talks. Your daughter will flip.

0:20:05.760 --> 0:20:08.439
<v Speaker 1>It's lovely. Uh well, I'm done with me Zaki now,

0:20:08.480 --> 0:20:11.800
<v Speaker 1>so I'm all over. Let me see here. Emily Newton says,

0:20:11.880 --> 0:20:14.240
<v Speaker 1>I tell the old man to eat a dick, pack

0:20:14.320 --> 0:20:17.080
<v Speaker 1>my bags and take the kid back to Boulder before

0:20:17.119 --> 0:20:19.840
<v Speaker 1>the snow starts. I thought I heard little girls playing

0:20:19.840 --> 0:20:21.639
<v Speaker 1>in the hall last night. I must be going nuts.

0:20:21.840 --> 0:20:25.840
<v Speaker 1>Oh the Shining I told the old man to eat

0:20:25.880 --> 0:20:30.400
<v Speaker 1>a dick. Is that a line of the Shining? It's

0:20:30.440 --> 0:20:34.760
<v Speaker 1>not a line, oh but okay, But the way that

0:20:34.840 --> 0:20:36.960
<v Speaker 1>was said with such confidence, it sounded like it was

0:20:37.040 --> 0:20:39.879
<v Speaker 1>like a quote or something, you know, like it doesn't

0:20:39.880 --> 0:20:44.800
<v Speaker 1>want Emily is in the Shining as Shelley Daval and

0:20:44.960 --> 0:20:51.800
<v Speaker 1>saying screw you. Uh Jack Nicholson, I'm getting out of here.

0:20:51.840 --> 0:20:53.560
<v Speaker 1>I'm packing my bags and I'm taking my kid out

0:20:53.560 --> 0:21:02.160
<v Speaker 1>of here before the snowstorm. Only it's more like, that's

0:21:02.240 --> 0:21:04.919
<v Speaker 1>my Shelley DeVault in that movie. She's got a lot

0:21:04.960 --> 0:21:08.359
<v Speaker 1>of shrieking. She seems genuinely horrified. She was she was

0:21:08.640 --> 0:21:10.960
<v Speaker 1>hanging on by a thread, because that's what it takes.

0:21:11.359 --> 0:21:16.719
<v Speaker 1>I know. God, you think with things like unions there

0:21:16.760 --> 0:21:19.280
<v Speaker 1>would be rules for like how many takes you have

0:21:19.400 --> 0:21:22.280
<v Speaker 1>to do, how much you can how much you can

0:21:22.320 --> 0:21:24.280
<v Speaker 1>abuse an actor. I mean, I know that's why they

0:21:24.280 --> 0:21:27.080
<v Speaker 1>make the big bucks. But also like you hear like

0:21:27.200 --> 0:21:29.800
<v Speaker 1>b York and Large von Trier, like there was real

0:21:30.000 --> 0:21:33.639
<v Speaker 1>psychological abuse going on there, you know, not not cool

0:21:33.840 --> 0:21:38.440
<v Speaker 1>tough stuff. Uh. Chris Clifford says off to fight Schmidt

0:21:38.680 --> 0:21:45.800
<v Speaker 1>at the Hydra base out Schmidt, Yeah about Schmidt and

0:21:45.920 --> 0:21:50.240
<v Speaker 1>Hydra World Hale Hydra No is that way? So that's

0:21:50.359 --> 0:21:52.479
<v Speaker 1>um from one of the movies or is that one

0:21:52.520 --> 0:21:54.600
<v Speaker 1>of the new shows Schmidt. I don't know. I don't

0:21:54.600 --> 0:21:57.919
<v Speaker 1>know the Hydra stuff very well. Hayle Hydronal. That's all

0:21:57.960 --> 0:22:00.600
<v Speaker 1>you need to know. Did you watch any of the knew, uh,

0:22:00.680 --> 0:22:04.480
<v Speaker 1>the Winter Soldier and the Falcon thing? Not yet? You know.

0:22:04.520 --> 0:22:06.879
<v Speaker 1>I watched the first couple of one divisions a while

0:22:06.920 --> 0:22:09.880
<v Speaker 1>ago and then stopped and then Emily said she wanted

0:22:09.880 --> 0:22:11.560
<v Speaker 1>to watch it, so we're just waiting for a window.

0:22:11.720 --> 0:22:18.600
<v Speaker 1>And then, uh, highly recommend and yeah, the one division

0:22:18.680 --> 0:22:21.280
<v Speaker 1>was one of my favorite marvel Ee things. I think

0:22:21.280 --> 0:22:24.639
<v Speaker 1>it's very creative and interesting. Gotta do it, Gotta do it.

0:22:25.640 --> 0:22:27.960
<v Speaker 1>Martin Kidd just watched ray it in the Last Dragon.

0:22:28.080 --> 0:22:33.720
<v Speaker 1>Guess I'm getting turned to stone. That sounds like a spoiler. Dude,

0:22:33.800 --> 0:22:37.440
<v Speaker 1>Ruby pre ordered that for thirty dollars by accident or

0:22:37.480 --> 0:22:40.560
<v Speaker 1>not by accident, but she very much purposely did it.

0:22:40.600 --> 0:22:44.680
<v Speaker 1>But she doesn't understand that stuff, and so I asked

0:22:44.680 --> 0:22:47.560
<v Speaker 1>her to refund. That's how much it is to watch it.

0:22:47.600 --> 0:22:51.960
<v Speaker 1>I thought, yeah, it is. The Early Bird is like

0:22:52.040 --> 0:22:55.720
<v Speaker 1>thirty bucks, and I was like, dude, I didn't realize

0:22:55.720 --> 0:22:57.080
<v Speaker 1>that I could set it up to where she can't

0:22:57.080 --> 0:22:59.120
<v Speaker 1>do that. So now I've done that. But I got

0:22:59.119 --> 0:23:01.920
<v Speaker 1>a beef with itune in Disney Plus because I asked

0:23:01.920 --> 0:23:04.480
<v Speaker 1>for a refund. And one of the reasons that on

0:23:04.520 --> 0:23:07.600
<v Speaker 1>the dropdown is like child purchased it by you know,

0:23:07.680 --> 0:23:10.840
<v Speaker 1>without permission, and so that's what I picked, and they

0:23:10.840 --> 0:23:14.360
<v Speaker 1>denied it. And then I appealed it and wrote out

0:23:14.400 --> 0:23:17.159
<v Speaker 1>my case and they denied it again. They kept my

0:23:17.200 --> 0:23:21.560
<v Speaker 1>thirty dollars. Noel so mad at them. I guess their argument,

0:23:21.640 --> 0:23:24.800
<v Speaker 1>did they did they respond to your appeal with the

0:23:24.920 --> 0:23:29.960
<v Speaker 1>verbal rebuttal. No, they just said no, yeah, faceless corp

0:23:30.040 --> 0:23:34.240
<v Speaker 1>corporate now in their infinite wisdom. I mean, I guess

0:23:34.240 --> 0:23:37.399
<v Speaker 1>their argument would be like, well, we make these uh

0:23:37.560 --> 0:23:40.600
<v Speaker 1>safeguards available and you should have known and put them

0:23:40.600 --> 0:23:43.320
<v Speaker 1>in place. But I argue, they don't make them obvious

0:23:43.400 --> 0:23:45.000
<v Speaker 1>and you have to kind of dig deep to find

0:23:45.040 --> 0:23:47.320
<v Speaker 1>them or be faced with a situation where you then

0:23:47.359 --> 0:23:49.800
<v Speaker 1>have to be like, oh shoot, I better figure out,

0:23:49.880 --> 0:23:52.840
<v Speaker 1>you know, if this is an option. So I was

0:23:52.920 --> 0:23:55.320
<v Speaker 1>none too pleased. I don't I don't doubt it, Chuck,

0:23:55.400 --> 0:23:58.320
<v Speaker 1>I don't doubt it. I've I've I've encourage your wrath.

0:23:59.080 --> 0:24:00.840
<v Speaker 1>I told Ruby, I said, is coming out of your

0:24:00.920 --> 0:24:04.320
<v Speaker 1>future allowance? When I'm gonna remind you when you're tin

0:24:04.480 --> 0:24:08.720
<v Speaker 1>or when? When when do kids start getting allowances? H? Yeah?

0:24:08.800 --> 0:24:13.080
<v Speaker 1>Well it it does not quite manifest itself that way.

0:24:13.119 --> 0:24:17.000
<v Speaker 1>I know I make her doucheh it, but I'm constantly

0:24:17.000 --> 0:24:21.720
<v Speaker 1>crediting and debiting her, and this invisible ledger exists somewhere

0:24:21.760 --> 0:24:25.119
<v Speaker 1>in my head. Okay, that's fair. Now, she's very helpful.

0:24:25.160 --> 0:24:27.120
<v Speaker 1>She helps me with cleaning and dishes and all kinds

0:24:27.160 --> 0:24:29.600
<v Speaker 1>of stuff she earns her keep. Yeah, Ruben's got a

0:24:29.640 --> 0:24:32.200
<v Speaker 1>couple of little chores. She feeds the dogs every day

0:24:33.000 --> 0:24:35.400
<v Speaker 1>twice a day. And then we're trying to get her

0:24:35.480 --> 0:24:38.080
<v Speaker 1>to start picking up after herself a little bit, because

0:24:38.119 --> 0:24:42.639
<v Speaker 1>you know, kids, they just that concept is completely lost

0:24:42.680 --> 0:24:45.359
<v Speaker 1>on them, totally. Stuff is just where you drop it.

0:24:45.640 --> 0:24:48.840
<v Speaker 1>Oh yeah, yeah, yeah yeah. And apparently, you know, the

0:24:49.280 --> 0:24:51.879
<v Speaker 1>therapy community says it's okay, let your kid have a

0:24:51.920 --> 0:24:54.840
<v Speaker 1>messy room because it gives them like ownership over their space.

0:24:55.320 --> 0:24:57.679
<v Speaker 1>And then, you know, and I found that to be

0:24:57.720 --> 0:25:01.640
<v Speaker 1>the case, and she gradually has turned her room into

0:25:01.680 --> 0:25:04.359
<v Speaker 1>sort of a reflection of her personality. And like the

0:25:04.400 --> 0:25:06.399
<v Speaker 1>fact that she, you know, can make it be messy

0:25:06.440 --> 0:25:08.760
<v Speaker 1>a little bit is empowering and I'm into that. But

0:25:08.760 --> 0:25:10.160
<v Speaker 1>then there could come a point while going there, I'll

0:25:10.200 --> 0:25:12.760
<v Speaker 1>be like, yo, you gotta go, we gotta do something

0:25:12.800 --> 0:25:15.720
<v Speaker 1>about this. No. I mean, Ruby's room is usually pretty messy,

0:25:15.760 --> 0:25:18.440
<v Speaker 1>but she will. She will also clean it without being

0:25:18.480 --> 0:25:20.240
<v Speaker 1>asked sometimes and then come and get us and say,

0:25:20.280 --> 0:25:22.960
<v Speaker 1>come and look at my room. So like little things

0:25:22.960 --> 0:25:33.400
<v Speaker 1>like that are great. I love that. By the way,

0:25:33.440 --> 0:25:35.120
<v Speaker 1>breaking news. I know this is going to be late

0:25:35.160 --> 0:25:37.440
<v Speaker 1>when it comes out, but the danger of and just

0:25:37.520 --> 0:25:43.080
<v Speaker 1>posted that it's old pal Mike Sam's birthday, So I

0:25:43.119 --> 0:25:45.080
<v Speaker 1>know this is gonna come out a week I'm sorry,

0:25:45.119 --> 0:25:49.160
<v Speaker 1>not even that late next Monday. But here today on Wednesday,

0:25:49.160 --> 0:25:51.680
<v Speaker 1>the thirty one of March. Mike, happy birthday, my friend,

0:25:51.760 --> 0:25:55.879
<v Speaker 1>happy birthday. Indeed. Um wait, and we already talked about this.

0:25:56.280 --> 0:25:58.360
<v Speaker 1>Who else had a birthday? Someone else had a birthday.

0:25:59.600 --> 0:26:02.120
<v Speaker 1>My good buddy Harry who's visiting. It's his birthday coming

0:26:02.160 --> 0:26:04.600
<v Speaker 1>up on April fourth, So when this comes out, he

0:26:04.840 --> 0:26:08.119
<v Speaker 1>should be like seventy years old or something. He's like

0:26:08.200 --> 0:26:10.720
<v Speaker 1>literally my old friend. I've known him for many years,

0:26:10.760 --> 0:26:12.440
<v Speaker 1>since I was about thirteen. Us to run a record

0:26:12.440 --> 0:26:15.440
<v Speaker 1>store in my hometown. Um, and I think he's uh,

0:26:15.520 --> 0:26:18.040
<v Speaker 1>I think he's pushing sixty five. But not it doesn't

0:26:18.040 --> 0:26:23.960
<v Speaker 1>seem a day over forty. My brother's birthday is uh,

0:26:24.280 --> 0:26:31.560
<v Speaker 1>geez Friday, amazing. Yeah, no aprip fools jokes this year. No, oh,

0:26:31.600 --> 0:26:33.919
<v Speaker 1>I know we don't. We don't have an Apri Pol's episode.

0:26:33.960 --> 0:26:36.760
<v Speaker 1>Unfortunate that the yeah people people don't like to be

0:26:36.800 --> 0:26:40.879
<v Speaker 1>tricked to be tricked. Alright, Uh, let's wrap this up

0:26:40.880 --> 0:26:42.920
<v Speaker 1>with stream this because I have quite a few things here.

0:26:43.720 --> 0:26:47.880
<v Speaker 1>Uh still barreling through six ft under enough said six

0:26:48.400 --> 0:26:54.439
<v Speaker 1>Season five, Season three same, We're probably right around the

0:26:54.480 --> 0:26:59.960
<v Speaker 1>same time, Arthur, the same, right there, right there, right

0:27:00.040 --> 0:27:02.520
<v Speaker 1>there with you. I love him and I almost forgot

0:27:02.560 --> 0:27:06.720
<v Speaker 1>that he was in it for a minute. Oh man.

0:27:06.760 --> 0:27:10.240
<v Speaker 1>This season season three so painful because Nate and Lisa

0:27:10.280 --> 0:27:13.320
<v Speaker 1>are married, and it's just the thing happens in season three.

0:27:13.359 --> 0:27:16.120
<v Speaker 1>Isn't that kind of where the thing begins? Well yeah,

0:27:16.160 --> 0:27:19.960
<v Speaker 1>but just their marriage is just so painful because they're

0:27:19.960 --> 0:27:22.200
<v Speaker 1>just they shouldn't be married. It's not right, and he's

0:27:22.240 --> 0:27:24.120
<v Speaker 1>trying to be this thing that he's not, and it's

0:27:24.160 --> 0:27:26.920
<v Speaker 1>just Nate's gotta be Nate. Man, it was, It's very painful.

0:27:27.200 --> 0:27:29.720
<v Speaker 1>Now I've seen I've yeah for sure, and then something

0:27:30.200 --> 0:27:34.720
<v Speaker 1>god yeah anyway, Uh no, I watched the Coming to

0:27:34.760 --> 0:27:38.520
<v Speaker 1>America sequel finally, Oh dish, my friend, I've read some

0:27:38.560 --> 0:27:40.240
<v Speaker 1>hot takes on that one. Then I kind of have

0:27:40.320 --> 0:27:42.119
<v Speaker 1>a feeling I know where you're gonna go. Well, here's

0:27:42.119 --> 0:27:45.359
<v Speaker 1>my hot take is I was in the perfect mood

0:27:45.400 --> 0:27:49.840
<v Speaker 1>for it. Emily and I were, and we really enjoyed it. Uh.

0:27:49.920 --> 0:27:54.080
<v Speaker 1>It was a very very lazy remake, the worst kind

0:27:54.080 --> 0:27:56.640
<v Speaker 1>of remake where you literally just do the same jokes.

0:27:57.680 --> 0:28:01.280
<v Speaker 1>But you know what, it was a nostalgia bomb. They

0:28:01.320 --> 0:28:04.520
<v Speaker 1>brought back so much like they went all the way,

0:28:04.600 --> 0:28:06.679
<v Speaker 1>which I really appreciate. If they would have done it

0:28:06.720 --> 0:28:09.480
<v Speaker 1>halfway and just brought back a few of the characters,

0:28:10.000 --> 0:28:12.480
<v Speaker 1>it would have been super lame. But they went. They

0:28:12.600 --> 0:28:14.439
<v Speaker 1>really dug deep and went all the way with the

0:28:14.480 --> 0:28:18.520
<v Speaker 1>nostalgia bomb. I thoroughly enjoyed it. It was very lazy.

0:28:18.640 --> 0:28:21.439
<v Speaker 1>I never want to see it again, but I really

0:28:21.840 --> 0:28:23.399
<v Speaker 1>had a good time watching it, and I think it

0:28:23.480 --> 0:28:26.120
<v Speaker 1>had plenty of funny moments. So that's my take. Okay,

0:28:26.320 --> 0:28:29.240
<v Speaker 1>got it. I was almost about to click it the

0:28:29.280 --> 0:28:31.040
<v Speaker 1>other day because I was looking for a feel good thing,

0:28:31.440 --> 0:28:33.320
<v Speaker 1>but I think I watched something else instead. I can't

0:28:33.320 --> 0:28:35.040
<v Speaker 1>remember what it was. Uh. And then the other two

0:28:35.040 --> 0:28:37.400
<v Speaker 1>things I'm gonna mention Nolan because we can chat about them,

0:28:37.400 --> 0:28:40.880
<v Speaker 1>I think is I did watch the High Score documentary

0:28:40.920 --> 0:28:45.120
<v Speaker 1>series on your recommendation, just finished it last night, and

0:28:45.160 --> 0:28:50.280
<v Speaker 1>I watched the Last Blockbuster documentary that's next for me.

0:28:50.400 --> 0:28:52.600
<v Speaker 1>I do want to watch that because I obviously am

0:28:52.640 --> 0:28:55.000
<v Speaker 1>a total blockbuster kid. But what did you think of

0:28:55.040 --> 0:28:57.480
<v Speaker 1>High Score? Well, I'm gonna put both of them in

0:28:57.480 --> 0:28:59.800
<v Speaker 1>the same bucket because they're kind of similar. They were

0:28:59.800 --> 0:29:03.520
<v Speaker 1>both the nostalgia bombs as well. I really enjoyed both

0:29:03.560 --> 0:29:05.840
<v Speaker 1>of them. But I will say this, they fit into

0:29:05.840 --> 0:29:10.360
<v Speaker 1>this kind of category of these newer kind of streaming

0:29:10.360 --> 0:29:17.360
<v Speaker 1>service documentary series that are it's almost like, uh, this

0:29:17.400 --> 0:29:19.080
<v Speaker 1>sounds like I'm I'm being too hard on it, but

0:29:19.400 --> 0:29:21.760
<v Speaker 1>um for things that I enjoyed, but it's almost like

0:29:21.840 --> 0:29:27.360
<v Speaker 1>the the v H one. I love the eighties documentary style,

0:29:29.000 --> 0:29:32.120
<v Speaker 1>you know, I can see that. I will say this though,

0:29:32.320 --> 0:29:35.400
<v Speaker 1>I was expecting much more of that with the High

0:29:35.400 --> 0:29:38.479
<v Speaker 1>Score thing, but they really they dug a little deeper

0:29:38.520 --> 0:29:42.320
<v Speaker 1>in places like there's a whole episode about um like

0:29:42.400 --> 0:29:47.960
<v Speaker 1>this l g B t Q gay Blade. Yeah, so

0:29:48.000 --> 0:29:50.320
<v Speaker 1>I never knew about it. And and like one thing

0:29:50.720 --> 0:29:53.160
<v Speaker 1>somebody pointed out to me is there's um one of

0:29:53.200 --> 0:29:56.080
<v Speaker 1>the interview subjects who is a trans woman, and they

0:29:56.120 --> 0:29:58.280
<v Speaker 1>don't make a big thing of it, like it's some

0:29:58.440 --> 0:30:01.160
<v Speaker 1>token like look at us being so woke. It just

0:30:01.200 --> 0:30:05.080
<v Speaker 1>comes up organically because she brings it up very you know,

0:30:05.320 --> 0:30:07.880
<v Speaker 1>just like matter of factly, and and any in in

0:30:08.000 --> 0:30:10.760
<v Speaker 1>a in a less capable hands, I think that would

0:30:10.800 --> 0:30:13.000
<v Speaker 1>have been much more of like a trotting out there

0:30:13.040 --> 0:30:16.440
<v Speaker 1>token trans person. But I thought they handled it with

0:30:16.480 --> 0:30:19.640
<v Speaker 1>a lot of care and respect and the whole thing.

0:30:19.720 --> 0:30:21.720
<v Speaker 1>I thought they did a good job. I actually wished

0:30:21.720 --> 0:30:23.160
<v Speaker 1>it would have gone on. I was hoping it was

0:30:23.160 --> 0:30:25.200
<v Speaker 1>going to get more into like Minecraft, and there could

0:30:25.240 --> 0:30:27.200
<v Speaker 1>have been modern things. Sure, it could have been twice

0:30:27.240 --> 0:30:30.640
<v Speaker 1>as long. Probably, Um I I enjoyed it. I enjoyed

0:30:30.640 --> 0:30:32.440
<v Speaker 1>them both. I think they were both a little corny

0:30:32.480 --> 0:30:37.280
<v Speaker 1>at times, um, but I did enjoy them both. I'll

0:30:37.320 --> 0:30:40.640
<v Speaker 1>just say that last Blockbuster was was good. But also

0:30:42.120 --> 0:30:45.120
<v Speaker 1>there there's a tone and I think the high score, narrator,

0:30:45.800 --> 0:30:49.560
<v Speaker 1>you know, it was it's just, you know, it's not

0:30:50.000 --> 0:30:53.280
<v Speaker 1>I guess it's a documentary, but it's not like serious documentary.

0:30:53.280 --> 0:30:55.640
<v Speaker 1>You know. I'm with you, But I but I but

0:30:55.680 --> 0:30:59.720
<v Speaker 1>I was like cream exactly. But that's just what I

0:30:59.760 --> 0:31:02.160
<v Speaker 1>need now. It's probably entertained, and I found myself clicking

0:31:02.280 --> 0:31:03.800
<v Speaker 1>to the next one and the next one, the next one.

0:31:03.840 --> 0:31:06.800
<v Speaker 1>To me, that's a success, you know, totally, and you

0:31:06.800 --> 0:31:10.880
<v Speaker 1>know it spent it was my childhood basically through college, uh,

0:31:10.920 --> 0:31:15.880
<v Speaker 1>from Pong to Mortal Kombat basically well, and then I

0:31:15.920 --> 0:31:17.840
<v Speaker 1>guess the First person Shooters came after that. That was

0:31:17.880 --> 0:31:21.560
<v Speaker 1>the last episode, right, it really was, and then they

0:31:21.600 --> 0:31:24.440
<v Speaker 1>sort of like did the big like and then everything else,

0:31:25.120 --> 0:31:27.720
<v Speaker 1>you know, um, but oh, the the one that I

0:31:27.720 --> 0:31:29.480
<v Speaker 1>thought was interesting was when it gets into like the

0:31:29.640 --> 0:31:33.360
<v Speaker 1>senate hearings around that like full motion video game called

0:31:33.480 --> 0:31:37.680
<v Speaker 1>night Trap. It never heard of the game. It looked crazy,

0:31:37.800 --> 0:31:40.160
<v Speaker 1>and it just goes to show how, you know, when

0:31:40.200 --> 0:31:43.840
<v Speaker 1>there are these like moral panics, it almost always results

0:31:44.200 --> 0:31:48.400
<v Speaker 1>from ignorance and laziness, where they clearly, if they looked

0:31:48.400 --> 0:31:51.360
<v Speaker 1>at the whole game, they realized nobody's getting triggered to

0:31:51.640 --> 0:31:54.880
<v Speaker 1>murder co eds by this, and the story about how

0:31:54.880 --> 0:31:56.640
<v Speaker 1>they kept trying to dump it down and make it

0:31:56.720 --> 0:32:00.160
<v Speaker 1>less and less and less offensive and scary, and they

0:32:00.200 --> 0:32:03.000
<v Speaker 1>pick this one scene where there's this stupid vampire thing

0:32:03.000 --> 0:32:05.400
<v Speaker 1>with like looks like one of those grabber claw things

0:32:05.560 --> 0:32:08.960
<v Speaker 1>used to get you know, and it just looks ridiculous

0:32:09.000 --> 0:32:12.840
<v Speaker 1>and they're like clutching their pearls, acting like it's corrupting

0:32:12.840 --> 0:32:15.760
<v Speaker 1>the children, which is just assert for a game that

0:32:15.800 --> 0:32:19.160
<v Speaker 1>no one played. Yeah, it's funny that, you know, the

0:32:19.360 --> 0:32:22.280
<v Speaker 1>um all the stuff that's happening lately with the cancel

0:32:22.320 --> 0:32:25.280
<v Speaker 1>culture and that stuff that Ted Cruz shared about the

0:32:25.840 --> 0:32:28.200
<v Speaker 1>article we shared about how gen x has to save

0:32:28.280 --> 0:32:31.160
<v Speaker 1>us from cancel culture because we're in the middle of

0:32:31.200 --> 0:32:34.280
<v Speaker 1>the millennials and the boomers, and the boomers are saying

0:32:34.320 --> 0:32:36.840
<v Speaker 1>gen X help us out from cancel culture, and so

0:32:36.920 --> 0:32:41.200
<v Speaker 1>all these memes are going around that are just fucking fantastic.

0:32:41.240 --> 0:32:43.280
<v Speaker 1>Emily and I've been dying as gen xer is like

0:32:43.720 --> 0:32:48.280
<v Speaker 1>basically saying screw you boomers, like you were the cancel culture.

0:32:48.680 --> 0:32:51.560
<v Speaker 1>You tried to cancel heavy metal music and video games

0:32:51.720 --> 0:32:56.240
<v Speaker 1>and you know, burn books like so fuck you. And

0:32:56.600 --> 0:32:59.200
<v Speaker 1>all the memes were great, like for every uh one

0:32:59.200 --> 0:33:03.360
<v Speaker 1>of them was for for every boomer out there that

0:33:03.400 --> 0:33:06.280
<v Speaker 1>hates millennials and millennials that hates boomers. Remember there's a

0:33:06.320 --> 0:33:09.640
<v Speaker 1>gen Xer that hates you both absolutely. And the gen

0:33:09.840 --> 0:33:13.800
<v Speaker 1>xers are scary. They freaked me out, man, and the

0:33:13.800 --> 0:33:15.840
<v Speaker 1>best possible way. When I say scariest, I mean they're

0:33:15.840 --> 0:33:19.840
<v Speaker 1>scary smart, and they're scary, like you know, woke, and

0:33:20.040 --> 0:33:22.800
<v Speaker 1>it's they're gonna fucking own the world in a really

0:33:22.800 --> 0:33:25.840
<v Speaker 1>interesting way and shape it. You know. I feel good

0:33:25.840 --> 0:33:28.040
<v Speaker 1>about gen X. Yeah, that was pretty funny. We were

0:33:28.080 --> 0:33:33.120
<v Speaker 1>the Letchkey kids. Man, our parents weren't watching. Uh oh no, sorry,

0:33:33.200 --> 0:33:35.720
<v Speaker 1>gen Z is who I'm talking about. It's cool too,

0:33:35.760 --> 0:33:40.600
<v Speaker 1>But gen Z who is the new kind of gen X? Yeah?

0:33:40.640 --> 0:33:43.200
<v Speaker 1>I think so. But like her and her type, like,

0:33:43.280 --> 0:33:46.880
<v Speaker 1>they just have a certain awareness and they've they're living

0:33:46.880 --> 0:33:50.200
<v Speaker 1>through very bleak times and they're having to kind of adapt,

0:33:50.280 --> 0:33:53.040
<v Speaker 1>and I think it's just gonna give them some serious power.

0:33:53.400 --> 0:33:55.520
<v Speaker 1>I thought you were miss speaking because gen X were

0:33:55.520 --> 0:33:59.680
<v Speaker 1>the ferres Bueller's were very mean. That's what I wasn't speaking.

0:33:59.680 --> 0:34:02.360
<v Speaker 1>Thank you, Chuck. Um uh So, have you've been streaming anything?

0:34:02.480 --> 0:34:06.320
<v Speaker 1>Nol lots? Yeah? What did I stream? I stremped the

0:34:06.560 --> 0:34:09.560
<v Speaker 1>uh stremped. I'm gonna I'm gonna sticking with it. The

0:34:09.760 --> 0:34:12.240
<v Speaker 1>Snyder cut, which I thought was fine, Way too much SloMo,

0:34:12.520 --> 0:34:15.400
<v Speaker 1>a little too long, but he's it's good. It tells

0:34:15.400 --> 0:34:19.239
<v Speaker 1>a story. Well. I think Ben Afflecks Batman looks ridiculous.

0:34:20.000 --> 0:34:22.799
<v Speaker 1>He's all boxy and like fat Batman and just like

0:34:23.040 --> 0:34:25.960
<v Speaker 1>he always looks confused, like he's walked into He's like

0:34:26.080 --> 0:34:28.600
<v Speaker 1>he's like lost John Travolta every time he walked into

0:34:28.640 --> 0:34:33.520
<v Speaker 1>the scene. Kind of Um, I really really dig this

0:34:33.640 --> 0:34:38.800
<v Speaker 1>anime series called Doro Hidoro that's on Netflix. That's like, uh,

0:34:38.840 --> 0:34:41.520
<v Speaker 1>there was really psychedelic kind of like almost like if

0:34:41.560 --> 0:34:46.919
<v Speaker 1>if um uh. Alejandro Jordanowski made an anime with like

0:34:47.400 --> 0:34:51.040
<v Speaker 1>you know, uh, the guy that did a Kira or something. Um,

0:34:51.239 --> 0:34:54.879
<v Speaker 1>it's very very trippy. It's this world inhabited by sorcerers

0:34:54.880 --> 0:34:57.560
<v Speaker 1>and bounty hunters, and the sorcerers all have these kind

0:34:57.560 --> 0:35:00.840
<v Speaker 1>of superpowers single power, like but of them's powers to

0:35:00.880 --> 0:35:05.360
<v Speaker 1>turn people into mushrooms and he then eats them. It's it.

0:35:05.520 --> 0:35:10.920
<v Speaker 1>It gets violent, and it's definitely got some spooky qualities,

0:35:10.920 --> 0:35:13.160
<v Speaker 1>but it always reels it in with some humor. And

0:35:13.200 --> 0:35:16.080
<v Speaker 1>there's also it's all about food. All the characters are

0:35:16.080 --> 0:35:19.640
<v Speaker 1>always hungry and they're always making these elaborate like Japanese

0:35:19.680 --> 0:35:23.319
<v Speaker 1>dishes like noodles and and uh geoza and things like that,

0:35:23.360 --> 0:35:25.800
<v Speaker 1>and so there's all these really crazy beauty shots of food,

0:35:25.880 --> 0:35:28.360
<v Speaker 1>which is also a thing in Miyazaki films um but

0:35:28.520 --> 0:35:32.200
<v Speaker 1>highly recommend that. What else? Yeah, one division. I loved

0:35:32.200 --> 0:35:35.320
<v Speaker 1>finish that really really loved it. Thought it was really warm,

0:35:35.400 --> 0:35:39.080
<v Speaker 1>heartfelt and and and creative and just like really made

0:35:39.120 --> 0:35:41.440
<v Speaker 1>me feel the fields. Yeah, I gotta do. It's all.

0:35:41.600 --> 0:35:43.640
<v Speaker 1>That's all I got for now, all right. No, Well,

0:35:43.680 --> 0:35:45.400
<v Speaker 1>let's wrap it up and spank it on the bottom

0:35:45.440 --> 0:35:48.120
<v Speaker 1>and get this one out the door, out of the

0:35:48.120 --> 0:35:51.600
<v Speaker 1>oven and onto the table and onto the plates where

0:35:51.600 --> 0:35:55.719
<v Speaker 1>people can consume it and then poop it out. Wow. Wow, Chuck,

0:35:55.760 --> 0:36:00.160
<v Speaker 1>that was a whole whole imagistic trajectory. You journey took

0:36:00.200 --> 0:36:02.640
<v Speaker 1>us southway. I love it all right, Thanks everyone, We'll

0:36:02.640 --> 0:36:06.600
<v Speaker 1>see you next week. The movie Crash is produced and

0:36:06.600 --> 0:36:09.840
<v Speaker 1>written by Charles Bryant and Meel Brown, edited and engineered

0:36:09.840 --> 0:36:13.120
<v Speaker 1>by Seth Nicholas Johnson, and scored by Noel Brown here

0:36:13.120 --> 0:36:16.200
<v Speaker 1>in our home studio at Ponksty Market, Atlanta, Georgia. For

0:36:16.280 --> 0:36:19.160
<v Speaker 1>I Heart Radio. For more podcasts for my Heart Radio,

0:36:19.239 --> 0:36:21.960
<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

0:36:22.040 --> 0:36:23.360
<v Speaker 1>you listen to your favorite shows.