1 00:00:00,720 --> 00:00:03,560 Speaker 1: You are listening to the Dan Patrick Show on Fox 2 00:00:03,600 --> 00:00:05,440 Speaker 1: Sports Radio Our two. 3 00:00:05,519 --> 00:00:07,880 Speaker 2: On this meet Friday Dan and the Dan Huts. Dan 4 00:00:07,960 --> 00:00:12,240 Speaker 2: Patrick Show back row, Fritzy Dylan back there with his 5 00:00:13,119 --> 00:00:16,560 Speaker 2: Grateful Dead hoodie. Looking good. We'll talk some music coming 6 00:00:16,640 --> 00:00:19,040 Speaker 2: up in twenty minutes from now with one of the 7 00:00:19,079 --> 00:00:23,720 Speaker 2: original MTV VJs, Alan Hunter. Marvin up front with his 8 00:00:23,800 --> 00:00:26,920 Speaker 2: Chicago White Sox hat. You're not a White Sox fan. 9 00:00:27,040 --> 00:00:29,400 Speaker 2: You just like the White Sox logo? Correct? 10 00:00:29,520 --> 00:00:32,080 Speaker 3: Correct? I need a T shirt that says I don't 11 00:00:32,159 --> 00:00:34,040 Speaker 3: like the team. I just like the hat. 12 00:00:34,600 --> 00:00:37,599 Speaker 2: Because there are people on social media wanting to know 13 00:00:37,640 --> 00:00:38,960 Speaker 2: why you're a White Sox fan. 14 00:00:39,360 --> 00:00:43,040 Speaker 3: Oh, there's people at Trader Joe's. This was last week. 15 00:00:43,400 --> 00:00:45,080 Speaker 3: Oh man, are you from Chicago? 16 00:00:45,320 --> 00:00:46,040 Speaker 1: Absolutely not. 17 00:00:46,520 --> 00:00:48,680 Speaker 3: I just like the hat. I don't like any of 18 00:00:48,720 --> 00:00:51,879 Speaker 3: the teams besides Ukon. There's none of the teams that 19 00:00:51,960 --> 00:00:53,959 Speaker 3: I wear, none of the hats. I don't like any 20 00:00:53,960 --> 00:00:54,520 Speaker 3: of those teams. 21 00:00:55,440 --> 00:00:57,800 Speaker 2: But the Pope is a big fan of the Chicago 22 00:00:57,840 --> 00:00:58,400 Speaker 2: White Sox. 23 00:00:58,960 --> 00:01:00,160 Speaker 3: Oh then I'm a good company. 24 00:01:00,640 --> 00:01:01,520 Speaker 2: Okay, yeah, Paul. 25 00:01:01,560 --> 00:01:05,360 Speaker 4: I think just yesterday, a former White Sox star Aj Prasinski, 26 00:01:05,800 --> 00:01:07,240 Speaker 4: was at the Vatican and met with the pope. 27 00:01:07,360 --> 00:01:09,920 Speaker 2: Game a new hat. Okay, pretty cool? 28 00:01:10,000 --> 00:01:10,240 Speaker 5: Right. 29 00:01:10,800 --> 00:01:12,720 Speaker 2: By the way, the New York Mets they need a 30 00:01:12,760 --> 00:01:16,080 Speaker 2: new manager. They have fired their manager. I was wondering 31 00:01:16,080 --> 00:01:22,240 Speaker 2: here in the last twenty years, how many Mets managers 32 00:01:22,560 --> 00:01:24,959 Speaker 2: have they had? So twenty years? 33 00:01:25,080 --> 00:01:27,400 Speaker 4: Yes, Paul, are we playing the how many Mets managers 34 00:01:27,400 --> 00:01:28,720 Speaker 4: in the past quarter century game? 35 00:01:29,360 --> 00:01:29,600 Speaker 6: Damn? 36 00:01:29,560 --> 00:01:32,160 Speaker 2: Pat, can you give us give us an over under 37 00:01:32,680 --> 00:01:34,200 Speaker 2: New York Mets managers. 38 00:01:34,240 --> 00:01:36,120 Speaker 4: I'm gonna do closest to the whole. I'm going to 39 00:01:36,200 --> 00:01:38,800 Speaker 4: go back to I'll go back to two thousand, nice 40 00:01:38,880 --> 00:01:42,520 Speaker 4: round number, which I don't like. Okay, how many total managers, 41 00:01:43,080 --> 00:01:45,199 Speaker 4: including today have the Mets hat? 42 00:01:45,880 --> 00:01:50,720 Speaker 2: Okay, Todd will start with you. Nine was the first number. 43 00:01:50,720 --> 00:01:57,200 Speaker 2: I'm probably low, okay, Dylan, and even ten, all right, 44 00:01:57,680 --> 00:02:03,160 Speaker 2: Marvin eleven? Yeah, I was going to go eleven two, Paulie. 45 00:02:03,640 --> 00:02:06,000 Speaker 4: By the way, it's really sad that you guys all 46 00:02:06,040 --> 00:02:10,160 Speaker 4: picked really close, because that's two point five years per manager. 47 00:02:10,200 --> 00:02:15,160 Speaker 4: Based off your guesses, Mendoza Show, Walter Rojas, Callaway, Collins, 48 00:02:15,200 --> 00:02:18,960 Speaker 4: Manual Willie, Randolph Art Howe, Bobby Valentine, we are at 49 00:02:19,080 --> 00:02:22,600 Speaker 4: ten managers in the past quarter century. 50 00:02:22,320 --> 00:02:26,119 Speaker 2: All right, congratulations Dylan. By the way, Dylan is responsible 51 00:02:26,160 --> 00:02:29,600 Speaker 2: for Meet Friday. And uh, what is on the menu today? 52 00:02:30,320 --> 00:02:33,560 Speaker 7: We have our famous beef Wellington USA style. 53 00:02:34,160 --> 00:02:38,280 Speaker 8: Okay, terry, pepper, pork chops, garlic. 54 00:02:38,320 --> 00:02:42,000 Speaker 2: Now, what is the difference between beef Wellington and the 55 00:02:42,160 --> 00:02:43,840 Speaker 2: USA version of beef Wellington? 56 00:02:44,400 --> 00:02:49,919 Speaker 7: It is identical, Dan, except ours has a USA written 57 00:02:49,960 --> 00:02:51,120 Speaker 7: on it in puff pastry. 58 00:02:52,040 --> 00:02:56,799 Speaker 2: Wow, Okay, what else do we have? 59 00:02:57,040 --> 00:02:59,200 Speaker 7: So we got those two? Those are our mains, and 60 00:02:59,240 --> 00:03:02,720 Speaker 7: then we have some cheesy garlic bread and some jalapeno 61 00:03:02,840 --> 00:03:03,520 Speaker 7: cheesy corn. 62 00:03:04,360 --> 00:03:09,000 Speaker 2: H has it better than we do? Nobody. Stat of 63 00:03:09,040 --> 00:03:11,040 Speaker 2: the Day brought to you by Penaini America, the official 64 00:03:11,120 --> 00:03:15,040 Speaker 2: trading cards of the program. Good morning, those watching on Peacock, 65 00:03:15,120 --> 00:03:17,720 Speaker 2: that's our streaming partner, download the app if you haven't 66 00:03:17,720 --> 00:03:23,880 Speaker 2: done so. Turkey A beats USA at the buzzer. I 67 00:03:23,960 --> 00:03:30,360 Speaker 2: haven't had too many buzzer beater walkoffs and regulation. But 68 00:03:30,400 --> 00:03:33,640 Speaker 2: that was good. That was fun, and Team USA moves on. 69 00:03:33,800 --> 00:03:36,120 Speaker 2: They got Bosnia coming up next week. Not the end 70 00:03:36,160 --> 00:03:38,400 Speaker 2: of the world. They lost. I think it was a 71 00:03:38,440 --> 00:03:41,280 Speaker 2: great problem to have, if you want to say, problem 72 00:03:41,360 --> 00:03:44,240 Speaker 2: that we could afford a loss and that's rare when 73 00:03:44,320 --> 00:03:47,600 Speaker 2: that happens. Christian Polisic got to play a couple of 74 00:03:47,640 --> 00:03:50,680 Speaker 2: shots on goal that was encouraging as well. Yes, Dylan, 75 00:03:51,320 --> 00:03:51,760 Speaker 2: it is. 76 00:03:52,080 --> 00:03:56,560 Speaker 7: Funny watching the concept of stoppage time like break people's brains, 77 00:03:56,720 --> 00:03:59,200 Speaker 7: because it's like I was watching it with some friends 78 00:03:59,200 --> 00:04:01,200 Speaker 7: the other day and it's like, how do they It 79 00:04:01,200 --> 00:04:04,040 Speaker 7: seems arbitrarily decided on the amount of time, and then 80 00:04:04,080 --> 00:04:06,160 Speaker 7: even when they actually end the game, it'll be like 81 00:04:06,560 --> 00:04:08,760 Speaker 7: in the ninety seventh minute and they're like, that's good. 82 00:04:09,600 --> 00:04:12,720 Speaker 2: Yeah, it is. It is sort of like, oh, I 83 00:04:12,720 --> 00:04:14,760 Speaker 2: don't know, it's kind of right around there, you know. 84 00:04:16,240 --> 00:04:20,360 Speaker 2: But they usually let a play continue, right, a rush continue, 85 00:04:20,680 --> 00:04:23,279 Speaker 2: and then once that's done, then they'll blow the whistle. 86 00:04:23,320 --> 00:04:25,719 Speaker 4: Yeah, Paul, Yeah, if you're kind of in the offensive territory, 87 00:04:25,760 --> 00:04:28,000 Speaker 4: you're going towards the goal, they'll let it play out. 88 00:04:28,160 --> 00:04:30,520 Speaker 4: So what happened last night Around the eighty eighth minute, 89 00:04:30,560 --> 00:04:33,360 Speaker 4: they put up on the board seven minutes of stoppage time, 90 00:04:33,720 --> 00:04:35,600 Speaker 4: and now we're in the ninety eighth minute, so it's 91 00:04:35,600 --> 00:04:38,559 Speaker 4: definitely past the seven. A USA player got hurt around 92 00:04:38,560 --> 00:04:41,000 Speaker 4: the ninety second minute, so they had to add another minute. 93 00:04:41,040 --> 00:04:41,800 Speaker 8: Or too hot. 94 00:04:42,520 --> 00:04:48,000 Speaker 2: Okay, WNBA late, but at least they got around to 95 00:04:48,040 --> 00:04:50,640 Speaker 2: the right call. Elicted Thomas gets a flagrant two one 96 00:04:50,680 --> 00:04:55,840 Speaker 2: game suspension for the act on Caitlin Clark. All quiet 97 00:04:55,880 --> 00:04:59,919 Speaker 2: on the Celtics Jalen Brown front, which usually means something's happening. 98 00:05:00,760 --> 00:05:05,039 Speaker 2: I still maintain that this feels like it's inevitable that 99 00:05:05,120 --> 00:05:07,719 Speaker 2: Jalen Brown is going to end up elsewhere. The question 100 00:05:07,960 --> 00:05:11,680 Speaker 2: is where is he going to end up? I think 101 00:05:11,680 --> 00:05:16,560 Speaker 2: their speculation maybe the Cleveland Cavaliers, Boston getting somebody who 102 00:05:16,640 --> 00:05:19,800 Speaker 2: is different plays differently than Jalen Brown, so you can 103 00:05:19,839 --> 00:05:23,760 Speaker 2: have somebody who can compliment Jason Tatum. But there's a 104 00:05:23,800 --> 00:05:26,000 Speaker 2: lot of different teams that would be in line for 105 00:05:26,120 --> 00:05:29,280 Speaker 2: Jalen Brown, twenty nine years of age, a couple of 106 00:05:29,360 --> 00:05:31,880 Speaker 2: years left on his contract, and coming off the best 107 00:05:31,960 --> 00:05:35,360 Speaker 2: year of his career. Poll question from hour one, Dylan, 108 00:05:35,360 --> 00:05:37,000 Speaker 2: and what are we going to go with hour two? 109 00:05:37,680 --> 00:05:39,200 Speaker 7: All right, Dan, we had two up there from the 110 00:05:39,240 --> 00:05:42,240 Speaker 7: first hour. Team USA is late loss to Turkey, A 111 00:05:42,480 --> 00:05:45,320 Speaker 7: is no big deal, A bit concerning or very troubling? 112 00:05:46,080 --> 00:05:49,560 Speaker 7: Sixty one point six percent say no big deal and 113 00:05:49,800 --> 00:05:52,800 Speaker 7: Alyssa Thomas is flagrant too and one game suspension for 114 00:05:52,960 --> 00:05:56,080 Speaker 7: actions against Caitlin Clark is fair, too little, too late, 115 00:05:56,160 --> 00:05:59,400 Speaker 7: or unfair? Seventy four percent say too little, too late. 116 00:06:00,720 --> 00:06:03,160 Speaker 2: Uh the damage is done and you sit her down 117 00:06:03,240 --> 00:06:07,240 Speaker 2: for a game. But you know they allowed this to 118 00:06:07,680 --> 00:06:12,200 Speaker 2: just explode and uh, you know, not in a good way. Hell, 119 00:06:12,200 --> 00:06:14,719 Speaker 2: look at all the publicity the w NBA is getting. 120 00:06:14,760 --> 00:06:19,200 Speaker 2: I said, yeah, negative publicity. So you know, hey, great, 121 00:06:19,279 --> 00:06:22,520 Speaker 2: you're being talked about. Not in a good way. Yeah, 122 00:06:22,560 --> 00:06:26,200 Speaker 2: any publicity is good publicity, Not at all. This is 123 00:06:26,240 --> 00:06:31,040 Speaker 2: one of those that it's kind of like, you know, rinse, repeat, 124 00:06:31,360 --> 00:06:34,279 Speaker 2: do it again. It's we've we've gone down this road 125 00:06:34,600 --> 00:06:37,200 Speaker 2: a couple of times, and we'll continue to go down 126 00:06:37,200 --> 00:06:41,440 Speaker 2: this road with Caitlyn Clark, how she's officiated and what 127 00:06:41,480 --> 00:06:43,760 Speaker 2: players think they can get away with yeampoon. 128 00:06:43,640 --> 00:06:47,320 Speaker 4: On July ninth, the Fever Face of Mercury again at 129 00:06:47,360 --> 00:06:50,559 Speaker 4: the Mercury and that's nashally televised on Amazon Prime. 130 00:06:51,520 --> 00:06:52,080 Speaker 2: Yestil. 131 00:06:52,920 --> 00:06:56,600 Speaker 7: It's surprising to me, just given how media savvy the 132 00:06:56,720 --> 00:07:00,320 Speaker 7: NBA is, that the WNVA as an affiliate, and I 133 00:07:00,360 --> 00:07:02,440 Speaker 7: mean that NBA is, for lack of a better term, 134 00:07:02,520 --> 00:07:05,320 Speaker 7: kind of like the parent company in some respects, It's like, 135 00:07:06,080 --> 00:07:08,920 Speaker 7: how have they not at a minimum followed their lead 136 00:07:09,120 --> 00:07:11,480 Speaker 7: or maybe even had someone kind of step in and 137 00:07:11,480 --> 00:07:13,160 Speaker 7: be like, this is how you do things. 138 00:07:13,520 --> 00:07:15,400 Speaker 2: Yeah, I'm surprised, and I think it's a great point 139 00:07:15,400 --> 00:07:18,600 Speaker 2: that you bring up that the NBA is really savvy, 140 00:07:19,400 --> 00:07:23,400 Speaker 2: media savvy. The clips. You know, people may not watch games, 141 00:07:23,440 --> 00:07:25,920 Speaker 2: but boy they get those clips out and people around 142 00:07:25,920 --> 00:07:30,960 Speaker 2: the world know these players. WNBA just feels like there's 143 00:07:30,960 --> 00:07:33,880 Speaker 2: a glass ceiling above them that they keep banging their 144 00:07:33,920 --> 00:07:34,280 Speaker 2: heads on. 145 00:07:34,320 --> 00:07:34,440 Speaker 6: It. 146 00:07:35,040 --> 00:07:37,440 Speaker 2: A couple of phone calls in here Buddha and San 147 00:07:37,480 --> 00:07:39,000 Speaker 2: Francisco Morning Buddha. 148 00:07:41,400 --> 00:07:46,880 Speaker 5: No, oh, buddy, happy to meet, Friday Boys, Hydration is Key, 149 00:07:46,960 --> 00:07:52,320 Speaker 5: Fritzy and Dan to Andrew and Washington, stay strong, brother 150 00:07:52,600 --> 00:07:57,440 Speaker 5: and godspeed. Just remember every day the Super Bowl and Dan. 151 00:07:58,000 --> 00:08:01,320 Speaker 5: I hesitate to bring this up, but the WNBA is 152 00:08:01,480 --> 00:08:05,480 Speaker 5: all kinds of bad, Like who's speaking up and addressing 153 00:08:05,520 --> 00:08:06,080 Speaker 5: this mess? 154 00:08:06,120 --> 00:08:06,800 Speaker 2: Like nobody. 155 00:08:06,800 --> 00:08:09,000 Speaker 5: I mean, it's a joke man like the and the 156 00:08:09,120 --> 00:08:13,000 Speaker 5: level of pettiness taking place. It's kind of wild against 157 00:08:13,040 --> 00:08:16,520 Speaker 5: like arguably the face of the league, and it's weird 158 00:08:16,560 --> 00:08:19,800 Speaker 5: to watch and just the witness to jealousy and hatred 159 00:08:19,920 --> 00:08:23,560 Speaker 5: for someone who's elevated and made everyone. 160 00:08:23,160 --> 00:08:24,320 Speaker 9: So much more money. 161 00:08:24,560 --> 00:08:26,160 Speaker 8: It just doesn't make any sense. 162 00:08:26,240 --> 00:08:28,320 Speaker 2: Man and Dan. 163 00:08:28,840 --> 00:08:31,840 Speaker 5: Also, having watched more soccer than I've ever watched in 164 00:08:31,880 --> 00:08:35,720 Speaker 5: my life, I've actually found the most satisfaction and just 165 00:08:35,840 --> 00:08:39,320 Speaker 5: watching who can dribble the ball the best. It's like 166 00:08:39,440 --> 00:08:42,120 Speaker 5: fascinating to watch some of these guys. Means, it's like 167 00:08:42,160 --> 00:08:44,480 Speaker 5: watching the soccer ball. It's on a yo yo and 168 00:08:44,840 --> 00:08:48,719 Speaker 5: kicking goals is fun. But the control and traffic and 169 00:08:48,880 --> 00:08:51,720 Speaker 5: going through like you know, different like you know peoples 170 00:08:51,760 --> 00:08:54,080 Speaker 5: and like you know, like in the box, like some 171 00:08:54,160 --> 00:08:57,000 Speaker 5: of these guys have incredible just like you know, just 172 00:08:57,080 --> 00:08:58,480 Speaker 5: to have incredible control. 173 00:08:58,520 --> 00:08:59,400 Speaker 9: And it's fun to watch. 174 00:08:59,840 --> 00:09:02,600 Speaker 5: And I'll see you guys all in Taho. 175 00:09:03,880 --> 00:09:06,760 Speaker 2: That'll be great. Thank you, Buddha. I was watching MESSI 176 00:09:06,920 --> 00:09:11,840 Speaker 2: highlights last night and it's amazing. It's like when I 177 00:09:11,880 --> 00:09:15,080 Speaker 2: watch Manu Ginobili, I knew he was going left, you 178 00:09:15,200 --> 00:09:19,280 Speaker 2: knew he was going left, but he's still scored. Nate 179 00:09:19,400 --> 00:09:23,839 Speaker 2: Archibald one of my favorite players, left hand dominant. You 180 00:09:23,880 --> 00:09:27,040 Speaker 2: knew he was going left, he went left, he still scored. 181 00:09:27,320 --> 00:09:30,600 Speaker 2: I'm watching MESSI. I'm never letting him go to his 182 00:09:30,679 --> 00:09:34,640 Speaker 2: left foot, like I just and I watched these defenders 183 00:09:34,640 --> 00:09:36,200 Speaker 2: and they're like trying to play him straight up, and 184 00:09:36,240 --> 00:09:40,679 Speaker 2: I go, he's gonna use his left foot here, and 185 00:09:40,720 --> 00:09:42,400 Speaker 2: I'll be damn boom goal. 186 00:09:42,880 --> 00:09:43,200 Speaker 10: I'm on. 187 00:09:44,400 --> 00:09:47,840 Speaker 2: Look, I'm a I don't know anything about soccer, but 188 00:09:47,960 --> 00:09:51,040 Speaker 2: I do know when you have somebody who is that 189 00:09:51,240 --> 00:09:55,400 Speaker 2: dominant going one way, chances are I'd like to discourage 190 00:09:55,400 --> 00:09:58,520 Speaker 2: you from going that way. That's all. I might not 191 00:09:58,640 --> 00:10:01,400 Speaker 2: stop you, and you you may reverse course and come 192 00:10:01,440 --> 00:10:04,480 Speaker 2: back to that left but I am never gonna let 193 00:10:04,520 --> 00:10:08,520 Speaker 2: you load up on that left foot. Never can't. Yes, Pauline, 194 00:10:08,800 --> 00:10:09,240 Speaker 2: it does. 195 00:10:09,120 --> 00:10:11,920 Speaker 4: Seem when you're watching soccer that the defense is set 196 00:10:11,960 --> 00:10:15,240 Speaker 4: up for like like a big zone defense. Always on soccer, 197 00:10:15,280 --> 00:10:17,679 Speaker 4: they play the entire field. It doesn't seem like they 198 00:10:17,720 --> 00:10:19,559 Speaker 4: mark one guy like you talked about a box in 199 00:10:19,640 --> 00:10:22,280 Speaker 4: one or putting a faceguard on Messi. It doesn't seem 200 00:10:22,280 --> 00:10:24,480 Speaker 4: like they even think about that kind of stuff. 201 00:10:25,280 --> 00:10:27,079 Speaker 2: I don't get it, and I'm sure there are a 202 00:10:27,120 --> 00:10:29,360 Speaker 2: lot of people saying you're an idiot. You don't know 203 00:10:29,360 --> 00:10:32,640 Speaker 2: anything about soccer. That's true, but I do know about 204 00:10:32,679 --> 00:10:36,760 Speaker 2: stopping somebody and not letting you go to your spot. 205 00:10:37,840 --> 00:10:41,319 Speaker 2: Every great player has spots. I gotta go there. I'm 206 00:10:41,360 --> 00:10:43,600 Speaker 2: gonna go there. I'm gonna go there. Most of them 207 00:10:43,679 --> 00:10:46,880 Speaker 2: have three places that if you let them go there, 208 00:10:47,480 --> 00:10:51,360 Speaker 2: that's thenet's advantage them. It's can I let you go there? 209 00:10:51,480 --> 00:10:53,760 Speaker 2: How do I not let you go there? And once 210 00:10:53,800 --> 00:10:55,600 Speaker 2: you go there, I'm dead? 211 00:10:56,360 --> 00:10:59,320 Speaker 7: Yes, Dylan, Yeah, there's guys like that, Like in Hockey 212 00:10:59,320 --> 00:11:01,760 Speaker 7: of Vechkin, right, it has Ov's office over on the 213 00:11:01,840 --> 00:11:04,920 Speaker 7: left side of the ice where it's like he just 214 00:11:04,960 --> 00:11:07,240 Speaker 7: scores from there every single time, and it's like, you 215 00:11:07,360 --> 00:11:10,559 Speaker 7: know he's gonna do it. It just happens. 216 00:11:11,200 --> 00:11:13,320 Speaker 2: And there's certain places I don't want to throw a 217 00:11:13,360 --> 00:11:16,760 Speaker 2: pitch to certain hitters I can't, and then all of 218 00:11:16,800 --> 00:11:19,360 Speaker 2: a sudden, you go, here's a breaking ball that's gonna 219 00:11:19,360 --> 00:11:24,720 Speaker 2: hang to Aaron Judge gone, Oh yes, Paul. 220 00:11:24,880 --> 00:11:26,880 Speaker 4: I hope before the show ends we get Liam and 221 00:11:26,960 --> 00:11:29,120 Speaker 4: Messi on the show and you say, by the way, Leona, 222 00:11:29,440 --> 00:11:30,600 Speaker 4: here's how I would stop you. 223 00:11:31,080 --> 00:11:35,679 Speaker 2: Yes, that's one of my dreams. You're probably wondering how 224 00:11:35,720 --> 00:11:39,600 Speaker 2: I would stop you. Well, I would do this. First 225 00:11:39,640 --> 00:11:41,720 Speaker 2: of all, I'd knock you down a couple of times, Leo, 226 00:11:42,320 --> 00:11:45,640 Speaker 2: and I've never letting you have that ball on your 227 00:11:45,720 --> 00:11:47,840 Speaker 2: left foot? Yes, doing would. 228 00:11:47,679 --> 00:11:49,040 Speaker 7: You do like a ray Allen thing where be like 229 00:11:49,040 --> 00:11:50,880 Speaker 7: you're actually kind of kicking with your toe a little bit? 230 00:11:51,000 --> 00:11:54,040 Speaker 2: You know I wouldn't do that. Hey, I proved to 231 00:11:54,080 --> 00:11:56,840 Speaker 2: be correct with ray Allen. He had that ball resting 232 00:11:56,880 --> 00:11:58,720 Speaker 2: on the palm of his hand, and I said, no, 233 00:11:58,880 --> 00:12:01,520 Speaker 2: that's not good. Imagine how good ray Ellen could have 234 00:12:01,520 --> 00:12:04,920 Speaker 2: been if he had listened to me. David in Ohio, 235 00:12:05,559 --> 00:12:08,440 Speaker 2: I say, sarcastically, Hey, David was up. 236 00:12:08,760 --> 00:12:11,360 Speaker 11: He it was up, Dan, Happy meet Friday. Nobody no 237 00:12:11,800 --> 00:12:17,719 Speaker 11: pre comments for you. Nobody at the USA improves the 238 00:12:17,840 --> 00:12:20,800 Speaker 11: odds the plus seventeen seventy six to win the World Cup. 239 00:12:20,840 --> 00:12:21,440 Speaker 6: I'm taking it. 240 00:12:21,679 --> 00:12:25,120 Speaker 11: Second thing you were talking about the well you'd wear 241 00:12:25,160 --> 00:12:27,960 Speaker 11: the Taylor Swifts wedding. I think Shaye's roommate would tell 242 00:12:28,000 --> 00:12:31,839 Speaker 11: you to wear some port Roy Porto Roy clothes there, 243 00:12:31,960 --> 00:12:32,640 Speaker 11: So thanks. 244 00:12:32,960 --> 00:12:33,160 Speaker 12: Oh. 245 00:12:33,240 --> 00:12:36,600 Speaker 2: I know I can't bring up the corduroy pants to 246 00:12:36,760 --> 00:12:40,920 Speaker 2: Shay because his wife loved the pants and now I 247 00:12:41,080 --> 00:12:43,920 Speaker 2: joke with her would she liked to wear them? And 248 00:12:43,960 --> 00:12:49,160 Speaker 2: he's like, Danny, Danny not funny. I would wear corduroys, 249 00:12:49,280 --> 00:12:53,160 Speaker 2: absolutely very comfortable. David Florida, Hi, Dave, what do you 250 00:12:53,200 --> 00:12:53,640 Speaker 2: have for me? 251 00:12:55,080 --> 00:12:56,360 Speaker 9: Speaking of stopping people? 252 00:12:56,440 --> 00:12:57,800 Speaker 6: You've been stopping Todd. 253 00:12:57,559 --> 00:13:00,320 Speaker 9: All morning, and we applaud you for it. That's not 254 00:13:00,360 --> 00:13:02,720 Speaker 9: the purpose of my That's not the purpose of my 255 00:13:02,800 --> 00:13:06,160 Speaker 9: call today. Dan. That statement you made about hating all 256 00:13:06,360 --> 00:13:09,480 Speaker 9: live albums a few minutes ago. Who says a thing 257 00:13:09,640 --> 00:13:13,160 Speaker 9: like that? I got two I know you love. One 258 00:13:13,240 --> 00:13:16,040 Speaker 9: is stop making sense by talking heads, and the other 259 00:13:16,920 --> 00:13:19,959 Speaker 9: the standard issue Frampton Comes Alive. 260 00:13:22,640 --> 00:13:26,120 Speaker 2: You're right, there are outliers for me. I don't like 261 00:13:26,240 --> 00:13:29,760 Speaker 2: hearing the audience. That's the big problem that I have. 262 00:13:29,920 --> 00:13:32,160 Speaker 2: I don't care that you're going to sing along. I 263 00:13:32,200 --> 00:13:34,800 Speaker 2: don't care if somebody's going to hoot and holler when 264 00:13:34,840 --> 00:13:38,720 Speaker 2: somebody has Springsteen's gonna play Streets of Philadelphia and you 265 00:13:38,800 --> 00:13:43,000 Speaker 2: decide you want to yell out to me. I hate that. Yes, 266 00:13:43,080 --> 00:13:44,960 Speaker 2: doing Yeah, Well, i'd say. 267 00:13:44,920 --> 00:13:46,400 Speaker 7: Stop making sense. It is probably more of like a 268 00:13:46,400 --> 00:13:49,280 Speaker 7: concert movie, but it is that in the last Waltz 269 00:13:49,320 --> 00:13:51,560 Speaker 7: are probably the two best of those ever. 270 00:13:51,920 --> 00:13:54,559 Speaker 2: Yes, but I don't view those as concerts. I view 271 00:13:54,640 --> 00:14:00,000 Speaker 2: those as movies taken during a concert. Yeah, maybe it's semantics. 272 00:14:00,480 --> 00:14:03,080 Speaker 2: Steven Riverside, Good morning, Steve. 273 00:14:04,640 --> 00:14:10,640 Speaker 13: Morning, Dan six six two five, First time, long time. 274 00:14:10,760 --> 00:14:13,359 Speaker 13: I just wanted to calte thank you to your guys. 275 00:14:13,960 --> 00:14:17,040 Speaker 13: February eleventh, I joined the club. My dad passed away, 276 00:14:17,520 --> 00:14:19,560 Speaker 13: and then twenty four days later, my father in. 277 00:14:19,560 --> 00:14:20,400 Speaker 6: Law passed away. 278 00:14:21,560 --> 00:14:24,040 Speaker 13: Today's my dad's birthday and I'm heading up to his 279 00:14:24,120 --> 00:14:27,440 Speaker 13: favorite fishing spot listening to you guys. I just wanted 280 00:14:27,440 --> 00:14:28,160 Speaker 13: to say thank you. 281 00:14:30,080 --> 00:14:31,520 Speaker 2: What was your dad's name, Steve? 282 00:14:32,840 --> 00:14:35,400 Speaker 8: Steve? Actually all right, Well. 283 00:14:35,280 --> 00:14:39,360 Speaker 2: Good luck fishing and great thoughts, great memories hopefully for 284 00:14:39,440 --> 00:14:44,520 Speaker 2: you in his honor. Hope you catch some fish. Let 285 00:14:44,560 --> 00:14:46,880 Speaker 2: me see Brian in Chicago. Then we'll take a break. 286 00:14:46,960 --> 00:14:51,000 Speaker 2: Hi Brian, Hey Dan, how are you good? Good? 287 00:14:51,000 --> 00:14:51,240 Speaker 9: Good? 288 00:14:52,120 --> 00:14:52,360 Speaker 6: Hey? 289 00:14:52,440 --> 00:14:54,600 Speaker 12: I was this is a little off topic, but I 290 00:14:54,640 --> 00:14:56,680 Speaker 12: was thinking about something last night. I was just flipping 291 00:14:56,720 --> 00:15:00,240 Speaker 12: through channels. I saw there was thirty for thirty was 292 00:15:00,840 --> 00:15:03,520 Speaker 12: one of the episodes was about to come on, and 293 00:15:03,560 --> 00:15:07,320 Speaker 12: I damn near watched it, but it was on esp 294 00:15:07,480 --> 00:15:11,600 Speaker 12: and Espanol. So I'm wondering, what are you going to 295 00:15:11,720 --> 00:15:15,400 Speaker 12: do after you retire from DP? Are you going to 296 00:15:15,440 --> 00:15:17,920 Speaker 12: stay in sports entertainment? Are you going to are you 297 00:15:17,960 --> 00:15:20,640 Speaker 12: going to do interviews with athletes or do you have 298 00:15:20,640 --> 00:15:21,520 Speaker 12: any plans for that? 299 00:15:23,160 --> 00:15:26,880 Speaker 2: I don't have plans. I mean I got a broadcasting school, 300 00:15:27,200 --> 00:15:30,480 Speaker 2: and you know, I joke with Sandler, I'm going to 301 00:15:30,520 --> 00:15:35,119 Speaker 2: be available for larger movie rules. Of course, he went haha, 302 00:15:35,160 --> 00:15:41,320 Speaker 2: and I said, I was being serious. Awkward, awkward. I'll 303 00:15:41,360 --> 00:15:45,480 Speaker 2: have things, There'll be podcasts that we're doing here. I 304 00:15:45,520 --> 00:15:49,600 Speaker 2: hope that we can continue this show in this form 305 00:15:50,080 --> 00:15:53,840 Speaker 2: with a different host, a younger host. I just think 306 00:15:53,880 --> 00:15:57,280 Speaker 2: that that we've carved out something in the last twenty years, 307 00:15:57,280 --> 00:15:59,360 Speaker 2: and to be able to continue that, I think it 308 00:15:59,360 --> 00:16:01,760 Speaker 2: would be awesome man, to give somebody an opportunity to 309 00:16:01,840 --> 00:16:05,720 Speaker 2: do this on a daily basis. I would be honored 310 00:16:05,760 --> 00:16:08,920 Speaker 2: to be able to find that person or people. We'll 311 00:16:08,960 --> 00:16:11,920 Speaker 2: take a break, we'll talk some music. Alan Hunter one 312 00:16:11,960 --> 00:16:15,480 Speaker 2: of the original MTV vjas. He'll join us. Coming up 313 00:16:15,520 --> 00:16:17,000 Speaker 2: next here, Dan Patrick Show. 314 00:16:17,680 --> 00:16:19,800 Speaker 1: Be sure to catch the live edition of The Dan 315 00:16:19,920 --> 00:16:23,520 Speaker 1: Patrick Show weekdays at nine am Eastern six am Pacific 316 00:16:23,800 --> 00:16:26,760 Speaker 1: on Fox Sports Radio and the iHeartRadio app. 317 00:16:27,120 --> 00:16:30,120 Speaker 14: Hey is Covino and Rich from Fox Sports Radio Now. 318 00:16:30,160 --> 00:16:32,560 Speaker 15: In addition to hearing us live weekdays from five to 319 00:16:32,600 --> 00:16:35,800 Speaker 15: seven pm Eastern two to four Pacific on Fox Sports Radio. 320 00:16:36,040 --> 00:16:39,400 Speaker 15: We're excited to announce a brand new YouTube channel for 321 00:16:39,440 --> 00:16:39,800 Speaker 15: the show. 322 00:16:39,920 --> 00:16:40,760 Speaker 2: Yup, that's right. 323 00:16:40,800 --> 00:16:43,400 Speaker 14: You can now watch Covino and Rich live on YouTube 324 00:16:43,520 --> 00:16:44,040 Speaker 14: every day. 325 00:16:44,160 --> 00:16:44,760 Speaker 2: All you gotta do. 326 00:16:45,040 --> 00:16:48,680 Speaker 15: Search Covino and Rich FSR on YouTube again, go to 327 00:16:48,720 --> 00:16:51,920 Speaker 15: YouTube search Covino and Rich FSR. 328 00:16:52,240 --> 00:16:56,000 Speaker 14: Check us out on YouTube, Subscribe, hit that thumbs up icon, 329 00:16:56,320 --> 00:16:57,000 Speaker 14: comment away. 330 00:16:57,520 --> 00:17:00,360 Speaker 2: Is it a good song? Is it a great song? 331 00:17:01,600 --> 00:17:06,640 Speaker 2: Is it a bad song? Dylan thinks, Hey Jude is tired, 332 00:17:07,240 --> 00:17:11,879 Speaker 2: it's not good and McCartney sounds desperate there for some reason, 333 00:17:12,560 --> 00:17:16,159 Speaker 2: some reason, that's how we got into this music discussion. 334 00:17:16,240 --> 00:17:19,639 Speaker 2: Because I'm thinking Dylan's thirty, he didn't know anything about music. 335 00:17:19,720 --> 00:17:23,560 Speaker 2: He's ripping on Hey Jude, McCartney, the Beatles. He wears 336 00:17:23,600 --> 00:17:27,119 Speaker 2: his Grateful Dead hoodie, and I'm like, do you know 337 00:17:27,560 --> 00:17:32,359 Speaker 2: anything about music? And the more he speaks, the more 338 00:17:32,400 --> 00:17:35,280 Speaker 2: I realize that he does not. But he's putting Grateful 339 00:17:35,320 --> 00:17:39,840 Speaker 2: Dead over Aerosmith, RM, Eagles, Fleetwood Mac. I'm saying, best 340 00:17:39,840 --> 00:17:42,480 Speaker 2: American bands of all time? And then all of a sudden, 341 00:17:42,520 --> 00:17:44,159 Speaker 2: I go, you know what, why don't we get a 342 00:17:44,280 --> 00:17:49,040 Speaker 2: music on Budsman, Alan Hunter, Sirius XM host Eighties on 343 00:17:49,200 --> 00:17:52,800 Speaker 2: eight Classic Rewind in one of the original MTV VJs. 344 00:17:52,840 --> 00:17:54,920 Speaker 2: Are you sure you want any part of this? Allan? 345 00:17:55,400 --> 00:17:55,680 Speaker 8: Wow? 346 00:17:56,080 --> 00:17:58,720 Speaker 16: I've never been called an onm Budsman before, but I 347 00:17:58,760 --> 00:17:59,920 Speaker 16: do love that terminolo. 348 00:18:00,560 --> 00:18:05,560 Speaker 2: I've just looked. Okay, your thoughts on Hey Jude by 349 00:18:05,600 --> 00:18:06,080 Speaker 2: the Beatles? 350 00:18:06,600 --> 00:18:09,560 Speaker 16: Well, John Lennon wrote it, of course about you know, 351 00:18:12,280 --> 00:18:17,400 Speaker 16: or rather Paul McCartney wrote it about John's son Julian, 352 00:18:17,720 --> 00:18:20,399 Speaker 16: and then it morphed into Hey Jude. It's one of 353 00:18:20,400 --> 00:18:22,800 Speaker 16: the great anthems of all time and it doesn't even 354 00:18:22,880 --> 00:18:27,280 Speaker 16: have to make sense like so many of their songs. 355 00:18:27,480 --> 00:18:30,359 Speaker 16: Whoever said that? Look, there are a lot of people 356 00:18:30,400 --> 00:18:32,760 Speaker 16: who maybe don't realize that the Beatles are the greatest 357 00:18:32,800 --> 00:18:34,960 Speaker 16: band ever, and they might be of the younger generation, 358 00:18:35,760 --> 00:18:38,320 Speaker 16: but they certainly love the music once they hear it. 359 00:18:38,440 --> 00:18:41,040 Speaker 16: I think, you know, when you talk about the Beatles, 360 00:18:41,080 --> 00:18:44,000 Speaker 16: they think it's an old band from the sixties. And 361 00:18:44,080 --> 00:18:46,840 Speaker 16: Paul McCartney is out there acting like a twenty two 362 00:18:46,960 --> 00:18:49,560 Speaker 16: year old kid with his new album and his new music. 363 00:18:50,080 --> 00:18:52,560 Speaker 16: I mean, don't you wish that you could look and 364 00:18:53,320 --> 00:18:55,959 Speaker 16: have the energy that he has at the age of 365 00:18:56,000 --> 00:18:59,239 Speaker 16: eighty one or two whatever. He is crazy. I used 366 00:18:59,240 --> 00:19:02,080 Speaker 16: told him a line by then, Alan, it's kind of 367 00:19:02,119 --> 00:19:07,520 Speaker 16: that's the standard. Yeah, the bar will say low. Well, 368 00:19:07,880 --> 00:19:10,520 Speaker 16: people will say about people like Paul McCartney who look 369 00:19:10,560 --> 00:19:13,199 Speaker 16: good and still you know, can talk. Well, if I 370 00:19:13,200 --> 00:19:16,040 Speaker 16: had a billion dollars, I'd look good and be healthy 371 00:19:16,080 --> 00:19:19,080 Speaker 16: as well. Well, he didn't make the billion by doing 372 00:19:19,119 --> 00:19:20,959 Speaker 16: nothing made great peusic. 373 00:19:21,880 --> 00:19:25,199 Speaker 2: We talked about the Grateful Dead Dylan who's age thirty 374 00:19:25,400 --> 00:19:28,879 Speaker 2: and he's a deadhead. And then I started thinking about 375 00:19:29,520 --> 00:19:33,159 Speaker 2: the MTV, like, you weren't playing Grateful Dead videos. I 376 00:19:33,200 --> 00:19:36,040 Speaker 2: don't think when you guys first started their ram got 377 00:19:36,040 --> 00:19:39,600 Speaker 2: a lot of play. Aerosmith got play. 378 00:19:40,000 --> 00:19:42,640 Speaker 16: Interestingly, Arim did not get a whole lot of play. 379 00:19:42,680 --> 00:19:45,600 Speaker 16: I mean they came on you know, early eighties, nineteen 380 00:19:45,640 --> 00:19:48,679 Speaker 16: eighty one with Radio for Europe, which I saw on 381 00:19:48,720 --> 00:19:52,120 Speaker 16: the David Letterman Show, and they played live and we 382 00:19:52,119 --> 00:19:54,520 Speaker 16: were all like, wow, who is this band? But their 383 00:19:54,600 --> 00:19:58,199 Speaker 16: first I started playing them on an alternative show on 384 00:19:58,320 --> 00:20:00,800 Speaker 16: MTV called one hundred and twenty Minutes. It was around 385 00:20:00,800 --> 00:20:05,959 Speaker 16: eighty six eighty seven, and we played, we played Losing 386 00:20:06,000 --> 00:20:07,840 Speaker 16: my Religion. I think that was the first no no 387 00:20:07,880 --> 00:20:09,600 Speaker 16: we played. The one I Love that would have been 388 00:20:09,600 --> 00:20:12,240 Speaker 16: the first one that we played from them. But they 389 00:20:12,240 --> 00:20:15,240 Speaker 16: had a number of years before they were, you know, 390 00:20:15,560 --> 00:20:18,800 Speaker 16: commercially successful, and then it was into the nineties before 391 00:20:18,840 --> 00:20:21,679 Speaker 16: they were internationally a huge alt band. 392 00:20:22,080 --> 00:20:24,399 Speaker 2: But Duran got a lot of pleasure. 393 00:20:24,800 --> 00:20:28,000 Speaker 16: Well Duran, Duran is the poster boy band for the group. 394 00:20:28,080 --> 00:20:31,720 Speaker 16: I mean, their first videos for Girls on Film were 395 00:20:31,760 --> 00:20:35,200 Speaker 16: to this day some of the most salacious videos around. 396 00:20:35,240 --> 00:20:41,120 Speaker 16: That was a video Girls on Film that caught parents' 397 00:20:41,160 --> 00:20:43,960 Speaker 16: hair on fire. Who thought MTV was truly the devil's 398 00:20:43,960 --> 00:20:46,360 Speaker 16: playground they saw. 399 00:20:46,160 --> 00:20:48,280 Speaker 8: The images on that first video. 400 00:20:48,400 --> 00:20:53,000 Speaker 16: But yeah, Duran Duran YouTube, the Pretty Boys, the second wave, 401 00:20:53,080 --> 00:20:55,840 Speaker 16: if you will, after the Beatles, after the Rolling Stones, 402 00:20:55,880 --> 00:20:59,720 Speaker 16: the first wave from across the Pond came the New Waivers, 403 00:20:59,840 --> 00:21:04,040 Speaker 16: and that was the predominant focus on MTV because they 404 00:21:04,040 --> 00:21:06,119 Speaker 16: were the only one once by the way that we're 405 00:21:06,160 --> 00:21:13,000 Speaker 16: making videos. You know, greatest American band is who greatest 406 00:21:13,040 --> 00:21:21,119 Speaker 16: American band? Well, Arium would be one of them. It 407 00:21:21,160 --> 00:21:24,160 Speaker 16: depends on if you're talking from the eighties or the seventies. 408 00:21:24,280 --> 00:21:27,359 Speaker 16: I would you mentioned Aerosmith I'd certainly say they're one 409 00:21:27,400 --> 00:21:30,399 Speaker 16: of the great rockers. You could throw down Stadium rockers 410 00:21:30,480 --> 00:21:35,040 Speaker 16: arena rock like a journey you know. The Reo speed 411 00:21:35,040 --> 00:21:39,840 Speaker 16: Wagons and the Sticks were the journeyman live bands back 412 00:21:39,880 --> 00:21:41,560 Speaker 16: in the seventies. They were the ones, by the way, 413 00:21:41,600 --> 00:21:45,119 Speaker 16: who had the hardest time embracing the new era of 414 00:21:45,160 --> 00:21:45,679 Speaker 16: the video. 415 00:21:46,119 --> 00:21:47,920 Speaker 8: The American rockers of. 416 00:21:47,880 --> 00:21:51,680 Speaker 16: The seventies, who played big stadiums and put out albums, 417 00:21:52,440 --> 00:21:55,240 Speaker 16: had a hard adjustment period in the early eighties. They 418 00:21:55,240 --> 00:21:57,960 Speaker 16: made some of the worst videos on the planet, but 419 00:21:58,760 --> 00:22:03,320 Speaker 16: they caught the way for sure. Where does the Grateful 420 00:22:03,400 --> 00:22:05,800 Speaker 16: Dead rank? That's part of our big argument that we 421 00:22:05,840 --> 00:22:10,160 Speaker 16: have because I said, look, Eagles better, American band, Fleetwood 422 00:22:10,200 --> 00:22:11,159 Speaker 16: Max better. 423 00:22:11,000 --> 00:22:12,000 Speaker 8: No doubt, no doubt? 424 00:22:12,040 --> 00:22:16,080 Speaker 2: Are m now Grateful Dead would be a great experience. 425 00:22:16,119 --> 00:22:20,840 Speaker 2: I'm talking about better band right right? Where's Grateful Dead? 426 00:22:21,000 --> 00:22:23,720 Speaker 16: Well, there's so many criteria you'd have to nail down 427 00:22:23,800 --> 00:22:26,640 Speaker 16: to say who's the best. I mean, the Grateful Dead 428 00:22:27,320 --> 00:22:30,560 Speaker 16: extend across so many decades. I think that's where they're staying. 429 00:22:30,600 --> 00:22:33,320 Speaker 16: Power is like the Rolling Stones and the Beatles from 430 00:22:33,359 --> 00:22:36,439 Speaker 16: across the way to me are the greatest bands because 431 00:22:36,480 --> 00:22:39,480 Speaker 16: one of their longevity. I mean, some people would argue 432 00:22:39,520 --> 00:22:41,520 Speaker 16: that the rolling Stone should have stopped long ago, and 433 00:22:41,560 --> 00:22:43,960 Speaker 16: they're just cranking out the same old stuff. Same for 434 00:22:44,040 --> 00:22:47,720 Speaker 16: ac DC and any other or bon Jovi or def Leppard, 435 00:22:47,760 --> 00:22:50,480 Speaker 16: any band that's come out with new albums. It's like, yeah, 436 00:22:50,560 --> 00:22:54,600 Speaker 16: same as the Yeld. The Dead, you know, got started 437 00:22:54,600 --> 00:22:58,399 Speaker 16: in the mid sixties before my time. Really, Touch of 438 00:22:58,440 --> 00:23:02,280 Speaker 16: Gray was their only top ten hits, so they weren't 439 00:23:02,280 --> 00:23:05,560 Speaker 16: commercially successful in terms of, you know, selling albums, are 440 00:23:05,560 --> 00:23:09,040 Speaker 16: getting on the radio the biggest draw when it comes 441 00:23:09,080 --> 00:23:11,520 Speaker 16: to live touring, I think I think I would say 442 00:23:11,520 --> 00:23:13,560 Speaker 16: that they were one of the most important bands. I 443 00:23:13,560 --> 00:23:17,600 Speaker 16: wouldn't use words like the greatest or the best, but 444 00:23:18,320 --> 00:23:22,879 Speaker 16: paradigm shifting and the and and the kind of ethos 445 00:23:22,880 --> 00:23:26,320 Speaker 16: that they projected, and and the kind of you know, 446 00:23:26,520 --> 00:23:31,440 Speaker 16: mysterious spirituality that surrounded them throughout their entire career. Jerry 447 00:23:31,440 --> 00:23:36,280 Speaker 16: Garcia and Bob and Phil gave people a vibe. Their 448 00:23:36,280 --> 00:23:39,120 Speaker 16: whole thing was a vibe, right. It was the live show. 449 00:23:39,480 --> 00:23:42,159 Speaker 16: It was hanging out on the parking lot beforehand. It 450 00:23:42,200 --> 00:23:45,080 Speaker 16: was whereing the the uniform of the dead whatever that 451 00:23:45,119 --> 00:23:46,520 Speaker 16: meant that. It was a religion. 452 00:23:46,720 --> 00:23:47,960 Speaker 8: To be honest the dead. 453 00:23:48,640 --> 00:23:53,360 Speaker 2: He's Alan Hunter, He's our umbudsman. Serious XM host eighties 454 00:23:53,400 --> 00:23:58,879 Speaker 2: on eight Classic rewind that first month of MTV. How 455 00:23:58,920 --> 00:24:01,760 Speaker 2: would you sum that up up? For those who may 456 00:24:01,800 --> 00:24:03,480 Speaker 2: not remember it or didn't see it. 457 00:24:03,800 --> 00:24:06,200 Speaker 16: Well, if you weren't there August first, nineteen eighty one, 458 00:24:06,280 --> 00:24:09,199 Speaker 16: then you didn't witness what was basically a local cable 459 00:24:09,240 --> 00:24:12,600 Speaker 16: television show where and the show was stitched together with. 460 00:24:12,960 --> 00:24:13,800 Speaker 8: Duct tape people. 461 00:24:13,920 --> 00:24:16,639 Speaker 16: You know, no MTV as this worldwide phenomenon, But it 462 00:24:16,760 --> 00:24:20,280 Speaker 16: started out like a local community theater show. I mean, 463 00:24:20,640 --> 00:24:23,840 Speaker 16: MTV had no money to start. Warner Amex you know, 464 00:24:23,880 --> 00:24:27,359 Speaker 16: gave them twenty five million bucks, which was nothing. And 465 00:24:28,440 --> 00:24:33,000 Speaker 16: cable television in the early eighties was like local pornography shows, 466 00:24:33,040 --> 00:24:35,359 Speaker 16: you know, or the crank Call show in New York City. 467 00:24:35,359 --> 00:24:39,240 Speaker 16: We had all these crazy public television shows. But when 468 00:24:39,320 --> 00:24:42,760 Speaker 16: MTV came along, CNN and ESPN were the only twenty 469 00:24:42,800 --> 00:24:45,520 Speaker 16: four to seven cable shows. Cable was in its infancy. 470 00:24:46,000 --> 00:24:49,200 Speaker 16: The rural communities of America starting in the mid seventies 471 00:24:49,320 --> 00:24:52,440 Speaker 16: were the ones who embraced cable television turned the decade. 472 00:24:52,960 --> 00:24:55,440 Speaker 16: You know, it was only those two channels. MTV comes 473 00:24:55,480 --> 00:24:59,920 Speaker 16: along and blows everybody away, and within one year there 474 00:25:00,080 --> 00:25:02,520 Speaker 16: there were, you know, several million people who were addicted 475 00:25:02,560 --> 00:25:06,040 Speaker 16: to it. But that first month was experimental. I'd say 476 00:25:06,040 --> 00:25:09,200 Speaker 16: the whole first year was an experiment. We changed everything 477 00:25:09,280 --> 00:25:12,560 Speaker 16: every day, from the set to what we did as 478 00:25:12,640 --> 00:25:15,640 Speaker 16: host on the show. The one thing I really appreciate 479 00:25:15,680 --> 00:25:18,080 Speaker 16: about I appreciate about in TV was that we were 480 00:25:18,080 --> 00:25:19,240 Speaker 16: going to blow the model up. 481 00:25:19,280 --> 00:25:22,080 Speaker 8: What's a TV show? What is a talking head? 482 00:25:22,600 --> 00:25:26,639 Speaker 16: In between the videos about we're not newscasters, we became 483 00:25:26,680 --> 00:25:30,159 Speaker 16: everybody's friends. We were the liaison between the wild world 484 00:25:30,280 --> 00:25:33,720 Speaker 16: of rock and roll and people sitting in their homes 485 00:25:33,800 --> 00:25:37,320 Speaker 16: in the middle of America watching at two in the morning, 486 00:25:37,720 --> 00:25:40,560 Speaker 16: you know, watching these crazy videos. It was an atmosphere 487 00:25:41,160 --> 00:25:44,000 Speaker 16: that we created, and again early on it was held 488 00:25:44,400 --> 00:25:47,800 Speaker 16: up with duct tape. And later I got paid at 489 00:25:47,800 --> 00:25:49,840 Speaker 16: the very end of my life at MTV in eighty seven, 490 00:25:49,840 --> 00:25:51,439 Speaker 16: I finally got paid a fair wage. 491 00:25:52,680 --> 00:25:54,440 Speaker 2: What were you making when you first started? 492 00:25:54,920 --> 00:25:59,480 Speaker 16: I was making around thirty five thousand dollars, which to 493 00:25:59,600 --> 00:26:04,160 Speaker 16: me was better than the starving actor wage I was making. 494 00:26:04,200 --> 00:26:08,479 Speaker 16: I was bartending waiting tables, and my criteria for a gig, 495 00:26:08,560 --> 00:26:10,200 Speaker 16: and I had no idea I was going to get 496 00:26:10,200 --> 00:26:10,560 Speaker 16: this gig. 497 00:26:10,600 --> 00:26:11,640 Speaker 8: This was out of left field. 498 00:26:11,680 --> 00:26:13,919 Speaker 16: I wanted to be on Broadway, and I got the 499 00:26:13,960 --> 00:26:16,439 Speaker 16: gig and they said here's what we're going to pay you. 500 00:26:16,520 --> 00:26:19,000 Speaker 16: And I didn't even argue with it. It's like, fine, whatever, 501 00:26:19,080 --> 00:26:21,040 Speaker 16: send it over. That's a little more than I would 502 00:26:21,040 --> 00:26:23,840 Speaker 16: make as a chorus boy on Broadway, so I'm good. 503 00:26:24,240 --> 00:26:26,800 Speaker 16: So I bought some clothes and some new furniture. By 504 00:26:26,840 --> 00:26:28,600 Speaker 16: the end of my tenure there, I was the highest 505 00:26:28,640 --> 00:26:31,439 Speaker 16: paid VJ. I won't tell you the wage, but it 506 00:26:31,560 --> 00:26:34,080 Speaker 16: made sense. And then I decided to leave, which my 507 00:26:34,160 --> 00:26:35,760 Speaker 16: father said, what are you doing? 508 00:26:36,480 --> 00:26:38,640 Speaker 8: Why are you leaving? I said, now, I'm burnt out 509 00:26:38,720 --> 00:26:40,160 Speaker 8: six years. I've had enough. 510 00:26:40,280 --> 00:26:40,560 Speaker 9: Dad. 511 00:26:41,680 --> 00:26:45,800 Speaker 16: How many videos did you have in rotation initially? Well, 512 00:26:45,840 --> 00:26:48,359 Speaker 16: I'll tell you. That's the funny thing about it is 513 00:26:48,440 --> 00:26:50,720 Speaker 16: that early on probably had a little over one hundred 514 00:26:50,800 --> 00:26:54,439 Speaker 16: videos in the library. Because when MTV started, you know, 515 00:26:54,480 --> 00:26:56,960 Speaker 16: they told the record companies, we want to use your videos, 516 00:26:57,200 --> 00:26:58,800 Speaker 16: but we're not going to pay for them, which was 517 00:26:58,840 --> 00:27:02,000 Speaker 16: a big argument in the beginning. But that's why you 518 00:27:02,440 --> 00:27:05,919 Speaker 16: saw Rod Stewart ten times ten videos Pad Bennettsar had 519 00:27:06,000 --> 00:27:08,920 Speaker 16: multiple videos because no one made them. The only ones 520 00:27:08,960 --> 00:27:11,560 Speaker 16: making them were David Bowie and Duran Duran, and the 521 00:27:11,600 --> 00:27:15,560 Speaker 16: English artists had a lot of videos. I mean, the 522 00:27:15,560 --> 00:27:18,880 Speaker 16: Beatles started the mini video right, they started the mini 523 00:27:18,920 --> 00:27:23,480 Speaker 16: film for promotion purposes. But we had Charlie Daniels on 524 00:27:23,560 --> 00:27:26,960 Speaker 16: for God's sakes, Charlie Daniels on MTV early on because 525 00:27:27,359 --> 00:27:28,120 Speaker 16: that was all we had. 526 00:27:28,119 --> 00:27:29,440 Speaker 8: And we hit these weird. 527 00:27:29,160 --> 00:27:33,520 Speaker 16: Videos from fish Heads and Barns and Barns and. 528 00:27:33,119 --> 00:27:34,119 Speaker 8: Just crazy stuff. 529 00:27:34,600 --> 00:27:38,000 Speaker 16: But then finally when the record company started getting requests 530 00:27:38,040 --> 00:27:41,160 Speaker 16: from local record stores around the country saying the kids 531 00:27:41,160 --> 00:27:43,800 Speaker 16: are coming in asking for you too, and the Stray 532 00:27:43,880 --> 00:27:46,480 Speaker 16: Cats and Duran Duran, they were saying who are these 533 00:27:46,480 --> 00:27:47,720 Speaker 16: bands and where are they seeing them? 534 00:27:47,720 --> 00:27:49,159 Speaker 8: And they said on this cable channel. 535 00:27:49,840 --> 00:27:52,040 Speaker 16: Then the record company said, oh, maybe we should spend 536 00:27:52,040 --> 00:27:55,760 Speaker 16: some money and make videos for our artists and on 537 00:27:55,920 --> 00:27:56,320 Speaker 16: from there. 538 00:27:57,920 --> 00:28:01,439 Speaker 2: Fritzie is our local musician. He has been on stage 539 00:28:01,440 --> 00:28:05,199 Speaker 2: with Darius Rutger. He's saying sweet, He's yeah, he's a 540 00:28:05,240 --> 00:28:10,000 Speaker 2: big haul of notes fan. So oh man, yeah, let 541 00:28:10,080 --> 00:28:13,160 Speaker 2: you let me let you hear here is uh Todd 542 00:28:13,200 --> 00:28:18,760 Speaker 2: fritz on stage with Darius Rucker. This was last last summer. 543 00:28:19,000 --> 00:28:25,600 Speaker 2: Here we go. 544 00:28:25,720 --> 00:28:29,639 Speaker 16: Hopefully I'm not gonna supposed to critique the performance, you know, 545 00:28:30,960 --> 00:28:31,879 Speaker 16: if it ever comes up. 546 00:28:38,280 --> 00:28:40,880 Speaker 2: Okay, all right, that's that. Yeah, you were just critiquing 547 00:28:40,920 --> 00:28:41,360 Speaker 2: the sound. 548 00:28:42,040 --> 00:28:46,480 Speaker 16: Yeah, just describe, just describe how it went, and I'll critique. 549 00:28:46,040 --> 00:28:50,160 Speaker 2: That bad, bad bad. He had his hands in his pocket, 550 00:28:50,920 --> 00:28:56,160 Speaker 2: both hands in his pockets, and he he decided to 551 00:28:56,200 --> 00:28:59,000 Speaker 2: do two songs. I said, do one Darius had lost 552 00:28:59,000 --> 00:29:01,360 Speaker 2: a bat in he blew through the stop sign. Did 553 00:29:01,360 --> 00:29:04,440 Speaker 2: two Holly Oats songs? So if you heard that music, 554 00:29:05,080 --> 00:29:06,440 Speaker 2: you know, actually did. 555 00:29:06,600 --> 00:29:08,560 Speaker 16: Did you just did you just play something that I 556 00:29:08,600 --> 00:29:10,360 Speaker 16: didn't hear. I just want to make sure that people 557 00:29:10,440 --> 00:29:15,000 Speaker 16: understand I didn't hear anything. Yes, oh yeah, didn't hear it. 558 00:29:15,880 --> 00:29:19,080 Speaker 16: Oh you can't hear didn't come through my my monitor 559 00:29:19,120 --> 00:29:19,720 Speaker 16: system here. 560 00:29:19,760 --> 00:29:22,920 Speaker 2: But you you were singing, you know what. You're lucky, 561 00:29:23,120 --> 00:29:23,920 Speaker 2: You're lucky. 562 00:29:23,640 --> 00:29:27,360 Speaker 8: That I wondered why you wondered why I was just 563 00:29:27,400 --> 00:29:30,560 Speaker 8: standing here? Which which song? Which song was it? So 564 00:29:30,640 --> 00:29:31,520 Speaker 8: I can comment on. 565 00:29:31,800 --> 00:29:34,280 Speaker 2: Why don't you give give Alan just a little bit 566 00:29:34,280 --> 00:29:38,240 Speaker 2: of you know, kiss on my list, your kisses on 567 00:29:38,720 --> 00:29:43,040 Speaker 2: my list, because your kisses what I miss when I 568 00:29:43,160 --> 00:29:44,840 Speaker 2: turn up lots. 569 00:29:45,680 --> 00:29:49,720 Speaker 16: I think you're singing John Oates harmony part there right, yeah, okay, okay. 570 00:29:49,840 --> 00:29:51,680 Speaker 16: You know one of the best, one of the best 571 00:29:51,720 --> 00:29:54,479 Speaker 16: blue eyed soul singers we've got. I caught onto him 572 00:29:54,480 --> 00:29:57,720 Speaker 16: in the late seventies with Sarah and Rich Girl. Those 573 00:29:57,720 --> 00:30:00,680 Speaker 16: were the two seventies hits, and Come Voice, which was 574 00:30:00,720 --> 00:30:04,080 Speaker 16: turned of the decade nineteen eighty. The album and Private 575 00:30:04,120 --> 00:30:06,640 Speaker 16: Eyes was really the one that put him over the top. 576 00:30:06,720 --> 00:30:09,080 Speaker 16: I mean, one of the greatest duos of all time, 577 00:30:09,200 --> 00:30:12,040 Speaker 16: so the most albums sadly couldn't get along. 578 00:30:13,080 --> 00:30:14,400 Speaker 8: Darryl's a prickly character. 579 00:30:14,480 --> 00:30:17,520 Speaker 16: I probably know John more than I know Daryl, but 580 00:30:18,160 --> 00:30:21,360 Speaker 16: we were in each other's lives during that time and 581 00:30:21,440 --> 00:30:24,640 Speaker 16: they were huge. One story is that I'm at a 582 00:30:24,680 --> 00:30:27,640 Speaker 16: Hall of Oaks concert Madison Square Garden with my wife 583 00:30:27,640 --> 00:30:31,200 Speaker 16: at the time in the wings, the band about to 584 00:30:31,200 --> 00:30:34,600 Speaker 16: go on, the lights dim, and I'm gesticulating to my 585 00:30:34,680 --> 00:30:37,640 Speaker 16: wife telling a story, and I hit something. It feels soft, 586 00:30:37,760 --> 00:30:41,200 Speaker 16: like a face, And when the lights come up, John 587 00:30:41,360 --> 00:30:44,480 Speaker 16: is ascending the stairs to the stage holding the side 588 00:30:44,520 --> 00:30:49,480 Speaker 16: of his head. I had whacked him in the head, 589 00:30:49,560 --> 00:30:53,000 Speaker 16: and therefore I said, this is why stage people, shoe 590 00:30:53,040 --> 00:30:55,360 Speaker 16: people liked me away from the side of the stage, 591 00:30:55,360 --> 00:30:56,440 Speaker 16: but a. 592 00:30:56,400 --> 00:30:56,880 Speaker 8: Great du it. 593 00:30:56,960 --> 00:31:00,720 Speaker 2: You guys got really big, and I didn't know if 594 00:31:02,080 --> 00:31:05,240 Speaker 2: you were partying with bands like you would go to 595 00:31:05,360 --> 00:31:07,360 Speaker 2: shows and you know, you get caught up in the 596 00:31:07,360 --> 00:31:09,680 Speaker 2: culture of we're kind of a big deal here. 597 00:31:10,120 --> 00:31:13,120 Speaker 16: Well, we were in a weird position because we again 598 00:31:13,200 --> 00:31:15,920 Speaker 16: were right in the middle of the artist and the audience. 599 00:31:16,560 --> 00:31:18,840 Speaker 16: But we were totally immersed in the culture at that 600 00:31:18,920 --> 00:31:21,920 Speaker 16: time because NTV was very New York centric, so all 601 00:31:21,960 --> 00:31:25,000 Speaker 16: the artists were there, you know, on a daily basis. 602 00:31:25,000 --> 00:31:28,000 Speaker 16: The MTV studios was a fifty ring circus. The artists 603 00:31:28,000 --> 00:31:29,920 Speaker 16: would come down, they hung out. If they weren't on 604 00:31:29,960 --> 00:31:31,720 Speaker 16: the show, they just wanted to be in the green room. 605 00:31:31,760 --> 00:31:35,320 Speaker 16: It was very much of a scene thing, and so 606 00:31:35,400 --> 00:31:37,840 Speaker 16: we were going to the shows the night before to 607 00:31:37,880 --> 00:31:41,880 Speaker 16: see you know, the psychedelic Furs or to see YouTube 608 00:31:41,920 --> 00:31:44,560 Speaker 16: and concert. We did go backstage and we hung out 609 00:31:44,600 --> 00:31:45,960 Speaker 16: with them, but we had to get up and do 610 00:31:46,000 --> 00:31:47,400 Speaker 16: a gig the next day. I mean, that was the 611 00:31:47,440 --> 00:31:50,360 Speaker 16: funny thing is that we I remember going to see 612 00:31:50,720 --> 00:31:52,760 Speaker 16: a band I forget who it was, but their show 613 00:31:52,800 --> 00:31:54,440 Speaker 16: wasn't until one point thirty in the morning, and I 614 00:31:54,440 --> 00:31:56,960 Speaker 16: had to interview them at ten the next day on 615 00:31:57,000 --> 00:32:01,440 Speaker 16: the set. So I roll in just eyed, and so 616 00:32:01,560 --> 00:32:03,960 Speaker 16: too do they. But a band can come in all 617 00:32:04,040 --> 00:32:06,040 Speaker 16: messed up, but that's part of their ethos. 618 00:32:06,240 --> 00:32:07,440 Speaker 8: But the host. 619 00:32:08,560 --> 00:32:11,520 Speaker 16: Needs to have his brain together. I was brain dead 620 00:32:11,560 --> 00:32:13,920 Speaker 16: a lot of the time, so we were mixing it up, 621 00:32:14,080 --> 00:32:16,200 Speaker 16: no doubt. We got stories to tell in our book 622 00:32:16,240 --> 00:32:18,120 Speaker 16: called VJ by the Way, that we put out a 623 00:32:18,120 --> 00:32:21,680 Speaker 16: couple of years ago, me and my cohorts about partying. 624 00:32:21,240 --> 00:32:22,160 Speaker 8: With David Lee Roth. 625 00:32:22,360 --> 00:32:25,400 Speaker 16: We got the we have the drug stories, you know 626 00:32:26,000 --> 00:32:30,200 Speaker 16: in the bathrooms late at night. But essentially I had 627 00:32:30,200 --> 00:32:34,600 Speaker 16: to stay sane, fairly sober and responsible to get the 628 00:32:34,600 --> 00:32:35,240 Speaker 16: gig done. 629 00:32:35,400 --> 00:32:38,400 Speaker 8: So tough, tough, tough one to keep all of that. 630 00:32:38,400 --> 00:32:43,000 Speaker 2: Together once again. Fritzie are resident singer, is not a 631 00:32:43,120 --> 00:32:47,200 Speaker 2: Dylan fan. He doesn't like Springsteen either, thinks the Beatles 632 00:32:47,200 --> 00:32:51,920 Speaker 2: are overrated. But I'll leave you with just a little 633 00:32:51,960 --> 00:32:54,920 Speaker 2: bit of Bruce Springsteen from Fritzie and I'll get your thoughts. 634 00:32:55,240 --> 00:32:58,640 Speaker 11: Well, all right, come on now, nef does it put out? 635 00:32:58,760 --> 00:33:01,800 Speaker 7: Cares the band letting Bobby whim? 636 00:33:02,000 --> 00:33:04,240 Speaker 2: They spit up yep, dune Ye've got? 637 00:33:04,720 --> 00:33:10,280 Speaker 16: But all right, come on, no, I'm trying to think 638 00:33:10,320 --> 00:33:13,640 Speaker 16: who he sounds like, and it's definitely not Springsteen. You know. 639 00:33:13,720 --> 00:33:15,960 Speaker 16: That's a funny story of Bruce was one of those 640 00:33:16,400 --> 00:33:19,600 Speaker 16: note no shade, by the way, Fritzy, no sa, I 641 00:33:19,720 --> 00:33:20,760 Speaker 16: know who you sounded like? 642 00:33:21,080 --> 00:33:23,400 Speaker 8: Michael McDonald. Do you know the guy who does the shower? 643 00:33:23,520 --> 00:33:27,760 Speaker 8: The comedian who does the you know here call her shower? 644 00:33:28,320 --> 00:33:29,120 Speaker 2: Holds his lips over. 645 00:33:30,880 --> 00:33:34,200 Speaker 16: Springsteen was, you know, in his seventies era when he 646 00:33:34,320 --> 00:33:37,520 Speaker 16: came to the table, and then in the early eighties 647 00:33:37,600 --> 00:33:40,120 Speaker 16: he was not really anywhere, but he popped up on 648 00:33:40,200 --> 00:33:45,080 Speaker 16: Born in the USA and he was ripped. He actually 649 00:33:45,200 --> 00:33:47,640 Speaker 16: was a scrawny kid when he first started, but he 650 00:33:47,840 --> 00:33:50,120 Speaker 16: realized the power of the video and so for all 651 00:33:50,160 --> 00:33:53,200 Speaker 16: of the videos on Born in the USA, he was popped. 652 00:33:53,320 --> 00:33:55,640 Speaker 16: He literally went and got in shape because he knew 653 00:33:55,680 --> 00:33:58,280 Speaker 16: that the next stage for him was going to be 654 00:33:58,440 --> 00:34:01,720 Speaker 16: that visual brand, and he got on board with it. 655 00:34:01,840 --> 00:34:03,880 Speaker 16: I'll give him that for sure. He's one of the greats, 656 00:34:04,840 --> 00:34:08,359 Speaker 16: you know there. I was more of an alt music guy, 657 00:34:08,520 --> 00:34:11,080 Speaker 16: more of a Peter Gabriel. I like music that's a 658 00:34:11,120 --> 00:34:13,839 Speaker 16: little more complex. I was a huge YS fan back 659 00:34:13,880 --> 00:34:16,160 Speaker 16: in the prog rock days of the seventies and loved 660 00:34:16,160 --> 00:34:21,279 Speaker 16: their stuff in the eighties. But Springsteen told stories and 661 00:34:21,360 --> 00:34:23,200 Speaker 16: to this day speaks his mind, and that's what I 662 00:34:23,320 --> 00:34:26,360 Speaker 16: appreciate about him the most great stuff. 663 00:34:26,400 --> 00:34:29,880 Speaker 2: Alan, thanks for joining us serious XM host eighties on 664 00:34:29,960 --> 00:34:32,920 Speaker 2: eight Classic Rewind. I'm sure the request came out of 665 00:34:33,000 --> 00:34:34,800 Speaker 2: left field. You're like, why am I going on a 666 00:34:35,080 --> 00:34:35,680 Speaker 2: sports show? 667 00:34:35,760 --> 00:34:37,800 Speaker 16: Well, I know who you are, Dan, and I was 668 00:34:37,920 --> 00:34:40,520 Speaker 16: fully willing to talk sports. The cards I'm living in 669 00:34:40,560 --> 00:34:42,840 Speaker 16: Saint Louis now, even though they're in third place. I 670 00:34:42,920 --> 00:34:46,000 Speaker 16: mean the Vats on balls. I mean, I made the 671 00:34:46,040 --> 00:34:48,680 Speaker 16: mistake one story when I first moved here five years 672 00:34:48,719 --> 00:34:52,359 Speaker 16: ago of going to Bush Stadium and the only hat 673 00:34:52,400 --> 00:34:56,279 Speaker 16: I had was the Cubs hat. Little did I know, 674 00:34:57,000 --> 00:34:59,400 Speaker 16: because I'm a huge Cubs fan. I lived in Chicago 675 00:34:59,480 --> 00:35:01,800 Speaker 16: for a long time and I got into the stadium 676 00:35:01,880 --> 00:35:05,359 Speaker 16: and man, I thought I was gonna die. Quickly bought 677 00:35:05,440 --> 00:35:09,960 Speaker 16: myself Bush from some cards at Schwags so and go Soccer. 678 00:35:10,120 --> 00:35:11,960 Speaker 16: I'm not a big soccer guy, but I am now 679 00:35:12,080 --> 00:35:12,720 Speaker 16: go USA. 680 00:35:13,640 --> 00:35:17,959 Speaker 2: Thank you Allan, Thank you appreciate it. Alan Hunter series XM, 681 00:35:18,120 --> 00:35:21,640 Speaker 2: one of the original MTV VJs. So I think we 682 00:35:21,719 --> 00:35:25,279 Speaker 2: settled that pretty much, Dylan, we'll take a break. We'll 683 00:35:25,400 --> 00:35:26,600 Speaker 2: talk about that after this. 684 00:35:27,200 --> 00:35:30,080 Speaker 1: Fox Sports Radio has the best sports talk lineup in 685 00:35:30,120 --> 00:35:33,480 Speaker 1: the nation. Catch all of our shows at Foxsports Radio 686 00:35:33,640 --> 00:35:37,680 Speaker 1: dot com and within the iHeartRadio app search FSR to 687 00:35:37,840 --> 00:35:38,479 Speaker 1: listen live. 688 00:35:39,000 --> 00:35:43,360 Speaker 2: He's singing to the inmates there, James Brown at the Apollo. 689 00:35:44,040 --> 00:35:49,680 Speaker 2: That's a powerful live album, The Who Live It leads 690 00:35:50,600 --> 00:35:54,400 Speaker 2: very well respected live album. I mean there are albums 691 00:35:54,680 --> 00:35:58,360 Speaker 2: I just don't like hearing the crowd sing along or 692 00:35:58,719 --> 00:36:00,480 Speaker 2: somebody yelling out in the audience. 693 00:36:00,800 --> 00:36:02,880 Speaker 17: Yes, how about when they introduced the band Frankie g 694 00:36:03,160 --> 00:36:06,000 Speaker 17: on the slot dram Bone. They have to always worked 695 00:36:06,000 --> 00:36:08,480 Speaker 17: that into these live concerts. I was like to Huey 696 00:36:08,560 --> 00:36:10,640 Speaker 17: Lewis at the News from Australia or something on my 697 00:36:11,239 --> 00:36:14,400 Speaker 17: playlist and they sung like the tip to B Square 698 00:36:14,440 --> 00:36:15,680 Speaker 17: one of those sons, and then all of a sudden, 699 00:36:15,680 --> 00:36:18,320 Speaker 17: He's like they started introducing the news and after he 700 00:36:18,400 --> 00:36:19,000 Speaker 17: introduced all that. 701 00:36:19,000 --> 00:36:23,239 Speaker 2: Because you just heard the news. Thank you Todd Well 702 00:36:23,560 --> 00:36:25,640 Speaker 2: Sean and Kansas. Hi, Sean, what do you have for 703 00:36:25,800 --> 00:36:26,200 Speaker 2: me today? 704 00:36:27,640 --> 00:36:28,080 Speaker 6: Hey guys? 705 00:36:28,440 --> 00:36:30,360 Speaker 18: Thanks taking my call and just wanted to put some 706 00:36:30,560 --> 00:36:32,280 Speaker 18: AMMO in Dylan's pocket. 707 00:36:32,360 --> 00:36:32,480 Speaker 5: Here. 708 00:36:32,840 --> 00:36:34,479 Speaker 8: I believe grateful that are that great. 709 00:36:34,800 --> 00:36:38,280 Speaker 18: They are the only band to have completed two separate 710 00:36:38,320 --> 00:36:41,279 Speaker 18: residences at the Sphere, so no one else has that. 711 00:36:41,440 --> 00:36:44,399 Speaker 18: I also wanted to know. My three year old about 712 00:36:44,440 --> 00:36:46,520 Speaker 18: to be four, wants to know if there is a 713 00:36:46,760 --> 00:36:49,200 Speaker 18: shirt her size that has Marvin's hand on it so 714 00:36:49,320 --> 00:36:51,279 Speaker 18: that she can show her friends how much bigger her 715 00:36:51,320 --> 00:36:51,680 Speaker 18: hands are. 716 00:36:52,040 --> 00:36:52,320 Speaker 8: Thanks. 717 00:36:53,120 --> 00:36:55,319 Speaker 2: I don't know. We can we can explore that maybe 718 00:36:55,440 --> 00:36:58,320 Speaker 2: maybe Tyler can look for for a T shirt a 719 00:36:58,480 --> 00:37:01,560 Speaker 2: kid's size. True Green. Don't waste another weekend doing your 720 00:37:01,640 --> 00:37:04,320 Speaker 2: lawn care. Yourself. Partner with the official lawn care treatment 721 00:37:04,400 --> 00:37:07,279 Speaker 2: provided the PGA tour, get a golf course quality lam 722 00:37:07,360 --> 00:37:10,480 Speaker 2: the easy way. Sign up at truegreen dot com. Then 723 00:37:10,560 --> 00:37:14,800 Speaker 2: sit back and relax. Bucky Notre Dame, Hi Buck. 724 00:37:16,280 --> 00:37:20,560 Speaker 6: D p camrning happy on me Frontay, guys, thank you, 725 00:37:22,480 --> 00:37:24,239 Speaker 6: I like I said, I called a couple of weeks ago. 726 00:37:24,320 --> 00:37:28,040 Speaker 6: I just got back from Liverpool, played some soccer at Anfield, 727 00:37:28,520 --> 00:37:31,360 Speaker 6: but I did two Beatles tours, two different bus tours, 728 00:37:32,040 --> 00:37:35,520 Speaker 6: and basically when you got done, you were singing, Hey Jude, 729 00:37:35,680 --> 00:37:39,080 Speaker 6: the entire busts and then you pulled up and then 730 00:37:39,160 --> 00:37:42,400 Speaker 6: everybody around you was singing, Hey Jude. Every pub that 731 00:37:42,480 --> 00:37:46,239 Speaker 6: you went in, it just got to Hayjude. So I 732 00:37:46,360 --> 00:37:49,360 Speaker 6: am totally on your side. I love all bands, but 733 00:37:49,920 --> 00:37:52,360 Speaker 6: it's a pretty good song. You guys have a great weekend. 734 00:37:52,400 --> 00:37:57,839 Speaker 2: Thanks again, Thank you, Bucky, Uh Troy and Illinois. Hi Troy, 735 00:37:58,320 --> 00:38:00,879 Speaker 2: Hey Dan? How you doing good? Good good? 736 00:38:01,920 --> 00:38:04,200 Speaker 10: I want I wanted the weigh in on the music thing. 737 00:38:04,480 --> 00:38:07,800 Speaker 10: First of all, Pritsy, I never trust anybody that doesn't 738 00:38:07,880 --> 00:38:11,600 Speaker 10: like Springsteen. But anyway, you guys are talking about the 739 00:38:11,640 --> 00:38:16,200 Speaker 10: greatest American band, and I believe you're omitting somebody. In 740 00:38:16,320 --> 00:38:19,240 Speaker 10: my opinion, my favorite all time band is Tom Petty 741 00:38:19,280 --> 00:38:22,600 Speaker 10: and the Heartbreaker, one of the greatest bands of all time, 742 00:38:23,440 --> 00:38:26,560 Speaker 10: hits in the seventies, eighties, nineties and on through their career. 743 00:38:27,280 --> 00:38:32,000 Speaker 10: Tom was a magical songwriter and I think he's probably 744 00:38:32,040 --> 00:38:32,879 Speaker 10: the best out there. 745 00:38:33,640 --> 00:38:38,360 Speaker 2: Hey, yeah, there's a lot of bands, absolutely, Tom Petty. 746 00:38:38,680 --> 00:38:41,320 Speaker 2: One of my favorite songs learning to Fly but I 747 00:38:41,360 --> 00:38:45,320 Speaker 2: Ain't Got wings? Uh Trip in Vegas, Hi Trip? What 748 00:38:45,400 --> 00:38:45,640 Speaker 2: do you have? 749 00:38:47,280 --> 00:38:47,520 Speaker 3: Heay? 750 00:38:47,600 --> 00:38:48,239 Speaker 8: Good morning, DP. 751 00:38:48,320 --> 00:38:49,279 Speaker 19: Always good to speak with y'all. 752 00:38:49,280 --> 00:38:50,160 Speaker 8: I got a couple of things. 753 00:38:50,400 --> 00:38:52,400 Speaker 19: I was thinking about the todcast and a neat name 754 00:38:52,480 --> 00:38:55,080 Speaker 19: for it. Maybe just go around with Todds and everybody 755 00:38:55,120 --> 00:38:56,600 Speaker 19: has to go around and when he's driving, that's kind 756 00:38:56,600 --> 00:38:59,520 Speaker 19: of a neat thing. And then for Dylan yesterday, I 757 00:38:59,640 --> 00:39:02,320 Speaker 19: just want to know what you think. Was he selling 758 00:39:02,480 --> 00:39:06,160 Speaker 19: encyclopedias going to a third grade picture os? He about 759 00:39:06,200 --> 00:39:07,480 Speaker 19: to leave on a two year mission. 760 00:39:09,840 --> 00:39:12,440 Speaker 2: He had a lot of different looks yesterday with that 761 00:39:12,640 --> 00:39:16,160 Speaker 2: suit and tie on. I like public defender. You kind 762 00:39:16,160 --> 00:39:18,000 Speaker 2: of look like the guy who comes in. Somebody's got 763 00:39:18,080 --> 00:39:23,560 Speaker 2: to represent this criminal. And here you come, your sweaty, 764 00:39:24,080 --> 00:39:27,600 Speaker 2: your disheveled shirts, kind of tucked in and out. Yes, 765 00:39:28,080 --> 00:39:28,520 Speaker 2: yeah deal. 766 00:39:28,920 --> 00:39:31,000 Speaker 7: After my story legal career, I decided to do pro 767 00:39:31,080 --> 00:39:31,600 Speaker 7: bono work. 768 00:39:31,640 --> 00:39:37,480 Speaker 2: Then my bad a little sensitive because Grateful Dead got 769 00:39:37,560 --> 00:39:39,759 Speaker 2: kicked kicked to the curb a little bit by Alan 770 00:39:39,880 --> 00:39:40,239 Speaker 2: Hunt there. 771 00:39:40,520 --> 00:39:43,840 Speaker 7: Yes, yeah about that. That seemed like a bit of 772 00:39:43,880 --> 00:39:46,640 Speaker 7: a hit job there. Maybe you uh, you know, talk 773 00:39:46,680 --> 00:39:48,359 Speaker 7: to him beforehand got his taking her. 774 00:39:48,520 --> 00:39:52,000 Speaker 2: I did not. I did not. I did not. If 775 00:39:52,040 --> 00:39:55,479 Speaker 2: he would have said, hey, grateful Dead better than r EM, 776 00:39:56,560 --> 00:39:58,880 Speaker 2: I would have been Okay, that's your opinion. Good you know. 777 00:39:59,000 --> 00:40:01,040 Speaker 2: That's why I had him on. Whatever's opinion was, I 778 00:40:01,080 --> 00:40:06,719 Speaker 2: didn't care. Grateful Dead is a thing. I happen to 779 00:40:06,880 --> 00:40:09,840 Speaker 2: like music, my music a little bit more than it 780 00:40:10,080 --> 00:40:13,719 Speaker 2: being a thing, like the Grateful Dead's a thing, it's 781 00:40:13,760 --> 00:40:17,719 Speaker 2: an experience. Then good for them, Yeah, good for them. 782 00:40:18,480 --> 00:40:21,480 Speaker 2: They're not ri Em, they're not Fleetwood Mac, they're not 783 00:40:21,560 --> 00:40:25,759 Speaker 2: the Eagles, they're not Aerosmith. Should I continue? Thank God, 784 00:40:30,280 --> 00:40:35,759 Speaker 2: I'm gonna start calling you Molly at an hour and 785 00:40:36,160 --> 00:40:40,160 Speaker 2: Meet Friday coming up, who had the best week in sports? 786 00:40:40,440 --> 00:40:45,040 Speaker 2: And Linda Khane says goodbye to ESPN after thirty four years. 787 00:40:45,680 --> 00:40:46,080 Speaker 2: After this