1 00:00:00,200 --> 00:00:03,440 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,560 --> 00:00:06,960 Speaker 1: iHeart Radio and welcome back to Coast to Coast George 3 00:00:06,960 --> 00:00:09,720 Speaker 1: and Nori with you. Let us open up the secret door. 4 00:00:13,920 --> 00:00:17,000 Speaker 1: There we go, come on in. How are you? He know? 5 00:00:17,960 --> 00:00:21,760 Speaker 1: Is this George? It is George? And how are you? 6 00:00:22,400 --> 00:00:27,920 Speaker 1: I'm so delous. You sound like Queen Elizabeth. Yes, darling, 7 00:00:28,480 --> 00:00:32,080 Speaker 1: well the Queen couldn't make the telephone tonight, but I'm 8 00:00:32,120 --> 00:00:36,120 Speaker 1: here instead. I'm going to take a while, stab and guess. 9 00:00:36,159 --> 00:00:39,240 Speaker 1: First of all, to say that you are a male? 10 00:00:39,600 --> 00:00:44,280 Speaker 1: Is that correct? What a thing to say? But yes, 11 00:00:44,720 --> 00:00:48,600 Speaker 1: oh thank god I was right with that thing. Okay, 12 00:00:48,880 --> 00:00:51,800 Speaker 1: you've got a great voice. And uh, let's talk a 13 00:00:51,880 --> 00:00:54,440 Speaker 1: little bit that how many how many years have you 14 00:00:54,440 --> 00:00:57,240 Speaker 1: been on the show with us? Well, let's see now 15 00:00:57,760 --> 00:01:00,440 Speaker 1: what time is it now? I've been on the show 16 00:01:00,600 --> 00:01:05,600 Speaker 1: on and off since two thousand and eleven. Two thousand 17 00:01:05,640 --> 00:01:08,040 Speaker 1: and eleven. Okay, so you've been with us a long time. 18 00:01:08,720 --> 00:01:11,880 Speaker 1: Do you deal with let's see the subject matter here? 19 00:01:12,400 --> 00:01:18,000 Speaker 1: Financial information. Finance and information is not my cup of tea, darling, 20 00:01:18,480 --> 00:01:28,319 Speaker 1: It is not, okay, is um UFOs UFOs? No? No, 21 00:01:28,640 --> 00:01:36,919 Speaker 1: not ufs. I'm sorry. Okay, how about hunting bigfoot? No, Doling, 22 00:01:37,040 --> 00:01:40,240 Speaker 1: My feet are just normal size. Oh geez, I'm not 23 00:01:40,520 --> 00:01:45,280 Speaker 1: I'm not making any headway with you. Um what about 24 00:01:45,319 --> 00:01:49,800 Speaker 1: the paranormal, supernatural ghosts, things like that, well, Doling, Yes, 25 00:01:49,880 --> 00:01:53,880 Speaker 1: and things that are paranormal are sort of like ab normal. 26 00:01:54,360 --> 00:01:57,360 Speaker 1: But in my case, the stories that I tell you 27 00:01:57,440 --> 00:02:03,480 Speaker 1: are all normal because they're all consistent and reproducible. You've 28 00:02:03,520 --> 00:02:06,360 Speaker 1: got one of the best voices of doctor and yourself 29 00:02:06,400 --> 00:02:09,519 Speaker 1: that I've ever heard. I mean, I'm gonna, I'm gonna. 30 00:02:09,560 --> 00:02:13,240 Speaker 1: I can't, I can't guess who you are. I'm stumped together. 31 00:02:14,680 --> 00:02:17,959 Speaker 1: Give me some hints. Okay, think of me on the 32 00:02:18,000 --> 00:02:21,600 Speaker 1: other side of the door. What would the other side 33 00:02:21,600 --> 00:02:24,280 Speaker 1: of the door be called the flip side of the door? 34 00:02:24,800 --> 00:02:28,520 Speaker 1: Flip side? I know this, I know this. You wrote 35 00:02:28,520 --> 00:02:33,239 Speaker 1: a book called Flip Side, didn't you. That sounds familiar? Yes, 36 00:02:33,840 --> 00:02:39,600 Speaker 1: Rich Martini. Oh my god, what a voice. That was amazing. 37 00:02:41,280 --> 00:02:46,959 Speaker 1: I was channeling my inner Queen Elizabeth. You actually sounded 38 00:02:47,000 --> 00:02:54,040 Speaker 1: like Queen Elizabeth. Hands mister Martini. Have you been Oh, George, 39 00:02:54,080 --> 00:02:58,040 Speaker 1: I've been great, you know, other than getting COVID around 40 00:02:58,120 --> 00:03:01,200 Speaker 1: Christmas time and you know, others stuff and cough drops 41 00:03:01,240 --> 00:03:04,320 Speaker 1: and all of a junk. I'm fabulous. Thank god, I'm 42 00:03:04,320 --> 00:03:07,600 Speaker 1: not wearing a mask today. Yeah, me too, thank God. 43 00:03:07,639 --> 00:03:10,880 Speaker 1: Indeed are you I'm good. I'm good. And I will 44 00:03:10,919 --> 00:03:14,320 Speaker 1: always remember your last name from the movie It's a 45 00:03:14,360 --> 00:03:19,200 Speaker 1: Wonderful Life, because there was the bartender, was mister Martini, 46 00:03:19,360 --> 00:03:22,720 Speaker 1: wasn't he right? That's right, hippie. Uh And you know 47 00:03:23,120 --> 00:03:26,000 Speaker 1: what's what did you say about the angel? I'm another 48 00:03:26,040 --> 00:03:29,120 Speaker 1: angel and I ran into that actor, that character actor. 49 00:03:29,200 --> 00:03:31,840 Speaker 1: He was also a producer of a lot of television 50 00:03:31,840 --> 00:03:35,600 Speaker 1: shows and a bank in Beverly Hills. You mean when 51 00:03:35,640 --> 00:03:38,680 Speaker 1: he was alive, right, Yeah, when he's alive, and I 52 00:03:39,280 --> 00:03:41,960 Speaker 1: went up and I thanked him for making my name famous, 53 00:03:42,360 --> 00:03:44,800 Speaker 1: Rich Martini with us, folks, that means when we take 54 00:03:44,880 --> 00:03:47,560 Speaker 1: calls in a half hour, we're going to be talking 55 00:03:47,600 --> 00:03:51,320 Speaker 1: about the flip side, the afterlife. And he's done some 56 00:03:51,400 --> 00:03:56,840 Speaker 1: work into all kinds of areas, including channeling Amelia Earhart. 57 00:03:56,960 --> 00:04:01,000 Speaker 1: What's new there there? You go adding with people on 58 00:04:01,000 --> 00:04:03,040 Speaker 1: the other side of the veil. Of course. You know, 59 00:04:03,240 --> 00:04:06,560 Speaker 1: somebody introduced me once as somebody who thought he talked 60 00:04:06,560 --> 00:04:08,600 Speaker 1: to the dead, and I had to correct him, I said, no, 61 00:04:08,720 --> 00:04:10,360 Speaker 1: I don't talk to the dead, but I talked to 62 00:04:10,440 --> 00:04:13,760 Speaker 1: people who talked to the dead. So I'm one of 63 00:04:13,800 --> 00:04:18,960 Speaker 1: those people. I film mediums, as you know, hypnotherapists doing 64 00:04:19,000 --> 00:04:21,560 Speaker 1: a session with somebody and they're talking to their loved 65 00:04:21,560 --> 00:04:24,920 Speaker 1: ones no longer on the planet. As well as meditation, 66 00:04:25,120 --> 00:04:30,039 Speaker 1: that's probably the three avenues that have had the most 67 00:04:30,040 --> 00:04:33,960 Speaker 1: success in helping people to access people no longer on 68 00:04:34,000 --> 00:04:37,320 Speaker 1: the planet. Absolutely, So tell us what have you been doing? 69 00:04:37,400 --> 00:04:41,120 Speaker 1: Give me some updates. Well, let's see. So the book, 70 00:04:41,360 --> 00:04:45,119 Speaker 1: we talked about it on the show Tuning into the Afterlife. 71 00:04:45,240 --> 00:04:48,600 Speaker 1: That was a very unusual where I brought all of 72 00:04:48,640 --> 00:04:53,160 Speaker 1: the research together where we're speaking to people that are 73 00:04:53,360 --> 00:04:57,279 Speaker 1: in some avenue of the music world. And so it 74 00:04:57,400 --> 00:04:59,479 Speaker 1: was like people like Ray Charles, for example, I had 75 00:04:59,480 --> 00:05:01,760 Speaker 1: worked at him movie with him. I directed him in 76 00:05:01,760 --> 00:05:04,600 Speaker 1: a movie where replace God, a movie called Limit Up. 77 00:05:05,279 --> 00:05:08,440 Speaker 1: And so since doing my work with Jennifer Schaeffer the medium, 78 00:05:09,200 --> 00:05:13,640 Speaker 1: one day he showed up. And because I knew him, 79 00:05:13,680 --> 00:05:17,240 Speaker 1: you know, and I knew stories about him, I knew where, 80 00:05:17,360 --> 00:05:19,599 Speaker 1: you know, we had met together in New Orleans one time. 81 00:05:19,640 --> 00:05:23,360 Speaker 1: I could ask questions you know is this the same person, 82 00:05:23,839 --> 00:05:26,480 Speaker 1: just like you were asking me questions so I can 83 00:05:26,600 --> 00:05:31,000 Speaker 1: verify who it is. And then once we started having 84 00:05:31,000 --> 00:05:35,159 Speaker 1: a conversation with for example, Ray Charles, then other people 85 00:05:35,160 --> 00:05:40,280 Speaker 1: that Ray knows would come forward. So of course Ray 86 00:05:40,360 --> 00:05:43,640 Speaker 1: knew everybody. So that that's been a very unusual way 87 00:05:43,680 --> 00:05:45,839 Speaker 1: to sort of access people on the you know, in 88 00:05:45,880 --> 00:05:49,000 Speaker 1: the afterlife. Do you hear do you hear their voices? 89 00:05:50,200 --> 00:05:53,320 Speaker 1: I don't hear them. But but Jennifer is a medium 90 00:05:53,320 --> 00:05:57,479 Speaker 1: who works with law enforcement agencies nationwide, Jennifer Schaeffer and 91 00:05:57,520 --> 00:05:59,680 Speaker 1: I've been working with her for about seven years now. 92 00:06:00,160 --> 00:06:03,159 Speaker 1: Every week you can imagine, every week we get together 93 00:06:03,240 --> 00:06:06,320 Speaker 1: for about an hour or two. And just the past 94 00:06:06,400 --> 00:06:08,560 Speaker 1: year we've been doing it as a podcast, hacking Me 95 00:06:08,680 --> 00:06:13,719 Speaker 1: Afterlife dot com where where I asked her and like 96 00:06:13,800 --> 00:06:17,160 Speaker 1: I say, she is worked for law enforcement. She helps 97 00:06:17,200 --> 00:06:20,520 Speaker 1: them with cases. She can see, she can hear, she 98 00:06:20,560 --> 00:06:24,479 Speaker 1: can smell, she can sense what people are saying, so 99 00:06:24,520 --> 00:06:28,200 Speaker 1: she'll see them. She says, it's more like a silhouette. 100 00:06:29,080 --> 00:06:32,560 Speaker 1: But but I also have this friend on the flip side, 101 00:06:32,600 --> 00:06:36,120 Speaker 1: My friend Lauana Andrews, an actress of some renown to 102 00:06:36,279 --> 00:06:39,400 Speaker 1: passed away in nineteen ninety six, and that's kind of 103 00:06:39,480 --> 00:06:42,880 Speaker 1: I've talked about this. She sort of precipitated my journey 104 00:06:42,880 --> 00:06:45,680 Speaker 1: into this research, where she sort of started coming to 105 00:06:45,800 --> 00:06:49,720 Speaker 1: visit me and I saw her after she passed. I 106 00:06:49,760 --> 00:06:52,400 Speaker 1: saw her, you know, as a younger version of herself 107 00:06:52,480 --> 00:06:55,720 Speaker 1: in my mind's eye and dreams. But then she started 108 00:06:56,279 --> 00:06:59,600 Speaker 1: appearing to frimbers of my family, so it was not 109 00:07:00,160 --> 00:07:02,760 Speaker 1: just me, but it was other people. And at that 110 00:07:02,880 --> 00:07:05,880 Speaker 1: point I stopped sort of fighting the fact that she 111 00:07:05,920 --> 00:07:10,040 Speaker 1: could still exist, and that's what drove me into the research. 112 00:07:10,080 --> 00:07:13,960 Speaker 1: So when I work with Jennifer Schaeffer, the construct is 113 00:07:14,000 --> 00:07:17,440 Speaker 1: that Luana is on the flip side, sort of running 114 00:07:17,440 --> 00:07:22,080 Speaker 1: a classroom. She has this VIP list of people who 115 00:07:22,160 --> 00:07:25,040 Speaker 1: are trying to talk to us. And it was Tom 116 00:07:25,080 --> 00:07:29,720 Speaker 1: Petty who came forward one day. Jennifer said, Tom Petty's here, 117 00:07:29,720 --> 00:07:32,880 Speaker 1: and I said, well, I never met him. I've been 118 00:07:32,920 --> 00:07:36,400 Speaker 1: a reviewer for Variety for music. I never did one 119 00:07:36,440 --> 00:07:38,880 Speaker 1: of his shows. I said, why is he here? And 120 00:07:39,040 --> 00:07:41,640 Speaker 1: his response was, Oh, you have no idea how heart 121 00:07:41,720 --> 00:07:43,600 Speaker 1: it is to talk to you guys. There's like a 122 00:07:43,640 --> 00:07:46,920 Speaker 1: line around the block, and your friend Luana is the 123 00:07:46,960 --> 00:07:49,560 Speaker 1: person over here with a clipboard with a list of names, 124 00:07:50,040 --> 00:07:53,240 Speaker 1: and she's the one who lets people into the VIP lounge. 125 00:07:54,080 --> 00:07:56,800 Speaker 1: So that's why the book was called a backstage Pass 126 00:07:56,880 --> 00:07:59,320 Speaker 1: to the flip side, because Lawuana is the person over 127 00:07:59,400 --> 00:08:03,400 Speaker 1: there helping us, helping people on the flip side to 128 00:08:03,440 --> 00:08:07,040 Speaker 1: talk to us. And so that's the podcast has taken 129 00:08:07,080 --> 00:08:10,480 Speaker 1: this kind of unusual avenue where we talk about the 130 00:08:10,560 --> 00:08:14,640 Speaker 1: process because I'll ask her questions weekly. So how is it, 131 00:08:15,680 --> 00:08:18,280 Speaker 1: how do you help people over there to communicate with 132 00:08:18,320 --> 00:08:22,640 Speaker 1: people over here? You know, George, You've met so many 133 00:08:22,680 --> 00:08:25,440 Speaker 1: people that help people over here talk to people on 134 00:08:25,480 --> 00:08:29,240 Speaker 1: the other side, whether it's through you know, hypnotherapy or 135 00:08:29,320 --> 00:08:32,760 Speaker 1: hypnotists or psychics or whatever that is. But in this 136 00:08:32,960 --> 00:08:39,760 Speaker 1: unusual construct, Lauran is somebody who's helping them. And one 137 00:08:39,760 --> 00:08:43,319 Speaker 1: example she gave is she said, think of eleven eleven, 138 00:08:44,520 --> 00:08:46,680 Speaker 1: she said, and this she said this in a dream 139 00:08:46,720 --> 00:08:50,760 Speaker 1: to my wife. Actually, my wife, who was a bit 140 00:08:50,800 --> 00:08:53,040 Speaker 1: of a bit of a skeptic, said, you know, why 141 00:08:53,080 --> 00:08:55,760 Speaker 1: are you appearing in my dream? She saw her, she 142 00:08:55,840 --> 00:08:59,040 Speaker 1: knew her, she said, but you passed away twenty years ago. 143 00:08:59,360 --> 00:09:02,640 Speaker 1: And La said, in the dream, think of eleven eleven. 144 00:09:03,440 --> 00:09:07,120 Speaker 1: I'm on one side one eleven and you're on the 145 00:09:07,160 --> 00:09:10,920 Speaker 1: other eleven and we have to slow our frequency down 146 00:09:11,800 --> 00:09:14,120 Speaker 1: in order to communicate with you, and you have to 147 00:09:14,200 --> 00:09:19,160 Speaker 1: speed your frequency up, which might include being asleep or 148 00:09:19,160 --> 00:09:23,000 Speaker 1: you know, in a dream state, or doing hypotherapy, or 149 00:09:23,160 --> 00:09:28,080 Speaker 1: you know, sort of quieting the cacophony of noise of 150 00:09:28,200 --> 00:09:30,680 Speaker 1: energy that might be around somebody so they can hear 151 00:09:31,520 --> 00:09:33,640 Speaker 1: what the person is trying to say. It's a Lana 152 00:09:34,960 --> 00:09:38,120 Speaker 1: plays that role that Jennifer does for me. On the 153 00:09:38,160 --> 00:09:40,880 Speaker 1: other side. She's helping people, whoever it is, you know, 154 00:09:40,920 --> 00:09:44,080 Speaker 1: fill in the blank, whether it's Don Rickles. We interviewed 155 00:09:44,160 --> 00:09:48,319 Speaker 1: Don on at your request, but other people that have 156 00:09:48,360 --> 00:09:51,320 Speaker 1: come forward to say to us, here's what it's like 157 00:09:51,559 --> 00:09:56,079 Speaker 1: over here, here's the adventures we're having. Then I'll give 158 00:09:56,120 --> 00:10:00,440 Speaker 1: you one example of this sort of method. One day, 159 00:10:00,720 --> 00:10:05,120 Speaker 1: speaking of Amelia Earhart. One day, Jennifer said, oh, there's 160 00:10:05,120 --> 00:10:08,520 Speaker 1: a guy here. I don't know his name, but I'm 161 00:10:08,559 --> 00:10:12,000 Speaker 1: hearing he's a movie producer. I said, okay, well, Molanna 162 00:10:12,320 --> 00:10:15,199 Speaker 1: did over three hundred movies and TV shows, so it 163 00:10:15,280 --> 00:10:20,880 Speaker 1: could be anybody. And Jennifer said, no, Lanna didn't bring him, 164 00:10:21,000 --> 00:10:24,520 Speaker 1: Amelia did, I said, oh, well, that was the first 165 00:10:24,559 --> 00:10:27,520 Speaker 1: that had ever happened. I said, okay, well, wait a second. 166 00:10:27,520 --> 00:10:31,400 Speaker 1: This is a producer that Amelia knew. Was it? And 167 00:10:31,520 --> 00:10:34,120 Speaker 1: I just said, blurted it out, was it Carl Lemley? 168 00:10:34,280 --> 00:10:40,120 Speaker 1: Because Carl Lemley, who founded Universal Pictures, actually hired Amelia 169 00:10:40,120 --> 00:10:42,880 Speaker 1: Earhart to write a screenplay, which she did with Mary Pickford. 170 00:10:43,559 --> 00:10:50,360 Speaker 1: And yeah, that's true. Mary Pickford, the famous you know Pickfair. 171 00:10:51,080 --> 00:10:55,600 Speaker 1: Mary Pickford and Amelia wrote a screenplay together and Carl 172 00:10:55,679 --> 00:10:58,800 Speaker 1: Lemley had set up a deal where Amelia was gonna 173 00:10:58,960 --> 00:11:02,199 Speaker 1: star in this movie and he it was like nineteen 174 00:11:02,280 --> 00:11:05,360 Speaker 1: thirty six when he approached her about it, so it 175 00:11:05,400 --> 00:11:09,920 Speaker 1: was really just before she disappeared. But so so but 176 00:11:10,040 --> 00:11:12,520 Speaker 1: because of that, you see, because I knew that information 177 00:11:12,559 --> 00:11:14,600 Speaker 1: about him, Melia, I said, it is this Carl Lumley. 178 00:11:15,640 --> 00:11:18,680 Speaker 1: And they were all shocked that I got it immediately. 179 00:11:19,200 --> 00:11:21,680 Speaker 1: You know, people on the flip side, they're hopping up 180 00:11:21,720 --> 00:11:25,640 Speaker 1: and down. So I said to him, Carl, what's it 181 00:11:25,720 --> 00:11:28,040 Speaker 1: like for you? What I mean, he died in nineteen 182 00:11:28,080 --> 00:11:31,400 Speaker 1: thirty nine. I didn't know. I didn't ask for him. 183 00:11:31,559 --> 00:11:35,200 Speaker 1: He said that over on the flip side. You create 184 00:11:35,559 --> 00:11:40,160 Speaker 1: entire worlds that you can inhabit. You. If you like golfing, 185 00:11:40,240 --> 00:11:43,640 Speaker 1: you can create incredible golf courses, he said. You can 186 00:11:43,720 --> 00:11:47,640 Speaker 1: travel from different realms into different realms. He said that 187 00:11:47,720 --> 00:11:52,320 Speaker 1: he's focusing on tastes of foods that he never tasted before. 188 00:11:53,040 --> 00:11:56,600 Speaker 1: He said he was creating spices that he had never 189 00:11:56,720 --> 00:11:59,240 Speaker 1: tasted before. Very unusual thing for him to say. So 190 00:11:59,360 --> 00:12:02,560 Speaker 1: I said, well, when do you decide to come back? 191 00:12:02,800 --> 00:12:07,480 Speaker 1: And his answer was when you get bored traveling around 192 00:12:07,720 --> 00:12:10,960 Speaker 1: all these universes, When you get bored of creating these 193 00:12:11,000 --> 00:12:17,960 Speaker 1: fantastical events and these fantastical sporting events. When you get bored, 194 00:12:18,040 --> 00:12:22,120 Speaker 1: that's when you decide to come back. I thought that 195 00:12:22,200 --> 00:12:26,280 Speaker 1: was pretty Was it rich that first got you into 196 00:12:26,320 --> 00:12:29,480 Speaker 1: this in the first place? Well, it was like I said, 197 00:12:29,559 --> 00:12:32,520 Speaker 1: my friend, my friend passed away in my arms nineteen 198 00:12:32,600 --> 00:12:38,360 Speaker 1: ninety six, and after that she started showing up. Sorry. 199 00:12:38,400 --> 00:12:41,920 Speaker 1: I would hear her and hear her voice, and then 200 00:12:42,320 --> 00:12:44,440 Speaker 1: sometimes I'd see her in a dream. And then I 201 00:12:44,480 --> 00:12:48,040 Speaker 1: had an out of body experience. I was in New 202 00:12:48,120 --> 00:12:51,040 Speaker 1: York City working on the Groden Show, Charles Groden Show, 203 00:12:51,960 --> 00:12:55,839 Speaker 1: and I had this classic out of body experience where 204 00:12:55,880 --> 00:12:57,800 Speaker 1: you shoot out of your body and you're flying in 205 00:12:57,880 --> 00:13:02,000 Speaker 1: deep space. And I had been wondering if she can 206 00:13:02,040 --> 00:13:04,880 Speaker 1: come to visit me, like where is she? Could I 207 00:13:04,920 --> 00:13:08,920 Speaker 1: go find her? And I found myself traveling through deep space, 208 00:13:09,160 --> 00:13:11,600 Speaker 1: That's the only way to describe it. And I was 209 00:13:11,840 --> 00:13:15,000 Speaker 1: going Suddenly I made a sharp turn, and it felt 210 00:13:15,000 --> 00:13:18,120 Speaker 1: like I went to a wormhole or a black hole 211 00:13:18,640 --> 00:13:22,160 Speaker 1: because I was bouncing around the way Jodie Foster did 212 00:13:22,120 --> 00:13:24,480 Speaker 1: in the movie Contact. But when I got to the 213 00:13:24,520 --> 00:13:27,600 Speaker 1: other side, I was It felt like I was in 214 00:13:27,640 --> 00:13:33,040 Speaker 1: this universe that had different qualities. Instead of going up 215 00:13:33,320 --> 00:13:35,840 Speaker 1: or straightforward, I was going from left to right. That's 216 00:13:35,920 --> 00:13:38,080 Speaker 1: the only way I can describe it. And then I 217 00:13:38,160 --> 00:13:40,720 Speaker 1: came to a halt and my friend Luan I was 218 00:13:40,760 --> 00:13:44,440 Speaker 1: standing there with her eyes closed, and she opened them up, 219 00:13:44,480 --> 00:13:47,680 Speaker 1: and in my head I heard her saying. I heard 220 00:13:47,679 --> 00:13:50,800 Speaker 1: her say, you were looking for me, and this is 221 00:13:50,840 --> 00:13:54,439 Speaker 1: where I am. And at that moment, some guy out 222 00:13:54,480 --> 00:14:00,640 Speaker 1: my window hogged his truckhorn like a big blast, but 223 00:14:00,800 --> 00:14:03,560 Speaker 1: it didn't wake me up. Instantly. I had the experience 224 00:14:03,640 --> 00:14:06,880 Speaker 1: of traveling back like being yanked by a rubber band, 225 00:14:07,440 --> 00:14:11,040 Speaker 1: traveling backwards through space and I, you know, it had 226 00:14:11,080 --> 00:14:13,880 Speaker 1: to be hundreds of millions of miles. That's the only 227 00:14:13,880 --> 00:14:16,160 Speaker 1: way to put it. It felt like that movie Power 228 00:14:16,200 --> 00:14:19,200 Speaker 1: of Keen, where you're seeing everything you know from a 229 00:14:19,240 --> 00:14:22,600 Speaker 1: great distance. And then suddenly I was upright in my 230 00:14:22,680 --> 00:14:25,720 Speaker 1: bed in New York. And at that point I thought, 231 00:14:25,760 --> 00:14:29,760 Speaker 1: oh my gosh, I that was an experience I felt that. 232 00:14:30,160 --> 00:14:34,000 Speaker 1: I mean, wasn't a dream. I literally had the experience 233 00:14:34,040 --> 00:14:36,440 Speaker 1: of traveling. And that's when I really started to focus 234 00:14:36,480 --> 00:14:39,800 Speaker 1: on it and say, okay, you know that if she 235 00:14:39,960 --> 00:14:43,280 Speaker 1: still exists, then how do you do a method so 236 00:14:43,440 --> 00:14:46,760 Speaker 1: you can communicate with your loved ones? And that eventually 237 00:14:46,800 --> 00:14:52,360 Speaker 1: led me to hypnotherapy. My friend Lauana had said before, 238 00:14:53,320 --> 00:14:55,960 Speaker 1: you know, when she sort of was in hospice care, 239 00:14:56,760 --> 00:14:58,960 Speaker 1: she said, I had this recurring dream, I'm in a 240 00:14:59,040 --> 00:15:04,720 Speaker 1: classroom in another universe, and I feel like I'm in 241 00:15:04,720 --> 00:15:07,640 Speaker 1: a room with people all dressed in white. They're speaking 242 00:15:07,680 --> 00:15:10,760 Speaker 1: a language I've never heard before, but somehow I completely 243 00:15:10,840 --> 00:15:14,280 Speaker 1: understand it. And of course I thought that was the 244 00:15:14,320 --> 00:15:16,800 Speaker 1: morphine drip. She had cancer, and I think, you know, 245 00:15:16,920 --> 00:15:21,120 Speaker 1: she must be hallucinating that. But then her nurse told 246 00:15:21,120 --> 00:15:23,600 Speaker 1: me that that was her recurring dream happened all the time, 247 00:15:23,680 --> 00:15:28,920 Speaker 1: and her close friend Sandra Stevenson called and said, I 248 00:15:28,960 --> 00:15:31,320 Speaker 1: had this most amazing dream last night where Luana was 249 00:15:31,360 --> 00:15:35,320 Speaker 1: in the fourth dimension, she said, and she was in 250 00:15:35,360 --> 00:15:40,640 Speaker 1: a classroom dressed in white, and she seemed incredibly happy. 251 00:15:40,720 --> 00:15:43,280 Speaker 1: So when I picked up a book from Michael Newton, 252 00:15:43,440 --> 00:15:46,800 Speaker 1: Journey of Souls, one of the first chapters, that's a 253 00:15:46,800 --> 00:15:50,920 Speaker 1: guy un her hypnosis talking about seeing a classroom on 254 00:15:51,000 --> 00:15:54,720 Speaker 1: the flip side and everyone being dressed in white. And 255 00:15:54,760 --> 00:15:57,000 Speaker 1: so at that moment, it was like a bell went 256 00:15:57,040 --> 00:15:59,400 Speaker 1: off in my head and said, well, wait a second. 257 00:16:00,040 --> 00:16:04,320 Speaker 1: This guy must have a process or a methodology in 258 00:16:04,400 --> 00:16:07,360 Speaker 1: order to communicate with people. And so I thought, well, 259 00:16:07,360 --> 00:16:09,800 Speaker 1: this is a way for me to find Luana. And 260 00:16:09,920 --> 00:16:13,720 Speaker 1: that's when I started the documentary back in twenty and eleven, 261 00:16:14,560 --> 00:16:17,200 Speaker 1: actually twenty two thousand and eight would say I did 262 00:16:17,240 --> 00:16:21,800 Speaker 1: an other stuff before I finished it, but ultimately I 263 00:16:21,920 --> 00:16:25,840 Speaker 1: filmed about one hundred people so far. Half of those 264 00:16:26,120 --> 00:16:30,720 Speaker 1: people that I've filmed without hypnosis accessing the same information 265 00:16:30,800 --> 00:16:34,400 Speaker 1: since you've known me, George, since we first spoke. It 266 00:16:34,480 --> 00:16:37,880 Speaker 1: went from me sitting in a room on the other 267 00:16:37,920 --> 00:16:40,640 Speaker 1: side of the room with a camera on while the hypnotherapist, 268 00:16:41,120 --> 00:16:45,800 Speaker 1: often Scott the Tamble from Life between Lives dot com. 269 00:16:45,920 --> 00:16:49,200 Speaker 1: He would ask the questions. You know, he's a licensed hypnotherapist. 270 00:16:49,200 --> 00:16:51,000 Speaker 1: It would be a four to six hour session and 271 00:16:51,080 --> 00:16:56,160 Speaker 1: I would not be involved at all, just filming. Yeah. 272 00:16:56,320 --> 00:16:59,280 Speaker 1: But then some years into it, about five years into it, 273 00:16:59,840 --> 00:17:03,280 Speaker 1: I realized with friends of mine that I could do 274 00:17:03,360 --> 00:17:06,200 Speaker 1: a shortcut instead of doing a four to six hour 275 00:17:06,320 --> 00:17:11,000 Speaker 1: session without hypnosis. I would just say, well, let's try 276 00:17:11,040 --> 00:17:13,919 Speaker 1: to imagine, you know, picture yourself on a boat on 277 00:17:13,920 --> 00:17:17,520 Speaker 1: a river. Let's imagine you're on this boat, and let's 278 00:17:17,600 --> 00:17:21,840 Speaker 1: pretend that your guide is there, and just whatever comes 279 00:17:21,840 --> 00:17:25,080 Speaker 1: to mind, allow that to be your guide, and try 280 00:17:25,119 --> 00:17:27,879 Speaker 1: to think of it as a game. A lot of 281 00:17:27,960 --> 00:17:29,840 Speaker 1: times it helps when you think of your loved one, 282 00:17:29,880 --> 00:17:33,040 Speaker 1: a grandmother, grandfather, and you pretend that they're sitting in 283 00:17:33,080 --> 00:17:36,439 Speaker 1: a boat across from you. You're pretending it's fine, like 284 00:17:36,480 --> 00:17:41,000 Speaker 1: a dream, it's okay, and you ask them questions, very 285 00:17:41,040 --> 00:17:45,760 Speaker 1: simple questions is this you and a faken nod, shrug 286 00:17:45,840 --> 00:17:48,520 Speaker 1: or shake their head. You have an answer, you know. 287 00:17:48,520 --> 00:17:51,000 Speaker 1: It's a little bit like the film coda, like all 288 00:17:51,080 --> 00:17:54,760 Speaker 1: that language is not, you know, audible, it's all visual, 289 00:17:55,800 --> 00:17:58,120 Speaker 1: and that's easier for them to communicate with us when 290 00:17:58,160 --> 00:18:03,600 Speaker 1: it's a visual kind of communication. So I'll ask you know, 291 00:18:04,400 --> 00:18:07,480 Speaker 1: this is this really you? And of course the game 292 00:18:07,560 --> 00:18:10,439 Speaker 1: can't go forward until they nod yes, it is me. 293 00:18:11,800 --> 00:18:13,720 Speaker 1: But then you ask them questions you don't know the 294 00:18:13,760 --> 00:18:17,480 Speaker 1: answers to, like who was there to greet you when 295 00:18:17,480 --> 00:18:19,959 Speaker 1: you crossed over, and they'll put an image in your 296 00:18:20,000 --> 00:18:23,200 Speaker 1: mind of someone might be a pet, might be a friend, 297 00:18:23,200 --> 00:18:26,040 Speaker 1: it might be some a stranger, and you try not 298 00:18:26,080 --> 00:18:30,600 Speaker 1: to judge the answers, and ultimately you keep asking questions 299 00:18:30,600 --> 00:18:33,760 Speaker 1: in this game, and when you get an answer or 300 00:18:33,920 --> 00:18:38,720 Speaker 1: response before you can ask the question, you'll know you've 301 00:18:38,720 --> 00:18:42,080 Speaker 1: made a connection. 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