WEBVTT - Laughter as Therapy: Skyler Higley on Comedy’s Healing Power and Personal Triumphs

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<v Speaker 1>Comedy Saved Me.

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<v Speaker 2>I'm Lynn Hoffman and welcome to another episode of Comedy

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<v Speaker 2>Saved Me. My guest today is a comedian, a writer,

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<v Speaker 2>and podcaster who's been on a serious role as of late.

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<v Speaker 2>He's written for The Onion, Conan and After Midnight with

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<v Speaker 2>Taylor Tomlinson, and most recently, he was in the room

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<v Speaker 2>for the Oscars. He was named a Just for Laughs

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<v Speaker 2>new Face in twenty twenty two, which is no small feat.

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<v Speaker 2>His stand up has appeared on Comedy Central and Don't

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<v Speaker 2>Tell Comedy, and Vulture just named him you one of

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<v Speaker 2>the comedians you should know, which you should know? I agree,

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<v Speaker 2>Oh it's pretty cool.

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<v Speaker 1>Oh.

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<v Speaker 2>By the way, he's also the host of a brand

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<v Speaker 2>new podcast called Help Me Be Black, a podcast about

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<v Speaker 2>growing up with white parents and the cultural catch up

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<v Speaker 2>that ensues. And he also has one of the most

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<v Speaker 2>infectious laughs, by the way, that I've ever heard, you know,

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<v Speaker 2>the kind of laugh when someone laughs you just hear

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<v Speaker 2>them laugh and you start laughing. So I'm very excited

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<v Speaker 2>to welcome our next guest coming up next, Skyler Higgley.

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<v Speaker 2>He's right here on Comedy Save Me, Don't Go Anywhere,

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<v Speaker 2>Comedy Saved Me Skyler Higley. Welcome to Comedy Save Me.

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<v Speaker 2>It's great to meet you.

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<v Speaker 1>Hi, nice to meet you. Thank you so much for

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<v Speaker 1>having me. The intro is so nice, and I do

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<v Speaker 1>my laugh. It did get me, I wouldn't say into trouble,

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<v Speaker 1>but on after midnight I got a little bit of shit.

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<v Speaker 1>For when I'm laughing in the other room, if we

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<v Speaker 1>split up the writers, you can hear me laughing at

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<v Speaker 1>stuff from the other room, and I think I have, like, yeah,

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<v Speaker 1>a good, big laugh. And so people would be mad

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<v Speaker 1>because they'd be like, yeah, they're having so much fun

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<v Speaker 1>in that other room, and you know, they'd be upset

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<v Speaker 1>about whatever is happening because they'd be trying to focus

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<v Speaker 1>on whatever their work is. And then here I am

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<v Speaker 1>laughing down the hall and I'm like, what do they

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<v Speaker 1>do in there?

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<v Speaker 2>It's a boisterous laugh. Well, you know what, they're just

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<v Speaker 2>jealous because they're not having as much fun as you are.

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<v Speaker 1>Well, and they said that, they said, we're jealous, and

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<v Speaker 1>I don't know if yeah, but it's not. It's just

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<v Speaker 1>how I laugh. I'm not doing it on purpose. I'm

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<v Speaker 1>not pulling it out. That's just how my voice goes.

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<v Speaker 2>Well, I'm kind of a geek for voices because I've

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<v Speaker 2>been doing voice work for a few decades and my

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<v Speaker 2>best friend growing up, Scott, had one of those laughs

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<v Speaker 2>that you have, and I used to always try to

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<v Speaker 2>figure out how I could bottle it and sell it

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<v Speaker 2>because it just makes people so happy. You could just

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<v Speaker 2>go on stage, Skylar and laugh and then you could

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<v Speaker 2>be done.

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<v Speaker 1>And oh man, you have.

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<v Speaker 2>To write it.

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<v Speaker 1>All I needed in my life was my own laughs.

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<v Speaker 1>Then I think that I would. I would, I'd never

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<v Speaker 1>have started doing any of the things that I'm doing. Unfortunately,

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<v Speaker 1>I need everybody else's and I want everybody else to

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<v Speaker 1>be laughing like me. But yeah, I would. I would

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<v Speaker 1>be such a better person if I didn't desperately need

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<v Speaker 1>everybody else to laugh.

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<v Speaker 2>Also, Oh come on, now, you got to give yourself

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<v Speaker 2>some credit. Well, can you take us back to the

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<v Speaker 2>beginning of that laugh and when comedy first showed up

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<v Speaker 2>in your life and did it feel like a calling

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<v Speaker 2>or more like a coping mechanism for you?

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<v Speaker 1>Whoa big question out the gate bolts bolts for sure,

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<v Speaker 1>because I was so interested in you know, you would

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<v Speaker 1>see things on Comedy Central and these people going up

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<v Speaker 1>and being an actor is somewhat made sense. You know,

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<v Speaker 1>that's like they're doing roles or whatever. But when you

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<v Speaker 1>first see comedy, you're like, so that that person is

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<v Speaker 1>just going up there and saying stuff and people are

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<v Speaker 1>making them laugh and that is and that's their job

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<v Speaker 1>and people did people pay them for that? And it

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<v Speaker 1>was really interesting because I was like, I don't want

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<v Speaker 1>to have a normal job. I don't if I can

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<v Speaker 1>grow up and do that and that can be a job,

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<v Speaker 1>I don't want to. I don't want to do a job.

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<v Speaker 1>But of course it felt like a big coping mechanism

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<v Speaker 1>in terms of you know, where is that socializing? Wanting

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<v Speaker 1>people to like me, feeling like I needed people to

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<v Speaker 1>like me. So as with everything, it's kind of both

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<v Speaker 1>because it's like, well, the reason why you might aspire

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<v Speaker 1>to that is because you might feel like if that's

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<v Speaker 1>if people are a group of people are loving one

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<v Speaker 1>person and that really seems like something you want, maybe

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<v Speaker 1>it could possibly be because you were feeling like you

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<v Speaker 1>are not being as loved as you would like to

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<v Speaker 1>be by the people around you. So to answer your

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<v Speaker 1>question both that was deep. Actually would you have to

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<v Speaker 1>be no?

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<v Speaker 2>But I mean, but it makes a lot of sense

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<v Speaker 2>and I and I often wonder thankfully people turn to

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<v Speaker 2>comedy when they feel that way as opposed to something

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<v Speaker 2>else that would be plainful to you or people around you.

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<v Speaker 1>Right, So, yeah, I mean I could have. Also, I've

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<v Speaker 1>been a cult leader. I think I could have gotten

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<v Speaker 1>that way you could have.

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<v Speaker 2>It almost seems like anyone can be these days.

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<v Speaker 1>Well, I know, it's like the bearer to entry is

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<v Speaker 1>way too low for me. And oh leader, now it sucks.

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<v Speaker 1>You should have to be like charismatic at this point.

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<v Speaker 2>I have to have a little bit of that. What

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<v Speaker 2>was the moment though, that you thought you I could

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<v Speaker 2>actually do this for a living and make a living

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<v Speaker 2>at it? Was there a moment.

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<v Speaker 1>I don't know if there was one moment. I think

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<v Speaker 1>there was a series of moments that it was a

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<v Speaker 1>natural thing that I was always doing when I was

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<v Speaker 1>in school. I was making little comic books for my

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<v Speaker 1>friends to try to make them laugh and passing them out.

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<v Speaker 1>I was always doing that thing where you sit your

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<v Speaker 1>family down and kind of perform for them. I was

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<v Speaker 1>we would have a thing in my I remember my

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<v Speaker 1>fourth grade class. My teacher had all the kids sort

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<v Speaker 1>of do this like journal kind of thing in the

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<v Speaker 1>morning and write down, write based on a prompt, and

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<v Speaker 1>I would always try to make mine as funny as

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<v Speaker 1>possible because we were all going to present them. So

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<v Speaker 1>I was always just trying to make the other kids

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<v Speaker 1>around laugh. So it is in any situation where I

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<v Speaker 1>was able to do that, I think because laughing, just

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<v Speaker 1>making other people laugh felt so affirming. I was really

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<v Speaker 1>always trying to, you.

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<v Speaker 2>Know, get that feeling.

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<v Speaker 1>I have a distinct memory of as watching Friends with

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<v Speaker 1>my family, somebody said something and everybody laughed, and then

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<v Speaker 1>I literally on the show, you know, and then I

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<v Speaker 1>literally just repeated what was on the show, and then

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<v Speaker 1>my whole family, who was gathered around the TV, they

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<v Speaker 1>all laughed at me, and I was like, whoa, so

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<v Speaker 1>that's something that feels good. Yeah, And then I think

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<v Speaker 1>later in the show somebody said screw you, and my

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<v Speaker 1>family laughed at that, and then I tried to repeat that,

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<v Speaker 1>and then my family was like, no, hey, don't say that.

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<v Speaker 2>You're grounded.

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<v Speaker 1>But it was like funny, Like that moment of like

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<v Speaker 1>one of my earliest moments of being like, oh, say

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<v Speaker 1>a funny thing, people laugh, that's fun and and then

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<v Speaker 1>immediately finding there was a line to it where it's

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<v Speaker 1>like we just laughed at them, saying, now you don't

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<v Speaker 1>want me to say it. I didn't know what anybody was.

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<v Speaker 1>I didn't know what that meant. So I thought, look,

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<v Speaker 1>it's another thing that people laughed at, and I could

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<v Speaker 1>make you laugh. I repeat that again, And then I

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<v Speaker 1>learned a lot of lessons in terms of context and

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<v Speaker 1>who can say what and boundaries, yeah, and boundaries, and

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<v Speaker 1>also and then also just like repeating a bit too much.

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<v Speaker 1>You know, things are less funny the more you repeat them,

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<v Speaker 1>so that the first time it felt like a surprise,

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<v Speaker 1>which is why it was funny, And the second time

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<v Speaker 1>they're like, oh, no, he's picking up things and he

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<v Speaker 1>shouldn't pick up We shouldn't have laughed at that the

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<v Speaker 1>first time, and you know, and being so being like,

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<v Speaker 1>don't repeat your bas too much.

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<v Speaker 2>Now, did you. Wow, that's an early lesson that to

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<v Speaker 2>incorporate into a young comedian's mind who doesn't even know

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<v Speaker 2>he's a comedian yet, which I think is right.

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<v Speaker 1>That's I internalize it at the time, but I think

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<v Speaker 1>it was like early on where it's like, oh, that's

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<v Speaker 1>a lesson to do.

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<v Speaker 2>Yeah, And also did you find that you got away

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<v Speaker 2>with more when you could make your parents laugh totally.

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<v Speaker 1>I think I think you generally, well, that's what I

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<v Speaker 1>found in school more than anything else, is you can

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<v Speaker 1>get away with way more if you're making them laugh

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<v Speaker 1>and your teachers and stuff laugh, because I think it's

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<v Speaker 1>also like, yes, you can be distracting or whatever. There's

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<v Speaker 1>a real balance to being a class clown. And sometimes

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<v Speaker 1>I went too far in one direction. But if the

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<v Speaker 1>teachers are laughing at it, they're not really going to

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<v Speaker 1>be mad at you, because teaching is really hard and

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<v Speaker 1>they're doing a lot a lot of work, and so

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<v Speaker 1>if you're kind of making them enjoy their time a

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<v Speaker 1>little bit, they're not really going to be mad at you.

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<v Speaker 1>They are like, okay, theerious legal like come on, like

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<v Speaker 1>we do have to do this work or whatever. But

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<v Speaker 1>if you're getting your work done and your the key

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<v Speaker 1>to being a class clown is also being a pretty

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<v Speaker 1>good student, yeah, because then they're not going to be like, hey,

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<v Speaker 1>you you're doing all this instead of getting your work done.

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<v Speaker 1>If your work is done and right, and then you're

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<v Speaker 1>also kind of being a class clown, then they don't

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<v Speaker 1>really don't really care.

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<v Speaker 2>No, they don't and it's and it's really cool, like

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<v Speaker 2>you know, making friends like that as well. I used

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<v Speaker 2>to be so jealous of all the kids that did

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<v Speaker 2>that because, yeah, number one, usually they were always smarter

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<v Speaker 2>than me, and they didn't even have to show up

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<v Speaker 2>for tests because they did everything in advance and they

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<v Speaker 2>made the teachers laugh, and I was like, there's something

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<v Speaker 2>to that. There's definitely something to that. And performing for

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<v Speaker 2>your parents too, Like I remember stuffing like toilet paper

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<v Speaker 2>in my clothes to look like the Michel entire Man

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<v Speaker 2>or something, and you know, and then making my brother

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<v Speaker 2>do it, and he was like, come on, I just

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<v Speaker 2>just to make them laugh and then to stay up late.

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<v Speaker 2>We would you know, do whatever we could to keep

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<v Speaker 2>them laughing so they would forget it was time to

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<v Speaker 2>go to bed. So right, all happening. Yeah, but you

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<v Speaker 2>had an interesting scenario.

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<v Speaker 1>I did. I had a really interesting scenario. I was adopted,

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<v Speaker 1>and you know, I was adopted by white Mormon parents,

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<v Speaker 1>so the whole you know, there were a lot of

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<v Speaker 1>a lot of rules. And that's also something that was

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<v Speaker 1>interesting with comedy is where the boundaries were, because it

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<v Speaker 1>would be like, sometimes it's not okay to watch the

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<v Speaker 1>Simpsons and it's really inappropriate. I remember that being like

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<v Speaker 1>the thing, like the Simpsons is really inappropriate, you can't

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<v Speaker 1>watch the Simpsons. And then also I remember in my

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<v Speaker 1>childhood watching a good amount of the Simpsons.

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<v Speaker 2>So to say, how do you avoid that?

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<v Speaker 1>It was kind of It's interesting because the rules were

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<v Speaker 1>one way and they were totally real, following the rules

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<v Speaker 1>good Mormons. But also my parents at the time when

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<v Speaker 1>I was young. I think they adopted me at like

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<v Speaker 1>twenty three or twenty four or twenty two and twenty

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<v Speaker 1>three or something, so they were pretty young when they

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<v Speaker 1>did that. So it's not like people at that age,

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<v Speaker 1>you know, I think of I just turned thirty now,

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<v Speaker 1>I think of people being that young trying to raise

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<v Speaker 1>children and is insane to me. So it's like, of course,

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<v Speaker 1>they weren't always sticking to the rules as you seek

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<v Speaker 1>it as much as they could have wanted to, I guess.

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<v Speaker 2>But that's not a bad thing. I mean that definitely

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<v Speaker 2>shaped How did that shape your comedic voice and things

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<v Speaker 2>that you felt compelled to talk about on stage.

0:11:42.840 --> 0:11:46.320
<v Speaker 1>In terms of consuming media or just in terms of

0:11:46.679 --> 0:11:49.280
<v Speaker 1>like what my parents were just.

0:11:49.320 --> 0:11:51.880
<v Speaker 2>You know, growing up with parents that were so different

0:11:51.920 --> 0:11:53.760
<v Speaker 2>than probably your friend's parents.

0:11:54.760 --> 0:11:57.640
<v Speaker 1>I didn't know. Well, I grew up in Salt Lake City,

0:11:57.800 --> 0:12:01.480
<v Speaker 1>so my friend my parents were not different from my

0:12:01.600 --> 0:12:04.360
<v Speaker 1>friend's parents. They were all the same. I was the

0:12:04.400 --> 0:12:09.800
<v Speaker 1>different one, and I knew, you know, you start to

0:12:09.800 --> 0:12:13.320
<v Speaker 1>get a sense that you're different pretty early on, and

0:12:13.360 --> 0:12:16.280
<v Speaker 1>that it being a big topic of conversation in our house.

0:12:16.480 --> 0:12:21.360
<v Speaker 1>I didn't necessarily know it's weird because because I was

0:12:21.640 --> 0:12:24.319
<v Speaker 1>sort of fish out of water, isolated, I was made

0:12:24.360 --> 0:12:27.440
<v Speaker 1>to feel different than everybody else and we had a

0:12:27.559 --> 0:12:30.720
<v Speaker 1>different situation going on. I didn't really because it was

0:12:30.760 --> 0:12:33.480
<v Speaker 1>my family. I didn't really think about it that much

0:12:33.559 --> 0:12:37.960
<v Speaker 1>growing up of like how different in adopted or blended

0:12:38.160 --> 0:12:42.840
<v Speaker 1>family is racially. And then as I start to get older,

0:12:42.920 --> 0:12:47.000
<v Speaker 1>you start to realize, you know, maybe middle school to

0:12:47.120 --> 0:12:50.720
<v Speaker 1>teenage years, like, oh yeah, most people aren't adopted. It's

0:12:50.720 --> 0:12:54.720
<v Speaker 1>actually not something that's happening in families. You know that

0:12:54.960 --> 0:12:57.880
<v Speaker 1>much of course it happens. And then getting even older

0:12:57.920 --> 0:13:02.079
<v Speaker 1>than that, realizing that the whole girl of just being

0:13:02.160 --> 0:13:07.880
<v Speaker 1>within the Salt Lake City Mormon world is that is

0:13:07.920 --> 0:13:12.120
<v Speaker 1>actually the exception to the rule of how, you know,

0:13:12.280 --> 0:13:15.280
<v Speaker 1>the standard most people are living by that everybody is

0:13:16.520 --> 0:13:18.720
<v Speaker 1>all kinds of religions, and there's all kinds of people

0:13:18.920 --> 0:13:23.280
<v Speaker 1>throughout these United States, where when you're growing up in

0:13:23.360 --> 0:13:26.280
<v Speaker 1>such an insulated community, you go, this is the norm

0:13:26.440 --> 0:13:29.720
<v Speaker 1>these we've established. But the only reason why is because

0:13:30.320 --> 0:13:33.920
<v Speaker 1>they famously were pioneers and went across the plains and

0:13:33.960 --> 0:13:36.720
<v Speaker 1>like established their new norm because nobody wanted them anywhere else.

0:13:37.160 --> 0:13:41.720
<v Speaker 1>So that was interesting growing up and getting to the

0:13:41.760 --> 0:13:45.440
<v Speaker 1>point of finding out how truly weird you are in

0:13:45.640 --> 0:13:49.520
<v Speaker 1>context where it's like, okay, so this sum announce that

0:13:49.600 --> 0:13:51.800
<v Speaker 1>are here, and this is oh wait, no, this is

0:13:51.840 --> 0:13:56.400
<v Speaker 1>actually oh this is so I wasn't that abnormal. It

0:13:56.559 --> 0:14:02.120
<v Speaker 1>was just a complete shift in the contextual overton window

0:14:02.280 --> 0:14:06.960
<v Speaker 1>of what norms are. It was just interesting to find out.

0:14:07.000 --> 0:14:10.199
<v Speaker 1>And so then yeah, there was a lot of unpacking

0:14:10.280 --> 0:14:11.199
<v Speaker 1>to do after that.

0:14:11.679 --> 0:14:13.880
<v Speaker 2>There is I mean, I don't want to say I

0:14:13.880 --> 0:14:16.520
<v Speaker 2>have anything close to a story like yours, but when

0:14:16.520 --> 0:14:19.680
<v Speaker 2>you're young and you're different, like I grew up and

0:14:20.000 --> 0:14:22.000
<v Speaker 2>I was like the only Jewish kid in the neighborhood,

0:14:22.040 --> 0:14:26.240
<v Speaker 2>so I was relentlessly made fun of, but I thought

0:14:26.280 --> 0:14:28.280
<v Speaker 2>everyone was just like me, and I also sort of

0:14:28.320 --> 0:14:31.240
<v Speaker 2>looked like everyone else so it wasn't as difficult. But

0:14:31.360 --> 0:14:32.720
<v Speaker 2>I feel like you and I grew up in a

0:14:32.800 --> 0:14:35.640
<v Speaker 2>time that you know, you really didn't pay attention to

0:14:35.720 --> 0:14:38.240
<v Speaker 2>that until you had to pay attention to that, like school,

0:14:38.520 --> 0:14:41.880
<v Speaker 2>enter children, and then all hell breaks loose because you

0:14:41.920 --> 0:14:43.960
<v Speaker 2>know that's where you get your thick skin from. But

0:14:44.760 --> 0:14:49.400
<v Speaker 2>it's it's amazing how you can be so different but

0:14:49.520 --> 0:14:52.000
<v Speaker 2>yet not realize it at all, and you almost want

0:14:52.040 --> 0:14:54.440
<v Speaker 2>to go back to those days sometimes, like where you

0:14:54.600 --> 0:14:57.800
<v Speaker 2>just everybody doesn't think like me or talk like me

0:14:57.960 --> 0:15:00.720
<v Speaker 2>or look like me, and and that you turned it

0:15:00.760 --> 0:15:02.640
<v Speaker 2>into comedy is the best part of all.

0:15:03.680 --> 0:15:07.800
<v Speaker 1>Yeah, I think that it became pretty necessary. I think because,

0:15:08.400 --> 0:15:13.400
<v Speaker 1>like you know, the I feel like I knew I

0:15:13.440 --> 0:15:17.720
<v Speaker 1>was pretty different pretty young, like my first day of preschool,

0:15:17.760 --> 0:15:20.040
<v Speaker 1>which is the first time you go out anywhere you

0:15:20.080 --> 0:15:23.360
<v Speaker 1>remember that far back well because of the story I'm

0:15:23.360 --> 0:15:26.720
<v Speaker 1>gonna tell you, Okay, my first day of preschool, I

0:15:26.840 --> 0:15:32.040
<v Speaker 1>was there and like some random kid, I had no

0:15:32.800 --> 0:15:35.480
<v Speaker 1>there was like we were all just there's like super new.

0:15:35.520 --> 0:15:37.760
<v Speaker 1>This is basically my only memory from this time. But

0:15:37.800 --> 0:15:40.120
<v Speaker 1>then this random kid just runs up to me and goes,

0:15:40.280 --> 0:15:45.040
<v Speaker 1>I hate you and everybody else seemed like fine, and

0:15:45.080 --> 0:15:46.800
<v Speaker 1>this kid like sort of went out of his way

0:15:46.800 --> 0:15:49.640
<v Speaker 1>to be like I hate you. Now. Do I know

0:15:49.840 --> 0:15:53.480
<v Speaker 1>for a fact that was Rachel. I don't know, maybe

0:15:53.480 --> 0:15:55.640
<v Speaker 1>I was getting attention in a different way, but it

0:15:55.680 --> 0:15:58.880
<v Speaker 1>was a moment of like, this is sort of right away,

0:15:59.400 --> 0:16:06.000
<v Speaker 1>and this is kind of how everything it's sort of

0:16:06.040 --> 0:16:08.400
<v Speaker 1>how everything kind of unfolded in life in terms of

0:16:08.440 --> 0:16:11.640
<v Speaker 1>like being at school. There's the differences, I guess, but

0:16:11.680 --> 0:16:13.360
<v Speaker 1>I think when you're young and you just don't know

0:16:14.680 --> 0:16:16.520
<v Speaker 1>what I mean, any of it means you have no

0:16:16.720 --> 0:16:21.160
<v Speaker 1>context and there is just the basics of all you

0:16:21.280 --> 0:16:26.000
<v Speaker 1>know is that there might be some difference that like

0:16:26.120 --> 0:16:29.160
<v Speaker 1>you can't quite put your finger on, and I think

0:16:29.880 --> 0:16:34.200
<v Speaker 1>people react to that. So I definitely knew that, but

0:16:34.760 --> 0:16:38.400
<v Speaker 1>I just you know, you don't know how far it goes,

0:16:38.480 --> 0:16:41.360
<v Speaker 1>and you don't know the reasons. You don't know any

0:16:41.400 --> 0:16:44.200
<v Speaker 1>of the reasons why anybody's acting any kind of way.

0:16:44.520 --> 0:16:47.440
<v Speaker 1>You go, Okay, I think this is this must be

0:16:48.840 --> 0:16:52.840
<v Speaker 1>I guess normal, and then you find out it's not.

0:16:54.160 --> 0:16:58.520
<v Speaker 2>And then you just turn lemons into lemonade, and yeah,

0:16:58.560 --> 0:17:02.320
<v Speaker 2>you start writing for some very different rooms. You've got

0:17:02.320 --> 0:17:07.600
<v Speaker 2>the onion Conan After Midnight the oscars recently, which is

0:17:07.720 --> 0:17:10.240
<v Speaker 2>that little show there. I mean, how does your brain

0:17:10.400 --> 0:17:14.720
<v Speaker 2>shift from when you're writing for different formats or different voices,

0:17:14.960 --> 0:17:19.520
<v Speaker 2>Because that's a lot, and congratulations for all of that work.

0:17:20.359 --> 0:17:23.960
<v Speaker 1>Hey, thanks, It is a lot, but it's also not

0:17:25.000 --> 0:17:27.160
<v Speaker 1>what am I trying to say. I think that's sort

0:17:27.160 --> 0:17:33.200
<v Speaker 1>of the core of comedy and its functionality is relatively

0:17:33.200 --> 0:17:40.400
<v Speaker 1>the same, and it's really just the It's like saying,

0:17:40.800 --> 0:17:45.600
<v Speaker 1>maybe to a musician where it's like you playing rock

0:17:46.119 --> 0:17:49.720
<v Speaker 1>or a classical worry playing jazz or something like that,

0:17:49.760 --> 0:17:53.760
<v Speaker 1>where it's like you know what you're doing. You have

0:17:53.800 --> 0:17:55.879
<v Speaker 1>all the same notes and keys, but you're just playing

0:17:55.880 --> 0:18:01.879
<v Speaker 1>in different scales and different in different genre. So it

0:18:02.080 --> 0:18:07.119
<v Speaker 1>just doing certain things at certain times and having a

0:18:07.160 --> 0:18:11.600
<v Speaker 1>different kind of voice just lends itself to different things.

0:18:11.680 --> 0:18:17.240
<v Speaker 1>And if you are a writer, you figure out how

0:18:17.280 --> 0:18:20.280
<v Speaker 1>to take your own voice and kind of go, well,

0:18:20.280 --> 0:18:22.760
<v Speaker 1>this is what I can contribute over here, this is

0:18:22.760 --> 0:18:26.800
<v Speaker 1>how I help you. Know. What I'm able to do

0:18:27.080 --> 0:18:30.200
<v Speaker 1>for Conan, let's say, is very different than to what

0:18:30.240 --> 0:18:32.600
<v Speaker 1>I'm able to do for After Midnight, which is a

0:18:32.680 --> 0:18:35.239
<v Speaker 1>much younger show that was about the Internet. And all

0:18:35.280 --> 0:18:38.800
<v Speaker 1>this stuff, and the OSCARS is about like movies and

0:18:38.840 --> 0:18:44.560
<v Speaker 1>sort of much more broad mainstream kind of situation. So

0:18:44.680 --> 0:18:48.440
<v Speaker 1>there's a different like window of what the norms are

0:18:48.480 --> 0:18:53.120
<v Speaker 1>and what people like and what tonally people are going

0:18:53.200 --> 0:18:58.679
<v Speaker 1>to accept and why, But it is all in a

0:18:58.800 --> 0:19:04.040
<v Speaker 1>sense the same like there is I think just being

0:19:04.359 --> 0:19:07.480
<v Speaker 1>also the generation that I am growing up on a

0:19:07.520 --> 0:19:11.320
<v Speaker 1>lot of this stuff that was TV, but being around

0:19:11.359 --> 0:19:15.359
<v Speaker 1>before the start of the Internet and internet comedy and

0:19:15.480 --> 0:19:20.400
<v Speaker 1>sort of a younger sensibility gives you a great way

0:19:20.440 --> 0:19:25.720
<v Speaker 1>to kind of see the arc of when certain jokes

0:19:25.880 --> 0:19:30.439
<v Speaker 1>are totally appropriate, the way you want to say certain jokes,

0:19:30.480 --> 0:19:32.880
<v Speaker 1>what points everybody wants to make, the way people think

0:19:32.920 --> 0:19:37.480
<v Speaker 1>about things, and that's all just kind of being sort

0:19:37.480 --> 0:19:39.640
<v Speaker 1>of socially aware too at the end of the day.

0:19:39.800 --> 0:19:43.080
<v Speaker 2>But Yeah, to me, it's like walking through a minefield,

0:19:43.200 --> 0:19:45.840
<v Speaker 2>because I would be I'd break out in a sweat,

0:19:45.880 --> 0:19:47.960
<v Speaker 2>like the guy from Airplane when he's trying to land

0:19:48.000 --> 0:19:51.359
<v Speaker 2>the plane. It's just water spurt out everywhere. What's your

0:19:51.400 --> 0:19:54.000
<v Speaker 2>writing process, Like, are you a notebook guide? You do

0:19:54.000 --> 0:19:57.400
<v Speaker 2>you do voice memos or I like that you kind

0:19:57.400 --> 0:19:59.720
<v Speaker 2>of compared it to music, which was kind of a

0:19:59.800 --> 0:20:03.000
<v Speaker 2>really cool comparison. Do you do workshop everything on stage?

0:20:03.280 --> 0:20:05.439
<v Speaker 2>Like Joan Rivers, she'd come out on stage on a

0:20:05.680 --> 0:20:09.040
<v Speaker 2>random night somewhere in New York City and throw, you know,

0:20:09.240 --> 0:20:11.440
<v Speaker 2>notes down jokes on the floor so she could look

0:20:11.480 --> 0:20:14.320
<v Speaker 2>down and pick a joke and then see the response

0:20:14.359 --> 0:20:17.479
<v Speaker 2>from people, and you know, I'd see her crumple one

0:20:17.560 --> 0:20:19.359
<v Speaker 2>up and throw it off the stage if no one laughed.

0:20:19.720 --> 0:20:22.040
<v Speaker 2>What is your process?

0:20:22.080 --> 0:20:29.600
<v Speaker 1>Interesting? It's different for different things. My process is very

0:20:30.600 --> 0:20:33.639
<v Speaker 1>what a lot of it is centered around what do

0:20:33.680 --> 0:20:36.320
<v Speaker 1>I need to do in the short term, Like it's

0:20:36.400 --> 0:20:41.359
<v Speaker 1>kind of thing depending like coming up, I'm going to

0:20:41.640 --> 0:20:47.000
<v Speaker 1>record another stand up set soon, so then I'm focusing

0:20:47.080 --> 0:20:50.200
<v Speaker 1>kaya more on Okay, so let's work out the stand

0:20:50.240 --> 0:20:54.080
<v Speaker 1>up so that will be very notebookie or premises sometimes

0:20:54.080 --> 0:21:01.240
<v Speaker 1>will be voice memos. But also I think of your brain.

0:21:01.760 --> 0:21:04.159
<v Speaker 1>I've been saying your brain is just a muscle that

0:21:04.200 --> 0:21:06.920
<v Speaker 1>generates ideas, and it does a lot of other stuff

0:21:06.920 --> 0:21:09.240
<v Speaker 1>regularly to nervous system and whatever, well all that bullshit,

0:21:09.400 --> 0:21:11.880
<v Speaker 1>but it's constantly going to be coming up with ideas.

0:21:12.160 --> 0:21:15.400
<v Speaker 1>An idea is simply just an idea, and you there

0:21:15.560 --> 0:21:20.800
<v Speaker 1>is so many avenues in comedy, especially now, for an

0:21:20.800 --> 0:21:26.760
<v Speaker 1>idea to be manifested into a sketch or a something

0:21:26.960 --> 0:21:31.000
<v Speaker 1>or whatever, and sometimes it's nothing. So a lot of

0:21:31.000 --> 0:21:34.840
<v Speaker 1>the process is just like letting all that stuff come out,

0:21:35.280 --> 0:21:38.760
<v Speaker 1>writing it down and getting that in that place. And

0:21:38.840 --> 0:21:43.560
<v Speaker 1>then if you are looking for an idea, like I do,

0:21:43.680 --> 0:21:45.840
<v Speaker 1>I spend a lot of time sometimes just going back

0:21:45.840 --> 0:21:49.440
<v Speaker 1>through my notes and going, Okay, what could this be?

0:21:51.600 --> 0:21:55.240
<v Speaker 1>And then there's also saying things in person to people.

0:21:55.480 --> 0:22:00.240
<v Speaker 1>Sometimes you go that's something I should write down. Have

0:22:00.280 --> 0:22:03.439
<v Speaker 1>been on some podcasts recently. There are a couple jokes

0:22:03.480 --> 0:22:08.240
<v Speaker 1>that I've just stead in conversation based on the kind

0:22:08.280 --> 0:22:11.040
<v Speaker 1>of setup to what's going on that felt specific enough

0:22:11.080 --> 0:22:13.680
<v Speaker 1>that I was like, you know what, I think I'm

0:22:13.680 --> 0:22:18.040
<v Speaker 1>gonna maybe try that out on stage. How do you remember, in.

0:22:17.960 --> 0:22:20.119
<v Speaker 2>The middle of a podcast you hold that thought, I

0:22:20.119 --> 0:22:21.440
<v Speaker 2>gotta write something down here.

0:22:21.960 --> 0:22:26.119
<v Speaker 1>Honestly, to go back to go back to my Mormon roots.

0:22:26.160 --> 0:22:29.040
<v Speaker 1>It's a still small voice inside that whispers to me,

0:22:29.200 --> 0:22:32.480
<v Speaker 1>that goes there's just a spidey sense of like that's

0:22:32.480 --> 0:22:38.720
<v Speaker 1>something it is a Now I feel like I'm getting

0:22:38.800 --> 0:22:40.760
<v Speaker 1>very spiritual, but I'm like, it's like a slaver. It's

0:22:40.760 --> 0:22:43.120
<v Speaker 1>like a vibe. It's like a you feel you don't know,

0:22:43.680 --> 0:22:45.480
<v Speaker 1>you don't know what it is before you're there and

0:22:45.520 --> 0:22:48.520
<v Speaker 1>you can try to get to it, which is this

0:22:48.640 --> 0:22:51.160
<v Speaker 1>sitting down and writing part if you are coming at

0:22:51.160 --> 0:22:58.040
<v Speaker 1>it fresh. I don't have like a specific writing process.

0:22:58.080 --> 0:23:00.960
<v Speaker 1>When I'm very specifically working on something, then it's maybe

0:23:01.000 --> 0:23:03.080
<v Speaker 1>a little bit more structured depending on where it is.

0:23:03.119 --> 0:23:06.800
<v Speaker 1>But like my process for Onion headlines is much different

0:23:06.880 --> 0:23:10.880
<v Speaker 1>than my process for sketch, stand up or whatever.

0:23:11.640 --> 0:23:13.640
<v Speaker 2>That's so cool. I mean, do you ever does has

0:23:13.680 --> 0:23:17.040
<v Speaker 2>anyone ever sent you an Onion headline like a meme

0:23:17.200 --> 0:23:19.959
<v Speaker 2>or a text just not realizing that you had written.

0:23:20.960 --> 0:23:23.480
<v Speaker 1>That's happened a handful of times, I'm sure most of

0:23:23.720 --> 0:23:26.359
<v Speaker 1>most of the time. What's happened a lot more is

0:23:26.440 --> 0:23:30.040
<v Speaker 1>people have set me stuff guessing that was that you?

0:23:30.240 --> 0:23:32.480
<v Speaker 1>Was that you? And then I go, no, it's not.

0:23:33.560 --> 0:23:34.360
<v Speaker 2>Don't you love that?

0:23:34.600 --> 0:23:39.040
<v Speaker 1>I get that sometimes right, yeah, and you're like, no,

0:23:39.119 --> 0:23:42.159
<v Speaker 1>that's a that's no, it's not. But I thank you

0:23:42.240 --> 0:23:44.159
<v Speaker 1>for thinking of me, thank you for thinking that I

0:23:44.200 --> 0:23:45.479
<v Speaker 1>could I could do it.

0:23:45.680 --> 0:23:48.280
<v Speaker 2>You know, well, I have an example for you, Skylark,

0:23:48.359 --> 0:23:50.000
<v Speaker 2>how about this all right, So the Oscars is one

0:23:50.000 --> 0:23:54.119
<v Speaker 2>of the most watched nights in entertainment. What's the experience like?

0:23:54.160 --> 0:23:56.800
<v Speaker 2>Take us into the writer's room. You already said it

0:23:56.880 --> 0:23:59.240
<v Speaker 2>kind of up front. You know you're in the writer's room.

0:23:59.480 --> 0:24:02.119
<v Speaker 2>If you have a huge laugh attack, you're obviously going

0:24:02.200 --> 0:24:04.280
<v Speaker 2>to alienate yourself from half the writers who are mad

0:24:04.320 --> 0:24:07.840
<v Speaker 2>that you're funny or funnier. But what's the pressure feel

0:24:07.880 --> 0:24:10.600
<v Speaker 2>like when you know, like literally a billion people are

0:24:10.600 --> 0:24:11.520
<v Speaker 2>going to hear your joke?

0:24:12.920 --> 0:24:18.960
<v Speaker 1>Oh, I don't think we're internalizing that. Really, I don't think. No,

0:24:19.000 --> 0:24:22.440
<v Speaker 1>I genuinely don't. There is the first time, and especially

0:24:22.440 --> 0:24:24.919
<v Speaker 1>as we got right into the show, that pressure starts

0:24:24.920 --> 0:24:28.120
<v Speaker 1>to build. But like the people who are writers, everybody

0:24:28.119 --> 0:24:30.760
<v Speaker 1>who was writers with on the team that I was on,

0:24:30.880 --> 0:24:34.040
<v Speaker 1>which was this the Conen writing team, they are so

0:24:34.280 --> 0:24:37.600
<v Speaker 1>seasoned and so experienced and so good that and have

0:24:37.680 --> 0:24:41.160
<v Speaker 1>been doing it for so long you know that it's

0:24:41.760 --> 0:24:46.760
<v Speaker 1>it's nobody's really getting stressed out. You get stressed out

0:24:46.800 --> 0:24:50.440
<v Speaker 1>in the same what you get neurotic about what feels

0:24:50.520 --> 0:24:55.400
<v Speaker 1>right and whatever. But I don't think we're super nervous

0:24:55.680 --> 0:24:59.320
<v Speaker 1>and we I think personally i'd be more nervous if

0:24:59.400 --> 0:25:01.200
<v Speaker 1>I was the one that I had to go out

0:25:01.200 --> 0:25:05.400
<v Speaker 1>there and do it. But we are sort of right

0:25:05.520 --> 0:25:08.080
<v Speaker 1>as the oscars are happening. Right at showtime, we're sort

0:25:08.119 --> 0:25:10.959
<v Speaker 1>of situation rooming in the background and kind of just

0:25:11.000 --> 0:25:13.840
<v Speaker 1>being like, Okay, how's it gonna go? How's it gonna go?

0:25:14.160 --> 0:25:16.439
<v Speaker 1>That is the time when we're the most nervous. The

0:25:16.520 --> 0:25:23.600
<v Speaker 1>rest of the process is relatively fun because we're writing

0:25:23.720 --> 0:25:26.640
<v Speaker 1>jokes every day. We're trying to pitch bits every day

0:25:26.760 --> 0:25:29.719
<v Speaker 1>running up to it, and it starts to because we

0:25:29.760 --> 0:25:32.040
<v Speaker 1>work on it for the three months, so it's kind

0:25:32.080 --> 0:25:34.679
<v Speaker 1>of it goes to January to whatever the Oscars is.

0:25:34.880 --> 0:25:38.080
<v Speaker 1>So everything's kind of abstract and blue sky early on,

0:25:38.560 --> 0:25:40.640
<v Speaker 1>and that it congeals more and more and more as

0:25:40.640 --> 0:25:42.640
<v Speaker 1>we get up to show time and as we're following

0:25:42.760 --> 0:25:45.560
<v Speaker 1>the tone of how the awards race is kind of going,

0:25:45.640 --> 0:25:48.080
<v Speaker 1>as we're following the news, as we're following how the

0:25:48.119 --> 0:25:51.120
<v Speaker 1>industry's going, and so it's kind of so we can

0:25:51.240 --> 0:25:54.280
<v Speaker 1>have what feels like a good reflection of the time

0:25:54.480 --> 0:26:00.159
<v Speaker 1>and do comedy that feels both evergreen and like this

0:26:00.240 --> 0:26:02.800
<v Speaker 1>is what this is, what this year means in terms

0:26:02.920 --> 0:26:06.840
<v Speaker 1>of movies and the film and industry. So it is fun.

0:26:06.920 --> 0:26:12.600
<v Speaker 1>There's not there's pressure involved, of course, but like Conan's

0:26:12.720 --> 0:26:16.880
<v Speaker 1>such a pro. Conan's writers are such pros that it's

0:26:16.920 --> 0:26:22.040
<v Speaker 1>not they've done it before in big shows before that,

0:26:22.200 --> 0:26:25.760
<v Speaker 1>so it's it's really not that scary. No.

0:26:25.920 --> 0:26:28.480
<v Speaker 2>I can only imagine it being so much fun that

0:26:28.600 --> 0:26:30.359
<v Speaker 2>I don't even know how I would be able to

0:26:30.400 --> 0:26:36.520
<v Speaker 2>get anything done. And just thinking about Conan alone, like

0:26:36.960 --> 0:26:39.960
<v Speaker 2>just mentioning his name makes me want to laugh. So

0:26:40.320 --> 0:26:42.159
<v Speaker 2>I can't even imagine what it must be like to

0:26:42.160 --> 0:26:43.879
<v Speaker 2>work with him and write with his team.

0:26:44.040 --> 0:26:46.760
<v Speaker 1>He is the reason, and he understands this. He is

0:26:46.800 --> 0:26:49.160
<v Speaker 1>the reason why a lot of times we're not getting

0:26:49.200 --> 0:26:52.920
<v Speaker 1>anything done is the writers. People will sit there and we're,

0:26:52.960 --> 0:26:54.720
<v Speaker 1>you know, we're writing, and then he'll kick the door

0:26:54.720 --> 0:26:58.840
<v Speaker 1>in and do anywhere from fifteen to two hours and

0:26:58.880 --> 0:27:03.000
<v Speaker 1>forty five minutes of looking around and riffing that. You're like, okay,

0:27:03.000 --> 0:27:03.960
<v Speaker 1>that's great, Can you stop.

0:27:04.000 --> 0:27:05.320
<v Speaker 2>I gotta get work done.

0:27:05.680 --> 0:27:09.000
<v Speaker 1>Yeah. At a certain point we kind of sit there

0:27:09.080 --> 0:27:11.000
<v Speaker 1>and then sometimes you know, he will go for a

0:27:11.000 --> 0:27:12.840
<v Speaker 1>while and it'll be lower energy and he'll still just

0:27:12.880 --> 0:27:15.520
<v Speaker 1>be like kind of hanging out and it's like, okay,

0:27:15.560 --> 0:27:19.240
<v Speaker 1>but we don't really we're not getting real work done

0:27:19.480 --> 0:27:21.720
<v Speaker 1>while you're in here. And he knows that, so he

0:27:21.840 --> 0:27:26.040
<v Speaker 1>just likes to have conversations about, you know, the direction

0:27:26.200 --> 0:27:29.360
<v Speaker 1>he's going with stuff, what he's trying to do. He's

0:27:29.400 --> 0:27:32.000
<v Speaker 1>he's great in so many ways because he's a very

0:27:32.440 --> 0:27:35.879
<v Speaker 1>very silly man, as we all know. But he's also

0:27:35.920 --> 0:27:40.240
<v Speaker 1>a very thoughtful guy in terms of comedy and in

0:27:40.359 --> 0:27:44.200
<v Speaker 1>terms of how it should be done and the bar

0:27:44.359 --> 0:27:48.119
<v Speaker 1>that we're trying to clear in terms of comedy, especially

0:27:48.200 --> 0:27:51.200
<v Speaker 1>for what we're doing, and he has a lot of

0:27:51.280 --> 0:27:54.960
<v Speaker 1>conversations about that, and you know, and will come in

0:27:55.000 --> 0:27:57.680
<v Speaker 1>and sort of rally the troops and encourage the writers

0:27:57.680 --> 0:27:59.560
<v Speaker 1>and go, it's never too late to come up with

0:27:59.600 --> 0:28:01.760
<v Speaker 1>an amazing idea. Always be coming up with the idea

0:28:01.840 --> 0:28:06.199
<v Speaker 1>is it's and he's all about sort of staying limber

0:28:06.280 --> 0:28:09.040
<v Speaker 1>but like kind of you never know, and let's just

0:28:09.080 --> 0:28:10.399
<v Speaker 1>like make get happen.

0:28:10.440 --> 0:28:12.920
<v Speaker 3>And it just the way that he goes about doing it,

0:28:13.440 --> 0:28:16.280
<v Speaker 3>I think is what leads to really good comedy because

0:28:16.320 --> 0:28:20.480
<v Speaker 3>it's not like him coming in being like pressure, pressure, pressure,

0:28:20.520 --> 0:28:21.560
<v Speaker 3>do a good job, do a good job.

0:28:21.640 --> 0:28:23.520
<v Speaker 1>Do a good job. He goes, He comes in and

0:28:23.520 --> 0:28:25.840
<v Speaker 1>he goes, I know that you guys are great. I

0:28:25.880 --> 0:28:29.440
<v Speaker 1>know that you can do an amazing job. Just continue

0:28:29.480 --> 0:28:31.679
<v Speaker 1>to be trying your best, thinking of all these ways.

0:28:31.680 --> 0:28:33.920
<v Speaker 1>But we're knocking it out of the park. I'm really

0:28:34.040 --> 0:28:37.199
<v Speaker 1>happened the last two years especially, he's been really like

0:28:37.280 --> 0:28:40.080
<v Speaker 1>that leading up to the show no more and more,

0:28:40.160 --> 0:28:43.760
<v Speaker 1>and it's it's been. It's just a really fun process

0:28:43.800 --> 0:28:44.440
<v Speaker 1>to be a part of that.

0:28:45.040 --> 0:28:47.440
<v Speaker 2>I can't even imagine. I would love to be a

0:28:47.480 --> 0:28:52.240
<v Speaker 2>fly on the wall now. Skyler being named just for

0:28:52.320 --> 0:28:55.840
<v Speaker 2>Laugh's new face is a real industry stamp of approval.

0:28:56.240 --> 0:28:58.360
<v Speaker 2>Did that change everything for you or the way that

0:28:58.760 --> 0:29:01.040
<v Speaker 2>rooms looked at you or the you looked at yourself.

0:29:01.200 --> 0:29:07.880
<v Speaker 1>No, that's an easy one. No, no, no, no, well because

0:29:08.360 --> 0:29:10.640
<v Speaker 1>and not to go too into the weeds of the

0:29:10.720 --> 0:29:17.240
<v Speaker 1>comedy industry, but it has changed especially I would say

0:29:17.240 --> 0:29:23.320
<v Speaker 1>the two big demarcations is post twenty sixteen. Around then

0:29:24.200 --> 0:29:26.000
<v Speaker 1>the twenty tens were sort of the peak of the

0:29:26.000 --> 0:29:30.560
<v Speaker 1>way comedy industry is working before and then COVID and

0:29:30.600 --> 0:29:33.400
<v Speaker 1>post COVID then it was like completely different. So by

0:29:33.440 --> 0:29:36.080
<v Speaker 1>the time I went to JFL It was a great,

0:29:36.320 --> 0:29:39.640
<v Speaker 1>huge honor, got me a lot of people in the

0:29:39.800 --> 0:29:42.600
<v Speaker 1>industry that I met and stuff like that. But it

0:29:43.080 --> 0:29:45.880
<v Speaker 1>used to be a lot more of a thing where

0:29:45.880 --> 0:29:48.760
<v Speaker 1>if it's like if you went to JFL you are

0:29:48.880 --> 0:29:52.560
<v Speaker 1>now it's the big time. It's definitely a great thing

0:29:52.600 --> 0:29:56.960
<v Speaker 1>to have and it's good. But in terms of did

0:29:57.000 --> 0:30:02.880
<v Speaker 1>it change everything, no, oh, and I don't know that.

0:30:03.320 --> 0:30:06.959
<v Speaker 1>With a few exceptions, I don't know if there's really

0:30:07.120 --> 0:30:11.280
<v Speaker 1>much that does kind of change everything now, which I

0:30:11.320 --> 0:30:15.640
<v Speaker 1>think is bad and good in some ways. The ways

0:30:15.680 --> 0:30:20.600
<v Speaker 1>in which it's good is I now feel like, you know,

0:30:20.800 --> 0:30:23.959
<v Speaker 1>I did a Comedy Central set. I grew up on

0:30:24.200 --> 0:30:27.680
<v Speaker 1>Comedy Central stand up. I finally got to tape a

0:30:27.720 --> 0:30:30.400
<v Speaker 1>ten minute Comedy Central set. It's on YouTube. People can

0:30:30.400 --> 0:30:34.600
<v Speaker 1>see it. That was something where another one of back

0:30:34.640 --> 0:30:37.480
<v Speaker 1>in the day that would have really felt like I

0:30:37.560 --> 0:30:40.719
<v Speaker 1>did it. It's changed, I've made it whatever. It's just

0:30:40.760 --> 0:30:43.920
<v Speaker 1>like climbing. You just kind of keep climbing and reaching

0:30:43.960 --> 0:30:47.960
<v Speaker 1>for the next thing until you look back down and

0:30:48.320 --> 0:30:52.120
<v Speaker 1>they how look look how far? Yeah, and you're super tired.

0:30:52.320 --> 0:30:54.959
<v Speaker 1>You think, look how far of climbs? And wow, wouldn't

0:30:54.960 --> 0:30:56.600
<v Speaker 1>it be scary if I fell off here and then

0:30:56.680 --> 0:30:59.120
<v Speaker 1>you got a whole other thing stressed out about. So yeah,

0:30:59.320 --> 0:31:02.240
<v Speaker 1>I don't no, I don't feel you know, I don't

0:31:02.280 --> 0:31:06.520
<v Speaker 1>personally feel like I am a famous comedian in any way.

0:31:06.680 --> 0:31:09.040
<v Speaker 1>That's said. I have done some things that I'm proud

0:31:09.080 --> 0:31:12.840
<v Speaker 1>of and continue to do that, and there's a lot

0:31:12.880 --> 0:31:15.600
<v Speaker 1>of I think, interesting, fun things that I'm working on

0:31:15.680 --> 0:31:17.959
<v Speaker 1>right now that are gonna come out in a lot

0:31:18.000 --> 0:31:19.240
<v Speaker 1>of ways. I'm just getting started.

0:31:19.600 --> 0:31:22.560
<v Speaker 2>But oh you are just by the way. I'm just

0:31:22.640 --> 0:31:26.600
<v Speaker 2>here to tell you that you're just getting started. Especially

0:31:26.600 --> 0:31:28.479
<v Speaker 2>if you just turn thirty. Oh my god, it's like

0:31:28.520 --> 0:31:29.960
<v Speaker 2>the beginning for me.

0:31:30.280 --> 0:31:32.120
<v Speaker 1>I know, it's the oldest I've ever been.

0:31:33.400 --> 0:31:35.480
<v Speaker 2>Really, that's all you've ever been is thirty.

0:31:35.840 --> 0:31:38.040
<v Speaker 1>I know I want to take sixty two out for

0:31:38.080 --> 0:31:39.640
<v Speaker 1>a spin someday, but I don't know.

0:31:39.840 --> 0:31:41.960
<v Speaker 2>Oh you will, but you know when your mentality what

0:31:42.000 --> 0:31:44.520
<v Speaker 2>you're describing as was my next question, which I guess

0:31:44.560 --> 0:31:46.840
<v Speaker 2>is probably the same answer about Vulture saying you know,

0:31:46.880 --> 0:31:49.920
<v Speaker 2>the one to watch. You know, these things would usually

0:31:49.960 --> 0:31:54.680
<v Speaker 2>indicate that someone has arrived and you're saying, yeah, well

0:31:54.720 --> 0:31:57.120
<v Speaker 2>it's great to have, but it's sort of part of

0:31:57.120 --> 0:31:59.800
<v Speaker 2>the process. And I'm just going to keep moving forward regardless.

0:32:00.120 --> 0:32:03.840
<v Speaker 2>And it's not about fame really, it's more about working.

0:32:04.640 --> 0:32:08.400
<v Speaker 1>Yeah, and it's all about building sort of a sustainable

0:32:08.440 --> 0:32:10.760
<v Speaker 1>career and being able to pay your bills at the

0:32:10.840 --> 0:32:13.000
<v Speaker 1>end of the day. Say to myself all the time,

0:32:13.240 --> 0:32:15.960
<v Speaker 1>I love the opportunities that I'm getting, that I get

0:32:16.040 --> 0:32:18.640
<v Speaker 1>and I'm getting and I'm grateful for them. But also

0:32:19.520 --> 0:32:24.200
<v Speaker 1>everything is just another thing. Everything time moves on. You

0:32:24.280 --> 0:32:28.240
<v Speaker 1>have to keep doing more stuff. This whole idea of

0:32:28.400 --> 0:32:31.880
<v Speaker 1>arriving or making it, there are so many people who

0:32:32.560 --> 0:32:37.160
<v Speaker 1>have arrived and then they unarrived. You arrived for a second.

0:32:37.680 --> 0:32:41.320
<v Speaker 1>Then your kind of career kind of goes up and

0:32:41.360 --> 0:32:45.160
<v Speaker 1>down and you can be on and then you can

0:32:45.200 --> 0:32:46.600
<v Speaker 1>be off, and then you can be back on and

0:32:46.640 --> 0:32:49.320
<v Speaker 1>it can just be Hopefully you get to a place

0:32:49.440 --> 0:32:52.800
<v Speaker 1>eventually where you're like, I've reached a happiness and a

0:32:53.280 --> 0:32:56.960
<v Speaker 1>satisfaction with everything that's happened, and keep trying for better.

0:32:57.000 --> 0:33:00.360
<v Speaker 1>But it's you know, it's it's tough because it's it's like, well,

0:33:00.320 --> 0:33:08.240
<v Speaker 1>the and also the idea of even fame now is abstract.

0:33:08.360 --> 0:33:11.160
<v Speaker 1>It's it's you can be really famous to some people.

0:33:11.240 --> 0:33:14.720
<v Speaker 1>You can be not. I mean, con o'bryan's one of

0:33:14.760 --> 0:33:17.600
<v Speaker 1>the most famous people in the world. And there were

0:33:17.680 --> 0:33:21.200
<v Speaker 1>some people that when I first started writing for him

0:33:21.200 --> 0:33:27.160
<v Speaker 1>in twenty twenty that I told about like Conan, and

0:33:27.200 --> 0:33:29.640
<v Speaker 1>a couple of people were like, oh, yeah, which one's

0:33:29.640 --> 0:33:31.360
<v Speaker 1>Conan again? Who is that?

0:33:31.480 --> 0:33:33.960
<v Speaker 2>Oh that happened to you before you turn thirty, because

0:33:33.960 --> 0:33:36.560
<v Speaker 2>that's usually a milestone thing when you turn thirty and

0:33:36.640 --> 0:33:39.360
<v Speaker 2>you like, you just talking with someone and you run

0:33:39.400 --> 0:33:41.520
<v Speaker 2>a line from a movie and they're like, what was

0:33:41.560 --> 0:33:45.680
<v Speaker 2>that from? And that's when you're like, oh shit, right,

0:33:46.360 --> 0:33:49.280
<v Speaker 2>But that obviously happened to you five years ago, Skyler,

0:33:49.440 --> 0:33:52.640
<v Speaker 2>So you're experiencing things a little bit earlier.

0:33:52.840 --> 0:33:54.680
<v Speaker 1>But it makes sense, right, But the feature is different

0:33:54.680 --> 0:33:57.200
<v Speaker 1>now because people are and people are so into and

0:33:57.280 --> 0:33:59.880
<v Speaker 1>it wasn't that many people like some people, yes, but

0:34:00.040 --> 0:34:03.280
<v Speaker 1>some people are also like, oh yeah, I don't really

0:34:03.440 --> 0:34:06.560
<v Speaker 1>you know, even then, and those where even people who

0:34:06.560 --> 0:34:09.520
<v Speaker 1>are slightly younger than me, I think, and not in

0:34:09.800 --> 0:34:13.640
<v Speaker 1>comedy or even the comedy fans really, so that's also

0:34:13.680 --> 0:34:18.520
<v Speaker 1>a different thing. But yeah, it's that's just what happens,

0:34:18.560 --> 0:34:21.800
<v Speaker 1>you know. You could say I could say right now,

0:34:22.320 --> 0:34:26.080
<v Speaker 1>I could say like, oh, yeah, I show speed is

0:34:26.280 --> 0:34:29.399
<v Speaker 1>a person who is very very very famous right now,

0:34:29.680 --> 0:34:33.480
<v Speaker 1>and I'm sure tons of listeners would be like, who

0:34:33.600 --> 0:34:35.600
<v Speaker 1>is that? Who is that guy? He just said? And

0:34:35.640 --> 0:34:39.640
<v Speaker 1>it's just like an internet streamer guy who's like crazy famous.

0:34:39.640 --> 0:34:43.200
<v Speaker 1>But if you're over the age of I want to say,

0:34:43.800 --> 0:34:45.920
<v Speaker 1>every nobody over the age of thirty five has heard

0:34:45.920 --> 0:34:48.000
<v Speaker 1>of this guy before, and for good reason. There's an

0:34:48.040 --> 0:34:51.040
<v Speaker 1>internet guy and it's kind of clear what he actually does.

0:34:51.080 --> 0:34:53.040
<v Speaker 1>He like plays video games, but then also just kind

0:34:53.080 --> 0:34:56.359
<v Speaker 1>of runs around, you know, like that's all. That's what

0:34:56.400 --> 0:35:00.000
<v Speaker 1>fame is now, So it's not like an inherent actual value.

0:35:00.440 --> 0:35:03.200
<v Speaker 1>I wouldn't want to be sort of famous for famous's sake,

0:35:03.320 --> 0:35:07.440
<v Speaker 1>the way that started happening in the two thousands times,

0:35:07.480 --> 0:35:11.160
<v Speaker 1>after reality TV shows and all of that. You know.

0:35:11.520 --> 0:35:14.160
<v Speaker 2>So, what I think you're kind of saying, if I

0:35:14.200 --> 0:35:20.160
<v Speaker 2>could summarize, is don't rest on your laurels, meaning don't

0:35:20.200 --> 0:35:22.920
<v Speaker 2>just assume you know you've got it all, but also

0:35:23.960 --> 0:35:27.040
<v Speaker 2>relax in the saddle of life.

0:35:27.160 --> 0:35:29.160
<v Speaker 1>Hell yeah, that's exactly what I was saying.

0:35:29.239 --> 0:35:29.560
<v Speaker 2>Thanks.

0:35:29.760 --> 0:35:33.239
<v Speaker 1>Yeah, it's also like enjoy it, enjoy it, really have

0:35:33.280 --> 0:35:36.600
<v Speaker 1>to enjoy. That's the biggest thing you know this podcast

0:35:36.760 --> 0:35:41.279
<v Speaker 1>is it's comedy saved me. And the weird thing that

0:35:41.400 --> 0:35:44.680
<v Speaker 1>can happen. And I've been in these situations sometimes is

0:35:44.920 --> 0:35:47.600
<v Speaker 1>you know, I am trying to make comedy. I am

0:35:47.960 --> 0:35:54.760
<v Speaker 1>a comedian and I'm so frustrated and upset and this

0:35:55.000 --> 0:35:58.280
<v Speaker 1>sucks and I hate what's going on and it's crazy

0:35:58.360 --> 0:36:00.640
<v Speaker 1>because you're like, but wait, this is supposed to be comedy,

0:36:00.760 --> 0:36:05.399
<v Speaker 1>so shouldn't even that be Why am I? Why am

0:36:05.400 --> 0:36:07.520
<v Speaker 1>I mad? Why am I angry? Why am I feeling

0:36:08.200 --> 0:36:12.719
<v Speaker 1>so competitive about comedy that I'm upset at everything around me?

0:36:12.800 --> 0:36:13.400
<v Speaker 1>And why am I?

0:36:13.600 --> 0:36:13.680
<v Speaker 4>So?

0:36:14.239 --> 0:36:17.399
<v Speaker 1>Why is my mindset like this? If it is supposed

0:36:17.440 --> 0:36:21.160
<v Speaker 1>to be making people laugh and making people happy like that,

0:36:21.160 --> 0:36:24.239
<v Speaker 1>that's dumb. That's dumb. Who Why would it suck to

0:36:24.239 --> 0:36:27.440
<v Speaker 1>be the person that's trying to make people laugh that?

0:36:27.920 --> 0:36:32.160
<v Speaker 1>And you can very easily in the entertainment industry, especially

0:36:32.480 --> 0:36:35.360
<v Speaker 1>get into that zone because it's so competitive, there's so

0:36:35.440 --> 0:36:39.600
<v Speaker 1>much hierarchy. There's people that you started with that are

0:36:39.600 --> 0:36:41.560
<v Speaker 1>getting way more famous than you. There are people that

0:36:41.680 --> 0:36:43.880
<v Speaker 1>started after you you that are getting way more famous

0:36:43.920 --> 0:36:46.239
<v Speaker 1>than you, And you go, where is my mom? I'm

0:36:46.239 --> 0:36:50.080
<v Speaker 1>not gettingthing stuff was uh, and then you get upset

0:36:50.440 --> 0:36:54.560
<v Speaker 1>and then it's like you're supposed to be enjoying this,

0:36:55.080 --> 0:36:59.000
<v Speaker 1>And that is always something that I try to really remember.

0:36:59.120 --> 0:37:02.160
<v Speaker 1>I've been on a huge, huge because I think there's

0:37:02.200 --> 0:37:05.960
<v Speaker 1>a lot of really not good stuff happening in comedy

0:37:06.040 --> 0:37:08.600
<v Speaker 1>right now in terms of what people are allowing to happen,

0:37:09.080 --> 0:37:11.680
<v Speaker 1>and that is very easy to be very cynical about.

0:37:12.960 --> 0:37:17.640
<v Speaker 1>Reason my example, I think the easiest example that I

0:37:17.680 --> 0:37:19.400
<v Speaker 1>think a lot of people will have heard of is

0:37:19.760 --> 0:37:23.400
<v Speaker 1>like Tony Hingecliff and the killed Tony stuff I find

0:37:23.480 --> 0:37:27.040
<v Speaker 1>to be very negative and very not good, and I

0:37:27.080 --> 0:37:30.840
<v Speaker 1>think very exploitive, and you know, he's he goes he

0:37:31.000 --> 0:37:34.680
<v Speaker 1>was at the big Trump rally, heat heap. A lot

0:37:34.719 --> 0:37:37.960
<v Speaker 1>of this stuff I find very problematic and really negative.

0:37:38.040 --> 0:37:41.200
<v Speaker 1>Not to harp on that, but because that's such a

0:37:41.239 --> 0:37:47.239
<v Speaker 1>big part of what it's it's grown and grown and

0:37:47.800 --> 0:37:52.040
<v Speaker 1>I would say metastasized as a part of the comedy industry,

0:37:52.600 --> 0:37:55.719
<v Speaker 1>that you can sit there and kind of be mad

0:37:55.760 --> 0:37:58.560
<v Speaker 1>about that all day, with which sh I am in

0:37:58.640 --> 0:38:02.320
<v Speaker 1>a lot of ways. But I also try to shift

0:38:02.400 --> 0:38:06.240
<v Speaker 1>my focus to what am I going to be positive

0:38:06.239 --> 0:38:09.040
<v Speaker 1>about and what do. I like, I don't want to

0:38:09.360 --> 0:38:11.480
<v Speaker 1>just do what the system is telling me to do.

0:38:11.640 --> 0:38:13.880
<v Speaker 1>I would like to be positive in and enjoy the

0:38:13.920 --> 0:38:17.200
<v Speaker 1>things and see comedy that I like and see my

0:38:17.280 --> 0:38:23.040
<v Speaker 1>friends and go, wow, that's really really amazing. That's because

0:38:23.080 --> 0:38:25.880
<v Speaker 1>it's hard to do comedy that's good. So like, of

0:38:25.920 --> 0:38:27.399
<v Speaker 1>course there's going to be a lot of bad stuff

0:38:27.440 --> 0:38:29.480
<v Speaker 1>because like the good stuff is hard to make, and

0:38:29.520 --> 0:38:31.080
<v Speaker 1>if there's so many people in this, there's gonna be

0:38:31.080 --> 0:38:33.440
<v Speaker 1>a lot of bad and it's not the best of it.

0:38:33.560 --> 0:38:36.160
<v Speaker 1>Let's like, I'm trying to focus on the good more,

0:38:36.400 --> 0:38:39.520
<v Speaker 1>not to say I don't want to criticize the stuff

0:38:39.520 --> 0:38:40.799
<v Speaker 1>that I think is the bad, because I do, But

0:38:40.880 --> 0:38:43.120
<v Speaker 1>I just think that also kind of living in a

0:38:43.200 --> 0:38:46.320
<v Speaker 1>space where it's like, but there is so much amazing

0:38:46.360 --> 0:38:50.280
<v Speaker 1>comedy right now that so many people can be affirmed from,

0:38:50.440 --> 0:38:54.920
<v Speaker 1>and that is interesting and new and different, that that

0:38:55.200 --> 0:38:56.880
<v Speaker 1>is is a nice place for me to be.

0:38:57.200 --> 0:39:02.319
<v Speaker 2>Yeah, necessity breeds invention, So never fear because where there's

0:39:02.360 --> 0:39:04.520
<v Speaker 2>a whole, it'll be filled with something good. And also,

0:39:04.600 --> 0:39:08.040
<v Speaker 2>what you just said was really poignant. If you focus

0:39:08.080 --> 0:39:10.640
<v Speaker 2>on the things that you don't want, that's what you're

0:39:10.680 --> 0:39:15.760
<v Speaker 2>going to get Yeah, so why focus on that I.

0:39:15.640 --> 0:39:18.400
<v Speaker 1>Heard very early on. I don't even remember this is

0:39:18.920 --> 0:39:20.680
<v Speaker 1>I think this was in terms of a creative thing.

0:39:20.719 --> 0:39:27.799
<v Speaker 1>But it's like, you can't define something entirely by what

0:39:27.840 --> 0:39:31.239
<v Speaker 1>it's what it's not. You know, I can't. I can't

0:39:31.280 --> 0:39:34.640
<v Speaker 1>tell you who I am and just tell you, oh, well,

0:39:34.640 --> 0:39:36.359
<v Speaker 1>I'm not this, I'm not this, I'm not that. That's

0:39:36.360 --> 0:39:38.239
<v Speaker 1>not that gives you no sense of who I am.

0:39:38.600 --> 0:39:41.840
<v Speaker 1>But but you have to define it by like what

0:39:41.920 --> 0:39:44.799
<v Speaker 1>it is, by the positive, by what's there. You can't

0:39:45.160 --> 0:39:48.759
<v Speaker 1>entirely define something correctly by the negative or what if

0:39:48.880 --> 0:39:53.719
<v Speaker 1>it's an antithesis too, So that is that's also, you know,

0:39:54.680 --> 0:39:56.840
<v Speaker 1>I think very important to me in terms of both

0:39:57.560 --> 0:40:01.200
<v Speaker 1>personally and the way I want to live my life,

0:40:01.200 --> 0:40:04.879
<v Speaker 1>but also just like creatively, where it's like no, it's

0:40:04.920 --> 0:40:06.440
<v Speaker 1>instead of being like it's not like it's not like

0:40:06.480 --> 0:40:07.759
<v Speaker 1>it's like okay, But what is it? How do you

0:40:07.800 --> 0:40:10.120
<v Speaker 1>feel it all? What? What is? What is good? What?

0:40:10.120 --> 0:40:12.680
<v Speaker 1>What are you trying to do? Not like what do

0:40:12.760 --> 0:40:14.919
<v Speaker 1>you hate that other people are doing.

0:40:17.080 --> 0:40:19.799
<v Speaker 4>We'll be right back with more of the Comedy Saved

0:40:19.840 --> 0:40:28.880
<v Speaker 4>Me podcast. Welcome back to the Comedy Saved Me podcast.

0:40:30.600 --> 0:40:33.719
<v Speaker 2>What's something that surprised you about the comedy industry once

0:40:33.760 --> 0:40:36.560
<v Speaker 2>you got inside of it? Just one random thing that

0:40:36.600 --> 0:40:37.200
<v Speaker 2>was surprising.

0:40:37.280 --> 0:40:42.920
<v Speaker 1>Thing surprised, Oh interesting.

0:40:44.520 --> 0:40:46.120
<v Speaker 2>If I like it? When I make you think you

0:40:46.200 --> 0:40:46.560
<v Speaker 2>really like that?

0:40:47.280 --> 0:40:52.000
<v Speaker 1>The thing that surprised me about the comedy industry. This

0:40:52.080 --> 0:40:55.360
<v Speaker 1>is gonna sound I know, I just talked so much.

0:40:55.840 --> 0:40:58.960
<v Speaker 1>I just pre positivity so much. But but the thing

0:40:59.000 --> 0:41:01.160
<v Speaker 1>that but the thing that really did surprise me is

0:41:01.200 --> 0:41:06.000
<v Speaker 1>like how incompetent so many people are. Who are the

0:41:06.120 --> 0:41:10.920
<v Speaker 1>people who aren't in charge of, yeah, running the show

0:41:11.440 --> 0:41:16.080
<v Speaker 1>because they many many of them have no sense of comedy.

0:41:16.680 --> 0:41:19.960
<v Speaker 1>And it's funny because they have all in the control

0:41:21.000 --> 0:41:24.600
<v Speaker 1>and so you're kind of like, oh huh. And then

0:41:24.880 --> 0:41:28.520
<v Speaker 1>the other thing that it's not super surprising, but in

0:41:28.640 --> 0:41:32.520
<v Speaker 1>terms of you know, who makes it, who's popular, who whatever?

0:41:32.880 --> 0:41:37.839
<v Speaker 1>Is that it's just really it is nothing in this

0:41:37.920 --> 0:41:40.800
<v Speaker 1>country has ever been truly merit based because of believerory.

0:41:41.200 --> 0:41:47.480
<v Speaker 1>But the comedy world of like this person's whatever, and

0:41:47.480 --> 0:41:49.799
<v Speaker 1>this person's over here, it's not merit based, and it

0:41:49.840 --> 0:41:55.080
<v Speaker 1>doesn't mean anybody's inherently better than anybody else in terms

0:41:55.160 --> 0:41:58.080
<v Speaker 1>of talent. It's just that they got lucky in this

0:41:58.120 --> 0:42:00.239
<v Speaker 1>way and this thing happened, and then they kind of

0:42:00.320 --> 0:42:02.680
<v Speaker 1>took this path and that and then so they're there,

0:42:03.080 --> 0:42:05.799
<v Speaker 1>and everybody's kind of where they are, but they are

0:42:06.440 --> 0:42:10.680
<v Speaker 1>just there are incredibly talented people at every level, and

0:42:10.760 --> 0:42:14.040
<v Speaker 1>there are incredibly untalented people at every level and that,

0:42:14.200 --> 0:42:18.920
<v Speaker 1>and it's just it's the There is a I guess

0:42:19.160 --> 0:42:22.680
<v Speaker 1>correlation in my mind, and I think a pretty positive

0:42:22.719 --> 0:42:27.920
<v Speaker 1>correlation of talent to success, but it's very loosely correlated.

0:42:28.320 --> 0:42:32.160
<v Speaker 2>Now I understand exactly what you're laying down.

0:42:33.840 --> 0:42:35.640
<v Speaker 1>So if you used to think, I guess, I used

0:42:35.680 --> 0:42:38.480
<v Speaker 1>to think, you know, if you put in this amount

0:42:38.520 --> 0:42:40.759
<v Speaker 1>of work and get this amount good, then you don't

0:42:40.800 --> 0:42:43.799
<v Speaker 1>get this amount successful. And that's just not true. You know,

0:42:44.040 --> 0:42:49.040
<v Speaker 1>there's a bunch of factors. Some of them are about you,

0:42:49.560 --> 0:42:52.200
<v Speaker 1>most of them are not, you know. Some of them

0:42:52.480 --> 0:42:56.000
<v Speaker 1>is who you are, most of it is has nothing

0:42:56.000 --> 0:42:59.839
<v Speaker 1>to do with you, and you're just you know, it's

0:42:59.840 --> 0:43:04.560
<v Speaker 1>an industry, which means you are a laborer in the industry.

0:43:04.719 --> 0:43:08.120
<v Speaker 1>And when you think of yourself in terms of labor

0:43:08.920 --> 0:43:16.320
<v Speaker 1>in a marketplace, more than this, I'm the philosopher, poet,

0:43:16.719 --> 0:43:20.640
<v Speaker 1>you know, extraordinary kind of guy. I have such a Yeah,

0:43:20.640 --> 0:43:24.160
<v Speaker 1>you're an artist, but it's like there's also the industry, uh,

0:43:24.200 --> 0:43:28.440
<v Speaker 1>and the mechanisms of capitalism in the industry in a

0:43:28.480 --> 0:43:31.840
<v Speaker 1>larger scale sense. Don't really they're not really interested in

0:43:31.880 --> 0:43:36.520
<v Speaker 1>the art itself or the equality of it. It's only

0:43:36.560 --> 0:43:39.040
<v Speaker 1>in so far as like what can make money at

0:43:39.080 --> 0:43:40.799
<v Speaker 1>the end of the day, and they feel can make money.

0:43:40.840 --> 0:43:43.840
<v Speaker 1>And if somebody feels your movie idea could make a

0:43:43.840 --> 0:43:46.600
<v Speaker 1>lot of money, whether good or bad, they're like, let's

0:43:46.640 --> 0:43:47.440
<v Speaker 1>do let's do that.

0:43:47.760 --> 0:43:47.960
<v Speaker 4>Yeah.

0:43:48.160 --> 0:43:51.360
<v Speaker 2>Yeah, we're apples and oranges. That's what my husband always

0:43:51.360 --> 0:43:53.239
<v Speaker 2>tells me. We're just apples and.

0:43:52.880 --> 0:43:57.200
<v Speaker 1>As and or And you can be really you can

0:43:57.239 --> 0:44:01.800
<v Speaker 1>get really negative about that because that can sound awful.

0:44:02.440 --> 0:44:05.640
<v Speaker 1>But I think it just sort of releases a lot

0:44:05.680 --> 0:44:10.040
<v Speaker 1>of the personal making it about you, making it upset

0:44:10.400 --> 0:44:13.040
<v Speaker 1>about you when you didn't get something, or you know,

0:44:13.239 --> 0:44:15.399
<v Speaker 1>oh I must not be good enough, or it must

0:44:15.400 --> 0:44:17.360
<v Speaker 1>be about It's like, it's not about you, you know,

0:44:17.440 --> 0:44:21.000
<v Speaker 1>it's it's truly not It's about so many other factors

0:44:21.000 --> 0:44:23.600
<v Speaker 1>and just and it goes back to what I was

0:44:23.600 --> 0:44:25.680
<v Speaker 1>saying before, Just do your best and enjoy it.

0:44:26.080 --> 0:44:29.799
<v Speaker 2>Yeah, such. I mean, it seems so simple to say that,

0:44:30.320 --> 0:44:32.720
<v Speaker 2>but it really is the truth because when you start

0:44:32.800 --> 0:44:35.840
<v Speaker 2>peeling back the onion, it ain't pretty in the center

0:44:35.880 --> 0:44:38.200
<v Speaker 2>there you think it's just like the golden egg is

0:44:38.200 --> 0:44:40.160
<v Speaker 2>in there, and you get there and you're like, wow,

0:44:40.280 --> 0:44:42.560
<v Speaker 2>this is what it is? Like why did I worry

0:44:42.600 --> 0:44:44.840
<v Speaker 2>so much? Why did I put so much pressure on

0:44:44.920 --> 0:44:49.880
<v Speaker 2>myself to be? And also, success isn't just finance it' right,

0:44:50.000 --> 0:44:50.680
<v Speaker 2>you know a life.

0:44:50.719 --> 0:44:54.719
<v Speaker 1>Absolutely, yeah, there's a lot of things to it. Well,

0:44:54.760 --> 0:44:58.359
<v Speaker 1>even in terms of you know, let's talk let's say

0:44:58.760 --> 0:45:00.959
<v Speaker 1>getting a show made or something like that. You could

0:45:00.960 --> 0:45:04.040
<v Speaker 1>be like, oh, I guess you know, I was never

0:45:04.360 --> 0:45:08.680
<v Speaker 1>a good enough writer to get my show made or whatever.

0:45:08.840 --> 0:45:11.000
<v Speaker 1>But then like, let's think about it even more. There's

0:45:11.120 --> 0:45:13.440
<v Speaker 1>like whatever the concept is, if it works for any

0:45:13.440 --> 0:45:17.960
<v Speaker 1>of these places that is going to be these production companies,

0:45:18.239 --> 0:45:20.200
<v Speaker 1>and whether it works for them in a way that

0:45:20.239 --> 0:45:22.080
<v Speaker 1>they think that they can develop it into something that

0:45:22.080 --> 0:45:24.319
<v Speaker 1>they could sell to some of the networks, and whether

0:45:24.360 --> 0:45:25.880
<v Speaker 1>the networks want to buy it, and like what the

0:45:25.920 --> 0:45:31.040
<v Speaker 1>networks are, like, what their mandates are based on whatever

0:45:31.160 --> 0:45:34.080
<v Speaker 1>they think people are gonna like. And then on a

0:45:34.160 --> 0:45:37.080
<v Speaker 1>larger level. Now you have all these network consolidations where

0:45:37.120 --> 0:45:40.400
<v Speaker 1>Paramount is consolidating. No, and then they're cutting their executive

0:45:40.400 --> 0:45:42.440
<v Speaker 1>steps and they're blah blah blah. And then once you

0:45:42.560 --> 0:45:45.400
<v Speaker 1>once you start looking at it like that, Oh, it

0:45:45.480 --> 0:45:48.359
<v Speaker 1>didn't have anything to do with the idea. Oh how

0:45:48.360 --> 0:45:50.279
<v Speaker 1>good it was, whether or not it was, it had

0:45:50.320 --> 0:45:53.400
<v Speaker 1>nothing to do with it. Is all of this because

0:45:53.560 --> 0:45:57.239
<v Speaker 1>the Trump and all that. It just that it has

0:45:57.280 --> 0:45:58.080
<v Speaker 1>nothing to do with you.

0:45:58.800 --> 0:45:59.480
<v Speaker 2>It's so true.

0:45:59.560 --> 0:46:03.480
<v Speaker 1>Yeah, preach No, that's all. That's all. That's all I

0:46:03.560 --> 0:46:05.319
<v Speaker 1>had to say. I just I just want people to

0:46:05.480 --> 0:46:09.480
<v Speaker 1>not feel like they're If they feel like they're quote

0:46:09.520 --> 0:46:13.240
<v Speaker 1>unquote failing, that, they're not failures. It's not their fault.

0:46:13.280 --> 0:46:18.200
<v Speaker 1>It's not a personal quality of them. It's got everything

0:46:18.280 --> 0:46:23.520
<v Speaker 1>to do with the material conditions and the sort of

0:46:23.600 --> 0:46:27.080
<v Speaker 1>economic structure of what's going on. Like I've auditioned for SNL,

0:46:27.880 --> 0:46:30.560
<v Speaker 1>I clearly didn't get it. I had a good audition,

0:46:30.640 --> 0:46:34.240
<v Speaker 1>but I did not get onto SNL. In the years since,

0:46:34.400 --> 0:46:37.680
<v Speaker 1>I've done some things that I I've felt were really

0:46:37.680 --> 0:46:40.160
<v Speaker 1>cool and I really liked, and I like if I

0:46:40.320 --> 0:46:43.640
<v Speaker 1>had gone on SNL when I auditioned for it, then

0:46:43.719 --> 0:46:46.160
<v Speaker 1>I never would have been able to write for the Oscars,

0:46:46.160 --> 0:46:51.160
<v Speaker 1>for example, and that has been very cool, interesting experience,

0:46:51.239 --> 0:46:53.480
<v Speaker 1>even in terms of getting to hang out with Conan

0:46:53.520 --> 0:46:55.520
<v Speaker 1>O'Brien from the amount of time that I've had, which

0:46:55.560 --> 0:46:58.880
<v Speaker 1>never would have happened if I had been on SNL

0:46:58.960 --> 0:47:02.279
<v Speaker 1>like it just true, wouldn't have. Everything that's meant for

0:47:02.320 --> 0:47:04.920
<v Speaker 1>you is meant for you. Yeah, don't even worry about it. Literally,

0:47:04.920 --> 0:47:06.880
<v Speaker 1>try your best, do your thing, do what you're interested in,

0:47:06.960 --> 0:47:08.640
<v Speaker 1>do what you think you'd be good at, and whatever

0:47:08.760 --> 0:47:09.680
<v Speaker 1>happens happens.

0:47:10.320 --> 0:47:11.120
<v Speaker 2>Listen to Skyler.

0:47:13.400 --> 0:47:13.640
<v Speaker 1>Good.

0:47:14.000 --> 0:47:16.719
<v Speaker 2>Why can't we just listen to Skylar Skyler help me

0:47:16.800 --> 0:47:20.080
<v Speaker 2>be Black? Tell us about the podcast? What made you

0:47:20.120 --> 0:47:23.280
<v Speaker 2>want to be or our brother? Build a podcast?

0:47:23.920 --> 0:47:24.560
<v Speaker 1>Why did you want to?

0:47:24.920 --> 0:47:27.120
<v Speaker 2>Can we start at the beginning? No, what made you

0:47:27.160 --> 0:47:29.320
<v Speaker 2>want to build a whole podcast around this part of

0:47:29.640 --> 0:47:31.280
<v Speaker 2>your story? Really?

0:47:31.840 --> 0:47:37.239
<v Speaker 1>I wanted to just because there is always been this

0:47:38.760 --> 0:47:42.799
<v Speaker 1>difference in what I experienced versus what black people in

0:47:42.880 --> 0:47:45.640
<v Speaker 1>black households, they grew up in black households and in

0:47:45.719 --> 0:47:50.520
<v Speaker 1>black communities know and have experienced. Culturally. It's always been

0:47:50.560 --> 0:47:54.440
<v Speaker 1>interesting with me because it's not like my life has

0:47:54.480 --> 0:47:58.920
<v Speaker 1>been without the struggles of being a black man in America. Obviously,

0:47:59.520 --> 0:48:03.960
<v Speaker 1>like that just happens regardless, but to have not connected

0:48:04.400 --> 0:48:06.719
<v Speaker 1>to have not been growing up connected to any of

0:48:06.760 --> 0:48:11.640
<v Speaker 1>the culture is a funny thing because the exchange was

0:48:11.719 --> 0:48:14.600
<v Speaker 1>kind of like, oh, you get this oppression, but like,

0:48:14.600 --> 0:48:18.080
<v Speaker 1>you're gonna be good at music, for example, you're gonna

0:48:18.080 --> 0:48:19.560
<v Speaker 1>grow up in a church. It's gonna teach you how

0:48:19.560 --> 0:48:21.040
<v Speaker 1>to sing really well, or you get to go to

0:48:21.080 --> 0:48:23.520
<v Speaker 1>black church because but I didn't get to have that.

0:48:23.920 --> 0:48:27.719
<v Speaker 1>So it's just always been something that has taken a

0:48:27.719 --> 0:48:30.920
<v Speaker 1>lot of unpacking, you know, for a good amount of

0:48:30.960 --> 0:48:33.040
<v Speaker 1>time when I was young, I was like, oh, I

0:48:33.040 --> 0:48:36.399
<v Speaker 1>didn't feel like I'm really black. I don't know if

0:48:36.440 --> 0:48:39.640
<v Speaker 1>I really get to, you know whatever. It just is

0:48:39.680 --> 0:48:43.600
<v Speaker 1>something that was a huge point of strife in my

0:48:44.600 --> 0:48:49.520
<v Speaker 1>personal life and feeling an inferiority complex based on that,

0:48:50.000 --> 0:48:54.160
<v Speaker 1>and I thought, you know, I've grown out of that now,

0:48:54.520 --> 0:48:58.480
<v Speaker 1>but I still did feel like my experience is not

0:48:58.560 --> 0:49:02.080
<v Speaker 1>ever going to have had change like that. It's just

0:49:02.160 --> 0:49:04.440
<v Speaker 1>where I'm from, and there's nothing that I can do

0:49:04.520 --> 0:49:08.480
<v Speaker 1>about that, even if I have to sometimes feel like

0:49:08.560 --> 0:49:10.640
<v Speaker 1>I'm explaining myself to people. There's nothing that I can

0:49:10.680 --> 0:49:13.919
<v Speaker 1>do about it. So I just thought, you know what,

0:49:14.080 --> 0:49:16.719
<v Speaker 1>let's just I just want to talk about these things

0:49:16.760 --> 0:49:19.919
<v Speaker 1>because they are very interesting to me because as black

0:49:19.960 --> 0:49:24.160
<v Speaker 1>people are, culture and our experiences and our history is

0:49:24.400 --> 0:49:28.600
<v Speaker 1>so so important to our identities, and when you have

0:49:28.680 --> 0:49:32.560
<v Speaker 1>a different experience of that, it can be a little weird.

0:49:33.480 --> 0:49:36.319
<v Speaker 1>I remember a couple of times sometimes people will just

0:49:36.400 --> 0:49:39.360
<v Speaker 1>react to something I put online or something, and I

0:49:39.400 --> 0:49:43.720
<v Speaker 1>got one comment where a guy was like this, this guy,

0:49:43.800 --> 0:49:46.520
<v Speaker 1>why is this guy talking like this? He's talking white

0:49:46.600 --> 0:49:49.120
<v Speaker 1>or whatever, or it seems like he's, hey know, white people.

0:49:49.200 --> 0:49:51.439
<v Speaker 1>This guy's got like a white voice. And I go,

0:49:52.640 --> 0:49:54.560
<v Speaker 1>but he was kind of he was being very critical,

0:49:54.680 --> 0:49:57.000
<v Speaker 1>and I replied to him and I was like, oh yeah,

0:49:57.040 --> 0:49:59.800
<v Speaker 1>I mean I was adopted and raised by white people.

0:50:00.120 --> 0:50:01.920
<v Speaker 1>Wasn't my choice. There's nothing I could do about that.

0:50:02.040 --> 0:50:03.960
<v Speaker 1>And then that guy replied and he's like, oh man,

0:50:04.000 --> 0:50:06.719
<v Speaker 1>I'm sorry, that's real different. And I didn't know you

0:50:06.880 --> 0:50:09.799
<v Speaker 1>like did a complete money. I thought it was so

0:50:09.840 --> 0:50:12.600
<v Speaker 1>funny because it was like, okay, so a lot of time,

0:50:13.320 --> 0:50:16.279
<v Speaker 1>for good reasons, black people will approach people who are

0:50:16.280 --> 0:50:20.640
<v Speaker 1>not behaving as traditionally black as like specifically trying to

0:50:20.680 --> 0:50:22.920
<v Speaker 1>sell out or being a certain way in order to

0:50:22.960 --> 0:50:26.799
<v Speaker 1>appeal to the white gays or whatever. But and I

0:50:26.840 --> 0:50:31.160
<v Speaker 1>think maybe from a distance, you can maybe approach myself

0:50:31.239 --> 0:50:34.160
<v Speaker 1>like that. But then once you just kind of hear

0:50:34.880 --> 0:50:37.920
<v Speaker 1>the situation and then I had no control over it,

0:50:37.920 --> 0:50:40.160
<v Speaker 1>it was like, oh, actually I actually do have empathy.

0:50:40.320 --> 0:50:42.239
<v Speaker 1>I thought you were just like trying to just not

0:50:42.360 --> 0:50:45.040
<v Speaker 1>be around black people, but I now see that you

0:50:45.239 --> 0:50:48.440
<v Speaker 1>just weren't given the opportunity to and that's a different scenario.

0:50:48.719 --> 0:50:51.120
<v Speaker 2>Well, it's nice that you make people stop for a

0:50:51.200 --> 0:50:53.520
<v Speaker 2>minute and put themselves in someone else's shoes, because a

0:50:53.520 --> 0:50:55.520
<v Speaker 2>lot of people don't know how to do that, and

0:50:55.560 --> 0:50:59.360
<v Speaker 2>it's like you should always seek first to understand before

0:50:59.400 --> 0:51:02.239
<v Speaker 2>being understood, but no one ever does that. It's like, no,

0:51:02.440 --> 0:51:05.240
<v Speaker 2>you gotta understand me first. I don't care what happened

0:51:05.280 --> 0:51:05.480
<v Speaker 2>to you.

0:51:06.480 --> 0:51:08.920
<v Speaker 1>People don't want to do that, and it's it's easier

0:51:09.000 --> 0:51:12.040
<v Speaker 1>not to, but it's it's yes, it is funny when

0:51:12.040 --> 0:51:14.840
<v Speaker 1>people just really they just want to kind of point

0:51:14.840 --> 0:51:17.279
<v Speaker 1>fingers and go this is and I don't like. I

0:51:17.320 --> 0:51:19.640
<v Speaker 1>don't like how it's different. And it's it's that same

0:51:19.680 --> 0:51:22.759
<v Speaker 1>thing that goes back to me when I was in

0:51:22.880 --> 0:51:24.640
<v Speaker 1>pre school of just being like, that's different. I don't

0:51:24.640 --> 0:51:27.560
<v Speaker 1>get it. I don't like it. Yeah, and now that's

0:51:27.560 --> 0:51:30.839
<v Speaker 1>something I am way more whipped to handle. But it's like,

0:51:31.280 --> 0:51:33.120
<v Speaker 1>this is who I am. What am I gonna do?

0:51:33.200 --> 0:51:35.359
<v Speaker 1>What I gonna do, This is who I am. It's fine,

0:51:35.560 --> 0:51:38.560
<v Speaker 1>and it's fine. I like it, But like if you're

0:51:38.600 --> 0:51:41.040
<v Speaker 1>mad at that, there's nothing I can do about it.

0:51:41.120 --> 0:51:44.320
<v Speaker 1>Whatever people might say, I'm very pro black. I'm very

0:51:44.480 --> 0:51:48.280
<v Speaker 1>when I think of the black identity politically and stuff

0:51:48.360 --> 0:51:51.480
<v Speaker 1>I know about our history. I'm trying to know as

0:51:51.520 --> 0:51:53.560
<v Speaker 1>much as I can about our culture that I didn't

0:51:53.560 --> 0:51:55.839
<v Speaker 1>grow up with, which takes a lot of time because

0:51:55.880 --> 0:51:59.239
<v Speaker 1>there's not like really one book. Oh yeah, yeah, there's

0:51:59.280 --> 0:52:01.880
<v Speaker 1>not one book that this is oh and it's like

0:52:01.920 --> 0:52:05.280
<v Speaker 1>and then also like we in America are not a monolith.

0:52:05.400 --> 0:52:08.240
<v Speaker 1>Then you also have the black diaspora across the world,

0:52:08.239 --> 0:52:10.680
<v Speaker 1>and everybody in the diaspora feels differently about each other,

0:52:10.719 --> 0:52:13.160
<v Speaker 1>and everybody has a lot of opinions about all of

0:52:13.200 --> 0:52:16.120
<v Speaker 1>this stuff. And also then it's very insular because there's

0:52:16.120 --> 0:52:19.520
<v Speaker 1>this idea of you can be blacker or less black,

0:52:19.600 --> 0:52:21.759
<v Speaker 1>or there's this like version of essentialism and that's kind

0:52:21.760 --> 0:52:23.920
<v Speaker 1>of weird, and let's impact that and what is it?

0:52:23.920 --> 0:52:27.520
<v Speaker 1>It's so abstract. One of the best avenues to figure

0:52:27.560 --> 0:52:30.040
<v Speaker 1>that kind of stuff out is podcast and you could

0:52:30.040 --> 0:52:32.439
<v Speaker 1>have a lot of different conversations about it. So that's

0:52:32.480 --> 0:52:35.400
<v Speaker 1>why I have a comedian, a black comedian that's a guest,

0:52:35.719 --> 0:52:38.600
<v Speaker 1>and they bring in a topic that they want to

0:52:38.640 --> 0:52:41.480
<v Speaker 1>talk about, and then we just talk about it and

0:52:41.480 --> 0:52:43.680
<v Speaker 1>sometimes I do a little research. Most of the time

0:52:43.719 --> 0:52:46.600
<v Speaker 1>I don't. Sometimes they have a take on it or

0:52:46.680 --> 0:52:48.520
<v Speaker 1>thoughts on it, and they want to educate me in

0:52:48.560 --> 0:52:50.640
<v Speaker 1>one way or another, and then we just talk and

0:52:50.920 --> 0:52:53.239
<v Speaker 1>we sit down and we riff and it's like very

0:52:53.520 --> 0:52:58.200
<v Speaker 1>lucy goosey casual and we usually end up learning a

0:52:58.200 --> 0:53:01.920
<v Speaker 1>thing or two or having some enlighten revelation and some

0:53:01.960 --> 0:53:03.880
<v Speaker 1>silly jokes the whole time. So it's fun.

0:53:03.960 --> 0:53:06.600
<v Speaker 2>That's the most important thing is coming away learning something,

0:53:06.640 --> 0:53:09.800
<v Speaker 2>and the laughter, of course is a bonus of what.

0:53:09.800 --> 0:53:13.120
<v Speaker 2>What's like one piece of advice that you that was

0:53:13.360 --> 0:53:16.839
<v Speaker 2>you know, sparked from the podcast, or the best piece

0:53:16.840 --> 0:53:19.640
<v Speaker 2>of advice either with a guest or with the audience

0:53:21.080 --> 0:53:23.680
<v Speaker 2>or conversation, something that stands out to you.

0:53:24.280 --> 0:53:27.480
<v Speaker 1>Something I learned recently that I didn't know is that

0:53:27.760 --> 0:53:31.800
<v Speaker 1>at Judentine celebrations there is at least in Houston, where

0:53:32.120 --> 0:53:35.120
<v Speaker 1>my guest Lacey grew up, there would be red kool

0:53:35.120 --> 0:53:39.719
<v Speaker 1>aid at the Juneine celebrations. And you know, the kool

0:53:39.719 --> 0:53:43.120
<v Speaker 1>aid and black people is already whatever stereotype, but also

0:53:43.200 --> 0:53:45.440
<v Speaker 1>the reason why it's read it's sort of representative of

0:53:45.480 --> 0:53:48.319
<v Speaker 1>like the blood of the ancestors and is like kind

0:53:48.360 --> 0:53:52.600
<v Speaker 1>of honoring people who came before and and died and

0:53:52.640 --> 0:53:55.960
<v Speaker 1>were you know, had terrible horrible experiences with slavery and

0:53:55.960 --> 0:53:59.880
<v Speaker 1>stuff like that, and this that it's that and that tradition,

0:54:00.120 --> 0:54:04.839
<v Speaker 1>the red juice like tradition actually goes back up very

0:54:04.840 --> 0:54:08.680
<v Speaker 1>long time to Africa putting like certain red things and

0:54:08.760 --> 0:54:11.520
<v Speaker 1>dyes and stuff into the drinks to be honoring like

0:54:11.560 --> 0:54:15.000
<v Speaker 1>people in the past. I had no idea. I had

0:54:15.040 --> 0:54:17.520
<v Speaker 1>no idea, and I was like, wow, I had that's

0:54:18.600 --> 0:54:20.959
<v Speaker 1>and I think, I know, you know, at this point,

0:54:20.960 --> 0:54:23.960
<v Speaker 1>I know a good amount just from the friends that

0:54:24.000 --> 0:54:26.120
<v Speaker 1>I've had. I'm finding things out all the time where

0:54:26.120 --> 0:54:28.319
<v Speaker 1>it's like I didn't know, I didn't know that, I

0:54:28.360 --> 0:54:31.640
<v Speaker 1>had no idea about that, So you know, that kind

0:54:31.680 --> 0:54:34.640
<v Speaker 1>of stuff just comes up because it just does. I

0:54:34.760 --> 0:54:37.520
<v Speaker 1>just have no idea about certain things unless you're like,

0:54:37.600 --> 0:54:40.360
<v Speaker 1>really there And yeah, it was interesting to me.

0:54:40.560 --> 0:54:44.920
<v Speaker 2>What is doing a podcast helped me be black? Taught

0:54:44.960 --> 0:54:48.800
<v Speaker 2>you something about yourself that stand up probably couldn't have alone.

0:54:50.160 --> 0:54:56.399
<v Speaker 1>Hmmm. I do think that it has taught me that

0:54:57.600 --> 0:55:05.359
<v Speaker 1>I am much more interested in being silly than I

0:55:05.400 --> 0:55:08.799
<v Speaker 1>am and in trying to get deep sometimes. And it's

0:55:08.840 --> 0:55:12.600
<v Speaker 1>hard when you're the host of a show because you

0:55:12.680 --> 0:55:14.880
<v Speaker 1>want to maybe crack a joke when you should be

0:55:14.960 --> 0:55:18.000
<v Speaker 1>asking a question. And I've gotten better about balancing it.

0:55:19.160 --> 0:55:26.120
<v Speaker 1>I also have noticed that I feel sometimes like I

0:55:26.160 --> 0:55:30.680
<v Speaker 1>am smarter on paper or in my thoughts than I

0:55:30.719 --> 0:55:34.800
<v Speaker 1>am able to articulate in a moment. And sometimes I

0:55:34.840 --> 0:55:37.600
<v Speaker 1>will be listening back to the podcast being like, oh,

0:55:37.640 --> 0:55:39.919
<v Speaker 1>it sounds so stupid. This is not a smart guy.

0:55:40.480 --> 0:55:43.960
<v Speaker 1>But I like, I feel like I am actually smart.

0:55:43.960 --> 0:55:46.160
<v Speaker 1>But then I go on podcasts and try to talk

0:55:46.200 --> 0:55:48.680
<v Speaker 1>about stuff and I'm like, oh, I don't know what

0:55:48.760 --> 0:55:50.040
<v Speaker 1>this guy's saying. Wait, maybe you.

0:55:51.680 --> 0:55:52.920
<v Speaker 2>Listen back to your podcast.

0:55:53.120 --> 0:55:56.680
<v Speaker 1>No, not often, just sometimes for clips and stuff, and

0:55:56.719 --> 0:56:01.440
<v Speaker 1>I go that could have been said better, but I whatever, Well, what.

0:56:01.320 --> 0:56:06.160
<v Speaker 2>You missed was radio the original medium. It was a

0:56:06.200 --> 0:56:09.960
<v Speaker 2>one and done. It didn't live on forever and infamy online.

0:56:10.760 --> 0:56:12.880
<v Speaker 2>Therefore you never really had to worry about what you said.

0:56:13.480 --> 0:56:16.560
<v Speaker 2>And then when the people would call and say they

0:56:16.640 --> 0:56:19.480
<v Speaker 2>said something, and we had this thing called the Skimmer tape,

0:56:20.280 --> 0:56:23.280
<v Speaker 2>was that happened to be broken. Every time someone wanted

0:56:23.320 --> 0:56:26.839
<v Speaker 2>to hear what I said that they didn't like, Oh yeah,

0:56:26.920 --> 0:56:29.160
<v Speaker 2>that thing, it's really old. It just broke.

0:56:30.120 --> 0:56:30.480
<v Speaker 1>Yeah.

0:56:30.520 --> 0:56:34.800
<v Speaker 2>But yeah, listening back, you hear something, someone said something

0:56:34.800 --> 0:56:36.680
<v Speaker 2>funny and you were thinking of your next question. You

0:56:36.680 --> 0:56:39.680
<v Speaker 2>didn't laugh, but you laughing because you're hearing back the podcast,

0:56:39.719 --> 0:56:41.120
<v Speaker 2>and you're like, why didn't I laugh at that? I

0:56:41.120 --> 0:56:42.080
<v Speaker 2>sound like an idiot.

0:56:43.120 --> 0:56:47.040
<v Speaker 1>The thing of everything being super available too is that

0:56:47.200 --> 0:56:48.719
<v Speaker 1>then you have to let go of a lot of

0:56:48.719 --> 0:56:51.840
<v Speaker 1>that kind of stuff as well, where you go, Yeah,

0:56:52.560 --> 0:56:54.880
<v Speaker 1>everybody can be super critical of it now every moment,

0:56:55.239 --> 0:56:57.600
<v Speaker 1>like I've had a couple of clips go out where

0:56:57.680 --> 0:57:02.960
<v Speaker 1>something slightly fat actually incorrect was said in the setup

0:57:03.080 --> 0:57:05.120
<v Speaker 1>to something and then it is, you know, kind of

0:57:05.280 --> 0:57:10.319
<v Speaker 1>becomes a whole bit or whatever. And the people that

0:57:10.400 --> 0:57:14.759
<v Speaker 1>and people online have gotten just so insane, has just

0:57:14.760 --> 0:57:17.640
<v Speaker 1>taken the whole clip and just gotten so so upset

0:57:18.160 --> 0:57:23.720
<v Speaker 1>about the technical factual inaccuracy of whatever. I'm like, this

0:57:23.960 --> 0:57:28.400
<v Speaker 1>was such a small moment. And it's funny because let's

0:57:28.400 --> 0:57:31.640
<v Speaker 1>say you're recorded the podcast you know, however many weeks ago,

0:57:31.840 --> 0:57:33.680
<v Speaker 1>and that goes out and then there's that clip that

0:57:34.400 --> 0:57:38.600
<v Speaker 1>happened for a couple of seconds in your brain and life,

0:57:38.600 --> 0:57:41.320
<v Speaker 1>and you kind of whatever, and then people are seeing

0:57:41.400 --> 0:57:43.520
<v Speaker 1>it and then they're getting really really mad and they're

0:57:43.520 --> 0:57:46.120
<v Speaker 1>like commenting for days and days, and you go, that's

0:57:46.200 --> 0:57:49.880
<v Speaker 1>just like kind of something I said for like a second,

0:57:49.880 --> 0:57:52.240
<v Speaker 1>and I'm not saying anything crazy offensive and I'm not

0:57:52.280 --> 0:57:55.480
<v Speaker 1>like spreading this information. Also, back to the internet thing

0:57:55.640 --> 0:58:01.960
<v Speaker 1>is people getting so angry and overly and about things

0:58:02.080 --> 0:58:04.520
<v Speaker 1>because they're the consumer. This is the content. I have

0:58:04.560 --> 0:58:08.200
<v Speaker 1>no emotional connection to who these people are. But at

0:58:08.200 --> 0:58:10.200
<v Speaker 1>the end of the day, it is like, well, I'm

0:58:10.280 --> 0:58:13.920
<v Speaker 1>just a person talking, Like what, are you completely one

0:58:14.280 --> 0:58:17.000
<v Speaker 1>percent correct about everything you say all the time? I

0:58:17.040 --> 0:58:19.680
<v Speaker 1>don't think you are. So when you are kind of

0:58:19.800 --> 0:58:23.960
<v Speaker 1>condemning who I am as an entire person based on

0:58:24.680 --> 0:58:27.360
<v Speaker 1>something that was said, for to say and like a

0:58:27.480 --> 0:58:31.520
<v Speaker 1>very small thing. It's not great, and I don't love that,

0:58:31.880 --> 0:58:35.600
<v Speaker 1>and it's you sort of build up a bigger muscle

0:58:35.680 --> 0:58:38.080
<v Speaker 1>for those things too, where you go, okay. So I

0:58:38.080 --> 0:58:40.760
<v Speaker 1>guess I'm just getting better about not caring when it

0:58:40.800 --> 0:58:44.280
<v Speaker 1>feels like everyone's mad at me, when I'm like, well,

0:58:44.280 --> 0:58:46.080
<v Speaker 1>it's not really that good of a reason for everyone

0:58:46.120 --> 0:58:48.720
<v Speaker 1>to be mad at me, so just we'll just move on.

0:58:49.240 --> 0:58:51.040
<v Speaker 2>Yeah, well, back in my day we used to call

0:58:51.120 --> 0:58:53.439
<v Speaker 2>that bad press. But you know what, there isn't any

0:58:53.440 --> 0:58:55.680
<v Speaker 2>bad press. So if they're talking about you, yeah, you've

0:58:55.680 --> 0:58:56.680
<v Speaker 2>done something right.

0:58:57.280 --> 0:59:00.720
<v Speaker 1>Exactly, even if they're saying it was wrong. Right. But

0:59:00.760 --> 0:59:03.240
<v Speaker 1>it's also just an Instagram, Like it was just a

0:59:03.280 --> 0:59:05.880
<v Speaker 1>couple of different clips that was just like in the comments,

0:59:05.880 --> 0:59:09.720
<v Speaker 1>everybody's like, oh it was. It was funny because it

0:59:09.760 --> 0:59:11.840
<v Speaker 1>was something that was small. Where we were talking about

0:59:12.600 --> 0:59:14.880
<v Speaker 1>the most recent one. We were talking about MLK and

0:59:15.800 --> 0:59:17.800
<v Speaker 1>Malcolm X and people of the day, and we were

0:59:17.800 --> 0:59:21.720
<v Speaker 1>just talking about how black haircut situations have changed, and

0:59:21.800 --> 0:59:23.600
<v Speaker 1>I kind of just basically said, well, like, yeah, like

0:59:23.720 --> 0:59:26.760
<v Speaker 1>MLK wasn't lined up, you know, which he wasn't. He

0:59:26.800 --> 0:59:29.520
<v Speaker 1>didn't have like a fresh cut fade in the way

0:59:29.560 --> 0:59:32.920
<v Speaker 1>that we do now, and people got really mad. They

0:59:32.920 --> 0:59:34.800
<v Speaker 1>were like, no, he had a haircut, but and you

0:59:35.120 --> 0:59:37.440
<v Speaker 1>then you guys, and then you started coming in our

0:59:37.440 --> 0:59:39.640
<v Speaker 1>haircuts and like, you guys not lined up, you're not fresh.

0:59:40.080 --> 0:59:41.760
<v Speaker 1>And I'm like, what do you think this is me

0:59:41.920 --> 0:59:47.080
<v Speaker 1>criticizing MLK, Like I'm just I was just saying haircuts

0:59:47.080 --> 0:59:49.560
<v Speaker 1>are different. This is different than it was. And then

0:59:50.000 --> 0:59:53.360
<v Speaker 1>so because that is, maybe that shouldn't in our brains

0:59:53.400 --> 0:59:56.880
<v Speaker 1>become so fundamental And the reason why you're getting upset

0:59:57.160 --> 0:59:59.240
<v Speaker 1>is the same point that I'm making that it's like

0:59:59.560 --> 1:00:03.680
<v Speaker 1>this the situation is not like fundamental to who you

1:00:03.840 --> 1:00:06.840
<v Speaker 1>are necessarily and how black you are and what you

1:00:07.160 --> 1:00:09.640
<v Speaker 1>know all of this stuff. It was just funny that

1:00:09.640 --> 1:00:11.600
<v Speaker 1>that was sort of the point that I was making

1:00:11.960 --> 1:00:15.000
<v Speaker 1>and people took it such the wrong way because and

1:00:15.040 --> 1:00:17.000
<v Speaker 1>it's like, but well, you're kind of proving my point

1:00:17.040 --> 1:00:20.800
<v Speaker 1>because you're like, you just assume because I'm saying that

1:00:21.520 --> 1:00:26.240
<v Speaker 1>he wasn't lined up, that that I'm saying what that

1:00:26.480 --> 1:00:29.520
<v Speaker 1>he what? What are you talking about? Anyway? What I

1:00:29.520 --> 1:00:31.600
<v Speaker 1>do like about the podcast is I don't have to

1:00:31.600 --> 1:00:34.480
<v Speaker 1>go around being like I know, I know everything. If

1:00:34.520 --> 1:00:37.280
<v Speaker 1>I don't know something, it's fine, and other people tell

1:00:37.320 --> 1:00:39.720
<v Speaker 1>me that I don't know it, and I go, yeah, okay,

1:00:39.760 --> 1:00:40.640
<v Speaker 1>well I'm learning.

1:00:40.840 --> 1:00:44.760
<v Speaker 2>Well that's a wonderful quality about you, Skyler. Is that

1:00:44.760 --> 1:00:47.080
<v Speaker 2>that you want to have these discussions and you want

1:00:47.120 --> 1:00:51.160
<v Speaker 2>to talk and you're not just a keyboard cowboy cowboy

1:00:51.400 --> 1:00:54.960
<v Speaker 2>keyboard cowboy. Yeah No, I mean you. You want to

1:00:54.960 --> 1:00:57.840
<v Speaker 2>talk to people who have different opinions and different thoughts,

1:00:57.920 --> 1:01:01.800
<v Speaker 2>and that's the most important thing to be able to

1:01:01.840 --> 1:01:05.720
<v Speaker 2>grow and learn and understand who you are really m

1:01:05.960 --> 1:01:10.080
<v Speaker 2>M and who everyone else is, which is probably impossible

1:01:10.080 --> 1:01:13.440
<v Speaker 2>to figure out at this point. But so I just

1:01:13.480 --> 1:01:15.960
<v Speaker 2>asked you a little fluffy question, and now I'm going

1:01:16.000 --> 1:01:17.040
<v Speaker 2>to go in for the big one.

1:01:17.760 --> 1:01:18.160
<v Speaker 1>Okay.

1:01:19.160 --> 1:01:22.320
<v Speaker 2>This show is built around the idea that comedy can

1:01:22.360 --> 1:01:24.640
<v Speaker 2>be a lifeline and it can be very healing. Was

1:01:24.680 --> 1:01:28.600
<v Speaker 2>there a specific moment in your life where comedy genuinely

1:01:29.080 --> 1:01:32.440
<v Speaker 2>saved you or healed you or brought you back from

1:01:32.480 --> 1:01:33.000
<v Speaker 2>the brink?

1:01:34.200 --> 1:01:36.600
<v Speaker 1>Yeah, I think there's a couple of moments like that.

1:01:36.960 --> 1:01:39.720
<v Speaker 1>I do think that me if I were to give

1:01:39.760 --> 1:01:43.720
<v Speaker 1>you the biggest easy answer but also a very true answer,

1:01:43.800 --> 1:01:47.280
<v Speaker 1>is that, like, how many save me from like going

1:01:47.320 --> 1:01:49.920
<v Speaker 1>on a Mormon mission and like being a Mormon and

1:01:50.120 --> 1:01:53.360
<v Speaker 1>saved me from the Mormon Church, which I would personally

1:01:53.440 --> 1:01:59.000
<v Speaker 1>consider a cult and got me. I me getting interested

1:01:59.000 --> 1:02:03.400
<v Speaker 1>in comedy was to me listening to comedians talk about stuff.

1:02:03.440 --> 1:02:06.360
<v Speaker 1>There was big podcast, you know, and shout out to

1:02:06.520 --> 1:02:08.520
<v Speaker 1>Pete Holmes and his podcast because it was all about

1:02:08.560 --> 1:02:12.560
<v Speaker 1>religion and sort of deconstructing that kind of stuff. And yes,

1:02:12.760 --> 1:02:18.120
<v Speaker 1>my interest in comedy was sort of the avenue of

1:02:18.360 --> 1:02:24.880
<v Speaker 1>exploring the world and thoughts out of Mormonism. And you know,

1:02:25.200 --> 1:02:29.320
<v Speaker 1>you're kind of encouraged when you're Mormon to kind of

1:02:29.600 --> 1:02:33.080
<v Speaker 1>be only focusing on Mormon stuff. They don't really want

1:02:33.120 --> 1:02:37.080
<v Speaker 1>you reading a lot of other religious texts or thinking

1:02:37.160 --> 1:02:40.000
<v Speaker 1>of finding out a lot about too many thoughts about what,

1:02:40.640 --> 1:02:44.560
<v Speaker 1>you know, other people are trying to say about Mormonism,

1:02:44.640 --> 1:02:47.320
<v Speaker 1>and they go, well, a lot of that is specifically

1:02:47.360 --> 1:02:50.240
<v Speaker 1>anti Mormon kind of stuff, and it's they've designed it

1:02:50.400 --> 1:02:52.640
<v Speaker 1>to make you doubt and it's kind of it's kind

1:02:52.680 --> 1:02:56.880
<v Speaker 1>of gafflight y, and so it's and they yeah, it is,

1:02:57.280 --> 1:02:59.760
<v Speaker 1>but they are also kind of tricky about the way

1:02:59.760 --> 1:03:02.560
<v Speaker 1>they're saying it. To say, no, I'm saying that you shouldn't.

1:03:02.560 --> 1:03:06.000
<v Speaker 1>But it's like they're also not actively encouraging it, at

1:03:06.080 --> 1:03:07.880
<v Speaker 1>least when I was growing up. And I don't imagine

1:03:07.880 --> 1:03:11.680
<v Speaker 1>it's change that much. But getting into comedy and all

1:03:11.760 --> 1:03:14.800
<v Speaker 1>that stuff, people were They're talking about all kinds of

1:03:14.800 --> 1:03:16.600
<v Speaker 1>things and saying all kinds of things about how the

1:03:16.640 --> 1:03:20.720
<v Speaker 1>world works. And it was just the same things that

1:03:20.760 --> 1:03:23.240
<v Speaker 1>were getting me into comedy were getting me out of

1:03:23.280 --> 1:03:27.919
<v Speaker 1>being a super religious Mormon person. And if I had

1:03:27.960 --> 1:03:31.680
<v Speaker 1>not found comedy, I probably would still have sort of,

1:03:32.240 --> 1:03:35.120
<v Speaker 1>you know, gone on a Mormon mission, gotten married at

1:03:35.160 --> 1:03:38.160
<v Speaker 1>twenty two and all have done all this stuff. And

1:03:38.720 --> 1:03:41.600
<v Speaker 1>I'm glad that's not all my life looks like wow?

1:03:41.720 --> 1:03:43.880
<v Speaker 2>And what do you want people to feel when they

1:03:44.040 --> 1:03:46.760
<v Speaker 2>leave one of your sets or finish an episode of

1:03:46.800 --> 1:03:48.160
<v Speaker 2>your podcast?

1:03:48.920 --> 1:03:53.680
<v Speaker 1>Uh, just that that guy's funny. My main things. My

1:03:53.760 --> 1:03:56.120
<v Speaker 1>main things is, oh, that guy's funny. He should probably

1:03:56.160 --> 1:03:58.120
<v Speaker 1>be more famous right now. Those are my kind of

1:03:58.120 --> 1:04:01.560
<v Speaker 1>two where people go, Guys, that was really good and

1:04:01.600 --> 1:04:04.920
<v Speaker 1>I like that. And other than that, that's all I'm not.

1:04:05.560 --> 1:04:11.000
<v Speaker 1>If you have some revelatory moment in some way, sure,

1:04:11.720 --> 1:04:14.440
<v Speaker 1>if you go wow, I never thought about that before.

1:04:14.480 --> 1:04:18.120
<v Speaker 1>If you go whoa that made me change my life. Whatever,

1:04:18.240 --> 1:04:21.400
<v Speaker 1>That's not what I'm going for. I'm trying to do

1:04:22.320 --> 1:04:27.560
<v Speaker 1>a very good, interesting form of the art form and

1:04:27.600 --> 1:04:30.200
<v Speaker 1>think that it's art. I just want people at the

1:04:30.280 --> 1:04:32.160
<v Speaker 1>end of the day again into my stand up sets

1:04:32.400 --> 1:04:34.440
<v Speaker 1>and walking out going that was really funny, that was

1:04:34.440 --> 1:04:36.800
<v Speaker 1>really good. We gotta look that guy up or whatever,

1:04:37.280 --> 1:04:39.960
<v Speaker 1>and at the end of the podcast, I would like, oh,

1:04:40.000 --> 1:04:42.560
<v Speaker 1>that was very funny, and then also, oh, that was informative.

1:04:42.560 --> 1:04:45.040
<v Speaker 1>I didn't know that, So the podcast maybe going for

1:04:45.520 --> 1:04:50.320
<v Speaker 1>a little bit more of informative then funny or just

1:04:50.360 --> 1:04:54.440
<v Speaker 1>like interesting, but just yeah. I would like people to

1:04:54.480 --> 1:04:57.320
<v Speaker 1>think for my stand up and if someone were to

1:04:57.360 --> 1:05:00.960
<v Speaker 1>ask them, hey, was what you just saw, would you

1:05:01.000 --> 1:05:07.600
<v Speaker 1>consider it art, and for them to just quickly say yes,

1:05:07.680 --> 1:05:10.960
<v Speaker 1>because I think there is some stand up or versions

1:05:11.000 --> 1:05:12.840
<v Speaker 1>of comedy that you can watch where I go. I

1:05:13.400 --> 1:05:16.600
<v Speaker 1>don't feel that this is art, not that I'm approaching

1:05:16.640 --> 1:05:18.200
<v Speaker 1>it in a pretentious way, but at least in an

1:05:18.200 --> 1:05:21.360
<v Speaker 1>interesting enough way where people go okay, or and a

1:05:21.400 --> 1:05:24.360
<v Speaker 1>lot of people if they're not comics. I do want

1:05:24.360 --> 1:05:26.880
<v Speaker 1>people to feel like, oh, I I couldn't have done

1:05:26.920 --> 1:05:28.640
<v Speaker 1>what he just did. I wouldn't know how to do that,

1:05:28.640 --> 1:05:30.400
<v Speaker 1>that is, but that's all.

1:05:30.640 --> 1:05:33.080
<v Speaker 2>That's huge though. I mean, I live vicariously through so

1:05:33.120 --> 1:05:36.480
<v Speaker 2>many people and they have no idea. I love hanging

1:05:36.480 --> 1:05:38.280
<v Speaker 2>out with them because like, I could never do that,

1:05:38.320 --> 1:05:41.080
<v Speaker 2>I could never say that, and I love that you do.

1:05:42.480 --> 1:05:49.480
<v Speaker 2>Two more questions, shorties, but goodies. Number one, how important

1:05:49.520 --> 1:05:51.800
<v Speaker 2>is it to laugh at yourself? And number two? What

1:05:51.880 --> 1:05:55.720
<v Speaker 2>is next for Skyler Higley? What is on deck? What

1:05:55.760 --> 1:05:56.840
<v Speaker 2>can fans be looking for?

1:05:58.480 --> 1:06:00.600
<v Speaker 1>How important is it to laugh at yourself? Very I

1:06:00.640 --> 1:06:03.120
<v Speaker 1>laugh at myself all the time. I say jokes to

1:06:03.760 --> 1:06:08.520
<v Speaker 1>myself that I think are stupid. I think of things

1:06:08.560 --> 1:06:10.640
<v Speaker 1>all the time that I think it's very important to

1:06:10.680 --> 1:06:14.960
<v Speaker 1>laugh at yourself. This whole idea of uh, you know

1:06:15.520 --> 1:06:19.880
<v Speaker 1>not the comedians not laughing at themselves is I think,

1:06:19.960 --> 1:06:20.640
<v Speaker 1>very stupid.

1:06:21.040 --> 1:06:23.480
<v Speaker 2>How can you be a comedian if you can't laugh

1:06:23.480 --> 1:06:25.200
<v Speaker 2>at you? Like, I don't know how that's possible.

1:06:25.680 --> 1:06:27.960
<v Speaker 1>There's kind of this thing of like, oh, well, you're

1:06:27.960 --> 1:06:30.880
<v Speaker 1>not supposed to like openly say you're funny or whatever.

1:06:31.120 --> 1:06:34.520
<v Speaker 1>That's not No. I'm funny and I like it, and

1:06:34.560 --> 1:06:39.280
<v Speaker 1>I funny and i I'm but it's also what sorry

1:06:39.320 --> 1:06:42.640
<v Speaker 1>for enjoying myself. This is actually my only skill. I

1:06:42.960 --> 1:06:45.480
<v Speaker 1>actually don't know how to do anything else really, So

1:06:45.800 --> 1:06:48.920
<v Speaker 1>if I'm appreciating how I do this, then I think

1:06:49.000 --> 1:06:52.320
<v Speaker 1>that's fine, because I know I'm not good at basically

1:06:52.320 --> 1:06:56.640
<v Speaker 1>anything else. I love and that's cool. And as far

1:06:56.720 --> 1:07:01.919
<v Speaker 1>as what's next, I have a couple projects that are

1:07:02.080 --> 1:07:04.920
<v Speaker 1>going to be coming out that I'm working on. Working

1:07:04.920 --> 1:07:10.160
<v Speaker 1>on a little thing with the Tim Heideker, an Info

1:07:10.200 --> 1:07:13.040
<v Speaker 1>Wars thing because the Onion has bought Info Wars, so

1:07:13.080 --> 1:07:18.560
<v Speaker 1>we're we're going in that direction with this new comedy platform.

1:07:18.640 --> 1:07:21.280
<v Speaker 1>So I'm working on that. And there's another show that's

1:07:21.320 --> 1:07:23.120
<v Speaker 1>coming out on YouTube that I am going to be

1:07:23.520 --> 1:07:25.720
<v Speaker 1>a head writer for, so check those out when you

1:07:25.800 --> 1:07:27.920
<v Speaker 1>when those come out. What's going to I think I

1:07:27.920 --> 1:07:30.160
<v Speaker 1>can say about the I don't know if I can

1:07:30.200 --> 1:07:34.440
<v Speaker 1>even say right now and then, and I don't know

1:07:34.480 --> 1:07:36.720
<v Speaker 1>if I can say this either, but I am going

1:07:36.800 --> 1:07:40.360
<v Speaker 1>to have a new stand up set coming out online

1:07:40.520 --> 1:07:43.960
<v Speaker 1>on a platform that people have heard of, and I

1:07:43.960 --> 1:07:46.320
<v Speaker 1>don't I don't know if they want that announced yet either,

1:07:46.360 --> 1:07:51.040
<v Speaker 1>but that's what I'm interested in. And and well, we'll

1:07:51.040 --> 1:07:54.640
<v Speaker 1>see what the rest of the year manifests into but

1:07:54.800 --> 1:07:59.160
<v Speaker 1>I'm excited with what's happening right now creatively, and uh,

1:07:59.760 --> 1:08:04.240
<v Speaker 1>you know, we'll see what's what's next. There's always going

1:08:04.320 --> 1:08:05.840
<v Speaker 1>to be a next thing, and sometimes you don't know

1:08:05.840 --> 1:08:06.160
<v Speaker 1>what it.

1:08:06.160 --> 1:08:09.520
<v Speaker 2>Is, no, but it keeps you smiling and keeps you

1:08:09.560 --> 1:08:12.920
<v Speaker 2>motivated to keep moving forward. Skyler Hickley, it was so

1:08:13.160 --> 1:08:15.640
<v Speaker 2>great to have you and all of your wisdom. Er,

1:08:16.160 --> 1:08:20.520
<v Speaker 2>thank you for sharing, Thank you story. And Skyler's podcast

1:08:20.680 --> 1:08:23.799
<v Speaker 2>is let Me Be, Let Me be, help me be Black,

1:08:24.240 --> 1:08:28.320
<v Speaker 2>Let me be Black, Help me Be Black. And it's

1:08:28.360 --> 1:08:30.400
<v Speaker 2>wherever you get your podcasts.

1:08:30.200 --> 1:08:32.200
<v Speaker 1>Right, Yes, everybody can get it.

1:08:32.320 --> 1:08:34.599
<v Speaker 2>You can get it, get them, get you some okay

1:08:34.600 --> 1:08:38.360
<v Speaker 2>of Skyler Hickley. Now, damn it. Thank you so much,

1:08:38.520 --> 1:08:41.120
<v Speaker 2>Thank you so much, and good luck with everything coming up.

1:08:41.360 --> 1:08:45.800
<v Speaker 2>And please I make you, I bet, And thanks for

1:08:45.840 --> 1:08:49.560
<v Speaker 2>taking the time today. And also conan quick story. He

1:08:49.640 --> 1:08:51.120
<v Speaker 2>used to live in a town that I'm in right

1:08:51.160 --> 1:08:54.360
<v Speaker 2>now in Connecticut, and I didn't know and I moved

1:08:54.360 --> 1:08:58.639
<v Speaker 2>here eighteen years ago. My cat died and my husband

1:08:58.680 --> 1:09:01.880
<v Speaker 2>and I were extremely emotional and were like, so we

1:09:01.960 --> 1:09:03.920
<v Speaker 2>bury her in the backyard, which I guess you're not

1:09:03.960 --> 1:09:06.040
<v Speaker 2>supposed to do, but we did. And then we went

1:09:06.080 --> 1:09:10.000
<v Speaker 2>to a diner and we sat down. I looked a mess.

1:09:10.200 --> 1:09:12.719
<v Speaker 2>I couldn't have been worse he was. We're like crying

1:09:13.080 --> 1:09:18.400
<v Speaker 2>and in walks Conan O'Brien and his kids and they

1:09:18.439 --> 1:09:21.360
<v Speaker 2>sit in the booth right behind us. And I got

1:09:21.360 --> 1:09:24.840
<v Speaker 2>to tell you, listening to him handle the kids and

1:09:24.880 --> 1:09:27.479
<v Speaker 2>they were really young. This was like eighteen years ago.

1:09:28.600 --> 1:09:33.000
<v Speaker 2>The way he used comedy to manage them was so

1:09:33.160 --> 1:09:35.479
<v Speaker 2>amazing that it had me laughing, of course because we

1:09:35.479 --> 1:09:37.360
<v Speaker 2>had to listen what was going on the booth behind us.

1:09:37.680 --> 1:09:39.639
<v Speaker 2>But it just got me out of my doldrums. And

1:09:39.680 --> 1:09:42.519
<v Speaker 2>he's really one of the best of the best. So yeah,

1:09:43.080 --> 1:09:44.439
<v Speaker 2>I know you don't get into this, but if you

1:09:44.479 --> 1:09:46.040
<v Speaker 2>see him, just to you know, give him a hug

1:09:46.040 --> 1:09:46.280
<v Speaker 2>for me.

1:09:47.080 --> 1:09:49.479
<v Speaker 1>Yeah, I will. Well, if he allows me to hug,

1:09:49.640 --> 1:09:51.760
<v Speaker 1>that might be weird, but okay that I was gonna say.

1:09:51.760 --> 1:09:55.200
<v Speaker 2>It could be weird anyway. Thank you and thanks for

1:09:55.240 --> 1:09:55.639
<v Speaker 2>that laugh.

1:09:56.400 --> 1:09:58.479
<v Speaker 1>Thank you appreciate it. Thank you so much for having me.

1:10:00.520 --> 1:10:04.000
<v Speaker 5>I'm buzz night, and thanks for listening to Comedy Save

1:10:04.120 --> 1:10:08.360
<v Speaker 5>Me with Lynn Hoffman, and do check out our other podcast,

1:10:08.600 --> 1:10:14.040
<v Speaker 5>Lynn Hoffman's Music Save Me podcast also Sarah Harrelson and

1:10:14.160 --> 1:10:18.479
<v Speaker 5>Taking a Walk Nashville and Don't Forget also about taking

1:10:18.520 --> 1:10:23.040
<v Speaker 5>a Walk, hosted by Yours Truly. All shows are available

1:10:23.080 --> 1:10:26.920
<v Speaker 5>on Apple Podcasts, Spotify, and are part of the iHeart

1:10:26.960 --> 1:10:28.040
<v Speaker 5>podcast network.