WEBVTT - #338 - 03 Greedo

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<v Speaker 1>Yeah, it's big Cheeto. Oh three Grido. The emotion of

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<v Speaker 1>the city is what they call me. You feel me

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<v Speaker 1>right here with Bootleg.

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<v Speaker 2>Kids Bootleg Air Podcast Special guests. Finally we got him

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<v Speaker 2>fresh off of incredible Novo run here in Los Angeles.

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<v Speaker 2>You're welcome home shows I heard where legendary.

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<v Speaker 1>Yeah, it was turned to fuck up.

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<v Speaker 2>Oh three Grido. Man, you can say whatever you want, man,

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<v Speaker 2>Welcome home.

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<v Speaker 1>Man, appreciate you.

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<v Speaker 2>It's good to see you. Uh, you know, I mean,

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<v Speaker 2>I feel like, while you've been incarcerated, I brought your

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<v Speaker 2>name up so much in so many interviews because I

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<v Speaker 2>feel like you don't get enough respect when it comes

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<v Speaker 2>to just your influence.

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<v Speaker 1>You know.

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<v Speaker 2>I feel like you and Draco had that in common

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<v Speaker 2>in terms of just like just the influence on like

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<v Speaker 2>a whole entire generation of what we consider hip hop.

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<v Speaker 2>You know what I'm saying, just whether it's La shit

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<v Speaker 2>or not. Man. So it's it's good to see you, man. Welcome.

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<v Speaker 1>Yeah, we're just on some updated La shit. Like let's

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<v Speaker 1>let's we understand what the original culture was and it

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<v Speaker 1>still is to some people of those ages or wherever

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<v Speaker 1>they're from. But we're like, bro, we got Detroit, Partners

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<v Speaker 1>in Atlanta, partners in New York partners and Memphis partners.

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<v Speaker 1>Like it's really like the whole world is on they

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<v Speaker 1>fashion shit now. It's not like when like you had

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<v Speaker 1>to look at certain states that had big Tea's and

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<v Speaker 1>certain states that ware the Khaki's, Like everybody's wearing Balenciaga

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<v Speaker 1>and shit, and they've been doing that shit in La.

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<v Speaker 1>We want to speak for that. We want to speak

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<v Speaker 1>for the Flockers, We want to speak for like the

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<v Speaker 1>other pieces of the culture frem here, whether we was

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<v Speaker 1>doing it or not, was not what we were trying

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<v Speaker 1>to put We were just putting a soundtrack to people

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<v Speaker 1>who had to do that to get out. They live,

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<v Speaker 1>the Flockers, the Chrappers, the whole It was just all

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<v Speaker 1>three of us.

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<v Speaker 2>I was gonna say Shortline too. Shortline had a lot

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<v Speaker 2>a lot of influence as well, So I got to

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<v Speaker 2>give them props because I feel like it was kind

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<v Speaker 2>of at the same time, y'all all kind of getting it.

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<v Speaker 1>That was our family. Drummers, think Mafia drummer, Stinky Beaches,

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<v Speaker 1>that was our family. Draco Crawled. Just that. Yeah, That's

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<v Speaker 1>how it was though, And we was all just on

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<v Speaker 1>something like this a new wave, even though Gez like shit,

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<v Speaker 1>Oh Jez showed a new culture. I feel like for

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<v Speaker 1>Hispanics from Los Angeles, even though there is a lot

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<v Speaker 1>of new artists that's Hispanic, that's art too. I'm just

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<v Speaker 1>saying at the time, people didn't know like there was

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<v Speaker 1>people that was living like he was living or dressing like.

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<v Speaker 2>That's what I tell o, Jiz. I'm like you kind

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<v Speaker 2>of because I'm from Arizona, so I'm very well aware

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<v Speaker 2>of like Chicano rap and a lot like a lot

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<v Speaker 2>of the Mexican rap history. I'm like, oh, Jez, you

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<v Speaker 2>kind of show people like you don't have to make

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<v Speaker 2>that like stereotypical.

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<v Speaker 1>Not even just that that was like really who he was,

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<v Speaker 1>like you know for sure, Uh he was really like

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<v Speaker 1>we didn't dress him in what he was dressed in.

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<v Speaker 1>You know what I'm saying. He was coming with them

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<v Speaker 1>CDG air forces and shitting spilling lean all over him

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<v Speaker 1>or just the way that he was doing shit was like, damn,

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<v Speaker 1>this nigga is hella creative? So I really took it

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<v Speaker 1>like an old j Z early what an individual time

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<v Speaker 1>with every member.

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<v Speaker 2>I was gonna say, do you remember how old you

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<v Speaker 2>were or how old o Jiz was when you guys

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<v Speaker 2>initially met, because I.

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<v Speaker 1>Don't know, he was a baby, all them niggas babies.

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<v Speaker 1>I'm the big broo all of them nigga's babies. I'll

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<v Speaker 1>talk to him the other day and he told me

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<v Speaker 1>he was turning. I don't know if he told anybody. Yeah,

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<v Speaker 1>I'm like, what the fuck my little kid, you know

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<v Speaker 1>what I'm saying. So I'm like, oh shit. But I

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<v Speaker 1>had a personal time with every member of uh Shoreline.

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<v Speaker 1>I can't say every member Sting Team because it's a million,

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<v Speaker 1>but a lot of Uh. Me and Ralphie probably have

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<v Speaker 1>more songs from back then than me and Draco doing.

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<v Speaker 1>We got a lot of songs to Ralphie.

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<v Speaker 2>He was just up here, even with.

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<v Speaker 1>Catchy the Great like that was one of my co

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<v Speaker 1>stars and he was Stink Team. So that was just

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<v Speaker 1>a fun ass time. It was heartbreaking so much stuff

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<v Speaker 1>that came behind it because it was like our shit

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<v Speaker 1>broke up when we didn't even break up, you know

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<v Speaker 1>what I'm saying.

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<v Speaker 2>It was just like you go away, you gotta go

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<v Speaker 2>sit down. Obviously, Shortline kind of goes their separate ways.

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<v Speaker 2>You know, rest in peace to Draco, resting piece to

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<v Speaker 2>Catchy It just like you.

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<v Speaker 1>Said, long live. You know what I'm saying, We ain't right.

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<v Speaker 1>We were going off there, we ain't We ain't getting

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<v Speaker 1>no rest long live.

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<v Speaker 2>I just say for you, you're being locked You're being

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<v Speaker 2>locked up when Draco passes. That had to be a

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<v Speaker 2>hard thing to deal with from you know, behind bars.

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<v Speaker 1>Yeah, I ain't really rocked with the phone for a

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<v Speaker 1>while after that, you know what I'm saying, I didn't

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<v Speaker 1>really just knowing my background and the type of individuals

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<v Speaker 1>I come up around, like, I know that nobody got

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<v Speaker 1>no filter, and I didn't really want to hear it, uh,

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<v Speaker 1>no opinions or anything more than what I was already

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<v Speaker 1>hearing because the stories were sounding crazy and just wrapping

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<v Speaker 1>my mind around everything because I had just lost Dolph.

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<v Speaker 1>I think that was just a few weeks before.

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<v Speaker 2>Get Doll passed away in November, uh, and then Draco

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<v Speaker 2>passed away in December.

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<v Speaker 1>And it's different when it's people that you don't spend

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<v Speaker 1>time with or shook hands with, or vibes with or anything,

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<v Speaker 1>you know what I'm saying.

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<v Speaker 2>Or Yeah, Dolph was a close friend of my Dolph

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<v Speaker 2>was a great guy.

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<v Speaker 1>The last what, I woke up in a mansion where

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<v Speaker 1>I was with a little Pump and Oozy and Smoke

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<v Speaker 1>Purp and Dub and we was in there and we

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<v Speaker 1>was recording and chilling and shit, and I missed my

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<v Speaker 1>flight to go to Texas. So I caught the first

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<v Speaker 1>one in the morning, and the last people that I talked

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<v Speaker 1>to on the phone was Nipsey and Dolph or getting.

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<v Speaker 2>On the plane before you turn yourself in.

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<v Speaker 1>Yeah, So it was just like crazy, you know, like

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<v Speaker 1>the people that were rooting for me or you know whatever,

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<v Speaker 1>collaborate with me or whatever the case is, whatever our

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<v Speaker 1>relationship was, it was just crazy to just somebody that

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<v Speaker 1>you used to just shake hands with. Okay, out of

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<v Speaker 1>all the bunch, this is what's going on. And then

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<v Speaker 1>it started to feel like back to back with pmb rock. Yeah,

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<v Speaker 1>it let alone like homies from my ghetto or like yeah,

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<v Speaker 1>there was just so many things back to back or

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<v Speaker 1>childhood friends or just family members off COVID. So I

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<v Speaker 1>was just like, you know, when the Draco shit came,

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<v Speaker 1>it was towards the end as well as the takeoff

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<v Speaker 1>in pm.

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<v Speaker 2>B Rock, and it was just like you know, I'm

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<v Speaker 2>just my phone away man.

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<v Speaker 1>Yeah, you know what I'm saying. Just if it wasn't

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<v Speaker 1>taking care of business, I wasn't really getting on the.

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<v Speaker 2>Phone, right, I can't blame you. Man. What was the

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<v Speaker 2>conversation with Nip and Dolph, Like before you turn yourself in.

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<v Speaker 1>Nip first thing was just like, don't worry about it

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<v Speaker 1>because even though you're gonna be gone, you left such

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<v Speaker 1>an impact on the city. It's gonna go. It's gonna

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<v Speaker 1>keep going. Everybody love you. Greeto. Like you know what

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<v Speaker 1>I'm saying. I'm calling you as a brother. You know

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<v Speaker 1>what I'm saying. It's just you know, giving me that

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<v Speaker 1>pep talk before I went out to the ring. You

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<v Speaker 1>know what I'm saying. Just that always was, you know,

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<v Speaker 1>the coach. You know what I'm saying. That always was.

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<v Speaker 1>I mean we did a few songs, we did some songs,

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<v Speaker 1>but our relationship was just kind of like just I

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<v Speaker 1>don't know, just like yeah, Nigga, like he was so

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<v Speaker 1>excited for me. He would call me when I go

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<v Speaker 1>to New York for the first time or go to

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<v Speaker 1>Double Xcay or wherever I'm going, and it'd just be like, yeah, nigga. Yeah,

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<v Speaker 1>just this is yeah, this is what you're supposed to

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<v Speaker 1>be doing. And just like I'll be telling people like

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<v Speaker 1>when I saw Kobe's funeral and Jordan was talking about

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<v Speaker 1>when Kobe hit him anytime in the night, Hey should

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<v Speaker 1>I shoot like this? Should I do? Like that? That's

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<v Speaker 1>who Nipsey was for me, Like most rappers, we operate

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<v Speaker 1>like in the wee hours of the night anyway. But

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<v Speaker 1>just that pep talk and the same with Dolph, just

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<v Speaker 1>the same old you know what I'm saying, you good,

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<v Speaker 1>You're gonna bounce back.

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<v Speaker 2>Dolph was a great guy man, of course. I mean,

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<v Speaker 2>it's just it's just I feel like it's crazy to

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<v Speaker 2>think like Leo's man, because you got locked up? Was

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<v Speaker 2>it twenty eighteen? Uh huh yeah, And just to think

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<v Speaker 2>like how the like all the people.

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<v Speaker 1>Bug got locked up. I turned myself in. That was crucial.

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<v Speaker 1>And I had to turn myself in on a plane

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<v Speaker 1>run what the fuck?

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<v Speaker 2>Crazy?

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<v Speaker 1>Ooh, I didn't want to go. Already missed the flight

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<v Speaker 1>and I'm sitting here in this mansion with Oozzi and

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<v Speaker 1>all these niggas. I'm like, man, I'm won't wrap. I

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<v Speaker 1>ain't going no right catch me if you can, I'd

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<v Speaker 1>have did it before. Fuck this, But I was like, man,

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<v Speaker 1>let me take care of this, because if it turns

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<v Speaker 1>out worse, you won't be talking to me today. You

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<v Speaker 1>know what I'm saying. I won't be selling out the

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<v Speaker 1>Novo two nights in the row and going on the road.

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<v Speaker 1>You know what I'm saying. That my pocaing Okay, it

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<v Speaker 1>was just looking like something.

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<v Speaker 2>Well you were prepared for, you know, because you were

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<v Speaker 2>supposed like like your settence originally you were supposed to

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<v Speaker 2>be going for about ten years, right.

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<v Speaker 1>Twenty still got twenty years. Right now, I'm on pro

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<v Speaker 1>I'm on parole, but they paros like you still got

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<v Speaker 1>to do the rest of your time. So I get

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<v Speaker 1>off parole in twenty thirty eight.

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<v Speaker 2>So period, but you're free, You're able to come. Yeah,

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<v Speaker 2>just be on your piece and Q. So I was

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<v Speaker 2>gonna say, like I remember talking to TK about just

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<v Speaker 2>the amount of music that was just.

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<v Speaker 1>I got that from Lil Wayne when he was finna

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<v Speaker 1>go to jail, right, I got that for show from

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<v Speaker 1>Lou Wayne because you.

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<v Speaker 2>Were I had heard stories that you were doing the

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<v Speaker 2>records and then shooting like back to back to back

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<v Speaker 2>to back music videos.

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<v Speaker 1>Yeah, it's still hell of unreleased videos. I have released

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<v Speaker 1>the video to Substance way later, and then it took

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<v Speaker 1>off on TikTok. I have I paid whoever was in

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<v Speaker 1>charge of that. I guess I was doing so much

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<v Speaker 1>at the time. They never paid the director. And then

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<v Speaker 1>when I when I found out, I shot on the

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<v Speaker 1>bread and then we released it and then TikTok took it.

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<v Speaker 2>Hey, TikTok wasn't a thing when you when you was, I.

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<v Speaker 1>Never heard of it.

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<v Speaker 2>There's a sting where you just it just shows you

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<v Speaker 2>everything you like non stop.

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<v Speaker 1>I saw at one point the Substance challenge was like

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<v Speaker 1>them showing their teeth. Yeah, like, if this is what's

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<v Speaker 1>bringing the platinum Placus showed them, motherfuckers. I'm with it,

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<v Speaker 1>fucking whatever the challenge is, do that shit. I love it.

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<v Speaker 2>Do you remember or have an idea of the amount

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<v Speaker 2>of records that you cut in case you did have to?

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<v Speaker 1>Well, already I ain't gonna lie to you. I already

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<v Speaker 1>recorded like Hella songs every day of my life any

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<v Speaker 1>chance that I got, even when I lived in the trap,

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<v Speaker 1>in the powerhood, in the Campanella Park, Bribhood, Bro, I'm

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<v Speaker 1>just recording, recording, recording, recording, recording, you know what I'm saying.

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<v Speaker 1>It's like I always wanted to be like Lil Wayne

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<v Speaker 1>or like at the time, like it was some Gucci

0:10:49.400 --> 0:10:54.320
<v Speaker 1>shit going crazy. Gez and the Gucci Gangster Girls just

0:10:54.360 --> 0:10:56.920
<v Speaker 1>blew my mind. Just at the time, we were so

0:10:57.000 --> 0:10:59.480
<v Speaker 1>into it. It was like watching wrestling or something goddamn.

0:10:59.520 --> 0:11:01.480
<v Speaker 1>Like we was with into every character. We're like, what's

0:11:01.559 --> 0:11:05.240
<v Speaker 1>drama doing with Gucci man? Then he all on the background,

0:11:05.720 --> 0:11:09.600
<v Speaker 1>I'm talking about the Gucci has been inducted, abducted. We're like,

0:11:09.640 --> 0:11:12.600
<v Speaker 1>oh shit. And at the time I didn't even I

0:11:12.720 --> 0:11:17.000
<v Speaker 1>wasn't the hugest Gucci fan, but I had just got

0:11:17.000 --> 0:11:20.160
<v Speaker 1>out of gym. My cousin played me that shit and

0:11:20.200 --> 0:11:23.120
<v Speaker 1>it was just like this nigga that need balled into

0:11:23.160 --> 0:11:25.840
<v Speaker 1>a superhuman. This is around the time when photos Shooting

0:11:25.880 --> 0:11:28.680
<v Speaker 1>I'm a Star came out, This when Gucci the movie

0:11:28.760 --> 0:11:31.079
<v Speaker 1>and Burtprint three D came out with DJ Drama, and

0:11:31.120 --> 0:11:34.560
<v Speaker 1>I was just like, what the fuck, Like I want

0:11:34.600 --> 0:11:37.600
<v Speaker 1>to have my fans in doge like that. That's why

0:11:37.600 --> 0:11:39.120
<v Speaker 1>it was so important to hurry up and drop. When

0:11:39.120 --> 0:11:41.480
<v Speaker 1>I came home before I dropped like a real tape

0:11:41.520 --> 0:11:42.720
<v Speaker 1>that was just the shit we could clear.

0:11:43.880 --> 0:11:46.360
<v Speaker 2>I mean, it's crazy too because your output is at

0:11:46.360 --> 0:11:49.640
<v Speaker 2>such a high level. Like I think Gucci's album that

0:11:49.679 --> 0:11:52.240
<v Speaker 2>he dropped either earlier this year or late last year,

0:11:52.240 --> 0:11:54.200
<v Speaker 2>had like seventy songs. You just dropped the thirty three

0:11:54.200 --> 0:11:56.400
<v Speaker 2>song project. You know what I'm saying, Like.

0:11:56.559 --> 0:12:02.000
<v Speaker 1>Gucci can't be fucked with the Gucci Future. Lil Wayne

0:12:03.440 --> 0:12:06.280
<v Speaker 1>and I say, Boosie, that's like my mixtape mount Rushmore.

0:12:06.360 --> 0:12:09.480
<v Speaker 1>That's like, if you really pay attention, that's really what

0:12:09.600 --> 0:12:12.439
<v Speaker 1>all my shit is. And then when I heard Thug

0:12:12.520 --> 0:12:15.880
<v Speaker 1>later on, that's what kind of like helped me play

0:12:15.920 --> 0:12:17.880
<v Speaker 1>with my voice more and shit like really being a

0:12:17.920 --> 0:12:18.400
<v Speaker 1>big feeling.

0:12:18.600 --> 0:12:21.160
<v Speaker 2>Yeah, Thug did a good job of I always say,

0:12:21.520 --> 0:12:23.840
<v Speaker 2>using his voice as like an instrument kind of.

0:12:24.360 --> 0:12:26.280
<v Speaker 1>Yeah, cause I've been on that, but I just was

0:12:26.360 --> 0:12:29.280
<v Speaker 1>like kind of like not going all the way full

0:12:29.320 --> 0:12:31.960
<v Speaker 1>fledged like pop start with it because of where I

0:12:32.080 --> 0:12:34.640
<v Speaker 1>was from and who I was around. Because a song

0:12:34.800 --> 0:12:37.080
<v Speaker 1>like Substance, Yeah, it's like I slipped like the Gang's

0:12:37.160 --> 0:12:39.160
<v Speaker 1>lyrics in it, but the whole setup of that song

0:12:39.240 --> 0:12:41.679
<v Speaker 1>is like this shit really like not even something you

0:12:41.720 --> 0:12:43.160
<v Speaker 1>would think of black nigga would make you know what

0:12:43.160 --> 0:12:45.960
<v Speaker 1>I'm saying, And that's why that shit is so timeless

0:12:45.960 --> 0:12:46.760
<v Speaker 1>and shit like that.

0:12:47.360 --> 0:12:51.560
<v Speaker 2>Yeah, you you pride yourself on not necessarily. I saw

0:12:51.600 --> 0:12:55.839
<v Speaker 2>you correct somebody in terms of like not making quote

0:12:55.920 --> 0:12:57.400
<v Speaker 2>unquote West Coast.

0:12:57.280 --> 0:13:02.000
<v Speaker 1>Rapause that's a genre. That's a genre a record store

0:13:02.080 --> 0:13:05.400
<v Speaker 1>sometimes you'll see West Coast. That's a genre. I'm saying,

0:13:05.400 --> 0:13:09.680
<v Speaker 1>I'm not the genre that was like some characters for

0:13:09.800 --> 0:13:11.719
<v Speaker 1>that time. We all characters, so I'm not saying that

0:13:11.800 --> 0:13:13.880
<v Speaker 1>to take nothing from it. But those people were from

0:13:14.120 --> 0:13:17.160
<v Speaker 1>places that aren't even close to where I'm from, you

0:13:17.200 --> 0:13:20.319
<v Speaker 1>know what I'm saying. They're not even from the state

0:13:20.440 --> 0:13:22.480
<v Speaker 1>that I'm from, but a lot of them not even

0:13:22.600 --> 0:13:24.040
<v Speaker 1>just like at the end of the day, I'm telling

0:13:24.080 --> 0:13:28.600
<v Speaker 1>the story of you know, going up Wilmington to going

0:13:28.640 --> 0:13:32.640
<v Speaker 1>down roads Crans, I'm going from Wise Compton and Guardena

0:13:32.760 --> 0:13:36.280
<v Speaker 1>like the regions that I really know. You know, I'm

0:13:36.320 --> 0:13:38.040
<v Speaker 1>painting that picture, you know what I'm saying. So I

0:13:38.240 --> 0:13:41.280
<v Speaker 1>just try to show people like you know, the reason

0:13:41.280 --> 0:13:42.880
<v Speaker 1>I don't jump on that is because I'm a real

0:13:42.960 --> 0:13:45.320
<v Speaker 1>trap nigga too. You know what I'm saying, I'm a

0:13:45.360 --> 0:13:48.040
<v Speaker 1>real out of town nigga too. I'm a real you

0:13:48.080 --> 0:13:50.200
<v Speaker 1>know what I'm saying. I still be with my people

0:13:50.240 --> 0:13:51.440
<v Speaker 1>from other states. You know what I'm saying.

0:13:51.440 --> 0:13:54.280
<v Speaker 2>Well, you described your last day before turning yourself in

0:13:54.880 --> 0:13:58.240
<v Speaker 2>as to me a perfect example of what you were

0:13:58.240 --> 0:14:02.360
<v Speaker 2>able to help do, and that was ridge a whole

0:14:02.400 --> 0:14:06.000
<v Speaker 2>world of like you mentioned Pumpin' Uzy, right and shout

0:14:06.000 --> 0:14:07.920
<v Speaker 2>out to Desto Dubb who actually helped a lot of

0:14:07.920 --> 0:14:10.840
<v Speaker 2>this is too, but just there's like a whole generation

0:14:10.920 --> 0:14:14.800
<v Speaker 2>of kids that were looking for like an artist like yourself,

0:14:14.840 --> 0:14:16.840
<v Speaker 2>like Drac or like Shoreline to kind of like not

0:14:16.960 --> 0:14:19.720
<v Speaker 2>necessarily you know, like you said.

0:14:20.080 --> 0:14:22.480
<v Speaker 1>It's like it's like six or seven artists that's out

0:14:22.560 --> 0:14:24.720
<v Speaker 1>right now. I won't I won't just say their name

0:14:24.800 --> 0:14:26.320
<v Speaker 1>in case it makes it. I don't want to make

0:14:26.320 --> 0:14:28.560
<v Speaker 1>it seem like it's a flex on the right. But

0:14:28.640 --> 0:14:32.080
<v Speaker 1>they'll give me my you know, respect on that shit

0:14:32.160 --> 0:14:36.640
<v Speaker 1>of me like opening up a door where artists could

0:14:36.680 --> 0:14:38.720
<v Speaker 1>be different, or you could be more melodic, but you

0:14:38.720 --> 0:14:41.840
<v Speaker 1>could talk about what you want to talk about, or

0:14:41.880 --> 0:14:44.480
<v Speaker 1>like even like the producer, there's a lot of people

0:14:44.480 --> 0:14:46.800
<v Speaker 1>that make their own beats. Too, or people that just

0:14:46.880 --> 0:14:51.280
<v Speaker 1>only make beats. I inspired producers just like producing never bend,

0:14:52.440 --> 0:14:54.000
<v Speaker 1>or you know what I'm saying, just like some of

0:14:54.040 --> 0:14:56.160
<v Speaker 1>my bigger songs, Sweet lady, you know what I'm saying,

0:14:56.200 --> 0:14:58.640
<v Speaker 1>or people you know what I'm saying, just seeing like

0:14:58.640 --> 0:15:00.760
<v Speaker 1>those are real people into songs. Shit, I just let

0:15:00.760 --> 0:15:03.280
<v Speaker 1>people say, you know, tell your own story. You know

0:15:03.320 --> 0:15:06.040
<v Speaker 1>what I'm saying, be yourself if you like whatever you like,

0:15:06.080 --> 0:15:06.680
<v Speaker 1>you know what I'm saying.

0:15:07.920 --> 0:15:12.040
<v Speaker 2>While you're locked up versus pops off and I've been

0:15:12.080 --> 0:15:14.880
<v Speaker 2>saying this. You and r J did the first verses ever.

0:15:16.200 --> 0:15:18.000
<v Speaker 1>Yeah, I don't remember the individual I did it with.

0:15:18.080 --> 0:15:21.800
<v Speaker 1>I remember I thought of that idea and it was jumping.

0:15:22.160 --> 0:15:24.320
<v Speaker 2>I remember me and DJ Head were like.

0:15:24.920 --> 0:15:27.520
<v Speaker 1>I feel like that's always a touchy situation. I don't

0:15:27.560 --> 0:15:31.440
<v Speaker 1>want to answer nothing to make it feel like we

0:15:31.640 --> 0:15:33.120
<v Speaker 1>restarting on disrespect.

0:15:33.360 --> 0:15:35.160
<v Speaker 2>No, no, no, I'm not even talking about that specific situation.

0:15:35.200 --> 0:15:37.200
<v Speaker 2>I'm just saying, like it's just kind of crazy to think, like.

0:15:37.320 --> 0:15:39.080
<v Speaker 1>I just trying to stay talking about me.

0:15:39.360 --> 0:15:44.200
<v Speaker 2>That was a very successful, peaceful event that you know,

0:15:44.240 --> 0:15:45.840
<v Speaker 2>we always meet me and had always talking. We're like,

0:15:45.880 --> 0:15:48.120
<v Speaker 2>but that low key was the first verses that ever happened,

0:15:48.120 --> 0:15:49.240
<v Speaker 2>Like you know what I'm saying, like.

0:15:49.680 --> 0:15:50.760
<v Speaker 1>Yeah, but I missed out.

0:15:50.800 --> 0:15:52.560
<v Speaker 2>I mean I didn't do any paperwork too, because that

0:15:52.600 --> 0:15:55.160
<v Speaker 2>was the note I created that Novo and you guys

0:15:55.160 --> 0:15:57.640
<v Speaker 2>did it in Orange County, right, Yeah, I didn't do

0:15:57.720 --> 0:16:00.000
<v Speaker 2>no paperwork to say that I created that. And then.

0:16:03.160 --> 0:16:06.320
<v Speaker 1>I was telling uh Picasso, like, hey, man, I probably

0:16:06.320 --> 0:16:09.960
<v Speaker 1>should trademark this because ain't nobody never did this. He

0:16:10.040 --> 0:16:12.120
<v Speaker 1>was like, well, it kind of with Drake versus little

0:16:12.120 --> 0:16:14.400
<v Speaker 1>way I guess a editory yeah, where they said up

0:16:14.440 --> 0:16:16.480
<v Speaker 1>like that, Like but they from the same team. I'm saying,

0:16:16.480 --> 0:16:19.520
<v Speaker 1>this is like something that could even turn into violence,

0:16:20.040 --> 0:16:23.680
<v Speaker 1>and I and I I would probably just rather get

0:16:23.760 --> 0:16:26.880
<v Speaker 1>the credit for doing something positive just saying that I

0:16:26.960 --> 0:16:29.720
<v Speaker 1>was the first to create that because I didn't. I didn't.

0:16:29.760 --> 0:16:35.200
<v Speaker 1>I mean the concept is similar, but no.

0:16:35.240 --> 0:16:37.200
<v Speaker 2>But it was it was dope to see that positive

0:16:37.440 --> 0:16:40.440
<v Speaker 2>outcome of that because you know what ended up happening.

0:16:40.440 --> 0:16:42.000
<v Speaker 2>But I just thought I just thought it was d Like, again,

0:16:42.040 --> 0:16:43.040
<v Speaker 2>you're an innovator, man, So.

0:16:43.000 --> 0:16:45.120
<v Speaker 1>I wish I did do some paperworking out with making

0:16:45.160 --> 0:16:48.720
<v Speaker 1>some money. For sure, I didn't. I missed out on that,

0:16:48.880 --> 0:16:49.440
<v Speaker 1>how crazy.

0:16:49.560 --> 0:16:51.840
<v Speaker 2>Was it dealing with COVID while being incarcerated.

0:16:52.080 --> 0:16:55.760
<v Speaker 1>Having COVID while incarcerated was horrible? And then I feel

0:16:55.800 --> 0:16:57.240
<v Speaker 1>like I still don't breathe the same as shit.

0:16:57.800 --> 0:17:00.080
<v Speaker 2>So you had it? Could you taste? Could you smell it?

0:17:00.160 --> 0:17:02.560
<v Speaker 1>Tastes smell? I'm greedy. I'm gonna still taste that food.

0:17:02.600 --> 0:17:07.199
<v Speaker 1>I gotta seat. But my body was feeling like I

0:17:07.240 --> 0:17:11.520
<v Speaker 1>got hit with like some some heavious bitch, like I

0:17:11.560 --> 0:17:14.119
<v Speaker 1>got into an accident or something. I was like, god damn.

0:17:14.640 --> 0:17:16.280
<v Speaker 1>And I was one of the COVID doubt It's like,

0:17:16.320 --> 0:17:18.400
<v Speaker 1>that's not no real shit. And then you got y'all

0:17:18.400 --> 0:17:20.720
<v Speaker 1>out there going through weird shit. Yeah, they're telling me

0:17:20.760 --> 0:17:22.800
<v Speaker 1>it's like a ghost town. I'm like, that's what y'all get.

0:17:22.920 --> 0:17:24.160
<v Speaker 1>I'm out here in the ghost town.

0:17:24.480 --> 0:17:28.280
<v Speaker 2>Yeah. Everybody was kind of and especially La. I'm sure

0:17:28.320 --> 0:17:31.040
<v Speaker 2>you heard. La was crazy. There was no traffic, which

0:17:31.080 --> 0:17:33.120
<v Speaker 2>is like you could get to wherever.

0:17:32.800 --> 0:17:36.399
<v Speaker 1>You wanted, where police was at I don't know.

0:17:37.040 --> 0:17:39.440
<v Speaker 2>I don't know, bro. There was zero traffic. You could

0:17:39.440 --> 0:17:41.439
<v Speaker 2>get to like Orange County in like twenty minutes.

0:17:41.520 --> 0:17:43.560
<v Speaker 1>I've been I would have been flying to that ass.

0:17:43.880 --> 0:17:47.679
<v Speaker 2>Yeah, it was crazy. Bro like and then the homeless

0:17:47.680 --> 0:17:49.600
<v Speaker 2>ship just blew up, like I don't know if I

0:17:49.600 --> 0:17:51.840
<v Speaker 2>mean there was always homeless ship, you know, obviously, but

0:17:51.880 --> 0:17:54.840
<v Speaker 2>now it's like wherever you're at, oh yeah, it's them

0:17:54.920 --> 0:17:57.600
<v Speaker 2>encampments is turning up in La, man, it's.

0:17:57.600 --> 0:18:00.120
<v Speaker 1>Oh yeah, you'd be in a nice area sometimes.

0:18:00.240 --> 0:18:01.960
<v Speaker 2>Like Venice Beach during the pandemic.

0:18:02.800 --> 0:18:04.760
<v Speaker 1>I don't never be in La like that no more.

0:18:04.840 --> 0:18:08.920
<v Speaker 1>It's just I like experiencing life, you know what I'm saying.

0:18:08.920 --> 0:18:12.360
<v Speaker 1>I like to see new things. I didne did La.

0:18:12.600 --> 0:18:16.320
<v Speaker 1>Of course, I understand what comes with being like one

0:18:16.359 --> 0:18:18.600
<v Speaker 1>of the first people living his life from you know,

0:18:18.680 --> 0:18:22.159
<v Speaker 1>any of the areas I came up in, Yep, So

0:18:22.280 --> 0:18:24.159
<v Speaker 1>I walked like, I don't really come to LA. I

0:18:24.240 --> 0:18:26.760
<v Speaker 1>know where I'm at, I know what I'm what it's about.

0:18:27.000 --> 0:18:30.040
<v Speaker 2>It's also like, why put yourself in a way if

0:18:30.080 --> 0:18:32.359
<v Speaker 2>you don't got to be It's like anything that you

0:18:32.400 --> 0:18:34.240
<v Speaker 2>could do as a rapper you've seen and done, like

0:18:34.280 --> 0:18:36.119
<v Speaker 2>you only got to do the necessary shit, you know

0:18:36.160 --> 0:18:38.760
<v Speaker 2>what I'm saying. That's I think that's where people like unfortunately,

0:18:38.840 --> 0:18:42.399
<v Speaker 2>like you know, when we hear about stuff happening to

0:18:42.400 --> 0:18:44.560
<v Speaker 2>the artists, when they come to La. It's like, but

0:18:44.600 --> 0:18:48.480
<v Speaker 2>you were probably moving around. You know, a little for you.

0:18:48.480 --> 0:18:50.520
<v Speaker 1>Was that you should have just been in your being

0:18:50.640 --> 0:18:52.880
<v Speaker 1>be here, Like why are you going away Meilroad?

0:18:52.920 --> 0:18:55.119
<v Speaker 2>Where you want that fifty dollars tech on? You know

0:18:55.160 --> 0:18:57.640
<v Speaker 2>what I mean? Like yeah, yeah, so you know.

0:18:58.160 --> 0:19:00.920
<v Speaker 1>This ain't no place where they gonna like they respect

0:19:00.920 --> 0:19:03.439
<v Speaker 1>a certain person, a certain type of person people do anything.

0:19:03.480 --> 0:19:09.480
<v Speaker 2>Oh yeah, speak to the correlation, because you and Draco

0:19:09.600 --> 0:19:12.760
<v Speaker 2>were and even the you know OJZ and those guys

0:19:13.040 --> 0:19:16.600
<v Speaker 2>heavily tied in with the Detroit guys early too. I

0:19:16.640 --> 0:19:18.520
<v Speaker 2>think I want to say, like some of the earliest

0:19:18.720 --> 0:19:21.920
<v Speaker 2>pas I ever heard was through y'all. So like, give

0:19:21.960 --> 0:19:25.920
<v Speaker 2>me the what is it about Detroit and the West

0:19:26.000 --> 0:19:28.760
<v Speaker 2>Coast that they feel like country cousins? You know what

0:19:28.800 --> 0:19:29.520
<v Speaker 2>I'm saying, Like.

0:19:29.480 --> 0:19:31.359
<v Speaker 1>I don't know about the West Coast, I know about

0:19:31.440 --> 0:19:32.560
<v Speaker 1>like the.

0:19:32.520 --> 0:19:34.200
<v Speaker 2>Bay and then like you guys.

0:19:34.000 --> 0:19:35.879
<v Speaker 1>I know I know where I'm from. Its just like

0:19:35.960 --> 0:19:42.600
<v Speaker 1>you know, similar mentality, similar, like dress code similar, kind

0:19:42.640 --> 0:19:49.520
<v Speaker 1>of not accents because it's different, but it's almost like similar. Similar.

0:19:49.800 --> 0:19:52.200
<v Speaker 1>A lot of people kind of get the young artists

0:19:52.200 --> 0:19:57.000
<v Speaker 1>get their flow, like being influenced by Detroit artists. I'm

0:19:57.040 --> 0:20:00.399
<v Speaker 1>doing the whole table with hell of a A lot

0:20:00.440 --> 0:20:02.520
<v Speaker 1>of it sounds like, you know, that old mob music,

0:20:02.640 --> 0:20:05.680
<v Speaker 1>like before they did the hypeie shit, like that old

0:20:05.680 --> 0:20:07.439
<v Speaker 1>Eave forty shit and shit, and he's like, yeah, they

0:20:07.600 --> 0:20:10.359
<v Speaker 1>I used to jam nothing but that. So it's just like,

0:20:10.400 --> 0:20:12.960
<v Speaker 1>you know, it's always been certain places that fuck with

0:20:13.320 --> 0:20:15.679
<v Speaker 1>California too, because even when I was in Texas, Houston

0:20:15.720 --> 0:20:18.119
<v Speaker 1>always be like, yeah, we being fucking with Y'ALLU with

0:20:18.200 --> 0:20:20.840
<v Speaker 1>y'all heavy right just on the street level. So I

0:20:20.880 --> 0:20:24.240
<v Speaker 1>don't know, I don't know. I guess we just chock

0:20:24.280 --> 0:20:25.680
<v Speaker 1>with each other. We like how each other right.

0:20:26.520 --> 0:20:29.280
<v Speaker 2>Out of all those songs you recorded before you went in,

0:20:29.840 --> 0:20:31.920
<v Speaker 2>are you just like, are we still putting those out?

0:20:32.040 --> 0:20:34.960
<v Speaker 2>Or now that you're out, are you trying to like fresh.

0:20:34.840 --> 0:20:37.240
<v Speaker 1>Some of them? Some of them Like I'll touch up

0:20:37.280 --> 0:20:38.959
<v Speaker 1>the stuff I have with like some of the peoples

0:20:39.000 --> 0:20:42.040
<v Speaker 1>in the past, just to make sure it's.

0:20:42.000 --> 0:20:43.359
<v Speaker 2>It's right right.

0:20:43.400 --> 0:20:46.479
<v Speaker 1>But some of that shit ain't never gonna come out.

0:20:46.480 --> 0:20:48.080
<v Speaker 1>I don't know, give it to my daughter or something,

0:20:48.240 --> 0:20:49.520
<v Speaker 1>let her flip that shit or something.

0:20:49.560 --> 0:20:51.879
<v Speaker 2>When I'm on I love that. What's up, y'all? We

0:20:51.960 --> 0:20:53.480
<v Speaker 2>got to stop the interview real quick to tell you

0:20:53.560 --> 0:20:56.639
<v Speaker 2>about our good friends at my bookie. That's right, it

0:20:56.760 --> 0:21:00.600
<v Speaker 2>is NBA Finals. You gotta hammer the Nuggets. I don't know,

0:21:00.800 --> 0:21:03.080
<v Speaker 2>they might sweep the heat. I would look at the

0:21:04.280 --> 0:21:07.160
<v Speaker 2>serious odds on that. Go to my bookie right now,

0:21:07.280 --> 0:21:09.480
<v Speaker 2>Let's get some money, man. All right. Baseball, of course

0:21:09.560 --> 0:21:12.720
<v Speaker 2>is in full effect. We got Stanley Cup Finals, NFL

0:21:12.800 --> 0:21:15.040
<v Speaker 2>seasons on the way. Sign up at my bookie dot

0:21:15.040 --> 0:21:18.439
<v Speaker 2>ag right now, use the promo code Bootleg and you

0:21:18.480 --> 0:21:22.399
<v Speaker 2>will get that first deposit bonus. All right. Look, I

0:21:22.440 --> 0:21:24.200
<v Speaker 2>don't care where you're at. You can go to my

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0:23:15.520 --> 0:23:17.840
<v Speaker 2>back to the interviews. Has anyone approached you a BYU

0:23:17.840 --> 0:23:20.080
<v Speaker 2>buying your catalog yet, because you know everyone's buying catial No.

0:23:20.760 --> 0:23:22.640
<v Speaker 1>I like that though. I like that well right now.

0:23:22.760 --> 0:23:25.400
<v Speaker 1>Probably not the same time next year, but right now,

0:23:25.440 --> 0:23:28.399
<v Speaker 1>I'm like, if you know, you know type of artists,

0:23:28.400 --> 0:23:28.920
<v Speaker 1>you know what I'm saying.

0:23:29.000 --> 0:23:30.400
<v Speaker 2>So, but you have a lot of.

0:23:30.800 --> 0:23:34.479
<v Speaker 1>Nobody coming at me with that shit, man, right, I

0:23:34.480 --> 0:23:38.440
<v Speaker 1>mean I got a reputation from my reactions, so I'm

0:23:38.480 --> 0:23:40.560
<v Speaker 1>a real artist, Like I take this to heart, Like

0:23:41.480 --> 0:23:43.320
<v Speaker 1>I was just talking to double about some the way

0:23:43.320 --> 0:23:46.080
<v Speaker 1>I was looking at something. So it's creatively. People don't

0:23:46.119 --> 0:23:48.280
<v Speaker 1>know how much I put into like my album covers

0:23:48.359 --> 0:23:51.760
<v Speaker 1>or my videos myself, like even like some of the

0:23:51.800 --> 0:23:53.800
<v Speaker 1>videos they drop since I've been out. I had to

0:23:53.800 --> 0:23:55.840
<v Speaker 1>cuss everybody out, like I need to start directing my

0:23:55.880 --> 0:23:58.399
<v Speaker 1>own shit because it's like, y'all hear the lyrics, how

0:23:58.440 --> 0:24:00.720
<v Speaker 1>y'all hear it and interpret howt y'all, But that's not

0:24:00.760 --> 0:24:03.800
<v Speaker 1>even telling the story of the song, you feel me? So,

0:24:04.600 --> 0:24:10.000
<v Speaker 1>oh No, I just be big on representing who I

0:24:10.040 --> 0:24:12.040
<v Speaker 1>am as an artist, like standing up for this shit,

0:24:12.160 --> 0:24:16.520
<v Speaker 1>like really, like I got this street story in this

0:24:16.560 --> 0:24:20.320
<v Speaker 1>street respect or whatever. But I'm still like a for

0:24:20.440 --> 0:24:23.119
<v Speaker 1>real kid, the Kanye kid, a Virgil kid, you know

0:24:23.119 --> 0:24:25.879
<v Speaker 1>what I'm saying. So I'm trying to leave a stamp,

0:24:25.960 --> 0:24:27.560
<v Speaker 1>like I'm trying to stay in the world with like

0:24:27.600 --> 0:24:30.720
<v Speaker 1>a cold trail. You know what I'm saying, something that

0:24:30.720 --> 0:24:32.080
<v Speaker 1>ain't just normal, you know what I'm saying.

0:24:32.200 --> 0:24:34.199
<v Speaker 2>Yeah, And I think, like if you think I mean,

0:24:34.200 --> 0:24:35.760
<v Speaker 2>I always say this, Like if you think about the

0:24:35.800 --> 0:24:39.320
<v Speaker 2>guys who are I call them like forever guys, Like

0:24:40.160 --> 0:24:42.480
<v Speaker 2>there's a certain amount of attention to detail all those

0:24:42.520 --> 0:24:45.359
<v Speaker 2>guys have, you know, whether it's Drake, whether it's Cold,

0:24:45.400 --> 0:24:48.040
<v Speaker 2>whether it's Kendrick, Like the attention to detail that every

0:24:48.080 --> 0:24:50.439
<v Speaker 2>little thing is like very high. You know what I'm saying. Like,

0:24:50.840 --> 0:24:53.080
<v Speaker 2>and they're also very heavily influenced I think with like

0:24:53.119 --> 0:24:55.520
<v Speaker 2>you said, the artwork, a lot of guys will just

0:24:55.600 --> 0:24:57.520
<v Speaker 2>drop a just pay some dude online.

0:24:58.880 --> 0:25:01.439
<v Speaker 1>People gotta realize it ain't nothing more for ever than

0:25:01.600 --> 0:25:04.520
<v Speaker 1>music or a moment that involves music. Like that's why

0:25:04.560 --> 0:25:07.720
<v Speaker 1>you remember certain moments, you know what I'm saying. Certain

0:25:07.920 --> 0:25:11.200
<v Speaker 1>like songs might sample something from your past and you'll

0:25:11.240 --> 0:25:13.280
<v Speaker 1>remember exactly what you was doing at that time.

0:25:13.359 --> 0:25:17.040
<v Speaker 2>You feel me, what's your earliest hip hop memory and the.

0:25:17.040 --> 0:25:18.960
<v Speaker 1>Future in your friend? When my uncle had like a

0:25:18.960 --> 0:25:22.440
<v Speaker 1>pull out radio and I'm so lame, I'm like, let

0:25:22.440 --> 0:25:25.320
<v Speaker 1>me hold that motherfucker. I just want to hold it, man,

0:25:25.440 --> 0:25:28.320
<v Speaker 1>Like I got this big ass radio, but just hearing

0:25:28.920 --> 0:25:31.160
<v Speaker 1>ain't a future in your friend like that beat over

0:25:31.160 --> 0:25:33.399
<v Speaker 1>and over. I was like, what the fuck?

0:25:33.800 --> 0:25:36.800
<v Speaker 2>That's MC breathe right, Yeah, got to Florid a.

0:25:36.840 --> 0:25:39.720
<v Speaker 1>Key though all that shit. So that shit was just like,

0:25:39.800 --> 0:25:42.840
<v Speaker 1>what the fuck is this? I used to be in

0:25:42.840 --> 0:25:44.800
<v Speaker 1>love with that little sound. It is in that dope man,

0:25:44.880 --> 0:25:46.480
<v Speaker 1>dope man, this in that shit too, you know that

0:25:46.520 --> 0:25:47.840
<v Speaker 1>little sound, that little.

0:25:48.080 --> 0:25:50.800
<v Speaker 2>Did your uncle have a CD book with some heat

0:25:50.800 --> 0:25:52.560
<v Speaker 2>in it? Or was it a tape deck or what

0:25:52.640 --> 0:25:54.320
<v Speaker 2>was it both?

0:25:54.640 --> 0:25:56.080
<v Speaker 1>I see both of them. Levels.

0:25:56.720 --> 0:25:58.840
<v Speaker 2>I always had like the older cousin who had like

0:25:59.000 --> 0:26:00.960
<v Speaker 2>the fat CD book I couldn't afford to have.

0:26:01.840 --> 0:26:04.480
<v Speaker 1>Yeah, there used to be the thing, especially niggas that

0:26:04.560 --> 0:26:05.640
<v Speaker 1>had like tie holes and ship.

0:26:05.720 --> 0:26:07.159
<v Speaker 2>Back in the day, ye had that CD book. You

0:26:07.200 --> 0:26:08.280
<v Speaker 2>had a seven disc changer.

0:26:09.440 --> 0:26:12.240
<v Speaker 1>Hold on, guys, that used to be the ship in California,

0:26:12.320 --> 0:26:15.040
<v Speaker 1>like a two door ton or something. Man beat it out.

0:26:15.359 --> 0:26:16.920
<v Speaker 1>Nothing like when your city book.

0:26:16.720 --> 0:26:19.280
<v Speaker 2>Would get stolen too. It goes on or they just

0:26:19.320 --> 0:26:20.080
<v Speaker 2>take something out of it.

0:26:20.119 --> 0:26:22.800
<v Speaker 1>You got you got certain albums behind certain albums and

0:26:22.800 --> 0:26:25.680
<v Speaker 1>ship like I got you on some old niggas Ship

0:26:25.760 --> 0:26:27.920
<v Speaker 1>that wasn't me though, that was like some older niggas house.

0:26:29.080 --> 0:26:33.480
<v Speaker 2>But you know, I'm definitely thirty.

0:26:33.280 --> 0:26:35.040
<v Speaker 1>And you know it was hard about CDs. You know

0:26:35.080 --> 0:26:38.240
<v Speaker 1>who was hard? How Outcasts or Rick Ross? Like always

0:26:38.280 --> 0:26:39.159
<v Speaker 1>every disc.

0:26:39.280 --> 0:26:41.080
<v Speaker 2>With Outcasts, all the discs were naked women.

0:26:40.960 --> 0:26:43.320
<v Speaker 1>Naked bit with like colors and ship, and then Rick

0:26:43.400 --> 0:26:45.240
<v Speaker 1>Ross had a different color of him with the beer.

0:26:45.440 --> 0:26:48.199
<v Speaker 2>Yeah, every that's I think that's one thing that we're missing. Like,

0:26:48.359 --> 0:26:50.840
<v Speaker 2>I mean, obviously you can still go buy vinyls and stuff,

0:26:50.880 --> 0:26:53.800
<v Speaker 2>but like just to like, like you said, attention to detail.

0:26:53.880 --> 0:26:57.280
<v Speaker 2>Like outcasts, they always had some fly ship on their discs.

0:26:56.920 --> 0:26:58.600
<v Speaker 1>Like, yeah, I wish I could have been in that

0:26:58.680 --> 0:27:01.880
<v Speaker 1>area to make some crazy like some sort of theme.

0:27:02.359 --> 0:27:04.280
<v Speaker 1>Sometimes you or you might put them all together and

0:27:04.320 --> 0:27:05.200
<v Speaker 1>it shows like.

0:27:05.400 --> 0:27:08.680
<v Speaker 2>Yeah for sure. No, I still think about like okay,

0:27:08.800 --> 0:27:11.000
<v Speaker 2>like I just think about Snoop Dogg's Doggie style that

0:27:11.080 --> 0:27:14.280
<v Speaker 2>blue picture of Snoop's head. Shout out to Snoop Man.

0:27:14.160 --> 0:27:15.639
<v Speaker 1>I ain't gonna lie rap. You used to be more

0:27:15.720 --> 0:27:17.680
<v Speaker 1>serious like as far as like how to get it.

0:27:17.680 --> 0:27:19.840
<v Speaker 1>It's easier to get it so smooth now for my

0:27:19.920 --> 0:27:22.720
<v Speaker 1>money on great. But I remember like going to certain

0:27:22.760 --> 0:27:24.919
<v Speaker 1>barbershops and going to the record store next door and

0:27:24.920 --> 0:27:27.440
<v Speaker 1>getting like them free ships in the dough and it'd

0:27:27.480 --> 0:27:30.119
<v Speaker 1>be like a sampler. It'd be like snipping. Yeah, you

0:27:30.640 --> 0:27:32.199
<v Speaker 1>could you be the first nigga with this.

0:27:32.280 --> 0:27:34.639
<v Speaker 2>So it's like or you go to the store and

0:27:34.680 --> 0:27:39.399
<v Speaker 2>they'd have like there's this Virgin megastore by my house,

0:27:40.080 --> 0:27:42.120
<v Speaker 2>and uh you could go and put on the headphones

0:27:42.119 --> 0:27:44.960
<v Speaker 2>and like listen to CDs in the store. I do

0:27:45.080 --> 0:27:47.720
<v Speaker 2>that and then I play the fucking was gonna be skipping,

0:27:47.760 --> 0:27:50.240
<v Speaker 2>like you remember the video games samples have to like

0:27:50.240 --> 0:27:51.600
<v Speaker 2>you be able to go to GameStop and play a

0:27:51.640 --> 0:27:53.720
<v Speaker 2>game before it came out that Ship was lint.

0:27:54.280 --> 0:27:55.800
<v Speaker 1>Yeah, all that she used to be the reason he

0:27:55.920 --> 0:27:56.160
<v Speaker 1>was in.

0:27:56.080 --> 0:27:58.040
<v Speaker 2>There, hanging out in there just playing two K all day.

0:27:58.040 --> 0:28:00.879
<v Speaker 2>They'd be like, you gotta go, you gotta buy something. Ship.

0:28:01.520 --> 0:28:05.439
<v Speaker 2>Are you a Laker fan? You're a basketball guy. We

0:28:05.440 --> 0:28:07.359
<v Speaker 2>were just talking sports. So are you with your team?

0:28:07.400 --> 0:28:10.040
<v Speaker 1>I like all the players on the Lakers, So you're

0:28:10.040 --> 0:28:14.960
<v Speaker 1>a Laker fan. Listen, listen. I'm a nigga from the bottom.

0:28:15.080 --> 0:28:18.040
<v Speaker 1>So anybody who from out here that know like about

0:28:18.080 --> 0:28:21.040
<v Speaker 1>being like certain programs as a kid because you have

0:28:21.119 --> 0:28:23.359
<v Speaker 1>bad behavior or whatever. You was on the field trip.

0:28:23.880 --> 0:28:26.120
<v Speaker 1>You going to a Clippers game on the flow? You're

0:28:26.160 --> 0:28:26.800
<v Speaker 1>going like you.

0:28:26.920 --> 0:28:30.920
<v Speaker 2>Damn on the flow, could go on the floor the Clippers.

0:28:31.119 --> 0:28:32.800
<v Speaker 1>Yeah, with a load. So I just grew up a

0:28:32.800 --> 0:28:34.880
<v Speaker 1>Clipper fans, just being a port nigga and ship.

0:28:34.960 --> 0:28:38.160
<v Speaker 2>But wait, wait, wait wait, we have a Clippers fan here.

0:28:38.400 --> 0:28:41.160
<v Speaker 1>This is very rare, well great, but I fuck with

0:28:41.200 --> 0:28:42.520
<v Speaker 1>everybody that's on the Lakers.

0:28:42.640 --> 0:28:43.280
<v Speaker 2>This is amazing.

0:28:43.280 --> 0:28:44.680
<v Speaker 1>I respect the Lakers store.

0:28:44.520 --> 0:28:47.400
<v Speaker 2>I respect Clippers I love that ship.

0:28:48.600 --> 0:28:50.520
<v Speaker 1>We always get a good team. We ain't gonna never win,

0:28:50.680 --> 0:28:52.560
<v Speaker 1>so I don't be just like, oh man, we've benna

0:28:52.560 --> 0:28:54.920
<v Speaker 1>win like I got. I pay attention to everybody and ship.

0:28:55.400 --> 0:28:59.160
<v Speaker 2>I respect anybody who because I'm a die hard Clipper fan.

0:28:59.200 --> 0:29:03.240
<v Speaker 2>I'm a and I'm an Arizona Cardinals fan, so I'm

0:29:03.280 --> 0:29:05.360
<v Speaker 2>a tortured sports fan. I don't know what it's like

0:29:05.360 --> 0:29:07.640
<v Speaker 2>to have a championship. But you're I mean.

0:29:07.480 --> 0:29:12.200
<v Speaker 1>A Clippers, but they always almost do some shit to me.

0:29:12.240 --> 0:29:14.640
<v Speaker 2>I'd rather be the Clippers and like never even sniffer

0:29:14.600 --> 0:29:15.480
<v Speaker 2>it because they could.

0:29:15.280 --> 0:29:18.320
<v Speaker 1>Be like hell no at this point, I know it

0:29:18.360 --> 0:29:20.720
<v Speaker 1>ain't gonna happen, but I just love him anyway. Fuck it.

0:29:21.200 --> 0:29:22.880
<v Speaker 2>Yeah, I mean I just had Baron Davis here. We

0:29:22.880 --> 0:29:24.280
<v Speaker 2>were kind of going over some of like those O

0:29:24.360 --> 0:29:26.280
<v Speaker 2>G Clipper teams that like even though once he was

0:29:26.280 --> 0:29:28.040
<v Speaker 2>on and then like there was the year that Sam

0:29:28.040 --> 0:29:30.360
<v Speaker 2>could sell, Tim Thomas was on the team.

0:29:30.360 --> 0:29:36.680
<v Speaker 1>Darius Miles, Corey mcgetty, Quinn Richardson, Michael Oliver Candy, come on, man,

0:29:36.720 --> 0:29:37.680
<v Speaker 1>it was some heat over there.

0:29:37.760 --> 0:29:41.680
<v Speaker 2>It's Michael Old Candy, the biggest bust ever. Maybe he

0:29:41.760 --> 0:29:43.800
<v Speaker 2>might be one of them, right, I don't know.

0:29:44.160 --> 0:29:46.800
<v Speaker 1>These Niggs might want to do some partnerships or something

0:29:46.960 --> 0:29:48.960
<v Speaker 1>run into and they. I don't know. She Hey, I'm

0:29:48.960 --> 0:29:51.880
<v Speaker 1>walking with all of them, but I don't know. Maybe

0:29:51.920 --> 0:29:54.200
<v Speaker 1>I need to run my bes up and go get

0:29:54.240 --> 0:29:55.600
<v Speaker 1>involved and get some clippers.

0:29:55.640 --> 0:30:00.240
<v Speaker 2>She probably be part owner. Listen, they could you you

0:30:00.280 --> 0:30:03.480
<v Speaker 2>as the halftime talent. Let me tell you something.

0:30:03.240 --> 0:30:04.720
<v Speaker 1>That should have be packed out.

0:30:04.760 --> 0:30:07.280
<v Speaker 2>I've been to like twelve Clipper games because again I

0:30:07.320 --> 0:30:09.080
<v Speaker 2>get to go watch my sons and then we have

0:30:09.200 --> 0:30:12.320
<v Speaker 2>eliminated y'all two or three years in a row. But

0:30:12.560 --> 0:30:17.360
<v Speaker 2>every halftime show it's like kJ fucking halftime. It's like

0:30:17.840 --> 0:30:21.400
<v Speaker 2>too short. I think, baby Bass, it's like the old

0:30:21.400 --> 0:30:26.440
<v Speaker 2>school hip hop halftime show every time kid Ink was there. Yeah,

0:30:26.440 --> 0:30:28.400
<v Speaker 2>they got they need Greto to touch that stage. Man,

0:30:28.440 --> 0:30:29.120
<v Speaker 2>you got to touch.

0:30:29.000 --> 0:30:32.760
<v Speaker 1>That that Hey.

0:30:31.320 --> 0:30:33.320
<v Speaker 2>Who's the greatest Clipper of all time? Is it? Chris Paul?

0:30:34.240 --> 0:30:36.080
<v Speaker 1>No, no disrespect to Chris Paul.

0:30:36.640 --> 0:30:37.040
<v Speaker 2>Who is it?

0:30:37.160 --> 0:30:41.320
<v Speaker 1>Because he wasn't even really like no og Clipper Danny Manning,

0:30:42.080 --> 0:30:47.680
<v Speaker 1>I don't know, like who the best Clipper Blake Blake

0:30:47.720 --> 0:30:51.040
<v Speaker 1>at that time was a beast, Darius Miles at that

0:30:51.120 --> 0:30:55.480
<v Speaker 1>time was a beast. Quinn Richion was a beast. No,

0:30:56.720 --> 0:30:59.040
<v Speaker 1>it's gotta hey, who's my favorite? I don't know who's

0:30:59.040 --> 0:30:59.760
<v Speaker 1>the best Clipper?

0:30:59.760 --> 0:31:01.120
<v Speaker 2>Could he was your favorite all time?

0:31:01.200 --> 0:31:04.400
<v Speaker 1>Patrick Beverly Pete, Yeah, Nigga be pitched. I like him.

0:31:04.440 --> 0:31:07.479
<v Speaker 1>Every team he going be cause he just I don't know,

0:31:07.640 --> 0:31:09.520
<v Speaker 1>like I like that, Like he don't care. He's gonna

0:31:09.560 --> 0:31:12.280
<v Speaker 1>he gonna be himself. He ready to started fighting everything.

0:31:12.400 --> 0:31:13.160
<v Speaker 1>He just I don't know.

0:31:13.200 --> 0:31:16.160
<v Speaker 2>It reminded me of like Patrick Beverley has some of

0:31:16.200 --> 0:31:20.040
<v Speaker 2>the crazy he just have you seen this podcast so

0:31:20.200 --> 0:31:22.960
<v Speaker 2>recently he said that I don't know, do you saw

0:31:23.000 --> 0:31:25.440
<v Speaker 2>how you went when they traded him to the Timberwolves

0:31:25.560 --> 0:31:28.640
<v Speaker 2>and then the Timberwolves beat the Clippers in the.

0:31:27.920 --> 0:31:30.200
<v Speaker 1>We can't see something my weekends Clippers.

0:31:29.760 --> 0:31:31.840
<v Speaker 2>And he's standing on a thing he just said, like

0:31:31.880 --> 0:31:33.960
<v Speaker 2>a week ago, he said, well we did in Minnesota

0:31:34.000 --> 0:31:36.120
<v Speaker 2>that one year in that playing game means more than

0:31:36.160 --> 0:31:36.400
<v Speaker 2>what that.

0:31:36.760 --> 0:31:39.000
<v Speaker 1>But he opened up his offensive game in Minnesota though

0:31:39.040 --> 0:31:40.480
<v Speaker 1>I ain't gonna lie he was going on in the

0:31:40.480 --> 0:31:43.200
<v Speaker 1>playoffs in the playoffs. Was that last year when it

0:31:43.280 --> 0:31:46.040
<v Speaker 1>was uh they traded John's dad got the Nigga way

0:31:46.040 --> 0:31:49.720
<v Speaker 1>to Jersey. I was last year Patrick Beverly was definitely

0:31:49.760 --> 0:31:51.680
<v Speaker 1>shooting threes and shit, he even turned up at the

0:31:51.720 --> 0:31:54.440
<v Speaker 1>Bulls a little bit. He just ain't gonna be you know, well,

0:31:54.440 --> 0:31:55.960
<v Speaker 1>I don't know what he gonna be. I wish you could,

0:31:55.960 --> 0:31:57.640
<v Speaker 1>because that's one of my favorite players.

0:31:57.960 --> 0:31:58.240
<v Speaker 2>I like.

0:31:58.360 --> 0:32:00.280
<v Speaker 1>I like players like that that. Don't you know what

0:32:00.280 --> 0:32:02.840
<v Speaker 1>I'm saying. We ain't doing the norm, like we're going

0:32:02.840 --> 0:32:03.200
<v Speaker 1>against it.

0:32:03.480 --> 0:32:05.280
<v Speaker 2>No, I love Patrick Beverley. He's like the kind of

0:32:05.280 --> 0:32:07.400
<v Speaker 2>guy who you hate until he's on your team and

0:32:07.400 --> 0:32:08.040
<v Speaker 2>then you love him.

0:32:08.200 --> 0:32:11.400
<v Speaker 1>Bill You nah for real? No, I know I respect it.

0:32:11.480 --> 0:32:14.080
<v Speaker 1>Anytime I see my boy, I'm like, yeah.

0:32:13.640 --> 0:32:15.760
<v Speaker 2>He's like because like I I hate Draymond Green, like

0:32:15.840 --> 0:32:17.480
<v Speaker 2>I love like I've met him. He's a nice guy.

0:32:17.480 --> 0:32:20.000
<v Speaker 2>But as a player I hate. Don't let Draymond Green

0:32:20.040 --> 0:32:22.040
<v Speaker 2>come on the suns. I'm gonna love him.

0:32:23.360 --> 0:32:25.320
<v Speaker 1>I don't think I got no player. I just hate that.

0:32:25.560 --> 0:32:27.600
<v Speaker 2>I wouldn't say hates a bad word. Sports I called

0:32:27.640 --> 0:32:28.200
<v Speaker 2>sports hate.

0:32:28.280 --> 0:32:30.600
<v Speaker 1>No, No, I'm thinking, like who I just sports ain't

0:32:30.640 --> 0:32:31.800
<v Speaker 1>probably in football.

0:32:31.760 --> 0:32:36.520
<v Speaker 2>Like I sports hated Steph Curry. I just sports hate him, dude.

0:32:36.520 --> 0:32:38.440
<v Speaker 2>I'm just like he's too perfect, he's too perfect. I

0:32:38.480 --> 0:32:40.680
<v Speaker 2>want some scandal. I want to can he slide into it?

0:32:40.800 --> 0:32:43.640
<v Speaker 2>Only the probably got some scandal. But you know they

0:32:43.760 --> 0:32:45.600
<v Speaker 2>be sweeping out in the room for the big It's

0:32:45.640 --> 0:32:47.000
<v Speaker 2>hard to sweep it under the road these days. You

0:32:47.040 --> 0:32:49.120
<v Speaker 2>see Zion out here with these he's a he's a

0:32:49.160 --> 0:32:49.680
<v Speaker 2>fucking wow.

0:32:49.960 --> 0:32:57.280
<v Speaker 1>Oh no, you try Zion. Man's man. I don't know, hey, man,

0:32:57.400 --> 0:32:59.680
<v Speaker 1>I don't know whatever we go through with these females,

0:33:00.240 --> 0:33:06.959
<v Speaker 1>I feel hey, say man, listen, we don't list twenty eighteen.

0:33:07.080 --> 0:33:10.120
<v Speaker 2>You go in, you get out. Only fans is a thing.

0:33:10.640 --> 0:33:13.800
<v Speaker 2>So there's just way more chicks that are like fully

0:33:13.840 --> 0:33:15.480
<v Speaker 2>engaged just period and like.

0:33:15.440 --> 0:33:18.080
<v Speaker 1>People on some other shit, females be not all of them.

0:33:18.120 --> 0:33:20.680
<v Speaker 1>It's gotten a lot worse on some other shit. Even

0:33:20.760 --> 0:33:22.520
<v Speaker 1>ask for something. Who are talking.

0:33:22.560 --> 0:33:25.360
<v Speaker 2>It's the only fans generation, man, It's it's the getting

0:33:25.400 --> 0:33:27.400
<v Speaker 2>flown out generation. When you see a girl and she

0:33:27.520 --> 0:33:30.160
<v Speaker 2>has more than one city in her bio.

0:33:31.240 --> 0:33:33.560
<v Speaker 1>No, I'll be watching just what's going on, Like I'll

0:33:33.600 --> 0:33:35.720
<v Speaker 1>be I might meet a female and then know what

0:33:35.800 --> 0:33:37.960
<v Speaker 1>her situation is, and then I'll see I'm like the

0:33:38.000 --> 0:33:43.479
<v Speaker 1>fucking Bali and Dubai and shit. I'm like, what you're

0:33:43.520 --> 0:33:48.600
<v Speaker 1>doing out there? How did you get there? Yeah? If

0:33:48.640 --> 0:33:50.720
<v Speaker 1>I scroll up on our text messages, it don't look

0:33:50.760 --> 0:33:51.160
<v Speaker 1>like you can.

0:33:51.440 --> 0:33:56.320
<v Speaker 2>But anyways, yeah, you know for sure tell me about obviously, Uh,

0:33:56.440 --> 0:33:59.400
<v Speaker 2>you got a ton of music. What are you currently

0:33:59.480 --> 0:34:02.880
<v Speaker 2>working on? Is there? Give me kind of the rundown

0:34:02.920 --> 0:34:04.720
<v Speaker 2>what we're gonna expect from Grito the rest of the year.

0:34:05.600 --> 0:34:07.120
<v Speaker 1>I don't know when that should be coming out. I

0:34:07.120 --> 0:34:09.560
<v Speaker 1>got Wolf of Gray Street to a Gray Street Journal

0:34:09.640 --> 0:34:12.480
<v Speaker 1>coming out. It's really a collapse tape. Low key, it's

0:34:12.480 --> 0:34:15.040
<v Speaker 1>gonna make it like a stamp of legendary stamp. Crazy

0:34:15.040 --> 0:34:15.880
<v Speaker 1>features on there.

0:34:17.480 --> 0:34:18.560
<v Speaker 2>Who was on the tape?

0:34:18.760 --> 0:34:21.239
<v Speaker 1>Oh, I can't tell you that it was hot. It's

0:34:21.440 --> 0:34:23.719
<v Speaker 1>it's it's quite the list though. It's on there, so

0:34:23.760 --> 0:34:24.239
<v Speaker 1>it's fun.

0:34:24.400 --> 0:34:25.239
<v Speaker 2>Can I guess?

0:34:26.160 --> 0:34:27.200
<v Speaker 1>You probably ain't gonna guess?

0:34:27.239 --> 0:34:29.200
<v Speaker 2>Right? How big are we going?

0:34:30.040 --> 0:34:31.600
<v Speaker 1>See what I'm saying now? You want me to help

0:34:31.640 --> 0:34:33.319
<v Speaker 1>you get well?

0:34:33.440 --> 0:34:34.520
<v Speaker 2>Drake? Drake on there?

0:34:35.640 --> 0:34:37.799
<v Speaker 1>Why they always be saying that in the interviews? No, no,

0:34:37.920 --> 0:34:38.480
<v Speaker 1>I feel.

0:34:38.239 --> 0:34:40.680
<v Speaker 2>Like I feel like Drake's gotta come tapping with the

0:34:40.840 --> 0:34:41.400
<v Speaker 2>with the sauce.

0:34:41.600 --> 0:34:43.640
<v Speaker 1>Drianke fun with me though, you know, I got credit

0:34:43.680 --> 0:34:48.880
<v Speaker 1>for that Kiki, do you love me? Uh, that's inspired

0:34:48.880 --> 0:34:50.480
<v Speaker 1>by a Sweet Lady. So I got credits on that

0:34:50.560 --> 0:34:51.480
<v Speaker 1>album for you.

0:34:51.560 --> 0:34:53.160
<v Speaker 2>Do you didn't know that?

0:34:53.600 --> 0:34:57.600
<v Speaker 1>Yeah, nigga, if you type in Greto, Drake, sweet Lady

0:34:57.680 --> 0:35:00.839
<v Speaker 1>or something, it's gonna pop up. Like yeah, he gives

0:35:00.880 --> 0:35:03.840
<v Speaker 1>a list of all his inspirations off the Oh that's dope.

0:35:04.000 --> 0:35:06.120
<v Speaker 1>I was going on Drake fuck with the team, you

0:35:06.120 --> 0:35:06.760
<v Speaker 1>know what I'm saying.

0:35:06.800 --> 0:35:09.080
<v Speaker 2>But him and Draco got a record out.

0:35:09.360 --> 0:35:12.160
<v Speaker 1>Yeah, I don't know. I'm just really coming out of

0:35:12.200 --> 0:35:12.880
<v Speaker 1>my little cave.

0:35:13.840 --> 0:35:15.960
<v Speaker 2>I've noticed. I've noticed because I was dming you when

0:35:15.960 --> 0:35:17.600
<v Speaker 2>you were and then t K and he's like, yo,

0:35:17.680 --> 0:35:19.560
<v Speaker 2>he's in the halfway house. If you were to interview

0:35:19.600 --> 0:35:21.480
<v Speaker 2>and you have to go to Texas, I was like,

0:35:21.520 --> 0:35:24.440
<v Speaker 2>I mean, I'm down, but you know, it's it's You've.

0:35:24.560 --> 0:35:28.120
<v Speaker 2>You've definitely it's dope to see you out moving around

0:35:29.120 --> 0:35:31.440
<v Speaker 2>and and I think your personality is so fied that

0:35:31.520 --> 0:35:34.360
<v Speaker 2>I think, like it's just good to see you, you know,

0:35:34.440 --> 0:35:37.720
<v Speaker 2>talking and and and you know, kind of spreading, spreading

0:35:37.800 --> 0:35:39.280
<v Speaker 2>uh who you are a lot more?

0:35:40.640 --> 0:35:44.359
<v Speaker 1>Oh oh no, the city be letting me know how

0:35:44.360 --> 0:35:46.600
<v Speaker 1>they look at me. I just like that ship. They

0:35:46.600 --> 0:35:49.120
<v Speaker 1>don't put me on, No, they put me talk to

0:35:49.120 --> 0:35:50.960
<v Speaker 1>her for shows. So I just I just fun with

0:35:51.440 --> 0:35:53.439
<v Speaker 1>show as much love that, you know what I'm saying.

0:35:53.760 --> 0:35:57.000
<v Speaker 1>Everybody that kind of kept this shit going while I was.

0:35:57.000 --> 0:36:00.640
<v Speaker 2>Going, Uh you and you said you and Ralphie got

0:36:00.640 --> 0:36:02.440
<v Speaker 2>a ton of unreleased stuff? Would you guys do a

0:36:03.320 --> 0:36:03.960
<v Speaker 2>whole project?

0:36:04.600 --> 0:36:07.200
<v Speaker 1>Probably eventually, but I feel like some people I want

0:36:07.239 --> 0:36:09.160
<v Speaker 1>to make it be known, like we got Hella song

0:36:09.239 --> 0:36:11.560
<v Speaker 1>before we just hurry up and do a tape Like

0:36:11.640 --> 0:36:13.400
<v Speaker 1>that's probably most likely what I would have to do

0:36:13.440 --> 0:36:16.640
<v Speaker 1>with UZI, Like how we gonna pick it to be

0:36:16.640 --> 0:36:17.839
<v Speaker 1>an album with so much shit?

0:36:18.280 --> 0:36:20.319
<v Speaker 2>How many unreleased songs with UZI do you got?

0:36:20.600 --> 0:36:23.480
<v Speaker 1>So there you go? A lot, there you go, because

0:36:23.520 --> 0:36:25.439
<v Speaker 1>once they hit a certain number of leaks, they gonna

0:36:25.520 --> 0:36:26.440
<v Speaker 1>oh yeah, that's all over.

0:36:27.719 --> 0:36:31.279
<v Speaker 2>We're good enough to do a project.

0:36:31.719 --> 0:36:33.840
<v Speaker 1>No, we got more than that. We kind of probably

0:36:33.880 --> 0:36:36.399
<v Speaker 1>scrapped the old ship. So whatever engineer has that probably

0:36:36.440 --> 0:36:36.839
<v Speaker 1>has it.

0:36:37.560 --> 0:36:39.400
<v Speaker 2>UZI seems to be like one of the nicer, like

0:36:39.480 --> 0:36:41.320
<v Speaker 2>more genuine dudes in music.

0:36:42.280 --> 0:36:43.680
<v Speaker 1>Very well, good friend.

0:36:43.520 --> 0:36:45.719
<v Speaker 2>You guys have have you guys gotten back in since

0:36:45.719 --> 0:36:46.759
<v Speaker 2>you've gotten out?

0:36:49.600 --> 0:36:50.000
<v Speaker 1>Mmm?

0:36:55.000 --> 0:36:59.520
<v Speaker 2>Yo, that is a memorable expression right there. I'm gonna

0:36:59.560 --> 0:37:04.520
<v Speaker 2>take that as a yes. Look at this guy's face.

0:37:06.880 --> 0:37:07.359
<v Speaker 1>I don't know.

0:37:07.840 --> 0:37:08.880
<v Speaker 2>Are you on the pink tape?

0:37:15.080 --> 0:37:17.040
<v Speaker 1>No, I'm not on the pink tape. I wear purple.

0:37:17.920 --> 0:37:20.200
<v Speaker 2>I mean he could be the purple tape for one track,

0:37:20.239 --> 0:37:20.400
<v Speaker 2>you know.

0:37:20.520 --> 0:37:23.279
<v Speaker 1>No, No, we got something going, but I don't know. Well,

0:37:23.320 --> 0:37:24.759
<v Speaker 1>I don't know what. I can tell you what I came,

0:37:24.800 --> 0:37:26.960
<v Speaker 1>but who's he gonna always be involved?

0:37:27.280 --> 0:37:29.040
<v Speaker 2>How did you guys? Initially link up?

0:37:31.120 --> 0:37:33.960
<v Speaker 1>I d M him when what you want?

0:37:34.520 --> 0:37:35.719
<v Speaker 2>What do you want?

0:37:35.840 --> 0:37:38.080
<v Speaker 1>What do you want? I'm like, yo, shit, are we

0:37:38.080 --> 0:37:40.800
<v Speaker 1>fucking with you? In the Jordan Down's And I guess

0:37:40.840 --> 0:37:42.880
<v Speaker 1>like a year and a half or two years later

0:37:43.239 --> 0:37:46.640
<v Speaker 1>he was Finn DM me and it was just me

0:37:47.160 --> 0:37:50.400
<v Speaker 1>like linko whenever, like we fuck with you? He like,

0:37:50.440 --> 0:37:52.360
<v Speaker 1>and the crazy shit is you talking to me? Like

0:37:52.400 --> 0:37:54.640
<v Speaker 1>I don't know who you is? And then we just

0:37:54.640 --> 0:37:56.800
<v Speaker 1>start chopping it up and linked up that fire.

0:37:57.400 --> 0:37:59.000
<v Speaker 2>Got to stop the interview to tell you about our

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<v Speaker 2>How dope is it to see the just staple that

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<v Speaker 2>Desto Dub has become in fashion?

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<v Speaker 1>Hey, I was up in that Nigga factory, and that

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<v Speaker 1>shit just made me so happy because I've already seen

0:41:14.239 --> 0:41:15.920
<v Speaker 1>him a hell of time. Like me and Dub always

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<v Speaker 1>together on accident. We just we both upgraded, so we

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<v Speaker 1>both live in like them. I was like, oh yeah,

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<v Speaker 1>I meet them at the Pinky out type spots. You

0:41:24.000 --> 0:41:27.000
<v Speaker 1>feel me now, So it's like okay. But when I

0:41:27.040 --> 0:41:28.960
<v Speaker 1>actually saw his warehouse, I was.

0:41:28.960 --> 0:41:32.440
<v Speaker 2>Just like, but you're doing it for real, bro.

0:41:32.400 --> 0:41:34.000
<v Speaker 1>They don't know, you know what I'm saying. We were

0:41:34.040 --> 0:41:36.320
<v Speaker 1>just talking about that shit earlier, like this is greedy

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<v Speaker 1>and double low. They don't know, like we've been rockets.

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<v Speaker 1>So I'm just like, what the fuck is this going

0:41:43.120 --> 0:41:43.600
<v Speaker 1>on in there?

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<v Speaker 2>To hold no jumper space on Melrose Like it's crazy.

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<v Speaker 1>I'm like, what are you doing when?

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<v Speaker 2>Man?

0:41:50.680 --> 0:41:51.919
<v Speaker 1>But no, that's bro.

0:41:52.080 --> 0:41:54.520
<v Speaker 2>We talk every day and they gotta let I think.

0:41:54.560 --> 0:41:57.040
<v Speaker 2>I think I saw like la USD like band a

0:41:57.080 --> 0:41:59.040
<v Speaker 2>whole lot of from being in schools.

0:41:59.480 --> 0:42:01.360
<v Speaker 1>I don't know, shout out to do shout out to

0:42:01.520 --> 0:42:02.000
<v Speaker 1>l a u s.

0:42:02.080 --> 0:42:04.960
<v Speaker 2>D for sure. No, it's just dope to see like.

0:42:04.960 --> 0:42:06.200
<v Speaker 1>We ain't missing nothing.

0:42:06.440 --> 0:42:10.640
<v Speaker 2>His his his his grind is paid off and it's

0:42:10.760 --> 0:42:13.680
<v Speaker 2>just from the van getting the band bited a bunch

0:42:13.680 --> 0:42:18.040
<v Speaker 2>of times to you know, doing collabse with everybody like

0:42:18.080 --> 0:42:19.960
<v Speaker 2>it's it's kind of crazy, man, for sure.

0:42:20.719 --> 0:42:22.920
<v Speaker 1>He jam packed like the day after my shit, he

0:42:23.040 --> 0:42:26.719
<v Speaker 1>had the oh the collapse the merk Park right after

0:42:26.800 --> 0:42:30.439
<v Speaker 1>I'm like this niggas going you know what I'm saying.

0:42:30.480 --> 0:42:32.640
<v Speaker 2>You being such a high fashioned guy, would you ever

0:42:32.680 --> 0:42:35.080
<v Speaker 2>do I mean the merchants fire you just we thank

0:42:35.120 --> 0:42:36.520
<v Speaker 2>you for the hoodies you brought me, But would you

0:42:36.520 --> 0:42:45.120
<v Speaker 2>ever do a cold line? Yeah? Yeah?

0:42:46.040 --> 0:42:48.040
<v Speaker 1>Who told you to ask all these questions?

0:42:48.400 --> 0:42:48.840
<v Speaker 2>Nobody?

0:42:49.040 --> 0:42:50.840
<v Speaker 1>He's jumping You tapped in on something.

0:42:50.920 --> 0:42:53.200
<v Speaker 2>No, No, I've gotten zero information.

0:42:53.280 --> 0:42:55.280
<v Speaker 1>I swear stay tuned.

0:42:56.480 --> 0:42:59.480
<v Speaker 2>I promise, bro, I promise I would tell you if

0:42:59.560 --> 0:43:05.800
<v Speaker 2>like this one was looking He's like, no, I promise

0:43:06.280 --> 0:43:09.200
<v Speaker 2>you're good man? Are you? Uh so? Kind of give me?

0:43:10.480 --> 0:43:14.319
<v Speaker 2>We talked about the Clippers a little. There's been word

0:43:14.360 --> 0:43:17.080
<v Speaker 2>that they might break up the gang. They might trade

0:43:17.120 --> 0:43:19.480
<v Speaker 2>Paul George Lancaster's finest Palmdale.

0:43:19.719 --> 0:43:22.160
<v Speaker 1>They're gonna trade every good they do that if you

0:43:22.200 --> 0:43:23.600
<v Speaker 1>don't know what we do over he had.

0:43:23.520 --> 0:43:25.920
<v Speaker 2>The Clippers, besides being we.

0:43:25.920 --> 0:43:29.560
<v Speaker 1>Get a squad ship a squad never win.

0:43:30.440 --> 0:43:33.160
<v Speaker 2>I was gonna ask you how frustrating as a Clippers

0:43:33.160 --> 0:43:36.319
<v Speaker 2>fan who has been incarcerated during this kind of the

0:43:36.440 --> 0:43:39.880
<v Speaker 2>entire Kawhi Paul George era, because I remember when they

0:43:39.920 --> 0:43:43.359
<v Speaker 2>pulled that trade off. I was in Mexico and that

0:43:43.480 --> 0:43:46.400
<v Speaker 2>this is when Paul George got traded UH to the UH,

0:43:46.760 --> 0:43:49.360
<v Speaker 2>from the Thunder to the Clippers, and then they got Kawhi.

0:43:49.440 --> 0:43:52.040
<v Speaker 2>I just remember thinking to myself, there, nobody is gonna

0:43:52.040 --> 0:43:54.000
<v Speaker 2>be able to beat these fucking guys. And it's just

0:43:54.080 --> 0:43:56.400
<v Speaker 2>kind of been whether it's injuries.

0:43:55.960 --> 0:43:57.120
<v Speaker 1>Why did you think that?

0:43:57.960 --> 0:44:01.879
<v Speaker 2>Because in my head, I'm thinking, hey, why and Paul

0:44:01.960 --> 0:44:04.840
<v Speaker 2>George are two of the best perimeter defenders in the NBA.

0:44:06.360 --> 0:44:09.320
<v Speaker 1>And then it's just too many super teams these days.

0:44:09.320 --> 0:44:11.600
<v Speaker 1>They really even like your squad ain't really nothing you

0:44:11.680 --> 0:44:12.600
<v Speaker 1>gotta go against, like.

0:44:13.280 --> 0:44:15.439
<v Speaker 2>You gotta go against the Suns.

0:44:14.880 --> 0:44:17.560
<v Speaker 1>Crazy ass teams right now. Some of them didn't work

0:44:17.600 --> 0:44:21.840
<v Speaker 1>out for sure. That show I don't know. I he

0:44:22.080 --> 0:44:25.440
<v Speaker 1>shout out to everybody, y'all niggas know what y'all doing.

0:44:25.520 --> 0:44:27.319
<v Speaker 1>Y'all doing all typer weirds.

0:44:27.000 --> 0:44:27.920
<v Speaker 2>And then you see shade.

0:44:28.000 --> 0:44:29.839
<v Speaker 1>You can't be you can't be doing. Let me let

0:44:29.880 --> 0:44:34.480
<v Speaker 1>you athletes know if you organizations, associations, you can't be

0:44:34.520 --> 0:44:37.680
<v Speaker 1>playing with sports for people that are incarcerated. Nigga, listen,

0:44:38.400 --> 0:44:40.960
<v Speaker 1>don't be stopping this ship. You feel me, don't be

0:44:41.760 --> 0:44:45.880
<v Speaker 1>don't stop this ship. Whatever's going on, don't don't stop

0:44:45.960 --> 0:44:49.359
<v Speaker 1>the game. Don't leave the game, you gus. There's too

0:44:49.400 --> 0:44:51.680
<v Speaker 1>many injuries now, so it's like free injuries.

0:44:51.800 --> 0:44:53.720
<v Speaker 2>It's what they call load management.

0:44:53.719 --> 0:44:55.920
<v Speaker 1>I've seen the nigga brush against the nigga and be

0:44:56.000 --> 0:44:58.279
<v Speaker 1>out for a whole seat. Man, God damn it.

0:44:58.840 --> 0:45:00.480
<v Speaker 2>Do you wish you would have kept saying Jay Gildris

0:45:00.520 --> 0:45:04.000
<v Speaker 2>Alexander in retrospect, see, because that's Jay got shipped out

0:45:04.120 --> 0:45:05.480
<v Speaker 2>to Oklahoma.

0:45:05.719 --> 0:45:08.399
<v Speaker 1>Certain people they gotta shine at. I think he would.

0:45:08.520 --> 0:45:11.640
<v Speaker 1>He's at the best place right now. That not everybody

0:45:12.120 --> 0:45:13.680
<v Speaker 1>I like. I like players like that.

0:45:13.920 --> 0:45:15.960
<v Speaker 2>What about your football team? Who's ther football team?

0:45:16.640 --> 0:45:23.000
<v Speaker 1>Man? So out here you ain't gonna around my age group.

0:45:23.120 --> 0:45:24.640
<v Speaker 1>You know what I'm saying. We don't have a team

0:45:25.160 --> 0:45:27.960
<v Speaker 1>from here, of course, because they were gone, of course.

0:45:28.960 --> 0:45:31.799
<v Speaker 1>So once we got a team, I start going for

0:45:31.840 --> 0:45:36.440
<v Speaker 1>the Rams because in Texas they say Football Dead series.

0:45:37.440 --> 0:45:42.120
<v Speaker 1>And I've seen the Louisiana dude squabble with a Texas

0:45:42.200 --> 0:45:45.160
<v Speaker 1>dude over the Cowboys in the Saints really, and I say,

0:45:45.320 --> 0:45:46.040
<v Speaker 1>we're doing.

0:45:45.880 --> 0:45:47.920
<v Speaker 2>All that, so that'll fight in jail over that.

0:45:48.040 --> 0:45:50.040
<v Speaker 1>Well. And I've seen Nim get Donkey Kong Bunch into

0:45:50.040 --> 0:45:57.839
<v Speaker 1>the trash can. He's but my team, my lifelong team

0:45:57.920 --> 0:45:59.919
<v Speaker 1>is the Packers. They got the chee's on their head.

0:46:00.640 --> 0:46:04.080
<v Speaker 1>But now we don't know quarterback. What's going on?

0:46:04.239 --> 0:46:04.880
<v Speaker 2>Got enough?

0:46:06.960 --> 0:46:12.040
<v Speaker 1>I said, we ain't got no fucking quarterback.

0:46:12.280 --> 0:46:15.680
<v Speaker 2>Okay, give me your spread, rundown, and like, what are

0:46:15.719 --> 0:46:17.880
<v Speaker 2>you putting in the spread? Give me the spread recipe

0:46:18.840 --> 0:46:19.399
<v Speaker 2>top tier.

0:46:20.120 --> 0:46:23.560
<v Speaker 1>Oh in jail when I ain't no spread, that'd be

0:46:23.600 --> 0:46:25.600
<v Speaker 1>for them niggas. They eat noodles and ship. We don't.

0:46:25.640 --> 0:46:28.080
<v Speaker 1>We don't when you get the money in jail noodles

0:46:28.080 --> 0:46:30.920
<v Speaker 1>like for the booms, did you guys were getting ship

0:46:31.000 --> 0:46:33.439
<v Speaker 1>from the kitchen, like somebody done fry some chicken or something.

0:46:33.480 --> 0:46:35.279
<v Speaker 2>I was gonna say, because I saw some viral.

0:46:35.000 --> 0:46:37.200
<v Speaker 1>Guard might guard might leave a box of pizza right here.

0:46:37.480 --> 0:46:38.840
<v Speaker 2>You might get a box of pizza.

0:46:38.800 --> 0:46:42.919
<v Speaker 1>No, I said, I said, Hey, nope, SKIP said, Let's see.

0:46:43.080 --> 0:46:45.440
<v Speaker 2>I was gonna say, I saw a viral video of

0:46:45.440 --> 0:46:48.480
<v Speaker 2>somebody doing like their version of Benni Hannas in the

0:46:48.560 --> 0:46:50.120
<v Speaker 2>cell anything like that.

0:46:50.160 --> 0:46:53.160
<v Speaker 1>Some people be live on that grill. They're gonna they're

0:46:53.160 --> 0:46:55.040
<v Speaker 1>gonna make a grill on the bunk and ship they

0:46:55.160 --> 0:46:57.239
<v Speaker 1>be live on that grill. You gotta be careful with

0:46:57.320 --> 0:46:59.560
<v Speaker 1>that though, I mean, I don't know what the hell?

0:47:01.360 --> 0:47:03.600
<v Speaker 2>Yeah, how healthy that step here? Just like.

0:47:05.280 --> 0:47:06.800
<v Speaker 1>Ray disinfected on that bitch.

0:47:07.800 --> 0:47:14.320
<v Speaker 2>Yo. It's crazy. Hey, I always hear about how crazy

0:47:14.520 --> 0:47:18.920
<v Speaker 2>the La County jail is being in Texas compared to

0:47:18.960 --> 0:47:21.920
<v Speaker 2>being incarcerated out here. What's the difference is if any?

0:47:22.080 --> 0:47:24.480
<v Speaker 1>Is it? Like it's not the same game politics. Then

0:47:24.560 --> 0:47:26.319
<v Speaker 1>they gave a nigga flip flops in the county. I

0:47:26.400 --> 0:47:30.320
<v Speaker 1>was you know what I'm saying. Then I ain't no goddamn,

0:47:31.920 --> 0:47:33.560
<v Speaker 1>and my my enemies ain't out there, so it was

0:47:33.600 --> 0:47:36.200
<v Speaker 1>regular you know what, man, my enemies out here, so.

0:47:36.200 --> 0:47:38.480
<v Speaker 2>I gotta worry about a lot more stress free.

0:47:38.800 --> 0:47:41.600
<v Speaker 1>I'm still catching like squabbles here and there. Just want

0:47:41.640 --> 0:47:42.600
<v Speaker 1>some mans.

0:47:43.000 --> 0:47:46.239
<v Speaker 2>What were you like, was it pretty like we kind

0:47:46.280 --> 0:47:49.920
<v Speaker 2>of a celebrity while while while being locked up in Texas? No?

0:47:49.920 --> 0:47:53.400
<v Speaker 1>No, maybe like after like twenty twenty they were like,

0:47:53.440 --> 0:47:55.600
<v Speaker 1>oh ship And then I popped up it's a famous

0:47:55.719 --> 0:47:58.840
<v Speaker 1>magazine that we reading there called Kite. It's like a

0:47:58.880 --> 0:48:01.360
<v Speaker 1>magazine that niggas in jail get to stay updated on music.

0:48:02.360 --> 0:48:04.759
<v Speaker 1>And uh, they saw me in there and they was like,

0:48:04.800 --> 0:48:09.759
<v Speaker 1>oh this nigga really somebody else so.

0:48:08.680 --> 0:48:12.400
<v Speaker 2>So you're gonna have new music coming with UZZI was

0:48:12.440 --> 0:48:12.719
<v Speaker 2>in some.

0:48:12.680 --> 0:48:15.240
<v Speaker 1>Double xls too that once they started to get catching where.

0:48:15.160 --> 0:48:18.160
<v Speaker 2>You fucking double xelf was fucking their new freshman cover.

0:48:18.200 --> 0:48:19.799
<v Speaker 2>It's very disappointing to say the least.

0:48:19.880 --> 0:48:21.520
<v Speaker 1>I ain't I ain't shit. No, it was some lot

0:48:21.520 --> 0:48:21.840
<v Speaker 1>of people.

0:48:21.920 --> 0:48:23.759
<v Speaker 2>No, no, no, There was definitely some great people on,

0:48:24.560 --> 0:48:26.640
<v Speaker 2>but there was a few people. No, Rob's dope, but

0:48:26.680 --> 0:48:27.319
<v Speaker 2>there was just a.

0:48:27.320 --> 0:48:29.759
<v Speaker 1>Few people that that was hard on fuck with too.

0:48:30.080 --> 0:48:31.480
<v Speaker 2>I think they should have ain't gonna.

0:48:31.239 --> 0:48:33.480
<v Speaker 1>Lot ten people is really never gonna be enough. It's

0:48:33.480 --> 0:48:34.239
<v Speaker 1>always gonna be there.

0:48:34.280 --> 0:48:37.000
<v Speaker 2>I just feel like there's no West Coast representation as

0:48:37.000 --> 0:48:38.359
<v Speaker 2>a kid in Texas.

0:48:38.080 --> 0:48:41.359
<v Speaker 1>Who nobody hot. You know, look, we gotta stop this ship.

0:48:41.520 --> 0:48:44.000
<v Speaker 1>There's some hot niggas now like, but I think somebody

0:48:44.040 --> 0:48:46.440
<v Speaker 1>like could have got rody and yg like the niggas

0:48:46.480 --> 0:48:49.759
<v Speaker 1>that stamped in. But I'm saying we ain't gonna if

0:48:49.760 --> 0:48:51.719
<v Speaker 1>we don't upgrade the music out here. We are never

0:48:51.920 --> 0:48:54.560
<v Speaker 1>like nigga we being realistic. You know what the fuck

0:48:54.640 --> 0:48:57.279
<v Speaker 1>we did? You know what wave this is like? Well

0:48:57.320 --> 0:48:59.839
<v Speaker 1>we've been nice. Let's let's be who we really are,

0:49:00.040 --> 0:49:03.319
<v Speaker 1>you know, the German's Team Mafia. You know what we

0:49:03.360 --> 0:49:07.719
<v Speaker 1>did and what we helped the city get off their chest. Now,

0:49:07.840 --> 0:49:09.719
<v Speaker 1>there was other people that was living like we was living.

0:49:09.719 --> 0:49:12.239
<v Speaker 1>They just wasn't mainstream rappers at the time, and we're

0:49:12.280 --> 0:49:14.640
<v Speaker 1>the ones that did it. So it may be other

0:49:14.680 --> 0:49:17.000
<v Speaker 1>people that was on the same topics too, but that's

0:49:17.000 --> 0:49:20.280
<v Speaker 1>what we we do it for. Like upgrade the music

0:49:20.400 --> 0:49:23.480
<v Speaker 1>up the way up, upgrade the way your niggas dress stop,

0:49:23.800 --> 0:49:25.520
<v Speaker 1>you know what I'm saying. Not saying all your niggas

0:49:25.520 --> 0:49:28.319
<v Speaker 1>be on it, but like nigga, I know I had

0:49:28.400 --> 0:49:32.239
<v Speaker 1>created a certain lane, and I saw some people kind

0:49:32.239 --> 0:49:36.080
<v Speaker 1>of like have a similar lane or even go with

0:49:36.120 --> 0:49:37.759
<v Speaker 1>what they learned from me. Whether they did or not,

0:49:37.800 --> 0:49:40.040
<v Speaker 1>that's not what I'm saying, but to see so many

0:49:40.040 --> 0:49:42.879
<v Speaker 1>people that went backwards, it's like, damn what you think

0:49:42.920 --> 0:49:44.319
<v Speaker 1>I did it for? I did that for all of us.

0:49:44.360 --> 0:49:46.880
<v Speaker 1>You feel me. There's a reason I get features with

0:49:47.000 --> 0:49:49.040
<v Speaker 1>niggas that the city don't usually get it with. There's

0:49:49.040 --> 0:49:51.640
<v Speaker 1>a reason they might be a nigga that everybody ain't

0:49:51.640 --> 0:49:53.280
<v Speaker 1>even heard of out here, but I know the streets

0:49:53.320 --> 0:49:56.480
<v Speaker 1>is playing this, you know what I'm saying. So upgrade

0:49:56.520 --> 0:49:58.080
<v Speaker 1>the music. That's why we ain't on that. Bitch.

0:49:58.320 --> 0:49:59.560
<v Speaker 2>What are you listening to right now?

0:50:01.880 --> 0:50:10.960
<v Speaker 1>Hot boy Rob for nine? Uh y him Bob just

0:50:10.960 --> 0:50:11.759
<v Speaker 1>as far as like new.

0:50:12.040 --> 0:50:14.080
<v Speaker 2>Just new ship. Yeah, what's in your what's your? You know?

0:50:14.160 --> 0:50:15.560
<v Speaker 2>I feel like people respect your opinion.

0:50:15.840 --> 0:50:18.200
<v Speaker 1>Yeah, all the females that come out. I don't care

0:50:18.239 --> 0:50:20.719
<v Speaker 1>how it's being created. People like, oh somebody probably right now.

0:50:20.760 --> 0:50:23.880
<v Speaker 1>But there whatever going on and they going off. I say,

0:50:23.960 --> 0:50:25.880
<v Speaker 1>putting that via a bunch of these niggas. Ass niggas

0:50:25.880 --> 0:50:26.480
<v Speaker 1>better start.

0:50:26.320 --> 0:50:29.479
<v Speaker 2>Saying something right now. The females are running circles around

0:50:29.480 --> 0:50:30.880
<v Speaker 2>men when it comes to making hit records.

0:50:31.080 --> 0:50:34.480
<v Speaker 1>Fuck that they slipping bars in there? Fuck that, nigga.

0:50:34.520 --> 0:50:36.759
<v Speaker 1>Y'all niggas can't be I don't care what genre of

0:50:36.840 --> 0:50:39.360
<v Speaker 1>rap y'all trying to create. You gotta slip the bars

0:50:39.360 --> 0:50:41.120
<v Speaker 1>in there. You know what I'm saying. Y'all be sleeping

0:50:42.000 --> 0:50:44.520
<v Speaker 1>on like niggas like Uzi and Trippy and ship like that.

0:50:44.560 --> 0:50:46.600
<v Speaker 1>But them niggas really be slipping bars in that ship,

0:50:46.640 --> 0:50:49.799
<v Speaker 1>you know what I'm saying. You gotta lyrics matter, so

0:50:49.880 --> 0:50:52.920
<v Speaker 1>you can bubble off just bullshit for a while, but

0:50:53.200 --> 0:50:56.640
<v Speaker 1>lyrics matter, you gotta you gotta be saying something. Don't

0:50:56.640 --> 0:50:58.759
<v Speaker 1>blame the system. If I'll ever get lucky and get

0:50:58.760 --> 0:51:00.799
<v Speaker 1>a Grammy, aim like, you know, you don't show no love,

0:51:00.880 --> 0:51:03.239
<v Speaker 1>y'all fall only show them love. Let the Grammy be

0:51:03.320 --> 0:51:06.040
<v Speaker 1>the Grammy. So you gotta let the freshman cover. It's

0:51:06.080 --> 0:51:09.719
<v Speaker 1>still something that it matters, you know what I'm saying.

0:51:09.880 --> 0:51:12.439
<v Speaker 1>It may not matter to people who feel like they

0:51:12.480 --> 0:51:15.319
<v Speaker 1>saw better, but this ship matters the people that got

0:51:15.320 --> 0:51:17.440
<v Speaker 1>on that ship. We can't discredit that ship because.

0:51:17.400 --> 0:51:19.279
<v Speaker 2>Last year, I mean we had LA representation. I think

0:51:19.280 --> 0:51:20.640
<v Speaker 2>it was the last year Blast was on there.

0:51:21.000 --> 0:51:22.439
<v Speaker 1>Yeah, this level was Blast Bro.

0:51:22.560 --> 0:51:27.960
<v Speaker 2>So yeah, per Man, Well listen, you're I'm glad you're back. Man,

0:51:28.000 --> 0:51:30.359
<v Speaker 2>I'm glad that you got new music on the way.

0:51:33.160 --> 0:51:36.160
<v Speaker 2>Hopefully we hear some of these, uh these records that

0:51:36.200 --> 0:51:39.440
<v Speaker 2>you're grinning your your your your your, I'm gonna call

0:51:39.440 --> 0:51:41.279
<v Speaker 2>it your yes grin throughout the interview and I'd ask

0:51:41.280 --> 0:51:43.160
<v Speaker 2>you something and you just hit me with that I

0:51:43.160 --> 0:51:43.880
<v Speaker 2>mean that grin.

0:51:45.320 --> 0:51:48.440
<v Speaker 1>Nah, I mean shit. I'll mean, you know, you never

0:51:48.520 --> 0:51:52.200
<v Speaker 1>know what's cleared. And then sometimes when I say who

0:51:52.280 --> 0:51:54.440
<v Speaker 1>I do a song with, they go leaky, you know,

0:51:54.480 --> 0:51:55.480
<v Speaker 1>what I'm saying, so they might.

0:51:55.560 --> 0:51:57.200
<v Speaker 2>Leaks the music. Is it the engineers?

0:51:57.320 --> 0:52:00.680
<v Speaker 1>Is it somebody horny? Somebody was horn about the shit.

0:52:00.719 --> 0:52:03.080
<v Speaker 1>You know what I'm saying, somebody geeked up. They don't

0:52:03.080 --> 0:52:04.640
<v Speaker 1>realize what it does to the money. You know what

0:52:04.680 --> 0:52:07.319
<v Speaker 1>I'm saying. I'll give away three songs all day, but

0:52:08.080 --> 0:52:10.799
<v Speaker 1>let's be on the same page. Don't throw away the

0:52:10.880 --> 0:52:12.960
<v Speaker 1>money songs.

0:52:12.760 --> 0:52:15.000
<v Speaker 2>Not for sure, don't link the good shit for sure. Well,

0:52:15.000 --> 0:52:16.920
<v Speaker 2>I appreciate you pulling up finally, Man, I'm glad we

0:52:16.960 --> 0:52:19.840
<v Speaker 2>got to finally linked brother for sure. Oh three greedo

0:52:19.880 --> 0:52:24.040
<v Speaker 2>you already know boom Hey, appreciate y'all watching another interview

0:52:24.120 --> 0:52:26.600
<v Speaker 2>brought to you by our good folks at Hard Dean.

0:52:26.640 --> 0:52:28.719
<v Speaker 2>Now listen, y'all. When you're in Las Vegas, you get

0:52:28.719 --> 0:52:32.000
<v Speaker 2>in that fucking uber, you land at the airport, hit

0:52:32.040 --> 0:52:34.760
<v Speaker 2>that taxi, tell them to take you to Hard Dean,

0:52:35.120 --> 0:52:40.400
<v Speaker 2>the number one premium cannabis dispensary in the fucking world, y'all.

0:52:40.760 --> 0:52:42.560
<v Speaker 2>I'm telling you. You walk in, they treat you like a

0:52:42.640 --> 0:52:44.680
<v Speaker 2>king or a queen or whatever you're into. All right,

0:52:44.920 --> 0:52:47.839
<v Speaker 2>they got the craziest selection to premium cannabis you'll see

0:52:47.920 --> 0:52:50.600
<v Speaker 2>period anywhere, let alone in Las Vegas, but just anywhere,

0:52:50.840 --> 0:52:53.000
<v Speaker 2>all right. Not only can you go get the best tree,

0:52:53.040 --> 0:52:55.120
<v Speaker 2>you will get the best experience, the best customer service,

0:52:55.320 --> 0:52:58.080
<v Speaker 2>the best bud tenders. You walk into Hard Dean and

0:52:58.120 --> 0:53:02.560
<v Speaker 2>that shit just smells amazing. They got their own fucking scent. Literally,

0:53:02.560 --> 0:53:04.480
<v Speaker 2>you get into my car, I got a bottle of it.

0:53:05.160 --> 0:53:06.960
<v Speaker 2>My car smells like hard Dean because it's just the

0:53:07.000 --> 0:53:12.880
<v Speaker 2>best fucking place. Go follow them online. Hardan Underscore Las Vegas.

0:53:13.440 --> 0:53:18.720
<v Speaker 2>Hardan Underscore Las Vegas. Go to their website, Hardeanlasvegas dot com.

0:53:19.120 --> 0:53:22.319
<v Speaker 2>All right, when you go, you're in Vegas, you pull up,

0:53:22.480 --> 0:53:24.759
<v Speaker 2>tell them I sent you. They're gonna take care of

0:53:24.760 --> 0:53:28.080
<v Speaker 2>you the right way. All right. Look they got these

0:53:28.080 --> 0:53:31.040
<v Speaker 2>things in there, man, these Moon Rock pre rolls that

0:53:31.080 --> 0:53:34.160
<v Speaker 2>I just had, that just absolutely melted my face off.

0:53:34.760 --> 0:53:36.600
<v Speaker 2>Shout out to hard Dean. All right, you gotta go

0:53:36.640 --> 0:53:40.480
<v Speaker 2>fuck with Hardan man Hardean Underscore Los Vegas. Thank y'all, man.

0:53:40.520 --> 0:53:42.879
<v Speaker 2>I love these guys. They're like family to us. And hey,

0:53:42.920 --> 0:53:45.440
<v Speaker 2>we're gonna drop another interview soon. If you're watching this,

0:53:45.480 --> 0:53:47.120
<v Speaker 2>you're at the end of the interview. Though, much love