WEBVTT - EYL #113 Respect the Culture feat. Shawn Prez

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<v Speaker 2>All right, guys, welcome back another edition E y L.

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<v Speaker 2>This is the Legend series. Always like these type of

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<v Speaker 2>episodes when we interview O g's in the game, whether

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<v Speaker 2>it's Chris Gotti, whether it's Kenny Burns, whether it's Jason Jeter,

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<v Speaker 2>They're always good stories and just a ton of gems

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<v Speaker 2>and information. So this is right along the lines of that.

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<v Speaker 2>Sean Press, a legend in his own right, started as

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<v Speaker 2>an intern in the music business for for Diddy and

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<v Speaker 2>then became his role manager, then became the vice president

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<v Speaker 2>of bad Boy. Then he actually created a company called

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<v Speaker 2>Power Moves, Inc. Which is a major marketing firm New

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<v Speaker 2>York dj icon, which led to him actually creating what

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<v Speaker 2>they call the Grammys for DJ's the Global Spin Awards.

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<v Speaker 2>It's a big deal, and a variety of other things.

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<v Speaker 3>So we forgot So what's that South Bronx.

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<v Speaker 4>We can't forget that? Shout out to the South Bronx,

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<v Speaker 4>South South.

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<v Speaker 3>The Homer hip hop, That's right.

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<v Speaker 2>So yeah, this is gonna be a you know, entertaining

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<v Speaker 2>conversation and educational conversation, light in conversation. I'm looking forward

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<v Speaker 2>to it. So, first and foremost, thank you for joining us.

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<v Speaker 2>Appreciate it.

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<v Speaker 5>First and foremost, thank y'all for having me. Like, why

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<v Speaker 5>am like this is? Can I take over notice? This

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<v Speaker 5>is to become a freaking destination, Like like I got

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<v Speaker 5>the call, I'm like making sure that my head's cut,

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<v Speaker 5>what I'm gonna wear to day? Am I smelling right

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<v Speaker 5>like this this thing that y'all have created, just no,

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<v Speaker 5>it is really impacted. And now it's one of them

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<v Speaker 5>things like you feel like you arrived if you get

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<v Speaker 5>the call to be.

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<v Speaker 3>So thank y'all for having me. Yeah, I appreciate it.

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<v Speaker 4>So it's crazy that you said that because when we

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<v Speaker 4>initially started and I kind of met it to you earlier.

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<v Speaker 4>One of our first episodes, like episode nineteen Derrek Ferguson, Dude,

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<v Speaker 4>I went to church Region who obviously was that bad

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<v Speaker 4>boy to us a lot of things on the episode

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<v Speaker 4>was an amazing episode, but he was like, you know,

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<v Speaker 4>I'm gonna help y'all get some people.

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<v Speaker 3>He's like, you know, you need to start with showan press.

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<v Speaker 3>I'm like, all right, Derek, let's set it up. Shout

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<v Speaker 3>out to d that was a year and a half ago.

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<v Speaker 3>I'm happy that. I mean, it's finally come to fruition.

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<v Speaker 2>Don't be late than never as a fact, So let's

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<v Speaker 2>let's let's jump into it, all right.

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<v Speaker 3>Music.

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<v Speaker 2>You know, if anybody watches Eyo, you know that me

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<v Speaker 2>and troya hip hop babies. We grew up on music,

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<v Speaker 2>so we always like to have these conversations, and to me,

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<v Speaker 2>it's always interested to hit the backstory. So you started

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<v Speaker 2>as an intern for bad Boy and works your way

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<v Speaker 2>up to the vice president. At the time when bad Boy,

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<v Speaker 2>like when we interview styles, he said like bad Boy

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<v Speaker 2>was like the Chicago Bulls, ninety six Chicago Bulls. So

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<v Speaker 2>if anybody that's young, they might not realize how strong

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<v Speaker 2>the bad Boy was, but that was like probably the

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<v Speaker 2>strongest movement ever in hip hop history during that timeframe.

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<v Speaker 2>So how did how how did your journey go from

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<v Speaker 2>being an intern to being, you know, one of the

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<v Speaker 2>top people in the chain of come in.

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<v Speaker 5>You know, I gotta go back a little further if

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<v Speaker 5>you don't mind. I took five internships, you know. Bad

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<v Speaker 5>Boy was my fifth, and I was trying my best,

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<v Speaker 5>my hardest. I was doing everything I knew how to

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<v Speaker 5>do to get into the music industry, and year over year,

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<v Speaker 5>and this is before labor laws, Like you could work

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<v Speaker 5>for free back then, and the labels didn't have to

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<v Speaker 5>pay you nothing.

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<v Speaker 3>They didn't have to give you coffee, they didn't have

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<v Speaker 3>to give you lunch money. You ain't have to be

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<v Speaker 3>in school and get credit.

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<v Speaker 5>So I was trying my best to get in the

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<v Speaker 5>game for years, and I would do a year at

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<v Speaker 5>Arista and be like, can I get a job, Like,

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<v Speaker 5>we're not hiring.

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<v Speaker 3>I just gave you a year free labor. You know.

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<v Speaker 5>I went to Atlantic, I went to every label I

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<v Speaker 5>can get to, and when I got to Bad Boy,

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<v Speaker 5>and the reason I want to go back, and I

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<v Speaker 5>think it's necessary because I didn't just up the chain,

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<v Speaker 5>you know, from by the time I got to Bad Boy,

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<v Speaker 5>I was an uncaged savage, like they had kept me

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<v Speaker 5>in a cage for six years trying to get in

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<v Speaker 5>this game. So by the time I got the bad Boy,

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<v Speaker 5>what I thought was, you know, the world working against

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<v Speaker 5>me because I couldn't get a job to save my

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<v Speaker 5>life in the music industry. It actually turned out to

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<v Speaker 5>be the biggest blessing in my life because I came

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<v Speaker 5>in as an intern, but I was so experienced from

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<v Speaker 5>all of them years of working and not getting paid,

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<v Speaker 5>and I was so hungry. I came in with a

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<v Speaker 5>different kind of aggression and all the other interns it

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<v Speaker 5>was like word like serious, and that's the way I

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<v Speaker 5>felt about everybody in that label. Like I would look

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<v Speaker 5>at the coordinators, the directors, you know, I was looking

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<v Speaker 5>at it, and I was like, yo, y'all are I mean,

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<v Speaker 5>I'm happy to be here, but y'all work ethic?

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<v Speaker 2>How old were you in when I started in terning

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<v Speaker 2>where I get the bad bad Boy?

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<v Speaker 3>When you get the Bad Boy about twenty three?

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<v Speaker 4>So what's the time frame in bad Boy? We are

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<v Speaker 4>we right before ready to die? Or we in the

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<v Speaker 4>mix already?

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<v Speaker 3>We are right after ready to die drop like right after.

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<v Speaker 2>N That's so let me ask you this perfect time

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<v Speaker 2>twenty three? How old was Puff twenty one? Twenty two?

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<v Speaker 3>No, no, no, no, Puff's older than me. Puff got

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<v Speaker 3>me for about two years to like twenty five. How

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<v Speaker 3>was that?

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<v Speaker 2>How was that to be a twenty three year old

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<v Speaker 2>intern for a twenty five year old ceo?

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<v Speaker 3>Like?

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<v Speaker 2>How was that experience? Because usually it doesn't work like that,

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<v Speaker 2>usually in corporated like your bosses like sixty years old,

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<v Speaker 2>fifty years old, twenty five year old Puff?

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<v Speaker 3>Like that? We can only imagine.

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<v Speaker 5>I can tell you first and foremost. Long before I

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<v Speaker 5>got to Bad Boy, you know, I was working and

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<v Speaker 5>trying to get in the industry. Puff was that dude

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<v Speaker 5>in the city. Like, Let's let's be clear, Like Puff

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<v Speaker 5>was throwing parties. He was throwing parties. Yeah, he had

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<v Speaker 5>the red zone like Puff had all types of stuff

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<v Speaker 5>going on. He had just come off Mary J. Blige

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<v Speaker 5>first album. He really changed the world of R and

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<v Speaker 5>B because before Puff, R and B looked like the

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<v Speaker 5>OJ's and it looked like they was doing choreographed steps

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<v Speaker 5>and spinning and all that stuff. Yeah, but he bought

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<v Speaker 5>a whole differ, Like he put Mary Queen and hip

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<v Speaker 5>hop soul in a baseball catch like yo to see.

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<v Speaker 5>He had them looking like rappers. So you know, he

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<v Speaker 5>was working for twenty five year old ceo. It was

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<v Speaker 5>dope because you could relate to him number one. But

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<v Speaker 5>Puff is and I love to get and y'all got

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<v Speaker 5>a big platform, so I'm gonna do this, you know

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<v Speaker 5>where I know he can get his flowers. Puff was different,

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<v Speaker 5>like like I know everybody say they work hard. I

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<v Speaker 5>know everybody screamed, yo, you gotta be up early and

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<v Speaker 5>you know, work late. I'm a hard worker, I am aggressive,

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<v Speaker 5>I'm a beast. But it ain't never one day in

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<v Speaker 5>my life working next to that man that I thought

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<v Speaker 5>I out worked him. So working for a twenty five

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<v Speaker 5>year old CEO was aspirational. I got to look.

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<v Speaker 3>And learn from.

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<v Speaker 2>The best hands on so without without a doubt. Yeah,

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<v Speaker 2>I heard I heard Puffed on Sleep.

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<v Speaker 5>I heard that now, like I gave him his credit,

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<v Speaker 5>but I call puff now even sleep California time.

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<v Speaker 3>Yeah, exactly.

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<v Speaker 2>Maybe that's what it is, so so so moving, moving,

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<v Speaker 2>moving through the ranks and bad boy as far as

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<v Speaker 2>on the music side and working your way up to

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<v Speaker 2>be the vice president. What does that entail like to

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<v Speaker 2>be a vice president of a label? What's your responsibility?

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<v Speaker 2>Are you A and R and projects? Are you marketing?

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<v Speaker 3>Every I was.

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<v Speaker 5>Actually I was actually vice president promotion to be specific,

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<v Speaker 5>and that is really you you For me, I started

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<v Speaker 5>out intern working on the street team, work my way

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<v Speaker 5>up from coordinator, running the national street team, running.

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<v Speaker 3>Mix your radio, all of.

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<v Speaker 5>That stuff, and then you start to get into real radio,

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<v Speaker 5>so that that it's how do I say it, it's

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<v Speaker 5>it's dope because if you're young and you're living the lifestyle,

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<v Speaker 5>who don't want to be in the music industry? And

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<v Speaker 5>then I had a front row seat, like I was

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<v Speaker 5>in the hottest label at the hottest time ever in

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<v Speaker 5>the game. So for me, you didn't have to be

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<v Speaker 5>a rapper. You you could be, you know, the guy

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<v Speaker 5>next to the god, next to the god, next to

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<v Speaker 5>the rapper the streets.

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<v Speaker 4>So I mean, I'm listening to you now, and I'm like, yo,

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<v Speaker 4>I know I saw the title like Puff called you

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<v Speaker 4>the ambassador of the streets, absolutely because like you was

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<v Speaker 4>literally out there. But the streets even had some legends

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<v Speaker 4>in it too.

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<v Speaker 5>Oh without a debt. But see this is I would

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<v Speaker 5>love to share this with your audience. I don't care

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<v Speaker 5>where you get in. I didn't like I went to college.

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<v Speaker 3>I didn't.

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<v Speaker 5>I didn't go to college to be on nobody's street team.

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<v Speaker 5>But that's the way I had to get in. And

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<v Speaker 5>for me, getting in was I'll pick up the garbage.

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<v Speaker 5>Like you want the garbage picked up, like, I'll do that.

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<v Speaker 5>You want the taller bowls clean, I'll do that. I

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<v Speaker 5>came to the label, they was like, yo, all we

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<v Speaker 5>need right now, we're not hiring. I wanted to be

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<v Speaker 5>an A and R. I didn't want to be even in promotion.

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<v Speaker 5>They were the people on the street team and that

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<v Speaker 5>was my way in. And I was like, yo, okay,

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<v Speaker 5>I'm not happy about this, but I'm about to raise

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<v Speaker 5>the ball.

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<v Speaker 3>In a way y'all never seen before me.

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<v Speaker 2>Let me ask you this, because there's a lot of

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<v Speaker 2>young people might not even know what the street team

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<v Speaker 2>is because there's no street team more. But can you

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<v Speaker 2>just even explain, like, because to me, Bad Boy had

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<v Speaker 2>an extremely strong street team. Rough I is something I've

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<v Speaker 2>never seen before.

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<v Speaker 5>No no, no, no, watch your mouth, watch your mouth.

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<v Speaker 5>Bad Boy had these and I'm looking at the Bad

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<v Speaker 5>Boy had the number one street team. Everybody out there

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<v Speaker 5>ask them. Was fighting for second place. It was just

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<v Speaker 5>was a given number.

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<v Speaker 4>Had the banners, you had the sticks with the Bad

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<v Speaker 4>Boy joint, you had the.

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<v Speaker 3>Flags running out. We were the most creative, We were

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<v Speaker 3>the most aggressive.

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<v Speaker 5>Shout out to June Balloon, Shout out to Shannon the Butcher,

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<v Speaker 5>Shout out to so many of the guys who you

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<v Speaker 5>know keeping came before me and laid down the pavement

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<v Speaker 5>that that we could really do what we did. But

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<v Speaker 5>that Bad Boys street team, you know, that was legendary.

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<v Speaker 5>And then when I came in and really took it

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<v Speaker 5>over my man room like like Puff.

0:11:45.800 --> 0:11:47.559
<v Speaker 3>Called me the ambassador of the streets.

0:11:47.640 --> 0:11:49.960
<v Speaker 5>But I couldn't do nothing with that, with that, without

0:11:49.960 --> 0:11:53.600
<v Speaker 5>that army of savages, let by my man Room and

0:11:53.640 --> 0:11:54.600
<v Speaker 5>all of those guys.

0:11:54.640 --> 0:11:56.240
<v Speaker 3>So now it was all right.

0:11:56.280 --> 0:11:58.760
<v Speaker 2>So the street Team is a real street like a

0:11:58.800 --> 0:12:02.040
<v Speaker 2>bunch of people that's putting up flyers, that's going to club,

0:12:02.080 --> 0:12:04.160
<v Speaker 2>that's handing out T shirts, that's doing all of this, right,

0:12:04.280 --> 0:12:06.760
<v Speaker 2>So are these people getting paid or yeah, these people

0:12:06.760 --> 0:12:09.679
<v Speaker 2>are getting paid. They getting paid. So how many people

0:12:09.760 --> 0:12:10.960
<v Speaker 2>was actually on the street team?

0:12:11.120 --> 0:12:14.640
<v Speaker 5>Okay, so a great question. It depends. Like when I

0:12:14.679 --> 0:12:18.079
<v Speaker 5>came in, I was charged with taking what we were

0:12:18.120 --> 0:12:23.880
<v Speaker 5>doing in New York and replicating it nationwide. So I

0:12:23.960 --> 0:12:27.800
<v Speaker 5>wanted to go and find you know, people might not

0:12:27.840 --> 0:12:30.920
<v Speaker 5>know what street teams are. Street teams are the equivalent

0:12:31.000 --> 0:12:35.200
<v Speaker 5>of today's influences. These are the people who other people

0:12:35.320 --> 0:12:39.280
<v Speaker 5>look to for what's hot, what's next. These are the

0:12:39.280 --> 0:12:42.400
<v Speaker 5>people who have their finger on the posts of what's

0:12:42.440 --> 0:12:44.600
<v Speaker 5>coming up. It might not be hot today, but check

0:12:44.640 --> 0:12:46.439
<v Speaker 5>it out in six months from now. You're gonna be

0:12:46.480 --> 0:12:49.120
<v Speaker 5>hearing about this artist, or this is gonna be something

0:12:49.160 --> 0:12:51.600
<v Speaker 5>that you're gonna want to bodies are gonna be sneakers

0:12:51.600 --> 0:12:54.280
<v Speaker 5>that you want to wear. That's what the Street Team

0:12:54.480 --> 0:12:57.400
<v Speaker 5>really are. So I would go down to town, market

0:12:57.440 --> 0:12:59.440
<v Speaker 5>to market and we would just try to pick out

0:13:00.080 --> 0:13:03.880
<v Speaker 5>some of the of the craziest street influences. So it

0:13:03.960 --> 0:13:07.480
<v Speaker 5>might be that girl who got the biggest mouth, you

0:13:07.520 --> 0:13:11.000
<v Speaker 5>know what I'm saying, Like in her school, everybody's looking

0:13:11.000 --> 0:13:15.839
<v Speaker 5>at her for the gossip, but she has a constituency

0:13:16.160 --> 0:13:16.840
<v Speaker 5>by herself.

0:13:16.920 --> 0:13:17.920
<v Speaker 3>Everybody looked at her.

0:13:18.000 --> 0:13:20.680
<v Speaker 5>It might be that guy who's the you know, he

0:13:20.920 --> 0:13:24.079
<v Speaker 5>always got the fresh new Jayson. He's always the one

0:13:24.080 --> 0:13:25.520
<v Speaker 5>who's wearing the new clothes.

0:13:25.920 --> 0:13:27.559
<v Speaker 3>Yo. You need to be down with us.

0:13:27.880 --> 0:13:31.040
<v Speaker 5>And we took them and took what they naturally do

0:13:31.640 --> 0:13:35.760
<v Speaker 5>and just laser focused them on our mission in our records.

0:13:35.880 --> 0:13:37.960
<v Speaker 4>Y'all doing that from city to city. Because now I'm looking,

0:13:38.000 --> 0:13:40.079
<v Speaker 4>I'm like, Yo, damn, y'all did that with the music.

0:13:40.120 --> 0:13:41.439
<v Speaker 4>But they also did that because it sounds like the

0:13:41.800 --> 0:13:42.640
<v Speaker 4>boys the same thing.

0:13:44.200 --> 0:13:45.640
<v Speaker 3>Next door. He told us that same story.

0:13:45.840 --> 0:13:48.480
<v Speaker 4>So while the Street team is doing that, are you

0:13:48.559 --> 0:13:50.160
<v Speaker 4>hands on now with the artists or you the guy

0:13:50.200 --> 0:13:52.240
<v Speaker 4>that's like, Yo, this is the record you're going up

0:13:52.280 --> 0:13:52.720
<v Speaker 4>to radio.

0:13:52.840 --> 0:13:53.880
<v Speaker 3>You're the guy that's you.

0:13:54.240 --> 0:13:56.760
<v Speaker 5>I'm the guy, but you know, and here's where I

0:13:56.800 --> 0:14:00.920
<v Speaker 5>got to shout out hard Pierre. You know funny, because

0:14:00.960 --> 0:14:03.199
<v Speaker 5>I told y'all I wanted to be a A and

0:14:03.360 --> 0:14:07.559
<v Speaker 5>R when I got in the game. And sometimes you

0:14:08.480 --> 0:14:11.880
<v Speaker 5>look for what's shiny, you look for what's hot. The

0:14:11.960 --> 0:14:14.080
<v Speaker 5>A and R is one of the most coveted positions

0:14:14.240 --> 0:14:17.160
<v Speaker 5>in the music industry right everybody wants to be an

0:14:17.160 --> 0:14:20.760
<v Speaker 5>A and R. But the more I got deeper into

0:14:20.800 --> 0:14:23.600
<v Speaker 5>the game, I learned things about myself.

0:14:24.800 --> 0:14:25.840
<v Speaker 3>I don't like the studio.

0:14:26.520 --> 0:14:30.640
<v Speaker 5>I don't like being in a confined space, people smoking,

0:14:30.640 --> 0:14:33.720
<v Speaker 5>because the artists are always smoking and they need to

0:14:33.720 --> 0:14:36.760
<v Speaker 5>get that creative juices going and music is blasting, and

0:14:36.800 --> 0:14:39.360
<v Speaker 5>you hearing the same record fifty million times. For me,

0:14:39.880 --> 0:14:42.920
<v Speaker 5>I was like, I know, I wish for that, but

0:14:42.960 --> 0:14:44.760
<v Speaker 5>thank god I didn't get it, because I would have

0:14:44.760 --> 0:14:46.680
<v Speaker 5>been the worse an R because I just didn't.

0:14:46.400 --> 0:14:47.360
<v Speaker 3>Even want to be around.

0:14:47.400 --> 0:14:51.360
<v Speaker 5>So I always when the records was done, I would

0:14:51.400 --> 0:14:54.520
<v Speaker 5>go to the studio, but I wanted to hear it

0:14:54.640 --> 0:14:58.000
<v Speaker 5>like a fan. Give me this when it's a finished product.

0:14:58.280 --> 0:15:00.880
<v Speaker 5>Let me drive up up and down the West Side

0:15:00.920 --> 0:15:05.400
<v Speaker 5>Highway on my way back and forth and listen.

0:15:05.240 --> 0:15:06.360
<v Speaker 3>To this like I'm a fan.

0:15:06.480 --> 0:15:08.920
<v Speaker 5>And then yes, I would come into the office and

0:15:08.960 --> 0:15:11.560
<v Speaker 5>be like, this is all record, this is the one

0:15:11.920 --> 0:15:14.160
<v Speaker 5>trust me when I tell you, and I'm the kind

0:15:14.200 --> 0:15:16.960
<v Speaker 5>of person you know, I put my nuts on the line,

0:15:17.040 --> 0:15:20.360
<v Speaker 5>like like if I say this is it, consider it broke?

0:15:20.720 --> 0:15:22.520
<v Speaker 5>Like like hold me account?

0:15:22.960 --> 0:15:24.760
<v Speaker 4>How many you must have heard a bunch of them?

0:15:24.880 --> 0:15:26.560
<v Speaker 4>Like that's the one like every weekend.

0:15:28.000 --> 0:15:30.240
<v Speaker 3>Again, shout the hall, shout the puff. They made my

0:15:30.360 --> 0:15:32.520
<v Speaker 3>job easy me.

0:15:32.720 --> 0:15:34.600
<v Speaker 2>I got a couple of questions. So the first question

0:15:34.720 --> 0:15:38.800
<v Speaker 2>is for radio, right, because I watched the Breakfast Club

0:15:38.840 --> 0:15:40.320
<v Speaker 2>interview and you were saying that you went to radio

0:15:40.360 --> 0:15:43.280
<v Speaker 2>with Black Rob. I think that's when your first met Charlomagne.

0:15:43.560 --> 0:15:48.520
<v Speaker 2>So like, what's the process to break somebody's record on radio?

0:15:49.080 --> 0:15:52.400
<v Speaker 2>Like how do you how does because you always hear

0:15:52.520 --> 0:15:54.960
<v Speaker 2>like you know, they pushing it to the DJs and

0:15:56.000 --> 0:15:58.680
<v Speaker 2>you got to talk to the director of program directors

0:15:58.680 --> 0:16:01.680
<v Speaker 2>and all that, Like what's the process for that?

0:16:01.680 --> 0:16:05.600
<v Speaker 5>That's a great question. You know, it is a little

0:16:05.640 --> 0:16:11.960
<v Speaker 5>different now, but it's somewhat the same. Nobody today wants

0:16:12.000 --> 0:16:14.520
<v Speaker 5>to put in the work, and everybody wanted to be

0:16:14.560 --> 0:16:17.640
<v Speaker 5>in the music industry. Everybody want to blow, but nobody

0:16:17.720 --> 0:16:18.880
<v Speaker 5>want to put in the work.

0:16:18.880 --> 0:16:19.960
<v Speaker 3>And here's what I mean by that.

0:16:21.400 --> 0:16:24.760
<v Speaker 5>Back when we was coming up, I look around, and

0:16:25.080 --> 0:16:25.960
<v Speaker 5>I applored y'all.

0:16:26.040 --> 0:16:28.760
<v Speaker 3>Y'all got Life after Death on one side.

0:16:28.840 --> 0:16:31.920
<v Speaker 5>You got the blueprint on the other sides. But you

0:16:31.960 --> 0:16:34.560
<v Speaker 5>got it as wax. So we get it, y'all. Y'all know,

0:16:34.680 --> 0:16:38.000
<v Speaker 5>y'all hip hop, right. It used to cost a lot

0:16:38.040 --> 0:16:42.520
<v Speaker 5>of money to put records on wax and if you

0:16:42.760 --> 0:16:46.360
<v Speaker 5>was willing to invest your money in studio, real studio,

0:16:46.480 --> 0:16:48.680
<v Speaker 5>Like now it's cheap. You can do it from home.

0:16:48.720 --> 0:16:51.760
<v Speaker 5>You can go in your bathroom and make a hit record.

0:16:52.480 --> 0:16:56.520
<v Speaker 5>You don't have the same value as if you spent

0:16:56.800 --> 0:16:59.280
<v Speaker 5>real money. Like back in those days you had to

0:16:59.280 --> 0:17:01.320
<v Speaker 5>go to the studio. You was getting two hours. It

0:17:01.480 --> 0:17:03.720
<v Speaker 5>was no sitting around chilling. I gotta go in there

0:17:03.760 --> 0:17:06.359
<v Speaker 5>and I gotta knock this out. So when you came

0:17:06.480 --> 0:17:08.320
<v Speaker 5>out of it and you finally had your wax or

0:17:08.359 --> 0:17:11.439
<v Speaker 5>you finally had your CD or whatever, you had to

0:17:11.520 --> 0:17:14.080
<v Speaker 5>hit the ground and you had to really work the streets,

0:17:14.119 --> 0:17:16.760
<v Speaker 5>work the streets. And that's the part, like go club

0:17:16.800 --> 0:17:20.240
<v Speaker 5>the club, DJ to DJ sit and a DJ's in

0:17:20.280 --> 0:17:23.600
<v Speaker 5>a booth and you're begging them and you're pleading with him,

0:17:23.680 --> 0:17:27.160
<v Speaker 5>like look, please play my record, and they're like yeah, yeah, yeah, next,

0:17:27.320 --> 0:17:28.280
<v Speaker 5>it's coming on next.

0:17:29.400 --> 0:17:31.159
<v Speaker 3>You hear that for three hours straight.

0:17:33.080 --> 0:17:38.560
<v Speaker 5>That type of work still works today, but people are

0:17:38.640 --> 0:17:41.720
<v Speaker 5>not getting up and they're not going and they're.

0:17:41.560 --> 0:17:45.280
<v Speaker 3>Not harassing the DJs the way that we used to.

0:17:45.880 --> 0:17:49.280
<v Speaker 5>They're not knocking like I mean, you can ask any

0:17:49.920 --> 0:17:52.919
<v Speaker 5>anybody when it comes to me, like if you if

0:17:52.960 --> 0:17:56.720
<v Speaker 5>I wasn't on your phone when you went to the clubs,

0:17:56.800 --> 0:17:59.080
<v Speaker 5>I was there sitting at the DJ booth like, look,

0:17:59.240 --> 0:18:01.360
<v Speaker 5>you know, I got to y'all get my record on.

0:18:01.760 --> 0:18:05.000
<v Speaker 5>And then the DJs one of two things happen. They

0:18:05.040 --> 0:18:09.000
<v Speaker 5>either start to respect your grind or they like, let

0:18:09.040 --> 0:18:11.560
<v Speaker 5>me play this person's record because I know he ain't

0:18:11.600 --> 0:18:14.520
<v Speaker 5>going nowhere, so let me give you this spin. But

0:18:14.800 --> 0:18:18.720
<v Speaker 5>in that you start to develop real relationships. So when

0:18:18.720 --> 0:18:20.760
<v Speaker 5>it comes time to get your record on the radio,

0:18:21.359 --> 0:18:24.400
<v Speaker 5>what clues to you harassing them in the clubs? Now

0:18:24.440 --> 0:18:27.760
<v Speaker 5>we got a real relationship. You know, flex is used

0:18:27.800 --> 0:18:30.560
<v Speaker 5>to you harassing them. Now we got a real relationship.

0:18:30.640 --> 0:18:31.920
<v Speaker 5>And then it's just a phone call.

0:18:32.359 --> 0:18:36.000
<v Speaker 2>But do they really have liked DJs really have power?

0:18:36.000 --> 0:18:37.960
<v Speaker 2>Because I was told like they just get told what

0:18:38.040 --> 0:18:39.879
<v Speaker 2>to play from the program director, which comes from the

0:18:39.880 --> 0:18:41.520
<v Speaker 2>top up, and they don't really have the power to

0:18:41.560 --> 0:18:44.720
<v Speaker 2>actually play what they what they really might want to play.

0:18:44.800 --> 0:18:46.639
<v Speaker 3>That's an excellent question. It really is.

0:18:46.720 --> 0:18:49.720
<v Speaker 5>Back in the days, they did have way more power

0:18:49.880 --> 0:18:53.480
<v Speaker 5>than they have now. But everything is not playlisted. So

0:18:53.560 --> 0:18:58.320
<v Speaker 5>let's just say a DJ has a one hour mixed

0:18:58.320 --> 0:19:05.000
<v Speaker 5>show slot, maybe forty minutes of that is playlisted, and

0:19:05.040 --> 0:19:07.760
<v Speaker 5>then your program director will let you just get busy,

0:19:07.880 --> 0:19:11.080
<v Speaker 5>just so long as you're not playing crazy records and

0:19:11.160 --> 0:19:15.320
<v Speaker 5>you can sandwich a new record in between two hits.

0:19:15.400 --> 0:19:18.240
<v Speaker 2>Yeah, DJ self broke a lot of He's broken a

0:19:18.240 --> 0:19:19.160
<v Speaker 2>lot of people out the self.

0:19:19.600 --> 0:19:21.800
<v Speaker 3>They will definitely shout out to self, what's your thoughts

0:19:21.800 --> 0:19:24.520
<v Speaker 3>on the role that you used to have now?

0:19:24.640 --> 0:19:27.440
<v Speaker 4>Right where artists can almost break their own records, right

0:19:27.480 --> 0:19:29.720
<v Speaker 4>like if they just get on SoundCloud or they get

0:19:29.760 --> 0:19:30.960
<v Speaker 4>on YouTube.

0:19:30.480 --> 0:19:32.679
<v Speaker 3>Like, what do you think the role now is?

0:19:33.280 --> 0:19:35.480
<v Speaker 5>What does it look like in terms of breaking your

0:19:35.520 --> 0:19:37.199
<v Speaker 5>own record or trying to break a record for an

0:19:37.240 --> 0:19:39.320
<v Speaker 5>artists when I mean technically you know what I mean,

0:19:39.320 --> 0:19:41.320
<v Speaker 5>Like most of them are trying to break that, especially

0:19:41.320 --> 0:19:41.680
<v Speaker 5>in New York.

0:19:41.680 --> 0:19:43.040
<v Speaker 2>It's like, so you're saying they don't need somebody to

0:19:43.040 --> 0:19:44.680
<v Speaker 2>break their record for them, they break their own records.

0:19:44.760 --> 0:19:46.119
<v Speaker 4>Yeah, you know what I'm saying, Like the role of

0:19:46.600 --> 0:19:49.320
<v Speaker 4>the and all the role of the VP of promotions,

0:19:49.680 --> 0:19:51.320
<v Speaker 4>is it kind of diminished now in a sense?

0:19:51.480 --> 0:19:56.520
<v Speaker 5>No. No, Like at the end of the day, radio

0:19:56.760 --> 0:19:57.680
<v Speaker 5>is still viable.

0:19:57.680 --> 0:20:00.000
<v Speaker 3>I don't you know. You have all these streaming plays

0:20:00.000 --> 0:20:01.360
<v Speaker 3>platforms and.

0:20:02.880 --> 0:20:05.920
<v Speaker 5>Artists now can eat long before the world knows them

0:20:05.960 --> 0:20:09.960
<v Speaker 5>because they get paid royalties every time their records are streamed.

0:20:10.560 --> 0:20:14.320
<v Speaker 5>But you don't become an a list star until radio

0:20:15.040 --> 0:20:18.520
<v Speaker 5>starts to bang it, until radio puts you in rotation.

0:20:19.119 --> 0:20:22.639
<v Speaker 5>So radio is still uh, if you want to be

0:20:22.960 --> 0:20:25.760
<v Speaker 5>a celebrity, if you want to be that guy, radio

0:20:25.920 --> 0:20:29.879
<v Speaker 5>is still very important for you. But you can do

0:20:30.000 --> 0:20:33.000
<v Speaker 5>this yourself now, but you got to put in the work.

0:20:33.040 --> 0:20:37.720
<v Speaker 5>And I think that because everybody has access to uploading

0:20:37.760 --> 0:20:43.880
<v Speaker 5>their records to you know, Spotify or iTunes, it's made

0:20:43.920 --> 0:20:47.760
<v Speaker 5>the process so easy that people just now they think, oh,

0:20:47.800 --> 0:20:50.640
<v Speaker 5>I push a few buttons and it's going to react,

0:20:50.760 --> 0:20:52.119
<v Speaker 5>and they don't do the work.

0:20:52.440 --> 0:20:53.280
<v Speaker 3>It's a crowded space.

0:20:54.200 --> 0:20:56.240
<v Speaker 2>Crowd It's different now too, because I feel like there's

0:20:56.280 --> 0:20:59.120
<v Speaker 2>so many different lanes. Like you're right, because I still

0:20:59.119 --> 0:21:02.199
<v Speaker 2>listen to radio and in my car. I'm not one

0:21:02.240 --> 0:21:03.919
<v Speaker 2>of the people that listening to Spotify, but I know,

0:21:04.200 --> 0:21:06.560
<v Speaker 2>like NBA Young Boy, I've never heard his song on

0:21:06.600 --> 0:21:09.320
<v Speaker 2>the radio, but he's the biggest artist on YouTube. And

0:21:09.359 --> 0:21:11.000
<v Speaker 2>there's a bunch of people that I've never heard on

0:21:11.040 --> 0:21:14.119
<v Speaker 2>the radio, but they run up crazy numbers on Spotify.

0:21:14.720 --> 0:21:17.160
<v Speaker 2>So I feel like there are different lanes. But yeah,

0:21:17.280 --> 0:21:21.040
<v Speaker 2>I agree with you that radio is not dead, even

0:21:21.040 --> 0:21:23.119
<v Speaker 2>though you know, I just think that it may not

0:21:23.240 --> 0:21:26.239
<v Speaker 2>be as vital as it once was.

0:21:26.480 --> 0:21:29.000
<v Speaker 5>Because they were the only show in town. It was like,

0:21:29.280 --> 0:21:31.200
<v Speaker 5>if you wanted to blow, you had to get on radio.

0:21:31.840 --> 0:21:34.800
<v Speaker 5>Now it's option. Yeah, you know, but again, you know,

0:21:34.960 --> 0:21:42.240
<v Speaker 5>and our underline, if you want to become a mainstream superstar,

0:21:43.200 --> 0:21:44.719
<v Speaker 5>you still need radio.

0:21:45.520 --> 0:21:47.879
<v Speaker 4>So at the point when you're I mean, you're putting

0:21:47.880 --> 0:21:50.600
<v Speaker 4>out hits after hits after hits, right, and I'm hearing

0:21:50.640 --> 0:21:52.600
<v Speaker 4>it what you're saying, Right, you didn't like to be

0:21:52.600 --> 0:21:55.680
<v Speaker 4>in the studio, you didn't like to be around the smoke.

0:21:55.720 --> 0:21:57.960
<v Speaker 4>You just wanted to get the finished product. At what

0:21:58.000 --> 0:22:00.000
<v Speaker 4>point are you saying to yourself like this isn't for me,

0:22:00.080 --> 0:22:01.120
<v Speaker 4>I need to do something else.

0:22:01.680 --> 0:22:04.480
<v Speaker 5>Oh that's you speak in my language. It's a good question.

0:22:04.560 --> 0:22:08.119
<v Speaker 5>I think it's a teaching moment for people. You know,

0:22:09.640 --> 0:22:15.400
<v Speaker 5>It's funny because I try to always stay tapped in

0:22:15.440 --> 0:22:19.480
<v Speaker 5>to God and I'm very I'm very, very open about

0:22:19.640 --> 0:22:23.320
<v Speaker 5>you know, really my relationship with God, and God has

0:22:23.400 --> 0:22:26.919
<v Speaker 5>us on this journey, and sometimes you can think that

0:22:26.920 --> 0:22:29.080
<v Speaker 5>that the path you're on is going to be the

0:22:29.119 --> 0:22:32.520
<v Speaker 5>path that you know, I'm going to the Promised Land

0:22:33.359 --> 0:22:37.560
<v Speaker 5>in this lane and at the peak you know of Well, no,

0:22:37.680 --> 0:22:41.200
<v Speaker 5>I'm not gonna say. Because we had major, major success

0:22:41.200 --> 0:22:43.880
<v Speaker 5>in the late nineties early two thousands, then bad Boys

0:22:43.880 --> 0:22:47.520
<v Speaker 5>started to fall off, and then you know, Black Row

0:22:47.600 --> 0:22:49.920
<v Speaker 5>put the label on his back and you know, brought

0:22:50.000 --> 0:22:53.399
<v Speaker 5>us back, and shine came and all of those great

0:22:53.480 --> 0:22:56.800
<v Speaker 5>artists called Thomas so Forth and so on. But somewhere

0:22:56.840 --> 0:23:02.879
<v Speaker 5>in the middle of that, I a realization hit me.

0:23:03.960 --> 0:23:07.480
<v Speaker 5>I'm traveling and it's something that you know, we haven't

0:23:07.480 --> 0:23:09.800
<v Speaker 5>talked about, but I was. At the same time that

0:23:09.880 --> 0:23:14.240
<v Speaker 5>I'm doing all the promotions, I'm part of Puff's management team,

0:23:14.440 --> 0:23:19.199
<v Speaker 5>so I'm literally his tour manager and road manager. So

0:23:20.240 --> 0:23:24.880
<v Speaker 5>I'm traveling the world. I'm on planes, trains, and automobiles

0:23:26.080 --> 0:23:30.800
<v Speaker 5>and a realization starts to hit me, like, yo, you

0:23:30.960 --> 0:23:34.080
<v Speaker 5>eating steak tonight and you staying at you know, the

0:23:34.160 --> 0:23:41.600
<v Speaker 5>four seasons. But this is his legacy. It ain't yours

0:23:42.359 --> 0:23:44.280
<v Speaker 5>like I'm getting a check.

0:23:45.520 --> 0:23:49.160
<v Speaker 3>But what we were building.

0:23:50.400 --> 0:23:54.040
<v Speaker 5>With saying bad boy like like right now this we're

0:23:54.080 --> 0:23:56.000
<v Speaker 5>talking about his legacy.

0:23:57.160 --> 0:23:58.920
<v Speaker 3>And I had to.

0:24:00.440 --> 0:24:04.280
<v Speaker 5>Come to terms with myself that as a man, I

0:24:04.320 --> 0:24:09.040
<v Speaker 5>wanted to build my legacy. And I started to you know,

0:24:09.119 --> 0:24:13.359
<v Speaker 5>it's crazy because as God is putting this in my heart,

0:24:13.440 --> 0:24:16.520
<v Speaker 5>I'm fighting it because I'm like, yo, I work my

0:24:16.600 --> 0:24:20.720
<v Speaker 5>whole life for this, like you kidding me? But sometimes

0:24:20.760 --> 0:24:24.959
<v Speaker 5>you just gotta trust your intuition. You gotta trust that

0:24:25.040 --> 0:24:27.840
<v Speaker 5>in a voice. And it took me a couple of

0:24:27.960 --> 0:24:30.879
<v Speaker 5>years of really fighting it before I decided it was

0:24:30.920 --> 0:24:32.520
<v Speaker 5>time for me to put my resignation in.

0:24:33.200 --> 0:24:35.399
<v Speaker 2>But even when you put your resignation in, there was

0:24:35.400 --> 0:24:37.800
<v Speaker 2>a story with that, Yeah, he would he wouldn't let you leave,

0:24:37.920 --> 0:24:39.719
<v Speaker 2>right that go okay?

0:24:39.800 --> 0:24:43.000
<v Speaker 5>Like like again, I'm gonna give my man Puffin's flowers

0:24:43.000 --> 0:24:45.280
<v Speaker 5>while while he's still alive and you can still smell him.

0:24:45.280 --> 0:24:47.080
<v Speaker 3>But I feel like I'm giving a way too much.

0:24:47.160 --> 0:24:49.160
<v Speaker 3>Like here's the deal.

0:24:49.880 --> 0:24:54.879
<v Speaker 5>I you know, these are those moments that people need

0:24:54.880 --> 0:25:00.520
<v Speaker 5>to really listen to because I hope it helps you

0:25:00.560 --> 0:25:04.959
<v Speaker 5>in your journey. We down in Miami. I'm staying at

0:25:04.960 --> 0:25:07.560
<v Speaker 5>the Mandarin Orient to a hotel. I have a terrible memory,

0:25:07.560 --> 0:25:11.200
<v Speaker 5>but I remember this like it was yesterday. It's Memorial

0:25:11.280 --> 0:25:20.040
<v Speaker 5>Day weekend. Maybe it's zero four five somewhere in there. Yes,

0:25:21.040 --> 0:25:25.879
<v Speaker 5>it was wild and everybody's having a ball, you know.

0:25:27.440 --> 0:25:31.560
<v Speaker 5>But I was in a deep depression because that voice,

0:25:31.600 --> 0:25:34.560
<v Speaker 5>that thing that Oprah refers to as a whisper, I

0:25:34.600 --> 0:25:37.480
<v Speaker 5>started to hear that a few years earlier, and by

0:25:37.520 --> 0:25:41.480
<v Speaker 5>the time that I got to Miami Beach, now it

0:25:41.600 --> 0:25:42.320
<v Speaker 5>wasn't a whisper.

0:25:42.359 --> 0:25:43.560
<v Speaker 3>It was a punch in my face.

0:25:43.560 --> 0:25:46.240
<v Speaker 5>It was boom, like like I was in my hotel

0:25:46.320 --> 0:25:48.000
<v Speaker 5>room and I woke up and I was supposed to

0:25:48.040 --> 0:25:51.200
<v Speaker 5>be out working that morning. I couldn't leave my room,

0:25:52.040 --> 0:25:57.040
<v Speaker 5>and I was depressed. I was confused, and I did

0:25:57.080 --> 0:26:00.240
<v Speaker 5>what I always do. I dropped to my knees. And

0:26:00.280 --> 0:26:03.480
<v Speaker 5>when I draw to my knees, I promise y'all on

0:26:03.560 --> 0:26:08.000
<v Speaker 5>everything I love. I heard God's voice, just like I'm

0:26:08.000 --> 0:26:11.480
<v Speaker 5>hearing y'all's voices. And God said it's time to go,

0:26:12.320 --> 0:26:16.280
<v Speaker 5>simple as that, it's time to go. And that was

0:26:16.320 --> 0:26:19.840
<v Speaker 5>the first time that I listened. I had been hearing it,

0:26:19.880 --> 0:26:22.280
<v Speaker 5>I had been feeling it, but then it was just

0:26:22.320 --> 0:26:24.320
<v Speaker 5>a voice and it was time to go. And we

0:26:24.359 --> 0:26:27.160
<v Speaker 5>did Memorial Day weekend. We killed it out there. Bad

0:26:27.200 --> 0:26:29.760
<v Speaker 5>boy was crazy in the streets. And when I got

0:26:29.800 --> 0:26:34.359
<v Speaker 5>back that Tuesday, I handed in my resignation. Right, so,

0:26:35.040 --> 0:26:38.560
<v Speaker 5>if you know Puff Puff, and I say this as

0:26:38.600 --> 0:26:40.639
<v Speaker 5>politely as I know how to, but Puff is like

0:26:40.640 --> 0:26:44.160
<v Speaker 5>a jealous girl, like he's he's not a dude who

0:26:44.560 --> 0:26:46.240
<v Speaker 5>you know you really want to break up with it

0:26:46.320 --> 0:26:49.720
<v Speaker 5>like puffa with the pressure on you all that. So

0:26:50.280 --> 0:26:52.720
<v Speaker 5>I went and I handed in my resignation and I

0:26:52.760 --> 0:26:54.840
<v Speaker 5>gave it to h y'all, and I was like, yo,

0:26:55.119 --> 0:26:59.160
<v Speaker 5>you know, I got two weeks, and for those two weeks,

0:26:59.720 --> 0:27:03.360
<v Speaker 5>I did everything in my power not to see this guy.

0:27:03.440 --> 0:27:04.879
<v Speaker 5>So if I knew he was coming in the building,

0:27:04.960 --> 0:27:07.480
<v Speaker 5>I was slipping out the back door like like, I

0:27:07.520 --> 0:27:10.520
<v Speaker 5>was not staying around this guy at all. And on

0:27:10.560 --> 0:27:13.560
<v Speaker 5>the twelfth day, I get a call from Hyall like

0:27:13.720 --> 0:27:15.240
<v Speaker 5>Puff want to see you, and I'm like.

0:27:15.640 --> 0:27:16.160
<v Speaker 3>He's here.

0:27:18.840 --> 0:27:20.679
<v Speaker 5>He was like, like I don't know if y'all ever

0:27:20.720 --> 0:27:23.040
<v Speaker 5>seen the movie The Green Mound, but the dude is

0:27:23.080 --> 0:27:26.160
<v Speaker 5>on death row and you know he's taking that final walk.

0:27:26.600 --> 0:27:29.520
<v Speaker 5>That's how I felt going to Puff's office because I

0:27:29.600 --> 0:27:31.280
<v Speaker 5>just knew I didn't want to look him in his face,

0:27:31.440 --> 0:27:35.080
<v Speaker 5>like like like I said, I took five internships. He

0:27:35.119 --> 0:27:38.720
<v Speaker 5>gave me a job, and I remember going to that

0:27:38.800 --> 0:27:41.040
<v Speaker 5>office and I got the nervous smile on him. I'm

0:27:41.040 --> 0:27:43.399
<v Speaker 5>looking and I'm sitting at this side of the table

0:27:43.400 --> 0:27:45.320
<v Speaker 5>and Puff is at that side, and this is how

0:27:45.320 --> 0:27:52.400
<v Speaker 5>he was. He was like like he tilted his head

0:27:52.400 --> 0:27:54.320
<v Speaker 5>when he's thinking, like he's trying to figure out what

0:27:54.359 --> 0:27:58.040
<v Speaker 5>he's gonna say, and he was like, yo, playboy, like

0:27:58.040 --> 0:28:00.159
<v Speaker 5>like I this and that's how you like, like I

0:28:00.160 --> 0:28:02.480
<v Speaker 5>did something to you, like you're not happy here, I'm

0:28:02.520 --> 0:28:05.080
<v Speaker 5>not paying you. And I had to go through my

0:28:05.200 --> 0:28:08.520
<v Speaker 5>whole spiel like Puff, it ain't you, like the whole

0:28:08.520 --> 0:28:10.399
<v Speaker 5>breakup with the girl, like it ain't you with me?

0:28:14.000 --> 0:28:15.920
<v Speaker 3>Yeah, Like I went through the old thing like yo,

0:28:15.960 --> 0:28:16.879
<v Speaker 3>it ain't chewish me.

0:28:17.359 --> 0:28:19.840
<v Speaker 5>And I told him like like my big dreams and

0:28:19.920 --> 0:28:22.320
<v Speaker 5>my plans, like you know, I want to build my

0:28:22.400 --> 0:28:25.440
<v Speaker 5>own and I want to start my own legacy. And

0:28:26.280 --> 0:28:28.080
<v Speaker 5>it was in that moment, and that's why I say

0:28:28.119 --> 0:28:32.080
<v Speaker 5>you have to you gotta listen when when when, when

0:28:32.080 --> 0:28:34.720
<v Speaker 5>God is speaking to you, gotta be in tune because

0:28:34.720 --> 0:28:37.600
<v Speaker 5>puff this is something he's never done before, and I

0:28:37.680 --> 0:28:40.640
<v Speaker 5>don't know if he's ever done it since. But he

0:28:41.640 --> 0:28:44.320
<v Speaker 5>stayed quiet once I gave him a spiel. And it's

0:28:44.360 --> 0:28:48.400
<v Speaker 5>crazy too, because he had a security He had a

0:28:48.440 --> 0:28:51.360
<v Speaker 5>security standing in the corner just in case. So I

0:28:51.360 --> 0:28:58.920
<v Speaker 5>didn't know what I was in for you. He said, Yo, playboy,

0:28:59.040 --> 0:29:04.800
<v Speaker 5>he said, yo, stop you from leaving. But here's what

0:29:04.840 --> 0:29:05.440
<v Speaker 5>I'm gonna.

0:29:05.240 --> 0:29:05.600
<v Speaker 3>Do for you.

0:29:07.040 --> 0:29:10.320
<v Speaker 5>He said, I give you office space. I give you

0:29:10.360 --> 0:29:14.160
<v Speaker 5>my infrastructure. You don't have to worry about phones at

0:29:14.160 --> 0:29:16.080
<v Speaker 5>that time, of fax machines, you don't have to worry

0:29:16.080 --> 0:29:19.400
<v Speaker 5>about none of that. You could stay here and you

0:29:19.400 --> 0:29:22.240
<v Speaker 5>could build your company under my roof. And I want

0:29:22.240 --> 0:29:23.360
<v Speaker 5>to be your first account.

0:29:24.080 --> 0:29:27.400
<v Speaker 3>And that was the blessing of all.

0:29:27.680 --> 0:29:29.920
<v Speaker 5>And now granted, he said, I'm gonna take you off payroll,

0:29:30.080 --> 0:29:33.280
<v Speaker 5>but I'm not paying you. You're gonna pay yoursel like

0:29:33.280 --> 0:29:35.920
<v Speaker 5>like you want to be an entrepreneur, Like you're gonna

0:29:35.920 --> 0:29:38.280
<v Speaker 5>do it on your own but he allowed me to

0:29:38.360 --> 0:29:41.720
<v Speaker 5>keep my health insurance and I was able to build

0:29:41.840 --> 0:29:47.640
<v Speaker 5>my company within his company. And I'm ever grateful to

0:29:47.760 --> 0:29:51.080
<v Speaker 5>this man for that because that's how I was able to,

0:29:51.760 --> 0:29:56.240
<v Speaker 5>you know, go out and build a staff.

0:29:56.080 --> 0:29:57.200
<v Speaker 3>And all of those things.

0:29:57.240 --> 0:29:59.720
<v Speaker 5>And you know the great part about it is so

0:29:59.760 --> 0:30:02.160
<v Speaker 5>many people in the outside world they didn't know, so

0:30:02.200 --> 0:30:04.760
<v Speaker 5>I kept I was able to keep that that that

0:30:04.800 --> 0:30:08.040
<v Speaker 5>affiliation being that close to him.

0:30:08.240 --> 0:30:10.360
<v Speaker 4>They just thought you were still I was still there.

0:30:10.440 --> 0:30:12.760
<v Speaker 4>So is that the birth of power moves in? That

0:30:12.800 --> 0:30:15.040
<v Speaker 4>is the birth of because I mean I've listened to

0:30:15.040 --> 0:30:16.080
<v Speaker 4>a lot of your stuff and he was like, Yo,

0:30:16.160 --> 0:30:17.720
<v Speaker 4>you've been an entrepreneur.

0:30:17.520 --> 0:30:19.280
<v Speaker 3>Since you were born. It's the thing you want to

0:30:19.360 --> 0:30:19.920
<v Speaker 3>do so much.

0:30:20.280 --> 0:30:23.080
<v Speaker 4>So PM I was that the you already had that

0:30:23.160 --> 0:30:25.000
<v Speaker 4>vision drawn up or as you were doing the Street

0:30:25.040 --> 0:30:26.720
<v Speaker 4>Team and you were like, you know what, I got

0:30:26.720 --> 0:30:28.800
<v Speaker 4>this thing that I think I want to do. Had

0:30:28.800 --> 0:30:30.880
<v Speaker 4>that been something that you would originally.

0:30:30.440 --> 0:30:34.080
<v Speaker 5>Planned, well, you got a one hundred percent right. I've

0:30:34.120 --> 0:30:36.320
<v Speaker 5>always been an entrepreneur. I was that kid who was

0:30:36.360 --> 0:30:39.800
<v Speaker 5>watching cars, I was doing any packing bags, I was

0:30:39.800 --> 0:30:43.680
<v Speaker 5>doing anything everything I could do. But this is you know,

0:30:44.160 --> 0:30:46.720
<v Speaker 5>when you really good at what you do, like when

0:30:46.760 --> 0:30:50.360
<v Speaker 5>you and I told y'all like I was brutal, like

0:30:50.640 --> 0:30:55.040
<v Speaker 5>I was a beast and what what? While I was

0:30:55.120 --> 0:30:57.680
<v Speaker 5>working these records and we was coming up with these

0:30:57.680 --> 0:31:02.720
<v Speaker 5>incredible marketing campaigns. I was doing it for bad Boy,

0:31:03.880 --> 0:31:08.280
<v Speaker 5>but I started to get calls from corporate brands and

0:31:08.320 --> 0:31:11.840
<v Speaker 5>they wanted to know like who is like who's behind this?

0:31:12.080 --> 0:31:15.400
<v Speaker 5>Like who's executing this? And I started to pick up

0:31:15.400 --> 0:31:21.160
<v Speaker 5>these accounts on the side and at the time, and

0:31:21.200 --> 0:31:24.080
<v Speaker 5>it's funny because you know, sometimes we tell people to

0:31:24.120 --> 0:31:26.760
<v Speaker 5>go out there, jump out the window, better on yourself.

0:31:26.960 --> 0:31:28.800
<v Speaker 5>I was making more money on the side than I

0:31:28.840 --> 0:31:31.160
<v Speaker 5>was making on my salary, and I was still scared

0:31:31.160 --> 0:31:35.160
<v Speaker 5>to leave and put my resignation in. So it was

0:31:35.240 --> 0:31:37.200
<v Speaker 5>just one of those things. It was a natural evolution.

0:31:37.320 --> 0:31:39.560
<v Speaker 5>I was always a hustler, but at the time I

0:31:39.640 --> 0:31:41.560
<v Speaker 5>was keeping it on the low. I had to hide

0:31:41.880 --> 0:31:43.600
<v Speaker 5>all of the side work that I was doing.

0:31:44.440 --> 0:31:46.600
<v Speaker 3>The boss find out I ain't paying no more.

0:31:47.360 --> 0:31:50.120
<v Speaker 2>So as far as building a marketing firm, how does

0:31:50.200 --> 0:31:52.560
<v Speaker 2>that work? As far as like you just working account

0:31:52.640 --> 0:31:55.280
<v Speaker 2>by account or do you have like one big account

0:31:55.280 --> 0:31:57.440
<v Speaker 2>that's kind of like carrying you over for the for

0:31:57.560 --> 0:31:59.360
<v Speaker 2>the for the time frame, because that could seem like

0:31:59.360 --> 0:32:01.320
<v Speaker 2>a pretty stress situation, right, It's like.

0:32:01.600 --> 0:32:07.440
<v Speaker 5>Being an entrepreneurs is a pretty stressful situation. That So, yeah, no,

0:32:07.680 --> 0:32:10.720
<v Speaker 5>you it comes both ways. To answer your question, you

0:32:10.760 --> 0:32:13.920
<v Speaker 5>get your retainer accounts. If you're blessed and lucky enough

0:32:14.920 --> 0:32:17.880
<v Speaker 5>in some of it, you you it's account by account,

0:32:18.000 --> 0:32:20.520
<v Speaker 5>Like you know, it might be brands out there that

0:32:20.920 --> 0:32:23.800
<v Speaker 5>are launching new campaigns and they just need somebody to

0:32:23.840 --> 0:32:26.040
<v Speaker 5>execute it. They need somebody to come in with fresh

0:32:26.080 --> 0:32:30.000
<v Speaker 5>new ideas and it's just for this launch.

0:32:30.320 --> 0:32:30.560
<v Speaker 3>You know.

0:32:30.760 --> 0:32:36.040
<v Speaker 5>It might be for you know, the Christmas season October, November, December,

0:32:36.320 --> 0:32:39.000
<v Speaker 5>or it might be the launch of these new sneakers

0:32:39.120 --> 0:32:41.680
<v Speaker 5>or McDonald's decides that they come out they have a

0:32:41.720 --> 0:32:44.720
<v Speaker 5>new campaign we just wanted for the next six months.

0:32:45.040 --> 0:32:47.800
<v Speaker 3>So you're good. So you always are juggling accounts.

0:32:47.880 --> 0:32:52.120
<v Speaker 2>What was your favorite what's your highlight of your marketing.

0:32:53.920 --> 0:32:57.920
<v Speaker 3>Too? To come to mind off the rip number one,

0:32:58.360 --> 0:33:03.040
<v Speaker 3>the voter Die campaign of that was a big four.

0:33:03.960 --> 0:33:06.360
<v Speaker 3>I had that shirt and definitely had that shirt. That

0:33:06.400 --> 0:33:07.000
<v Speaker 3>was a big one.

0:33:07.160 --> 0:33:11.880
<v Speaker 5>Yeah, and and and the man behind it like like

0:33:11.960 --> 0:33:14.200
<v Speaker 5>that was Puff's brain child for for one hundred percent.

0:33:14.280 --> 0:33:14.800
<v Speaker 3>But we we.

0:33:14.760 --> 0:33:19.040
<v Speaker 5>Were the executors on the streets and then it was

0:33:19.080 --> 0:33:22.760
<v Speaker 5>their rock boys. It was it was, you know, creating

0:33:22.760 --> 0:33:25.000
<v Speaker 5>that program.

0:33:25.040 --> 0:33:28.160
<v Speaker 2>Oh so you so Nick Storm you worked with Nick Storm?

0:33:28.240 --> 0:33:28.480
<v Speaker 2>Or that.

0:33:30.920 --> 0:33:35.320
<v Speaker 3>I saw that show like.

0:33:38.160 --> 0:33:44.800
<v Speaker 5>I do watch while so no, shout out to Nick.

0:33:46.120 --> 0:33:47.280
<v Speaker 5>Here's here's a real right.

0:33:49.960 --> 0:33:52.840
<v Speaker 4>That's all I got, you know what, Like he's all

0:33:53.080 --> 0:33:55.080
<v Speaker 4>he's I think he's the first, maybe the only right

0:33:55.320 --> 0:33:57.000
<v Speaker 4>to bring his own wide glasses start.

0:33:58.040 --> 0:34:01.600
<v Speaker 5>Nickas Dope, nickas Dope, niggas dope.

0:34:02.400 --> 0:34:04.120
<v Speaker 3>But the the.

0:34:06.400 --> 0:34:09.640
<v Speaker 5>Here's the birth of the Sarraq Boys, right. I got

0:34:09.640 --> 0:34:13.239
<v Speaker 5>a call before Sarraq was what y'all know it to be,

0:34:16.239 --> 0:34:18.720
<v Speaker 5>Soraq was selling something like forty thousand cases.

0:34:19.520 --> 0:34:19.719
<v Speaker 3>You know.

0:34:20.480 --> 0:34:22.600
<v Speaker 5>I went up to the very first meeting with Puff

0:34:22.640 --> 0:34:25.000
<v Speaker 5>and a woman named Jackie Lee, who deserves her credit.

0:34:25.040 --> 0:34:28.640
<v Speaker 5>She was working at Diagio and she was the one

0:34:28.640 --> 0:34:32.920
<v Speaker 5>who had the the uh, the out of the box

0:34:33.000 --> 0:34:36.799
<v Speaker 5>thought that, yo, we should bring somebody in that is

0:34:36.880 --> 0:34:40.680
<v Speaker 5>on the level of a diddy and have him put

0:34:40.719 --> 0:34:44.440
<v Speaker 5>his muscle behind this brand. And Puff went in and

0:34:44.480 --> 0:34:47.440
<v Speaker 5>the deal was done, and I'll never forget Puff called me.

0:34:47.480 --> 0:34:50.840
<v Speaker 5>It was five am. He was in Miami crib and

0:34:51.000 --> 0:34:54.279
<v Speaker 5>he woke me up and he he you know, he

0:34:54.360 --> 0:34:58.480
<v Speaker 5>was doing what he do, prays Yo, this one can

0:34:58.560 --> 0:34:59.200
<v Speaker 5>change all.

0:34:59.080 --> 0:35:03.399
<v Speaker 3>Our lives playable way like listen man, like like I.

0:35:03.400 --> 0:35:05.919
<v Speaker 5>Need you and this is exact words, Yo, I need

0:35:05.960 --> 0:35:08.720
<v Speaker 5>you to put that brilliant market and brain in yours

0:35:08.760 --> 0:35:11.480
<v Speaker 5>to work man like this can this can be the

0:35:11.560 --> 0:35:16.439
<v Speaker 5>one that set us up for life. And I had

0:35:16.480 --> 0:35:21.200
<v Speaker 5>to sit and I had to think, what can we

0:35:21.360 --> 0:35:26.799
<v Speaker 5>do that would be effective? And here's a deal, right,

0:35:27.800 --> 0:35:34.879
<v Speaker 5>people know sir rock now, but phonetically try sounding out

0:35:34.960 --> 0:35:37.600
<v Speaker 5>C I R O C like. I was taking this

0:35:37.680 --> 0:35:40.920
<v Speaker 5>to people in the hood and influencers and people.

0:35:40.760 --> 0:35:42.719
<v Speaker 3>Was like urac like.

0:35:42.719 --> 0:35:46.239
<v Speaker 5>People didn't even know how to pronounce it. So there

0:35:46.320 --> 0:35:48.879
<v Speaker 5>was certain hurdles we had to come over. And then

0:35:48.920 --> 0:35:55.560
<v Speaker 5>I had the thought process of you know, it's just

0:35:55.600 --> 0:35:58.439
<v Speaker 5>one of those moments man, where you're like, Yo, it's

0:35:58.480 --> 0:35:59.239
<v Speaker 5>the DJs.

0:35:59.680 --> 0:36:02.120
<v Speaker 3>You know, my whole career have been working with.

0:36:02.160 --> 0:36:06.640
<v Speaker 5>The DJs, and that's why you gotta trust this process, man,

0:36:06.960 --> 0:36:10.120
<v Speaker 5>you have to trust the process. I was a dude

0:36:10.160 --> 0:36:13.240
<v Speaker 5>who didn't even want to work with the DJs. Puff

0:36:13.280 --> 0:36:18.080
<v Speaker 5>and Harf, Pierre told me, you're taking this job, you

0:36:18.360 --> 0:36:22.120
<v Speaker 5>have to be the guy who runs mixshow. That's what

0:36:22.160 --> 0:36:24.000
<v Speaker 5>they said. Like when my man and Malcolm Miles left

0:36:24.000 --> 0:36:26.480
<v Speaker 5>the company, they made me run And it was the

0:36:26.480 --> 0:36:28.160
<v Speaker 5>best thing that ever happened to me because I built

0:36:28.160 --> 0:36:31.920
<v Speaker 5>these these incredible relationships with all of these different DJs

0:36:31.960 --> 0:36:35.239
<v Speaker 5>around the country. And when I started to think about it,

0:36:35.280 --> 0:36:38.200
<v Speaker 5>I say, Yo, you know what, we don't even need

0:36:38.200 --> 0:36:43.279
<v Speaker 5>to go far from home. The DJs are in the clubs,

0:36:43.920 --> 0:36:45.560
<v Speaker 5>and what do they sell in the clubs?

0:36:46.360 --> 0:36:46.760
<v Speaker 3>Liquor.

0:36:47.560 --> 0:36:51.520
<v Speaker 5>The DJs are on the radio, and they're shouting stuff

0:36:51.560 --> 0:36:55.840
<v Speaker 5>out all day every day in between the hottest records.

0:36:56.360 --> 0:37:02.120
<v Speaker 5>So I started to put together the hottest DJs around

0:37:02.160 --> 0:37:05.239
<v Speaker 5>the country. And I didn't come up with the name

0:37:05.320 --> 0:37:07.359
<v Speaker 5>Sarah Boys. I don't know who came up with it,

0:37:07.960 --> 0:37:10.880
<v Speaker 5>but and I think it was powerf who came up

0:37:10.920 --> 0:37:11.120
<v Speaker 5>with it.

0:37:11.160 --> 0:37:14.520
<v Speaker 3>But it was he said, who came up with it?

0:37:16.360 --> 0:37:20.520
<v Speaker 2>J came up Yeah at the video shoot.

0:37:20.680 --> 0:37:20.960
<v Speaker 3>Yeah.

0:37:21.120 --> 0:37:25.160
<v Speaker 5>But but putting that DJ crew together is what really

0:37:25.200 --> 0:37:27.319
<v Speaker 5>took us over the top because it was a way

0:37:27.400 --> 0:37:35.200
<v Speaker 5>to bring the brand into people's lifestyles in the most seamless,

0:37:35.880 --> 0:37:40.160
<v Speaker 5>the most like It just was easy, and I hand

0:37:40.200 --> 0:37:44.440
<v Speaker 5>picked every DJ, and I wanted to make the program aspirational,

0:37:44.600 --> 0:37:48.200
<v Speaker 5>so if you became a sack boy, that meant you

0:37:48.360 --> 0:37:48.719
<v Speaker 5>made it.

0:37:49.480 --> 0:37:49.560
<v Speaker 4>You.

0:37:49.680 --> 0:37:52.080
<v Speaker 5>Yeah, you got to stamp like I had DJs all

0:37:52.080 --> 0:37:53.960
<v Speaker 5>over the world, Like can I be a Siah? No,

0:37:54.080 --> 0:37:57.840
<v Speaker 5>you cannot get the work so like like seriously. And

0:37:58.040 --> 0:38:01.000
<v Speaker 5>it's funny because we talked about self right. Self is

0:38:01.000 --> 0:38:03.280
<v Speaker 5>a dude I've been knowing since he was a young buck,

0:38:03.400 --> 0:38:05.799
<v Speaker 5>like like, and I used to always tell Self because

0:38:05.800 --> 0:38:08.160
<v Speaker 5>Self used to always want records and.

0:38:08.080 --> 0:38:11.200
<v Speaker 3>I used to be like yourself, like you're not urgent, like.

0:38:11.719 --> 0:38:16.399
<v Speaker 5>I'm giving this record to Clue, I'm giving this record yeah,

0:38:16.520 --> 0:38:19.960
<v Speaker 5>and here tell you and and it and it made

0:38:20.040 --> 0:38:24.000
<v Speaker 5>my heart feel good when when when when Self went

0:38:24.160 --> 0:38:27.680
<v Speaker 5>so freaking odd and he had this city, New York

0:38:27.760 --> 0:38:30.040
<v Speaker 5>City on fire. Wasn't a club you can go to

0:38:30.440 --> 0:38:34.399
<v Speaker 5>without Self breaking records. And I never forget the call

0:38:34.560 --> 0:38:37.319
<v Speaker 5>and being like, Yo, come up here, I got a

0:38:37.320 --> 0:38:43.080
<v Speaker 5>record for you. Nobody else got it, your urgent playboy.

0:38:41.560 --> 0:38:46.240
<v Speaker 3>Having self be a rock boy. That's like you remember

0:38:46.239 --> 0:38:49.319
<v Speaker 3>what record it was? I don't even remember.

0:38:49.360 --> 0:38:51.680
<v Speaker 5>I just remember being so happy to tell him, like, Yo,

0:38:51.760 --> 0:38:54.280
<v Speaker 5>you made it like you official.

0:38:53.960 --> 0:38:56.480
<v Speaker 3>Now from that story, man, and I'm just listening to it.

0:38:56.520 --> 0:38:58.400
<v Speaker 3>I'm like the power of relationships.

0:38:58.440 --> 0:39:01.319
<v Speaker 4>And we talked about out Man, you didn't even want

0:39:01.360 --> 0:39:04.560
<v Speaker 4>to be around DJs, but look at what being around

0:39:04.640 --> 0:39:08.040
<v Speaker 4>DJ's helped you from obviously with the bad boys situation,

0:39:08.120 --> 0:39:10.319
<v Speaker 4>but now with the rock thing, and then that transitions

0:39:10.360 --> 0:39:14.000
<v Speaker 4>into your your next masterpiece, which is the global spin.

0:39:14.480 --> 0:39:16.640
<v Speaker 3>Absolutely, yeah, let's let's talk that.

0:39:16.640 --> 0:39:19.480
<v Speaker 2>Because DJ I feel like DJ's are forgotten people in

0:39:19.560 --> 0:39:22.040
<v Speaker 2>hip hop. There's really no hip hop without a DJ.

0:39:22.280 --> 0:39:25.800
<v Speaker 2>They're very influential people, like you said, from the nightclubs,

0:39:25.840 --> 0:39:29.520
<v Speaker 2>from the radios too. I mean, the DJs need to

0:39:30.239 --> 0:39:31.960
<v Speaker 2>break the record. Like you know what I'm saying. That's

0:39:32.000 --> 0:39:34.440
<v Speaker 2>what when I said early hip hop dies, blame it

0:39:34.480 --> 0:39:36.160
<v Speaker 2>on the DJ you got.

0:39:36.200 --> 0:39:39.040
<v Speaker 4>You gotta think though early hip hop, everybody had a DJ.

0:39:39.200 --> 0:39:41.759
<v Speaker 4>Right if it was Eric B and Rock Kim, right,

0:39:41.800 --> 0:39:45.719
<v Speaker 4>if it was j MC. Even the Fresh Prince had

0:39:45.760 --> 0:39:48.640
<v Speaker 4>Jazzy Jeff. You know what I'm saying, everybody everybody had.

0:39:48.680 --> 0:39:51.360
<v Speaker 4>The salt Pepper has been derelaed and then it was

0:39:52.239 --> 0:39:55.239
<v Speaker 4>the DJ was a part of I mean you can

0:39:55.239 --> 0:39:57.759
<v Speaker 4>go to E. P. M. D. With Scratch Crass. I mean,

0:39:58.600 --> 0:40:00.880
<v Speaker 4>the DJ was a part of the group.

0:40:00.920 --> 0:40:03.200
<v Speaker 2>They was the third and then and then even when

0:40:03.200 --> 0:40:05.520
<v Speaker 2>the DJ kind of transformed into a producer, I still

0:40:05.520 --> 0:40:07.360
<v Speaker 2>feel like I feel like Swiss Beats is still a

0:40:07.440 --> 0:40:09.880
<v Speaker 2>DJ with like his relationship with DMX, you know what

0:40:09.920 --> 0:40:12.320
<v Speaker 2>I'm saying, But he's a producer side but it's like

0:40:12.320 --> 0:40:14.719
<v Speaker 2>like Doctor Dre and Snoop. But but you you know,

0:40:15.120 --> 0:40:16.920
<v Speaker 2>Swiss was a DJ, Yeah, exactly.

0:40:17.080 --> 0:40:20.680
<v Speaker 5>So when you hear so many of his beats sonically,

0:40:21.719 --> 0:40:24.920
<v Speaker 5>the reason why he's so successful because he can think

0:40:25.080 --> 0:40:27.640
<v Speaker 5>like a DJ, like, oh like when this, when this

0:40:27.920 --> 0:40:30.120
<v Speaker 5>beating it, when this kick comes in.

0:40:30.400 --> 0:40:32.440
<v Speaker 3>Like the DJ can bring it back. He gets like

0:40:32.560 --> 0:40:33.640
<v Speaker 3>he think and that's why he.

0:40:33.640 --> 0:40:36.160
<v Speaker 2>Was so successful even like a Mustard and YG in

0:40:36.160 --> 0:40:37.160
<v Speaker 2>today's time, same thing.

0:40:37.239 --> 0:40:37.399
<v Speaker 3>Yep.

0:40:37.600 --> 0:40:40.160
<v Speaker 2>So all right, so yeah, so the DJ is very

0:40:40.160 --> 0:40:42.320
<v Speaker 2>influencial people, very important people, but they've been ignored for

0:40:42.320 --> 0:40:43.680
<v Speaker 2>a long time. So you have this idea to come

0:40:43.719 --> 0:40:46.440
<v Speaker 2>up with an award show for DJs. Did how did

0:40:46.440 --> 0:40:53.040
<v Speaker 2>that come about? It's twofold number one. My career, going

0:40:53.120 --> 0:40:57.920
<v Speaker 2>back to the nineties, it always involved the DJs and

0:40:57.960 --> 0:41:04.480
<v Speaker 2>they have been so important to me becoming me, becoming

0:41:04.520 --> 0:41:07.879
<v Speaker 2>that guy in the industry. So that was number one,

0:41:08.680 --> 0:41:17.160
<v Speaker 2>but number two. As the music industry really.

0:41:16.840 --> 0:41:20.719
<v Speaker 5>Blossomed, you know, you had a lot of people who

0:41:20.719 --> 0:41:26.080
<v Speaker 5>were working the DJs, and the dj started feeling theirself like,

0:41:26.520 --> 0:41:30.680
<v Speaker 5>you know, they getting calls from everybody, and you know,

0:41:31.320 --> 0:41:34.520
<v Speaker 5>some of them would forget, like yo play, I've been

0:41:34.520 --> 0:41:37.040
<v Speaker 5>down with you from day one. You know, if they

0:41:37.040 --> 0:41:41.320
<v Speaker 5>got fifteen people calling them to play records, it's easy

0:41:41.360 --> 0:41:44.319
<v Speaker 5>to get a little bit of swelled head. So I

0:41:44.360 --> 0:41:47.280
<v Speaker 5>had to kind of turn the tables. I had to

0:41:47.320 --> 0:41:51.480
<v Speaker 5>be like, I'm not regular, like I don't know about.

0:41:51.200 --> 0:41:57.160
<v Speaker 3>These promotion guys, but not with me. So part of

0:41:57.200 --> 0:41:59.680
<v Speaker 3>it was my give back to the culture.

0:42:01.640 --> 0:42:08.239
<v Speaker 5>And really acknowledging the forgotten, the guys who were on

0:42:08.320 --> 0:42:12.000
<v Speaker 5>the ground breaking these records. I would watch artists that

0:42:12.440 --> 0:42:15.080
<v Speaker 5>I would break and they would be unknown, and they

0:42:15.080 --> 0:42:18.080
<v Speaker 5>would be on these conference calls with these DJs and

0:42:18.400 --> 0:42:20.680
<v Speaker 5>anything you need, I got you this, that and the third.

0:42:20.719 --> 0:42:23.480
<v Speaker 5>Then the artists blow up and they go and get

0:42:23.480 --> 0:42:25.160
<v Speaker 5>a Grammy and they think everything.

0:42:26.280 --> 0:42:28.520
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<v Speaker 5>They think the janitor and they building, and they forget

0:45:19.000 --> 0:45:22.400
<v Speaker 5>to think the DJ, so they would have forgotten ones.

0:45:23.040 --> 0:45:26.440
<v Speaker 5>And then I just like I said, you know, I

0:45:26.719 --> 0:45:31.719
<v Speaker 5>I'm like, don't confuse me with these other promoters, like,

0:45:32.080 --> 0:45:34.920
<v Speaker 5>so let me create something that when my phone call

0:45:35.000 --> 0:45:38.040
<v Speaker 5>come through, y'all are eager to pick that phone up.

0:45:38.560 --> 0:45:40.200
<v Speaker 5>So that was part of my mind.

0:45:40.280 --> 0:45:42.600
<v Speaker 2>It's almost like a marketing play almost after now of

0:45:42.680 --> 0:45:45.040
<v Speaker 2>DJ's you got the award show, so they kind of

0:45:45.160 --> 0:45:47.840
<v Speaker 2>they gotta hold you in high regard because you're like

0:45:47.960 --> 0:45:48.359
<v Speaker 2>the guy.

0:45:48.880 --> 0:45:52.080
<v Speaker 5>I'm like, I'm for them. Nobody else did it for him.

0:45:52.560 --> 0:45:56.080
<v Speaker 5>Nobody else did And see here was the beauty. I

0:45:56.120 --> 0:45:59.839
<v Speaker 5>created the Global Spin Awards when when I was transitioning

0:46:00.360 --> 0:46:04.080
<v Speaker 5>out of music full time, so I didn't need anything

0:46:04.800 --> 0:46:08.440
<v Speaker 5>from them. You don't have to play my record. This

0:46:08.520 --> 0:46:10.239
<v Speaker 5>is my give back to you, This is my give

0:46:10.280 --> 0:46:12.440
<v Speaker 5>back to the culture. This is gonna be part of

0:46:12.440 --> 0:46:17.799
<v Speaker 5>my legacy. So it was it worked, you know, kind

0:46:17.800 --> 0:46:21.680
<v Speaker 5>of across the board, and like I said, it wasn't

0:46:21.680 --> 0:46:23.880
<v Speaker 5>too many of my calls that was not answered or

0:46:23.960 --> 0:46:25.080
<v Speaker 5>not returned right away.

0:46:25.440 --> 0:46:27.400
<v Speaker 2>I got a couple questions about the technical side of things,

0:46:27.400 --> 0:46:29.760
<v Speaker 2>because we hear about the Grammy so much, and it's

0:46:29.800 --> 0:46:32.000
<v Speaker 2>fitting that we have having this conversation because you know, everybody

0:46:32.040 --> 0:46:34.880
<v Speaker 2>every year somebody gets snubbed at the Grammy's recently little baby.

0:46:35.920 --> 0:46:40.279
<v Speaker 2>But so these are war shows are actually businesses. So

0:46:40.760 --> 0:46:44.680
<v Speaker 2>a few questions. First, how do you go about because

0:46:44.680 --> 0:46:46.799
<v Speaker 2>I'm assuming this costs a lot of money, right, how

0:46:46.840 --> 0:46:50.239
<v Speaker 2>do you go about getting sponsors to to kind of

0:46:50.360 --> 0:46:53.439
<v Speaker 2>put this put this together because it's a lot I'm

0:46:53.480 --> 0:46:56.560
<v Speaker 2>assuming to have venues and things of that nature, Like

0:46:56.719 --> 0:46:58.640
<v Speaker 2>what's the inn of workings From the business side.

0:46:59.000 --> 0:47:01.759
<v Speaker 5>It's a great question. And again I gotta go back

0:47:01.800 --> 0:47:05.960
<v Speaker 5>to what I keep preaching, Trust the process. Trust the process.

0:47:06.239 --> 0:47:08.480
<v Speaker 5>God don't have you on this road for no reason.

0:47:09.239 --> 0:47:13.319
<v Speaker 5>I didn't know when I was building Power Moves Inc.

0:47:13.520 --> 0:47:17.480
<v Speaker 5>Marketing and Promotion that all of the brands that we

0:47:17.480 --> 0:47:20.719
<v Speaker 5>were doing this great work with one day I would

0:47:20.760 --> 0:47:25.279
<v Speaker 5>need to go back to them and say look, I'm developing,

0:47:25.360 --> 0:47:29.759
<v Speaker 5>and I'm developing the Grammys for the DJs, and now

0:47:29.840 --> 0:47:32.520
<v Speaker 5>I need you guys to come on board and sponsor.

0:47:33.080 --> 0:47:38.080
<v Speaker 5>So for me, I'd already had an infrastructure in place,

0:47:38.920 --> 0:47:44.360
<v Speaker 5>proposal writers. You know, we were in touch with the

0:47:44.400 --> 0:47:47.920
<v Speaker 5>marketing directors at different brands. So I'm not gonna say

0:47:47.920 --> 0:47:51.000
<v Speaker 5>it's easy, because it was never It is never easy

0:47:51.040 --> 0:47:54.960
<v Speaker 5>building anything from the ground up. It's never easy. But

0:47:55.400 --> 0:47:58.560
<v Speaker 5>for us at least, we were prepared to go out

0:47:58.560 --> 0:48:01.600
<v Speaker 5>there and get this sponsorship. And yes, it is a

0:48:01.800 --> 0:48:08.839
<v Speaker 5>very very expensive endeavor to embark on trying to create this,

0:48:08.840 --> 0:48:10.400
<v Speaker 5>this live award show.

0:48:10.600 --> 0:48:12.439
<v Speaker 3>And I dreamed big.

0:48:12.560 --> 0:48:15.920
<v Speaker 5>I dream very big, So I wanted to be the

0:48:15.960 --> 0:48:18.960
<v Speaker 5>Grammys the first year out I want in my vision

0:48:19.239 --> 0:48:22.800
<v Speaker 5>was you know, when people think of DJs at that time,

0:48:22.920 --> 0:48:25.800
<v Speaker 5>a lot of the DJs was overweight, you know, like

0:48:26.560 --> 0:48:29.120
<v Speaker 5>every DJ was heavy for some reason. That was like

0:48:29.120 --> 0:48:33.000
<v Speaker 5>a prerequisite to spend records. But people don't really see

0:48:33.040 --> 0:48:37.759
<v Speaker 5>them as is the way I wanted the world to

0:48:37.800 --> 0:48:43.000
<v Speaker 5>see them. Global Spin Awards won because we created a

0:48:43.080 --> 0:48:49.040
<v Speaker 5>platform that was red carpet invite only. You gotta be

0:48:49.200 --> 0:48:55.319
<v Speaker 5>suited and booted, bring your wife and I also I

0:48:55.360 --> 0:48:59.719
<v Speaker 5>didn't DJs touch everybody's lives, right, Like, if you.

0:48:59.719 --> 0:49:03.400
<v Speaker 3>Listen the music, they're controlling the party. They control a party.

0:49:03.800 --> 0:49:05.800
<v Speaker 5>So you don't have to be in the music industry

0:49:05.800 --> 0:49:09.160
<v Speaker 5>to be impacted by the DJ. So I made it

0:49:09.280 --> 0:49:13.600
<v Speaker 5>my mission. I didn't want this to just be a

0:49:13.800 --> 0:49:18.200
<v Speaker 5>music based thing. I wanted if you're on TV and

0:49:18.320 --> 0:49:23.799
<v Speaker 5>you listening to, you know, a DJ's mixtape, you need

0:49:23.800 --> 0:49:25.719
<v Speaker 5>to be in a building the night that that DJ

0:49:25.880 --> 0:49:27.520
<v Speaker 5>is getting celebrated and honored.

0:49:28.080 --> 0:49:29.080
<v Speaker 3>So we went.

0:49:29.000 --> 0:49:33.640
<v Speaker 5>Into overdrive trying to get a lists from every every

0:49:33.680 --> 0:49:37.279
<v Speaker 5>industry you can think of to show up and get

0:49:37.400 --> 0:49:41.080
<v Speaker 5>and show their appreciation to these DJs who were all

0:49:41.080 --> 0:49:42.520
<v Speaker 5>but forgotten for many years.

0:49:42.640 --> 0:49:45.760
<v Speaker 3>So I mean again, the power of relationships, the power networking.

0:49:45.880 --> 0:49:47.960
<v Speaker 4>Right, you had the sponsorships because you were ready with

0:49:48.080 --> 0:49:50.239
<v Speaker 4>doing that. And I know when you try to first

0:49:50.400 --> 0:49:52.919
<v Speaker 4>put out the first global spin ord, the production wasn't

0:49:52.960 --> 0:49:55.680
<v Speaker 4>as great, but then you got to use a friend,

0:49:55.719 --> 0:49:57.799
<v Speaker 4>you phone a friend, a guy who had a TV

0:49:57.880 --> 0:49:58.600
<v Speaker 4>network to help.

0:49:58.480 --> 0:50:03.319
<v Speaker 3>You with the production. Absolutely again, trust the process. Yeah

0:50:03.440 --> 0:50:07.560
<v Speaker 3>that guy that you used to work for, How that

0:50:08.440 --> 0:50:09.839
<v Speaker 3>conversation go? How did you work that up?

0:50:10.000 --> 0:50:14.279
<v Speaker 5>Okay, So if anybody know puff Puff, he ain't the

0:50:14.360 --> 0:50:16.760
<v Speaker 5>dude you go to when you first have an idea.

0:50:16.880 --> 0:50:19.640
<v Speaker 5>Everybody makes that mistake, Like Pufa, I got a big idea.

0:50:20.480 --> 0:50:23.000
<v Speaker 5>He's the kind of dude you gotta work him and

0:50:23.040 --> 0:50:25.279
<v Speaker 5>you kind of get it hot to where he want

0:50:25.280 --> 0:50:28.520
<v Speaker 5>to attend. He didn't come to the Global Spin Awards

0:50:28.600 --> 0:50:31.239
<v Speaker 5>until it was like year four, like like, he didn't

0:50:31.280 --> 0:50:34.319
<v Speaker 5>even show up. And then when he did show up

0:50:34.600 --> 0:50:37.319
<v Speaker 5>and we had it crazy. It was all kind of

0:50:37.360 --> 0:50:40.480
<v Speaker 5>a listers in a building when he did show up.

0:50:40.520 --> 0:50:44.319
<v Speaker 5>I remember that night shout to James Cruise, who was

0:50:44.360 --> 0:50:48.840
<v Speaker 5>his manager at the time. James Cruise, you know, was

0:50:48.840 --> 0:50:51.319
<v Speaker 5>was at the Spin Awards and he comes every year

0:50:51.640 --> 0:50:54.120
<v Speaker 5>and he was calling Puff like, yo, you need to

0:50:54.120 --> 0:50:57.040
<v Speaker 5>be here, and Puffa was like, yo, you sure like like.

0:50:57.480 --> 0:51:01.680
<v Speaker 3>This this press thing really is working.

0:51:01.880 --> 0:51:05.160
<v Speaker 5>He's and he's literally standing there sweating because I'm like,

0:51:05.239 --> 0:51:08.760
<v Speaker 5>your Cruise, get your man in here. But I didn't

0:51:08.800 --> 0:51:12.960
<v Speaker 5>even invite Puff into year four and when he came,

0:51:14.280 --> 0:51:18.000
<v Speaker 5>he's looked around the room in his calid At the time,

0:51:18.160 --> 0:51:21.439
<v Speaker 5>you know, Drama was one of the biggest DJs in

0:51:21.280 --> 0:51:21.960
<v Speaker 5>the industry.

0:51:22.040 --> 0:51:24.360
<v Speaker 3>It was Flax it was Clue.

0:51:24.400 --> 0:51:27.200
<v Speaker 5>It was all kinds of these big and then it

0:51:27.239 --> 0:51:31.040
<v Speaker 5>wasn't just THEMB it was Kevin Lyles, it was Luted Chris,

0:51:31.080 --> 0:51:34.160
<v Speaker 5>it was you know, we had so many high level people.

0:51:34.920 --> 0:51:37.640
<v Speaker 5>It was like, if you don't come, you look like

0:51:37.680 --> 0:51:41.840
<v Speaker 5>the odd ball out. And when he came, he told me, right, no,

0:51:42.239 --> 0:51:44.480
<v Speaker 5>I'm lying, And this is another guy y'all might want

0:51:44.520 --> 0:51:47.839
<v Speaker 5>to bring on to your show. Keith clink Scales was

0:51:47.920 --> 0:51:52.080
<v Speaker 5>at the time CEO of Revolt and Keith came to

0:51:52.960 --> 0:51:56.680
<v Speaker 5>the Global spinning wards the year before and he came,

0:51:56.760 --> 0:51:58.759
<v Speaker 5>he stayed for a half hour. He said, prayers, I'm

0:51:58.760 --> 0:52:01.399
<v Speaker 5>gonna get this on TV. He came to next year

0:52:01.440 --> 0:52:03.560
<v Speaker 5>and when Puff came and that was it.

0:52:03.560 --> 0:52:07.560
<v Speaker 3>It was all she wrote. Now now now it's not

0:52:07.680 --> 0:52:08.600
<v Speaker 3>local no more.

0:52:09.120 --> 0:52:13.759
<v Speaker 2>So how's the like, how is the awards divided up?

0:52:13.800 --> 0:52:15.799
<v Speaker 2>Like do you have a committee that kind of like

0:52:15.880 --> 0:52:18.040
<v Speaker 2>decides who wins the awards? And how do you come

0:52:18.120 --> 0:52:19.200
<v Speaker 2>up with different categories?

0:52:20.320 --> 0:52:23.520
<v Speaker 5>Coming up with different categories was easy and hard at

0:52:23.520 --> 0:52:25.920
<v Speaker 5>the same time. I know the culture. I'm from the

0:52:25.960 --> 0:52:31.120
<v Speaker 5>South Bronx. I grew up knowing you know, who were

0:52:31.160 --> 0:52:35.160
<v Speaker 5>the hot DJs, knowing the different categories we should break

0:52:35.200 --> 0:52:38.160
<v Speaker 5>them into. But what we did was we put together

0:52:38.280 --> 0:52:43.239
<v Speaker 5>a mastermind group people who really understood the culture. And

0:52:44.400 --> 0:52:48.480
<v Speaker 5>I never voted, And I modeled it after some of

0:52:48.520 --> 0:52:50.640
<v Speaker 5>the most successful awards shows out there.

0:52:50.680 --> 0:52:52.320
<v Speaker 3>So I modeled it after the Grammys.

0:52:52.360 --> 0:52:58.080
<v Speaker 5>I modeled it after the the Golden Globes. So whereas

0:52:58.280 --> 0:53:01.760
<v Speaker 5>you see it the Grammys or excuse me, at the Oscars,

0:53:01.760 --> 0:53:04.040
<v Speaker 5>everybody go and they're like, first, I want to think

0:53:04.080 --> 0:53:04.759
<v Speaker 5>the Academy.

0:53:06.040 --> 0:53:08.080
<v Speaker 3>I had to create my own.

0:53:08.320 --> 0:53:11.200
<v Speaker 2>Version of that to what exactly is that. That's like

0:53:11.239 --> 0:53:13.880
<v Speaker 2>a group of people, like a secret society.

0:53:13.400 --> 0:53:20.640
<v Speaker 3>Of just seventos. No, it is. It is respected individuals.

0:53:20.719 --> 0:53:24.040
<v Speaker 5>So it might be promotion people, it might be bloggers,

0:53:24.080 --> 0:53:25.920
<v Speaker 5>it might be writers, it might.

0:53:25.880 --> 0:53:27.880
<v Speaker 3>It was all people from the culture.

0:53:28.280 --> 0:53:30.160
<v Speaker 5>And I would pick up the phone and I would

0:53:30.200 --> 0:53:33.480
<v Speaker 5>call these people individually, like, look, I'm trying to put

0:53:33.520 --> 0:53:38.400
<v Speaker 5>together the most fair and honest award show for DJs,

0:53:38.880 --> 0:53:42.239
<v Speaker 5>and I'm gonna need you guys to vote every And

0:53:42.280 --> 0:53:44.799
<v Speaker 5>we call it the Bureau the way the Oscars call

0:53:44.840 --> 0:53:48.120
<v Speaker 5>it the Academy, we call it the Bureau. So if

0:53:48.120 --> 0:53:51.680
<v Speaker 5>you're on the Bureau, you get one vote, one vote

0:53:51.719 --> 0:53:54.759
<v Speaker 5>and one vote only, so it ain't like Troy can

0:53:54.880 --> 0:53:58.200
<v Speaker 5>impact the outcome of who gets a Global Spend War.

0:53:58.360 --> 0:54:03.520
<v Speaker 5>It's not like pack who gets a Global spin Award.

0:54:03.560 --> 0:54:05.880
<v Speaker 3>And then myself, I never would vote.

0:54:05.880 --> 0:54:08.759
<v Speaker 5>I never touched it because I never wanted anybody to

0:54:08.800 --> 0:54:13.839
<v Speaker 5>accuse me of tampering with the process, tam favorite being

0:54:14.000 --> 0:54:16.759
<v Speaker 5>exactly showing favoritism, so I always stayed away from it.

0:54:16.800 --> 0:54:19.680
<v Speaker 4>We got Lifetime Achievement awards. Absolutely one of somebody from

0:54:19.680 --> 0:54:27.359
<v Speaker 4>my neighborhood want or from yeah, the MS he went

0:54:27.360 --> 0:54:28.279
<v Speaker 4>to Woodlands and all that.

0:54:28.400 --> 0:54:31.440
<v Speaker 2>Get out of here him and such from my neighborhood,

0:54:31.440 --> 0:54:32.400
<v Speaker 2>but he's definitely.

0:54:32.120 --> 0:54:34.000
<v Speaker 3>From thats was in class with me like that. Dude

0:54:34.040 --> 0:54:34.840
<v Speaker 3>was falling asleep, and.

0:54:35.520 --> 0:54:37.279
<v Speaker 2>I think he wanted like he wanted like he wanted

0:54:37.360 --> 0:54:39.279
<v Speaker 2>like a DJ of the Year award something like that.

0:54:39.520 --> 0:54:40.720
<v Speaker 3>Now he's big time.

0:54:40.719 --> 0:54:44.000
<v Speaker 2>He wanted something. You remember, it was important, but I

0:54:44.040 --> 0:54:44.759
<v Speaker 2>remember when he wanted.

0:54:44.920 --> 0:54:47.359
<v Speaker 5>He deserves it. He did and he's a deal, right.

0:54:47.719 --> 0:54:49.319
<v Speaker 5>I think Sus is one of the one of the

0:54:49.360 --> 0:54:53.440
<v Speaker 5>dopest DJs in the game. And for years he didn't win.

0:54:53.520 --> 0:54:57.080
<v Speaker 5>And Sus wasn't even talking to me, like just to

0:54:57.160 --> 0:55:00.880
<v Speaker 5>keep it on and and this is such one for

0:55:00.920 --> 0:55:03.719
<v Speaker 5>anybody who is not from New York City. He's a

0:55:03.719 --> 0:55:07.160
<v Speaker 5>big time DJ on Windy Williams Show. A riot carries DJ.

0:55:07.640 --> 0:55:09.239
<v Speaker 5>But Sus wasn't even talking to me. He was taking

0:55:09.280 --> 0:55:11.799
<v Speaker 5>a personally and I was just like, yo, like I

0:55:11.880 --> 0:55:15.640
<v Speaker 5>have nothing to do with this, like like do your

0:55:15.640 --> 0:55:18.000
<v Speaker 5>thing out here, people vote for you. I just don't

0:55:18.000 --> 0:55:20.520
<v Speaker 5>know what to tell you. And a lot of DJs

0:55:20.560 --> 0:55:23.040
<v Speaker 5>didn't think that they could actually win it. And I'm

0:55:23.040 --> 0:55:26.920
<v Speaker 5>gonna tell you another story. Who was another person who

0:55:28.760 --> 0:55:30.520
<v Speaker 5>I couldn't believe that he would He didn't win.

0:55:31.000 --> 0:55:31.560
<v Speaker 3>Every year.

0:55:31.680 --> 0:55:34.920
<v Speaker 5>D Knights would come to the Global Spin Awards dressed

0:55:35.000 --> 0:55:38.399
<v Speaker 5>up in a tuxedo every year, and he would sit

0:55:38.520 --> 0:55:41.880
<v Speaker 5>there and be overlooked, like D Knights would be nominated

0:55:41.920 --> 0:55:45.359
<v Speaker 5>in like five categories and have to sit there and

0:55:45.480 --> 0:55:49.400
<v Speaker 5>never ever ever get the award.

0:55:49.920 --> 0:55:51.720
<v Speaker 2>And then this year you don't have the award.

0:55:51.719 --> 0:55:58.040
<v Speaker 3>Show. I remember, he's a funny thing. I remember it was.

0:55:58.200 --> 0:56:00.160
<v Speaker 5>I forget what year it was. Maybe it's good Will

0:56:00.160 --> 0:56:02.920
<v Speaker 5>Spending Ward six five or something like that. For I

0:56:02.960 --> 0:56:06.239
<v Speaker 5>don't know, but I'm looking around the audience now I

0:56:06.320 --> 0:56:09.040
<v Speaker 5>know who won, and I'm looking and I'm like, yo.

0:56:09.080 --> 0:56:11.000
<v Speaker 3>D Nice, always come see him.

0:56:11.000 --> 0:56:15.200
<v Speaker 5>I'm looking at like I called D Nice because I

0:56:15.239 --> 0:56:19.680
<v Speaker 5>know I got two awards with him. Oh he was

0:56:19.719 --> 0:56:23.440
<v Speaker 5>a person who always supported I call him up and

0:56:23.480 --> 0:56:26.839
<v Speaker 5>I'm like, yo, Derek. We wait and he's like, yo,

0:56:27.160 --> 0:56:30.640
<v Speaker 5>I ain't coming this year. Like I'm DJing. And this

0:56:30.680 --> 0:56:33.040
<v Speaker 5>is the first and the only time I've ever told

0:56:33.040 --> 0:56:33.759
<v Speaker 5>somebody they won.

0:56:34.560 --> 0:56:35.600
<v Speaker 3>It's in real time.

0:56:35.719 --> 0:56:38.239
<v Speaker 5>I said, Derek, I don't care what you gotta do,

0:56:38.840 --> 0:56:42.319
<v Speaker 5>but you better leave with you at and go home,

0:56:42.400 --> 0:56:46.399
<v Speaker 5>get dressed and get down here. I don't know if

0:56:46.440 --> 0:56:48.239
<v Speaker 5>the party went on that he was DJ and I

0:56:48.239 --> 0:56:51.319
<v Speaker 5>don't know what he was, but he came in the.

0:56:51.360 --> 0:56:55.680
<v Speaker 3>Nick of time. It was like, and these club DJ

0:56:57.719 --> 0:57:04.479
<v Speaker 3>D Nice and he comes right yo, Bron.

0:57:04.640 --> 0:57:07.319
<v Speaker 2>There we go a lot of history this year, this

0:57:07.400 --> 0:57:09.719
<v Speaker 2>year to quarantine. He changed the game with that.

0:57:09.800 --> 0:57:12.080
<v Speaker 3>Oh my cousins, people magazines. One of the people of

0:57:12.160 --> 0:57:14.640
<v Speaker 3>the end. But that's why you can never give up process.

0:57:14.920 --> 0:57:15.560
<v Speaker 3>You got the trust.

0:57:15.600 --> 0:57:17.520
<v Speaker 5>I mean, listen, you know me and you were talking

0:57:18.200 --> 0:57:20.800
<v Speaker 5>earlier about KR Ris one and down production.

0:57:22.160 --> 0:57:25.000
<v Speaker 3>D Nice fifteen years old. They call me D Nice

0:57:27.200 --> 0:57:27.880
<v Speaker 3>already there you go.

0:57:28.600 --> 0:57:32.080
<v Speaker 5>You know D Nice has been hanging around the game

0:57:32.240 --> 0:57:35.840
<v Speaker 5>for years, and it was such a you know, it

0:57:35.960 --> 0:57:39.640
<v Speaker 5>just touched my heart to see that this man finally

0:57:39.720 --> 0:57:43.600
<v Speaker 5>got the accolades he deserves and to seeing winning on

0:57:43.600 --> 0:57:45.760
<v Speaker 5>the level that he's winning now, you know.

0:57:46.360 --> 0:57:48.600
<v Speaker 3>But but this is what Pete and I'm sorry. People

0:57:48.720 --> 0:57:53.520
<v Speaker 3>think you just get into the game and and and blow.

0:57:54.160 --> 0:58:03.000
<v Speaker 5>And maybe in your case that's true, maybe else case true.

0:58:03.480 --> 0:58:08.640
<v Speaker 5>But there's no such thing as an overnight success. It

0:58:08.880 --> 0:58:11.800
<v Speaker 5>just ain't and and and and when you see people

0:58:12.120 --> 0:58:15.439
<v Speaker 5>finally get to where they're going, it's no different than

0:58:15.520 --> 0:58:18.400
<v Speaker 5>Cali Kalid have been putting out hits for years and

0:58:18.520 --> 0:58:21.160
<v Speaker 5>years and years and years and then finally it was

0:58:21.200 --> 0:58:24.200
<v Speaker 5>his time. So don't think that people just blow overnight,

0:58:24.280 --> 0:58:26.840
<v Speaker 5>because they don't. They've been putting in work for years.

0:58:26.960 --> 0:58:29.520
<v Speaker 4>I gotta this is from a hip hop historian, And

0:58:29.560 --> 0:58:32.880
<v Speaker 4>I'm wondering, right because obviously before you started this there

0:58:32.920 --> 0:58:33.400
<v Speaker 4>was nothing.

0:58:33.480 --> 0:58:35.960
<v Speaker 3>So what did it mean to some of the older.

0:58:35.720 --> 0:58:39.560
<v Speaker 4>Guys, the red Alerts, the cool herds, the chuck chillout

0:58:39.640 --> 0:58:42.120
<v Speaker 4>of the world, Like, what did they what were their

0:58:42.160 --> 0:58:45.520
<v Speaker 4>thoughts in response to this man?

0:58:45.560 --> 0:58:49.320
<v Speaker 5>You're asking great questions, You're asking such great questions.

0:58:50.520 --> 0:58:51.160
<v Speaker 3>Red Alert.

0:58:52.360 --> 0:58:55.680
<v Speaker 5>You know, I idolized that man I grew up listening to

0:58:55.800 --> 0:59:01.120
<v Speaker 5>Red Red Alert is the only person that me showing

0:59:01.960 --> 0:59:07.280
<v Speaker 5>ever named an award after. So I named for all

0:59:07.320 --> 0:59:10.479
<v Speaker 5>of the older DJs who are still doing their things,

0:59:10.520 --> 0:59:13.200
<v Speaker 5>the legend. I was like, Yo, the word legend has

0:59:13.240 --> 0:59:15.320
<v Speaker 5>a connotation to it. So thanks for calling me a

0:59:15.400 --> 0:59:18.560
<v Speaker 5>legend at the beginning of the show. I appreciate that

0:59:18.600 --> 0:59:21.040
<v Speaker 5>it make you feel like like Yo, you olding out

0:59:21.080 --> 0:59:25.440
<v Speaker 5>the game. But for all of the guys who are

0:59:25.520 --> 0:59:28.160
<v Speaker 5>still doing their thing, but they might not be the

0:59:28.320 --> 0:59:31.360
<v Speaker 5>young you know, DJs who are who are now moving,

0:59:32.000 --> 0:59:36.280
<v Speaker 5>I named that award the Red Award, so you know,

0:59:36.680 --> 0:59:40.120
<v Speaker 5>every year we're able to give some of the old

0:59:40.160 --> 0:59:44.920
<v Speaker 5>you know, whether it's yeah, all of those guys. If

0:59:45.040 --> 0:59:47.280
<v Speaker 5>you if you're doing your thing, you get to rid

0:59:47.600 --> 0:59:51.439
<v Speaker 5>the Red Award. But to answer your question, Global Spin

0:59:51.520 --> 0:59:57.040
<v Speaker 5>Awards won. It was a disaster. It was a nightmare.

0:59:57.480 --> 1:00:00.160
<v Speaker 5>I didn't know what I was doing. As much as

1:00:00.000 --> 1:00:04.800
<v Speaker 5>as prepared as we thought we was, we wasn't. It

1:00:04.840 --> 1:00:08.360
<v Speaker 5>was Murphy's law. Everything that could go wrong went wrong

1:00:09.000 --> 1:00:10.960
<v Speaker 5>and a lot. And what I came to learn is

1:00:11.960 --> 1:00:15.920
<v Speaker 5>nobody wants to lose publicly. So a lot of the

1:00:15.960 --> 1:00:19.560
<v Speaker 5>younger DJs didn't show even though they was nominated. They

1:00:19.640 --> 1:00:21.120
<v Speaker 5>was like, yo, it's a chance I'm gonna take an

1:00:21.280 --> 1:00:24.800
<v Speaker 5>l publicly, so I'm just if I win, great showing

1:00:24.840 --> 1:00:28.960
<v Speaker 5>mail me my trophy. But it was the older guys,

1:00:29.520 --> 1:00:33.920
<v Speaker 5>so being in the building and seeing the the you know,

1:00:34.000 --> 1:00:36.800
<v Speaker 5>the Chucks of the world, to.

1:00:36.920 --> 1:00:40.840
<v Speaker 3>See the Jazzies of the world, to see.

1:00:40.960 --> 1:00:44.040
<v Speaker 5>Red Alert and just all of it, you know, grand

1:00:44.080 --> 1:00:47.880
<v Speaker 5>Master Flash, all of these guys who really set it

1:00:47.920 --> 1:00:50.560
<v Speaker 5>off for this culture that we call hip hop cool

1:00:50.640 --> 1:00:55.560
<v Speaker 5>hurt all in the building. It was those guys who

1:00:55.640 --> 1:00:59.240
<v Speaker 5>all showed up on year one and it made all

1:00:59.280 --> 1:01:02.760
<v Speaker 5>of the young eyes come on year two because those

1:01:02.800 --> 1:01:05.480
<v Speaker 5>were their idols. That's why they started to spend to

1:01:05.560 --> 1:01:08.240
<v Speaker 5>begin with. So yes, it meant a lot. And it's

1:01:08.280 --> 1:01:12.520
<v Speaker 5>crazy because I'm such a perfectionist. And when Global Spin

1:01:12.560 --> 1:01:17.720
<v Speaker 5>Awards was over, you know, I was throwing chairs. I

1:01:18.640 --> 1:01:21.720
<v Speaker 5>was like I wanted to like I was tearing stuff up,

1:01:21.800 --> 1:01:23.480
<v Speaker 5>like you don't even want to see me the day

1:01:23.600 --> 1:01:26.439
<v Speaker 5>after or the two weeks after Global Spin Awards because

1:01:26.480 --> 1:01:29.880
<v Speaker 5>every you know, you're doing a live show, it goes wrong.

1:01:30.680 --> 1:01:33.880
<v Speaker 5>But it was read Alert who went up on that

1:01:33.960 --> 1:01:38.520
<v Speaker 5>stage that night. He said, Prayers, what you doing here?

1:01:39.080 --> 1:01:43.080
<v Speaker 5>You gotta continue this, You have to continue this. And

1:01:43.120 --> 1:01:46.720
<v Speaker 5>it was it was words like that from a lot

1:01:46.720 --> 1:01:49.440
<v Speaker 5>of the ogs that I looked up to. That that

1:01:49.640 --> 1:01:52.760
<v Speaker 5>gave me the courage to go out there and fall

1:01:52.800 --> 1:01:55.600
<v Speaker 5>on my face year two, fall on my face year three,

1:01:55.640 --> 1:01:57.720
<v Speaker 5>and by year four we was off to the races.

1:01:57.920 --> 1:01:58.680
<v Speaker 3>Me let me ask you this.

1:02:00.280 --> 1:02:03.480
<v Speaker 2>Shows and the Grammys, and every year somebody gets snubbed,

1:02:03.520 --> 1:02:05.800
<v Speaker 2>and it's a whole big thing. What do you think,

1:02:06.400 --> 1:02:10.120
<v Speaker 2>Why why do black artists put so much creed in

1:02:10.200 --> 1:02:12.080
<v Speaker 2>validation and white award shows.

1:02:13.640 --> 1:02:15.160
<v Speaker 3>Well, let's just face it.

1:02:15.280 --> 1:02:18.720
<v Speaker 5>Number one, the Grammys are the Grammys, Like that is

1:02:18.760 --> 1:02:24.240
<v Speaker 5>the biggest awards ceremony for music artists out there. So

1:02:25.480 --> 1:02:27.919
<v Speaker 5>I don't know if it's a white thing a black thing,

1:02:29.200 --> 1:02:33.240
<v Speaker 5>if that is the gold standard, you want to win

1:02:33.240 --> 1:02:35.880
<v Speaker 5>a Grammy, you grow up wanting to win a Grammy.

1:02:35.960 --> 1:02:38.680
<v Speaker 5>Now we're seeing now the Grammys are getting a lot

1:02:38.760 --> 1:02:42.400
<v Speaker 5>of pushback. They're getting a lot of people coming forth

1:02:42.480 --> 1:02:46.040
<v Speaker 5>saying the Grammys are out of touch, they're irrelevant, they're

1:02:46.080 --> 1:02:48.360
<v Speaker 5>not supporting like the biggest artists on a planet.

1:02:48.480 --> 1:02:49.840
<v Speaker 3>Drake is like, yo, I'm not going.

1:02:49.720 --> 1:02:51.760
<v Speaker 2>To that, but I feel like it's only a black

1:02:51.840 --> 1:02:53.640
<v Speaker 2>artist that can plain though. Like even if you look

1:02:53.640 --> 1:02:56.480
<v Speaker 2>at the Oscars, right, Jackie Chan never won an Oscar,

1:02:56.520 --> 1:02:58.480
<v Speaker 2>but he makes so much money. The guy made like

1:02:58.520 --> 1:03:00.560
<v Speaker 2>forty million dollars like two years ago. Nobody even knew

1:03:00.600 --> 1:03:02.560
<v Speaker 2>he put out a movie. I never heard Jackie Chan

1:03:02.720 --> 1:03:04.920
<v Speaker 2>like trying to boycott the Oscars, like they think it's

1:03:04.920 --> 1:03:07.560
<v Speaker 2>our culture. Man, I think it's no. I'm not gonna

1:03:07.560 --> 1:03:10.480
<v Speaker 2>say it's black or white because you don't see this

1:03:12.200 --> 1:03:14.200
<v Speaker 2>on the Hollywood side on film.

1:03:14.560 --> 1:03:15.280
<v Speaker 3>You don't see this.

1:03:15.560 --> 1:03:18.840
<v Speaker 2>Will Smith I remember he had an issue with the Oscars. Oscars,

1:03:19.040 --> 1:03:25.040
<v Speaker 2>but he's very very diplomatic. You don't see them coming

1:03:25.160 --> 1:03:28.120
<v Speaker 2>as hard as the rappers coming. I think it might

1:03:28.240 --> 1:03:32.480
<v Speaker 2>be more of a rap culture, which is very outspoken,

1:03:33.240 --> 1:03:34.840
<v Speaker 2>as opposed to just black and white.

1:03:34.880 --> 1:03:37.440
<v Speaker 4>I could be wrong, but yeah, I mean the eleatic

1:03:37.520 --> 1:03:39.680
<v Speaker 4>part about it is like, yeah, we'll do that.

1:03:39.720 --> 1:03:41.560
<v Speaker 3>But when you get nominated for a BT, well, you

1:03:41.560 --> 1:03:43.640
<v Speaker 3>don't show up. You know what I'm saying. When you

1:03:43.640 --> 1:03:44.960
<v Speaker 3>do what the Soul training was, you don't go.

1:03:45.600 --> 1:03:49.000
<v Speaker 4>And it's like we said this like on episode too man,

1:03:49.200 --> 1:03:51.040
<v Speaker 4>disable the accolades make the most money.

1:03:51.080 --> 1:03:52.560
<v Speaker 3>You can be smart about it and invested.

1:03:52.920 --> 1:03:54.400
<v Speaker 4>You know what I'm saying, Like, there's no need for

1:03:54.440 --> 1:03:57.600
<v Speaker 4>somebody that to validate you. Like I told Christy, I'm like, yo, bro,

1:03:58.040 --> 1:03:59.680
<v Speaker 4>little Baby got the best albums, yere, I don't care

1:03:59.680 --> 1:04:00.560
<v Speaker 4>what anybody says.

1:04:00.760 --> 1:04:03.920
<v Speaker 5>Yeah, but you want to know something. It's human nature

1:04:03.960 --> 1:04:09.000
<v Speaker 5>to want to be validated. That that's why people come

1:04:09.040 --> 1:04:12.960
<v Speaker 5>to y'all show, because you guys are shining a spotlight

1:04:13.040 --> 1:04:15.600
<v Speaker 5>on people who would be otherwise looked over. Now they

1:04:15.680 --> 1:04:18.360
<v Speaker 5>might be rich, and they might be doing their thing,

1:04:18.560 --> 1:04:20.920
<v Speaker 5>and they might have made it out the hood, but

1:04:21.000 --> 1:04:27.960
<v Speaker 5>you guys are putting a new spin on education or

1:04:28.120 --> 1:04:30.920
<v Speaker 5>on people who otherwise play the background.

1:04:31.000 --> 1:04:32.439
<v Speaker 2>No, that's a very true point, and it's a great

1:04:32.480 --> 1:04:34.840
<v Speaker 2>networking tool for interviews. And I learned that early on.

1:04:35.440 --> 1:04:37.360
<v Speaker 2>Was that, like you said, somebody could be a real

1:04:37.440 --> 1:04:40.600
<v Speaker 2>estate developer and they might be a millionaire, but nobody

1:04:40.600 --> 1:04:43.959
<v Speaker 2>knows them exactly. Nobody, deep down, everybody has some level

1:04:43.960 --> 1:04:48.160
<v Speaker 2>of vanity. Everybody wants to be acknowledged. Everybody, nobody doesn't

1:04:48.360 --> 1:04:51.160
<v Speaker 2>want somebody to know who they are for the most part,

1:04:51.600 --> 1:04:53.880
<v Speaker 2>So yeah, I could see it both ways. I can

1:04:53.920 --> 1:04:56.320
<v Speaker 2>see it both ways. I just think that at a

1:04:56.320 --> 1:04:58.400
<v Speaker 2>certain point you just got to come to realization that

1:04:58.440 --> 1:05:01.160
<v Speaker 2>the Grammy's been out of touch for thirty years, like like.

1:05:01.440 --> 1:05:04.680
<v Speaker 3>Nothing's nothing new. Awards in nineteen nine. Yeah, it's nothing,

1:05:04.680 --> 1:05:05.360
<v Speaker 3>it's nothing new.

1:05:05.800 --> 1:05:08.000
<v Speaker 2>But let me ask you this another DJ question, because

1:05:08.000 --> 1:05:09.680
<v Speaker 2>when we look at I looked at the Forbes list,

1:05:09.760 --> 1:05:12.640
<v Speaker 2>like the last twenty eighteen, twenty nineteen. Obviously this year

1:05:13.280 --> 1:05:16.120
<v Speaker 2>is uh, you know, a crazy year because of COVID.

1:05:16.200 --> 1:05:19.720
<v Speaker 2>But so the top DJs was Chain Smokers made forty

1:05:19.720 --> 1:05:24.200
<v Speaker 2>six million, Marsh Mellow Mellow forty million, Calvin Harris made

1:05:24.200 --> 1:05:27.120
<v Speaker 2>thirty eight millions, Steve Aoki made thirty million, Diplo made

1:05:27.120 --> 1:05:31.640
<v Speaker 2>twenty five million, Testo made twenty four Yes, Tiesto, Martin

1:05:32.280 --> 1:05:36.200
<v Speaker 2>Garreks Garrick's made nineteen million, and David Getta get A

1:05:36.560 --> 1:05:39.840
<v Speaker 2>made eighteen million. So first, that's a lot of money.

1:05:39.960 --> 1:05:43.160
<v Speaker 2>What year were talking year twenty eighteen, twenty nineteen, they

1:05:43.240 --> 1:05:44.160
<v Speaker 2>still making that money?

1:05:44.240 --> 1:05:44.479
<v Speaker 3>Yeah?

1:05:44.720 --> 1:05:46.800
<v Speaker 5>Yeah, I thought you was gonna say, because they was

1:05:46.800 --> 1:05:49.040
<v Speaker 5>making that kind of money in fourteen fifteen.

1:05:49.120 --> 1:05:50.400
<v Speaker 3>Yeah, that's the sixteen.

1:05:50.000 --> 1:05:53.479
<v Speaker 2>That's that's from June twenty eighteen to June twenty nineteen. Okay,

1:05:53.520 --> 1:05:56.120
<v Speaker 2>go ahead, So all right, a few things strike my

1:05:56.120 --> 1:05:59.480
<v Speaker 2>attention here. Ay, that's a lot of money. B DJ

1:05:59.640 --> 1:06:03.080
<v Speaker 2>and DJing is started with hip hop. That's a hip

1:06:03.080 --> 1:06:06.720
<v Speaker 2>hop thing, started in the Bronx with Spanish and black people.

1:06:06.800 --> 1:06:09.880
<v Speaker 2>That's that's just a fact. Nobody on that list is black,

1:06:10.400 --> 1:06:12.920
<v Speaker 2>even though DJ started at that. So now the d

1:06:13.120 --> 1:06:18.400
<v Speaker 2>M has taken over. So where where did what happened?

1:06:18.440 --> 1:06:22.200
<v Speaker 2>Because a lot of especially a lot of hip hop DJs,

1:06:22.280 --> 1:06:25.880
<v Speaker 2>they struggle financially, they do a lot of clubs, and

1:06:25.960 --> 1:06:28.640
<v Speaker 2>the clubs scenes diminishes.

1:06:28.160 --> 1:06:30.840
<v Speaker 3>Kind of over you know, warded.

1:06:31.080 --> 1:06:35.640
<v Speaker 2>And I'm just wondering your perspective, like do you see

1:06:35.640 --> 1:06:38.640
<v Speaker 2>an issue with that, Like there's no there's no even

1:06:38.760 --> 1:06:42.320
<v Speaker 2>like the top DJs aren't making this kind of money.

1:06:44.040 --> 1:06:48.320
<v Speaker 5>Answer your question, you're damn right, I see, Like yeah,

1:06:48.520 --> 1:06:55.800
<v Speaker 5>like it's it's it's egregious, it's disgusting. You know, I

1:06:56.080 --> 1:06:58.520
<v Speaker 5>can tell you even with the Global Spin Awards, right,

1:07:00.040 --> 1:07:05.040
<v Speaker 5>I remember Brands telling me, oh, we can't sponsor this

1:07:05.200 --> 1:07:08.919
<v Speaker 5>because you don't have some of the people on that list.

1:07:08.960 --> 1:07:11.160
<v Speaker 3>I won't name names.

1:07:11.200 --> 1:07:15.560
<v Speaker 5>Oh it's not mainstream enough because you don't have some

1:07:15.600 --> 1:07:19.920
<v Speaker 5>of those names, And I'm like, what, which made me

1:07:20.800 --> 1:07:24.880
<v Speaker 5>even more furious to go out there and make this

1:07:25.000 --> 1:07:29.160
<v Speaker 5>the biggest award show for what I know to be.

1:07:30.880 --> 1:07:35.160
<v Speaker 3>Those DJ's favorite DJ. So when I hear those.

1:07:34.960 --> 1:07:38.920
<v Speaker 5>Type of numbers, it is a slap in the face

1:07:39.920 --> 1:07:43.880
<v Speaker 5>to all of the real And I don't want to

1:07:43.920 --> 1:07:47.440
<v Speaker 5>diss nobody, but it's crazy because you see some of

1:07:47.440 --> 1:07:50.080
<v Speaker 5>the people on that list I won't call names, and

1:07:51.480 --> 1:07:55.240
<v Speaker 5>they look like they're playing records and then they leave

1:07:55.280 --> 1:07:56.920
<v Speaker 5>the stage and the records is still.

1:07:58.720 --> 1:08:00.280
<v Speaker 3>That's the mind boggling part is I'm crazy.

1:08:00.320 --> 1:08:02.439
<v Speaker 4>I'm thinking to myself, like I've seen a Marshmallow before,

1:08:02.440 --> 1:08:04.520
<v Speaker 4>I've seen a Calvin Harris and I'm like, yo, you're

1:08:04.520 --> 1:08:04.920
<v Speaker 4>telling me.

1:08:05.040 --> 1:08:08.000
<v Speaker 3>DJ Scratch can't do that to an arena. He would

1:08:08.000 --> 1:08:08.680
<v Speaker 3>tear arena down.

1:08:08.720 --> 1:08:11.160
<v Speaker 4>He would like Swiss and Mustard, all these guys and

1:08:11.200 --> 1:08:13.520
<v Speaker 4>even like all these new guys like they could do that.

1:08:13.600 --> 1:08:16.120
<v Speaker 4>I'm just wondering, is it that we lack the vision

1:08:16.640 --> 1:08:18.840
<v Speaker 4>of a large scale situation, because like I'm even like

1:08:18.920 --> 1:08:20.719
<v Speaker 4>cald like I've seen kal It open up for Beyonce

1:08:20.840 --> 1:08:23.320
<v Speaker 4>on a number of toys. I'm thinking, like, Yo, Callen

1:08:23.400 --> 1:08:26.400
<v Speaker 4>has enough catalog that he could be the headline for

1:08:26.479 --> 1:08:29.759
<v Speaker 4>an arena himself, if not a stadium at this point.

1:08:30.160 --> 1:08:32.960
<v Speaker 3>So is it the lack of vision or I think

1:08:32.960 --> 1:08:33.840
<v Speaker 3>it's all above it.

1:08:33.880 --> 1:08:36.880
<v Speaker 5>I think it's it's somewhat lack of vision. And then

1:08:36.920 --> 1:08:46.919
<v Speaker 5>it goes into what I was saying, you know, twenty twenty, twenty, nineteen,

1:08:47.080 --> 1:08:53.120
<v Speaker 5>twenty eighteen seventeen, ever since that that orange head dude

1:08:53.600 --> 1:08:58.679
<v Speaker 5>got into office, he did so much for black people

1:08:59.000 --> 1:09:01.839
<v Speaker 5>that black people don't even realize. He put a battery

1:09:01.840 --> 1:09:06.800
<v Speaker 5>in our back like nobody else, like what like, like

1:09:07.600 --> 1:09:11.320
<v Speaker 5>you don't respect us, So we're gonna respect ourselves in

1:09:11.360 --> 1:09:12.519
<v Speaker 5>a whole different way.

1:09:12.560 --> 1:09:15.280
<v Speaker 3>And then it becomes the birth of stuff.

1:09:15.000 --> 1:09:19.200
<v Speaker 5>Like eyl and buy Black and people having pride in

1:09:19.240 --> 1:09:22.800
<v Speaker 5>who they are, like don't you ever look down on us?

1:09:22.920 --> 1:09:23.080
<v Speaker 3>Right?

1:09:23.760 --> 1:09:29.920
<v Speaker 5>So I think me having been through this, the powers

1:09:29.960 --> 1:09:33.280
<v Speaker 5>that be don't want to put the money. They don't

1:09:33.320 --> 1:09:37.439
<v Speaker 5>see the value in our people the way that they

1:09:37.520 --> 1:09:39.680
<v Speaker 5>see the value in some of the people who you

1:09:39.920 --> 1:09:44.080
<v Speaker 5>just read off that paper. And if they're writing the checks,

1:09:44.680 --> 1:09:48.559
<v Speaker 5>you know, and number one, if they're writing the checks,

1:09:48.560 --> 1:09:53.439
<v Speaker 5>but also if our DJs are making five thousand dollars,

1:09:54.040 --> 1:09:56.639
<v Speaker 5>and that means you're doing better than ninety percent of.

1:09:56.600 --> 1:09:57.360
<v Speaker 3>The other DJs.

1:09:57.400 --> 1:10:00.559
<v Speaker 5>If you're making ten thousand dollars a set and you're

1:10:00.600 --> 1:10:03.480
<v Speaker 5>doing better than ninety nine percent of the other DJs,

1:10:03.960 --> 1:10:06.720
<v Speaker 5>you gotta really have a broader vision to be like yo,

1:10:06.840 --> 1:10:08.000
<v Speaker 5>no way limits.

1:10:08.200 --> 1:10:09.760
<v Speaker 4>And I think I think that's why what d Knights

1:10:09.800 --> 1:10:12.400
<v Speaker 4>did over the Quarantine is going when this thing opens

1:10:12.439 --> 1:10:16.440
<v Speaker 4>back up, I could see him getting it sould Arena

1:10:16.600 --> 1:10:18.479
<v Speaker 4>right because as he should. As he should because we

1:10:18.560 --> 1:10:20.800
<v Speaker 4>literally watched him rock out. I'll never forget the first

1:10:20.840 --> 1:10:23.360
<v Speaker 4>time he did it in March, rocked out for eleven

1:10:23.400 --> 1:10:26.679
<v Speaker 4>hours straight and turn the world back on the Instagram

1:10:26.720 --> 1:10:29.920
<v Speaker 4>live or on the Instagram live, and it was like Yo, wow, I.

1:10:29.920 --> 1:10:31.320
<v Speaker 2>Mean it's like I said, it's just what it's like,

1:10:31.400 --> 1:10:33.719
<v Speaker 2>rock and roll anything like you started it, it should

1:10:33.720 --> 1:10:36.760
<v Speaker 2>at least be black, some black DJs in the time.

1:10:36.800 --> 1:10:39.800
<v Speaker 2>There's no way that you have a DJ list of

1:10:39.880 --> 1:10:42.200
<v Speaker 2>highest paid DJs, and there's not where that's where it

1:10:42.240 --> 1:10:45.599
<v Speaker 2>started from. There would be no DJing without hip hop.

1:10:45.880 --> 1:10:50.559
<v Speaker 5>But but you know that, but think of Becky, who

1:10:50.760 --> 1:10:56.120
<v Speaker 5>is a thirty year old thirty five year old executive

1:10:57.040 --> 1:11:01.479
<v Speaker 5>that comes from des Moines, Iowa, or comes like she

1:11:01.600 --> 1:11:05.320
<v Speaker 5>didn't grow up in the same space that you grew up.

1:11:05.520 --> 1:11:07.600
<v Speaker 5>She didn't grow up in the same environment that you

1:11:07.720 --> 1:11:12.120
<v Speaker 5>grew up. So her value that she places when she

1:11:12.400 --> 1:11:15.680
<v Speaker 5>has a fifty hundred thousand dollars check to cut to

1:11:15.760 --> 1:11:22.800
<v Speaker 5>a DJ to do the annual Christmas party for X Corporation,

1:11:23.920 --> 1:11:28.040
<v Speaker 5>do you think she sees the same value in you know? Now,

1:11:28.080 --> 1:11:30.640
<v Speaker 5>she'll see it in d Night because he's mainstream. But

1:11:30.720 --> 1:11:33.920
<v Speaker 5>she ain't cutting that check to none of these other

1:11:34.040 --> 1:11:37.360
<v Speaker 5>guys who are so deservant of it. And you know,

1:11:37.479 --> 1:11:40.880
<v Speaker 5>if you have the check writers who don't come from

1:11:40.920 --> 1:11:43.679
<v Speaker 5>the culture and don't respect.

1:11:44.360 --> 1:11:46.960
<v Speaker 3>They love it, but they're not from it.

1:11:47.439 --> 1:11:49.439
<v Speaker 5>They want to partake in it and go to the

1:11:49.439 --> 1:11:52.280
<v Speaker 5>clubs and dance to all the hot hip hop, but

1:11:52.320 --> 1:11:56.160
<v Speaker 5>they don't necessarily want to hang out with nobody who

1:11:56.240 --> 1:12:00.760
<v Speaker 5>looks like you, me or you. They're like, nah, like

1:12:00.960 --> 1:12:06.240
<v Speaker 5>I know tes, I know Martin Garrick's, I know marsh Mellow.

1:12:06.600 --> 1:12:08.800
<v Speaker 5>Those are the people who I want to come and

1:12:08.920 --> 1:12:13.120
<v Speaker 5>DJ our party because everybody who's in this party knows them,

1:12:13.280 --> 1:12:15.720
<v Speaker 5>grew up on them.

1:12:15.800 --> 1:12:19.400
<v Speaker 4>Yeah, the Nice Man, the original shout to all the originals,

1:12:19.479 --> 1:12:21.799
<v Speaker 4>d Nice, Clark clamp By, Fido Stretch.

1:12:22.640 --> 1:12:28.120
<v Speaker 3>Who am I missing Stretch on Strong Bardo? That's it right? No, no, no, no,

1:12:28.640 --> 1:12:33.240
<v Speaker 3>rich Tony Tones in it. We went. We actually went

1:12:33.240 --> 1:12:35.400
<v Speaker 3>to one of their shows. Man, So it's rich Nice

1:12:35.439 --> 1:12:36.960
<v Speaker 3>one of of I think.

1:12:37.920 --> 1:12:40.519
<v Speaker 4>I think, I think original, original, original, I think so,

1:12:40.600 --> 1:12:42.040
<v Speaker 4>I think it's I think.

1:12:42.080 --> 1:12:44.960
<v Speaker 3>If he's not, he's always standing in with us.

1:12:44.960 --> 1:12:46.960
<v Speaker 2>Salute to all the DJ's. I got one last DJ

1:12:47.080 --> 1:12:49.639
<v Speaker 2>question before we transition to to where you're at now

1:12:49.640 --> 1:12:53.519
<v Speaker 2>in life, DJ call this was it's actually a rock commercial.

1:12:54.320 --> 1:12:55.760
<v Speaker 2>It was a great commercial when he said I had

1:12:55.760 --> 1:12:57.640
<v Speaker 2>a choice, and it showed like his journey fro when

1:12:57.640 --> 1:12:59.920
<v Speaker 2>he started things like I could be the biggest radio DJ,

1:13:00.040 --> 1:13:03.080
<v Speaker 2>I could be the biggest DJ. A lot of people

1:13:03.080 --> 1:13:05.360
<v Speaker 2>give Calent pushback because they feel, like, you know, for

1:13:05.400 --> 1:13:08.840
<v Speaker 2>a variety of different reasons. But I think it's safe

1:13:08.840 --> 1:13:11.559
<v Speaker 2>to say he's the biggest DJ hip hop history. Is

1:13:11.600 --> 1:13:12.240
<v Speaker 2>that safe to say?

1:13:12.400 --> 1:13:13.720
<v Speaker 3>It's safe? Yep?

1:13:13.760 --> 1:13:19.919
<v Speaker 2>Michael Jordan and DJU.

1:13:18.240 --> 1:13:20.080
<v Speaker 3>And if we're talking, if we are.

1:13:20.080 --> 1:13:24.280
<v Speaker 5>All around just worldwide mainstream, what he did what he

1:13:24.320 --> 1:13:26.120
<v Speaker 5>did with not not not here.

1:13:25.960 --> 1:13:27.479
<v Speaker 3>In New York, not in l A.

1:13:27.680 --> 1:13:32.880
<v Speaker 5>If you're talking Kalen walks into an event next to

1:13:33.400 --> 1:13:34.160
<v Speaker 5>every other DJ.

1:13:34.400 --> 1:13:36.400
<v Speaker 3>Oh, he's the most recognized, He's the most he is

1:13:36.600 --> 1:13:38.000
<v Speaker 3>the celebrity, he's the a lister.

1:13:39.400 --> 1:13:48.800
<v Speaker 2>Bar social media chan, snapchat champ changed his life. Fact. Yeah,

1:13:48.840 --> 1:13:52.360
<v Speaker 2>it's a powerful tool man. So let's talk about motivational speaking.

1:13:53.160 --> 1:13:55.280
<v Speaker 2>How did you become How did you get into that?

1:13:55.800 --> 1:13:59.360
<v Speaker 2>Because it's like, all right, you start from music doing

1:13:59.400 --> 1:14:02.439
<v Speaker 2>the wards old marketing. At what point do you pivot

1:14:02.479 --> 1:14:03.760
<v Speaker 2>and say I have a story to tell and I

1:14:03.760 --> 1:14:05.960
<v Speaker 2>can motivate people. How does that come about?

1:14:07.000 --> 1:14:11.120
<v Speaker 5>Another great question. It didn't come about the way you

1:14:11.120 --> 1:14:12.880
<v Speaker 5>would think it would come about.

1:14:13.240 --> 1:14:17.800
<v Speaker 3>It came about me again.

1:14:19.320 --> 1:14:23.840
<v Speaker 5>Listening to this inner voice, and I am unable to

1:14:23.920 --> 1:14:27.080
<v Speaker 5>shake it off. When God talks to me, it doesn't

1:14:27.120 --> 1:14:31.200
<v Speaker 5>matter how bad I don't want to listen. It starts

1:14:31.200 --> 1:14:34.400
<v Speaker 5>as a whisper and it becomes a smack across my head.

1:14:35.320 --> 1:14:42.320
<v Speaker 5>So I'm doing my marketing thing. We got all kinds

1:14:42.320 --> 1:14:48.360
<v Speaker 5>of clients making tons of money. I am you know

1:14:49.200 --> 1:14:53.599
<v Speaker 5>a music industry that there's not too many rooms I

1:14:53.640 --> 1:14:58.719
<v Speaker 5>can't get into. And I would sit at my desk.

1:14:58.760 --> 1:15:00.479
<v Speaker 5>I would go to work, go to the office, and

1:15:00.479 --> 1:15:05.080
<v Speaker 5>I would sit at my desk and I felt incomplete.

1:15:06.120 --> 1:15:09.479
<v Speaker 5>I felt this, this.

1:15:09.360 --> 1:15:10.080
<v Speaker 3>Can't be life.

1:15:10.960 --> 1:15:15.760
<v Speaker 5>Meanwhile, I got a staff that you know, they look

1:15:15.840 --> 1:15:18.960
<v Speaker 5>I'm the leader. I pay you know, their bills. They're

1:15:18.960 --> 1:15:22.439
<v Speaker 5>paying their bills because of checks that I create. And

1:15:24.080 --> 1:15:27.880
<v Speaker 5>I'm demotivated, and it's hard to fake for me. It's

1:15:27.920 --> 1:15:31.040
<v Speaker 5>so hard to fake motivation. It's so hard for me

1:15:31.240 --> 1:15:36.920
<v Speaker 5>to be anything but authentic and genuine. And I would

1:15:37.000 --> 1:15:40.640
<v Speaker 5>literally sit at my desk and I would listen to

1:15:42.640 --> 1:15:48.080
<v Speaker 5>Eric the hip hop preacher and the legend the Goat.

1:15:48.160 --> 1:15:50.439
<v Speaker 5>Yeah he's the legend, but the Goat. And I'm saying

1:15:50.479 --> 1:15:53.759
<v Speaker 5>that the guy who inspires me so much, Man, Inky Johnson,

1:15:53.920 --> 1:15:59.559
<v Speaker 5>I just spoke, is the best that every day Eric

1:15:59.600 --> 1:16:03.719
<v Speaker 5>has been. Yeah, but if y'all don't know Inky Johnson,

1:16:03.960 --> 1:16:08.240
<v Speaker 5>go and google this man. Inky Johnson saved my life.

1:16:08.720 --> 1:16:11.360
<v Speaker 5>And I would sit there with my headphones on because

1:16:11.560 --> 1:16:15.519
<v Speaker 5>when you have a staff, you have to you lead

1:16:15.600 --> 1:16:19.320
<v Speaker 5>by example, right, So I can't come in there dragon

1:16:19.439 --> 1:16:25.040
<v Speaker 5>And you know, people see the boss like he's slacking,

1:16:25.960 --> 1:16:28.559
<v Speaker 5>so they might have thought I was listening to music,

1:16:29.080 --> 1:16:32.240
<v Speaker 5>but I was really listening to Inky, and I would

1:16:32.280 --> 1:16:34.880
<v Speaker 5>listen to Eric, and I was trying to find motivation.

1:16:36.240 --> 1:16:40.559
<v Speaker 5>And right around the time that that was happening, I

1:16:40.600 --> 1:16:44.000
<v Speaker 5>started to see life different. You get in your forties

1:16:44.680 --> 1:16:49.200
<v Speaker 5>and you start to realize there's more to this life

1:16:49.240 --> 1:16:52.439
<v Speaker 5>than making money. It's more to this life. Like I

1:16:52.520 --> 1:16:56.439
<v Speaker 5>love what y'all are doing, but people who come on

1:16:56.479 --> 1:16:59.720
<v Speaker 5>your show should be talking like, yes, you want to

1:16:59.720 --> 1:17:03.000
<v Speaker 5>be sessful, you want to make money, but it's more

1:17:03.040 --> 1:17:07.919
<v Speaker 5>to life than that. And I'm from the South Bronx

1:17:08.800 --> 1:17:11.080
<v Speaker 5>and I would look because I spend I don't live

1:17:11.120 --> 1:17:13.519
<v Speaker 5>in the South Bronx anymore, but my church is in

1:17:13.600 --> 1:17:16.439
<v Speaker 5>the South Bronx. Still my family, all of my friends

1:17:16.479 --> 1:17:18.680
<v Speaker 5>I grew up with, and I would go and I

1:17:18.680 --> 1:17:21.439
<v Speaker 5>would see the hood, and I started to remember when

1:17:21.439 --> 1:17:23.560
<v Speaker 5>I was a child and when I had all of

1:17:23.600 --> 1:17:28.360
<v Speaker 5>these big dreams and I just had nobody whatsoever that

1:17:28.880 --> 1:17:32.599
<v Speaker 5>took me under their wing and mentored me and said, Sean,

1:17:32.680 --> 1:17:35.400
<v Speaker 5>you can make it out of this Bronx. Not because

1:17:35.400 --> 1:17:38.439
<v Speaker 5>they didn't want to, but they never made it out

1:17:38.479 --> 1:17:40.840
<v Speaker 5>the Bronx. They never knew nobody who made it out

1:17:40.880 --> 1:17:41.400
<v Speaker 5>the Bronx.

1:17:42.920 --> 1:17:43.720
<v Speaker 3>And as I was.

1:17:43.680 --> 1:17:48.040
<v Speaker 5>Sitting there and finally, you know, and this is the

1:17:48.080 --> 1:17:50.040
<v Speaker 5>longest story, I won't even go into it, but when

1:17:50.080 --> 1:17:54.679
<v Speaker 5>I finally started to answer the call, you know again,

1:17:54.840 --> 1:17:59.200
<v Speaker 5>it's trust the process. I was listening to these guys

1:17:59.840 --> 1:18:04.479
<v Speaker 5>to motivate me and to provide direction in education and

1:18:04.520 --> 1:18:07.960
<v Speaker 5>tell me, Sean, you can do it. I said, I

1:18:08.000 --> 1:18:11.160
<v Speaker 5>got to become the mentor that I never had to

1:18:11.640 --> 1:18:13.599
<v Speaker 5>because there's South Bronxes.

1:18:13.120 --> 1:18:14.120
<v Speaker 3>All over this world.

1:18:14.600 --> 1:18:18.240
<v Speaker 5>You know, we are from a very poor borough in

1:18:18.280 --> 1:18:21.040
<v Speaker 5>New York City. The South Bronx is the Bay Route,

1:18:21.160 --> 1:18:26.280
<v Speaker 5>like that is the poorest borough. But there's South Bronxes

1:18:26.560 --> 1:18:31.519
<v Speaker 5>in Michigan, There's South Bronxs, you know, in California. It's

1:18:31.560 --> 1:18:34.360
<v Speaker 5>all over the world. And I and I felt like

1:18:34.439 --> 1:18:36.160
<v Speaker 5>it was my responsibility.

1:18:37.800 --> 1:18:38.320
<v Speaker 3>I did it.

1:18:39.840 --> 1:18:43.679
<v Speaker 5>Maybe I can impact somebody's life and become that mentor

1:18:43.920 --> 1:18:44.960
<v Speaker 5>that I never had.

1:18:45.280 --> 1:18:46.719
<v Speaker 3>And that's what set me on the journey.

1:18:47.439 --> 1:18:51.720
<v Speaker 2>So right now you're speaking like to company schools, Like,

1:18:52.560 --> 1:18:53.360
<v Speaker 2>how does that work?

1:18:54.720 --> 1:18:59.080
<v Speaker 5>Well, I speak to companies, I speak to schools, I

1:18:59.120 --> 1:19:03.120
<v Speaker 5>speak on Instagram Live, I speak wherever I can, wherever

1:19:03.200 --> 1:19:07.920
<v Speaker 5>my voice can be heard. And I do it because

1:19:08.000 --> 1:19:11.040
<v Speaker 5>a lot of companies need people like me to come

1:19:11.080 --> 1:19:14.400
<v Speaker 5>in and rally the troops up. A lot of schools

1:19:14.520 --> 1:19:18.200
<v Speaker 5>need people like me to come in and speak to

1:19:18.240 --> 1:19:22.639
<v Speaker 5>the students and show them that this is greater than

1:19:22.640 --> 1:19:24.360
<v Speaker 5>a degree, because I know a lot of people who

1:19:24.400 --> 1:19:27.639
<v Speaker 5>have degrees, who are broke, who are unemployed, who ain't

1:19:27.640 --> 1:19:31.200
<v Speaker 5>figured it out. So I come in and I try

1:19:31.240 --> 1:19:34.960
<v Speaker 5>to speak to these students that, look, the paper is

1:19:35.000 --> 1:19:41.719
<v Speaker 5>one thing, but God gave you gifts that only you possess.

1:19:42.360 --> 1:19:44.360
<v Speaker 5>And I'm a firm believer in this. And maybe this

1:19:44.400 --> 1:19:47.320
<v Speaker 5>is where my cockiness and my ego comes into play.

1:19:48.120 --> 1:19:50.880
<v Speaker 5>But even when I was this intern, like I told y'all,

1:19:52.040 --> 1:19:56.639
<v Speaker 5>I knew couldn't nobody mess with me. But looking back

1:19:56.720 --> 1:20:03.559
<v Speaker 5>on it, it's because I all too me, Like we

1:20:03.760 --> 1:20:06.639
<v Speaker 5>all have these individual gifts that we have that make

1:20:06.760 --> 1:20:10.080
<v Speaker 5>us us. It is our own secret sauce. And if

1:20:10.200 --> 1:20:14.439
<v Speaker 5>you just tap into what your secret sauce, with your gift,

1:20:14.479 --> 1:20:17.439
<v Speaker 5>with the thing that you do better than anybody else

1:20:17.800 --> 1:20:21.599
<v Speaker 5>without trying at all, you have no choice but to win,

1:20:22.640 --> 1:20:23.400
<v Speaker 5>no choice.

1:20:23.960 --> 1:20:25.840
<v Speaker 4>So they can jack the swag, But the sauce is

1:20:25.920 --> 1:20:28.760
<v Speaker 4>so separately there you you know what I'm saying, and

1:20:28.800 --> 1:20:31.240
<v Speaker 4>that I mean, the Power move Makers is inspiring. I

1:20:31.320 --> 1:20:33.080
<v Speaker 4>watched a few of them, man, and one of the

1:20:34.320 --> 1:20:36.920
<v Speaker 4>clips that caught my attention, Man, they really grabbed me.

1:20:36.960 --> 1:20:39.519
<v Speaker 4>It was like, yes, you love Yankee Johnson, Yes you

1:20:39.560 --> 1:20:41.880
<v Speaker 4>love every the hip hop appreciator. But you said, Yo,

1:20:42.560 --> 1:20:45.320
<v Speaker 4>I'm coming for the crown, no question. That's the only

1:20:45.360 --> 1:20:47.640
<v Speaker 4>reason I'm getting in this thing. I want to be

1:20:47.720 --> 1:20:50.599
<v Speaker 4>the best. And if you not focus and have laser focus,

1:20:50.720 --> 1:20:53.240
<v Speaker 4>that's your key word right there, laser focus.

1:20:53.080 --> 1:20:54.920
<v Speaker 3>You shouldn't do it at all. You'll talk about that

1:20:54.920 --> 1:20:59.040
<v Speaker 3>little bit. Yeah, you know, maybe maybe you know.

1:20:59.160 --> 1:21:04.920
<v Speaker 5>I'm born to a alcoholic father, right And like I said,

1:21:04.960 --> 1:21:09.360
<v Speaker 5>I didn't have any mentors. My grandfather was the closest

1:21:09.400 --> 1:21:12.760
<v Speaker 5>thing to a mentor I had, but he never made

1:21:12.800 --> 1:21:15.920
<v Speaker 5>it further than the Bronx and down south. But he

1:21:16.040 --> 1:21:18.720
<v Speaker 5>taught me to be a man. But one of the

1:21:18.720 --> 1:21:24.200
<v Speaker 5>things he instilled in me was work, ethic and what

1:21:24.320 --> 1:21:27.200
<v Speaker 5>it was to become a man. And if you put

1:21:27.240 --> 1:21:30.240
<v Speaker 5>your mind to something, you go all out for it.

1:21:31.080 --> 1:21:34.559
<v Speaker 5>And for me, even now that I'm doing this speaking,

1:21:36.439 --> 1:21:41.000
<v Speaker 5>you think I'm worried about anybody else but eric An

1:21:41.000 --> 1:21:44.680
<v Speaker 5>Incy everybody else? Is it just in my way, Like, yo,

1:21:46.040 --> 1:21:48.800
<v Speaker 5>I'm not worried about Like, I don't care if y'all

1:21:48.800 --> 1:21:51.000
<v Speaker 5>making more money than me. Speaking right now, I don't

1:21:51.000 --> 1:21:53.040
<v Speaker 5>care if you got a bigger name than me, you

1:21:53.080 --> 1:21:57.080
<v Speaker 5>ain't in the top spot. I'm only focused on the

1:21:57.120 --> 1:22:01.639
<v Speaker 5>top spot. And would all do respect because I love

1:22:01.800 --> 1:22:04.040
<v Speaker 5>you know. I ain't never met Eric yet, I never

1:22:04.080 --> 1:22:07.360
<v Speaker 5>talked to him, but Inky is my guy, and with

1:22:07.560 --> 1:22:10.240
<v Speaker 5>all due respect, I'm coming for the crown.

1:22:10.479 --> 1:22:13.679
<v Speaker 3>It's as simple as that. I got the new campaign.

1:22:13.720 --> 1:22:16.360
<v Speaker 3>I wrote it the crown or nothing. The crown, Oh,

1:22:16.479 --> 1:22:17.840
<v Speaker 3>just a crown and nothing. I like that. You are

1:22:17.920 --> 1:22:21.920
<v Speaker 3>marketing guy up. You need to come on over. The

1:22:21.960 --> 1:22:22.840
<v Speaker 3>power moves.

1:22:24.760 --> 1:22:26.960
<v Speaker 2>Crown and nothing. That's that's there you have.

1:22:27.520 --> 1:22:29.800
<v Speaker 5>I'm putting the world on notice, like like you got

1:22:29.800 --> 1:22:32.559
<v Speaker 5>to speak this thing into existence. You think I'm doing

1:22:32.600 --> 1:22:35.000
<v Speaker 5>this to be number two. You think I'm doing this

1:22:35.080 --> 1:22:39.120
<v Speaker 5>to stand next to somebody else. But those two dudes, like,

1:22:39.280 --> 1:22:43.439
<v Speaker 5>no way, it's it's not even a And here's another

1:22:43.479 --> 1:22:49.479
<v Speaker 5>thing because again you know, and the color kind of

1:22:49.479 --> 1:22:51.400
<v Speaker 5>goes to your point where you were talking about the

1:22:51.439 --> 1:22:55.000
<v Speaker 5>differences between the black DJs and the white DJs. Those

1:22:55.000 --> 1:23:01.879
<v Speaker 5>guys are powerful those guys saved my life. But Tony

1:23:02.040 --> 1:23:04.840
<v Speaker 5>Robbins and so many of those other guys, I'm making

1:23:04.960 --> 1:23:10.600
<v Speaker 5>quadrant that makes so much more funny than those guys.

1:23:10.880 --> 1:23:14.160
<v Speaker 3>So you know, I know I'm calling out inky in

1:23:14.240 --> 1:23:15.320
<v Speaker 3>them because.

1:23:16.600 --> 1:23:19.479
<v Speaker 5>I do these dudes like like, I am such a

1:23:19.520 --> 1:23:21.720
<v Speaker 5>fan of these guys. But truth of the matter is,

1:23:22.479 --> 1:23:25.280
<v Speaker 5>I'm really coming for Tony and I'm gonna bring something

1:23:25.320 --> 1:23:27.960
<v Speaker 5>to this game that they ain't never seen before. They're

1:23:28.200 --> 1:23:31.320
<v Speaker 5>like like like they they haven't seen it yet. So

1:23:31.439 --> 1:23:31.880
<v Speaker 5>when when?

1:23:31.920 --> 1:23:32.360
<v Speaker 3>When? When?

1:23:32.439 --> 1:23:36.479
<v Speaker 5>When it's my time and I got the crown, I'm

1:23:36.479 --> 1:23:41.519
<v Speaker 5>gonna make inspirational and motivational speaking something so different and

1:23:43.520 --> 1:23:49.639
<v Speaker 5>I am going how did Jay say it, I'm overcharging.

1:23:50.240 --> 1:23:52.519
<v Speaker 3>I'm overcharging them for what they did the inky in

1:23:52.560 --> 1:23:55.360
<v Speaker 3>my years that you hold.

1:23:55.400 --> 1:24:02.479
<v Speaker 2>There you go, fact ladies. Man Sean, it's been a pleasure.

1:24:03.520 --> 1:24:05.920
<v Speaker 2>How can the people contact you out? What's your social

1:24:06.000 --> 1:24:08.120
<v Speaker 2>media handles? And you got a podcast is too?

1:24:08.400 --> 1:24:08.599
<v Speaker 3>Yeah?

1:24:08.680 --> 1:24:11.639
<v Speaker 2>So any information you want to let the people know.

1:24:12.280 --> 1:24:14.360
<v Speaker 5>Yes, First I want to let the people know that

1:24:14.560 --> 1:24:17.280
<v Speaker 5>I am so proud of you guys. I thank you

1:24:17.320 --> 1:24:19.760
<v Speaker 5>guys for what you are doing for our community. I

1:24:19.800 --> 1:24:22.200
<v Speaker 5>thank you guys. For the light that you are shining

1:24:22.320 --> 1:24:25.760
<v Speaker 5>on people who look like us, who talk like us,

1:24:25.920 --> 1:24:29.320
<v Speaker 5>who come from the same environments and hoods as us.

1:24:29.600 --> 1:24:32.840
<v Speaker 5>I applaud y'all, and I'm saying this sincerely. I'm not

1:24:32.880 --> 1:24:37.040
<v Speaker 5>saying it because I'm here. I'm saying it sincerely. You

1:24:37.080 --> 1:24:41.080
<v Speaker 5>guys are bringing something special to this world, and it's

1:24:41.200 --> 1:24:46.479
<v Speaker 5>so needed. It is education, and you were really shining

1:24:46.640 --> 1:24:52.840
<v Speaker 5>a wonderful spotlight on once upon a time you in

1:24:52.920 --> 1:24:54.519
<v Speaker 5>order to make it out the hood. You thought you

1:24:54.600 --> 1:24:57.439
<v Speaker 5>had to dribble of basketball. You thought you had to

1:24:57.479 --> 1:24:59.280
<v Speaker 5>write a rap, You thought you had to go in

1:24:59.320 --> 1:25:04.080
<v Speaker 5>the studio beats. Y'all are showing people. I don't have

1:25:04.120 --> 1:25:06.680
<v Speaker 5>those kind of tailants. I can't make a beat if

1:25:06.680 --> 1:25:10.080
<v Speaker 5>somebody put it in my head, I can't make a beat.

1:25:10.160 --> 1:25:14.800
<v Speaker 5>I can't write a rap. But y'all have created this

1:25:15.280 --> 1:25:20.640
<v Speaker 5>wonderful platform, and you know I'm following behind y'all. I

1:25:20.680 --> 1:25:24.000
<v Speaker 5>have a very similar platform called Power move Makers, and

1:25:24.080 --> 1:25:27.840
<v Speaker 5>I'm shining a light on a lot of the individuals

1:25:27.840 --> 1:25:31.160
<v Speaker 5>that you guys have on this show. And I want

1:25:31.200 --> 1:25:38.160
<v Speaker 5>to again have people come onto my platform and give

1:25:38.280 --> 1:25:40.880
<v Speaker 5>back and become the mentors and the educators to our

1:25:40.920 --> 1:25:44.360
<v Speaker 5>communities that just like I didn't have these people, maybe

1:25:44.439 --> 1:25:47.320
<v Speaker 5>they don't have them in their life. So that's number one.

1:25:47.439 --> 1:25:51.439
<v Speaker 5>Find me at on YouTube at Power move Makers and

1:25:51.560 --> 1:25:55.280
<v Speaker 5>everything else is Power move Press at Power Moves and

1:25:55.360 --> 1:25:57.840
<v Speaker 5>my last name is Peas and Paul Ours and Roger

1:25:58.280 --> 1:26:00.320
<v Speaker 5>Ears and Elvis ZS and z Bro.

1:26:01.240 --> 1:26:03.559
<v Speaker 3>There you have it, ladies and gentlemen. Troy housekeeping it on.

1:26:03.640 --> 1:26:05.920
<v Speaker 4>Yeah, shout to everybody on Patreon dot com. Y'all know

1:26:05.920 --> 1:26:08.280
<v Speaker 4>that's our proud to pay program. Rest and peace in it, man.

1:26:08.560 --> 1:26:12.479
<v Speaker 4>I always be remiss to say that, but rest y'all know.

1:26:12.800 --> 1:26:15.840
<v Speaker 4>Tier five y'all have access to eyl University, the number

1:26:15.840 --> 1:26:18.599
<v Speaker 4>one online school for financial education in the world.

1:26:18.840 --> 1:26:19.720
<v Speaker 3>We're very proud of that.

1:26:19.760 --> 1:26:21.240
<v Speaker 4>And I just want to give a quick shout out

1:26:21.520 --> 1:26:24.320
<v Speaker 4>to three new members Tier five numbers the Marius, Justin

1:26:24.360 --> 1:26:27.240
<v Speaker 4>and Stephen. We are looking forward to having that conversation

1:26:27.280 --> 1:26:29.960
<v Speaker 4>with y'all. We appreciate y'all and everybody that supporting that

1:26:30.000 --> 1:26:32.160
<v Speaker 4>new EYL merch the Arnest Collection.

1:26:33.600 --> 1:26:35.120
<v Speaker 3>We greatly appreciate y'all.

1:26:34.880 --> 1:26:38.000
<v Speaker 2>Man, that's for sure. All right, Gods, thank you for

1:26:38.120 --> 1:26:40.479
<v Speaker 2>rocking with us. We'll see you next week, Peace Peace,

1:26:40.520 --> 1:26:42.120
<v Speaker 2>Peace coach.

1:26:42.200 --> 1:26:44.680
<v Speaker 6>The energy out there felt different. What changed for the

1:26:44.720 --> 1:26:45.200
<v Speaker 6>team today?

1:26:45.320 --> 1:26:47.480
<v Speaker 4>It was the new game day scratches from the California

1:26:47.520 --> 1:26:48.960
<v Speaker 4>Lottery players, everything.

1:26:49.280 --> 1:26:51.240
<v Speaker 3>Those games sent the team's energy through the roof.

1:26:51.320 --> 1:26:53.280
<v Speaker 6>Are you saying it was the off field play that

1:26:53.360 --> 1:26:54.479
<v Speaker 6>made the difference on the field.

1:26:54.560 --> 1:26:57.320
<v Speaker 2>Hey, little play makes your day, and today it made

1:26:57.320 --> 1:26:58.720
<v Speaker 2>the game. That's all for.

1:26:58.800 --> 1:27:03.040
<v Speaker 6>Now played the new Los Angeles Chargers, San Francisco forty

1:27:03.120 --> 1:27:06.360
<v Speaker 6>nine ers and Los Angeles Rams scratchers from the California Lottery.

1:27:06.479 --> 1:27:09.599
<v Speaker 6>A little play can make your day. Peace play responsibly.

1:27:09.680 --> 1:27:11.240
<v Speaker 6>Must be eighteen years or older to purchase play or

1:27:11.240 --> 1:27:11.519
<v Speaker 6>claim