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Speaker 1: Yeah, and then and then and then we both we

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Speaker 1: both throw our fucking fishing pulls into the ocean, jump

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Speaker 1: off the pier and he says to me, came in,

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Speaker 1: let's just go and swims.

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Speaker 2: A great week.

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Speaker 1: That was.

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Speaker 3: Well, I can't tell you what a great conversation this

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Speaker 3: has been for me, scus Man. You know, just like

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Speaker 3: being in the city now and just like you know,

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Speaker 3: you walk down the sidewalk and everyone's in such a hurry,

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Speaker 3: you know what I mean, and they're like, like, you know,

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Speaker 3: everyone has their big briefcase, you know, and they're like

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Speaker 3: talking pizza dough in the air.

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Speaker 2: And that's my New York. Unfortunately, that is my New York.

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Speaker 1: And man, I do not like it. I do not

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Speaker 1: like hearing it. Okay, that's not the skuff I know.

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Speaker 3: And and and and I don't want to infect you

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Speaker 3: with that. But it's just so great calling you and

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Speaker 3: getting a little of your beach philosophy. And I feel

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Speaker 3: like I can sort of carry that with me now

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Speaker 3: as I navigate my way through through Concrete city, you know,

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Speaker 3: in the taxi capitol.

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Speaker 2: What I'll say, for my part is hearing you get

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Speaker 2: that beach injection, which I know you so desperately need

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Speaker 2: is probably a.

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Speaker 1: Hot beach injection, just the hot beach.

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Speaker 2: But hearing that go on was for me probably one

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Speaker 2: of the best things I've ever listened to. I wasn't

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Speaker 2: really part of the conversation. I was just listening and.

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Speaker 3: I didn't know you were on the phone until right now.

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Speaker 2: Yes, even yes, even though I was laughing, but it's

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Speaker 2: but just for me to hear it, I was like,

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Speaker 2: this is one of the best things I've ever listened to.

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Speaker 2: It's why I had Brett start recording. Unfortunately he only

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Speaker 2: caught the very end of it, but I almost wish

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Speaker 2: we had heard the whole story.

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Speaker 3: Yeah, oh yeah, that is I mean, and I would

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Speaker 3: do it again, honestly, but I have to you have

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Speaker 3: to run. I'm gonna I gotta go.

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Speaker 2: Yeahscus Man's so funny.

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Speaker 1: I mean, well, hey, dude, I mean, at least you

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Speaker 1: got a lot of that hot beach injection, Okay, And

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Speaker 1: you can call me up any anytime if you need more, because.

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Speaker 3: I know, is there a way is there because I

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Speaker 3: know you live in like a school bus on the beach,

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Speaker 3: Is there any like phone out there?

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Speaker 1: Or yeah, yeah, there's a payphone there's a payphone that

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Speaker 1: I that I have that I can uh, that I

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Speaker 1: can go to. It's just a short walk. Just call it.

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Speaker 1: Just keep calling it a lot all the time, and

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Speaker 1: I'm bound to pick up man, and I'll get you

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Speaker 1: one of those hbjs or hbis anytime you want.

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Speaker 2: Brother and.

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Speaker 3: Got a different Yeah.

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Speaker 2: Yeah, yeah, yeah, that's that's a service.

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Speaker 1: That's a service that I offer inside the bus.

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Speaker 2: I don't want to hear the whole thing, but can

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Speaker 2: I hear just what the J stands for the jay

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Speaker 2: stands for jerk?

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Speaker 1: Oh?

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Speaker 2: Okay, yeah, okay, I'm picturing it. Yeah. Well, And I

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Speaker 2: hate to keep talking about how great the story was

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Speaker 2: to listen to, just because our listeners won't be able

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Speaker 2: to hear it. But I do want to say just

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Speaker 2: the one part where uh, you and Selma Blair were

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Speaker 2: sort of both scaling that. I mean, I don't know

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Speaker 2: how to describe it. It was not a machine, you know,

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Speaker 2: it was like a but it wasn't a building either.

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Speaker 2: You had said it so eloquently, and I'm forgetting what

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Speaker 2: you said. Yeah it was ah, it was just a

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Speaker 2: rock wall, a rock wall. Yeah, and when you would

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Speaker 2: sell Blair, we're scaling that, and I thought for sure

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Speaker 2: there was real danger, and I thought, this is the

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Speaker 2: best story I've ever heard.

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Speaker 1: Hey do you remember that part?

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Speaker 3: Yeah, it was the best story I'd ever heard as well.

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Speaker 1: I tell it, I tell it really loudly, and that's

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Speaker 1: I think, what's what's what's the best?

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Speaker 3: Pat was very loud. Yes, I had to turn down

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Speaker 3: the volume on my phone, disturbing other people.

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Speaker 2: Yeah, that can be the key to good storytelling, is

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Speaker 2: like you are creating a little bit of discomfort and

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Speaker 2: that's getting that emotional reaction that we want.

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Speaker 3: Yeah, yeah, well I do have to go. Guys, I'm

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Speaker 3: gonna go look at the gate.

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Speaker 2: Oh yes, I know that you're going to look at

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Speaker 2: the gates that Christo put up, and I do hope

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Speaker 2: they're still there. But I I and I don't put

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Speaker 2: them up.

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Speaker 3: You know, if you call ahead.

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Speaker 1: He'll put them up just for you to walk.

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Speaker 2: He'll throw Yeah, that's nice that he's still living so close.

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Speaker 2: But and I hate to keep sort of just bringing

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Speaker 2: up space Civis from the story because they're not going

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Speaker 2: to hear it. And obviously you have to run and

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Speaker 2: we don't want you to double Yeah, but the part

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Speaker 2: where the squid is fighting with scus Man, but then

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Speaker 2: they become friends, and then he actually gets accepted into

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Speaker 2: sort of the Squid's family and culture. Did that affect you, Hayes, Yeah, that.

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Speaker 3: Was a really special story for me, and it almost

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Speaker 3: made me wonder because you've told a lot of similar

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Speaker 3: stories to that one. Yes, and I wondered if maybe

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Speaker 3: you have been unconsciously taking things from scus Man's experience

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Speaker 3: and I'll copy that third I mean, you know that

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Speaker 3: did that did occur to me?

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Speaker 1: Yeah?

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Speaker 2: It may have been a little wish fulfillment on my

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Speaker 2: part some of those stories. It's school.

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Speaker 1: It's school. It's a great story, man, man, I don't

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Speaker 1: fucking fault you for that. Man, I mean a lot

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Speaker 1: my HB HBIS WHOA get my get my radio waves cross.

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Speaker 1: You know a lot of people take my stories and

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Speaker 1: they play them off as my own.

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Speaker 2: I ain't gonna follow.

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Speaker 3: Because I know you offer out of your bus at HBS,

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Speaker 3: which is a hot business school. Is that right?

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Speaker 2: Yes? Yes, HBS.

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Speaker 1: We are in our current our second semester right now.

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Speaker 2: There's just no ac on the bus. That's all the.

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Speaker 3: Early November's.

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Speaker 1: Yeah, yeah, yeah, you're off really hot we have a

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Speaker 1: lot of heater fans in there too.

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Speaker 2: And and then can you give us just one? And

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Speaker 2: I know you don't want to spoil the school. People

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Speaker 2: have to pay full tuition, but can you give us

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Speaker 2: one business tip that your school offers that you wouldn't

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Speaker 2: find at like a business school in a building with

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Speaker 2: air conditioning?

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Speaker 1: Uh?

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Speaker 2: One business tip?

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Speaker 1: Don't don't just shake hands when you're making a deal.

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Speaker 1: Go in for the kiss and hug full mouth kiss.

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Speaker 2: That's really helpful, hey is you can probably use that

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Speaker 2: in New York because there's so many business people there.

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Speaker 3: Oh yes, everyone, Yeah, I'm buying and selling, you know,

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Speaker 3: and and all that and like the talking on their bluetooths,

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Speaker 3: you know, you know the city.

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Speaker 2: Mmm, yes, no, that is my New York, unfortunately, for

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Speaker 2: better or worse, and mostly worse.

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Speaker 3: But I do have to go because people are stealing

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Speaker 3: the gates. If they stay down too long, people will

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Speaker 3: feel that they've got some.

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Speaker 2: Of the gates. And you're gonna go, I guess, rescue

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Speaker 2: the gates.

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Speaker 3: Yes, I have to go, stop the gates from people

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Speaker 3: being thieves on them.

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Speaker 2: Well, just such a great thing to listen to was

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Speaker 2: this phone call for me and I just yea, yeah,

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Speaker 2: I just am so happy that I heard it, and.

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Speaker 3: Uh Dom and and Dom you're good.

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Speaker 2: Huh Dom's not here yet actually uh oh okay, yeah,

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Speaker 2: why did you say that? Yeah?

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Speaker 3: I just figured Gusman with Don's friend and he was

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Speaker 3: just quietly sitting Uh no.

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Speaker 2: No, uh, I mean I guess they were friends, but

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Speaker 2: now I'm sort of Scusband's primary friend.

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Speaker 3: And oh, okay, well that sounds like a good introduction to.

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Speaker 2: What's going to be coming up after the break.

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Speaker 3: Yeah, that could be really useful.

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Speaker 2: Okay, yeah, thanks Hayes. Yeah, that's not really the kind

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Speaker 2: of thing I would want to unravel over the course

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Speaker 2: of interactions with Dom, and kind of I would rather

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Speaker 2: just sort of set that up and in a phone.

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Speaker 3: Call with you, you rather be just introducing one set

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Speaker 3: and then hang up the phone.

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Speaker 1: Yes, that would be good. So thank you so much

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Speaker 1: for doing that. And uh, just really great again to listen.

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Speaker 3: Bye Hayes, Bye guys.

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Speaker 2: Bye. Yeah, so we we both threw our.

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Speaker 1: Mission poles into the ocean, jumped on the pier and

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Speaker 1: he's like, let's just slim man. What.

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Speaker 2: Oh that's a really really good story.

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Speaker 1: Yeah, oh god, I wish we had caught the first

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Speaker 1: part of it, just because I knew when you started.

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Speaker 2: No, I started recording at the end, just because we

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Speaker 2: oh yeah.

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Speaker 1: We're gonna you know, now we have to do the show.

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Speaker 1: But he had told it before. It was so good

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Speaker 1: I wanted you to hear it. Yeah, it's a great

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Speaker 1: it's a great story, Scott.

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Speaker 2: What was your favorite part of it?

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Speaker 4: Just just the whole, the just the whole Selma Blair part,

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Speaker 4: Like just her kind of like inserting herself into this

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Speaker 4: conversation where it clearly seemed like like no one wanted.

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Speaker 1: To talk to her.

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Speaker 2: Yeah, on the rock wall.

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Speaker 1: On the rock wall. Yeah, it's like we're climbing, we

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Speaker 1: don't want to. I don't know that. That's just struck

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Speaker 1: me as being a fun kind of like insight into

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Speaker 1: how she.

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Speaker 2: Is for me, having heard it before, I got to

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Speaker 2: pick up on little things that maybe I missed the

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Speaker 2: first time around. Oh yeah, you know, of course, like

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Speaker 2: when little Stevie Steve van Zea from Lilly Hammer hands

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Speaker 2: you sort of his drumsticks and goes like, hit the

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Speaker 2: skins my man and I had always thought of him

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Speaker 2: not as a drummer, but as a man who played

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Speaker 2: a different instrument, right, you know, yeah, but he's he's

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Speaker 2: a drummer.

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Speaker 3: Yeah.

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Speaker 1: Well that's what I learned in the story. And I

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Speaker 1: hit those skids so hard. Dude, you call him skids

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Speaker 1: a skit, the skids skids? Yeah, yeah, because I've heard

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Speaker 1: them called skins before, and I guess I assume that's

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Speaker 1: what you said. Well, I mean i've heard that too,

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Speaker 1: but I'm not calling him that, I'm calling him scared.

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Speaker 2: Was there a part you were scared?

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Speaker 1: Oh? Go ahead?

209
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Speaker 2: Oh uh where I was scared?

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Speaker 1: Yeah?

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Speaker 4: I think the I mean the I found You know,

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Speaker 4: it's scary, the fishing pole, the fishing poles, just that

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Speaker 4: there's there's anything started.

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Speaker 2: Yeah, You've been prepped during the story that literally anything

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Speaker 2: could happen in every turn.

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Speaker 4: Well, and there's so much build up to we're gonna

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Speaker 4: use these fishing poles, and there's like a I mean

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Speaker 4: so much of the story as you guys presenting the

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Speaker 4: fishing poles to each other.

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Speaker 2: The only reason I felt safe at all is because

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Speaker 2: I know you're here and you're telling me the story.

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Speaker 1: So I go like, well, nothing that bad happened, but

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Speaker 1: I but I am going like, well, it's possible that,

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Speaker 1: and I guess we I guess he did. Like it's

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Speaker 1: possible something bad happened to Candelfeini. Oh yeah, it's well, yeah,

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Speaker 1: it's something bad did happen, you know, I, you know whatever,

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Speaker 1: But Dom, you were going to say something.

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Speaker 4: I'm I'm sorry if I'm a little I'm just having

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Speaker 4: trouble kind of getting it going for the podcast.

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Speaker 1: I didn't know scus Pen was gonna be here.

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Speaker 2: Uh oh right, yeah, I mean we you understand we

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Speaker 2: had to trick you into coming.

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Speaker 1: Yeah, because because I don't know, I don't know if

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Speaker 1: you're aware of this sham, but Scusman kind of, you know,

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Speaker 1: left me hanging a little bit, buddy, haven't I haven't

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Speaker 1: seen you in like months. I haven't seen you, haven't

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Speaker 1: like responded to my texts or my calls, which I

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Speaker 1: was just kind of chalking up to. You know, you

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Speaker 1: lose your phone a lot. I do you go. You've

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Speaker 1: gone through several star taks.

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Speaker 2: I go through one. Probably you're mainly on that on

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Speaker 2: that payphone next to the school bus. You didn't try

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Speaker 2: a payphone, damer.

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Speaker 1: Which payfon you moved the school bus so often. I

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Speaker 1: don't know exactly which payphone.

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Speaker 2: You know where the school bus is.

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Speaker 1: You don't go on the Twitter account and see where

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Speaker 1: the school bus is. I didn't I see this is

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Speaker 1: I was always telling you to get on social media.

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Speaker 1: Bus at scuz bus, Yeah, check at scuz bus man.

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Speaker 1: All right, Well either way, it's I'm on social media and.

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Speaker 2: I update it frequently. That's where you know where I am.

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Speaker 2: I mean, yeah, what what's about man?

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Speaker 1: No, Sean, I want to have I want to sit

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Speaker 1: down and have just a fun podcast with the scus

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Speaker 1: Man where we just talk to him and hear his stories.

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Speaker 1: But but I'm too pissed. He left me. He left

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Speaker 1: me hanging, bailed on pitch meetings. We had a lot

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Speaker 1: of pitch meetings to pitch volleyball, a real underdog story.

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Speaker 1: And we and and and then and I show up

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Speaker 1: with what's is that steady?

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Speaker 2: Ah Nah? That's me, uh, just sharp inhale through my teeth,

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Speaker 2: just as you bring up volleyball, A real underdog Still.

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Speaker 1: Well, because we had, we had and your notes were great,

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Speaker 1: and and and scus Man had scus Man kind of

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Speaker 1: set me off to take my pass right. And that's

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Speaker 1: the last I saw him. Yes, And we had continually

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Speaker 1: been giving you notes. Yes, I would get.

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Speaker 4: Emails from a different like hotmail address every week, just

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Speaker 4: with new notes.

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Speaker 1: Yeah, are you changing your email that often? I changed

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Speaker 1: my email as much as I changed the location of

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Speaker 1: my bus every time you change it. Every time you

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Speaker 1: change I changed my email address every time I moved

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Speaker 1: the bus.

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Speaker 2: Well, look, I'm sorry, I'm sorry we tricked you into

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Speaker 2: coming here, Dom, but I really did need you to

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Speaker 2: pick up that prescription for me, because it really is

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Speaker 2: getting very big and very red. I so that's why

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Speaker 2: I sent you to get those creams and pills.

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Speaker 4: Yeah, it's a combination of creams and pills, and I

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Speaker 4: think you put yeah, and it's just the needle.

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Speaker 2: Put the pill in the needle and I and I

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Speaker 2: injected into the cream and then I drink the cream.

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Speaker 2: So but anyway, I did need that medicine, and that's fine.

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Speaker 2: But I also wanted you to be here because scus

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Speaker 2: Man have something that I think you'll be pleasantly surprised

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Speaker 2: to learn, which is, uh, we, when you were off

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Speaker 2: doing your pass actually took our own look at volleyball

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Speaker 2: of real Underdog story and I think we cracked it.

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Speaker 1: Do you feel like we cracked it scus Man.

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Speaker 2: Oh yeah, we cracked it like an egg. We cracked.

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Speaker 2: We cracked it so hard man, like an egg.

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Speaker 1: Funny.

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Speaker 2: We put that in there.

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Speaker 1: Actually that's a that's a joke, and I think where's

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Speaker 1: that cracked that like an egg as a joke? Oh

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Speaker 1: fuck yeah yeah.

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Speaker 2: We say it probably once or twice a page in

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Speaker 2: the script, just because it is so funny. Need to

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Speaker 2: think about an egg cracking, But we mean cracking it,

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Speaker 2: like figuring it out.

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Speaker 4: So you guys are sending me notes for volleyballer, real

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Speaker 4: underdog story and I'm taking the notes and taking my past,

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Speaker 4: but you're taking a separate pass together.

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Speaker 1: You guys just hanging out.

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Speaker 2: You know what it was is we just started hanging

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Speaker 2: a little more.

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Speaker 3: Uh.

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Speaker 2: We ran into each other at this sort of little

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Speaker 2: uh soire that was taking place on scots Man's bus.

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Speaker 1: I you had a party on the bus. I had.

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Speaker 1: I had a back to the future party on the bus.

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Speaker 1: I remember back to the future day. Oh yeah, because

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Speaker 1: this is twenty fifteen and a yeah I remember Cubs.

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Speaker 1: The Cubs beat the Gators. Yeah miles per hour? Yeah,

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Speaker 1: yeah yeah, great, Scott, you know not Yeah, that's not

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Speaker 1: as iconic, but I don't know todium. Yeah, so you

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Speaker 1: have a part, but you're not inviting me. You're just

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Speaker 1: avoiding me. Scus Man.

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Speaker 2: It feels like it feels like you guys, well one

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Speaker 2: thing is me and scus Man kind of feel like

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Speaker 2: Back to the Future is like our movie. Like we

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Speaker 2: really loved that movie, which I don't think a lot

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Speaker 2: of people have ownership over that, you know.

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Speaker 1: Right, Like this was like it was like your little

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Speaker 1: secret back to the Future, the movie hate just for

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Speaker 1: you and your friends.

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Speaker 2: Yeah, just me and scus Man really got it, and

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Speaker 2: we actually think it's a classic, contrary to popular opinion.

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Speaker 4: I can't believe you're talking about being cozied up to

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Speaker 4: Scusman so much like that.

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Speaker 2: I mean, you you hated scus Man. It's a blues

334
00:16:33,360 --> 00:16:35,800
Speaker 2: riff and be and watch me for the changes and

335
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Speaker 2: try to keep up.

336
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Speaker 1: Oh from Yeah, because white people really invent a rock

337
00:16:41,280 --> 00:16:44,080
Speaker 1: and roll Yes that, and I love that message that

338
00:16:44,680 --> 00:16:47,440
Speaker 1: Chuck Berry like probably couldn't have figured it out himself

339
00:16:47,560 --> 00:16:50,040
Speaker 1: because he just didn't have the sort of.

340
00:16:51,680 --> 00:16:56,640
Speaker 2: Faculty to do so. But maybe his sneaky cousin was

341
00:16:56,680 --> 00:16:59,560
Speaker 2: able to record a white man playing it, and that

342
00:17:00,160 --> 00:17:02,360
Speaker 2: is how we got all this great music we love.

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Speaker 1: There's a lot of conversations that we have about the

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00:17:05,680 --> 00:17:08,960
Speaker 1: movie that juke Berry was a dumb idiot, and scus

345
00:17:09,080 --> 00:17:11,320
Speaker 1: Man has brought up this point that maybe sort of

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Speaker 1: the way we celebrate diversity is kind of false and

347
00:17:16,760 --> 00:17:18,919
Speaker 1: that probably, man, a lot of.

348
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Speaker 2: The inventions are only coming from one people.

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Speaker 1: You know, you know what, I I just want to say, Sean,

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Speaker 1: I'm a little worried about like some because I'm just

351
00:17:28,080 --> 00:17:31,200
Speaker 1: hearing the Sgusman's I'm just hearing the scus Man's opinions

352
00:17:31,600 --> 00:17:32,960
Speaker 1: coming out of your mouth, and even the way you

353
00:17:33,000 --> 00:17:35,920
Speaker 1: said Han now challenging me like a brat, like some

354
00:17:36,040 --> 00:17:38,160
Speaker 1: sort of kind of Bart Simpson type.

355
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Speaker 2: Oh I corumbo, Man, No, he just gave you an

356
00:17:43,840 --> 00:17:44,520
Speaker 2: I corumba.

357
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Speaker 1: How did that feel?

358
00:17:46,400 --> 00:17:47,320
Speaker 2: It didn't feel good.

359
00:17:47,680 --> 00:17:50,800
Speaker 1: It didn't feel good. Scus Man, you're too uptight, dumb.

360
00:17:51,119 --> 00:17:52,320
Speaker 2: I'm not too uptight, all right.

361
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Speaker 4: I've you know what in these intervening months where where

362
00:17:54,680 --> 00:17:57,440
Speaker 4: I reached out to the scus Man to try to help,

363
00:17:57,680 --> 00:18:00,320
Speaker 4: like for some personal things too, for some support with

364
00:18:00,440 --> 00:18:01,119
Speaker 4: things that are going on.

365
00:18:01,160 --> 00:18:03,800
Speaker 1: With my dad. Oh yeah, well that got a little

366
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Speaker 1: heavy for the scusman.

367
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Speaker 4: I just said my dad sick in a text, yeah,

368
00:18:08,600 --> 00:18:11,879
Speaker 4: and then you blocked me for sending any more text.

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00:18:11,960 --> 00:18:14,280
Speaker 1: Man. I don't like to hear words like sick and

370
00:18:14,480 --> 00:18:17,760
Speaker 1: dad in the same sentence, and it just creates not

371
00:18:18,080 --> 00:18:20,679
Speaker 1: cool thoughts in my head, you know, And I don't uh,

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00:18:21,320 --> 00:18:24,359
Speaker 1: you know, man, that's a one way to get the

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Speaker 1: scusman off your off your side, you know.

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00:18:27,840 --> 00:18:30,959
Speaker 2: Well, yeah, that's not kind of seems like you were

375
00:18:31,000 --> 00:18:31,480
Speaker 2: out of line.

376
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Speaker 4: Tom.

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Speaker 2: I don't know if that's true, Sean. I don't feel

378
00:18:34,800 --> 00:18:36,120
Speaker 2: that way. I mean, I I hear.

379
00:18:36,880 --> 00:18:39,480
Speaker 1: What I'm trying to say is that I've woken up

380
00:18:39,520 --> 00:18:41,320
Speaker 1: a little bit to who the scusman really is as

381
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Speaker 1: a person.

382
00:18:41,720 --> 00:18:43,760
Speaker 2: I mean, that's somebody who thought was my friend. He's talking.

383
00:18:43,920 --> 00:18:46,760
Speaker 2: He's a chill ass mf or with a bad tude

384
00:18:46,880 --> 00:18:50,760
Speaker 2: and a cool nude. He's got a great new portrait

385
00:18:50,800 --> 00:18:52,639
Speaker 2: of himself. You have a new portrait of yourself.

386
00:18:52,760 --> 00:18:54,640
Speaker 1: Yeah, he's got a bad tute and a cool nude.

387
00:18:54,880 --> 00:18:58,040
Speaker 1: Hangs on the roof of the bus and everybody has

388
00:18:58,080 --> 00:19:02,959
Speaker 1: I understand it hangs the bad mfe so you can

389
00:19:03,040 --> 00:19:04,920
Speaker 1: only be seen from the Oh, it's on the roof

390
00:19:05,000 --> 00:19:05,720
Speaker 1: inside the bus.

391
00:19:05,760 --> 00:19:08,320
Speaker 2: Okay, and it hangs on the roof too, all right,

392
00:19:08,440 --> 00:19:10,159
Speaker 2: so he's got a couple of copies of it.

393
00:19:10,320 --> 00:19:13,359
Speaker 1: Well, but this is Sean, this is not how you

394
00:19:13,680 --> 00:19:18,160
Speaker 1: were before. You're wearing a backwards hat that don't don't

395
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Speaker 1: do this.

396
00:19:18,680 --> 00:19:22,919
Speaker 2: You're hearing me, Okay, don't do a braddy dude.

397
00:19:23,240 --> 00:19:26,440
Speaker 1: Come what I got? I corumba again. This isn't really

398
00:19:26,480 --> 00:19:28,960
Speaker 1: a Bart Simpson thing, too, is discus.

399
00:19:29,680 --> 00:19:32,720
Speaker 4: He's hard of hearing, and Bart definitely doesn't say scuzzcus scuzz.

400
00:19:33,960 --> 00:19:35,560
Speaker 2: You haven't seen the later seasons.

401
00:19:35,720 --> 00:19:39,920
Speaker 1: Yeah, you know what, So you guys, what what is

402
00:19:39,960 --> 00:19:41,400
Speaker 1: the point of bringing me here?

403
00:19:42,080 --> 00:19:43,679
Speaker 2: Was the point of bringing me here? If I give

404
00:19:43,720 --> 00:19:44,360
Speaker 2: you your medication?

405
00:19:44,720 --> 00:19:48,199
Speaker 1: Should I just leave? Partially it's just you.

406
00:19:50,600 --> 00:19:55,080
Speaker 2: I no, But for real though, uh, we did want

407
00:19:55,160 --> 00:19:58,080
Speaker 2: your opinion because we've kind of gotten to a point

408
00:19:58,160 --> 00:20:00,600
Speaker 2: with our script where we need outside eyes on it.

409
00:20:01,000 --> 00:20:04,000
Speaker 2: And there's a larger discussion to be had about volleyball,

410
00:20:04,040 --> 00:20:07,119
Speaker 2: a real underdog story with regard to ownership.

411
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Speaker 1: Ownership.

412
00:20:08,960 --> 00:20:13,000
Speaker 2: Well we'll get into all that, but really, what's is

413
00:20:13,440 --> 00:20:18,240
Speaker 2: this script different? Like, uh, you could say that.

414
00:20:20,160 --> 00:20:24,879
Speaker 1: Discussman, It's very different and by the way, I've always

415
00:20:24,920 --> 00:20:26,840
Speaker 1: worn sunglasses in a backwards hat.

416
00:20:27,920 --> 00:20:29,920
Speaker 4: I don't remember that being true, but I know that

417
00:20:30,040 --> 00:20:32,480
Speaker 4: you aren't normally this tan Have you been going to

418
00:20:32,640 --> 00:20:33,480
Speaker 4: like a tanning bed?

419
00:20:34,040 --> 00:20:36,680
Speaker 2: You look very like or well, only in the sense

420
00:20:36,720 --> 00:20:38,720
Speaker 2: that I put my Casper mattress out on the beach

421
00:20:38,880 --> 00:20:42,320
Speaker 2: told just sleep. Oh that I mean that's a tanning bed.

422
00:20:43,119 --> 00:20:44,679
Speaker 2: Did you get a cast? Did they send you one?

423
00:20:44,760 --> 00:20:45,720
Speaker 2: Because you fuck me?

424
00:20:45,840 --> 00:20:46,000
Speaker 1: Man?

425
00:20:46,240 --> 00:20:49,159
Speaker 2: What do you mean they're sending them the host for

426
00:20:49,240 --> 00:20:49,800
Speaker 2: free and ship?

427
00:20:50,000 --> 00:20:51,960
Speaker 1: Yeah, because you do the apparently I've been reading the

428
00:20:52,000 --> 00:20:54,480
Speaker 1: ads for nothing that I'm the only one they don't

429
00:20:54,520 --> 00:20:57,480
Speaker 1: give a ship if I sleep on their thing. So anyway,

430
00:20:58,040 --> 00:20:58,560
Speaker 1: Uh so.

431
00:20:58,600 --> 00:21:00,680
Speaker 2: You're on a Casper mattress on the beach.

432
00:21:01,119 --> 00:21:03,200
Speaker 1: Yeah, and look and and the fact of the matter

433
00:21:03,400 --> 00:21:05,800
Speaker 1: is if you use promo code Hollywood, you could get

434
00:21:05,800 --> 00:21:06,600
Speaker 1: a discount fee.

435
00:21:06,680 --> 00:21:11,520
Speaker 2: But it doesn't. It doesn't really carry that much weight

436
00:21:11,600 --> 00:21:13,520
Speaker 2: if I'm saying, sleep on it, if I don't even

437
00:21:13,560 --> 00:21:14,359
Speaker 2: know what it feels like.

438
00:21:14,680 --> 00:21:18,479
Speaker 1: So uh, that's that's that's that's neither here nor there.

439
00:21:18,560 --> 00:21:22,399
Speaker 1: This Gusman's bus is lined with gasper mattresses. By the way, Discusman,

440
00:21:22,480 --> 00:21:24,320
Speaker 1: you know what We're not gonna plug them anymore in

441
00:21:24,400 --> 00:21:26,240
Speaker 1: this episode, okay, but.

442
00:21:26,680 --> 00:21:29,080
Speaker 2: Lined with them that would be so thick. Oh well,

443
00:21:29,200 --> 00:21:33,240
Speaker 2: that makes it sound proof. Guys. We don't want the

444
00:21:33,320 --> 00:21:36,840
Speaker 2: beach police riding up on their bikes Pacific Blue member.

445
00:21:37,600 --> 00:21:42,680
Speaker 1: Yeah, yeah, Mario Lopez beach cups because I hate him.

446
00:21:42,880 --> 00:21:46,280
Speaker 1: Oh oh that's right, you guys actually like grew up

447
00:21:46,560 --> 00:21:48,639
Speaker 1: in the same town. Yeah. I grew up in the

448
00:21:48,680 --> 00:21:53,960
Speaker 1: same town as Mario Lopez, and I'm often seen Los Angeles. Yeah,

449
00:21:54,520 --> 00:21:58,200
Speaker 1: oh okay, well city, Mario Lopez was on a TV

450
00:21:58,320 --> 00:21:59,920
Speaker 1: show that films here for a lot of his youth.

451
00:22:00,119 --> 00:22:01,800
Speaker 4: So the way you put it to me was I

452
00:22:01,840 --> 00:22:03,920
Speaker 4: grew up with Mario Lopez. We both came from the

453
00:22:03,960 --> 00:22:06,480
Speaker 4: same town. We the same place.

454
00:22:06,560 --> 00:22:08,560
Speaker 1: I thought you meant up in LA Like, I don't

455
00:22:08,680 --> 00:22:11,600
Speaker 1: know him at all. Oh well, then why do you

456
00:22:11,640 --> 00:22:15,359
Speaker 1: hate him? Often hang out on set like sneak on

457
00:22:15,480 --> 00:22:17,480
Speaker 1: set that saved by the Bell and I sneak into

458
00:22:17,640 --> 00:22:22,000
Speaker 1: like those extra shots in the background at the grove. Yeah,

459
00:22:22,359 --> 00:22:24,600
Speaker 1: and I just stare at him because I'm so mad

460
00:22:24,680 --> 00:22:28,040
Speaker 1: at him. See this is just smoldering, just smolder because

461
00:22:28,080 --> 00:22:31,000
Speaker 1: of Pacific Blue and the heat coming off of scus

462
00:22:31,080 --> 00:22:33,320
Speaker 1: Man when he's in that sort of zone, just lets

463
00:22:33,359 --> 00:22:35,240
Speaker 1: you know that there's a real power to him. I

464
00:22:35,280 --> 00:22:37,160
Speaker 1: can't believe you brought up Mario Lopez.

465
00:22:37,320 --> 00:22:37,600
Speaker 3: Dumb.

466
00:22:38,040 --> 00:22:41,920
Speaker 2: You should know better. Come on, don't don't make what

467
00:22:42,119 --> 00:22:44,119
Speaker 2: you what are you trying to do? You're trying to

468
00:22:44,240 --> 00:22:45,040
Speaker 2: get out of the chair.

469
00:22:46,440 --> 00:22:48,960
Speaker 1: When I when I, when I gag like that, you

470
00:22:49,080 --> 00:22:49,959
Speaker 1: know that I'm pissed.

471
00:22:50,359 --> 00:22:51,399
Speaker 2: Well, this, you know what?

472
00:22:51,560 --> 00:22:55,800
Speaker 4: This is the type of this whole Mario Lopez anecdote

473
00:22:55,920 --> 00:22:57,359
Speaker 4: is the type of thing that I might have found

474
00:22:57,520 --> 00:23:00,200
Speaker 4: charming months ago. But I put a lot of work

475
00:23:00,200 --> 00:23:02,480
Speaker 4: into a rewrite, so to hear that, I mean, can

476
00:23:02,600 --> 00:23:05,159
Speaker 4: some of my changes be kept? Well, we'll see if

477
00:23:05,160 --> 00:23:08,040
Speaker 4: there's any room for him. Let's just crack open volleyball,

478
00:23:08,240 --> 00:23:11,240
Speaker 4: real underdog story. Yeah, and I'll just start reading the

479
00:23:11,400 --> 00:23:22,320
Speaker 4: very first scene, exterior beach. The dude is on the beach,

480
00:23:22,440 --> 00:23:27,800
Speaker 4: the Scusman dude, and he's looking great as always. Shane

481
00:23:28,440 --> 00:23:31,919
Speaker 4: shakes off the sand from his trousers and gets up

482
00:23:32,000 --> 00:23:37,240
Speaker 4: off a mattress of no particular brand. He walks over

483
00:23:37,440 --> 00:23:41,880
Speaker 4: to where we need d is trying to play volleyball

484
00:23:41,920 --> 00:23:44,680
Speaker 4: with Scusman, but secretly scus Man doesn't like him, and

485
00:23:44,760 --> 00:23:46,920
Speaker 4: there's all it's just a prank on him that they're

486
00:23:46,920 --> 00:23:49,600
Speaker 4: even being friends at all. And really, Shane is the

487
00:23:49,640 --> 00:23:53,160
Speaker 4: one who's friends with scus Man and they don't like him.

488
00:23:53,600 --> 00:23:56,719
Speaker 4: We need D finally begins to speak, and he sounds

489
00:23:57,119 --> 00:23:58,359
Speaker 4: really bad.

490
00:24:00,640 --> 00:24:02,639
Speaker 1: All right, I'll read should I read for Weenie D?

491
00:24:02,880 --> 00:24:07,400
Speaker 1: I'm sorry? Uh huh oh discuss Man.

492
00:24:07,480 --> 00:24:12,920
Speaker 4: You beat me so good volleyball, and and my my

493
00:24:13,080 --> 00:24:16,320
Speaker 4: little Wienie hurts so bad from you spiking at.

494
00:24:16,200 --> 00:24:16,960
Speaker 1: That one time.

495
00:24:18,440 --> 00:24:19,600
Speaker 2: Shane's cracking up.

496
00:24:21,760 --> 00:24:24,440
Speaker 1: You get it out of here, you stupid idiot. I

497
00:24:24,480 --> 00:24:28,120
Speaker 1: don't care that your dad is dead from cancer. Okay,

498
00:24:28,280 --> 00:24:30,520
Speaker 1: I'm sorry. Can I do you mind if I stop here?

499
00:24:31,280 --> 00:24:34,840
Speaker 4: This feels like a good a good what I mean

500
00:24:34,920 --> 00:24:36,800
Speaker 4: this is the festing my dad's cancer. I mean, this

501
00:24:36,920 --> 00:24:39,320
Speaker 4: is what I wanted to talk to you about. You

502
00:24:39,600 --> 00:24:41,520
Speaker 4: you got those text messages and use them.

503
00:24:42,160 --> 00:24:44,240
Speaker 2: I'd like to say, for my part, that line is

504
00:24:44,320 --> 00:24:47,080
Speaker 2: not in the scriptscus Man just improvised that at what

505
00:24:47,280 --> 00:24:53,680
Speaker 2: is said. I never wrote that. Had I as much as.

506
00:24:53,640 --> 00:24:56,520
Speaker 1: I'm largely outscussed me outside, I never would have been

507
00:24:56,560 --> 00:25:00,679
Speaker 1: okay with writing that okay, okay, see I no, if

508
00:25:01,480 --> 00:25:03,200
Speaker 1: you could just read the line that's in there, I

509
00:25:03,240 --> 00:25:07,480
Speaker 1: think it's mean enough as is. Sorry, I'm just you know,

510
00:25:07,640 --> 00:25:10,080
Speaker 1: I just I was just a little uh, just a

511
00:25:10,119 --> 00:25:10,760
Speaker 1: little upset.

512
00:25:11,040 --> 00:25:13,119
Speaker 2: But you know, I'll keep it together. I'll keep it together. No,

513
00:25:13,400 --> 00:25:15,880
Speaker 2: gus Man hates when people talk about anyone being sick

514
00:25:15,960 --> 00:25:20,000
Speaker 2: around him, unless it's just that they've got a sick motorbike. So, oh,

515
00:25:20,160 --> 00:25:21,359
Speaker 2: do you have a sick motorbike?

516
00:25:22,400 --> 00:25:23,240
Speaker 1: You know that he doesn't.

517
00:25:23,240 --> 00:25:25,040
Speaker 4: You know, I don't have a sick motorbike. I was

518
00:25:25,160 --> 00:25:28,560
Speaker 4: just hoping the guys this is this is very similar

519
00:25:28,600 --> 00:25:30,800
Speaker 4: to the script. It just feels like it feels like

520
00:25:30,920 --> 00:25:33,160
Speaker 4: this is made to shop on. Well what do you mean,

521
00:25:33,280 --> 00:25:35,720
Speaker 4: how is it? It's kind of basically what was there?

522
00:25:35,800 --> 00:25:38,320
Speaker 4: Almost it's the same main characters, it's the same setting.

523
00:25:38,680 --> 00:25:41,680
Speaker 1: Well, I mean, I know that this is kind of

524
00:25:41,800 --> 00:25:44,040
Speaker 1: since we last since we kind of went through this

525
00:25:44,080 --> 00:25:46,400
Speaker 1: script on the podcast last time, I've had a little

526
00:25:46,400 --> 00:25:47,959
Speaker 1: bit of a change of heart about some of these

527
00:25:48,040 --> 00:25:54,000
Speaker 1: stage directions that that you are so fond of scus Man, Like, oh, you.

528
00:25:54,080 --> 00:25:56,040
Speaker 2: Mean scus Man's ultra realism?

529
00:25:56,760 --> 00:25:57,440
Speaker 1: Is that what it is?

530
00:25:57,800 --> 00:25:58,840
Speaker 2: Is it ultra realism.

531
00:25:59,000 --> 00:26:03,160
Speaker 1: Yeah, that's what that's what the critics have been calling it. Well,

532
00:26:04,600 --> 00:26:06,080
Speaker 1: this has been opened. This has been opened up to

533
00:26:06,119 --> 00:26:09,720
Speaker 1: the critics. You've had a lot of other You're not

534
00:26:09,800 --> 00:26:12,280
Speaker 1: the first person to read it. Yeah, yeah, yeah, we've

535
00:26:12,320 --> 00:26:15,879
Speaker 1: had a lot of other critics read it. And the

536
00:26:16,160 --> 00:26:19,640
Speaker 1: Suscritch bomb Nisbam read it, Nis Bam read it. She's

537
00:26:20,119 --> 00:26:24,560
Speaker 1: going nuts loves it. Okay, uh huh, Andy green read it.

538
00:26:24,600 --> 00:26:25,399
Speaker 1: What a Greenwald thing.

539
00:26:25,840 --> 00:26:28,000
Speaker 2: Okay, he thought that it had some issues.

540
00:26:28,560 --> 00:26:28,919
Speaker 1: All right.

541
00:26:29,280 --> 00:26:32,360
Speaker 2: Uh, well I'm kind of signing with Greenwald here. Okay,

542
00:26:32,520 --> 00:26:35,160
Speaker 2: Well hang on, you've never sided with him before.

543
00:26:35,280 --> 00:26:36,879
Speaker 1: Well, I what I'm Here's what I'm saying is like

544
00:26:36,920 --> 00:26:38,639
Speaker 1: there's a lot of things in the stage direction that like,

545
00:26:38,680 --> 00:26:41,480
Speaker 1: how are we seeing this where it says like Scusman

546
00:26:41,640 --> 00:26:45,200
Speaker 1: doesn't like Weenie Dee and thinks he's a loser and

547
00:26:45,320 --> 00:26:46,600
Speaker 1: is only hanging out with him, Like these are just

548
00:26:46,680 --> 00:26:48,520
Speaker 1: things that you're writing in the state, But how would

549
00:26:48,520 --> 00:26:49,520
Speaker 1: we see that in the scene?

550
00:26:49,640 --> 00:26:51,840
Speaker 2: Well hang on, Well let's get into the scene more

551
00:26:51,880 --> 00:26:52,280
Speaker 2: a little bit.

552
00:26:52,359 --> 00:26:54,639
Speaker 1: Okay, all right, all right, fine, I will go off

553
00:26:54,720 --> 00:27:03,840
Speaker 1: script like I did before. Well, well, nice shot. You're

554
00:27:03,880 --> 00:27:05,160
Speaker 1: really bad at volleyball.

555
00:27:05,400 --> 00:27:08,320
Speaker 2: Hey ha ha ha. Now I'm Shane here, and I'm

556
00:27:08,359 --> 00:27:10,720
Speaker 2: the one with my arm around the honeyes because remember

557
00:27:10,840 --> 00:27:13,880
Speaker 2: last time it was I was not the cool guy,

558
00:27:13,920 --> 00:27:14,920
Speaker 2: but now I am.

559
00:27:15,080 --> 00:27:17,919
Speaker 1: In this script, Oh thank god you're here, Shane.

560
00:27:18,880 --> 00:27:21,800
Speaker 2: Scus Man is loving what Shane's doing, and scus Man

561
00:27:21,920 --> 00:27:24,320
Speaker 2: is really looking at him and knowing that their friends.

562
00:27:24,440 --> 00:27:27,159
Speaker 2: And we Need D was just getting tricked when he

563
00:27:27,240 --> 00:27:28,399
Speaker 2: thought they were friends before.

564
00:27:29,160 --> 00:27:31,800
Speaker 1: Shane, can I have one of your honeyes?

565
00:27:32,520 --> 00:27:35,800
Speaker 2: Okay? And so and we need D wants one of

566
00:27:35,800 --> 00:27:37,480
Speaker 2: the honeys and he can't have it. And now this

567
00:27:37,600 --> 00:27:43,800
Speaker 2: will be dialogue from Shane. Uh how about no? Yeah,

568
00:27:44,119 --> 00:27:46,679
Speaker 2: honeys are just for people who like to discuss.

569
00:27:48,080 --> 00:27:55,280
Speaker 1: Oh that wave broke my leg? Good, good thought, Shane.

570
00:27:56,400 --> 00:27:58,800
Speaker 1: All right, see this is an example of what I'm saying.

571
00:27:59,080 --> 00:28:01,119
Speaker 2: What do you mean? Good thought? Shane?

572
00:28:01,320 --> 00:28:03,280
Speaker 1: Like, that's this that's a novel that should be in

573
00:28:03,320 --> 00:28:05,960
Speaker 1: a novel or not a screenplay. Like, you're never gonna

574
00:28:05,960 --> 00:28:08,480
Speaker 1: see that. What does that look like on screen? Tell me?

575
00:28:08,800 --> 00:28:12,440
Speaker 2: Probably, oh, probably I'm gonna you know, people can't hear it,

576
00:28:12,520 --> 00:28:14,240
Speaker 2: but what they would see is sort of a smirk

577
00:28:14,400 --> 00:28:14,560
Speaker 2: like this.

578
00:28:16,600 --> 00:28:19,119
Speaker 1: Yeah, all right, that, I mean, it does convey it,

579
00:28:19,160 --> 00:28:21,480
Speaker 1: but that's just because of your acting, Like that's a

580
00:28:21,600 --> 00:28:22,600
Speaker 1: lot of lesser actors.

581
00:28:22,800 --> 00:28:25,800
Speaker 2: But how would you know what's that? How would you

582
00:28:25,960 --> 00:28:30,640
Speaker 2: know that unless you read it? Wait, isn't that making

583
00:28:30,720 --> 00:28:31,399
Speaker 2: my point for me?

584
00:28:32,000 --> 00:28:32,040
Speaker 1: No?

585
00:28:32,840 --> 00:28:36,040
Speaker 2: No, no, not at all. Okay, you just don't get

586
00:28:36,080 --> 00:28:38,600
Speaker 2: the ultra realism. You have to read it.

587
00:28:38,880 --> 00:28:39,360
Speaker 1: I can't.

588
00:28:39,560 --> 00:28:41,959
Speaker 2: I mean, you can't just watch it. What scus Man

589
00:28:42,000 --> 00:28:46,480
Speaker 2: has really taught me about film is that many times

590
00:28:46,520 --> 00:28:49,160
Speaker 2: it doesn't reflect our real life. And where I had

591
00:28:49,200 --> 00:28:52,160
Speaker 2: had notes on the ten page nap in your original draft,

592
00:28:52,280 --> 00:28:55,440
Speaker 2: we've now extended it to be closer to forty two

593
00:28:55,520 --> 00:28:58,840
Speaker 2: pages yecause that is how long a nap would take.

594
00:28:59,840 --> 00:29:01,640
Speaker 4: I was seeing that, I was kind of flipping ahead

595
00:29:01,640 --> 00:29:03,240
Speaker 4: to some of the other I mean, one thing I

596
00:29:03,240 --> 00:29:06,080
Speaker 4: will say about this scene and we just read is

597
00:29:06,160 --> 00:29:08,400
Speaker 4: I don't think that the viewing aught like it kind

598
00:29:08,400 --> 00:29:10,560
Speaker 4: of directly references a previous.

599
00:29:10,320 --> 00:29:11,400
Speaker 2: Draft or the script.

600
00:29:12,280 --> 00:29:12,640
Speaker 1: You don't know.

601
00:29:12,840 --> 00:29:15,480
Speaker 2: That's good. I just don't think people will understand.

602
00:29:15,560 --> 00:29:17,160
Speaker 4: I think people will need But it sounds like there's

603
00:29:17,160 --> 00:29:19,480
Speaker 4: a plan in place to have people reading along with

604
00:29:19,600 --> 00:29:21,120
Speaker 4: the script as they're watching this.

605
00:29:21,240 --> 00:29:22,440
Speaker 1: Movie is that would help.

606
00:29:22,800 --> 00:29:25,560
Speaker 2: Yeah, and they very much help. Ideally they've read the

607
00:29:25,600 --> 00:29:27,960
Speaker 2: old draft before they start watching it too, and then

608
00:29:28,000 --> 00:29:30,600
Speaker 2: they're reading the current draft while they watch it. You're

609
00:29:30,720 --> 00:29:33,920
Speaker 2: not allowed into the movie unless you've read. It's a

610
00:29:34,600 --> 00:29:37,920
Speaker 2: fully interactive experience, and that I think is the future

611
00:29:38,040 --> 00:29:38,880
Speaker 2: of film.

612
00:29:40,120 --> 00:29:42,280
Speaker 1: You never said film this way before. That's a scus

613
00:29:42,360 --> 00:29:44,240
Speaker 1: Man thing to call it a film. Well, you know,

614
00:29:44,320 --> 00:29:47,040
Speaker 1: I've created my own term. I've created a lot of

615
00:29:47,080 --> 00:29:49,920
Speaker 1: my own terms, and film is one of them. You

616
00:29:50,040 --> 00:29:52,640
Speaker 1: know what, scuz I used to love hearing these. You

617
00:29:53,080 --> 00:29:55,719
Speaker 1: talk for hours about the difference between film and film

618
00:29:56,360 --> 00:29:59,120
Speaker 1: and what it meant. But I can't stomach it anymore.

619
00:30:01,800 --> 00:30:03,240
Speaker 1: We'll be filming it on film.

620
00:30:03,280 --> 00:30:05,520
Speaker 2: We are not shooting this digital because we can tell

621
00:30:05,600 --> 00:30:06,920
Speaker 2: the difference and we need the grain.

622
00:30:07,080 --> 00:30:09,400
Speaker 1: Well digital looks about as good as fil. I mean,

623
00:30:09,400 --> 00:30:13,320
Speaker 1: it's just a production thing. Fuck you what?

624
00:30:13,960 --> 00:30:17,160
Speaker 2: Oh sorry, but come on, you know that's BS now.

625
00:30:18,520 --> 00:30:21,680
Speaker 2: I just remember, just because man, I have the cash

626
00:30:21,760 --> 00:30:23,360
Speaker 2: that you wanted.

627
00:30:23,680 --> 00:30:25,840
Speaker 1: Oh Sean, Oh good, wait, wait, what's this for?

628
00:30:26,080 --> 00:30:27,600
Speaker 2: He really need? He really needs it?

629
00:30:27,840 --> 00:30:30,680
Speaker 1: Just because no, because he just he got jumped by

630
00:30:30,760 --> 00:30:33,280
Speaker 1: some of the beach cops, and so he had had

631
00:30:33,320 --> 00:30:36,000
Speaker 1: a bunch of cash that he was he was bringing up,

632
00:30:36,800 --> 00:30:39,880
Speaker 1: you got jumped by beach He told me that same story, Sean,

633
00:30:40,000 --> 00:30:42,360
Speaker 1: And he and he borrowed five hundred dollars and I

634
00:30:42,480 --> 00:30:43,920
Speaker 1: never saw it, and I and in the back of

635
00:30:44,000 --> 00:30:45,800
Speaker 1: my mind I knew that this is what he does.

636
00:30:45,880 --> 00:30:47,880
Speaker 2: He only gave you five hundred. Well, now we know

637
00:30:47,920 --> 00:30:48,920
Speaker 2: who the true friend is.

638
00:30:49,600 --> 00:30:51,800
Speaker 1: How much money? How much money is in that envelope?

639
00:30:51,800 --> 00:30:56,560
Speaker 1: Two hundred and twenty five dollars? Thank you, thank you man. Yeah,

640
00:30:56,600 --> 00:30:58,800
Speaker 1: those beach guys, he's gonna have much money. He's gonna

641
00:30:58,800 --> 00:30:59,200
Speaker 1: get me back.

642
00:30:59,200 --> 00:31:01,440
Speaker 2: He's good for it because he's actually gonna he knows

643
00:31:01,480 --> 00:31:03,000
Speaker 2: where the beach cops keep their stash.

644
00:31:03,280 --> 00:31:05,480
Speaker 1: Sean. Just think about this story that he's telling you.

645
00:31:05,600 --> 00:31:07,400
Speaker 1: He's telling you that a bunch of beach cups, a

646
00:31:07,440 --> 00:31:09,920
Speaker 1: bunch of officers of the law, jumped him and took

647
00:31:10,360 --> 00:31:13,440
Speaker 1: over two hundred grand that he was carrying on his person. Yeah,

648
00:31:13,520 --> 00:31:15,080
Speaker 1: well it was for he was going to pay rent

649
00:31:15,120 --> 00:31:17,760
Speaker 1: on his bus location. No, but think about that like that.

650
00:31:17,920 --> 00:31:19,800
Speaker 1: There's no way that that's that much money. I mean,

651
00:31:19,840 --> 00:31:22,240
Speaker 1: what how much. First of all, he's parks on the street.

652
00:31:22,400 --> 00:31:26,239
Speaker 1: There's no rent, right sand? What's that the sand? Are

653
00:31:26,280 --> 00:31:29,280
Speaker 1: you rolled the bus over the sand? Now he put

654
00:31:29,320 --> 00:31:32,600
Speaker 1: the bus on the same street. So the beach cops

655
00:31:32,600 --> 00:31:35,520
Speaker 1: are probably responding to that. Oh no, man, they're just

656
00:31:35,600 --> 00:31:37,640
Speaker 1: so you're saying you do believe the beach cops story.

657
00:31:37,760 --> 00:31:40,480
Speaker 1: I'm saying that maybe he got in trouble with beach cops,

658
00:31:40,520 --> 00:31:43,640
Speaker 1: but they didn't steal hundreds of thousands of dollars from him.

659
00:31:44,080 --> 00:31:46,280
Speaker 1: Just think about it. I just don't want to see

660
00:31:46,360 --> 00:31:48,080
Speaker 1: him drag you into the same.

661
00:31:47,960 --> 00:31:49,920
Speaker 2: Let see, who am I going to trust, my friend

662
00:31:50,000 --> 00:31:52,400
Speaker 2: scus Man or the guy who's clearly jealous of me

663
00:31:52,480 --> 00:31:55,240
Speaker 2: and scus Man, I don't know the answer to that

664
00:31:56,320 --> 00:32:01,120
Speaker 2: is gus Man yes. And so while I appreciate and

665
00:32:01,240 --> 00:32:06,080
Speaker 2: I'm using quotes with my hands, I've learned that kid, yes,

666
00:32:06,200 --> 00:32:08,240
Speaker 2: and he and we feed off each other.

667
00:32:08,520 --> 00:32:13,920
Speaker 1: I mean, look, guys, the script's really good. Okay, I'm

668
00:32:13,960 --> 00:32:17,200
Speaker 1: not gonna sit here and say that it's not really

669
00:32:17,280 --> 00:32:20,160
Speaker 1: freaking funny and that the jokes aren't on point. I

670
00:32:20,280 --> 00:32:22,960
Speaker 1: just wish it wasn't so personal. I wish there wasn't.

671
00:32:22,880 --> 00:32:24,760
Speaker 2: Well, let me get just to turn and So this

672
00:32:24,920 --> 00:32:26,640
Speaker 2: is just the next thing that happens in the scene,

673
00:32:26,680 --> 00:32:29,280
Speaker 2: and I think it's kind of a cool moment. So

674
00:32:30,440 --> 00:32:32,960
Speaker 2: Shane looks out at the sunset as he did in

675
00:32:33,040 --> 00:32:36,200
Speaker 2: the old draft, but this time he inhales deeply, smelling

676
00:32:36,320 --> 00:32:38,920
Speaker 2: the ocean air. It brings him back to his childhood,

677
00:32:39,080 --> 00:32:42,640
Speaker 2: the sense and the memories. Smell is the sense most

678
00:32:42,680 --> 00:32:47,680
Speaker 2: closely related to memories. Sense sen s, not scnts, which

679
00:32:48,080 --> 00:32:50,080
Speaker 2: is what he was saying before when he said the

680
00:32:50,160 --> 00:32:54,240
Speaker 2: sense of his childhood. He remembers curling up close to

681
00:32:54,320 --> 00:32:57,560
Speaker 2: the vent where the dryer steam would leak out when

682
00:32:57,640 --> 00:33:00,160
Speaker 2: his mom was doing a load of laundry, and the

683
00:33:00,320 --> 00:33:04,440
Speaker 2: smell he would inhale so deeply, and how he desired

684
00:33:04,520 --> 00:33:05,440
Speaker 2: to be closer to it.

685
00:33:05,560 --> 00:33:06,000
Speaker 1: Somehow.

686
00:33:06,200 --> 00:33:09,000
Speaker 2: It was a smell that was at the same time

687
00:33:09,560 --> 00:33:13,320
Speaker 2: thrilling and frustrating. How could he have more of it?

688
00:33:13,480 --> 00:33:15,440
Speaker 2: It wasn't like smelling a pie where you get to

689
00:33:15,480 --> 00:33:17,560
Speaker 2: take a bite, or even the perfume of a woman

690
00:33:17,640 --> 00:33:19,800
Speaker 2: where you get to take a bite. Can I it

691
00:33:20,240 --> 00:33:21,120
Speaker 2: can't go stop you?

692
00:33:21,240 --> 00:33:23,920
Speaker 1: I just want to stop you because because I've just

693
00:33:24,080 --> 00:33:26,200
Speaker 1: am go ahead and looking ahead, And this this scene

694
00:33:26,240 --> 00:33:29,719
Speaker 1: goes on for another ten pages. Well he really likes

695
00:33:29,800 --> 00:33:33,680
Speaker 1: the smell, Yes, but I I think it's worth considering

696
00:33:33,760 --> 00:33:36,960
Speaker 1: that there's that. Maybe on screen it might just read

697
00:33:37,040 --> 00:33:39,920
Speaker 1: as a guy looking out at the beach for ten

698
00:33:39,960 --> 00:33:42,280
Speaker 1: minutes and you have no idea what he's thinking, or do.

699
00:33:42,280 --> 00:33:44,680
Speaker 2: You know about that he's time traveling. I mean it's

700
00:33:44,720 --> 00:33:47,760
Speaker 2: inspired by our love for back to the future. Remember

701
00:33:49,560 --> 00:33:50,080
Speaker 2: you get.

702
00:33:50,040 --> 00:33:54,200
Speaker 1: Your damn dirty hands offer, you know, like yeah, so

703
00:33:54,400 --> 00:33:55,080
Speaker 1: it's kind of like that.

704
00:33:55,200 --> 00:33:58,200
Speaker 2: He's time traveling through his nose because the smell makes

705
00:33:58,240 --> 00:34:02,040
Speaker 2: him remember being a child and curling up. Now were

706
00:34:02,040 --> 00:34:04,360
Speaker 2: a team from the dryer was I didn't.

707
00:34:04,080 --> 00:34:06,040
Speaker 1: Realize we're gonna be seeing that. No, you don't see it.

708
00:34:06,160 --> 00:34:08,400
Speaker 1: You can't see it. We don't have the budget. You

709
00:34:08,640 --> 00:34:12,040
Speaker 1: just read it, gus Man. You don't even own a computer.

710
00:34:12,200 --> 00:34:12,719
Speaker 1: What right?

711
00:34:12,880 --> 00:34:13,880
Speaker 2: How did you use a computer?

712
00:34:14,320 --> 00:34:14,360
Speaker 1: No?

713
00:34:14,480 --> 00:34:16,200
Speaker 2: I had to do a lot of the physical typing.

714
00:34:16,320 --> 00:34:18,160
Speaker 1: See, this is what he does. Key makes you do

715
00:34:18,280 --> 00:34:20,400
Speaker 1: all the work and then he and then he, he

716
00:34:20,840 --> 00:34:22,440
Speaker 1: takes ownership over the adea himself.

717
00:34:22,480 --> 00:34:28,439
Speaker 2: I mean, speaking of ownership, I do think it's fair

718
00:34:28,520 --> 00:34:30,640
Speaker 2: because I did so much typing that my name is

719
00:34:30,719 --> 00:34:33,799
Speaker 2: on the script. Because this is so different from your

720
00:34:33,840 --> 00:34:37,719
Speaker 2: initial draft of Volleyball a real underdog story. Wire is

721
00:34:37,760 --> 00:34:40,319
Speaker 2: still a great title, despite the fact that we don't

722
00:34:40,320 --> 00:34:43,719
Speaker 2: see any volleyball get played in this current iteration. Yeah,

723
00:34:44,160 --> 00:34:47,759
Speaker 2: because it is so different we need d I do

724
00:34:48,000 --> 00:34:50,759
Speaker 2: think that you should be called that now in my

725
00:34:50,920 --> 00:34:54,600
Speaker 2: life it suits. Yeah, we do think that maybe it

726
00:34:54,600 --> 00:34:56,040
Speaker 2: doesn't make sense for you to have your name on

727
00:34:56,160 --> 00:34:56,880
Speaker 2: as a writer.

728
00:34:58,120 --> 00:35:00,520
Speaker 1: WHOA you want my name off this entire Could we

729
00:35:00,800 --> 00:35:03,960
Speaker 1: broke this whole story? I you know what I was.

730
00:35:04,040 --> 00:35:06,239
Speaker 1: I was looking at this scene skipping ahead a little

731
00:35:06,280 --> 00:35:08,680
Speaker 1: bit that do you mind if we do?

732
00:35:08,719 --> 00:35:09,800
Speaker 2: You mind if we just jump to it?

733
00:35:09,960 --> 00:35:12,640
Speaker 1: Sure? Anywhere you are this scene that takes place on

734
00:35:12,800 --> 00:35:16,280
Speaker 1: the cliff overlooking the beach, where the scusman is holding

735
00:35:16,880 --> 00:35:19,680
Speaker 1: Weenie Dee by the throat over the cliff. Oh sure,

736
00:35:19,760 --> 00:35:20,440
Speaker 1: let's jump.

737
00:35:20,280 --> 00:35:26,560
Speaker 2: To that scene. Yeah, just fucking do it, scus man,

738
00:35:26,719 --> 00:35:27,120
Speaker 2: Just do it.

739
00:35:27,840 --> 00:35:30,919
Speaker 1: I'll sign whatever you want me to say. It's too late,

740
00:35:31,000 --> 00:35:34,920
Speaker 1: you little no the scripts, your scus man, you screwed

741
00:35:35,080 --> 00:35:37,520
Speaker 1: up Weenie d You should have just given us the

742
00:35:37,560 --> 00:35:38,680
Speaker 1: script when we wanted it.

743
00:35:38,920 --> 00:35:40,560
Speaker 2: But now this is what you get.

744
00:35:40,880 --> 00:35:43,960
Speaker 1: Oh no, I'm peeling all over me and the people

745
00:35:44,040 --> 00:35:45,000
Speaker 1: on the beach below.

746
00:35:45,200 --> 00:35:47,399
Speaker 2: That just proves that you were never a man.

747
00:35:47,960 --> 00:35:50,040
Speaker 1: Now, get ready to eat rocks.

748
00:35:50,360 --> 00:35:54,080
Speaker 2: Yeah, go see your dad in hell. Wait, let's punch

749
00:35:54,200 --> 00:35:56,120
Speaker 2: him around a little bit before we drop him to

750
00:35:56,239 --> 00:35:59,200
Speaker 2: his dad. Oh good, give me that money?

751
00:35:59,280 --> 00:36:00,719
Speaker 1: Do you owe me? Give me that money.

752
00:36:00,840 --> 00:36:03,560
Speaker 2: Shane is thinking how thrilling this is and is Adrenaline's

753
00:36:03,640 --> 00:36:04,480
Speaker 2: really going.

754
00:36:04,680 --> 00:36:07,240
Speaker 1: Hey, what are you doing with my dad's dead body?

755
00:36:07,520 --> 00:36:10,200
Speaker 2: Gus Man is also starting to think about how much

756
00:36:10,239 --> 00:36:10,800
Speaker 2: he likes this.

757
00:36:11,800 --> 00:36:18,759
Speaker 1: Oh god, oh getad Yeah, let's finish off.

758
00:36:18,840 --> 00:36:22,720
Speaker 2: Boby y, I'm not reading this anymore.

759
00:36:22,840 --> 00:36:24,240
Speaker 1: What's not what's the problem?

760
00:36:24,320 --> 00:36:26,480
Speaker 2: What's the problem? I can't read this anymore? Are you

761
00:36:26,600 --> 00:36:29,680
Speaker 2: fucking serious? Two things that were missing from your old draft?

762
00:36:29,960 --> 00:36:33,240
Speaker 2: Action and sex? This scene has both.

763
00:36:34,000 --> 00:36:36,920
Speaker 4: Yeah, look it sounds it's exciting, like there's a lot

764
00:36:36,960 --> 00:36:38,040
Speaker 4: of stakes to the scene.

765
00:36:38,080 --> 00:36:41,920
Speaker 1: Okay. Just from an academic screenwriting perspective, it's all there, okay,

766
00:36:42,000 --> 00:36:44,560
Speaker 1: But personally for me, it's hard to read this stuff well.

767
00:36:44,640 --> 00:36:47,080
Speaker 2: And I think we hear a lot about how there's

768
00:36:47,160 --> 00:36:49,880
Speaker 2: sort of a double standard with nudity and film, and

769
00:36:50,040 --> 00:36:52,840
Speaker 2: that women get exploited and you don't really get to

770
00:36:52,880 --> 00:36:59,320
Speaker 2: see big juicy man meat blasting all over another dude.

771
00:37:00,440 --> 00:37:04,000
Speaker 2: And and so we thought, let's strike a blow for equality,

772
00:37:04,200 --> 00:37:06,040
Speaker 2: but on our terms.

773
00:37:05,960 --> 00:37:10,000
Speaker 1: Exactly, Man, responding to those audience's concerns. You know what

774
00:37:10,080 --> 00:37:13,200
Speaker 1: do you mean they're passing the Bacca doll test? Uh

775
00:37:15,239 --> 00:37:19,320
Speaker 1: Dan baccad Yeah, he tests every movie. There's one or

776
00:37:19,360 --> 00:37:22,920
Speaker 1: more daily show correspondents, one or more daily and man

777
00:37:23,080 --> 00:37:26,799
Speaker 1: meet just raping and Ted body see this is well

778
00:37:26,960 --> 00:37:30,000
Speaker 1: you so well that's h yeah, well yeah, I think

779
00:37:30,040 --> 00:37:32,280
Speaker 1: it's a stretch to say that this is a gender issue.

780
00:37:32,680 --> 00:37:34,360
Speaker 1: You know that that that this was trying to confront

781
00:37:34,400 --> 00:37:34,840
Speaker 1: some sort of.

782
00:37:35,440 --> 00:37:38,799
Speaker 4: Male female jen I would I would at least hope

783
00:37:38,800 --> 00:37:41,240
Speaker 4: that you cop to the fact that this is directed

784
00:37:41,280 --> 00:37:44,080
Speaker 4: at me and that this is almost an intimidation measure

785
00:37:44,120 --> 00:37:46,160
Speaker 4: to get me to sign over the rights to the

786
00:37:46,200 --> 00:37:48,360
Speaker 4: sky just because we need d in the script.

787
00:37:48,560 --> 00:37:51,920
Speaker 2: Is humiliated, gets jerked off on, and then murdered because

788
00:37:51,960 --> 00:37:54,080
Speaker 2: he won't sign over the rights of the script and

789
00:37:54,160 --> 00:37:56,640
Speaker 2: he wants to involve the WGA like some kind of

790
00:37:56,719 --> 00:38:01,560
Speaker 2: fucking weakling. Yes, yes, that's I don't see the parallel

791
00:38:02,400 --> 00:38:06,920
Speaker 2: scus man, do you No, not at all, Man, No, no,

792
00:38:07,800 --> 00:38:08,360
Speaker 2: you don't.

793
00:38:08,239 --> 00:38:12,040
Speaker 1: See any parallel. My dad has cancer. That's what I'm

794
00:38:12,080 --> 00:38:14,600
Speaker 1: texting you about. That's what I'm That's the big thing

795
00:38:14,680 --> 00:38:15,759
Speaker 1: going on in my life right now.

796
00:38:15,880 --> 00:38:18,759
Speaker 4: You guys, right now, I think probably want me to

797
00:38:19,520 --> 00:38:21,320
Speaker 4: sign over the rights of the screenplay, agree that I

798
00:38:21,360 --> 00:38:24,600
Speaker 4: want arbitrate with the WGA, just like a similar document

799
00:38:24,600 --> 00:38:26,880
Speaker 4: to which Sean made me sign for the seventy five

800
00:38:27,000 --> 00:38:28,720
Speaker 4: twenty five split we have in our salary.

801
00:38:28,800 --> 00:38:33,360
Speaker 2: Now, now this may seem odd I guess that I

802
00:38:33,600 --> 00:38:36,000
Speaker 2: was so against Gus had bringing up your dad in

803
00:38:36,080 --> 00:38:38,480
Speaker 2: the previous scene that I had written him into this

804
00:38:38,640 --> 00:38:42,120
Speaker 2: later scene. Yeah, But the reason I was upset That'scusman

805
00:38:42,200 --> 00:38:45,160
Speaker 2: improvised that about your father is only because it's supposed

806
00:38:45,239 --> 00:38:47,759
Speaker 2: to be a reveal in the film. I thought, there,

807
00:38:47,960 --> 00:38:49,600
Speaker 2: we've used him to leverage you.

808
00:38:50,000 --> 00:38:50,279
Speaker 3: I hear.

809
00:38:50,360 --> 00:38:52,840
Speaker 1: I thought it was moral outraged on my behalf.

810
00:38:53,360 --> 00:38:56,200
Speaker 2: Yes, I understand why it maybe felt that way at

811
00:38:56,239 --> 00:38:58,960
Speaker 2: the time, but you just want to coachable with the

812
00:38:59,040 --> 00:39:02,200
Speaker 2: podcast going again that area that it just seemed a

813
00:39:02,239 --> 00:39:06,239
Speaker 2: little too kind of ghoulish even for us. But that's

814
00:39:06,400 --> 00:39:09,080
Speaker 2: not the case, because I wanted it to be even

815
00:39:09,239 --> 00:39:12,480
Speaker 2: worse later, and that is why I was upset, and

816
00:39:12,560 --> 00:39:15,799
Speaker 2: I just want to make that point now, because.

817
00:39:15,600 --> 00:39:17,160
Speaker 1: Yeah, at the beginning, it seemed like you didn't want

818
00:39:17,160 --> 00:39:19,320
Speaker 1: anything in the area of cancer.

819
00:39:19,600 --> 00:39:22,160
Speaker 2: Just that wasn't that to me, that's not even really

820
00:39:22,280 --> 00:39:25,960
Speaker 2: a joke, that it's just like dark and gross for

821
00:39:26,120 --> 00:39:28,719
Speaker 2: dark and gross's sake. But actually, I just thought there

822
00:39:28,800 --> 00:39:30,560
Speaker 2: was a more effective way to do it, which is

823
00:39:30,640 --> 00:39:33,600
Speaker 2: that I guess we are turned on by your dad's

824
00:39:33,640 --> 00:39:36,799
Speaker 2: dead body, which we've dragged out to show you when

825
00:39:36,840 --> 00:39:39,080
Speaker 2: we're holding you over the cliff by your throat and

826
00:39:39,360 --> 00:39:41,800
Speaker 2: masturbating on you, And we wanted to be clear that

827
00:39:41,960 --> 00:39:44,160
Speaker 2: what is arousing us to the point where we are

828
00:39:44,320 --> 00:39:48,960
Speaker 2: capable of just plooging onto your face is that we

829
00:39:49,120 --> 00:39:53,600
Speaker 2: have your dad's carcass next to us on the rocks at.

830
00:39:53,560 --> 00:39:55,200
Speaker 1: The edge of the cliff. And you were just upset

831
00:39:55,239 --> 00:39:56,200
Speaker 1: that Scusman kind of.

832
00:39:56,200 --> 00:39:59,480
Speaker 2: Tipped that, Well, it's not a good storytelling, and scus

833
00:39:59,520 --> 00:40:02,560
Speaker 2: Man you no better. He kept wanting to introduce that line.

834
00:40:02,600 --> 00:40:05,319
Speaker 1: I'm sorry, man, I'm just really excited about where we've

835
00:40:05,400 --> 00:40:07,759
Speaker 1: taken this script, you know, I'm just I'm just like,

836
00:40:08,440 --> 00:40:10,800
Speaker 1: I mean, I've just it's just been with working with

837
00:40:10,960 --> 00:40:15,040
Speaker 1: you you know. Yeah, we cracked it open like an egg. Yeah.

838
00:40:15,719 --> 00:40:18,759
Speaker 2: Yeah, we didn't get to that joke. Oh no, we

839
00:40:18,800 --> 00:40:21,080
Speaker 2: didn't wind up saying it in the scenes that we read,

840
00:40:21,160 --> 00:40:23,480
Speaker 2: but it is on basically every page and usually more

841
00:40:23,560 --> 00:40:25,960
Speaker 2: than once. Yeah, we just skipped over that.

842
00:40:26,080 --> 00:40:26,919
Speaker 1: We just got lucky.

843
00:40:27,000 --> 00:40:30,000
Speaker 2: I guess. Yeah, we sort of cherry picked the scenes

844
00:40:30,080 --> 00:40:31,120
Speaker 2: to somehow avoid that.

845
00:40:31,800 --> 00:40:35,160
Speaker 1: Well. Look, I mean obviously you guys can you guys

846
00:40:35,239 --> 00:40:38,839
Speaker 1: know I'm not happy about it, but if you really

847
00:40:38,920 --> 00:40:43,799
Speaker 1: want me to sign over my acclaim to the screenplay,

848
00:40:44,239 --> 00:40:47,120
Speaker 1: I will. Uh you know it's uh.

849
00:40:48,640 --> 00:40:51,640
Speaker 2: Oh, oh geez, I guess uh Scusman, did you even

850
00:40:51,760 --> 00:40:53,600
Speaker 2: I mean, we weren't even thinking that, But Scusman, would

851
00:40:53,600 --> 00:40:54,120
Speaker 2: you be cool with that?

852
00:40:54,920 --> 00:40:56,640
Speaker 1: Yeah? I mean you weren't even thinking that.

853
00:40:57,120 --> 00:40:59,359
Speaker 2: No, I have even had that idea, But Scusman, if

854
00:40:59,360 --> 00:41:01,000
Speaker 2: you're cool with that, I guess we'd let him do it.

855
00:41:01,480 --> 00:41:01,680
Speaker 3: Yeah.

856
00:41:01,680 --> 00:41:04,480
Speaker 2: I'm super cool with that, man, I mean, because it's

857
00:41:04,719 --> 00:41:05,080
Speaker 2: kind of.

858
00:41:05,880 --> 00:41:08,640
Speaker 1: Oh, scus man, here's the keys to my place, you know.

859
00:41:09,840 --> 00:41:13,400
Speaker 2: Oh yeah, it's just he's been having some issues with

860
00:41:13,480 --> 00:41:15,600
Speaker 2: the bus and there's no AC and he's actually got

861
00:41:15,680 --> 00:41:17,920
Speaker 2: this really cool condo lined up. But it's being renovated.

862
00:41:18,040 --> 00:41:19,200
Speaker 1: He doesn't. There's no condo.

863
00:41:19,400 --> 00:41:21,000
Speaker 2: He's yeah, he know there is.

864
00:41:21,320 --> 00:41:23,400
Speaker 1: You know, he showed me a picture of it. It's luxurious.

865
00:41:23,400 --> 00:41:25,480
Speaker 1: It's gonna bring people back to He's gonna bring homeless

866
00:41:25,480 --> 00:41:29,359
Speaker 1: people back to Hell. Sure, Okay, he admits it right here.

867
00:41:30,680 --> 00:41:33,520
Speaker 2: He never hid that from me. And they won't be

868
00:41:33,640 --> 00:41:35,279
Speaker 2: homeless at that point because they'll be in my place.

869
00:41:35,600 --> 00:41:36,760
Speaker 2: There'll be guys.

870
00:41:36,960 --> 00:41:39,239
Speaker 1: You gotta be extra quiet because my dad will flip out.

871
00:41:39,239 --> 00:41:42,799
Speaker 1: And he did used to be a cop. Oh sean. Yeah, man,

872
00:41:42,840 --> 00:41:45,040
Speaker 1: I'm cool, and he'll take it out on me if

873
00:41:45,080 --> 00:41:47,239
Speaker 1: you do anything about one thing you got to know

874
00:41:47,239 --> 00:41:51,040
Speaker 1: about Disguss. Moms love him. Dad's hate him. That's like

875
00:41:51,080 --> 00:41:53,640
Speaker 1: a big quality of his. Okay, And so you don't

876
00:41:53,680 --> 00:41:54,040
Speaker 1: want him.

877
00:41:54,400 --> 00:41:57,440
Speaker 2: Your dad is your mom there? Oh no, no, we

878
00:41:57,560 --> 00:41:59,919
Speaker 2: don't know where she is. We haven't a stab.

879
00:42:00,480 --> 00:42:01,480
Speaker 1: Yeah, oh wait, that's right.

880
00:42:01,800 --> 00:42:04,319
Speaker 2: That's just hard to care when I'm drinking this great

881
00:42:04,440 --> 00:42:06,520
Speaker 2: new gatorade that Scusman turned me on to.

882
00:42:07,400 --> 00:42:09,759
Speaker 1: What kind of what is that? That looks like a

883
00:42:09,920 --> 00:42:11,240
Speaker 1: very faded bottle.

884
00:42:11,360 --> 00:42:14,120
Speaker 2: It's very thick, and it's a and and it's uh

885
00:42:14,719 --> 00:42:17,560
Speaker 2: just like makes me feel, I don't know, loose and free,

886
00:42:17,680 --> 00:42:20,359
Speaker 2: and I don't have to question his motivations so much

887
00:42:20,440 --> 00:42:21,160
Speaker 2: when I take a bit.

888
00:42:21,239 --> 00:42:23,080
Speaker 1: Oh no, no, that's that purple.

889
00:42:23,120 --> 00:42:26,080
Speaker 2: That's purple drank. Oh what that's that purple drank, Sean.

890
00:42:26,160 --> 00:42:29,120
Speaker 2: That's coding and coff s that's his or coding and

891
00:42:29,200 --> 00:42:30,439
Speaker 2: something else. You getting raised?

892
00:42:30,719 --> 00:42:32,200
Speaker 1: Well good?

893
00:42:32,800 --> 00:42:35,200
Speaker 2: I mean, I mean, look, let's just be honest.

894
00:42:35,320 --> 00:42:39,840
Speaker 1: I'm on one. You're on I'm on one. Oh like

895
00:42:39,960 --> 00:42:46,160
Speaker 1: the song? Yeah, yeah, on one. He's faded, dude, Well

896
00:42:46,239 --> 00:42:50,239
Speaker 1: look he's on one. Yeah, Sean, I really hated Sean.

897
00:42:50,360 --> 00:42:52,640
Speaker 4: I want you I think sometime down in the very

898
00:42:52,680 --> 00:42:54,800
Speaker 4: near future, you're gonna regret these decisions you're making with

899
00:42:54,840 --> 00:42:55,320
Speaker 4: the scusman.

900
00:42:55,360 --> 00:42:56,759
Speaker 1: I want you to know you can always call me.

901
00:42:57,880 --> 00:43:01,640
Speaker 1: It's time for it. It's it's the Popcorn Gallery. It's

902
00:43:01,719 --> 00:43:05,400
Speaker 1: a segment on Hollywood hand Book, Sean, and heyes, let

903
00:43:05,640 --> 00:43:08,880
Speaker 1: the views asked the questions in the gin because the

904
00:43:09,040 --> 00:43:12,000
Speaker 1: movies is the reason in the sun. And I got

905
00:43:12,040 --> 00:43:15,160
Speaker 1: pretty far in it, So it's time for the Popcorn Gallery.

906
00:43:15,239 --> 00:43:16,759
Speaker 1: And Dom, I didn't quite hear what you were saying,

907
00:43:16,800 --> 00:43:18,720
Speaker 1: because I was just pulling up some of these questions

908
00:43:18,760 --> 00:43:24,880
Speaker 1: we got for the Scars man. So uh and dom uh?

909
00:43:25,080 --> 00:43:27,080
Speaker 2: Did I did you get the sound drops from Mark?

910
00:43:27,160 --> 00:43:29,040
Speaker 2: Can you reach into the popcorn bag and get those

911
00:43:29,080 --> 00:43:29,440
Speaker 2: for us?

912
00:43:30,160 --> 00:43:30,359
Speaker 3: Yeah?

913
00:43:30,440 --> 00:43:31,279
Speaker 1: Yeah, okay, here we go.

914
00:43:32,239 --> 00:43:45,200
Speaker 2: I love having my assistant here, chick. And then was

915
00:43:45,239 --> 00:43:45,919
Speaker 2: it on a train?

916
00:43:46,200 --> 00:43:49,000
Speaker 1: Yes, that's right, it was on It was the popcorn

917
00:43:49,239 --> 00:43:51,240
Speaker 1: was on a train. And so Mark didn't record anything

918
00:43:51,280 --> 00:43:53,279
Speaker 1: where he reaches into the bag and finds anything like

919
00:43:53,400 --> 00:43:55,120
Speaker 1: normal this week? Oh do you want do you want

920
00:43:55,160 --> 00:43:57,000
Speaker 1: to reach in the bagh? Well? Wait, we will have

921
00:43:57,080 --> 00:43:59,359
Speaker 1: more than one question. So if you've got one of those, yeah, yeah,

922
00:43:59,360 --> 00:44:01,640
Speaker 1: that cute up. That was just finding the popcorn bag

923
00:44:01,680 --> 00:44:03,200
Speaker 1: on a train. I can do the reaching into the

924
00:44:03,239 --> 00:44:04,320
Speaker 1: bag later. Okay.

925
00:44:04,480 --> 00:44:09,200
Speaker 2: So first question this is from Chicken Giblets. Hey, scus,

926
00:44:09,320 --> 00:44:11,560
Speaker 2: if you were a bumper sticker, what bumper sticker would

927
00:44:11,560 --> 00:44:16,440
Speaker 2: you be? Oh that's a good question, Chicken Giblets.

928
00:44:17,719 --> 00:44:21,000
Speaker 1: I think I would be the one that said, uh, hey, man,

929
00:44:22,960 --> 00:44:25,960
Speaker 1: you're an honor student is chilling with discus man?

930
00:44:26,520 --> 00:44:29,040
Speaker 2: Okay, and that's interesting. Now I have seen that bumper

931
00:44:29,120 --> 00:44:31,680
Speaker 2: sticker a lot, But why do you feel like that

932
00:44:32,400 --> 00:44:33,520
Speaker 2: you know, encapsulates you?

933
00:44:34,560 --> 00:44:37,640
Speaker 1: Well, it's just it's just letting people know that, like,

934
00:44:38,520 --> 00:44:42,239
Speaker 1: being an honor student is stupid, so just chill with

935
00:44:42,320 --> 00:44:44,040
Speaker 1: the scuzz Why is it stupid they get to chill

936
00:44:44,080 --> 00:44:44,239
Speaker 1: with you.

937
00:44:45,120 --> 00:44:48,239
Speaker 2: No, but like yeah, but it's like saying that, like,

938
00:44:48,719 --> 00:44:51,120
Speaker 2: don't be an honor student, but they are an honor

939
00:44:51,120 --> 00:44:52,239
Speaker 2: student and they get to chill with you.

940
00:44:52,320 --> 00:44:54,880
Speaker 1: That's what you're chilling with. The scusman is a reward

941
00:44:55,840 --> 00:44:58,080
Speaker 1: bearn mind? You are that bumper stick you put Yeah,

942
00:44:58,120 --> 00:45:02,239
Speaker 1: I'm the bumper sticker. Yeah is hey man, hey man,

943
00:45:02,440 --> 00:45:05,080
Speaker 1: you're honor student is chilling with Disgusman. Yeah, but he's

944
00:45:05,120 --> 00:45:07,719
Speaker 1: not an honor student anymore, is what I'm trying to say.

945
00:45:07,800 --> 00:45:10,800
Speaker 1: He stops being But then why isn't that information on

946
00:45:10,880 --> 00:45:12,839
Speaker 1: the bumper sticker. I mean heard the bumper stickers because

947
00:45:12,880 --> 00:45:14,040
Speaker 1: he's chilling with Disgustsman.

948
00:45:14,239 --> 00:45:17,239
Speaker 4: So there's the bumper sticker, almost like informing parents that

949
00:45:17,320 --> 00:45:19,680
Speaker 4: their honor student is like where they are.

950
00:45:19,760 --> 00:45:20,760
Speaker 2: Longer an honor students.

951
00:45:20,800 --> 00:45:22,440
Speaker 1: Yeah, yeah, it's not a bumper sticker.

952
00:45:22,480 --> 00:45:24,880
Speaker 2: You shouldn't say your former honor student is chilling with

953
00:45:24,920 --> 00:45:29,080
Speaker 2: the scusman. No, or your perspective honor student, because maybe

954
00:45:29,080 --> 00:45:31,680
Speaker 2: they never achieve honor student status because of the Gusman.

955
00:45:32,320 --> 00:45:35,239
Speaker 1: That would make sense, But then it wouldn't be a

956
00:45:35,320 --> 00:45:39,439
Speaker 1: bumper sticker that I would be Okay, Uh, that makes sense.

957
00:45:39,719 --> 00:45:42,040
Speaker 2: I actually finally connected to it, and I think it's

958
00:45:42,080 --> 00:45:44,360
Speaker 2: a great answer, and I'm glad you are that bumper sticker.

959
00:45:44,400 --> 00:45:47,520
Speaker 2: Can we get another question from Mark's soundrops?

960
00:45:47,520 --> 00:45:52,320
Speaker 1: Please old.

961
00:45:53,880 --> 00:45:54,480
Speaker 2: Out of the bag?

962
00:45:56,800 --> 00:45:59,560
Speaker 4: So that was kind of a guy muttering to himself

963
00:45:59,800 --> 00:46:01,160
Speaker 4: he's getting popcorn.

964
00:46:01,520 --> 00:46:03,319
Speaker 1: Yeah, he's surprised to find someone and then he gets

965
00:46:03,360 --> 00:46:07,600
Speaker 1: it out. On the one hand, these seem simpler than usual.

966
00:46:08,800 --> 00:46:13,040
Speaker 1: On the other hand, they make more sense like they're hard.

967
00:46:13,160 --> 00:46:15,440
Speaker 1: They're they're hard to wrap your head around a lot

968
00:46:15,480 --> 00:46:18,400
Speaker 1: of the time, and they require so much work that

969
00:46:18,520 --> 00:46:20,719
Speaker 1: this is just like, yeah, it's the popcorn gallery. He's

970
00:46:20,800 --> 00:46:23,279
Speaker 1: just like muttered himself, will eats popcorn. Which if there's

971
00:46:23,280 --> 00:46:25,800
Speaker 1: gonna be any dialogue that I get it.

972
00:46:26,280 --> 00:46:31,080
Speaker 2: Scusman. Uh, this is Joe Larini. He wants to know

973
00:46:31,200 --> 00:46:32,719
Speaker 2: could you beat Mega Man in a fight?

974
00:46:33,800 --> 00:46:40,920
Speaker 1: Oh? Joe, whoa fucking age old question? Man? He really

975
00:46:40,960 --> 00:46:41,640
Speaker 1: tripped you out with this.

976
00:46:41,960 --> 00:46:43,200
Speaker 2: I really did you know.

977
00:46:43,360 --> 00:46:48,799
Speaker 1: I've battled this question a lot of times, many nights, sleepiness,

978
00:46:48,920 --> 00:46:52,000
Speaker 1: nights on the bus, sleepless nights, sleep this nights.

979
00:46:52,200 --> 00:46:54,640
Speaker 4: What do you what do you consider like the less

980
00:46:55,160 --> 00:46:58,960
Speaker 4: nights full of sleep? Sleepiness means nights full of sleep

981
00:46:59,000 --> 00:47:01,200
Speaker 4: to you. Yeah, Like it's not a RESTful night or

982
00:47:01,239 --> 00:47:01,880
Speaker 4: sleepful night.

983
00:47:02,000 --> 00:47:04,600
Speaker 1: It's a visit from the sleep Nest Monster, who's sort

984
00:47:04,640 --> 00:47:07,440
Speaker 1: of you believe in the sleep Nest Monster.

985
00:47:08,040 --> 00:47:11,120
Speaker 2: He enveloped Spellman. It's sort of like Bellman.

986
00:47:14,040 --> 00:47:17,879
Speaker 1: Uh yeah, the sleep Nest Monster is gus Man named

987
00:47:17,920 --> 00:47:18,719
Speaker 1: his bus. Yeah.

988
00:47:18,960 --> 00:47:22,359
Speaker 2: So he develops the bus and helps Guz bed Rock

989
00:47:22,400 --> 00:47:27,319
Speaker 2: to sleep. Yeah, thank you, thank you. So anyway, while

990
00:47:27,320 --> 00:47:29,480
Speaker 2: you're sleeping, do you beat Mega Man in the fighter?

991
00:47:29,600 --> 00:47:29,640
Speaker 1: No?

992
00:47:30,360 --> 00:47:32,520
Speaker 2: No, man, he blasts you with a power pellet and

993
00:47:32,600 --> 00:47:33,520
Speaker 2: you just get blown away.

994
00:47:33,600 --> 00:47:36,120
Speaker 1: Yeah yeah yeah. And he also has like he just

995
00:47:36,480 --> 00:47:39,160
Speaker 1: gets more of his face and he just gets keeps

996
00:47:39,239 --> 00:47:43,360
Speaker 1: throwing those lives at me. That's what I've come up

997
00:47:43,440 --> 00:47:46,040
Speaker 1: with as I'm having one of my sleepiness nights.

998
00:47:46,520 --> 00:47:49,480
Speaker 2: Okay, without even doubling back or do you want to

999
00:47:49,480 --> 00:47:50,399
Speaker 2: do another sound cue?

1000
00:47:50,880 --> 00:47:51,160
Speaker 3: Sure?

1001
00:47:51,280 --> 00:47:54,399
Speaker 5: Sure, yeah, he has more play a drop for Mark. Yeah, okay, okay,

1002
00:48:02,400 --> 00:48:03,800
Speaker 5: and it's out of the bag.

1003
00:48:05,120 --> 00:48:07,040
Speaker 2: And we'll just let the sound drop play for a minute,

1004
00:48:09,040 --> 00:48:15,040
Speaker 2: that I wear the favorite mask. Yes, the Stolons are coming.

1005
00:48:14,880 --> 00:48:24,280
Speaker 1: To pass, So Mark, really I wanted with that sound drop. Legally,

1006
00:48:24,360 --> 00:48:27,040
Speaker 1: I don't think we can, although I would have really loved.

1007
00:48:26,880 --> 00:48:30,239
Speaker 2: To hear the chorus because Mark really can sing that song,

1008
00:48:31,520 --> 00:48:34,120
Speaker 2: and then maybe we can sing the chorus after this. Uh,

1009
00:48:34,480 --> 00:48:38,960
Speaker 2: scouts man, this comes from Anastasia Vigo. Uh, what's your

1010
00:48:39,000 --> 00:48:45,040
Speaker 2: ideal Sunday look like? Well, basically, I'm just you know,

1011
00:48:45,640 --> 00:48:52,160
Speaker 2: I'm always naked. Uh I walk outside. Uh, usually it's

1012
00:48:52,239 --> 00:48:56,480
Speaker 2: my bus, but now it's gonna be uh your your place, and.

1013
00:48:58,200 --> 00:49:02,080
Speaker 1: That he's gonna be naked. I Uh, well, bodies are beautiful.

1014
00:49:02,120 --> 00:49:05,399
Speaker 1: We're all free go to the farmer's market and buy

1015
00:49:05,480 --> 00:49:08,480
Speaker 1: a couple of vegetables still naked.

1016
00:49:08,880 --> 00:49:11,200
Speaker 2: Still naked. Those man's taught me a lot about these

1017
00:49:11,239 --> 00:49:13,680
Speaker 2: boundaries we create around ourselves via clothing.

1018
00:49:13,920 --> 00:49:16,680
Speaker 1: That is just like, because who wants us to do that?

1019
00:49:16,800 --> 00:49:19,279
Speaker 1: The beach cops is that? Who makes those beach cops?

1020
00:49:19,320 --> 00:49:22,160
Speaker 1: And Mario Lopez, those guys want you to fully clothed.

1021
00:49:22,600 --> 00:49:25,359
Speaker 1: They have me in a fucking snowsuit. If if they

1022
00:49:25,440 --> 00:49:26,040
Speaker 1: could have.

1023
00:49:26,160 --> 00:49:28,640
Speaker 2: They said as much to you. They've said that, they've

1024
00:49:28,719 --> 00:49:31,000
Speaker 2: said that, they sent a snowsuit.

1025
00:49:31,360 --> 00:49:34,480
Speaker 1: Sent one to me, and they're like, where this or

1026
00:49:34,600 --> 00:49:37,160
Speaker 1: we're gonna take your money. Oh god. And that's the

1027
00:49:37,280 --> 00:49:38,920
Speaker 1: that's the argument that led up to you losing two

1028
00:49:38,960 --> 00:49:41,520
Speaker 1: hundred grand exactly. They took my money because I come

1029
00:49:41,560 --> 00:49:45,080
Speaker 1: out naked on Sundays at the farmers market. Oh man.

1030
00:49:45,239 --> 00:49:49,480
Speaker 2: And now I have to loan him just because society's

1031
00:49:49,600 --> 00:49:52,319
Speaker 2: unfair and I gotta cover him with it and give

1032
00:49:52,360 --> 00:49:52,600
Speaker 2: him some.

1033
00:49:52,680 --> 00:49:55,319
Speaker 1: Of the cap thank you, thank you for for Oh

1034
00:49:55,360 --> 00:49:57,759
Speaker 1: and did you still need my car after this? Oh? Yeah,

1035
00:49:58,080 --> 00:50:01,560
Speaker 1: he doesn't have a license. His license was revoked. Yeah

1036
00:50:01,640 --> 00:50:04,600
Speaker 1: by who? The beach cops, I think so? Or was

1037
00:50:04,640 --> 00:50:06,880
Speaker 1: it the was it the highway patrol? The beach cops.

1038
00:50:07,040 --> 00:50:09,200
Speaker 1: The beach cops stick your license and the highway patrol?

1039
00:50:09,200 --> 00:50:09,360
Speaker 2: At this?

1040
00:50:09,840 --> 00:50:12,760
Speaker 1: He drives the bus. And that looks pretty good, Sean.

1041
00:50:12,840 --> 00:50:16,080
Speaker 2: I the bus Spelman, Yeah, Spelman bus.

1042
00:50:16,239 --> 00:50:18,920
Speaker 1: Yes, Scusman drives Spelman around all right, and and and

1043
00:50:19,000 --> 00:50:21,640
Speaker 1: it's great and it's where he lives, and it's charming

1044
00:50:22,080 --> 00:50:25,120
Speaker 1: and his stories are wonderful. Don't let that blind you

1045
00:50:25,239 --> 00:50:27,120
Speaker 1: to what he's doing. He told me that a lot of.

1046
00:50:27,120 --> 00:50:29,120
Speaker 2: The dents and stuff in the bus are just from

1047
00:50:29,360 --> 00:50:31,920
Speaker 2: beach cops trying to wake him up with the sledgehammer

1048
00:50:31,960 --> 00:50:35,239
Speaker 2: when the sleep Nest Monster is cradling him. And that's

1049
00:50:35,239 --> 00:50:37,040
Speaker 2: why he had to put all those Casper mattresses in

1050
00:50:37,080 --> 00:50:39,080
Speaker 2: the walls, or mattresses of no specific brand.

1051
00:50:39,760 --> 00:50:41,239
Speaker 1: Oh yeah, you get Did you get sent a bunch

1052
00:50:41,280 --> 00:50:45,279
Speaker 1: of Casper mattresses? Oh yeah, yeah, yeah, they send me

1053
00:50:45,400 --> 00:50:46,120
Speaker 1: like twelve of them.

1054
00:50:46,320 --> 00:50:47,800
Speaker 2: No no, no, no, no no no.

1055
00:50:49,080 --> 00:50:49,640
Speaker 1: So uh.

1056
00:50:50,040 --> 00:50:53,480
Speaker 2: Anyway, that he's he's he's fine to drive. I think

1057
00:50:53,800 --> 00:50:54,520
Speaker 2: he's proven that.

1058
00:50:56,200 --> 00:50:56,480
Speaker 1: Guys.

1059
00:50:56,880 --> 00:50:59,880
Speaker 4: I just want to say, aside from all the person

1060
00:51:00,200 --> 00:51:02,480
Speaker 4: my personal kind of hang ups with the screenplay, aside

1061
00:51:03,320 --> 00:51:03,880
Speaker 4: it's it.

1062
00:51:03,960 --> 00:51:06,680
Speaker 2: Was really good. Well okay, I I think that's great,

1063
00:51:06,719 --> 00:51:09,879
Speaker 2: And we're gonna do one more more question. I don't

1064
00:51:09,960 --> 00:51:12,160
Speaker 2: know what it is yet, I'm gonna look, but I

1065
00:51:12,320 --> 00:51:14,960
Speaker 2: literally read three of the first four questions that were submitted,

1066
00:51:14,960 --> 00:51:17,759
Speaker 2: and it made me wonder if maybe I was going

1067
00:51:17,840 --> 00:51:21,799
Speaker 2: for convenience over quality. Sure, but honestly they were pretty good.

1068
00:51:22,280 --> 00:51:24,640
Speaker 1: Maybe the Mega Man one was a funny question, but

1069
00:51:24,760 --> 00:51:26,440
Speaker 1: really there was no good way to answer it, or

1070
00:51:26,480 --> 00:51:27,360
Speaker 1: at least not one that I.

1071
00:51:27,440 --> 00:51:38,399
Speaker 2: Heard, so let's start looking. Okay, that one and I'm

1072
00:51:38,480 --> 00:51:43,440
Speaker 2: reading them. Uh dude, this is kind of okay.

1073
00:51:45,920 --> 00:51:46,040
Speaker 4: Uh.

1074
00:51:46,760 --> 00:51:49,200
Speaker 2: So we'll do one more sound drop and I'm hoping

1075
00:51:49,280 --> 00:51:51,360
Speaker 2: that it's the chorus for that song, just because I

1076
00:51:51,440 --> 00:51:53,000
Speaker 2: have so fucking juiced up.

1077
00:51:52,920 --> 00:52:06,960
Speaker 1: To hear it. To Popcorn and he tied it in

1078
00:52:07,080 --> 00:52:08,480
Speaker 1: with even the back gallery.

1079
00:52:09,000 --> 00:52:11,279
Speaker 2: So this is scus Man. Tell us a little bit

1080
00:52:11,320 --> 00:52:13,319
Speaker 2: about your life when you were just a scugs boy.

1081
00:52:14,320 --> 00:52:21,360
Speaker 1: Oh man, Well, I grew up on a commune in

1082
00:52:21,600 --> 00:52:26,840
Speaker 1: the uh in the hills, in the Hollywood Hills, and

1083
00:52:28,800 --> 00:52:31,080
Speaker 1: you know, I was just uh, I was just a

1084
00:52:31,360 --> 00:52:32,400
Speaker 1: free bird.

1085
00:52:32,320 --> 00:52:34,120
Speaker 2: Pretty much, just running around.

1086
00:52:34,360 --> 00:52:36,960
Speaker 1: And I'm always struck by how many song titles do

1087
00:52:37,120 --> 00:52:40,480
Speaker 1: come up when scus Man described Yeah, when you describe

1088
00:52:40,520 --> 00:52:45,080
Speaker 1: your past, Oh yeah, yeah, yeah, yeah, free bird, what

1089
00:52:45,239 --> 00:52:46,759
Speaker 1: you were like a free bird? Yeah. You told me

1090
00:52:46,840 --> 00:52:48,480
Speaker 1: that you're you were a free bird. You told me

1091
00:52:48,560 --> 00:52:50,800
Speaker 1: that your dad was a Southern man. My dad was

1092
00:52:50,840 --> 00:52:53,560
Speaker 1: a Southern which is interesting because I think those songs

1093
00:52:53,800 --> 00:52:54,120
Speaker 1: and you.

1094
00:52:54,120 --> 00:52:55,640
Speaker 2: Were raised in Sweet Home, Alabama.

1095
00:52:55,800 --> 00:52:59,960
Speaker 1: Yeah, yeah, exactly, Yeah, they're right, they're all kind of connected.

1096
00:53:00,280 --> 00:53:00,560
Speaker 3: We were.

1097
00:53:00,920 --> 00:53:05,200
Speaker 1: We would always take crazy trains out to the ocean. Uh,

1098
00:53:06,640 --> 00:53:09,840
Speaker 1: from that from that cove. Yeah, and you know, just

1099
00:53:09,960 --> 00:53:13,680
Speaker 1: swim with Sharks. That's a lot of my and Swim

1100
00:53:13,760 --> 00:53:19,480
Speaker 1: with Sharks is a movie. Yes's okay? Great? Yeah, yeah,

1101
00:53:20,680 --> 00:53:24,200
Speaker 1: well a lot of a lot of my A lot

1102
00:53:24,280 --> 00:53:26,560
Speaker 1: of my vacations, a lot of my vacations.

1103
00:53:27,200 --> 00:53:30,640
Speaker 2: Wasp just flew into his Can we close this window?

1104
00:53:31,000 --> 00:53:31,040
Speaker 1: No?

1105
00:53:31,480 --> 00:53:32,160
Speaker 2: I got him out.

1106
00:53:32,239 --> 00:53:34,760
Speaker 1: I got him out. I hate him. Okay.

1107
00:53:34,920 --> 00:53:39,160
Speaker 2: So you were saying bees makes Gusman stronger. Ah, yes,

1108
00:53:39,320 --> 00:53:44,239
Speaker 2: that's right. But what he wasps do wasps are not

1109
00:53:44,560 --> 00:53:46,200
Speaker 2: bees and it's a real stick.

1110
00:53:46,360 --> 00:53:46,880
Speaker 1: Oh I know.

1111
00:53:47,800 --> 00:53:49,320
Speaker 2: Oh no, you shouldn't have eaten it.

1112
00:53:49,520 --> 00:53:52,960
Speaker 1: Oh no, wasp would be well, we'll find out. I

1113
00:53:53,040 --> 00:53:55,840
Speaker 1: think they make me even stronger. Okay.

1114
00:53:55,920 --> 00:53:58,239
Speaker 2: And he's looking pretty fit right now, so he must

1115
00:53:58,280 --> 00:54:01,680
Speaker 2: be right. So this was a experience, Domina, Did you

1116
00:54:01,840 --> 00:54:03,960
Speaker 2: learn anything? Do you want to leave our listeners with

1117
00:54:04,080 --> 00:54:07,560
Speaker 2: a lesson that maybe you took from this? I guess

1118
00:54:07,600 --> 00:54:09,200
Speaker 2: my lesson is, If.

1119
00:54:11,239 --> 00:54:13,160
Speaker 4: I guess my lesson is it's important to kind of

1120
00:54:13,760 --> 00:54:16,000
Speaker 4: detach yourself from your emotional.

1121
00:54:15,640 --> 00:54:18,200
Speaker 1: Reaction to a piece of work like this screenplay. Because

1122
00:54:18,440 --> 00:54:20,160
Speaker 1: if I really do that, and if I really separate

1123
00:54:20,239 --> 00:54:22,640
Speaker 1: myself from all the dad stuff and everything like that.

1124
00:54:22,719 --> 00:54:24,520
Speaker 1: I have to admit it's it's pretty good.

1125
00:54:24,640 --> 00:54:27,240
Speaker 2: Just a fine piece of story. Well, it's an HBS.

1126
00:54:27,320 --> 00:54:29,120
Speaker 1: It's a hot bitch and screenplay, and that's what scus

1127
00:54:29,160 --> 00:54:29,879
Speaker 1: Man always calls.

1128
00:54:29,960 --> 00:54:30,799
Speaker 2: It's a great feel.

1129
00:54:31,000 --> 00:54:33,960
Speaker 1: Yeah. Yeah, And it is confusing that Hot Business School

1130
00:54:34,040 --> 00:54:36,719
Speaker 1: and Hot Bitch and screenplay both have the same abbreviation.

1131
00:54:36,800 --> 00:54:38,360
Speaker 2: Oh I've never heard of hot business school?

1132
00:54:38,360 --> 00:54:39,600
Speaker 1: What is that? Uh?

1133
00:54:40,160 --> 00:54:43,239
Speaker 2: Yeah, oh right, because you were not here for for what.

1134
00:54:43,920 --> 00:54:46,399
Speaker 1: There was a discussion before where some people thought maybe

1135
00:54:46,480 --> 00:54:50,120
Speaker 1: you were here silently, but in fact you weren't here. No, no,

1136
00:54:50,400 --> 00:54:53,360
Speaker 1: but I so you guys were talking about me in

1137
00:54:53,440 --> 00:54:55,680
Speaker 1: the room before I was here. What just setting up

1138
00:54:55,960 --> 00:54:56,600
Speaker 1: why I'm here?

1139
00:54:57,239 --> 00:55:00,640
Speaker 2: Uh kind of yeah.

1140
00:55:04,000 --> 00:55:07,840
Speaker 1: Mostly we were talking about my hot business school, which

1141
00:55:08,200 --> 00:55:10,640
Speaker 1: I'm not in a hot I'm not interested.

1142
00:55:10,640 --> 00:55:12,560
Speaker 2: And is there one more business tip you want to

1143
00:55:12,600 --> 00:55:14,480
Speaker 2: give out? I know that normally people have to pay

1144
00:55:14,520 --> 00:55:15,160
Speaker 2: the full tuition.

1145
00:55:15,280 --> 00:55:18,520
Speaker 1: Oh yeah, yeah yeah. But for the listeners, and thank

1146
00:55:18,560 --> 00:55:19,600
Speaker 1: you for those questions.

1147
00:55:19,880 --> 00:55:22,120
Speaker 2: Uh they're pretty tight.

1148
00:55:22,640 --> 00:55:22,839
Speaker 1: Um.

1149
00:55:24,320 --> 00:55:24,520
Speaker 2: Cool.

1150
00:55:24,600 --> 00:55:29,280
Speaker 1: Pause. I always have to pause before I say phrases

1151
00:55:29,320 --> 00:55:33,280
Speaker 1: that I've copyright, or even just a word, or even words.

1152
00:55:34,200 --> 00:55:35,279
Speaker 1: Uh so.

1153
00:55:35,640 --> 00:55:38,000
Speaker 2: Yeah, another business tip that I'm gonna give you.

1154
00:55:38,440 --> 00:55:41,640
Speaker 1: Uh Hey, if you're going into, uh make a business

1155
00:55:41,719 --> 00:55:47,200
Speaker 1: deal with somebody, just remember keep a little bit of diarrhea.

1156
00:55:48,360 --> 00:55:48,760
Speaker 2: Handy.

1157
00:55:50,880 --> 00:55:54,440
Speaker 1: Hmm, handy, I think a man.

1158
00:55:54,600 --> 00:55:57,960
Speaker 2: Sorry, I just put together everything you've been saying. Do

1159
00:55:59,320 --> 00:55:59,880
Speaker 2: you see it now?

1160
00:56:00,239 --> 00:56:02,160
Speaker 1: Yeah, it's weird. It's like my eyes are open for

1161
00:56:02,239 --> 00:56:02,839
Speaker 1: the first time.

1162
00:56:02,960 --> 00:56:05,000
Speaker 4: Yeah, you just will You just shot up right in

1163
00:56:05,080 --> 00:56:07,120
Speaker 4: your chair and the sunglasses leapt off your face.

1164
00:56:07,280 --> 00:56:10,759
Speaker 1: I've been on that scissor all time. Think about what

1165
00:56:10,840 --> 00:56:12,719
Speaker 1: he just said. Think about what he just said with

1166
00:56:12,800 --> 00:56:15,040
Speaker 1: the business school that his business tip is to have

1167
00:56:15,239 --> 00:56:19,200
Speaker 1: diarrhea nearby. This is the guy that like, how can

1168
00:56:19,280 --> 00:56:22,759
Speaker 1: you possibly be on his side of any issue? Yeah,

1169
00:56:22,840 --> 00:56:25,680
Speaker 1: it can't be a good advice for business. Hey man,

1170
00:56:25,760 --> 00:56:30,640
Speaker 1: hey man, what's what's going on in your mind right now?

1171
00:56:30,960 --> 00:56:33,880
Speaker 1: Even though hold your car, you're don't even stay at

1172
00:56:33,920 --> 00:56:36,640
Speaker 1: your place. There's an envelope that you just handed him

1173
00:56:36,680 --> 00:56:40,040
Speaker 1: with so much Hey, don't listen to him, man, drink this,

1174
00:56:40,440 --> 00:56:44,320
Speaker 1: drink this. No, no, don't don't drink it. Sean, Sean,

1175
00:56:45,719 --> 00:56:49,200
Speaker 1: what was it last party? Baby? So?

1176
00:56:49,680 --> 00:56:52,920
Speaker 2: Uh hell yeah, anyway, thanks for listening.

1177
00:56:53,120 --> 00:56:55,360
Speaker 1: Like us on Facebook, but talking about us on the forums,

1178
00:56:55,400 --> 00:56:58,120
Speaker 1: going to the drinking do the iTunes and review us

1179
00:56:58,200 --> 00:57:00,920
Speaker 1: on there, and everybody go, you can't do this thing.

1180
00:57:02,320 --> 00:57:05,000
Speaker 1: Hollywood Handbook and welcome and you uh and the pro

1181
00:57:05,160 --> 00:57:07,839
Speaker 1: version goes to we're gonna just find somebody right now,

1182
00:57:08,080 --> 00:57:11,600
Speaker 1: and uh wheeze. The gravy as gets a pro version

1183
00:57:11,640 --> 00:57:15,840
Speaker 1: and they get uh catchphrase from scus Man that he

1184
00:57:15,960 --> 00:57:24,960
Speaker 1: gives you to keep now, pause, keep rocking in the

1185
00:57:25,080 --> 00:57:28,880
Speaker 1: free world. Okay, so that's your catchphrase now and that's

1186
00:57:29,000 --> 00:57:30,440
Speaker 1: I can't believe he came up with that on the

1187
00:57:30,480 --> 00:57:44,280
Speaker 1: spot and uh yes, uh bye. Hollywood Handbook is brought

1188
00:57:44,320 --> 00:57:47,160
Speaker 1: to you by Wolf Cool Production to a subsidiary of

1189
00:57:47,360 --> 00:57:51,520
Speaker 1: Calvin Dabbs Ow Baby