WEBVTT - CZM Book Club: The Barrow May Send What it May, Chapter Seven

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<v Speaker 1>Cool Zone Media. It's the Cool Zone Media book Club.

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<v Speaker 1>I told you that's always been our jingle. I can't

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<v Speaker 1>believe you all didn't believe me. It is the Cool

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<v Speaker 1>Zone Media book Club, which is the only book club

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<v Speaker 1>that you don't have to do the reading because I

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<v Speaker 1>do it for you. I'm your host, Margaret Kildoy, and

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<v Speaker 1>every week I bring you a story that I want

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<v Speaker 1>to read you. Sometimes I just talk about books I

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<v Speaker 1>think that'll come up to and sometimes I do whole

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<v Speaker 1>weird radio plays and I think that'll come up too.

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<v Speaker 1>But what I do right now is I read you

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<v Speaker 1>a novella that I wrote. I read you The Barrow

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<v Speaker 1>Will Send What It May, the second book in the

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<v Speaker 1>Danielle Kine series. This book was originally published Oh I

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<v Speaker 1>don't know, in twenty sixteen, twenty seventeen from tour dot com.

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<v Speaker 1>These were my mainstream published books. These sort of you know,

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<v Speaker 1>started my career in many ways. I had several books

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<v Speaker 1>that came out before it. I have a book called

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<v Speaker 1>A Country of Ghosts, which is an anarchause you took

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<v Speaker 1>a book. I also have this book called What Lies

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<v Speaker 1>Beneath the clock Tower, and it's legally distinct from Chooser

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<v Speaker 1>and an adventure book, and it's an adventure of your

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<v Speaker 1>own choosing book. I got a message from the Chooser

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<v Speaker 1>and Adventure of the people in that trademark who informed

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<v Speaker 1>me that I was not, in fact going on a

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<v Speaker 1>Chooser and Adventure book tour. I was going on an

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<v Speaker 1>Adventure of your own choosing book tour. And I wrote

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<v Speaker 1>them back and I said it noted. But when these

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<v Speaker 1>two books, the first two Daniel Kine books, came out,

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<v Speaker 1>you know, it was like then that I like got

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<v Speaker 1>an agent and started having more people read my books

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<v Speaker 1>and things like that, and so there's like a real

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<v Speaker 1>particular love that I have for these books. I've probably

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<v Speaker 1>talked about this already, but I'm not sure these books. Also,

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<v Speaker 1>I've been writing novella's sort of set in this world,

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<v Speaker 1>although without the magic, basically following Daniel Kine before she

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<v Speaker 1>was well before she transitioned it became Daniel Kine. I've

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<v Speaker 1>been writing them for a very long time. They started

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<v Speaker 1>as a way for me to kind of process my

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<v Speaker 1>strange life of being a crosspunk traveler living in squats

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<v Speaker 1>and doing forest defense and things like that, and I

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<v Speaker 1>wanted a way to do that without writing actual memoir

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<v Speaker 1>because at the time I felt like writing my actual

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<v Speaker 1>memoirs would kind of be telling other people's stories without

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<v Speaker 1>asking them. And also there's some like crime related to

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<v Speaker 1>some of those stories, and I didn't know how I

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<v Speaker 1>felt about publishing stories that were like I do crime. Obviously,

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<v Speaker 1>I've never done crime. I would never do crime. Oh,

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<v Speaker 1>this would have been such a good place to transition

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<v Speaker 1>to ads because the only crime would have been not

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<v Speaker 1>taking advantage of these goods and services. But it's not

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<v Speaker 1>time to transition to ads. Instead, it's time for me

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<v Speaker 1>to start reading you this book, the thing that you

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<v Speaker 1>came here to hear me do. I'm going to start

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<v Speaker 1>again with a couple paragraphs of the last chapter. Last

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<v Speaker 1>chapter was chapter six. Thursday was pinned down behind the dumpster.

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<v Speaker 1>Vacillis drew his pistol aloft, but Doomsday snatched it out

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<v Speaker 1>of his hand and stepped outside, firing calmly. I don't

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<v Speaker 1>think she was aiming to keep those guys pinned down.

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<v Speaker 1>I think she was aiming for the guys themselves. They ducked.

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<v Speaker 1>Thursday ran zigzag. A shot shattered the glass of a

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<v Speaker 1>window not a meter in front of him, but he

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<v Speaker 1>got in through the door, and Doomsday slammed it shut.

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<v Speaker 1>The firing stopped. I fucking hate gunfights. Dun Dun dum.

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<v Speaker 1>Chapter seven. Nothing says well established squat like barricades and

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<v Speaker 1>other defenses ready to deploy. I went through the building

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<v Speaker 1>with a Sola and dropped thick wooden panels over every

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<v Speaker 1>window upstairs. An argument raged. How are you feeling, I

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<v Speaker 1>asked a Sola. I'd rather be watching TV, Sola said,

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<v Speaker 1>as she helped me get a steel bar in place

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<v Speaker 1>over the front door. Yeah. I used to think I

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<v Speaker 1>wanted a life of adventure. Now I just want to

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<v Speaker 1>be left alone. Yeah, I felt that to my core.

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<v Speaker 1>Sometimes I'd gambled everything on a life less ordinary. I

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<v Speaker 1>had no savings, no long term partner, no home, no

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<v Speaker 1>roots in any given community. All I had were stories

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<v Speaker 1>and scars and vivid memories of moments too beautiful or

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<v Speaker 1>horrid to comprehend. Sometimes I wish I'd just had a

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<v Speaker 1>little bit of peace instead. I didn't say any of

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<v Speaker 1>that to a solo, though, because because me even pretending

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<v Speaker 1>to understand where she was coming from, that was bullshit.

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<v Speaker 1>I didn't know shit about shit. I'd never been kidnapped

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<v Speaker 1>and murdered. Everything bad in my life, truly bad. I

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<v Speaker 1>had stabbed and fought and kicked my way out of

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<v Speaker 1>to varying degrees of success. Maybe we'll get through this,

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<v Speaker 1>I said. I didn't sound optimistic, though, maybe she said

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<v Speaker 1>I hope. So it'd be cool to find out what

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<v Speaker 1>happens in Voyager, find out if they ever get home.

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<v Speaker 1>I looked out through the people. Half the town must

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<v Speaker 1>have been gathered outside, no pitchforks or torches, just handguns

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<v Speaker 1>and cars, the modern pitchforks and torches. I guess, which

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<v Speaker 1>made us what Frankenstein's monster Dracula. If we were the monster,

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<v Speaker 1>Frankenstein himself was out there somewhere in that crowd. He

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<v Speaker 1>was out there, and he was lying to everyone, and

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<v Speaker 1>everyone was going to believe him. You can hide in there,

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<v Speaker 1>Sebastian shouted, his voice muffled through the thick door. But

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<v Speaker 1>we're patient, we can wait. I didn't want to watch

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<v Speaker 1>TV and live a simple life. I wanted to kick

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<v Speaker 1>open that door and walk out into that crowd and

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<v Speaker 1>stab Sebastian Miller to death. That's what I'd do in

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<v Speaker 1>a dream world, a world in which I could do anything.

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<v Speaker 1>Bucket list be damned. There wasn't shit I could do.

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<v Speaker 1>You want to go upstairs and join the argument, I asked, no,

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<v Speaker 1>Asola said, I'll stay down here, keep an eye on

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<v Speaker 1>the door. If I'm going to die again, I'd rather

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<v Speaker 1>be first, and I'd rather be surrounded by books. I nodded,

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<v Speaker 1>then plodded up the stairs into the angry chaos and

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<v Speaker 1>right into an ad How would that even work? Like

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<v Speaker 1>just like walking up the stairs. Maybe there's posters on

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<v Speaker 1>the wall. Maybe the posters on the wall of the

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<v Speaker 1>library contain verbatim all of the words that you're about

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<v Speaker 1>to hear from our sponsors. I think that's the most

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<v Speaker 1>likely thing. And we're back. The argument was split into

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<v Speaker 1>two camps. Thursday and Vasillis wanted to get out onto

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<v Speaker 1>the roof and try and shoot Sebastian. Brynn. Gertrude and

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<v Speaker 1>Vulture wouldn't let them. Doomsday was sitting cross legged on

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<v Speaker 1>the floor pouring through the Book of Barrow. She refused

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<v Speaker 1>to acknowledge the conversation. I don't see any other option,

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<v Speaker 1>Thursday yelled. Dying in a standoff with innocent people isn't

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<v Speaker 1>an option either. Vulture said, come on, you know that

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<v Speaker 1>this is bullshit, I said, once I got the gist

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<v Speaker 1>of what was going on, quit arguing it's just making

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<v Speaker 1>everything worse. Well, what else am I going to do

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<v Speaker 1>when these idiots won't let me at least try something?

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<v Speaker 1>Thursday asked. Thursday, I said, I approached him, Adrenaline kicked

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<v Speaker 1>into my system, almost the same as when I'd approached

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<v Speaker 1>Sebastian angry armed men, and this was when I usually trusted.

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<v Speaker 1>Listen to me. We're a team, right, Maybe, he said,

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<v Speaker 1>we've made it this far right. You saved my life

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<v Speaker 1>and freedom, didn't you. Yeah, he said, save it again

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<v Speaker 1>by calming down, by not doing something stupid. Fuck, he grumbled.

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<v Speaker 1>The longer we wait, the worse the situation is going

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<v Speaker 1>to get. Maybe, I said, maybe not. But if there's

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<v Speaker 1>one thing I learned while traveling, if you've got a

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<v Speaker 1>losing hand, it's better to shuffle the cards and draw

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<v Speaker 1>all new ones, even if the new ones might be worse.

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<v Speaker 1>That's not how poker works, he said, Yeah, I know,

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<v Speaker 1>but it's kind of how life works. Everything is shit

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<v Speaker 1>right now, but in here, for the moment, we're comparatively safe.

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<v Speaker 1>We don't have to act this second. We can just

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<v Speaker 1>get ready for when things change. When is that? I

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<v Speaker 1>don't know, I said. Maybe everyone will get bored. Maybe

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<v Speaker 1>Sebastian will say something damning and they'll figure them out.

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<v Speaker 1>Maybe they'll all go home tonight. Maybe Doomsday will figure

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<v Speaker 1>out something good in that book. Or maybe one of

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<v Speaker 1>us will think of something. Or maybe those rednecks will

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<v Speaker 1>set this place on fire, Thursday said. Or maybe the

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<v Speaker 1>magic Feds will show up and kill all of us, maybe,

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<v Speaker 1>I said Thursday side, I'm sorry. I shouldn't have yelled

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<v Speaker 1>you all. I don't know what to do. Doomsday without

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<v Speaker 1>standing up from where she was, reached out a comforting

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<v Speaker 1>hand and held on to his calf. If we're going

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<v Speaker 1>to hunker down, she said, anyone want to make us

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<v Speaker 1>some tea? I hate being barricaded inside a building with

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<v Speaker 1>enemies outside. I also, for what it's worth, hate that

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<v Speaker 1>this is something I know about myself because it's happened

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<v Speaker 1>more times than I could count. Thanks property laws for

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<v Speaker 1>making my way of life illegal. There's never enough air

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<v Speaker 1>or something when you barricade the doors. There are always

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<v Speaker 1>too many people, both inside and outside, when you barricade

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<v Speaker 1>the doors. We'd waited half the day already the sun

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<v Speaker 1>was high overhead. When I'm fighting off a panic attack,

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<v Speaker 1>I go into scientist mode and observe my body. I

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<v Speaker 1>think to myself, how am I feeling? As specific as possible,

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<v Speaker 1>how and where exactly is the worry manifesting in my body?

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<v Speaker 1>How long does each wave last, and how intense is

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<v Speaker 1>it on a quantifiable scale like from one to ten.

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<v Speaker 1>This serves two purposes. First, it gives me something to do.

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<v Speaker 1>Just the act of trying to track my feelings distracts

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<v Speaker 1>me enough to break out of the worst feedback loops

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<v Speaker 1>of anxiety. Second, it gives me a database of sorts

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<v Speaker 1>that I can refer back to. Okay, I could say

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<v Speaker 1>to myself, you're having one of your existential loneliness panic attacks.

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<v Speaker 1>Expect three major waves with a high water mark of

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<v Speaker 1>seven on the panic scale, one every three to five minutes,

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<v Speaker 1>each one lasting roughly a minute before ebbing back down

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<v Speaker 1>to a level four, or if it's a false alarm

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<v Speaker 1>medical panic attack, that's good for a single eight, followed

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<v Speaker 1>by a descending secession of waves until it's over. Knowing

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<v Speaker 1>what I'm in for keeps the panic from controlling me utterly.

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<v Speaker 1>It knocks each panic attack down one to four increments

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<v Speaker 1>on that scale. This was the old barricaded inside a

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<v Speaker 1>building with cops outside panic attack. Well, in this particular case,

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<v Speaker 1>it wasn't cops. It was armed strangers and an evil magician,

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<v Speaker 1>which was better in some ways. They didn't have the

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<v Speaker 1>institutional authority to lock me in a cage for the

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<v Speaker 1>rest of my life, but was overall kind of worse

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<v Speaker 1>because Sebastian was not what could be called a rational actor,

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<v Speaker 1>and it was impossible to tell what he might do

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<v Speaker 1>with the power he had. So that was the kind

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<v Speaker 1>of panic attack. I had the worst kind A couple

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<v Speaker 1>of the waves they hid up towards nine, maybe ten.

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<v Speaker 1>A wave of panic that hits nine. It just takes

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<v Speaker 1>me right out of scientist mode and right into that

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<v Speaker 1>prison called my own head. I sat on the couch

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<v Speaker 1>closest to the door, my head between my knees, and

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<v Speaker 1>tried to count my breaths. I couldn't. I tried to

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<v Speaker 1>drink my tea. I couldn't. It was all just too much,

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<v Speaker 1>for way too long. It was all just too much.

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<v Speaker 1>Can I join you? I looked up Vacillis. The past

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<v Speaker 1>few days had wrecked him, and he looked it. The

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<v Speaker 1>darkness under his eyes had reached the skeletal stage. His

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<v Speaker 1>hair was a frightened, uncombed mess. His lip quivered under

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<v Speaker 1>his mustache, a nervous tick. Yeah, I said. He sat

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<v Speaker 1>next to me, but not rudely close. I can only

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<v Speaker 1>imagine what you think of me, he said. I didn't

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<v Speaker 1>say anything. I didn't mind him opening up to me,

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<v Speaker 1>though any distraction at all was welcome. For example, the

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<v Speaker 1>way that you're about to be distracted out of the

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<v Speaker 1>story by an ad transition, and if you have cooler

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<v Speaker 1>zone media, you'll only be distracted by the ad transition.

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<v Speaker 1>But if you don't have cooler zone media, you're about

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<v Speaker 1>to be distracted by the ads themselves. And we're back.

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<v Speaker 1>Every excuse I could tell you, it would sound like

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<v Speaker 1>something Sebastian would say. That's part of what's eating me alive,

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<v Speaker 1>seeing all the parallels between me and him, I want

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<v Speaker 1>to say I've lost everything, because in a lot of

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<v Speaker 1>ways I have. Heather was my world. I wasn't hers,

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<v Speaker 1>but she was mine. I just accepted that dynamic while

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<v Speaker 1>we were together. I knew she was going to leave

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<v Speaker 1>me one day. That wasn't what I thought he'd tell me.

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<v Speaker 1>I lifted my head to listen better. When you all

0:13:36.440 --> 0:13:39.880
<v Speaker 1>came to town, I thought, this is it. She'll leave

0:13:39.920 --> 0:13:44.640
<v Speaker 1>with these people. I accepted that, but of course the

0:13:44.720 --> 0:13:49.400
<v Speaker 1>reality is so much worse. I'm sorry, I said. I

0:13:49.440 --> 0:13:52.280
<v Speaker 1>thought for a moment about what I was apologizing for.

0:13:53.520 --> 0:13:56.679
<v Speaker 1>There's this thing when people die where people always blame themselves.

0:13:57.200 --> 0:13:59.199
<v Speaker 1>I may be hyper aware of that being what people

0:13:59.280 --> 0:14:02.480
<v Speaker 1>usually do, because I do the opposite. People die and

0:14:02.520 --> 0:14:06.120
<v Speaker 1>I absolve myself of guilt. Clay died, and yeah it

0:14:06.160 --> 0:14:08.240
<v Speaker 1>was partly because of a demon, but I'm sure it

0:14:08.280 --> 0:14:11.640
<v Speaker 1>was partly because of loneliness. And I know he loved

0:14:11.679 --> 0:14:15.600
<v Speaker 1>me non romantically, and I loved him non romantically. But

0:14:15.679 --> 0:14:17.280
<v Speaker 1>I didn't keep up with him as well as I

0:14:17.280 --> 0:14:22.360
<v Speaker 1>could have. I chose solitude. I chose the road over him.

0:14:22.960 --> 0:14:27.080
<v Speaker 1>We can't save one another, Vascilla said. I know we can't.

0:14:27.400 --> 0:14:29.400
<v Speaker 1>But if I could go back, knowing what I know now,

0:14:30.040 --> 0:14:32.240
<v Speaker 1>I would have stuck with him, and I bet you

0:14:32.280 --> 0:14:35.080
<v Speaker 1>anything he'd still be alive. And I bet you anything,

0:14:35.400 --> 0:14:38.360
<v Speaker 1>i'd be happier than I am right now. So that's

0:14:38.400 --> 0:14:42.440
<v Speaker 1>what I've avoided thinking about. And with Heather, she made

0:14:42.440 --> 0:14:46.720
<v Speaker 1>her own choices. You can't blame yourself for that. I

0:14:46.840 --> 0:14:50.120
<v Speaker 1>wasn't blaming myself for Heather's death. I was blaming you

0:14:50.200 --> 0:14:53.760
<v Speaker 1>and Bryn. If i'd been in any other mood, I

0:14:53.840 --> 0:14:56.240
<v Speaker 1>might have taken that badly or pointed out as botched

0:14:56.240 --> 0:15:01.840
<v Speaker 1>attempt to save her. Instead, I just nodded, which is bullshit,

0:15:01.880 --> 0:15:06.320
<v Speaker 1>of course, Vascilla said, mostly bullshit, But it's true. If

0:15:06.360 --> 0:15:09.560
<v Speaker 1>we hadn't been here, she'd be alive right now. It's

0:15:09.600 --> 0:15:12.960
<v Speaker 1>not our fault, but it's still causation and not correlation.

0:15:13.920 --> 0:15:19.160
<v Speaker 1>What do you call that life, he said, chaos? Yeah,

0:15:20.840 --> 0:15:24.960
<v Speaker 1>I understand Sebastian. I understand what he's thinking, what he's feeling.

0:15:25.720 --> 0:15:28.560
<v Speaker 1>I know magic. I don't have a natural aptitude, but

0:15:28.600 --> 0:15:30.640
<v Speaker 1>I've been studying it for years, and I can perform

0:15:30.680 --> 0:15:32.760
<v Speaker 1>most rituals if I've got the right book in front

0:15:32.800 --> 0:15:35.880
<v Speaker 1>of me. Now, I've got a book here in my

0:15:35.960 --> 0:15:39.400
<v Speaker 1>apartment that could bring Heather back from the dead. I

0:15:39.400 --> 0:15:42.640
<v Speaker 1>could sacrifice myself to bring her back, but I won't.

0:15:43.520 --> 0:15:46.000
<v Speaker 1>And I know why Sebastian grabbed other people instead of

0:15:46.000 --> 0:15:51.360
<v Speaker 1>doing it himself. Why is that? Because Sebastian didn't want

0:15:51.360 --> 0:15:54.080
<v Speaker 1>Gertrude alive for her sake? He wanted her alive for

0:15:54.160 --> 0:15:57.440
<v Speaker 1>his sake. It wasn't that he wanted Gertrude to feel

0:15:57.480 --> 0:16:00.800
<v Speaker 1>the summer air on her skin one more time. It

0:16:00.840 --> 0:16:05.760
<v Speaker 1>was that he wanted a wife. He wanted company. True,

0:16:07.680 --> 0:16:12.920
<v Speaker 1>I love Heather, loved I loved Heather, but not more

0:16:12.960 --> 0:16:15.960
<v Speaker 1>than I love myself. If we survive this, I'm going

0:16:15.960 --> 0:16:18.600
<v Speaker 1>to wind up alone now, at least for a while.

0:16:19.120 --> 0:16:21.560
<v Speaker 1>That's just the way it is. You'll leave, and maybe

0:16:21.560 --> 0:16:23.920
<v Speaker 1>a solo will stay. But I have a feeling we'll

0:16:23.960 --> 0:16:27.160
<v Speaker 1>both be alone for a while, a long while, even

0:16:27.160 --> 0:16:30.600
<v Speaker 1>with the other around. He laughed, all of a sudden,

0:16:31.320 --> 0:16:34.520
<v Speaker 1>that's the best case scenario. How do we get to

0:16:34.560 --> 0:16:38.320
<v Speaker 1>that scenario? I asked, I don't know, he said, I

0:16:38.360 --> 0:16:41.880
<v Speaker 1>know one thing, though, we've got to kill Sebastian. There's

0:16:41.880 --> 0:16:45.600
<v Speaker 1>no coming back from what he's done. I don't know

0:16:45.640 --> 0:16:48.000
<v Speaker 1>if there's such a thing as beyond redemption. In my book,

0:16:48.040 --> 0:16:50.600
<v Speaker 1>I said, I try not to believe in vengeance, only

0:16:50.880 --> 0:16:53.920
<v Speaker 1>solving problems. If that means we've got to kill him,

0:16:53.920 --> 0:16:56.520
<v Speaker 1>I won't cry. But there's always coming back from what

0:16:56.560 --> 0:16:59.080
<v Speaker 1>we've done. The path into the light is always there,

0:16:59.400 --> 0:17:01.720
<v Speaker 1>even if most people won't take it. And sometimes you

0:17:01.800 --> 0:17:03.720
<v Speaker 1>need to kill them if they won't in order to

0:17:03.800 --> 0:17:08.440
<v Speaker 1>keep yourself, for your community, or even strangers safe. Bascilla

0:17:08.520 --> 0:17:12.359
<v Speaker 1>shook his head. Any other situation, I'd probably agree with you.

0:17:14.119 --> 0:17:17.679
<v Speaker 1>I didn't want to argue nitpicky shit about creating societies

0:17:17.680 --> 0:17:21.560
<v Speaker 1>with radically transformed ideas of crime and punishment. I also

0:17:21.600 --> 0:17:23.760
<v Speaker 1>didn't want to get off the couch and get away

0:17:23.760 --> 0:17:27.800
<v Speaker 1>from him. Surprisingly, I didn't want him to get up either.

0:17:28.640 --> 0:17:31.439
<v Speaker 1>Talking doesn't always help with panic, but it was helping

0:17:31.560 --> 0:17:35.240
<v Speaker 1>just then. What's with the spade? I asked, nodding towards

0:17:35.280 --> 0:17:38.800
<v Speaker 1>his tattoo to change the subject. It was a different

0:17:38.840 --> 0:17:42.560
<v Speaker 1>man when I was younger, gambling man lost a bet.

0:17:43.160 --> 0:17:45.440
<v Speaker 1>I'll tell you one thing that a drunken face tattoo

0:17:45.480 --> 0:17:47.960
<v Speaker 1>is good for. It's good for teaching you not to

0:17:48.040 --> 0:17:52.480
<v Speaker 1>regret you ever think about getting it removed, I asked, Hell, no,

0:17:52.920 --> 0:17:55.119
<v Speaker 1>I love this thing. How many librarians do you know

0:17:55.160 --> 0:17:57.320
<v Speaker 1>with face tattoos? They run a library that they technically

0:17:57.359 --> 0:18:00.480
<v Speaker 1>stole from the state. You're the only one, I said,

0:18:01.040 --> 0:18:05.199
<v Speaker 1>damn straight, there's nothing in here, Doomsday said, standing up

0:18:05.240 --> 0:18:07.560
<v Speaker 1>at last, setting the book atop Heather's body like she

0:18:07.680 --> 0:18:11.560
<v Speaker 1>was a table. Nothing that's going to help us. What

0:18:11.600 --> 0:18:14.639
<v Speaker 1>we need is a distraction. Gertrude said she was handling

0:18:14.720 --> 0:18:17.400
<v Speaker 1>the whole thing rather well. I suppose she had nothing

0:18:17.480 --> 0:18:22.040
<v Speaker 1>left to fear, Like what I asked. I peered out

0:18:22.080 --> 0:18:24.920
<v Speaker 1>the narrow crack between the wooden shutter and the window.

0:18:25.760 --> 0:18:28.399
<v Speaker 1>Most of the crowd was still there, leaning on cars,

0:18:28.440 --> 0:18:33.399
<v Speaker 1>smoking cigarettes, looking bored. Sebastian Miller stood sentinel in the

0:18:33.440 --> 0:18:36.439
<v Speaker 1>middle of the street, staring intently at the front door.

0:18:37.480 --> 0:18:40.880
<v Speaker 1>It had been what eight hours? Our magic Feds were

0:18:40.880 --> 0:18:45.200
<v Speaker 1>nowhere in sight, which was not reassuring. I bet they'll

0:18:45.280 --> 0:18:48.399
<v Speaker 1>let me go. Me and a Sola, we're not with you.

0:18:49.040 --> 0:18:51.640
<v Speaker 1>We know these people. I bet they'll let us go

0:18:51.880 --> 0:18:55.399
<v Speaker 1>and we'll figure out something. You're the two that Sebastian

0:18:55.520 --> 0:18:58.639
<v Speaker 1>was trying to kill. I said he won't, not with

0:18:58.680 --> 0:19:01.760
<v Speaker 1>everyone else watching. Sebastian always cared a lot about what

0:19:01.800 --> 0:19:04.879
<v Speaker 1>other people think of him. It was a dangerous plan,

0:19:05.200 --> 0:19:08.119
<v Speaker 1>but it wasn't get to the roof and start shooting dangerous,

0:19:08.560 --> 0:19:10.720
<v Speaker 1>and it was better than anything else we'd come up with.

0:19:11.880 --> 0:19:15.200
<v Speaker 1>I followed her downstairs to the front door. A Sola

0:19:15.320 --> 0:19:18.680
<v Speaker 1>was easy to convince Gertrude opened the door a crack.

0:19:19.359 --> 0:19:24.160
<v Speaker 1>Don't shoot, she yelled, it's me, miss Miller. I'm coming out.

0:19:25.119 --> 0:19:28.080
<v Speaker 1>She slipped out, a Sola close behind, and I slammed

0:19:28.119 --> 0:19:31.600
<v Speaker 1>the bar back and placed behind them. I was trapped

0:19:31.600 --> 0:19:35.200
<v Speaker 1>inside again. Fuck. I wish I'd been able to join them.

0:19:37.080 --> 0:19:40.280
<v Speaker 1>I wonder what they'll do. I was back upstairs, back

0:19:40.280 --> 0:19:42.760
<v Speaker 1>on the panic couch. It didn't hit me so bad

0:19:42.800 --> 0:19:45.480
<v Speaker 1>this time, maybe because whether or not it was me

0:19:45.640 --> 0:19:49.000
<v Speaker 1>doing something, I knew that someone was doing something. I

0:19:49.040 --> 0:19:53.040
<v Speaker 1>knew that the current situation would not continue indefinitely, even

0:19:53.080 --> 0:19:56.639
<v Speaker 1>without physically moving. Every passing minute got me closer to

0:19:56.760 --> 0:19:59.159
<v Speaker 1>nod in the library as surely as if I was

0:19:59.200 --> 0:20:02.840
<v Speaker 1>walking towards the en exit. Fuck off and leave us here,

0:20:03.000 --> 0:20:07.560
<v Speaker 1>Vascilla said, that's my guess. Thursday and Doomsday sat on

0:20:07.600 --> 0:20:11.919
<v Speaker 1>the love seat quietly whispering. Vulture was asleep in a

0:20:11.960 --> 0:20:17.000
<v Speaker 1>Sola's bed, brin paste, her boots a rhythmic clump clump

0:20:17.080 --> 0:20:20.760
<v Speaker 1>on the floor. Every time her circuit took her past

0:20:20.760 --> 0:20:24.800
<v Speaker 1>the window, she peered out for a second, Hey, she said.

0:20:24.920 --> 0:20:28.560
<v Speaker 1>On one of her rounds, she motioned us over. Check

0:20:28.640 --> 0:20:32.680
<v Speaker 1>this out. In the distance from the west edge of town.

0:20:33.400 --> 0:20:36.479
<v Speaker 1>A thin trickle of smoke turned into a billowing cloud

0:20:36.800 --> 0:20:41.679
<v Speaker 1>erupting up toward heaven. A Sola's house was on fire.

0:20:42.680 --> 0:20:45.560
<v Speaker 1>Dun dundune. Okay, that's a real cliffhanger, right, because the

0:20:45.600 --> 0:20:48.720
<v Speaker 1>house is on fire. What's gonna happen? What's gonna happen?

0:20:49.119 --> 0:20:53.399
<v Speaker 1>When we come back next week with chapter eight, the

0:20:53.560 --> 0:20:57.280
<v Speaker 1>final chapter in the barrel, will send what it may.

0:20:58.240 --> 0:21:01.680
<v Speaker 1>And I will say writing this particular chapter was kind

0:21:01.680 --> 0:21:04.960
<v Speaker 1>of fun. It's fun the right word. Daniel Kaine is

0:21:05.000 --> 0:21:07.040
<v Speaker 1>the closest I've ever done to a self insert character.

0:21:07.119 --> 0:21:09.040
<v Speaker 1>It's like, not complete. Daniel Kaine doesn't have all the

0:21:09.080 --> 0:21:13.600
<v Speaker 1>same mannerisms and things as I do. But I specifically

0:21:13.600 --> 0:21:16.680
<v Speaker 1>wanted to write about the fact that I have really

0:21:16.720 --> 0:21:19.400
<v Speaker 1>bad anxiety when I'm locked in buildings with the cops outside,

0:21:19.440 --> 0:21:21.639
<v Speaker 1>and I know that, and then I try to explain

0:21:21.640 --> 0:21:23.399
<v Speaker 1>it to people who don't live the same lifestyle that

0:21:23.440 --> 0:21:26.240
<v Speaker 1>I used to live, and they're like, why do you

0:21:26.320 --> 0:21:28.280
<v Speaker 1>know that? And the answer is that I used to

0:21:28.320 --> 0:21:30.159
<v Speaker 1>squat all the time, and one of the things that

0:21:30.240 --> 0:21:33.800
<v Speaker 1>we would do in Amsterdam when I lived there, there's

0:21:33.800 --> 0:21:36.359
<v Speaker 1>a very strong squatting scene there there there certainly was

0:21:36.400 --> 0:21:39.400
<v Speaker 1>at the time. So in order to get into buildings

0:21:39.480 --> 0:21:41.760
<v Speaker 1>and open them up for the people who wanted to

0:21:41.760 --> 0:21:43.560
<v Speaker 1>live there, and we'd go into these buildings that had

0:21:43.560 --> 0:21:46.119
<v Speaker 1>been empty at least a year and open them up

0:21:46.119 --> 0:21:48.479
<v Speaker 1>and people would move in. And squatting was legalized at

0:21:48.480 --> 0:21:50.280
<v Speaker 1>the time, but the cops was still trying to stop you,

0:21:51.119 --> 0:21:53.720
<v Speaker 1>and so in order to do it, we would gather

0:21:53.760 --> 0:21:56.720
<v Speaker 1>at least fifty people to open the building, and so

0:21:56.840 --> 0:22:00.480
<v Speaker 1>kind of like you're not off the hook if you're squatter,

0:22:00.520 --> 0:22:02.840
<v Speaker 1>you're kind of expected to go to these things because

0:22:03.320 --> 0:22:07.720
<v Speaker 1>you know, that's how you got your house, right, And

0:22:07.800 --> 0:22:10.560
<v Speaker 1>so we'd all gather to go do this, and sometimes

0:22:10.600 --> 0:22:12.439
<v Speaker 1>the cops would figure out where we were meeting up

0:22:12.480 --> 0:22:16.040
<v Speaker 1>and they would just like surround the building and we'd

0:22:16.040 --> 0:22:18.399
<v Speaker 1>have to just lock ourselves into these buildings, and squats

0:22:18.400 --> 0:22:21.359
<v Speaker 1>are very well barricaded because people are used to exactly

0:22:21.359 --> 0:22:23.560
<v Speaker 1>the situation, and so we would just be like locked

0:22:23.560 --> 0:22:26.440
<v Speaker 1>in the building, and most of the people I was

0:22:26.480 --> 0:22:29.480
<v Speaker 1>there with were just like laughing, hanging out, smoking, having

0:22:29.480 --> 0:22:31.080
<v Speaker 1>a good time or whatever, and I would just like

0:22:31.119 --> 0:22:35.240
<v Speaker 1>sitting there like it's fine, it's fine, it's totally fine

0:22:35.280 --> 0:22:37.159
<v Speaker 1>that I'm in a building in a foreign country with

0:22:37.200 --> 0:22:40.880
<v Speaker 1>the police locked outside. But I got through it every

0:22:40.920 --> 0:22:45.800
<v Speaker 1>single time and learned a lot of cognitive behavioral therapy

0:22:45.840 --> 0:22:47.720
<v Speaker 1>to help me deal with that kind of thing in

0:22:47.720 --> 0:22:50.240
<v Speaker 1>the future, and so it was just fun to write

0:22:50.240 --> 0:22:54.920
<v Speaker 1>about it in a fictional way. Anyway, see y'all next week.

0:22:56.520 --> 0:22:58.879
<v Speaker 1>It could Happen here as a production of pool Zone Media.

0:22:59.119 --> 0:23:01.760
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:23:01.800 --> 0:23:04.920
<v Speaker 1>Coolzonemedia dot com, or check us out on the iHeartRadio app,

0:23:04.960 --> 0:23:08.320
<v Speaker 1>Apple Podcasts, or wherever you listen to podcasts. You can

0:23:08.359 --> 0:23:11.040
<v Speaker 1>find sources where it Could Happen here, updated monthly at

0:23:11.080 --> 0:23:14.320
<v Speaker 1>Coolzonmedia dot com slash sources. Thanks for listening.