1 00:00:00,720 --> 00:00:03,000 Speaker 1: I am all in. 2 00:00:04,840 --> 00:00:08,720 Speaker 2: All that's just you. 3 00:00:16,960 --> 00:00:20,599 Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast. 4 00:00:20,720 --> 00:00:24,000 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one 5 00:00:24,040 --> 00:00:29,960 Speaker 1: ELEVEE Productions, iHeartRadio Media, iHeart Podcasts, Season two, Episode ten, 6 00:00:30,040 --> 00:00:32,960 Speaker 1: The brace Bridge Jinner. Air date December eleventh, two thousand 7 00:00:33,000 --> 00:00:36,720 Speaker 1: and one. I have a very very special guest, Hannah Brown, 8 00:00:36,800 --> 00:00:41,280 Speaker 1: lifestyle expert, television personality, and two time New York Times 9 00:00:41,320 --> 00:00:46,440 Speaker 1: best selling author. Her authenticity and charismatic personality have captured 10 00:00:46,479 --> 00:00:49,600 Speaker 1: her millions of followers. Yes, I checked. She's got millions 11 00:00:49,600 --> 00:00:54,640 Speaker 1: of followers and she continues to inspire and empower others. Hannah, 12 00:00:54,840 --> 00:00:58,400 Speaker 1: Welcome to this show. So what does Gilmore Girls mean 13 00:00:58,480 --> 00:00:59,560 Speaker 1: to you at this point? 14 00:01:00,160 --> 00:01:02,000 Speaker 3: I am a late bloomer when it comes to The 15 00:01:02,000 --> 00:01:05,000 Speaker 3: Gilmour Girls. I just started watching. 16 00:01:04,640 --> 00:01:07,720 Speaker 2: It this year. 17 00:01:08,200 --> 00:01:11,400 Speaker 3: I actually I'd always seen it, and I was like, 18 00:01:11,600 --> 00:01:13,000 Speaker 3: I don't know if I. 19 00:01:12,920 --> 00:01:13,720 Speaker 2: Could commit to that. 20 00:01:14,480 --> 00:01:17,640 Speaker 3: It's so like for me, if it's not like three seasons, 21 00:01:17,640 --> 00:01:19,440 Speaker 3: it's hard for me to like get into it. I 22 00:01:19,560 --> 00:01:21,440 Speaker 3: just am busy and I'll want to go into the next. 23 00:01:21,440 --> 00:01:23,360 Speaker 3: So I've always seen it and people have been like Canna, 24 00:01:23,520 --> 00:01:27,280 Speaker 3: like you you are going to be obsessed with the 25 00:01:27,319 --> 00:01:31,640 Speaker 3: show and I can't do it. But then I did this. 26 00:01:31,920 --> 00:01:34,600 Speaker 3: I was doing it started because of therapy. I was 27 00:01:34,800 --> 00:01:41,360 Speaker 3: doing this EMDR therapy plus doing this thing called neurofeedback, 28 00:01:41,480 --> 00:01:46,880 Speaker 3: so it's it's helping train your brain. But the system 29 00:01:46,880 --> 00:01:49,280 Speaker 3: that I did was I could pick. I needed to 30 00:01:49,320 --> 00:01:54,360 Speaker 3: pick a show that, you know, I could watch while 31 00:01:54,520 --> 00:01:57,400 Speaker 3: it's like connected to the screen, and what it's basically 32 00:01:57,400 --> 00:02:00,920 Speaker 3: doing is training your brain to pick different narrow pathways. 33 00:02:01,400 --> 00:02:03,960 Speaker 3: By doing that, it's very passive. And I'm watching a 34 00:02:04,000 --> 00:02:06,720 Speaker 3: show as the screen goes darker and brighter, and the 35 00:02:06,760 --> 00:02:10,680 Speaker 3: way to know that my brain like giving it like 36 00:02:10,800 --> 00:02:13,200 Speaker 3: some positive reinforcements. It brightens up to where I can 37 00:02:13,240 --> 00:02:16,120 Speaker 3: actually see the show clear. So I had to pick 38 00:02:16,120 --> 00:02:18,600 Speaker 3: something to watch, and I was like, well, I guess 39 00:02:18,720 --> 00:02:20,960 Speaker 3: this could be like my time to watch Gilmore Girls 40 00:02:20,960 --> 00:02:25,799 Speaker 3: because I'm like helping my brain. So for me, Gilmore 41 00:02:25,919 --> 00:02:29,920 Speaker 3: Girls like took something that like I was doing this 42 00:02:30,080 --> 00:02:34,560 Speaker 3: experience or this you know, I guess type of therapy 43 00:02:35,040 --> 00:02:37,600 Speaker 3: to just like help with my anxiety and everything. So 44 00:02:37,760 --> 00:02:40,520 Speaker 3: like Gilmore Girls really feels like a safe place for me. 45 00:02:42,480 --> 00:02:44,720 Speaker 3: I think it does for so many people. It's like 46 00:02:45,520 --> 00:02:48,560 Speaker 3: something bad could happen in the next day, like luralize 47 00:02:48,639 --> 00:02:51,000 Speaker 3: cracking jokes, and it's like moved on. 48 00:02:51,200 --> 00:02:51,959 Speaker 2: In some way. 49 00:02:52,040 --> 00:02:55,720 Speaker 3: And so I just feel like Gilmore Girls has just 50 00:02:56,240 --> 00:02:59,200 Speaker 3: become like this like safety net almost for me in 51 00:02:59,280 --> 00:03:01,680 Speaker 3: such a busy season. It's like the place that I 52 00:03:01,720 --> 00:03:04,760 Speaker 3: can go to and like fully be immersed in. 53 00:03:05,240 --> 00:03:09,440 Speaker 2: And it also has like positive. 54 00:03:09,080 --> 00:03:11,320 Speaker 3: Feelings because I'm like, oh, I started watching the show 55 00:03:11,320 --> 00:03:13,680 Speaker 3: to help my brain, and now it's. 56 00:03:13,520 --> 00:03:16,240 Speaker 2: Like helped my life. So I love it so much. 57 00:03:16,720 --> 00:03:19,280 Speaker 3: Yeah, I waited this long, but it's also been really 58 00:03:19,320 --> 00:03:23,360 Speaker 3: cool because like in this season being so I have 59 00:03:23,480 --> 00:03:25,799 Speaker 3: something that I'm like looking forward to at all times 60 00:03:25,840 --> 00:03:26,679 Speaker 3: to get that to watch. 61 00:03:26,800 --> 00:03:31,320 Speaker 1: Well, it's interesting how you how you're saying this is 62 00:03:31,360 --> 00:03:34,560 Speaker 1: because this is the experience. You know, this is a 63 00:03:34,800 --> 00:03:37,760 Speaker 1: this is a pretty common experience. It's kind of rewiring 64 00:03:38,400 --> 00:03:42,000 Speaker 1: the fan base. Fan bases brains to the point where 65 00:03:42,640 --> 00:03:46,560 Speaker 1: you know, they are having this euphoric experience with the show, 66 00:03:46,600 --> 00:03:49,640 Speaker 1: every interaction they have with the show, and then they 67 00:03:49,680 --> 00:03:52,480 Speaker 1: want it when I meet them out there, you know, 68 00:03:53,960 --> 00:03:56,920 Speaker 1: they want to share that experience. Yeah, it has a 69 00:03:56,960 --> 00:04:01,280 Speaker 1: healing component to it. There's something very fit therapy about 70 00:04:01,320 --> 00:04:03,840 Speaker 1: this show, and it's so interesting that you made that connection. 71 00:04:04,360 --> 00:04:04,640 Speaker 2: Yeah. 72 00:04:04,680 --> 00:04:08,360 Speaker 3: Absolutely, And it's cool because like obviously, like not everything's 73 00:04:08,440 --> 00:04:12,680 Speaker 3: perfect like these Lurlai has like her own commitment things, 74 00:04:12,680 --> 00:04:15,360 Speaker 3: and I feel like I can really connect. My book 75 00:04:15,480 --> 00:04:20,599 Speaker 3: is also about a girl who that that has struggled 76 00:04:20,640 --> 00:04:23,720 Speaker 3: with commitment and fully being all in because of her past. 77 00:04:23,760 --> 00:04:26,440 Speaker 3: And you get to actually see like Laura Li's past 78 00:04:26,520 --> 00:04:28,880 Speaker 3: and like have compassion for why she is the way 79 00:04:28,920 --> 00:04:30,440 Speaker 3: that she is, and then all the things that are 80 00:04:30,440 --> 00:04:35,560 Speaker 3: so lovable about her. And it's just like it brings 81 00:04:35,600 --> 00:04:40,080 Speaker 3: these like happy moments, but it's actually real life experiences 82 00:04:40,120 --> 00:04:42,560 Speaker 3: and not getting it right every time and sometimes making 83 00:04:42,600 --> 00:04:46,520 Speaker 3: the wrong decisions and miscommunication. And so it's so cool 84 00:04:46,600 --> 00:04:49,160 Speaker 3: to have a show that like balances that in such 85 00:04:49,200 --> 00:04:52,799 Speaker 3: a beautiful way that you're you're not like feeling anxious 86 00:04:52,880 --> 00:04:58,240 Speaker 3: watching it because somebody's not getting it right or you know, 87 00:04:58,520 --> 00:05:02,800 Speaker 3: you feel the anxiety between the family dynamics. It's it 88 00:05:02,839 --> 00:05:05,960 Speaker 3: can still keep you like even killed while also having 89 00:05:06,040 --> 00:05:08,120 Speaker 3: like real experiences. 90 00:05:07,440 --> 00:05:09,880 Speaker 1: That right, and also on the other side of that, 91 00:05:10,080 --> 00:05:13,880 Speaker 1: it's not you know, she's not getting through the characters 92 00:05:13,920 --> 00:05:18,320 Speaker 1: not getting through their issues so easily because they're insulting 93 00:05:18,360 --> 00:05:19,960 Speaker 1: the audience to the point, well, we don't want to 94 00:05:19,960 --> 00:05:23,159 Speaker 1: put the audience through all this, and like no, the 95 00:05:23,320 --> 00:05:25,520 Speaker 1: Amy and Dan do want to put the audience through it, 96 00:05:25,520 --> 00:05:27,240 Speaker 1: but they want to make us laugh while we go 97 00:05:27,360 --> 00:05:31,120 Speaker 1: through it. Yeah, and it's it's and it's amazing, really 98 00:05:31,160 --> 00:05:33,760 Speaker 1: an amazing way they do all this. All right, so 99 00:05:33,800 --> 00:05:38,440 Speaker 1: let's get into the episode Bracebridge Dinner. The Independence end 100 00:05:38,760 --> 00:05:42,359 Speaker 1: hosting its nineteenth century Bracebridge Dinner, but the group that 101 00:05:42,400 --> 00:05:46,280 Speaker 1: booked out the the event is snowed in in Chicago, 102 00:05:46,440 --> 00:05:48,400 Speaker 1: so they have to go to Plan B, which is 103 00:05:48,480 --> 00:05:51,360 Speaker 1: invite the entire town. What do you think about the 104 00:05:51,800 --> 00:05:54,880 Speaker 1: Bracebridge Dinner? Would you go to something like that? 105 00:05:55,360 --> 00:05:58,400 Speaker 2: Absolutely? I would have loved to do it too, something 106 00:05:58,480 --> 00:05:58,800 Speaker 2: like that. 107 00:05:59,080 --> 00:06:01,080 Speaker 3: It reminds me, I'm from Alabama and we had this 108 00:06:02,240 --> 00:06:07,040 Speaker 3: uh it's like we had this uh like school field 109 00:06:07,040 --> 00:06:08,800 Speaker 3: trip that you went on in fourth grade where you 110 00:06:08,839 --> 00:06:11,320 Speaker 3: had to go and you like re enacted this whole 111 00:06:11,320 --> 00:06:13,640 Speaker 3: thing dinner. I think one of the best days, one 112 00:06:13,680 --> 00:06:15,400 Speaker 3: of my favorite field trips. So I would have been 113 00:06:15,600 --> 00:06:19,440 Speaker 3: totally down to be a part of a dinner like this, right, 114 00:06:19,520 --> 00:06:24,280 Speaker 3: especially in uh with with all my fellow like if 115 00:06:24,279 --> 00:06:26,440 Speaker 3: that could have been my dinner party, like simn me up. 116 00:06:27,240 --> 00:06:30,920 Speaker 1: Okay, yeah, just to go to dinner with Sally Strailers 117 00:06:31,040 --> 00:06:32,480 Speaker 1: is worth. Let me tell you. Let me tell you 118 00:06:32,880 --> 00:06:38,479 Speaker 1: should keep you in stitches. So Luke shares uh you 119 00:06:38,520 --> 00:06:42,240 Speaker 1: know about his white lives to Jess, which is you know, 120 00:06:42,279 --> 00:06:44,679 Speaker 1: it's I guess it's you'd call that kind of sweet 121 00:06:44,680 --> 00:06:48,400 Speaker 1: because it shows he's protecting Jess and yet Laurela I 122 00:06:48,440 --> 00:06:50,960 Speaker 1: believes Jess can see through them. What did you think 123 00:06:51,000 --> 00:06:51,240 Speaker 1: of that? 124 00:06:51,760 --> 00:06:54,919 Speaker 3: I think, Laura I, you know, Luke is doing his 125 00:06:55,080 --> 00:06:58,359 Speaker 3: absolute best, and I love his dynamic with Jess, but 126 00:06:58,720 --> 00:07:03,000 Speaker 3: I feel like Loralai, it's so like her relationship with 127 00:07:03,279 --> 00:07:06,440 Speaker 3: Rory can really help her with Luke being able to 128 00:07:06,480 --> 00:07:10,120 Speaker 3: be like, I know you think you're doing this parenting 129 00:07:10,200 --> 00:07:12,480 Speaker 3: thing right and that like you did your best, but 130 00:07:12,600 --> 00:07:13,679 Speaker 3: he knows. 131 00:07:13,720 --> 00:07:17,400 Speaker 2: So, I mean, I think Laurai, obviously we know LOURAI 132 00:07:17,480 --> 00:07:18,360 Speaker 2: was spot on that. 133 00:07:19,280 --> 00:07:21,840 Speaker 3: You know, I think you know when your parents, when 134 00:07:21,840 --> 00:07:24,240 Speaker 3: your parents aren't really showing up for you, when and 135 00:07:24,280 --> 00:07:26,720 Speaker 3: when somebody else is and it is trying to protect 136 00:07:26,880 --> 00:07:30,520 Speaker 3: you and Jess. I think was just trying to probably 137 00:07:30,520 --> 00:07:31,840 Speaker 3: make Luke feel better. 138 00:07:31,880 --> 00:07:35,640 Speaker 1: In a little heartbreaking that you go to see if 139 00:07:35,640 --> 00:07:38,120 Speaker 1: the kid like that, and it's just you don't want 140 00:07:38,120 --> 00:07:41,320 Speaker 1: to hurt him again. But she was right, you know, 141 00:07:42,160 --> 00:07:44,680 Speaker 1: she'd been there, done that. Yeah, So it was like 142 00:07:44,920 --> 00:07:50,640 Speaker 1: it was like, hey, dude, you know he knows. But 143 00:07:50,720 --> 00:07:53,440 Speaker 1: you know that that's the kind of interaction between those two, 144 00:07:53,520 --> 00:07:58,200 Speaker 1: that easy interaction that actually draws them closer together and 145 00:07:58,320 --> 00:08:01,040 Speaker 1: makes them trust each other there a little bit more. 146 00:08:01,160 --> 00:08:04,280 Speaker 1: You know. It's one of those nice moments based on 147 00:08:04,400 --> 00:08:08,040 Speaker 1: something that's somewhat tragic, you know, for for Jess anyway, 148 00:08:08,160 --> 00:08:10,360 Speaker 1: but at least their hearts are in the right place 149 00:08:10,440 --> 00:08:15,440 Speaker 1: and they're trying totally navigating life. Let's let's talk about 150 00:08:15,440 --> 00:08:20,160 Speaker 1: the sleigh ride between Luke and Loreli. They're together. He 151 00:08:20,200 --> 00:08:23,760 Speaker 1: doesn't have his hat on. What's up with that? He 152 00:08:23,800 --> 00:08:26,560 Speaker 1: had the hat off? Did that throw you a little bit? 153 00:08:26,640 --> 00:08:29,960 Speaker 3: With the no hat whenever he doesn't have I mean, 154 00:08:30,160 --> 00:08:32,040 Speaker 3: you know he was he was coming for the dinner. 155 00:08:32,040 --> 00:08:33,520 Speaker 2: He's trying to be glassy. 156 00:08:33,200 --> 00:08:34,800 Speaker 1: Right, you're not gonna wear a hat. 157 00:08:34,920 --> 00:08:37,600 Speaker 2: You're gonna wear a hat to dinner. But I can't. 158 00:08:37,679 --> 00:08:40,080 Speaker 3: I mean, I know it's you. But like, I just 159 00:08:40,240 --> 00:08:43,679 Speaker 3: love the backward hat. It's just really it was. 160 00:08:43,640 --> 00:08:49,320 Speaker 2: A good look for Luke. So it's not a lie. 161 00:08:49,440 --> 00:08:53,720 Speaker 3: It's like, I mean, from Alabama, I love a little 162 00:08:54,200 --> 00:08:56,400 Speaker 3: blade shirt, backwards hat moment. 163 00:08:56,520 --> 00:08:59,520 Speaker 2: You know you already had the longer hair. It was great. 164 00:08:59,640 --> 00:09:04,560 Speaker 3: But I appreciate Luke for trying to, you know, be 165 00:09:04,600 --> 00:09:07,720 Speaker 3: a little classy for the establishment that he was in. 166 00:09:07,800 --> 00:09:09,000 Speaker 2: But I love that moment. 167 00:09:10,040 --> 00:09:14,600 Speaker 3: I I mean, I'm you know, I'm now in season six, 168 00:09:14,679 --> 00:09:18,440 Speaker 3: but like, just the tension between Luke and Laurli is 169 00:09:18,440 --> 00:09:18,880 Speaker 3: the best. 170 00:09:18,920 --> 00:09:20,360 Speaker 2: It is the best part of the whole show. 171 00:09:20,640 --> 00:09:22,680 Speaker 3: And it's my favorite whenever they're together and they have 172 00:09:22,760 --> 00:09:25,880 Speaker 3: these sweet moments, it's it's the best. 173 00:09:26,280 --> 00:09:30,960 Speaker 1: Yeah, that that was. I got so lucky with that. 174 00:09:32,120 --> 00:09:33,840 Speaker 1: Sometimes in life you get lucky, you know. 175 00:09:34,040 --> 00:09:37,200 Speaker 2: Yeah, I mean it was It's magic. It's true magic. 176 00:09:37,600 --> 00:09:39,760 Speaker 1: It's just one of those things, one of those things. 177 00:09:48,800 --> 00:09:53,280 Speaker 1: Let's get to Jess and Dean. So we see Dean 178 00:09:53,360 --> 00:09:55,960 Speaker 1: breaks up a fight between Jess and another student. What 179 00:09:56,000 --> 00:09:57,680 Speaker 1: was a kid's name? This the other student of. 180 00:09:57,679 --> 00:09:59,599 Speaker 2: The Talk or something or something like that. 181 00:10:00,000 --> 00:10:04,559 Speaker 1: Anyway, Dean comes. Dean comes to the dinner with Clara, 182 00:10:04,640 --> 00:10:07,880 Speaker 1: but it's disappointed to see Jess at the dinner. Obviously, 183 00:10:08,520 --> 00:10:14,440 Speaker 1: poor Poortine. He's just they're constantly putting this kid through 184 00:10:14,440 --> 00:10:17,600 Speaker 1: the gauntlet man with this Jess character. It's a good 185 00:10:17,720 --> 00:10:19,880 Speaker 1: use of you know, how they use the characters. So 186 00:10:21,240 --> 00:10:24,560 Speaker 1: we see that Jess kind of it looks like he 187 00:10:24,640 --> 00:10:29,240 Speaker 1: jumps out of a tree and into the carriage and 188 00:10:29,280 --> 00:10:32,319 Speaker 1: the sleigh. I mean it was just so jarring and abrupt, 189 00:10:32,320 --> 00:10:34,120 Speaker 1: and it was like, whoa where did he come from? 190 00:10:34,240 --> 00:10:36,240 Speaker 1: I mean it looked like he was coming from a 191 00:10:36,320 --> 00:10:37,120 Speaker 1: downward angle. 192 00:10:37,440 --> 00:10:40,560 Speaker 2: I know, it's like he was doing like parkour in 193 00:10:40,640 --> 00:10:42,040 Speaker 2: some way. I don't know. 194 00:10:42,400 --> 00:10:45,360 Speaker 1: I mean, here's a guy who gets into a fight 195 00:10:45,400 --> 00:10:49,200 Speaker 1: with the kid who's a class jerk. It's established, right, 196 00:10:49,880 --> 00:10:53,600 Speaker 1: Dean helps him, right, But now Jess is jumping out 197 00:10:53,600 --> 00:10:58,080 Speaker 1: of a tree to get into the sleigh with his girlfriend. Yeah, 198 00:10:58,160 --> 00:10:59,319 Speaker 1: what's that all about? 199 00:10:59,679 --> 00:11:02,520 Speaker 2: Okay, I've gone on. 200 00:11:02,520 --> 00:11:06,240 Speaker 3: To social media eyes. I've been watching this show and 201 00:11:06,760 --> 00:11:09,920 Speaker 3: it's so interesting. I'm sure obviously you know, like all 202 00:11:10,040 --> 00:11:15,120 Speaker 3: the people are who are team Jess, And I'll be honest, 203 00:11:15,880 --> 00:11:21,000 Speaker 3: at the beginning, I was not a team Jess. 204 00:11:20,559 --> 00:11:22,760 Speaker 2: At all because I was like he is. 205 00:11:24,400 --> 00:11:28,480 Speaker 3: Just like and it feels like he didn't like treat 206 00:11:28,840 --> 00:11:32,480 Speaker 3: Rory right, especially you know eventually and and Dean is 207 00:11:32,520 --> 00:11:37,160 Speaker 3: so especially especially at this point, so sweet, good guy, 208 00:11:37,440 --> 00:11:37,959 Speaker 3: good guy. 209 00:11:38,200 --> 00:11:43,040 Speaker 2: I'm like, he's such a good guy for Rory. It's sweet. 210 00:11:43,080 --> 00:11:44,280 Speaker 2: But you there's all. 211 00:11:44,400 --> 00:11:48,360 Speaker 3: But then there's also this like palpable chemistry between Jess 212 00:11:48,440 --> 00:11:51,720 Speaker 3: and Rory, and especially during that scene when they're on 213 00:11:51,800 --> 00:11:55,160 Speaker 3: the carriage, Like it's true when Jess is just like, 214 00:11:55,200 --> 00:11:58,360 Speaker 3: what are you even talking about? Because like it's cool, 215 00:11:58,400 --> 00:12:01,480 Speaker 3: like Jess has this whole life per song, he's like 216 00:12:01,480 --> 00:12:04,000 Speaker 3: this bad boy, but yet he him and Rory have 217 00:12:04,360 --> 00:12:07,640 Speaker 3: so much in common when we do to like what 218 00:12:09,240 --> 00:12:11,920 Speaker 3: like what they love, Like truly, when you when you 219 00:12:12,040 --> 00:12:14,560 Speaker 3: take off the mask of Jess just having to protect 220 00:12:14,640 --> 00:12:18,400 Speaker 3: himself with his whole life, like there might not have 221 00:12:18,400 --> 00:12:21,120 Speaker 3: been much difference had he not grown up in the 222 00:12:21,280 --> 00:12:24,600 Speaker 3: app with the the parents that he had and he 223 00:12:24,800 --> 00:12:28,280 Speaker 3: just had to create this falseic seria of who he 224 00:12:28,280 --> 00:12:28,720 Speaker 3: actually is. 225 00:12:28,840 --> 00:12:31,559 Speaker 2: Like I definitely have compassion for that, but. 226 00:12:31,640 --> 00:12:35,800 Speaker 3: Gosh, like as you said, like things, just trying to 227 00:12:35,800 --> 00:12:36,560 Speaker 3: do his best. 228 00:12:37,600 --> 00:12:40,319 Speaker 1: I think that was a really important scene between Jess 229 00:12:40,440 --> 00:12:44,640 Speaker 1: and yeah, and You're right about it, because there's this 230 00:12:44,800 --> 00:12:48,920 Speaker 1: knowing that Jess has, and even Rory like, really, why 231 00:12:48,960 --> 00:12:51,720 Speaker 1: are you with this guy? You know, I've been in 232 00:12:51,760 --> 00:12:54,439 Speaker 1: class with him. He doesn't really like kind of get 233 00:12:54,480 --> 00:12:57,680 Speaker 1: the literary references, like has he read the books you've read? 234 00:12:57,720 --> 00:12:59,120 Speaker 1: You know? I mean this is what he's implying. 235 00:12:59,280 --> 00:13:02,679 Speaker 2: He's just a good guy, right, He's just a good guy. 236 00:13:03,040 --> 00:13:06,280 Speaker 1: But long term, and like, why are you spending your 237 00:13:06,280 --> 00:13:08,560 Speaker 1: time with him? You can be spending your time with me, 238 00:13:08,760 --> 00:13:11,120 Speaker 1: and we read the same books and we have the 239 00:13:11,160 --> 00:13:15,320 Speaker 1: same kind of I don't know, artistic side. Yes, you 240 00:13:15,320 --> 00:13:20,160 Speaker 1: know we have. There's you know, they're both a little dark. 241 00:13:20,360 --> 00:13:23,679 Speaker 1: Dean doesn't really have any darkness, does he. I mean 242 00:13:23,960 --> 00:13:27,320 Speaker 1: he's just a what you see is what you get 243 00:13:27,360 --> 00:13:27,679 Speaker 1: with him. 244 00:13:27,800 --> 00:13:30,080 Speaker 2: I love people like Dean. I wish I was a 245 00:13:30,120 --> 00:13:31,280 Speaker 2: person like Diana. 246 00:13:32,040 --> 00:13:34,280 Speaker 3: Like I'm like, it must be nice to be that 247 00:13:34,440 --> 00:13:39,640 Speaker 3: light and right right, But like you said, like Rory 248 00:13:39,679 --> 00:13:43,920 Speaker 3: and just just have this magnetic something to them. But 249 00:13:44,000 --> 00:13:47,120 Speaker 3: I think sometimes Rory doesn't want to have that darkness 250 00:13:47,160 --> 00:13:49,680 Speaker 3: about her, and so like you want to be with 251 00:13:49,760 --> 00:13:52,680 Speaker 3: somebody that just keeps you in the light, where just 252 00:13:53,920 --> 00:13:56,120 Speaker 3: kind of brings out that other side of her that 253 00:13:57,520 --> 00:14:01,760 Speaker 3: even maybe you know from her mom, like Lorelai doesn't 254 00:14:02,040 --> 00:14:03,960 Speaker 3: wants her to stay in the light and be with 255 00:14:04,040 --> 00:14:10,440 Speaker 3: somebody that keeps that doesn't maybe challenge her. I think 256 00:14:10,600 --> 00:14:15,559 Speaker 3: just right challenges her and maybe would make her challenges 257 00:14:15,640 --> 00:14:18,600 Speaker 3: to be herself, which means when you're like full of yourself, 258 00:14:18,640 --> 00:14:21,760 Speaker 3: like you're gonna make mistakes, You're gonna get it wrong sometimes. 259 00:14:21,800 --> 00:14:26,800 Speaker 3: And I think I just wants to protect her daughter 260 00:14:27,120 --> 00:14:29,160 Speaker 3: and be with somebody that she knows is not going 261 00:14:29,200 --> 00:14:30,120 Speaker 3: to push her. 262 00:14:30,280 --> 00:14:38,000 Speaker 4: Any who else challenges her logan, Yes, logan really challenges Yes, 263 00:14:38,280 --> 00:14:40,680 Speaker 4: I mean in other ways to totally. 264 00:14:41,320 --> 00:14:46,720 Speaker 1: Yeah. But that's a whole kind of that's a different dynamic. 265 00:14:47,080 --> 00:14:49,560 Speaker 3: You know, I'm in season six right now, so like 266 00:14:49,880 --> 00:14:53,680 Speaker 3: I'm in fully the dynamic of it right now, and 267 00:14:54,720 --> 00:15:01,000 Speaker 3: it's so you just feel the tension of like, oh gosh, 268 00:15:01,120 --> 00:15:03,320 Speaker 3: is this gonna. 269 00:15:02,960 --> 00:15:03,720 Speaker 2: This could work? 270 00:15:03,880 --> 00:15:06,400 Speaker 3: Is it going to work? I don't know. I'm kind 271 00:15:06,400 --> 00:15:09,560 Speaker 3: of scared. That's where I'm just like in I can't 272 00:15:09,560 --> 00:15:15,720 Speaker 3: remember what season episode I'm on, but it's and it's 273 00:15:15,760 --> 00:15:19,120 Speaker 3: kind of hard to see Rory question herself, but like 274 00:15:19,200 --> 00:15:22,840 Speaker 3: she has to to grow and so being with people 275 00:15:23,000 --> 00:15:30,640 Speaker 3: like Jess and it's very different than you know as 276 00:15:30,680 --> 00:15:31,840 Speaker 3: you see her with Dean. 277 00:15:32,480 --> 00:15:36,240 Speaker 1: There's two schools here when I think about who is better, 278 00:15:36,320 --> 00:15:39,240 Speaker 1: like who's a baby daddy? And who should it be? 279 00:15:39,280 --> 00:15:42,080 Speaker 1: And who do you want it to be? And there's 280 00:15:42,080 --> 00:15:46,280 Speaker 1: for me, there's like two schools. There's like what Luke 281 00:15:46,520 --> 00:15:50,800 Speaker 1: as a real person or Laura I as a real person. 282 00:15:50,960 --> 00:15:55,000 Speaker 1: The whole town is real people living that experience want 283 00:15:55,040 --> 00:15:58,280 Speaker 1: for Rory. You know what they want? Is it Jess 284 00:15:58,360 --> 00:16:00,000 Speaker 1: or is it Logan? Because it's not going to be. 285 00:16:00,360 --> 00:16:02,240 Speaker 1: It's going to be Jess. Or Look, who's the baby daddy? 286 00:16:02,480 --> 00:16:05,200 Speaker 1: Who do you want it to be? Who I want 287 00:16:05,240 --> 00:16:10,640 Speaker 1: it to be? Who I think as Luke is Jess 288 00:16:10,840 --> 00:16:13,360 Speaker 1: because he's blood and I think he's going to evolve 289 00:16:13,440 --> 00:16:17,720 Speaker 1: into a more mature He's got a lot of maturity 290 00:16:17,840 --> 00:16:21,640 Speaker 1: intellectually speaking, emotionally, he's got to catch up. When he does, 291 00:16:22,840 --> 00:16:24,960 Speaker 1: he's going to be this great guy and he's still 292 00:16:24,960 --> 00:16:26,760 Speaker 1: going to have that edge. He's still going to have 293 00:16:26,800 --> 00:16:29,840 Speaker 1: a little darkness, but he's going to love her freely. 294 00:16:29,880 --> 00:16:31,160 Speaker 1: He's going to be able to get out of his 295 00:16:31,200 --> 00:16:34,800 Speaker 1: own way and really be a great husband and father 296 00:16:34,960 --> 00:16:37,960 Speaker 1: to her. You know that's in him. It's in him. 297 00:16:38,000 --> 00:16:40,400 Speaker 1: He just needs to live life a little more and 298 00:16:40,480 --> 00:16:43,600 Speaker 1: figure it out. Right. But in terms on the other 299 00:16:43,640 --> 00:16:46,440 Speaker 1: side of me, the other school is for me, it's like, 300 00:16:46,680 --> 00:16:51,000 Speaker 1: what's best for the storytelling, what's best for the tension. 301 00:16:51,400 --> 00:16:55,680 Speaker 1: I think it's Logan because project just ten years out, 302 00:16:55,720 --> 00:16:58,680 Speaker 1: two kids with Rory, three kids with Rory versus Logan 303 00:16:58,800 --> 00:17:03,840 Speaker 1: ten years out, super successful guy or not three two 304 00:17:03,920 --> 00:17:06,520 Speaker 1: three kids? Who's more likely to cheat? I'm always saying 305 00:17:06,600 --> 00:17:12,400 Speaker 1: Logan for sure, and that's better for the storytelling for sure. 306 00:17:12,480 --> 00:17:15,000 Speaker 1: If we're going to get more seasons or more episodes, 307 00:17:15,880 --> 00:17:19,040 Speaker 1: if it isn't Logan, then you'll lose Jess as a 308 00:17:19,080 --> 00:17:22,959 Speaker 1: guy who comes in and is always the guy. So 309 00:17:23,119 --> 00:17:26,080 Speaker 1: Jess is really kind of like the Luke where it's. 310 00:17:25,960 --> 00:17:28,720 Speaker 2: Like Jess is the Luke's. 311 00:17:28,080 --> 00:17:31,600 Speaker 1: The Luke's He's the Luke to Rory's Laureley, and it's 312 00:17:31,640 --> 00:17:33,160 Speaker 1: like one of these two going to get together because 313 00:17:33,200 --> 00:17:35,680 Speaker 1: it's so the chemistry's so great and they're so right 314 00:17:35,760 --> 00:17:38,480 Speaker 1: and they should be together. But I don't know. I 315 00:17:38,520 --> 00:17:42,120 Speaker 1: think that that Logan is a better version of a Christopher. 316 00:17:42,200 --> 00:17:44,880 Speaker 1: He's like a young Christopher with his act together. Yeah, 317 00:17:45,000 --> 00:17:47,440 Speaker 1: certain a lot more than Christopher was at that same 318 00:17:47,480 --> 00:17:53,200 Speaker 1: age and better prospects long term. So I don't know. 319 00:17:53,320 --> 00:17:55,119 Speaker 3: Yeah, so it's like, well yeah, because like for me, 320 00:17:55,320 --> 00:17:58,800 Speaker 3: I think, like I don't fully I mean, this shows 321 00:17:58,960 --> 00:18:01,560 Speaker 3: there's not too many bilers because I've seen every I 322 00:18:01,560 --> 00:18:06,320 Speaker 3: mean on for so long. But with Logan, I feel like, uh, 323 00:18:07,840 --> 00:18:10,560 Speaker 3: Rory is kind of living out like the other version 324 00:18:10,720 --> 00:18:15,080 Speaker 3: of what laural life life could have been like if 325 00:18:15,119 --> 00:18:18,560 Speaker 3: she had not had Rory, and like exactly, you know, 326 00:18:18,600 --> 00:18:20,879 Speaker 3: you kind of love I have like a soft spot 327 00:18:20,880 --> 00:18:24,280 Speaker 3: for Christopher, and like you see that, and so you 328 00:18:24,359 --> 00:18:28,480 Speaker 3: kind of want to see what that life would be like, 329 00:18:28,600 --> 00:18:30,800 Speaker 3: what that would have been like even you know, we 330 00:18:31,119 --> 00:18:33,399 Speaker 3: have loural life story, but like you want to see that. 331 00:18:33,800 --> 00:18:36,840 Speaker 3: So for a story, I totally agree. I'm more intrigued 332 00:18:36,880 --> 00:18:42,439 Speaker 3: by her with Logan for what could all come of 333 00:18:42,480 --> 00:18:45,800 Speaker 3: that and the tension of class and all that, Like 334 00:18:45,880 --> 00:18:47,080 Speaker 3: that is what's so fun? 335 00:18:47,600 --> 00:18:51,399 Speaker 1: All that tension. Yeah, it's and it could come apart 336 00:18:51,640 --> 00:18:58,160 Speaker 1: every episode really easily. She could be facing Rory, could 337 00:18:58,160 --> 00:19:03,240 Speaker 1: be facing the same level of condescension from that family 338 00:19:03,400 --> 00:19:07,920 Speaker 1: and stress and storylines that you know, you could see 339 00:19:08,040 --> 00:19:10,439 Speaker 1: like Luke facing when he tries to come into the 340 00:19:10,440 --> 00:19:13,639 Speaker 1: Gilmour house. It's like, who is this inappropriate person? He 341 00:19:13,640 --> 00:19:17,440 Speaker 1: doesn't dress, you know, and I think that's how high 342 00:19:17,480 --> 00:19:23,800 Speaker 1: falutin the the What the Huntsburgers are, Yeah, I mean 343 00:19:23,800 --> 00:19:25,800 Speaker 1: what a name, right, I mean the Palatine has even 344 00:19:25,840 --> 00:19:27,840 Speaker 1: gave it that name Huntsburger. Well. 345 00:19:28,280 --> 00:19:31,040 Speaker 3: I love that episode when it's like, but I'm a 346 00:19:31,080 --> 00:19:34,760 Speaker 3: Gilmore because like Rory had always like when she meets 347 00:19:34,800 --> 00:19:39,320 Speaker 3: that family for the first time, like like that name 348 00:19:40,960 --> 00:19:44,439 Speaker 3: for Luke, you know, they made him feel like so 349 00:19:44,680 --> 00:19:48,440 Speaker 3: below and then Rory's having to have that same experience. 350 00:19:48,440 --> 00:19:51,879 Speaker 3: He's like, wait, I haven't had to have this experience. 351 00:19:51,320 --> 00:19:54,639 Speaker 2: Because being a Gilmore kind of like. 352 00:19:56,760 --> 00:20:00,920 Speaker 3: That was my grandparents like token, like I fit where 353 00:20:00,960 --> 00:20:04,240 Speaker 3: my mom bitten, and now I know what it feels 354 00:20:04,280 --> 00:20:08,480 Speaker 3: like to not fit right and having It's just cool 355 00:20:08,560 --> 00:20:13,960 Speaker 3: how the writers made it to where, you know, Laura 356 00:20:14,000 --> 00:20:19,159 Speaker 3: Life tried so hard to make Rory have everything, have 357 00:20:19,320 --> 00:20:23,600 Speaker 3: the emotional connect connection and closeness that she didn't get 358 00:20:23,600 --> 00:20:27,840 Speaker 3: from her parents, but also all the opportunities that you know, 359 00:20:28,359 --> 00:20:32,560 Speaker 3: being in that family could provide and wanted her to 360 00:20:32,640 --> 00:20:35,439 Speaker 3: have something totally different, but like as you watch it, 361 00:20:35,520 --> 00:20:38,640 Speaker 3: you see that, like Rory still has to go through 362 00:20:38,680 --> 00:20:41,480 Speaker 3: a lot of the same similar experiences, maybe just like 363 00:20:41,600 --> 00:20:42,760 Speaker 3: different model. 364 00:20:43,920 --> 00:20:45,200 Speaker 2: Of Laura Lie. 365 00:20:45,640 --> 00:20:50,679 Speaker 3: And it's so interesting to kind of just watch that 366 00:20:50,760 --> 00:20:53,160 Speaker 3: and that's isn't that light life and what our parents, 367 00:20:53,240 --> 00:20:55,320 Speaker 3: like every parent tries to do. It's like it just 368 00:20:55,359 --> 00:20:57,919 Speaker 3: make it a little bit better, easier, but we still 369 00:20:58,000 --> 00:21:00,640 Speaker 3: all have to we have to go through this. 370 00:21:00,680 --> 00:21:02,399 Speaker 2: Human experience. 371 00:21:03,240 --> 00:21:07,520 Speaker 3: And it's gonna come with a lot of getting love wrong, loss, 372 00:21:09,359 --> 00:21:16,359 Speaker 3: feeling like not good enough, not worthy, and watching Laura 373 00:21:16,520 --> 00:21:19,159 Speaker 3: I like, I mean, Laurai is my favorite character. I 374 00:21:19,200 --> 00:21:21,400 Speaker 3: don't I don't know how she can't be like she's 375 00:21:21,440 --> 00:21:27,560 Speaker 3: the best, like just watching her like try to help 376 00:21:27,680 --> 00:21:31,439 Speaker 3: Rory through it, knowing trying so hard to take a 377 00:21:31,480 --> 00:21:33,639 Speaker 3: back seat, but then just always being there for her 378 00:21:33,680 --> 00:21:35,760 Speaker 3: and protecting her when like the thing that she really 379 00:21:35,760 --> 00:21:39,600 Speaker 3: wanted to protect her from Rory does anyway, Like so. 380 00:21:39,320 --> 00:21:52,000 Speaker 1: So good too. Well, let's get into you know, Richard's 381 00:21:52,040 --> 00:21:57,760 Speaker 1: retirement was a big storyline in this episode and had 382 00:21:57,800 --> 00:22:02,399 Speaker 1: great impact. So he doesn't tell Emily about it, and 383 00:22:02,560 --> 00:22:06,080 Speaker 1: he's incredibly happy. Yeah, you know, he's got the monkey 384 00:22:06,200 --> 00:22:09,359 Speaker 1: off his back for the first time for forty years. 385 00:22:09,359 --> 00:22:14,080 Speaker 1: He's free as a bird. He's feeling great, but nobody 386 00:22:14,119 --> 00:22:17,840 Speaker 1: knows why. And then we find out at the Brave's 387 00:22:17,880 --> 00:22:21,679 Speaker 1: Bridge dinner it slips out. What are your thoughts on this? 388 00:22:22,560 --> 00:22:24,000 Speaker 1: Was he in the wrong for not telling her? 389 00:22:24,119 --> 00:22:28,280 Speaker 3: Or was he just I understand why he doesn't tell her. 390 00:22:29,440 --> 00:22:31,919 Speaker 3: I mean he doesn't everyone kind of understand why he 391 00:22:31,960 --> 00:22:32,760 Speaker 3: doesn't tell her. 392 00:22:34,280 --> 00:22:35,479 Speaker 2: I love Emily. 393 00:22:35,560 --> 00:22:38,040 Speaker 3: I think she's like such an amazing character as well, 394 00:22:38,080 --> 00:22:46,280 Speaker 3: and but yeah, I think there's a pressure with her, 395 00:22:46,920 --> 00:22:52,240 Speaker 3: and I think he was done with the pressure and 396 00:22:52,480 --> 00:22:56,320 Speaker 3: just wanted to be able to not have to go 397 00:22:56,440 --> 00:22:59,840 Speaker 3: into all the details of what this means now that 398 00:22:59,880 --> 00:23:01,960 Speaker 3: he's retired and just kind of live in it. And 399 00:23:02,000 --> 00:23:04,080 Speaker 3: eventually they do, of course, they're going to have to 400 00:23:04,080 --> 00:23:07,520 Speaker 3: get into the details of what does this mean Richard 401 00:23:07,600 --> 00:23:12,600 Speaker 3: being retired? But I kind of love that he got 402 00:23:12,640 --> 00:23:15,840 Speaker 3: to just like be happy and in the moment and 403 00:23:15,920 --> 00:23:19,880 Speaker 3: feel good about retirement, even though we all know. 404 00:23:21,720 --> 00:23:26,120 Speaker 2: How I just just seeing his life, like how much 405 00:23:26,200 --> 00:23:28,920 Speaker 2: is he gonna actually love retirement? We'll see, but. 406 00:23:28,840 --> 00:23:31,080 Speaker 3: That he got to at least live in those feelings 407 00:23:31,640 --> 00:23:36,280 Speaker 3: of truly being happy and accept it, like it was 408 00:23:36,320 --> 00:23:39,879 Speaker 3: so fun to see and fun to see like Emily 409 00:23:40,000 --> 00:23:41,919 Speaker 3: just trying to like go with it and be like, 410 00:23:42,040 --> 00:23:43,240 Speaker 3: what is going on? 411 00:23:43,640 --> 00:23:44,200 Speaker 2: He's right? 412 00:23:44,600 --> 00:23:47,199 Speaker 1: But I loved I loved his monologue. I loved his 413 00:23:48,240 --> 00:23:50,920 Speaker 1: that scene late at night down in the living room 414 00:23:51,040 --> 00:23:54,680 Speaker 1: the lobby of the Dragonfly, when he said I didn't 415 00:23:54,680 --> 00:23:58,000 Speaker 1: expect to resign, but as I kept talking to the CEO, 416 00:23:58,960 --> 00:24:02,280 Speaker 1: I kept getting a little languier, and you know, I 417 00:24:02,320 --> 00:24:05,040 Speaker 1: realized that I just wanted to walk away. And what 418 00:24:05,160 --> 00:24:07,320 Speaker 1: a what a great speech. Does you know what? I 419 00:24:07,359 --> 00:24:08,880 Speaker 1: want to get into your book. I know you don't 420 00:24:08,920 --> 00:24:12,080 Speaker 1: have a lot of time. You're super busy, You're doing 421 00:24:12,119 --> 00:24:13,720 Speaker 1: so many things. But let's get into your book a 422 00:24:13,760 --> 00:24:18,479 Speaker 1: little bit. Okay, Uh, the Four Engagement Rings of Sybil 423 00:24:18,720 --> 00:24:23,639 Speaker 1: Rain and this is going to be your second fiction book, 424 00:24:23,840 --> 00:24:28,600 Speaker 1: fourth overall? What inspired this one? So? 425 00:24:29,240 --> 00:24:35,920 Speaker 3: Uh, this book is my second, like you said, romance novel. 426 00:24:36,520 --> 00:24:40,840 Speaker 3: And what started the whole thing is I wanted to 427 00:24:42,520 --> 00:24:46,320 Speaker 3: write a book about love stories but also how our 428 00:24:46,400 --> 00:24:48,879 Speaker 3: friends are some of the big the best love stories 429 00:24:48,880 --> 00:24:50,560 Speaker 3: that we have in our life, and how they support 430 00:24:50,640 --> 00:24:54,359 Speaker 3: us in those big moments when we fall in love, 431 00:24:55,119 --> 00:24:57,760 Speaker 3: when love hurts us, when we have heartbreaking, when we 432 00:24:57,840 --> 00:25:01,359 Speaker 3: do ad evident that happily ever after. And so the 433 00:25:01,880 --> 00:25:05,320 Speaker 3: first idea was to write about these this core for 434 00:25:05,600 --> 00:25:06,840 Speaker 3: group of best friends. 435 00:25:07,680 --> 00:25:08,800 Speaker 2: And my first one. 436 00:25:10,400 --> 00:25:15,119 Speaker 3: Was about Emma and the setting of that book was 437 00:25:15,240 --> 00:25:19,560 Speaker 3: at this new book, Sybil Rain, the main character, at 438 00:25:19,600 --> 00:25:23,439 Speaker 3: her wedding weekend that does not go as planned. And 439 00:25:23,520 --> 00:25:26,200 Speaker 3: so as I was writing that first book, I knew, Okay, 440 00:25:26,280 --> 00:25:30,920 Speaker 3: I've got to write about this runaway bride and why 441 00:25:31,160 --> 00:25:36,440 Speaker 3: she didn't commit to this lovely man or where did 442 00:25:36,520 --> 00:25:42,560 Speaker 3: she go? And so this book takes place a year 443 00:25:42,640 --> 00:25:46,840 Speaker 3: after the wedding gone wrong, and she's just wanting to 444 00:25:46,920 --> 00:25:50,200 Speaker 3: have a break of vacation. So she takes her honeymoon 445 00:25:50,240 --> 00:25:53,640 Speaker 3: ticket vouchers and goes on a nice. 446 00:25:53,480 --> 00:25:54,960 Speaker 2: Vacation to Hawaii to. 447 00:25:56,560 --> 00:25:59,400 Speaker 3: Not run into one but two of her ex fiances 448 00:25:59,600 --> 00:26:04,040 Speaker 3: and really has to, you know, get really slapped in 449 00:26:04,080 --> 00:26:06,480 Speaker 3: the face with her past and that she can't really 450 00:26:06,560 --> 00:26:10,680 Speaker 3: run from it anymore. And I really wanted to get 451 00:26:10,680 --> 00:26:12,800 Speaker 3: into which is so interesting because I started writing this 452 00:26:12,840 --> 00:26:15,280 Speaker 3: book before I started watching Gilmore Girls, and what I've 453 00:26:15,280 --> 00:26:17,560 Speaker 3: related to with Laura life so much. It's kind of 454 00:26:17,600 --> 00:26:21,119 Speaker 3: that fear of commitment and getting it wrong. That's a 455 00:26:21,119 --> 00:26:26,280 Speaker 3: lot of what Sybil struggles with, like the commitment when 456 00:26:26,359 --> 00:26:31,439 Speaker 3: like your past seems to just always beat you to 457 00:26:32,000 --> 00:26:35,720 Speaker 3: the love that you really deserve, so that you can't 458 00:26:35,720 --> 00:26:38,880 Speaker 3: fully receive what is right in front of you because 459 00:26:38,920 --> 00:26:43,119 Speaker 3: of these gnawing thoughts and feelings of the past and 460 00:26:43,280 --> 00:26:45,639 Speaker 3: not going right. And so that's really what the book 461 00:26:45,720 --> 00:26:49,320 Speaker 3: is about, is Sybil having to have that confrontation with 462 00:26:49,400 --> 00:26:54,560 Speaker 3: her past and learning to love herself first fully to 463 00:26:54,600 --> 00:26:57,480 Speaker 3: be able to receive the love that is right in 464 00:26:57,560 --> 00:26:58,080 Speaker 3: front of her. 465 00:26:58,200 --> 00:27:00,920 Speaker 2: And so I feel like any who. 466 00:27:01,040 --> 00:27:07,320 Speaker 3: Loves Loreli would love Sybil because they are so similar, 467 00:27:07,359 --> 00:27:11,400 Speaker 3: like the light, the shiny, bright, fun thing that everybody 468 00:27:11,480 --> 00:27:14,480 Speaker 3: wants to be around. But when you really break it down, 469 00:27:14,560 --> 00:27:17,359 Speaker 3: is it really fun to be Sybil? Like in those 470 00:27:17,400 --> 00:27:23,960 Speaker 3: thoughts in that, you know, holding yourself back and watching 471 00:27:24,000 --> 00:27:27,000 Speaker 3: somebody over you know, and getting to read about this 472 00:27:27,119 --> 00:27:30,600 Speaker 3: character overcoming that it's really fun and finding her happily 473 00:27:30,640 --> 00:27:31,080 Speaker 3: ever after. 474 00:27:31,720 --> 00:27:36,000 Speaker 1: Do you see this as something that could be turned 475 00:27:36,040 --> 00:27:39,160 Speaker 1: into a TV show or a film? And if so, 476 00:27:39,600 --> 00:27:40,919 Speaker 1: who do you want to play Sybil? 477 00:27:41,560 --> 00:27:46,199 Speaker 3: I would love that that would be a dream come true. 478 00:27:46,640 --> 00:27:48,359 Speaker 3: I feel like there could be so many people, and 479 00:27:48,520 --> 00:27:51,760 Speaker 3: you know, these things are so I don't really get 480 00:27:51,800 --> 00:27:54,639 Speaker 3: to pick who if this became a series, But like 481 00:27:54,920 --> 00:27:57,560 Speaker 3: Sidney Sweeney, I feel like would be so fun because 482 00:27:57,560 --> 00:28:00,440 Speaker 3: she has this kind of like lightness of out her 483 00:28:00,480 --> 00:28:02,920 Speaker 3: but seeing some of the roles that she's played, there's 484 00:28:02,960 --> 00:28:06,879 Speaker 3: still like this dark this darkness that Sybil has that 485 00:28:06,960 --> 00:28:09,680 Speaker 3: I feel like Sydney could could be able to keep 486 00:28:10,359 --> 00:28:14,800 Speaker 3: both at play, So I think she could be a great. 487 00:28:15,119 --> 00:28:19,840 Speaker 1: Okay, Sydney Sweeney. If you're a fan and you're listening 488 00:28:19,840 --> 00:28:24,840 Speaker 1: to this col Hannah, you're going to get another offer. 489 00:28:26,240 --> 00:28:30,200 Speaker 1: We appreciate you coming on and carving out a little 490 00:28:30,200 --> 00:28:31,840 Speaker 1: part of your day for us. We know how busy 491 00:28:31,840 --> 00:28:34,040 Speaker 1: you are. You so busy on the business side. You're 492 00:28:34,080 --> 00:28:39,520 Speaker 1: getting married soon. Congratulations and all the best you. Please 493 00:28:39,560 --> 00:28:40,120 Speaker 1: come back on. 494 00:28:40,720 --> 00:28:42,640 Speaker 2: I would love to. I've got to finish. 495 00:28:42,360 --> 00:28:45,720 Speaker 1: Up, finish up, and then come back on. We'd love 496 00:28:45,760 --> 00:28:48,240 Speaker 1: to have you back. Thank you for your time and 497 00:28:48,320 --> 00:28:50,719 Speaker 1: to the best fan base on the planet. I'm going 498 00:28:50,760 --> 00:28:53,840 Speaker 1: to see a Galaxy Con third week in July. Raleigh, 499 00:28:53,880 --> 00:28:57,160 Speaker 1: North Carolina, one of my favorite places on the planet. 500 00:28:57,880 --> 00:29:01,960 Speaker 1: Super fun weekend. I'll be there Thursday and Friday and 501 00:29:02,040 --> 00:29:04,720 Speaker 1: maybe Saturday too. I don't know, but I'll see you then. Anyway, 502 00:29:05,120 --> 00:29:08,560 Speaker 1: keep the cards and letters coming, and remember always where 503 00:29:08,560 --> 00:29:09,840 Speaker 1: you lead, we will follow. 504 00:29:10,800 --> 00:29:41,400 Speaker 5: Stay safety, everybody, and don't forget. 505 00:29:41,400 --> 00:29:45,440 Speaker 1: Follow us on Instagram at I Am all In podcast 506 00:29:45,520 --> 00:29:59,600 Speaker 1: and email us at Gilmour at iHeartRadio dot com.