WEBVTT - Moe Shalizi

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<v Speaker 1>Welcome, Welcome, Welcome to the Bob Left Sets podcast. My

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<v Speaker 1>guest today is most Easy manager of Marshmallow and so

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<v Speaker 1>much more. Good to have you here, Mo, thank you

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<v Speaker 1>for having me excited to be here. Okay, Now, we

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<v Speaker 1>live in a world where many people don't know what's

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<v Speaker 1>going on outside their vertical, So give us a snapshot

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<v Speaker 1>of who Marshmallow is and what is what he's doing

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<v Speaker 1>right now? Yeah, definitely. So, I mean I think, uh,

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<v Speaker 1>you know, Marshmallow was conceptualizing in the last three years.

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<v Speaker 1>You know, we came up with this concept of creating

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<v Speaker 1>something that was a faceless brand, something that you know,

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<v Speaker 1>everybody could connect to in a way um and essentially

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<v Speaker 1>essentially like in a movement. Um. And within the last

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<v Speaker 1>you know, three years, we've you know, he's got he's

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<v Speaker 1>in the number eight most streamed artists on Spotify in

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<v Speaker 1>the world right now, number at the most streamed. Okay,

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<v Speaker 1>that's that's what for twenty that's right this very second,

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<v Speaker 1>or for right this second. Okay, So let's just to

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<v Speaker 1>get the ark. Have you been doing it for three years?

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<v Speaker 1>What was he last year? The last two years, we

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<v Speaker 1>we were feeding our core more so, Okay, I've interrupted

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<v Speaker 1>you Okay, so you do you had this movement? Yeah,

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<v Speaker 1>so we started this movement. UM fed the core dance

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<v Speaker 1>fans for the last two years and then it wasn't

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<v Speaker 1>until August so last year that we released our first

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<v Speaker 1>kind of commercial single. UM was a record called Silence

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<v Speaker 1>with Khalid came out through our c a UM we're

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<v Speaker 1>unsigned UM, so we did a single deal with them,

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<v Speaker 1>and then we released the next single with Selina Gomez

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<v Speaker 1>called Wolves on an interscope, and then we just released

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<v Speaker 1>another single with Warner called Friends with Anne Marie. She's

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<v Speaker 1>really well known person the UK. She's dope and that's

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<v Speaker 1>how we've been kind of running it. So as we

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<v Speaker 1>sit here, how old are you? Seven? This is the

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<v Speaker 1>younger generation and you're from southern California, right correct. I

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<v Speaker 1>went to UC Riverside, grew up in a thinyland Empire

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<v Speaker 1>and Corona UM and then moved to l about four

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<v Speaker 1>and a half years ago when I joined Red Light. Okay,

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<v Speaker 1>but before we get there, you grow up in East

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<v Speaker 1>l A. And your parents do what for a living?

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<v Speaker 1>So my mom worked in department store, she worked at

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<v Speaker 1>Robinson's May growing up, and then my dad, my dad

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<v Speaker 1>passed away when I was seventeen. But my dad was

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<v Speaker 1>like a general contractor. My family was like a low

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<v Speaker 1>class We weren't rich at all. Of his poor Okay,

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<v Speaker 1>your father dies when you're seventeen, that much really fuck

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<v Speaker 1>you up? Yeah? Yeah, it was, to be honest, I

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<v Speaker 1>mean at the time, like I look at it like

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<v Speaker 1>it's a blessing in disguise in a way though, Like

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<v Speaker 1>my dad was my best friend. But I wouldn't be

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<v Speaker 1>sitting where I am today if if you know, he

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<v Speaker 1>would have never let me go into music, like you know,

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<v Speaker 1>being middle Easter. And I think that the stereotype is

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<v Speaker 1>you're either a doctor, lawyer, engineer, nothing, you know, so

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<v Speaker 1>none of the none of the things that you know,

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<v Speaker 1>lad to the path here would have happened if you

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<v Speaker 1>know that didn't happen in a sense. But um it

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<v Speaker 1>also you know, it was my biggest motivation. And I

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<v Speaker 1>mean I didn't ever want to go to school. I

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<v Speaker 1>was like, you know, I don't need to go to college.

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<v Speaker 1>But you know, before my dad passed away, I promised him,

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<v Speaker 1>you know, I would go to college, you get a degree.

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<v Speaker 1>Did that for him, and it's always been kind of

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<v Speaker 1>like that motivation for me. And as you get older,

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<v Speaker 1>you see the sacrifices your parents make for you as

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<v Speaker 1>a kid, and none of it ever makes sense until

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<v Speaker 1>you're older, and until you get to the age where

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<v Speaker 1>like wow, like now it all makes sense. I used

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<v Speaker 1>to think my parents were stupid, and now I'm like, wow,

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<v Speaker 1>they've you know, really done so much to get us

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<v Speaker 1>to where we're at and really make sure that you know,

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<v Speaker 1>we never had to deal with the things we have

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<v Speaker 1>to deal with now. Now. Were your parents born in America? No,

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<v Speaker 1>So my parents are from Afghanistan. They came here like

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<v Speaker 1>forty years ago when the Russians invaded Afghanistan. They left

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<v Speaker 1>Um and came here as well. Afghanistan that's a crazy country.

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<v Speaker 1>The Russians couldn't win, The Americans coodn't win. Did your

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<v Speaker 1>family have a big identity of the Afghanistan aards soon

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<v Speaker 1>as they moved to America, the yeah, they left that behind.

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<v Speaker 1>And so you've never been to actually went uh? I

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<v Speaker 1>was thirteen. I went Um for a month. My dad

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<v Speaker 1>was back out there, and then my mom started working

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<v Speaker 1>with the military as a translator for a little bit,

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<v Speaker 1>and then I went there to see my dad for

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<v Speaker 1>like a month, when I was thirteen, Uh, and it

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<v Speaker 1>was I mean it's a culture shock, you know, growing

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<v Speaker 1>up in the Inlanta Empire, going to a country like

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<v Speaker 1>that where it's a third world country. It's it's definitely different.

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<v Speaker 1>But it was, you know, quite an eye opening experience. Well.

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<v Speaker 1>Tom Freshen used to run MTV after leaving Viacom, he

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<v Speaker 1>invested in television stations and then we were at lunch

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<v Speaker 1>about a year ago and he was saying, they killed

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<v Speaker 1>everybody involved. I mean, it's really got more dangerous within

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<v Speaker 1>the last year. Definitely, definitely. Yeah. I think they just

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<v Speaker 1>don't They don't showed on the news as much anymore

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<v Speaker 1>because they've moved on to different topics. But but yeah,

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<v Speaker 1>I mean it hasn't settled down right exactly. Like I

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<v Speaker 1>watched five Vice News, which Tom has also involved in,

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<v Speaker 1>and you see pictures of what's really going on in

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<v Speaker 1>Syria and it's like you're horrified. It's crazy. It's crazy. Okay.

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<v Speaker 1>So anyway, you're in the Inland Empire growing up, are

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<v Speaker 1>you a music fan? Um? I was always intrigued by

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<v Speaker 1>but my dad wouldn't let me listen to rap music

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<v Speaker 1>growing up. He wouldn't let me listen to it. No. No.

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<v Speaker 1>I remember when I was like, I was like seven

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<v Speaker 1>or eight and Coolio had this song where it was

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<v Speaker 1>like one, two, three, four, get your women up off

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<v Speaker 1>the floor, and I remember playing it in the car

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<v Speaker 1>with my dad and from that moment he was like,

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<v Speaker 1>you can never listen to this to this again, like

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<v Speaker 1>because do you know what this means? And I'm like no,

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<v Speaker 1>so then uh. And then I remember I took my

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<v Speaker 1>cousin had like dmx is album. I think it was

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<v Speaker 1>like when I felt what it was called, but it

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<v Speaker 1>was you know, I took it from my cousin. I

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<v Speaker 1>used to hide it under all my clothes, and anytime

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<v Speaker 1>my dad was at home, I would listen to d

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<v Speaker 1>MX and be like, oh my god, like I love

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<v Speaker 1>I love wrap, I love this. Uh. And then it

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<v Speaker 1>wasn't until I was like fourteen or fifteen. I think

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<v Speaker 1>I was sixteen I got my first car. UM. I

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<v Speaker 1>just kind of gradually started listening to it again and

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<v Speaker 1>like not hiding it, and then he was cool with it.

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<v Speaker 1>Um so he turned around, he turned around out. But

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<v Speaker 1>I think at that point I was seven years old

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<v Speaker 1>listening to a song talking about put your girl on

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<v Speaker 1>the right right right, So there are how many kids

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<v Speaker 1>in your family? I have one little sister, and what

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<v Speaker 1>does she do now? She's in nursing school. Okay, So

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<v Speaker 1>you go through high school, there's you're just listening. You're

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<v Speaker 1>a music fan. You're not in the business or dreaming

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<v Speaker 1>about being in the business. Yeah, not not at all. Um.

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<v Speaker 1>You know. So when I was in high school, um,

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<v Speaker 1>you know, I my senior year, I was graduating and

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<v Speaker 1>that's when my dad passed away. So you know, it

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<v Speaker 1>took its toll on me where you know, my mom

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<v Speaker 1>wasn't really working, so I was having to do everything

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<v Speaker 1>I could to kind of provide for the family. And

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<v Speaker 1>then um, through that though, I fell in love with

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<v Speaker 1>electronic music. Just it was one kind of vertical where

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<v Speaker 1>I could escape through and listen to and it was

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<v Speaker 1>something that like I loved, um And then I was like,

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<v Speaker 1>you know this is this is cool? Okay, So this

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<v Speaker 1>is like two thousand seven or so. How do you

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<v Speaker 1>find electronic music? At that point? I think that's when

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<v Speaker 1>I had just a friend of mine was like, yo,

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<v Speaker 1>you know there's this festival um called Nocturnal Wonderland in

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<v Speaker 1>Santa Berardino, Like, let's let's go to this festival. Um,

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<v Speaker 1>and I was just like okay, whatever, like I've never

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<v Speaker 1>been to a festival, and I went and then just

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<v Speaker 1>kind of saw the culture of of you know, this

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<v Speaker 1>this dance music. In a sense, it was just like

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<v Speaker 1>this is kind of cool. Um. And then just really

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<v Speaker 1>like the music. And then I connected with the music,

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<v Speaker 1>and then you know, it was like okay, maybe uh,

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<v Speaker 1>maybe I want to learn how to be more involved

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<v Speaker 1>in a sense, and maybe I want to start deejaying. Um.

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<v Speaker 1>So then I bought some turntables um, and then started

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<v Speaker 1>with that, and then it was just like, you know,

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<v Speaker 1>I need to I need to make my money back

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<v Speaker 1>for these turntable. I spent a lot of money on

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<v Speaker 1>these at the time, and I found a local dive bar.

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<v Speaker 1>In the dive bar, you're still in high school, I

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<v Speaker 1>just I graduated now, so I was in college. Um,

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<v Speaker 1>so I was I turned I think at this point

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<v Speaker 1>I was twenty one, and I found like there was

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<v Speaker 1>a dive bar down the street from my house. One

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<v Speaker 1>side was a strip club and then once I was

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<v Speaker 1>a sports bar and you could walk through each side.

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<v Speaker 1>So I convinced the owner to allow me to start

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<v Speaker 1>like a E d m night every Thursday night there

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<v Speaker 1>and in Corona. Um and uh you know this, this

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<v Speaker 1>dive bar was on the show Bar Rescue Like that's

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<v Speaker 1>how much a piece of shade it was. It was

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<v Speaker 1>the worst thing ever, but it worked. At that time,

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<v Speaker 1>electronic music was just like, you know, starting to build,

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<v Speaker 1>and um, every Thursday night I was bringing you know,

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<v Speaker 1>a couple of hundred kids from all over the Inland

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<v Speaker 1>emp party to this bar to listen to like you know,

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<v Speaker 1>dubstep and all this other stuff. Um. And then from

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<v Speaker 1>there just kind of started building. And then uh you

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<v Speaker 1>I was like, okay, I need to scale this up along. Okay,

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<v Speaker 1>before you get there, you're in college, you see riverside.

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<v Speaker 1>Are you doing anything with music? Then? Before you hit

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<v Speaker 1>twenty one, I was a finance major, okay, and that's

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<v Speaker 1>what you graduated in. So you buy the turntables because

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<v Speaker 1>you want to get further into the scene and a

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<v Speaker 1>little bit slower. How do you decide, Okay, I'm gonna

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<v Speaker 1>go approach this guy in the bar. Most people are

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<v Speaker 1>not that motivated. Yeah, I mean for me, I was,

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<v Speaker 1>you know, I was a kid that was you know,

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<v Speaker 1>as a kids selling candy to all the neighborhood kids

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<v Speaker 1>from Costco. And then I was as I got older,

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<v Speaker 1>I was, you know, selling everything I could. You know.

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<v Speaker 1>I was coming to l A and getting like, you know,

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<v Speaker 1>fake jeans from the alley and taking it to all

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<v Speaker 1>the kids, telling you know, and selling it to the

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<v Speaker 1>kids at school like you know, I've got true religions

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<v Speaker 1>about these geans. Like I was always like you know, looking,

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<v Speaker 1>always like hustling in that. And so you're a self starter.

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<v Speaker 1>If it wasn't music, could be successful doing something else.

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<v Speaker 1>I mean I don't know, but yeah, I would think

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<v Speaker 1>I would think, so okay, So the concept of I

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<v Speaker 1>have these turntables, how to get my money back and

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<v Speaker 1>I got to find a place to dj? It's not

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<v Speaker 1>a you step for you, not really, no, I mean

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<v Speaker 1>it was just something of like, you know, I was

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<v Speaker 1>how can I make money off this? Off this? You know,

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<v Speaker 1>And at that time, DJs were starting to become cool

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<v Speaker 1>and it was a new trend, and was like, okay,

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<v Speaker 1>maybe I can learn this and and kind of go

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<v Speaker 1>with it. Were you any good in retrospect? No? I

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<v Speaker 1>was terrible. I was, you know, I looked back at

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<v Speaker 1>myself like like, dude, I suck. I don't know what

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<v Speaker 1>I was doing so, um, but it worked. I mean

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<v Speaker 1>it worked in a sense of like I was bringing

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<v Speaker 1>you know, two hundred three hundred kids every Thursday night

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<v Speaker 1>and created Okay, so how did you get the two

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<v Speaker 1>three hundred kids there? Facebook? So Facebook had just kind

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<v Speaker 1>of Facebook was like you know and its things. So

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<v Speaker 1>I was, you know, I was getting you know, these

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<v Speaker 1>all these girls from school and stuff like that, getting

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<v Speaker 1>their personal facebooks from them, inviting all of their friends

0:09:46.520 --> 0:09:48.800
<v Speaker 1>and sending them messages acting like I was a girl

0:09:48.880 --> 0:09:50.360
<v Speaker 1>being like, you know, hey, come meet me at this

0:09:50.720 --> 0:09:53.959
<v Speaker 1>show on Thursday. You know. So I was just guerrilla

0:09:54.000 --> 0:09:56.319
<v Speaker 1>marketing and then hiring you know, other kids to go

0:09:56.360 --> 0:09:59.520
<v Speaker 1>and put flyers all over you know, UC, Riverside and

0:09:59.600 --> 0:10:02.120
<v Speaker 1>r CC and all these different colleges and just kind

0:10:02.120 --> 0:10:04.800
<v Speaker 1>of just doing doing what a promoter would do in

0:10:04.800 --> 0:10:09.000
<v Speaker 1>a sense. Um and uh, you know, spread the word

0:10:09.000 --> 0:10:10.439
<v Speaker 1>and then the rest of the word of mouth because

0:10:10.480 --> 0:10:13.040
<v Speaker 1>you know, um, we had a bunch of girls there

0:10:13.080 --> 0:10:14.800
<v Speaker 1>all the time. So when girls are there, guys want

0:10:14.800 --> 0:10:17.480
<v Speaker 1>to come. That's for sure. Okay, So you start doing

0:10:17.480 --> 0:10:19.800
<v Speaker 1>it and are you making any money? Yeah? So you

0:10:19.840 --> 0:10:21.160
<v Speaker 1>know the first couple of nights, I was getting like

0:10:21.200 --> 0:10:23.320
<v Speaker 1>three hundred dollars every Thursday, and I was like okay,

0:10:23.600 --> 0:10:25.040
<v Speaker 1>and then finally I was like, you know what, like,

0:10:25.120 --> 0:10:26.800
<v Speaker 1>I know I have something here at the bar never

0:10:26.840 --> 0:10:28.240
<v Speaker 1>has this many people here. So I went to the

0:10:28.280 --> 0:10:31.640
<v Speaker 1>owner and was like, you need to give me dollars

0:10:31.720 --> 0:10:37.280
<v Speaker 1>every night cash when your bar exceeds in sales. And

0:10:37.360 --> 0:10:38.920
<v Speaker 1>she's like, you're crazy. And I was like, fine, I'll

0:10:38.960 --> 0:10:41.240
<v Speaker 1>go to another bar. And then she's like okay, fine,

0:10:41.240 --> 0:10:43.240
<v Speaker 1>like I'll give it to you. And then literally every

0:10:43.360 --> 0:10:46.480
<v Speaker 1>Thursday for like six months, like her bar was doing like,

0:10:46.920 --> 0:10:48.800
<v Speaker 1>you know, five grand a night, which for her was

0:10:48.840 --> 0:10:50.640
<v Speaker 1>a lot. So you know, I was walking in with

0:10:50.679 --> 0:10:54.400
<v Speaker 1>like hundred plus a bonus sometimes when I was like cool.

0:10:54.440 --> 0:10:57.720
<v Speaker 1>You know. One you know on my side job was

0:10:57.760 --> 0:11:00.840
<v Speaker 1>working at I was I was a sales for Hewlett Packard,

0:11:01.480 --> 0:11:03.959
<v Speaker 1>so I was I was on the weekends working as

0:11:03.960 --> 0:11:07.120
<v Speaker 1>a rep at Best By Selling. Okay, okay, wait wait

0:11:07.120 --> 0:11:09.640
<v Speaker 1>wait when did you start being a sales rep? So

0:11:09.679 --> 0:11:12.920
<v Speaker 1>I started that when I was eighteen. Okay, so your

0:11:12.960 --> 0:11:15.600
<v Speaker 1>father is now deceased, and are you doing it for

0:11:15.640 --> 0:11:17.680
<v Speaker 1>the family or for your own money or for college?

0:11:17.960 --> 0:11:20.240
<v Speaker 1>It was for more so just a family and kind

0:11:20.240 --> 0:11:22.000
<v Speaker 1>of my own like spending money. Okay, so how do

0:11:22.040 --> 0:11:24.280
<v Speaker 1>you become a sales rep for HP? One of my

0:11:24.320 --> 0:11:26.760
<v Speaker 1>cousins was doing that and then it was like, hey,

0:11:26.800 --> 0:11:28.800
<v Speaker 1>like you know and the So I started at sixteen,

0:11:28.840 --> 0:11:30.880
<v Speaker 1>I started working in the movie theaters. So I was

0:11:30.880 --> 0:11:33.880
<v Speaker 1>cleaning theaters at okay, So your father is still alive,

0:11:34.360 --> 0:11:36.600
<v Speaker 1>so money isn't you know, you're not up for class,

0:11:36.640 --> 0:11:38.680
<v Speaker 1>but money you you want to you want to work

0:11:38.760 --> 0:11:41.000
<v Speaker 1>or your family says you gotta work. They were like,

0:11:41.040 --> 0:11:43.280
<v Speaker 1>you have to work, you have to start a start.

0:11:43.360 --> 0:11:45.920
<v Speaker 1>So at sixteen, I started working at the movie theaters.

0:11:46.400 --> 0:11:48.240
<v Speaker 1>And you said your job was cleaning up. Yes, I

0:11:48.280 --> 0:11:50.080
<v Speaker 1>was an husher. So I was cleaning movie theater, cleaning

0:11:50.120 --> 0:11:52.640
<v Speaker 1>the popcorn and all that stuff, and occasionally would find

0:11:52.640 --> 0:11:55.840
<v Speaker 1>something cool in the theater. Um like what it's like

0:11:56.000 --> 0:11:59.240
<v Speaker 1>someone dropped something and it was but you wouldn't turn

0:11:59.240 --> 0:12:00.760
<v Speaker 1>it into lost if I would turn if it was

0:12:00.760 --> 0:12:02.040
<v Speaker 1>like a wall and or something like that would turn

0:12:02.080 --> 0:12:05.080
<v Speaker 1>it in. But sometimes you find cool stuff. Now I'm like,

0:12:05.120 --> 0:12:09.200
<v Speaker 1>what if watch I don't even know. I can't even

0:12:09.240 --> 0:12:12.960
<v Speaker 1>say okay, you know, but you can't okay, and are

0:12:13.040 --> 0:12:16.240
<v Speaker 1>you enjoying doing that job? No, no, I mean it was.

0:12:16.280 --> 0:12:17.920
<v Speaker 1>It wasn't cool at all because I would see all

0:12:17.920 --> 0:12:19.679
<v Speaker 1>the kids you know from school at that time, my

0:12:19.760 --> 0:12:22.120
<v Speaker 1>high school coming in watching and I'm the one cleaning

0:12:22.160 --> 0:12:24.120
<v Speaker 1>the theater. But it was a job. I don't really

0:12:24.160 --> 0:12:26.040
<v Speaker 1>care whatever, How wowing do you do that for? I

0:12:26.040 --> 0:12:28.199
<v Speaker 1>did that for about a year and a half or

0:12:28.240 --> 0:12:31.360
<v Speaker 1>two years, and then when I turned eighteen, um my

0:12:31.440 --> 0:12:34.200
<v Speaker 1>cousin linked me up with Hewlett Packard and the job

0:12:34.320 --> 0:12:37.199
<v Speaker 1>was what So, it's basically just as sales repference. I

0:12:37.240 --> 0:12:40.000
<v Speaker 1>would go to different Best Buy stores as a rep

0:12:40.080 --> 0:12:42.720
<v Speaker 1>for Hewlett Packard and then uh just sit in the

0:12:42.720 --> 0:12:45.320
<v Speaker 1>computer aisle and convinced people why they should buy Hewlett

0:12:45.400 --> 0:12:48.200
<v Speaker 1>Packard over Okay, so your job was to be like

0:12:48.240 --> 0:12:51.040
<v Speaker 1>the in house guy had Best Buy and say Elett

0:12:51.040 --> 0:12:53.880
<v Speaker 1>Packard as opposed to the ass or any of a competitor.

0:12:54.160 --> 0:12:56.200
<v Speaker 1>And did you get paid a flat salary or commission?

0:12:56.360 --> 0:12:59.400
<v Speaker 1>I think I made like eighteen. That's bad, wasn't No,

0:12:59.720 --> 0:13:01.240
<v Speaker 1>That's how it wasn't bad? So I was like, all right, cool?

0:13:01.240 --> 0:13:02.840
<v Speaker 1>And then how did you become such a big expert

0:13:02.840 --> 0:13:05.760
<v Speaker 1>that you could do that job? Uh? I wasn't they

0:13:05.840 --> 0:13:09.000
<v Speaker 1>just give you tons of training and you know, you

0:13:09.040 --> 0:13:12.120
<v Speaker 1>take all these courses online like they have these uh

0:13:12.280 --> 0:13:15.040
<v Speaker 1>like their online universities that you that they give you

0:13:15.080 --> 0:13:18.520
<v Speaker 1>for HP through their platforms that you learn about new product,

0:13:18.600 --> 0:13:21.200
<v Speaker 1>product launches and stuff like that. And then, to be honest,

0:13:21.240 --> 0:13:24.199
<v Speaker 1>it's not it's not hard to convince someone when it's

0:13:24.200 --> 0:13:25.920
<v Speaker 1>like when you go to a storm like what should

0:13:25.920 --> 0:13:27.360
<v Speaker 1>I buy or what should I eat here? And the

0:13:27.400 --> 0:13:29.160
<v Speaker 1>person tells you something and you're like, okay, like I

0:13:29.160 --> 0:13:31.120
<v Speaker 1>believe I'm gonna buy that. It's the same thing with

0:13:31.160 --> 0:13:32.880
<v Speaker 1>the computer. Everyone's like I don't know what to get

0:13:32.920 --> 0:13:35.360
<v Speaker 1>and you know, like, well you should get this because this,

0:13:35.559 --> 0:13:38.000
<v Speaker 1>and then but you you got a three year customer.

0:13:38.000 --> 0:13:39.800
<v Speaker 1>But how hard was it to get that job? Was

0:13:39.800 --> 0:13:41.960
<v Speaker 1>it too hard? I mean, okay, so you did that

0:13:42.000 --> 0:13:45.160
<v Speaker 1>for how long? I did that for two years? Um?

0:13:45.200 --> 0:13:46.880
<v Speaker 1>And then that's when I when I turned twenty one,

0:13:47.080 --> 0:13:49.160
<v Speaker 1>and and on the side, I was doing like the

0:13:49.240 --> 0:13:52.079
<v Speaker 1>DJing stuff. Okay, so you were working two days a

0:13:52.120 --> 0:13:54.160
<v Speaker 1>week doing that on the weekend. Okay, so now the

0:13:54.240 --> 0:13:56.640
<v Speaker 1>DJ thing is happening, you're still doing the HP thing.

0:13:57.240 --> 0:13:59.200
<v Speaker 1>And then what happens and then I quit it once

0:13:59.440 --> 0:14:00.959
<v Speaker 1>the bar started a kind of picking up. I quit

0:14:01.000 --> 0:14:03.679
<v Speaker 1>the HP thing and your mother says what. Um. She

0:14:03.800 --> 0:14:05.520
<v Speaker 1>was just like what are you doing? Like why are

0:14:05.559 --> 0:14:08.320
<v Speaker 1>you djaying? Like it was? But I was like, you know,

0:14:08.320 --> 0:14:11.440
<v Speaker 1>I'm in college, Like let me just I'll figure it out. Um.

0:14:11.520 --> 0:14:13.280
<v Speaker 1>So then I was doing the HP thing and then

0:14:13.480 --> 0:14:18.800
<v Speaker 1>uh deejaying, and then from there, um, the DJ thing

0:14:18.840 --> 0:14:20.640
<v Speaker 1>was going so well that I was like, okay, I

0:14:20.640 --> 0:14:23.480
<v Speaker 1>need to scale this up. And there was a venue

0:14:24.160 --> 0:14:26.720
<v Speaker 1>down the street from my house that was like a

0:14:26.720 --> 0:14:29.240
<v Speaker 1>House of Blues type venue. So I struck a deal

0:14:29.280 --> 0:14:30.560
<v Speaker 1>with them of like, hey, I'm going to bring in

0:14:30.600 --> 0:14:34.560
<v Speaker 1>real talent and create uh you know, in a night

0:14:34.600 --> 0:14:36.360
<v Speaker 1>here every month. We'll do a show every month with

0:14:36.400 --> 0:14:40.240
<v Speaker 1>real dj is, like well known DJs and stuff like that. Um.

0:14:40.280 --> 0:14:42.520
<v Speaker 1>So they were cool with it. I did that, okay,

0:14:42.560 --> 0:14:45.120
<v Speaker 1>but before you get there, you're in the bar. That's

0:14:45.120 --> 0:14:50.000
<v Speaker 1>a cash business. Ever have any dangerous situations. Yeah, So

0:14:50.280 --> 0:14:53.720
<v Speaker 1>that ended because my my my six months at the

0:14:53.720 --> 0:14:57.560
<v Speaker 1>bar ended because somebody, uh somebody pulled out a gun

0:14:57.600 --> 0:14:59.240
<v Speaker 1>inside the bar at one of my nights and then

0:14:59.240 --> 0:15:01.640
<v Speaker 1>somebody got stabbed. Then the parking lot there's a big

0:15:01.680 --> 0:15:03.480
<v Speaker 1>brawl and someone pulled out a gun inside and then

0:15:03.560 --> 0:15:06.480
<v Speaker 1>people got stabbed outside, and then yeah, it ruined my

0:15:06.520 --> 0:15:09.200
<v Speaker 1>business on that end, so then I had to Okay,

0:15:09.200 --> 0:15:12.200
<v Speaker 1>but before you how did it end the cops actually

0:15:12.600 --> 0:15:15.560
<v Speaker 1>interview you or no, No, it was people were just

0:15:15.560 --> 0:15:18.120
<v Speaker 1>scared to come now because that that dive bar. Like

0:15:18.120 --> 0:15:19.800
<v Speaker 1>I said, it was on bar, it's in the hood

0:15:19.880 --> 0:15:23.160
<v Speaker 1>almost So then once that happened, everyone was like, well,

0:15:23.240 --> 0:15:25.400
<v Speaker 1>I don't know if I'm gonna go there anymore. Okay,

0:15:25.400 --> 0:15:27.960
<v Speaker 1>So it wasn't It wasn't the bar owner, it was

0:15:27.960 --> 0:15:31.080
<v Speaker 1>the customers and we're done. So how many dead nights

0:15:31.120 --> 0:15:32.960
<v Speaker 1>did you have before you realize this is done? Well,

0:15:32.960 --> 0:15:35.680
<v Speaker 1>I never lost money because I owned the equipment, you know,

0:15:35.720 --> 0:15:37.720
<v Speaker 1>I just bring my equipment and play and that was it.

0:15:37.840 --> 0:15:39.880
<v Speaker 1>So you know, if if the bar didn't do what

0:15:39.960 --> 0:15:41.680
<v Speaker 1>it did, I still walked out with money, which at

0:15:41.680 --> 0:15:44.400
<v Speaker 1>that time was cash and was good and helped help

0:15:44.440 --> 0:15:45.840
<v Speaker 1>pay the bill. Okay, So now you go to this

0:15:45.920 --> 0:15:49.720
<v Speaker 1>new club. Do you have relationships with name talent at

0:15:49.760 --> 0:15:52.880
<v Speaker 1>that point? So I was you're completely yeah, So I

0:15:52.920 --> 0:15:55.360
<v Speaker 1>was just reaching out to agents and getting raped by

0:15:55.400 --> 0:15:57.800
<v Speaker 1>like getting the note you know. I remember there was

0:15:57.840 --> 0:15:59.640
<v Speaker 1>just one booking I did and it was a group

0:15:59.720 --> 0:16:04.160
<v Speaker 1>of four DJ's and um, they ended up charging me

0:16:04.200 --> 0:16:06.640
<v Speaker 1>the regular price of the group for the full group,

0:16:06.680 --> 0:16:08.600
<v Speaker 1>but they sent me the one guy that was the

0:16:08.640 --> 0:16:11.320
<v Speaker 1>ghost producer. So nobody even knew who the guy was.

0:16:11.960 --> 0:16:14.440
<v Speaker 1>And he it was his first show ever djaying and

0:16:14.440 --> 0:16:16.560
<v Speaker 1>I had paid like five grand for this guy. And

0:16:16.600 --> 0:16:18.120
<v Speaker 1>I get him and he's just like, yeah, I've never

0:16:18.200 --> 0:16:20.200
<v Speaker 1>really DJ. And I'm like, well, what do you do?

0:16:20.240 --> 0:16:21.960
<v Speaker 1>And he's like why produce all the music for the group?

0:16:22.520 --> 0:16:24.080
<v Speaker 1>And I'm like damn, Like what am I gonna do

0:16:24.160 --> 0:16:26.400
<v Speaker 1>with this guy? So I'm like sitting there nervous, like dude,

0:16:26.440 --> 0:16:28.320
<v Speaker 1>this guy doesn't even know how to DJ, like you

0:16:28.360 --> 0:16:31.680
<v Speaker 1>know whatever. Um, But yeah, you know, I I learned

0:16:31.880 --> 0:16:33.480
<v Speaker 1>the hard way of this. Like, okay, so you have

0:16:33.600 --> 0:16:36.040
<v Speaker 1>that situation, did you call the agent and say I

0:16:36.040 --> 0:16:37.640
<v Speaker 1>want my money back? I called the agent, was just

0:16:37.640 --> 0:16:39.200
<v Speaker 1>like you know, and he's like no, I assure you

0:16:39.200 --> 0:16:41.560
<v Speaker 1>he knows what he's doing, like he it's fine, like

0:16:41.960 --> 0:16:44.680
<v Speaker 1>this this will be all good. Um, And you know,

0:16:44.680 --> 0:16:46.160
<v Speaker 1>I still made money on the show and was just

0:16:46.200 --> 0:16:49.200
<v Speaker 1>like whatever. So it wasn't like the worst, but you

0:16:49.240 --> 0:16:51.960
<v Speaker 1>know scary, Okay, So you convince this guy to do

0:16:52.000 --> 0:16:54.440
<v Speaker 1>it once a month the bar, the guy who owns

0:16:54.480 --> 0:16:56.440
<v Speaker 1>the club, and you start, how long do you do

0:16:56.480 --> 0:16:59.160
<v Speaker 1>that for? Um only like it was it was like

0:16:59.200 --> 0:17:01.600
<v Speaker 1>six months, six another six months or so, and it

0:17:01.640 --> 0:17:04.879
<v Speaker 1>was always successful. Yeah, it was good until until I

0:17:04.960 --> 0:17:08.399
<v Speaker 1>partnered with the guy saw what I was doing. The

0:17:08.440 --> 0:17:10.359
<v Speaker 1>owner of the club, so he's like, hey, let's partner

0:17:10.440 --> 0:17:13.480
<v Speaker 1>on the next event. Let's up the up the budget

0:17:13.480 --> 0:17:19.600
<v Speaker 1>and get a bigger name. What was the capacity, like, yeah,

0:17:19.640 --> 0:17:21.960
<v Speaker 1>so it wasn't small. And he's like, you know, I

0:17:22.000 --> 0:17:24.879
<v Speaker 1>have a friend that's he books talent for all these

0:17:25.000 --> 0:17:26.720
<v Speaker 1>night clubs in Orange County. He's going to give us

0:17:26.760 --> 0:17:30.520
<v Speaker 1>a deal on a DJ UM and let's book him.

0:17:30.600 --> 0:17:33.280
<v Speaker 1>And I was like, okay, fine, So we went haves

0:17:33.320 --> 0:17:36.400
<v Speaker 1>on this DJ and the guy got bent over backwards

0:17:36.400 --> 0:17:38.480
<v Speaker 1>on the rate he got this guy for. The guy's

0:17:38.560 --> 0:17:40.240
<v Speaker 1>rate is like six grand and we ended up paying

0:17:40.240 --> 0:17:43.680
<v Speaker 1>twenty grand for this guy whoa Yeah, so we lost

0:17:43.720 --> 0:17:44.960
<v Speaker 1>on that show and I was just like, you know what,

0:17:44.960 --> 0:17:47.400
<v Speaker 1>I don't want to do this anymore. But through all that,

0:17:47.640 --> 0:17:50.600
<v Speaker 1>UM one of my one of my close friends, he

0:17:50.680 --> 0:17:53.000
<v Speaker 1>was like an avid photographer and he had a he

0:17:53.040 --> 0:17:57.359
<v Speaker 1>had a a blog. UM. It was called us dub Steps,

0:17:57.359 --> 0:17:59.920
<v Speaker 1>so he did like, um, he was blogging about depths

0:18:00.000 --> 0:18:02.480
<v Speaker 1>and blogs were powerful at that time, so he was

0:18:02.520 --> 0:18:05.440
<v Speaker 1>helping me promote these shows UM. And I had told

0:18:05.480 --> 0:18:08.119
<v Speaker 1>him like, hey, um, you know you're helping promote the

0:18:08.160 --> 0:18:10.120
<v Speaker 1>show and it does well, I'll buy you the new

0:18:10.160 --> 0:18:12.600
<v Speaker 1>camera that you want, UM, so you can go and

0:18:12.600 --> 0:18:16.040
<v Speaker 1>shoot photos. And I did that and then coincidentally, during

0:18:16.040 --> 0:18:18.679
<v Speaker 1>this time, he had gotten an offer to go on

0:18:18.720 --> 0:18:20.680
<v Speaker 1>the road as a full time photographer for a well

0:18:20.720 --> 0:18:24.280
<v Speaker 1>known DJ named Borger UM. And then that's kind of

0:18:24.280 --> 0:18:27.440
<v Speaker 1>how I got my chops and meeting. I met Borger

0:18:27.840 --> 0:18:31.280
<v Speaker 1>him and I connected became really close um, and that

0:18:31.359 --> 0:18:33.320
<v Speaker 1>was kind of all I needed to really like, you know,

0:18:33.359 --> 0:18:36.840
<v Speaker 1>I got in with him and you know, we became close.

0:18:36.880 --> 0:18:38.520
<v Speaker 1>And then he was like, you know, he was with

0:18:38.560 --> 0:18:40.439
<v Speaker 1>red Light at he's still with red Light, but his

0:18:40.440 --> 0:18:42.840
<v Speaker 1>managers are red Light convinced him to start a management company.

0:18:43.520 --> 0:18:45.159
<v Speaker 1>So he did that and he was like, you know,

0:18:45.200 --> 0:18:48.560
<v Speaker 1>do you wanna start managing artists with me? And I

0:18:48.600 --> 0:18:50.000
<v Speaker 1>was like okay, yeah. I was like, you know, I'm

0:18:50.000 --> 0:18:53.680
<v Speaker 1>almost gonna graduate, and I'm like, prior to this, you're

0:18:53.720 --> 0:18:55.879
<v Speaker 1>just hanging with him, going going to shows, being his

0:18:55.920 --> 0:18:58.199
<v Speaker 1>butt exactly, So just being friends with him, and you know,

0:18:58.560 --> 0:19:00.840
<v Speaker 1>that was it. And then when uh, he kind of

0:19:00.880 --> 0:19:02.840
<v Speaker 1>saw like my work ethic and everything I was doing

0:19:02.880 --> 0:19:04.919
<v Speaker 1>and hustling, and he was just like, yo, you know

0:19:04.960 --> 0:19:07.040
<v Speaker 1>if you want to manage artists with me, like you know,

0:19:07.119 --> 0:19:09.520
<v Speaker 1>we should do that. Like he had a label, UM,

0:19:09.680 --> 0:19:11.600
<v Speaker 1>and was just like, you know, there's a couple of guys,

0:19:11.640 --> 0:19:13.840
<v Speaker 1>you know, independent young guys that are releasing, they're not

0:19:13.880 --> 0:19:15.600
<v Speaker 1>really well known, and like, maybe you can just start

0:19:15.600 --> 0:19:18.680
<v Speaker 1>managing some of these guys, UM, And we did, and

0:19:18.720 --> 0:19:22.000
<v Speaker 1>I was like cool, So I agreed to it. UM

0:19:22.040 --> 0:19:24.760
<v Speaker 1>signed this kid named Sick Dope. It was my first

0:19:24.840 --> 0:19:29.600
<v Speaker 1>artist with him, UM, and uh yeah that was kind

0:19:29.600 --> 0:19:31.919
<v Speaker 1>of how we started started it And then was it

0:19:31.960 --> 0:19:34.760
<v Speaker 1>immediately successful? No? No, no, no no, So so I

0:19:34.800 --> 0:19:37.320
<v Speaker 1>signed him. UM. You know, I was making a couple

0:19:37.400 --> 0:19:39.359
<v Speaker 1>hundred bucks a month off of commissions and I had

0:19:39.359 --> 0:19:41.359
<v Speaker 1>to split it with Borgo every time. So you were

0:19:41.359 --> 0:19:43.720
<v Speaker 1>living on what I was. I was losing money, but

0:19:43.720 --> 0:19:45.280
<v Speaker 1>what were you living on? I was? I wasn't I

0:19:45.560 --> 0:19:47.399
<v Speaker 1>had I had a bunch of money saved from the

0:19:47.400 --> 0:19:50.000
<v Speaker 1>bar and stuff like that. Um, and that was kind

0:19:50.000 --> 0:19:51.280
<v Speaker 1>of what I was living on. And then I would

0:19:51.320 --> 0:19:53.680
<v Speaker 1>get a couple hundred bucks here and there every month

0:19:53.720 --> 0:19:56.879
<v Speaker 1>from the management stuff, but I didn't really care. Um,

0:19:57.080 --> 0:19:58.840
<v Speaker 1>we were living at home. I was living at home.

0:19:58.920 --> 0:20:00.600
<v Speaker 1>And then I was like I was buying cars on

0:20:00.640 --> 0:20:03.159
<v Speaker 1>Craigslist and selling them, flipping them, like tending the windows

0:20:03.160 --> 0:20:05.520
<v Speaker 1>and then reselling them and like just doing all kinds

0:20:05.520 --> 0:20:08.919
<v Speaker 1>of different stuff like that. UM. And uh yeah, So

0:20:09.000 --> 0:20:11.320
<v Speaker 1>then you know, we did that for about a year together.

0:20:11.520 --> 0:20:14.199
<v Speaker 1>We worked together, and then about a year and I

0:20:14.240 --> 0:20:16.240
<v Speaker 1>realized that, like you know, it was kind of a

0:20:16.280 --> 0:20:18.480
<v Speaker 1>conflict of interest for an artist off an artist management

0:20:18.480 --> 0:20:21.280
<v Speaker 1>company because none of my guys could ever grow past

0:20:21.960 --> 0:20:25.679
<v Speaker 1>past him. UM. So it was then that you know,

0:20:25.680 --> 0:20:29.280
<v Speaker 1>I had to make the decisions either stay here or

0:20:29.560 --> 0:20:32.480
<v Speaker 1>go on my own. UM. And that was kind of it.

0:20:32.600 --> 0:20:34.399
<v Speaker 1>So you know, we had the convone. You know, he

0:20:34.440 --> 0:20:38.400
<v Speaker 1>wished me the best, and you know I started managing

0:20:38.480 --> 0:20:41.560
<v Speaker 1>on my own. UM. And then at that time, then

0:20:41.600 --> 0:20:45.960
<v Speaker 1>everyone started approaching me. Um. You know, red light three

0:20:46.320 --> 0:20:50.040
<v Speaker 1>zero teamwork, Okay, but you're coming with no acts. I

0:20:50.080 --> 0:20:52.520
<v Speaker 1>had so at that time in the year that we

0:20:52.520 --> 0:20:54.359
<v Speaker 1>were doing it together, I had three acts and he

0:20:54.480 --> 0:20:57.159
<v Speaker 1>let you walk with those. And those three acts were

0:20:57.320 --> 0:20:59.200
<v Speaker 1>as a kid name sicked Dope and this kid named

0:20:59.280 --> 0:21:02.320
<v Speaker 1>Jaws and other kid named dot Com and what was

0:21:02.359 --> 0:21:05.480
<v Speaker 1>the status of their careers when you Jaws had just

0:21:05.920 --> 0:21:09.280
<v Speaker 1>so coincidentally, Jaws had just released a song that was

0:21:09.400 --> 0:21:12.200
<v Speaker 1>starting to get a lot of support in the DJ world.

0:21:12.240 --> 0:21:13.920
<v Speaker 1>And a close friend of mine is a talent buyer

0:21:13.920 --> 0:21:16.040
<v Speaker 1>forer Insomniac. He was a burning Man and I had

0:21:16.040 --> 0:21:17.760
<v Speaker 1>set him the song. So he was driving around in

0:21:17.800 --> 0:21:20.280
<v Speaker 1>his golf car at burning Man playing this song and

0:21:20.320 --> 0:21:23.000
<v Speaker 1>Diplo stopped him and Dipplo was like, yo, man, like

0:21:23.119 --> 0:21:25.720
<v Speaker 1>I keep hearing the song. Where who is this? And

0:21:25.760 --> 0:21:27.960
<v Speaker 1>he's like, this is a new kid, Jaws. So then

0:21:28.040 --> 0:21:30.000
<v Speaker 1>the next day he my buddy called me. He's like, yo,

0:21:30.000 --> 0:21:32.800
<v Speaker 1>you won't believe it. But Dipplo asked for the Jaws record.

0:21:33.119 --> 0:21:34.879
<v Speaker 1>I was like okay, And then I get an email

0:21:34.920 --> 0:21:37.160
<v Speaker 1>the next day from Diplo like, yo, man, that song

0:21:37.240 --> 0:21:38.879
<v Speaker 1>is huge. I want to sign it to Matt Decent.

0:21:39.560 --> 0:21:41.920
<v Speaker 1>So then from there, you know, okay, let's go back.

0:21:42.480 --> 0:21:43.960
<v Speaker 1>How do think I end up playing it in his

0:21:44.000 --> 0:21:46.040
<v Speaker 1>golf cart. He had a golf car and he he

0:21:46.080 --> 0:21:47.920
<v Speaker 1>was just playing music in the golf car. Okay, how

0:21:47.960 --> 0:21:50.200
<v Speaker 1>hard did you work that guy? Not at I didn't

0:21:50.200 --> 0:21:51.879
<v Speaker 1>work him at all. He's just a friend of mine.

0:21:52.160 --> 0:21:55.120
<v Speaker 1>Send it was Honestly, it was the most random thing ever.

0:21:56.160 --> 0:21:58.520
<v Speaker 1>So Diplo wants to sign the act to Matt Decent.

0:21:58.840 --> 0:22:02.320
<v Speaker 1>So Dipplo wants to sign uh Jaws, and we do

0:22:02.359 --> 0:22:05.760
<v Speaker 1>it um, and then Diplo puts a lot of like, uh,

0:22:06.240 --> 0:22:08.200
<v Speaker 1>he gives Jaws a big co sign and starts talking

0:22:08.280 --> 0:22:10.680
<v Speaker 1>and Jaws is like one of the most talented producers kids,

0:22:10.920 --> 0:22:14.119
<v Speaker 1>is a beast, and uh, Diplo like starts putting them

0:22:14.119 --> 0:22:16.560
<v Speaker 1>on and just kind of talking about him in interviews

0:22:16.600 --> 0:22:19.639
<v Speaker 1>and you know, we're working together with him on different tracks,

0:22:19.680 --> 0:22:22.280
<v Speaker 1>and you know he helped a lot in the in

0:22:22.320 --> 0:22:24.919
<v Speaker 1>the beginning of my career of just like with Jaws.

0:22:24.960 --> 0:22:27.040
<v Speaker 1>And then once Jaws kind of blew up in the

0:22:27.119 --> 0:22:30.920
<v Speaker 1>dance world, Um, they opened the door for me and um,

0:22:30.960 --> 0:22:33.159
<v Speaker 1>you know, having that leverage and starting to build my career.

0:22:34.680 --> 0:22:36.639
<v Speaker 1>Stand By, we'll take a short break and get right

0:22:36.720 --> 0:22:40.280
<v Speaker 1>back to this conversation with Motional Easy, manager of Marshmallow.

0:22:42.400 --> 0:22:44.920
<v Speaker 1>You're listening to the Bob Left Sets podcast. Each week

0:22:44.920 --> 0:22:47.560
<v Speaker 1>I interview a new guest and we dive into their backgrounds,

0:22:47.600 --> 0:22:51.720
<v Speaker 1>current events, and everything in between. If you like the podcast, subscribe,

0:22:51.800 --> 0:22:54.720
<v Speaker 1>rate and review the show. Check out our earlier episodes.

0:22:54.800 --> 0:22:57.160
<v Speaker 1>You can hear them all on tune in, Apple Podcast

0:22:57.400 --> 0:23:01.720
<v Speaker 1>or your podcast player of choice. Let's continue the conversation

0:23:01.760 --> 0:23:06.679
<v Speaker 1>with Motional Easy, manager of marsh Mama. Okay, so you

0:23:06.760 --> 0:23:09.960
<v Speaker 1>had these three acts and suddenly all these management companies

0:23:09.960 --> 0:23:12.840
<v Speaker 1>were interested in making a deal with you. So how

0:23:12.840 --> 0:23:15.040
<v Speaker 1>did you decide to go to red Light. I looked

0:23:15.040 --> 0:23:18.879
<v Speaker 1>at I looked at who was there? Um, And you

0:23:18.920 --> 0:23:21.400
<v Speaker 1>know at the time, I was twenty three, and there

0:23:21.480 --> 0:23:23.880
<v Speaker 1>was no other young managers I read Light. Everyone else

0:23:23.920 --> 0:23:27.159
<v Speaker 1>was old older. UM. So for me, it was just

0:23:27.200 --> 0:23:29.200
<v Speaker 1>like I was unsure what was going to happen with

0:23:29.440 --> 0:23:30.879
<v Speaker 1>my career and as a whole. And I was like,

0:23:30.880 --> 0:23:33.520
<v Speaker 1>you know what, like I see all these other guys,

0:23:33.520 --> 0:23:35.200
<v Speaker 1>and all these other guys are worried about just the

0:23:35.240 --> 0:23:37.720
<v Speaker 1>bottom line of like what like before anything, They're like,

0:23:37.760 --> 0:23:39.439
<v Speaker 1>what's your commissions? What are you making? What is this?

0:23:39.520 --> 0:23:41.520
<v Speaker 1>What is this? And like red Light was the only

0:23:41.520 --> 0:23:43.639
<v Speaker 1>place where and borg Or is managed by Red Light,

0:23:43.720 --> 0:23:46.719
<v Speaker 1>so his manager see souther White and Richard Bishop. At

0:23:46.720 --> 0:23:48.760
<v Speaker 1>the time, we're kind of like, hey, you know, we

0:23:48.800 --> 0:23:51.520
<v Speaker 1>want you to come in with us, um. And you know,

0:23:51.520 --> 0:23:52.879
<v Speaker 1>I had worked with them for about a year and

0:23:53.000 --> 0:23:54.800
<v Speaker 1>was just like, you know what, Like I feel like

0:23:54.840 --> 0:23:57.840
<v Speaker 1>here I have the most job security in a sense,

0:23:57.880 --> 0:24:00.400
<v Speaker 1>being you know, twenty three and being in the trenches

0:24:00.480 --> 0:24:02.919
<v Speaker 1>all the time. These guys are not in the clubs

0:24:02.920 --> 0:24:05.000
<v Speaker 1>the same way I am all the time. So I

0:24:05.080 --> 0:24:06.400
<v Speaker 1>was just like, you know, fuck it, like I'm gonna

0:24:06.440 --> 0:24:09.320
<v Speaker 1>take the chance to go here. Um. Okay, so Jaws

0:24:09.359 --> 0:24:12.919
<v Speaker 1>is blowing up with diplow and continue the narrative. Yes,

0:24:13.080 --> 0:24:18.400
<v Speaker 1>So at that point, um, I I had just started

0:24:18.440 --> 0:24:22.800
<v Speaker 1>this idea called Marshmallow UM and I just joined Red Light.

0:24:23.000 --> 0:24:25.520
<v Speaker 1>And when I had played this music to borg Or,

0:24:25.800 --> 0:24:28.480
<v Speaker 1>this Marshmallow project, and I told him about before, I spip, okay,

0:24:28.520 --> 0:24:31.280
<v Speaker 1>we have but a little bit. There was a DJ involved,

0:24:31.280 --> 0:24:35.359
<v Speaker 1>but no one knew who it was, uh correct, Yeah,

0:24:35.400 --> 0:24:37.879
<v Speaker 1>So to to go with a little bit slower, how

0:24:37.960 --> 0:24:41.640
<v Speaker 1>you come up with the idea of marshmallow um without

0:24:41.680 --> 0:24:44.520
<v Speaker 1>going into too much detail because it's still secret. Okay,

0:24:44.560 --> 0:24:46.359
<v Speaker 1>go up to the line and with secret, although a

0:24:46.400 --> 0:24:48.480
<v Speaker 1>lot of information has now come out, its identity is

0:24:48.760 --> 0:24:53.159
<v Speaker 1>come out definitely. Um No, it was just someone I

0:24:53.160 --> 0:24:55.000
<v Speaker 1>was working with started making a different style of music

0:24:55.600 --> 0:24:58.200
<v Speaker 1>and we knew it would never work with like the

0:24:58.280 --> 0:25:00.480
<v Speaker 1>dance kids are so close minded and sense of like

0:25:00.520 --> 0:25:02.480
<v Speaker 1>if they like you for making one style of music,

0:25:02.520 --> 0:25:04.920
<v Speaker 1>the second makes something else, they're like, you sold out,

0:25:05.000 --> 0:25:06.880
<v Speaker 1>Like we don't want to listen to anymore. You sold out.

0:25:07.480 --> 0:25:08.960
<v Speaker 1>So for us it was like, you know, we knew

0:25:09.000 --> 0:25:12.040
<v Speaker 1>that this style, Um, there had to be somebody new

0:25:12.080 --> 0:25:14.240
<v Speaker 1>with it. It couldn't be attached to any other identity

0:25:14.280 --> 0:25:18.960
<v Speaker 1>besides something new and fresh. Um. So we came up

0:25:18.960 --> 0:25:22.399
<v Speaker 1>with the idea of how successful was this DJ before

0:25:22.520 --> 0:25:27.480
<v Speaker 1>you came up with a marshmallow concept? Um, not very successful.

0:25:27.520 --> 0:25:29.520
<v Speaker 1>It was just it was just a you know, a

0:25:29.560 --> 0:25:31.800
<v Speaker 1>normal two to three thousand dollars the show kind of

0:25:32.480 --> 0:25:35.879
<v Speaker 1>so nothing crazy. Um. And then so you want to

0:25:35.880 --> 0:25:38.520
<v Speaker 1>have another identity so you're not rejected by his choral

0:25:38.560 --> 0:25:41.800
<v Speaker 1>audience and whose ideas that yours are his? It was

0:25:41.920 --> 0:25:43.920
<v Speaker 1>it was mine to come up with somebody new and

0:25:43.960 --> 0:25:47.359
<v Speaker 1>then and who came up with the name Marshmallow. We

0:25:47.440 --> 0:25:50.159
<v Speaker 1>both did collectively. We we kind of he was pitching

0:25:50.160 --> 0:25:52.440
<v Speaker 1>me like he was sending me a song a day

0:25:52.640 --> 0:25:54.679
<v Speaker 1>and it was this new style that was super mellow

0:25:55.320 --> 0:25:58.600
<v Speaker 1>and the music was mellow melodic, and you know, I

0:25:58.640 --> 0:25:59.919
<v Speaker 1>was just like, yo, how are you making all this?

0:26:00.000 --> 0:26:01.280
<v Speaker 1>And he's just I don't know, it's just coming to

0:26:01.320 --> 0:26:03.520
<v Speaker 1>me like it's easy. And you know, in one week

0:26:03.560 --> 0:26:06.160
<v Speaker 1>he sent me like six different songs. So I was like, okay,

0:26:06.200 --> 0:26:08.080
<v Speaker 1>we have to come up with a new name. Um.

0:26:08.200 --> 0:26:09.680
<v Speaker 1>So we thought about it and I was like, okay,

0:26:09.720 --> 0:26:13.480
<v Speaker 1>what about marshmallow. The music super mellow um. And you know,

0:26:13.520 --> 0:26:15.800
<v Speaker 1>I remember he was at dinner with his family and

0:26:15.840 --> 0:26:18.200
<v Speaker 1>he told us his family like you know, Moe wants

0:26:18.200 --> 0:26:20.480
<v Speaker 1>to call it marshmallow, and they're like, d J Marshmallow,

0:26:20.560 --> 0:26:23.840
<v Speaker 1>Like that's so stupid way and I was like, dude,

0:26:23.840 --> 0:26:25.919
<v Speaker 1>like we have nothing to lose, like let's let's come

0:26:26.000 --> 0:26:28.760
<v Speaker 1>up with the logo and see. So I sat there

0:26:29.359 --> 0:26:33.600
<v Speaker 1>and to what we was inspired by dead Mouse zero? Yeah,

0:26:34.080 --> 0:26:35.919
<v Speaker 1>to be honest, there was no Dead Mouse was not

0:26:35.960 --> 0:26:39.160
<v Speaker 1>an inspiration at all. I think people put the helmet

0:26:39.840 --> 0:26:43.040
<v Speaker 1>correlation as like, you know, but there's been daft punk.

0:26:43.080 --> 0:26:45.720
<v Speaker 1>There's been people before Dead Mouse that had helmets that

0:26:45.880 --> 0:26:48.359
<v Speaker 1>still have helmets, Like, I think it's just a costome

0:26:48.440 --> 0:26:50.520
<v Speaker 1>at the end of the day. Um, but the reasons

0:26:50.520 --> 0:26:52.760
<v Speaker 1>why we did that was just you know, I guess

0:26:52.800 --> 0:26:56.640
<v Speaker 1>I'll get into that later, but um, you know, from there,

0:26:58.840 --> 0:27:01.080
<v Speaker 1>we came up with the logo. I sent him the logo.

0:27:01.280 --> 0:27:04.240
<v Speaker 1>He liked it and gave me his blessing and was like, okay, cool,

0:27:04.359 --> 0:27:06.120
<v Speaker 1>let's just do it. So we started okay, wait, wait

0:27:06.200 --> 0:27:09.120
<v Speaker 1>he sent you all these mixes. Do you immediately see

0:27:09.160 --> 0:27:11.960
<v Speaker 1>dollar signs? No? No, not at all. You are you

0:27:12.040 --> 0:27:14.720
<v Speaker 1>just saying this is a client and I'm just gonna

0:27:14.760 --> 0:27:17.879
<v Speaker 1>do something different. Or do you say, wow, this, I'm

0:27:17.920 --> 0:27:19.919
<v Speaker 1>gonna work this hard because I know this is the

0:27:19.960 --> 0:27:22.080
<v Speaker 1>new thing. No, I mean I just was like, Yo,

0:27:22.200 --> 0:27:24.879
<v Speaker 1>this is different, Like this is something that's not I

0:27:24.880 --> 0:27:27.480
<v Speaker 1>think in dance music, especially like when you're able to

0:27:27.520 --> 0:27:31.240
<v Speaker 1>create a sound and you get you get kind of

0:27:31.280 --> 0:27:33.800
<v Speaker 1>titled with that sound. So when you when people are like, oh,

0:27:33.840 --> 0:27:36.920
<v Speaker 1>that sounds like this person because that's his style, you

0:27:36.920 --> 0:27:38.840
<v Speaker 1>know what I mean? If like that's when you're the

0:27:38.880 --> 0:27:40.480
<v Speaker 1>most successful, you know what I mean? In this style

0:27:40.680 --> 0:27:43.600
<v Speaker 1>nobody had really pioneered this sound that he was doing.

0:27:44.119 --> 0:27:45.840
<v Speaker 1>So we were like, okay, like, let's just you know,

0:27:45.960 --> 0:27:47.560
<v Speaker 1>I didn't see dollar signs at all. I was like, Yo,

0:27:47.680 --> 0:27:49.680
<v Speaker 1>I'm just gonna put this out and let's just see

0:27:49.680 --> 0:27:51.800
<v Speaker 1>what it does. So and you put it out how

0:27:52.359 --> 0:27:55.520
<v Speaker 1>so through SoundCloud. So we put out a song a

0:27:55.600 --> 0:27:59.320
<v Speaker 1>day on SoundCloud every day for free download. UM. And

0:27:59.440 --> 0:28:01.320
<v Speaker 1>you know, in one you could put song five songs

0:28:01.320 --> 0:28:05.960
<v Speaker 1>out and what people were just the first song dropped,

0:28:05.960 --> 0:28:08.399
<v Speaker 1>people are like, Okay, this is cool. And at the

0:28:08.440 --> 0:28:11.080
<v Speaker 1>time I was, you know, reposting it through my network

0:28:11.119 --> 0:28:13.800
<v Speaker 1>of artists that I had UM. And then we put

0:28:13.840 --> 0:28:15.520
<v Speaker 1>out another song, another song, and that people kind of

0:28:15.520 --> 0:28:17.360
<v Speaker 1>were catching on, like yo, what is this? Like who

0:28:17.440 --> 0:28:20.160
<v Speaker 1>is this marshmallow guy? You know, the there was no photo,

0:28:20.280 --> 0:28:23.240
<v Speaker 1>there was nothing, It was just a logo. UM. So

0:28:23.320 --> 0:28:25.359
<v Speaker 1>people were just kind of wondering what it was. And

0:28:25.400 --> 0:28:30.000
<v Speaker 1>then from there, um about two months in two or

0:28:30.040 --> 0:28:33.600
<v Speaker 1>three months in, I get a call from Scrillics UM

0:28:33.640 --> 0:28:35.760
<v Speaker 1>and Scrillics is like, yo, man, you know I had

0:28:35.960 --> 0:28:39.400
<v Speaker 1>no Scrillics through Jaws like he was. He started messing

0:28:39.400 --> 0:28:42.280
<v Speaker 1>with Jaws too, And UM, we'd built a relationship and

0:28:42.280 --> 0:28:43.960
<v Speaker 1>he's like, yo, I need to know who Marshmallow is.

0:28:43.960 --> 0:28:46.480
<v Speaker 1>He's like, I can't stop listening to this music and

0:28:46.480 --> 0:28:47.920
<v Speaker 1>I'm like, I can't tell you. It was like it's

0:28:47.920 --> 0:28:49.480
<v Speaker 1>a secret, and he's like no, like you know, you

0:28:49.520 --> 0:28:51.400
<v Speaker 1>gotta tell me, Like I'm going through some stuff right now,

0:28:51.480 --> 0:28:53.640
<v Speaker 1>and all I'm listening to you like I really need

0:28:53.680 --> 0:28:57.200
<v Speaker 1>to connect with with him. So I told them, um,

0:28:57.240 --> 0:29:02.200
<v Speaker 1>and then you know I connected Mellow and Scrillics and Mellow.

0:29:02.240 --> 0:29:04.720
<v Speaker 1>At the time, it never met Scrillics, like Scrills was

0:29:04.720 --> 0:29:07.080
<v Speaker 1>an idol to him, and you know, he was just

0:29:07.440 --> 0:29:11.680
<v Speaker 1>a small town DJ. So then um, from there, Um,

0:29:11.760 --> 0:29:13.680
<v Speaker 1>one day he could come to l A and I

0:29:13.720 --> 0:29:15.240
<v Speaker 1>was like, yo, you need to hit up Scrillics now,

0:29:15.360 --> 0:29:18.120
<v Speaker 1>like you need to connect with them. And he's like,

0:29:18.160 --> 0:29:20.120
<v Speaker 1>no way, I'm not calling Scrillics. Like there's no way.

0:29:20.800 --> 0:29:22.040
<v Speaker 1>So I was like, okay, I stopped a car in

0:29:22.080 --> 0:29:23.360
<v Speaker 1>the middle of the road and I said, yo, I'm

0:29:23.400 --> 0:29:27.160
<v Speaker 1>not moving until you call Scrillic. So um, He's like fine, whatever,

0:29:27.200 --> 0:29:29.600
<v Speaker 1>like wall, she's not gonna answer. He calls Scrillics and

0:29:30.440 --> 0:29:33.080
<v Speaker 1>a woman picks up. A woman picks up and it's like,

0:29:33.120 --> 0:29:36.560
<v Speaker 1>you know, Hello, Hey, Marshmallow, Like, good to talk to you.

0:29:36.560 --> 0:29:38.840
<v Speaker 1>You know, Scrillic says so much about you, and he

0:29:38.920 --> 0:29:40.720
<v Speaker 1>like whispers to me. He's like, dude, it's Katie Kirk

0:29:41.360 --> 0:29:44.040
<v Speaker 1>and I'm like, what, I didn't know who Katie Kirk

0:29:44.200 --> 0:29:47.360
<v Speaker 1>was that, you know, I was like okay, Like um okay,

0:29:47.560 --> 0:29:49.880
<v Speaker 1>and then uh so he goes into convo with her

0:29:50.200 --> 0:29:51.760
<v Speaker 1>and she's like, you know, maybe one day I'm gonna

0:29:51.760 --> 0:29:54.200
<v Speaker 1>be interviewing you, and you know, Scrilics was like Sonny

0:29:54.280 --> 0:29:57.120
<v Speaker 1>was like, you know, Marshmallow, he's a really talented kid.

0:29:57.120 --> 0:29:58.920
<v Speaker 1>He's the next generation all this stuff, like, you know,

0:29:59.360 --> 0:30:02.560
<v Speaker 1>really you speaking highly about him. And he gets off

0:30:02.560 --> 0:30:04.120
<v Speaker 1>the phone and he's like, dude, he was an interview

0:30:04.160 --> 0:30:05.920
<v Speaker 1>and he told me he's gonna call me later. I

0:30:06.000 --> 0:30:08.000
<v Speaker 1>was like, okay, Cozy, do you think that's gonna get posted?

0:30:08.280 --> 0:30:09.840
<v Speaker 1>And I was like no, no way, Like there's no

0:30:09.840 --> 0:30:12.600
<v Speaker 1>way they're gonna put that in an interview. A week later,

0:30:12.640 --> 0:30:15.200
<v Speaker 1>we wake up to the front page of Yahoo News

0:30:15.520 --> 0:30:17.600
<v Speaker 1>and Katie Kirk's interview with Scrillics is in there, and

0:30:17.600 --> 0:30:21.840
<v Speaker 1>it's a video interview and in the video interview, um

0:30:22.080 --> 0:30:24.320
<v Speaker 1>scrillis his phone rings in the interview and it said

0:30:24.360 --> 0:30:28.680
<v Speaker 1>and it says, uh, Chris Marshmallow on the phone. And

0:30:28.760 --> 0:30:31.560
<v Speaker 1>at this time we had created this buzz through you know,

0:30:31.720 --> 0:30:34.920
<v Speaker 1>the Reddit, reddit sphere and online where nobody knew who

0:30:34.920 --> 0:30:36.720
<v Speaker 1>Marshmallow was and everyone was trying to figure it out.

0:30:36.760 --> 0:30:39.880
<v Speaker 1>So when this post said this was the first clue

0:30:39.880 --> 0:30:42.080
<v Speaker 1>anybody ever got to his identity, They're like, oh, his

0:30:42.160 --> 0:30:45.280
<v Speaker 1>name is Chris. And then you know, everything just started

0:30:45.320 --> 0:30:48.200
<v Speaker 1>going from there. But you know, it was probably it

0:30:48.240 --> 0:30:50.720
<v Speaker 1>caught so much attention from everybody with the whole Katie

0:30:50.760 --> 0:30:53.680
<v Speaker 1>Kirk thing, and then from there, um, the music just

0:30:53.680 --> 0:30:56.520
<v Speaker 1>started connecting. Uh. We did a couple of big remixes

0:30:57.240 --> 0:30:59.720
<v Speaker 1>and then um, you know, then we hadn't we hadn't

0:30:59.760 --> 0:31:01.400
<v Speaker 1>done a show for the first year. How did you

0:31:01.440 --> 0:31:04.080
<v Speaker 1>get the remixes? It's like we did a remixes of

0:31:04.120 --> 0:31:06.920
<v Speaker 1>the Scirlington Justin Bieber song where are You Now? Um,

0:31:06.960 --> 0:31:08.560
<v Speaker 1>that was a really big remix for us. Justin weep

0:31:08.640 --> 0:31:11.600
<v Speaker 1>started playing in his tour um and then from there

0:31:11.640 --> 0:31:14.640
<v Speaker 1>we did like a big remix Adele's Hello's unofficial remix.

0:31:14.720 --> 0:31:18.280
<v Speaker 1>But the remix got almost like four fifty thousand downloads

0:31:18.600 --> 0:31:20.640
<v Speaker 1>um and it was just it was just hosted on

0:31:20.640 --> 0:31:23.120
<v Speaker 1>our We had a there's a platform called Hive, so

0:31:23.160 --> 0:31:26.520
<v Speaker 1>we're hosting it through our Hive channel. Um, and then

0:31:26.520 --> 0:31:29.480
<v Speaker 1>from there just kind of connected and then, um, you

0:31:29.520 --> 0:31:31.560
<v Speaker 1>know I wasn't letting him tour, so that for the

0:31:31.560 --> 0:31:34.920
<v Speaker 1>first week, I didn't want it to come into the

0:31:34.920 --> 0:31:36.800
<v Speaker 1>market at a low price, you know, so I didn't

0:31:36.800 --> 0:31:38.640
<v Speaker 1>want to build from a two thousand dollar active ten

0:31:38.680 --> 0:31:41.960
<v Speaker 1>thousand to fifteen thousand, so um, you know, we we

0:31:42.360 --> 0:31:44.520
<v Speaker 1>turned down every single offer. And he's living on what

0:31:45.360 --> 0:31:48.080
<v Speaker 1>he's living off of what he had from his prior career.

0:31:48.120 --> 0:31:50.120
<v Speaker 1>But he didn't he doesn't live a lavish He didn't

0:31:50.120 --> 0:31:51.680
<v Speaker 1>live a lavish life. So I was just a normal kid.

0:31:52.120 --> 0:31:53.840
<v Speaker 1>So he was fine without going on the road for

0:31:53.880 --> 0:31:55.400
<v Speaker 1>a year. Yeah, he was cool with it. He was

0:31:55.440 --> 0:31:57.880
<v Speaker 1>cool with it because he had his other project to

0:31:57.920 --> 0:32:01.840
<v Speaker 1>offset his expenses. And you know, for for us too,

0:32:01.960 --> 0:32:04.920
<v Speaker 1>was like, you know, let's do this right. So it

0:32:05.000 --> 0:32:08.040
<v Speaker 1>wasn't until we we waited a year and then we

0:32:08.120 --> 0:32:11.040
<v Speaker 1>got a big festival offer, um, like a thirty dollar

0:32:11.080 --> 0:32:13.720
<v Speaker 1>offer to play our first show, and we're like, okay, cool,

0:32:13.840 --> 0:32:15.720
<v Speaker 1>we got the billing we needed on the festival, so

0:32:15.760 --> 0:32:17.920
<v Speaker 1>we could come into the marketing which festival was it?

0:32:17.920 --> 0:32:21.000
<v Speaker 1>It was a hard, hard day of the dead. So

0:32:21.120 --> 0:32:23.240
<v Speaker 1>we were able to bypass, you know, a lot of

0:32:24.080 --> 0:32:27.200
<v Speaker 1>DJs by being built over them. You know, in in

0:32:27.320 --> 0:32:29.280
<v Speaker 1>the DJ world it means a lot. Billing. Billing is

0:32:29.320 --> 0:32:31.479
<v Speaker 1>a huge thing. So we were able to come in

0:32:31.520 --> 0:32:34.440
<v Speaker 1>with like you know, top tier billing, a big set time.

0:32:34.680 --> 0:32:36.680
<v Speaker 1>And then from there, you know, we launched our first

0:32:36.720 --> 0:32:39.640
<v Speaker 1>tour and it was a hard ticket tour. We did

0:32:39.720 --> 0:32:43.720
<v Speaker 1>like you know, six to sid cap venues and we

0:32:43.800 --> 0:32:46.400
<v Speaker 1>sold that out immediately. What are the dates worth to you?

0:32:47.480 --> 0:32:49.000
<v Speaker 1>What do you mean? Well, how much did you get

0:32:49.000 --> 0:32:52.800
<v Speaker 1>paid on? Oh so I got not you as a manager,

0:32:52.840 --> 0:32:55.800
<v Speaker 1>but the marchal so we got. We So what I

0:32:55.840 --> 0:32:58.040
<v Speaker 1>did was I wanted the lower ticket prices on all

0:32:58.040 --> 0:33:00.040
<v Speaker 1>the shows, which so they were what so there of

0:33:00.120 --> 0:33:03.160
<v Speaker 1>fees were like between like five and seven thousand for

0:33:03.200 --> 0:33:05.160
<v Speaker 1>those shows based off the ticket scale and there are

0:33:05.160 --> 0:33:07.320
<v Speaker 1>how many dates in those markets? There was? There was

0:33:07.360 --> 0:33:09.880
<v Speaker 1>I think the tour was like twelve shows. Okay, so small,

0:33:09.920 --> 0:33:11.479
<v Speaker 1>it was small, It was small, but it was all

0:33:11.520 --> 0:33:14.680
<v Speaker 1>the major markets. Um, so we hid in everything blew

0:33:14.720 --> 0:33:17.280
<v Speaker 1>out right away. So there was this huge buzz of like, Yo,

0:33:17.320 --> 0:33:19.760
<v Speaker 1>Marshmalla was just sold out his whole tour immediately right

0:33:19.840 --> 0:33:23.200
<v Speaker 1>on on sale. So through that, um, you know, in

0:33:23.240 --> 0:33:25.080
<v Speaker 1>the music and everything, we kept going and you know,

0:33:25.120 --> 0:33:27.400
<v Speaker 1>we got we caught a lot of breaks just with

0:33:27.760 --> 0:33:29.720
<v Speaker 1>publicity and all kinds of stuff like that. And then

0:33:29.840 --> 0:33:32.440
<v Speaker 1>you give us an example or people just trying to

0:33:32.440 --> 0:33:34.360
<v Speaker 1>figure out who Marshmallow was. So every day there was

0:33:34.400 --> 0:33:38.280
<v Speaker 1>an article being posted of like Martin Garrick's marshmallow, TSO's marshmallow,

0:33:38.320 --> 0:33:41.240
<v Speaker 1>this person's marshmallow this, and it's like every day. It

0:33:41.280 --> 0:33:44.280
<v Speaker 1>was just a new a new theory. Um that kept

0:33:44.360 --> 0:33:47.440
<v Speaker 1>us in the in the bloggestphere every single day. UM.

0:33:47.520 --> 0:33:50.920
<v Speaker 1>And with that, we were just releasing music consistently. UM.

0:33:51.000 --> 0:33:55.080
<v Speaker 1>And then it wasn't until about two or two years

0:33:55.080 --> 0:33:58.920
<v Speaker 1>in that I found tune Corps. And we didn't at

0:33:58.920 --> 0:34:00.800
<v Speaker 1>this time all of our music was on SoundCloud. We

0:34:00.840 --> 0:34:03.760
<v Speaker 1>didn't have any music, so you were unaware of tune Corps. Yeah,

0:34:03.800 --> 0:34:05.440
<v Speaker 1>I was unaware of it. And then someone was like, yo,

0:34:05.440 --> 0:34:07.360
<v Speaker 1>you should check out tune core because we you know,

0:34:07.480 --> 0:34:08.800
<v Speaker 1>we didn't want to sign. For those who don't know,

0:34:08.880 --> 0:34:11.440
<v Speaker 1>tone core is a service where for a very small

0:34:11.520 --> 0:34:13.840
<v Speaker 1>annual fee they place your music on all the streaming

0:34:14.120 --> 0:34:17.800
<v Speaker 1>and download services. Yeah, it's like sixty dollars for five years.

0:34:18.600 --> 0:34:21.280
<v Speaker 1>So I found this and was like, okay, let's rebundle

0:34:21.320 --> 0:34:22.759
<v Speaker 1>all this music that we put out a year and

0:34:22.760 --> 0:34:24.759
<v Speaker 1>a half ago or two years ago and put it

0:34:24.760 --> 0:34:26.920
<v Speaker 1>out as a new album and get it up on

0:34:26.960 --> 0:34:30.160
<v Speaker 1>Apple and Spotify on all these only other DSPs. And

0:34:30.200 --> 0:34:32.480
<v Speaker 1>we did that. Um, what kind of reaction did? Your

0:34:32.560 --> 0:34:34.680
<v Speaker 1>album went number one and the songs were all still

0:34:34.719 --> 0:34:36.920
<v Speaker 1>available as a free down on our on our SoundCloud.

0:34:37.480 --> 0:34:38.960
<v Speaker 1>So we were like, what the heck? And then we

0:34:39.040 --> 0:34:42.440
<v Speaker 1>just kept putting out new music, new music, and then um,

0:34:42.480 --> 0:34:44.680
<v Speaker 1>you know, then I go, so, at this point in time,

0:34:45.160 --> 0:34:48.560
<v Speaker 1>are the major labels knocking on your door? Not really, No,

0:34:48.760 --> 0:34:51.080
<v Speaker 1>it wasn't. They were. We got interests of like doing

0:34:51.120 --> 0:34:54.440
<v Speaker 1>remixes and stuff like that for majors, but nobody was

0:34:54.480 --> 0:34:58.800
<v Speaker 1>really knocking on the door. Um. It wasn't until about

0:35:00.120 --> 0:35:03.160
<v Speaker 1>uh last year that we got the majors interested. Okay,

0:35:03.160 --> 0:35:07.040
<v Speaker 1>so you're on all these digital services, You're making any

0:35:07.080 --> 0:35:11.279
<v Speaker 1>money on that? Um? Initially no, but it was you know,

0:35:11.320 --> 0:35:13.520
<v Speaker 1>but once I you know, was able to build a

0:35:13.520 --> 0:35:16.960
<v Speaker 1>relationship with the you know, the DSPs, you know, personally

0:35:17.239 --> 0:35:21.440
<v Speaker 1>with the guys that were important to us in a sense. Um,

0:35:21.480 --> 0:35:23.520
<v Speaker 1>you know, we got the same placements as you know,

0:35:23.600 --> 0:35:26.360
<v Speaker 1>major artists were getting in. You know it really I

0:35:26.400 --> 0:35:30.120
<v Speaker 1>think for for them, like we we brought everybody to

0:35:30.160 --> 0:35:31.920
<v Speaker 1>the table from the beginning. You know, so all the

0:35:31.960 --> 0:35:34.640
<v Speaker 1>guys at Apple, at Spotify, everybody knew about Marshmallow as

0:35:34.680 --> 0:35:39.000
<v Speaker 1>it was being growing. Okay, but you know at that

0:35:39.000 --> 0:35:42.080
<v Speaker 1>point in time, while it's growing, your leverage is limited.

0:35:42.120 --> 0:35:44.840
<v Speaker 1>How do you establish those relationships with Spotify and Apple?

0:35:45.040 --> 0:35:47.400
<v Speaker 1>I think everyone was just seeing that how much attention

0:35:47.440 --> 0:35:49.840
<v Speaker 1>was on Marshmallow from the big names. So the door

0:35:49.920 --> 0:35:52.399
<v Speaker 1>was open. Yeah, So the door opened, and from there

0:35:52.440 --> 0:35:54.799
<v Speaker 1>it was just like I think for them, you know,

0:35:54.840 --> 0:35:57.760
<v Speaker 1>we got them connected so early that they felt vested

0:35:57.800 --> 0:36:00.560
<v Speaker 1>in this project and they got behind it. Um. So

0:36:00.600 --> 0:36:02.440
<v Speaker 1>then you know, then once the label started coming in,

0:36:02.480 --> 0:36:03.839
<v Speaker 1>and I was getting the pitch of like, you've done

0:36:03.880 --> 0:36:05.600
<v Speaker 1>a great job so far, but now watch what we

0:36:05.640 --> 0:36:07.520
<v Speaker 1>can do and we'll elevate the brand. And I'm like,

0:36:08.080 --> 0:36:10.080
<v Speaker 1>yoh man, like I get the same placements that you do,

0:36:10.200 --> 0:36:12.319
<v Speaker 1>you know, And and he's not a radio artist. We're

0:36:12.320 --> 0:36:14.160
<v Speaker 1>not looking for radio at this time, like, you know,

0:36:14.200 --> 0:36:17.200
<v Speaker 1>we're building our course still, you know, we're building a founding.

0:36:17.320 --> 0:36:19.920
<v Speaker 1>So labels come to you, you're not going to the labels,

0:36:20.400 --> 0:36:23.200
<v Speaker 1>and and you say no to all of them. Yeah. Yeah.

0:36:23.360 --> 0:36:27.279
<v Speaker 1>So it wasn't until you know, we we got a

0:36:27.320 --> 0:36:29.799
<v Speaker 1>big offer, a multimillion dollar offer, where we're like, man,

0:36:29.880 --> 0:36:34.160
<v Speaker 1>like this this could be cool. Um. But then you know,

0:36:34.560 --> 0:36:36.640
<v Speaker 1>sitting down with the labels and hearing what their thoughts

0:36:36.640 --> 0:36:38.600
<v Speaker 1>were about Marshmallow, and it was just like, Okay, these

0:36:38.640 --> 0:36:41.239
<v Speaker 1>people don't really even know what this is. It's just

0:36:41.280 --> 0:36:42.840
<v Speaker 1>like one of those things where they're just trying to

0:36:42.880 --> 0:36:45.680
<v Speaker 1>offer us money in case it blows up and they

0:36:45.719 --> 0:36:47.040
<v Speaker 1>have it on their rosters. So I was like, you

0:36:47.040 --> 0:36:50.480
<v Speaker 1>know what, like forget like this, like let's pass. And

0:36:50.520 --> 0:36:53.439
<v Speaker 1>we passed on all the deals and um, that usually

0:36:53.480 --> 0:36:56.080
<v Speaker 1>makes him hungrier, though it does. And now, I mean

0:36:56.160 --> 0:36:58.359
<v Speaker 1>the deal we got offer, you know two weeks ago,

0:36:58.400 --> 0:37:00.920
<v Speaker 1>had of offer that's I would think like ten x

0:37:01.040 --> 0:37:03.520
<v Speaker 1>of what the deal was, you know, nine months ago,

0:37:03.600 --> 0:37:06.280
<v Speaker 1>ten months ago. Because we had to really prove ourselves.

0:37:06.320 --> 0:37:07.839
<v Speaker 1>Everyone thought it was a gimmick. Everyone's like, oh, it's

0:37:07.840 --> 0:37:10.279
<v Speaker 1>a dead dead mouse knockoff. He doesn't make music, it's

0:37:10.280 --> 0:37:13.000
<v Speaker 1>a but you know he's one of them. Okay, so

0:37:13.120 --> 0:37:15.920
<v Speaker 1>let's go back. First year, you're off the road. Then

0:37:15.960 --> 0:37:18.520
<v Speaker 1>you do twelve dates and you go with tune courts

0:37:18.520 --> 0:37:21.279
<v Speaker 1>who are on all the DSPs. What's the step after that?

0:37:21.760 --> 0:37:24.759
<v Speaker 1>And then festivals going into the festival world and all

0:37:24.760 --> 0:37:26.920
<v Speaker 1>the festivals are eager to have them. Yeah, everyone was

0:37:26.920 --> 0:37:29.520
<v Speaker 1>eager to have How many uh festivals did he play

0:37:29.600 --> 0:37:32.120
<v Speaker 1>that next year? A lot? We did. We did a

0:37:32.120 --> 0:37:35.680
<v Speaker 1>lot of big festivals. How much production did you bring? None? None?

0:37:36.000 --> 0:37:37.880
<v Speaker 1>So the helmet and that was it. Yeah, the helmet

0:37:37.880 --> 0:37:40.120
<v Speaker 1>and in the artists and the USB stick and that's it.

0:37:40.920 --> 0:37:44.319
<v Speaker 1>So um, that was it. But then we used we

0:37:44.480 --> 0:37:46.879
<v Speaker 1>use those festivals as kind of our entry point into

0:37:46.920 --> 0:37:49.680
<v Speaker 1>doing bigger, hard ticket shows. So we come into the market,

0:37:49.719 --> 0:37:51.359
<v Speaker 1>do a big festival, get a big look, and then

0:37:51.920 --> 0:37:55.560
<v Speaker 1>we we launched our first kind of big hard tickets tour.

0:37:55.719 --> 0:37:58.719
<v Speaker 1>So then the agent is who the agent is Steve

0:37:58.719 --> 0:38:01.279
<v Speaker 1>Gordon at Circle Talent. So he's got a him and

0:38:01.600 --> 0:38:04.600
<v Speaker 1>his partner, Kevin Gimble. They have a smaller boutique agency,

0:38:04.680 --> 0:38:08.160
<v Speaker 1>but they have a lot of dance acts um. So

0:38:08.320 --> 0:38:10.200
<v Speaker 1>you know, we had had like a couple of clients

0:38:10.200 --> 0:38:12.400
<v Speaker 1>with him prior to that, so we had kind of

0:38:12.400 --> 0:38:15.040
<v Speaker 1>built this whole thing together. Um. So then it was

0:38:15.080 --> 0:38:17.680
<v Speaker 1>then that we we're like, you know, let's use the

0:38:17.760 --> 0:38:19.640
<v Speaker 1>momentum and go into a bigger rooms. Okay, so how

0:38:19.680 --> 0:38:22.040
<v Speaker 1>big were the rooms now? So then we in November

0:38:22.080 --> 0:38:26.000
<v Speaker 1>of two thousands sixteen, we did h three nights at

0:38:26.000 --> 0:38:28.880
<v Speaker 1>the shrine, so we sold fifteen thousand tickets and about

0:38:29.080 --> 0:38:30.879
<v Speaker 1>we did fifteen thousand and about an hour and a half.

0:38:31.080 --> 0:38:34.239
<v Speaker 1>Just to be clear, since that's so many tickets, how

0:38:34.280 --> 0:38:36.080
<v Speaker 1>does the word get out? How do you sell those

0:38:36.160 --> 0:38:40.000
<v Speaker 1>fifteen thousands? Um? Or well, how long did it take

0:38:40.000 --> 0:38:42.120
<v Speaker 1>you to sell? How many dates did you put up?

0:38:42.120 --> 0:38:46.920
<v Speaker 1>At first? So we put out so we rolled out everything. Um,

0:38:46.960 --> 0:38:49.400
<v Speaker 1>we rolled out everything, and then the on sale for

0:38:49.560 --> 0:38:52.880
<v Speaker 1>l A was on its own dates. So the first

0:38:53.000 --> 0:38:55.480
<v Speaker 1>the first shrine blew out immediately, then we went up

0:38:55.480 --> 0:38:58.240
<v Speaker 1>with the second one that blew out after like thirty minutes,

0:38:58.880 --> 0:39:00.480
<v Speaker 1>and then the third one went up and then that

0:39:00.480 --> 0:39:02.600
<v Speaker 1>blew out after like an hour. So really there was

0:39:02.640 --> 0:39:05.080
<v Speaker 1>no promotion involved the audience, know the audience you we

0:39:05.120 --> 0:39:07.319
<v Speaker 1>posted on our social media like, hey, tickets are going up.

0:39:07.640 --> 0:39:09.239
<v Speaker 1>It blew out. Then we did the Bill Graham in

0:39:09.280 --> 0:39:13.120
<v Speaker 1>San Francisco. We did eight thousand tickets and um, I

0:39:13.160 --> 0:39:14.879
<v Speaker 1>think it was less than like thirty seconds that blew

0:39:14.920 --> 0:39:17.839
<v Speaker 1>out immediately Red Rocks blew out in a couple of hours. Um.

0:39:17.920 --> 0:39:20.520
<v Speaker 1>So we did ten thousand there, um and then we

0:39:20.560 --> 0:39:23.480
<v Speaker 1>did two nights at Echo Stage and d C we

0:39:23.560 --> 0:39:26.719
<v Speaker 1>did in Montreal, we did three New city gases, which

0:39:26.719 --> 0:39:30.000
<v Speaker 1>was twelve thousand tickets, which was their venue record for

0:39:30.040 --> 0:39:33.040
<v Speaker 1>an artist doing that many. Um. So right off the bat,

0:39:33.239 --> 0:39:36.160
<v Speaker 1>you know we did you know, tend to or eight

0:39:36.160 --> 0:39:38.759
<v Speaker 1>to twelve thousand tickets in every major market. How much

0:39:38.760 --> 0:39:42.000
<v Speaker 1>production bringing so we so at that time, yeah, we

0:39:42.040 --> 0:39:44.880
<v Speaker 1>brought in um like one semi truck. We had just

0:39:44.920 --> 0:39:47.640
<v Speaker 1>created a rig um that you know, it was just

0:39:47.680 --> 0:39:50.959
<v Speaker 1>a big led wall with some stuff here and there.

0:39:51.480 --> 0:39:53.480
<v Speaker 1>Um a lot of like special effects like you know,

0:39:53.520 --> 0:39:55.920
<v Speaker 1>fireworks and stuff like that, but nothing nothing crazy. Because

0:39:56.600 --> 0:39:58.719
<v Speaker 1>you know, our mentality was like, this is our first

0:39:58.800 --> 0:40:00.600
<v Speaker 1>kind of big tour. If we go also the walls,

0:40:00.600 --> 0:40:02.839
<v Speaker 1>now what do we do the next tour? So we

0:40:02.840 --> 0:40:04.680
<v Speaker 1>were like, let's you know, scale it back because we

0:40:04.719 --> 0:40:06.640
<v Speaker 1>know the kids want to come and watch us, So like,

0:40:06.960 --> 0:40:09.560
<v Speaker 1>let's keep this more about Marshmallow than production and stuff

0:40:09.600 --> 0:40:10.799
<v Speaker 1>like that, because you know, there's a lot of acts

0:40:10.800 --> 0:40:14.480
<v Speaker 1>now that their entire career revolves around their production where

0:40:14.520 --> 0:40:16.759
<v Speaker 1>it's like, you know, they have to bring you know,

0:40:16.920 --> 0:40:19.120
<v Speaker 1>a million two million dollar rig to to make up

0:40:19.160 --> 0:40:22.480
<v Speaker 1>for their cheesiness. So it's like, you know, we don't

0:40:22.520 --> 0:40:25.759
<v Speaker 1>need to do that. Okay, So it's November of that

0:40:25.880 --> 0:40:30.560
<v Speaker 1>you start this big tour and that plays for how long? Um,

0:40:30.680 --> 0:40:32.920
<v Speaker 1>Like our tour, like the traditional dance tours aren't like

0:40:32.920 --> 0:40:35.319
<v Speaker 1>a traditional artist tour, they're more like flying in dates.

0:40:35.320 --> 0:40:37.680
<v Speaker 1>We fly in, we do the major markets throughout a

0:40:37.719 --> 0:40:40.760
<v Speaker 1>time span. So like that tour was within two months.

0:40:40.760 --> 0:40:42.960
<v Speaker 1>But it was like, you know there's festivals mixed in,

0:40:43.040 --> 0:40:45.279
<v Speaker 1>there's you know, so we had our days for these

0:40:45.280 --> 0:40:48.279
<v Speaker 1>hard ticket shows, um, but they were we would just

0:40:48.320 --> 0:40:50.399
<v Speaker 1>fly into them, the production would be there, We've set

0:40:50.400 --> 0:40:52.360
<v Speaker 1>it up with the promoter, and then it will be done. Okay,

0:40:52.360 --> 0:40:57.480
<v Speaker 1>so we go into what's the next event? Was this?

0:40:57.560 --> 0:41:00.960
<v Speaker 1>So this last last year was all it was global.

0:41:01.280 --> 0:41:02.839
<v Speaker 1>It was like, how do we make sure that this

0:41:03.239 --> 0:41:05.680
<v Speaker 1>momentum and imprint carries onto a global level. So we

0:41:05.760 --> 0:41:08.640
<v Speaker 1>spent almost two months in Europe, a lot of time

0:41:08.640 --> 0:41:13.240
<v Speaker 1>and ages. These are festival festivals and a couple bigger

0:41:13.280 --> 0:41:16.719
<v Speaker 1>heart ticket shows, but mainly festivals, um. You know, so

0:41:16.840 --> 0:41:19.879
<v Speaker 1>it was it was big on Europe doing a run there.

0:41:20.200 --> 0:41:22.800
<v Speaker 1>Um we did, like we sold out the Brixton Academy

0:41:22.840 --> 0:41:27.520
<v Speaker 1>in London on the UK um, and then just doing

0:41:27.960 --> 0:41:31.040
<v Speaker 1>a bunch of festivals um. And then that was kind

0:41:31.040 --> 0:41:33.120
<v Speaker 1>of it. And then this year is when we launched. Well,

0:41:33.120 --> 0:41:36.800
<v Speaker 1>well before you get to this year, suddenly he's involved

0:41:36.800 --> 0:41:40.000
<v Speaker 1>with literally top tier talent. How does that come together?

0:41:40.640 --> 0:41:43.640
<v Speaker 1>People just started talking about him people. Everyone was kind

0:41:43.640 --> 0:41:45.040
<v Speaker 1>of like, you know, we were getting him into the

0:41:45.080 --> 0:41:49.239
<v Speaker 1>studio with people, um, and people were just meeting him,

0:41:49.400 --> 0:41:53.600
<v Speaker 1>you know. We like through just the hype, people were

0:41:53.600 --> 0:41:56.560
<v Speaker 1>intrigued by his brain. You're not working at your phone

0:41:56.600 --> 0:41:59.080
<v Speaker 1>is ringing? Are you working? I mean I was working

0:41:59.080 --> 0:42:00.839
<v Speaker 1>it for sure. I was working trying to get him

0:42:00.880 --> 0:42:03.719
<v Speaker 1>in the studio with people. But it wasn't until you know,

0:42:04.280 --> 0:42:06.160
<v Speaker 1>we just had a lot of big like Coachella was

0:42:06.160 --> 0:42:09.080
<v Speaker 1>a big moment for us. We did Coachell last year. UM,

0:42:09.120 --> 0:42:12.120
<v Speaker 1>we headlined the Saharitan closed it out and you know,

0:42:12.200 --> 0:42:14.719
<v Speaker 1>the tent was rammed from front to back, and you know,

0:42:14.760 --> 0:42:18.240
<v Speaker 1>we brought throughout the process of the project. We've always

0:42:18.280 --> 0:42:22.440
<v Speaker 1>brought special guests with us everywhere, So what's the thinking there.

0:42:22.440 --> 0:42:26.040
<v Speaker 1>So it was always about, like, you know, connecting, It

0:42:26.080 --> 0:42:28.040
<v Speaker 1>was it was two fold. It was, you know, for us,

0:42:29.160 --> 0:42:32.120
<v Speaker 1>getting Marshmallow connected with these other artists and exposing him

0:42:32.160 --> 0:42:35.120
<v Speaker 1>to their fan base. Because again, for Marshmallow, it's like,

0:42:35.400 --> 0:42:36.839
<v Speaker 1>you know, we need people to see him one time

0:42:36.880 --> 0:42:38.400
<v Speaker 1>and they'll never forget who he is. You know, it's

0:42:38.440 --> 0:42:41.000
<v Speaker 1>not a traditional DJ where you know, it could be

0:42:41.120 --> 0:42:43.120
<v Speaker 1>you know, Calvin Harris could walk in here and nobody

0:42:43.200 --> 0:42:45.759
<v Speaker 1>might recognize him. But with him, it's like, you know,

0:42:45.880 --> 0:42:48.440
<v Speaker 1>it's a brand, it's a it's a character that we

0:42:48.480 --> 0:42:50.640
<v Speaker 1>need people to see one time. So for us, it

0:42:50.719 --> 0:42:52.680
<v Speaker 1>was like, you know, let's bring in people that matter

0:42:52.760 --> 0:42:54.680
<v Speaker 1>in these different you know, if we went to Atlanta,

0:42:54.760 --> 0:42:57.960
<v Speaker 1>we brought Germaine Dupriat. We brought Little Yaddi out in Atlanta,

0:42:57.960 --> 0:43:00.319
<v Speaker 1>we brought walk a flock out in Atlanta. Um, you

0:43:00.320 --> 0:43:02.880
<v Speaker 1>go to Detroit, we brought out D twelve in Detroit,

0:43:03.040 --> 0:43:05.640
<v Speaker 1>you know, and their them, you know, Detroit in Detroit

0:43:05.719 --> 0:43:07.640
<v Speaker 1>D twelve is like you know when they were with

0:43:07.680 --> 0:43:10.320
<v Speaker 1>eminem like that was those are the hometown heroes. Okay,

0:43:10.440 --> 0:43:13.560
<v Speaker 1>how do you literally make that happen just by hitting

0:43:13.560 --> 0:43:15.400
<v Speaker 1>them up? You know, I would we would go on Twitter,

0:43:15.680 --> 0:43:17.279
<v Speaker 1>d m them or I would you know, find a

0:43:17.320 --> 0:43:19.839
<v Speaker 1>way to get intro to the manager and be like, hey,

0:43:19.840 --> 0:43:22.120
<v Speaker 1>look like Marshmall has got I would explain to them

0:43:22.120 --> 0:43:24.080
<v Speaker 1>like this, like Marshall's gotta sold out show. There's five

0:43:24.080 --> 0:43:27.080
<v Speaker 1>thousand kids that are dance fans. It's not a traditional show,

0:43:27.200 --> 0:43:29.680
<v Speaker 1>like we don't we're not offering money, like, but if

0:43:29.680 --> 0:43:32.080
<v Speaker 1>you want to come for you know, a one song, come,

0:43:32.280 --> 0:43:34.240
<v Speaker 1>you know, and it's a whole new demographic. You're exposing

0:43:34.239 --> 0:43:36.560
<v Speaker 1>the artists too. And it would be one of their songs.

0:43:36.640 --> 0:43:38.200
<v Speaker 1>It would be one of their songs. And people were

0:43:38.200 --> 0:43:40.480
<v Speaker 1>always like, you know, if they if they realized kind

0:43:40.480 --> 0:43:43.839
<v Speaker 1>of what it was, and um, you know, people had

0:43:43.880 --> 0:43:46.040
<v Speaker 1>heard about Marshmallow, they were like, okay, cool, let's do it.

0:43:46.480 --> 0:43:48.000
<v Speaker 1>So then we would get these people to come out,

0:43:48.040 --> 0:43:49.880
<v Speaker 1>and you know, it created a moment for us to

0:43:50.040 --> 0:43:51.160
<v Speaker 1>you know what I mean. It was a cool moment

0:43:52.120 --> 0:43:54.239
<v Speaker 1>um and at that time we had racked up like

0:43:54.280 --> 0:43:57.279
<v Speaker 1>three million followers on Instagram and Facebook. It was at

0:43:57.280 --> 0:43:59.600
<v Speaker 1>a couple of millions, So we had a social reach

0:43:59.680 --> 0:44:03.080
<v Speaker 1>that over. You know, I saw that, like, Okay, you

0:44:03.080 --> 0:44:07.480
<v Speaker 1>know that's cool. Okay, So let's go back to how

0:44:07.480 --> 0:44:10.959
<v Speaker 1>you end up working with Selena Gomez at all? Yeah?

0:44:11.000 --> 0:44:15.200
<v Speaker 1>So what so during Coachella, Um, you know, Marshmallo become

0:44:15.200 --> 0:44:17.919
<v Speaker 1>friends with who was the special guest of Coachella. So

0:44:18.000 --> 0:44:22.080
<v Speaker 1>the first weekend we brought out I forget what weekend

0:44:22.120 --> 0:44:24.400
<v Speaker 1>we we brought out asap for we brought out Yogatti,

0:44:24.600 --> 0:44:32.239
<v Speaker 1>we brought out Travis Barker, um O Cirius, um, we

0:44:32.320 --> 0:44:34.719
<v Speaker 1>brought out Andrew Watt, and then I'm sorry, I think

0:44:34.719 --> 0:44:37.920
<v Speaker 1>who else we brought up? I think I think that

0:44:37.960 --> 0:44:39.399
<v Speaker 1>was it. I think we brought Okay at this point

0:44:39.440 --> 0:44:43.759
<v Speaker 1>in time, since Marshmallow has his own sound, which is

0:44:43.760 --> 0:44:46.480
<v Speaker 1>not as aggressive as other people's or his previous sound,

0:44:47.000 --> 0:44:50.080
<v Speaker 1>and even though it's three years many people might say

0:44:50.120 --> 0:44:54.040
<v Speaker 1>it's overnight. Is there any backlash against him in the scene,

0:44:54.120 --> 0:44:56.719
<v Speaker 1>tons of backlash. Every DJ is like, yo, this is

0:44:56.760 --> 0:44:59.120
<v Speaker 1>a gimmick, this is stupid, Like this guy puts a

0:44:59.160 --> 0:45:01.440
<v Speaker 1>buck on his head, and all of a sudden, this

0:45:01.680 --> 0:45:04.000
<v Speaker 1>it's it's it's not good music. The music sucks all

0:45:04.000 --> 0:45:07.240
<v Speaker 1>this ship. So we we've heard it from every angle. Well,

0:45:07.280 --> 0:45:09.800
<v Speaker 1>how do you cope with that? To be honest, you do.

0:45:09.840 --> 0:45:11.960
<v Speaker 1>I mean, it doesn't bother us, you know what I mean,

0:45:12.040 --> 0:45:14.440
<v Speaker 1>Like you know, for for us, it's turned all of

0:45:14.440 --> 0:45:17.160
<v Speaker 1>our lives around, you know. And and and none of

0:45:17.160 --> 0:45:19.640
<v Speaker 1>the guests special guests said no, I'm not gonna play

0:45:19.680 --> 0:45:21.719
<v Speaker 1>with you because of the backlash. No, not at all.

0:45:21.760 --> 0:45:24.600
<v Speaker 1>I mean, because the backlash is all whispers. You know, nobody, nobody,

0:45:24.800 --> 0:45:27.160
<v Speaker 1>nobody says it to us in person. Nobody says it,

0:45:27.320 --> 0:45:29.440
<v Speaker 1>you know, no one's like vocal about it. But you know,

0:45:29.520 --> 0:45:31.439
<v Speaker 1>as we hear it from like, you know, other people

0:45:31.440 --> 0:45:33.719
<v Speaker 1>in the industry. Oh, this DJ was talking it saying

0:45:33.760 --> 0:45:36.400
<v Speaker 1>like marshmallows cheesy, or this person is this or like

0:45:36.880 --> 0:45:39.200
<v Speaker 1>you know, we'd walk into a you know, a festival

0:45:39.239 --> 0:45:41.440
<v Speaker 1>and walk by the trailer of another DJ, and you

0:45:41.440 --> 0:45:43.680
<v Speaker 1>know they wouldn't acknowledge us or like you know, so

0:45:43.719 --> 0:45:47.080
<v Speaker 1>it's I mean, it's just it's it's like any other industry. Okay.

0:45:47.160 --> 0:45:50.120
<v Speaker 1>But since he's keeping his identity secret when he goes

0:45:50.160 --> 0:45:51.840
<v Speaker 1>to the coach. He's got to wear the damn helmet

0:45:51.800 --> 0:45:54.920
<v Speaker 1>of all time. Yeah, so its it sucks for him.

0:45:54.960 --> 0:45:57.120
<v Speaker 1>And you know he always was like, you know, I

0:45:57.120 --> 0:45:59.520
<v Speaker 1>can never connect with like it was. It was what

0:45:59.680 --> 0:46:01.799
<v Speaker 1>sucks was when he met artists outside of the dance world.

0:46:01.800 --> 0:46:04.000
<v Speaker 1>So he met like a rapper or somebody, and he

0:46:04.000 --> 0:46:05.759
<v Speaker 1>would have to talk to him in costume, and then

0:46:05.840 --> 0:46:07.080
<v Speaker 1>he would, you know, when he would not be in

0:46:07.120 --> 0:46:08.400
<v Speaker 1>costume and to go up to that person and the

0:46:08.440 --> 0:46:11.640
<v Speaker 1>person like, yo, who then are you. We're gonna pause

0:46:11.680 --> 0:46:13.920
<v Speaker 1>for a moment. We'll be right back with my conversation

0:46:14.000 --> 0:46:19.799
<v Speaker 1>with Motional Easy, manager of Marshmallow. Thanks for listening to

0:46:19.800 --> 0:46:22.160
<v Speaker 1>the Bob Left That's podcast. If you want to see

0:46:22.239 --> 0:46:25.239
<v Speaker 1>videos and photos of Motional Easy, Tony Hawk or any

0:46:25.239 --> 0:46:27.600
<v Speaker 1>of my guests here in the tune In studios in Venice,

0:46:27.800 --> 0:46:30.440
<v Speaker 1>go to at tune In on Instagram, Twitter, and Facebook

0:46:31.680 --> 0:46:36.680
<v Speaker 1>and now more with Motional Easy, manager of Marshmallow. So

0:46:36.760 --> 0:46:39.239
<v Speaker 1>you played Coachella, you say this is a turning point. Yeah,

0:46:39.520 --> 0:46:41.440
<v Speaker 1>Coachello was a big moment for us because you know,

0:46:41.640 --> 0:46:44.640
<v Speaker 1>we were going up against Kendrick. Uh, you know, we

0:46:44.680 --> 0:46:46.440
<v Speaker 1>didn't know what it was, what was gonna happen. We're like,

0:46:46.440 --> 0:46:49.799
<v Speaker 1>oh man, we're gonna get killed. It's Kendrick Um. But

0:46:49.880 --> 0:46:54.279
<v Speaker 1>you know, the tent was rammed um and uh it was.

0:46:54.360 --> 0:46:55.680
<v Speaker 1>It was a big moment for us because so many

0:46:55.680 --> 0:46:58.000
<v Speaker 1>people had were watching that that set, and people had

0:46:58.000 --> 0:47:01.120
<v Speaker 1>come and heard about it, and uh one one of them.

0:47:01.120 --> 0:47:02.680
<v Speaker 1>We wanted to create a moment at the things, so

0:47:02.760 --> 0:47:06.640
<v Speaker 1>we had a drum off between Marshmallow challenge Travis Barker

0:47:06.680 --> 0:47:09.120
<v Speaker 1>to a drum off. Is Marshall of a drummer. He

0:47:09.160 --> 0:47:12.120
<v Speaker 1>knows how to drum, but he's not Travis Barker, it means.

0:47:12.160 --> 0:47:14.080
<v Speaker 1>But we did this thing where and it was on

0:47:14.120 --> 0:47:16.399
<v Speaker 1>the live stream where we brought Travis out and out

0:47:16.440 --> 0:47:19.080
<v Speaker 1>of nowhere. Travis rises on a riser and then Marshmallow

0:47:19.160 --> 0:47:21.239
<v Speaker 1>rises and then they challenge each other to a drum off,

0:47:21.280 --> 0:47:23.680
<v Speaker 1>and it was like a moment that you know, Billboard

0:47:23.680 --> 0:47:25.680
<v Speaker 1>and everybody's writing about. You know, one of the biggest

0:47:25.680 --> 0:47:28.480
<v Speaker 1>moments of Coach Hell was a drum off. Um. We

0:47:28.520 --> 0:47:30.600
<v Speaker 1>tried bringing Nickel back out, you know, that was the

0:47:30.600 --> 0:47:32.879
<v Speaker 1>moment I wanted, was bringing Nickel back out, but they

0:47:33.440 --> 0:47:36.120
<v Speaker 1>they were recording their album the otherwise they would have

0:47:36.120 --> 0:47:38.080
<v Speaker 1>done it. Yeah. We offered to get him a jet

0:47:38.120 --> 0:47:40.200
<v Speaker 1>to come, and they're like, we already have our own jet,

0:47:42.080 --> 0:47:45.080
<v Speaker 1>but we can't come because we're busy with the album. Um.

0:47:45.120 --> 0:47:46.400
<v Speaker 1>I thought that would have been a dope moment to

0:47:46.640 --> 0:47:50.960
<v Speaker 1>absolutely their mistake. Okay, So Coachella ends and then all

0:47:50.960 --> 0:47:54.640
<v Speaker 1>of a sudden there's a buzz and people are making offers. Yeah.

0:47:54.640 --> 0:47:56.719
<v Speaker 1>So the people are making offers. Um. And we had

0:47:56.719 --> 0:47:59.720
<v Speaker 1>gotten the studio with a couple of big writers Andrew

0:48:00.680 --> 0:48:02.880
<v Speaker 1>his crew. We had a couple of records that we

0:48:02.920 --> 0:48:06.400
<v Speaker 1>had done together. Um, and we were just shopping for

0:48:06.840 --> 0:48:09.920
<v Speaker 1>top lines or for upstar features and Demi Lovato was like,

0:48:09.960 --> 0:48:12.200
<v Speaker 1>how you know she hopped on one song and then

0:48:12.280 --> 0:48:15.759
<v Speaker 1>how did she how did she find it? So I

0:48:15.800 --> 0:48:19.000
<v Speaker 1>had sent it to because Monty, so every every label

0:48:19.040 --> 0:48:20.560
<v Speaker 1>that comes to the table. I was like, look like

0:48:20.960 --> 0:48:23.240
<v Speaker 1>if we're gonna talk, like show me what you're gonna do,

0:48:23.280 --> 0:48:25.160
<v Speaker 1>you know what I mean? Like, you know, we've we

0:48:25.280 --> 0:48:27.120
<v Speaker 1>don't need your help developing the artist because at this

0:48:27.160 --> 0:48:29.360
<v Speaker 1>point the artist is big. Just like, show me what

0:48:29.400 --> 0:48:31.960
<v Speaker 1>you're gonna do that you're saying you know? So, Um,

0:48:32.000 --> 0:48:33.799
<v Speaker 1>we sent the music out to some people and you know,

0:48:33.840 --> 0:48:36.040
<v Speaker 1>I sent it to Monty and you know that's mining

0:48:36.120 --> 0:48:39.480
<v Speaker 1>Lit Minute Republic. So Monty was like, you know, let's

0:48:39.520 --> 0:48:40.759
<v Speaker 1>let's see who we can get on this. And he

0:48:40.800 --> 0:48:43.520
<v Speaker 1>had sent it to David Massey and then they sent

0:48:43.560 --> 0:48:46.120
<v Speaker 1>it to Demi and then I connected with Phil, Demi's manager,

0:48:46.239 --> 0:48:48.799
<v Speaker 1>and was like, here's this record, and Demi loved it

0:48:48.880 --> 0:48:52.640
<v Speaker 1>and she hopped on it, and then um, you know

0:48:52.680 --> 0:48:54.919
<v Speaker 1>the Selena thing kind of the same thing. Uh. Andrew Watt,

0:48:54.960 --> 0:48:57.320
<v Speaker 1>one of the writers on the Selena record, had a

0:48:57.360 --> 0:49:00.480
<v Speaker 1>close ration with Selena Um. John j and I had

0:49:00.520 --> 0:49:02.040
<v Speaker 1>met a bunch of times and he was like, you know,

0:49:02.040 --> 0:49:04.360
<v Speaker 1>I want to do something with Marshmallow, and you know,

0:49:04.360 --> 0:49:06.719
<v Speaker 1>he had heard the record and was like, let's let's

0:49:06.719 --> 0:49:09.400
<v Speaker 1>put Selena on this. I'm like, a cool, let's do that.

0:49:09.960 --> 0:49:14.040
<v Speaker 1>And then kalid Um Marshmallow had brought Kalide to our

0:49:14.040 --> 0:49:17.080
<v Speaker 1>Coachella house, so he's crashed on our couch for like

0:49:17.280 --> 0:49:20.280
<v Speaker 1>four days during Coachella. He was coming out to perform

0:49:20.280 --> 0:49:22.719
<v Speaker 1>with another artist, but he stayed with us and they

0:49:22.719 --> 0:49:24.439
<v Speaker 1>were supposed to get in the studio. They never did,

0:49:24.680 --> 0:49:26.759
<v Speaker 1>and they had just met through Twitter. So he came

0:49:26.800 --> 0:49:28.719
<v Speaker 1>with us, UM, and nothing ever came up, but they

0:49:28.760 --> 0:49:31.319
<v Speaker 1>just became friends and I was it. And then two

0:49:31.320 --> 0:49:34.520
<v Speaker 1>months later, UM, Khalid was here in town and you know,

0:49:34.520 --> 0:49:35.880
<v Speaker 1>Marshmall hit him up and I was like, hey man,

0:49:35.960 --> 0:49:37.200
<v Speaker 1>let's you want to go in the studio. I'm in

0:49:37.200 --> 0:49:41.239
<v Speaker 1>the studio. Kalid's like, all right, I'll stop by. Stops by,

0:49:41.320 --> 0:49:43.799
<v Speaker 1>and within four hours they make the song Silence. It's

0:49:43.800 --> 0:49:45.640
<v Speaker 1>just them two in the room and you know, they

0:49:45.640 --> 0:49:48.800
<v Speaker 1>make the song Silence and UM. When when all of

0:49:48.880 --> 0:49:50.520
<v Speaker 1>us heard that, we were like, this song is gonna

0:49:50.520 --> 0:49:52.920
<v Speaker 1>be huge. UM. So we reached out to our c

0:49:53.120 --> 0:49:54.919
<v Speaker 1>A like, you know, we want to put this out

0:49:55.160 --> 0:49:57.920
<v Speaker 1>as soon as we can UM, and that was right

0:49:57.920 --> 0:50:00.360
<v Speaker 1>as Khalid was blowing up to UM. We put the

0:50:00.400 --> 0:50:02.680
<v Speaker 1>song out. The song now has I think almost like

0:50:02.680 --> 0:50:06.239
<v Speaker 1>eight hundred million streams collectively through all the platforms. UM.

0:50:06.280 --> 0:50:08.239
<v Speaker 1>It was like, you know, top ten on Spotify for

0:50:08.280 --> 0:50:12.120
<v Speaker 1>a couple of months. Big song. UM. And uh you know,

0:50:12.239 --> 0:50:14.239
<v Speaker 1>from there and then we went to Selena and then

0:50:14.280 --> 0:50:16.640
<v Speaker 1>now we just dropped a record, uh, the Friends record

0:50:16.640 --> 0:50:18.960
<v Speaker 1>with Anne Marie. And then tomorrow we have a single

0:50:19.000 --> 0:50:22.560
<v Speaker 1>with with with Chris with Logic. So Chris and I've

0:50:22.600 --> 0:50:26.319
<v Speaker 1>been working together on the logic correct. So Chris Ruin,

0:50:26.960 --> 0:50:29.960
<v Speaker 1>we're doing this logic and Marshmallow single. It's Logics next single.

0:50:30.600 --> 0:50:34.320
<v Speaker 1>Um really dope song. Um okay, so it's twenty eighteen.

0:50:34.440 --> 0:50:37.480
<v Speaker 1>What's next? What's the next step? So for us is

0:50:37.640 --> 0:50:40.239
<v Speaker 1>you know after I left that the dinner that you

0:50:40.280 --> 0:50:42.600
<v Speaker 1>and I had at Jake's house with uh, that's how

0:50:42.640 --> 0:50:45.319
<v Speaker 1>I met MO. We had a couple of months back. Yeah,

0:50:45.480 --> 0:50:47.960
<v Speaker 1>we had dinner with Jake Oudell and it was us

0:50:48.000 --> 0:50:50.960
<v Speaker 1>and manager Jeff who manages Logan Paul. And that was

0:50:51.000 --> 0:50:55.319
<v Speaker 1>before the crisis. Yeah. Yeah, So but you know I

0:50:55.400 --> 0:50:58.360
<v Speaker 1>sat there listening to Jeff talk and it it was just

0:50:58.440 --> 0:51:00.960
<v Speaker 1>like I was, you know, I was fascinated in a

0:51:01.000 --> 0:51:04.480
<v Speaker 1>sense of like, you know, it's crazy this the impact

0:51:04.480 --> 0:51:08.000
<v Speaker 1>that Logan's had on this is this is Logan Ball

0:51:08.360 --> 0:51:11.480
<v Speaker 1>the YouTube star. Yeah. So you know, listening to their

0:51:11.520 --> 0:51:13.319
<v Speaker 1>concepts and listening to you know, some of the stuff

0:51:13.360 --> 0:51:15.200
<v Speaker 1>he said. You know, one thing resonated when he was like,

0:51:15.200 --> 0:51:17.840
<v Speaker 1>if they're not watching you, they're watching somebody else. And

0:51:17.880 --> 0:51:21.799
<v Speaker 1>I was like, okay, this makes sense. So um, you know,

0:51:21.800 --> 0:51:23.920
<v Speaker 1>when I got back home that night, I emailed my

0:51:24.040 --> 0:51:25.560
<v Speaker 1>entire team and was like, hey, guys, first thing in

0:51:25.560 --> 0:51:28.040
<v Speaker 1>the morning, how many people are on your team? Um?

0:51:28.160 --> 0:51:30.080
<v Speaker 1>I have five five people that work with me, and

0:51:30.160 --> 0:51:32.520
<v Speaker 1>what are the other five do? So three of them

0:51:32.520 --> 0:51:36.000
<v Speaker 1>our day to days, and I have one guy who's

0:51:36.560 --> 0:51:38.560
<v Speaker 1>a social media guy. He kind of runs some of

0:51:38.680 --> 0:51:41.399
<v Speaker 1>the other artists social media. And then uh, the other

0:51:41.400 --> 0:51:44.240
<v Speaker 1>one's my assistant. Okay, so you get home and email

0:51:44.280 --> 0:51:46.880
<v Speaker 1>your team. I'm like, hey, you know, in the morning,

0:51:46.880 --> 0:51:50.480
<v Speaker 1>we have to have a talk about content strategy creating

0:51:50.520 --> 0:51:53.239
<v Speaker 1>content because at the time we had Marshall had like,

0:51:53.480 --> 0:51:56.400
<v Speaker 1>you know, four million YouTube followers, four or five million,

0:51:57.520 --> 0:51:59.839
<v Speaker 1>and it was coming from the music videos, and we

0:51:59.840 --> 0:52:01.960
<v Speaker 1>were uploading a music video maybe once every month or

0:52:02.000 --> 0:52:04.680
<v Speaker 1>two months, and there was not a consistent feed of

0:52:04.680 --> 0:52:08.880
<v Speaker 1>of content. So I was just like, after listening to Jeff,

0:52:08.920 --> 0:52:11.840
<v Speaker 1>I was like, okay, maybe like you know what blows

0:52:11.840 --> 0:52:13.839
<v Speaker 1>my mind is like their numbers. You know, it's like

0:52:13.880 --> 0:52:17.160
<v Speaker 1>this logan is making probably million dollars a year creating

0:52:17.160 --> 0:52:20.200
<v Speaker 1>content in his house or wherever, and it's like, you look,

0:52:20.280 --> 0:52:23.680
<v Speaker 1>think about the biggest musicians to make that kind of money,

0:52:23.680 --> 0:52:26.480
<v Speaker 1>and they're touring the world in a studio every single night,

0:52:26.520 --> 0:52:28.839
<v Speaker 1>and you know, then Logan drops a song on on

0:52:28.920 --> 0:52:32.160
<v Speaker 1>Spotify and it's you know, thirty million plays on Spotify

0:52:32.200 --> 0:52:33.600
<v Speaker 1>and he's in New Music Friday and all this ship.

0:52:33.680 --> 0:52:37.799
<v Speaker 1>I'm like, damn, Like it's just it's crazy. Um but

0:52:37.840 --> 0:52:39.440
<v Speaker 1>it really kind of like opened my eyes sit where

0:52:39.440 --> 0:52:40.760
<v Speaker 1>I was like, you know what, maybe we should focus

0:52:41.120 --> 0:52:43.320
<v Speaker 1>more on content. And with Marshmallow, we have a character,

0:52:43.440 --> 0:52:46.280
<v Speaker 1>so it's like, how do we create content around this character?

0:52:47.480 --> 0:52:49.960
<v Speaker 1>Um So it's from there that we started just coming

0:52:49.960 --> 0:52:53.080
<v Speaker 1>out with different creative ideas to basically kind of have

0:52:53.200 --> 0:52:55.799
<v Speaker 1>a piece of content that goes out every day. Um So,

0:52:55.840 --> 0:52:58.400
<v Speaker 1>within the last like we've been in the last like

0:52:58.440 --> 0:53:01.240
<v Speaker 1>six months, we've been averaging nine hundred thousand news subscribers

0:53:01.280 --> 0:53:04.719
<v Speaker 1>a month. How so you're putting out content every day,

0:53:05.160 --> 0:53:07.840
<v Speaker 1>what how many views does that content end up having?

0:53:08.000 --> 0:53:10.399
<v Speaker 1>So the channel is doing a hundred and seventy million

0:53:10.440 --> 0:53:13.360
<v Speaker 1>views a month. Yeah, so the channel right now is

0:53:13.400 --> 0:53:15.480
<v Speaker 1>averaging a hundred seventy million views of the cross all

0:53:15.520 --> 0:53:18.040
<v Speaker 1>the video. What was it before before he employed this

0:53:18.080 --> 0:53:20.320
<v Speaker 1>new strategy? It was, I mean, it was it was growing.

0:53:20.360 --> 0:53:21.640
<v Speaker 1>It was probably that I think we were at like

0:53:21.640 --> 0:53:23.560
<v Speaker 1>a hundred million. We had one music video for a

0:53:23.600 --> 0:53:26.640
<v Speaker 1>song he did two years ago called Alone. The video

0:53:26.719 --> 0:53:29.080
<v Speaker 1>is like a video about it was kind of like

0:53:29.160 --> 0:53:31.440
<v Speaker 1>him getting bullied as Marshmallow and he grows up and

0:53:31.440 --> 0:53:34.080
<v Speaker 1>becomes his DJ and everybody starts to like him. All

0:53:34.080 --> 0:53:36.440
<v Speaker 1>the kids that bullied him started being like trying to

0:53:36.440 --> 0:53:38.759
<v Speaker 1>be cool with him. And we put this video out

0:53:39.680 --> 0:53:42.000
<v Speaker 1>and the video has almost one point three billion views

0:53:41.760 --> 0:53:44.520
<v Speaker 1>in two years. And it's an independent record, no no

0:53:44.840 --> 0:53:47.440
<v Speaker 1>radio support, nothing to the degree you can mention it

0:53:47.560 --> 0:53:50.320
<v Speaker 1>to remember it. What is one point three billion views

0:53:50.360 --> 0:53:57.840
<v Speaker 1>worth financially? Um, it's I don't even know it's it's

0:53:57.840 --> 0:54:01.359
<v Speaker 1>probably a couple of million. But that okay, So he

0:54:01.400 --> 0:54:04.000
<v Speaker 1>had he had this success previously. But now you're putting

0:54:04.040 --> 0:54:07.120
<v Speaker 1>account content every day, right, So we started putting out

0:54:07.280 --> 0:54:10.279
<v Speaker 1>content and we wanted to We wanted to create a

0:54:10.320 --> 0:54:13.760
<v Speaker 1>deeper connection with our fans. So one of the first

0:54:13.760 --> 0:54:16.440
<v Speaker 1>concept that we created was cooking with Marshmallow. So we

0:54:16.480 --> 0:54:18.200
<v Speaker 1>were like, okay, let's let's look at it this way.

0:54:18.239 --> 0:54:19.880
<v Speaker 1>How can we create something that's going to reach a

0:54:19.880 --> 0:54:22.880
<v Speaker 1>different audience, but how can we tie it into our fans?

0:54:23.520 --> 0:54:26.239
<v Speaker 1>And then you know, also, let's we need something that

0:54:26.280 --> 0:54:28.840
<v Speaker 1>we can upload every week, you know. So we created

0:54:28.840 --> 0:54:30.799
<v Speaker 1>this series Cooking with Marshmallow, where we look at we

0:54:30.880 --> 0:54:34.439
<v Speaker 1>take our biggest demographic, right, so Indonesia's our biggest fan base,

0:54:34.800 --> 0:54:37.560
<v Speaker 1>so we go and create Why is Indonesia your base?

0:54:37.640 --> 0:54:39.800
<v Speaker 1>I have no clue. I have no clue. Indonesia is

0:54:39.800 --> 0:54:42.080
<v Speaker 1>our biggest and we have like I think our second

0:54:42.400 --> 0:54:46.760
<v Speaker 1>Indonesia Singapore, um, and then the US and then Canada

0:54:46.960 --> 0:54:49.920
<v Speaker 1>and then Brazil is like our top five. And have

0:54:50.000 --> 0:54:52.880
<v Speaker 1>you been to Indonesian Singapore? Yeah, we've done festivals in

0:54:53.200 --> 0:54:55.880
<v Speaker 1>both of them. Um. But I think it's because of

0:54:55.880 --> 0:54:58.600
<v Speaker 1>the character. You know, the character really resonates with that

0:54:58.800 --> 0:55:02.319
<v Speaker 1>side of the world. Um. But we you know, we

0:55:02.360 --> 0:55:06.359
<v Speaker 1>did cultural dishes of you know, like we did Nazi gerrang,

0:55:06.440 --> 0:55:10.720
<v Speaker 1>which is like a Indonesian rice. It's like a fried

0:55:10.840 --> 0:55:13.040
<v Speaker 1>rice that you know. So we did this and then

0:55:13.080 --> 0:55:15.680
<v Speaker 1>we did you know, for India, we did another dish.

0:55:15.680 --> 0:55:18.440
<v Speaker 1>We did like chicken Tikam masala, and then for Brazil

0:55:18.520 --> 0:55:20.760
<v Speaker 1>we did another dish. And for so for every market

0:55:21.360 --> 0:55:23.600
<v Speaker 1>that you know, or for every demographic that we had

0:55:23.640 --> 0:55:25.640
<v Speaker 1>a you know, a big fan base, and we did

0:55:25.640 --> 0:55:28.440
<v Speaker 1>a dish that would resonate with them culturally. And how

0:55:28.480 --> 0:55:30.680
<v Speaker 1>long were the clips a minute and a half. So

0:55:30.719 --> 0:55:33.799
<v Speaker 1>it's just he really doesn't know how to cook, does

0:55:33.840 --> 0:55:35.560
<v Speaker 1>he know? So it's just like it's but it's like

0:55:35.600 --> 0:55:38.680
<v Speaker 1>those those viral videos where it just shows the ingredients,

0:55:38.880 --> 0:55:41.440
<v Speaker 1>how you put it in, make it boom, walk out

0:55:41.480 --> 0:55:44.239
<v Speaker 1>with the dish, you know, very quick, short form, one

0:55:44.280 --> 0:55:47.080
<v Speaker 1>minute videos. But every time we were posting these, we

0:55:47.080 --> 0:55:49.200
<v Speaker 1>were going to number one on all the cooking playlists.

0:55:49.680 --> 0:55:51.560
<v Speaker 1>So for us, it was just like a new thing

0:55:51.640 --> 0:55:53.400
<v Speaker 1>of Like, so if you type in right now on

0:55:53.400 --> 0:55:56.399
<v Speaker 1>YouTube how to make Mongolian beef? Right, the biggest video

0:55:57.640 --> 0:56:01.240
<v Speaker 1>on YouTube right now has like maybe three hund thousand views.

0:56:01.239 --> 0:56:03.120
<v Speaker 1>Our video has a couple of millions. So right now

0:56:03.120 --> 0:56:04.919
<v Speaker 1>we're at the top of how to make Mongolian beef?

0:56:05.360 --> 0:56:07.680
<v Speaker 1>And it's like, okay, cool. Every time someone searches like

0:56:07.719 --> 0:56:10.440
<v Speaker 1>these dishes, our videos are popping up because our fan

0:56:10.480 --> 0:56:12.960
<v Speaker 1>base is fueling the views. I get it, I get it.

0:56:13.000 --> 0:56:16.120
<v Speaker 1>So that's one day a week. What are the other six? Yeah,

0:56:16.160 --> 0:56:18.800
<v Speaker 1>So we tested this concept. Then we tested some animation

0:56:18.840 --> 0:56:21.040
<v Speaker 1>as well into the like music videos are doing animated

0:56:21.120 --> 0:56:25.040
<v Speaker 1>music videos, and now we're introducing three more concepts. So

0:56:25.080 --> 0:56:29.600
<v Speaker 1>we're doing uh gaming with Marshmallow. So we're doing We're

0:56:29.600 --> 0:56:31.640
<v Speaker 1>getting like a bunch of the big gamers. You know,

0:56:31.680 --> 0:56:34.640
<v Speaker 1>the gaming world is massive right now. So we're doing

0:56:34.920 --> 0:56:38.680
<v Speaker 1>uh concepts with him, gaming with these guys and challenging

0:56:38.719 --> 0:56:42.680
<v Speaker 1>them and stuff like that. We're doing life hacks with Marshmallow, um,

0:56:42.760 --> 0:56:45.359
<v Speaker 1>which which is it's a series on how to live

0:56:45.360 --> 0:56:47.080
<v Speaker 1>your life with a bucket on your head and the

0:56:47.080 --> 0:56:49.719
<v Speaker 1>hacks that you take to you know, do stuff. And

0:56:49.760 --> 0:56:53.040
<v Speaker 1>then um, the other one that we're creating is, uh,

0:56:53.040 --> 0:56:56.880
<v Speaker 1>we're doing one called Unboxing with Marshmallow because unboxing is like,

0:56:57.880 --> 0:57:01.400
<v Speaker 1>so what's Marshmallow going to unbox different stuff that relates

0:57:01.400 --> 0:57:03.960
<v Speaker 1>to his family, so like DJ equipment and gear and

0:57:04.000 --> 0:57:07.520
<v Speaker 1>stuff like that. Um. But that one that that's one

0:57:07.520 --> 0:57:09.480
<v Speaker 1>that we're like really trying to figure out. But that's

0:57:09.480 --> 0:57:10.960
<v Speaker 1>one of the concepts because we've been kind of looking

0:57:11.000 --> 0:57:13.319
<v Speaker 1>at what are the biggest trends on YouTube and how

0:57:13.400 --> 0:57:16.400
<v Speaker 1>to bring our brand into that in a in a

0:57:16.400 --> 0:57:19.600
<v Speaker 1>way that's organic and doesn't seem to right to what

0:57:19.720 --> 0:57:22.440
<v Speaker 1>degree are the people already subscribers and then finding this

0:57:22.520 --> 0:57:26.360
<v Speaker 1>and what degree are you working at Um, what do

0:57:26.360 --> 0:57:30.080
<v Speaker 1>you mean socials? Are you saying today's video on Instagram

0:57:30.120 --> 0:57:33.600
<v Speaker 1>and all this other stuff. Yeah, so every time we upload, um,

0:57:33.720 --> 0:57:35.440
<v Speaker 1>one of these videos to the YouTube, we're posting it

0:57:35.480 --> 0:57:38.600
<v Speaker 1>on the other socials and stuff like that and posting clips.

0:57:38.640 --> 0:57:40.800
<v Speaker 1>But we're driving all the traffic back to the YouTube,

0:57:41.520 --> 0:57:45.160
<v Speaker 1>right And so to degree you're knowledgeable, to degree you care,

0:57:46.200 --> 0:57:48.800
<v Speaker 1>is any other DJ doing this? No, not on this

0:57:48.880 --> 0:57:52.040
<v Speaker 1>level because right now we've racked up we're at almost

0:57:52.160 --> 0:57:56.480
<v Speaker 1>eleven million subscribers, um, and it's average you know that nobody,

0:57:56.480 --> 0:57:58.600
<v Speaker 1>I don't. YouTube is like nobody's growth is as big

0:57:58.680 --> 0:58:01.960
<v Speaker 1>as ours right now on DJ. And so YouTube notices this,

0:58:02.040 --> 0:58:04.920
<v Speaker 1>and what will they do for you? They YouTube is

0:58:05.000 --> 0:58:08.080
<v Speaker 1>now helping, you know, fund some of the content. What

0:58:08.160 --> 0:58:10.320
<v Speaker 1>kind of budgets do you using? Is it most of

0:58:10.320 --> 0:58:13.040
<v Speaker 1>this zero budget anyway? No? I mean because we're bringing

0:58:13.080 --> 0:58:16.920
<v Speaker 1>in you know, um, a full on staff to our

0:58:17.000 --> 0:58:19.640
<v Speaker 1>crew to film this and create the editing and all

0:58:19.680 --> 0:58:21.240
<v Speaker 1>that stuff. And if you watch the videos, you see

0:58:21.280 --> 0:58:24.880
<v Speaker 1>there's like they're fun videos, sound effects and they're fun

0:58:24.960 --> 0:58:27.960
<v Speaker 1>to watch. Where um, you know, there's some money that

0:58:28.000 --> 0:58:31.160
<v Speaker 1>goes into that. So but YouTube will help fund it yeah,

0:58:31.200 --> 0:58:33.240
<v Speaker 1>they Yeah, they put some money in. You know, is

0:58:33.240 --> 0:58:37.440
<v Speaker 1>it what degree where they helped promote it? Um, that's

0:58:37.480 --> 0:58:39.760
<v Speaker 1>like that's to be determined on their end, Like they'll

0:58:39.760 --> 0:58:42.360
<v Speaker 1>they'll they'll give us playlistening and stuff like that. Um.

0:58:42.400 --> 0:58:44.440
<v Speaker 1>But you know, I also they have to stay within

0:58:44.480 --> 0:58:46.520
<v Speaker 1>their lines of right right, I know that you know,

0:58:46.520 --> 0:58:48.040
<v Speaker 1>they they'll give you the money, but they don't want

0:58:48.040 --> 0:58:50.520
<v Speaker 1>to promote it. They say it's you know, contradiction in

0:58:50.560 --> 0:58:54.120
<v Speaker 1>their ethos. But okay, so all this is happening, which

0:58:54.160 --> 0:58:56.560
<v Speaker 1>is a mind blowing great, but what are the next

0:58:56.600 --> 0:59:00.240
<v Speaker 1>couple of steps? I think for us, it's just you know, we've, uh,

0:59:00.560 --> 0:59:02.960
<v Speaker 1>we've kind of solidified ourselves in the music space as

0:59:02.960 --> 0:59:05.280
<v Speaker 1>far as music with releases, and we've got a couple

0:59:05.320 --> 0:59:07.360
<v Speaker 1>of big singles coming out still till the end of

0:59:07.360 --> 0:59:10.560
<v Speaker 1>the year, we'll have a couple of big records. Um.

0:59:10.640 --> 0:59:14.080
<v Speaker 1>But to be honest, it's just about really solidifying the

0:59:14.120 --> 0:59:16.400
<v Speaker 1>brand as a whole. You know. We just we launched

0:59:16.400 --> 0:59:19.520
<v Speaker 1>our tour a couple of months ago. So we're doing

0:59:19.520 --> 0:59:23.240
<v Speaker 1>the l A Convention Center in March. Um tickets there.

0:59:23.280 --> 0:59:26.520
<v Speaker 1>We already did two nights at Bill Graham again. We're

0:59:26.560 --> 0:59:29.360
<v Speaker 1>doing two nights at Red Rocks. Um, so we're going

0:59:29.400 --> 0:59:34.080
<v Speaker 1>into another round of hard ticket stuff. Um. And then um,

0:59:34.080 --> 0:59:36.400
<v Speaker 1>it's it's a lot of music this year. Okay, you're

0:59:36.400 --> 0:59:40.120
<v Speaker 1>playing festivals. Yeah, we're playing a couple of big festivals. Um,

0:59:40.240 --> 0:59:42.560
<v Speaker 1>he's you know, he's in Israel this weekend. He's in

0:59:42.600 --> 0:59:46.880
<v Speaker 1>Israel and doing some you know, more global stuff. But um,

0:59:46.960 --> 0:59:49.720
<v Speaker 1>this year we've kind of slowed down and we're more

0:59:49.760 --> 0:59:52.240
<v Speaker 1>so focusing on music and just creating content and all

0:59:52.280 --> 0:59:54.600
<v Speaker 1>kinds of stuff. Okay, you know the rule of thumb

0:59:54.640 --> 0:59:57.040
<v Speaker 1>as a manager, you never want to you never want

0:59:57.040 --> 0:59:59.320
<v Speaker 1>to be a manager who wants it more than the act.

1:00:00.040 --> 1:00:02.600
<v Speaker 1>So in this particular case, you have an act and

1:00:02.640 --> 1:00:05.880
<v Speaker 1>everything's on his shoulders. To what degree does he wanted?

1:00:06.000 --> 1:00:09.000
<v Speaker 1>To what degree is he coping with this success? I mean,

1:00:09.000 --> 1:00:11.200
<v Speaker 1>I think we've we've found a way to balance out

1:00:11.760 --> 1:00:14.200
<v Speaker 1>what's on his shoulders, you know, his his he loves

1:00:14.240 --> 1:00:17.760
<v Speaker 1>making music, and that's what we We try to alleviate

1:00:17.800 --> 1:00:20.280
<v Speaker 1>as much stuff outside of you know, what we can

1:00:20.840 --> 1:00:22.880
<v Speaker 1>on our end. So like we can't obviously I can't

1:00:22.880 --> 1:00:24.720
<v Speaker 1>tour for him. He has to go on the road,

1:00:24.720 --> 1:00:26.600
<v Speaker 1>but he loves going on the road. For him, I think,

1:00:27.320 --> 1:00:29.160
<v Speaker 1>you know, it's been such an eye and opening experience,

1:00:29.280 --> 1:00:31.760
<v Speaker 1>you know, meeting all these people. Like for him, that's

1:00:31.760 --> 1:00:33.280
<v Speaker 1>what he gets off to the most, is just like

1:00:33.840 --> 1:00:36.000
<v Speaker 1>I don't think any of us sought the cultural impact

1:00:36.000 --> 1:00:38.920
<v Speaker 1>and the global impact that Marshmalla would have has happened.

1:00:38.960 --> 1:00:41.120
<v Speaker 1>You know, we never thought in a million years would

1:00:41.120 --> 1:00:44.480
<v Speaker 1>be this big and have this kind of a footprint. UM.

1:00:44.520 --> 1:00:46.360
<v Speaker 1>So for him, you know, he loves when he's home,

1:00:46.400 --> 1:00:48.720
<v Speaker 1>he's in the studio or he's making music at home,

1:00:48.760 --> 1:00:51.160
<v Speaker 1>and then um, if he's on the road, he's touring,

1:00:51.160 --> 1:00:53.840
<v Speaker 1>and he loves that. Um. And then everything else outside

1:00:53.880 --> 1:00:55.960
<v Speaker 1>of that we try to do ourselves and alleviate that

1:00:56.000 --> 1:00:58.600
<v Speaker 1>pressure on him. So how many other acts are managing

1:00:58.600 --> 1:01:02.200
<v Speaker 1>at this point? I've got about seven other acts? And

1:01:02.440 --> 1:01:06.520
<v Speaker 1>since Marshmallow blows up? What opportunities come to you and

1:01:06.640 --> 1:01:11.000
<v Speaker 1>your management company forgetting Marshmallow? A lot? You know, from

1:01:11.280 --> 1:01:13.080
<v Speaker 1>the clients that are now coming to the table to

1:01:13.280 --> 1:01:16.000
<v Speaker 1>potentially sign and um, there's a lot of big acts

1:01:16.120 --> 1:01:18.600
<v Speaker 1>that you know I've been fortunate to to turn down.

1:01:19.320 --> 1:01:21.960
<v Speaker 1>UM and then uh, just a lot of opportunities for

1:01:22.040 --> 1:01:24.640
<v Speaker 1>all my artists. As a whole um. And then you

1:01:24.640 --> 1:01:26.600
<v Speaker 1>know just the relationships we've been able to build with

1:01:26.720 --> 1:01:29.920
<v Speaker 1>other you know, companies and managers and brands and stuff

1:01:29.960 --> 1:01:32.560
<v Speaker 1>like that. So and are you if a big act

1:01:32.640 --> 1:01:35.280
<v Speaker 1>came to you, would you make that deal? It depends,

1:01:35.360 --> 1:01:39.360
<v Speaker 1>I mean for me again, like it's it's about none

1:01:39.360 --> 1:01:40.960
<v Speaker 1>of my clients. I don't ever wake up to one

1:01:40.960 --> 1:01:42.640
<v Speaker 1>of my clients and be like, oh God, like he's

1:01:42.800 --> 1:01:44.360
<v Speaker 1>calling me, you know what I mean? Like I love

1:01:44.440 --> 1:01:46.520
<v Speaker 1>all my guys. We've come up together, so it's like

1:01:46.520 --> 1:01:50.520
<v Speaker 1>almost like it's become a family. Um. And that's and

1:01:50.560 --> 1:01:52.240
<v Speaker 1>that's the vibe I want to maintain, you know, I mean,

1:01:52.280 --> 1:01:53.920
<v Speaker 1>none of my guys are hard to work with. Everyone

1:01:54.000 --> 1:01:56.760
<v Speaker 1>is just like everyone's appreciative of where they're they're at

1:01:56.760 --> 1:02:00.400
<v Speaker 1>and there's no ego. We're all very grounded. Um. So

1:02:00.440 --> 1:02:02.160
<v Speaker 1>then when you throw in somebody that's not like that

1:02:02.200 --> 1:02:05.200
<v Speaker 1>into the mix, it throws off that dynamic. And that's

1:02:05.240 --> 1:02:06.880
<v Speaker 1>what I would never do too, because all my guys

1:02:06.920 --> 1:02:09.880
<v Speaker 1>work together like that. If they're not making music together

1:02:09.880 --> 1:02:11.919
<v Speaker 1>and not playing a festival together, they're hanging out, going

1:02:11.960 --> 1:02:14.640
<v Speaker 1>bowling together or doing stuff like that. Now, since you're

1:02:14.680 --> 1:02:17.840
<v Speaker 1>so successful, does it pay to be with an organization

1:02:17.880 --> 1:02:20.040
<v Speaker 1>with red Light, or does it pay to be independent?

1:02:20.160 --> 1:02:22.640
<v Speaker 1>Because it used to be all managers were independent, and

1:02:22.640 --> 1:02:25.919
<v Speaker 1>now so many managers are either with Live Nation or

1:02:25.960 --> 1:02:29.560
<v Speaker 1>with their Maverick or red Light. Certainly, even I don't

1:02:29.560 --> 1:02:31.080
<v Speaker 1>know whether in terms of acts they have even have

1:02:31.080 --> 1:02:33.680
<v Speaker 1>more acts. I think I think it depends on the person,

1:02:33.720 --> 1:02:36.320
<v Speaker 1>you know. I mean, I think, um, you know, for

1:02:36.360 --> 1:02:39.320
<v Speaker 1>me starting out, it was definitely helpful because you know,

1:02:39.880 --> 1:02:42.280
<v Speaker 1>it gave me the like the infrastructure was something I

1:02:42.320 --> 1:02:44.120
<v Speaker 1>didn't have to worry about. I had that back end

1:02:44.520 --> 1:02:46.000
<v Speaker 1>if I need, you know, I knew I was getting

1:02:46.200 --> 1:02:48.720
<v Speaker 1>my my paycheck, you know every two weeks. I could

1:02:48.720 --> 1:02:50.960
<v Speaker 1>live my life and focus on work, you know. I mean,

1:02:51.000 --> 1:02:53.080
<v Speaker 1>and I think moving forward, you know, there's a lot

1:02:53.080 --> 1:02:55.920
<v Speaker 1>of managers there that have you know, kids in a family,

1:02:55.960 --> 1:02:58.320
<v Speaker 1>and they they're not trying to chase the dream in

1:02:58.320 --> 1:03:00.680
<v Speaker 1>a sense, you know. I mean, They're they're intent with

1:03:00.880 --> 1:03:03.360
<v Speaker 1>working and paying a cut to to the bigger man,

1:03:03.360 --> 1:03:07.200
<v Speaker 1>and you know, and that's it. Um. You know. So

1:03:07.240 --> 1:03:09.040
<v Speaker 1>it works for some people, and then some people want

1:03:09.040 --> 1:03:10.360
<v Speaker 1>to go to Live Nation and get a big check

1:03:10.440 --> 1:03:12.440
<v Speaker 1>up front and live their life and invest in what

1:03:12.480 --> 1:03:14.840
<v Speaker 1>they need to do to secure their future, and that's

1:03:14.840 --> 1:03:16.720
<v Speaker 1>the way they look at it um, you know. But

1:03:16.760 --> 1:03:20.240
<v Speaker 1>then there's other guys that you know, being an entrepreneurs

1:03:20.240 --> 1:03:23.600
<v Speaker 1>what you know, what what drives them? And you know too,

1:03:24.240 --> 1:03:26.720
<v Speaker 1>you can never at the enda you're working for other

1:03:26.720 --> 1:03:29.320
<v Speaker 1>people's companies, you know. So if you're one of those entrepreneurs,

1:03:29.360 --> 1:03:33.000
<v Speaker 1>you're always going to be waiving somebody else's flag. Um

1:03:33.040 --> 1:03:35.320
<v Speaker 1>And if you know, if that that's cool with you,

1:03:35.360 --> 1:03:37.120
<v Speaker 1>then that's cool. And if it's not, then you know,

1:03:37.120 --> 1:03:41.960
<v Speaker 1>you've gotta figure out what the right move is. This

1:03:42.000 --> 1:03:44.360
<v Speaker 1>is Bob left Sets. I'm a writer and you can

1:03:44.400 --> 1:03:46.680
<v Speaker 1>read me at left sets dot com. If you're like

1:03:46.720 --> 1:03:49.360
<v Speaker 1>listening to the innovators of the music gidustry, like today's

1:03:49.360 --> 1:03:52.080
<v Speaker 1>guest Motional Easy, I'd like to invite you to attend

1:03:52.080 --> 1:03:54.640
<v Speaker 1>my Music Media Summit in Santa Barbara the last weekend

1:03:54.640 --> 1:03:56.600
<v Speaker 1>in April. I'd love for you to come and learn

1:03:56.600 --> 1:03:59.600
<v Speaker 1>from the best of the business, like Troy Carter Spotify.

1:03:59.760 --> 1:04:02.600
<v Speaker 1>If interested, go to Music Media Summit dot com for

1:04:02.680 --> 1:04:06.959
<v Speaker 1>tickets and more information. I hope you'll join me. Let's

1:04:06.960 --> 1:04:11.160
<v Speaker 1>continue the conversation with Motional Easy, manager of marshmallow. Okay,

1:04:11.160 --> 1:04:14.280
<v Speaker 1>so what's the status of electronic music you're deep in

1:04:14.320 --> 1:04:18.360
<v Speaker 1>the world. Conventional wisdom is that it peaked five or

1:04:18.400 --> 1:04:20.800
<v Speaker 1>six years ago. What do you think. I don't think

1:04:20.840 --> 1:04:23.280
<v Speaker 1>it's peak. I think it's in a correctional phase. I

1:04:23.320 --> 1:04:26.240
<v Speaker 1>think the consumption of music is so different now. I

1:04:26.240 --> 1:04:29.680
<v Speaker 1>think with streaming, how people consume music is it is

1:04:29.680 --> 1:04:32.880
<v Speaker 1>so it's the attention span is so short now, so

1:04:33.080 --> 1:04:35.640
<v Speaker 1>you know, you gotta as a whole. You know, on

1:04:35.680 --> 1:04:39.880
<v Speaker 1>the electronic side, there's so much saturation with kids that

1:04:39.920 --> 1:04:42.320
<v Speaker 1>want to be an artist, a deep producer, DJ, whatever.

1:04:42.840 --> 1:04:45.640
<v Speaker 1>Then you have an excess of festivals. You know, there's

1:04:45.640 --> 1:04:48.800
<v Speaker 1>a festival popping up every other week now, where uh,

1:04:48.840 --> 1:04:52.439
<v Speaker 1>you know, kids would rather go pay a hundred bucks

1:04:52.480 --> 1:04:54.800
<v Speaker 1>for a festival ticket and watch twenty acts versus coming

1:04:54.840 --> 1:04:57.640
<v Speaker 1>to your hard ticket show and paying sixty seventy bucks

1:04:57.680 --> 1:04:59.520
<v Speaker 1>and just watching you unless they're you know, a die

1:04:59.560 --> 1:05:01.960
<v Speaker 1>hard fan. And but the way people are, you know,

1:05:02.040 --> 1:05:04.360
<v Speaker 1>finding music now is through you know, Apple Music and

1:05:04.400 --> 1:05:06.960
<v Speaker 1>Spotify and these playlists. You know, And this is my opinion,

1:05:07.000 --> 1:05:10.920
<v Speaker 1>I think we're here. Your opinion, they're they're not building

1:05:10.920 --> 1:05:14.400
<v Speaker 1>a real connection with the fan with the artist, um,

1:05:14.440 --> 1:05:17.040
<v Speaker 1>you know, because you're you know, you're you're connecting with

1:05:17.040 --> 1:05:19.480
<v Speaker 1>the playlist now and you're listening to that playlist over

1:05:19.480 --> 1:05:21.560
<v Speaker 1>and over and over. But how many times are you

1:05:21.600 --> 1:05:23.760
<v Speaker 1>discovering that artist on your own? Like you know, I

1:05:23.800 --> 1:05:25.720
<v Speaker 1>found every one of my artists too SoundCloud. I was

1:05:25.920 --> 1:05:27.800
<v Speaker 1>would go through SoundCloud to find an artist. I would

1:05:27.800 --> 1:05:31.000
<v Speaker 1>follow their their career in a sense, and their releases

1:05:31.040 --> 1:05:32.720
<v Speaker 1>and be like, wow, like I found this guy. I

1:05:32.760 --> 1:05:35.919
<v Speaker 1>felt vested in this guy that I found and I've

1:05:35.960 --> 1:05:38.120
<v Speaker 1>started following before anybody else did. And I would tell

1:05:38.120 --> 1:05:40.240
<v Speaker 1>my friends like, yo, I found this guy named so

1:05:40.320 --> 1:05:41.760
<v Speaker 1>and so you should listen to him or you know,

1:05:41.800 --> 1:05:44.000
<v Speaker 1>And that was how it worked. Now it's like I

1:05:44.000 --> 1:05:46.200
<v Speaker 1>think everyone kind of listens to a playlist and it's like,

1:05:46.920 --> 1:05:48.560
<v Speaker 1>you know, I'm guilty of you. I listened to you know,

1:05:48.600 --> 1:05:51.720
<v Speaker 1>rap Caviare Cavier all the time because I'm like, Yo,

1:05:51.800 --> 1:05:53.800
<v Speaker 1>this is the newest hip hop, it's the coolest hip hop,

1:05:53.840 --> 1:05:56.320
<v Speaker 1>it's you know, and it's it's probably the best song

1:05:56.360 --> 1:05:58.000
<v Speaker 1>of that artist right now, you know. So why don't

1:05:58.000 --> 1:06:00.360
<v Speaker 1>need to listen to anything else? Because year I can

1:06:00.360 --> 1:06:02.520
<v Speaker 1>listen to twenty of the best songs right now that

1:06:02.560 --> 1:06:05.400
<v Speaker 1>are in the in you know, in the hip hop world.

1:06:05.400 --> 1:06:06.760
<v Speaker 1>Why am I gonna go elsewhere? You know? I mean,

1:06:06.760 --> 1:06:09.880
<v Speaker 1>I'm not gonna go find the artists and be like okay, um,

1:06:09.880 --> 1:06:12.840
<v Speaker 1>you know, unless unless that artists really stands out to me,

1:06:12.920 --> 1:06:16.120
<v Speaker 1>you know. Um. And that's why I think, like, you know,

1:06:16.120 --> 1:06:18.680
<v Speaker 1>there's artists that have billions of streams on Spotify and

1:06:18.880 --> 1:06:21.280
<v Speaker 1>you know, on Apple, and they can't sell a single ticket,

1:06:22.040 --> 1:06:25.240
<v Speaker 1>you know, because people aren't really becoming real fans. They're

1:06:25.280 --> 1:06:28.040
<v Speaker 1>they're only with you as as much as you know,

1:06:28.440 --> 1:06:30.360
<v Speaker 1>the music is there in a sense. And then one,

1:06:30.440 --> 1:06:33.000
<v Speaker 1>so let's assume you manage one of those acts. How

1:06:33.000 --> 1:06:35.000
<v Speaker 1>do you make it so that they can sell tickets?

1:06:35.600 --> 1:06:37.439
<v Speaker 1>You I think you have to do a good job

1:06:37.440 --> 1:06:40.040
<v Speaker 1>of building a core audience first a brand. You have

1:06:40.080 --> 1:06:42.360
<v Speaker 1>to build a brand that people connect to on the

1:06:42.360 --> 1:06:44.360
<v Speaker 1>core level. So you have these fans that are gonna

1:06:44.360 --> 1:06:47.440
<v Speaker 1>follow you through every footstep of the career. Um. And

1:06:47.480 --> 1:06:49.360
<v Speaker 1>I think that's the hard part today. Does that come

1:06:49.440 --> 1:06:52.840
<v Speaker 1>before or after your first hit single? I think that

1:06:52.840 --> 1:06:54.800
<v Speaker 1>comes way before, you know, I think because once you

1:06:54.800 --> 1:06:56.920
<v Speaker 1>get to the commercial level, you know, we see it

1:06:56.960 --> 1:06:58.880
<v Speaker 1>with I see with all my acts, the second they

1:06:58.920 --> 1:07:02.040
<v Speaker 1>do anything that's remote commercial all of the day, one

1:07:02.120 --> 1:07:03.760
<v Speaker 1>core kids are like you sold out. I don't want

1:07:03.760 --> 1:07:05.040
<v Speaker 1>to listen to you anymore. I'm gonna go to the

1:07:05.040 --> 1:07:07.560
<v Speaker 1>next kid that's coming up on the underground, you know.

1:07:07.720 --> 1:07:09.680
<v Speaker 1>And it's like, you look at these SoundCloud rappers, you know,

1:07:09.760 --> 1:07:13.600
<v Speaker 1>you look at these guys that are amassing massive followings

1:07:13.680 --> 1:07:16.439
<v Speaker 1>from from that level. You know, it's that SoundCloud level

1:07:16.480 --> 1:07:20.120
<v Speaker 1>there creating you know, huge fan bases, and then you

1:07:20.120 --> 1:07:22.520
<v Speaker 1>know then they're jumping up into the bigger level, and

1:07:22.560 --> 1:07:25.400
<v Speaker 1>then you know it is kind of what it is. Yeah,

1:07:25.400 --> 1:07:27.560
<v Speaker 1>but you say you want to establish going through the

1:07:27.600 --> 1:07:30.360
<v Speaker 1>threads here? How do you manage that as a manager

1:07:30.640 --> 1:07:32.480
<v Speaker 1>where you know as soon as you have a hit,

1:07:32.680 --> 1:07:34.760
<v Speaker 1>there's gonna be a backlash, You're gonna lose some coreal

1:07:34.800 --> 1:07:37.000
<v Speaker 1>audience or do you have enough people still left to

1:07:37.040 --> 1:07:39.480
<v Speaker 1>make it work. I think it's making a hit that

1:07:39.560 --> 1:07:42.240
<v Speaker 1>still resonates with your core, like you have to find Like,

1:07:42.280 --> 1:07:44.200
<v Speaker 1>you know, if if you went and you're a rapper

1:07:44.240 --> 1:07:45.200
<v Speaker 1>and then all of a sudden you went into a

1:07:45.200 --> 1:07:47.280
<v Speaker 1>song with clenic comez, I think you're gonna piss off

1:07:47.320 --> 1:07:48.880
<v Speaker 1>a lot of people, you know, But if you do

1:07:48.920 --> 1:07:51.959
<v Speaker 1>a song that you know is a really good song

1:07:52.000 --> 1:07:55.720
<v Speaker 1>and you know your core can't really complain about it

1:07:55.720 --> 1:07:58.000
<v Speaker 1>in a sense, it's not something that's completely off of

1:07:58.040 --> 1:08:00.720
<v Speaker 1>your ethos of your brand in a sense, like I think,

1:08:00.720 --> 1:08:03.360
<v Speaker 1>then you're okay, okay. But if we went on Spotify

1:08:03.480 --> 1:08:06.480
<v Speaker 1>right now, look at the Spotify US Top fifty, the

1:08:06.600 --> 1:08:09.080
<v Speaker 1>vast majority of those acts would be urban hip hop.

1:08:09.720 --> 1:08:13.800
<v Speaker 1>So where does this leave electronic music? Uh, it's in

1:08:13.840 --> 1:08:15.560
<v Speaker 1>a weird say. I mean, it's definitely a weird say.

1:08:15.600 --> 1:08:18.760
<v Speaker 1>It's it's become electronic music become pop music today, you know.

1:08:18.800 --> 1:08:21.120
<v Speaker 1>I like, you look at the you know, the playlists

1:08:21.120 --> 1:08:27.040
<v Speaker 1>for dance music and the streams are you know, streams

1:08:27.040 --> 1:08:29.479
<v Speaker 1>a day for the biggest songs on the plat on

1:08:29.479 --> 1:08:31.400
<v Speaker 1>the playlists where you look at the pop side and

1:08:31.400 --> 1:08:34.400
<v Speaker 1>the urban side, it's millions of streams today. People aren't

1:08:34.439 --> 1:08:36.920
<v Speaker 1>and I think I think dance is losing more fans

1:08:36.920 --> 1:08:41.960
<v Speaker 1>and it's regenerating right now. So that's because the sound

1:08:42.000 --> 1:08:45.040
<v Speaker 1>has changed or the listening platforms has made that. So

1:08:45.200 --> 1:08:48.880
<v Speaker 1>I think it's I think it's just it's been you know,

1:08:48.920 --> 1:08:52.160
<v Speaker 1>I think urban music has just come back so strong finally,

1:08:52.240 --> 1:08:55.519
<v Speaker 1>And I think, you know the culture that comes with

1:08:55.680 --> 1:08:57.639
<v Speaker 1>urban I think I was reading your you know, your

1:08:57.680 --> 1:09:00.400
<v Speaker 1>letter you wrote and so true about just there's culture

1:09:00.439 --> 1:09:02.640
<v Speaker 1>with urban dance doesn't have a culture really, you know,

1:09:02.720 --> 1:09:06.719
<v Speaker 1>pop pop is what it is. But um, but dance

1:09:06.720 --> 1:09:10.000
<v Speaker 1>originally came from rave culture. They grew up hand in hand.

1:09:10.200 --> 1:09:13.000
<v Speaker 1>There was a live experience which still exists with it. Again.

1:09:13.040 --> 1:09:15.479
<v Speaker 1>You got Electric Daisy Carnival. If you're not there, you

1:09:15.520 --> 1:09:18.160
<v Speaker 1>have no idea what's going on, it's not might go

1:09:18.240 --> 1:09:21.040
<v Speaker 1>to the pop show. It's Staples Center. But you think

1:09:21.080 --> 1:09:22.760
<v Speaker 1>it's just long in the tooth that people are just

1:09:22.800 --> 1:09:25.040
<v Speaker 1>so entranced by hip hop. I think so, I think

1:09:25.120 --> 1:09:27.360
<v Speaker 1>I think people are just it's something new finally, you

1:09:27.360 --> 1:09:28.599
<v Speaker 1>know what I mean. Like hip hop for a while

1:09:28.720 --> 1:09:30.439
<v Speaker 1>was just so stale and like there was nothing, and

1:09:30.439 --> 1:09:33.160
<v Speaker 1>now you have this new wave of like you know,

1:09:33.240 --> 1:09:35.920
<v Speaker 1>the little Oozies and the loads and all these you know,

1:09:36.040 --> 1:09:38.240
<v Speaker 1>these guys that you know are creating a buzz and

1:09:38.400 --> 1:09:40.360
<v Speaker 1>you know through social media and everything that people are

1:09:41.040 --> 1:09:43.880
<v Speaker 1>attaching themselves to that, you know what I mean. So,

1:09:45.240 --> 1:09:49.040
<v Speaker 1>you know, historically, prior to the Internet, every three years

1:09:49.040 --> 1:09:51.040
<v Speaker 1>it was a new sound. I'm like Seattle killed the

1:09:51.120 --> 1:09:56.440
<v Speaker 1>air band sound and after that came pop, etcetera. Whereas

1:09:56.479 --> 1:10:00.320
<v Speaker 1>one can say, in this century hip hop up has

1:10:00.360 --> 1:10:04.000
<v Speaker 1>been wax in Wayne but been pretty dominant. So is

1:10:04.320 --> 1:10:06.680
<v Speaker 1>that going to continue? I mean, I'm just asking your

1:10:06.720 --> 1:10:09.080
<v Speaker 1>opinion because we don't have a crystal ball in terms

1:10:09.080 --> 1:10:12.040
<v Speaker 1>of hip hop is so dominant now because I think

1:10:12.040 --> 1:10:15.280
<v Speaker 1>about it, because all the other genres have bitched about

1:10:15.320 --> 1:10:18.519
<v Speaker 1>new distribution platforms, not electronic. Electronic has at this moment

1:10:18.560 --> 1:10:21.120
<v Speaker 1>where it's merged with pop anyway. But the non pop,

1:10:21.439 --> 1:10:25.559
<v Speaker 1>non urban sounds, they've bitched so much about SoundCloud and

1:10:25.640 --> 1:10:28.719
<v Speaker 1>Spotify whatever, and they've been left out. So the question

1:10:28.840 --> 1:10:32.720
<v Speaker 1>becomes when they, when their fans finally get on these platforms,

1:10:33.120 --> 1:10:35.400
<v Speaker 1>do these new genres have a comeback or is it

1:10:35.479 --> 1:10:38.840
<v Speaker 1>just forget it. I don't know the answer to that.

1:10:39.280 --> 1:10:42.000
<v Speaker 1>I don't even know. I think, uh, I don't think

1:10:42.080 --> 1:10:43.960
<v Speaker 1>urban's going anywhere, you know, I mean, I think it's

1:10:44.040 --> 1:10:46.960
<v Speaker 1>it's really there's a movement going on with her right now,

1:10:47.040 --> 1:10:49.240
<v Speaker 1>you know what I mean. But in your particular case,

1:10:49.600 --> 1:10:52.800
<v Speaker 1>Marshmallow was built outside the traditional thing. I mean, if

1:10:52.840 --> 1:10:54.639
<v Speaker 1>you if you were to sign with a major label.

1:10:55.000 --> 1:10:56.800
<v Speaker 1>What they would tell you is a couple of things.

1:10:56.840 --> 1:10:59.600
<v Speaker 1>Besides the relationship with streaming services. They would say, we

1:10:59.640 --> 1:11:02.280
<v Speaker 1>have related ship a terrestrial radio, and we have a

1:11:02.320 --> 1:11:05.840
<v Speaker 1>relationship with television in your a particular case. Both of

1:11:05.880 --> 1:11:08.479
<v Speaker 1>those are essentially prior to the recent working with Name

1:11:08.560 --> 1:11:13.320
<v Speaker 1>talent have been completely irrelevant to March Battle success. Okay,

1:11:13.680 --> 1:11:16.760
<v Speaker 1>and I would assume there hasn't been that much. But

1:11:16.880 --> 1:11:21.679
<v Speaker 1>mainstream press irrelevant too, Yeah, I mean, I think because

1:11:22.000 --> 1:11:25.040
<v Speaker 1>the amount of organic press that's happened, like there's no

1:11:25.280 --> 1:11:27.720
<v Speaker 1>kind of outlet that really we need, you know, I

1:11:27.720 --> 1:11:30.439
<v Speaker 1>mean like it's always been like, you know, he doesn't

1:11:30.439 --> 1:11:32.840
<v Speaker 1>do interviews to this day, he doesn't do interviews because

1:11:33.560 --> 1:11:35.760
<v Speaker 1>we don't need it. So is this one of a

1:11:35.880 --> 1:11:39.040
<v Speaker 1>kind or is this the new paradigm? No, I mean

1:11:39.080 --> 1:11:41.240
<v Speaker 1>I think, you know, I think there's a lot of

1:11:41.240 --> 1:11:43.760
<v Speaker 1>anomally like it's it's an anomaly in a sense of

1:11:43.800 --> 1:11:46.040
<v Speaker 1>how quickly and what it's done. But you know, I

1:11:46.040 --> 1:11:48.600
<v Speaker 1>think there's you know, there's potential for other artists that

1:11:48.640 --> 1:11:50.280
<v Speaker 1>pop up in the same well forgetting the fact that

1:11:50.280 --> 1:11:52.760
<v Speaker 1>he's unique in terms of the sound and the look etcetera.

1:11:53.240 --> 1:11:56.080
<v Speaker 1>With the target audience, which is basically under thirty five,

1:11:56.120 --> 1:12:00.320
<v Speaker 1>if not younger than that, do the old media really

1:12:00.320 --> 1:12:04.880
<v Speaker 1>not matter to that audience? Um, that's a good question.

1:12:05.320 --> 1:12:08.599
<v Speaker 1>I don't know. Okay, let's go to one other question.

1:12:08.600 --> 1:12:12.679
<v Speaker 1>To what degree and electronic music dates to what degree

1:12:12.680 --> 1:12:16.680
<v Speaker 1>are drugs an integral element of the show. I mean,

1:12:16.720 --> 1:12:18.960
<v Speaker 1>I think that's like a common misconception because I think

1:12:18.960 --> 1:12:21.960
<v Speaker 1>you go to Coachella, you see people doing drugs. You

1:12:21.960 --> 1:12:25.160
<v Speaker 1>go to any any festival, people do drugs, you know,

1:12:25.160 --> 1:12:27.160
<v Speaker 1>And I think it's just like anything else, you know.

1:12:27.200 --> 1:12:30.080
<v Speaker 1>I think, like trying music gets you know, the ship

1:12:30.120 --> 1:12:32.760
<v Speaker 1>and the sick of if one thing happens, it's, you know,

1:12:33.479 --> 1:12:36.360
<v Speaker 1>all hell breaks loose, you know, in in in the

1:12:36.360 --> 1:12:38.920
<v Speaker 1>eyes of the public. Um. But I think it's just

1:12:38.960 --> 1:12:41.080
<v Speaker 1>like anything else. You know, kids are experimenting, and kids

1:12:41.120 --> 1:12:42.920
<v Speaker 1>are doing what they want to do. They're being kids,

1:12:43.400 --> 1:12:44.680
<v Speaker 1>and they're gonna do ship, you know what I mean,

1:12:44.720 --> 1:12:48.040
<v Speaker 1>Like in for them, that's that's the way that they

1:12:48.080 --> 1:12:52.040
<v Speaker 1>experience that cut. Well, let's say if one went to

1:12:52.080 --> 1:12:55.080
<v Speaker 1>an act in the classic rock heyday, it would be

1:12:55.160 --> 1:12:57.760
<v Speaker 1>very much about the act on stage and bonding with

1:12:57.800 --> 1:13:00.800
<v Speaker 1>that act, Whereas when many shows you to today, never

1:13:00.800 --> 1:13:03.480
<v Speaker 1>mind the festivals, which are really like that, the audience

1:13:03.560 --> 1:13:06.080
<v Speaker 1>is the star and the audience is you know, shooting

1:13:06.080 --> 1:13:11.200
<v Speaker 1>selfies to be going on Instagram, etcetera. So when we're

1:13:11.240 --> 1:13:14.760
<v Speaker 1>at a Marshmallows show, if we took out the drugs

1:13:15.320 --> 1:13:16.920
<v Speaker 1>and we and I say, I'm not saying they're more

1:13:17.000 --> 1:13:19.240
<v Speaker 1>drugs in there on any other show, But to what

1:13:19.400 --> 1:13:23.160
<v Speaker 1>degree is it a scene that the people want to

1:13:23.320 --> 1:13:25.920
<v Speaker 1>be at and Marshmallow is just the juice? And to

1:13:26.000 --> 1:13:28.320
<v Speaker 1>what degree is oh I gotta go here in Marshmallow?

1:13:29.240 --> 1:13:31.400
<v Speaker 1>I think it's it's probably half and a half. You know.

1:13:31.439 --> 1:13:33.280
<v Speaker 1>I think there's there's always gonna be kids that want

1:13:33.280 --> 1:13:36.080
<v Speaker 1>to just be in that environment to do what they

1:13:36.080 --> 1:13:37.639
<v Speaker 1>want to do in a sense, you know what I mean.

1:13:37.960 --> 1:13:40.200
<v Speaker 1>And if that's doing drugs or you know whatever, then

1:13:40.320 --> 1:13:42.880
<v Speaker 1>you know they're gonna do it. Um. But then you know,

1:13:42.920 --> 1:13:46.080
<v Speaker 1>there's a good amount of core fans that just want

1:13:46.080 --> 1:13:47.600
<v Speaker 1>to be in that presidence and want to watch the

1:13:47.680 --> 1:13:49.880
<v Speaker 1>music and watch their performance and watch their favorite DJ,

1:13:50.720 --> 1:13:54.519
<v Speaker 1>you know, play his his music. Okay, so you're twenty seven,

1:13:54.560 --> 1:13:59.360
<v Speaker 1>what's the dream marching forward? You personally? Um, I think

1:13:59.360 --> 1:14:01.519
<v Speaker 1>it's know, I'm living it right now. You know, I couldn't.

1:14:01.560 --> 1:14:03.680
<v Speaker 1>I couldn't be happier with everything that's going on. And

1:14:03.720 --> 1:14:05.800
<v Speaker 1>you know, I never in a million years thought i'd be,

1:14:05.960 --> 1:14:08.160
<v Speaker 1>you know, in in the position I'm in, and you know,

1:14:08.200 --> 1:14:11.200
<v Speaker 1>it's all it's all been an amazing experience just learning

1:14:11.280 --> 1:14:13.439
<v Speaker 1>and growing and surrounding myself from people that I get

1:14:13.439 --> 1:14:15.400
<v Speaker 1>to learn from, and you know, just watching everything that's

1:14:15.400 --> 1:14:19.080
<v Speaker 1>going on in the landscape of music. Um, you know,

1:14:19.160 --> 1:14:23.520
<v Speaker 1>so to be honest, it just keep going. Okay, Marshmallow,

1:14:24.120 --> 1:14:27.720
<v Speaker 1>you conceived of with the act and it's you know,

1:14:28.320 --> 1:14:30.800
<v Speaker 1>it's almost back to Iron Maiden where they have Eddie,

1:14:30.800 --> 1:14:33.800
<v Speaker 1>which is bigger than you know, the Faceless Act. And

1:14:34.840 --> 1:14:38.280
<v Speaker 1>is this a replicable thing or no, we didn't once

1:14:38.600 --> 1:14:41.240
<v Speaker 1>move on to something else. I think, Uh, I think

1:14:41.240 --> 1:14:43.320
<v Speaker 1>it's harder to breaking artists now than ever, you know

1:14:43.320 --> 1:14:45.960
<v Speaker 1>what I mean. And I think the tools and kind

1:14:46.000 --> 1:14:48.080
<v Speaker 1>of the you know, the things we had three years

1:14:48.080 --> 1:14:52.120
<v Speaker 1>ago or not are not as It's not as easy

1:14:52.280 --> 1:14:54.960
<v Speaker 1>as it was then, I mean. And like again, like

1:14:55.000 --> 1:14:57.639
<v Speaker 1>I think SoundCloud was a huge pardon in marshall success

1:14:57.680 --> 1:15:00.000
<v Speaker 1>and a lot of my artist success and like SoundCloud

1:15:00.040 --> 1:15:04.600
<v Speaker 1>now is has become you know, kind of not irrelevant,

1:15:04.640 --> 1:15:08.960
<v Speaker 1>but it's become like moribund, right, So it's like things

1:15:09.000 --> 1:15:11.160
<v Speaker 1>like that where um, then you have to play the

1:15:11.160 --> 1:15:13.080
<v Speaker 1>politics of the DSPs, you know what I mean. If

1:15:13.120 --> 1:15:16.439
<v Speaker 1>you do something with Spotify, then you know someone you know,

1:15:16.600 --> 1:15:19.400
<v Speaker 1>you're upsetting another partner and then vice versa, and it's

1:15:19.439 --> 1:15:21.519
<v Speaker 1>just like there's a lot more politics that you have

1:15:21.600 --> 1:15:24.080
<v Speaker 1>to play with, and you know, artists have to go

1:15:24.200 --> 1:15:26.559
<v Speaker 1>through the hoops in a sense. Sometimes, since we're talking

1:15:26.600 --> 1:15:30.520
<v Speaker 1>about DSPs, to what degree with Marshmallow, is Amazon important?

1:15:31.439 --> 1:15:33.160
<v Speaker 1>To be honest, we haven't really done anything with Amazon,

1:15:33.880 --> 1:15:36.040
<v Speaker 1>because it's interesting. I mean it's like Garth Brooks is

1:15:36.080 --> 1:15:38.920
<v Speaker 1>only on Amazon, and you know, you talk to the

1:15:38.960 --> 1:15:41.439
<v Speaker 1>manager and say why on all these other services? Then

1:15:41.479 --> 1:15:43.760
<v Speaker 1>they start talking about what Amazon did for them and

1:15:44.040 --> 1:15:45.880
<v Speaker 1>the number of streams they got an Amazon go, hey,

1:15:45.880 --> 1:15:48.240
<v Speaker 1>it might be working for that, right And when you

1:15:48.240 --> 1:15:51.440
<v Speaker 1>sit with the people from Amazon, who were anything but pompous,

1:15:51.680 --> 1:15:56.280
<v Speaker 1>you know, they talk about opportunities. It's it's an interesting thing. So, Okay,

1:15:56.439 --> 1:15:58.920
<v Speaker 1>if you were to view yourself ten years out, you

1:15:59.000 --> 1:16:00.840
<v Speaker 1>view yourself as a me the juror I mean, because

1:16:00.840 --> 1:16:02.360
<v Speaker 1>you've had a lot of history with a lot of things.

1:16:02.600 --> 1:16:05.680
<v Speaker 1>You've been a hustler with DJ's promoter, you've been a

1:16:05.680 --> 1:16:08.679
<v Speaker 1>rep for HP, I mean a lot of people. David

1:16:08.680 --> 1:16:12.200
<v Speaker 1>Geffen started out as a manager. Although he certainly manages people,

1:16:12.240 --> 1:16:15.280
<v Speaker 1>at this point in time, that would not be his job. Okay,

1:16:15.479 --> 1:16:17.200
<v Speaker 1>do you have any vision of where you would like

1:16:17.240 --> 1:16:19.439
<v Speaker 1>to be or you just saying I'm here now, I'm

1:16:19.479 --> 1:16:21.880
<v Speaker 1>seeing what's coming over the transom. I mean, I think

1:16:21.880 --> 1:16:24.760
<v Speaker 1>it's I love, you know, I love my job as

1:16:24.760 --> 1:16:26.320
<v Speaker 1>a manager, you know, I mean, I love I love

1:16:26.400 --> 1:16:28.080
<v Speaker 1>doing what I do. I love waking up every morning

1:16:28.080 --> 1:16:31.280
<v Speaker 1>wondering how I could, you know, make an artist footprint

1:16:31.280 --> 1:16:33.880
<v Speaker 1>even bigger? Um? And how do you keep this going?

1:16:33.920 --> 1:16:36.200
<v Speaker 1>You know what I mean? I think that's the challenge,

1:16:36.240 --> 1:16:38.559
<v Speaker 1>and you know, unfortunately it's also kind of like a curse,

1:16:38.640 --> 1:16:40.280
<v Speaker 1>like I can't you never stop working, you know what

1:16:40.320 --> 1:16:42.200
<v Speaker 1>I mean? Okay, So that's so there's seven days in

1:16:42.240 --> 1:16:47.960
<v Speaker 1>a week. You ever take time off? Never have a girlfriend? Uh? Yeah, okay,

1:16:47.960 --> 1:16:50.360
<v Speaker 1>So how does she cope with this? Uh? She comes

1:16:50.360 --> 1:16:53.479
<v Speaker 1>second to my other boyfriends. And so if if you

1:16:53.479 --> 1:16:55.559
<v Speaker 1>were listening to this right now, she would say, yeah,

1:16:55.600 --> 1:16:58.799
<v Speaker 1>that's it, and I own that. Yeah she knows. Okay,

1:16:59.240 --> 1:17:02.400
<v Speaker 1>I mean it's a curse. But it's also like I

1:17:02.479 --> 1:17:03.920
<v Speaker 1>love what I do, you know, and you're riding the

1:17:03.920 --> 1:17:07.160
<v Speaker 1>wave right now. Yeah, And it's like every missed opportunity,

1:17:07.200 --> 1:17:09.519
<v Speaker 1>I feel like if I'm not on it, I'm missing

1:17:09.520 --> 1:17:11.040
<v Speaker 1>an opportunity, you know what I mean. If I'm not

1:17:11.800 --> 1:17:14.280
<v Speaker 1>you know, out there networking or doing what I need

1:17:14.320 --> 1:17:16.479
<v Speaker 1>to do, I feel like I'm not doing, you know,

1:17:16.560 --> 1:17:20.080
<v Speaker 1>my job as a manager. And and to degree, you

1:17:20.200 --> 1:17:23.280
<v Speaker 1>have an office. Are you in the red light office? Okay?

1:17:23.360 --> 1:17:26.160
<v Speaker 1>So how often are you in that office? Um? Maybe

1:17:26.160 --> 1:17:28.640
<v Speaker 1>like once a week okay? And where are you the

1:17:28.640 --> 1:17:30.040
<v Speaker 1>rest of the time. The rest of the time, I'm

1:17:30.640 --> 1:17:32.360
<v Speaker 1>you know, I have a home office too, Um, so

1:17:32.400 --> 1:17:34.479
<v Speaker 1>I have my staff come there sometimes. But I also

1:17:34.760 --> 1:17:37.519
<v Speaker 1>I am always just on the meeting after meeting after meeting,

1:17:37.600 --> 1:17:40.400
<v Speaker 1>so more so in my car just driving around. Okay,

1:17:40.400 --> 1:17:42.880
<v Speaker 1>you've been listening to Motional Easy. If your head is

1:17:42.880 --> 1:17:45.920
<v Speaker 1>not spinning, you didn't pay attention. This is the New

1:17:45.960 --> 1:17:48.920
<v Speaker 1>World with a young guy, incredible success. The whole bit

1:17:48.920 --> 1:17:51.000
<v Speaker 1>about the daily YouTube I'm thinking about. You know, I

1:17:51.040 --> 1:17:53.400
<v Speaker 1>was there when that happened. We batted around ideas, but

1:17:53.439 --> 1:17:55.080
<v Speaker 1>I'm sitting here right now, go God, what am I

1:17:55.120 --> 1:17:58.280
<v Speaker 1>doing wrong? So thanks for helping me. Until next time,

1:17:58.560 --> 1:18:06.400
<v Speaker 1>It's Motional Easy. I'm a Bob Left Sets podcast. That

1:18:06.439 --> 1:18:08.679
<v Speaker 1>wraps up this week's episode of the Bob Left Sets

1:18:08.760 --> 1:18:11.400
<v Speaker 1>Podcast with both chel eis my head is spinning, I

1:18:11.479 --> 1:18:14.280
<v Speaker 1>feel inadequate and I'm decades older than bo. I Gotta

1:18:14.280 --> 1:18:17.400
<v Speaker 1>go home and contemplate my future. As always, you can

1:18:17.479 --> 1:18:20.160
<v Speaker 1>give me feedback on the conversation reached me at Bob

1:18:20.160 --> 1:18:22.559
<v Speaker 1>at left sets dot com. I hope you enjoyed this

1:18:22.640 --> 1:18:40.560
<v Speaker 1>podcast as much as I do.