WEBVTT - TechStuff Counts Some Number Stations

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technology with

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<v Speaker 1>tech stuff from how stuff works dot com. Hello, and

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<v Speaker 1>welcome to tex Stuff. My name is Chris Poulette and

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<v Speaker 1>I am an editor at how stuff works dot com.

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<v Speaker 1>Sitting across from me, as usual, is senior writer Jonathan Strickland.

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<v Speaker 1>The Secret Service holds much that has kept secret, even

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<v Speaker 1>from very senior officers in the organization. Creepy for So,

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<v Speaker 1>the topic we're covering is a numbers stations, which actually

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<v Speaker 1>comes to us courtesy of some feedback we received on Facebook, which, unfortunately,

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<v Speaker 1>due to my computer being silly right now, I cannot

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<v Speaker 1>pull up. However, this is Facebook feedback asking us to

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<v Speaker 1>cover numbers stations, and you may under, oh my, Drew Geese,

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<v Speaker 1>what a number of stations is? Things being so scory

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<v Speaker 1>and people being quick to forget. That's that's like a

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<v Speaker 1>double reference right there, since I throw in some clockwork orange.

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<v Speaker 1>So here's what a number station is. It is a

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<v Speaker 1>radio station using shortwave radio that blasts out a transmission,

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<v Speaker 1>usually at a very regular interval, that normally has some

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<v Speaker 1>sort of tone or even music to it. Followed by

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<v Speaker 1>a series of numbers spoken in sort of a semi

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<v Speaker 1>monotone voice, sometimes an automated voice, in fact, very often

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<v Speaker 1>an automated voice. And it's just a seemingly random string

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<v Speaker 1>of numbers that have no particular context or meaning to them,

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<v Speaker 1>and it has created quite a kind of a well

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<v Speaker 1>a hobbyist dream come true really for people who like mysteries,

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<v Speaker 1>because there's no official explanation as to what these stations

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<v Speaker 1>are and why why these numbers are being broadcast. Here's

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<v Speaker 1>what we know. No, I'm kidding. Now, let's go to

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<v Speaker 1>what we can speculate on. Um. We do know that

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<v Speaker 1>official governments have there there's no official government that has

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<v Speaker 1>spoken up and said, oh, yeah, we did that. Yeah.

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<v Speaker 1>The closest was a Czechoslovakian official who acknowledge receipt of

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<v Speaker 1>a message about numbers stations, but did not It did

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<v Speaker 1>not go so far as to actually say what the

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<v Speaker 1>number station was, what it was for. It essentially was

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<v Speaker 1>just that I got your message. That was pretty much it.

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<v Speaker 1>The check is in the mail. There you go. But gosh,

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<v Speaker 1>I can't believe you were waiting an entire time for

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<v Speaker 1>me to shut up. So you can use that however, Uh,

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<v Speaker 1>there are fewer now than their word during the Cold War. Yeah,

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<v Speaker 1>and they started the height of they started appearing during

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<v Speaker 1>the World wars. So World War One, Yeah, not not.

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<v Speaker 1>You know, this is the early part of the earlier

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<v Speaker 1>part of the twentieth century. Yeah, the first first couple

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<v Speaker 1>of decades of the twentieth century. That's when they start

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<v Speaker 1>popping up. So let's talk a little bit about about

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<v Speaker 1>why a number station is even possible before we get

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<v Speaker 1>into what they were and what they sound like and

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<v Speaker 1>all that kind of stuff. So first, they are short

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<v Speaker 1>wave radio, which we have talked about on a previous

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<v Speaker 1>podcast many many years ago. Yeah, we'll do a quick

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<v Speaker 1>we'll do a quick refresher course. So technically, a short

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<v Speaker 1>wave is a is a radio wave with a wavelength

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<v Speaker 1>shorter than two hundred meters. Two meters wavelength would have

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<v Speaker 1>a frequency of around hurts uh, and it's typically these

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<v Speaker 1>these radio waves are used to broadcast voice and music,

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<v Speaker 1>but also for a long distance communication. The reason that

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<v Speaker 1>you can have long distance communication is that these wavelengths

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<v Speaker 1>are at sort of a sweet spot when it comes

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<v Speaker 1>to the way the earth works. So the Earth has

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<v Speaker 1>the honest sphere you know that surrounds it, binds it

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<v Speaker 1>and penetrates it. No, I hoes sphere just surrounds the Earth.

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<v Speaker 1>And if you were to aim a short wave radio

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<v Speaker 1>frequency at the ionosphere, uh, the ionosphere would refract that

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<v Speaker 1>frequency and it would beam back down to Earth. So

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<v Speaker 1>by bouncing it effectively off the ionosphere, you can send

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<v Speaker 1>a radio signal much further than you could if it

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<v Speaker 1>were to just broadcast out and radiate out from a towery.

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<v Speaker 1>So with this in mind, with this long distance communication ability,

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<v Speaker 1>it has opened up opportunities for lots of different applications. Uh.

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<v Speaker 1>And you know you'll hear about amateur radio enthusiasts who

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<v Speaker 1>will just they'll they'll use their their radios to dial

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<v Speaker 1>in and listen to the various broadcasts that go out there.

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<v Speaker 1>And that's really how number stations were discovered. It was

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<v Speaker 1>mainly hobbyists who as they were scanning the different bands

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<v Speaker 1>and list thing to what was out there, they were

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<v Speaker 1>coming across these very odd sort of transmissions. And um,

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<v Speaker 1>before I get too far, I should say the whole

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<v Speaker 1>refraction by the ionosphere. There's a specific name for that

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<v Speaker 1>kind of transmission that I love. I love this term

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<v Speaker 1>skywave propagation. It's a cool term, right, So yeah, you've

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<v Speaker 1>got these hobbiests who are listening in and they would

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<v Speaker 1>come across a very unusual and frankly pretty creepy kind

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<v Speaker 1>of transmission in some cases. And uh, I think we

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<v Speaker 1>even have an example that we can listen to. So

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<v Speaker 1>let's let's take a quick listen to what a typical

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<v Speaker 1>number station might sound like if you were to tune

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<v Speaker 1>in on a short wave radio. One h kind of

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<v Speaker 1>gets you right here, don if by the by right

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<v Speaker 1>here you mean now I'm looking over my shoulder and

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<v Speaker 1>waiting for someone to break into the room. Yeah, that's

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<v Speaker 1>pretty much what I'm thinking. There is something particularly creepy

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<v Speaker 1>about hearing kind of a and almost and almost like

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<v Speaker 1>a harmonic. It sounds like there's been some harmonic supplied

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<v Speaker 1>in some cases, like it's an automated voice or whatever,

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<v Speaker 1>but hearing something like that monotone just delivering number after

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<v Speaker 1>number and then they really repetitious music that was used

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<v Speaker 1>to introduce these So what could these be? And there

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<v Speaker 1>have been a lot of people who have suggested what

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<v Speaker 1>number stations might be all about, um, you know, everything

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<v Speaker 1>from it could just be uh stuff for people who

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<v Speaker 1>are surveying areas for for cartography and that kind of thing.

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<v Speaker 1>But it doesn't seem likely no one is taking credit

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<v Speaker 1>for it, not at all, so that that's our cartography channel.

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<v Speaker 1>That has led to, uh to some not so much

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<v Speaker 1>conspiracy theories. It really does boil down to, well, if

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<v Speaker 1>you're just broadcasting numbers with no other context, what could

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<v Speaker 1>you possibly be doing that for. And one of the

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<v Speaker 1>explanations is that it's a a way to communicate two

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<v Speaker 1>spies to undercover operatives who might be uh invested in

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<v Speaker 1>some foreign country, perhaps one that is unfriendly to the

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<v Speaker 1>the the country of origin and so there. And when

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<v Speaker 1>we say there's number stations, there are number of stations

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<v Speaker 1>all over the world, and they're broadcasting pretty much all

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<v Speaker 1>the languages that you might expect. They would be in

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<v Speaker 1>the major languages of the world. So it's not just that,

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<v Speaker 1>you know, it's not just one country that's doing this.

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<v Speaker 1>There there's multiple countries that are doing it. And uh

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<v Speaker 1>so the the speculation is that this is these are

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<v Speaker 1>messages they're sent to government spies, uh and these you know,

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<v Speaker 1>the governments aren't admitting to it for for pretty understandable reasons.

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<v Speaker 1>I would say, well, if you or any of your

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<v Speaker 1>team is captured, the government will disavow any knowledge of

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<v Speaker 1>this operations. Message will self destructed fifteen seconds. The So

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<v Speaker 1>these messages, the numbers those that's a code, it's an

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<v Speaker 1>it's encoded message. Form of cryptography that is called the

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<v Speaker 1>the the one pad note yeah, or or one time

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<v Speaker 1>pad yeah. Um yeah. I'm interested in cryptography, uh and

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<v Speaker 1>have been reading about it for many years. And this

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<v Speaker 1>is not exactly a new thing. It doesn't even require

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<v Speaker 1>the use of a computer. I mean, we talked about

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<v Speaker 1>cryptography on many podcasts at different levels. Um and we

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<v Speaker 1>even got into quantum cryptography, which is supposedly unbreakable, although

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<v Speaker 1>I've seen reports recently that it may not necessarily be unbreakable. Well,

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<v Speaker 1>one time pads are technically unbreakable if you follow the

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<v Speaker 1>right procedure right because basically, um and they were called

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<v Speaker 1>pads because at one time they were and probably still

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<v Speaker 1>are a pad. So this pad is generated like a

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<v Speaker 1>pad of paper. You uh write down your message and

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<v Speaker 1>encode it on this paper using the tool um And

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<v Speaker 1>it's a one time thing. And there's a part of

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<v Speaker 1>the key is embedded in the message, so that tells

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<v Speaker 1>the recipient use page. Let's just go for a reference here,

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<v Speaker 1>use page sixteen of your pad, and that way, you know,

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<v Speaker 1>you write down the message in the pad that you

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<v Speaker 1>can decode it on that page and and that then

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<v Speaker 1>becomes useless. You can't use it again. Yeah, you then

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<v Speaker 1>destroy that page. So here's here's how here's how it works.

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<v Speaker 1>Let's say that I want to send a message to Chris,

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<v Speaker 1>and I want to use this this one time pad method.

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<v Speaker 1>All right, So we would each have a pad that

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<v Speaker 1>would have a string of random letters across each line,

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<v Speaker 1>all right, And let's say we group them in in

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<v Speaker 1>groups of five, because that's pretty common, that's four or five.

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<v Speaker 1>So we'll say we have groups of five letters. And

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<v Speaker 1>these letters are truly random in that we've had some

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<v Speaker 1>sort of well as close to truly random as we

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<v Speaker 1>can get. We've had some sort of random number generator

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<v Speaker 1>that has picked random letters, and it's just that we

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<v Speaker 1>each have a copy of that output. So Chris's string

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<v Speaker 1>of random letters is the same as my string of

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<v Speaker 1>random letters. And then I write down my message in

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<v Speaker 1>normal text, and I write my normal letters above the

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<v Speaker 1>letters of the that's that's in the key. Then I

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<v Speaker 1>convert my letters into numbers. So let's say that an

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<v Speaker 1>A equals zero, and a B equals one, and a

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<v Speaker 1>C equals Three's not going to take them very long

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<v Speaker 1>to pick this one apart. No, it's going to take

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<v Speaker 1>them a long time because here's the here's the that

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<v Speaker 1>that's just that. All that is is just as just

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<v Speaker 1>a simple substitution cipher. Right, But here's the tricky part.

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<v Speaker 1>So then I take my key, all right, and I

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<v Speaker 1>convert all of those letters to numbers. That's when it

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<v Speaker 1>gets harder. And then I add the two numbers together,

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<v Speaker 1>all right, So I add the I add the number

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<v Speaker 1>from my first letter. So let's say that my first

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<v Speaker 1>letter is H, because I write, hey there, Chris, I

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<v Speaker 1>take the number from H. Yeah really, why not? Alright?

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<v Speaker 1>You know, hey there Chris, there's a rusky on your tail.

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<v Speaker 1>That's that's my message. So H is because I'm going

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<v Speaker 1>back to the Cold War. So so H. We would

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<v Speaker 1>convert H to a number, and then we look at

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<v Speaker 1>the first letter in the key. Let's say that the

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<v Speaker 1>first letter in the key is an M. Well, that

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<v Speaker 1>M is going to have its own number of value.

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<v Speaker 1>We add the H and the M values together and

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<v Speaker 1>then we convert that into a new letter. So if

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<v Speaker 1>it's anything up to if we if A is zero,

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<v Speaker 1>if it's anything up to twenty five, then that's the

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<v Speaker 1>letter that we would pick. If it's over twenty five,

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<v Speaker 1>then we just use number twenty six counts a zero again,

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<v Speaker 1>so the number twenty would be an A, twenty seven

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<v Speaker 1>would be a B, twenty eight would be a C.

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<v Speaker 1>So we go up there and we we put in

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<v Speaker 1>whatever the substitute letter will be. Well, the only way

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<v Speaker 1>to know what the original letter is is if you

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<v Speaker 1>have that one time pad in front of you where

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<v Speaker 1>you take the value of the letter that is uh

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<v Speaker 1>that the represented letter, the ciphered letter. You subtract the

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<v Speaker 1>value of the key from the ciphered letter, and that

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<v Speaker 1>gives you the value of the original letter, and then

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<v Speaker 1>you can convert that into the original letter. So the

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<v Speaker 1>process of coding and decoding is pretty painstaking because you

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<v Speaker 1>know you have to you have to convert all the

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<v Speaker 1>letters to values, add and then make new letters. But

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<v Speaker 1>the nice thing is is that because as long as

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<v Speaker 1>you keep that that string of letters that acts as

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<v Speaker 1>your key truly random, and that you don't repeat letters,

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<v Speaker 1>so that you don't or you don't repeat strings, like

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<v Speaker 1>you don't go to the end of a page and

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<v Speaker 1>and start at the top again. As long as you

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<v Speaker 1>avoid that, it is impossible to crack that without without

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<v Speaker 1>getting possession of one of those pads. So that's where

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<v Speaker 1>we talk about if you follow this correctly, it is

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<v Speaker 1>unbreakable the correctly. By correctly we mean you you have

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<v Speaker 1>truly random string for your key. You do not repeat

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<v Speaker 1>the key, and you do not let the key fall

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<v Speaker 1>into the wrong hands. As long as that happens, it

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<v Speaker 1>is unbreakable. So it's kind of like when we talked

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<v Speaker 1>about the the various ways of ciphering. You know, there

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<v Speaker 1>always seems to be some way to crack the code.

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<v Speaker 1>In this case, unless you have physical possession of the

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<v Speaker 1>pad or if someone uses a key that repeats, it's

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<v Speaker 1>just not practical. So that's that's the basis for the

0:13:52.160 --> 0:13:56.959
<v Speaker 1>secret messages. Um, what those secret messages are we can't say,

0:13:57.080 --> 0:13:59.720
<v Speaker 1>because again, unless someone gets hold of one of those

0:13:59.760 --> 0:14:04.320
<v Speaker 1>paths adds, then it is it's just meaningless numbers. I mean,

0:14:04.360 --> 0:14:06.839
<v Speaker 1>you could convert those two letters, but all that's going

0:14:06.840 --> 0:14:09.880
<v Speaker 1>to do is give you the product of those those

0:14:09.920 --> 0:14:13.480
<v Speaker 1>two that like the original message and the key. Without

0:14:13.520 --> 0:14:17.960
<v Speaker 1>having the key, you can't figure out what the original messages. Now. Um,

0:14:18.000 --> 0:14:22.360
<v Speaker 1>it is likely too that the uh, well we talked

0:14:22.360 --> 0:14:26.840
<v Speaker 1>about that in the Enigma machine, how the German codes

0:14:27.160 --> 0:14:29.680
<v Speaker 1>during World War Two were broken down into those um

0:14:30.000 --> 0:14:35.280
<v Speaker 1>five letter combinations, um as an added layer of security.

0:14:35.320 --> 0:14:39.600
<v Speaker 1>These these combinations stand in for other words too, So

0:14:39.680 --> 0:14:42.840
<v Speaker 1>it is possible that you know, even if you did

0:14:43.160 --> 0:14:44.920
<v Speaker 1>break the code, you would also have to have the

0:14:44.960 --> 0:14:51.680
<v Speaker 1>book that explains what these these letter combinations mean. But um, so, well,

0:14:51.720 --> 0:14:53.760
<v Speaker 1>that's what I'm saying. If if you for some reason,

0:14:53.800 --> 0:14:57.720
<v Speaker 1>if you may right, or if they use a repeating key,

0:14:57.760 --> 0:15:00.680
<v Speaker 1>because if they use a repeating key, then it would

0:15:00.720 --> 0:15:03.000
<v Speaker 1>take a lot of an you would have to analyze

0:15:03.080 --> 0:15:05.560
<v Speaker 1>the heck out of the message, but you could potentially

0:15:05.600 --> 0:15:09.280
<v Speaker 1>start detecting patterns. Well that's what broke the enigmac Yeah, exactly,

0:15:09.280 --> 0:15:11.720
<v Speaker 1>because they were they got lazy, lazy, and they started

0:15:11.760 --> 0:15:14.400
<v Speaker 1>using repeating keys as opposed to using a key that

0:15:14.480 --> 0:15:16.760
<v Speaker 1>just doesn't repeat, which would have been impossible to crack.

0:15:16.920 --> 0:15:20.680
<v Speaker 1>So it's just an added layer of security. That's that

0:15:20.840 --> 0:15:23.120
<v Speaker 1>just makes it much more difficult. So they do these

0:15:23.160 --> 0:15:28.080
<v Speaker 1>repetitions over and over again. Um, and it's. Uh. The

0:15:28.080 --> 0:15:31.120
<v Speaker 1>thing is, the the tone and the style of the

0:15:31.160 --> 0:15:35.000
<v Speaker 1>broadcasts is really really creepy, especially when you add that

0:15:35.120 --> 0:15:38.880
<v Speaker 1>spy layer in your head to it. You start going,

0:15:39.000 --> 0:15:42.240
<v Speaker 1>this message is not intended for me, and and somebody

0:15:42.240 --> 0:15:45.760
<v Speaker 1>could be doing something. You know, I could be listening, well,

0:15:45.800 --> 0:15:47.920
<v Speaker 1>this is what I think, you know, I'm you know,

0:15:47.960 --> 0:15:49.640
<v Speaker 1>listening to it, going I could be listening to a

0:15:49.680 --> 0:15:52.760
<v Speaker 1>message that tells somebody to kill somebody else, right, this

0:15:52.800 --> 0:15:55.640
<v Speaker 1>could be a message saying to like and then think

0:15:55.720 --> 0:15:58.800
<v Speaker 1>about this. You hear those messages and then maybe a

0:15:58.880 --> 0:16:02.360
<v Speaker 1>week later, you hear about some massive political event that

0:16:02.400 --> 0:16:04.880
<v Speaker 1>takes place in the country, and you think, is there

0:16:04.920 --> 0:16:07.320
<v Speaker 1>any connection to what I heard and what just happened?

0:16:07.720 --> 0:16:12.440
<v Speaker 1>Is what I heard? Was that? Was that a essentially

0:16:12.480 --> 0:16:16.040
<v Speaker 1>a prediction for what actually unfolded? And yeah, it's it's

0:16:16.120 --> 0:16:19.040
<v Speaker 1>kind of I mean, it is definitely creepy. And um,

0:16:19.560 --> 0:16:22.600
<v Speaker 1>there are a lot of really cool names for these

0:16:22.760 --> 0:16:26.200
<v Speaker 1>various broadcasts, some of which are named after the music

0:16:26.280 --> 0:16:29.520
<v Speaker 1>that they use. Yeah, and again, Um, in some cases

0:16:30.560 --> 0:16:33.400
<v Speaker 1>you could kind of some of them the station's sort

0:16:33.400 --> 0:16:36.920
<v Speaker 1>of semi identify themselves and others I think are given

0:16:37.080 --> 0:16:39.800
<v Speaker 1>sort of like kind of stars, you know, or viruses.

0:16:39.920 --> 0:16:43.800
<v Speaker 1>They're given the names of their discoverers want to name them. Yeah,

0:16:43.960 --> 0:16:46.960
<v Speaker 1>so there's um, there's One of the famous ones is

0:16:47.000 --> 0:16:51.560
<v Speaker 1>the Lincolnshire Poacher. Yeah, which was was featured not too

0:16:51.600 --> 0:16:53.760
<v Speaker 1>long ago as of the recording of this podcast on

0:16:53.800 --> 0:16:57.480
<v Speaker 1>another podcast called The Skeptics Guide to the Universe, they

0:16:57.520 --> 0:17:01.520
<v Speaker 1>have a little feature where it's called Who's that Noisy?

0:17:01.840 --> 0:17:04.280
<v Speaker 1>And they which which is named after one of the

0:17:04.400 --> 0:17:06.520
<v Speaker 1>one of the hosts has a daughter who would say

0:17:06.520 --> 0:17:10.600
<v Speaker 1>who's that noisy? As in what's making that noise? So anyway,

0:17:10.600 --> 0:17:12.960
<v Speaker 1>Who's that noisy is the name of the segment where

0:17:13.000 --> 0:17:16.360
<v Speaker 1>they'll play a sound file and it's the listener's job

0:17:16.440 --> 0:17:18.359
<v Speaker 1>to try and figure out what that sound file is.

0:17:18.560 --> 0:17:23.240
<v Speaker 1>And they played the little musical uh prelude that would

0:17:23.320 --> 0:17:27.320
<v Speaker 1>happen before the numbers broadcast on the number station Lincolnshire

0:17:27.400 --> 0:17:30.160
<v Speaker 1>Poacher Do do Do Do Do Do Do Do Do

0:17:30.160 --> 0:17:33.400
<v Speaker 1>Do Do Do do doo And it's really creepy when

0:17:33.400 --> 0:17:37.160
<v Speaker 1>you hear it over and over again. Um And anyway,

0:17:37.400 --> 0:17:42.919
<v Speaker 1>that particular broadcast has been linked to Cyprus, to the

0:17:43.040 --> 0:17:46.400
<v Speaker 1>Royal Air Force Base on Cyprus and is believed, though

0:17:46.440 --> 0:17:48.920
<v Speaker 1>there's no proof because there's no one actually coming out

0:17:48.920 --> 0:17:51.600
<v Speaker 1>and saying this is true, that it was operated by

0:17:51.680 --> 0:17:55.680
<v Speaker 1>the British Secret Intelligence Service out of Cyprus. Now that

0:17:55.800 --> 0:17:59.840
<v Speaker 1>particular station is no longer active. I think it stopped

0:18:00.000 --> 0:18:03.200
<v Speaker 1>podcasting in neither two thousand or two thousand nine. But

0:18:03.280 --> 0:18:06.919
<v Speaker 1>there are a few others that also were pretty famous.

0:18:07.200 --> 0:18:10.800
<v Speaker 1>Cherry Ripe. There's the song Cherry Ripe, another British folk song,

0:18:11.240 --> 0:18:14.919
<v Speaker 1>which was a station somewhere in Australia or Australia if

0:18:14.920 --> 0:18:19.600
<v Speaker 1>you prefer. There's Swedish Rhapsody, which is possibly the creepiest

0:18:19.600 --> 0:18:22.320
<v Speaker 1>thing I have ever heard in my life, which is

0:18:22.359 --> 0:18:27.520
<v Speaker 1>a there's a Glockenshfield it's playing and a ace. The

0:18:27.600 --> 0:18:31.760
<v Speaker 1>voice is clearly that of a female child reading out

0:18:31.840 --> 0:18:35.840
<v Speaker 1>numbers in Germany, and you just hear this glockenspield play

0:18:35.920 --> 0:18:38.480
<v Speaker 1>and then this little girl reading out numbers in German,

0:18:38.560 --> 0:18:41.680
<v Speaker 1>and it is you can't help but feel a deep

0:18:41.720 --> 0:18:45.680
<v Speaker 1>sense of foreboding. But then there's also other ones called

0:18:45.720 --> 0:18:51.040
<v Speaker 1>like the Mad Violinist and the Boardman, because apparently it's

0:18:51.119 --> 0:19:03.280
<v Speaker 1>just for two seven eight that that's kind of how

0:19:03.320 --> 0:19:05.800
<v Speaker 1>I would be like like day one, I'd be all creepy,

0:19:05.840 --> 0:19:08.480
<v Speaker 1>and day two I'd be you know, less creepy. Day three,

0:19:08.520 --> 0:19:16.520
<v Speaker 1>I just be like three six. What am I gonna

0:19:16.520 --> 0:19:21.200
<v Speaker 1>have for dinner tonight? For I gotta pick up the

0:19:21.280 --> 0:19:25.080
<v Speaker 1>drug leading to read the message you're not getting anything

0:19:25.080 --> 0:19:28.560
<v Speaker 1>for dinner. Um. Yeah, there are There are a number

0:19:28.600 --> 0:19:32.120
<v Speaker 1>of places number um where you can if you don't

0:19:32.160 --> 0:19:34.680
<v Speaker 1>happen to have a short wave radio, where you can

0:19:34.840 --> 0:19:39.399
<v Speaker 1>pick up on these. Um. The Internet Archive, of course,

0:19:41.000 --> 0:19:45.879
<v Speaker 1>which collects all sorts of strange and esoteric things. Um.

0:19:45.920 --> 0:19:48.080
<v Speaker 1>There are many many recordings that you can listen to

0:19:48.119 --> 0:19:52.680
<v Speaker 1>on there. And actually the first place that I encountered

0:19:52.720 --> 0:19:55.600
<v Speaker 1>these was in an article in Wired magazine, which I

0:19:55.640 --> 0:19:59.560
<v Speaker 1>went back and revisited UM for for this, and they

0:19:59.560 --> 0:20:05.280
<v Speaker 1>were categorizing this Russian station UVB seventy six, which had

0:20:05.320 --> 0:20:08.399
<v Speaker 1>been broadcasting essentially the same thing for many, many years

0:20:08.560 --> 0:20:13.280
<v Speaker 1>until one day it stopped and then started again, and

0:20:13.280 --> 0:20:15.919
<v Speaker 1>then stopped again, and then you could hear so it

0:20:15.960 --> 0:20:19.720
<v Speaker 1>sounded like somebody in the room with the microphone, uh,

0:20:19.760 --> 0:20:24.320
<v Speaker 1>you know, just you know, too creepy stuffling stuff and

0:20:24.840 --> 0:20:28.080
<v Speaker 1>banging around, and then it started broadcasting something else and

0:20:28.080 --> 0:20:32.560
<v Speaker 1>and they changed the call numbers at the station to

0:20:32.640 --> 0:20:34.760
<v Speaker 1>something entirely different. It makes me wonder if the guy

0:20:34.800 --> 0:20:37.400
<v Speaker 1>was just asking for toilet paper and it finally arrived

0:20:37.440 --> 0:20:41.679
<v Speaker 1>and he was like, now blue jeans blue. Well, you

0:20:41.720 --> 0:20:45.240
<v Speaker 1>can you can still listen to this at UVB dash

0:20:45.320 --> 0:20:48.399
<v Speaker 1>seven six dot net and you can go and visit

0:20:48.920 --> 0:20:51.680
<v Speaker 1>that website and they will tell you. The enthusiasts who

0:20:51.760 --> 0:20:55.879
<v Speaker 1>keep track of these things will will share information about

0:20:55.880 --> 0:21:00.600
<v Speaker 1>the station and what it changed to. But very very weird. U. Well.

0:21:00.680 --> 0:21:02.199
<v Speaker 1>I think is funny is that a lot of the

0:21:02.240 --> 0:21:05.679
<v Speaker 1>people who are following numbers stations, who really have a

0:21:05.720 --> 0:21:09.639
<v Speaker 1>passion for listening to them and finding them on on

0:21:09.720 --> 0:21:13.880
<v Speaker 1>shortwave radio, they don't want to have the mystery solved

0:21:14.080 --> 0:21:16.400
<v Speaker 1>because it would mean their hobby would be over. Well,

0:21:16.440 --> 0:21:20.399
<v Speaker 1>I mean it even um information about this. This is

0:21:20.480 --> 0:21:24.040
<v Speaker 1>kind of something that is operated for so many years. Uh,

0:21:24.080 --> 0:21:26.760
<v Speaker 1>if you will pardon the radio punt under the radar,

0:21:27.320 --> 0:21:29.560
<v Speaker 1>I mean it's it's not something that the general public

0:21:29.760 --> 0:21:33.960
<v Speaker 1>knew anything about up until the last handful of years,

0:21:34.000 --> 0:21:35.840
<v Speaker 1>which is kind of ironic considering it was going on

0:21:35.920 --> 0:21:39.200
<v Speaker 1>through the Cold War and before that and and and

0:21:39.240 --> 0:21:43.159
<v Speaker 1>now after most of it has stopped anyhow. Uh. It

0:21:43.200 --> 0:21:46.080
<v Speaker 1>even made an appearance in an episode of Lost. I understand.

0:21:46.080 --> 0:21:48.560
<v Speaker 1>I never was really much of a fan of the show,

0:21:48.600 --> 0:21:51.520
<v Speaker 1>but I think it's cool that they put that into

0:21:51.600 --> 0:21:55.480
<v Speaker 1>the the show's UM storyline, that there was a number

0:21:55.560 --> 0:21:59.520
<v Speaker 1>station involved with uh, with the plot line UM. And

0:21:59.560 --> 0:22:02.720
<v Speaker 1>of course that was about codes and code breaking and

0:22:02.800 --> 0:22:08.119
<v Speaker 1>creepiness and all sorts of stuff, so it fit right in. UM.

0:22:08.160 --> 0:22:11.359
<v Speaker 1>So yeah, I mean, it's it's fascinating. But the people

0:22:11.400 --> 0:22:15.680
<v Speaker 1>who watched Lost, you know, wanted the mystery to unravel

0:22:16.440 --> 0:22:19.600
<v Speaker 1>over time. They didn't want it solved immediately. And I

0:22:19.640 --> 0:22:23.240
<v Speaker 1>think for for the people who followed they these number stations,

0:22:23.720 --> 0:22:25.600
<v Speaker 1>it's the same kind of thing. They don't and you

0:22:25.680 --> 0:22:29.200
<v Speaker 1>kind of want to know. But then I don't know

0:22:29.240 --> 0:22:31.280
<v Speaker 1>if you've ever read a book where you didn't want

0:22:31.400 --> 0:22:34.360
<v Speaker 1>the story to end and you just stopped reading because

0:22:34.560 --> 0:22:36.440
<v Speaker 1>you just enjoyed the fact that it was still going

0:22:36.480 --> 0:22:38.280
<v Speaker 1>on and you didn't really want to know quite what

0:22:38.359 --> 0:22:40.160
<v Speaker 1>was going on, although you knew it had an end

0:22:40.320 --> 0:22:42.840
<v Speaker 1>and somebody was behind it. I don't want to know.

0:22:43.840 --> 0:22:47.679
<v Speaker 1>So I've done that many times, or slowed very very

0:22:47.680 --> 0:22:52.400
<v Speaker 1>slow way down, you know. UM, because you don't want

0:22:52.400 --> 0:22:55.640
<v Speaker 1>to find out because then you know your fun ends.

0:22:55.800 --> 0:23:02.240
<v Speaker 1>So I don't know very interesting stuff. Jonathan has been

0:23:02.280 --> 0:23:05.640
<v Speaker 1>researching something as we're talking, and he's got this mysterious

0:23:05.680 --> 0:23:10.520
<v Speaker 1>look on his face. Yeah. Um yeah, No, creepy, that's

0:23:10.520 --> 0:23:13.080
<v Speaker 1>all I'm saying. It is creepy. Uh yeah, I mean

0:23:15.280 --> 0:23:18.760
<v Speaker 1>these are these are definitely one of those things that

0:23:18.760 --> 0:23:23.000
<v Speaker 1>that I hope stick around just for the sake of

0:23:23.880 --> 0:23:26.840
<v Speaker 1>perpetuating this kind of air of mystery, because you think

0:23:26.840 --> 0:23:28.879
<v Speaker 1>about it, you're like, Okay, first of all, let me

0:23:28.920 --> 0:23:32.080
<v Speaker 1>get this clear. Our world is amazing and the universe

0:23:32.200 --> 0:23:35.359
<v Speaker 1>is astounding. But even so, there are days where you

0:23:35.400 --> 0:23:38.520
<v Speaker 1>feel like you're living in a pretty mundane kind of existence.

0:23:39.000 --> 0:23:42.040
<v Speaker 1>And then you find out about numbers stations and you're like,

0:23:42.119 --> 0:23:45.679
<v Speaker 1>there's a whole level operating just under the surface that

0:23:45.760 --> 0:23:48.760
<v Speaker 1>I've always suspected but never really proven, and now I

0:23:48.880 --> 0:23:51.800
<v Speaker 1>know there's something to it. Then you're like, hey, our

0:23:51.800 --> 0:23:54.719
<v Speaker 1>world is amazing again. By the way, our world is amazing,

0:23:54.720 --> 0:23:57.200
<v Speaker 1>whether there's number stations or not. It's just that occasionally

0:23:57.200 --> 0:24:00.920
<v Speaker 1>we have to be reminded of it. Puppies boomtiata Alright,

0:24:01.000 --> 0:24:06.080
<v Speaker 1>so shout out to the parent company. Uh, guys, that

0:24:06.160 --> 0:24:08.240
<v Speaker 1>kind of wraps up our discussion on number stations. I

0:24:08.240 --> 0:24:10.639
<v Speaker 1>wish we could tell you more, but frankly, there's just

0:24:10.760 --> 0:24:13.639
<v Speaker 1>nothing official. We can't you know, we we can speculate

0:24:13.680 --> 0:24:17.640
<v Speaker 1>all we like, but we can't really, uh say for sure. Now,

0:24:17.680 --> 0:24:20.639
<v Speaker 1>I think I think it's fairly safe to say that

0:24:20.760 --> 0:24:24.920
<v Speaker 1>if these are encoded messages, which I can't imagine them

0:24:24.920 --> 0:24:29.439
<v Speaker 1>being anything else, that they're not. Yeah, it's hard to

0:24:29.920 --> 0:24:31.720
<v Speaker 1>it's hard to come up with a set of circumstances

0:24:31.720 --> 0:24:35.400
<v Speaker 1>whereas a string of numbers isn't meaningful in any other way,

0:24:35.480 --> 0:24:38.919
<v Speaker 1>that if they are encoded messages, that this is some

0:24:39.080 --> 0:24:43.280
<v Speaker 1>form of espionage I mean at least some form of

0:24:43.400 --> 0:24:47.040
<v Speaker 1>secret communication. And it's one way. I mean, these are

0:24:47.080 --> 0:24:49.520
<v Speaker 1>a broadcasts that are going out. It's not that we're

0:24:49.560 --> 0:24:52.199
<v Speaker 1>receiving answers from from another one. It's also I mean,

0:24:52.240 --> 0:24:56.000
<v Speaker 1>they're they're regular, they're they're broadcast usually at regular intervals,

0:24:56.000 --> 0:24:59.359
<v Speaker 1>like on the hour or on every quarter hour or whatever.

0:24:59.760 --> 0:25:01.960
<v Speaker 1>So oh, you know, I think it's pretty safe to

0:25:01.960 --> 0:25:06.879
<v Speaker 1>say these are some form of of espionage communication. Um,

0:25:06.920 --> 0:25:09.680
<v Speaker 1>but that's really all we can say, although that go

0:25:09.800 --> 0:25:14.200
<v Speaker 1>listen to some because they are both fascinating and incredibly

0:25:14.280 --> 0:25:17.919
<v Speaker 1>unsettling for just being a series of numbers. So that

0:25:17.920 --> 0:25:20.400
<v Speaker 1>wraps up this discussion. You guys, if you have any

0:25:20.440 --> 0:25:23.040
<v Speaker 1>topics you would like us to cover, let us know.

0:25:23.320 --> 0:25:25.960
<v Speaker 1>Send us a message on Facebook or Twitter are handled.

0:25:26.000 --> 0:25:28.959
<v Speaker 1>There is text stuff H s W or you can

0:25:29.000 --> 0:25:31.919
<v Speaker 1>always send us an email. That address is tech Stuff

0:25:32.080 --> 0:25:35.040
<v Speaker 1>at Discovery dot com and Chris and I will talk

0:25:35.080 --> 0:25:40.240
<v Speaker 1>to you again really soon. Four seven Do do Do

0:25:40.240 --> 0:25:46.080
<v Speaker 1>Do Do three Do be sure to check out our

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<v Speaker 1>new video podcast, Stuff from the Future. Join how Stuff

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