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Speaker 1: I'm sitting here thinking about the Joe Rogan thing. For

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Speaker 1: those of you that know me, you know I'm a

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Speaker 1: student of the game. So I'm just now leaving Miami

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Speaker 1: from im Athlete. Shout out to my brother Brandon Marshall.

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Speaker 1: We did J R. Smith and Antoine Walker. So I'm

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Speaker 1: just leaving out there. When I see it break, heyo,

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Speaker 1: Joe Rogan is racist. He's called using the N word.

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Speaker 1: I was shocked. I'm thinking, Wow, I'm a student of

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Speaker 1: the game. Those of you know me, I study everything.

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Speaker 1: They don't. Nothing misses me in regards to this space.

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Speaker 1: I mean, I'm smothering in the information. Right, this is

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Speaker 1: what I does, and does you know this is what

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Speaker 1: it is? Right? So when I heard that, I was shocked.

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Speaker 1: I said, wow, they they don't got something that I

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Speaker 1: didn't know about, you know, because again, I got to

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Speaker 1: study things from an infrastructure standpoint. I gotta build things

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Speaker 1: from the interior, right, while I focus on the exterior,

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Speaker 1: I gotta build it from the inside. So I have

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Speaker 1: to study these kind of individuals not only on our side,

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Speaker 1: but on the other side. And I was aware of

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Speaker 1: these conversations that I finally heard right now. The trick

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Speaker 1: is they mashed this up and it sounds horrible. Big Loan,

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Speaker 1: it ain't in a position to offend any white person

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Speaker 1: for using that word and being able to go in

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Speaker 1: the trick bag. It's the same I tell you guys

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Speaker 1: with academics or some of these other people that play

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Speaker 1: with the fire because they're powerful. But at some point

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Speaker 1: they'll mash it up. It'll look crazy, and then somebody

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Speaker 1: will have to explaining to do. Rogan did an apology,

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Speaker 1: I'm gonna play here soon, and he even said it

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Speaker 1: in there, Yo, I'm not racist. But when you gotta

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Speaker 1: say that, yo, you stuck you up. When you gotta

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Speaker 1: say that, so he know, Hey, YO, got me in

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Speaker 1: the trick bag. I was using it because I've watched

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Speaker 1: these episodes. I got some of these episodes recorded. I

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Speaker 1: thought they would have been poored. But what I'm saying

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Speaker 1: is in context, I wouldn't AYO trust me, bro Rogan.

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Speaker 1: Don't mean that much to me to go against my

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Speaker 1: people for Rogan. It ain't that serious, right, I understand

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Speaker 1: what he's done, but I understand what could possibly be

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Speaker 1: the case. Right, So let's entertain the other side of this.

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Speaker 1: Let's entertain what also can be happening. Right, Censorship is

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Speaker 1: something that they want to get their hands around it.

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Speaker 1: We want to understand it from those of you that's

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Speaker 1: in this field. I'm speaking to you right now to consume.

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Speaker 1: I'm gonna try to stay speaking at a point of

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Speaker 1: reference that you kind of can keep up with me.

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Speaker 1: But you know this podcast is about game, so follow

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Speaker 1: me as I take you through. Censorship is in a

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Speaker 1: place right now where they are they don't have a stronghold.

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Speaker 1: The formula no longer works. Right. With the birth of

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Speaker 1: the Internet, there's been a monkey wrench through in the system. Right,

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Speaker 1: There's been a hen brought into the chicken house. Right.

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Speaker 1: So now they're in a situation where if you notice

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Speaker 1: with Rogan, they've been through and everything at them. They

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Speaker 1: threw the LGBT at them, they threw the trans stuff

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Speaker 1: at them, they threw the the COVID stuff at them,

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Speaker 1: they threw the artists someone of a couple of these

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Speaker 1: artists come out at them. Right. None of that's working.

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Speaker 1: That's a problem because they're throwing that in what usually

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Speaker 1: a work. Mainstream media has a formula on what it

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Speaker 1: takes to cancel you. And again, only a fool doesn't

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Speaker 1: understand that what it's done in your arena only has

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Speaker 1: but so long before it's done to you. Some of

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Speaker 1: our greats have been taken off the Internet for misrepresentation

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Speaker 1: of what they may have said. So now now I

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Speaker 1: provide myself a different understand than when I see some

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Speaker 1: of these things, especially when it's in my field. Now

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Speaker 1: I can speak forward because I'm well versed in it. Right,

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Speaker 1: I've studied it. Am I saying people are not racist? No?

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Speaker 1: Have they communicated racist on their podcast? No, That's what

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Speaker 1: I'm saying. So when you remove context from anybody that

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Speaker 1: speaks three, four or five times a week for three

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Speaker 1: and four hours, you can match some of those things up,

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Speaker 1: and then you can consider yourself in a situation to

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Speaker 1: make someone look away. Even though Rogan and signed with Spotify, Rogan,

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Speaker 1: it's not mainstream, he has a very interesting place in

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Speaker 1: the game, and right, and his position in the game

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Speaker 1: is somewhat of when I'm carving out in this space, right,

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Speaker 1: at some point I want to kind of mold the

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Speaker 1: business model around that. And also because I'm interested in things,

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Speaker 1: not those things, you know, but things out of our

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Speaker 1: culture in that same way, and I'm gonna be able

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Speaker 1: to build that up and take that to the next level.

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Speaker 1: It just takes a certain amount of time and the

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Speaker 1: resources to activate the business in the way that I

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Speaker 1: would like to do it. But when you deal with

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Speaker 1: with Rogan, he's not mainstream, but he's very powerful, right,

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Speaker 1: So mainstream is through the kitchen sink at him in

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Speaker 1: regards to the cancelation in regards to misinformation, as they

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Speaker 1: they literally have wrapped him around misinformation. Right. He's had

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Speaker 1: some interesting discussions about COVID. He had some very decorated

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Speaker 1: individuals though that had those conversations. That's where I come

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Speaker 1: in and say, wow, now I gotta look at that

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Speaker 1: from again a standpoint of whatever's done in my marina

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Speaker 1: only has but so long before it's done to me. Right,

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Speaker 1: So if you're saying, yo, I can't go talk to

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Speaker 1: Ferra com because y'all got him marked off the list,

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Speaker 1: or me and doctor Umar Make can't sit down no

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Speaker 1: more because y'all got him marked off some sort of

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Speaker 1: list that y'all have put together, you know, Or me

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Speaker 1: and Michael Eric Dyson can't have a conversation because now

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Speaker 1: you guys have him on some kind of list that

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Speaker 1: provides him no sanctity. You see. So now I got

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Speaker 1: to put myself in a situation to say, damn, I

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Speaker 1: gotta run out on and I'm just interested in what

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Speaker 1: happened or what you got to say at this point.

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Speaker 1: How do you view the world now with the Internet?

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Speaker 1: How does that integrate in your message? Like, would you

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Speaker 1: change anything? Would you edit a little bit? Is that

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Speaker 1: anything you will reconsider? You know, these conversations need to

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Speaker 1: be head in our culture, right and then we also

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Speaker 1: need people like me to go and talk with Neil

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Speaker 1: de grass Tyson ask them just regular questions, normal things,

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Speaker 1: you know what I mean. But back to Rogan and

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Speaker 1: what they've been trying to do. The problem that I

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Speaker 1: see or the opportunity or the interesting thing that I

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Speaker 1: see is you're in a situation where you've did everything

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Speaker 1: you can to try to cancel them, and he's still

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Speaker 1: getting eleven million hits on one network every time AMI drops.

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Speaker 1: Understand if they open the market up, what they may

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Speaker 1: look like if he opens the market up to Apple

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Speaker 1: and Amazon and YouTube and all these understand what that

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Speaker 1: looks like. He gets eleven million hits every time he drops,

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Speaker 1: and he drops usually three and four times a week.

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Speaker 1: This is unprecedented what this dude is doing, and it's

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Speaker 1: an exclusivity deal. They have blocked it from being able

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Speaker 1: to be played on anyone. I don't care what you

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Speaker 1: uploaded on that algorithm gonna catch it and it's gonna

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Speaker 1: shut it down. To do this powerful in the space, right,

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Speaker 1: So understanding that and understanding them having a high amount

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Speaker 1: of failure as they try to misrepresent some of the things.

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Speaker 1: Because I watched these interviews from beginning to end three

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Speaker 1: four hours about COVID, I know a lot about it

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Speaker 1: right now, I just don't talk about it. I know

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Speaker 1: that it's not in the interest of me right now

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Speaker 1: to just speak about it. But I've watched three and

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Speaker 1: four hours in five hours about this stuff. I know

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Speaker 1: about some of this stuff, right and I know some

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Speaker 1: of these interviews that they reference. When they references and

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Speaker 1: then said in a certain way, you see Kim and

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Speaker 1: Kanye dealing with it. You see the way they frame

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Speaker 1: what they say about Kanye. It shows you the media

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Speaker 1: at work right when they make it, when they wrap

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Speaker 1: it around obsession and desperation, and then you got Kanye

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Speaker 1: West would have paged that now is popped up like

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Speaker 1: correcting bad Kanye West press. So when they put a

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Speaker 1: clip out like that, they're rephrasing and they are saying

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Speaker 1: Kanye just wants to be with his daughter and his

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Speaker 1: son and teach them about life type thing. Right. So

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Speaker 1: it's just interesting to see the media at work. But

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Speaker 1: guess who's the loudest online black people? Guess who really

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Speaker 1: moves the needle, really moves the coach black people. Guess

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Speaker 1: who really controls cool and controls really what can happen

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Speaker 1: and what's cool black people? So if we can get

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Speaker 1: black people on our side, we can get him. And

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Speaker 1: so damn, I say down. They're trying to put me

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Speaker 1: in a trick band. They want me to be loud

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Speaker 1: about it. Who want me to say Rogan races ro

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Speaker 1: just so happy they're dealing with me, and I'm dealing

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Speaker 1: with information. I've studied the game, I got the game tapes,

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Speaker 1: and not only on him, I'm talking on all these guys,

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Speaker 1: all these deleted episodes, all the things they think nobody

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Speaker 1: heard them say. I heard you said, I got it.

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Speaker 1: This is what makes me unique in my communication. I

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Speaker 1: speak from that standpoint. Just try me and I'll tell

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Speaker 1: you and I'll show you right, I've studied these things.

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Speaker 1: I would offer a resolution to the black people, right,

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Speaker 1: my people who who may think that that that Rogan

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Speaker 1: is racist, and I may be wrong alone, you did

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Speaker 1: miss something. You you'd be watching the game and you

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Speaker 1: got the game taste, but you miss these game tapes.

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Speaker 1: I offer this solution to us, right and not in

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Speaker 1: the not in the name of Rogan, in the name

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Speaker 1: of free speeching censorship and understanding that we got powerful

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Speaker 1: black people that they're painting with that brush. We gotta

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Speaker 1: look out for Kanye, gotta look out for jay Z,

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Speaker 1: gotta look out for Didding, gotta look out for people

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Speaker 1: to swing in a big hammel at some of these

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Speaker 1: foundations that have been up for years. They swing in

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Speaker 1: a big sledge hammet at the We gotta look out

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Speaker 1: for people. So when the name of censorship, in the

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Speaker 1: name of context, in the name of communication and conversation

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Speaker 1: and information, I provide a solution and say, hey, let's

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Speaker 1: start up a zoom room for those of you that

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Speaker 1: really want to get into not only I host it,

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Speaker 1: so we'll have some sort of podcast type of field

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Speaker 1: where it won't just be a boring thing or a

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Speaker 1: bunch of people just sitting there. Let's start up some

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Speaker 1: kind of room. I'll play these conversations in full, and

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Speaker 1: we can stop them when the people say, yo, all right,

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Speaker 1: stop right there? What do we mean? Right? What's that?

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Speaker 1: What are they talking about? And let black people speak

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Speaker 1: to each other about what we think we hear. And

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Speaker 1: not only do we at that point understand and find

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Speaker 1: out one or two things. Either we find out Joe

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Speaker 1: Rogan is a racist. He's a racist, you know, and

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Speaker 1: we can't deal with him. And we proceed to be

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Speaker 1: the loudest like we are on the internet, and how

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Speaker 1: we swing the numbers of the internet and tap the

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Speaker 1: algorithm be in a way that no other culture does.

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Speaker 1: We can do that. If that's the case. Number two

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Speaker 1: wed out that there's high level tricks being played. And

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Speaker 1: when you listen to these things in context, these things

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Speaker 1: are not what we're said. I see them. Do it

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Speaker 1: with fare? Can you misrepresenting them on that one? You

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Speaker 1: misrepresenting them on the one? Bag to tape up two

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Speaker 1: more minutes. It's funny you started there. You always gotta

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Speaker 1: ask yourself not what's being said, but why it's being said,

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Speaker 1: and why you started right there? Ain't there to come

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Speaker 1: from a two hour conversation. Why it's only six seconds

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Speaker 1: of that two hour conversation. Can we get a context

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Speaker 1: around that? But they think we're dumb enough to be

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Speaker 1: loud and wrong, So we gotta be careful and not

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Speaker 1: in the name of Rogan again. And everybody know, I'm

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Speaker 1: a big fan of Rogan. I studied Rogan. I'm gonna

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Speaker 1: have a conversation with Rogan at some point. Mark that down.

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Speaker 1: What Joe Buttingham got, yo, Timestam, dude, mark that down.

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Speaker 1: I'm gonna have a conversation with Rogan at some point.

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Speaker 1: But I'm just I'm just one of the guys who

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Speaker 1: understand how this game works, right, because not only do

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Speaker 1: I study Rogan, I studied fer Coon. I look deep

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Speaker 1: into the teachings. I understand what he's saying. One of

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Speaker 1: the best communicators that we've ever had. I studied T.

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Speaker 1: D J's the best communicator, in my opinion, that we have.

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Speaker 1: I look at old c Et, my boy Et. I'm

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Speaker 1: gonna have a conversation with all these guys. I know

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Speaker 1: the communicators in our coachure that, and I'm one of them.

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Speaker 1: So I don't swing my hammere to help a white

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Speaker 1: man who I think is racist for some sort of

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Speaker 1: reason that we don't know that that's not what's happening.

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Speaker 1: But I challenge you to join me in a situation

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Speaker 1: where we really sit down when every time they tend

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Speaker 1: to cancel somebody, we have canceled court. Maybe I'll bring

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Speaker 1: that the revoter somewhere uncanceled court, where we go through

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Speaker 1: the real context of what's happening and put that out

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Speaker 1: there and let the people really decide. We really provide

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Speaker 1: the real story from whatever aspect. It don't even really

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Speaker 1: have to be hip hop. It could be rock and roll.

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Speaker 1: It could be rock and roll, you understand. But if

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Speaker 1: they're canceling him about something, they're saying, this is what happened.

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Speaker 1: We dig a little deeper and we present what we

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Speaker 1: found in y'all figure out if we want to cancel

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Speaker 1: the people or not. This is what's really on the table.

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Speaker 1: This is what said, this is what's on the table. Right, So, like,

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Speaker 1: this is the minute clip that's going around Instagram, this

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Speaker 1: is the video that it's from. This is the conversation

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Speaker 1: that we'll have, and there's a right up under that,

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Speaker 1: and you know, really do that. I might take that

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Speaker 1: the revoter somewhere man, because that's that's a really good idea.

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Speaker 1: But anyway, a lot of these things were said and

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Speaker 1: satire you, and again I was there. I've watched every episode.

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Speaker 1: I know that may sound like you may think that's

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Speaker 1: a joke. It's not a joke. I'm a student of

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Speaker 1: the game. When I say that, I mean in every

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Speaker 1: sense of the word. But you know, I say I

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Speaker 1: all that to just say, man, we can't let people

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Speaker 1: use us in those spaces and not really even give

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Speaker 1: us any benefit of anything from it. But we also

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Speaker 1: have to hold people accountable when they're wrong about us,

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Speaker 1: right when the perspective is awful about us. I know

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Speaker 1: that we do provide a luxury to the Internet and

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Speaker 1: do a lot of the marketing and servicing and services

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Speaker 1: for the Internet for free. We have a very unusual

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Speaker 1: relationship with the Internet and with these companies, very unusual,

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Speaker 1: almost like no other race have a very unusual relationship

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Speaker 1: with them. But that's a that's a conversation for another time.

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Speaker 1: But don't be ignorant about these things. Don't be ignorant

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Speaker 1: about these things. Really check the sources, really check the facts.

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Speaker 1: When you hear things come out about people or you

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Speaker 1: hear things come out period. I would say you feel

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Speaker 1: ignorant man, more than you feel lying, because an ignorant

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Speaker 1: man can be tricked into doing anything, and we just

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Speaker 1: won't allow them to do that too us, you know

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Speaker 1: what I mean. Let's talk about Kanye and Kim This

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Speaker 1: see is up that podcast by the way, This thing

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Speaker 1: is getting big. So if you don't know who you're

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Speaker 1: listening to that show fault, you better figure out a

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Speaker 1: way to figure out who you're listening to. Go to

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Speaker 1: fo g FO TV for the videos. Joined as a

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Speaker 1: member fan of video, go to patrear dot com. It's

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Speaker 1: up that podcast. Become a patron and get the video

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Speaker 1: that way as well. Um. But Kanye West and Kim

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Speaker 1: k it's a very interesting situation. We see it keep

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Speaker 1: playing out online and for me, that's something that's unfortunate. Man,

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Speaker 1: I hate that that's the case. We know, we we

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Speaker 1: see what people are now putting out, what Kanye West

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Speaker 1: has wrapped about certain situations he finds himself in now

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Speaker 1: and that's very crazy. Man. The power of the tongue,

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Speaker 1: I believe in it. You don't have to. But we

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Speaker 1: see a situation playing out with the kids involving It's

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Speaker 1: been very missy. It's been a missy situation on the internet.

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Speaker 1: Unfortunate for these people. And Kanye tweeted this, since this

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Speaker 1: is my first divorce, I need to know what I

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Speaker 1: should do about my daughter being put on TikTok against

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Speaker 1: my will. As you know, they've been having a constant

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Speaker 1: conversation about Kanye West not wanting home TikTok. Do's even

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Speaker 1: been an old tweet resurface. Let me find that one second.

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Speaker 1: So here's the tweet. Kanye said this about TikTok in

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Speaker 1: two and twenty. We pray we can collaborate with TikTok

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Speaker 1: to make a Christian monitored version and feel safe for

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Speaker 1: our young children in the world. In Jesus name a man,

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Speaker 1: a vision just came to me. Jesus talked. I was

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Speaker 1: watching TikTok with my daughter, and as a Christian father,

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Speaker 1: I was disturbed by a lot of the content, but

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Speaker 1: I completely love the technology. If you if we heard

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Speaker 1: Andrew shows speak about TikTok in China and how their

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Speaker 1: algorithm is set the show engineering and you know, nation

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Speaker 1: building and China taken over and being number one and

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Speaker 1: just things that's the interests and what they're young people

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Speaker 1: to be on, you know, what they want their young

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Speaker 1: people to kind of see and emulate. For us, our

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Speaker 1: algorithm shows us, you know, misses stuff and fights and

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Speaker 1: things like that. And I just think if you're aware

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Speaker 1: of that, man, it becomes a very unique interaction you

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Speaker 1: have with your phone. We usually never have had this

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Speaker 1: kind of relationship with anything, right, And I think that

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Speaker 1: we just take it and move with it like it's

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Speaker 1: just this normal thing, man. And I think the fix

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Speaker 1: of it, we just don't know. But Kanye is interested

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Speaker 1: in having his daughter off TikTok. He's not in a

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Speaker 1: situation to where he thinks she can you know, be

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Speaker 1: there and it be a safe space for a little girl.

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Speaker 1: And I'm and I second that because being that famous

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Speaker 1: being attached to them two people in the middle of

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Speaker 1: a divorce is a very interesting situation. Kim's response to

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Speaker 1: what he said about the TikTok reads this. Kim Kardashian

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Speaker 1: says this, Kanye's constant attacks on me in interviews and

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Speaker 1: on social media is actually more hurtful than any TikTok

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Speaker 1: nor from might create. As the parent who is the

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Speaker 1: main providing caregiver for our children. I am doing my

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Speaker 1: best to protect our daughter with also allowing her to

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Speaker 1: express her creativity in the medium that she wishes with

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Speaker 1: adult supervision because it brings her happiness. Divorce is difficult

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Speaker 1: enough on our children and Kanye's obsession. See, these are

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Speaker 1: trigger words. Make no mistake about it. These are certain

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Speaker 1: words that women can relate to. This ain't This is

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Speaker 1: trying to reach people right and affect how they view

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Speaker 1: a situation. Because when you use look how many words

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Speaker 1: gets compounded. Right there, we got Kanye's obsession. Now they're

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Speaker 1: telling the truth. And this is what the funny thing

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Speaker 1: is about media is that it's a hint of truth

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Speaker 1: in media, you know. But the good people don't how

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Speaker 1: to man They got people you can hire men that

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Speaker 1: I tell you a create your company, name it this.

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Speaker 1: Then this would be a slogan. You'll call this side

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Speaker 1: of business this. Here's a taglines. But she continues, divorce

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Speaker 1: is difficult enough on our children and Kanye's obsession with

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Speaker 1: trying to control and manipulate our situation negatively and publicly,

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Speaker 1: it's only causing further pain for all. From the beginning,

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Speaker 1: I have wanted nothing but a healthy and support of

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Speaker 1: copare team relationship because it is what is best for

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Speaker 1: our children, and it saddens me that Kanye continues to

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Speaker 1: make it impossible every step of the way. I wish

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Speaker 1: they had to all matters regarding our children privately, and

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Speaker 1: hopefully he can finally respond to the third attorney he

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Speaker 1: has had in the last year to resolve any issues.

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Speaker 1: So that's again she comes out and frames it that

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Speaker 1: way and that and again some of it that, some

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Speaker 1: of that is true. I think Kim is feeling a way,

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Speaker 1: you know, and has has a lot on her shoulders,

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Speaker 1: you know, trying to keep the brands. See that's what

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Speaker 1: I'm saying. You guys have no idea how hard it

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Speaker 1: is to navigate this with brands this big, this amount

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Speaker 1: of money, this amount of people interested in this either

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Speaker 1: breaking up or staying together. You know, on this side,

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Speaker 1: they may be interested in the staying together, but the

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Speaker 1: people that's closest to the people, right, So Kanye's go

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Speaker 1: to person, whatever's in his ear affixes how he looks

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Speaker 1: at it. And that's why you hear Kanye sometimes say, Yo,

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Speaker 1: this is the publicist, This isn't Kim, And sometimes we

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Speaker 1: want to believe that but sometimes we've lost that woman unfortunately.

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Speaker 1: Like sometimes we're looking and Yo, that ain't hers sheet, now,

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Speaker 1: that ain't who I met. It's like now, but this

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Speaker 1: is what this has grew into. I've evolved into this.

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Speaker 1: Whatever circumstances you put me in, it may have changed

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Speaker 1: the way that I now interact with you. Sometimes women

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Speaker 1: come in loving you and leave hating you, you know,

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Speaker 1: come in and rub your bagging and wipe your feet

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Speaker 1: and leave out and won't get you a glass of water,

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Speaker 1: you know what I mean. So sometimes it changes, and

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Speaker 1: sometimes we hope that it's like, damn, this is you

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Speaker 1: acting like that? This Yeah, I'll be putting you on

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Speaker 1: the leash. And that Nann you you got so much

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Speaker 1: to say about everything you would answer you talking bad too,

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Speaker 1: man here and got the efol looking at me in

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Speaker 1: a certain kind of way, you know what I mean,

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Speaker 1: And and sometimes it's just hard for us to accept it.

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Speaker 1: Canda's Owens came out in response to that, right, because

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Speaker 1: that's someone that we have. And sometimes I've been critical

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Speaker 1: or Canada's owners, but you all know Candi's Owens is

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Speaker 1: someone we have that understands media. She understands what they're

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Speaker 1: trying to say and what they're trying to do. And

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Speaker 1: so um, I think her space is so important in

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Speaker 1: our culture, not only because she speaks to the conservative

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Speaker 1: America and she speaks in a lot of times and

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Speaker 1: a lot of times in their opinion, she speaks for us.

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Speaker 1: So what that means is is that if we do

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Speaker 1: want to get a if we do want to get

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Speaker 1: an alternative message out there, she's a vehicle for that,

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00:23:52,520 --> 00:23:55,200
Speaker 1: right because again, I tell you, when Kim when something

402
00:23:55,240 --> 00:23:59,160
Speaker 1: happens and Kim's put something out like that, oh that's

403
00:23:59,200 --> 00:24:03,920
Speaker 1: head at the UK, Spain, Switzerland, that ain't just shade

404
00:24:04,000 --> 00:24:09,320
Speaker 1: room business, Candice her reaches Fox and so when she

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00:24:09,840 --> 00:24:13,119
Speaker 1: comes out and support A Kanye's very important. And I

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00:24:13,240 --> 00:24:16,840
Speaker 1: think that we see people start to form up and

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00:24:16,960 --> 00:24:20,040
Speaker 1: support A Kanye because some people are painting that tim

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Speaker 1: Z has something to do with how this thing is

409
00:24:23,320 --> 00:24:26,399
Speaker 1: being painted out. They said tim Z is kind of

410
00:24:26,480 --> 00:24:29,359
Speaker 1: on kim Ka side. So they have an interest in

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00:24:29,400 --> 00:24:35,160
Speaker 1: painting Kanye like an obsessive, uncontrollable individual because their relationship

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Speaker 1: with Kim Kay and presenting her like the best mother

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Speaker 1: in the world. See, and this is media at work

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00:24:40,359 --> 00:24:42,560
Speaker 1: for me, I don't know either one of the people,

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00:24:42,600 --> 00:24:46,280
Speaker 1: and I'm not interested in knowing either one of the people.

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Speaker 1: I'm interested in the information and what I'm looking at,

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00:24:49,600 --> 00:24:51,720
Speaker 1: and how the media working and what are they doing,

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00:24:52,160 --> 00:24:55,320
Speaker 1: and understanding the tricks that can be played, because again,

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00:24:55,400 --> 00:24:58,520
Speaker 1: what happens in the arena only so long before it

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00:24:58,560 --> 00:25:04,240
Speaker 1: happens to you. Let know what Canda Zonas had to say, Okay, Instagram,

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Speaker 1: I wanted to do this video and to comment on

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Speaker 1: this back forth exchange that's happening publicly between Kim and Kanye,

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00:25:11,240 --> 00:25:14,000
Speaker 1: not because I'm interested in celebrity feuds or divorces, but

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Speaker 1: because I think this is actually a topic that's really

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Speaker 1: important for all parents to be discussing as we kind

426
00:25:20,040 --> 00:25:21,919
Speaker 1: of get into this new age. Then you see how

427
00:25:21,960 --> 00:25:26,800
Speaker 1: she frame it. She understands the assignment. Let me be

428
00:25:26,920 --> 00:25:30,560
Speaker 1: clear with that. Don't get Canna Zows confused. It is

429
00:25:30,640 --> 00:25:34,920
Speaker 1: high level jiu jitsu mental mind game. The people are

430
00:25:35,840 --> 00:25:39,919
Speaker 1: next level, just like I amde people are cerebral thinker.

431
00:25:40,040 --> 00:25:42,760
Speaker 1: So guess what when she comes out, let me explain

432
00:25:42,840 --> 00:25:44,760
Speaker 1: to you. This is me just giving you some game.

433
00:25:44,840 --> 00:25:47,720
Speaker 1: Just relay. When she first comes out, guess what she

434
00:25:47,840 --> 00:25:49,679
Speaker 1: knows see. This is why I try to tell y'all,

435
00:25:49,720 --> 00:25:53,600
Speaker 1: got to understand your position when she first come out.

436
00:25:53,680 --> 00:25:57,800
Speaker 1: Guess what she knows. My audience ain't interested in this.

437
00:25:57,800 --> 00:26:00,360
Speaker 1: This may be kind of alternative to what they think

438
00:26:00,400 --> 00:26:04,800
Speaker 1: I'm gonna speak about. So let me frame it this way. Man.

439
00:26:04,840 --> 00:26:08,000
Speaker 1: This is and that may not mean nothing to you,

440
00:26:08,920 --> 00:26:12,639
Speaker 1: but off the fly to be able to just that's powerful.

441
00:26:13,359 --> 00:26:16,840
Speaker 1: That's a powerful thing, man. This communication thing is what

442
00:26:17,080 --> 00:26:20,879
Speaker 1: changes nations. Bro, do you understand this? Later right here

443
00:26:21,000 --> 00:26:23,720
Speaker 1: understands the sign and she know her fan base, all right,

444
00:26:23,720 --> 00:26:26,320
Speaker 1: this is kyyene Kim. They probably don't get into the

445
00:26:26,359 --> 00:26:29,200
Speaker 1: celebrity thing. Let me frame in around what they're interested

446
00:26:29,280 --> 00:26:32,080
Speaker 1: in so they can digest it. This is high level

447
00:26:32,119 --> 00:26:36,560
Speaker 1: communication you're dealing with this black woman. Can That's why

448
00:26:36,600 --> 00:26:38,359
Speaker 1: she can sit across from some of these people in

449
00:26:38,440 --> 00:26:42,439
Speaker 1: Swabia lat of y'all, can you feel me? This is

450
00:26:42,520 --> 00:26:44,920
Speaker 1: high level. But I just wanted to point that out

451
00:26:44,960 --> 00:26:47,760
Speaker 1: because it's interesting when you know what you're looking at

452
00:26:50,000 --> 00:26:53,199
Speaker 1: social media and social media and children having access to

453
00:26:53,280 --> 00:26:55,840
Speaker 1: things that we didn't have access to when we were kids.

454
00:26:55,960 --> 00:26:58,440
Speaker 1: I'm thirty two years old. We did not have access

455
00:26:58,480 --> 00:27:03,119
Speaker 1: to TikTok and Twitter and Facebook and any other social

456
00:27:03,119 --> 00:27:05,639
Speaker 1: media app when I was young, and this is a

457
00:27:05,720 --> 00:27:08,879
Speaker 1: very important topic. So to give you guys a background

458
00:27:08,880 --> 00:27:12,000
Speaker 1: if you're not following it, Kanye has been very, very

459
00:27:12,119 --> 00:27:14,919
Speaker 1: vocal for a long time, you know, before the divorce

460
00:27:14,960 --> 00:27:17,560
Speaker 1: about wanting his kids to be kids when they grow up,

461
00:27:17,640 --> 00:27:21,560
Speaker 1: meaning he was very against North, his daughter. She's eight

462
00:27:21,640 --> 00:27:24,280
Speaker 1: years old, and even in years prior, she was wearing

463
00:27:24,359 --> 00:27:26,560
Speaker 1: makeup and wearing lipstick, and he was very against that.

464
00:27:26,960 --> 00:27:28,800
Speaker 1: He's been vocal about the fact that he doesn't want

465
00:27:28,840 --> 00:27:31,439
Speaker 1: his child on social media. So this is not a

466
00:27:31,480 --> 00:27:34,040
Speaker 1: new thing that's happening because they're getting divorced. It's just

467
00:27:34,119 --> 00:27:36,960
Speaker 1: coming to a head because they're getting divorced. And Kim

468
00:27:37,000 --> 00:27:39,560
Speaker 1: obviously has a different perspective on it because she was

469
00:27:39,600 --> 00:27:42,960
Speaker 1: okay with her wearing makeup and she's okay with her

470
00:27:43,040 --> 00:27:47,479
Speaker 1: daughter having social media. Kim's daughter is North. We know

471
00:27:47,640 --> 00:27:49,520
Speaker 1: of North, and we know all of their kids because

472
00:27:49,560 --> 00:27:53,640
Speaker 1: they have been on reality TV their entire lives. And

473
00:27:53,920 --> 00:27:58,560
Speaker 1: North is, for the record, eight years old. So this

474
00:27:58,640 --> 00:28:01,640
Speaker 1: is something that parent all around the world should be

475
00:28:01,680 --> 00:28:04,960
Speaker 1: aware of. It is not an assumption, it is a reality.

476
00:28:05,320 --> 00:28:09,760
Speaker 1: Bringham Young study last year to show that children that

477
00:28:09,800 --> 00:28:12,640
Speaker 1: are introduced to social media have a propensity higher rates

478
00:28:12,680 --> 00:28:18,320
Speaker 1: of suicide and a propensity towards suicide level. Communication social

479
00:28:18,320 --> 00:28:22,679
Speaker 1: media has and it's basically allowing you a window to

480
00:28:22,800 --> 00:28:25,520
Speaker 1: look into the lives of people and to have this

481
00:28:25,560 --> 00:28:28,120
Speaker 1: perception that their life is better than yours. So it's

482
00:28:28,119 --> 00:28:30,480
Speaker 1: basically you just stacking up and going, oh, I wish

483
00:28:30,520 --> 00:28:32,280
Speaker 1: I had that life. Oh I wish I had that life.

484
00:28:32,320 --> 00:28:34,720
Speaker 1: I wish I had that husband, that body, that face,

485
00:28:35,240 --> 00:28:37,840
Speaker 1: And it causes depression. And if you're an adult, you

486
00:28:37,880 --> 00:28:39,520
Speaker 1: might be able to deal with that depression, but for

487
00:28:39,640 --> 00:28:42,040
Speaker 1: young kids, it's a lot. I don't know why it

488
00:28:42,080 --> 00:28:45,720
Speaker 1: took a study confirming it from Brigham University to confirm

489
00:28:45,800 --> 00:28:50,080
Speaker 1: that social media is harmful for children. Common sense where

490
00:28:50,160 --> 00:28:52,480
Speaker 1: communication at a high level of pay a ten for

491
00:28:52,640 --> 00:28:55,560
Speaker 1: seeing people that are twelve and thirteen wanting to get

492
00:28:55,560 --> 00:28:57,520
Speaker 1: their lips injected, to want to get to want to

493
00:28:57,520 --> 00:28:59,720
Speaker 1: get boobs, to want to get button plants, to want

494
00:28:59,720 --> 00:29:03,440
Speaker 1: to do all of these things extraordinarily especially for children.

495
00:29:03,800 --> 00:29:06,040
Speaker 1: And when I look at these people that are so

496
00:29:06,120 --> 00:29:08,960
Speaker 1: young and they're getting these implants, I'm thinking to myself.

497
00:29:10,040 --> 00:29:12,760
Speaker 1: When I was at this age, I wasn't even thinking

498
00:29:13,040 --> 00:29:15,160
Speaker 1: about how I looked. I mean, eight years old, before

499
00:29:15,160 --> 00:29:17,400
Speaker 1: I even had braces. I mean to put that into perspective,

500
00:29:17,400 --> 00:29:20,840
Speaker 1: we're talking about third graders. Third graders, you're not even

501
00:29:20,920 --> 00:29:23,400
Speaker 1: interested in guys. You really just want to color with

502
00:29:23,440 --> 00:29:26,560
Speaker 1: your friends. I think I was in Spiceworld at that time,

503
00:29:26,600 --> 00:29:29,680
Speaker 1: listening to spice girls wanting to dance with friends and

504
00:29:29,760 --> 00:29:32,360
Speaker 1: have sleepovers. So we're not talking about someone that's even

505
00:29:32,360 --> 00:29:34,760
Speaker 1: on the brink of maturity. We're talking about an extremely

506
00:29:34,800 --> 00:29:38,479
Speaker 1: young child, who's extremely vulnerable, who should not have the ACT,

507
00:29:38,520 --> 00:29:41,080
Speaker 1: who should not have access to the Internet and have

508
00:29:41,440 --> 00:29:44,720
Speaker 1: five million followers as she has, which is already to me,

509
00:29:45,160 --> 00:29:47,440
Speaker 1: something that is harmful. Why are there five million people

510
00:29:47,440 --> 00:29:49,640
Speaker 1: in the world that want to follow the every action

511
00:29:49,680 --> 00:29:52,840
Speaker 1: of my child. I choose not to put my kid

512
00:29:52,880 --> 00:29:55,360
Speaker 1: on the Internet at all because I want my child

513
00:29:55,360 --> 00:29:56,840
Speaker 1: to be able to have that choice, and I want

514
00:29:56,880 --> 00:29:59,120
Speaker 1: my child to also be able to make that choice

515
00:29:59,160 --> 00:30:03,720
Speaker 1: when their brain is developed. Something that's extremely problematic here,

516
00:30:03,760 --> 00:30:06,040
Speaker 1: and why I wanted to speak out is because you

517
00:30:06,080 --> 00:30:08,880
Speaker 1: know Kim's response to this. Obviously, Kanye posted this publicly

518
00:30:09,240 --> 00:30:11,720
Speaker 1: and he has made several pleas about just keeping his

519
00:30:11,800 --> 00:30:14,440
Speaker 1: kids off social media. And I'm not claiming to know

520
00:30:14,480 --> 00:30:16,800
Speaker 1: the ends and the outs of their relationship, but something

521
00:30:16,840 --> 00:30:19,520
Speaker 1: that was extremely problematic is that Kim in her response,

522
00:30:19,600 --> 00:30:22,920
Speaker 1: writes that he's controlling. This is him being controlling and

523
00:30:22,960 --> 00:30:26,000
Speaker 1: obsessive and sort of all of these buzzwords that women

524
00:30:26,120 --> 00:30:28,880
Speaker 1: use when they want to make them being victimized by

525
00:30:28,920 --> 00:30:32,160
Speaker 1: a man. And she specifically says that, you know, North

526
00:30:32,280 --> 00:30:35,640
Speaker 1: needs this as a you know, a creative outlet and

527
00:30:35,800 --> 00:30:38,320
Speaker 1: kind of suggest that you know, the divorce hae been

528
00:30:38,360 --> 00:30:42,680
Speaker 1: traumatic enough for them and you know, giving this child TikTok, well,

529
00:30:42,760 --> 00:30:47,240
Speaker 1: you know, somehow helps to alleviate some of the traumas

530
00:30:47,240 --> 00:30:51,000
Speaker 1: that they may be experiencing. As again, you guys, I

531
00:30:51,120 --> 00:30:52,960
Speaker 1: just want to frame this in the right way and

532
00:30:53,040 --> 00:30:56,560
Speaker 1: let you know this lady is a high level communicator.

533
00:30:57,160 --> 00:31:00,640
Speaker 1: What you see are doing at this time is laying

534
00:31:00,640 --> 00:31:03,480
Speaker 1: the foundation of an argument. First of all, she's gonna

535
00:31:03,480 --> 00:31:07,120
Speaker 1: cite that this is the ongoing thing, not anything new,

536
00:31:07,240 --> 00:31:11,080
Speaker 1: So the fact that it's presented at some sort of

537
00:31:11,160 --> 00:31:16,920
Speaker 1: surprise or him being obsessive and controlling lacks the evidence

538
00:31:17,000 --> 00:31:20,040
Speaker 1: to back that up, right, that's number one that she says,

539
00:31:20,120 --> 00:31:23,960
Speaker 1: but then she cites I'm just showing you how communication is.

540
00:31:23,960 --> 00:31:26,600
Speaker 1: And for people that think they want to podcast and

541
00:31:26,720 --> 00:31:29,040
Speaker 1: get into this game, you gotta bump heads with people

542
00:31:29,120 --> 00:31:32,280
Speaker 1: like you know, Candice Owns, you know, the td Jakes

543
00:31:32,320 --> 00:31:34,960
Speaker 1: of the world, you know the Ets, the Loons of

544
00:31:35,040 --> 00:31:37,800
Speaker 1: the world, you know, the Charlemagne's of the world. You

545
00:31:37,840 --> 00:31:39,880
Speaker 1: gotta deal with some of these people that can craft

546
00:31:39,920 --> 00:31:43,880
Speaker 1: these things up. That's just a next level type of communication,

547
00:31:43,960 --> 00:31:46,880
Speaker 1: and this is one of them. But let me get

548
00:31:46,920 --> 00:31:51,600
Speaker 1: up back to her argument. The unacceptable excuse. Your child

549
00:31:51,680 --> 00:31:53,640
Speaker 1: is not each social media to deal with any traumas.

550
00:31:53,720 --> 00:31:56,680
Speaker 1: You know, you have a child that stuck between two billionaires.

551
00:31:56,680 --> 00:32:00,000
Speaker 1: Tons of people have gone through divorces, come from divorced families.

552
00:32:00,080 --> 00:32:02,800
Speaker 1: I'm one of them. This is not something that's necessary

553
00:32:02,840 --> 00:32:05,360
Speaker 1: to heal from a divorce whatsoever. In fact, I would

554
00:32:05,400 --> 00:32:09,120
Speaker 1: almost argue the exact opposite. And it's super unfair because

555
00:32:09,120 --> 00:32:11,960
Speaker 1: in this particular regard, actually Kanye is doing the right thing.

556
00:32:12,040 --> 00:32:14,960
Speaker 1: He's protecting his child from the public. I think part

557
00:32:15,000 --> 00:32:18,000
Speaker 1: of this is that, obviously is Kim Kardashian, so she's

558
00:32:18,040 --> 00:32:21,320
Speaker 1: lived her entire life publicly. You know, she takes a

559
00:32:21,400 --> 00:32:25,160
Speaker 1: stab at Kanye for talking about this publicly, when in

560
00:32:25,200 --> 00:32:28,640
Speaker 1: reality she has welcomed all of the world into every

561
00:32:28,680 --> 00:32:31,320
Speaker 1: aspect of her lives for years. So this is just Oh,

562
00:32:31,440 --> 00:32:34,400
Speaker 1: that's a good point. There's a public discussion about this

563
00:32:34,800 --> 00:32:37,360
Speaker 1: when we've watched your family members pull their see you

564
00:32:37,400 --> 00:32:42,120
Speaker 1: see the clarity of some of our communicators. You see

565
00:32:42,120 --> 00:32:45,280
Speaker 1: when these celebrities want to pull a wall overs. You know,

566
00:32:45,400 --> 00:32:47,560
Speaker 1: sometimes I'm able to point out a thing they said, WHOA,

567
00:32:47,600 --> 00:32:49,440
Speaker 1: I didn't think of it like that. You see how

568
00:32:49,720 --> 00:32:51,680
Speaker 1: the light bulb just went off when she said that,

569
00:32:51,720 --> 00:32:54,600
Speaker 1: Because I'm doing this in real time. When I part

570
00:32:54,640 --> 00:32:57,080
Speaker 1: I don't operate with notes just get up in I

571
00:32:57,200 --> 00:33:00,440
Speaker 1: just speak the game, you know, and this is a

572
00:33:00,560 --> 00:33:03,920
Speaker 1: unique thing I do. But you see her say something

573
00:33:04,000 --> 00:33:07,360
Speaker 1: like that, that instantly activated in my mind. Oh that

574
00:33:07,520 --> 00:33:10,520
Speaker 1: was a good one. That was a good one. Right.

575
00:33:11,200 --> 00:33:14,960
Speaker 1: How can now him be in public about his opinion

576
00:33:15,080 --> 00:33:17,640
Speaker 1: of things and how you want to raise the kid

577
00:33:17,760 --> 00:33:21,400
Speaker 1: be an issue when you've invited the public your whole life.

578
00:33:21,400 --> 00:33:23,520
Speaker 1: That was a slam dunk point. That had to be

579
00:33:23,520 --> 00:33:25,400
Speaker 1: one of her good points. Let's go back to him

580
00:33:27,200 --> 00:33:30,600
Speaker 1: out of their vaginas on TV. Doesn't make sense pretending

581
00:33:30,600 --> 00:33:32,680
Speaker 1: that you want to protect your children when they've been

582
00:33:33,120 --> 00:33:36,480
Speaker 1: you know, on a show which sure you had editing

583
00:33:36,480 --> 00:33:38,520
Speaker 1: control over, but you know, that doesn't really make sense

584
00:33:38,520 --> 00:33:40,840
Speaker 1: to suddenly pretend that it's Kanye that's harming them by

585
00:33:40,840 --> 00:33:43,600
Speaker 1: bringing this discussion to the forefront, especially because it's a

586
00:33:43,720 --> 00:33:46,480
Speaker 1: very important discussion we're talking about right now. There's a

587
00:33:46,480 --> 00:33:49,120
Speaker 1: case an eleven year old girl, you can look it up.

588
00:33:49,440 --> 00:33:54,000
Speaker 1: She killed herself and her mother is now suing. The

589
00:33:54,080 --> 00:33:56,320
Speaker 1: last name is Rodriguez. I can't think of her first name.

590
00:33:56,920 --> 00:33:59,880
Speaker 1: Her mother is now suing Facebook and Snapchat saying that

591
00:34:00,040 --> 00:34:02,400
Speaker 1: they know how harmful that this. You know that the

592
00:34:02,440 --> 00:34:05,560
Speaker 1: effects of and the addiction that comes from their their

593
00:34:05,960 --> 00:34:08,840
Speaker 1: um comes from their products is and yet they allow

594
00:34:08,960 --> 00:34:12,000
Speaker 1: children access to it. And so this mother's currently engaged

595
00:34:12,040 --> 00:34:15,160
Speaker 1: in a lawsuit with both snapchat Face and Facebook. My

596
00:34:15,239 --> 00:34:17,680
Speaker 1: personal opinion, it's the mom's fault, you know, and and

597
00:34:17,840 --> 00:34:20,560
Speaker 1: and you have decided to give your child this weapon.

598
00:34:20,600 --> 00:34:22,760
Speaker 1: You know, if this weapon is, you know, you're shocked

599
00:34:22,760 --> 00:34:25,440
Speaker 1: when your kid becomes addicted to this and becomes depressive.

600
00:34:25,760 --> 00:34:28,640
Speaker 1: But I think that Kim, you know, kind of represents

601
00:34:28,640 --> 00:34:32,239
Speaker 1: someone that is very pars social media. It's how she

602
00:34:32,320 --> 00:34:34,000
Speaker 1: made her you know, how she made her brands, how

603
00:34:34,040 --> 00:34:36,200
Speaker 1: she's made her living by giving more and more and

604
00:34:36,239 --> 00:34:39,480
Speaker 1: more and more of herself. And unfortunately she's not able

605
00:34:39,480 --> 00:34:42,000
Speaker 1: to see the harmful effects of that. She's not able

606
00:34:42,000 --> 00:34:45,239
Speaker 1: to assess her own addiction and her own obsession with

607
00:34:45,239 --> 00:34:48,040
Speaker 1: social media. I mean, to me, you're talking about two

608
00:34:48,120 --> 00:34:51,920
Speaker 1: billionaires you've got. If North needs a creative outlet from

609
00:34:51,920 --> 00:34:54,080
Speaker 1: her divorce, Kim could go buy her a ranch in

610
00:34:54,120 --> 00:34:57,360
Speaker 1: Wyoming literally tomorrow and say, here's a whole ranch. She

611
00:34:57,400 --> 00:35:00,399
Speaker 1: could She could afford to bring Pablo Bicasso back from

612
00:35:00,400 --> 00:35:03,080
Speaker 1: the dead and say, here, paint with my daughter. I mean,

613
00:35:03,080 --> 00:35:05,040
Speaker 1: she's got that much money. She could she could buy

614
00:35:05,280 --> 00:35:07,839
Speaker 1: her whatever she wants as a creative outlet. She could

615
00:35:07,840 --> 00:35:10,840
Speaker 1: buy her a plane and fly her to France and

616
00:35:11,080 --> 00:35:13,440
Speaker 1: you know, have her dying amongst the stars. This is

617
00:35:13,440 --> 00:35:15,960
Speaker 1: not an average family that has to deal with sadness

618
00:35:16,080 --> 00:35:18,480
Speaker 1: or has to find a creative outlet in a tricky

619
00:35:18,480 --> 00:35:21,840
Speaker 1: spot because they don't have resources. It is pointedly ridiculous

620
00:35:21,840 --> 00:35:24,520
Speaker 1: to suggest that this is the only creative outlet that

621
00:35:24,560 --> 00:35:27,319
Speaker 1: makes your child happy. And quite frankly, it doesn't matter

622
00:35:27,360 --> 00:35:29,000
Speaker 1: to make your child. If it makes your child happy,

623
00:35:29,080 --> 00:35:31,239
Speaker 1: you are the adult. For that reason, There's a lot

624
00:35:31,239 --> 00:35:33,839
Speaker 1: of stupid things that kids want that they believe make

625
00:35:33,880 --> 00:35:36,640
Speaker 1: themselves happy. We are arriving more and more in a

626
00:35:36,680 --> 00:35:38,759
Speaker 1: society where people don't know what it means to be

627
00:35:38,760 --> 00:35:41,920
Speaker 1: an adult, right, they don't know they're they're constantly caving

628
00:35:41,960 --> 00:35:43,319
Speaker 1: to what their kids want. Well, this is what my

629
00:35:43,360 --> 00:35:45,200
Speaker 1: kid wanted, and my kid just wanted social media. So

630
00:35:45,280 --> 00:35:46,520
Speaker 1: like I gave with them because they like it and

631
00:35:46,520 --> 00:35:49,040
Speaker 1: it makes them happy. I don't care if it's giving

632
00:35:49,080 --> 00:35:51,120
Speaker 1: them temporary happiness. If you know that in a long

633
00:35:51,160 --> 00:35:53,640
Speaker 1: one it's going to cause pain there, it's going to

634
00:35:53,680 --> 00:35:56,480
Speaker 1: cause addiction. So you have that addiction. You know how

635
00:35:56,480 --> 00:35:59,759
Speaker 1: addicting social media is because you have that addiction. And

636
00:36:00,080 --> 00:36:02,200
Speaker 1: so I just feel like Kanye deserves to be defending

637
00:36:02,320 --> 00:36:06,680
Speaker 1: this one in this particular regard, because any man who

638
00:36:06,800 --> 00:36:09,640
Speaker 1: understands even how they use social media, how men look

639
00:36:09,680 --> 00:36:12,279
Speaker 1: at social media. The fact that there's five million strangers,

640
00:36:12,520 --> 00:36:14,640
Speaker 1: how are you to know that amongst them are not pedophiles.

641
00:36:14,640 --> 00:36:17,920
Speaker 1: There's been you know, pedophile networks that have been established

642
00:36:17,920 --> 00:36:20,799
Speaker 1: on TikTok people that are looking at kids. Why would

643
00:36:20,800 --> 00:36:23,200
Speaker 1: you want your eight year old on to be observed

644
00:36:23,320 --> 00:36:25,520
Speaker 1: on an app you know, every second of their day.

645
00:36:25,560 --> 00:36:28,600
Speaker 1: This is different from you know, moms that have social

646
00:36:28,640 --> 00:36:31,480
Speaker 1: media and post their kids, you know, once in a

647
00:36:31,520 --> 00:36:34,279
Speaker 1: blue moon. When you are allowing your child to have

648
00:36:34,400 --> 00:36:37,960
Speaker 1: social media, you have no idea you know who, you

649
00:36:38,000 --> 00:36:40,279
Speaker 1: know who is looking at your kid. And that is

650
00:36:40,440 --> 00:36:45,080
Speaker 1: remarkably unfair to then castigate your significant other or former

651
00:36:45,080 --> 00:36:47,120
Speaker 1: significant other and pretend that this is an obsession. It

652
00:36:47,160 --> 00:36:50,600
Speaker 1: should be an obsession. Protecting your children and protecting our

653
00:36:50,680 --> 00:36:53,440
Speaker 1: children should be an obsession. So if Kanye is obsessed

654
00:36:53,680 --> 00:36:56,640
Speaker 1: with getting your daughter off social media, then may I

655
00:36:56,719 --> 00:36:59,960
Speaker 1: suggest that you develop that obsession, like may I suggest

656
00:37:00,160 --> 00:37:03,080
Speaker 1: that you develop wanting to protect your child from the world,

657
00:37:03,200 --> 00:37:04,840
Speaker 1: wanting your kid to grow up, wanting your kid to

658
00:37:04,840 --> 00:37:07,920
Speaker 1: be a normal third grader who wants to plan sleepovers

659
00:37:08,200 --> 00:37:10,920
Speaker 1: with her girlfriends, who wants to, you know, have do

660
00:37:10,960 --> 00:37:14,200
Speaker 1: an art project. I think for me, I was wanting

661
00:37:14,200 --> 00:37:17,080
Speaker 1: to do gymnastics and you know, and jumping around like

662
00:37:17,160 --> 00:37:20,759
Speaker 1: there are other creative outlets. And if you are a

663
00:37:20,840 --> 00:37:23,120
Speaker 1: parent and you really care about your child, no matter

664
00:37:23,200 --> 00:37:25,239
Speaker 1: what your child is going through, you would want to

665
00:37:25,239 --> 00:37:27,160
Speaker 1: protect them from the net. You just you would one

666
00:37:27,239 --> 00:37:30,480
Speaker 1: hundred percent. So we're speaking to a larger problem right now.

667
00:37:30,800 --> 00:37:33,520
Speaker 1: And I think this is as I said, like, I

668
00:37:33,560 --> 00:37:36,720
Speaker 1: don't think the Kardashians are aware of their own addiction

669
00:37:36,760 --> 00:37:39,640
Speaker 1: and obsession with social media, so they would not recognize

670
00:37:39,920 --> 00:37:42,200
Speaker 1: those symptoms and someone else they would. They don't see

671
00:37:42,200 --> 00:37:44,320
Speaker 1: any harm in it because they've made a living. And

672
00:37:44,360 --> 00:37:46,000
Speaker 1: again that's not to take a shot at him. I've

673
00:37:46,000 --> 00:37:48,520
Speaker 1: met her. She's very kind and she's very nice, but

674
00:37:48,840 --> 00:37:51,399
Speaker 1: you know, social media is her life. That's the point.

675
00:37:51,480 --> 00:37:53,560
Speaker 1: Like she's she's a nice person, but social media is

676
00:37:53,560 --> 00:37:55,960
Speaker 1: her life, and she's not seeing clear on this. So

677
00:37:56,400 --> 00:37:59,319
Speaker 1: just standing up for dads that kind of get caught, Like,

678
00:37:59,680 --> 00:38:02,080
Speaker 1: I just don't like the idea of the victim mentality

679
00:38:02,120 --> 00:38:04,320
Speaker 1: of a woman saying, oh, he's obsessed and he's controlling.

680
00:38:04,360 --> 00:38:06,840
Speaker 1: And you know, sure he may be obsessive in controlling

681
00:38:06,840 --> 00:38:09,839
Speaker 1: about different aspects, but on this particular one, Kanye West

682
00:38:09,920 --> 00:38:11,759
Speaker 1: is one hundred percent right, and Kim isn't the wrong.

683
00:38:11,960 --> 00:38:15,359
Speaker 1: Get that child off social media. She's a child, she's

684
00:38:15,400 --> 00:38:17,759
Speaker 1: eight years old. You know that it leads to an

685
00:38:17,760 --> 00:38:21,160
Speaker 1: increase in suicide rates amongst kids. These are devastating effects.

686
00:38:21,160 --> 00:38:24,000
Speaker 1: There are multiple stories out there of parents saying SHOULDA, WOULDA,

687
00:38:24,040 --> 00:38:25,840
Speaker 1: could have? I wish I did not allow my eight

688
00:38:25,920 --> 00:38:28,279
Speaker 1: year old to develop this addiction. You know, don't be

689
00:38:28,400 --> 00:38:31,759
Speaker 1: that parent that finds out too late because you don't know, Kim,

690
00:38:31,800 --> 00:38:33,359
Speaker 1: there was no social media and you were a kid.

691
00:38:33,360 --> 00:38:35,279
Speaker 1: You were allowed to be a kid. You're allowed to

692
00:38:35,280 --> 00:38:37,240
Speaker 1: be grubby, You're allowed to have braces, you were allowed

693
00:38:37,280 --> 00:38:41,200
Speaker 1: to look weird and not develop that sense of like

694
00:38:41,920 --> 00:38:44,719
Speaker 1: being self conscious about yourself because you're suddenly able to

695
00:38:44,760 --> 00:38:46,799
Speaker 1: see all of these other kids and see what they

696
00:38:46,880 --> 00:38:49,080
Speaker 1: look like. You don't know that. So right now, what

697
00:38:49,120 --> 00:38:52,319
Speaker 1: you're doing is you're experimenting with North. You're experimenting with her,

698
00:38:52,360 --> 00:38:57,239
Speaker 1: You're experimenting with her psychology, You're experimenting and assuming that

699
00:38:57,280 --> 00:38:59,680
Speaker 1: it's going to be okay. I wouldn't let my child

700
00:38:59,680 --> 00:39:01,759
Speaker 1: be the test Onny for social media in this age,

701
00:39:01,800 --> 00:39:03,920
Speaker 1: and I don't think she should either. So just throwing

702
00:39:03,920 --> 00:39:08,719
Speaker 1: a little support or Kanye, thanks guys for watching. So

703
00:39:08,800 --> 00:39:11,320
Speaker 1: there you have Candice on the side of the story

704
00:39:12,040 --> 00:39:15,920
Speaker 1: or perspective on the Kanye West and Kim k situation again,

705
00:39:16,680 --> 00:39:19,600
Speaker 1: high level communicators and people always wonder, Yo, when you

706
00:39:19,640 --> 00:39:23,239
Speaker 1: say you study these communicators like Candice Ons and Joe

707
00:39:23,360 --> 00:39:27,680
Speaker 1: Rogan and the and the TD Jakes and the Charlemagne's

708
00:39:27,719 --> 00:39:31,640
Speaker 1: and the Joe Buttons. When you say you study them, bro,

709
00:39:31,719 --> 00:39:35,000
Speaker 1: wait what you be meaning? Like? What what does that mean? Listen?

710
00:39:35,440 --> 00:39:37,960
Speaker 1: I understand I need to harness whatever this is I have.

711
00:39:38,400 --> 00:39:41,120
Speaker 1: So with that being said, I got to study the communicator.

712
00:39:41,239 --> 00:39:44,959
Speaker 1: So right, for you to be a communicator, you gotta

713
00:39:45,080 --> 00:39:48,120
Speaker 1: understand the communicators. Right, they say, he who wants to

714
00:39:48,200 --> 00:39:51,200
Speaker 1: fly like a bat must learn to see in the dog.

715
00:39:51,800 --> 00:39:53,800
Speaker 1: So what I do? I go study the people that

716
00:39:53,920 --> 00:39:56,280
Speaker 1: seeing in the dog. For me, what's seeing in the dog?

717
00:39:56,560 --> 00:40:00,360
Speaker 1: Operating in the media space where nobody really knows what's happening.

718
00:40:01,080 --> 00:40:05,160
Speaker 1: Vision is the ability to see what's invisible. I have vision.

719
00:40:05,680 --> 00:40:07,359
Speaker 1: I need to be able to see in the dark.

720
00:40:07,480 --> 00:40:11,240
Speaker 1: The dark is what we're in the media space, content world.

721
00:40:11,280 --> 00:40:14,400
Speaker 1: Nobody knows what's going on. So I have to place

722
00:40:14,480 --> 00:40:18,919
Speaker 1: myself in a situation where everything got do furthers the goal.

723
00:40:20,560 --> 00:40:24,319
Speaker 1: I'm not willing to compromise or I'm not willing to

724
00:40:24,320 --> 00:40:29,480
Speaker 1: give any equity up right to fast track the process

725
00:40:30,560 --> 00:40:33,279
Speaker 1: because what will happen is they'll tweak it. And I'm

726
00:40:33,320 --> 00:40:37,279
Speaker 1: almost thinking to myself, Hey, yo, loon, they right. It

727
00:40:37,320 --> 00:40:39,479
Speaker 1: is better to talk about these people than to talk

728
00:40:39,520 --> 00:40:42,239
Speaker 1: with these people because you meet some of these people

729
00:40:42,280 --> 00:40:46,520
Speaker 1: and you're disappointed. Yo. Dig what I'm saying. So you

730
00:40:46,600 --> 00:40:48,480
Speaker 1: gotta keep your head on the swivel. But for me,

731
00:40:48,520 --> 00:40:51,719
Speaker 1: it's about hustling. But Candice always came with some bell out.

732
00:40:52,120 --> 00:40:55,040
Speaker 1: Kanye West don't have nobody in in the conservative world

733
00:40:55,120 --> 00:40:59,560
Speaker 1: speaking for him and to be back cool with us

734
00:41:00,080 --> 00:41:03,480
Speaker 1: were stupid. I'm gonna not use that word. We are

735
00:41:03,840 --> 00:41:06,480
Speaker 1: unaware of the effects of what we asked Kanye. What's

736
00:41:06,560 --> 00:41:09,600
Speaker 1: to do? You gotta understand. I told y'all back then,

737
00:41:09,719 --> 00:41:12,400
Speaker 1: Kanye West winning the trick bag with the red head.

738
00:41:13,239 --> 00:41:15,839
Speaker 1: He was in the trick bag. I said it back then,

739
00:41:15,960 --> 00:41:18,840
Speaker 1: Go check the files. I said it was a Hoover

740
00:41:18,960 --> 00:41:21,680
Speaker 1: mission to begin with. Go check the files when everybody

741
00:41:21,800 --> 00:41:24,800
Speaker 1: was slandering them. I said, it's a Hoover mission. Vision

742
00:41:24,920 --> 00:41:28,959
Speaker 1: is the ability to see what's invisible. But we ask him,

743
00:41:29,200 --> 00:41:31,479
Speaker 1: Kanye West, to a for us to accept you back

744
00:41:31,520 --> 00:41:34,560
Speaker 1: the rappers, we need you to cut off. I hold

745
00:41:34,600 --> 00:41:38,880
Speaker 1: them conservative and white people that you had in your pocket.

746
00:41:38,960 --> 00:41:40,960
Speaker 1: Now we need you to keep them so we can

747
00:41:41,080 --> 00:41:44,239
Speaker 1: leverage that we need some help on some things. Keep

748
00:41:44,280 --> 00:41:49,440
Speaker 1: them people right, just put them closer. Let other people

749
00:41:49,800 --> 00:41:52,239
Speaker 1: you feel it. And I just think we don't understand

750
00:41:52,280 --> 00:41:55,480
Speaker 1: that we have to be uniform. And I understanding some

751
00:41:55,600 --> 00:41:59,359
Speaker 1: of us don't even see what's happening, and they'll put

752
00:41:59,400 --> 00:42:01,960
Speaker 1: us right the trick bag. And when you think about

753
00:42:01,960 --> 00:42:04,560
Speaker 1: what Candice or was it saying? Because I don't know

754
00:42:04,600 --> 00:42:06,880
Speaker 1: about y'all, I know what my algorithm is. And I

755
00:42:06,960 --> 00:42:10,919
Speaker 1: am a guy that's into a certain shape of woman. Right,

756
00:42:11,000 --> 00:42:13,479
Speaker 1: that's my thing, right, you gotta you know I want

757
00:42:13,520 --> 00:42:16,319
Speaker 1: you thick like you know, I want you no stomach big?

758
00:42:16,360 --> 00:42:19,720
Speaker 1: Oh yeah you know? Yeah, you dig what I'm saying.

759
00:42:19,719 --> 00:42:22,600
Speaker 1: The body is my playground. You dig. I like the Yeah,

760
00:42:22,800 --> 00:42:26,560
Speaker 1: so I like a certain shape of woman. Now. I

761
00:42:26,600 --> 00:42:28,560
Speaker 1: don't know if that speaks to what happened when I

762
00:42:28,640 --> 00:42:31,200
Speaker 1: go on TikTok, but I'll say this. When I go

763
00:42:31,239 --> 00:42:35,319
Speaker 1: on TikTok, if a woman has her you know, her

764
00:42:35,360 --> 00:42:37,800
Speaker 1: ass out of her boot out, or she turning around

765
00:42:37,800 --> 00:42:39,719
Speaker 1: and showing it or it's just a thick She got

766
00:42:39,800 --> 00:42:42,680
Speaker 1: a dress on and she just thick. Shes getting hundreds

767
00:42:42,680 --> 00:42:46,239
Speaker 1: and hundreds and hundreds of thousands of comments and millions

768
00:42:46,239 --> 00:42:50,960
Speaker 1: of likes off the scribble and they say, loon, why

769
00:42:50,960 --> 00:42:53,160
Speaker 1: did you bring that up? I bring that up because

770
00:42:53,360 --> 00:42:55,680
Speaker 1: if you put your eight year old in a situation

771
00:42:55,760 --> 00:42:58,640
Speaker 1: to be online, now, you throw her, this is what

772
00:42:58,719 --> 00:43:01,560
Speaker 1: Candice is saying. Then you throw her in that pool

773
00:43:01,560 --> 00:43:05,799
Speaker 1: of people. Then you gotta just pray that you don't

774
00:43:05,880 --> 00:43:09,000
Speaker 1: fall victim into wanting to shape. You're too young, you're

775
00:43:09,040 --> 00:43:12,440
Speaker 1: not developed these kind of things. Now. The shape is

776
00:43:12,480 --> 00:43:16,080
Speaker 1: just a byproduct of the lights, whatever's getting the likes

777
00:43:16,080 --> 00:43:18,439
Speaker 1: and the views. You tend to think that's what's right.

778
00:43:18,560 --> 00:43:22,160
Speaker 1: That's what as a child is what we're saying. As

779
00:43:22,160 --> 00:43:25,279
Speaker 1: a child is what we're saying. So it's some understanding

780
00:43:25,360 --> 00:43:28,680
Speaker 1: that we have when we're gonna TikTok, But the children

781
00:43:29,800 --> 00:43:33,880
Speaker 1: they don't operate with that same understanding. That's why you

782
00:43:33,920 --> 00:43:37,040
Speaker 1: see a seventeen year old girl going to get a

783
00:43:37,120 --> 00:43:42,120
Speaker 1: BBL and a mother signed off on the BBL. I'm

784
00:43:42,160 --> 00:43:44,600
Speaker 1: sick of that kind of cult or whatever. The children

785
00:43:44,640 --> 00:43:47,960
Speaker 1: won't let the children get it. This Internet is a weapon.

786
00:43:49,800 --> 00:43:52,319
Speaker 1: This Internet is a weapon. Weapon can be used for

787
00:43:52,360 --> 00:43:55,200
Speaker 1: a good thing. You can use a weapon to save

788
00:43:55,280 --> 00:43:57,360
Speaker 1: your house as somebody come to try to rob and

789
00:43:57,440 --> 00:44:00,320
Speaker 1: kill your family. That for that weapon saved your life.

790
00:44:00,320 --> 00:44:02,279
Speaker 1: But you can also use a weapon in the way

791
00:44:02,320 --> 00:44:07,319
Speaker 1: that's detrimental to society, and so you gotta figure out

792
00:44:07,320 --> 00:44:09,680
Speaker 1: a way to use the weapon. Unfortunate for us just

793
00:44:09,920 --> 00:44:12,759
Speaker 1: the beginning stages of it, so we really don't know

794
00:44:12,800 --> 00:44:18,759
Speaker 1: what's going on. I'm gonna pull the story up. But

795
00:44:18,840 --> 00:44:20,759
Speaker 1: a seventeen year old girl who went and got a

796
00:44:20,800 --> 00:44:25,239
Speaker 1: BBL body not even developed. You want some titties, just

797
00:44:25,320 --> 00:44:27,759
Speaker 1: wait a couple of years, you probably get some on.

798
00:44:27,880 --> 00:44:30,320
Speaker 1: Your body has not developed at seventeen, And for a

799
00:44:30,400 --> 00:44:33,279
Speaker 1: mother to sign off on a BBL, Yo bro, that

800
00:44:33,400 --> 00:44:36,080
Speaker 1: amo a yo bro. I really felt the way when

801
00:44:36,120 --> 00:44:40,040
Speaker 1: I read that, I really start calling girls like sending

802
00:44:40,160 --> 00:44:43,360
Speaker 1: like yo, ray you see this, like this is a

803
00:44:43,400 --> 00:44:47,400
Speaker 1: seventeen year old girl that's sitting here like body not developed.

804
00:44:47,440 --> 00:44:49,799
Speaker 1: Her Mamma gonna say, we're gonna gonna get your shape right.

805
00:44:52,040 --> 00:44:56,840
Speaker 1: What you think fuels that we ain't dealing with the most.

806
00:44:57,239 --> 00:44:59,279
Speaker 1: We ain't dealing with the sharp his knife, sending the

807
00:44:59,320 --> 00:45:03,440
Speaker 1: draw to begin in with. Then you throw the end

808
00:45:03,440 --> 00:45:05,000
Speaker 1: of that on that and then they think it's and

809
00:45:05,040 --> 00:45:07,400
Speaker 1: they didn't heard. It's a numbers game. It's all about numbers.

810
00:45:07,400 --> 00:45:11,520
Speaker 1: So now who's the girls getting the most numbers? I

811
00:45:11,600 --> 00:45:16,719
Speaker 1: know because I'm in the likes. Now, your daughter want

812
00:45:16,719 --> 00:45:19,120
Speaker 1: to be one of those girls? On top of that,

813
00:45:19,320 --> 00:45:21,640
Speaker 1: my mama one of them girls to get out the lights,

814
00:45:22,120 --> 00:45:25,239
Speaker 1: my mama superstar here. I know I'm gonna be one.

815
00:45:25,840 --> 00:45:28,080
Speaker 1: But you see people playing a comments. I'm gonna show

816
00:45:28,080 --> 00:45:29,759
Speaker 1: you some of the comments right as you see on

817
00:45:29,800 --> 00:45:33,040
Speaker 1: the screen here. North, can you show me your mammy's

818
00:45:33,080 --> 00:45:38,160
Speaker 1: credit card? North? Honey, do you know how to write

819
00:45:38,160 --> 00:45:43,880
Speaker 1: a check? It's stormy nice North? We are poor. North.

820
00:45:43,960 --> 00:45:48,520
Speaker 1: Have you ever played cash Ship? Forty seven thousand likes?

821
00:45:49,360 --> 00:45:52,120
Speaker 1: Twenty seven thousand likes? You see it on the screen.

822
00:45:53,880 --> 00:45:58,880
Speaker 1: This is your eight year old. It's uncomfortable for me.

823
00:45:59,280 --> 00:46:01,160
Speaker 1: So if you see on the screen here this is

824
00:46:01,200 --> 00:46:04,840
Speaker 1: the seventeen year old girl that mother signed off on

825
00:46:04,920 --> 00:46:07,840
Speaker 1: her to get a BBL, I think that's just a

826
00:46:08,120 --> 00:46:12,640
Speaker 1: very very unfortunate situation. And lack of knowledge and being

827
00:46:12,680 --> 00:46:21,000
Speaker 1: ignorant to the situation is prevalent here. This young lady

828
00:46:21,239 --> 00:46:24,640
Speaker 1: is not developed. This young lady should not be in

829
00:46:24,640 --> 00:46:27,640
Speaker 1: a situation to be getting put under a knife to

830
00:46:27,760 --> 00:46:31,360
Speaker 1: change the structure of her body and bones. I'm sorry,

831
00:46:31,520 --> 00:46:36,120
Speaker 1: the structure of her body and shape at seventeen years old.

832
00:46:37,880 --> 00:46:40,239
Speaker 1: It's almost like people are doing that because what do

833
00:46:40,320 --> 00:46:45,160
Speaker 1: you plan on doing? What? That's so young? Like, okay,

834
00:46:45,160 --> 00:46:48,399
Speaker 1: so let's take let's let's take about it right. Sometimes

835
00:46:49,360 --> 00:46:51,880
Speaker 1: the person going to get the shape they're going to

836
00:46:52,000 --> 00:46:56,239
Speaker 1: get the surgery to be more pilling sexually, right, to

837
00:46:56,320 --> 00:46:59,600
Speaker 1: be like sixty in address or whatever the case may be.

838
00:47:00,200 --> 00:47:02,439
Speaker 1: That's a child. What are we doing? I think these

839
00:47:02,480 --> 00:47:05,440
Speaker 1: are We live in unique times right now. Bro, this

840
00:47:05,520 --> 00:47:08,759
Speaker 1: is next level. I don't know what's going on, you know,

841
00:47:09,000 --> 00:47:12,880
Speaker 1: but let's let's read what happened. And here's a video

842
00:47:13,040 --> 00:47:17,200
Speaker 1: if you're watching that podcast, the video version of it,

843
00:47:17,440 --> 00:47:21,319
Speaker 1: here's a video seventeen year old bro. I'll read some

844
00:47:21,400 --> 00:47:24,440
Speaker 1: of the comments. Mom signing your way to the streets.

845
00:47:24,680 --> 00:47:26,560
Speaker 1: It's her body. Let her do what she wants. She

846
00:47:26,600 --> 00:47:28,640
Speaker 1: need to keep the negative things to yourself, trying to

847
00:47:28,640 --> 00:47:30,799
Speaker 1: be happy for her for once. I think that's the

848
00:47:30,920 --> 00:47:33,960
Speaker 1: mother everyone in this comment sound like they can't afford.

849
00:47:33,960 --> 00:47:36,640
Speaker 1: It's sad as an understatement. So we're dealing with mixed emotion.

850
00:47:37,480 --> 00:47:40,799
Speaker 1: We're dealing with mixed emotion. Man, Like, I don't get it, bro,

851
00:47:41,160 --> 00:47:43,640
Speaker 1: I feel sorry for this new ways dealing with the Internet.

852
00:47:43,680 --> 00:47:46,560
Speaker 1: This is a weapon of mass destruction if it's us wrong. Okay,

853
00:47:46,600 --> 00:47:50,080
Speaker 1: So here the young lady is after actually having the surgery.

854
00:47:50,719 --> 00:47:53,800
Speaker 1: You're seeing this next little snippet right here. Of course,

855
00:47:53,840 --> 00:47:56,640
Speaker 1: you have to sit on your stomach because you've now

856
00:47:56,719 --> 00:48:01,680
Speaker 1: had you know, surgery, some fat put in your behind.

857
00:48:02,080 --> 00:48:04,319
Speaker 1: So I say, y'all, let to say you have to

858
00:48:04,440 --> 00:48:08,640
Speaker 1: understand that some of these things have unintentional consequences. You

859
00:48:08,719 --> 00:48:12,080
Speaker 1: have to understand that being on the internet so young,

860
00:48:12,719 --> 00:48:16,160
Speaker 1: although you may get likes and feel good about yourself

861
00:48:16,160 --> 00:48:18,560
Speaker 1: and be able to dance and be creative, there's some

862
00:48:18,680 --> 00:48:24,160
Speaker 1: unintentional consequences. There's some unintentional damage that's taking place that

863
00:48:24,200 --> 00:48:27,319
Speaker 1: we right now can't even quantify. And I think for

864
00:48:27,440 --> 00:48:30,320
Speaker 1: the sake of that, if the best interests of the

865
00:48:30,440 --> 00:48:34,319
Speaker 1: child or your child, my child, whoever child is at

866
00:48:34,320 --> 00:48:36,680
Speaker 1: the forefront of your mind and you can help it,

867
00:48:37,000 --> 00:48:40,080
Speaker 1: and you have the ability to express it, like she said,

868
00:48:40,120 --> 00:48:43,120
Speaker 1: in all different kind of ways. I think that we

869
00:48:43,160 --> 00:48:46,400
Speaker 1: should probably if we can find a different way to

870
00:48:46,440 --> 00:48:48,880
Speaker 1: do it, because the Internet is the wild wild West,

871
00:48:48,920 --> 00:48:51,000
Speaker 1: and for me, I wouldn't drop my children off in

872
00:48:51,040 --> 00:48:54,920
Speaker 1: the wild wild West. That's just me. Oh man, So

873
00:48:55,000 --> 00:48:58,440
Speaker 1: let me tell y'all about I just left Miami right

874
00:48:59,160 --> 00:49:02,360
Speaker 1: when I'm at be Marshall shout out Beat Marshall and

875
00:49:02,480 --> 00:49:06,560
Speaker 1: Battle Rapper Chubby Jag was down there. Um, me and

876
00:49:06,600 --> 00:49:10,040
Speaker 1: b Marshall sat down with Jayrs Smith and and twine

877
00:49:10,120 --> 00:49:12,840
Speaker 1: Walker of course him and his crew and should be

878
00:49:12,920 --> 00:49:15,520
Speaker 1: dropping here soon. Man. It was just a dope experience.

879
00:49:15,560 --> 00:49:17,840
Speaker 1: He took me to the House of Athletes all that

880
00:49:17,960 --> 00:49:21,200
Speaker 1: I chilled with him a couple of days and we

881
00:49:21,280 --> 00:49:23,800
Speaker 1: really really really really build it. Man. I want to

882
00:49:23,800 --> 00:49:26,280
Speaker 1: send a shout out to Beat Marshall. Um. I learned

883
00:49:26,280 --> 00:49:28,719
Speaker 1: a lot as I travel the world. Man. I keep

884
00:49:28,719 --> 00:49:32,759
Speaker 1: telling you that the position I play in podcasting and

885
00:49:33,120 --> 00:49:37,560
Speaker 1: then just shows in general, we have the strength, but

886
00:49:37,640 --> 00:49:39,960
Speaker 1: we need the opportunity. So that's what we're doing. We

887
00:49:40,040 --> 00:49:43,000
Speaker 1: create an opportunity. I had a really good time man,

888
00:49:43,080 --> 00:49:46,279
Speaker 1: me and DJ and we played pool. Man. He told

889
00:49:46,320 --> 00:49:49,279
Speaker 1: me a lot of stories, Man, being in Miami is

890
00:49:49,320 --> 00:49:53,239
Speaker 1: just a totally different culture. But I wouldn't be me

891
00:49:53,360 --> 00:49:56,400
Speaker 1: if I if I didn't tell y'all that my life

892
00:49:56,520 --> 00:49:58,759
Speaker 1: is really like a movie, although there's a lot of

893
00:49:58,800 --> 00:50:02,040
Speaker 1: good things and highlight is be a line happening, right,

894
00:50:02,640 --> 00:50:06,080
Speaker 1: So picture and I'll take y'all. I'll give y'all a

895
00:50:06,080 --> 00:50:08,920
Speaker 1: little bit of what happened now, and then chopping business

896
00:50:09,040 --> 00:50:10,920
Speaker 1: up will be Marshall. We talked to w and me

897
00:50:11,120 --> 00:50:14,879
Speaker 1: we talked the gold Puff about advertising like big dog shit,

898
00:50:15,120 --> 00:50:17,120
Speaker 1: you know what I'm saying. Serious XM was on the

899
00:50:17,160 --> 00:50:20,520
Speaker 1: line like we got some big business coming down the turnpike.

900
00:50:20,600 --> 00:50:23,600
Speaker 1: And of course he's well more structured than almost anyone

901
00:50:23,680 --> 00:50:27,439
Speaker 1: I believe in this space, right and I say that wholeheartedly.

902
00:50:27,480 --> 00:50:31,560
Speaker 1: But so I'll go back to what you know, how

903
00:50:31,600 --> 00:50:33,919
Speaker 1: we kicked it, and you know, we went and seeing

904
00:50:33,960 --> 00:50:38,120
Speaker 1: the Rock House and champ Bailey House and all these cribs,

905
00:50:38,120 --> 00:50:40,160
Speaker 1: and man, I'm telling me, he would like may manifest

906
00:50:40,239 --> 00:50:43,600
Speaker 1: this ship. What is you? Boy? Like, I'm teaming the game.

907
00:50:43,719 --> 00:50:46,000
Speaker 1: Loves what I brain to the coach, and I definitely

908
00:50:46,040 --> 00:50:48,839
Speaker 1: appreciate what everybody brings to the coaches. So it makes

909
00:50:48,880 --> 00:50:52,920
Speaker 1: for a good relationship. But we gotta be reliable to

910
00:50:52,960 --> 00:50:55,680
Speaker 1: each other. I think that's something to be said for

911
00:50:55,760 --> 00:50:59,040
Speaker 1: us to really become reliable on one another in regards

912
00:50:59,080 --> 00:51:03,520
Speaker 1: to this game, you know, because there's a lot of

913
00:51:03,560 --> 00:51:06,600
Speaker 1: fake building in the game. Right, We'll build while you're

914
00:51:06,600 --> 00:51:08,319
Speaker 1: here to do the interview. Then I'm gonna talk to

915
00:51:08,360 --> 00:51:11,080
Speaker 1: you again for two to three years. I think we

916
00:51:11,200 --> 00:51:13,960
Speaker 1: got to get rid of that because for us to

917
00:51:14,120 --> 00:51:20,080
Speaker 1: really really really have red of share in this game,

918
00:51:20,160 --> 00:51:24,520
Speaker 1: we're gonna have to collaborate because its machine is on

919
00:51:24,560 --> 00:51:29,120
Speaker 1: the other side. One on machine ain't nothing. It got

920
00:51:29,120 --> 00:51:33,279
Speaker 1: to be us against machine for us to even even

921
00:51:33,320 --> 00:51:36,080
Speaker 1: the odds and have a chance at it. But so

922
00:51:36,239 --> 00:51:38,440
Speaker 1: picture this so you know, I stay down there for

923
00:51:38,640 --> 00:51:42,040
Speaker 1: Friday B. Marshall, you know, go to his crib and

924
00:51:42,080 --> 00:51:46,480
Speaker 1: shit kicking it again. We filmed am Athlete the episodes

925
00:51:46,480 --> 00:51:50,279
Speaker 1: with Dope and Tom Walker spoke about some of his hardships. JR.

926
00:51:50,360 --> 00:51:53,160
Speaker 1: Smith spoke about where he currently says, boy, j R. Smith,

927
00:51:53,239 --> 00:51:56,520
Speaker 1: naw is a different guy. JR. Smith is a different

928
00:51:56,560 --> 00:52:01,440
Speaker 1: guy now. Man. His whole outlook on life, his old trajectory.

929
00:52:01,880 --> 00:52:06,120
Speaker 1: You understand his whole right, It's a beautiful thing. They

930
00:52:06,160 --> 00:52:08,200
Speaker 1: asked him why he didn't think he could be in

931
00:52:08,239 --> 00:52:10,200
Speaker 1: the league and things like that. So it's a lot

932
00:52:10,239 --> 00:52:13,000
Speaker 1: coming out. Make sure you check that out. But um,

933
00:52:13,440 --> 00:52:15,720
Speaker 1: I get to the airport right on my day off.

934
00:52:15,880 --> 00:52:18,839
Speaker 1: I'm talking on my day leaving right. So picture it's

935
00:52:18,920 --> 00:52:26,560
Speaker 1: bad weather. It's bad weather places right, So it's bad weather,

936
00:52:26,600 --> 00:52:30,719
Speaker 1: which is up American Airlines. So now American Airlines has

937
00:52:30,719 --> 00:52:34,200
Speaker 1: me in a situation where I met the airport rushing

938
00:52:34,239 --> 00:52:36,800
Speaker 1: to the airport right, long story short, you know, I

939
00:52:36,960 --> 00:52:41,040
Speaker 1: hit finger licking and give me something neat next, thank you. No,

940
00:52:41,200 --> 00:52:44,719
Speaker 1: I forgot. I'm in Miami traffic. I gotta get to

941
00:52:44,760 --> 00:52:49,560
Speaker 1: the airport, hitting it, hitting it traffic so bad. Like

942
00:52:49,920 --> 00:52:54,719
Speaker 1: I show up to the airport, I'm running late. I'm talking,

943
00:52:54,840 --> 00:52:57,799
Speaker 1: I'm gonna miss my plane, right, I ain't even knowing

944
00:52:57,880 --> 00:53:01,279
Speaker 1: nothing about no cancelation. So they I'm gonna miss my

945
00:53:01,320 --> 00:53:03,719
Speaker 1: plane and it ain't no cancelation, right, So I'm gonna

946
00:53:03,760 --> 00:53:07,239
Speaker 1: miss my plane. I pull up, jump out first of all,

947
00:53:09,040 --> 00:53:13,200
Speaker 1: I got grads on me. Matter of fact, it's back up.

948
00:53:13,440 --> 00:53:15,680
Speaker 1: I'll tell I'll take you out back. I come through

949
00:53:15,719 --> 00:53:19,319
Speaker 1: the airport going down at the Florida man, right, first thing,

950
00:53:19,360 --> 00:53:23,720
Speaker 1: I tell myself feel and I got the real deal

951
00:53:24,000 --> 00:53:27,800
Speaker 1: at the house, and I gotta go be with the NFL, NBA.

952
00:53:28,640 --> 00:53:31,120
Speaker 1: I do not need to be searching for no grads.

953
00:53:31,560 --> 00:53:33,880
Speaker 1: Shout out to Rick Ross people him and you know,

954
00:53:34,239 --> 00:53:36,560
Speaker 1: they took good care of me down there. But I

955
00:53:36,600 --> 00:53:38,839
Speaker 1: do not need to be searching for no grads. So

956
00:53:41,239 --> 00:53:45,600
Speaker 1: I played the Yeah, I played the airport, so bam,

957
00:53:45,640 --> 00:53:49,400
Speaker 1: I come through the airport on some yeah. You know,

958
00:53:49,520 --> 00:53:54,319
Speaker 1: I get long story short, see it. You know. I

959
00:53:54,400 --> 00:53:56,320
Speaker 1: wanted to come on here and kind of speak about that,

960
00:53:56,440 --> 00:53:59,600
Speaker 1: but I can't even do it because it's it's crazy, man.

961
00:53:59,640 --> 00:54:02,600
Speaker 1: But they end up stopping me testing my hands. Then

962
00:54:02,640 --> 00:54:06,680
Speaker 1: they had my my whole dep with yellow, you know, like, uh,

963
00:54:07,440 --> 00:54:09,360
Speaker 1: you know, you go through the thing at the airport

964
00:54:09,560 --> 00:54:11,839
Speaker 1: and you're had in your shirt and yellow, my whole

965
00:54:12,239 --> 00:54:16,279
Speaker 1: with yellow. They're telling about you're growing, you're growing areas

966
00:54:16,360 --> 00:54:18,760
Speaker 1: yellow on our machine. We got to check your growing.

967
00:54:19,600 --> 00:54:22,879
Speaker 1: I said, check my growing. He's like, yeah, we gotta

968
00:54:22,920 --> 00:54:25,080
Speaker 1: check your growing, and we need to tiss your hands.

969
00:54:25,160 --> 00:54:30,399
Speaker 1: I'm thinking, oh man, I'm gone, you know, but but yeah, man,

970
00:54:30,760 --> 00:54:32,839
Speaker 1: the long story short. Now I get to the beach,

971
00:54:32,880 --> 00:54:36,839
Speaker 1: with the grass. Now I get to the beach, it's police.

972
00:54:38,040 --> 00:54:41,480
Speaker 1: I'm smoking. I looked over the police on the beach.

973
00:54:42,560 --> 00:54:45,560
Speaker 1: Now I'm thinking to myself, man, I can't run and

974
00:54:45,680 --> 00:54:48,640
Speaker 1: no saying, and I ain't trying to go head to

975
00:54:48,719 --> 00:54:51,920
Speaker 1: head with two thritty cops down here on his mother beat.

976
00:54:52,160 --> 00:54:55,640
Speaker 1: It really ain't no feeling like having that real deal

977
00:54:55,760 --> 00:54:59,600
Speaker 1: loud in the and the police walking the beach, you

978
00:54:59,719 --> 00:55:01,839
Speaker 1: just and the day ain't women. But I thought they

979
00:55:01,880 --> 00:55:04,440
Speaker 1: were gonna women. That feeling was. I'm like, man, I

980
00:55:04,440 --> 00:55:06,520
Speaker 1: don't know what's going on though, but some of y'all

981
00:55:06,600 --> 00:55:09,880
Speaker 1: might understand what I'm saying. I had a strange feeling.

982
00:55:10,640 --> 00:55:14,120
Speaker 1: But all my way back from them, all my way

983
00:55:14,160 --> 00:55:17,520
Speaker 1: back from from there, I get to the airport, right,

984
00:55:17,560 --> 00:55:21,360
Speaker 1: so boom, my poor law this dude here. You know,

985
00:55:21,400 --> 00:55:24,440
Speaker 1: I'm getting my bags out the louis that you understand,

986
00:55:24,520 --> 00:55:27,239
Speaker 1: because if you've ever been in the Miami Airport, it's

987
00:55:27,239 --> 00:55:30,040
Speaker 1: the ship too big, it's too much going on, and

988
00:55:30,040 --> 00:55:32,360
Speaker 1: in the Rental Corp place, you gotta jump in a

989
00:55:32,440 --> 00:55:35,000
Speaker 1: train that's damned in the air and go take it

990
00:55:35,080 --> 00:55:36,719
Speaker 1: to take you to the airport. So I met the

991
00:55:36,719 --> 00:55:41,799
Speaker 1: rental carp play dude. It's a young dude, right, I

992
00:55:41,920 --> 00:55:44,000
Speaker 1: pull up, I get one of my bags out. Now

993
00:55:44,040 --> 00:55:46,760
Speaker 1: I need one of them them baggage things to push

994
00:55:46,760 --> 00:55:48,680
Speaker 1: because I got too much to be what I see.

995
00:55:48,719 --> 00:55:51,200
Speaker 1: I used to walk through the airport like I was broke,

996
00:55:51,640 --> 00:55:54,319
Speaker 1: but I wasn't broke. I just didn't have no information.

997
00:55:55,040 --> 00:55:58,960
Speaker 1: See this is a perfect example about what I talk

998
00:55:59,040 --> 00:56:03,200
Speaker 1: about about Sometimes it's just a lack of information. It

999
00:56:03,239 --> 00:56:05,200
Speaker 1: ain't that he ain't got it, he just don't know

1000
00:56:05,239 --> 00:56:08,359
Speaker 1: where to put it. You see what I'm saying. I'm

1001
00:56:08,400 --> 00:56:12,160
Speaker 1: walking through the airport man full five bags rolling holding

1002
00:56:12,320 --> 00:56:16,520
Speaker 1: you know I mean, I'm that's broke board. They say something, Man,

1003
00:56:16,560 --> 00:56:18,680
Speaker 1: you can throw all your bags on it and push

1004
00:56:18,719 --> 00:56:21,560
Speaker 1: you the airport. You ain't got the dues it like that.

1005
00:56:21,920 --> 00:56:24,800
Speaker 1: So I'm doing it like it, not even really peeping

1006
00:56:24,880 --> 00:56:28,319
Speaker 1: what I'm doing. But after I got the information, now

1007
00:56:28,480 --> 00:56:30,640
Speaker 1: make it easier on myself in the airport. You should

1008
00:56:30,640 --> 00:56:33,719
Speaker 1: have saw me sweating three four, five years ago coming

1009
00:56:33,760 --> 00:56:37,120
Speaker 1: through that airport with three four bags and a car

1010
00:56:37,280 --> 00:56:40,120
Speaker 1: on and a laptop bag and my got Man, the

1011
00:56:40,200 --> 00:56:43,640
Speaker 1: boy looked pole. You know what I'm saying. You gotta

1012
00:56:43,680 --> 00:56:46,000
Speaker 1: do with pay eight dollars for the little things. So

1013
00:56:46,560 --> 00:56:48,919
Speaker 1: I tell him, let me go get the thing right quick.

1014
00:56:49,000 --> 00:56:51,480
Speaker 1: I run and get the thing. I put one of

1015
00:56:51,480 --> 00:56:54,000
Speaker 1: my bags on the ground in front of truck. How

1016
00:56:54,000 --> 00:56:56,640
Speaker 1: about the young in the truck now? Like he read

1017
00:56:56,680 --> 00:56:58,440
Speaker 1: to check it in, I said, And they must be

1018
00:56:58,480 --> 00:57:02,200
Speaker 1: on commission taking, ain't I'm bullet pulling up running late.

1019
00:57:03,360 --> 00:57:08,520
Speaker 1: So airport bullet in another towel pulling up running late.

1020
00:57:09,640 --> 00:57:12,000
Speaker 1: You know, I'm really trying to add them folk Kyle too,

1021
00:57:12,000 --> 00:57:14,040
Speaker 1: because you really ain't pulled to be getting down in

1022
00:57:14,080 --> 00:57:17,640
Speaker 1: their car. But I'm slick getting down. And then folk cars,

1023
00:57:17,640 --> 00:57:19,600
Speaker 1: So I got the one that dins. Just a bunch

1024
00:57:19,680 --> 00:57:22,800
Speaker 1: going on, and I'm super bullet. So pull one and

1025
00:57:22,920 --> 00:57:25,000
Speaker 1: I go get the cart. I come back. I put

1026
00:57:25,040 --> 00:57:27,040
Speaker 1: that on the car. He's in the car, like, bro,

1027
00:57:27,120 --> 00:57:29,400
Speaker 1: you got to get out. The cars still got charger.

1028
00:57:29,760 --> 00:57:31,920
Speaker 1: I got get up there. I gotta get some and

1029
00:57:32,080 --> 00:57:34,000
Speaker 1: he ready to turn it in. They must get some

1030
00:57:34,080 --> 00:57:36,680
Speaker 1: kind of commission based on the number cars they're getting in.

1031
00:57:36,760 --> 00:57:39,120
Speaker 1: But it rushed me. I don't know if he knew,

1032
00:57:39,360 --> 00:57:41,960
Speaker 1: but I was already running late, and they rushed me

1033
00:57:42,000 --> 00:57:44,880
Speaker 1: even more. So I grabbed the Loyd bag, grabbed the

1034
00:57:44,920 --> 00:57:48,640
Speaker 1: other Looyd bag and grabbed my backpack, and boom. I

1035
00:57:48,720 --> 00:57:50,160
Speaker 1: hit it through the airport, and now I got the

1036
00:57:50,200 --> 00:57:51,720
Speaker 1: little car. I said, all right, I might make it.

1037
00:57:51,760 --> 00:57:54,760
Speaker 1: I got a couple of minutes. Y'all gonna just fade them,

1038
00:57:54,800 --> 00:57:56,680
Speaker 1: I all care on. They gonna had to just do

1039
00:57:56,720 --> 00:57:58,960
Speaker 1: it up at the thing in charge me because they

1040
00:57:59,000 --> 00:58:00,800
Speaker 1: can do that. Like if you try to fade them

1041
00:58:00,800 --> 00:58:02,400
Speaker 1: with too many cara on, they're gonna like, hey, sir,

1042
00:58:02,480 --> 00:58:05,360
Speaker 1: you can't do that. We're just sending this over, you

1043
00:58:05,400 --> 00:58:07,480
Speaker 1: know what I mean. So I'm coming through with the

1044
00:58:07,680 --> 00:58:10,200
Speaker 1: I'm coming through with the car. I mean at full speed.

1045
00:58:10,280 --> 00:58:14,640
Speaker 1: I get halfway maybe nothing again, this airport is tremendously big.

1046
00:58:14,680 --> 00:58:16,800
Speaker 1: So I get halfway through the airport, which is probably

1047
00:58:16,880 --> 00:58:19,520
Speaker 1: two and a half miles or something wild like that,

1048
00:58:19,680 --> 00:58:23,040
Speaker 1: at least a mile or something. I get halfway in

1049
00:58:23,120 --> 00:58:27,960
Speaker 1: the airport and say, oh, I left my cameras and lights.

1050
00:58:28,840 --> 00:58:31,240
Speaker 1: So now I got to turn back around. So now

1051
00:58:31,280 --> 00:58:33,240
Speaker 1: I got the double back down and go to where

1052
00:58:33,240 --> 00:58:35,800
Speaker 1: the runter car people in and then taking man, I

1053
00:58:35,920 --> 00:58:38,920
Speaker 1: gotta go back a mile and a half two miles,

1054
00:58:39,240 --> 00:58:42,360
Speaker 1: jump on the elevator. Hope they ain't took the cars

1055
00:58:42,400 --> 00:58:46,040
Speaker 1: somewhere somebody ain't stole the bag and the camera knowledge.

1056
00:58:46,040 --> 00:58:49,440
Speaker 1: So I'm running and I'm already late to begin with.

1057
00:58:49,600 --> 00:58:52,600
Speaker 1: So I run back. I'm hitting it through the airport,

1058
00:58:53,000 --> 00:58:54,960
Speaker 1: pushing the car. You know, I ain't got no pride,

1059
00:58:55,040 --> 00:58:57,440
Speaker 1: don't care what nobody to think about me, no way

1060
00:58:57,720 --> 00:58:59,760
Speaker 1: you feel me. So I ain't never playing to the

1061
00:59:00,400 --> 00:59:04,280
Speaker 1: far as cool. I ain't never trying to show nobody.

1062
00:59:04,440 --> 00:59:06,800
Speaker 1: Then I ain't got a flow. Man, y'all little boys

1063
00:59:06,920 --> 00:59:09,280
Speaker 1: is tripping far as out less. So you know I

1064
00:59:09,320 --> 00:59:13,120
Speaker 1: do wasn't necessary. You know, I do what's mandatory. You

1065
00:59:13,160 --> 00:59:14,840
Speaker 1: know I'm one of them. I ain't the one that's

1066
00:59:14,880 --> 00:59:16,880
Speaker 1: gonna you know what I mean, try to fit in

1067
00:59:17,040 --> 00:59:18,920
Speaker 1: and I'll let boy you if I got to go

1068
00:59:18,960 --> 00:59:21,360
Speaker 1: to burger key here, I'll come burger king and see

1069
00:59:21,480 --> 00:59:25,120
Speaker 1: what it is. You know, being broke is one thing.

1070
00:59:25,240 --> 00:59:28,000
Speaker 1: Staying broke is a different thing. But but anyway, so

1071
00:59:28,040 --> 00:59:30,080
Speaker 1: I run through the apple, I'm gone, I'm hitting it.

1072
00:59:30,120 --> 00:59:32,400
Speaker 1: I'm hitting it taking man, I've been I ain't been

1073
00:59:32,600 --> 00:59:35,160
Speaker 1: active in running and nothing like it. Man, I'm not

1074
00:59:35,480 --> 00:59:38,360
Speaker 1: so I'm you feel I'm gone, I'm gone. I jump

1075
00:59:38,400 --> 00:59:40,919
Speaker 1: on the elevator, go down to the first flow, get off.

1076
00:59:41,200 --> 00:59:44,040
Speaker 1: I come out. I'm like, damn, which one is the

1077
00:59:45,520 --> 00:59:47,760
Speaker 1: I don't see it, man, I ain't got off on

1078
00:59:47,800 --> 00:59:52,680
Speaker 1: the wrong flow. I'm panicking. I'm sweating in it right now.

1079
00:59:52,920 --> 00:59:57,040
Speaker 1: I got five six dollars worth cameras. Didn't the light

1080
00:59:57,120 --> 01:00:01,800
Speaker 1: probably six hundred seven hundred, you understand. So and then

1081
01:00:01,800 --> 01:00:04,600
Speaker 1: it's it's decared on that way. I had some important

1082
01:00:04,600 --> 01:00:07,680
Speaker 1: stuff on that. So now I'm panicking, like man, I

1083
01:00:07,720 --> 01:00:11,000
Speaker 1: hope they don't still try to extore me. Whoever backpack

1084
01:00:11,120 --> 01:00:13,040
Speaker 1: this see or pay there? You know, they played them

1085
01:00:13,120 --> 01:00:16,160
Speaker 1: kind of game. It's Miami, you feel me? So I

1086
01:00:16,240 --> 01:00:18,280
Speaker 1: how to hit back? And then I asked somebody, Hey, man,

1087
01:00:18,280 --> 01:00:21,240
Speaker 1: what it's Renter? Car Play said, I'm the specific name.

1088
01:00:21,280 --> 01:00:24,120
Speaker 1: I won't say because I gotta lock back in with them.

1089
01:00:24,800 --> 01:00:26,919
Speaker 1: But what it's Renter car Play said? They said, third floor?

1090
01:00:26,960 --> 01:00:28,720
Speaker 1: I said, man, got off on the wrong flow. Now

1091
01:00:28,880 --> 01:00:32,600
Speaker 1: run again, getting the boom. We're going there third floor.

1092
01:00:32,640 --> 01:00:34,160
Speaker 1: I jump off of You know, I need to comment

1093
01:00:34,280 --> 01:00:36,720
Speaker 1: the car. I got some stuff in there, man, my bag,

1094
01:00:36,800 --> 01:00:39,720
Speaker 1: my likes my equipment. I really want posted even tell them, man,

1095
01:00:39,760 --> 01:00:41,840
Speaker 1: I just posted what the car and something in there,

1096
01:00:43,240 --> 01:00:45,120
Speaker 1: because sometimes you tell him what's in there and all

1097
01:00:45,160 --> 01:00:47,800
Speaker 1: of a sudden he come up missing. That's game too,

1098
01:00:47,840 --> 01:00:50,800
Speaker 1: But I was panicking. See sometimes I panic. I don't

1099
01:00:50,840 --> 01:00:53,960
Speaker 1: execute high level game at all times. Don't get that confused.

1100
01:00:54,120 --> 01:00:56,960
Speaker 1: Right then, that was a bad decision. I told him

1101
01:00:56,960 --> 01:00:59,040
Speaker 1: what he was looking for. That were bad because if

1102
01:00:59,040 --> 01:01:03,760
Speaker 1: his interest was that's on the wrong side. That's gone.

1103
01:01:05,560 --> 01:01:08,360
Speaker 1: And the idea that everybody is straight as that means

1104
01:01:08,360 --> 01:01:11,400
Speaker 1: you're a fool. If you believe everybody is straight, that

1105
01:01:11,520 --> 01:01:14,919
Speaker 1: means you're a fool. Because if there is a land

1106
01:01:15,000 --> 01:01:18,400
Speaker 1: with all honest people, thieves are invaded. That's just how

1107
01:01:18,480 --> 01:01:21,400
Speaker 1: life is. It ain't nowhere around it, right, So I

1108
01:01:21,440 --> 01:01:23,200
Speaker 1: put I push you up on them. Hey yo, I

1109
01:01:23,280 --> 01:01:25,480
Speaker 1: need the car, bro And I left my lights. I

1110
01:01:25,520 --> 01:01:27,880
Speaker 1: don't left my camera. I cannot do this, man, please,

1111
01:01:27,960 --> 01:01:30,560
Speaker 1: And I'm gonna miss my flight. I got like eight minutes,

1112
01:01:30,640 --> 01:01:34,200
Speaker 1: ten minutes. I had like twenty two minutes maybe something

1113
01:01:34,280 --> 01:01:37,320
Speaker 1: like that. But I'm hitting him with eighteen. I'm knocking

1114
01:01:37,360 --> 01:01:40,479
Speaker 1: twelve off just to try to put the urgency there.

1115
01:01:41,160 --> 01:01:43,880
Speaker 1: He like, what car, I'm like such a such car. Man,

1116
01:01:44,120 --> 01:01:46,840
Speaker 1: what's license plate? Man? I don't know license plate? Man's

1117
01:01:46,880 --> 01:01:49,440
Speaker 1: just right, just was right here, slam I because it's

1118
01:01:49,480 --> 01:01:51,840
Speaker 1: just taking Man, I'm a mile, just two miles, so

1119
01:01:52,000 --> 01:01:56,120
Speaker 1: I was just right here. He looking around. Then ont

1120
01:01:56,160 --> 01:02:00,960
Speaker 1: of notice they got fifteen of the same car, so bam,

1121
01:02:01,040 --> 01:02:03,200
Speaker 1: we found one that ain't met. I look, he said,

1122
01:02:03,320 --> 01:02:05,640
Speaker 1: you got the email when we when you got the

1123
01:02:05,680 --> 01:02:08,400
Speaker 1: com like yeah, I look. I like boom he said, okay,

1124
01:02:08,440 --> 01:02:11,600
Speaker 1: Washington tag, Washington tag. So I'm looking for Washington tag.

1125
01:02:11,640 --> 01:02:13,640
Speaker 1: I don't see it. Only we pull it on door.

1126
01:02:13,720 --> 01:02:15,360
Speaker 1: We don't see it. We don't see it. They didn't

1127
01:02:15,400 --> 01:02:17,160
Speaker 1: even drive the car run had a little light skin,

1128
01:02:17,320 --> 01:02:19,480
Speaker 1: but it who I was talking to who jumped in

1129
01:02:19,560 --> 01:02:22,240
Speaker 1: the car? Who I felt like rush man? I hit him? Bro,

1130
01:02:22,320 --> 01:02:25,240
Speaker 1: will you take the car? My boy? You got us

1131
01:02:25,320 --> 01:02:28,439
Speaker 1: running around looking I gotta go. I don't know. I'm

1132
01:02:28,440 --> 01:02:31,520
Speaker 1: not responsible for moving the car. I'm like, yo, you

1133
01:02:31,960 --> 01:02:34,919
Speaker 1: just bugged out man. And I'm in Miami, so I'm

1134
01:02:34,920 --> 01:02:37,640
Speaker 1: trying not to go to jail about it, trying not

1135
01:02:37,720 --> 01:02:40,400
Speaker 1: to do too much about it. But I'm not trying

1136
01:02:40,440 --> 01:02:43,160
Speaker 1: to be going through this and I'm already running late. Bro,

1137
01:02:43,600 --> 01:02:47,560
Speaker 1: so I got the owner to shoot, not the owner,

1138
01:02:47,560 --> 01:02:49,600
Speaker 1: but the dude running with the shoot with me. So

1139
01:02:49,920 --> 01:02:52,280
Speaker 1: he go back in the back where it say authorized

1140
01:02:52,360 --> 01:02:56,320
Speaker 1: only against who pushed back through the authorized only big loom,

1141
01:02:56,360 --> 01:02:58,280
Speaker 1: because all I need to see is the com going

1142
01:02:58,360 --> 01:03:01,240
Speaker 1: in there myself. I had to catch my flight, you

1143
01:03:01,240 --> 01:03:04,000
Speaker 1: feel what I'm saying. So we go back there to

1144
01:03:04,080 --> 01:03:07,080
Speaker 1: car not back down. Then we get to the cord

1145
01:03:07,160 --> 01:03:09,560
Speaker 1: the doe lock. So we get from back there, we

1146
01:03:09,600 --> 01:03:13,080
Speaker 1: get all the way back around just taking mine clock ticking. Bro,

1147
01:03:13,400 --> 01:03:16,360
Speaker 1: I'm sweating, like, let's go, bro. We get back around

1148
01:03:16,440 --> 01:03:20,720
Speaker 1: here that go to car is locked, and then we

1149
01:03:21,040 --> 01:03:23,720
Speaker 1: go to the station. They don't got the key. Take it, man,

1150
01:03:23,800 --> 01:03:26,040
Speaker 1: Oh this is going on while I'm gonna miss my

1151
01:03:26,080 --> 01:03:28,840
Speaker 1: flight and I'm worried that. And they hid in the

1152
01:03:28,840 --> 01:03:31,480
Speaker 1: car because they got the start. You know, I'm extremists.

1153
01:03:31,480 --> 01:03:34,240
Speaker 1: I don't ain't no in between with me. I just

1154
01:03:35,320 --> 01:03:38,920
Speaker 1: prepare for the best, you know what I'm saying, Hope

1155
01:03:38,920 --> 01:03:41,960
Speaker 1: for the best, prepared for the worst every time. So

1156
01:03:43,520 --> 01:03:45,640
Speaker 1: I'm talking to the dude who running, I'm like, bro,

1157
01:03:45,720 --> 01:03:48,920
Speaker 1: how you gonna not have the keys within five ten minutes?

1158
01:03:48,960 --> 01:03:51,160
Speaker 1: With somebody else got the keys. They take it down there,

1159
01:03:51,520 --> 01:03:54,400
Speaker 1: where's the car. Then he's saying, oh, they're coming with

1160
01:03:54,440 --> 01:03:56,480
Speaker 1: the keys. Don't you know, somebody pull up with the

1161
01:03:56,520 --> 01:04:00,840
Speaker 1: wrong keys. Pull up with the wrong keys. He hit

1162
01:04:00,920 --> 01:04:03,160
Speaker 1: all the keys. Ain't nothing going on. Then they gotta

1163
01:04:03,160 --> 01:04:05,240
Speaker 1: go get somebody else. And then he finally come with

1164
01:04:05,240 --> 01:04:06,960
Speaker 1: the keys. He hit the button. Boom. I get my

1165
01:04:07,000 --> 01:04:10,080
Speaker 1: equipment out. I'm gone back to the airport. I'm gone.

1166
01:04:10,440 --> 01:04:14,480
Speaker 1: I'm gone. Yeah, I'm gonna try to make it. Take it, man, bro,

1167
01:04:15,120 --> 01:04:17,960
Speaker 1: I get where up here to the airport? Where to

1168
01:04:18,160 --> 01:04:21,520
Speaker 1: check in? Where up here to where they take your bag?

1169
01:04:22,280 --> 01:04:25,280
Speaker 1: I print out my my my bag tag, I print

1170
01:04:25,280 --> 01:04:28,800
Speaker 1: out my past I mean my boarding pass in my

1171
01:04:28,840 --> 01:04:31,720
Speaker 1: bag tag, put my bag, take on, check my bag in.

1172
01:04:31,840 --> 01:04:34,800
Speaker 1: I'm almost at the finished line. Boom. I get an email.

1173
01:04:34,880 --> 01:04:41,760
Speaker 1: Flight delayed now, I'm super cool. Flight delayed All right, boom,

1174
01:04:41,840 --> 01:04:44,360
Speaker 1: I'm cool. Now I'm gonna take the foot off the gag.

1175
01:04:44,440 --> 01:04:47,480
Speaker 1: I've been walking fast and the motherfucker man, I'm tired,

1176
01:04:47,680 --> 01:04:51,840
Speaker 1: no motherfuckering this airport. Boy, I'm one of the most

1177
01:04:51,880 --> 01:04:55,360
Speaker 1: tiredness in the airport. This is a complete center. You

1178
01:04:55,480 --> 01:04:59,120
Speaker 1: feel me? So after that, I come on around right

1179
01:04:59,120 --> 01:05:01,160
Speaker 1: at the picture this, I come on the run right

1180
01:05:01,200 --> 01:05:03,760
Speaker 1: after I checked my bags in or check it one

1181
01:05:03,800 --> 01:05:06,320
Speaker 1: bag again. I got my cab round women. I coming

1182
01:05:06,360 --> 01:05:10,360
Speaker 1: through the line through the TSA. Guess what's happening, Pam.

1183
01:05:10,360 --> 01:05:14,840
Speaker 1: Both of my legs lock up. Both of my legs

1184
01:05:15,000 --> 01:05:17,880
Speaker 1: lock up. I got a foot problem on one of them.

1185
01:05:17,920 --> 01:05:20,360
Speaker 1: And then so when the foot problem, I'm like, dare,

1186
01:05:20,640 --> 01:05:24,280
Speaker 1: I don't have to stop right, I'm going through some

1187
01:05:24,400 --> 01:05:27,280
Speaker 1: of the most gruesome pain you ever want to see. Right,

1188
01:05:27,560 --> 01:05:31,480
Speaker 1: But I'm gangster and I'm and I'm slick, like man,

1189
01:05:31,520 --> 01:05:33,520
Speaker 1: I can't let the people know something wrong with me.

1190
01:05:33,600 --> 01:05:36,560
Speaker 1: So I'm just standing there. I'm just standing there like

1191
01:05:36,720 --> 01:05:40,040
Speaker 1: board this. It seemed like my foot was just because

1192
01:05:40,000 --> 01:05:42,280
Speaker 1: i'dn't have been running it. Now. Let I don't know

1193
01:05:42,320 --> 01:05:44,800
Speaker 1: what's going on with that man, that more will hurt

1194
01:05:44,880 --> 01:05:47,520
Speaker 1: so hard. It was just like it was a cramp

1195
01:05:47,600 --> 01:05:49,880
Speaker 1: that never doesn't happen in life. It was one of

1196
01:05:49,920 --> 01:05:52,880
Speaker 1: the hardest crime. So it was just hidden it hitting it.

1197
01:05:53,200 --> 01:05:55,480
Speaker 1: I'm like, oh, I ain't nothing I can do. I'm

1198
01:05:55,480 --> 01:05:58,360
Speaker 1: telling my inside the bones that was broken on my foot.

1199
01:05:58,920 --> 01:06:03,800
Speaker 1: It was just drawing so hard, so I don't I'm like, oh,

1200
01:06:03,960 --> 01:06:07,640
Speaker 1: now I noticed that. Oh I gotta I'm gonna try

1201
01:06:07,640 --> 01:06:09,640
Speaker 1: to take the weight off of it. So I'm standing

1202
01:06:09,640 --> 01:06:12,400
Speaker 1: in last people walking past me. But I'm not giving

1203
01:06:12,440 --> 01:06:14,920
Speaker 1: no looks or nothing. I'm just chilling like a yo.

1204
01:06:15,280 --> 01:06:17,280
Speaker 1: You know. Now I'm just standing right here for a second.

1205
01:06:17,360 --> 01:06:19,240
Speaker 1: Y'all go ahead. They may think I'm waiting on my

1206
01:06:19,320 --> 01:06:21,720
Speaker 1: old lady to check a bag in or someday they

1207
01:06:21,760 --> 01:06:24,040
Speaker 1: may not know. I ain't giving no look. But it's

1208
01:06:24,120 --> 01:06:27,000
Speaker 1: hurting super bad. So now I take the weight out

1209
01:06:27,040 --> 01:06:29,560
Speaker 1: foot and put the weight on the other foot, like, Okay,

1210
01:06:29,600 --> 01:06:31,440
Speaker 1: I gotta take the weight out foot because that make

1211
01:06:31,480 --> 01:06:34,160
Speaker 1: it feel just a little bit better. I don't know why.

1212
01:06:34,400 --> 01:06:36,880
Speaker 1: So now I'm putting all my weight on the left foot,

1213
01:06:38,240 --> 01:06:41,200
Speaker 1: putting all my weight on the left foot. Next thing

1214
01:06:41,240 --> 01:06:46,720
Speaker 1: you know, k boom at left foot lock up. But

1215
01:06:46,920 --> 01:06:49,840
Speaker 1: this time that it's that left leg with the child

1216
01:06:49,840 --> 01:06:52,160
Speaker 1: at horse from putting all that weight on it. And

1217
01:06:52,320 --> 01:06:55,240
Speaker 1: you don't ran three four miles in this airport because

1218
01:06:55,280 --> 01:06:58,000
Speaker 1: you left something mile left. You don't run three full

1219
01:06:58,080 --> 01:07:00,959
Speaker 1: miles and so now you gotta ramp in this leg

1220
01:07:01,440 --> 01:07:05,560
Speaker 1: and grew some pain in this foot. Bro I stood

1221
01:07:05,600 --> 01:07:08,560
Speaker 1: there for maybe fifteen twenty minute to the point where

1222
01:07:08,600 --> 01:07:10,680
Speaker 1: I couldn't hea it. Now I'm bending over because I'm

1223
01:07:10,720 --> 01:07:12,880
Speaker 1: trying to move it and do I don't know. I'm

1224
01:07:12,920 --> 01:07:16,720
Speaker 1: trying to do something tool where to stop hurting. Then

1225
01:07:16,800 --> 01:07:19,120
Speaker 1: in my man and said, oh, ain't none you can do.

1226
01:07:19,760 --> 01:07:23,400
Speaker 1: I'm still in TSA line. Now, ain't no chairs in sight,

1227
01:07:23,520 --> 01:07:27,400
Speaker 1: Ain't none you can do in TSA line. It hit

1228
01:07:27,560 --> 01:07:29,920
Speaker 1: my man. Ain't number one thing you can do, Homan.

1229
01:07:31,000 --> 01:07:33,680
Speaker 1: You gotta take the you gotta take the weight off

1230
01:07:33,680 --> 01:07:35,720
Speaker 1: both your feet. So boom, I hit the ground in

1231
01:07:35,800 --> 01:07:40,760
Speaker 1: TSA line, sat down. Now it's still hurting, but it's

1232
01:07:40,800 --> 01:07:44,200
Speaker 1: easy enough. Now. People like, are you okay? Yeah, I'm good.

1233
01:07:44,240 --> 01:07:46,920
Speaker 1: I'm good. Y'all just keep moving. Everybody to worry about me.

1234
01:07:47,000 --> 01:07:50,680
Speaker 1: I'm cool. They are you okay? People? Okay? Some white dude,

1235
01:07:50,680 --> 01:07:52,960
Speaker 1: See why I say people panic when they don't know

1236
01:07:53,000 --> 01:07:56,000
Speaker 1: what to do. They say anything. Some white dude walk

1237
01:07:56,080 --> 01:07:58,800
Speaker 1: up on me with some already drunk cough it said

1238
01:07:58,920 --> 01:08:01,200
Speaker 1: you want some of my call? He had one of

1239
01:08:01,200 --> 01:08:04,560
Speaker 1: them frozen coffee. I don't want no coffee, man, You

1240
01:08:04,680 --> 01:08:07,640
Speaker 1: think coffee gonna MAKEE my legs stop hurting? I don't

1241
01:08:07,680 --> 01:08:10,720
Speaker 1: want no coffee. My brother, you feel me, but he

1242
01:08:10,760 --> 01:08:14,000
Speaker 1: didn't know what to say. He goes something grind just

1243
01:08:14,440 --> 01:08:16,240
Speaker 1: you feel me, so he don't know what to say.

1244
01:08:16,320 --> 01:08:19,240
Speaker 1: But I mean, grow some pain, and he offered me, Man,

1245
01:08:19,320 --> 01:08:26,000
Speaker 1: you got to be tripping, so now, uh, security, come security,

1246
01:08:26,120 --> 01:08:28,360
Speaker 1: I said, Man, I need a wheel chair. I don't forgot.

1247
01:08:28,439 --> 01:08:30,840
Speaker 1: That shouldn't been my game to begin. We don't walk

1248
01:08:30,880 --> 01:08:33,280
Speaker 1: through the airport like it. We instantly get with so

1249
01:08:33,360 --> 01:08:36,040
Speaker 1: I didn't forgotten cause COVID gabman, I ain't been doing

1250
01:08:36,120 --> 01:08:39,840
Speaker 1: too much traveling prior to starting back getting off with

1251
01:08:39,920 --> 01:08:43,639
Speaker 1: the podcast. But when I don't start back moving around,

1252
01:08:43,640 --> 01:08:45,759
Speaker 1: I'm moving around like I don't forgot how to travel,

1253
01:08:46,560 --> 01:08:48,599
Speaker 1: you feel me because COVID doesn't shut it down. Now

1254
01:08:48,600 --> 01:08:52,000
Speaker 1: I'm going to New York, La, Atlanta, Texas, Florida, and

1255
01:08:52,080 --> 01:08:56,000
Speaker 1: I'm moving like I'm just not traveling, walking with my bags.

1256
01:08:56,000 --> 01:08:59,280
Speaker 1: I don't forgot how to like I'm tripping, So I

1257
01:08:59,360 --> 01:09:03,680
Speaker 1: don't forgot. Bro. We instantly play that the the you know,

1258
01:09:03,760 --> 01:09:06,360
Speaker 1: and then we rid we yeah, we gotta get escorted,

1259
01:09:06,479 --> 01:09:08,000
Speaker 1: you know what I mean? So they brain the weird

1260
01:09:08,080 --> 01:09:11,840
Speaker 1: h they're taking me through now I'm smooth, settling, but

1261
01:09:11,960 --> 01:09:16,479
Speaker 1: it don't stop down now any Now, you got other

1262
01:09:16,520 --> 01:09:20,800
Speaker 1: people with injuries jumping on him. So one girl jumped

1263
01:09:20,840 --> 01:09:24,559
Speaker 1: on there who three of her toes was gone, like

1264
01:09:24,640 --> 01:09:26,640
Speaker 1: she had to hop She couldn't even putting on. She

1265
01:09:26,760 --> 01:09:30,799
Speaker 1: hopping around the airport. So he put on. Now seeing

1266
01:09:30,880 --> 01:09:33,960
Speaker 1: the back we're going through. He coming to take me

1267
01:09:34,000 --> 01:09:37,839
Speaker 1: to my gate, you know, because again my flight was canceled.

1268
01:09:37,840 --> 01:09:39,840
Speaker 1: He kind of taken me through Mike to my gate.

1269
01:09:40,840 --> 01:09:43,559
Speaker 1: We ride past a white man and a white man

1270
01:09:43,720 --> 01:09:49,160
Speaker 1: said to that girl, a white man said, you do

1271
01:09:49,240 --> 01:09:54,120
Speaker 1: a race for Walmart? And then she said it's okay

1272
01:09:54,280 --> 01:09:56,680
Speaker 1: or something like that, and he said, sorry, that was

1273
01:09:56,720 --> 01:10:00,439
Speaker 1: a bad joke. And I thought to myself where they

1274
01:10:00,520 --> 01:10:06,120
Speaker 1: be getting the nuts from, Like what if that was

1275
01:10:06,200 --> 01:10:09,559
Speaker 1: my old lady? Like I felt kind of played. Even

1276
01:10:09,560 --> 01:10:11,320
Speaker 1: though I'm in the airport, ain't nothing I can do.

1277
01:10:11,439 --> 01:10:13,200
Speaker 1: And plus I gotta get to the plane. I ain't

1278
01:10:13,240 --> 01:10:15,719
Speaker 1: fighting nobody else battle, I ain't going in the trick bad.

1279
01:10:16,160 --> 01:10:19,840
Speaker 1: Gotta get back home to my family film. So but

1280
01:10:19,920 --> 01:10:22,800
Speaker 1: I just was thinking, like the all dadsy to you

1281
01:10:22,960 --> 01:10:27,960
Speaker 1: to to say a joke about this lady foot when

1282
01:10:27,960 --> 01:10:30,479
Speaker 1: it's clearly its toes missing on this lady foot and

1283
01:10:30,520 --> 01:10:33,160
Speaker 1: you know, really made a joke and said, I'm sorry,

1284
01:10:33,240 --> 01:10:36,519
Speaker 1: bad joke, Like who plays? I don't, right, But then

1285
01:10:36,560 --> 01:10:39,599
Speaker 1: I thought, man, damn they got dog comedy like that. Bro,

1286
01:10:39,720 --> 01:10:43,679
Speaker 1: that's a weird place right there. That's for non emotional people.

1287
01:10:43,680 --> 01:10:48,040
Speaker 1: And you can't just you can't just exhibit that to

1288
01:10:48,160 --> 01:10:51,559
Speaker 1: anybody or force that on people. You can't do that,

1289
01:10:51,600 --> 01:10:54,280
Speaker 1: And I think the people that do that misuse that

1290
01:10:54,400 --> 01:10:57,080
Speaker 1: art phone. I get up to the thing. He drive

1291
01:10:57,200 --> 01:11:00,439
Speaker 1: me up to my gate. So I'm like, yo, is

1292
01:11:00,479 --> 01:11:03,600
Speaker 1: this plane boarded? Because it's right at boarding time. And

1293
01:11:03,640 --> 01:11:06,120
Speaker 1: the lady like, what plane board? And I'm like, my plane,

1294
01:11:06,120 --> 01:11:09,599
Speaker 1: I'm here to X, Y and Z. She's like, no,

1295
01:11:09,880 --> 01:11:14,599
Speaker 1: it's been canceled. So I look and then everybody behind

1296
01:11:14,640 --> 01:11:16,519
Speaker 1: me now because they must have thought I was going

1297
01:11:16,640 --> 01:11:20,920
Speaker 1: somewhere right that they had already been told was canceled,

1298
01:11:20,960 --> 01:11:22,560
Speaker 1: so they just get in line. I look behind me.

1299
01:11:22,640 --> 01:11:25,760
Speaker 1: It's twenty five people and they're like, yeah, they told

1300
01:11:25,800 --> 01:11:27,479
Speaker 1: us it was canceling that they're about to let him go.

1301
01:11:27,560 --> 01:11:29,200
Speaker 1: I'm like, what they're talking about. I don't even know

1302
01:11:29,200 --> 01:11:32,479
Speaker 1: what's going on about. Nothing, Hell, is y'all time about

1303
01:11:32,479 --> 01:11:36,360
Speaker 1: ot chill, so cutting to fan out. People been in

1304
01:11:36,400 --> 01:11:40,639
Speaker 1: Miami Airport three fold as they've been canceling fights. I'm

1305
01:11:40,720 --> 01:11:43,320
Speaker 1: in Miami and join Miami. Don't even know this is

1306
01:11:43,360 --> 01:11:46,479
Speaker 1: going on. They've been canceling fights, canceling fight. People been

1307
01:11:46,479 --> 01:11:50,000
Speaker 1: living in Miami Airport three fold A. So they're telling me, man,

1308
01:11:51,880 --> 01:11:55,080
Speaker 1: the whole crew, the whole like there's like twenty crew

1309
01:11:55,200 --> 01:11:57,719
Speaker 1: stuck in Dallas because Dallas is a hood for them

1310
01:11:58,120 --> 01:12:00,400
Speaker 1: in some kind of way. There's a storm or something.

1311
01:12:00,400 --> 01:12:03,479
Speaker 1: They got people just stuck in Dallas and it's sticking up.

1312
01:12:04,320 --> 01:12:08,479
Speaker 1: It's sticking up flights everywhere, and so I'm like, oh, well,

1313
01:12:08,520 --> 01:12:12,200
Speaker 1: I'm gonna fly somewhere with somebody, Yeah yeah yeah, or

1314
01:12:12,280 --> 01:12:16,000
Speaker 1: is it somebody else got some people another airline or something.

1315
01:12:16,040 --> 01:12:20,240
Speaker 1: So they changed my flight again. That's two times they

1316
01:12:20,240 --> 01:12:23,400
Speaker 1: didn't changed. I just told you delayed, didn't cancel. Then

1317
01:12:24,560 --> 01:12:26,839
Speaker 1: I get up here a gel she give me another

1318
01:12:26,840 --> 01:12:29,720
Speaker 1: flight for ten o'clock this nighttime. Now I've been at

1319
01:12:29,720 --> 01:12:34,920
Speaker 1: the airport since four o'clock. My first flight was there

1320
01:12:34,960 --> 01:12:37,840
Speaker 1: by like four o'clock, so I've been at the airport then.

1321
01:12:37,880 --> 01:12:41,200
Speaker 1: So now this flight is at ten o'clock. So now

1322
01:12:41,200 --> 01:12:48,520
Speaker 1: at ten o'clock at like nine fifty, delayed ten fifty

1323
01:12:49,120 --> 01:12:53,080
Speaker 1: at like ten forty council. So now I'm like, oh,

1324
01:12:53,120 --> 01:12:55,280
Speaker 1: they think I'm gonna live in the airport. I'm looking around.

1325
01:12:55,320 --> 01:12:57,080
Speaker 1: There's so many people in Hi. I'm like, Yo, this

1326
01:12:57,200 --> 01:13:00,880
Speaker 1: is weird, bro. Then they give me an another ticket,

1327
01:13:01,040 --> 01:13:04,400
Speaker 1: Gate D fourteen. They say, go to gate D fourteen.

1328
01:13:04,920 --> 01:13:07,479
Speaker 1: Then I hear a whole bunch of people say in Chicago,

1329
01:13:07,640 --> 01:13:10,720
Speaker 1: everybody going to Chicago, get the D fourteen. I'm like,

1330
01:13:10,760 --> 01:13:14,880
Speaker 1: I'm not going to Chicago. I get the D fourteen.

1331
01:13:15,280 --> 01:13:17,680
Speaker 1: They going to Chicago. I'm telling my man, when I

1332
01:13:17,720 --> 01:13:20,640
Speaker 1: tell you, the rebooking line is longer than the Walmart.

1333
01:13:20,760 --> 01:13:24,040
Speaker 1: Not the line in Walmart, from the beginning of Walmart,

1334
01:13:24,439 --> 01:13:26,760
Speaker 1: all way through the end, through the back, through the

1335
01:13:26,760 --> 01:13:29,639
Speaker 1: way they hold out. It was that long for rebooking.

1336
01:13:29,680 --> 01:13:33,320
Speaker 1: That's how many flights was being canceled everywhere. But long

1337
01:13:33,439 --> 01:13:36,639
Speaker 1: story short, man, do not get caught at the airport

1338
01:13:36,640 --> 01:13:39,280
Speaker 1: in them kind of situations. It's a bad time to

1339
01:13:39,360 --> 01:13:42,679
Speaker 1: be at the airport. Thank god, I was okay man

1340
01:13:42,720 --> 01:13:45,519
Speaker 1: and landed okay, but bo and it was it was

1341
01:13:45,640 --> 01:13:49,280
Speaker 1: not cool. And then I come out of Miami where

1342
01:13:49,479 --> 01:13:54,519
Speaker 1: feeling good, and I land it's below it's twenty two degrees.

1343
01:13:54,680 --> 01:13:58,040
Speaker 1: I got Miami clothes on again, I pull up bullet.

1344
01:13:58,080 --> 01:14:01,760
Speaker 1: I didn't have time running late, So you gotta prioritize

1345
01:14:01,760 --> 01:14:04,519
Speaker 1: and structure those things, right. Don't play the those kind

1346
01:14:04,520 --> 01:14:07,160
Speaker 1: of game calls. I usually don't play them kind of games.

1347
01:14:07,720 --> 01:14:09,800
Speaker 1: That's why I gotta talk about it, because I learned

1348
01:14:09,800 --> 01:14:11,679
Speaker 1: from it, and I need other people not to make

1349
01:14:11,680 --> 01:14:14,120
Speaker 1: them mistake. Be up on your game. If you're gonna

1350
01:14:14,200 --> 01:14:17,000
Speaker 1: enjoy yourself, do that the day before, do that within

1351
01:14:17,080 --> 01:14:19,240
Speaker 1: the time frame. But I was shooting down there, I

1352
01:14:19,240 --> 01:14:21,920
Speaker 1: will meeting up with people, and I was doing business

1353
01:14:21,960 --> 01:14:26,080
Speaker 1: now that while we're running late, doing real big boy business. Yeah,

1354
01:14:26,280 --> 01:14:28,720
Speaker 1: big boy business. So man, it was just it was

1355
01:14:28,760 --> 01:14:33,320
Speaker 1: just great. Um, I'm gonna take a quick break. I'll

1356
01:14:33,360 --> 01:14:37,040
Speaker 1: come back and speak about the am Athlete podcast, how

1357
01:14:37,080 --> 01:14:41,320
Speaker 1: I faith there, what happened, what me B Marshall has

1358
01:14:41,479 --> 01:14:44,160
Speaker 1: coming up, and some more things like that. So we'll

1359
01:14:44,240 --> 01:14:49,080
Speaker 1: be right back in just a second. Immediately, Why that

1360
01:14:49,960 --> 01:14:52,760
Speaker 1: when nigga start talking to them, pulling the money, making

1361
01:14:52,800 --> 01:14:55,519
Speaker 1: them phone calls, No, we gotta change it now. We

1362
01:14:55,640 --> 01:14:57,960
Speaker 1: ain't in that position, we're not solidified, we don't have

1363
01:14:58,000 --> 01:15:00,320
Speaker 1: the right people. We're not in that position, so we

1364
01:15:00,360 --> 01:15:03,320
Speaker 1: will continue to be disrespected. They don't give a fuck

1365
01:15:04,200 --> 01:15:08,439
Speaker 1: and were beating with each other too much that I'm

1366
01:15:08,479 --> 01:15:12,760
Speaker 1: listening in solidarity. If you disrespect a Jewish person, they

1367
01:15:12,880 --> 01:15:17,200
Speaker 1: stand together, they're not fucking with you. You could disrespect

1368
01:15:17,200 --> 01:15:20,640
Speaker 1: a black person and the biggest black artist in the

1369
01:15:20,640 --> 01:15:23,280
Speaker 1: world will be on your show. I didn't know Joe

1370
01:15:23,320 --> 01:15:25,400
Speaker 1: Rogan was saying some of this shit it's coming across,

1371
01:15:25,600 --> 01:15:29,000
Speaker 1: but I've seen mad black megastars on his show. We

1372
01:15:29,120 --> 01:15:32,320
Speaker 1: don't stand, we won't stand together in solidarity. I keep

1373
01:15:32,479 --> 01:15:35,599
Speaker 1: telling y'all, I don't understand how you can misconstrue him saying, yo,

1374
01:15:35,760 --> 01:15:37,400
Speaker 1: I don't know if I'm gonna put this part in

1375
01:15:37,760 --> 01:15:42,800
Speaker 1: the part or not right. But this is a misrepresentation

1376
01:15:42,880 --> 01:15:46,000
Speaker 1: again of what's happening. I know everybody in my coach

1377
01:15:46,040 --> 01:15:49,120
Speaker 1: and feels a certain level of shock and pain attest

1378
01:15:49,160 --> 01:15:52,800
Speaker 1: to words, but us in media have to understand how

1379
01:15:52,840 --> 01:15:55,960
Speaker 1: things are framed and seeing as different than being told

1380
01:15:56,560 --> 01:16:01,400
Speaker 1: you're dealing with me. I've saw ain't nobody hold me right,

1381
01:16:02,479 --> 01:16:05,639
Speaker 1: so me understanding that makes me have a different outlook

1382
01:16:05,680 --> 01:16:07,800
Speaker 1: on this. I'm sorry for you guys. I know I

1383
01:16:07,880 --> 01:16:11,040
Speaker 1: told you I was gonna get into the imathlete and

1384
01:16:11,120 --> 01:16:13,360
Speaker 1: what we talked about in jail spiffing all that. Now

1385
01:16:13,479 --> 01:16:16,840
Speaker 1: get into that in just a second. But I happened to,

1386
01:16:17,320 --> 01:16:18,840
Speaker 1: you know, all my way back in the part, I

1387
01:16:18,920 --> 01:16:23,160
Speaker 1: happened to be listening to this and this is issing

1388
01:16:23,280 --> 01:16:28,080
Speaker 1: Joe Budden basically breaking down Joe Rogan and Spotify thing.

1389
01:16:28,120 --> 01:16:31,559
Speaker 1: I want you to really see what's happening here. Now

1390
01:16:31,600 --> 01:16:33,360
Speaker 1: if I put this back on the screen, you see

1391
01:16:33,400 --> 01:16:36,200
Speaker 1: Joe Buttons bagged off the mic for the last I

1392
01:16:36,240 --> 01:16:40,760
Speaker 1: don't know a couple of minutes. He's been silent because

1393
01:16:40,920 --> 01:16:45,760
Speaker 1: I think somewhere down the line he knows in context

1394
01:16:45,960 --> 01:16:48,320
Speaker 1: these things are being took out of context with him

1395
01:16:48,360 --> 01:16:52,320
Speaker 1: saying the word. Then now we have the question if

1396
01:16:53,120 --> 01:16:57,320
Speaker 1: can white people say it's a very unique conversation, right,

1397
01:16:57,720 --> 01:17:00,000
Speaker 1: But back to Joe when you when you see Joe

1398
01:17:00,080 --> 01:17:02,120
Speaker 1: for the last couple of minutes, he's bagged abuff to

1399
01:17:02,240 --> 01:17:05,200
Speaker 1: Mike because I think somewhere down the line he don't

1400
01:17:05,240 --> 01:17:08,080
Speaker 1: he doesn't want to be caught saying something that he

1401
01:17:09,360 --> 01:17:12,400
Speaker 1: possibly can't back up down the line right when it's

1402
01:17:12,400 --> 01:17:17,960
Speaker 1: time to have a conversation about that. And because again

1403
01:17:18,040 --> 01:17:20,799
Speaker 1: all he just understands what I said. Seeing it's different

1404
01:17:20,800 --> 01:17:24,520
Speaker 1: from being told loons saw. I've saw episode these episodes

1405
01:17:24,880 --> 01:17:29,080
Speaker 1: in context. He's explaining things and saying that this is

1406
01:17:29,120 --> 01:17:32,439
Speaker 1: the word being said. I've seen that. That's not him

1407
01:17:32,479 --> 01:17:35,160
Speaker 1: doing that because Spotify saying that. And I'm not here

1408
01:17:35,200 --> 01:17:40,639
Speaker 1: to bag up Joe Rogan, but just so happened my

1409
01:17:40,720 --> 01:17:42,800
Speaker 1: spot in the game and how I had to come

1410
01:17:42,880 --> 01:17:44,960
Speaker 1: up in this space calls for me to have to

1411
01:17:45,000 --> 01:17:49,920
Speaker 1: study the whole game and study it from a standpoint

1412
01:17:49,920 --> 01:17:54,160
Speaker 1: of a fine tooth comb. Right. So I'm telling you

1413
01:17:54,320 --> 01:17:57,479
Speaker 1: that I have a certain level of understanding of a

1414
01:17:57,479 --> 01:18:00,000
Speaker 1: lot of these conversations that's been massed up and put

1415
01:17:59,840 --> 01:18:02,439
Speaker 1: out out and it's not the way that it's being perceived.

1416
01:18:02,640 --> 01:18:04,840
Speaker 1: But let's get into it a little more. Let's listen

1417
01:18:04,880 --> 01:18:06,479
Speaker 1: to what these guys are saying a little more. I'm

1418
01:18:06,479 --> 01:18:08,760
Speaker 1: pretty sure this will make me not be able to

1419
01:18:08,800 --> 01:18:12,120
Speaker 1: monetize my audio and video, but for the sake of y'all,

1420
01:18:12,320 --> 01:18:15,320
Speaker 1: we're gonna listen to it and rock out. End of

1421
01:18:15,400 --> 01:18:20,320
Speaker 1: the apes in there. Not a white person in sight. Please,

1422
01:18:21,040 --> 01:18:23,360
Speaker 1: maybe I'm misconstroying it. No, you're not tell me how

1423
01:18:23,400 --> 01:18:25,479
Speaker 1: you meant it, because you know what I ain't meaning

1424
01:18:25,560 --> 01:18:28,840
Speaker 1: like that. Tell me how you meant it. Then he

1425
01:18:28,880 --> 01:18:30,840
Speaker 1: said some ship. Yeah, that was a bad one. That

1426
01:18:30,960 --> 01:18:33,080
Speaker 1: was I will say that. The Planet of the Apes thing,

1427
01:18:33,200 --> 01:18:35,800
Speaker 1: that was a bad one. That was a bad one.

1428
01:18:36,240 --> 01:18:39,719
Speaker 1: It was a bad joke. That was a bad one. Right,

1429
01:18:39,800 --> 01:18:43,880
Speaker 1: that was a bad one. I will say that, oh, saying, um, oh,

1430
01:18:43,920 --> 01:18:45,519
Speaker 1: you got the best of both worlds. You got the

1431
01:18:45,960 --> 01:18:48,519
Speaker 1: black jeens, so you gifted physically, and then you got

1432
01:18:48,520 --> 01:18:52,120
Speaker 1: the white jeans, so you got the white brain. Then

1433
01:18:52,160 --> 01:18:54,479
Speaker 1: he said, oh, not saying that. You know, black people

1434
01:18:54,479 --> 01:18:56,960
Speaker 1: don't have brains, but you get what I mean. No,

1435
01:18:57,040 --> 01:18:59,519
Speaker 1: I don't tell me how you mean it. My nigga,

1436
01:18:59,520 --> 01:19:01,120
Speaker 1: I didn't say that one. You get what I'm saying.

1437
01:19:01,160 --> 01:19:04,240
Speaker 1: Like certain ship like that, you can't misconstrue. He said

1438
01:19:04,280 --> 01:19:08,760
Speaker 1: it and has been on the show. I've seen Kevin

1439
01:19:08,800 --> 01:19:11,040
Speaker 1: Hard on the show. I've seen our mega stars on

1440
01:19:11,080 --> 01:19:13,840
Speaker 1: his fucking show and on his platform. So nothing is

1441
01:19:13,880 --> 01:19:16,040
Speaker 1: gonna change as long as we support ship like that

1442
01:19:16,160 --> 01:19:20,240
Speaker 1: and we pander. They don't give us a chance to say, Yo,

1443
01:19:20,400 --> 01:19:25,559
Speaker 1: what you what you meant by that immediate shutdown? And

1444
01:19:25,640 --> 01:19:28,559
Speaker 1: we still support this, nigga. So I want you to

1445
01:19:28,560 --> 01:19:31,240
Speaker 1: pay attention to what Joe Button is doing doing this conversation.

1446
01:19:31,560 --> 01:19:36,360
Speaker 1: Keep saying it's our fault. I don't blame nobody that

1447
01:19:36,400 --> 01:19:39,080
Speaker 1: we get rent rolled over like this, but us taking

1448
01:19:39,200 --> 01:19:42,280
Speaker 1: mine this is a this is one of our best communicators.

1449
01:19:42,320 --> 01:19:47,080
Speaker 1: Joe Button not saying anything. I think somewhere down the

1450
01:19:47,120 --> 01:19:51,360
Speaker 1: line again, I'm dealing with information. I'm not emotional about

1451
01:19:51,400 --> 01:19:55,240
Speaker 1: this space, and can't nobody tell me what to do? Right? Oh,

1452
01:19:55,320 --> 01:19:57,679
Speaker 1: they don't sign me. I go build the company myself

1453
01:19:57,680 --> 01:19:59,880
Speaker 1: and take it to the people. We can take it slow.

1454
01:20:00,360 --> 01:20:04,280
Speaker 1: I'm financially suitable for this thing, right, So I don't panda,

1455
01:20:04,400 --> 01:20:08,400
Speaker 1: and I don't have a reason too. But Joe Buden,

1456
01:20:08,760 --> 01:20:11,880
Speaker 1: I think, knows the same thing that I know. Or

1457
01:20:12,240 --> 01:20:15,439
Speaker 1: he's not sure, and a wise man keeps his mouth

1458
01:20:15,439 --> 01:20:18,840
Speaker 1: shut when he's not sure. Right, But Loon is telling

1459
01:20:18,880 --> 01:20:24,560
Speaker 1: you this Seeing is different from being told in context.

1460
01:20:24,760 --> 01:20:27,040
Speaker 1: With a lot of these conversations, A couple of these ones,

1461
01:20:27,080 --> 01:20:29,599
Speaker 1: the issue said, I'm gonna have to find those because

1462
01:20:29,600 --> 01:20:32,639
Speaker 1: I haven't heard these and I'll reach out to issue

1463
01:20:32,840 --> 01:20:34,920
Speaker 1: and ask him where did he get that at? So

1464
01:20:34,960 --> 01:20:38,320
Speaker 1: I can exactly find out where to get him at.

1465
01:20:39,880 --> 01:20:45,559
Speaker 1: But again, I've told you guys my opinion on you

1466
01:20:45,640 --> 01:20:50,320
Speaker 1: know what I see happening. But make no mistake about it,

1467
01:20:52,000 --> 01:20:59,960
Speaker 1: there's no coincidence that one of our culture's greatest communication

1468
01:21:01,479 --> 01:21:04,679
Speaker 1: took a back seat for this interview. I'm sorry took

1469
01:21:04,680 --> 01:21:07,559
Speaker 1: a back seat for this segment. For the most part,

1470
01:21:08,920 --> 01:21:12,599
Speaker 1: he understands position. Don't think it was jes C. And

1471
01:21:12,640 --> 01:21:15,599
Speaker 1: I know the fans don't understand what I'm saying. You know,

1472
01:21:15,680 --> 01:21:18,519
Speaker 1: maybe some of you guys are kind of coming into

1473
01:21:18,640 --> 01:21:22,160
Speaker 1: understanding how this thing works. But I'm telling you what's

1474
01:21:22,160 --> 01:21:27,639
Speaker 1: happening here. You have nothing to say. Oh he pointed

1475
01:21:27,640 --> 01:21:31,960
Speaker 1: it out. Oh no, this wasn't even one of them things. No,

1476
01:21:32,080 --> 01:21:35,840
Speaker 1: what what I thought? I couldn't say. It's said, So

1477
01:21:36,240 --> 01:21:42,160
Speaker 1: I took a shot for you from But now that

1478
01:21:42,360 --> 01:21:44,680
Speaker 1: there's an extended conversation to be had, I don't know

1479
01:21:44,720 --> 01:21:49,599
Speaker 1: if we extended here. Yeah, that conversation goes on because

1480
01:21:49,600 --> 01:21:51,439
Speaker 1: then you start looking at the people behind these people.

1481
01:21:51,920 --> 01:21:54,640
Speaker 1: That's you know, how you giving it up and you

1482
01:21:54,760 --> 01:22:00,519
Speaker 1: still like it'ses up at playing street ball. And when

1483
01:22:00,600 --> 01:22:02,880
Speaker 1: I say, I look at this ship like the league, right,

1484
01:22:03,040 --> 01:22:05,240
Speaker 1: when you deal with podcasts and the ship is like

1485
01:22:05,280 --> 01:22:07,160
Speaker 1: the league or the game and the coach, it's like

1486
01:22:07,240 --> 01:22:11,240
Speaker 1: the league. Right. You heard Kanye said, I've always said it, right,

1487
01:22:11,280 --> 01:22:16,840
Speaker 1: these ideas that people like us share, But sometimes you

1488
01:22:16,840 --> 01:22:18,840
Speaker 1: can tell by the shot where they've been hooping that

1489
01:22:19,600 --> 01:22:21,920
Speaker 1: sometimes you can tell by the conversation kind of what

1490
01:22:23,120 --> 01:22:25,559
Speaker 1: level they playing ball on. Right, So when you deal

1491
01:22:25,600 --> 01:22:28,160
Speaker 1: with Ice, he seems to be playing some kind of

1492
01:22:28,160 --> 01:22:31,360
Speaker 1: center ball. But Joe got him on the professional on

1493
01:22:31,439 --> 01:22:34,280
Speaker 1: a professional team right here in the NBA. But he's

1494
01:22:34,280 --> 01:22:37,800
Speaker 1: still he's still a trying to cross over and you

1495
01:22:37,840 --> 01:22:41,240
Speaker 1: know what I'm saying, might get called for travel here now, right,

1496
01:22:41,320 --> 01:22:43,720
Speaker 1: So sometimes he got to look at them. And that's

1497
01:22:43,760 --> 01:22:47,200
Speaker 1: what you gotta understand with these podcasts with these different

1498
01:22:47,200 --> 01:22:51,040
Speaker 1: people on them. Check the dynamics out. That's a whole

1499
01:22:51,160 --> 01:22:54,280
Speaker 1: nother podcast. It's just kind of looking at the dynamics

1500
01:22:54,280 --> 01:22:57,639
Speaker 1: of how people communicating and they interact on the show.

1501
01:22:57,960 --> 01:23:00,440
Speaker 1: You know what I'm saying, how do they integrate the conversations?

1502
01:23:00,720 --> 01:23:03,960
Speaker 1: Who picks up, when who lets off? Who always spends

1503
01:23:04,000 --> 01:23:06,400
Speaker 1: and takes the conversation in the wrong way, and then

1504
01:23:06,400 --> 01:23:09,200
Speaker 1: somebody has to Right. It's a lot going on there.

1505
01:23:09,280 --> 01:23:12,640
Speaker 1: But now with Joe Budden saying that to is, he

1506
01:23:12,680 --> 01:23:16,040
Speaker 1: can now basically say, if ever need being, I'm not

1507
01:23:16,080 --> 01:23:18,800
Speaker 1: saying this is the case. I'm just saying the high

1508
01:23:18,880 --> 01:23:22,519
Speaker 1: level mental jiu jitsu mind tricks just being played down

1509
01:23:22,560 --> 01:23:24,280
Speaker 1: the line. He can say, oh, I didn't I didn't

1510
01:23:24,280 --> 01:23:28,200
Speaker 1: really really hear everything he said. But we'll see if

1511
01:23:28,200 --> 01:23:30,479
Speaker 1: they have an extended conversation. Again. I don't know that

1512
01:23:30,560 --> 01:23:33,120
Speaker 1: to be the case. I'm just podcasting and we're trying

1513
01:23:33,120 --> 01:23:35,880
Speaker 1: to figure those things out. What I think happens with

1514
01:23:36,000 --> 01:23:38,720
Speaker 1: us when we deal with oh yo, And you hear

1515
01:23:38,760 --> 01:23:40,840
Speaker 1: people say this all the time. It's just my guy

1516
01:23:41,040 --> 01:23:43,639
Speaker 1: follows me. I follow him. I like what he brings

1517
01:23:43,640 --> 01:23:46,920
Speaker 1: to Joe Budden's podcast. Right, let's have a quick conversation

1518
01:23:46,960 --> 01:23:50,519
Speaker 1: about black people and what happened with Gucci right when

1519
01:23:50,560 --> 01:23:52,640
Speaker 1: Tip came out and a couple of rappers and a

1520
01:23:52,640 --> 01:23:54,800
Speaker 1: lot of people came out because Gucci had released a

1521
01:23:54,920 --> 01:23:59,360
Speaker 1: mask that was racist, to put it simply right, a

1522
01:23:59,479 --> 01:24:02,880
Speaker 1: racist man that had some sort of indication of big

1523
01:24:02,960 --> 01:24:05,720
Speaker 1: lips and this is what it was received as. Right,

1524
01:24:06,160 --> 01:24:08,560
Speaker 1: we understand that they have no point of contact of

1525
01:24:08,640 --> 01:24:11,400
Speaker 1: the coach. I always tell people that being black and

1526
01:24:11,479 --> 01:24:13,840
Speaker 1: being from the culture two different things. I think there's

1527
01:24:13,840 --> 01:24:19,360
Speaker 1: a misunderstanding of where both people stand. Although everybody that's

1528
01:24:19,520 --> 01:24:24,000
Speaker 1: black ain't attached to the to the culture. Right, Sometimes

1529
01:24:24,040 --> 01:24:27,559
Speaker 1: people man stay away into some of these chicks and

1530
01:24:27,600 --> 01:24:29,880
Speaker 1: they wrap it around the coach. And sometimes I see

1531
01:24:29,920 --> 01:24:33,679
Speaker 1: people doing certain shows and other things, and I wonder

1532
01:24:35,320 --> 01:24:38,000
Speaker 1: whose fingers on the posset of some of these things,

1533
01:24:38,040 --> 01:24:40,320
Speaker 1: because when we deal with our coach and what we

1534
01:24:40,360 --> 01:24:43,280
Speaker 1: really stand for, we have people that's closer to the

1535
01:24:44,160 --> 01:24:49,800
Speaker 1: heartbeat of that. Right. And so when we talk about

1536
01:24:49,800 --> 01:24:52,040
Speaker 1: the Gucci thing and what happened to the coach and

1537
01:24:52,439 --> 01:24:55,960
Speaker 1: how we would disrespect it in that way, what I

1538
01:24:56,000 --> 01:24:58,160
Speaker 1: think we're dealing with that and I could be wrong,

1539
01:24:58,240 --> 01:25:00,400
Speaker 1: but I'll put my theory out. What I think we're

1540
01:25:00,439 --> 01:25:03,920
Speaker 1: dealing within that is a priority complex. I think that's

1541
01:25:03,920 --> 01:25:06,479
Speaker 1: a priority situation because you hear a lot of people

1542
01:25:06,520 --> 01:25:09,160
Speaker 1: who want to tell us that we're not doing good

1543
01:25:09,280 --> 01:25:15,559
Speaker 1: enough in regards to how we respond to someone saying

1544
01:25:15,880 --> 01:25:19,639
Speaker 1: something negative about our coach. Right, So people say, look

1545
01:25:19,680 --> 01:25:21,760
Speaker 1: at how Gucci done us, look at how Balencia day.

1546
01:25:22,000 --> 01:25:24,160
Speaker 1: Some of these companies are put something down and we'll

1547
01:25:24,200 --> 01:25:26,519
Speaker 1: be right back on them. What I had, what I

1548
01:25:26,560 --> 01:25:30,640
Speaker 1: think happened with Gucci specifically, is is that when we

1549
01:25:30,760 --> 01:25:34,200
Speaker 1: started to see we have a we have a deeper problem.

1550
01:25:34,280 --> 01:25:38,400
Speaker 1: And I don't think this problem revolves around inferiority or

1551
01:25:38,439 --> 01:25:41,040
Speaker 1: in there that or what they're talking about. I think

1552
01:25:41,040 --> 01:25:44,519
Speaker 1: the problem more so revolves around us being in a

1553
01:25:44,600 --> 01:25:54,240
Speaker 1: situation where we are materialistic, right, and so everybody boycotts Gucci, right,

1554
01:25:54,439 --> 01:25:57,519
Speaker 1: But now they got their five thousand dollars wind breaker

1555
01:25:57,560 --> 01:26:00,400
Speaker 1: with the different colors, with the bucket had with it,

1556
01:26:00,720 --> 01:26:02,960
Speaker 1: they got the whole little set up in the socks

1557
01:26:03,000 --> 01:26:06,760
Speaker 1: and and it's four months out and I know the yeah,

1558
01:26:06,800 --> 01:26:08,599
Speaker 1: I know you can't get the jacket for the five

1559
01:26:08,720 --> 01:26:10,640
Speaker 1: K and the hand and of this, and that's a

1560
01:26:10,720 --> 01:26:13,559
Speaker 1: fifteen twenty thousand dollars set up. So yeah, I'm stunning

1561
01:26:13,560 --> 01:26:17,840
Speaker 1: with that on. Sometimes dudes get caught in wanting to

1562
01:26:17,880 --> 01:26:21,679
Speaker 1: be that guy, right, so stunting on you or stunting

1563
01:26:21,720 --> 01:26:24,360
Speaker 1: on the club, or feeling good. Maybe it's that maybe

1564
01:26:24,360 --> 01:26:27,200
Speaker 1: they're feeling good when they got the twenty k on.

1565
01:26:27,439 --> 01:26:31,439
Speaker 1: I don't know, right, talk about financial literacy, you know,

1566
01:26:31,560 --> 01:26:33,760
Speaker 1: then will say that's a that's a bad decision. But

1567
01:26:33,800 --> 01:26:36,280
Speaker 1: maybe they feel good with the fifteen twenty thousand dollars

1568
01:26:36,280 --> 01:26:40,000
Speaker 1: feel on, you know, I push it on. So sometimes

1569
01:26:40,280 --> 01:26:44,479
Speaker 1: you know, maybe maybe it's that, and then maybe it's

1570
01:26:44,479 --> 01:26:46,960
Speaker 1: you're stunning. But either way, I think the way that

1571
01:26:46,960 --> 01:26:50,320
Speaker 1: that the priorities are set up is like, yo, me

1572
01:26:50,479 --> 01:26:54,599
Speaker 1: having this outfit that's an elite level outfit. Right. The

1573
01:26:54,640 --> 01:26:57,599
Speaker 1: symbolism of that jumping out the roads with the yead

1574
01:26:57,680 --> 01:27:02,400
Speaker 1: and this and that, the symbolism of that means more

1575
01:27:02,479 --> 01:27:06,040
Speaker 1: to me than us banding together and saying, yo, they

1576
01:27:06,120 --> 01:27:09,800
Speaker 1: did wrong by the mass because you know, I'll be

1577
01:27:09,880 --> 01:27:12,280
Speaker 1: honest with you guys, like I always tell you, you know,

1578
01:27:12,280 --> 01:27:15,040
Speaker 1: when I deal with people who scream about, you know

1579
01:27:15,240 --> 01:27:17,760
Speaker 1: how how they can't get it right, I'm telling you,

1580
01:27:17,880 --> 01:27:19,760
Speaker 1: right now, all you got to do is sign up

1581
01:27:19,800 --> 01:27:21,920
Speaker 1: for my course and you will change your whole life.

1582
01:27:22,040 --> 01:27:24,120
Speaker 1: I'd be telling them that it's people that can't get

1583
01:27:24,120 --> 01:27:27,760
Speaker 1: around to that right there in situations where they don't

1584
01:27:27,760 --> 01:27:31,040
Speaker 1: know nothing about the nixt meal and the standards of

1585
01:27:31,120 --> 01:27:36,120
Speaker 1: life set precedent over everything. Mama don't know what we're

1586
01:27:36,120 --> 01:27:41,719
Speaker 1: eating tonight in real life. So it's a different level

1587
01:27:41,760 --> 01:27:44,599
Speaker 1: of understanding. All right, enough of that, let's get back

1588
01:27:44,640 --> 01:27:48,720
Speaker 1: to the show. Welcome back. I wanted to speak to

1589
01:27:48,760 --> 01:27:52,280
Speaker 1: you guys about my trip again. I spoke a little

1590
01:27:52,280 --> 01:27:55,439
Speaker 1: bit about what happened, you know, and that's funny things

1591
01:27:55,479 --> 01:27:57,679
Speaker 1: that happen when you go on these trips and take

1592
01:27:57,720 --> 01:28:01,840
Speaker 1: these journeys, man, and some times in life you found yourself,

1593
01:28:02,080 --> 01:28:06,200
Speaker 1: you know, you found yourself in these unique situations. And

1594
01:28:06,560 --> 01:28:09,720
Speaker 1: I've always said like, and now it's crazy because as

1595
01:28:09,720 --> 01:28:11,880
Speaker 1: I'm going through things, I'm like, Yo, this is this

1596
01:28:11,960 --> 01:28:15,040
Speaker 1: is a podcast, Yo, I gotta go to I gotta

1597
01:28:15,080 --> 01:28:17,640
Speaker 1: go tell everybody about this. Yo. Like, as I'm in

1598
01:28:17,680 --> 01:28:20,600
Speaker 1: the airport, I'm thinking like, Yo, this is crazy. I

1599
01:28:20,680 --> 01:28:23,120
Speaker 1: gotta like, Yo, I'm gonna tell the people about this

1600
01:28:23,160 --> 01:28:26,320
Speaker 1: because I don't care them about you know, no pride

1601
01:28:26,360 --> 01:28:28,360
Speaker 1: or looking, no kind of way. You know what I'm saying.

1602
01:28:28,439 --> 01:28:31,080
Speaker 1: It just I just come and tell what it really is.

1603
01:28:31,120 --> 01:28:34,000
Speaker 1: But anyway, I went down to Miami for Iron Athlete

1604
01:28:34,040 --> 01:28:38,960
Speaker 1: with Brandon Marshall. We did UH and Twine Walker and

1605
01:28:39,000 --> 01:28:41,840
Speaker 1: we did JR. Smith on the same Day and Twin

1606
01:28:41,960 --> 01:28:44,840
Speaker 1: Walker end up staying for the JRF Smith episode, so

1607
01:28:44,880 --> 01:28:47,719
Speaker 1: it was super dope. But me and B Marshall spend

1608
01:28:47,720 --> 01:28:50,479
Speaker 1: a couple of days man together and just building and

1609
01:28:50,600 --> 01:28:53,360
Speaker 1: talking business and we got a lot, we got a

1610
01:28:53,360 --> 01:28:56,559
Speaker 1: lot coming, like I said, man, and it was just, man,

1611
01:28:56,600 --> 01:28:58,840
Speaker 1: it was just such a dope time. Man Like me

1612
01:28:58,880 --> 01:29:01,840
Speaker 1: and DJ played pool Man and he was telling me

1613
01:29:01,920 --> 01:29:05,280
Speaker 1: so much about the NFL and how they be gambling

1614
01:29:05,320 --> 01:29:07,080
Speaker 1: and how the money come in and man, it was

1615
01:29:07,160 --> 01:29:10,840
Speaker 1: so many stories. And I learned so much about athletes

1616
01:29:11,200 --> 01:29:14,280
Speaker 1: because you gotta think where I'm from, I don't mix

1617
01:29:14,360 --> 01:29:18,679
Speaker 1: and bleeing with athletes like that. But these dudes is like, see,

1618
01:29:18,720 --> 01:29:23,080
Speaker 1: I look at B. Marshall, like, you know, he's super cool. JR. Smith,

1619
01:29:23,720 --> 01:29:27,120
Speaker 1: super dope dude, way different than what he beat, what

1620
01:29:27,200 --> 01:29:30,360
Speaker 1: he's portrayed is. I'm also gonna be in JR. Smith documentary.

1621
01:29:30,400 --> 01:29:33,400
Speaker 1: I shot a clip for his documentary. Um, he got

1622
01:29:33,400 --> 01:29:35,920
Speaker 1: a documentary coming out, y'all be on the lookout for

1623
01:29:35,960 --> 01:29:38,840
Speaker 1: that and be on the lookout for Big Loan and JR.

1624
01:29:38,920 --> 01:29:43,559
Speaker 1: Smith's documentary. But then Twain Walker kind of got into

1625
01:29:43,640 --> 01:29:47,080
Speaker 1: how he lost the money man and about how he

1626
01:29:47,200 --> 01:29:50,639
Speaker 1: was the guarant gart He signed down as the guarant

1627
01:29:50,680 --> 01:29:53,280
Speaker 1: tour for so many properties, and then when the crash came,

1628
01:29:53,320 --> 01:29:55,679
Speaker 1: he was a part of that. On top of gambling,

1629
01:29:55,760 --> 01:29:58,880
Speaker 1: he loved cause, man, and the saddest point that he

1630
01:29:59,040 --> 01:30:05,080
Speaker 1: made was a point about his mom. And Man, that

1631
01:30:05,200 --> 01:30:09,840
Speaker 1: story really really, really really affected me. You know, I

1632
01:30:09,920 --> 01:30:12,720
Speaker 1: know so many black young boys. Man, they try to

1633
01:30:12,760 --> 01:30:15,160
Speaker 1: go and make it to the league just to get

1634
01:30:15,200 --> 01:30:18,639
Speaker 1: their moms something, just to be able to provide mama

1635
01:30:18,720 --> 01:30:21,920
Speaker 1: the house. I'm still hustling for mama. You feel me.

1636
01:30:22,080 --> 01:30:26,160
Speaker 1: I'm and I'm cool. She can stop now, you feel me,

1637
01:30:26,400 --> 01:30:29,280
Speaker 1: But I still think about her when I do things.

1638
01:30:29,280 --> 01:30:31,800
Speaker 1: And everybody I know you think about your wife, You

1639
01:30:31,840 --> 01:30:35,000
Speaker 1: think about your kids, your family, your mother. But Mama

1640
01:30:35,000 --> 01:30:37,439
Speaker 1: will be the first person the young nigga come out

1641
01:30:38,160 --> 01:30:40,120
Speaker 1: number one draft picking. I just want to buy my

1642
01:30:40,120 --> 01:30:42,559
Speaker 1: mama house. I just gotta get my mama. So it

1643
01:30:42,680 --> 01:30:45,320
Speaker 1: affected me when I heard the way that he got

1644
01:30:45,360 --> 01:30:49,000
Speaker 1: into that man, and it's just such a touching story. Right,

1645
01:30:49,160 --> 01:30:52,960
Speaker 1: And also go watch his documentary that's about to come out,

1646
01:30:53,120 --> 01:30:56,880
Speaker 1: super dope documentary. Right, these dudes are some of the

1647
01:30:56,960 --> 01:31:02,800
Speaker 1: most cool people in the world. Real man, really DJ

1648
01:31:03,080 --> 01:31:07,240
Speaker 1: DJ real man. I'm telling me, we're playing pool, were talking,

1649
01:31:07,720 --> 01:31:11,680
Speaker 1: were kicking it, and it's just building every And I

1650
01:31:11,800 --> 01:31:15,120
Speaker 1: tell you, I like to be around this financially stable.

1651
01:31:16,120 --> 01:31:19,800
Speaker 1: So I come from well when you show up a

1652
01:31:19,840 --> 01:31:22,360
Speaker 1: lot of times, everybody pitching your idea. They want to

1653
01:31:22,360 --> 01:31:23,560
Speaker 1: do this, they want to do this. Man, Can I

1654
01:31:23,600 --> 01:31:25,720
Speaker 1: buy this? Can I use the car? What about this? Man?

1655
01:31:26,160 --> 01:31:28,360
Speaker 1: You know my daughter got prom coming? Can she get

1656
01:31:28,400 --> 01:31:31,599
Speaker 1: to You know, everybody got something that they're asking. Bro,

1657
01:31:31,680 --> 01:31:35,000
Speaker 1: We're just in there kicking it, you know, just drinking

1658
01:31:35,080 --> 01:31:38,360
Speaker 1: and uh you know as far as me, I'm drinking

1659
01:31:38,400 --> 01:31:40,800
Speaker 1: a little bit, and and and and just chilling. Man.

1660
01:31:41,000 --> 01:31:45,000
Speaker 1: Um and Tron Walker also got into a conversation about

1661
01:31:45,600 --> 01:31:47,640
Speaker 1: being one of the only players. I think it was

1662
01:31:47,680 --> 01:31:50,440
Speaker 1: like forty two people. He said, they won a championship

1663
01:31:50,600 --> 01:31:53,920
Speaker 1: in high school and in the pros. Dude, play with

1664
01:31:53,960 --> 01:31:56,880
Speaker 1: some legends, man, but they really hurt my heart. And

1665
01:31:57,040 --> 01:32:00,000
Speaker 1: I always wanted, like sometimes I be wanting to ask them.

1666
01:32:00,080 --> 01:32:02,360
Speaker 1: I just be wanting to see because I'm wanted them.

1667
01:32:02,400 --> 01:32:04,479
Speaker 1: But you know, if he was my brother, like if

1668
01:32:04,479 --> 01:32:06,600
Speaker 1: I know him, knew him, I just asked, are you

1669
01:32:06,640 --> 01:32:11,120
Speaker 1: still got money? You still got ten million, don't you

1670
01:32:11,160 --> 01:32:13,960
Speaker 1: at least how can we get you ten million then?

1671
01:32:14,080 --> 01:32:16,599
Speaker 1: Or try to help him get at least a ten right,

1672
01:32:16,680 --> 01:32:18,720
Speaker 1: But you can't just ask that right, you know what

1673
01:32:18,800 --> 01:32:21,680
Speaker 1: I'm saying. But he's financially stayble. Now. He has a

1674
01:32:21,760 --> 01:32:23,880
Speaker 1: job with the NBA where he does some kind of

1675
01:32:24,720 --> 01:32:27,400
Speaker 1: something where he's financially well off, and he's doing some

1676
01:32:27,439 --> 01:32:30,719
Speaker 1: other things and still in real estate, so he's financially good. JR.

1677
01:32:30,800 --> 01:32:35,320
Speaker 1: Smith was there too, so on im Anfleet Miami, we

1678
01:32:35,479 --> 01:32:39,360
Speaker 1: also sat down with j R. Smithfin JR. Smith, like

1679
01:32:39,360 --> 01:32:44,439
Speaker 1: I said, it is portrayed a certain way and it's

1680
01:32:44,520 --> 01:32:48,679
Speaker 1: just fucked up, you know, I explained to him. I said, man,

1681
01:32:48,880 --> 01:32:51,280
Speaker 1: it's about perspective. And I'm gonna have JR. Smith on

1682
01:32:51,400 --> 01:32:53,600
Speaker 1: this up there podcast soon, so y'all be able to

1683
01:32:53,600 --> 01:32:55,720
Speaker 1: look out for that because I need him to come

1684
01:32:55,800 --> 01:32:59,360
Speaker 1: build to more. Once you hear JR. Smith on am

1685
01:32:59,400 --> 01:33:02,840
Speaker 1: Athlete podcast, you're gonna hear him build. You're gonna hear

1686
01:33:02,920 --> 01:33:05,840
Speaker 1: him speak from a standpoint that you ain't really never

1687
01:33:05,920 --> 01:33:08,599
Speaker 1: heard him get in that bad. He go to talking

1688
01:33:08,680 --> 01:33:12,759
Speaker 1: liberation talk, he go to talking main. Hey, yo, sixty

1689
01:33:12,800 --> 01:33:14,880
Speaker 1: grain take that to the hood. We're no longer getting

1690
01:33:14,880 --> 01:33:18,360
Speaker 1: the strip club. I'm talking he going platinum on there.

1691
01:33:18,640 --> 01:33:21,000
Speaker 1: And when I bring him on this up there podcast,

1692
01:33:21,160 --> 01:33:23,800
Speaker 1: you know, I'm gonna dive a little bit deeper into that.

1693
01:33:24,520 --> 01:33:26,519
Speaker 1: But as I sat there next to him and I

1694
01:33:26,640 --> 01:33:29,880
Speaker 1: heard him, and I hear his story, and I hear

1695
01:33:29,920 --> 01:33:32,599
Speaker 1: about the shot that everybody was like, what were you thinking?

1696
01:33:32,680 --> 01:33:36,880
Speaker 1: And this and that, and I noticed that a light

1697
01:33:36,920 --> 01:33:39,200
Speaker 1: bulb is went off in his mind. A light bulb

1698
01:33:39,320 --> 01:33:41,760
Speaker 1: is went off in his head. He's no longer operating

1699
01:33:42,200 --> 01:33:45,280
Speaker 1: with the little boy mind said right with the cause

1700
01:33:45,360 --> 01:33:48,080
Speaker 1: the jury to close to this. To Dad, of course,

1701
01:33:48,120 --> 01:33:51,479
Speaker 1: it's a certain standard of living. When you've been that

1702
01:33:51,720 --> 01:33:54,080
Speaker 1: far up, you're gonna at least, you know, live a

1703
01:33:54,080 --> 01:33:57,320
Speaker 1: certain way. But at the end of the day, understanding

1704
01:33:57,360 --> 01:34:01,120
Speaker 1: that the resources have to be funnel powerful to him

1705
01:34:01,200 --> 01:34:06,840
Speaker 1: speak like that, unfortunate to him speak about still being

1706
01:34:06,880 --> 01:34:11,240
Speaker 1: able to beat people in basketball, but having being slow

1707
01:34:11,320 --> 01:34:16,040
Speaker 1: on the phone, calls, nobody reaching out as he's simultaneously

1708
01:34:16,120 --> 01:34:19,519
Speaker 1: whooping people that's in the league. And it's unfortunate to

1709
01:34:19,560 --> 01:34:25,680
Speaker 1: be in them situations because guess what if it was

1710
01:34:25,720 --> 01:34:31,720
Speaker 1: all about the talent here being the league at what

1711
01:34:31,800 --> 01:34:36,840
Speaker 1: I was trying to basically explain about a b opportunity

1712
01:34:36,880 --> 01:34:40,640
Speaker 1: gotta meet. You gotta meet opportunity somewhere, and the opportunity

1713
01:34:40,720 --> 01:34:44,840
Speaker 1: got standards to take out on a date. Yeah, opportunity

1714
01:34:44,960 --> 01:34:47,320
Speaker 1: just on go on dates within the old body. That's

1715
01:34:47,400 --> 01:34:50,320
Speaker 1: just you feel me. So you gotta do some courting

1716
01:34:50,400 --> 01:34:54,040
Speaker 1: to get old opportunity to go out with you. You understand.

1717
01:34:54,080 --> 01:34:57,559
Speaker 1: So that's what you know, we always have to understand.

1718
01:34:57,640 --> 01:35:00,680
Speaker 1: But the more and more I heard Jail Smith, I

1719
01:35:00,720 --> 01:35:04,479
Speaker 1: said he'd been reading see because I understand that a

1720
01:35:04,479 --> 01:35:07,880
Speaker 1: fool has to say something, but a wise man has

1721
01:35:07,920 --> 01:35:12,200
Speaker 1: something to say. So every time he had a conversation

1722
01:35:12,240 --> 01:35:14,639
Speaker 1: he would wrap it all the way back around to yo,

1723
01:35:14,720 --> 01:35:18,000
Speaker 1: but why are we really spending that money like that? Hey, yo,

1724
01:35:18,040 --> 01:35:21,360
Speaker 1: what we're doing? Why are we thinking about, you know,

1725
01:35:22,080 --> 01:35:25,519
Speaker 1: taking our money and going about the big rollers? And

1726
01:35:25,560 --> 01:35:28,519
Speaker 1: we got ten different rollers bust down losing value. We

1727
01:35:28,600 --> 01:35:30,840
Speaker 1: got ten cars like what we're doing. Man, we could

1728
01:35:30,840 --> 01:35:33,920
Speaker 1: have fed this many people, even putting numbers on it.

1729
01:35:33,920 --> 01:35:36,360
Speaker 1: It's how you know, I've looked at it. So I

1730
01:35:36,400 --> 01:35:39,280
Speaker 1: always tell y'all, you gotta deal with people that know that,

1731
01:35:39,439 --> 01:35:43,400
Speaker 1: you know, dealing with the specifics, because seeing it's different

1732
01:35:43,400 --> 01:35:46,880
Speaker 1: than being told you gotta deal with people you know,

1733
01:35:47,080 --> 01:35:49,760
Speaker 1: dealing with the specifics and need people that don't deal

1734
01:35:49,840 --> 01:35:52,800
Speaker 1: with money, whether they fumbled it or not to touch

1735
01:35:52,800 --> 01:35:55,840
Speaker 1: a hundred million, two hundred million that right there, that

1736
01:35:56,040 --> 01:35:58,920
Speaker 1: experience that come along with that. It ain't a college

1737
01:35:58,960 --> 01:36:02,280
Speaker 1: for that. We got to hear from those guys and

1738
01:36:02,320 --> 01:36:04,160
Speaker 1: it was a pleasure of me sitting there, for I

1739
01:36:04,200 --> 01:36:08,559
Speaker 1: am athlete and me and Be Marshall building the way

1740
01:36:08,600 --> 01:36:11,840
Speaker 1: we did. It was an important interaction for me and

1741
01:36:11,880 --> 01:36:13,760
Speaker 1: I would sit down will Be Marshall and I would

1742
01:36:13,800 --> 01:36:16,640
Speaker 1: tell him like, Bro, I'm the biggest one. Brom the

1743
01:36:16,680 --> 01:36:21,240
Speaker 1: next thing like he was like, man, you got it, bro.

1744
01:36:22,920 --> 01:36:26,679
Speaker 1: And for me, it's sending shock waves through my creativity

1745
01:36:27,600 --> 01:36:31,160
Speaker 1: when I get that from people that I respect, or

1746
01:36:31,240 --> 01:36:33,920
Speaker 1: people that's doing it at a very high level. Right

1747
01:36:33,960 --> 01:36:36,720
Speaker 1: when they look back and say, oh, he coming, that

1748
01:36:36,880 --> 01:36:41,679
Speaker 1: boy coming. That's all I need. Right, businesses in place,

1749
01:36:42,439 --> 01:36:45,040
Speaker 1: we'll figure out how to get to a situation where

1750
01:36:45,040 --> 01:36:48,200
Speaker 1: we make millions of dollars off this thing. What we

1751
01:36:48,320 --> 01:36:50,760
Speaker 1: can't do, what we can't afford though, is to wait

1752
01:36:50,800 --> 01:36:53,960
Speaker 1: too late. This game is coming and Jay z jay

1753
01:36:54,040 --> 01:36:57,479
Speaker 1: Z has always told us that somebody eating a Syria.

1754
01:36:57,720 --> 01:37:01,920
Speaker 1: The unique thing about me is everybody interact with just like, Yo,

1755
01:37:02,600 --> 01:37:05,840
Speaker 1: you're gonna, You're gonna this space belonged to you, bro,

1756
01:37:06,720 --> 01:37:10,120
Speaker 1: you got something in this space, right? And what that

1757
01:37:10,280 --> 01:37:13,040
Speaker 1: does for me as I'm you know, writing this book out,

1758
01:37:13,040 --> 01:37:16,760
Speaker 1: as I'm trying to call these words, you know, this

1759
01:37:16,800 --> 01:37:19,640
Speaker 1: thing called life and lead this legacy, right, what that

1760
01:37:19,800 --> 01:37:23,880
Speaker 1: does for me? It makes me trust the next chapter. Right.

1761
01:37:23,920 --> 01:37:26,599
Speaker 1: If God is in control, then I know the author, right,

1762
01:37:26,640 --> 01:37:28,920
Speaker 1: So I get to trust the next chapter and say

1763
01:37:29,040 --> 01:37:31,880
Speaker 1: I'm hiding in the right direction. I just talked to

1764
01:37:31,920 --> 01:37:34,479
Speaker 1: the CEO Revote. Shout out to you, Shout out to

1765
01:37:34,520 --> 01:37:40,360
Speaker 1: the CEO Revote. He just told me, like, we're gonna

1766
01:37:40,400 --> 01:37:47,600
Speaker 1: work together for sure, right and no lie? Everybody I

1767
01:37:47,680 --> 01:37:51,439
Speaker 1: bump into says, what's up with Revote? How they read?

1768
01:37:51,520 --> 01:37:55,640
Speaker 1: It's two names that they always say, Charlemagne and Revote,

1769
01:37:56,080 --> 01:37:59,960
Speaker 1: I don't and Joe Button. It's three names they say, Charlemagne,

1770
01:38:00,160 --> 01:38:03,120
Speaker 1: Joe Budden, and Revote. If Charlemagne reached out to you,

1771
01:38:03,760 --> 01:38:06,000
Speaker 1: what's up with Joe Buddening? Then I wanted to reached

1772
01:38:06,000 --> 01:38:08,400
Speaker 1: out to re Revote. What Revote on that, I'd be

1773
01:38:08,400 --> 01:38:11,880
Speaker 1: like me and Revote. I locked in Charlemagne, I'm locked

1774
01:38:11,880 --> 01:38:13,640
Speaker 1: in with some people that's locked in with him. You

1775
01:38:13,680 --> 01:38:18,400
Speaker 1: know we're on the same page. Joe button Ish follows me.

1776
01:38:18,600 --> 01:38:20,880
Speaker 1: We cool, you know, I follow him. I like is.

1777
01:38:21,360 --> 01:38:24,760
Speaker 1: We haven't really did any building, but these people are

1778
01:38:24,880 --> 01:38:26,880
Speaker 1: well of who I am. I don't. I'm not. I'm

1779
01:38:26,920 --> 01:38:29,880
Speaker 1: not sure they're well of my ability. Um, I think

1780
01:38:29,960 --> 01:38:31,880
Speaker 1: some of them all, most of them all. But we'll

1781
01:38:31,920 --> 01:38:35,920
Speaker 1: figure it out. Business a come right. Those three names

1782
01:38:35,920 --> 01:38:39,519
Speaker 1: are always here. But I tell people Revote is for sure.

1783
01:38:40,200 --> 01:38:43,200
Speaker 1: They have their thing on the post. They're gonna do

1784
01:38:43,640 --> 01:38:47,000
Speaker 1: something that means something here soon. Right, And so we

1785
01:38:47,080 --> 01:38:49,320
Speaker 1: have business everywhere. And for those of you that's on

1786
01:38:49,840 --> 01:38:52,719
Speaker 1: board with us, man support us and stay on board.

1787
01:38:52,720 --> 01:38:55,680
Speaker 1: We'll show you what we're working with. Meet Mill and

1788
01:38:55,840 --> 01:38:59,120
Speaker 1: Roddy Rich let's speak about that situation. Matter of fact,

1789
01:38:59,760 --> 01:39:03,240
Speaker 1: Met Meal calls out Atlantic Records. NBA Young Boy calls

1790
01:39:03,240 --> 01:39:06,639
Speaker 1: out Atlantic Records. We see Oozy've had some situation withever

1791
01:39:06,720 --> 01:39:09,840
Speaker 1: Atlantic Records at some point in drama, whatever situation they

1792
01:39:09,920 --> 01:39:13,920
Speaker 1: had over there. We've also see other rappers that's under

1793
01:39:13,960 --> 01:39:16,320
Speaker 1: that label. That kind of have some sort of issue

1794
01:39:16,360 --> 01:39:19,000
Speaker 1: with the way that they're able to drop music and

1795
01:39:19,080 --> 01:39:22,640
Speaker 1: convey themselves to their fans. I think it's unfortunate. So

1796
01:39:22,760 --> 01:39:25,800
Speaker 1: for those of you that don't know, Meek Mill had

1797
01:39:25,960 --> 01:39:30,120
Speaker 1: dealings with Roddy Rich, Roddy brought his situation and Meek Meal,

1798
01:39:30,200 --> 01:39:33,719
Speaker 1: and Meek Mill was influential in getting whatever situation launched

1799
01:39:34,240 --> 01:39:38,040
Speaker 1: that Roddy Rich. Has you hear Meek Mill come out

1800
01:39:38,080 --> 01:39:40,839
Speaker 1: and call out Atlantic Records? And why is this important?

1801
01:39:40,880 --> 01:39:45,680
Speaker 1: People say? Number one, it shows you the business. It's

1802
01:39:45,760 --> 01:39:48,439
Speaker 1: always at the forefront of these people mine. I don't

1803
01:39:48,479 --> 01:39:50,840
Speaker 1: care what cake they get you for geting number one,

1804
01:39:51,360 --> 01:39:54,519
Speaker 1: I don't care what jet they get you for knocking

1805
01:39:54,560 --> 01:39:58,120
Speaker 1: out a verse with Beyonce. Know that the business is

1806
01:39:58,160 --> 01:40:00,639
Speaker 1: in the forefront of the mine, and somebody has written

1807
01:40:00,680 --> 01:40:06,479
Speaker 1: down every expense that you have accured over this time. Right,

1808
01:40:06,600 --> 01:40:09,840
Speaker 1: let's be clear with where we stand with each other, right,

1809
01:40:09,960 --> 01:40:13,360
Speaker 1: because you always gotta remember you don't scare birds that

1810
01:40:13,439 --> 01:40:17,160
Speaker 1: you playing on shooting, right, So basically, you know, you

1811
01:40:17,240 --> 01:40:19,840
Speaker 1: gotta know that people ain't gonna warn you. You know,

1812
01:40:19,920 --> 01:40:22,120
Speaker 1: it's just you gotta know that you don't scare birds

1813
01:40:22,160 --> 01:40:24,520
Speaker 1: that you're playing on shooting. So Mike has been instrumental

1814
01:40:24,520 --> 01:40:26,800
Speaker 1: in a couple of those moves. Why is that important

1815
01:40:28,320 --> 01:40:32,960
Speaker 1: when we talk Mogul talk, then Mogel moves Roddy Rich.

1816
01:40:34,560 --> 01:40:42,240
Speaker 1: If Mike had points on that Roddy Rich Diamond, right,

1817
01:40:42,439 --> 01:40:45,599
Speaker 1: So you're telling me that that that that Wayen Poster

1818
01:40:45,720 --> 01:40:50,600
Speaker 1: had nothing for that. So we'll read we'll read some

1819
01:40:50,680 --> 01:40:52,920
Speaker 1: of the tweets. So look, I made the Lantic Records

1820
01:40:53,040 --> 01:40:55,400
Speaker 1: hundreds of millions of dollars, and you know that's true.

1821
01:40:55,520 --> 01:40:57,879
Speaker 1: Roddy has again I just told you he's when Diamond

1822
01:40:58,200 --> 01:41:00,160
Speaker 1: Grammys are all kind of thing. That's a lot of

1823
01:41:00,200 --> 01:41:04,240
Speaker 1: money being generated, not what Roddy has got, you see, Roddy.

1824
01:41:04,520 --> 01:41:07,840
Speaker 1: Not what Roddy has got, but what is being generated.

1825
01:41:07,880 --> 01:41:11,240
Speaker 1: You always got to remember because now everything's green. At

1826
01:41:11,240 --> 01:41:14,600
Speaker 1: a certain point, everything's green, and it's still doing great numbers.

1827
01:41:14,640 --> 01:41:17,160
Speaker 1: He says that hundreds of millions of dollars and let

1828
01:41:17,240 --> 01:41:20,240
Speaker 1: them rap me out of Roddy And artists they came

1829
01:41:20,280 --> 01:41:22,639
Speaker 1: to me about when I was in jail. They still

1830
01:41:22,680 --> 01:41:25,320
Speaker 1: saying I can't drop music. Until nine months after my

1831
01:41:25,400 --> 01:41:29,720
Speaker 1: last album got Blackball just wrapped buildings and Nina art

1832
01:41:29,760 --> 01:41:35,759
Speaker 1: with talent. This is important. This is what Joe Budden

1833
01:41:35,840 --> 01:41:38,679
Speaker 1: was talking about, what the rory of Mall thing. These

1834
01:41:38,720 --> 01:41:41,479
Speaker 1: are clauses, this is what he was talking about, if

1835
01:41:41,520 --> 01:41:46,040
Speaker 1: you remember with the rory of Mall thing. But this

1836
01:41:46,160 --> 01:41:48,760
Speaker 1: was also what was unique about the Swiss and Timberland

1837
01:41:48,800 --> 01:41:52,400
Speaker 1: move that they were able to take that from an

1838
01:41:52,400 --> 01:41:56,040
Speaker 1: exclusive Apple deal to write over the trailer and the

1839
01:41:56,160 --> 01:42:00,240
Speaker 1: next week without a work it stop of work. It's

1840
01:42:00,240 --> 01:42:04,439
Speaker 1: it's crazy because these labels effectively want to kill your

1841
01:42:04,600 --> 01:42:08,280
Speaker 1: entire buzz. Right. They can work with you for fifteen years,

1842
01:42:08,360 --> 01:42:10,919
Speaker 1: you can have made them hundreds of millions of dollars.

1843
01:42:11,120 --> 01:42:12,960
Speaker 1: They'll put a close in there that you have to

1844
01:42:13,000 --> 01:42:18,559
Speaker 1: sit still for ten months. Why, oh well, our brand

1845
01:42:18,560 --> 01:42:24,679
Speaker 1: didn't needs to wear off? Why what does that say

1846
01:42:24,720 --> 01:42:27,519
Speaker 1: to our relationship? That's why I say I always be aware.

1847
01:42:27,560 --> 01:42:30,080
Speaker 1: Only two things go the way that it's directed. A

1848
01:42:30,200 --> 01:42:33,240
Speaker 1: fool and water. You gotta keep your eyes open and

1849
01:42:33,320 --> 01:42:35,080
Speaker 1: look for these kind of games. You mean to tell

1850
01:42:35,120 --> 01:42:37,519
Speaker 1: me I made you hundreds of millions of dollars. We've

1851
01:42:37,520 --> 01:42:40,080
Speaker 1: had this somewhat what I would have thought was a

1852
01:42:40,120 --> 01:42:43,000
Speaker 1: good relationship. You even hear Jay speak about it. Jay

1853
01:42:43,080 --> 01:42:44,600
Speaker 1: Z said, Yo. He went in there at the end

1854
01:42:44,600 --> 01:42:47,200
Speaker 1: of his career with one of these labels and was like, Yo,

1855
01:42:47,200 --> 01:42:49,479
Speaker 1: it's a million dollars, bro, we've had a good time.

1856
01:42:49,880 --> 01:42:52,240
Speaker 1: I ain't gonna fight you over it. So it's a

1857
01:42:52,240 --> 01:42:54,720
Speaker 1: million dollars. Y'all got it that labeled? Dude, tell them

1858
01:42:54,720 --> 01:42:57,880
Speaker 1: I'm gonna fight you over it. Ka ka ka ka,

1859
01:42:58,280 --> 01:43:01,759
Speaker 1: and threw a smile behind it, right, so you gotta

1860
01:43:01,800 --> 01:43:04,960
Speaker 1: know what you're dealing with. Meek Mill goes on to

1861
01:43:05,040 --> 01:43:08,479
Speaker 1: say they didn't put nothing into expensive pain and then said,

1862
01:43:08,520 --> 01:43:11,160
Speaker 1: I can't drop another project for nine months at the

1863
01:43:11,280 --> 01:43:14,200
Speaker 1: end of my contract, after I've made them hundreds of millions.

1864
01:43:14,520 --> 01:43:18,840
Speaker 1: How would anybody survived like that? Most rappers can't speak

1865
01:43:18,880 --> 01:43:23,639
Speaker 1: because they depend on these companies. I don't Roddy might

1866
01:43:23,680 --> 01:43:26,920
Speaker 1: Young and Steel, but that label separated us instantly when

1867
01:43:26,920 --> 01:43:29,880
Speaker 1: the millions came in from him. Same thing they tried

1868
01:43:29,920 --> 01:43:31,800
Speaker 1: to do with me and Rose. As you know him

1869
01:43:31,800 --> 01:43:35,160
Speaker 1: and Rose has a checker pass dealing with financial gain

1870
01:43:35,280 --> 01:43:38,160
Speaker 1: and financial loss. It takes a long time to catch

1871
01:43:38,240 --> 01:43:41,120
Speaker 1: up to because most of it is tied in for

1872
01:43:41,200 --> 01:43:44,320
Speaker 1: the love of some money. Artist scared to speak up

1873
01:43:45,400 --> 01:43:48,000
Speaker 1: if I didn't have millions, I'd probably do something crazy.

1874
01:43:48,040 --> 01:43:50,719
Speaker 1: The how smart and black kids taking advantage and calling

1875
01:43:50,720 --> 01:43:53,439
Speaker 1: it business. Other artists speak up and tell the truth

1876
01:43:53,479 --> 01:43:56,080
Speaker 1: while you're winning, not win you down. I had to think.

1877
01:43:56,200 --> 01:43:58,639
Speaker 1: Roddy didn't come to me. He was on his own grind.

1878
01:43:58,920 --> 01:44:01,760
Speaker 1: They brought him to cut me out as soon as

1879
01:44:01,760 --> 01:44:04,760
Speaker 1: the money came. The label should have paid me, not Roddy,

1880
01:44:04,960 --> 01:44:08,519
Speaker 1: separating the business from the emotions. Then they fed him

1881
01:44:08,560 --> 01:44:10,240
Speaker 1: like I was trying to lock him in. I was

1882
01:44:10,320 --> 01:44:12,720
Speaker 1: trying to help him eat and get a dollar from

1883
01:44:12,720 --> 01:44:15,120
Speaker 1: the label. Also, I had to fight for my life

1884
01:44:15,120 --> 01:44:17,599
Speaker 1: to get DC four counted as an album because they

1885
01:44:17,640 --> 01:44:20,439
Speaker 1: said I called it a mixtape. If y'all made twenty

1886
01:44:20,479 --> 01:44:23,280
Speaker 1: million off of it, why is it counted as a mixtape?

1887
01:44:24,360 --> 01:44:26,599
Speaker 1: Me and Roddy Good Now, it's not about him at all.

1888
01:44:26,640 --> 01:44:28,920
Speaker 1: They wouldn't let us go to war and made money. Still,

1889
01:44:29,160 --> 01:44:31,040
Speaker 1: I had to say, I'm rich, that's my young And

1890
01:44:31,120 --> 01:44:33,960
Speaker 1: it turned to these people and ask what up for

1891
01:44:34,080 --> 01:44:37,120
Speaker 1: my work? They asked me to do. I ain't get

1892
01:44:37,120 --> 01:44:39,800
Speaker 1: a dollar, so he made nothing of Roddy. I keep

1893
01:44:39,880 --> 01:44:42,479
Speaker 1: telling y'all the labels play a dangerous game. I keep

1894
01:44:42,520 --> 01:44:45,479
Speaker 1: telling y'all these businesses, they don't have your business interests

1895
01:44:45,479 --> 01:44:47,200
Speaker 1: at hard if they can't make a hell of a

1896
01:44:47,200 --> 01:44:50,559
Speaker 1: lot of money. Now, you gotta be aware that didn't

1897
01:44:50,600 --> 01:44:53,479
Speaker 1: know how to navigate that. And you as a rapper,

1898
01:44:53,520 --> 01:44:56,040
Speaker 1: you as a podcaster, you as an entertainer, you as

1899
01:44:56,080 --> 01:44:59,240
Speaker 1: an athlete, you as an entrepreneur. You gotta know what's

1900
01:44:59,280 --> 01:45:01,920
Speaker 1: out there, know what you're dealing with. You gotta know

1901
01:45:02,000 --> 01:45:05,599
Speaker 1: they all selling saying like it's brown sugar. You gotta

1902
01:45:05,640 --> 01:45:07,559
Speaker 1: know that's what they do in this game. And ain't

1903
01:45:07,560 --> 01:45:12,360
Speaker 1: no boundaries, ain't no expectations, have none, move persistent, no

1904
01:45:12,560 --> 01:45:14,920
Speaker 1: the goal, know how to get there and know what

1905
01:45:14,960 --> 01:45:21,000
Speaker 1: the outcome should be. Right, has some benchmarks, understand positioning,

1906
01:45:22,120 --> 01:45:27,160
Speaker 1: but do not get emotionally attached to these things. Right,

1907
01:45:27,800 --> 01:45:29,760
Speaker 1: don't look at that dude, because he sent the jet

1908
01:45:29,880 --> 01:45:34,240
Speaker 1: to pick you up as symbolism of the love that

1909
01:45:34,320 --> 01:45:39,559
Speaker 1: he has for you. Because first of all, you gotta

1910
01:45:39,600 --> 01:45:42,080
Speaker 1: consider where he has you going. If he has you

1911
01:45:42,160 --> 01:45:44,920
Speaker 1: going somewhere, you know, it's just it's too much to

1912
01:45:44,960 --> 01:45:48,000
Speaker 1: be considered. Bro. So people are asked, Yo, what me

1913
01:45:48,120 --> 01:45:50,280
Speaker 1: talking about? Why would they come to him about? Roddy

1914
01:45:50,360 --> 01:45:52,360
Speaker 1: Rich Roddy Risker rab why would they come to me

1915
01:45:52,479 --> 01:45:55,519
Speaker 1: he was in jail when this is what I learned

1916
01:45:55,560 --> 01:45:57,760
Speaker 1: also by being on some of them phone calls, would

1917
01:45:57,760 --> 01:46:02,240
Speaker 1: be Marshall, right with some of these multi billion dollar

1918
01:46:02,320 --> 01:46:04,920
Speaker 1: companies and sitting there listening to kind of how businesses

1919
01:46:05,000 --> 01:46:09,520
Speaker 1: ran at that level. Is that all of these companies,

1920
01:46:09,520 --> 01:46:12,080
Speaker 1: which is a good thing, they're looking for a way

1921
01:46:12,120 --> 01:46:16,479
Speaker 1: to launch the new product, or launch the new did

1922
01:46:16,680 --> 01:46:19,360
Speaker 1: or launch the knew that, how to present it to

1923
01:46:19,439 --> 01:46:22,600
Speaker 1: the marketplace, same way I was doing with my interviews.

1924
01:46:22,680 --> 01:46:25,639
Speaker 1: What's my strength to market strategy? Where do we laying

1925
01:46:25,680 --> 01:46:27,760
Speaker 1: in the marketplace? And what do we want to mean

1926
01:46:27,960 --> 01:46:31,120
Speaker 1: into the market? Right? These questions come up, and this

1927
01:46:31,160 --> 01:46:34,400
Speaker 1: is an everyday thing for a company like Atlantic or

1928
01:46:34,400 --> 01:46:37,599
Speaker 1: one of these big record labels. So first thing they're

1929
01:46:37,640 --> 01:46:39,720
Speaker 1: gonna do, and the easiest thing to do is look

1930
01:46:39,760 --> 01:46:42,080
Speaker 1: at your roster. The same with me when I go say,

1931
01:46:42,080 --> 01:46:45,320
Speaker 1: all right, I need some dope interviews looking to my phone.

1932
01:46:45,320 --> 01:46:48,320
Speaker 1: But who I got? Oh? I got my people earn

1933
01:46:48,360 --> 01:46:53,479
Speaker 1: your Leisure. I got Chris Munroe, Oh I got Ohmar Johnson,

1934
01:46:53,560 --> 01:46:56,519
Speaker 1: floor May was Oh I got b Marshall, Oh I

1935
01:46:56,600 --> 01:46:59,120
Speaker 1: got eighty five South. Oh I got big Bank, big

1936
01:46:59,160 --> 01:47:01,679
Speaker 1: facts that. Oh I got Parlay, Oh, I got Compton

1937
01:47:01,760 --> 01:47:04,559
Speaker 1: minutes whack one hundred Westcoat Oh up in New York.

1938
01:47:04,600 --> 01:47:06,880
Speaker 1: I got Bobby fish Scale, I got you know, I

1939
01:47:06,920 --> 01:47:09,920
Speaker 1: got all kind of I got Julio Fulio, I gotta

1940
01:47:10,200 --> 01:47:13,000
Speaker 1: you know. So it's when you're reaching your phone book,

1941
01:47:13,160 --> 01:47:16,000
Speaker 1: when you're reaching your network, that's what you're looking to do.

1942
01:47:16,120 --> 01:47:19,200
Speaker 1: So what they've done is they go straight to they roster. Oh,

1943
01:47:19,320 --> 01:47:24,240
Speaker 1: Meek Miller's day, he's hot and he's in jail. Let's tie.

1944
01:47:24,400 --> 01:47:26,799
Speaker 1: Roddy would meet some kind of way and probably launched

1945
01:47:26,800 --> 01:47:30,280
Speaker 1: that so weird position to be in because you all contract,

1946
01:47:30,640 --> 01:47:33,240
Speaker 1: you are under contract with that label, so they would

1947
01:47:33,240 --> 01:47:35,559
Speaker 1: expect to be able to use your likeness in any

1948
01:47:35,560 --> 01:47:38,760
Speaker 1: way that they would like to use it. So that's

1949
01:47:38,800 --> 01:47:42,240
Speaker 1: where it's get rough at. That's where it's rough at.

1950
01:47:42,280 --> 01:47:46,200
Speaker 1: But what we're saying is due business the right way. Right,

1951
01:47:46,240 --> 01:47:48,479
Speaker 1: So Meek is basically saying it's no way I should

1952
01:47:48,520 --> 01:47:52,240
Speaker 1: have made zero dollars off that. Now we shouldn't be

1953
01:47:52,280 --> 01:47:55,880
Speaker 1: able to argue. Now you understand, now we ain't saying

1954
01:47:55,960 --> 01:47:58,880
Speaker 1: he polled b CEO over Roddy Rich but ain't no

1955
01:47:58,960 --> 01:48:01,400
Speaker 1: way you tell. You really gonna say he should have

1956
01:48:01,479 --> 01:48:05,840
Speaker 1: made zero off that like zero, then that'll let me

1957
01:48:05,960 --> 01:48:08,719
Speaker 1: know what we stand. So somebody needs to ask those

1958
01:48:08,800 --> 01:48:10,880
Speaker 1: kind of questions. And that's also something we need to

1959
01:48:10,880 --> 01:48:13,800
Speaker 1: bring the podcasting. Start bringing some of the people from

1960
01:48:13,800 --> 01:48:16,280
Speaker 1: the label and speaking to them. Let's brand the label

1961
01:48:16,320 --> 01:48:18,240
Speaker 1: as a company that had come out and actually had

1962
01:48:18,280 --> 01:48:23,240
Speaker 1: conversations with the people that they're selling music too for years. Like,

1963
01:48:23,360 --> 01:48:25,680
Speaker 1: let's brand these guys in that way and really be

1964
01:48:25,800 --> 01:48:30,360
Speaker 1: instrumental in us knowing even how to do business at

1965
01:48:30,360 --> 01:48:32,320
Speaker 1: a high level the way that these people do business.

1966
01:48:32,360 --> 01:48:34,880
Speaker 1: Let's see if we can do that with the same token.

1967
01:48:35,160 --> 01:48:39,520
Speaker 1: You see NBA young boy come out about Atlantic Records.

1968
01:48:39,520 --> 01:48:41,479
Speaker 1: So as you see him on the screen, NB a

1969
01:48:41,560 --> 01:48:45,479
Speaker 1: young boy tweeted why blackball me? I'm the good guy?

1970
01:48:46,520 --> 01:48:50,000
Speaker 1: He tweeted at Atlantic Records, I was going number one

1971
01:48:50,040 --> 01:48:52,120
Speaker 1: two weeks straight with a mixtape, so they took it

1972
01:48:52,160 --> 01:48:54,759
Speaker 1: down off the charts. I don't give a you still

1973
01:48:54,800 --> 01:48:57,960
Speaker 1: can't stop me. Don't sign the Atlantic Records. If you're

1974
01:48:57,960 --> 01:49:00,720
Speaker 1: an artist, they're not gonna support you, especially if you

1975
01:49:00,760 --> 01:49:03,080
Speaker 1: live a certain way. Talk. When do we have a

1976
01:49:03,120 --> 01:49:05,559
Speaker 1: conversation with some of the record labels about some of

1977
01:49:05,560 --> 01:49:10,040
Speaker 1: these things, right, about how we interact with each other

1978
01:49:10,080 --> 01:49:12,280
Speaker 1: and what we do for each other to each other.

1979
01:49:12,320 --> 01:49:15,280
Speaker 1: What's the best way to coexist, what's the best way

1980
01:49:15,280 --> 01:49:18,160
Speaker 1: for both of us, because we want it mutually beneficial,

1981
01:49:18,680 --> 01:49:21,240
Speaker 1: you know what we don't want. But you know, I

1982
01:49:21,360 --> 01:49:24,439
Speaker 1: hear people explain the process, right, people want to hijack

1983
01:49:24,520 --> 01:49:27,719
Speaker 1: the process. I'm noticing people don't come to me about

1984
01:49:27,800 --> 01:49:32,880
Speaker 1: percentage of my shit. I talk a heavy game, right,

1985
01:49:33,800 --> 01:49:39,640
Speaker 1: so the trickery they don't even run past me, right financially,

1986
01:49:40,000 --> 01:49:44,320
Speaker 1: you know, they seem to understand about why I meant.

1987
01:49:44,360 --> 01:49:48,040
Speaker 1: You know, I don't show up saying I need help

1988
01:49:48,960 --> 01:49:51,200
Speaker 1: or you know what I'm saying, like we pretty could.

1989
01:49:51,240 --> 01:49:53,920
Speaker 1: So it's not a situation where things are we want

1990
01:49:53,920 --> 01:49:56,439
Speaker 1: to necessarily hijack it and give it all the way.

1991
01:49:56,760 --> 01:49:59,120
Speaker 1: We understand what it is, what it worth, and what

1992
01:49:59,200 --> 01:50:02,080
Speaker 1: it costs. That's something we gotta add into the coach

1993
01:50:02,160 --> 01:50:04,120
Speaker 1: or what does it cost? But young boys been going

1994
01:50:04,160 --> 01:50:07,080
Speaker 1: through a lot with Atlantic Records. I really believe that

1995
01:50:07,120 --> 01:50:09,320
Speaker 1: Atlantic Records wouldn't have got him out of jail bird

1996
01:50:09,360 --> 01:50:11,320
Speaker 1: Man and won't give up a young boys. So he

1997
01:50:11,360 --> 01:50:14,000
Speaker 1: got bird Man in his corner. As I tell y'all,

1998
01:50:14,080 --> 01:50:16,320
Speaker 1: bird man name got a green light next to it

1999
01:50:16,400 --> 01:50:19,360
Speaker 1: at his label. Whatever he say goes at the label.

2000
01:50:19,439 --> 01:50:22,640
Speaker 1: So you know, NBA young boy gonna fall out of

2001
01:50:22,640 --> 01:50:27,360
Speaker 1: Atlantic Records and fall into the Birdman situation. But what

2002
01:50:27,400 --> 01:50:30,560
Speaker 1: will happen is and what I need you to understand

2003
01:50:30,800 --> 01:50:33,920
Speaker 1: is a lot of these artists can't speak up without

2004
01:50:33,920 --> 01:50:36,280
Speaker 1: a big home and next to him, you see me

2005
01:50:36,439 --> 01:50:39,280
Speaker 1: can talk like that. He got Jay behind him. NBA

2006
01:50:39,400 --> 01:50:41,719
Speaker 1: young boy can tell like that because he got Birdman

2007
01:50:41,840 --> 01:50:44,200
Speaker 1: behind him. But one of these other rap dudes can't

2008
01:50:44,240 --> 01:50:47,559
Speaker 1: really do that. What big homey gonna step in? Like now,

2009
01:50:47,600 --> 01:50:49,720
Speaker 1: I wrap my arm around y'all got you, because they're

2010
01:50:49,720 --> 01:50:53,639
Speaker 1: gonna blackball you. We see what they're gonna do to you. No,

2011
01:50:53,680 --> 01:50:56,280
Speaker 1: they're gonna turn your wall off. Then you gotta figure

2012
01:50:56,320 --> 01:50:58,280
Speaker 1: out what pipe they were using the whole time. They

2013
01:50:58,360 --> 01:51:00,600
Speaker 1: never told you how he how to turn it on.

2014
01:51:01,040 --> 01:51:04,000
Speaker 1: They just told you, eight yo, meet your water's on, baby,

2015
01:51:04,120 --> 01:51:06,760
Speaker 1: you're good to go. They never said, hey, let me

2016
01:51:06,760 --> 01:51:08,800
Speaker 1: show you how we turned your water on and how

2017
01:51:08,840 --> 01:51:10,840
Speaker 1: you can get it going for your boy over there.

2018
01:51:11,240 --> 01:51:14,200
Speaker 1: And that's what I'm interested in. What did they get

2019
01:51:14,240 --> 01:51:16,400
Speaker 1: me locked out the building? That's fine. Make it hard

2020
01:51:16,439 --> 01:51:19,479
Speaker 1: for them, I make it hard for you. I'm not

2021
01:51:19,680 --> 01:51:23,280
Speaker 1: gonna stop. We're not gonna not get it done. So whatever,

2022
01:51:23,439 --> 01:51:27,120
Speaker 1: let's figure it out, right. But the parallel thing that

2023
01:51:27,200 --> 01:51:30,560
Speaker 1: we see with people with these with the ability to

2024
01:51:30,680 --> 01:51:32,479
Speaker 1: what it seems like to come out and call a

2025
01:51:32,600 --> 01:51:36,200
Speaker 1: label out and still be effective in the marketplace, has

2026
01:51:36,320 --> 01:51:39,040
Speaker 1: some kind of big homie from the culture in their corner.

2027
01:51:39,520 --> 01:51:41,280
Speaker 1: A lot of times, that's the only way you can

2028
01:51:41,320 --> 01:51:43,720
Speaker 1: really even find out that some fish are going on

2029
01:51:43,800 --> 01:51:46,640
Speaker 1: in you in your contract is because one of the

2030
01:51:46,680 --> 01:51:48,680
Speaker 1: big homies done looked at it and said, now, we

2031
01:51:48,760 --> 01:51:50,600
Speaker 1: used to pull that move in ninety eight. I know

2032
01:51:50,640 --> 01:51:52,960
Speaker 1: what they're doing. What they check this? I bet you

2033
01:51:53,000 --> 01:51:55,559
Speaker 1: it's some money there, Nigga check over that. Damn it's

2034
01:51:55,560 --> 01:51:58,120
Speaker 1: three hundred thousand over there out that they'll make them

2035
01:51:58,120 --> 01:52:00,720
Speaker 1: sending that three hundred blue check for three Now the

2036
01:52:00,800 --> 01:52:02,720
Speaker 1: label get where he's working with jay Z, and then

2037
01:52:02,800 --> 01:52:04,559
Speaker 1: you know what that means. Y'all look into the books,

2038
01:52:04,800 --> 01:52:06,960
Speaker 1: y'all try to go ahead and get proactive on getting

2039
01:52:07,000 --> 01:52:10,000
Speaker 1: checks out. Make sure you cover up what we right it. Really,

2040
01:52:10,040 --> 01:52:12,720
Speaker 1: it's like a damn it like a surgery. When they

2041
01:52:12,760 --> 01:52:14,680
Speaker 1: find out one of the young niggas get with a

2042
01:52:14,720 --> 01:52:17,120
Speaker 1: bird Man, one of the young niggas get jay Z

2043
01:52:17,320 --> 01:52:21,040
Speaker 1: next to him, man the label going shock. Hey, everybody,

2044
01:52:21,120 --> 01:52:22,960
Speaker 1: look at the books, make sure the budgets, make sure

2045
01:52:23,000 --> 01:52:25,439
Speaker 1: everything is down to the tea, because they finily be

2046
01:52:25,479 --> 01:52:29,120
Speaker 1: y out of it and Jay audited and labels with

2047
01:52:29,240 --> 01:52:33,400
Speaker 1: a smile. We've always said that our relationship don't got

2048
01:52:33,520 --> 01:52:38,439
Speaker 1: an end. The dynamics just got a chain right. Oh

2049
01:52:38,600 --> 01:52:40,439
Speaker 1: you remember I used to call you. You didn't call

2050
01:52:40,600 --> 01:52:44,920
Speaker 1: me back. Now that the tables have turned, Hey, now

2051
01:52:45,000 --> 01:52:47,599
Speaker 1: I'm not calling you back. I'm sending an end voice

2052
01:52:48,840 --> 01:52:52,400
Speaker 1: respectfully to our relationship that you said the standards for

2053
01:52:53,960 --> 01:52:57,000
Speaker 1: one thing. We know a transition of power will take place.

2054
01:52:57,040 --> 01:52:59,439
Speaker 1: Will you be a part of it, resistant of it

2055
01:52:59,760 --> 01:53:04,000
Speaker 1: or product of it? Depends on the individual you're speaking to.

2056
01:53:04,120 --> 01:53:06,719
Speaker 1: But NBA, young boy has a long way up. He'll

2057
01:53:06,760 --> 01:53:09,640
Speaker 1: be dealing with bird Man here. Soon. We'll see that

2058
01:53:09,760 --> 01:53:12,479
Speaker 1: universal machine behind it and see what it looks like

2059
01:53:12,960 --> 01:53:16,680
Speaker 1: from that standpoint. And I just pray that the business

2060
01:53:16,800 --> 01:53:19,599
Speaker 1: that us, that we get better with business. That's why

2061
01:53:19,800 --> 01:53:23,679
Speaker 1: champion people that talk financial literacy because we gotta get

2062
01:53:23,720 --> 01:53:26,880
Speaker 1: better with business. That's what this is about. You feel

2063
01:53:26,880 --> 01:53:30,920
Speaker 1: what I'm saying, and we'll do our best, said Spearhead

2064
01:53:30,960 --> 01:53:34,439
Speaker 1: in the conversation what we can. Speaking of Spearhead in

2065
01:53:34,479 --> 01:53:37,920
Speaker 1: the conversation, I'm gonna be the first person to come

2066
01:53:37,920 --> 01:53:42,200
Speaker 1: out and say this, Drake doesn't care about asap Rocky,

2067
01:53:42,280 --> 01:53:47,400
Speaker 1: every honest baby, respectfully to the beautiful people, matter of fact, congratulations.

2068
01:53:48,760 --> 01:53:53,000
Speaker 1: Let me see I congratulations on the baby, matter of fact,

2069
01:53:54,320 --> 01:53:57,000
Speaker 1: round of applause. But I'll be the first person to

2070
01:53:57,040 --> 01:53:59,599
Speaker 1: say I believe Drake doesn't care about that. The internet

2071
01:53:59,680 --> 01:54:05,000
Speaker 1: is this respectful? Right? We release the fact that we're pregnant, right,

2072
01:54:05,000 --> 01:54:07,120
Speaker 1: and that's even weird to say, but that's a new

2073
01:54:07,160 --> 01:54:10,479
Speaker 1: age thing. We're pregnant like us. We don't want to

2074
01:54:10,520 --> 01:54:14,080
Speaker 1: aliena beloved, but the reality is I'm not pregnant, but

2075
01:54:14,160 --> 01:54:18,160
Speaker 1: love is going through it. I gotta be attentive. So

2076
01:54:18,200 --> 01:54:19,680
Speaker 1: when I'm the next thing, I'm gonna say, hey, you

2077
01:54:19,760 --> 01:54:22,479
Speaker 1: need to rub my feet as well. I've been on

2078
01:54:22,520 --> 01:54:25,880
Speaker 1: them all day carrying the baby. Right, if you rub

2079
01:54:25,960 --> 01:54:28,160
Speaker 1: my feet, it's for a totally different cause. It ain't

2080
01:54:28,200 --> 01:54:32,160
Speaker 1: because the baby is right. I'm so I don't those games,

2081
01:54:32,040 --> 01:54:35,400
Speaker 1: is man. I gotta get used to those games because

2082
01:54:35,440 --> 01:54:37,400
Speaker 1: my kids gonna have to play them, so I gotta

2083
01:54:37,840 --> 01:54:41,440
Speaker 1: figure out them. So that to the side, they released

2084
01:54:41,440 --> 01:54:44,560
Speaker 1: that they're pregnant, that Rihanna has a baby on the

2085
01:54:44,600 --> 01:54:49,640
Speaker 1: way again, congratulations to Rihanna, congratulations to a set rocket,

2086
01:54:50,160 --> 01:54:55,280
Speaker 1: and Drake trends after them. Why do y'all assume Drake

2087
01:54:55,360 --> 01:54:58,720
Speaker 1: cares about that? Number one? He Drake knew this news

2088
01:55:00,040 --> 01:55:03,880
Speaker 1: long time ago. If we got it now, he got

2089
01:55:03,880 --> 01:55:07,400
Speaker 1: it back then. He knew this news, right, So that's

2090
01:55:07,480 --> 01:55:11,880
Speaker 1: number one. Number two, I don't him speak about that

2091
01:55:11,920 --> 01:55:14,480
Speaker 1: way anymore now, or do what I do? I think

2092
01:55:14,560 --> 01:55:16,760
Speaker 1: he would like to have had a relationship with a

2093
01:55:16,840 --> 01:55:20,440
Speaker 1: high profile person like that, maybe because I think you

2094
01:55:20,480 --> 01:55:23,320
Speaker 1: can kind of understand more about what I'm doing, what

2095
01:55:23,520 --> 01:55:27,280
Speaker 1: it takes to be who we are. You know, the parameters,

2096
01:55:27,320 --> 01:55:29,720
Speaker 1: the guidelines, how we got to communicate, how we got

2097
01:55:29,840 --> 01:55:33,560
Speaker 1: to move. If you're a megastar and I'm a mega star,

2098
01:55:33,680 --> 01:55:36,480
Speaker 1: our lights would probably be able to integrate much more easier.

2099
01:55:36,520 --> 01:55:39,640
Speaker 1: So from that standpoint, I can see a little disappointment,

2100
01:55:41,560 --> 01:55:44,160
Speaker 1: but I don't see a dude, that's worth that amount

2101
01:55:44,160 --> 01:55:46,840
Speaker 1: of Like, I think Rihanna is one of the most

2102
01:55:46,840 --> 01:55:50,400
Speaker 1: prettiest girls I've ever seen. I don't fall victim of

2103
01:55:50,520 --> 01:55:54,720
Speaker 1: that like everybody else, though, I viewed that a little different, right.

2104
01:55:54,760 --> 01:55:57,000
Speaker 1: I'm here for a good time, not a long time,

2105
01:55:57,760 --> 01:56:01,600
Speaker 1: so I view it a little different, right. And if

2106
01:56:01,680 --> 01:56:05,080
Speaker 1: that could be wifey, right, the super pretty girl that

2107
01:56:05,200 --> 01:56:07,680
Speaker 1: can cook and she cool, see, because I'd be more

2108
01:56:07,880 --> 01:56:11,680
Speaker 1: worried about those other things. Do you provide peace? What

2109
01:56:11,720 --> 01:56:15,760
Speaker 1: we look like on the piece till right? Are you

2110
01:56:15,840 --> 01:56:19,240
Speaker 1: attentive and alert about what needs to be happening? See?

2111
01:56:19,240 --> 01:56:22,080
Speaker 1: Because me, if you're my woman and you won't hot

2112
01:56:22,120 --> 01:56:25,480
Speaker 1: sauce with your burrito, I'll never forget the hot sauce.

2113
01:56:26,520 --> 01:56:29,400
Speaker 1: If you're my woman and you like your food to

2114
01:56:29,440 --> 01:56:32,360
Speaker 1: be hot coming from such and such, I'm gonna make

2115
01:56:32,400 --> 01:56:34,360
Speaker 1: sure you get that that way. If it's your birthday,

2116
01:56:34,360 --> 01:56:36,680
Speaker 1: I'm gonna make sure you got this. Ain't gonna be

2117
01:56:36,720 --> 01:56:39,800
Speaker 1: no slip ups in nothing concerning you. I'm gonna paying

2118
01:56:39,840 --> 01:56:43,480
Speaker 1: attention to it, right because I need you to understand

2119
01:56:43,520 --> 01:56:47,960
Speaker 1: you can rely. I'm providing its structure. Rely on this here,

2120
01:56:48,080 --> 01:56:51,200
Speaker 1: this here is the real thing. So if I'm coming

2121
01:56:51,240 --> 01:56:54,160
Speaker 1: in and it's like, hey, yo, I got a yo, listen,

2122
01:56:54,280 --> 01:56:57,320
Speaker 1: I just landed. I'm coming right home. Please book that

2123
01:56:57,840 --> 01:57:00,240
Speaker 1: I gotta I got another flight at forty five minutes.

2124
01:57:00,280 --> 01:57:02,920
Speaker 1: I'm gonna be late to the airport and I need

2125
01:57:02,960 --> 01:57:04,920
Speaker 1: you for something you oh, I forgot to put the

2126
01:57:05,080 --> 01:57:07,360
Speaker 1: oh I forgot. It's like yo, as you paying attention,

2127
01:57:07,440 --> 01:57:10,280
Speaker 1: these things are very so sometimes I be worried about

2128
01:57:10,320 --> 01:57:15,880
Speaker 1: those things. Right, how do we coexist? Do you compliment

2129
01:57:16,040 --> 01:57:19,160
Speaker 1: my life? You know what I'm saying? Or is it

2130
01:57:19,240 --> 01:57:22,680
Speaker 1: catastrophic when we're around each other. I need to be

2131
01:57:22,720 --> 01:57:25,080
Speaker 1: in a position where I'm provided a runway to be

2132
01:57:25,120 --> 01:57:29,280
Speaker 1: able to enjoy life and beat myself. Right, don't beat

2133
01:57:29,320 --> 01:57:33,400
Speaker 1: me up because of who I am, you know. I mean,

2134
01:57:35,360 --> 01:57:37,760
Speaker 1: but if you can have HER's wife, if you can

2135
01:57:37,840 --> 01:57:40,720
Speaker 1: have the good it has everything as wife, and you

2136
01:57:40,760 --> 01:57:44,720
Speaker 1: can't beat that, And that's what people picture Rihanna to

2137
01:57:44,800 --> 01:57:48,840
Speaker 1: be like everything. So it's like congratulations to homing. But

2138
01:57:48,960 --> 01:57:52,160
Speaker 1: I still just don't feel like Drake is really know

2139
01:57:52,240 --> 01:57:55,120
Speaker 1: what crying about that. That's just my feeling on that.

2140
01:57:55,240 --> 01:57:58,360
Speaker 1: Like a lot of these podcasts and people like, I

2141
01:57:58,360 --> 01:58:01,240
Speaker 1: don't know, bro, but I just don't feel that way. Bro.

2142
01:58:01,640 --> 01:58:05,760
Speaker 1: He had a baby first, like Drake had a baby first. Man,

2143
01:58:06,000 --> 01:58:08,760
Speaker 1: so what do we like, Let's relax on that, like

2144
01:58:08,880 --> 01:58:12,480
Speaker 1: he don't, I don't want know. Other dude trending when

2145
01:58:12,520 --> 01:58:15,360
Speaker 1: me and mad later dropped that she pregnant, Like that's

2146
01:58:15,400 --> 01:58:18,040
Speaker 1: just unfortunate for them. Let's speak a little bit about

2147
01:58:18,080 --> 01:58:22,240
Speaker 1: Brian Flores for those of you underwear blind. Flores is

2148
01:58:22,280 --> 01:58:26,400
Speaker 1: the NFL head coach that's now filed suit on the NFL.

2149
01:58:26,880 --> 01:58:31,160
Speaker 1: He's named some of NFL's most powerful people in his lawsuit,

2150
01:58:31,280 --> 01:58:34,560
Speaker 1: Bill Belichick being one of those, the New York Giants,

2151
01:58:35,840 --> 01:58:41,760
Speaker 1: Miami Dolphins owner. So, in short, what happened was a

2152
01:58:41,920 --> 01:58:45,800
Speaker 1: text message went out from Bill Belichick while he was

2153
01:58:45,920 --> 01:58:49,200
Speaker 1: interviewing for head coaches. You know in the NFL that

2154
01:58:49,320 --> 01:58:53,080
Speaker 1: seems to be a limited number of spots for black

2155
01:58:53,120 --> 01:58:56,520
Speaker 1: people to be head coaches. It's visible. I think that

2156
01:58:57,000 --> 01:59:00,640
Speaker 1: right now NFL may have one black head coach. Is

2157
01:59:00,720 --> 01:59:07,520
Speaker 1: unfortunate to look at Vanilla in a world where we

2158
01:59:07,600 --> 01:59:10,320
Speaker 1: fight for diversity in things, and we can't say it's

2159
01:59:10,360 --> 01:59:14,320
Speaker 1: capability that's not getting them there. It's something stopping blacks

2160
01:59:14,360 --> 01:59:16,680
Speaker 1: from getting there. So at a point in time. I

2161
01:59:16,800 --> 01:59:19,560
Speaker 1: think in two thousand and three, the NFL implemented the

2162
01:59:19,680 --> 01:59:23,800
Speaker 1: Rooney rule. What they said is you must interview minorities

2163
01:59:23,840 --> 01:59:27,839
Speaker 1: forehead coach job. Now, what that does is that place

2164
01:59:27,960 --> 01:59:35,360
Speaker 1: is in the process unnecessary action if someone has no

2165
01:59:35,440 --> 01:59:39,320
Speaker 1: interest in it. So that speaks to it being done.

2166
01:59:39,760 --> 01:59:42,720
Speaker 1: But then you gotta know is it really being done

2167
01:59:42,800 --> 01:59:45,840
Speaker 1: for you know, is it really being done with any

2168
01:59:45,960 --> 01:59:49,320
Speaker 1: any course of action attached to it? Right, So then

2169
01:59:49,760 --> 01:59:52,440
Speaker 1: those things can get blurry and get mudded when you

2170
01:59:52,680 --> 01:59:58,360
Speaker 1: drill let down. Nonetheless, they implemented that rule. So this dude,

2171
01:59:58,400 --> 02:00:02,800
Speaker 1: Brian Flores, happens to be a black head coach. While

2172
02:00:02,800 --> 02:00:05,839
Speaker 1: he's in an interviewing process, he gets a text message

2173
02:00:05,880 --> 02:00:09,840
Speaker 1: from Bill Belichick to say, congratulations, I've been hearing you

2174
02:00:09,920 --> 02:00:13,480
Speaker 1: the guy man. Keep you got the job man. It's

2175
02:00:13,480 --> 02:00:18,240
Speaker 1: a good look for you. Flores hadn't even interviewed yet.

2176
02:00:18,840 --> 02:00:21,440
Speaker 1: So he looks at at the message. It was like

2177
02:00:23,960 --> 02:00:28,320
Speaker 1: who me. It's like yeah, word around New England and

2178
02:00:28,400 --> 02:00:33,240
Speaker 1: word around New York. Is you the guy? Congratulations? And

2179
02:00:33,320 --> 02:00:37,120
Speaker 1: he texted back you notice is Flores? He was like,

2180
02:00:37,120 --> 02:00:41,760
Speaker 1: oh no, I'm sorry, wrong, Brian. He still had his

2181
02:00:41,840 --> 02:00:44,440
Speaker 1: interview on the cuffs. The interview was coming up in

2182
02:00:44,440 --> 02:00:48,360
Speaker 1: a couple of days, so at this time there was

2183
02:00:48,400 --> 02:00:52,240
Speaker 1: a preordain according to this text message, allegedly because there's

2184
02:00:52,240 --> 02:00:54,920
Speaker 1: a lawsuit involved, and I definitely don't want to be

2185
02:00:56,960 --> 02:01:00,640
Speaker 1: in some kind of weird way attached to anything like that, right,

2186
02:01:01,160 --> 02:01:08,080
Speaker 1: But there was a preordained decision already made. Although because

2187
02:01:08,120 --> 02:01:10,360
Speaker 1: of the runing rule, they gotta bring this black guy in.

2188
02:01:10,480 --> 02:01:13,400
Speaker 1: So basically he's coming to be a dummy. It's coming

2189
02:01:13,400 --> 02:01:15,640
Speaker 1: to sit there and talk knowing that we don't want you,

2190
02:01:16,160 --> 02:01:18,760
Speaker 1: but we gotta implement I mean, we gotta, we gotta

2191
02:01:18,800 --> 02:01:23,960
Speaker 1: stay next to the rules. And now he comes out

2192
02:01:24,120 --> 02:01:27,360
Speaker 1: and sues, and he does it not personally in a

2193
02:01:27,480 --> 02:01:32,240
Speaker 1: class action strategy, right, he has a class action lawsuit

2194
02:01:32,360 --> 02:01:36,760
Speaker 1: strategy on the lawsuit, hoping other coaches get on the

2195
02:01:36,840 --> 02:01:41,120
Speaker 1: lawsuit and tell their story. Number one, I think his

2196
02:01:41,280 --> 02:01:46,920
Speaker 1: career suicide. But sometimes career suicide is worth it. Right.

2197
02:01:47,000 --> 02:01:50,560
Speaker 1: The transition is in my people getting the power back.

2198
02:01:51,720 --> 02:01:54,600
Speaker 1: But the problem I finding that is you gotta support

2199
02:01:54,680 --> 02:01:58,880
Speaker 1: us while you in position. If you don't support us,

2200
02:01:58,920 --> 02:02:01,560
Speaker 1: whyn't you in position? Texture and we'll take your own

2201
02:02:01,560 --> 02:02:05,400
Speaker 1: out the game far as financially, you understand, when you

2202
02:02:05,640 --> 02:02:08,000
Speaker 1: as the head coach, you gotta embrace us because we'd

2203
02:02:08,000 --> 02:02:10,960
Speaker 1: allowed us on the internet. We'd allowed us, and we

2204
02:02:11,120 --> 02:02:15,680
Speaker 1: know if we're just going based on history, it's about

2205
02:02:15,720 --> 02:02:18,280
Speaker 1: what's being said on the internet. So if you we

2206
02:02:18,400 --> 02:02:21,200
Speaker 1: allowed on the internet, but you can't expect us to

2207
02:02:21,240 --> 02:02:23,880
Speaker 1: get up and say, y'all doing our boy wrong when

2208
02:02:23,920 --> 02:02:28,440
Speaker 1: you ain't never reached back to us on nothing. We

2209
02:02:28,600 --> 02:02:34,720
Speaker 1: got dudes in position. There's no intertwine and there's no integration.

2210
02:02:35,360 --> 02:02:38,640
Speaker 1: And I think it's unfortunate because you're fighting for us

2211
02:02:38,680 --> 02:02:42,000
Speaker 1: over there, right. You're fighting for some of my uncles

2212
02:02:42,040 --> 02:02:48,760
Speaker 1: and some of granddads or dads or sons because it's nephews.

2213
02:02:49,280 --> 02:02:51,280
Speaker 1: You're fighting for some of us when you say, yo,

2214
02:02:51,320 --> 02:02:55,760
Speaker 1: they ain't hiring black people, man, But we can't find

2215
02:02:55,800 --> 02:02:59,440
Speaker 1: a way to support you or get upset about how

2216
02:02:59,440 --> 02:03:04,200
Speaker 1: they're doing because look how you've done us. When you

2217
02:03:04,360 --> 02:03:08,000
Speaker 1: was in position, you never reached to one us, right,

2218
02:03:08,560 --> 02:03:11,280
Speaker 1: and it's unfortunate that we don't know how to communicate

2219
02:03:11,320 --> 02:03:14,160
Speaker 1: with each other. I was telling b Marsha, like, you

2220
02:03:14,200 --> 02:03:18,040
Speaker 1: gotta change somebody to life. That's why we holler jay

2221
02:03:18,160 --> 02:03:24,080
Speaker 1: Z and did it in Dane. That's why we holler baby,

2222
02:03:24,160 --> 02:03:26,640
Speaker 1: That's why we hollow Jay Prince. That's why we holler

2223
02:03:27,720 --> 02:03:30,600
Speaker 1: Doctor Dre fifty cent. You gotta change somebody to life.

2224
02:03:30,640 --> 02:03:34,040
Speaker 1: You gotta make somebody at me. You know, they gotta

2225
02:03:34,120 --> 02:03:37,640
Speaker 1: be able to say it, Yo, he changed my life,

2226
02:03:38,320 --> 02:03:40,760
Speaker 1: not that faith. Give me your old change, give me

2227
02:03:40,840 --> 02:03:45,160
Speaker 1: your old watch. You got to change some lives. And

2228
02:03:45,240 --> 02:03:48,360
Speaker 1: the people gotta carry the flag, and them foces who

2229
02:03:48,400 --> 02:03:54,240
Speaker 1: build your legacy. So sometimes you're dealing with legacy. But

2230
02:03:54,360 --> 02:03:57,560
Speaker 1: you gotta support us when you're in position. Man, we

2231
02:03:57,680 --> 02:04:00,000
Speaker 1: gotta learn how to support each other. We gotta build

2232
02:04:00,160 --> 02:04:04,160
Speaker 1: to do a better job with that. You ain't too

2233
02:04:04,160 --> 02:04:08,120
Speaker 1: big to reach back, You ain't too big to catapulta launch.

2234
02:04:08,200 --> 02:04:11,440
Speaker 1: No better because when they little dude come right past

2235
02:04:11,520 --> 02:04:16,160
Speaker 1: you on your way down, you're gonna go broke. Every

2236
02:04:16,200 --> 02:04:20,280
Speaker 1: call you make gonna cost you triple because you're falling

2237
02:04:20,320 --> 02:04:24,000
Speaker 1: out of position. See, people don't know how to leverage things.

2238
02:04:26,400 --> 02:04:29,360
Speaker 1: As black folks, we gotta get better with leverageing our dollar,

2239
02:04:29,480 --> 02:04:32,760
Speaker 1: leverage in our position in the market place. Look at

2240
02:04:32,760 --> 02:04:36,480
Speaker 1: our buying power, I stand power, I influence. We gotta

2241
02:04:36,520 --> 02:04:41,920
Speaker 1: get better at learning how to leverage so fortunate what

2242
02:04:42,000 --> 02:04:46,920
Speaker 1: we do with our power. They like to mask what

2243
02:04:47,040 --> 02:04:53,160
Speaker 1: it is we do around entertainment, but marketing, there's a

2244
02:04:53,160 --> 02:04:56,320
Speaker 1: billion dollar industry. You want us to think all we're

2245
02:04:56,320 --> 02:04:59,520
Speaker 1: doing is entertainment. Now, we're doing marketing. We know what

2246
02:04:59,560 --> 02:05:05,480
Speaker 1: we're doing. We're doing both and it ain't but this

2247
02:05:05,720 --> 02:05:08,800
Speaker 1: culture that could really do both, and how that kind

2248
02:05:08,800 --> 02:05:11,120
Speaker 1: of stand power when we can argue about that. If

2249
02:05:11,160 --> 02:05:13,400
Speaker 1: you want to argue about that, let's drill it down.

2250
02:05:13,520 --> 02:05:16,680
Speaker 1: So people like Brian Flores may need us and may

2251
02:05:16,720 --> 02:05:19,200
Speaker 1: be in a position to need us to do it,

2252
02:05:19,240 --> 02:05:23,000
Speaker 1: but a lot of us can't. Can't activate our feelings.

2253
02:05:23,880 --> 02:05:27,400
Speaker 1: It's just like, yeah, you you over there. You ain't

2254
02:05:27,400 --> 02:05:30,800
Speaker 1: never came over here. You ain't even never came to

2255
02:05:30,840 --> 02:05:33,440
Speaker 1: have a conversation with none of us over here, right,

2256
02:05:33,960 --> 02:05:37,520
Speaker 1: we ain't never saw you on breakfast club or you

2257
02:05:37,520 --> 02:05:39,160
Speaker 1: know what I mean, just to even come give us

2258
02:05:39,160 --> 02:05:41,280
Speaker 1: a little game. I'm an NFL head coach. Let me

2259
02:05:41,320 --> 02:05:43,840
Speaker 1: tell y'all how to being dole industry, what you can

2260
02:05:43,920 --> 02:05:46,200
Speaker 1: do with black people. What y'all don't know is it's

2261
02:05:46,200 --> 02:05:48,080
Speaker 1: a job called or such and such. I only know

2262
02:05:48,160 --> 02:05:50,320
Speaker 1: that because I worked there, But go apply for that

2263
02:05:50,520 --> 02:05:53,480
Speaker 1: job if you're in a state to need. It's only one.

2264
02:05:54,400 --> 02:05:57,640
Speaker 1: But that's just put some game out there. Help us

2265
02:05:57,640 --> 02:06:01,640
Speaker 1: out as a collective. We gotta learn how to work together.

2266
02:06:01,920 --> 02:06:04,520
Speaker 1: I hate to see this sub category of black people.

2267
02:06:04,520 --> 02:06:07,640
Speaker 1: It's a thing right, all coaches do it, but black

2268
02:06:07,680 --> 02:06:10,800
Speaker 1: people we got a sub category. These black folks don't

2269
02:06:10,800 --> 02:06:13,280
Speaker 1: mess with these black people that need. Folks over here

2270
02:06:13,320 --> 02:06:15,440
Speaker 1: won't go to that kind of church. And it's it's

2271
02:06:15,480 --> 02:06:17,760
Speaker 1: all kind of things going on in a time where

2272
02:06:17,760 --> 02:06:20,680
Speaker 1: it's necessary for us to be uniform and our approach.

2273
02:06:21,720 --> 02:06:24,040
Speaker 1: You know, the tef only work when they bite together.

2274
02:06:24,280 --> 02:06:28,240
Speaker 1: The teeth only work when they bite together. And here

2275
02:06:28,240 --> 02:06:30,080
Speaker 1: we is. That's why I say, when you go and

2276
02:06:30,160 --> 02:06:33,040
Speaker 1: make NFL head coach, you got to double back down

2277
02:06:33,040 --> 02:06:35,120
Speaker 1: and come high. Let some of us, even if it's

2278
02:06:35,120 --> 02:06:38,600
Speaker 1: just an interview one time, two times, do some with

2279
02:06:38,800 --> 02:06:41,600
Speaker 1: us all the smoke. I am athlete. It's up there.

2280
02:06:42,160 --> 02:06:46,360
Speaker 1: Some comes high let us somewhere. We gotta figure out

2281
02:06:46,400 --> 02:06:49,920
Speaker 1: how to start a relationship between each other where where

2282
02:06:49,920 --> 02:06:52,920
Speaker 1: we don't leave you on the isisland out there. We

2283
02:06:53,040 --> 02:06:55,400
Speaker 1: can't feel no way about how they did you because

2284
02:06:55,400 --> 02:06:58,080
Speaker 1: look how you did us. But I understand what the

2285
02:06:58,200 --> 02:07:01,360
Speaker 1: guy's doing right to get Some of the most powerful

2286
02:07:01,400 --> 02:07:06,280
Speaker 1: people in the league say names like Bill Belichick, John

2287
02:07:06,360 --> 02:07:12,360
Speaker 1: their Way, like I heard Stephen A. Smith say that

2288
02:07:12,440 --> 02:07:15,200
Speaker 1: the dude he's calling out in Miami has created some

2289
02:07:15,320 --> 02:07:20,480
Speaker 1: kind of fun for black people, for minority and he's

2290
02:07:20,560 --> 02:07:23,120
Speaker 1: a legend coming to a black dude telling him the

2291
02:07:23,200 --> 02:07:27,120
Speaker 1: ayo take the season four, one hundred thousand dollars for

2292
02:07:27,200 --> 02:07:29,360
Speaker 1: one hundred thousand dollars a game, tak it. We do

2293
02:07:29,440 --> 02:07:31,280
Speaker 1: not want to win. And then a simple man, that

2294
02:07:31,320 --> 02:07:33,280
Speaker 1: person said, Yo, that's a hunty kate. What are you doing?

2295
02:07:33,360 --> 02:07:36,040
Speaker 1: He pulled to the hunty kane. But what happens is

2296
02:07:36,080 --> 02:07:41,640
Speaker 1: and that's what y'all don't understand about this old interviewing

2297
02:07:41,640 --> 02:07:44,440
Speaker 1: and all these things. What it does is your status.

2298
02:07:44,480 --> 02:07:46,680
Speaker 1: All you got when you in these kind of games,

2299
02:07:47,640 --> 02:07:50,440
Speaker 1: all you're working with is the numbers. This a numbered thing.

2300
02:07:50,600 --> 02:07:52,640
Speaker 1: All this is numbers. That's why when you come in,

2301
02:07:52,680 --> 02:07:55,600
Speaker 1: we're gonna see I fast you run? How tall is

2302
02:07:55,640 --> 02:07:59,360
Speaker 1: your inch for inch? What you got going? Who is you? Right?

2303
02:07:59,400 --> 02:08:02,000
Speaker 1: It's a number of staying. So when I'm putting bad

2304
02:08:02,120 --> 02:08:05,480
Speaker 1: numbers on my record, and I'm putting interviews. We ain't

2305
02:08:05,480 --> 02:08:07,800
Speaker 1: nobody hiring on my record. What you think they due

2306
02:08:07,840 --> 02:08:10,200
Speaker 1: to my brand? What you think they do because they

2307
02:08:10,240 --> 02:08:13,640
Speaker 1: all operating as brands when they walk into these buildings

2308
02:08:14,440 --> 02:08:17,440
Speaker 1: and they're walking in a billion dollar buildings as brands

2309
02:08:17,800 --> 02:08:20,360
Speaker 1: and all they got their statistics when they get done

2310
02:08:20,400 --> 02:08:23,400
Speaker 1: smiling and shaking hands. Now we got to drill the

2311
02:08:23,480 --> 02:08:25,960
Speaker 1: numbers down and what are we looking like? Oh man,

2312
02:08:26,040 --> 02:08:28,600
Speaker 1: why did the Patriots pass over? And the Jets and

2313
02:08:28,680 --> 02:08:32,080
Speaker 1: the and the suther sets passed on sixteens passed over

2314
02:08:32,160 --> 02:08:35,360
Speaker 1: and not knowing that they're just interviewing me just because

2315
02:08:35,400 --> 02:08:38,240
Speaker 1: they're interviewing me, just because of the runing rule and effect.

2316
02:08:38,320 --> 02:08:41,920
Speaker 1: They ain't never even really consider me. That's what he

2317
02:08:42,080 --> 02:08:45,680
Speaker 1: up against the ship that shit crazy. But us, it's

2318
02:08:45,760 --> 02:08:49,240
Speaker 1: black people, like I say, with our prisons on line,

2319
02:08:49,320 --> 02:08:54,360
Speaker 1: we would show up more when we're in a position

2320
02:08:54,440 --> 02:08:58,320
Speaker 1: to know that we're in a position to know each other.

2321
02:08:59,720 --> 02:09:01,880
Speaker 1: You know, Oh that's that dude, I've seen on such

2322
02:09:01,880 --> 02:09:03,840
Speaker 1: and such and you can't do it after the fact.

2323
02:09:04,200 --> 02:09:06,600
Speaker 1: I've seen the guy from Calm cass and shout out

2324
02:09:06,640 --> 02:09:09,440
Speaker 1: to you. I know you're still working in things like that.

2325
02:09:09,600 --> 02:09:13,320
Speaker 1: But dude was showing comcass you waited until you file

2326
02:09:13,360 --> 02:09:16,080
Speaker 1: a lawsuit and came on Breathles Club and started talking

2327
02:09:16,120 --> 02:09:19,040
Speaker 1: about it. It's like, and I think he might have

2328
02:09:19,120 --> 02:09:21,520
Speaker 1: been on there before. I'm not sure. I'm almo. It

2329
02:09:21,640 --> 02:09:24,000
Speaker 1: just didn't feel right. It just didn't I don't know,

2330
02:09:24,080 --> 02:09:27,440
Speaker 1: I don't know. Man just wasn't received. I don't know. Someone.

2331
02:09:27,840 --> 02:09:31,280
Speaker 1: You gotta educate somebody and let somebody they talk to us,

2332
02:09:31,440 --> 02:09:34,480
Speaker 1: come talk about it and really had an info about it.

2333
02:09:34,880 --> 02:09:37,680
Speaker 1: That's how you effectively let us know what's going on.

2334
02:09:38,320 --> 02:09:42,000
Speaker 1: Who do we look at for the information? Dudes like me,

2335
02:09:42,680 --> 02:09:45,320
Speaker 1: Pull me into your company, let me sit a couple

2336
02:09:45,360 --> 02:09:47,920
Speaker 1: of days, get a real understanding. Then I can come

2337
02:09:48,000 --> 02:09:51,120
Speaker 1: communicate what's going on. Hey, Yo, this is what's happening,

2338
02:09:51,120 --> 02:09:54,000
Speaker 1: and you see what's or and we can really digest

2339
02:09:54,000 --> 02:09:56,960
Speaker 1: it from that level. But Brian floor is, we gotta

2340
02:09:57,000 --> 02:09:59,480
Speaker 1: be in a situation to support each other, so we

2341
02:09:59,560 --> 02:10:01,840
Speaker 1: know how to support each other. I still got a

2342
02:10:01,840 --> 02:10:05,440
Speaker 1: lot more to talk about, but I'm gonna probably hit

2343
02:10:05,480 --> 02:10:07,480
Speaker 1: this last topic in then and I'm gonna diep out. Now,

2344
02:10:07,640 --> 02:10:12,000
Speaker 1: get with y'all next. Week, Nick Cannon announces that he

2345
02:10:12,080 --> 02:10:15,640
Speaker 1: has another baby. Shut out the Nick. Oh, I didn't

2346
02:10:15,640 --> 02:10:20,960
Speaker 1: mean to do that. Shut out the Nick. What I

2347
02:10:21,080 --> 02:10:24,320
Speaker 1: hear out there though, Man, again, this is what I

2348
02:10:24,320 --> 02:10:26,680
Speaker 1: see out there and what we deal with in this

2349
02:10:26,920 --> 02:10:31,400
Speaker 1: media space, this internet, podcasts and shows and these people

2350
02:10:31,400 --> 02:10:33,160
Speaker 1: that do what I do for a living and kind

2351
02:10:33,160 --> 02:10:37,840
Speaker 1: of break down the things that we see. It gets interesting.

2352
02:10:39,320 --> 02:10:42,640
Speaker 1: Nick Cannon comes out and he says, yo having a baby,

2353
02:10:44,080 --> 02:10:46,080
Speaker 1: you know, and he kind of celebrates the fact that

2354
02:10:46,120 --> 02:10:51,800
Speaker 1: he has another child on the way. Right. He received

2355
02:10:51,840 --> 02:10:55,040
Speaker 1: some backlash from women. I could never criticize women based

2356
02:10:55,080 --> 02:10:58,120
Speaker 1: on them reacting on their emotions and how they feel.

2357
02:10:58,200 --> 02:11:00,880
Speaker 1: That ain't my place. So you never hit me come

2358
02:11:00,920 --> 02:11:05,520
Speaker 1: and speak about a woman's reaction when the emotions involved.

2359
02:11:05,520 --> 02:11:09,840
Speaker 1: I always told people mistakes with emotions attached to it,

2360
02:11:10,840 --> 02:11:14,600
Speaker 1: especially for women, gotta be viewed a certain way depending

2361
02:11:14,680 --> 02:11:17,800
Speaker 1: on what they are. Right, if it's just hollering and

2362
02:11:17,880 --> 02:11:21,160
Speaker 1: talking and things like that, we gotta get him a

2363
02:11:21,240 --> 02:11:26,080
Speaker 1: runway a little bit understanding how they put together in

2364
02:11:26,160 --> 02:11:29,440
Speaker 1: my opinion, but that's a conversation for another time. What

2365
02:11:29,800 --> 02:11:33,040
Speaker 1: I want to focus on is so after Nick Kennon

2366
02:11:33,400 --> 02:11:38,280
Speaker 1: revealed that he had baby number eight by baby mother

2367
02:11:38,600 --> 02:11:45,000
Speaker 1: number five. Then the mother of the child that passed

2368
02:11:45,040 --> 02:11:49,760
Speaker 1: the kid's names in RP came out and said this,

2369
02:11:49,960 --> 02:11:52,400
Speaker 1: I've been told the profound sadness can be seen all

2370
02:11:52,400 --> 02:11:54,360
Speaker 1: over my face. I know they are waiting for it

2371
02:11:54,400 --> 02:11:57,200
Speaker 1: to disappear, but it lives there now. They must know

2372
02:11:57,560 --> 02:12:00,040
Speaker 1: when they see this great sorrow, if they can and

2373
02:12:00,120 --> 02:12:03,320
Speaker 1: courageously hold their gaze for even just a moment, they'll

2374
02:12:03,360 --> 02:12:06,240
Speaker 1: also find great love. And that's the way to begin

2375
02:12:06,280 --> 02:12:08,560
Speaker 1: to get to know me again. The brand knew me,

2376
02:12:08,880 --> 02:12:12,320
Speaker 1: the daughter, the sister, the aunt, and the friend, trying

2377
02:12:12,360 --> 02:12:15,080
Speaker 1: with everything I've got to make it in this brand

2378
02:12:15,120 --> 02:12:17,760
Speaker 1: new world. Her name is Grief. Then today she said,

2379
02:12:17,800 --> 02:12:20,040
Speaker 1: I want to thank every single person who has messaged

2380
02:12:20,120 --> 02:12:21,760
Speaker 1: or thought of me over the course of the last

2381
02:12:21,760 --> 02:12:24,640
Speaker 1: few months. I always say Zen expanded my heart and

2382
02:12:24,720 --> 02:12:28,840
Speaker 1: ways I never thought possible. He filled that space with compassion,

2383
02:12:29,280 --> 02:12:31,919
Speaker 1: knowing I would need that the most. It is painful

2384
02:12:31,960 --> 02:12:34,480
Speaker 1: having my son be a part of conversations that aren't

2385
02:12:34,480 --> 02:12:37,800
Speaker 1: in alignment with his lighte and legacy. It isn't something

2386
02:12:37,880 --> 02:12:40,920
Speaker 1: I chose for him or myself. It's important for me

2387
02:12:41,000 --> 02:12:44,160
Speaker 1: to let you all know. I am centered, I am

2388
02:12:44,200 --> 02:12:47,880
Speaker 1: at peace. I look at everyone's predicament with loving eyes.

2389
02:12:48,240 --> 02:12:51,560
Speaker 1: I will not judge. I will consciously decide what I

2390
02:12:51,600 --> 02:12:55,920
Speaker 1: will participate in. I am surrounded by love, God, my mom,

2391
02:12:56,120 --> 02:13:00,360
Speaker 1: dad's sister, brother, and daughter continue to carry me. Baby

2392
02:13:00,400 --> 02:13:03,240
Speaker 1: just past last month, and it seems like Nick was there.

2393
02:13:03,240 --> 02:13:07,160
Speaker 1: And again, I don't have the ability to be able

2394
02:13:07,160 --> 02:13:10,320
Speaker 1: to dictate how women feel when they deal with their emotions,

2395
02:13:10,440 --> 02:13:12,920
Speaker 1: especially the loss of a child. What I do know, though,

2396
02:13:13,720 --> 02:13:17,480
Speaker 1: that Nick did go into that situation. See, people use

2397
02:13:17,600 --> 02:13:20,120
Speaker 1: numbers for different things. Right. You can use the numbers

2398
02:13:20,160 --> 02:13:23,080
Speaker 1: against Nick, but also you can use the numbers to

2399
02:13:23,200 --> 02:13:26,040
Speaker 1: kind of define the expectations that you probably should have

2400
02:13:27,520 --> 02:13:30,360
Speaker 1: if you consider the numbers. Right, if you say that, hey,

2401
02:13:31,480 --> 02:13:34,560
Speaker 1: this is a seventh child and I'm the fifth baby mother,

2402
02:13:35,920 --> 02:13:38,760
Speaker 1: you know that you're gonna have to share this experience

2403
02:13:38,840 --> 02:13:44,000
Speaker 1: with other people prior to you and possibly after you. Right. So,

2404
02:13:44,120 --> 02:13:48,640
Speaker 1: I just think sometimes we gotta align ourselves, and I

2405
02:13:48,680 --> 02:13:53,720
Speaker 1: always say create your situation. I also hear some podcasters

2406
02:13:53,760 --> 02:13:55,600
Speaker 1: and some people come out and that's what I like

2407
02:13:55,680 --> 02:13:59,440
Speaker 1: to do. Just give you the other side of the argument, right,

2408
02:13:59,520 --> 02:14:02,480
Speaker 1: and and soon I'll be able to sit with interesting people, man,

2409
02:14:02,520 --> 02:14:04,280
Speaker 1: and we'll be able to chop through some of these

2410
02:14:04,440 --> 02:14:07,960
Speaker 1: very interesting things that we believe in the coach and

2411
02:14:08,280 --> 02:14:11,680
Speaker 1: to and how to digest those. But nonetheless, you know,

2412
02:14:11,800 --> 02:14:13,680
Speaker 1: right now we're talking about Nick, I hear a lot

2413
02:14:13,720 --> 02:14:17,440
Speaker 1: of people say, Yo, man, there's no way he can

2414
02:14:17,480 --> 02:14:20,360
Speaker 1: be there though, Man, he got too many baby mothers

2415
02:14:20,400 --> 02:14:26,320
Speaker 1: and too many kids, Like it's physically impossible. And we

2416
02:14:26,440 --> 02:14:30,200
Speaker 1: all know that they're strained on all of us being

2417
02:14:31,360 --> 02:14:33,800
Speaker 1: as available as we need to be because of the

2418
02:14:33,840 --> 02:14:38,560
Speaker 1: structure of the Financial Institute of America, right we gotta

2419
02:14:38,600 --> 02:14:42,040
Speaker 1: be make ourselves available to get the check, to be

2420
02:14:42,120 --> 02:14:47,280
Speaker 1: able to provide for the people that we love in

2421
02:14:47,280 --> 02:14:50,160
Speaker 1: our children. So there's a balance that we must have.

2422
02:14:50,280 --> 02:14:52,880
Speaker 1: And then when you speak about the one percent, they've

2423
02:14:52,920 --> 02:14:56,839
Speaker 1: already boomed at that moment. I provided a certain luxury.

2424
02:14:57,280 --> 02:15:01,680
Speaker 1: What time is kind of at They can't. They still

2425
02:15:01,720 --> 02:15:04,760
Speaker 1: only deal with the same twenty four hours, but they're

2426
02:15:04,760 --> 02:15:09,120
Speaker 1: able to delegate in a way where a regular person can. Right,

2427
02:15:09,240 --> 02:15:11,280
Speaker 1: you got a certain time you gotta be at work.

2428
02:15:11,360 --> 02:15:13,840
Speaker 1: That's number one the perspective of how you view it.

2429
02:15:13,880 --> 02:15:18,880
Speaker 1: But number two, I know, dudes, that work at foot

2430
02:15:18,920 --> 02:15:22,480
Speaker 1: Action that listen, bro. I know people right now, some

2431
02:15:22,560 --> 02:15:25,200
Speaker 1: of the toughest dudes I've ever known in my life

2432
02:15:25,720 --> 02:15:28,280
Speaker 1: that Logans is working them on Sundays and they know

2433
02:15:28,360 --> 02:15:31,880
Speaker 1: they like football. Man. They're working them all day on Sundays,

2434
02:15:32,240 --> 02:15:34,840
Speaker 1: and they bet not look mad. They're gonna bring them in.

2435
02:15:35,280 --> 02:15:37,520
Speaker 1: They're gonna make them close Sunday night and bring them

2436
02:15:37,560 --> 02:15:41,960
Speaker 1: in Monday morning. Right, he can't be there for some

2437
02:15:42,040 --> 02:15:44,360
Speaker 1: of his children things, so right, it's a it's an

2438
02:15:44,360 --> 02:15:46,800
Speaker 1: obstacle in all of us being there for our children

2439
02:15:46,840 --> 02:15:49,200
Speaker 1: in the capacity that we need to be. When you

2440
02:15:49,280 --> 02:15:51,640
Speaker 1: deal with the one percent, do you know you're dealing

2441
02:15:51,680 --> 02:15:56,840
Speaker 1: with privilege? You're dealing with a He can create an environement.

2442
02:15:58,880 --> 02:16:01,160
Speaker 1: And I think that sometimes times were too quick to

2443
02:16:01,280 --> 02:16:05,440
Speaker 1: judge what we really don't have the information on. These

2444
02:16:05,440 --> 02:16:08,920
Speaker 1: women have to be coming into this situation with some expectations.

2445
02:16:08,960 --> 02:16:13,840
Speaker 1: It ain't no secret what what's happening, you understand and

2446
02:16:13,880 --> 02:16:17,600
Speaker 1: it ain't no disrespect a test to what's happening. I

2447
02:16:17,720 --> 02:16:21,880
Speaker 1: provide you a runway to enjoy yourself. I provide you

2448
02:16:21,960 --> 02:16:24,280
Speaker 1: a runway to commit to whatever it is you want

2449
02:16:24,280 --> 02:16:31,120
Speaker 1: to commit to. Ain't no pressure on anything, not dudes.

2450
02:16:31,200 --> 02:16:33,080
Speaker 1: But he can't be there, he wont he may not

2451
02:16:33,160 --> 02:16:36,240
Speaker 1: be there. And the dudes who say that them jobs

2452
02:16:36,240 --> 02:16:39,720
Speaker 1: got them folk coming in on Christmas? How can you

2453
02:16:39,800 --> 02:16:43,600
Speaker 1: criticize Nick Cannon who can provide a runway for these

2454
02:16:43,640 --> 02:16:45,680
Speaker 1: people to be wherever he want them to be in

2455
02:16:45,720 --> 02:16:49,640
Speaker 1: the world, not only America, in the world. And need

2456
02:16:49,680 --> 02:16:52,480
Speaker 1: people make you work on Christmas? Your son you got

2457
02:16:52,520 --> 02:16:55,440
Speaker 1: to slip give your son gives full before you go

2458
02:16:55,520 --> 02:16:59,720
Speaker 1: in work that night. You got to work Christmas because

2459
02:16:59,760 --> 02:17:02,959
Speaker 1: you deliver gas or something like. Man, come on, man,

2460
02:17:03,000 --> 02:17:05,400
Speaker 1: we're dealing with that just because of the structure of

2461
02:17:05,400 --> 02:17:08,680
Speaker 1: the society. But when you start operating in the one percent,

2462
02:17:08,760 --> 02:17:13,440
Speaker 1: I think we gotta start really asking somebody. Ask him, say, bro,

2463
02:17:13,600 --> 02:17:15,760
Speaker 1: how you playing on being there? Here? Break it down.

2464
02:17:16,959 --> 02:17:20,800
Speaker 1: You ain't dealing with nobody that can't explain they circumstances

2465
02:17:21,080 --> 02:17:24,200
Speaker 1: here ask him. But first of all, you dealing with

2466
02:17:24,240 --> 02:17:26,520
Speaker 1: the one percent and dudes is going to work on

2467
02:17:26,640 --> 02:17:30,119
Speaker 1: Christmas and Christmas Eve for the company. The company don't

2468
02:17:30,120 --> 02:17:34,959
Speaker 1: got no kind of yo. The companies don't have any

2469
02:17:35,760 --> 02:17:38,560
Speaker 1: kind of reverence to you being off and being with

2470
02:17:38,640 --> 02:17:41,800
Speaker 1: your family on some kind of holiday, but you deal

2471
02:17:41,840 --> 02:17:45,080
Speaker 1: with the one percent they're able to create the environment.

2472
02:17:46,040 --> 02:17:50,200
Speaker 1: It don't solve all the problems. It don't, but it

2473
02:17:50,240 --> 02:17:53,000
Speaker 1: gives you a certain privilege in certain areas that other

2474
02:17:53,080 --> 02:17:57,080
Speaker 1: things people struggling. And I think Nick needs to be

2475
02:17:57,120 --> 02:17:59,600
Speaker 1: asked the question before people say that he's not gonna

2476
02:17:59,600 --> 02:18:03,720
Speaker 1: bear to that's not physically possible. And you will go

2477
02:18:03,760 --> 02:18:07,200
Speaker 1: to work on Christmas for whatever dollar amount they give

2478
02:18:07,240 --> 02:18:11,440
Speaker 1: you because they see it's time and ahead. Let's put

2479
02:18:11,440 --> 02:18:14,840
Speaker 1: these things in perspective. Yo, that's it. It's up that

2480
02:18:15,080 --> 02:18:19,600
Speaker 1: podcast another episode. Appreciate you about it, just you know,

2481
02:18:19,680 --> 02:18:21,560
Speaker 1: tuned and tapped in. Like I said, we got a

2482
02:18:21,560 --> 02:18:24,840
Speaker 1: lot coming this ship. We're gonna fix everything. Everything's gonna

2483
02:18:24,879 --> 02:18:28,080
Speaker 1: look so good, so smooth. It's gonna be a dope transition.

2484
02:18:28,480 --> 02:18:31,320
Speaker 1: We got a lot, lot lot we building on man,

2485
02:18:31,400 --> 02:18:34,520
Speaker 1: and um, we appreciate every every single one of ye

2486
02:18:34,520 --> 02:18:36,720
Speaker 1: out for real, for real, for real. Man, Let's keep

2487
02:18:36,800 --> 02:18:39,640
Speaker 1: running the numbers up, Let's keep getting us to the top.

2488
02:18:39,959 --> 02:18:43,200
Speaker 1: Let's take over the game, man, Let's take this thing over.

2489
02:18:43,320 --> 02:18:45,039
Speaker 1: We hit them, man, we hit the stay. It's up

2490
02:18:45,040 --> 02:18:47,080
Speaker 1: their podcast, biggest