WEBVTT - INTERVIEW: Lencia Kebede On Embodying Elphaba, Black Representation On Broadway, Celebrating Her Growth + More

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club Morning.

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<v Speaker 2>Everybody is DJ en Vy, Jess Hilarious, Charlamagne, the gud

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<v Speaker 2>We are the breakfast Club.

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<v Speaker 1>We got a special guest in the building.

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<v Speaker 3>Yes, indeed, Lyncia Cabetti. Did I say it right?

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<v Speaker 4>Pretty close?

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<v Speaker 3>Well, what is it?

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<v Speaker 4>Cobetta Cobeta?

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<v Speaker 1>But got it?

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<v Speaker 3>Welcome, thank you, Welcome, welcome, welcome.

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<v Speaker 2>Now, if you don't know who she is, she's an

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<v Speaker 2>actress and the first black actress.

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<v Speaker 5>Oh wait, wait, wait, look let me say something cause

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<v Speaker 5>she because she off here before we just started. She said,

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<v Speaker 5>how did y'all find me? I said, You're the first

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<v Speaker 5>black actress to play alpha Be full time? How can

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<v Speaker 5>we find she said? How dare I exact, sir, black

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<v Speaker 5>actress to play alpha Be full time on the Broadway Wicked?

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<v Speaker 3>How's congratulations first and foremost?

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<v Speaker 4>Thank you so much. I mean, it's a dream come true.

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<v Speaker 4>It's like surreal sometimes and sometimes I'm like, oh, yeah,

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<v Speaker 4>this is exactly where I always thought I would be

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<v Speaker 4>doing something like impactful for our community and our industry.

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<v Speaker 4>But most days are just like I'm just dumbfounded. I

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<v Speaker 4>can't believe I'm singing these songs what.

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<v Speaker 1>Did it mean for you personally and what did it

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<v Speaker 1>mean for Brown personally?

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<v Speaker 4>It was an opportunity to tell the story of my community,

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<v Speaker 4>our struggles, our strengths, our power, for our for our industry,

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<v Speaker 4>for the entertainment industry. I think it just opened the

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<v Speaker 4>eyes of who can do what and who was capable

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<v Speaker 4>of what, and just like brought a more creative outlook

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<v Speaker 4>to art.

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<v Speaker 2>Now you ain't Hamilton before, but I want to start

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<v Speaker 2>from the beginning my birth. Okay, how did you get

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<v Speaker 2>into the arts?

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<v Speaker 4>Like?

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<v Speaker 3>What was it so special to you? Said this is

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<v Speaker 3>what I want to do.

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<v Speaker 4>You know, It's funny. I started at church and I

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<v Speaker 4>hated singing. My parents saw something special in me and

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<v Speaker 4>kind of like thrust me into music and correct. Both

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<v Speaker 4>my parents are from Ethiopia immigrants, so I'm first generation

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<v Speaker 4>and I loved playing outside. I loved playing sports. I

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<v Speaker 4>was super into my academics too. I was just like

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<v Speaker 4>a really hype kid. I feel like I was just

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<v Speaker 4>I couldn't be stopped. Lots of energy, especially for this role.

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<v Speaker 4>But like being inside rahearsing and like I just was

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<v Speaker 4>like I want to be outside and I want to

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<v Speaker 4>be playing. But I started to see like how music

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<v Speaker 4>affected people specifically in church and how that moved people spiritually.

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<v Speaker 4>And I was like, wait, I think I'm good at

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<v Speaker 4>this something. I don't know what it is. I don't

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<v Speaker 4>know how to hone in on it, but I know

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<v Speaker 4>that it just feels special. So I wanted to keep trying.

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<v Speaker 4>And then I started doing like community theater and middle

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<v Speaker 4>school and high school, and in college, I decided I

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<v Speaker 4>wasn't going to study it. I had other interests. I

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<v Speaker 4>studied diplomacy and world affairs and undergrad and politics, all

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<v Speaker 4>different angles to make like positive change to the world

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<v Speaker 4>around me.

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<v Speaker 1>I mean how many times?

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<v Speaker 2>And then you got to Broadway, So explain how you

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<v Speaker 2>got to Broadway and those feelings.

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<v Speaker 4>Midway through my five year run in Hamilton, the audition

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<v Speaker 4>for Alphabat came up and I already actually had another

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<v Speaker 4>job offer that I was very excited to embark on,

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<v Speaker 4>and my team was like, I mean, it depends on

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<v Speaker 4>what you want to do, and I was like, WHOA,

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<v Speaker 4>no black woman has ever played this role. I'm not

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<v Speaker 4>going to pass up this opportunity. So auditions it was

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<v Speaker 4>like six rounds across maybe like four months of me

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<v Speaker 4>flying to New York from La on Zoom, just lots

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<v Speaker 4>of different It's a long process. If that's such a

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<v Speaker 4>technical skill, would that that is required for this character.

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<v Speaker 4>So after all those rounds and the up and downs

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<v Speaker 4>of the emotions, I got it. I don't, I gotta,

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<v Speaker 4>I don't, am I good? I don't know. It's just

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<v Speaker 4>like so much inner turmoil. I finally got the call

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<v Speaker 4>from my agent and I started cracking up. I'd like

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<v Speaker 4>I couldn't even like emote. I was just like, this

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<v Speaker 4>cannot be happening right now.

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<v Speaker 6>I think thought it was a joke or you or

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<v Speaker 6>you didn't know what you felt.

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<v Speaker 4>I think I didn't know what I felt. I was

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<v Speaker 4>like in shock. Yeah, at that point, I think I

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<v Speaker 4>had convinced myself that it was highly possible. I was.

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<v Speaker 4>I was in the final like four people maybe, but

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<v Speaker 4>I was like Universe, God, Mother, Earth, I receive whatever

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<v Speaker 4>is mine, however, I want this set, and I feel

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<v Speaker 4>like I would be great for this moment, but like,

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<v Speaker 4>I accept the outcome. So I think I was. I

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<v Speaker 4>was playing both outcomes internally so well that no matter

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<v Speaker 4>what that call would have whatever the outcome of that

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<v Speaker 4>call would have been, I would have been ready so

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<v Speaker 4>I think my body was like, oh, okay, this is happening.

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<v Speaker 4>I had to like go on a walk and like

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<v Speaker 4>ground myself to remember what was real. I couldn't believe this.

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<v Speaker 7>Mean, how many times do people try to gas like

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<v Speaker 7>you like, is America ready for a black alpable?

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<v Speaker 4>Right?

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<v Speaker 1>Like the damn green face isn't fantasy enough.

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<v Speaker 4>It's so silly, and it's people say things like she's green,

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<v Speaker 4>like it doesn't matter what her race is, and I'm like,

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<v Speaker 4>she's green exactly. She looks different than everybody else. That

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<v Speaker 4>is the point. So I do think the world was ready.

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<v Speaker 4>I do think the world was ready, and I feel

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<v Speaker 4>so grateful that it was me.

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<v Speaker 1>You know, it's only interesting.

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<v Speaker 7>Like I took my nine year old and my six

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<v Speaker 7>year old to see Working on Broadway and they saw

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<v Speaker 7>the movie, so it's the Dim Alpha.

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<v Speaker 3>But is black?

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<v Speaker 1>Isn't that?

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<v Speaker 7>Like if I say, if I say that to them,

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<v Speaker 7>you're like, you know, she's black, right, Like of course.

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<v Speaker 1>That's all they know.

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<v Speaker 4>Is as crazy that this generation gets to live in

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<v Speaker 4>this in this climate and see it as normal, Like

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<v Speaker 4>that's what they get to grow up experiencing. And that's

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<v Speaker 4>my favorite part of this is this whole generation that

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<v Speaker 4>is just this is their norm.

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<v Speaker 1>Why do you think it took decades for a black

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<v Speaker 1>woman to get this role full time?

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<v Speaker 4>Like?

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<v Speaker 1>What does that say about Broadway? If anything, I.

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<v Speaker 4>Think art is a reflection of the society it represents.

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<v Speaker 4>So I don't think Broadway was particularly doing anything outside

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<v Speaker 4>of what our country represented. And as times have changed,

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<v Speaker 4>so has art. Art has shifted. So I feel like

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<v Speaker 4>it's exactly the timing is exactly right. And again, like

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<v Speaker 4>I can't speak to why I took this long, but

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<v Speaker 4>all I know is I'm happy I'm here.

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<v Speaker 3>Do you get a lot of love or do you

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<v Speaker 3>get a lot of hate?

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<v Speaker 4>I get a lot of love. I mean, haters are haters.

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<v Speaker 4>There's always haters, there's always critics.

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<v Speaker 2>The reason I asked is like I took my kids too,

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<v Speaker 2>And of course the majority of people in there are others.

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<v Speaker 3>Well, I should say all white.

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<v Speaker 2>I was gonna say, but I was wondering lovers.

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<v Speaker 1>You're the other.

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<v Speaker 4>Actually I'm green, okay?

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<v Speaker 3>And what type of hate do you get? Is it letters?

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<v Speaker 1>Is it? You know?

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<v Speaker 2>Because I thought that the play was phenomenal, Like I said,

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<v Speaker 2>when I seen you in Hall, I took my three

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<v Speaker 2>year old, and then I took my twenty three.

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<v Speaker 4>Year old, Wow, and they both enjoyed it.

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<v Speaker 3>They both joyed great.

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<v Speaker 4>Across the generations people relate. I mean, it's the hate.

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<v Speaker 4>I don't know. I wouldn't even call it hate more

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<v Speaker 4>than just like strong opinions, because less so about race,

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<v Speaker 4>more just because this is a long running show twenty

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<v Speaker 4>two years. Everyone who has seen who comes to see

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<v Speaker 4>Wicked has seen Wicked more or less. The amount of

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<v Speaker 4>people who are new to this piece of work is

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<v Speaker 4>very little, so everybody knows every word, every intonation, like

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<v Speaker 4>every way every single line goes or every vocal part goes.

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<v Speaker 4>So it's less like why they're a black Alphaba. I

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<v Speaker 4>don't really get that. There's more celebratory energy about the

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<v Speaker 4>racial thing. But people just like what they like, and

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<v Speaker 4>you know what, that's fine. I cannot be for everyone,

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<v Speaker 4>and I think that's what this show is teaching me,

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<v Speaker 4>especially this character who has to fight with the world

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<v Speaker 4>around her not trusting her and misunderstanding her. But she

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<v Speaker 4>always says true to who she is, and that I

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<v Speaker 4>think is my biggest takeaway from playing this role.

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<v Speaker 5>What was the most challenging part about playing Alphaba?

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<v Speaker 4>If there are any I would say a mental and

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<v Speaker 4>emotional fatigue. The show is very emotionally taxing. I am

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<v Speaker 4>constantly faced with like the biggest, most complicated inner feelings

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<v Speaker 4>that specifically a black woman can experience, feeling othered, feeling misunderstood,

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<v Speaker 4>not being trusted, disillusionment, believing in someone, trusting in someone,

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<v Speaker 4>and then realizing that it's not what it seems. So

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<v Speaker 4>I think there's a lot of times when I leave

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<v Speaker 4>the show and I have to just like I don't

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<v Speaker 4>even turn on the lights in my apartment for hours.

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<v Speaker 4>I have to be like dead in my head because

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<v Speaker 4>it's just like the emotional rollercoaster of what the character

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<v Speaker 4>requires also requires me to plug in and charge when

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<v Speaker 4>I'm not there.

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<v Speaker 7>Let's stay there for a minute. Yeah, because alphabet is

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<v Speaker 7>one of the most demanding roles in.

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<v Speaker 4>If not the most, you have the most.

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<v Speaker 7>So what's your apprecial ritual to get into that headspace

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<v Speaker 7>and voice space every night?

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<v Speaker 4>I think I definitely take stock in how I'm feeling.

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<v Speaker 4>If I'm feeling like more tired, maybe I listen to

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<v Speaker 4>like hype music, or like take a walk, or like

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<v Speaker 4>take a hot yoga class, something to get me my

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<v Speaker 4>energy going. But if I'm feeling particularly stimulated that day,

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<v Speaker 4>sometimes listening to like jazz and something calmer, I usually

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<v Speaker 4>do like a thirty minute warm up, half of it physical,

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<v Speaker 4>half of it vocal. And then while I'm getting the greening,

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<v Speaker 4>which takes thirty minutes to do my makeup every day.

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<v Speaker 4>When they're doing that for me, that's when I play music,

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<v Speaker 4>and music I feel like is what drops me into

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<v Speaker 4>whatever emotional space I need to get into the character.

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<v Speaker 5>Make up only take thirteen thirty minute thirty minutes, Yeah, yeah,

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<v Speaker 5>I expect it more right.

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<v Speaker 4>People usually think it takes like hours. It was gonna

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<v Speaker 4>probably just do your face, neck and hands right right

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<v Speaker 4>and like a little bit down my back, but like

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<v Speaker 4>it's only a little bit down my arm.

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<v Speaker 2>So do you have a life on Broadway? Can you

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<v Speaker 2>have a life on Broadway with the amount of shows.

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<v Speaker 3>That you see? Let me tell you.

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<v Speaker 4>Eight a week. We have one day off yesterday, I

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<v Speaker 4>would say there, you can have a life on Broadway

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<v Speaker 4>When you're Alphaba, though, which is a different.

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<v Speaker 1>Beast life that's very difficult.

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<v Speaker 4>I think. I try. I'm a communal being. I need

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<v Speaker 4>the energy of other so I try to balance it.

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<v Speaker 4>But most states. I do spend chilling on my own because,

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<v Speaker 4>like I said, the mental toll is really I really

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<v Speaker 4>have to like relax in order to bring my whole

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<v Speaker 4>heart and soul emotionally to the characters. So everybody has

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<v Speaker 4>a life, but I have less of a life right now.

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<v Speaker 4>But you know what the sacrifice is worth it? Let

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<v Speaker 4>me tell you it is worth it.

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<v Speaker 7>What's harder hitting that defying gravity? Note eight times a

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<v Speaker 7>week are carrying the weight of representation every time.

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<v Speaker 4>The curry cool? Ain't that the question? Definitely the representation.

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<v Speaker 4>It's just it means so much to so many people.

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<v Speaker 4>And like I think another back to what you were

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<v Speaker 4>saying about the hardest parts of the role, Like I

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<v Speaker 4>put a lot of pressure on myself to make every

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<v Speaker 4>interaction I have through this period of my life has

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<v Speaker 4>something meaningful to audiences black, brown, white, It don't matter.

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<v Speaker 4>Like I just I think that that opportunity can sometimes

0:10:57.400 --> 0:10:59.400
<v Speaker 4>feel like pressure to me, just because I care so

0:10:59.480 --> 0:11:02.000
<v Speaker 4>much and I've really want especially the kids. I want

0:11:02.080 --> 0:11:06.160
<v Speaker 4>kids to go away feeling empowered. So defying gravity is

0:11:06.240 --> 0:11:08.480
<v Speaker 4>like it's like a science is like this is how

0:11:08.480 --> 0:11:14.080
<v Speaker 4>you're sing. It is vocal technique, but with the cultural, racial,

0:11:16.640 --> 0:11:19.800
<v Speaker 4>emotional aspects of it. Like those those things take real

0:11:19.840 --> 0:11:22.480
<v Speaker 4>care and I really put a lot of effort into

0:11:22.840 --> 0:11:25.360
<v Speaker 4>how I present myself and what I share with my community.

0:11:25.520 --> 0:11:27.800
<v Speaker 1>So you feel actual pressure to represent.

0:11:29.679 --> 0:11:32.880
<v Speaker 4>I do feel pressure in that. I feel like it's

0:11:32.920 --> 0:11:36.920
<v Speaker 4>more self induced, just because, like I said, I care

0:11:37.040 --> 0:11:40.160
<v Speaker 4>so much about positively impacting the world around me, and

0:11:40.160 --> 0:11:41.520
<v Speaker 4>that's I feel like that's been one of my dreams

0:11:41.520 --> 0:11:42.800
<v Speaker 4>since I was a kid, Like I never knew what

0:11:42.800 --> 0:11:44.559
<v Speaker 4>I would do growing up, but like that's kind of

0:11:44.559 --> 0:11:46.440
<v Speaker 4>why I went into politics for a little while too

0:11:46.480 --> 0:11:48.000
<v Speaker 4>and still have a passion for it, is that I

0:11:48.080 --> 0:11:52.720
<v Speaker 4>care so much about just like positively inspiring people. So yeah,

0:11:52.720 --> 0:11:55.000
<v Speaker 4>I do feel pressure, only because that's what I choose

0:11:55.040 --> 0:11:57.480
<v Speaker 4>to care about. I don't think anybody puts it on

0:11:57.520 --> 0:12:01.000
<v Speaker 4>me besides myself, which is why this role teaches me

0:12:01.160 --> 0:12:03.679
<v Speaker 4>to stay you know, connected and true to who I am,

0:12:03.760 --> 0:12:05.240
<v Speaker 4>regardless of what's happening around me.

0:12:05.360 --> 0:12:07.080
<v Speaker 1>Because I feel like, if you just bring your full

0:12:07.120 --> 0:12:09.320
<v Speaker 1>self to the role, that's enough.

0:12:10.080 --> 0:12:13.400
<v Speaker 4>I completely agree, and that's exactly what the character does.

0:12:13.840 --> 0:12:16.400
<v Speaker 4>She brings herself to all these crazy life situations, and

0:12:17.440 --> 0:12:19.319
<v Speaker 4>that's how she survives and thrives.

0:12:20.280 --> 0:12:22.840
<v Speaker 2>Do you did you reach out to actresses before you

0:12:23.200 --> 0:12:25.560
<v Speaker 2>to just to ask them how the role was and

0:12:26.160 --> 0:12:28.520
<v Speaker 2>the role and are they open to it, especially you

0:12:28.600 --> 0:12:30.120
<v Speaker 2>being black? Well, were they open to it or wasn't

0:12:30.120 --> 0:12:30.760
<v Speaker 2>one of those states?

0:12:30.760 --> 0:12:36.360
<v Speaker 4>Like yeah, No, they were incredibly open. They call it

0:12:36.440 --> 0:12:38.080
<v Speaker 4>kind of like a sisterhood. Like the people who have

0:12:38.080 --> 0:12:42.600
<v Speaker 4>played Alphaba, they all sort of say, like, nobody can

0:12:42.640 --> 0:12:44.400
<v Speaker 4>know what it's like until you've done it, So like

0:12:44.480 --> 0:12:48.560
<v Speaker 4>any vocal teacher, any like voice doctor, therapists, like I

0:12:48.600 --> 0:12:50.920
<v Speaker 4>can't explain to anybody in words what it feels like

0:12:51.000 --> 0:12:54.000
<v Speaker 4>unless you you know, you've experienced it. So hearing their

0:12:54.080 --> 0:12:58.640
<v Speaker 4>experiences was like incredibly inspiring and just like really positive

0:12:58.640 --> 0:13:02.640
<v Speaker 4>guidance for me dealing with the strenuous nature of it.

0:13:02.880 --> 0:13:04.600
<v Speaker 4>Like the one main thing I took away from all

0:13:04.600 --> 0:13:07.439
<v Speaker 4>those conversations was like the girls, a lot of the

0:13:07.480 --> 0:13:11.720
<v Speaker 4>girls were saying, like, anything you experience, every other alphabet

0:13:11.760 --> 0:13:15.160
<v Speaker 4>has experienced, so like you're not alone in those intense

0:13:15.200 --> 0:13:18.080
<v Speaker 4>feelings when it gets difficult. So that just made me

0:13:18.080 --> 0:13:18.880
<v Speaker 4>feel less crazy.

0:13:19.120 --> 0:13:21.000
<v Speaker 2>And what's the craziest thing that's happened on stage? Did

0:13:21.040 --> 0:13:23.160
<v Speaker 2>you see like a favorite celebrity in the stage directive

0:13:23.200 --> 0:13:25.319
<v Speaker 2>one to the bathroom, What was the craziest thing that

0:13:25.360 --> 0:13:26.040
<v Speaker 2>happened to you as.

0:13:25.920 --> 0:13:27.200
<v Speaker 1>You good question.

0:13:28.880 --> 0:13:31.480
<v Speaker 4>I can't really see the audience sometimes sometimes when I

0:13:31.520 --> 0:13:33.880
<v Speaker 4>know something like Serena Williams when the audience recently and

0:13:33.920 --> 0:13:40.560
<v Speaker 4>I was like, oh, Queen. Sometimes I stumble words and

0:13:40.600 --> 0:13:42.840
<v Speaker 4>like say crazy things and I just have to like

0:13:42.920 --> 0:13:45.280
<v Speaker 4>find a way to get around it.

0:13:45.320 --> 0:13:48.000
<v Speaker 6>But during the performance, yes it happens.

0:13:49.840 --> 0:13:53.760
<v Speaker 4>I don't think so unless there's like a long silence.

0:13:55.240 --> 0:13:57.160
<v Speaker 4>I think people are so dropped into the show that

0:13:57.200 --> 0:13:59.240
<v Speaker 4>they're like, they're not worried.

0:14:00.080 --> 0:14:01.440
<v Speaker 6>Have you met Cynthia Arriva.

0:14:01.679 --> 0:14:03.680
<v Speaker 4>I haven't met her yet. She did send me flowers

0:14:03.679 --> 0:14:06.760
<v Speaker 4>on my debut, my first show, which was sweet. But

0:14:06.800 --> 0:14:09.000
<v Speaker 4>I think we should probably be doing some stuff soon.

0:14:10.640 --> 0:14:13.440
<v Speaker 7>How do you navigate being celebrated but still feeling like

0:14:13.440 --> 0:14:16.880
<v Speaker 7>you're breaking through systems that weren't designed for you.

0:14:21.480 --> 0:14:27.400
<v Speaker 4>I celebrate myself because what I'm doing is a literal revolution,

0:14:29.000 --> 0:14:34.960
<v Speaker 4>and I believe art is a part of social change

0:14:35.920 --> 0:14:40.880
<v Speaker 4>and political growth. I believe art shapes culture and culture

0:14:40.880 --> 0:14:43.040
<v Speaker 4>shapes art. It's sort of symbiotic in that way. So

0:14:44.640 --> 0:14:47.040
<v Speaker 4>I feel like the fact that I have the opportunity

0:14:47.080 --> 0:14:50.520
<v Speaker 4>to break through these barriers also like strengthens my relationship

0:14:50.520 --> 0:14:52.160
<v Speaker 4>with myself. I'm like, yeah, you did that.

0:14:54.000 --> 0:14:55.880
<v Speaker 1>Who was your elphab growing up? Like, who made you

0:14:55.920 --> 0:14:57.040
<v Speaker 1>believe you can defy gravity?

0:14:57.840 --> 0:15:07.000
<v Speaker 4>That's a great question, I would say, seeing Cynthia for sure.

0:15:07.080 --> 0:15:10.080
<v Speaker 4>I mean Cynthia has done so many amazing projects, yeah,

0:15:10.640 --> 0:15:16.680
<v Speaker 4>which like haven't just inspired me endlessly. Audre McDonald also

0:15:16.720 --> 0:15:20.360
<v Speaker 4>how she has crossed over to different industries, to within

0:15:20.440 --> 0:15:23.280
<v Speaker 4>the entertainment industry. So seeing black women be sort of

0:15:23.320 --> 0:15:27.880
<v Speaker 4>like multi hyphenated artists, it's inspired me so much and

0:15:27.920 --> 0:15:29.280
<v Speaker 4>made me feel like like if they can do it,

0:15:29.320 --> 0:15:32.280
<v Speaker 4>you know I can't do.

0:15:31.200 --> 0:15:35.560
<v Speaker 6>Do you remember your first audition for a Wicked Yes?

0:15:36.320 --> 0:15:39.960
<v Speaker 4>Oh yeah, it was terrified, shaking. I remember the first

0:15:40.000 --> 0:15:41.920
<v Speaker 4>time I sang define gravity in front of the creative team.

0:15:41.960 --> 0:15:43.600
<v Speaker 4>I feel like my hands were like literally like I

0:15:43.640 --> 0:15:47.200
<v Speaker 4>was like, yeah, I was so nervous. It was probably

0:15:47.240 --> 0:15:51.320
<v Speaker 4>one of the hardest things I overcame in my career

0:15:51.360 --> 0:15:54.080
<v Speaker 4>so far, like that day, because it meant so much

0:15:54.120 --> 0:15:55.800
<v Speaker 4>to me. I knew what it would mean if I

0:15:55.800 --> 0:15:57.960
<v Speaker 4>would continue on in the process being the first black

0:15:57.960 --> 0:15:59.840
<v Speaker 4>woman in the possible first black woman in the role,

0:16:00.120 --> 0:16:03.960
<v Speaker 4>and just the difficulty of the material. I was stressed.

0:16:04.680 --> 0:16:05.880
<v Speaker 4>But then when I did it, I was like, no,

0:16:05.920 --> 0:16:07.360
<v Speaker 4>I can do anything. Like once I did it the

0:16:07.360 --> 0:16:09.120
<v Speaker 4>first time, I was like, I'm good, I got it.

0:16:10.880 --> 0:16:12.600
<v Speaker 1>Are you a sick thing or do anything together at

0:16:12.600 --> 0:16:13.680
<v Speaker 1>the Tony Awards because you said.

0:16:14.200 --> 0:16:16.760
<v Speaker 4>I pray, honey, that's what I'm I am asking the

0:16:16.840 --> 0:16:19.440
<v Speaker 4>universe and doing all the networking I can try to get.

0:16:19.840 --> 0:16:23.040
<v Speaker 4>She is hosting, I pray. I pray. So if anyone

0:16:23.040 --> 0:16:26.400
<v Speaker 4>can hear me, bring me to the Tonys. I would

0:16:26.440 --> 0:16:28.040
<v Speaker 4>like to be in attendance. I think it would be

0:16:28.040 --> 0:16:29.440
<v Speaker 4>really great for our community.

0:16:29.640 --> 0:16:30.760
<v Speaker 1>You haven't been nominated yet.

0:16:31.280 --> 0:16:33.680
<v Speaker 4>I can't be nominated for Wicked because it's not a

0:16:33.720 --> 0:16:36.960
<v Speaker 4>new show in this season. I know that, Yeah, that's

0:16:37.000 --> 0:16:37.520
<v Speaker 4>a thing.

0:16:38.280 --> 0:16:40.320
<v Speaker 1>That's crazy. But if you're an actress, are actor that

0:16:40.400 --> 0:16:43.360
<v Speaker 1>takes the role to another level, yeah you've done well.

0:16:43.440 --> 0:16:45.520
<v Speaker 4>Thank you one to I agree. I do think that

0:16:45.520 --> 0:16:48.360
<v Speaker 4>long running show should have the opportunity to award you know,

0:16:48.440 --> 0:16:51.920
<v Speaker 4>particular performances in that way. But for my knowledge of

0:16:51.960 --> 0:16:55.160
<v Speaker 4>how it works, it's about the new works of that season.

0:16:55.200 --> 0:16:58.360
<v Speaker 4>There's like a maybe you know, September of the last

0:16:58.440 --> 0:17:00.520
<v Speaker 4>year until March of the current year or something some

0:17:00.600 --> 0:17:03.880
<v Speaker 4>timeline that the show has to open. From what I understand.

0:17:04.240 --> 0:17:06.000
<v Speaker 6>Back to what and he was asking you like, do

0:17:06.040 --> 0:17:07.399
<v Speaker 6>you have a life outside?

0:17:07.320 --> 0:17:07.399
<v Speaker 4>Ye?

0:17:07.720 --> 0:17:11.600
<v Speaker 6>So look right, So you don't you have friends? Of course?

0:17:12.160 --> 0:17:12.800
<v Speaker 1>Okaye?

0:17:13.640 --> 0:17:15.680
<v Speaker 4>Please? I need a community.

0:17:15.240 --> 0:17:16.679
<v Speaker 6>Okay, right, okay?

0:17:16.720 --> 0:17:19.240
<v Speaker 5>So you you're a liber you got a birthday coming up? Yes,

0:17:20.480 --> 0:17:22.000
<v Speaker 5>what are you going to?

0:17:22.040 --> 0:17:22.119
<v Speaker 4>Like?

0:17:22.119 --> 0:17:23.679
<v Speaker 6>What do you do for your birthday? Are you working?

0:17:24.480 --> 0:17:27.560
<v Speaker 4>I don't know. I guess if my birthday falls on

0:17:27.560 --> 0:17:29.960
<v Speaker 4>a Monday, it would be rare and that I would

0:17:29.960 --> 0:17:31.400
<v Speaker 4>be off, but most likely I'm working.

0:17:31.600 --> 0:17:34.439
<v Speaker 5>You're off on Mondays, off on Mondays and that's the

0:17:34.440 --> 0:17:35.840
<v Speaker 5>only d that's the only day.

0:17:36.720 --> 0:17:38.800
<v Speaker 1>And so you work tonight? Correct?

0:17:39.320 --> 0:17:41.200
<v Speaker 3>Yeah, we got shows tonight?

0:17:42.160 --> 0:17:42.639
<v Speaker 4>What days?

0:17:42.680 --> 0:17:43.680
<v Speaker 3>You have two shows today?

0:17:43.760 --> 0:17:46.520
<v Speaker 4>One? No? Today is one Wednesday and Saturday or two

0:17:47.480 --> 0:17:50.280
<v Speaker 4>usually two shows.

0:17:49.840 --> 0:17:50.359
<v Speaker 6>In a day.

0:17:50.880 --> 0:17:53.160
<v Speaker 5>You can't even have a shot if you I can't

0:17:53.200 --> 0:17:55.320
<v Speaker 5>even pop up on you with a bottle, like girl.

0:17:55.840 --> 0:17:57.800
<v Speaker 4>I wish I could even have a shot. This entire

0:17:57.960 --> 0:18:01.080
<v Speaker 4>year gives a glass of wine a month.

0:18:01.200 --> 0:18:05.879
<v Speaker 5>Okay, So how do you celebrate being alphabet? How do

0:18:05.960 --> 0:18:08.639
<v Speaker 5>you celebrate that, like really, because it always doesn't have

0:18:08.680 --> 0:18:09.600
<v Speaker 5>to involve.

0:18:09.880 --> 0:18:10.359
<v Speaker 4>In a party.

0:18:10.800 --> 0:18:12.600
<v Speaker 6>Yeah, how do you celebrate?

0:18:13.000 --> 0:18:15.760
<v Speaker 4>I mean it really is sometimes very simple things like

0:18:15.800 --> 0:18:18.520
<v Speaker 4>taking a walk by the water, like it seems I

0:18:18.600 --> 0:18:21.280
<v Speaker 4>know it's peace and just like I've never lived in

0:18:21.320 --> 0:18:27.280
<v Speaker 4>New York City. I'm from California.

0:18:22.680 --> 0:18:29.000
<v Speaker 1>I will take the.

0:18:28.920 --> 0:18:32.320
<v Speaker 4>Water, I'll take the natural whatever or the trees. But

0:18:32.480 --> 0:18:35.359
<v Speaker 4>like it always, it always hits me hard when I

0:18:35.359 --> 0:18:37.200
<v Speaker 4>think about, like why I'm in New York. It's for

0:18:37.280 --> 0:18:41.320
<v Speaker 4>this job. It's for this special groundbreaking role that I'm in.

0:18:41.359 --> 0:18:43.359
<v Speaker 4>So like when I when I finished the eighth show

0:18:43.400 --> 0:18:45.679
<v Speaker 4>week and I literally just walk out the theater, like

0:18:46.720 --> 0:18:48.399
<v Speaker 4>I just this piece comes over me because I'm like,

0:18:48.440 --> 0:18:50.320
<v Speaker 4>look what I have accomplished, and look where I am

0:18:50.400 --> 0:18:51.960
<v Speaker 4>in this city that I've always wanted to live in.

0:18:52.480 --> 0:18:56.159
<v Speaker 4>So I feel like celebration comes in very simple, I guess,

0:18:56.200 --> 0:19:00.200
<v Speaker 4>non conventional ways, but not really just personal ways. But like, look,

0:19:00.240 --> 0:19:01.800
<v Speaker 4>I take my days off next week, I'm going to

0:19:01.880 --> 0:19:03.640
<v Speaker 4>Vegas and visit my friends, and I will be having

0:19:03.840 --> 0:19:04.680
<v Speaker 4>a grand time.

0:19:04.840 --> 0:19:06.640
<v Speaker 1>Sometimes gratitude to celebrate, I.

0:19:06.600 --> 0:19:09.560
<v Speaker 4>Agree, That's what I mean, Like just walking out the

0:19:09.680 --> 0:19:11.879
<v Speaker 4>out of the theater, and being like just taking a

0:19:11.920 --> 0:19:15.960
<v Speaker 4>moment to feel what I'm doing. I feel like I've

0:19:15.960 --> 0:19:16.560
<v Speaker 4>won the lottery.

0:19:17.640 --> 0:19:19.160
<v Speaker 3>Is it true that you know it's hard to get

0:19:19.160 --> 0:19:20.320
<v Speaker 3>take us to wicked at times?

0:19:20.400 --> 0:19:21.280
<v Speaker 4>Right? Yeah?

0:19:21.400 --> 0:19:23.000
<v Speaker 2>Is it true that for one of your shows you

0:19:23.040 --> 0:19:25.800
<v Speaker 2>had sixty family members in presence for one of your shows?

0:19:25.800 --> 0:19:27.359
<v Speaker 4>That is correct? And you know what, most of them

0:19:27.359 --> 0:19:30.280
<v Speaker 4>were family members and they all wore like are traditional

0:19:30.320 --> 0:19:32.399
<v Speaker 4>Ethiopian clothes. And I was like the groserwand has never

0:19:32.480 --> 0:19:35.520
<v Speaker 4>seen so many Africans And it made me so happy

0:19:35.720 --> 0:19:38.080
<v Speaker 4>just to see like my culture represented in that in

0:19:38.119 --> 0:19:39.200
<v Speaker 4>that space and.

0:19:39.200 --> 0:19:41.199
<v Speaker 2>Talk about your culture. I've seen a picture on your

0:19:41.240 --> 0:19:43.640
<v Speaker 2>Instagram family together and you were saying, this is my tribe,

0:19:43.640 --> 0:19:45.960
<v Speaker 2>and yeah, how a close knit family?

0:19:46.200 --> 0:19:47.159
<v Speaker 3>How was that? Growing up?

0:19:47.800 --> 0:19:49.520
<v Speaker 4>Is everything? I mean, I think that's probably one of

0:19:49.520 --> 0:19:52.120
<v Speaker 4>the reasons I even had the confidence to pursue this

0:19:52.240 --> 0:19:56.159
<v Speaker 4>career path. Like my parents are immigrants, you know, most

0:19:56.280 --> 0:19:58.639
<v Speaker 4>of my aunts and uncles and parents are you know,

0:19:58.960 --> 0:20:04.600
<v Speaker 4>corporate politics. You know, did they understand? They did not understand,

0:20:04.960 --> 0:20:07.880
<v Speaker 4>but they did trust me, which is I think a

0:20:07.920 --> 0:20:10.880
<v Speaker 4>strong distinction because they knew my work ethic, they knew

0:20:10.880 --> 0:20:13.000
<v Speaker 4>that I had a very logical approach to it, but

0:20:13.359 --> 0:20:15.879
<v Speaker 4>having their support was invaluable. I mean I could not

0:20:15.920 --> 0:20:18.760
<v Speaker 4>be who I am today without every single one of them.

0:20:18.920 --> 0:20:20.399
<v Speaker 1>Yeah, I did have a few more questions. I know

0:20:20.440 --> 0:20:20.960
<v Speaker 1>you should do.

0:20:21.320 --> 0:20:22.000
<v Speaker 4>I love being here.

0:20:22.040 --> 0:20:22.399
<v Speaker 3>I got time.

0:20:22.440 --> 0:20:24.959
<v Speaker 4>I got time for you, Trum, I got time for you.

0:20:25.359 --> 0:20:29.520
<v Speaker 7>I remember seeing you cry after performing defying Gravity one time, Like.

0:20:29.440 --> 0:20:31.720
<v Speaker 4>That's probably true, Yes happens often.

0:20:31.960 --> 0:20:33.760
<v Speaker 1>What were you feel so you cry all the time?

0:20:34.760 --> 0:20:36.840
<v Speaker 4>Not all the time, but I would say every now

0:20:36.840 --> 0:20:37.280
<v Speaker 4>and then.

0:20:37.280 --> 0:20:39.399
<v Speaker 1>What were you feeling in that particular moment.

0:20:40.680 --> 0:20:47.679
<v Speaker 4>That moment in the show is Alphaba realizing her power,

0:20:47.800 --> 0:20:51.280
<v Speaker 4>not knowing it, but just realizing it, if that makes sense.

0:20:51.359 --> 0:20:53.600
<v Speaker 4>So when I get up there and I'm you know,

0:20:53.720 --> 0:20:57.920
<v Speaker 4>flying and singing that song, it's like it's the ultimate.

0:20:59.160 --> 0:21:02.960
<v Speaker 4>It's it's like arriving at self actualization. It's like I'm

0:21:03.280 --> 0:21:05.840
<v Speaker 4>at the starting line of like anything I could possibly be.

0:21:06.600 --> 0:21:08.680
<v Speaker 4>So sometimes when I hit the last note and lights

0:21:08.720 --> 0:21:12.320
<v Speaker 4>go off, I'm like I like this because I'm like,

0:21:12.320 --> 0:21:14.320
<v Speaker 4>like I'm doing it. I'm doing the thing that like

0:21:14.359 --> 0:21:18.439
<v Speaker 4>my ancestors could not even imagine, Like even me as

0:21:18.440 --> 0:21:20.200
<v Speaker 4>a kid, I couldn't. I couldn't even dream. I didn't

0:21:20.200 --> 0:21:22.879
<v Speaker 4>even dream of being elb Like that wasn't even an option.

0:21:23.320 --> 0:21:26.000
<v Speaker 4>It wasn't even like I understood the racial divide as

0:21:26.000 --> 0:21:27.480
<v Speaker 4>a kid. It was just not even something I even

0:21:27.520 --> 0:21:31.280
<v Speaker 4>had the purview to imagine. So now in that moment,

0:21:31.920 --> 0:21:34.640
<v Speaker 4>stepping into my power and let and having that being

0:21:34.680 --> 0:21:38.880
<v Speaker 4>the beginning of my my journey, it's like it's it's

0:21:38.960 --> 0:21:40.000
<v Speaker 4>overwhelming in the best way.

0:21:40.280 --> 0:21:43.639
<v Speaker 6>Wow, your birthday is on Wednesdays.

0:21:44.560 --> 0:21:50.920
<v Speaker 4>And it's two shows. I'll be in the theater. It's fine, right,

0:21:50.960 --> 0:21:53.920
<v Speaker 4>it'll be green reinfressing.

0:21:54.520 --> 0:21:57.160
<v Speaker 7>So what is the role taught you about yourself? Not

0:21:57.160 --> 0:21:59.760
<v Speaker 7>not as a performer, well, not just as a performer, but.

0:21:59.720 --> 0:22:04.040
<v Speaker 4>As That's such a good question because I always like

0:22:04.119 --> 0:22:06.040
<v Speaker 4>to I give a lot to my characters, but like

0:22:06.080 --> 0:22:08.040
<v Speaker 4>I like to examine what my characters are giving me too.

0:22:10.040 --> 0:22:15.040
<v Speaker 4>I think we sort of touched upon it. But she's

0:22:15.160 --> 0:22:21.679
<v Speaker 4>she's teaching me to be unapologetic in who I am,

0:22:22.800 --> 0:22:25.640
<v Speaker 4>and like you were saying, like trust that showing up

0:22:26.240 --> 0:22:29.760
<v Speaker 4>being in this role is what is impactful. I don't

0:22:29.800 --> 0:22:32.080
<v Speaker 4>have to do anything else besides just literally be the

0:22:32.119 --> 0:22:37.600
<v Speaker 4>representation on the stage. So she's really she's really challenging

0:22:37.600 --> 0:22:42.359
<v Speaker 4>me to get my values in order in that you know,

0:22:42.400 --> 0:22:46.040
<v Speaker 4>my relationship with myself is the priority and is my superpower.

0:22:47.960 --> 0:22:49.679
<v Speaker 3>Now you did it. You did backup singing for Beyonce

0:22:49.760 --> 0:22:50.120
<v Speaker 3>one time.

0:22:50.200 --> 0:22:53.480
<v Speaker 4>I did talk about that and who crazy? It was

0:22:53.520 --> 0:22:56.520
<v Speaker 4>only a couple of weeks. It was for her Coachella

0:22:57.160 --> 0:23:04.160
<v Speaker 4>rehearsals and what shoot twenty eighteen? Yeah, I think, And

0:23:04.280 --> 0:23:08.520
<v Speaker 4>just to see the master, I mean, that's it. Like

0:23:08.640 --> 0:23:12.320
<v Speaker 4>she is everything you can imagine, and she's so grounded.

0:23:12.359 --> 0:23:15.159
<v Speaker 4>And to watch how she interacts with every department of

0:23:15.200 --> 0:23:19.680
<v Speaker 4>every aspect of her of her art is beautiful, down

0:23:19.720 --> 0:23:23.040
<v Speaker 4>to every every step, every costume, every lighting, music choice,

0:23:23.160 --> 0:23:26.960
<v Speaker 4>like it's it was so inspiring to be to be

0:23:27.160 --> 0:23:27.840
<v Speaker 4>in her presence.

0:23:28.160 --> 0:23:30.360
<v Speaker 5>And don't ever say it was only for I ain't

0:23:30.400 --> 0:23:34.040
<v Speaker 5>saying for a four hour if you were twenty five

0:23:34.080 --> 0:23:36.479
<v Speaker 5>years old, you were so young, I am able to

0:23:36.520 --> 0:23:37.080
<v Speaker 5>experience that.

0:23:37.200 --> 0:23:37.760
<v Speaker 6>That's dope.

0:23:37.840 --> 0:23:40.360
<v Speaker 4>It's so crazy. Yeah, bless her for that experience. Really

0:23:40.400 --> 0:23:40.920
<v Speaker 4>life changing.

0:23:41.119 --> 0:23:46.960
<v Speaker 7>What's more intense doing that a Broadway?

0:23:47.119 --> 0:23:52.119
<v Speaker 4>I heard this eight shows a week, Like it's the frequency,

0:23:52.560 --> 0:23:53.720
<v Speaker 4>you know what I mean, If it was a couple

0:23:53.760 --> 0:23:55.560
<v Speaker 4>of week, it'd be different. You know what I'm saying,

0:23:56.040 --> 0:23:59.119
<v Speaker 4>Like one show a day, a couple times a week,

0:23:59.520 --> 0:24:02.840
<v Speaker 4>manageable every day, it's a lot.

0:24:03.400 --> 0:24:04.680
<v Speaker 1>How do you want your time as Alpha?

0:24:04.680 --> 0:24:06.399
<v Speaker 7>But to be remembered, You wanted to be remembered as

0:24:06.400 --> 0:24:09.560
<v Speaker 7>a turning point, a movement, are beginning?

0:24:09.840 --> 0:24:10.080
<v Speaker 6>Oof?

0:24:10.359 --> 0:24:16.320
<v Speaker 4>I love that turning point, movement or beginning? Can I

0:24:16.359 --> 0:24:18.120
<v Speaker 4>think it could be all of them? I really do.

0:24:18.200 --> 0:24:20.399
<v Speaker 4>I think it's it's a turning point because it's a

0:24:20.840 --> 0:24:24.119
<v Speaker 4>you know, historic, it's the first time a movement, a

0:24:24.160 --> 0:24:26.240
<v Speaker 4>movement that has been moving already. So it's sort of

0:24:26.240 --> 0:24:27.879
<v Speaker 4>like I'm jumping on the train. Maybe I'm sitting in

0:24:27.960 --> 0:24:30.480
<v Speaker 4>the passenger seat, but I feel like that train is

0:24:30.520 --> 0:24:33.480
<v Speaker 4>already moving. And Yeah, I wanted to be a moment

0:24:33.520 --> 0:24:37.840
<v Speaker 4>where well, people look at me and wonder what their

0:24:37.880 --> 0:24:40.639
<v Speaker 4>own capabilities are, because that's what this experience was. I

0:24:40.640 --> 0:24:42.800
<v Speaker 4>didn't although I wanted to be the role, I didn't.

0:24:43.040 --> 0:24:47.280
<v Speaker 4>I wasn't sure that I was even equipped to manage

0:24:47.280 --> 0:24:50.000
<v Speaker 4>the intensity of how technical it is. But I took

0:24:50.000 --> 0:24:51.679
<v Speaker 4>a chance on myself. I took a chance on my

0:24:51.720 --> 0:24:55.560
<v Speaker 4>power and my my abilities, and that's what I want

0:24:55.640 --> 0:24:57.200
<v Speaker 4>this moment to be remembered as.

0:24:57.520 --> 0:24:59.680
<v Speaker 7>Yeah, man, it's like everyone deserves a chance to fly,

0:24:59.840 --> 0:25:01.480
<v Speaker 7>me have a whole different meaning with you.

0:25:01.520 --> 0:25:04.720
<v Speaker 4>Oh my god, that's my favorite line. I mean, what

0:25:04.880 --> 0:25:08.879
<v Speaker 4>couldn't kept encapsulate the theme of the show more than everyone

0:25:08.920 --> 0:25:13.240
<v Speaker 4>deserves a chance to fly? So my leg Yeah, of course.

0:25:13.560 --> 0:25:17.240
<v Speaker 5>So the first week, your first week on broblem, after

0:25:17.240 --> 0:25:20.439
<v Speaker 5>you realize okay, this is really eight shows, what was

0:25:20.520 --> 0:25:22.879
<v Speaker 5>that feeling on that Sunday?

0:25:23.000 --> 0:25:26.040
<v Speaker 4>You know this is probably gonna be surprising to you maybe,

0:25:26.160 --> 0:25:30.720
<v Speaker 4>but I was like, no, I got this. I was like,

0:25:31.080 --> 0:25:36.080
<v Speaker 4>I was so concerned with my ability to sustain this,

0:25:37.160 --> 0:25:40.280
<v Speaker 4>and I was wrong for doubting that I really was.

0:25:40.359 --> 0:25:42.360
<v Speaker 4>I finished the week and I was like, look, it's

0:25:42.359 --> 0:25:44.560
<v Speaker 4>a lot of work. I'm tired. My body's tired, my

0:25:44.640 --> 0:25:47.040
<v Speaker 4>voice is tired, my mind is tired. But like I'm equipped.

0:25:47.440 --> 0:25:50.040
<v Speaker 4>I feel like I feel like I've had a lot

0:25:50.040 --> 0:25:53.040
<v Speaker 4>of work experiences that I've built me to be able

0:25:53.040 --> 0:25:55.119
<v Speaker 4>to sustain this, and like my body is strong so

0:25:55.119 --> 0:25:56.720
<v Speaker 4>long as I take care of her, she serves me.

0:25:57.440 --> 0:26:01.000
<v Speaker 4>So I finished that weekend, I was like so impressed

0:26:01.000 --> 0:26:03.120
<v Speaker 4>with my own ability to be honest, I was shocked.

0:26:03.720 --> 0:26:05.320
<v Speaker 6>I was a shocked person got the job.

0:26:05.440 --> 0:26:06.960
<v Speaker 4>Thank you are amazing.

0:26:07.080 --> 0:26:09.320
<v Speaker 2>You keep killing it. Like I said, my family loved it.

0:26:09.320 --> 0:26:12.040
<v Speaker 2>We had a great time. So Kendy was expensive. I

0:26:12.040 --> 0:26:13.760
<v Speaker 2>ain't go from my kids wanted every piece of can.

0:26:15.760 --> 0:26:18.360
<v Speaker 4>They know that the kids will eat the snacks.

0:26:18.920 --> 0:26:20.000
<v Speaker 3>But they had a great time.

0:26:20.080 --> 0:26:20.760
<v Speaker 1>Loved this so much.

0:26:20.800 --> 0:26:21.480
<v Speaker 3>Thank you so much.

0:26:21.560 --> 0:26:23.240
<v Speaker 1>Man, my pleasure.

0:26:23.480 --> 0:26:24.560
<v Speaker 3>You gotta go check it out.

0:26:24.760 --> 0:26:26.200
<v Speaker 6>I am I'm the only one who has not seen it.

0:26:26.280 --> 0:26:26.760
<v Speaker 4>Come on out.

0:26:26.800 --> 0:26:28.919
<v Speaker 6>I'm coming girl. I know about you, so I'm like,

0:26:29.000 --> 0:26:30.800
<v Speaker 6>I gotta come and support you.

0:26:30.920 --> 0:26:33.200
<v Speaker 4>Appreciate it and you all amazing. Thank you all.

0:26:33.200 --> 0:26:35.879
<v Speaker 3>Right, Lyncia, Lyncia, Lyncia.

0:26:35.600 --> 0:26:36.000
<v Speaker 4>You got it.

0:26:36.240 --> 0:26:37.720
<v Speaker 1>Last name Cobetta co Betta.

0:26:39.119 --> 0:26:40.000
<v Speaker 6>He's still going to mess it.

0:26:39.960 --> 0:26:42.680
<v Speaker 3>Upright, ladies and gentlemen, It's the Breakfast Club.

0:26:42.680 --> 0:26:43.040
<v Speaker 1>Come morning.

0:26:43.040 --> 0:26:44.520
<v Speaker 4>Thank you so much, Thank you so much.

0:26:45.040 --> 0:26:48.240
<v Speaker 1>Wake that ass up in the morning. The Breakfast Club.