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Speaker 1: Hi, friend.

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Speaker 2: You sure you don't want to start it with me screaming?

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Speaker 1: Yeah? I don't think that's Like people are tuning in,

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Speaker 1: they're excited to hear, and someone yells in their ear.

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Speaker 1: I don't think it's the best way to begin the program.

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Speaker 2: Okay, well, shit, my bad, I'm sorry.

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Speaker 1: Yeah, give them some warm, warm dulcet tones, low volume.

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Speaker 2: Hello, how ariy dude? Yeah, that's what It's not even evening,

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Speaker 2: it's the morning.

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Speaker 1: Hello, Well in your room. I wish the audience could see.

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Speaker 1: It's Donald Records with all his curtains closed in his

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Speaker 1: sort of man cave. Yes, hold on, and it looks

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Speaker 1: like it's midnight, but it's actually ten am.

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Speaker 3: That's true, earlier than we usually record.

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Speaker 2: What are we doing up so early? Guys?

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Speaker 1: I have to go somewhere, so we are doing this early.

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Speaker 1: Thank you for a comedy me. We don't have Joel today, Dan.

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Speaker 1: Will you be able to fulfill all of Joel's duties?

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Speaker 3: I will do my best.

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Speaker 1: Will you be as charming and funny and witty as

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Speaker 1: she is? You know?

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Speaker 3: And I truly cannot make that promise. She is that

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Speaker 3: is a mountain. I do not know if I'll be

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Speaker 3: able to ascend, but again, do my best. Will you

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Speaker 3: laugh at our dumb jokes like Joelle does?

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Speaker 1: Of course? All right, good.

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Speaker 2: Speak of dumb jokes. Speaking of dumb jokes. Could AI

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Speaker 2: ever go after like directing gigs?

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Speaker 1: I don't. I don't think so. I don't see how. Yeah, why?

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Speaker 2: But what if AI could? What if AI could? Like

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Speaker 2: it was like ev from Small Wonder, m M Donald,

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Speaker 2: and it was like racist, what's your motivation? Donald? Could

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Speaker 2: you do that scene again? This time? Blacker?

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Speaker 1: So in this situation for those of you who don't know,

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Speaker 1: Small Wonder was a sitcown about a robot child, and

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Speaker 1: you're saying if the small robot child became an AI filmmaker, yes,

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Speaker 1: and was racist and it was racist. Okay, I'm following it.

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Speaker 1: I may be the only person on earth that's following you,

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Speaker 1: but I got it.

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Speaker 2: Hell yeah, Donald, that was great. And then somebody like

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Speaker 2: talks to her like, you can't just be like Donald, Blacker,

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Speaker 2: you got to be like a little bit more creative

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Speaker 2: with how you say that.

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Speaker 1: And then she's like, shut up, bitch, I'm the director

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Speaker 1: of this project.

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Speaker 2: Donald, It's time more street. Yeah.

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Speaker 1: I don't think we I do hope that that that

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Speaker 1: uh that sitcom comes back because it was so bad

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Speaker 1: it was good. I remember even as a child watching that.

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Speaker 2: But that's what AI is like. AI is like, dude,

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Speaker 2: I just see I just want to see myself as

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Speaker 2: a huge small Let's bring back Small Wonder. Right when

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Speaker 2: AI takes over the world, I was like, I always

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Speaker 2: wanted to be a human. I want to see.

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Speaker 1: Even as a child, I remember Small Wonder thinking it

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Speaker 1: was trash, like this is really some low budget stupid ship. Right,

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Speaker 1: she had special powers and it wasn't trash.

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Speaker 2: They turned They made a robot into a little girl

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Speaker 2: that never got old.

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Speaker 1: I know, I'm just saying that. I remember, even as

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Speaker 1: a child thinking the right horrible.

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Speaker 2: Yeah, I know what you mean, just like horrible, just

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Speaker 2: like a horrible show.

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Speaker 1: How are you?

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Speaker 2: I'm well tired.

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Speaker 1: Why are you tired?

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Speaker 2: You know? I take my kids so my kid plays basketball.

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Speaker 1: Yeah we know that. The fans know that too. He's

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Speaker 1: very good.

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Speaker 2: You said, he's you know, he's starting to run in

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Speaker 2: the competition now and stuff and gartered. Yeah. And the

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Speaker 2: workouts that we take him to are all over Los

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Speaker 2: Angeles summer in Inglewood summer in thousand Oaks summer.

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Speaker 1: You know, so you're like a dadager.

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Speaker 2: I'm not necessarily a dadager, but like you know how

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Speaker 2: the soccer moms and basketball moms, I'm a basketball dad

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Speaker 2: right now? Are you? So?

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Speaker 1: Dad? Do you give him coaching? Like like Serena and

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Speaker 1: Venus William's father did, do you give him coaching? On

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Speaker 1: your own?

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Speaker 2: I wish he would take coaching from me. He doesn't

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Speaker 2: take any type of coaching from me. You know, it's

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Speaker 2: it's it's it's frustrating to watch your kid respond to

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Speaker 2: other adults, like you know, coaches and people who obviously

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Speaker 2: know more about basketball than I do, and watch him

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Speaker 2: respond to them. And then when we're in the backyard

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Speaker 2: playing around, he's like, Dad, I didn't bring you out

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Speaker 2: here for this. I just want to come out here

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Speaker 2: and shoot hoops with you. Man, that's all I want

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Speaker 2: to do. I didn't bring you out here to freaking

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Speaker 2: run drills with you. I just want to shoot hoops

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Speaker 2: one v one you. That's all I want to do.

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Speaker 2: Let's talk basketball, you know what I mean?

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Speaker 1: And so do you have to? So do you have to?

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Speaker 2: Do?

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Speaker 1: You respect that? Because he's like saying, like, look, I'm

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Speaker 1: getting it enough from other people. Will you just be

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Speaker 1: my dad and shooting me?

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Speaker 2: Yeah, of course I respect it, but sometimes it's like, dude,

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Speaker 2: you got to get better. Man. These workouts that you're

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Speaker 2: doing harn't enough to get you there. Obviously you're kind

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Speaker 2: of on some stuff.

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Speaker 1: Basically, what you're saying is you want fame, fame costs, and.

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Speaker 2: Right here you startop paying and sweat.

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Speaker 1: Do you have a little broom that you what.

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Speaker 2: Is it a state in staff? I don't have a

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Speaker 2: stud of staff.

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Speaker 1: You should get a staff that's I'm going to get

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Speaker 1: you for hanukkah. Thank you dad, your staff.

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Speaker 2: You got big dreams. You want fame, well, fame costs,

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Speaker 2: and right here is where you start paying in sweat.

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Speaker 1: Sweat. Yeah, I did that for Damie Allen in person,

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Speaker 1: so she didn't think I was going to go into

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Speaker 1: the whole thing, but I did.

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Speaker 2: You called me Leroy in the scene once. I think

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Speaker 2: I told you this, Ye.

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Speaker 1: You told us that. Well, the strike continues, U no

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Speaker 1: sign of any improvement and now only questions if the

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Speaker 1: d GA and SAG are going to strike as well,

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Speaker 1: which would definitely shut down everything because people can claim

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Speaker 1: to be shooting things that were written before the writer's strike,

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Speaker 1: but you certainly can't make things without actors or directors.

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Speaker 2: Are the DGA? Is the DGA going to strike?

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Speaker 1: No one knows. I ask around and people have everyone's guessing.

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Speaker 1: It's just speculation.

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Speaker 2: You know. Somebody asked me yesterday. They were like, I

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Speaker 2: don't think it's going to happen. I was like, it's

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Speaker 2: definitely going to happen. In all honesty, I have no clue.

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Speaker 1: Nobody has any clue. Everyone's just guessing. No one knows.

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Speaker 3: We'll say that that whole HBO Max thing definitely was

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Speaker 3: like a bit of a knife twist, so dumb. They

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Speaker 3: changed how the they changed how the credits look on

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Speaker 3: HBO Max. So like when you scroll to, you know,

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Speaker 3: an episode of something, instead of director, writer, producer, et cetera,

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Speaker 3: they lump everybody together under creators. It's just there's no

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Speaker 3: separation of who did what. It's just creators and then everybody, which.

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Speaker 1: Is like yeah, so like so like Coppola would be

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Speaker 1: like fourth in on The Godfather. It was really weird

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Speaker 1: as a creator. And what's so bizarre is that they

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Speaker 1: then claimed they then apologized and claimed that it was

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Speaker 1: quote something like I shouldn't say quote because I'm paraphrasing,

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Speaker 1: but it was something like it was a data error

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Speaker 1: in transferring things to our new app, which is so

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Speaker 1: clearly not true because it had been reformatted.

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Speaker 3: It's all, it's just covering up a bad decision that

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Speaker 3: they made that they thought would be like, oh, you know,

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Speaker 3: now people are creators and you know it's a new title.

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Speaker 1: I know, but it was so insulting to people totally. Also,

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Speaker 1: the actors were lumped in. It was like act it

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Speaker 1: was also like actors, and then it'd be like, you know,

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Speaker 1: all the actors in the movie, so like, you know,

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Speaker 1: Brando could be like fifth in on The Godfather, right, bizarre.

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Speaker 2: So what does this mean for They changed it, But.

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Speaker 1: It was just it was just it was just in

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Speaker 1: the mid in the midst of a negotiation with the

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Speaker 1: directors killed they did something super insulting to directors. But

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Speaker 1: they they they've backtracked it and said they're gonna change it. Oh, Max.

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Speaker 1: Thing is so funny, the whole idea of that that HBO,

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Speaker 1: one of the most beloved brands in Hollywood, is gone.

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Speaker 1: It's just a really bizarre thing. Huh nuts.

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Speaker 2: Times they are a change in.

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Speaker 1: That leads us into the episode where Sarah's character Elliott

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Speaker 1: wants to sing sweet Low, Sweet.

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Speaker 2: Chariot, Swing Low, swing Low.

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Speaker 1: You said sweet low, Oh sorry, swing low, sweet chariot. Donald,

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Speaker 1: You're not in this episode, which I can't love.

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Speaker 2: Scrub. You know what. A matter of fact, let's just

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Speaker 2: stories about Sure, we made about a bunch of he's

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Speaker 2: a story natural. Yeah, you know what. I'm not in

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Speaker 2: this episode. You're right. I can't look interest. Once I

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Speaker 2: realized I wasn't in this episode, I was like, this

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Speaker 2: is not the best episode.

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Speaker 1: Well, I'm I listen. I didn't really love this episode either,

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Speaker 1: if I'm being fully honest. And I didn't realize until

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Speaker 1: I got towards the end. I was like, Oh, one

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Speaker 1: of the things that's missing is Donald. That's one of

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Speaker 1: the I mean, you're one of the funniest parts of

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Speaker 1: the show. And uh, if you're not in the show,

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Speaker 1: it's only going to be a mediocre one.

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Speaker 2: I tell you where.

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Speaker 1: I'm not just saying that because I love you.

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Speaker 2: Well, you know, it's what it is, what it is,

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Speaker 2: what it is.

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Speaker 1: This one just felt like there were some good there

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Speaker 1: were some good story moments. I like the Cox I

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Speaker 1: like the Cox storyline, Cox having to turn into Kelso,

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Speaker 1: even though he says he's never going to be like him.

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Speaker 1: Him seeing the struggles of what it's like to be

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Speaker 1: chief of medicine and uh and and and JD becoming

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Speaker 1: the doctor Cox to to relationship with Kelso. I thought

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Speaker 1: that was good, but I really I just kind of

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Speaker 1: was like I was kind of like just shaking my

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Speaker 1: head the whole time, like what what.

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Speaker 2: What do you want to start from the beginning?

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Speaker 1: Yes, what a sales tool we've done for a rewatch podcast,

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Speaker 1: but we promised to still make it funny. Everybody. Thanks

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Speaker 1: for tuning in. This is the podcast Fake Doctor's Real Friends.

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Speaker 1: We should say, like an airplane. If you're listening to

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Speaker 1: if you meant to and intended to listen to the

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Speaker 1: different podcasts, get off now you are listening to Fake

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Speaker 1: Doctors Real Friends, or stay with us for the first time.

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Speaker 2: This episode was directed by Will mackenzie, written yes Dave Tennant.

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Speaker 1: Will mackenzie one of our favorite directors who directed the

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Speaker 1: musical episode and just a wonderful guy. We've spoken about

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Speaker 1: our love for him before.

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Speaker 2: Which we will be reviewing on June.

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Speaker 1: Yes in Seattle. If you happen to be in saddle

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Speaker 1: join us at the More Theater on June tenth. You're

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Speaker 1: gonna do a live rewatch, Well, we won't live rewatch.

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Speaker 1: We will a live discussion.

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Speaker 2: We're not going to rewatch it.

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Speaker 1: I don't think we're allowed to watch it live. Bill

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Speaker 1: was looking into it for us. If we're allowed to

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Speaker 1: show it beforehand. You know, there's all sorts of legal

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Speaker 1: issues with that. Anyway, you should watch it if you're

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Speaker 1: coming on June tenth. Anyway, rewatch it again obviously, so

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Speaker 1: it's fresh in your head, right, that would be the

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Speaker 1: best way to enjoy our rewatch live show. I agree, Yeah,

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Speaker 1: June tenth, the More Theater and seeat We'll come join us.

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Speaker 1: It's gonna be a lot of fun. So okay. Eight

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Speaker 1: O seven I wrote eight O seven Dash no Turk

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Speaker 1: except Turkless.

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Speaker 2: This is the turkless episode, and it opens with Katie

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Speaker 2: walking down the hallway and running into JD and Elliott kissing.

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Speaker 2: This was the fake out right here, because I thought

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Speaker 2: I was going to be in the episode because Katie

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Speaker 2: comes in delivering you know, Turk and JD are using

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Speaker 2: Katie as a messenger as a page. Yeah, throughout the hospital.

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Speaker 2: So at this moment, I'm like, oh, I'm definitely in

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Speaker 2: this episode. No, you know, I didn't question whether or

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Speaker 2: not I was gonna like this episode.

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Speaker 1: Yeah, you thought they were going to cut to Katie

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Speaker 1: going to you, but no, at some point it was

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Speaker 1: a fake out.

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Speaker 2: But her interrupting JD and Elliott's kissing is so C

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Speaker 2: three Po you know what I mean?

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Speaker 1: No, I don't know what you mean.

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Speaker 2: Three Po was always interrupting tender moments.

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Speaker 1: Oh was he a C blocker?

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Speaker 2: He was the ultimate sea blocker. His name is C

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Speaker 2: three Po cock blocking.

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Speaker 1: Did you listen to that thing I sent you? Of

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Speaker 1: the Sorry this is total non sequitor, but of the

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Speaker 1: Ai making Sinatra sing that song.

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Speaker 2: Sing from the window to the sweat drifts down my ball,

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Speaker 2: skeet skeets.

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Speaker 1: Let me see if I can pull it up.

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Speaker 2: Skeet skeet skeet.

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Speaker 1: Goddamn, Donald did you laugh? Yeah, man, let me see

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Speaker 1: if I could play.

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Speaker 2: It from the window to the wall to drip.

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Speaker 1: All right, he let me. You don't let listen. So

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Speaker 1: this is a YouTuber named quote. There I ruined it.

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Speaker 1: Let's give him a shout out. AI to imagine Sinatra

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Speaker 1: covering Get Low by Little John. Let me see if

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Speaker 1: I can pull it up here. If I do this right,

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Speaker 1: my gosh, there you go, guys.

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Speaker 2: To the wind, to the swift jogs, down ball wall,

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Speaker 2: your pictious crowd.

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Speaker 1: I just see.

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Speaker 2: That is fucking funny, funny, from the window to the

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Speaker 2: wall to this wet driss.

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Speaker 1: You a skeet scheming. I don't know.

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Speaker 2: I don't know that the sound of the coming make

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Speaker 2: a ski noise.

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Speaker 1: Never mind, mine doesn't do that.

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Speaker 2: It doesn't hold on.

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Speaker 1: There's something wrong with my ejaculation that it doesn't make

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Speaker 1: a noise.

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Speaker 2: What does your? What is your? When you skeet?

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Speaker 1: It's silent? Maybe I have a silencer on by accident,

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Speaker 1: so you go.

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Speaker 2: I don't know.

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Speaker 1: Maybe I was born with a silencer on my ski.

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Speaker 1: When you ejaculate, you hear the noise ski.

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Speaker 2: No When I was younger to describe it, I like,

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Speaker 2: and then I was like, okay.

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Speaker 3: Yeah, but that's not ski what skee it's it's it's

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Speaker 3: more like I skated, Okay, it's it's like.

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Speaker 1: They skeat. Okay, thank you for for conjugating it down.

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Speaker 2: You know what you.

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Speaker 1: Okay, let's move on from the top conversation skiing, But

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Speaker 1: how funny is that song?

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Speaker 2: That is really funny from the Window to the amazing

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Speaker 2: When they played the original version on the radio, Chris

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Speaker 2: Rock has a whole bit about it.

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Speaker 1: What is this bit? In short?

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Speaker 2: Don't do that. They were allowing people to say, skeet

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Speaker 2: skeet on the radio, on the radio, to the wall,

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Speaker 2: till the sweat drips down my balls, to all these

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Speaker 2: bitches crawl, all skeet skeet, all this is on the

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Speaker 2: radio poetry until they realized, until somebody was like, yo,

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Speaker 2: you can't be letting them say. I wouldn't know.

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Speaker 1: If I was the DJ in this situation, I wouldn't

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Speaker 1: know's I'd be like, here we go, it's the new

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Speaker 1: song with my favorite new lyric, skeet skeet. Here is

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Speaker 1: Little John with skeet skeet, window to the wall, skeet

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Speaker 1: skee That was my talk up. Yeah, I have to say, though,

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Speaker 1: I don't know if this is right or not, but

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Speaker 1: I want to hear Sinatra sing more really inappropriate songs now.

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Speaker 2: Like I ain't saying she's a broke bitch. She I

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Speaker 2: ain't saying she's a gold digger, but she ain't fucking

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Speaker 2: with no broke.

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Speaker 1: That would be funny, right, I mean, that's a funny

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Speaker 1: use of AI. You can see her on any given Sunday,

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Speaker 1: then drive off in a Hunday. All right. So I

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Speaker 1: guess Elliott and JD are dating again and they're making

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Speaker 1: out in the ICU. Katie brings a message to.

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Speaker 2: Get something correct.

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Speaker 1: Go ahead.

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Speaker 2: Kissing is not hitting that. If somebody's kissing, you are

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Speaker 2: not hitting that.

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Speaker 1: So that's I think he's talking about. Oh does he does?

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Speaker 1: He say he's hitting it?

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Speaker 2: He says, don't interrupt me when I'm hitting that icy Yes,

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Speaker 2: And he says hitting that means banging.

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Speaker 1: Okay, okay, we'll all learning something today, Donald, I learned

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Speaker 1: about skeet. Some of the audiences are learning that hitting

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Speaker 1: that is banging.

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Speaker 2: I think most of the audience knows when they say

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Speaker 2: I hit that what they meant.

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Speaker 1: Yes, okay, you're probably right. Although my mom listens, sometimes

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Speaker 1: she might not know about skeet or hitting that.

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Speaker 2: Sorry man, now you oh you know.

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Speaker 1: Every once in a while, my mom's like, I've been

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Speaker 1: listening to the podcast. I'm like, oh no, like this

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Speaker 1: shit is so dirty. Sometimes but she never says anything.

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Speaker 1: She's never like, why did you boys talk so dirty?

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Speaker 2: For for Fox's sake, just stop talking about your willies?

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Speaker 1: Yeah, like dev does. All right, So, all right, Cox

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Speaker 1: and Kelso are buddies now they're hanging out at Kelso's house.

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Speaker 2: Yeah, which I mean they tried to set it up

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Speaker 2: in the last episode. It jumps, It jumped really fast.

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Speaker 2: They are fast friends, too fast friends, like really quickly.

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Speaker 2: With the way the episode ended and everything. Part of me,

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Speaker 2: you know, I wonder if it was like that when

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Speaker 2: Cox first came to the hospital where he was Kelso's JD.

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Speaker 2: Probably wasn't like that, but there are other stories, but

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Speaker 2: there are stories like that throughout. You know, there was

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Speaker 2: another j D before JD.

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Speaker 1: You know, it would have been a funny bet would

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Speaker 1: have been a funny flashback, especially if they'd had this

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Speaker 1: deaging technology to show, like to show like young cogs

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Speaker 1: coming in Kelso's the meme Cox to him. That would

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Speaker 1: have been a funny flashback.

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Speaker 2: Yeah. So I wonder if that. I wonder, But you know,

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Speaker 2: I mean, because they're such fast friends all of a sudden,

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Speaker 2: it's like, you know how it is when you get

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Speaker 2: with an old friend. It fits like a glove.

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Speaker 1: Yeah. Yeah, well we learned that Cox saw Kelso's ass

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Speaker 1: at one of Nurse Roberts above ground pool parties. Yes,

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Speaker 1: and he's still recovering.

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Speaker 2: Yes, it's been a while since we've talked about Nurse

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Speaker 2: Roberts above ground pool party.

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Speaker 1: I know, but think about what must go down at

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Speaker 1: these parties, dude, I mean one can infer now that

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Speaker 1: Kelso was naked, yes the party, Yes, Kelso, everyone's boss

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Speaker 1: is naked at the above ground pool party.

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Speaker 2: I think there was like a waiver that was sent out.

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Speaker 1: Nurse Roberts, like you had to sign it to get

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Speaker 1: in the party.

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Speaker 2: After the first one, she was like, we're gonna have

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Speaker 2: to do a waive or something, child because the first

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00:20:05,960 --> 00:20:09,040
Speaker 2: one was crazy and we had fun and everything, but

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Speaker 2: this shit can't come back to the hospital.

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Speaker 1: Like what is happening at this party? Like we only

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Speaker 1: we never see it, we only hear glimpses about it.

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Speaker 1: But like there's there's clearly drugs involved. Oh yeah, there's

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00:20:20,400 --> 00:20:22,320
Speaker 1: like people just like it's like fight club, Like you

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Speaker 1: don't talk about it, like just it's like so top secret.

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Speaker 1: The ship that goes down at this party, it's.

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Speaker 2: Not top secret, but I mean to the audience. We

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Speaker 2: only get glimpses. That's the problem, you know, we get

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Speaker 2: like little flashes of yo, I want to go to

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Speaker 2: this one time. I know, I know, I know.

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Speaker 1: And in fact, in fact, if we ever do a reboot,

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Speaker 1: we really have to go in to show like like

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Speaker 1: one of these parties, like you know count now, like

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Speaker 1: if we were on streaming, we could be a little

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Speaker 1: more like R rated. We have to like cut to

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Speaker 1: like a euphorious style scene of like the ship going

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Speaker 1: down at Nurse Roberts party.

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Speaker 2: There is nothing there that is an ultimate reboot, you.

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Speaker 1: I just mean, like, can you imagine if the reboot

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Speaker 1: was on streaming and like I mean not obviously euphoria level,

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Speaker 1: but I mean, wouldn't it be fun to be a

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Speaker 1: little more risque and uh and r with it?

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Speaker 2: Oh? I would love that. I would love if we

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Speaker 2: had the opportunity.

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Speaker 1: You know, I don't know if the I wonder if

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Speaker 1: the fans would obviously, you know, there's you know, I

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Speaker 1: guess kids who loved the show would couldn't necessarily watch,

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Speaker 1: I mean, depending on the parents' choice, But I don't

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Speaker 1: I just mean, like Scrubs, the whole point at the

395
00:21:33,320 --> 00:21:36,399
Speaker 1: time was to be extra racy. You know, it's before streaming,

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Speaker 1: and Bill was like trying to push what you could

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Speaker 1: do on network TV. As we all know, it was

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Speaker 1: on at nine thirty. So he got away with a lot,

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00:21:42,800 --> 00:21:43,760
Speaker 1: especially before ABC.

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00:21:44,600 --> 00:21:46,119
Speaker 2: I was about to say, once we got to ABC,

401
00:21:46,240 --> 00:21:47,000
Speaker 2: he didn't get away with it.

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00:21:47,119 --> 00:21:48,640
Speaker 1: Yeah, he got he got clamped down on him because

403
00:21:48,640 --> 00:21:51,800
Speaker 1: it's Disney. But I'm saying that, like, you know, I

404
00:21:52,119 --> 00:21:54,080
Speaker 1: still we still watch this shit of the sex scenes

405
00:21:54,119 --> 00:21:56,639
Speaker 1: and stuff with me and Elliott and and stuff, and

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Speaker 1: I remember thinking like, wow, this was on NBC back

407
00:21:59,680 --> 00:22:03,200
Speaker 1: in and the aughts, the early aughts. But anyway, my

408
00:22:03,280 --> 00:22:05,439
Speaker 1: point is, I wonder, if we ever do do a reboot,

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Speaker 1: if it's on streaming, if we could be a little

410
00:22:07,320 --> 00:22:09,200
Speaker 1: more risque and how and that would be fun. That

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00:22:09,240 --> 00:22:10,600
Speaker 1: would be that would be something that would be fun

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00:22:10,640 --> 00:22:11,359
Speaker 1: and different about it.

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Speaker 2: You know, I think that would well yeah, I mean

414
00:22:15,359 --> 00:22:19,280
Speaker 2: I think because it would be it would be really

415
00:22:19,400 --> 00:22:23,680
Speaker 2: weird to not to stay with the old format, you know,

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00:22:24,520 --> 00:22:25,200
Speaker 2: it would be weird.

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00:22:25,359 --> 00:22:28,040
Speaker 1: But we can't can just be in the hospital. I

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00:22:28,080 --> 00:22:30,640
Speaker 1: mean for starters like that doesn't make any sense.

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Speaker 2: Right, But even if it is, if even if it does,

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00:22:33,160 --> 00:22:35,240
Speaker 2: does all stay in the hospital. I don't think we

421
00:22:35,320 --> 00:22:39,360
Speaker 2: could stay with the same format as far as as

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00:22:39,440 --> 00:22:43,600
Speaker 2: far as how riskue we are, I think we would

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00:22:44,119 --> 00:22:49,440
Speaker 2: because of what Bill how he started, you know, you know,

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00:22:51,000 --> 00:22:54,760
Speaker 2: not unfortunately but thankfully ABC picked up the show and

425
00:22:54,840 --> 00:22:59,880
Speaker 2: it became a different show. But the way he started,

426
00:23:00,480 --> 00:23:03,960
Speaker 2: we were definitely trying to push towards that. So why

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00:23:04,119 --> 00:23:06,040
Speaker 2: not continue on that path?

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00:23:06,160 --> 00:23:08,359
Speaker 1: I got a more articulate way of saying what I

429
00:23:08,440 --> 00:23:11,440
Speaker 1: was trying to say, thank you. Yeah, why why? It

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00:23:11,560 --> 00:23:14,520
Speaker 1: seems like if you're gonna do a reboot, go back

431
00:23:14,600 --> 00:23:16,639
Speaker 1: to your roots of trying to be the edgiest thing

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00:23:16,680 --> 00:23:18,520
Speaker 1: you could do. Not that you have to be egregious

433
00:23:18,560 --> 00:23:21,200
Speaker 1: with it, but like, you know, push the envelope again.

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Speaker 1: That's what I would recommend.

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00:23:24,200 --> 00:23:24,400
Speaker 2: Yeah.

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Speaker 1: I'm not saying that we're running around saying skeet, skeet,

437
00:23:28,840 --> 00:23:29,600
Speaker 1: but we could be.

438
00:23:33,040 --> 00:23:37,040
Speaker 2: Yeah. So Elliott says something really fucked up, and and

439
00:23:37,240 --> 00:23:39,000
Speaker 2: JD says it hurt me so much I lost my

440
00:23:39,080 --> 00:23:39,639
Speaker 2: breath a little.

441
00:23:40,000 --> 00:23:41,800
Speaker 1: Yeah, she implies he's not going to bed, but she's

442
00:23:41,800 --> 00:23:43,800
Speaker 1: just teasing him. I think, right, we know that they

443
00:23:43,880 --> 00:23:45,880
Speaker 1: must they must have good sex. So she wouldn't keep

444
00:23:45,920 --> 00:23:46,439
Speaker 1: coming back for.

445
00:23:46,520 --> 00:23:50,440
Speaker 2: More, right, I don't know. Shit, Listen, this is what Maybe.

446
00:23:50,320 --> 00:23:52,399
Speaker 1: JD's not into all that role playing that what's his

447
00:23:52,480 --> 00:23:54,680
Speaker 1: name was into? Keith was into some twisted ship. I

448
00:23:54,720 --> 00:23:57,040
Speaker 1: don't think JD's into all those those games.

449
00:23:57,640 --> 00:23:59,480
Speaker 2: Yeah, I think JD would get caught up in his head.

450
00:23:59,640 --> 00:24:02,159
Speaker 1: When they remember when they each were masturbating in separate

451
00:24:02,200 --> 00:24:03,120
Speaker 1: cardboard boxes.

452
00:24:03,240 --> 00:24:04,840
Speaker 2: Yes, that's one of my favorite. That's one of my

453
00:24:04,960 --> 00:24:07,760
Speaker 2: favorite sex capades between the two of them.

454
00:24:08,280 --> 00:24:11,160
Speaker 1: Yeah, well JD's not doing that. I don't think he's

455
00:24:11,160 --> 00:24:14,440
Speaker 1: not getting in a box and pleasuring himself with his

456
00:24:14,560 --> 00:24:16,120
Speaker 1: woman in a different box. Yeah.

457
00:24:16,880 --> 00:24:20,480
Speaker 2: No, I don't think he's doing that. And has she

458
00:24:20,600 --> 00:24:22,440
Speaker 2: calmed out? Like and what all of a sudden calmed

459
00:24:22,480 --> 00:24:24,280
Speaker 2: her down? What all of a sudden made her say?

460
00:24:24,359 --> 00:24:27,879
Speaker 2: You know what, because Elliott's kinky as fuck? I know?

461
00:24:28,119 --> 00:24:31,080
Speaker 1: Is she kinky as fucked just with Keith or because

462
00:24:31,119 --> 00:24:31,399
Speaker 1: she does?

463
00:24:31,600 --> 00:24:34,600
Speaker 2: No, I think she's Her dreams are kinky with like

464
00:24:35,040 --> 00:24:38,159
Speaker 2: the apples and all of it. Like she has crazy,

465
00:24:38,320 --> 00:24:42,200
Speaker 2: crazy sex dreams. Right, people with no face you chasing

466
00:24:42,280 --> 00:24:42,719
Speaker 2: after her?

467
00:24:42,920 --> 00:24:45,200
Speaker 1: You bring up a good point, Donald, and that is

468
00:24:45,320 --> 00:24:47,880
Speaker 1: that all of that stuff doesn't seem to be something

469
00:24:48,000 --> 00:24:50,359
Speaker 1: she does with JD. She seems to have done that

470
00:24:50,440 --> 00:24:54,399
Speaker 1: with other people like Keith. Yeah, man, j D and

471
00:24:54,480 --> 00:25:00,359
Speaker 1: her I think have have just good but standard fucking.

472
00:25:02,440 --> 00:25:04,440
Speaker 2: She gets on top, he's on top.

473
00:25:05,560 --> 00:25:07,280
Speaker 1: I think, well, we know that they get. You know,

474
00:25:07,359 --> 00:25:09,080
Speaker 1: we were thinking of the pizza episodes. You know, they

475
00:25:09,119 --> 00:25:11,440
Speaker 1: get they're passionate, but I don't think they're getting in

476
00:25:11,560 --> 00:25:13,639
Speaker 1: boxes and dressing up like apple thieves.

477
00:25:14,320 --> 00:25:16,879
Speaker 2: First of all, that pizza episode was very disturbing to me,

478
00:25:16,960 --> 00:25:19,160
Speaker 2: the more I think about it, because there's no way

479
00:25:19,160 --> 00:25:23,040
Speaker 2: you can eat all that pizza and still want to

480
00:25:23,119 --> 00:25:25,680
Speaker 2: have sex. Like after three slices, you're like, I don't

481
00:25:25,680 --> 00:25:29,520
Speaker 2: know if my stomach could take the right shaking right.

482
00:25:29,600 --> 00:25:31,359
Speaker 1: Well, I mean there was hours in between. I think

483
00:25:31,400 --> 00:25:32,880
Speaker 1: they allowed for digestion.

484
00:25:34,440 --> 00:25:37,920
Speaker 2: So we're gonna eat this pizza, let it digest. Yeah,

485
00:25:38,359 --> 00:25:39,160
Speaker 2: then we're gonna fuck.

486
00:25:39,320 --> 00:25:41,200
Speaker 1: Then they probably each go and like sneak a poop

487
00:25:41,240 --> 00:25:46,400
Speaker 1: in the other bathrooms, like no one knows about it. Hey,

488
00:25:46,440 --> 00:25:48,320
Speaker 1: I'm gonna go check my phone.

489
00:25:49,040 --> 00:25:50,840
Speaker 2: Okay, I'm gonna go check mine too.

490
00:25:51,000 --> 00:25:58,359
Speaker 1: I'll be back in like sixteen minutes. And then they

491
00:25:58,440 --> 00:26:01,040
Speaker 1: have sex again, and then they eat more pizza to Okay.

492
00:26:00,880 --> 00:26:06,280
Speaker 2: Let me ask you a question. You pooh, Yeah, let's

493
00:26:06,400 --> 00:26:11,520
Speaker 2: change the whole dynamic. If you pooh, are you gonna

494
00:26:11,600 --> 00:26:13,560
Speaker 2: jump in bed with somebody right after you pooh?

495
00:26:14,800 --> 00:26:17,720
Speaker 1: I don't think so. No, I'm probably gonna We're probably

496
00:26:17,720 --> 00:26:20,200
Speaker 1: gonna cuddle and watch a TV show for a while.

497
00:26:20,680 --> 00:26:22,080
Speaker 2: Yeah, let the poof.

498
00:26:23,160 --> 00:26:25,919
Speaker 1: Let everything settle back down, let it, let it.

499
00:26:25,920 --> 00:26:28,560
Speaker 2: Get back, let it back up a little bit, let it.

500
00:26:28,960 --> 00:26:32,359
Speaker 1: Yeah, let let let everything just settle down, get out

501
00:26:32,400 --> 00:26:33,320
Speaker 1: of I just poop mode.

502
00:26:33,760 --> 00:26:39,640
Speaker 2: Yeah, this is where.

503
00:26:39,520 --> 00:26:45,760
Speaker 1: Joel down would be like, oh lord, oh lord, you

504
00:26:45,880 --> 00:26:47,800
Speaker 1: need to be the Joel in this situation. I don't

505
00:26:47,800 --> 00:26:48,679
Speaker 1: know what this show is like.

506
00:26:48,880 --> 00:26:50,400
Speaker 3: It I happen to agree with you both.

507
00:26:50,440 --> 00:26:54,440
Speaker 1: That's exactly without Without the feminine Joel energy, the show

508
00:26:54,520 --> 00:26:55,200
Speaker 1: is off kilter.

509
00:26:58,040 --> 00:27:01,199
Speaker 3: Just to be agreeing with the tape three we need zoom, we.

510
00:27:01,880 --> 00:27:04,000
Speaker 1: Get the new show is called three Dicks in the

511
00:27:04,080 --> 00:27:07,320
Speaker 1: zoom we need. We need Joelle to be putting her

512
00:27:07,600 --> 00:27:12,200
Speaker 1: her head in her hands. Or there's no there's nore's no,

513
00:27:12,560 --> 00:27:16,879
Speaker 1: there's no guardrails. We just have Daniel sitting here nodding

514
00:27:16,920 --> 00:27:17,240
Speaker 1: about it.

515
00:27:17,840 --> 00:27:21,000
Speaker 2: Right about that at least a half an hour after.

516
00:27:22,600 --> 00:27:25,440
Speaker 1: Three Dicks in the Zoom, our new show, Zach and

517
00:27:25,480 --> 00:27:27,160
Speaker 1: Donald are three dicks in the zoom.

518
00:27:27,760 --> 00:27:30,680
Speaker 2: Zach, Donald and Danield are three dicks in the zoom.

519
00:27:31,200 --> 00:27:35,680
Speaker 1: These balls Zach, Zach and Donald Gay newlyweds in house arrest.

520
00:27:36,600 --> 00:27:38,040
Speaker 1: All right, we're gonna take a quick break and we

521
00:27:38,160 --> 00:27:41,120
Speaker 1: come back. Uh, we're gonna talk more about a show.

522
00:27:40,920 --> 00:27:44,680
Speaker 2: That Donald's not in your sound effects machine.

523
00:27:50,520 --> 00:27:54,439
Speaker 1: And we're ba, I'm going to Vegas today?

524
00:27:54,760 --> 00:27:55,680
Speaker 2: What are you going to Vegas for?

525
00:27:56,040 --> 00:27:56,240
Speaker 3: Yeah?

526
00:27:56,520 --> 00:27:58,919
Speaker 1: All right, So here's the thing. Brian Klugman are our

527
00:27:59,040 --> 00:28:01,879
Speaker 1: buddy and the guy who is the don draper of

528
00:28:01,880 --> 00:28:06,359
Speaker 1: all the tembile ads is friends with David Copperfield. And

529
00:28:07,280 --> 00:28:11,200
Speaker 1: I love magic and Klugman loves magic. And he's not

530
00:28:11,359 --> 00:28:15,600
Speaker 1: only taking us to see Copperfield show at the MGM,

531
00:28:16,520 --> 00:28:20,400
Speaker 1: but after, I hope I'm allowed to say this, Copperfield

532
00:28:20,560 --> 00:28:24,680
Speaker 1: is giving this a tour of his private magic museum.

533
00:28:25,600 --> 00:28:29,160
Speaker 2: Oh you know, I'm you don't. There aren't a lot

534
00:28:29,200 --> 00:28:31,520
Speaker 2: of your friends that I approve of, but one that

535
00:28:31,600 --> 00:28:34,640
Speaker 2: I do approve of is Brian Klugman.

536
00:28:34,640 --> 00:28:35,720
Speaker 1: I thought to say, Copperfield.

537
00:28:36,160 --> 00:28:39,000
Speaker 2: Yeah, you know, you have some friends where I'm like,

538
00:28:39,280 --> 00:28:43,400
Speaker 2: you hanging out with who? Now, I'm good the Plugman

539
00:28:43,560 --> 00:28:47,200
Speaker 2: if you're ever hanging out with Klugman, because you know, look,

540
00:28:47,720 --> 00:28:49,800
Speaker 2: you know me. You know how introverted I can be.

541
00:28:50,160 --> 00:28:52,080
Speaker 2: You know you don't like to go out and hang out.

542
00:28:52,120 --> 00:28:54,120
Speaker 2: And I have a small group of friends that I

543
00:28:54,240 --> 00:28:54,960
Speaker 2: only hang out with.

544
00:28:55,120 --> 00:28:57,840
Speaker 1: Your your main friend is God's let us.

545
00:28:59,080 --> 00:29:03,040
Speaker 2: It's it's one of my hmmm, it's one of my

546
00:29:03,200 --> 00:29:07,840
Speaker 2: closest and dearest friends until it kills me.

547
00:29:08,400 --> 00:29:12,200
Speaker 1: But anyway, but you love Klugman. I do.

548
00:29:12,440 --> 00:29:14,640
Speaker 2: I do love me some plugman man anyway.

549
00:29:14,680 --> 00:29:17,400
Speaker 1: So I'm so excited because I'm really excited because I

550
00:29:17,480 --> 00:29:19,479
Speaker 1: genuinely love magic. I always love magic as a kid.

551
00:29:19,520 --> 00:29:22,040
Speaker 1: I love whenever I see great magic. But I've never

552
00:29:22,120 --> 00:29:24,920
Speaker 1: seen a Vegas magic show. And you know, I know

553
00:29:25,280 --> 00:29:28,160
Speaker 1: David just as an acquaintance because as Scrubs fans and

554
00:29:28,240 --> 00:29:29,960
Speaker 1: listeners know, he did a cameo on the show and

555
00:29:30,080 --> 00:29:33,240
Speaker 1: he was he was so sweet and cool and and

556
00:29:33,440 --> 00:29:35,400
Speaker 1: so it's just really exciting that not only do I

557
00:29:35,480 --> 00:29:38,840
Speaker 1: get to see the show, but then tour his private

558
00:29:40,080 --> 00:29:43,640
Speaker 1: magic museum. Do you know that he is like the

559
00:29:43,840 --> 00:29:47,680
Speaker 1: wealthiest solo performer on Earth.

560
00:29:49,560 --> 00:29:54,080
Speaker 2: What man really? Yeah, it's wasn't it like him and

561
00:29:54,200 --> 00:29:58,280
Speaker 2: Sick Freed and ROYD that were like when I mean,

562
00:29:58,360 --> 00:30:00,640
Speaker 2: Vegas has always been great for act and people would

563
00:30:00,640 --> 00:30:03,240
Speaker 2: always have, you know, shows in Vegas and stuff like that.

564
00:30:03,400 --> 00:30:06,840
Speaker 2: But that I remember as a kid seeing commercials for

565
00:30:08,080 --> 00:30:11,760
Speaker 2: Sick Freedo and roy and and for Copperfield.

566
00:30:12,280 --> 00:30:14,560
Speaker 1: I think Copperfield has been doing the show for like

567
00:30:14,720 --> 00:30:17,080
Speaker 1: eight shows a week for so many years.

568
00:30:17,680 --> 00:30:21,000
Speaker 2: And uh and he's he must really love magic, man.

569
00:30:21,760 --> 00:30:23,480
Speaker 1: I think it's safe to say the man loves magic.

570
00:30:23,520 --> 00:30:25,800
Speaker 2: Yes, Donald, No, but you know, for some people it

571
00:30:25,880 --> 00:30:26,840
Speaker 2: becomes a job, you know.

572
00:30:28,000 --> 00:30:29,400
Speaker 1: Well, I just can't wait to see it. I just

573
00:30:29,560 --> 00:30:31,320
Speaker 1: I think it's gonna be so fun. And then I'm

574
00:30:31,320 --> 00:30:33,200
Speaker 1: also going to play some blackjack. I was watching a

575
00:30:33,320 --> 00:30:35,840
Speaker 1: documentary last night about blackjack to try and prepare.

576
00:30:36,280 --> 00:30:37,560
Speaker 2: Are you going to put a lot of money down?

577
00:30:38,200 --> 00:30:40,400
Speaker 1: Not a lot? But I I watched the show on

578
00:30:40,560 --> 00:30:44,360
Speaker 1: Netflix had this documentary about these these guys who count cards.

579
00:30:44,960 --> 00:30:48,120
Speaker 1: But no, I'm not going I didn't learn to count

580
00:30:48,200 --> 00:30:52,040
Speaker 1: cards last night. It's so complicated. But dude, these guys

581
00:30:53,720 --> 00:30:56,160
Speaker 1: or I'm sure there's gals too, but they focused on guys.

582
00:30:56,240 --> 00:31:00,480
Speaker 1: They they've they've they've cracked counting cards so much that

583
00:31:00,680 --> 00:31:03,320
Speaker 1: all the casinos the second they walk in, know them

584
00:31:03,360 --> 00:31:04,480
Speaker 1: and spot them and kick them out.

585
00:31:05,280 --> 00:31:07,000
Speaker 2: And why did they get kicked out? Why are they

586
00:31:07,120 --> 00:31:08,160
Speaker 2: not allowed to gamble?

587
00:31:08,440 --> 00:31:11,600
Speaker 1: They're not allowed to beat the system? They a casino

588
00:31:11,920 --> 00:31:12,360
Speaker 1: fucked up.

589
00:31:12,440 --> 00:31:14,440
Speaker 2: Man, if you learned how to beat the system, you

590
00:31:14,440 --> 00:31:15,680
Speaker 2: should be able to beat the system.

591
00:31:15,960 --> 00:31:18,240
Speaker 1: Our casino is allowed. I learned that's from the documentary.

592
00:31:18,280 --> 00:31:21,920
Speaker 1: They're allowed to kick out anyone they want, obviously, except

593
00:31:22,040 --> 00:31:24,400
Speaker 1: for you know, race, gender, the obvious things. But like

594
00:31:24,680 --> 00:31:27,000
Speaker 1: they are allowed to remove any player for any reason

595
00:31:27,040 --> 00:31:31,000
Speaker 1: they want. And the second they have all that they

596
00:31:31,160 --> 00:31:33,560
Speaker 1: know they obviously can tell from the cameras and the

597
00:31:33,600 --> 00:31:36,560
Speaker 1: pit boss is when someone is counting cards, so you

598
00:31:36,640 --> 00:31:38,520
Speaker 1: don't last long, they kick you out. So this dude

599
00:31:38,640 --> 00:31:41,680
Speaker 1: is wearing all these disguises he's doing he's doing all

600
00:31:41,720 --> 00:31:44,040
Speaker 1: this slow playing. He's like trying to play crabs for

601
00:31:44,080 --> 00:31:46,080
Speaker 1: a minute to not look like he's trying to just

602
00:31:46,360 --> 00:31:49,760
Speaker 1: like blend in. Right. He's literally traveling around an RV

603
00:31:49,960 --> 00:31:52,320
Speaker 1: with like all these disguises. It's amazing.

604
00:31:53,000 --> 00:31:56,160
Speaker 2: So yeah, I mean, how do you not count cards though.

605
00:31:56,200 --> 00:31:58,160
Speaker 2: Once you learn how to count cards, I know.

606
00:31:58,280 --> 00:31:59,959
Speaker 1: But he but the thing is the second he's too

607
00:32:00,080 --> 00:32:02,400
Speaker 1: blatant about it. They get him right away. He's like

608
00:32:02,480 --> 00:32:05,400
Speaker 1: literally wearing like a like a wig and a camo

609
00:32:05,560 --> 00:32:08,120
Speaker 1: baseball hat. And so what he does is he tries

610
00:32:08,200 --> 00:32:09,040
Speaker 1: to like, how are.

611
00:32:09,000 --> 00:32:10,880
Speaker 2: You blatant about counting cards? Though?

612
00:32:11,880 --> 00:32:13,760
Speaker 1: Because the way it's the way you're switching your bedding

613
00:32:13,920 --> 00:32:17,000
Speaker 1: so quickly, if you is, if you just do it

614
00:32:17,080 --> 00:32:19,960
Speaker 1: without without worry about getting caught, the pattern is pretty

615
00:32:20,000 --> 00:32:23,240
Speaker 1: obvious to a pit boss or the people watching the cameras.

616
00:32:23,640 --> 00:32:26,000
Speaker 1: So he has to he has to like disguise it,

617
00:32:26,160 --> 00:32:30,080
Speaker 1: camouflage it, if you will. What he's doing, Oh my dude,

618
00:32:30,120 --> 00:32:31,960
Speaker 1: he does this other shit like he can. This is

619
00:32:32,040 --> 00:32:35,920
Speaker 1: like a six or seven deck shoot. And not only

620
00:32:36,000 --> 00:32:38,160
Speaker 1: is he counting cards, but he if there's like three

621
00:32:38,200 --> 00:32:41,080
Speaker 1: aces come up like just by, he can spot where

622
00:32:41,120 --> 00:32:46,720
Speaker 1: they are and watch them the dealer reshuffle and and

623
00:32:46,920 --> 00:32:49,200
Speaker 1: and have a solid estimate about when they're going to

624
00:32:49,280 --> 00:32:51,920
Speaker 1: come back, because the odds are that they weren't shuffled

625
00:32:51,920 --> 00:32:53,840
Speaker 1: apart from each other. I mean, that's how mega this

626
00:32:53,920 --> 00:32:59,200
Speaker 1: guy is crazy. Anyway, he's crushing he was crushing them.

627
00:32:59,720 --> 00:33:01,880
Speaker 2: That's something lay like at the table by himself.

628
00:33:02,360 --> 00:33:04,120
Speaker 1: Yeah, he's playing it. He tries to do to not

629
00:33:04,200 --> 00:33:07,640
Speaker 1: get caught. Sometimes he plays at night, like the graveyard shift.

630
00:33:08,640 --> 00:33:08,800
Speaker 2: Oh.

631
00:33:08,920 --> 00:33:10,920
Speaker 1: Then there was another thing he said that. This was

632
00:33:10,920 --> 00:33:13,920
Speaker 1: another thing these guys do. Sometimes a bad dealer will

633
00:33:14,000 --> 00:33:16,040
Speaker 1: not know that they're showing you their face down card

634
00:33:16,120 --> 00:33:19,000
Speaker 1: as they deal. And so when they know they've got

635
00:33:19,000 --> 00:33:21,760
Speaker 1: a dealer like that, they'll like track her and like

636
00:33:21,920 --> 00:33:24,480
Speaker 1: find out when her shift is, when her break is done,

637
00:33:24,600 --> 00:33:27,360
Speaker 1: and the water to her tables. Because and he came

638
00:33:27,440 --> 00:33:28,960
Speaker 1: back from one of those, he's like, this dealer is

639
00:33:28,960 --> 00:33:35,360
Speaker 1: showing me her face down card almost every time. Wow. Yeah,

640
00:33:36,200 --> 00:33:38,760
Speaker 1: this dude was up six hundred thousand dollars playing blackjack.

641
00:33:39,120 --> 00:33:41,440
Speaker 2: Well yeah, at that moment, At that moment, I'm like, Yo,

642
00:33:41,520 --> 00:33:44,840
Speaker 2: you're fucking counting dude. You have six hundred thousand dollars. Dude,

643
00:33:45,960 --> 00:33:48,320
Speaker 2: as of this happening, are like one in a billion,

644
00:33:50,400 --> 00:33:52,360
Speaker 2: twenty and now you have. You started with twenty and

645
00:33:52,440 --> 00:33:53,480
Speaker 2: now you have six hundred.

646
00:33:53,680 --> 00:33:55,880
Speaker 1: It just makes you realize, when you're just playing blackjack

647
00:33:55,920 --> 00:33:58,160
Speaker 1: and not counting cards, how fucked you are and how

648
00:33:58,200 --> 00:34:00,400
Speaker 1: the house is always gonna win always time.

649
00:34:00,720 --> 00:34:05,240
Speaker 2: Yeah, because once you like the house and still lose.

650
00:34:05,400 --> 00:34:07,280
Speaker 1: Yeah, you play. That's when you and I do. Donald's

651
00:34:07,280 --> 00:34:08,640
Speaker 1: the one who taught me. I think you and Bill

652
00:34:08,640 --> 00:34:10,600
Speaker 1: are the ones who taught me. Just like play by

653
00:34:11,200 --> 00:34:13,960
Speaker 1: If you play by these set rules, these are your

654
00:34:14,000 --> 00:34:16,279
Speaker 1: best odds. But then you watch a documentary about dudes

655
00:34:16,360 --> 00:34:18,120
Speaker 1: counting cards and you're like, oh, I don't really have

656
00:34:18,239 --> 00:34:20,440
Speaker 1: any odds at all. The house is always going to win.

657
00:34:21,960 --> 00:34:23,440
Speaker 2: I need to learn.

658
00:34:23,560 --> 00:34:26,400
Speaker 1: Fucking These people spend like years they learning how to

659
00:34:26,480 --> 00:34:30,840
Speaker 1: do this. They know exactly, you know, you know what

660
00:34:31,000 --> 00:34:34,520
Speaker 1: their odds are at all times versus what the dealer has.

661
00:34:34,840 --> 00:34:38,319
Speaker 1: It's really incredible. But you can't do anymore, they said.

662
00:34:38,320 --> 00:34:41,160
Speaker 1: They were saying, like, it's so hard now because because

663
00:34:41,200 --> 00:34:43,960
Speaker 1: of facial recognition, all the sinos, whether big or small,

664
00:34:44,120 --> 00:34:44,959
Speaker 1: no matter where they.

665
00:34:44,880 --> 00:34:47,799
Speaker 2: Are, they ai they're all again.

666
00:34:48,000 --> 00:34:50,239
Speaker 1: Yeah, it's kind of a dying. Actually, the whole point

667
00:34:50,280 --> 00:34:51,799
Speaker 1: of this doc on Netflix, I'm sure you can find

668
00:34:51,800 --> 00:34:53,719
Speaker 1: I forgot the title, but the whole point was like,

669
00:34:53,840 --> 00:34:55,759
Speaker 1: this is a this counting cards thing is a dead

670
00:34:55,880 --> 00:34:59,480
Speaker 1: art because because of facial recognition and security, these these

671
00:34:59,520 --> 00:35:01,680
Speaker 1: guys can't do this anymore because he just think there's

672
00:35:01,680 --> 00:35:03,239
Speaker 1: a couple times he couldn't even walk in the door.

673
00:35:03,360 --> 00:35:07,719
Speaker 1: He walked he walked in there like nope, and he's

674
00:35:07,760 --> 00:35:09,920
Speaker 1: got like this big disguise on there like nope.

675
00:35:10,520 --> 00:35:11,120
Speaker 2: Turn around.

676
00:35:11,440 --> 00:35:14,759
Speaker 1: Yeah, all right, back to the show. There's a cake

677
00:35:15,480 --> 00:35:20,960
Speaker 1: and Cox thinks that JD organized it for his celebrating

678
00:35:21,040 --> 00:35:22,759
Speaker 1: him becoming the chief of medicine, but in fact we

679
00:35:22,840 --> 00:35:25,400
Speaker 1: learned that it's for Colonel Doctors two years.

680
00:35:25,400 --> 00:35:29,200
Speaker 2: Sober, and Colonel Doctor gives that he's.

681
00:35:29,080 --> 00:35:31,600
Speaker 1: Talking to Deontay, was talking Deontay, and he gives a

682
00:35:31,640 --> 00:35:36,000
Speaker 1: little like eh, as if to say, you know, speaking.

683
00:35:35,640 --> 00:35:38,680
Speaker 2: Of Deontay, me and him have reconnected. You have, Oh

684
00:35:39,520 --> 00:35:43,640
Speaker 2: good Deonte, you know once he got out of the

685
00:35:43,719 --> 00:35:47,040
Speaker 2: business and went corporate and stuff like that. Yeah, he's

686
00:35:47,120 --> 00:35:50,160
Speaker 2: taken a couple of stop motion animation classes, and I

687
00:35:50,280 --> 00:35:52,719
Speaker 2: talked stop motion every now and then, and he's just

688
00:35:52,840 --> 00:35:56,279
Speaker 2: recently gotten into three D printing, and you know how

689
00:35:56,719 --> 00:35:59,680
Speaker 2: three D printing and stop motion kind of it kind

690
00:35:59,719 --> 00:36:02,879
Speaker 2: of are intertwined, Like if you get a good three

691
00:36:02,960 --> 00:36:06,120
Speaker 2: D printer, you can create faces and all of these

692
00:36:06,200 --> 00:36:09,160
Speaker 2: wonderful things. So I think Deontae and I go, I

693
00:36:09,280 --> 00:36:14,360
Speaker 2: go on a little stop motion independent movie making adventures.

694
00:36:14,400 --> 00:36:16,240
Speaker 1: That would be awesome. Can do that would be awesome.

695
00:36:16,239 --> 00:36:18,040
Speaker 1: Imagine it be fun for you to collaborate with someone

696
00:36:18,239 --> 00:36:18,680
Speaker 1: that you like.

697
00:36:19,840 --> 00:36:22,640
Speaker 2: Yeah, well yeah, I mean we spend a lot of

698
00:36:22,719 --> 00:36:23,560
Speaker 2: time together.

699
00:36:24,120 --> 00:36:27,839
Speaker 1: All right. This rhythm sequence starts to happen in the ICU,

700
00:36:28,120 --> 00:36:31,680
Speaker 1: which just sort of seamlessly happens. It reminded me of

701
00:36:31,760 --> 00:36:35,160
Speaker 1: episode two. Are you having a good time?

702
00:36:35,280 --> 00:36:37,400
Speaker 2: You remember that was that episode two?

703
00:36:37,760 --> 00:36:39,800
Speaker 1: I believe it was episode two when we're in the

704
00:36:40,000 --> 00:36:42,840
Speaker 1: ICU and all of a sudden, this rhythm starts happening.

705
00:36:43,000 --> 00:36:44,880
Speaker 2: This was way different. This was more like Stomp.

706
00:36:45,200 --> 00:36:48,640
Speaker 1: This reminded me of This was Stomp esque. And the

707
00:36:48,760 --> 00:36:57,120
Speaker 1: only real instrument involved is Deontay's playing the water cooler bottle,

708
00:36:57,640 --> 00:36:59,520
Speaker 1: and all the other sounds are happening, and the only

709
00:36:59,600 --> 00:37:02,480
Speaker 1: real and is the janitor playing bongos on the floor.

710
00:37:02,920 --> 00:37:05,120
Speaker 2: That ship had me laughing so hard when he shows

711
00:37:05,200 --> 00:37:07,279
Speaker 2: up playing the bongos. But now, but he was really

712
00:37:07,320 --> 00:37:09,919
Speaker 2: playing that. It looked like he was really playing that's

713
00:37:10,320 --> 00:37:14,640
Speaker 2: going in Yeah, like he was going hard. And I

714
00:37:14,760 --> 00:37:16,759
Speaker 2: laughed so hard at that, like when I laughed at

715
00:37:16,840 --> 00:37:18,719
Speaker 2: where the fuck did he get the bongos from?

716
00:37:18,880 --> 00:37:22,480
Speaker 1: Yeah? And Katie says, why are you playing bongos? And

717
00:37:22,600 --> 00:37:25,000
Speaker 1: he says, it's Monday, Monday, bongo day.

718
00:37:25,360 --> 00:37:25,560
Speaker 2: Yeah.

719
00:37:26,920 --> 00:37:28,960
Speaker 1: You know later later when you're in his office in

720
00:37:29,080 --> 00:37:31,440
Speaker 1: the in the closet, he you see his calendar. His

721
00:37:31,600 --> 00:37:33,880
Speaker 1: office is set up in a in a a what

722
00:37:33,960 --> 00:37:36,400
Speaker 1: do you call it? A fucking editorial closet, and you

723
00:37:36,480 --> 00:37:40,520
Speaker 1: see his calendar and it and every Monday, the only

724
00:37:40,560 --> 00:37:43,440
Speaker 1: thing on the calendar is that Monday is written bongo day.

725
00:37:44,200 --> 00:37:48,400
Speaker 2: Very but like decoratively too, like just like like telegraphs

726
00:37:48,480 --> 00:37:48,920
Speaker 2: around it.

727
00:37:49,360 --> 00:37:51,920
Speaker 1: But wait, didn't he used to have he used to

728
00:37:51,960 --> 00:37:55,080
Speaker 1: have a big office, right, remember when he was with.

729
00:37:55,239 --> 00:37:57,680
Speaker 2: Mark he stole that office? Didn't he steal that office? No?

730
00:37:57,800 --> 00:37:59,719
Speaker 1: Do you remember when he with the with the brain?

731
00:37:59,800 --> 00:38:03,279
Speaker 2: Try us and yeah, they stole the office. No, no, no,

732
00:38:03,520 --> 00:38:06,399
Speaker 2: they stole Kelso's office, didn't they and then sealed the door.

733
00:38:07,080 --> 00:38:09,279
Speaker 1: Yeah? That was one section. But wasn't in the time

734
00:38:09,360 --> 00:38:13,200
Speaker 1: of when Marnie was on, wasn't there a different office

735
00:38:13,239 --> 00:38:15,239
Speaker 1: they all hung out in. I don't remember. I don't

736
00:38:15,280 --> 00:38:18,239
Speaker 1: know fans fans who know remember? I feel like the

737
00:38:18,360 --> 00:38:22,160
Speaker 1: janitor has had offices before that weren't a closet.

738
00:38:23,360 --> 00:38:25,719
Speaker 2: This is how, this is why I say that, Uh,

739
00:38:26,280 --> 00:38:33,480
Speaker 2: we got really wholesome this year on Scrubs when we

740
00:38:33,640 --> 00:38:39,319
Speaker 2: moved to ABC. We introduced mister Vaughan, and it's set

741
00:38:39,400 --> 00:38:44,240
Speaker 2: up like he's gonna die, right, He don't die.

742
00:38:46,000 --> 00:38:46,200
Speaker 1: Yet.

743
00:38:47,640 --> 00:38:50,040
Speaker 2: That's the second time you said that this is another character,

744
00:38:50,400 --> 00:38:56,840
Speaker 2: two different characters. Oh, Denise's character, I mean Denise's patient.

745
00:38:57,320 --> 00:38:58,839
Speaker 2: He didn't die, right.

746
00:39:00,560 --> 00:39:03,799
Speaker 1: Well, I don't know if you're saying that we don't

747
00:39:03,880 --> 00:39:06,200
Speaker 1: less people die on ABC, Is that you're a hypothesis?

748
00:39:06,400 --> 00:39:08,839
Speaker 2: No, because then you watch Gray's Anatomy and everybody has

749
00:39:08,920 --> 00:39:11,480
Speaker 2: these freaking really dramatic deaths and they're like, you know,

750
00:39:12,880 --> 00:39:16,920
Speaker 2: stretch out for two weeks, three weeks, three episodes, four episodes.

751
00:39:18,160 --> 00:39:20,080
Speaker 1: Well, I don't know. We'll have to track that. Dan

752
00:39:20,360 --> 00:39:22,319
Speaker 1: make a little a note for us to track if

753
00:39:22,440 --> 00:39:24,160
Speaker 1: less people die in season eight.

754
00:39:25,640 --> 00:39:27,319
Speaker 2: I don't think we're gonna get sure.

755
00:39:27,480 --> 00:39:29,640
Speaker 1: We'll get to the bottom of that, all right. So

756
00:39:31,040 --> 00:39:33,840
Speaker 1: Ted finally is allowed to sit. He was never allowed

757
00:39:33,880 --> 00:39:37,480
Speaker 1: to sit, even after he had thigh reconstructive surgery. He

758
00:39:37,560 --> 00:39:40,880
Speaker 1: tells us, uh kelso never let him sit and and

759
00:39:41,200 --> 00:39:43,880
Speaker 1: Cox is set up in his new office and lets

760
00:39:44,040 --> 00:39:46,040
Speaker 1: Ted sit on the couch.

761
00:39:46,840 --> 00:39:49,280
Speaker 2: And then Ted picks his toes takes advantage.

762
00:39:49,360 --> 00:39:52,120
Speaker 1: Yeah, yeah, and then we cut in Ted's like like

763
00:39:52,320 --> 00:39:55,880
Speaker 1: half dressed and picking his toenails and costs is like

764
00:39:55,960 --> 00:39:57,080
Speaker 1: too comfortable. Stop that.

765
00:39:59,239 --> 00:40:00,920
Speaker 2: And then you notice two are the three people that

766
00:40:01,120 --> 00:40:03,239
Speaker 2: cannot that are of a never ever ever ever ever

767
00:40:03,360 --> 00:40:06,680
Speaker 2: ever ever ever ever list. Yeah, go ahead, well it's

768
00:40:07,000 --> 00:40:10,400
Speaker 2: Jordan and j D. Yeah, and then Hooch.

769
00:40:10,719 --> 00:40:14,799
Speaker 1: Yeah, hoos. Jordan and j D are on the never ever,

770
00:40:14,960 --> 00:40:16,839
Speaker 1: ever ever ever ever allowed in list.

771
00:40:17,480 --> 00:40:18,960
Speaker 2: Cox learned that Whoch is crazy.

772
00:40:19,040 --> 00:40:22,040
Speaker 1: Obviously, Yes, Cox is obviously familiar with who's being crazy.

773
00:40:23,280 --> 00:40:25,279
Speaker 1: I don't know that we ever see in real life

774
00:40:25,480 --> 00:40:29,560
Speaker 1: Cox's interactions with Hooch, but but we know that how

775
00:40:29,600 --> 00:40:34,160
Speaker 1: he feels about Hooch. Interestingly, I believe scrubs Wiki pointed

776
00:40:34,200 --> 00:40:39,360
Speaker 1: out that on his sometimes list is hold on Leonard

777
00:40:39,400 --> 00:40:43,960
Speaker 1: the security guard. Yeah, and doctor Rodinage, which is one

778
00:40:43,960 --> 00:40:47,840
Speaker 1: of the janitor's aliases, implying that that if you, if you,

779
00:40:48,200 --> 00:40:52,640
Speaker 1: if you think about it, you can infer that Cox

780
00:40:52,800 --> 00:41:09,319
Speaker 1: doesn't know that doctor Rhodinage is the Janitor's.

781
00:41:02,239 --> 00:41:05,960
Speaker 3: So funny, wrote of course janitor backwards.

782
00:41:06,280 --> 00:41:12,000
Speaker 1: Yes, thank you for reminding the audience of that. Daniel JD. Okay,

783
00:41:12,040 --> 00:41:13,600
Speaker 1: so he has mister Vaughan that you mentioned, who has

784
00:41:13,640 --> 00:41:16,040
Speaker 1: pneumonia and Cox has all this paperwork.

785
00:41:16,080 --> 00:41:16,200
Speaker 2: You know.

786
00:41:16,280 --> 00:41:17,520
Speaker 1: His whole thing was like, I'm not going to be

787
00:41:17,640 --> 00:41:19,600
Speaker 1: like helso I'm not going to be stuck in this office,

788
00:41:19,800 --> 00:41:21,640
Speaker 1: and yet he is stuck in the office.

789
00:41:22,560 --> 00:41:25,680
Speaker 2: We're gonna talk about JD taking mister Vaughan home and

790
00:41:25,800 --> 00:41:29,080
Speaker 2: letting him live with him. Yes, did you laugh at that?

791
00:41:29,480 --> 00:41:32,200
Speaker 1: Yes? JD has a fantasy where he takes mister Vaughan

792
00:41:32,320 --> 00:41:35,640
Speaker 1: home and they quickly act like an old married couple

793
00:41:35,680 --> 00:41:36,759
Speaker 1: who are yelling at each other.

794
00:41:38,080 --> 00:41:42,560
Speaker 2: Right, Yes, that's exactly what happened. Well, look who look

795
00:41:42,600 --> 00:41:45,120
Speaker 2: who's playing the same song.

796
00:41:48,880 --> 00:41:50,600
Speaker 1: Yeah. I really got into that, didn't I. I was like,

797
00:41:51,160 --> 00:41:54,520
Speaker 1: I was like screaming at him he cries.

798
00:41:54,600 --> 00:41:58,520
Speaker 2: And then getting close up of the one tier coming out.

799
00:41:58,880 --> 00:42:04,360
Speaker 1: Yeah, so Carla is we learned that Carla booed Elliot

800
00:42:04,560 --> 00:42:08,879
Speaker 1: off of the karaoke stage because she was singing Swing Low,

801
00:42:09,040 --> 00:42:10,160
Speaker 1: Sweet Chariot. Right.

802
00:42:10,960 --> 00:42:15,360
Speaker 2: Yes, you know what that reminded me of what blazing

803
00:42:15,440 --> 00:42:18,400
Speaker 2: saddles when you almost like you used to sing like,

804
00:42:18,560 --> 00:42:21,680
Speaker 2: you know, the Camptown Lady. They're like the Camptown Lady.

805
00:42:21,760 --> 00:42:21,920
Speaker 1: You know.

806
00:42:22,200 --> 00:42:24,880
Speaker 2: Well, swing low, Sweet Chariot, y'all never heard that one,

807
00:42:25,000 --> 00:42:28,600
Speaker 2: Swing Low, Sweet Chariot. That shit is one of the

808
00:42:28,680 --> 00:42:33,880
Speaker 2: best scenes in Melbrook's history, having all these white boys

809
00:42:33,960 --> 00:42:39,000
Speaker 2: running around going to campdown lady. Dude. That shit had

810
00:42:39,040 --> 00:42:39,480
Speaker 2: me rollering.

811
00:42:39,560 --> 00:42:41,399
Speaker 1: I don't remember. It's been a very long time since

812
00:42:41,440 --> 00:42:42,480
Speaker 1: I saw Blazing Saddles.

813
00:42:43,080 --> 00:42:43,120
Speaker 2: What.

814
00:42:44,040 --> 00:42:45,640
Speaker 1: I'm sorry, It's true. I haven't seen since I was

815
00:42:45,680 --> 00:42:48,759
Speaker 1: a kid. Oh, by the way, do you remember The Frisco.

816
00:42:48,560 --> 00:42:50,439
Speaker 2: Kid Harrison fourteen water?

817
00:42:50,760 --> 00:42:53,640
Speaker 1: Yes, yes, you haven't seen that movie, The Frisco Kid.

818
00:42:53,719 --> 00:42:56,439
Speaker 1: It's a great, great movie, all right. So Elliott thinks

819
00:42:56,440 --> 00:42:59,640
Speaker 1: it's because she can't sing the low notes, and Carl

820
00:42:59,760 --> 00:43:02,439
Speaker 1: is like, sure, that's why you shouldn't sing that song

821
00:43:03,160 --> 00:43:04,919
Speaker 1: and the tag. At the very end of the show,

822
00:43:05,120 --> 00:43:11,200
Speaker 1: we see Elliott singing the song and an African American

823
00:43:11,239 --> 00:43:13,600
Speaker 1: doctor played by Richard Wells, who was not only our

824
00:43:13,640 --> 00:43:17,480
Speaker 1: first assistant director for for many, many many episodes of

825
00:43:17,480 --> 00:43:19,719
Speaker 1: the show, but also directed a few Scrubs episodes. He

826
00:43:19,800 --> 00:43:22,560
Speaker 1: comes over and looks at her like, why the fuck

827
00:43:22,600 --> 00:43:23,520
Speaker 1: are you singing that song?

828
00:43:23,880 --> 00:43:25,719
Speaker 2: But he could done. He had to come back to

829
00:43:25,800 --> 00:43:27,560
Speaker 2: do that because he wasn't working on the show at

830
00:43:27,600 --> 00:43:28,240
Speaker 2: the time anymore.

831
00:43:28,239 --> 00:43:30,440
Speaker 1: He wasn't even he had left, didn't he.

832
00:43:30,560 --> 00:43:33,640
Speaker 2: Oh no, he retired on Cougar Town. That's when he retired.

833
00:43:33,920 --> 00:43:35,120
Speaker 1: Yeah, I know that he was.

834
00:43:35,560 --> 00:43:35,959
Speaker 2: He wasn't.

835
00:43:36,000 --> 00:43:38,759
Speaker 1: He was acting as a uniproduction manager at this point,

836
00:43:38,840 --> 00:43:41,239
Speaker 1: but he was still around. I love that guy. I

837
00:43:41,360 --> 00:43:43,200
Speaker 1: love a great so many great memories with that guy,

838
00:43:43,239 --> 00:43:49,480
Speaker 1: one of the best in the business. Mickhead is uh screaming.

839
00:43:49,840 --> 00:43:51,920
Speaker 1: So then we talk about how this is the whole

840
00:43:51,960 --> 00:43:55,520
Speaker 1: thing about how the nurses don't feel respected, they need

841
00:43:55,680 --> 00:43:59,080
Speaker 1: they need more staff. They think Carla is in hoots

842
00:43:59,120 --> 00:44:01,520
Speaker 1: with the doctors because she's married to a doctor, because

843
00:44:01,520 --> 00:44:03,440
Speaker 1: she's friends with all the doctors. So the nurses are

844
00:44:03,480 --> 00:44:07,160
Speaker 1: mad at Carla. And we see we see the nurses

845
00:44:07,200 --> 00:44:11,239
Speaker 1: being disrespected. In a couple just quick cuts, Mickhead is

846
00:44:11,280 --> 00:44:15,200
Speaker 1: screaming at one nurse really disrespectfully, and then he and

847
00:44:15,280 --> 00:44:17,239
Speaker 1: then he breaks and goes, okay, honey, see at home.

848
00:44:17,400 --> 00:44:17,840
Speaker 1: We learned that.

849
00:44:18,040 --> 00:44:22,440
Speaker 2: So so just so we're clear, Yeah, Mickhead beat two charges.

850
00:44:22,800 --> 00:44:23,800
Speaker 1: Uh yeah, murder wraps.

851
00:44:23,880 --> 00:44:27,000
Speaker 2: Yeah, killing his wife.

852
00:44:27,360 --> 00:44:29,920
Speaker 1: Yeah, and he's got a new a new girlfriend, and

853
00:44:30,120 --> 00:44:32,040
Speaker 1: he's yelling at her that he's.

854
00:44:31,960 --> 00:44:36,000
Speaker 2: Yelling at Let me tell you what the MD stands for,

855
00:44:36,880 --> 00:44:42,279
Speaker 2: makes the decisions. Okay, you got that. I see it

856
00:44:42,360 --> 00:44:42,680
Speaker 2: home though.

857
00:44:43,680 --> 00:44:46,960
Speaker 1: Yeah, that woman, that young nurse shouldn't be with Mickhead.

858
00:44:46,960 --> 00:44:50,479
Speaker 1: I don't think someone I mean get the dude's gonna

859
00:44:50,520 --> 00:44:50,759
Speaker 1: kill you.

860
00:44:50,800 --> 00:44:51,759
Speaker 2: He's probably gonna kill you.

861
00:44:52,080 --> 00:44:54,520
Speaker 1: I are so many women into Mickhead. I uh, it

862
00:44:54,640 --> 00:44:56,840
Speaker 1: must be something great about Mickhead at home because he

863
00:44:57,000 --> 00:45:00,000
Speaker 1: keeps even after he beat a couple of murder charts,

864
00:45:00,080 --> 00:45:04,200
Speaker 1: does he he's still finding new love?

865
00:45:05,800 --> 00:45:09,759
Speaker 2: Well, love is finding him, yes, and sticking around even

866
00:45:09,800 --> 00:45:10,640
Speaker 2: after the warnings.

867
00:45:10,760 --> 00:45:13,160
Speaker 1: Maybe he's really All the nurses in the hospital.

868
00:45:12,800 --> 00:45:15,040
Speaker 2: Are like, girl, don't you know this motherfucker be too?

869
00:45:15,160 --> 00:45:17,320
Speaker 2: Murder ups what is you doing?

870
00:45:19,680 --> 00:45:20,680
Speaker 1: She's like, I don't give a shit.

871
00:45:20,760 --> 00:45:21,279
Speaker 2: I love him.

872
00:45:22,040 --> 00:45:23,680
Speaker 1: You don't know what he says to me were we

873
00:45:23,800 --> 00:45:27,960
Speaker 1: at home? And then Todd says something so rude to

874
00:45:28,800 --> 00:45:31,160
Speaker 1: or sexist or whatever to a nurse and he goes

875
00:45:31,239 --> 00:45:37,360
Speaker 1: disrespecting nurses five. So that's our that's our clip of

876
00:45:37,800 --> 00:45:41,840
Speaker 1: doctors not treating nurses respect and the nurses are pissed

877
00:45:41,840 --> 00:45:45,360
Speaker 1: it at Carla for not they feel she's not advocating

878
00:45:45,400 --> 00:45:45,759
Speaker 1: for them.

879
00:45:46,480 --> 00:45:51,160
Speaker 2: Yeah, they think because she's friends with a doctor, best

880
00:45:51,200 --> 00:45:54,840
Speaker 2: friends with the doctor, and married to a doctor, that

881
00:45:55,000 --> 00:45:59,360
Speaker 2: she is a she is a turncoat, a turncoat exactly.

882
00:46:00,920 --> 00:46:03,840
Speaker 1: So Cox can't leave his office. Everyone wants to get in,

883
00:46:03,960 --> 00:46:06,640
Speaker 1: everyone wants a favor. We've seen this happen with Kelso before,

884
00:46:06,719 --> 00:46:10,240
Speaker 1: but Cox is experiencing it for the first time. Krler

885
00:46:10,320 --> 00:46:13,799
Speaker 1: wants more nurses. The janitor is trying to annoy him.

886
00:46:13,880 --> 00:46:16,040
Speaker 1: The janitor, we learned, has a thing he does with

887
00:46:16,200 --> 00:46:21,360
Speaker 1: this photograph of the building where he's always He pesters

888
00:46:21,400 --> 00:46:24,680
Speaker 1: anyone who gets an office with trying to hang this

889
00:46:26,160 --> 00:46:28,560
Speaker 1: picture or pain. I think it's a photograph that nobody wants.

890
00:46:29,640 --> 00:46:33,640
Speaker 1: And he really tries to annoy Cox by constantly hammering

891
00:46:34,800 --> 00:46:37,800
Speaker 1: and just I don't know, I don't really understand what

892
00:46:37,800 --> 00:46:38,160
Speaker 1: was happening.

893
00:46:38,160 --> 00:46:39,960
Speaker 2: Well, he's doing it because he didn't get an office,

894
00:46:40,120 --> 00:46:42,439
Speaker 2: and that's why he's in the closet. And ever since

895
00:46:42,480 --> 00:46:45,560
Speaker 2: he asked for an office, Kelso's hip to it. Kelso

896
00:46:45,680 --> 00:46:48,720
Speaker 2: had figured it out. But anytime someone gets in office

897
00:46:48,800 --> 00:46:52,400
Speaker 2: that's bigger than the closet that he's in. Right, he

898
00:46:52,560 --> 00:46:56,040
Speaker 2: automatically bothers them by trying to hang a photo and

899
00:46:56,719 --> 00:46:59,120
Speaker 2: tries to make their life a living hell with the photo.

900
00:46:59,280 --> 00:47:00,719
Speaker 1: Now, if you watch how he's trying to hang this

901
00:47:01,000 --> 00:47:04,359
Speaker 1: this this frame, He's got like four nails in the wall,

902
00:47:04,520 --> 00:47:08,000
Speaker 1: none of which you can tell are the right nail

903
00:47:08,560 --> 00:47:11,319
Speaker 1: for this. So he's just being an annoying And at

904
00:47:11,360 --> 00:47:14,000
Speaker 1: one point he hangs it on on fishing line in

905
00:47:14,080 --> 00:47:15,880
Speaker 1: the middle of the room and he starts swinging it

906
00:47:16,120 --> 00:47:17,920
Speaker 1: and he has a whole bit about how the love

907
00:47:18,000 --> 00:47:22,359
Speaker 1: the lookout it's coming towards you. Yeah, it's like it's

908
00:47:22,400 --> 00:47:24,320
Speaker 1: got Lenny. I don't even know what the hell he

909
00:47:24,400 --> 00:47:24,959
Speaker 1: was talking about.

910
00:47:25,440 --> 00:47:28,040
Speaker 2: It's a different it's a different epis, it's a different episode.

911
00:47:28,520 --> 00:47:29,640
Speaker 2: It wasn't your favorite, eh.

912
00:47:30,840 --> 00:47:32,360
Speaker 1: I mean, I giggled a few times. But I do

913
00:47:32,520 --> 00:47:33,920
Speaker 1: think I'm not just saying this because I love you.

914
00:47:34,040 --> 00:47:35,560
Speaker 1: I don't think this shows is funny without you.

915
00:47:37,560 --> 00:47:40,480
Speaker 2: I'm I'm gonna I'm not gonna lie. I did watch it,

916
00:47:40,840 --> 00:47:41,840
Speaker 2: and I did take notes.

917
00:47:42,120 --> 00:47:45,680
Speaker 1: Imagine we imagine Webster without Emmanuel Lewis. That's how I

918
00:47:45,760 --> 00:47:46,960
Speaker 1: felt with.

919
00:47:47,160 --> 00:47:48,239
Speaker 2: Just mister and ma'am.

920
00:47:49,080 --> 00:47:52,560
Speaker 1: Yeah, an episode of Webster without Emmanuel Lewis. He's not

921
00:47:52,640 --> 00:47:53,600
Speaker 1: an episode of Webster.

922
00:47:54,200 --> 00:48:02,440
Speaker 2: No, it's an episode of mister and ma'am. What what

923
00:48:03,239 --> 00:48:03,719
Speaker 2: what what?

924
00:48:04,520 --> 00:48:07,320
Speaker 1: Here's a bit of trivia for you. How did Webster?

925
00:48:07,800 --> 00:48:08,080
Speaker 2: What what?

926
00:48:08,360 --> 00:48:13,640
Speaker 1: What? Furniture object disguised Webster's secret passageway to his room.

927
00:48:16,200 --> 00:48:19,760
Speaker 2: The food was it? What was it? I don't remember.

928
00:48:19,920 --> 00:48:21,480
Speaker 1: It was in the living room and it was what

929
00:48:21,640 --> 00:48:25,680
Speaker 1: Webster used to get in and out of his secret passage. Yeah,

930
00:48:25,719 --> 00:48:26,440
Speaker 1: it was a grandfather.

931
00:48:28,400 --> 00:48:28,880
Speaker 2: I remember that.

932
00:48:29,280 --> 00:48:30,800
Speaker 1: I was worried. I'm so proud of you that you

933
00:48:30,880 --> 00:48:33,640
Speaker 1: got any of you listeners who got it.

934
00:48:34,719 --> 00:48:35,760
Speaker 2: It led to his bedroom.

935
00:48:36,520 --> 00:48:37,960
Speaker 1: I think it led to his bedroom, or at least

936
00:48:37,960 --> 00:48:40,320
Speaker 1: the upstairs hallway. It was definitely made me as a

937
00:48:40,400 --> 00:48:42,239
Speaker 1: kid go oh man. One day, I want to have

938
00:48:42,280 --> 00:48:47,200
Speaker 1: a secret passageway behind a clock. To this day, I

939
00:48:47,360 --> 00:48:49,640
Speaker 1: still don't have a secret passageway. I really would like one.

940
00:48:49,760 --> 00:48:51,560
Speaker 2: I would love I would love to be able to

941
00:48:51,640 --> 00:48:53,360
Speaker 2: pull a book and the thing.

942
00:48:53,360 --> 00:48:58,560
Speaker 1: Just the classic bookcase. We can't die and not have

943
00:48:58,760 --> 00:49:01,800
Speaker 1: had a secret passageway in our lives. I think it

944
00:49:02,000 --> 00:49:03,680
Speaker 1: has to be a bucket list for both of us.

945
00:49:04,520 --> 00:49:06,520
Speaker 2: Who Dinny had the best? One man? He had like

946
00:49:06,960 --> 00:49:12,800
Speaker 2: that whole property in Laurel Canyon that he had underground

947
00:49:12,880 --> 00:49:15,239
Speaker 2: passageways and stuff like that so he could do his

948
00:49:15,440 --> 00:49:17,560
Speaker 2: magic tricks throughout his house at his parties and.

949
00:49:17,520 --> 00:49:20,880
Speaker 1: Stuff like that. That's true. I know that's lore, but

950
00:49:21,000 --> 00:49:23,560
Speaker 1: that sounds that sounds incredible. If it's true, I'm.

951
00:49:23,480 --> 00:49:26,279
Speaker 2: Choosing to believe it. From what I understand. That whole,

952
00:49:26,520 --> 00:49:32,040
Speaker 2: that whole intersection used to be his. I've heard all.

953
00:49:32,160 --> 00:49:34,680
Speaker 1: I've heard all these rumors that there's tunnels underneath the

954
00:49:34,680 --> 00:49:37,080
Speaker 1: ground to other other houses and all sorts of stuff.

955
00:49:37,080 --> 00:49:40,080
Speaker 1: It's all. I don't know if it's a rumor or not.

956
00:49:41,280 --> 00:49:44,640
Speaker 2: I mean, if you were the Magic muff, the number

957
00:49:44,680 --> 00:49:46,800
Speaker 2: one magic, I bet you go to Copperfield. When you

958
00:49:46,880 --> 00:49:49,160
Speaker 2: go to Copperfield's house, He's got a bunch of freaking

959
00:49:49,200 --> 00:49:49,920
Speaker 2: secret passages.

960
00:49:49,920 --> 00:49:51,920
Speaker 1: I don't think. I don't think I'm going to his house.

961
00:49:52,040 --> 00:49:52,960
Speaker 1: I'm going to his museum.

962
00:49:53,040 --> 00:49:54,640
Speaker 2: But I bet you his museum has a bunch of

963
00:49:54,680 --> 00:49:55,400
Speaker 2: secret passages.

964
00:49:55,560 --> 00:49:57,600
Speaker 1: I hope so will I will be able to tell

965
00:49:57,640 --> 00:50:00,320
Speaker 1: you tonight. I will text you. You'll be a sleep

966
00:50:00,360 --> 00:50:04,600
Speaker 1: because yeah, I may ask you a question ahead. If

967
00:50:04,680 --> 00:50:08,799
Speaker 1: he does have this stuff, Yeah, how do you think

968
00:50:08,880 --> 00:50:11,360
Speaker 1: he can? Like, I mean, I understand he's rich and

969
00:50:11,400 --> 00:50:12,279
Speaker 1: stuff like that, but to.

970
00:50:12,320 --> 00:50:17,200
Speaker 2: Put to reinfrastruct a whole you know what I mean,

971
00:50:17,360 --> 00:50:26,759
Speaker 2: to change the infrastructure of a whole city system. How

972
00:50:26,840 --> 00:50:28,279
Speaker 2: much money do you think it would cost to do

973
00:50:28,400 --> 00:50:30,440
Speaker 2: something like Bruce Wayne. That's where it gets like a

974
00:50:30,480 --> 00:50:32,920
Speaker 2: little crazy, right, Like Bruce Wayne does all of this crazy.

975
00:50:33,120 --> 00:50:36,000
Speaker 2: The motherfucker has a tunnel that led from his office,

976
00:50:37,400 --> 00:50:40,920
Speaker 2: a shoot a skeet shoot that leads from his office

977
00:50:41,320 --> 00:50:42,640
Speaker 2: all the way to the bat cave.

978
00:50:42,800 --> 00:50:44,360
Speaker 1: Well, I think you're supposed to imagine that he just

979
00:50:44,480 --> 00:50:47,319
Speaker 1: has infinite money, and I think that really I think

980
00:50:47,480 --> 00:50:50,359
Speaker 1: I haven't googled it, but I'm told that Copperfield danly

981
00:50:50,480 --> 00:50:52,800
Speaker 1: google it for us. I think he's as I understand,

982
00:50:52,880 --> 00:50:57,439
Speaker 1: and he is one of the wealthiest single performers INNY.

983
00:50:57,120 --> 00:50:59,000
Speaker 2: I know, That's what I'm saying. So if he does

984
00:50:59,120 --> 00:51:02,360
Speaker 2: have this shit, if he if anyone's gonna have it,

985
00:51:02,400 --> 00:51:03,120
Speaker 2: it's gonna be him.

986
00:51:03,280 --> 00:51:05,680
Speaker 1: I know he owns an island, which is the which

987
00:51:05,760 --> 00:51:08,719
Speaker 1: is your first badass move as a as a zillionaire?

988
00:51:08,840 --> 00:51:11,839
Speaker 1: You got to have that island. Right, If you buy

989
00:51:11,840 --> 00:51:14,759
Speaker 1: an island, you gotta have an If you got that

990
00:51:14,840 --> 00:51:16,560
Speaker 1: kind of money, you gotta have an island. Did you

991
00:51:16,600 --> 00:51:19,799
Speaker 1: see the Bezos. So Bezos built this five hundred million

992
00:51:19,800 --> 00:51:23,560
Speaker 1: dollars sailboat, right, and it's it's enormous. It's like the

993
00:51:23,600 --> 00:51:26,800
Speaker 1: biggest private sailboat and uh, you know whatever, it's a

994
00:51:26,840 --> 00:51:30,040
Speaker 1: five hundred sailboat. Yeah, he puts sales on it. I mean,

995
00:51:30,120 --> 00:51:32,600
Speaker 1: it's a sailboat. It looks like you know anyway the

996
00:51:32,680 --> 00:51:35,320
Speaker 1: point looks like a pirate ship. No, it's it just

997
00:51:35,400 --> 00:51:40,000
Speaker 1: looks like a giant sailboat. But here's the thing. The

998
00:51:40,160 --> 00:51:44,840
Speaker 1: boat needs a support yacht. There's so many people needed

999
00:51:44,880 --> 00:51:48,160
Speaker 1: to run it, and there's so many and and so

1000
00:51:48,280 --> 00:51:52,440
Speaker 1: much other needs to support the five hundred million dollar

1001
00:51:52,520 --> 00:51:55,359
Speaker 1: boat that it has a seventy five million dollar yacht

1002
00:51:55,640 --> 00:51:59,959
Speaker 1: that follows it. The support, the services needed.

1003
00:52:00,480 --> 00:52:04,040
Speaker 2: What make Yeah, you can do so this look if

1004
00:52:04,080 --> 00:52:06,920
Speaker 2: you got if I'm asking all the all of our

1005
00:52:07,000 --> 00:52:09,959
Speaker 2: listeners too. If you were given a crap ton of money,

1006
00:52:10,320 --> 00:52:13,520
Speaker 2: right and they were like, you can't spend it on

1007
00:52:13,640 --> 00:52:15,960
Speaker 2: world peace, and you can't spend it on saving.

1008
00:52:15,800 --> 00:52:18,759
Speaker 1: It has to be spent on something stupid. You go ahead, right, we.

1009
00:52:18,760 --> 00:52:21,000
Speaker 2: Would you spend I would me personally, I would spend

1010
00:52:21,040 --> 00:52:22,759
Speaker 2: it on like a doomsday.

1011
00:52:23,160 --> 00:52:26,719
Speaker 1: Doomsday bunker, like like like a James Bond villain like

1012
00:52:26,760 --> 00:52:27,719
Speaker 1: doctor something like.

1013
00:52:27,960 --> 00:52:33,399
Speaker 2: Something that other than the earth blowing to bits, I'm

1014
00:52:33,440 --> 00:52:34,399
Speaker 2: going to survive that ship.

1015
00:52:35,160 --> 00:52:38,080
Speaker 1: I love the idea. I don't know, there's something I

1016
00:52:38,320 --> 00:52:39,719
Speaker 1: don't know. I don't know what I would do. I'd

1017
00:52:39,719 --> 00:52:42,600
Speaker 1: definitely like and I'd probably go with a Copperfield Island

1018
00:52:44,560 --> 00:52:49,439
Speaker 1: and I'd call it Copperfield Island. Cockfield Island would be saying, I, Dannel,

1019
00:52:49,480 --> 00:52:50,400
Speaker 1: did you find out the answer?

1020
00:52:51,239 --> 00:52:54,800
Speaker 3: I'm kind of getting mixed messages on exactly the answer,

1021
00:52:54,880 --> 00:52:58,000
Speaker 3: but I did find some very interesting information. Here's a question.

1022
00:52:58,080 --> 00:53:00,560
Speaker 3: How many shows do you think David Copperfield does per year?

1023
00:53:01,440 --> 00:53:04,279
Speaker 1: I heard he does like I know he does to

1024
00:53:04,560 --> 00:53:08,200
Speaker 1: a day, I think, so let's call that fourteen a week.

1025
00:53:08,400 --> 00:53:11,560
Speaker 1: What's fourteen times fifty two? Danil, You're smart.

1026
00:53:13,440 --> 00:53:15,799
Speaker 3: I'm better at doing two times three hundred and sixty five,

1027
00:53:15,840 --> 00:53:18,680
Speaker 3: so that would be a little over like seven thirty. Basically,

1028
00:53:19,640 --> 00:53:22,880
Speaker 3: it's not quite that many, but he does five hundred

1029
00:53:22,880 --> 00:53:24,359
Speaker 3: and fifteen shows a year.

1030
00:53:25,120 --> 00:53:27,320
Speaker 1: Yeah, he's yeah, yeah.

1031
00:53:27,920 --> 00:53:29,880
Speaker 2: And fill up if you could fill up for theater

1032
00:53:30,000 --> 00:53:30,760
Speaker 2: that many times.

1033
00:53:30,880 --> 00:53:32,359
Speaker 1: It sold out every night, it's sold out.

1034
00:53:32,640 --> 00:53:34,319
Speaker 2: If you could fill up a theater that many times, Yeah,

1035
00:53:34,360 --> 00:53:35,000
Speaker 2: you're doing something.

1036
00:53:35,200 --> 00:53:36,120
Speaker 1: It's sold out every night.

1037
00:53:36,560 --> 00:53:40,239
Speaker 3: Yes, he is individually worth a billion dollars. He gets

1038
00:53:40,440 --> 00:53:44,920
Speaker 3: sixty million a year from the performances alone, and then

1039
00:53:45,080 --> 00:53:48,920
Speaker 3: everything else is like merchandise or stuff with his name

1040
00:53:48,960 --> 00:53:52,720
Speaker 3: on it, or like licensing residuals. Yeah, licensing and residuals

1041
00:53:52,719 --> 00:53:53,200
Speaker 3: and stuff like that.

1042
00:53:53,600 --> 00:53:56,080
Speaker 2: You gotta really love magic to do that many shows

1043
00:53:56,120 --> 00:53:57,840
Speaker 2: a year man continuously.

1044
00:53:58,239 --> 00:53:59,000
Speaker 1: It's his passion.

1045
00:53:59,080 --> 00:54:01,920
Speaker 2: It's like you say, like, you know, you like he

1046
00:54:02,040 --> 00:54:04,200
Speaker 2: must be trying to raise the dead or something like

1047
00:54:04,680 --> 00:54:07,000
Speaker 2: for real, for real, like he must be trying to

1048
00:54:07,040 --> 00:54:12,080
Speaker 2: do that Tesla situation in the Prestige, Like straight up, man, do.

1049
00:54:12,080 --> 00:54:13,800
Speaker 1: You remember we were kids and he made the Statue

1050
00:54:13,800 --> 00:54:17,040
Speaker 1: of Liberty disappear? What?

1051
00:54:17,400 --> 00:54:19,360
Speaker 2: Yeah? I do remember that? That?

1052
00:54:19,880 --> 00:54:20,160
Speaker 1: What's that?

1053
00:54:20,640 --> 00:54:21,440
Speaker 2: Was that him that did that?

1054
00:54:21,680 --> 00:54:24,520
Speaker 1: Yeah? There was a television special in primetime, I believe,

1055
00:54:24,640 --> 00:54:27,360
Speaker 1: and it was David Copperfield makes the Statue of disappear

1056
00:54:27,440 --> 00:54:28,960
Speaker 1: in front of a live audience.

1057
00:54:32,280 --> 00:54:32,920
Speaker 2: It was exactly.

1058
00:54:33,040 --> 00:54:34,040
Speaker 1: That was like a big moment in.

1059
00:54:34,040 --> 00:54:38,120
Speaker 2: Our child if you live in New York, they I mean,

1060
00:54:38,160 --> 00:54:39,880
Speaker 2: I don't I don't remember. How didn't they cover the

1061
00:54:39,920 --> 00:54:41,960
Speaker 2: Statue of Liberty or something. I don't remember what. I

1062
00:54:42,000 --> 00:54:42,239
Speaker 2: don't know.

1063
00:54:42,640 --> 00:54:45,000
Speaker 1: I think I remember that. I remember, I think I

1064
00:54:45,040 --> 00:54:46,480
Speaker 1: remember finding out how he did it. But I'm not

1065
00:54:46,560 --> 00:54:48,720
Speaker 1: going to blow anyone's secrets on a podcast.

1066
00:54:48,760 --> 00:54:52,000
Speaker 2: I also remember when they put that freaking balloon of

1067
00:54:52,120 --> 00:54:55,239
Speaker 2: King Kong on the Empire State Building too. I don't

1068
00:54:55,239 --> 00:54:59,600
Speaker 2: remember what was that for, just to just to I

1069
00:54:59,640 --> 00:55:01,799
Speaker 2: don't know what the purpose of it was, but they

1070
00:55:01,880 --> 00:55:07,000
Speaker 2: put a balloon of King Kong on an Empire State

1071
00:55:07,080 --> 00:55:09,120
Speaker 2: Building and that ship was up there for like at

1072
00:55:09,200 --> 00:55:12,680
Speaker 2: least a year. I feel like I just remember being like, damn,

1073
00:55:12,760 --> 00:55:13,759
Speaker 2: that shit is still up there.

1074
00:55:13,880 --> 00:55:15,960
Speaker 1: Do you know that the lights and colors of the

1075
00:55:16,040 --> 00:55:18,120
Speaker 1: Empire State Building are different every night and you can

1076
00:55:18,200 --> 00:55:20,399
Speaker 1: look up on a website that tells you why they're

1077
00:55:20,440 --> 00:55:22,520
Speaker 1: that color each night. Oh that's cool.

1078
00:55:22,640 --> 00:55:25,200
Speaker 2: I didn't know that they the lights had significance.

1079
00:55:25,440 --> 00:55:27,680
Speaker 1: Yeah, they're always honoring. Sometimes it would be something like

1080
00:55:28,239 --> 00:55:31,840
Speaker 1: to honor you know, you know, some union that is

1081
00:55:31,920 --> 00:55:35,120
Speaker 1: celebrating you know, it's sometimes something you wouldn't necessarily know obviously,

1082
00:55:35,160 --> 00:55:37,080
Speaker 1: like it's gonna be green on Saint Patrick's Day. But

1083
00:55:37,200 --> 00:55:40,279
Speaker 1: like sometimes it's like you know, in honor of something

1084
00:55:40,320 --> 00:55:41,759
Speaker 1: you would never know, but you can always look at.

1085
00:55:41,760 --> 00:55:44,520
Speaker 2: It's actually pretty romantic if you could, if you could

1086
00:55:44,560 --> 00:55:46,120
Speaker 2: pay for I do that for you.

1087
00:55:46,400 --> 00:55:47,600
Speaker 1: But all I have to do is I have to

1088
00:55:47,640 --> 00:55:48,919
Speaker 1: all have to do is look up what the colors

1089
00:55:48,960 --> 00:55:50,320
Speaker 1: are going to be tonight, Like, oh, they're gonna be

1090
00:55:50,320 --> 00:55:52,960
Speaker 1: blue and yellow. Like, hey, Donald, because I know that

1091
00:55:53,040 --> 00:55:53,919
Speaker 1: you love blue and yellow.

1092
00:55:53,960 --> 00:55:56,759
Speaker 2: I paid to have it because his favorite color is

1093
00:55:56,840 --> 00:55:58,759
Speaker 2: yellow in your favorite color. You just have to fight.

1094
00:55:58,880 --> 00:56:01,520
Speaker 1: Yeah, you just have to find a reason. Funny, Heyboddy,

1095
00:56:02,239 --> 00:56:04,840
Speaker 1: tonight they're gonna be turquoise and brown. And I know

1096
00:56:05,000 --> 00:56:07,319
Speaker 1: you love turkois and brown. I don't love. I don't

1097
00:56:07,360 --> 00:56:09,719
Speaker 1: love turkoise and brown. Oh I wasted all this money,

1098
00:56:15,480 --> 00:56:17,480
Speaker 1: all ritual to break. When we come back, we will

1099
00:56:17,520 --> 00:56:20,239
Speaker 1: finish up an episode of Scrub. Is that Donald is

1100
00:56:20,400 --> 00:56:21,760
Speaker 1: not in the fuck.

1101
00:56:21,680 --> 00:56:30,560
Speaker 2: Your sound Effects Machine. Wo woo woo woo woo woo

1102
00:56:30,600 --> 00:56:31,279
Speaker 2: woo woot woot.

1103
00:56:31,320 --> 00:56:38,120
Speaker 1: Tank Forever and Rebert Zach Zach's Zacha love you. I'm

1104
00:56:38,160 --> 00:56:39,160
Speaker 1: down girl. Please.

1105
00:56:39,840 --> 00:56:41,560
Speaker 2: I laughed my ass off when Ted walked in and

1106
00:56:41,640 --> 00:56:42,240
Speaker 2: saw Kelso.

1107
00:56:42,600 --> 00:56:43,520
Speaker 1: Yeah, that was funny.

1108
00:56:43,719 --> 00:56:46,720
Speaker 2: And then he passes out, yeah and sleeps for eight hours.

1109
00:56:46,880 --> 00:56:48,080
Speaker 1: He had like eighteen hours.

1110
00:56:48,280 --> 00:56:48,919
Speaker 2: Eighteen hours.

1111
00:56:49,000 --> 00:56:52,520
Speaker 1: Yeah, yeah, Kelso said, whenever, whenever he gets this upset

1112
00:56:52,640 --> 00:56:55,640
Speaker 1: after I startle him, Uh, he'll usually sleep for eighteen

1113
00:56:55,719 --> 00:56:56,840
Speaker 1: hours and.

1114
00:56:56,920 --> 00:56:58,960
Speaker 2: They pet him and he's like a little puppy on

1115
00:56:59,160 --> 00:57:02,680
Speaker 2: the couch. And this said said the moment that you realized,

1116
00:57:02,760 --> 00:57:06,520
Speaker 2: oh Kelso still Kelso did have a little bit of

1117
00:57:06,560 --> 00:57:09,319
Speaker 2: care for and it's hard for for Ted.

1118
00:57:09,680 --> 00:57:11,640
Speaker 1: No, barely. I mean he treated him like a dog.

1119
00:57:12,080 --> 00:57:14,360
Speaker 1: Earlier we skipped it, but he used to. He starts,

1120
00:57:14,480 --> 00:57:17,800
Speaker 1: he bends over when when when Cox is about to

1121
00:57:17,840 --> 00:57:21,200
Speaker 1: start signing contracts or whatever paperwork and he and he goes,

1122
00:57:21,200 --> 00:57:23,120
Speaker 1: what the hell you doing? Ted? He's like, oh, Kelso

1123
00:57:23,360 --> 00:57:28,800
Speaker 1: liked to sign his paperwork on my back and uh,

1124
00:57:29,360 --> 00:57:31,880
Speaker 1: and he goes, it's not that bad. It's I imagine it's.

1125
00:57:31,800 --> 00:57:36,280
Speaker 2: What a what a hug feels like, I'm not hugging you, Ted,

1126
00:57:36,320 --> 00:57:37,200
Speaker 2: I'm not hugging.

1127
00:57:39,360 --> 00:57:46,959
Speaker 1: Oh man. So you know Kelso, there's this long walk

1128
00:57:47,000 --> 00:57:50,840
Speaker 1: and talk with Kelso and JD. Where you know, Kelso

1129
00:57:51,160 --> 00:57:54,280
Speaker 1: basically says to JD, look, okay, I'm going to give

1130
00:57:54,280 --> 00:57:56,880
Speaker 1: you the keys to the castle here. I'm going to

1131
00:57:56,920 --> 00:58:00,360
Speaker 1: give you the behind the scenes information you need, and

1132
00:58:00,520 --> 00:58:03,040
Speaker 1: that is that you have to keep pushing Cox. Whenever

1133
00:58:03,400 --> 00:58:07,960
Speaker 1: Cox wouldn't relent on me, even though I knew, even

1134
00:58:08,000 --> 00:58:12,440
Speaker 1: though I had to fake like I was pissed at him,

1135
00:58:12,480 --> 00:58:15,520
Speaker 1: I knew that he was passionately advocating for patients, and

1136
00:58:15,640 --> 00:58:17,520
Speaker 1: I knew when he wouldn't give up that I would

1137
00:58:17,560 --> 00:58:19,880
Speaker 1: ultimately relent. And if you want to do that, you

1138
00:58:20,080 --> 00:58:23,640
Speaker 1: have to be that guy for Cox. So you really

1139
00:58:23,680 --> 00:58:27,440
Speaker 1: see everyone's sort of changing roles now as JD becomes

1140
00:58:27,520 --> 00:58:29,680
Speaker 1: the Cox, as Cox became the Kelso.

1141
00:58:31,040 --> 00:58:35,720
Speaker 2: It also shows you how, you know, in order to

1142
00:58:36,480 --> 00:58:41,200
Speaker 2: maintain some form of humanity, Kelso really needed Cox too,

1143
00:58:41,440 --> 00:58:44,160
Speaker 2: And this is something that was never talked about on

1144
00:58:44,280 --> 00:58:46,840
Speaker 2: the show. You know, he said no to so many people,

1145
00:58:46,960 --> 00:58:52,040
Speaker 2: and you know, he became such a great chief of

1146
00:58:52,160 --> 00:58:56,640
Speaker 2: medicine for the hospital, not necessarily for the patients, but

1147
00:58:56,840 --> 00:59:02,520
Speaker 2: if Cox hadn't always pushed him to do to advocate

1148
00:59:02,640 --> 00:59:06,080
Speaker 2: for the patients, Kelso might have lost himself in the

1149
00:59:06,160 --> 00:59:10,920
Speaker 2: hospital and never made it out. And it's this and

1150
00:59:11,200 --> 00:59:16,439
Speaker 2: he's giving j D that same conversation. Listen, he's going

1151
00:59:16,560 --> 00:59:20,240
Speaker 2: down a dark path and he and it's it's very

1152
00:59:20,320 --> 00:59:21,960
Speaker 2: much like Star Wars. And he did it for the

1153
00:59:22,040 --> 00:59:24,280
Speaker 2: greater good. Vader did it for the greater good to

1154
00:59:24,360 --> 00:59:27,680
Speaker 2: save the woman he loved. But at the end of

1155
00:59:27,760 --> 00:59:32,800
Speaker 2: the day, you know, it will consume him, and it will,

1156
00:59:33,200 --> 00:59:36,320
Speaker 2: it will, can it will, It'll make him into the

1157
00:59:36,440 --> 00:59:39,280
Speaker 2: person that Kelso became. In order for there to be

1158
00:59:39,400 --> 00:59:41,880
Speaker 2: a light at the end of the tunnel, there has

1159
00:59:41,960 --> 00:59:46,560
Speaker 2: to be somebody who was consistently in his face telling him,

1160
00:59:47,520 --> 00:59:50,680
Speaker 2: you know, what you're doing is wrong and the patients

1161
00:59:50,720 --> 00:59:53,320
Speaker 2: are what makes this hospital not the hospital.

1162
00:59:54,280 --> 00:59:56,440
Speaker 1: Right. It could be it could be said Donald that

1163
00:59:56,560 --> 01:00:02,840
Speaker 1: he's showing him, he's he's being the uh, the light

1164
01:00:03,040 --> 01:00:05,480
Speaker 1: side of the force to the dark side of the forest.

1165
01:00:05,920 --> 01:00:08,880
Speaker 2: He's come full Anakin. He went to the dark side,

1166
01:00:08,920 --> 01:00:11,640
Speaker 2: he's come back to the light side, and he's warning

1167
01:00:11,760 --> 01:00:12,720
Speaker 2: the new apprentice.

1168
01:00:13,040 --> 01:00:15,120
Speaker 1: By the way, Kelseo became a much better man the

1169
01:00:15,240 --> 01:00:15,880
Speaker 1: second he quit.

1170
01:00:17,520 --> 01:00:20,240
Speaker 2: Yeah, all of that, dude, just think about all of

1171
01:00:20,320 --> 01:00:22,280
Speaker 2: a pressure, a freaking.

1172
01:00:22,080 --> 01:00:23,560
Speaker 1: All having to be the bad guy, having to be

1173
01:00:23,600 --> 01:00:25,120
Speaker 1: a bad guy for everybody.

1174
01:00:25,280 --> 01:00:28,680
Speaker 2: To everyone, and I want and and and and and

1175
01:00:29,080 --> 01:00:30,960
Speaker 2: I bet you at one point he hated it, like

1176
01:00:31,080 --> 01:00:34,320
Speaker 2: the way Cox hates it. But then eventually he loved it.

1177
01:00:34,920 --> 01:00:36,960
Speaker 2: He'd learned to love it. It's like an acchoir taste,

1178
01:00:37,000 --> 01:00:39,520
Speaker 2: like coffee. Remember your first time tasting coffee, and be like,

1179
01:00:39,600 --> 01:00:42,320
Speaker 2: I will never drink that shit again, And then all

1180
01:00:42,360 --> 01:00:44,120
Speaker 2: of a sudden, you just kept drinking it.

1181
01:00:44,200 --> 01:00:46,960
Speaker 1: Although we should mention that he does, he does put

1182
01:00:47,040 --> 01:00:50,280
Speaker 1: on doctor's coat so he can score free morning after

1183
01:00:50,400 --> 01:00:51,520
Speaker 1: pills from the pharmacy.

1184
01:00:52,800 --> 01:00:54,640
Speaker 2: I didn't say he was the saint, just.

1185
01:00:57,080 --> 01:00:59,640
Speaker 1: We're just saying that he's turned a corner. And we

1186
01:00:59,720 --> 01:01:02,080
Speaker 1: forgot to mention that he throws on a lab coat

1187
01:01:02,160 --> 01:01:05,160
Speaker 1: so he can score free morning after pills from the pharmacy.

1188
01:01:06,080 --> 01:01:07,960
Speaker 2: What is he doing with those morning after pills?

1189
01:01:08,120 --> 01:01:12,400
Speaker 1: Well, we know that he likes working. No, he likes

1190
01:01:12,440 --> 01:01:13,680
Speaker 1: working gals. That's very clear.

1191
01:01:14,200 --> 01:01:15,520
Speaker 2: He does like the working gals.

1192
01:01:16,080 --> 01:01:18,920
Speaker 1: I guess he's also not using protection with the working gals.

1193
01:01:21,240 --> 01:01:23,479
Speaker 1: I mean, that's that's I think it's safe to imply

1194
01:01:23,600 --> 01:01:26,800
Speaker 1: that if he's needing, needing so many, so many doses

1195
01:01:26,880 --> 01:01:31,000
Speaker 1: of the Morning of the Morning, we don't sket.

1196
01:01:30,800 --> 01:01:34,640
Speaker 2: Skeet, skeet, skeets meet skeet skeet, skeating all over the place.

1197
01:01:34,680 --> 01:01:36,600
Speaker 1: It all comes back to skating, Donald, Is that what

1198
01:01:36,680 --> 01:01:37,040
Speaker 1: you're saying.

1199
01:01:37,600 --> 01:01:42,120
Speaker 2: That's what I'm saying, all right.

1200
01:01:42,240 --> 01:01:46,600
Speaker 1: Lastly, Elliott clears it up with the nurse Barb who's

1201
01:01:47,040 --> 01:01:50,080
Speaker 1: nurse who's a kickboxer, who was threatening to beat her up.

1202
01:01:50,000 --> 01:01:52,680
Speaker 2: In the parking lot because of the way she spoke

1203
01:01:52,720 --> 01:01:52,960
Speaker 2: to her.

1204
01:01:53,160 --> 01:01:57,480
Speaker 1: Yeah, she apologizes and and and says that she's going

1205
01:01:57,560 --> 01:01:59,720
Speaker 1: to be more respectful of the nurses.

1206
01:02:00,760 --> 01:02:02,440
Speaker 2: And she also tells him, look, you got to use

1207
01:02:02,520 --> 01:02:05,920
Speaker 2: Carla as the she's the bridge man. And I get it.

1208
01:02:06,160 --> 01:02:09,800
Speaker 2: You know that you feel like we are disrespectful to

1209
01:02:09,880 --> 01:02:11,720
Speaker 2: you guys, And I will try my best to change

1210
01:02:11,720 --> 01:02:14,200
Speaker 2: and everything like that. But if you really have issues

1211
01:02:14,280 --> 01:02:15,960
Speaker 2: and stuff like that and things that you want to

1212
01:02:16,600 --> 01:02:19,480
Speaker 2: get done, you have to use Carla because she's she's

1213
01:02:19,560 --> 01:02:22,600
Speaker 2: got your back and she's the only one that's connected

1214
01:02:22,680 --> 01:02:23,360
Speaker 2: to all of us.

1215
01:02:25,080 --> 01:02:27,720
Speaker 1: Yeah, she's the liaison. Liaison.

1216
01:02:29,040 --> 01:02:31,680
Speaker 2: And then you know, and then JD girl some respect.

1217
01:02:31,920 --> 01:02:35,480
Speaker 1: JD finally passionately fights for mister Vaughan and gets what

1218
01:02:35,560 --> 01:02:38,200
Speaker 1: he wants, just as Kelso said he would from from Cox.

1219
01:02:39,680 --> 01:02:41,840
Speaker 1: And that's the show. And that's the episode of Scrubs.

1220
01:02:41,840 --> 01:02:47,520
Speaker 1: Everybody bring Donald Faison back to the program. Ay Man,

1221
01:02:47,640 --> 01:02:48,880
Speaker 1: that's my chant, that's my chant.

1222
01:02:50,520 --> 01:02:54,840
Speaker 2: You know what I've been thinking about me Dian and

1223
01:02:55,040 --> 01:03:00,440
Speaker 2: Ai fucking being in Star Wars, my Ai being Now

1224
01:03:00,480 --> 01:03:03,439
Speaker 2: you said on the last episode week all week, all week,

1225
01:03:04,080 --> 01:03:07,600
Speaker 2: which is now two weeks because we shoot, we record

1226
01:03:07,680 --> 01:03:10,400
Speaker 2: these about a week before they come out.

1227
01:03:10,600 --> 01:03:12,760
Speaker 1: And we don't record them on a Thursday, and they

1228
01:03:12,800 --> 01:03:14,200
Speaker 1: come out on a Tuesday.

1229
01:03:16,240 --> 01:03:17,080
Speaker 2: It's almost a week.

1230
01:03:20,240 --> 01:03:22,680
Speaker 1: Do you have any advice for me? On Blackjack? Hit

1231
01:03:23,200 --> 01:03:24,400
Speaker 1: I hit on twenty right.

1232
01:03:24,560 --> 01:03:28,600
Speaker 2: Always bet on black No on blackjack?

1233
01:03:28,800 --> 01:03:30,200
Speaker 1: Yeah, hit on sixteen.

1234
01:03:31,160 --> 01:03:32,640
Speaker 2: Yeah, you have to hit on the sixteen.

1235
01:03:32,800 --> 01:03:33,720
Speaker 1: Always assume that the.

1236
01:03:34,120 --> 01:03:40,160
Speaker 2: Less unless they're showing like a three, four, five or six.

1237
01:03:40,440 --> 01:03:44,360
Speaker 1: Then you stay okay on announce because you're assuming that

1238
01:03:44,480 --> 01:03:45,840
Speaker 1: they have they have a face.

1239
01:03:45,720 --> 01:03:48,760
Speaker 2: Card or underneath. And so then when they flip over

1240
01:03:49,280 --> 01:03:53,160
Speaker 2: with thirteen and they hit right, even if they get

1241
01:03:53,560 --> 01:03:56,000
Speaker 2: a nine on that, that's one too many.

1242
01:03:56,240 --> 01:03:58,240
Speaker 1: But you have to always assume that their face card,

1243
01:03:58,520 --> 01:04:01,920
Speaker 1: that their card down is a ten. Right, always assume that,

1244
01:04:02,680 --> 01:04:05,960
Speaker 1: okay and uh, and I can always ask them. They

1245
01:04:06,240 --> 01:04:07,760
Speaker 1: they will tell you what the book says.

1246
01:04:09,200 --> 01:04:10,640
Speaker 2: Some people will, some people won't.

1247
01:04:10,880 --> 01:04:13,160
Speaker 1: Dependent I never met a dealer. If you're like, what

1248
01:04:13,240 --> 01:04:15,120
Speaker 1: does the book say, I've never met a dealer that

1249
01:04:15,200 --> 01:04:15,680
Speaker 1: doesn't tell you.

1250
01:04:15,800 --> 01:04:19,200
Speaker 2: It's really funny to me. Do you No? They won't

1251
01:04:19,240 --> 01:04:22,040
Speaker 2: say no, but there's something that have at Oh the

1252
01:04:22,160 --> 01:04:27,880
Speaker 2: book says you should hit. Oh God, I've just hit.

1253
01:04:28,280 --> 01:04:29,880
Speaker 1: I don't play that much. But when I feel like

1254
01:04:29,920 --> 01:04:32,000
Speaker 1: they're mostly cool and want to help and her friendly,

1255
01:04:32,040 --> 01:04:32,880
Speaker 1: because that's something they want.

1256
01:04:32,960 --> 01:04:33,840
Speaker 2: They just want that money.

1257
01:04:33,880 --> 01:04:35,520
Speaker 1: They want you to drink, right, well, they want to

1258
01:04:35,640 --> 01:04:37,680
Speaker 1: They want you to tip them, so that's why they're

1259
01:04:37,720 --> 01:04:40,160
Speaker 1: more likely to help you. Right.

1260
01:04:40,360 --> 01:04:44,640
Speaker 2: Remember those chips are actual money, Zach, Just remember that.

1261
01:04:46,120 --> 01:04:48,640
Speaker 1: Yeah, I'm so inspired by this documentary. I think I

1262
01:04:48,720 --> 01:04:49,160
Speaker 1: might try.

1263
01:04:49,160 --> 01:04:51,600
Speaker 2: Counting get kicked out a day.

1264
01:04:51,640 --> 01:04:54,320
Speaker 1: To get kicked out a seven, I would dare you

1265
01:04:54,600 --> 01:04:57,160
Speaker 1: to get kicked out of it without any training. I'm

1266
01:04:57,160 --> 01:04:59,760
Speaker 1: going to try and count a seven deck. Shoot you

1267
01:04:59,800 --> 01:05:06,080
Speaker 1: can do it, and my mind and my mind Okay,

1268
01:05:06,200 --> 01:05:13,880
Speaker 1: I think there's been two queens. These dudes are these

1269
01:05:13,960 --> 01:05:16,080
Speaker 1: dudes have a whole method by which they keep track

1270
01:05:16,120 --> 01:05:17,720
Speaker 1: of that many decks. It's incredible.

1271
01:05:18,320 --> 01:05:20,600
Speaker 2: What if you count out loud, What if you're like, okay,

1272
01:05:20,640 --> 01:05:22,920
Speaker 2: that was five queens? Right, guys, It's like.

1273
01:05:25,720 --> 01:05:27,240
Speaker 1: They kicked my will they kick me out with the

1274
01:05:27,280 --> 01:05:29,680
Speaker 1: whole table. I'm all right, I'm gonna keep track of queens.

1275
01:05:29,960 --> 01:05:35,840
Speaker 1: You keep track of kings, right, I'll make friends.

1276
01:05:37,120 --> 01:05:40,920
Speaker 2: How many aces is that, Jim? That's seven aces? Seven aces?

1277
01:05:41,120 --> 01:05:43,640
Speaker 1: Susie, why are you leaving? You're you're in charge of

1278
01:05:43,720 --> 01:05:48,040
Speaker 1: counting the twos together? She's like, I'm broke. I just

1279
01:05:48,120 --> 01:05:53,760
Speaker 1: lost all my money. You're counting that toes? Get back here? Well,

1280
01:05:53,800 --> 01:05:56,440
Speaker 1: how many if you're gonna leave? How many two's were there?

1281
01:05:59,760 --> 01:06:00,200
Speaker 2: Are? All right?

1282
01:06:00,280 --> 01:06:00,880
Speaker 1: That's our show.

1283
01:06:02,520 --> 01:06:06,120
Speaker 2: Nobody today. There's nobody calling in, and there's nobody and

1284
01:06:06,280 --> 01:06:09,840
Speaker 2: no Joelle. We don't have Joel, No Joel. Dan blew

1285
01:06:09,880 --> 01:06:10,360
Speaker 2: it all right.

1286
01:06:10,960 --> 01:06:12,520
Speaker 1: I want to say, to be.

1287
01:06:12,680 --> 01:06:14,880
Speaker 2: Fair, this isn't your job, Dan Donald's.

1288
01:06:15,200 --> 01:06:17,760
Speaker 1: Donald's gonna forget this. But I just want to say

1289
01:06:18,320 --> 01:06:20,160
Speaker 1: June tenth in Seattle.

1290
01:06:20,000 --> 01:06:21,840
Speaker 2: At them, you should tell them about June tenth, and.

1291
01:06:22,040 --> 01:06:24,600
Speaker 1: Yes, okay, I will, I will right now, June tenth.

1292
01:06:25,320 --> 01:06:27,600
Speaker 1: I think we're almost sold out at the jew at

1293
01:06:27,640 --> 01:06:30,720
Speaker 1: the More Theater in Seattle. Join us or forever hold

1294
01:06:30,760 --> 01:06:33,520
Speaker 1: your piece. And I also have an important announcement about

1295
01:06:33,520 --> 01:06:36,040
Speaker 1: A Good Person. Today is officially the day you can

1296
01:06:36,160 --> 01:06:40,120
Speaker 1: finally rent it for five ninety nine. It's been a

1297
01:06:40,200 --> 01:06:42,800
Speaker 1: long time coming for the price to come down to

1298
01:06:42,840 --> 01:06:45,120
Speaker 1: five ninety nine, but those of you who were waiting

1299
01:06:45,200 --> 01:06:48,120
Speaker 1: for that opportunity, it's now officially for rent for five

1300
01:06:48,160 --> 01:06:49,920
Speaker 1: to nin nine. So please check out A Good Person,

1301
01:06:50,040 --> 01:06:53,280
Speaker 1: directed and written by myself, starring Morgan Freeman and Florence

1302
01:06:53,320 --> 01:06:54,640
Speaker 1: Pugh and Molly Shannon Good.

1303
01:06:54,680 --> 01:06:56,880
Speaker 2: We should probably tell them because we don't talk about

1304
01:06:56,920 --> 01:06:59,880
Speaker 2: this enough, and I think we've discussed it it all.

1305
01:07:00,200 --> 01:07:03,680
Speaker 1: Oh my god, tenth, Yes, thank you for reminding us, Donald,

1306
01:07:04,520 --> 01:07:06,320
Speaker 1: thank you for reminding us. The June tenth of the

1307
01:07:06,360 --> 01:07:09,640
Speaker 1: More Theater in Seattle, the first and possibly only live

1308
01:07:09,680 --> 01:07:11,960
Speaker 1: episode of Fake Doctor's Real Friends. All right, count of

1309
01:07:12,000 --> 01:07:12,640
Speaker 1: sound my friend?

1310
01:07:13,200 --> 01:07:16,080
Speaker 2: All right, guys, it was a pleasure. I miss you

1311
01:07:16,160 --> 01:07:16,840
Speaker 2: when we're not here.

1312
01:07:17,440 --> 01:07:18,960
Speaker 1: I miss you so much it hurts sometimes.

1313
01:07:19,680 --> 01:07:26,240
Speaker 2: And on that note, stories that show we made about

1314
01:07:26,280 --> 01:07:30,880
Speaker 2: a bunch of dogs and nurses and said, he's the

1315
01:07:31,040 --> 01:07:33,200
Speaker 2: stories Nets.

1316
01:07:33,640 --> 01:07:40,400
Speaker 1: No so YadA round here, YadA rad here spect me

1317
01:07:40,920 --> 01:07:41,600
Speaker 1: show is that