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Speaker 1: Celebrity book Club. Who's that knocking at the door. It's

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Speaker 1: all your friends, your filthy horse. Your husband's gone, and

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Speaker 1: you've got books on a bottle of wine to kill.

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Speaker 1: It's books, it's gossip. I'm shook. It's memoir, it's martinis.

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Speaker 1: Clebrity book Club can read it while it's hot. Celebrity

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Speaker 1: book Club, tell your secrets. We won't talk celebrity books.

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Speaker 1: No boys are alloud. Celebrity book Club, say it loud

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Speaker 1: and poud. Celebrity book Club. Buzz men. I brought the

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Speaker 1: queer foe Hey Beth, hey f friend. Oh my god, Lilly,

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Speaker 1: how are you? Oh my god, mister freaking thirty five?

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Speaker 1: Oh god, I know it. You know what, No, I'll

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Speaker 1: say this. It's wonderful to be thirty five. Wonderful friends,

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Speaker 1: wonderful life, wonderful lovers. I was I think, I said

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Speaker 1: to my therapist yesterday. I was like, it's just such

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Speaker 1: a divorced age. And he was like, like gets divorced

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Speaker 1: from reality. Or I was like no, no, no, like

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Speaker 1: it's so divorced to be thirty five, and he's just

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Speaker 1: being like, okay, like it's so woman who like fuck?

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Speaker 1: He was the one but like, why am I an

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Speaker 1: hundred dealers to explain to you, like why this is

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Speaker 1: so divorced? But you know, and that ultimately is life

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Speaker 1: and it is important to spend money, spend money to

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Speaker 1: make money. Um, I actually am jumping out of my

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Speaker 1: life vibrating. It's the most exciting day of our lives.

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Speaker 1: This is so fucking exciting for so many goddamn reasons.

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Speaker 1: This is one of the most special episodes we'll ever

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Speaker 1: record in our entire life. It's I mean, everything about

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Speaker 1: it is high concept, Like our whole lives. I've been

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Speaker 1: leading up to this moment. That's true, I would say

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Speaker 1: of every moment, but absolutely this one as well. Um yeah,

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Speaker 1: so high concept and so many ways. So not only

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Speaker 1: are we not reading a book sorry, library, suck it.

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Speaker 1: Oh yeah, school's almost overrighte happy having graduation, Fuck you Berning, Hell,

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Speaker 1: Barnes and Noble. We are reading a Seed album because

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Speaker 1: a final because music is text lyrics are poetry, and

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Speaker 1: poetry is a book and it and it is historical

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Speaker 1: and it should be read as such. And because this

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Speaker 1: album that we're going to be reviewing is so important

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Speaker 1: to our friend group, to our friend group, we are

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Speaker 1: recording yet with another best friend. Another best friend. That's right,

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Speaker 1: a third best friend. Ladies and gentlemen. You know him

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Speaker 1: from our live LA show. You know him from his

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Speaker 1: wildly successful radio show called k FM. You know him

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Speaker 1: country music radio and talk. You know him from his paintings.

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Speaker 1: You know him from his actual countrymusic career. He has

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Speaker 1: been called the gay king of country music by Rolling

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Speaker 1: Stone Magazine. Ladies and gentlemen, Sam Sam Buck Rosen, Hey,

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Speaker 1: best friends, best friends. You guys, my best friends are

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Speaker 1: obsessed with dead naming me on your pod. Wait? Sorry,

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Speaker 1: is it not Buck anymore? This is so like my mom,

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Speaker 1: my mom, just like, my name is Sam Buck. Now, okay,

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Speaker 1: I don't know Rosen. It's Sam Buck. Why don't you

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Speaker 1: get it already? No? I mean my name is now

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Speaker 1: Sam Buck. Though I was one Sam Buck Rosen, I

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Speaker 1: was also on Sam Rosen. I was also once just Buck,

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Speaker 1: but now it is Sam Buck due to copyright infringement.

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Speaker 1: We got a lot to get into. Sam. You're coming

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Speaker 1: to us live from Los Angeles from what looks like

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Speaker 1: the UNI bomber's cabin um, and I'm really grateful that

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Speaker 1: you are here. Um, Okay, so what's insane and as

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Speaker 1: we said, we were reading the album Palomido, and I

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Speaker 1: would like to assume that all of our fans know

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Speaker 1: who the album Palomino's buy, but we didn't even say it,

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Speaker 1: so that artist would be Miranda Lambart, our god, our

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Speaker 1: spirit guy. Miranda Lambert, one of a very small handful

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Speaker 1: of just solid a A level country music stars. She's

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Speaker 1: going in from to now I feel like transitioning into

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Speaker 1: just icon stabs. Yeah I do. I was also going

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Speaker 1: to say, based on the picture, I mean you sent

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Speaker 1: us an Etsy link to like an indie girl in

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Speaker 1: a homemade Miranda shirt. I was gonna say, I do

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Speaker 1: actually think indie people discovered Miranda this last year or yes,

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Speaker 1: that they are just like and I will say that

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Speaker 1: I did too. That was my Miranda was. You know,

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Speaker 1: It's like I host a country radio show now and

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Speaker 1: Miranda was my very first, my first, my last, my everything. Well, no,

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Speaker 1: but you've been into Miranda for longer that you're not

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Speaker 1: a John Come Lately to Miranda Lambert. No, but that

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Speaker 1: was the first. When Lily played me Miranda in high school,

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Speaker 1: that was when I'm okay, she actually is, yeah, pretty cool.

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Speaker 1: You were like, yeah, she is a gateway drug. She's

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Speaker 1: a gateway dug to contemporary country. I think for all

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Speaker 1: of Yes. Well, I mean I always say um that

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Speaker 1: I feel like Massachusetts is ground zero of anything but

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Speaker 1: rapping country like taste that that's like what I grew

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Speaker 1: up with the most was just being like I like limp, biscuit, corn,

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Speaker 1: Britney spears and nothing else. And I slam, Okay, you guys,

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Speaker 1: we have to talk you. Okay, Okay, So palad let's

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Speaker 1: just start off acted. Let's Flamino Miranda Lambert's latest album,

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Speaker 1: Let's go acting track. So we're going to play a

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Speaker 1: little clip from the song to give our viewers a taste.

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Speaker 1: And when I say viewers, I means and then we'll

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Speaker 1: just have a little chat about it. Um okay, hey band,

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Speaker 1: roll the club, Mimi settle here, Morass, were electing Billy

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Speaker 1: Ba picking that new It's exacting up. If you really

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Speaker 1: want to want me, I'll be riding on my pony

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Speaker 1: just to sing because I'm oh god, I mean what

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Speaker 1: an opener? Okay, I mean acting up. It's true blood

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Speaker 1: vibes like the echoe guitar. That's what I wrote too.

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Speaker 1: The most runkin single I would say on the album

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Speaker 1: it's not the most rocking to me. Then the chorus

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Speaker 1: is like a little bit more melancholy in this way.

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Speaker 1: And that's where the line Velvet Rodeo comes from, which

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Speaker 1: is the name of her upcoming Las Vegas residency. Oh yeah,

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Speaker 1: a lot of hidden treasures for fans. Uh, I don't know. Yeah,

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Speaker 1: I also wrote down true Blood. I think maybe you

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Speaker 1: Tam I would originally said like, oh, this is like

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Speaker 1: it's spooky, it's her spooky song. Um, I don't know

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Speaker 1: if you stand by that, I for sure. And there's

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Speaker 1: a ton of true blood. True blood is you know,

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Speaker 1: sewn into the fabric of this Yes, this album has

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Speaker 1: like a lot also like more Louisiana moments, and I

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Speaker 1: do feel like there is this thing where I mean,

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Speaker 1: I guess it's countries with southern, but like there's a

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Speaker 1: Southern five it's Southern. But also this song is like

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Speaker 1: right as she claims, she goes fifty six places, and

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Speaker 1: this song is her just being like a Colorado hiah

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Speaker 1: California glow and just like Senior readas, Yeah, it's like

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Speaker 1: you're just naming states. The main problem with this album

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Speaker 1: is that there is not really so much of a

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Speaker 1: soul to get your teeth into here because of the

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Speaker 1: way that she just will not stop being like because

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Speaker 1: now I've made it too Boulder, and I'm on the

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Speaker 1: way to New York to Miami and I'm coming in.

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Speaker 1: My ultimate review of this song is that it is

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Speaker 1: I do. I think that acting okay? And Edna Also,

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Speaker 1: I want to just announce that I have made a

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Speaker 1: playlist called Palomino Sammy's Version where I cut the songs

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Speaker 1: that I don't like and I arrange the tracks. Wow,

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Speaker 1: we can we can link to put it. We'll put

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Speaker 1: it on our show page. I just think this song

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Speaker 1: is cut. I think it's really good musically, but even

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Speaker 1: Tiger Woods could swing it this good. No, I mean

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Speaker 1: it's the lyrics are bad in this way, I guess. Okay,

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Speaker 1: So a bunch of songs on this album also have

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Speaker 1: this thing that I'm kind of describing as like where

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Speaker 1: she's listing things together in a way doesn't totally make sense,

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Speaker 1: but you're like, okay, and I want to see the

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Speaker 1: desert from a pain and Palomino, Senorita need to have

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Speaker 1: a little fun. Yeah, I'm gonna get a little selfish,

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Speaker 1: little Lone Star Elvis. You're like, uh huh, okay, yeah

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Speaker 1: these are all I guess in a similar vibe, but like,

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Speaker 1: what does this mean? It is also this song is

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Speaker 1: her also being a little bit like Oddities store, like yeah,

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Speaker 1: d of yay, Like hell me, Ricky, call me Bobby.

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Speaker 1: It's very like sixties to be so like Ricky Bobby Chasey,

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Speaker 1: like we were at the drive through one hundred percent Oddities.

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Speaker 1: It actually kind of reminding me of that book trailer

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Speaker 1: that I famously wrote for that woman, Charlotte. But well

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Speaker 1: because well didn't she write true blood books. She did

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Speaker 1: write true blood books, but she that this was a

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Speaker 1: non true right. It is boun mow, I'm walking into

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Speaker 1: a weird store. I do like the fullness of the

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Speaker 1: guitar in that very first moment, Like I like the

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Speaker 1: production on that. That's cool. Um. I like the music. Yeah,

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Speaker 1: I think it's good. I think it's good music. I

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Speaker 1: think it's a bad song. Okay, fair enough, fair enough.

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Speaker 1: I would not cut it out. I would not cut

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Speaker 1: it either. And I am because I'm a dumb, dumb,

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Speaker 1: cheesy girl, and I am just like even Tiger Woods

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Speaker 1: couldn't swing at this that's right, Tiger Woods and you're

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Speaker 1: travel and then I'm the most basic retro like literally

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Speaker 1: give me any retro tee in the world and all

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Speaker 1: love it. And I'm just so like true name loans

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Speaker 1: the phrase loan Star Elvis, and I'm in sadly. One

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Speaker 1: more thing about acting up that I wanted to mention, um,

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Speaker 1: this is where we talk about Palominos. So the whole

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Speaker 1: thing is she's like a horse girl, and Palomino's are

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Speaker 1: like a special type of horse. I'm out in the mojave.

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Speaker 1: Call me Ricky, call me Bobby, call me hotter than

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Speaker 1: what sabi because I'm mum, I'm acting up, the getting

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Speaker 1: full on like spice Girls level random yea, the world

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Speaker 1: Enrico there also so also her whole thing now is

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Speaker 1: her and her husband are like their whole thing is

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Speaker 1: being on an airstream kind of well, there's COVID. The

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Speaker 1: whole narrative of this is that she like can't stop

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Speaker 1: traveling to her fifty six cities. But then it's just like, well,

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Speaker 1: you actually have a huge ranch where I feel like

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Speaker 1: you're mostly just like at your ranch with your nine

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Speaker 1: hundred rescue pups. She gets like itchy if she's home

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Speaker 1: for too long. I agree, and we're going to talk

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Speaker 1: about that in other song. Because I do my do

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Speaker 1: of a grand theory about this album. Okay, let's go

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Speaker 1: to the next song. This is track two. It's called

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Speaker 1: scenes All to kN hippie name Katie, Eat the K

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Speaker 1: Sky and have Sue like anything do you Forget about You?

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Speaker 1: So this is another song about traveling and going different places.

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Speaker 1: She's a wanderer. I love how she's like met an

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Speaker 1: old hippie name Katie with the K where it's like,

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Speaker 1: how is that unique Katie with a K? That's crazy?

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Speaker 1: That is maybe the dumbest lyric in the whole album.

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Speaker 1: It's really wild. It's like, I mean, have you ever

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Speaker 1: been heard of a Katie with the sea? I do

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Speaker 1: like the song a lot, like I think like musically

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Speaker 1: it's got a good match I it actually reminds me

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Speaker 1: of like a Chryl Crowe song. Wait. I was about

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Speaker 1: to say Sheryl Crowe about this whole album because it

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Speaker 1: is so crow I went thrifting thrift store jungle like

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Speaker 1: driving Southwest. And that's a really good analogy because Cheryl

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Speaker 1: Crowe usually has like six really skippable songs on each

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Speaker 1: album and like eight amazing songs and like six songs

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Speaker 1: you're like trash Can. Yeah yeah, Miranda with her trash

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Speaker 1: Can songs, I will like still love them sometimes like

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Speaker 1: a Chryl trash Can song, I'm like it gets just

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Speaker 1: so fake in Starbucks in this way and where's Miranda's

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Speaker 1: facas songs are fake and public supermarket? Uh yeah, I

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Speaker 1: think this song is really strong. I think it's like

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Speaker 1: it's it's got like a nice kind of like a

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Speaker 1: dirty kind of propulsiveness to it where I'm like, yeah,

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Speaker 1: you're getting over this guy, and it kind of reveals

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Speaker 1: like a little bit of this like vulnerability, like anything

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Speaker 1: to forget about you. But then it's still pretty like

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Speaker 1: positive and cool and it's not just like it's not

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Speaker 1: completely random like where it's coming from. You're like, okay,

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Speaker 1: like you got this heartbreak and your zig zag rolling

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Speaker 1: Hianna Harley like cast called me the Queen Dakota anything

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Speaker 1: to forget about You're like, well, that's actually a sentence

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Speaker 1: that makes sense rather than just like Ricky Bobby's Sunset Mohavey,

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Speaker 1: I was thinking that this should have been a single,

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Speaker 1: Like to me, I'm just like if it was going

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Speaker 1: to be Acting Up, it might as well have been scenes,

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Speaker 1: you know, because Acting Up was the single I love. Yeah,

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Speaker 1: I love this track. I feel like it works. It's

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Speaker 1: like it's like everything that Acting Up is not Santa

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Speaker 1: Monica Coaster, which is another kind of Cheryl Crowe reference

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Speaker 1: in a way, Miranda like, I liked it when it's

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Speaker 1: better more like Hartley, South Dakota unless like with you're

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Speaker 1: just riding a going everywhere. She's at the pier in

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Speaker 1: Santa Monica and like Brendan is getting she's getting an

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Speaker 1: ice cream and accurate thing because I feel like that's

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Speaker 1: more truder, which she's actually the way where there's like

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Speaker 1: I had a lovely day with my husband slash son

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Speaker 1: and because I think, I mean, she is very like

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Speaker 1: I love my adult son about her husband for sure,

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Speaker 1: and she's always being like, look, he made me pills,

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Speaker 1: very dough boys, that's amazing, just like and she's getting

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Speaker 1: curly froes and he's being like, babe, I don't eat

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Speaker 1: sugar right now, you know, like she's at your loss.

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Speaker 1: I okay, So my grand theory of this album is

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Speaker 1: that she is bored by her Yeah, I agree. Hot young, Yes,

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Speaker 1: and they have to keep on going the air stream

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Speaker 1: because if they're just like Home, she's gonna like every

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Speaker 1: every song is just like I don't feel at home.

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Speaker 1: I don't like being in one place. I hate, really

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Speaker 1: hate when I'm in one place for too long with

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Speaker 1: the same person. And I do feel like the narrative

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Speaker 1: going forward is that she's going to be like I

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Speaker 1: think she's she's been so like pious about the Marfa

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Speaker 1: tapes thing about just being like, you know, like I'm

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Speaker 1: fucking mother Theresa because like that album was just like

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Speaker 1: an acoustic guitar basically, you know, just like that, and

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Speaker 1: that I feel like she's gonna after this album be like, well,

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Speaker 1: my last album wasn't commercially successful because I was like

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Speaker 1: focused on making art, and then she's gonna have like

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Speaker 1: a reputation era after this and make like a pop

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Speaker 1: album or something. I totally agree she's gonna do a

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Speaker 1: full pop album. Well, Okay, that's what's annoying. I think

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Speaker 1: that leads us right into the next song, Um yeah,

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Speaker 1: which is this album is half the songs are just

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Speaker 1: from the Marfa tapes and they're just re recorded versions,

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Speaker 1: which she loves to do. And it's like some of

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Speaker 1: the songs of the Marpha tapes, well, I feel like

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Speaker 1: we were saying and that it's like she's gonna do

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Speaker 1: now like acoustic songs of the songs ones. For those

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Speaker 1: who haven't seen the Marpha tapes, Dog on her definitely

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Speaker 1: plus subscription for spoilers for it for like the next year.

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Speaker 1: But it's my say, Miranda in a huge Pendleton poncho

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Speaker 1: with two like dad songwriters and her just being like,

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Speaker 1: we're in a funny little town called Marfa. I hate

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Speaker 1: Marfa stuff. It reminds me of Hudson stuff, where I'm

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Speaker 1: just like the Hudson of except people are a little

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Speaker 1: more like cultish about it and are just so like

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Speaker 1: it's very what happens in Marfa, Like I had the

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Speaker 1: best time in Marfa. Well, and I live in like

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Speaker 1: into to Pango, like is a Marfa like my cabin

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Speaker 1: like is funny. It's very like i'men to have that

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Speaker 1: on so still grandmother's style. Oh okay, I wanted to read.

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Speaker 1: I have the digital postcard email from her about Geraldine.

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Speaker 1: This is the text of email. Oh well, I loved

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Speaker 1: everything about the Marfa tapes. Some friends around a campfire,

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Speaker 1: no fixes, no protocols, no filters. It was raw and real,

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Speaker 1: and I wanted to take some of that with me

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Speaker 1: on my new album, Palomino. Geraldine was one of the

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Speaker 1: songs on the project that got to go on this

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Speaker 1: journey with us and get cut with a full band.

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Speaker 1: Usually I don't get to share that part with y'all,

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Speaker 1: so I'm glad we got to do this on Palomino.

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Speaker 1: Here a preview, everything about Marfa Tapes was like, we're

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Speaker 1: just got so real. We got so real that you

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Speaker 1: could cut the realness with a knife, and everything about

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Speaker 1: this is just so real, and it's just like, what real?

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Speaker 1: What's more real about this than any other song? That's

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Speaker 1: especially the fact that you guys are just walking to

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Speaker 1: a middle of a field and playing music on a

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Speaker 1: random car. That's part. And they're like, Miranda's so cool

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Speaker 1: because she's down to just sing like in a car.

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Speaker 1: That's usually I don't get to like do a whole

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Speaker 1: documentary about this acoustic song and then turn it into

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Speaker 1: a radio song that's like on my next album. And

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Speaker 1: so it's actually really special that you're kind of getting

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Speaker 1: to see that happen, Like I don't know you actually

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Speaker 1: do do that quite a lot. So cool, I guess

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Speaker 1: for Miranda. This is why like, if she's having fun,

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Speaker 1: I'm having fun. It's again I am a fan who

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Speaker 1: runs her and I'll never say anything bad about her.

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Speaker 1: Is that I'm like, well, that probably was really fun

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Speaker 1: for her to live, and I'm so cool that she

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Speaker 1: got the opportunity to do that when she normally wouldn't. Um,

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Speaker 1: I will say that a lot of the rerecorded songs

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Speaker 1: from Marfa Tapes. I the next song in his Arms,

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Speaker 1: I really love the rerecord. Okay, let's just way I disagree.

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Speaker 1: I totally disagree the right roll the clip, this is

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Speaker 1: in his Arms. There's me a capital on a straight

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Speaker 1: Decapa Noah shows in Assos. Let me make this point

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Speaker 1: about the market tape songs, which is, I do feel

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Speaker 1: that all these like sort of like more like radio

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Speaker 1: edit higher production versions of the market tape songs on

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Speaker 1: this album undermine the sort of moral authority of the

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Speaker 1: Marfa tapes because this whole documentary, she's just been like

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Speaker 1: and I don't care if these songs don't make any money,

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Speaker 1: because sometimes you have to make your art and it's

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Speaker 1: not about them getting on the radio and then it's like,

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Speaker 1: and now you're just desperately trying to make radio ready

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Speaker 1: versions of all the songs, and you're like, not know

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Speaker 1: how it starts with that quote. I just wanted you

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Speaker 1: to know the true story so that you can understand

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Speaker 1: where art corrects from. That's the quote at the beginning

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Speaker 1: of the Marfa tapes. And now let's play a little

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Speaker 1: clip of Geraldine, which is another rerecorded track from Market tapes.

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Speaker 1: Try the back bready, but I have a different opinion you,

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Speaker 1: so let me go first. So you go first, you

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Speaker 1: go first. I'm gonna go first. That you guys couldn't

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Speaker 1: Rebut which is that in his arms? Beautiful? I love

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Speaker 1: the re record. We're keeping it Geraldine. This song is very,

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Speaker 1: very very bad, and we are cutting it. Okay, I

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Speaker 1: don't disagree that the record Geraldine is bad. And she

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Speaker 1: starbust it out the Who and she took this like

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Speaker 1: very kind of like fun jankie acoustic song and like

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Speaker 1: made it the most like supermarket version. However, it is

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Speaker 1: still a fun supermarket version with a beat that I'm

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Speaker 1: stomping to. And I'm like, because this song is funny

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Speaker 1: when she's like trailer park Berney, But you'll never be Joline.

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Speaker 1: Like the lyrics are good, like it's fun. I'm a loading, okay, Geraldine.

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Speaker 1: So in his Arms, right, I do? I think the

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Speaker 1: guncotter and lead at the ready right now you are, yeah, nodded,

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00:21:07,840 --> 00:21:11,439
Speaker 1: ditch gun is loaded. I do think I see your

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00:21:11,480 --> 00:21:13,240
Speaker 1: point of Like in his Arms is such a beautiful

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Speaker 1: song just overall, and I think both these songs are

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Speaker 1: actually just so fucking bomb. So I'm not, but I

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Speaker 1: do think I like the acoustic in his Arms better

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Speaker 1: with the random like I feel like I want to

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Speaker 1: wear a huge pendleton when I listen to the Marfa

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Speaker 1: tapes in his Arms and on this I'm ticking off

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00:21:33,320 --> 00:21:37,840
Speaker 1: the pendle in his Arms just sounds really beautiful, I think, Geraldine.

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Speaker 1: I like the production on it. I like the music

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Speaker 1: of the song. I think it's one of like the

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Speaker 1: worst songs ever written. And I'll tell you why. It's

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Speaker 1: because it is a It's supposed to be like a

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00:21:47,760 --> 00:21:51,480
Speaker 1: recreation of Jolene in this way, but it's like it's

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Speaker 1: just the same song and it's fucking weak sauce. It's

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Speaker 1: weak sauce dot com. It's just literally like the lyrics

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00:21:58,800 --> 00:22:02,679
Speaker 1: are Wow, It's just like Geraldine, Geraldine, why are you

363
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Speaker 1: got to be so mean? Don't make me cause of

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00:22:04,640 --> 00:22:08,120
Speaker 1: seeing gerald It's like it's just like Jolene Joline get

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00:22:08,640 --> 00:22:11,880
Speaker 1: It's like she's just recycling it. It's not it has

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Speaker 1: no I thought. That's why it's fun on Marfa tapes

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00:22:15,560 --> 00:22:18,800
Speaker 1: because she is just being like camp literally camp about

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Speaker 1: damp and a little more like camp being like the

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Speaker 1: throwaway song and she kind of is it's like that.

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Speaker 1: It's like an exercise of just like what if we

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Speaker 1: did kind of a Joline track and like we're and

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Speaker 1: we're just kind of fucking around and she and she

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Speaker 1: does that thing where they're all like laughing on the

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Speaker 1: track and she's been like, oh, it's so silly, how

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Speaker 1: you said, like Geraldine, and like, well, I mean Lily

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Speaker 1: as we've discussed the the Dolly partonification of like pop

377
00:22:43,640 --> 00:22:47,800
Speaker 1: country right now where everyone is so just like yes

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Speaker 1: Dolly fan class, well she is. I mean she is

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Speaker 1: the absolute like full like Joe Biden of country where

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Speaker 1: where her dog literally is yeah, like I launch she

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Speaker 1: she paid for it. Oh yeah. And of course in

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Speaker 1: the way that people are like in the ione don't

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Speaker 1: listen to anything whatever. I hate rapping country, like people

384
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Speaker 1: will be like, oh yeah, I hate um country, but

385
00:23:23,119 --> 00:23:26,080
Speaker 1: actually Dolly Party. Yeah, they're like, but I love Dolly Party.

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Speaker 1: Pardon is amazing, and you're like, Okay, Geraldine to me,

387
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Speaker 1: is I do love? When she says, because this is

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Speaker 1: so Miranda being like, yes, um, why aren't there more

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Speaker 1: women in country? When she but then the line that's

390
00:23:40,160 --> 00:23:42,160
Speaker 1: like I'm the only bitch in the band, and it's

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Speaker 1: like she does love. I feel like certain girl. Oh yeah,

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00:23:46,160 --> 00:23:48,440
Speaker 1: in a very Nashville the show way where she's kind

393
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Speaker 1: of just like and ultimately like, uh do not like

394
00:23:52,320 --> 00:23:54,679
Speaker 1: a lot of the young talent out there. And I

395
00:23:54,680 --> 00:23:59,960
Speaker 1: think she loves King and I think Kelsey Ballerini should.

396
00:24:00,040 --> 00:24:04,240
Speaker 1: She was another career and like every woman's celebrity, she

397
00:24:04,400 --> 00:24:08,199
Speaker 1: needs a couple like assistant slash best friends around to

398
00:24:08,240 --> 00:24:14,159
Speaker 1: like abuse button probably has no other like lasting female friendship.

399
00:24:14,200 --> 00:24:16,440
Speaker 1: Sorry not to be rude. Yeah, it does seem like

400
00:24:16,480 --> 00:24:20,639
Speaker 1: a little more well, I mean, yeah, I think she

401
00:24:20,720 --> 00:24:23,480
Speaker 1: has great friends. Oh, I was gonna say I was.

402
00:24:23,680 --> 00:24:25,920
Speaker 1: I was recently at a birthday party and I met

403
00:24:25,920 --> 00:24:29,679
Speaker 1: a gay couple who just been to Dollywood and and

404
00:24:29,800 --> 00:24:32,800
Speaker 1: they were saying that it's like you walk around and

405
00:24:32,800 --> 00:24:34,800
Speaker 1: they were like playing Jolly part and everywhere, but they're

406
00:24:34,840 --> 00:24:37,680
Speaker 1: also like being so playing ads for like the restaurants

407
00:24:37,680 --> 00:24:39,760
Speaker 1: that you can eat it while you're at Dollywood. And

408
00:24:39,760 --> 00:24:43,320
Speaker 1: then it's also like and it's very like ridse and

409
00:24:43,359 --> 00:24:45,640
Speaker 1: it's just like mostly yeah, it's a full theme park.

410
00:24:45,720 --> 00:24:49,200
Speaker 1: It's like six rides and you're kind of like it's random, Wait, Lily,

411
00:24:49,320 --> 00:24:52,880
Speaker 1: can you handle rides? I can't know. This is why

412
00:24:52,920 --> 00:24:56,159
Speaker 1: we can never like go to like a park, I know,

413
00:24:57,560 --> 00:25:02,840
Speaker 1: not like a theme park. Friend Grod like being hot. Well,

414
00:25:02,880 --> 00:25:06,800
Speaker 1: I guess an hour last thing, we're just being so like,

415
00:25:06,800 --> 00:25:09,480
Speaker 1: oh yeah, we're doing fucking mushrooms, going to six Flags

416
00:25:09,600 --> 00:25:11,960
Speaker 1: meet in my house at six am, and it's still

417
00:25:11,960 --> 00:25:15,960
Speaker 1: like so serious. But I love it. I love a

418
00:25:16,040 --> 00:25:19,879
Speaker 1: water a dirty water. Haven't water, but I haven't. You

419
00:25:19,880 --> 00:25:24,840
Speaker 1: don't get vertigo from the tall slides and they're like,

420
00:25:25,359 --> 00:25:28,159
Speaker 1: fella you okay there you're standing at the top of

421
00:25:28,200 --> 00:25:32,320
Speaker 1: the slide, be like, I can't go. We need an assist.

422
00:25:32,600 --> 00:25:35,680
Speaker 1: I haven't I guess gone to a water park since

423
00:25:35,680 --> 00:25:40,080
Speaker 1: Stephen basically tied my bikini top under a long chair,

424
00:25:40,240 --> 00:25:44,199
Speaker 1: so I exposed my young teenage breast to all of you.

425
00:25:44,359 --> 00:25:47,800
Speaker 1: Ham sure, and then I was scolded and they were like,

426
00:25:48,040 --> 00:25:50,399
Speaker 1: I'm excuse me. This is a family establishment and I

427
00:25:50,440 --> 00:25:54,959
Speaker 1: was like, well he didn't like you were scolded like

428
00:25:55,040 --> 00:25:57,800
Speaker 1: buy a water Country staff. They're like, ma'am, you can't

429
00:25:57,840 --> 00:26:02,760
Speaker 1: free the nipple here at water Country tree. It's years before.

430
00:26:02,840 --> 00:26:08,160
Speaker 1: That has not been invented yet. Put the girls away. Yeah,

431
00:26:08,200 --> 00:26:11,960
Speaker 1: it was absolutely O five. All right this summer we

432
00:26:12,000 --> 00:26:18,400
Speaker 1: are going to a water park. This episode is sponsored

433
00:26:18,480 --> 00:26:24,760
Speaker 1: by Zoktok. You're trying to find a cause for your

434
00:26:24,800 --> 00:26:30,240
Speaker 1: symptoms akey, back, headache, running, nose itchy. I worked on

435
00:26:30,320 --> 00:26:33,320
Speaker 1: my genitals, so let me guess you stumble down a

436
00:26:33,480 --> 00:26:37,440
Speaker 1: TikTok rabbit hole full of questionable advice from so called experts.

437
00:26:37,520 --> 00:26:42,160
Speaker 1: Suddenly I have cancer. No, thank you. There are better

438
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439
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Speaker 1: you deserve, from trusted professionals and not random people on

440
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Speaker 1: the internet. The randoms I love you and my TikTok connection.

441
00:26:52,600 --> 00:26:55,560
Speaker 1: Yeah it stands, but I'm sorry. You shouldn't be getting

442
00:26:55,600 --> 00:26:59,560
Speaker 1: medical advice from some girl on her grandmother's basement in Toronto.

443
00:27:00,400 --> 00:27:03,440
Speaker 1: Zok Doc helps you find expert doctors and medical professionals

444
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445
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446
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450
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453
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Speaker 1: like the time I climbed to Machi Pechu on the

454
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455
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456
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457
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458
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459
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460
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Speaker 1: Then find a book a top rated doctor today sleigh

461
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Speaker 1: Many are available within twenty four hours. That's z O

462
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Speaker 1: C d o C dot com, slash book Club, zoc

463
00:28:09,880 --> 00:28:24,920
Speaker 1: dot dot com Slash book Club, Ditch the Talk. Okay, guys,

464
00:28:24,920 --> 00:28:28,879
Speaker 1: we're only on track four and they're tracks. Um, let's

465
00:28:28,880 --> 00:28:33,840
Speaker 1: go to tourists. I'm just tour I don't know where

466
00:28:33,960 --> 00:28:41,840
Speaker 1: I belong myself. You have nowhere field zag home. My

467
00:28:41,920 --> 00:28:45,440
Speaker 1: only note for this song, this song songs, Wow, you

468
00:28:45,440 --> 00:28:51,040
Speaker 1: guys are actually so wrong. Okay, I love tourist a.

469
00:28:51,480 --> 00:28:58,080
Speaker 1: It's I'm just okay to me. Okay again, it's like,

470
00:28:58,240 --> 00:29:01,760
Speaker 1: so you are you. It's like, come with me on

471
00:29:01,800 --> 00:29:05,280
Speaker 1: a journey to places Black Panama, the Boston of the South.

472
00:29:06,080 --> 00:29:10,560
Speaker 1: And she is big. The entire video is like like

473
00:29:10,840 --> 00:29:14,080
Speaker 1: literally like Facebook filters like to look like a film

474
00:29:14,200 --> 00:29:17,560
Speaker 1: role of her and Brendan's trip to Iron Game literally

475
00:29:17,680 --> 00:29:23,080
Speaker 1: is no actually and you're just like and then it

476
00:29:23,200 --> 00:29:25,680
Speaker 1: actually is like just a photo of a latte that

477
00:29:25,720 --> 00:29:30,480
Speaker 1: she got like an Ireland. But this song is honest

478
00:29:30,840 --> 00:29:33,120
Speaker 1: and it's just like she literally is just a tourist

479
00:29:33,160 --> 00:29:35,600
Speaker 1: and like, also this song is a little bit about

480
00:29:35,600 --> 00:29:38,160
Speaker 1: her not liking her marriage, and she's just like I

481
00:29:38,360 --> 00:29:40,160
Speaker 1: never want to be in one place, like I'll never

482
00:29:40,200 --> 00:29:42,320
Speaker 1: be like a number on a population line. I will

483
00:29:42,360 --> 00:29:44,520
Speaker 1: literally never like have kids with this man, and we

484
00:29:44,560 --> 00:29:47,280
Speaker 1: will never settle down, but like I just want to

485
00:29:47,280 --> 00:29:49,920
Speaker 1: go places, and like there is this because I also

486
00:29:50,000 --> 00:29:52,719
Speaker 1: feel there's a little bit of authenticity in the tension

487
00:29:52,720 --> 00:29:54,680
Speaker 1: of her not wanting to like be in one place.

488
00:29:54,720 --> 00:29:57,560
Speaker 1: It's also a little bit with her like background and

489
00:29:57,600 --> 00:30:01,440
Speaker 1: like how her parents are private and investigators, and like

490
00:30:01,840 --> 00:30:05,040
Speaker 1: she isn't like so trailer trash, and I feel like

491
00:30:06,080 --> 00:30:08,360
Speaker 1: there is like a she notes she feels like maybe

492
00:30:08,400 --> 00:30:10,320
Speaker 1: a little bit of a chip on her shoulder about that,

493
00:30:10,600 --> 00:30:14,760
Speaker 1: and that's like an authentic like question of identity. Well,

494
00:30:14,800 --> 00:30:16,760
Speaker 1: her family is all too very me in that way.

495
00:30:16,840 --> 00:30:19,640
Speaker 1: Is that like they were rich and then they lost

496
00:30:19,680 --> 00:30:21,680
Speaker 1: all their money and like when the old there was

497
00:30:21,720 --> 00:30:24,560
Speaker 1: like an oil crash in Texas and then like he

498
00:30:24,720 --> 00:30:29,520
Speaker 1: lost his BMW and they had to move around a bunch.

499
00:30:30,120 --> 00:30:32,480
Speaker 1: My note was just that this song should have been

500
00:30:32,560 --> 00:30:35,760
Speaker 1: cut and Pursuit of Happiness is basically the exact same song.

501
00:30:36,480 --> 00:30:38,240
Speaker 1: It is the same song. I kind of like this

502
00:30:38,280 --> 00:30:42,880
Speaker 1: one better, although neither as good as Settling Down from

503
00:30:42,960 --> 00:30:47,320
Speaker 1: the last album, Yes, which is way more usaful. Well,

504
00:30:47,440 --> 00:30:51,440
Speaker 1: it which is like an actual song about how like

505
00:30:51,480 --> 00:30:54,320
Speaker 1: about relationships and her like being afraid of commitment rather

506
00:30:54,360 --> 00:30:55,960
Speaker 1: than just been like I went to Ireland with my

507
00:30:56,040 --> 00:30:58,480
Speaker 1: husband and then we went to London and then we

508
00:30:58,520 --> 00:31:01,760
Speaker 1: went to leave. But that is honest that you go

509
00:31:01,920 --> 00:31:06,960
Speaker 1: that I want to go to Leeds, so honest. But

510
00:31:07,200 --> 00:31:12,040
Speaker 1: they're vacation. I mean once she defines like white girl vacation,

511
00:31:12,040 --> 00:31:14,040
Speaker 1: which I'm obsesses who only wants to go to inger

512
00:31:14,120 --> 00:31:20,080
Speaker 1: bright countries? And she's also so many people say I

513
00:31:20,120 --> 00:31:22,640
Speaker 1: need to visit all the states in America before I

514
00:31:22,680 --> 00:31:27,320
Speaker 1: go to Europe. Okay, the next song I believe is

515
00:31:27,360 --> 00:31:30,320
Speaker 1: the second single, Strange, Yeah, I think it was the

516
00:31:30,400 --> 00:31:34,440
Speaker 1: second sing Range was actually the first single. Okayutis on

517
00:31:34,600 --> 00:31:41,240
Speaker 1: My Left and my Bright Keep Shine in middle Night?

518
00:31:42,360 --> 00:31:47,120
Speaker 1: I feel suburban main Street ain't main it in times

519
00:31:47,240 --> 00:31:53,600
Speaker 1: like these make me feel strange? All right, this is

520
00:31:53,640 --> 00:31:56,200
Speaker 1: a huge yes for me. I hated it at first.

521
00:31:56,200 --> 00:31:57,560
Speaker 1: I thought it was really boring and weird, and then

522
00:31:57,600 --> 00:31:59,920
Speaker 1: I was like, oh wait a minute, this is actually read.

523
00:32:00,760 --> 00:32:03,840
Speaker 1: I just think musically it's really strong. I just love

524
00:32:03,920 --> 00:32:07,840
Speaker 1: these chords. I love like, yeah, when the chorus hits, like,

525
00:32:08,320 --> 00:32:10,320
Speaker 1: I mean you playing it on the phone just now,

526
00:32:10,360 --> 00:32:13,240
Speaker 1: I'm like, oh that sounds pretty good. Yeah. Yeah, I

527
00:32:13,280 --> 00:32:16,120
Speaker 1: was like, damn, okay, and when she was so this

528
00:32:16,200 --> 00:32:18,480
Speaker 1: is what she released as a twenty second thing, and

529
00:32:18,480 --> 00:32:21,720
Speaker 1: then we all made these tiktoks like it was like

530
00:32:21,800 --> 00:32:24,120
Speaker 1: make a TikTok with this twenty second click. Oh yeah,

531
00:32:25,240 --> 00:32:27,760
Speaker 1: and it was just like what is the concept here?

532
00:32:27,960 --> 00:32:29,720
Speaker 1: I mean it is that thing where like the label

533
00:32:29,880 --> 00:32:31,920
Speaker 1: is being like you need to go viral and then

534
00:32:32,000 --> 00:32:38,520
Speaker 1: like dude, and she's like, I gotta do this TikTok um.

535
00:32:38,720 --> 00:32:42,080
Speaker 1: I do think the lyrics are are a little bit

536
00:32:42,160 --> 00:32:43,959
Speaker 1: they're a little bit also guilty of that thing of

537
00:32:44,000 --> 00:32:47,840
Speaker 1: like listing random stuff and some of the arts are bad.

538
00:32:48,080 --> 00:32:51,120
Speaker 1: Are are are a real stretch for me? Like urban

539
00:32:51,320 --> 00:32:56,640
Speaker 1: feels suburban. Oh my god, that's pretty brutal. This to

540
00:32:56,720 --> 00:32:59,080
Speaker 1: her it feels all this also feels like a sequel

541
00:32:59,120 --> 00:33:05,880
Speaker 1: to Automatic Oh everything her like nostalgia for like Times

542
00:33:05,880 --> 00:33:09,920
Speaker 1: of Pass, but then also referencing inflation being like one

543
00:33:10,000 --> 00:33:14,840
Speaker 1: hundred dollars feels more like she also okay. She references

544
00:33:15,120 --> 00:33:17,520
Speaker 1: a maytag money on a maytag and the thing won't spend.

545
00:33:17,720 --> 00:33:20,080
Speaker 1: She had that song the last album about put it

546
00:33:20,080 --> 00:33:21,960
Speaker 1: in the like rinse cycle and like get the tide

547
00:33:22,000 --> 00:33:26,240
Speaker 1: and the tide won't get out actually she's kind of

548
00:33:26,280 --> 00:33:30,480
Speaker 1: obsessed with like her like laundry. Yeah, that song is

549
00:33:30,520 --> 00:33:34,600
Speaker 1: so tied. It was crazy and at her concert because

550
00:33:34,600 --> 00:33:37,600
Speaker 1: we saw the like wild Card tour projected was like

551
00:33:37,680 --> 00:33:40,120
Speaker 1: washing and like actual like thing. It was like an

552
00:33:40,120 --> 00:33:46,240
Speaker 1: actual tide. Like tide packets were also in the like video. Anyway,

553
00:33:46,320 --> 00:33:49,000
Speaker 1: I say yes this song, Okay, okay, let's move on

554
00:33:49,120 --> 00:34:06,400
Speaker 1: to I'll Be Loving You, guys. I'll be loving you

555
00:34:06,520 --> 00:34:08,680
Speaker 1: like rapid fire, just like I'll Be Loving You, one

556
00:34:08,719 --> 00:34:12,000
Speaker 1: of Miranda's best songs she's ever written. This song is

557
00:34:12,080 --> 00:34:16,040
Speaker 1: so powerful it makes me cry. I I am obsessed

558
00:34:16,040 --> 00:34:18,520
Speaker 1: with this song. I dedicated it to the late Naomi

559
00:34:18,640 --> 00:34:23,000
Speaker 1: Judd on my last episode of I just think. This

560
00:34:23,200 --> 00:34:27,359
Speaker 1: is like amazing production of fucking rocks my world. This

561
00:34:27,440 --> 00:34:30,760
Speaker 1: is to me. The Miranda album opens with a bunch

562
00:34:30,760 --> 00:34:34,040
Speaker 1: of stinkers and then the second half is like all

563
00:34:34,080 --> 00:34:39,359
Speaker 1: gold wow. I I don't I mean, I like, I'll

564
00:34:39,360 --> 00:34:41,600
Speaker 1: Be Loving You, but this is not my I would

565
00:34:41,640 --> 00:34:44,880
Speaker 1: not put this anywhere in my like top Miranda songs

566
00:34:44,880 --> 00:34:48,440
Speaker 1: of all time. It feels a little I don't know,

567
00:34:48,480 --> 00:34:52,520
Speaker 1: I'll be loving you like It's okay, nice and like cute,

568
00:34:52,520 --> 00:34:54,840
Speaker 1: but I'm yeah, I'm not crying. You can see me

569
00:34:54,960 --> 00:35:06,319
Speaker 1: making my like lemony face, like now my blood is boiling.

570
00:35:06,000 --> 00:35:09,840
Speaker 1: Story like this is we fight like family, you know

571
00:35:09,880 --> 00:35:12,040
Speaker 1: what I mean? Like no, we get it out of

572
00:35:12,080 --> 00:35:14,840
Speaker 1: the freaking open. I'm just like I saw at the

573
00:35:14,880 --> 00:35:20,640
Speaker 1: house that bill yeah to me, to me this song

574
00:35:20,920 --> 00:35:26,040
Speaker 1: is it is snoozy, and I didn't And I maybe

575
00:35:26,040 --> 00:35:32,160
Speaker 1: I was like projected anatomy, maybe projecting my marriage, but

576
00:35:32,239 --> 00:35:34,600
Speaker 1: I was just kind of like, I'll be loving you.

577
00:35:34,680 --> 00:35:37,640
Speaker 1: It sounds a little like mandatory. Like she was just like, no,

578
00:35:37,800 --> 00:35:40,200
Speaker 1: I need to have one track on this album that's

579
00:35:40,200 --> 00:35:43,239
Speaker 1: actually about how I do love my husband, otherwise he's

580
00:35:43,239 --> 00:35:47,440
Speaker 1: going to start to get suspicious. M Yeah, okay, Country

581
00:35:47,560 --> 00:35:55,080
Speaker 1: Money obsessed it loved this song She's taking it started

582
00:35:55,120 --> 00:36:08,799
Speaker 1: with around to just this is to me this I

583
00:36:08,800 --> 00:36:11,799
Speaker 1: would write a movie based. She nailed it. I don't

584
00:36:11,840 --> 00:36:13,760
Speaker 1: care how fake she's being if she doesn't know anybody

585
00:36:13,760 --> 00:36:16,359
Speaker 1: who actually makes Moonshina still like she nailed it. It's

586
00:36:16,480 --> 00:36:19,680
Speaker 1: killing it well, and I feel like the song recognizes

587
00:36:19,800 --> 00:36:22,680
Speaker 1: it's like campness where the other ones don't a little

588
00:36:23,000 --> 00:36:26,080
Speaker 1: like when she's talking about like billy making Moonshina or whatever,

589
00:36:26,320 --> 00:36:29,880
Speaker 1: like she is kind of writing a script. Carter sister's

590
00:36:29,920 --> 00:36:35,200
Speaker 1: got the good corn liquor. Yeah, she's a bad mother clucker.

591
00:36:35,520 --> 00:36:38,520
Speaker 1: It's fun. It's just she's having she's having fun and

592
00:36:38,719 --> 00:36:41,399
Speaker 1: a little word. It's like a list song that works. Yeah,

593
00:36:41,440 --> 00:36:44,120
Speaker 1: It's like yeah, and I feel like this is very

594
00:36:44,400 --> 00:36:47,480
Speaker 1: the Luke Dick guy who like produced this because his

595
00:36:47,680 --> 00:36:51,080
Speaker 1: mama was a stripper at an Oklahoma strip club called

596
00:36:51,120 --> 00:36:56,000
Speaker 1: the Red Dog. No way, I hate to be just

597
00:36:56,040 --> 00:36:59,000
Speaker 1: like um, but actually this is the one song that

598
00:36:59,120 --> 00:37:03,879
Speaker 1: Luke Dick did not. Actually, Lily, this is the one

599
00:37:03,880 --> 00:37:07,239
Speaker 1: track on the album. It was produced by mikey Reeves. Well,

600
00:37:07,280 --> 00:37:10,040
Speaker 1: I mean I love to be fucking cup. That's why

601
00:37:10,120 --> 00:37:12,799
Speaker 1: you're a music expert. Yeah. I thought this was so

602
00:37:12,920 --> 00:37:16,960
Speaker 1: Luke Dick because he's so like Sally was a stripper.

603
00:37:18,000 --> 00:37:20,680
Speaker 1: Our fans copy. I kind of hated it when Sam

604
00:37:20,719 --> 00:37:26,839
Speaker 1: corrected Lily about track twelve Country Money. Actually it does

605
00:37:26,920 --> 00:37:32,960
Speaker 1: appear that Luke Dick did not work on this track. Okay,

606
00:37:33,000 --> 00:37:37,400
Speaker 1: if I was a cowboy, we love was a kid boy.

607
00:37:48,239 --> 00:37:50,520
Speaker 1: If I was a Cowboy was my most listen to

608
00:37:50,760 --> 00:37:53,440
Speaker 1: track of last year. It was like my breakup anthem.

609
00:37:53,480 --> 00:37:58,080
Speaker 1: It's I just think it's the most beautiful and satisfying

610
00:37:58,160 --> 00:38:01,680
Speaker 1: pop song because the whole incept of it is if

611
00:38:01,760 --> 00:38:04,480
Speaker 1: I was a cowboy, I would be free, how the

612
00:38:04,560 --> 00:38:09,879
Speaker 1: implication being however, yes, I mean the conditional. Yeah, we

613
00:38:10,040 --> 00:38:12,640
Speaker 1: love that word. If you know, I will think that

614
00:38:12,760 --> 00:38:15,880
Speaker 1: to be a stick clare. But the when that grammar

615
00:38:16,040 --> 00:38:18,640
Speaker 1: is incorrect and it should be if I were a cowboy,

616
00:38:18,719 --> 00:38:21,720
Speaker 1: And I think it's interesting that Beyonce used the correct

617
00:38:21,719 --> 00:38:25,839
Speaker 1: grammar in her song if I Were a boy. Well,

618
00:38:26,840 --> 00:38:29,720
Speaker 1: but I feel like Beyonce is so like A plus.

619
00:38:29,760 --> 00:38:32,080
Speaker 1: I mean, she's a star student. She's so good student.

620
00:38:32,280 --> 00:38:40,320
Speaker 1: Miranda so B minus like C is B my. I

621
00:38:40,320 --> 00:38:44,200
Speaker 1: feel like Miranda's we probably had the same SAT yeah,

622
00:38:44,200 --> 00:38:48,360
Speaker 1: which was what twelve twelve. I'll drop my SAT score

623
00:38:48,480 --> 00:38:55,759
Speaker 1: in the VIP lounge. Oh no, her handwriting round like

624
00:38:55,800 --> 00:39:00,680
Speaker 1: every letter of the circle. Um if I it's also

625
00:39:01,280 --> 00:39:04,880
Speaker 1: it's a classic country song. I mean, Mamas, don't let

626
00:39:04,920 --> 00:39:06,960
Speaker 1: your babies grow up to be cowboys. And she's like

627
00:39:07,000 --> 00:39:08,920
Speaker 1: if I was a cabinet to call back, And it's

628
00:39:08,960 --> 00:39:10,560
Speaker 1: a story in the way where you're like, this is

629
00:39:10,600 --> 00:39:12,319
Speaker 1: not a list, this is the realist song, I would

630
00:39:12,320 --> 00:39:14,319
Speaker 1: say on the album, and it's like she wrote it

631
00:39:14,360 --> 00:39:18,520
Speaker 1: with this guy, DJ Telemetry, who's like a DJ who

632
00:39:18,560 --> 00:39:22,839
Speaker 1: like remixes like Kim Zuls. He remixes tequila. Yeah, he's

633
00:39:22,840 --> 00:39:26,360
Speaker 1: just just kind of trop house like remixes. But he

634
00:39:26,520 --> 00:39:30,040
Speaker 1: also wrote Thomas Rhett Crash and Burn. He also wrote

635
00:39:30,480 --> 00:39:33,160
Speaker 1: John Cardy Dirt on My Boots. He wrote it Jesse

636
00:39:33,320 --> 00:39:36,000
Speaker 1: James Decker song called Clint Eastwood, which I haven't heard,

637
00:39:36,680 --> 00:39:40,279
Speaker 1: but it sounds really good. I'm so obsessed with Jesse

638
00:39:40,480 --> 00:39:43,520
Speaker 1: James Decker. Now, like I was introduced to her by you,

639
00:39:43,680 --> 00:39:47,880
Speaker 1: I'm just like, she is it for me? Like I'm like,

640
00:39:47,920 --> 00:39:52,880
Speaker 1: that's we're done. Waitress, waitress all the way to the boots,

641
00:39:53,360 --> 00:39:56,120
Speaker 1: big waitress. I listened to the song. I literally like

642
00:39:56,200 --> 00:40:00,839
Speaker 1: my hand instickularly goes up to like hold a big tray. Yeah,

643
00:40:01,719 --> 00:40:03,839
Speaker 1: um to the listeners. I have a thing on my

644
00:40:03,920 --> 00:40:08,000
Speaker 1: podcast where I put every singer in a category of

645
00:40:08,080 --> 00:40:11,960
Speaker 1: being either babysitter or a waitress. Anyways, it's just the

646
00:40:12,040 --> 00:40:16,799
Speaker 1: thing that I do. The last song is Carousel is

647
00:40:17,040 --> 00:40:20,000
Speaker 1: very I do admit that it does sound like a

648
00:40:20,160 --> 00:40:24,760
Speaker 1: low holiday commercial with the Glockenspiel, and I do feel

649
00:40:24,800 --> 00:40:28,040
Speaker 1: like it is it is very like a dad like

650
00:40:28,120 --> 00:40:31,520
Speaker 1: building a dollhouse for his daughter, and it's like make

651
00:40:31,560 --> 00:40:38,640
Speaker 1: it Ada always remember lows. I love it, but it chills. Yeah, yeah,

652
00:40:38,680 --> 00:40:42,239
Speaker 1: even though again I don't know what it's about, feathers

653
00:40:43,600 --> 00:40:57,560
Speaker 1: slack hanging from top ten rafters to the spotland. Iconically,

654
00:40:57,640 --> 00:40:59,839
Speaker 1: I was saying this on my podcast that I do

655
00:41:00,120 --> 00:41:04,160
Speaker 1: hate when songs use sailors and ships as a metaphor,

656
00:41:04,320 --> 00:41:08,719
Speaker 1: but I do love when songs use circus as a metaphor.

657
00:41:09,080 --> 00:41:12,240
Speaker 1: And I do think that this is so circus girl.

658
00:41:12,400 --> 00:41:15,080
Speaker 1: She is so and Miranda is so the greatest showman

659
00:41:15,320 --> 00:41:18,520
Speaker 1: in this way of like she's so huge Jackman's numb.

660
00:41:18,600 --> 00:41:20,520
Speaker 1: I can just see her just being like Hugh Jackman

661
00:41:20,760 --> 00:41:24,440
Speaker 1: is so sexy and she's so like top hat and

662
00:41:24,520 --> 00:41:27,520
Speaker 1: Boostier because this song is all her just being like

663
00:41:27,719 --> 00:41:30,319
Speaker 1: because she walk the tight rope and fell in love.

664
00:41:30,400 --> 00:41:33,839
Speaker 1: That's your sword swallower. Yeah, like I right, Like I

665
00:41:33,840 --> 00:41:38,760
Speaker 1: bet Miranda like Binge Boardwalk Empire and this puts also

666
00:41:38,880 --> 00:41:42,040
Speaker 1: like thematically, this is oddities and it's the South and

667
00:41:42,120 --> 00:41:45,879
Speaker 1: it's like yeah, tramps, and she's like she's now back

668
00:41:45,920 --> 00:41:50,720
Speaker 1: in nagaheavy and like the tail of like a sad

669
00:41:50,800 --> 00:41:54,680
Speaker 1: Trappias girl, like who almost made it to Wringling. And

670
00:41:54,760 --> 00:41:57,399
Speaker 1: I can just see her in the boostia and top

671
00:41:57,440 --> 00:42:00,200
Speaker 1: hat for the Vega show for this one, you know,

672
00:42:00,239 --> 00:42:02,279
Speaker 1: but I doubt she will do Carousel. Yeah, it's a

673
00:42:02,360 --> 00:42:05,760
Speaker 1: kind of into the Velvet rodeo. That's a slow one, Okay,

674
00:42:05,800 --> 00:42:08,719
Speaker 1: So that's gonna go ahead and be the album as

675
00:42:08,760 --> 00:42:12,360
Speaker 1: a whole. Um overall, I give this a B plus.

676
00:42:12,840 --> 00:42:15,840
Speaker 1: I give it a B which is so boring. Be

677
00:42:15,920 --> 00:42:23,120
Speaker 1: for boring ce And here is a little preview of

678
00:42:23,120 --> 00:42:25,360
Speaker 1: our vip lounge this week, which is all of the

679
00:42:25,400 --> 00:42:28,799
Speaker 1: amazing Miranda Lambert content that we couldn't fit into the

680
00:42:28,840 --> 00:42:32,359
Speaker 1: main episode because Me, Lily and Sam Buck just got

681
00:42:32,400 --> 00:42:35,720
Speaker 1: to gabbing. Please go to Patreon dot com, slash sebc

682
00:42:35,880 --> 00:42:40,600
Speaker 1: the pod to subscribe. I do wonder like if this

683
00:42:40,760 --> 00:42:44,520
Speaker 1: was live at Casa Rosa, like Fred Schneider is, like

684
00:42:44,680 --> 00:42:48,839
Speaker 1: in a glimmery retro like suit, I think we would

685
00:42:48,880 --> 00:42:51,080
Speaker 1: the three of us lose our fucking minds and die

686
00:42:51,120 --> 00:43:05,600
Speaker 1: of alcohol poisoning. If that happens, How does she what

687
00:43:05,680 --> 00:43:12,040
Speaker 1: does she eat? She liveswear how flag stuff? What does

688
00:43:12,360 --> 00:43:17,200
Speaker 1: she what does she eat? She certainly eats she's been

689
00:43:17,239 --> 00:43:19,879
Speaker 1: eating because she hasn't been missing any meals, that's for sure.

690
00:43:20,800 --> 00:43:24,279
Speaker 1: The best instagram in the entire world, um, which Sam,

691
00:43:24,320 --> 00:43:27,279
Speaker 1: I know you have talked about on KFM, is when

692
00:43:27,400 --> 00:43:30,560
Speaker 1: her husband made her chicken thighs and bow tie butter

693
00:43:30,719 --> 00:43:34,560
Speaker 1: pasta in a skillet skillet and I cannot just stop

694
00:43:34,600 --> 00:43:38,000
Speaker 1: talking about it. Chicken and pasta is like a huge

695
00:43:38,160 --> 00:43:40,520
Speaker 1: not for me, isn't it Italian? I am a little

696
00:43:40,560 --> 00:43:43,600
Speaker 1: like sorry unless it's a chicken parm with getting on

697
00:43:43,640 --> 00:43:46,360
Speaker 1: a round like bow ties, just like pasta with chicken thighs.

698
00:43:46,400 --> 00:43:49,000
Speaker 1: I that's a no for me? Is I mean? I

699
00:43:49,000 --> 00:43:51,359
Speaker 1: guess like as a home meal, though it is good,

700
00:43:51,400 --> 00:43:54,960
Speaker 1: I mean like ethnic meal, a white ethnic cho like

701
00:43:55,200 --> 00:43:58,279
Speaker 1: Ladies home. And I'm putting it, Yeah, I'm putting like

702
00:43:58,320 --> 00:44:01,520
Speaker 1: a tub of cream cheese in like with artichoke cards

703
00:44:01,520 --> 00:44:06,440
Speaker 1: from a can, fresh chickens. He's very cooking with um

704
00:44:07,239 --> 00:44:12,080
Speaker 1: um fresh frozen beas. That's very Her husband is very

705
00:44:12,320 --> 00:44:17,000
Speaker 1: making the freshest frozen and he's like Marandi eager veggie.

706
00:44:18,400 --> 00:44:21,160
Speaker 1: He's he's making her his little dumb dumb meals and

707
00:44:21,200 --> 00:44:25,000
Speaker 1: their massive kitchen on their masks, and she's always like saying,

708
00:44:25,000 --> 00:44:27,719
Speaker 1: he's such a chef, and I feel like, oh, they

709
00:44:27,760 --> 00:44:29,840
Speaker 1: did when they were in Ireland, they did this like

710
00:44:30,760 --> 00:44:33,880
Speaker 1: private baking course, but they did make actually this like

711
00:44:34,160 --> 00:44:38,680
Speaker 1: gorgeous layer of pastry dish. Yeah. Um. And she was

712
00:44:38,680 --> 00:44:42,520
Speaker 1: still like Brendan's like really good at cutting puff pastry. Yeah,

713
00:44:42,600 --> 00:44:46,560
Speaker 1: look at his puffastry. Just the way that she talks

714
00:44:46,600 --> 00:44:49,279
Speaker 1: about him as if he is an. I know it's

715
00:44:49,320 --> 00:44:54,120
Speaker 1: always his first bow tie pasta. Um. And as we know,

716
00:44:54,200 --> 00:44:58,520
Speaker 1: breakfast is for literal jail. Yeah, she's yeah, she's burger

717
00:44:58,560 --> 00:45:01,480
Speaker 1: and fries, she's pulls marry biscuits, she's base. I feel

718
00:45:01,480 --> 00:45:03,840
Speaker 1: like she's also is so the man in the relationship

719
00:45:03,840 --> 00:45:06,279
Speaker 1: where it's like in the dad way of like breakfast

720
00:45:06,400 --> 00:45:08,920
Speaker 1: being the meal you cook. She's like, I do like

721
00:45:08,960 --> 00:45:11,160
Speaker 1: pancakes and stuff, but I don't really cook like other

722
00:45:11,200 --> 00:45:15,920
Speaker 1: stuff and has like twelve pack apps. He's definitely being like,

723
00:45:16,000 --> 00:45:18,440
Speaker 1: I'm not doing sugar or gluten right now, but I

724
00:45:18,600 --> 00:45:21,400
Speaker 1: love to cook for my girl who does. Yeah, And

725
00:45:21,440 --> 00:45:23,680
Speaker 1: I loved her. I mean, what is his fucking deal?

726
00:45:23,800 --> 00:45:26,200
Speaker 1: You know what I mean? Like what is his deal?

727
00:45:26,320 --> 00:45:27,960
Speaker 1: What do you mean his deal? He hit the I

728
00:45:27,960 --> 00:45:30,480
Speaker 1: mean he has like a hundred thousand she has a

729
00:45:30,600 --> 00:45:34,440
Speaker 1: hundred k Instagram followers, So it's like he's definitely doing

730
00:45:34,480 --> 00:45:38,120
Speaker 1: his own things. He's sitting pretty times like these. It's

731
00:45:38,160 --> 00:45:40,560
Speaker 1: just a little weird that Miranda is that. I mean,

732
00:45:40,600 --> 00:45:42,879
Speaker 1: I feel like that would be the case for that

733
00:45:42,960 --> 00:45:45,160
Speaker 1: he's actually in love. Is that Miranda is a bit

734
00:45:45,200 --> 00:45:48,400
Speaker 1: of a weird choice for any of the women's celebrities

735
00:45:48,400 --> 00:45:51,600
Speaker 1: he met while working morning shift at GMA. You know,

736
00:45:51,960 --> 00:45:53,640
Speaker 1: but if you think of this, like it makes sense

737
00:45:53,680 --> 00:45:55,960
Speaker 1: because she's a country singer, so she is more down

738
00:45:56,080 --> 00:45:59,680
Speaker 1: to marry a random security cop where it's like, hmm,

739
00:46:00,320 --> 00:46:04,719
Speaker 1: maybe like conventionally quote unquote hotter. Though I think Miranda's

740
00:46:04,760 --> 00:46:11,080
Speaker 1: absolutely beautiful. Chicks are like needing to date more like producers.

741
00:46:11,080 --> 00:46:13,719
Speaker 1: Like they're sleeping with the cop and being like yum

742
00:46:13,760 --> 00:46:16,680
Speaker 1: yum yum, but they're not going to marry the cop. Okay.

743
00:46:16,719 --> 00:46:19,480
Speaker 1: My question about her boot is is she like, is

744
00:46:19,520 --> 00:46:23,000
Speaker 1: she a diet coke? Is she be like big thing

745
00:46:23,080 --> 00:46:26,600
Speaker 1: of like iced tea that she's like swirled, So yeah,

746
00:46:26,640 --> 00:46:29,839
Speaker 1: she's doing sweet tea in a huge YETI tumbler. I

747
00:46:29,840 --> 00:46:32,680
Speaker 1: think she's DC. I think we also need to talk

748
00:46:32,680 --> 00:46:34,440
Speaker 1: about how like her whole thing is obviously being like

749
00:46:34,440 --> 00:46:37,120
Speaker 1: tequila titos, but she is a celebrity. I do think

750
00:46:37,200 --> 00:46:39,759
Speaker 1: like when we saw her live, she was not that

751
00:46:39,880 --> 00:46:43,520
Speaker 1: was like lemon water and that's drinking that much that

752
00:46:43,640 --> 00:46:46,640
Speaker 1: tumble Yeah, there's definitely lemon water in her, like Solo

753
00:46:46,680 --> 00:46:50,799
Speaker 1: Cup in the Marfa Types documentary, that's and she's been like,

754
00:46:50,920 --> 00:46:53,200
Speaker 1: I love like cheers, I love be some tequila. It's

755
00:46:53,200 --> 00:46:56,680
Speaker 1: like you're not like sipping cost amigos for two hours

756
00:46:56,680 --> 00:47:00,359
Speaker 1: while you're like touring. And in Marfa Tapes, she was like,

757
00:47:00,840 --> 00:47:03,920
Speaker 1: I'm so crazy. I already knocked over to Topo Chicos

758
00:47:03,960 --> 00:47:05,640
Speaker 1: tonight and I'm just like, wait, do they have Topo

759
00:47:05,680 --> 00:47:12,680
Speaker 1: Chico in New York? Yeah? They do yesterday. It's so

760
00:47:13,000 --> 00:47:16,560
Speaker 1: like just arriving in NYC of like of just like

761
00:47:16,680 --> 00:47:21,480
Speaker 1: it is crazy so calculture. I think she's drinking plenty

762
00:47:21,600 --> 00:47:25,560
Speaker 1: of Topo Chicos and spilling them because she's crazy. That's

763
00:47:26,520 --> 00:47:29,880
Speaker 1: and then at night she is having a Teeto's, but

764
00:47:29,960 --> 00:47:35,440
Speaker 1: it's like not all not all day night, no, definitely not. Okay,

765
00:47:35,440 --> 00:47:37,799
Speaker 1: what does she wear I mean all of her like

766
00:47:37,920 --> 00:47:44,920
Speaker 1: custom flared friends, dumpy little boots, dumpy little bit dumpy,

767
00:47:45,120 --> 00:47:49,400
Speaker 1: not dumpy stumpy, oh stumpy. I think she's always I

768
00:47:49,400 --> 00:47:51,960
Speaker 1: feel like she's in like a little cowboy boot, you

769
00:47:52,000 --> 00:47:53,719
Speaker 1: know what I mean, like the one that's like that

770
00:47:54,040 --> 00:47:59,600
Speaker 1: who ane like ten inch boot. She's a little bit though,

771
00:47:59,640 --> 00:48:03,359
Speaker 1: like you know, she does have her ranch stuff. Oh wait,

772
00:48:03,680 --> 00:48:05,719
Speaker 1: we need to talk about um. I guess it's not

773
00:48:05,840 --> 00:48:09,520
Speaker 1: if she lived, but Miranda's kitten tequila that she found

774
00:48:09,560 --> 00:48:13,200
Speaker 1: on the side of the road and that she made,

775
00:48:13,800 --> 00:48:16,600
Speaker 1: um Brendan swerve and pull over. And she's like, we

776
00:48:16,680 --> 00:48:19,080
Speaker 1: saw tequila on the side of the road. I made

777
00:48:19,080 --> 00:48:25,080
Speaker 1: Brendan pullover. Do you guys think that she samples her

778
00:48:25,080 --> 00:48:27,399
Speaker 1: own goods? Ak? Do you think she do you think

779
00:48:27,440 --> 00:48:29,880
Speaker 1: she gets high on her own supply? I think she

780
00:48:30,080 --> 00:48:34,040
Speaker 1: definitely wears that. And does she does she drink um

781
00:48:34,160 --> 00:48:37,560
Speaker 1: red fifty five? I don't think she drinks red fifty five.

782
00:48:37,840 --> 00:48:40,120
Speaker 1: You think she's probably got like eight cases in the

783
00:48:40,200 --> 00:48:43,960
Speaker 1: mudroom and she's like, oh that shit, don't drink that. Yeah, yeah, don't.

784
00:48:44,920 --> 00:48:50,080
Speaker 1: That's made quote Oppenheim wine. And I was about to

785
00:48:50,160 --> 00:48:52,759
Speaker 1: say it's so Openheim wine when just like Heather, so

786
00:48:52,960 --> 00:48:55,400
Speaker 1: like you Oppenheim wine and Mary is like, oh what

787
00:48:56,200 --> 00:49:00,759
Speaker 1: you don't like it? Oh, because Mary's psycho and like

788
00:49:00,960 --> 00:49:06,880
Speaker 1: Openheim pilled, Like this is like for years trash. And

789
00:49:06,960 --> 00:49:09,040
Speaker 1: also Red fifty five. I want to say they make

790
00:49:09,200 --> 00:49:12,480
Speaker 1: coffee two, which is so weird and podcast of her

791
00:49:12,520 --> 00:49:16,279
Speaker 1: actually to like have a roaster read well, Lily, you

792
00:49:16,320 --> 00:49:19,439
Speaker 1: know there's a butch, the butch lesbian who runs Red

793
00:49:19,480 --> 00:49:23,520
Speaker 1: fifty five. I'm like obsessed with her, so, I mean,

794
00:49:23,560 --> 00:49:25,640
Speaker 1: I guess really that makes me think the wine is

795
00:49:25,640 --> 00:49:33,480
Speaker 1: like a little better in this like give me a break, oh,

796
00:49:33,600 --> 00:49:40,239
Speaker 1: because it's overseen by a butch lesbian. Butch lesbians just

797
00:49:40,239 --> 00:49:43,360
Speaker 1: really care about quality and they would never do anything

798
00:49:43,400 --> 00:49:48,279
Speaker 1: that's inauthentic um the wine culture. Well, I just in

799
00:49:48,480 --> 00:49:51,040
Speaker 1: that serious way where I feel like they're being like, yeah,

800
00:49:51,200 --> 00:49:54,920
Speaker 1: it's for mentioned in Stateless Steel CEO two Tanks. I

801
00:49:54,960 --> 00:49:58,040
Speaker 1: think that she would literally die for Miranda. She's probably

802
00:49:58,120 --> 00:50:02,000
Speaker 1: the woman who like killed Selena about it and that

803
00:50:02,239 --> 00:50:07,600
Speaker 1: just like yeah, it's like a straight girl energy, and

804
00:50:07,640 --> 00:50:09,720
Speaker 1: I feel like maybe she does live in a small

805
00:50:09,760 --> 00:50:15,960
Speaker 1: home like somehow like behind Miranda's stable a bellaminoes. Oh, definitely.

806
00:50:16,080 --> 00:50:20,239
Speaker 1: She definitely lives on like the like servants quarters and

807
00:50:20,320 --> 00:50:23,640
Speaker 1: they're having a tasting once a year and she's just like, Okay,

808
00:50:23,640 --> 00:50:26,120
Speaker 1: we got the new cabs and so excited if you

809
00:50:26,200 --> 00:50:28,600
Speaker 1: taste in Miranda. And she's like coming in and just

810
00:50:28,640 --> 00:50:32,520
Speaker 1: being like yeah, She's like I'm flying to New York

811
00:50:32,600 --> 00:50:36,040
Speaker 1: later tonight, so can we get this over with? Um?

812
00:50:36,440 --> 00:50:40,359
Speaker 1: How does she live? I mean her house is definitely.

813
00:50:41,040 --> 00:50:43,239
Speaker 1: I feel like I've seen the kitchen on Instagram and

814
00:50:43,320 --> 00:50:45,440
Speaker 1: it is like the largest island I've ever seen, right,

815
00:50:45,680 --> 00:50:49,120
Speaker 1: and then it's very like brown leather couch with like

816
00:50:49,160 --> 00:50:52,719
Speaker 1: so many golden retrievers on it. I feel like it's

817
00:50:52,760 --> 00:50:57,120
Speaker 1: Pendleton dog beds. I think it's just like really spacious.

818
00:50:57,160 --> 00:51:00,520
Speaker 1: There's a ton of guest rooms with like random fringe

819
00:51:00,560 --> 00:51:04,680
Speaker 1: skirts like in boxes and them hung up like one

820
00:51:04,840 --> 00:51:10,640
Speaker 1: mahogany huge bed frame like with huge bedposts, and like

821
00:51:11,120 --> 00:51:15,960
Speaker 1: the bedroom's probably curtains drawn, like total darkness all day long,

822
00:51:16,080 --> 00:51:19,760
Speaker 1: like but I imagine it she was picturing not so.

823
00:51:19,960 --> 00:51:22,399
Speaker 1: I kind of think like her man is a little

824
00:51:22,400 --> 00:51:25,520
Speaker 1: bit of like an exhibitionist. I feel like they are

825
00:51:25,640 --> 00:51:28,759
Speaker 1: like maybe sometimes like fucking against the window looking out

826
00:51:28,760 --> 00:51:32,520
Speaker 1: of the Palomino's. I do agree. I don't think that

827
00:51:32,600 --> 00:51:39,719
Speaker 1: Miranda likes to stand in fun so she's bent over, No,

828
00:51:39,960 --> 00:51:43,719
Speaker 1: she's lying down. She's a lot so doggy style to me,

829
00:51:44,000 --> 00:51:52,799
Speaker 1: Oh my god, you've got those crazy that is I

830
00:51:52,880 --> 00:51:57,120
Speaker 1: don't think so she's like a classic pillow princess. She's so.

831
00:51:57,440 --> 00:52:02,319
Speaker 1: I think she's both. She's switching position, like I think

832
00:52:02,320 --> 00:52:06,280
Speaker 1: her bed is so smooshy that like she's sinking into

833
00:52:06,320 --> 00:52:09,280
Speaker 1: it if she's doing doggy style. Not a firm mattress

834
00:52:09,480 --> 00:52:12,360
Speaker 1: at all. No, the saggary is out of control. The

835
00:52:12,400 --> 00:52:14,080
Speaker 1: bed is in the sky and it SAgs all the

836
00:52:14,080 --> 00:52:17,640
Speaker 1: way to the floor. Like it's crazy, Lily, you have

837
00:52:17,719 --> 00:52:21,360
Speaker 1: this fantasy that like this awesome, really really cool, butch

838
00:52:22,160 --> 00:52:28,480
Speaker 1: wideness is like bringing over some dope ass models five natural. Well,

839
00:52:28,560 --> 00:52:33,359
Speaker 1: Miranda's happy, happy, like acrobatic assets like on top of

840
00:52:33,440 --> 00:52:37,279
Speaker 1: like her many chests. And that's why. Sorry, can I

841
00:52:37,280 --> 00:52:39,640
Speaker 1: explain where they're like why? I feel like they're watching

842
00:52:39,719 --> 00:52:45,000
Speaker 1: Jimmy Fallon. She's been out for outse and they're like

843
00:52:45,040 --> 00:52:48,920
Speaker 1: watching her appearance on Jimmy Fallon. Okay, they definitely are

844
00:52:49,000 --> 00:52:55,200
Speaker 1: staying up to watch Fallon. She's like, Fallon so fucking funny. Yeah,

845
00:52:55,239 --> 00:52:58,440
Speaker 1: in that way that like you wouldn't like Middle America

846
00:52:58,440 --> 00:53:03,160
Speaker 1: wouldn't clock Jimmy fallonist like the most alcoholic person on TV. Yeah,

847
00:53:03,200 --> 00:53:09,040
Speaker 1: he's like so she's hilarious. Yeah, and the rest of us,

848
00:53:09,040 --> 00:53:12,520
Speaker 1: it's like so anytime I see him, I'm just like, wow,

849
00:53:12,600 --> 00:53:17,120
Speaker 1: that is a dark soul. Her bathroom, I feel like

850
00:53:17,239 --> 00:53:20,000
Speaker 1: it's not like it is also being like she's doing

851
00:53:20,000 --> 00:53:24,719
Speaker 1: like a country rustic thing, think huge bathroom with like

852
00:53:24,760 --> 00:53:27,640
Speaker 1: eighty sinks and like so much. One of the sinks

853
00:53:27,719 --> 00:53:30,840
Speaker 1: is full of dog food and like yeah, no, I

854
00:53:30,840 --> 00:53:34,640
Speaker 1: feel like there's a pet bathroom. That's where she washes

855
00:53:34,719 --> 00:53:37,520
Speaker 1: all of the MutS. Obviously she has like a mut

856
00:53:37,600 --> 00:53:41,480
Speaker 1: station mut mudrooms with that like big hose that comes

857
00:53:41,520 --> 00:53:43,959
Speaker 1: out that's like this is for the dog. Is a god.

858
00:53:44,280 --> 00:53:46,600
Speaker 1: They did that on like a property Brothers or something

859
00:53:46,680 --> 00:53:49,640
Speaker 1: where they made a mut bathroom. Yeah, it was with

860
00:53:49,719 --> 00:53:54,360
Speaker 1: like subway tile, but you know she does, Yeah she probably.

861
00:53:54,560 --> 00:53:56,239
Speaker 1: I think she has a subway tiled mut room, and

862
00:53:56,280 --> 00:53:58,680
Speaker 1: I think, like, I mean, she has that charity that

863
00:53:59,320 --> 00:54:02,120
Speaker 1: she's always just like we got seventy two dogs from

864
00:54:02,239 --> 00:54:06,239
Speaker 1: Houston rescued and brought them to Dallas today and we

865
00:54:06,320 --> 00:54:10,600
Speaker 1: had eighty two adopted kittens and pups. And how many

866
00:54:10,600 --> 00:54:14,040
Speaker 1: assistants do you guys think she has? Like, I think

867
00:54:14,040 --> 00:54:17,120
Speaker 1: it's a three tiered thing. I feel like there's like

868
00:54:17,840 --> 00:54:22,440
Speaker 1: the heads, there's like three assistance assistants, and then she

869
00:54:22,560 --> 00:54:26,960
Speaker 1: has like an assistant specifically maybe like a Mutt Nation assistant.

870
00:54:27,440 --> 00:54:29,720
Speaker 1: I do kind of think that each of the different

871
00:54:29,800 --> 00:54:32,920
Speaker 1: like branches of the tree kind of run themselves at

872
00:54:32,920 --> 00:54:35,160
Speaker 1: this point, and there's people like who are there that

873
00:54:35,280 --> 00:54:37,439
Speaker 1: she does not have to think about it at all.

874
00:54:38,239 --> 00:54:40,920
Speaker 1: And then the actual Yeah, I think the actual home assistance,

875
00:54:41,000 --> 00:54:45,480
Speaker 1: like there might even be only two like just home assistance,

876
00:54:46,160 --> 00:54:48,200
Speaker 1: and then occasionally, you know, there's other people who have

877
00:54:48,239 --> 00:54:50,399
Speaker 1: brought in for events in chaps. I mean, if there's

878
00:54:50,400 --> 00:54:53,200
Speaker 1: two home assistants, those assistants are like, I'm so fucking

879
00:54:53,200 --> 00:54:57,520
Speaker 1: busy right now. You have no idea between Mutt Nation

880
00:54:57,600 --> 00:55:02,759
Speaker 1: and Casa Rosa bullshit right now? Yes, And I think

881
00:55:03,000 --> 00:55:05,960
Speaker 1: she like does dive in when she starts like a

882
00:55:06,040 --> 00:55:08,680
Speaker 1: new branch and like is really in meetings for the

883
00:55:08,680 --> 00:55:11,320
Speaker 1: first month and then it's like it runs on itself

884
00:55:11,360 --> 00:55:13,239
Speaker 1: like I feel like she's in Costa Rosa mode, but

885
00:55:13,280 --> 00:55:16,440
Speaker 1: I feel like she probably was in definitely a few

886
00:55:16,480 --> 00:55:20,239
Speaker 1: id'll win zooms and now not any part No. Now

887
00:55:20,280 --> 00:55:23,399
Speaker 1: it's like whoever runs them Miranda Instagram is not even

888
00:55:23,440 --> 00:55:25,759
Speaker 1: commenting on an idol win Instagram till like a few

889
00:55:25,800 --> 00:55:31,759
Speaker 1: days later when they're just being like, looks fun. My

890
00:55:31,920 --> 00:55:33,880
Speaker 1: big question and how does she live is? I'm like,

891
00:55:34,280 --> 00:55:36,239
Speaker 1: I guess that's most of the assistants are due. Is

892
00:55:36,239 --> 00:55:39,200
Speaker 1: the animal care? When she's on tour, like she's so

893
00:55:39,239 --> 00:55:42,920
Speaker 1: many pets. M I think she's literally like trying. I

894
00:55:42,960 --> 00:55:45,600
Speaker 1: mean the tour that I saw, it was literally the

895
00:55:45,680 --> 00:55:49,240
Speaker 1: screen before she went on stage with He's just pictures

896
00:55:49,280 --> 00:55:52,080
Speaker 1: of animals from Mutt Nation to Adopt. I feel like

897
00:55:52,080 --> 00:55:54,640
Speaker 1: they're probably like on her farm and she's just being

898
00:55:54,680 --> 00:55:58,359
Speaker 1: like whoever wants to come and take like chocolate, Like

899
00:55:58,520 --> 00:56:06,600
Speaker 1: come Rod, who are you? In the album I call

900
00:56:06,680 --> 00:56:13,040
Speaker 1: Katie with a K? You are? So I'm like, I'm

901
00:56:13,080 --> 00:56:15,840
Speaker 1: a little bit different with an as I'm a little

902
00:56:15,880 --> 00:56:19,560
Speaker 1: bit different because of my name is Katie with a K.

903
00:56:20,440 --> 00:56:24,440
Speaker 1: There's so many like men in South Dakota and Harley's

904
00:56:24,600 --> 00:56:29,040
Speaker 1: Ricky Bobby, Um that I want to be Stephen, Are

905
00:56:29,080 --> 00:56:32,160
Speaker 1: you the truck pizzas who retires and goes back to

906
00:56:32,280 --> 00:56:38,040
Speaker 1: like nagadapchi. Um, Ultimately I am not because like I

907
00:56:38,120 --> 00:56:41,120
Speaker 1: am not like doing a physical job. I think I am.

908
00:56:41,200 --> 00:56:45,400
Speaker 1: Just wait, Lily, you're the trucker Dwayne. Oh, I'm Trucker Duayne,

909
00:56:45,800 --> 00:56:51,440
Speaker 1: man of Truck Dwayne. You'll meet tons of characters like

910
00:56:51,560 --> 00:56:54,360
Speaker 1: Katie with a K and the trucker Dwayne Tucker Dye.

911
00:56:54,400 --> 00:56:57,560
Speaker 1: You'll get acquainted with old friends like Geraldine and visit

912
00:56:57,600 --> 00:57:00,080
Speaker 1: places we've already been together, like wax a Hatch. She

913
00:57:00,400 --> 00:57:03,439
Speaker 1: enjoy the trip, y'all. Miranda, That's what she said when

914
00:57:03,440 --> 00:57:09,399
Speaker 1: the album came out. She's like, so there's definitely some

915
00:57:09,520 --> 00:57:18,000
Speaker 1: rehashed stuff in here and people, I mean, I think, actually, yeah,

916
00:57:18,040 --> 00:57:21,360
Speaker 1: you're the girl walking into the bar seeing a guy

917
00:57:22,520 --> 00:57:29,800
Speaker 1: saying you're not here to get over me. That's best

918
00:57:29,800 --> 00:57:32,960
Speaker 1: friendship right there. Um, Okay, we already give this album

919
00:57:33,000 --> 00:57:41,000
Speaker 1: a set of bees just like it is good. Uh okay, well, Sam,

920
00:57:41,040 --> 00:57:43,440
Speaker 1: thank you so much for coming. We really appreciate it.

921
00:57:43,440 --> 00:57:45,320
Speaker 1: With we'll have to see what the audience response is

922
00:57:45,520 --> 00:57:48,160
Speaker 1: and can't wait. Um and Pi'll just be honest. If

923
00:57:48,200 --> 00:57:51,040
Speaker 1: you hated it, say it. If he loved it. Yeah,

924
00:57:51,840 --> 00:57:55,080
Speaker 1: If you guys want to silence my male voice, um,

925
00:57:55,400 --> 00:58:01,920
Speaker 1: you should subscribe to my patreon and listen to what name? Yeah,

926
00:58:01,960 --> 00:58:04,880
Speaker 1: what's your patre Yeah, dropped the link. My patreon is

927
00:58:04,960 --> 00:58:09,320
Speaker 1: sam Buck Country. It's patreon dot com sols sam Buck Country.

928
00:58:09,360 --> 00:58:13,280
Speaker 1: It's my radio show, KFM Country Radio. It's a mix

929
00:58:13,360 --> 00:58:19,840
Speaker 1: of gossip, interviews, my playlist. We do tributes. I'm doing

930
00:58:19,920 --> 00:58:24,240
Speaker 1: working on an epic tribute to Naomi Judd Rip. Lily

931
00:58:24,480 --> 00:58:27,280
Speaker 1: is a freaking guest. And now we got Steven in

932
00:58:27,320 --> 00:58:30,400
Speaker 1: the next two doctor Steve. Um. I want to thank

933
00:58:30,400 --> 00:58:33,200
Speaker 1: you guys so much for having me as the other

934
00:58:33,280 --> 00:58:39,080
Speaker 1: best friend that moved away to La Lips. You left

935
00:58:39,160 --> 00:58:42,479
Speaker 1: off was your choice. I was going to go ahead

936
00:58:42,520 --> 00:58:44,560
Speaker 1: and be ye yeah, And I did think that you

937
00:58:44,560 --> 00:58:47,480
Speaker 1: guys kind of would move to La And now seven

938
00:58:47,560 --> 00:58:51,960
Speaker 1: years later, I am seeing that it's probably not gonna happen.

939
00:58:52,800 --> 00:58:54,440
Speaker 1: We got it. We gotta wrap it up. I have

940
00:58:54,480 --> 00:58:57,160
Speaker 1: to go feed all my palaminos and tequila. You can

941
00:58:57,200 --> 00:58:59,760
Speaker 1: hear her in the background right now. She's chasing all

942
00:59:00,280 --> 00:59:03,520
Speaker 1: my lone Star and Corona caps all over this room.

943
00:59:03,600 --> 00:59:07,800
Speaker 1: She's getting antsy. I need to go feed my dog Costadores, um,

944
00:59:08,160 --> 00:59:13,200
Speaker 1: and I need to go feed my cat cassamigoes. I

945
00:59:13,280 --> 00:59:14,840
Speaker 1: need to get it. Hit your Ride of the Music

946
00:59:14,880 --> 00:59:18,440
Speaker 1: City Queen and start flirting with some waitresses and have

947
00:59:18,520 --> 00:59:21,200
Speaker 1: an alcohol which is fun to do. And I also

948
00:59:21,280 --> 00:59:25,800
Speaker 1: do that's dirty yet flirty. All right, y'all, um, this

949
00:59:25,840 --> 00:59:29,920
Speaker 1: has been amazing. Um. Do subscribe to Sam's patron and

950
00:59:30,000 --> 00:59:32,080
Speaker 1: listen to KFM, buy a painting by a t shirt,

951
00:59:32,160 --> 00:59:36,280
Speaker 1: listen to his album, Sam Bine. Subscribe to our patreon

952
00:59:36,320 --> 00:59:42,680
Speaker 1: to just give us all your money. Yeah, okay. Best

953
00:59:47,880 --> 00:59:51,000
Speaker 1: Celebrity Book Club is presented by prolog Projects. The show

954
00:59:51,040 --> 00:59:54,360
Speaker 1: is produced by Benjamin Frish, with editorial support from Leon Napack,

955
00:59:54,520 --> 00:59:59,880
Speaker 1: Andrew Parsons, Arlene Arevalo, and Madeleine Kaplan. Our production manager

956
01:00:00,160 --> 01:00:04,760
Speaker 1: is Percia Verlin. Our intern is Noah John. Original theme

957
01:00:04,800 --> 01:00:08,360
Speaker 1: song by Stephen Phillips, Horse artwork by Teddy Blanks at

958
01:00:08,560 --> 01:00:12,320
Speaker 1: Chips New York. Follow us on Twitter and Instagram, at

959
01:00:12,360 --> 01:00:17,320
Speaker 1: CBC the Pod and Sam Fuck Country. Subscribe on your

960
01:00:17,400 --> 01:00:21,280
Speaker 1: favorite podcast app, leave us a review, and don't forget

961
01:00:21,360 --> 01:00:23,440
Speaker 1: to tell your friends about US and don't forget to

962
01:00:23,480 --> 01:00:27,760
Speaker 1: go to patreon dot com for access to The vip Lounge,

963
01:00:27,840 --> 01:00:30,200
Speaker 1: our exclusive bonus podcast,