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Speaker 1: Johnny Valentine.

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Speaker 2: Ladies and gentlemen, Johnny Valentine, What can you describe?

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Speaker 1: If Astrid said who is Johnny Valentine?

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Speaker 2: What would I say?

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Speaker 1: Yeah?

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Speaker 2: I would say what are you doing on TikTok? And

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Speaker 2: how do you know that name? Give me the phone back?

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Speaker 2: You're only five? No, I would say, young Astrid. Johnny

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Speaker 2: Valentine is a musician, an actor, a filmmaker for short

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Speaker 2: form content soon to be long form traditional content, and

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Speaker 2: an overall very funny, good guy. From meeting him in person.

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Speaker 1: What's dope about Johnny Valentine is, this is a guy

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Speaker 1: who just took what the media in this world had

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Speaker 1: to offer young people of his generation, which is phones

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Speaker 1: that you can make movies with, and progressively, if you

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Speaker 1: can monetize that, you can get the right equipment to

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Speaker 1: right make bigger and better, cooler stuff. So Johnny Valentine

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Speaker 1: is just a guy who I saw online.

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Speaker 2: Oh you saw him as that?

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Speaker 1: Hell? Yeah? So before the movie with my brother Daniel

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Speaker 1: and all that kind of stuff. Yeah, he came to

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Speaker 1: where I lived in New York. We shot a video

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Speaker 1: there that which is one of his videos like for

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Speaker 1: TikTok and Instagram and all that, and like you said,

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Speaker 1: I think he's over two and a half million almost

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Speaker 1: followers on Instagram right now, which is not huge, but

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Speaker 1: it's he did it in a very short period. He

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Speaker 1: did it in like five years.

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Speaker 2: So a million more followers that I have. Long story

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Speaker 2: short is yeah.

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Speaker 1: He then he has taken all of that list of

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Speaker 1: the things he does. But now his focus is creating

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Speaker 1: his own visuals for his own music because he inevitably

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Speaker 1: when he started to have a big enough platform of fans,

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Speaker 1: he wrote a song and released that song to his fans.

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Speaker 1: And now you know, if you could do stuff like

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Speaker 1: that and then watch videos or make videos rather that

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Speaker 1: are the music videos to your own original music, and

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Speaker 1: then get ten million views on just the one video

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Speaker 1: of that song, that's ten million people that might actually

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Speaker 1: just buy the song.

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Speaker 2: It's amazing. It's it's new business model, really And you

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Speaker 2: talk you we got into that a little bit. But

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Speaker 2: we're gonna have Johnny back on the pod. Did you

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Speaker 2: know that I talked to him.

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Speaker 1: You're gonna tell me what's going on, but yeah, he's

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Speaker 1: gonna come back. I was curious to speak to somebody

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Speaker 1: who completely outside the normal structure of Hollywood content provision

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Speaker 1: and the monetization of content, because even now, if you,

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Speaker 1: Jared made a movie for a million bucks out of

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Speaker 1: your own pocket, you could take it to Netflix. Yes,

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Speaker 1: Johnny wants to be in the future making a movie

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Speaker 1: for a million bucks and he puts it out on

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Speaker 1: his own platform.

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Speaker 2: Yeah, and just monetize his own platform.

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Speaker 1: Interesting.

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Speaker 2: Yeah, it's very interesting. I look forward to being able

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Speaker 2: to do that. Me three, all right, without further ado,

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Speaker 2: I hope our audience's interest is peaked because this was

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Speaker 2: a fantastic Oh and if you stick around to the end,

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Speaker 2: we play a couple of fun games. Specifically, Oh, this

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Speaker 2: was awesome.

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Speaker 1: I've almost forgot.

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Speaker 2: Yeah, yes, the games. Stick around for the games. Don't

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Speaker 2: want to miss that. Without further ado, this is Johnny Valentine,

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Speaker 2: remember that name, creating those bad lips.

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Speaker 1: It's so bad.

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Speaker 3: It's twisty.

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Speaker 1: Damn Sun, guilty lasness, this.

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Speaker 3: Sun, this so bad.

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Speaker 1: It's good Bad's already starting to see the red lights

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Speaker 1: on the camera.

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Speaker 4: So right now, this is all all right interview, Welcome

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Speaker 4: to the podcast to have you here, Thank you so much.

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Speaker 1: Seen you look fabulous. Yo, I already know you. I

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Speaker 1: see you out there. In the cinematic stratosphere, and and

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Speaker 1: talking to Jared who's going to edit later, and all this,

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Speaker 1: and ask you a bunch of questions too. I said,

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Speaker 1: this is one of the few guys I see kind

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Speaker 1: of out there, focused, confidently doing his own thing. So

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Speaker 1: does that mean Johnny Valentine in the future couldn't star

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Speaker 1: in a movie in Hollywood? Of course, yes, But you're

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Speaker 1: kind of creating this world and you're figuring out how

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Speaker 1: to create that world completely outside of Hollywood. Is that accurate? Correct? Correct? Correct?

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Speaker 4: I think the goal for me is to bridge the

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Speaker 4: gap between mainstream entertainment and social media.

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Speaker 1: Okay, you have to understand I'm fifty nine years old. Really,

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Speaker 1: I've only known the Hollywood system.

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Speaker 4: It's only a few years away from my parents. I

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Speaker 4: think we spoke about that.

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Speaker 1: Are you gonna stick around? Still? Is the interview over now?

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Speaker 3: I think it might be a little bit better.

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Speaker 1: You're so crusty. The point I'm making there is, as

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Speaker 1: a guy who's been doing it the only way there

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Speaker 1: was to do it for a long time, I made

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Speaker 1: movies on thirty five millimeter film. That means there was

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Speaker 1: moments in making the movie. Watch I'm gonna you know,

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Speaker 1: like on Google when you hit the button for a

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Speaker 1: search and the little ball goes like this, I'm gonna

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Speaker 1: do that to your brain right now, right because in

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Speaker 1: your world of making content, you don't wait for them

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Speaker 1: to change the film on the camera. You just keep

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Speaker 1: shooting till you're done. So I'm just saying that not

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Speaker 1: to be grandpa. It's more to say, in my observation

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Speaker 1: of people out there creating stuff successfully outside the system,

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Speaker 1: you're one of the few guys that's really quietly, really

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Speaker 1: getting it done.

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Speaker 4: So question, do you think back then it was easier

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Speaker 4: to master your craft or is it easier now because

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Speaker 4: back then you actually have to think about what you

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Speaker 4: have to do. Now you had time in between scenes

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Speaker 4: or shots. Right now, it's just you keep It's like

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Speaker 4: rapid fire until I let you know, until I let

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Speaker 4: get something that I like.

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Speaker 1: I don't think that the techniques matter. I think the

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Speaker 1: motivation matters. Okay, you know because when you made movies

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Speaker 1: on thirty five millimeter film, that's thirty years ago, bro right,

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Speaker 1: you know. The only way to know, Like, I'll give

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Speaker 1: you the answer is this. Watch the New Frankenstein. Okay,

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Speaker 1: the director, Yeah, Guermo. Yeah, just the guy that only

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Speaker 1: knew the film thing. So when he came to make

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Speaker 1: the New Frankenstein, he went, no, see these walls, they

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Speaker 1: won't be digital. We're gonna build them. Every set piece

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Speaker 1: in the New frankensign is tens of millions of dollars.

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Speaker 1: This guy went, I'm going to do it the way

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Speaker 1: we used to do it with the new digital technology.

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Speaker 1: But I still want the sets. I want the guy

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Speaker 1: to walk up. I wanted to pick up that. I

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Speaker 1: don't want to use green screen, blue screen, but I'll

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Speaker 1: use it if I absolutely have to use it. So

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Speaker 1: I have a lot of respect for that. I don't

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Speaker 1: think the budget's worth it, but I respect the motivation

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Speaker 1: of wanting to create something in a process that's a

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Speaker 1: little slower.

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Speaker 4: I understand having you know, as much tangible I guess

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Speaker 4: a more of a tangible environment is definitely helps when shooting, right.

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Speaker 1: Can I segue for a secon? Sure? Yeah, So there's

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Speaker 1: a reel there, there's like a real reel that Guillermo's

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Speaker 1: reel as that. Yeah, bro, you are creating stuff where

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Speaker 1: you're jumping out a helicopter is and you're getting pretty

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Speaker 1: gnarly in your content creation. That's why I'm just asking

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Speaker 1: what's happening now, and then we'll go back to like

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Speaker 1: queens and all that.

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Speaker 4: I mean with the helicopter thing, just to touch on that, Like,

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Speaker 4: whenever I have an idea in my head right and

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Speaker 4: I see it, I envision it in my head, I'm like, oh.

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Speaker 3: That'll be a cool shot, right. It doesn't matter.

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Speaker 4: What the risk may be to get that shot, right,

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Speaker 4: like if I have to hire some helicopter pilot from Afie.

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Speaker 1: When the episode comes out here, But take me through that.

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Speaker 1: So now, when you had an idea to shoot something, yeah,

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Speaker 1: whatever the helicopter, tell me what you do and how

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Speaker 1: your team. What's the process of how you go through

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Speaker 1: a shoot?

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Speaker 4: So I think of the shot that I want in

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Speaker 4: my head. First I create a what do they call

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Speaker 4: it a storyboard? Not a storyboard, a treatment, create a treatment.

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Speaker 4: I've been doing that recently. It's been helping just some

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Speaker 4: random clips online, putting it all together, you know, from

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Speaker 4: different movies that I've seen, different shows, different music videos maybe,

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Speaker 4: and then obviously my own ideas right for my brain.

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Speaker 2: Like you have something cut out that you can watch

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Speaker 2: that you're recreating.

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Speaker 4: Yeah, there would be like a treatment maybe of a scene.

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Speaker 4: It might not be exactly the same. But let's say

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Speaker 4: I have a scene of a helicopter, I'll just go

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Speaker 4: find a video of a helicopter put it in there, right,

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Speaker 4: Because it's hard to explain in words sometimes your vision

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Speaker 4: to the cinematography, like to the person filming h So

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Speaker 4: I found it much easier to create a treatment for

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Speaker 4: them to watch. Otherwise, if I could just explain what

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Speaker 4: I'm thinking and simple words, I mean I would do

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Speaker 4: that instead, right, But creating a treatment helps the whole

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Speaker 4: team see the vision. I think it's important for everyone

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Speaker 4: to be on the same page, especially when you're creating,

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Speaker 4: you know, art together.

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Speaker 1: Is most of the stuff you're creating always for some

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Speaker 1: brand partnership, you know, monetization, or is some of it

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Speaker 1: just you doing it just for.

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Speaker 4: Fun, just for the passion of it, just for fun,

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Speaker 4: or to you know, make a video that goes with

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Speaker 4: the song for example music video. But I think the

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Speaker 4: bigger picture here is taking TV and film more serious,

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Speaker 4: and taking music more serious, and being able to show

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Speaker 4: people what I could do without a team.

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Speaker 1: What do you want to do with that idea? Say

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Speaker 1: you just said, I think the idea is showing people.

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Speaker 4: Right, what I can do for you know, fifteen thousand dollars, Right,

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Speaker 4: Like I made a whole action movie. I think in

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Speaker 4: like two it was a two and a half minute

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Speaker 4: music video. But I think it was a little action

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Speaker 4: movie for fifteen thousand dollars or less. Helicopter, historic bank,

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Speaker 4: jumping off of cliffs.

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Speaker 1: So then the rest becomes that piece of content that

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Speaker 1: that budget just becomes a video that goes out and

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Speaker 1: circulates however.

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Speaker 4: Right, and then I would put out little clips from

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Speaker 4: the music video to promote socials.

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Speaker 1: But it's your music, it's my music. How does that

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Speaker 1: come together? The music? It's meaning Johnny Valentine has an

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Speaker 1: original song, right, Johnny Valentine writes, produces, and directs his

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Speaker 1: own music video or video.

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Speaker 3: Yes, of the whole song or just of the whole song.

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Speaker 3: So it's a music video music video.

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Speaker 4: Yeah, this is separate from the content that we've been

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Speaker 4: talking about where I stare at strangers in slow motion,

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Speaker 4: completely separate.

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Speaker 3: This is just the music video stuff, right, A lot

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Speaker 3: of people.

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Speaker 1: So already the movie studio of Johnny Valentine has two

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Speaker 1: different arms of distribution, correct, correct? Yeah, interesting, here's what's funny.

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Speaker 1: I have the number of followers I have, and in

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Speaker 1: order to affect social media with content provision, you gotta

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Speaker 1: do it. You just got to do it. Ye got

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Speaker 1: to keep doing it. Dude. When I met you before,

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Speaker 1: we worked together and you we we did a video together.

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Speaker 1: You were just starting Instagram. You just almost had started

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Speaker 1: your Instagram, not just started. It was around for a

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Speaker 1: little bit, okay, but the numbers were the.

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Speaker 4: Numbers were lower. I think I had maybe it was that.

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Speaker 4: I think when we made that video it was at

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Speaker 4: four hundred and something thousand.

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Speaker 1: Okay, I think it was lower.

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Speaker 3: Was it lower? And mean think I don't, I don't

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Speaker 3: really this.

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Speaker 1: Is part of the fascination, bros. Again, those numbers are

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Speaker 1: four or five or six times higher now, yeah, in

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Speaker 1: a short period of time. So is that the one

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Speaker 1: side of the content provision, that is you doing the videos?

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Speaker 1: And how does it work that you know how to

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Speaker 1: move the needle so to speak, you know, without giving

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Speaker 1: me your secret sauce. Obviously, I don't give a shit.

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Speaker 4: I give you the secret sauce. I mean it's very simple,

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Speaker 4: you know. And I think as time goes on, you know,

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Speaker 4: history repeats itself. And things change. It always starts with authenticity,

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Speaker 4: you know, it always starts with what's real and authentic

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Speaker 4: people could feel that they can feel the emotion, they

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Speaker 4: could feel how they can If you can make somebody

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Speaker 4: feel something, right, that's that's a real thing.

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Speaker 3: You know.

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Speaker 4: You can scroll on Instagram for hours, you know, and

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Speaker 4: see like one hundred different videos that are just like

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Speaker 4: people are just trying to get views or whatever.

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Speaker 3: Right, and I've been there. I'm not gonna lie.

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Speaker 4: I might have done a few videos where I was

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Speaker 4: trying to get views in the past, you know, just

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Speaker 4: to just to learn, you know, it's more so like

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Speaker 4: a learning experience, learn the algorithm a little bit, see

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Speaker 4: how people reacted things. It's all trial and error at

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Speaker 4: the end of the day. But I would say, what

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Speaker 4: was your first quest? What was that main question that

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Speaker 4: you had there? Again because I was touching on something and.

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Speaker 1: No, just just that the thing that drove your numbers

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Speaker 1: on Instagram, On Instagram specifically, I think was those videos.

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Speaker 4: Yeah, And I think combining two different styles of video

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Speaker 4: in one right, people think because of social media, they

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Speaker 4: love the raw iPhone videos, right, So having a hook

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Speaker 4: within the first three seconds of an iPhone, raw video

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Speaker 4: that people are used to seeing already, right, helped then

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Speaker 4: right on that three second mark, switching it to a

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Speaker 4: cinematic shot of my face in slow motion. People have

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Speaker 4: never seen anything like this before. And I got the

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Speaker 4: inspiration from a movie called Bad Trip or a Bad Trip. Okay,

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Speaker 4: if you think about what they did, right, obviously it's

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Speaker 4: completely different, right, but the idea of Bad Trip, in

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Speaker 4: my mind, what I saw was a big social experiment

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Speaker 4: with a storyline in between, with a cinematic storyline in between. Now,

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Speaker 4: how do we take that and shrink it into thirty seconds?

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Speaker 1: Right?

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Speaker 4: iPhone? Big camera, I phone, a big camera?

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Speaker 1: Interesting? Yeah?

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Speaker 4: And and you know, I think that being able to

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Speaker 4: use my own song and create something brand new, right

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Speaker 4: that no one's done before. I've seen a lot of

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Speaker 4: people do similar things online, and I think I think

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Speaker 4: they do a great job. But being able to use

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Speaker 4: your own music in it, I think that was That

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Speaker 4: was my way to say, hey, guys, I'm not going

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Speaker 4: to force any song down your throat.

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Speaker 3: I'm going to provide value.

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Speaker 4: I'm going to provide entertainment and emotion through these little, little,

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Speaker 4: tiny scenes, these.

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Speaker 3: Little movie scenes.

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Speaker 4: Right, And and then I want the music to just

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Speaker 4: be in the background. I never once said go stream

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Speaker 4: this song. Like when I when I first started the trend,

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Speaker 4: it was more so about the content itself, was about

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Speaker 4: the situation, was about that moment with this with this person.

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Speaker 1: And your music now on its own is streaming.

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Speaker 4: Yeah, I think we're at like if you combine the

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Speaker 4: streams between actually released a slow version and now I

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Speaker 4: use the slow version of the music the normal speed version,

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Speaker 4: I think we're at over maybe twenty five thirty million

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Speaker 4: streams just on that one song.

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Speaker 2: Can I ask if you had to just do one

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Speaker 2: art the rest of your life, music or the movies

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Speaker 2: and the tiktoks, what would you choose?

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Speaker 3: It's like saying who do you love more of your

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Speaker 3: mom or your dad?

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Speaker 2: And I can answer that.

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Speaker 4: I think I've been fortunate enough to love music and

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Speaker 4: acting both the same.

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Speaker 1: Yeah.

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Speaker 4: To be honest, I'm not going to sit here and

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Speaker 4: try to force myself to say one over the other.

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Speaker 1: And everything up till now has been like your songography.

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Speaker 1: There's hasn't been like an album. Has there been an album?

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Speaker 3: No albums problems interesting, so.

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Speaker 1: No discography, but more of a songography. Yeah, how many

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Speaker 1: songs total now over the it's been several years.

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Speaker 4: I made music for about maybe five years now, but

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Speaker 4: I didn't really start singing.

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Speaker 3: For about three years.

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Speaker 4: That's cool something like that, I think because once I

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Speaker 4: got my home studio, that's when I could just record

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Speaker 4: whenever I want, get up in the middle of the night,

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Speaker 4: just you know, get a spark of inspiration and just

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Speaker 4: go and just go on my dog and record something

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Speaker 4: and back. You know, when I first started making music, right,

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Speaker 4: I think that it was more just for fun, just

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Speaker 4: learning the process of being in the studio and seeing

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Speaker 4: how things work. It was more just for uh, you know,

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Speaker 4: you're on a time crunch. You can't be creative on

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Speaker 4: a on a time crunch, you know what I mean.

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Speaker 4: You can't just get up one day and say, and

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Speaker 4: I think you can relate to this in many ways, like, Okay,

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Speaker 4: it's Tuesday at three pm time, I need you to

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Speaker 4: be creative. You can, you know, I think you can.

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Speaker 4: But it's not like those moments where you're just sitting

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Speaker 4: in the shower or you know, on the toilet or

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Speaker 4: whatever and you're just like, wow, this is a really

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Speaker 4: good idea. Let me write this down, or in the

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Speaker 4: middle of the night alone, right before you go to sleep,

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Speaker 4: right before your about to close your eyes. Take your

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Speaker 4: notepad out shorked on your phone or what for you?

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Speaker 4: Maybe it's like a notepad or something, right, I.

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Speaker 1: Just send messages to these guys and drive nuts at

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Speaker 1: two in the morning.

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Speaker 4: But or voice memo? Great, I do voice memos. I

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Speaker 4: do note pads too, because it helps me remember it better.

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Speaker 4: Sometimes I forget what I type in my notes on

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Speaker 4: my phone.

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Speaker 1: But so, what's been the latest? What's what's in the

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Speaker 1: last five to seven days? Was there any fiery inspiration

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Speaker 1: for a song? You know?

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Speaker 4: That's a great That's a great question. That's a great question.

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Speaker 4: I would have to say yes. I would have to

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Speaker 4: say yes. And I usually don't talk about these types

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Speaker 4: of things outside of the song itself. But I will

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Speaker 4: tell you what happened. Welcome to one bad movie. Well,

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00:18:43,400 --> 00:18:47,440
Speaker 4: thank you for having me. I don't go out to

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Speaker 4: party much, right, I don't. And there's different ways to party,

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00:18:54,000 --> 00:18:59,080
Speaker 4: you know, right, there's different ways to party. Hello, Yeah, man,

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Speaker 4: I think you know where I'm getting getting at with this.

355
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Speaker 4: But but I did go to a bar, right, sure

356
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Speaker 4: toned it down a little bit, right, toned it down

357
00:19:07,680 --> 00:19:09,320
Speaker 4: a little bit. Go to a bar, it's much more

358
00:19:09,560 --> 00:19:11,640
Speaker 4: you could actually hear people, rather than at a club

359
00:19:11,680 --> 00:19:14,760
Speaker 4: where was just in your ears. I think both are fun,

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Speaker 4: but I haven't gone out much. And I go to

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Speaker 4: the bar and I'm walking to the to sit down

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Speaker 4: at a table, you know, Barney's Beanery.

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Speaker 3: Sure, uh in West Hollywood.

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Speaker 1: Sure.

365
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Speaker 4: So I go to sit down at the table, and

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Speaker 4: who do I see?

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Speaker 1: Right? I see an ex girlfriend. By the way.

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Speaker 4: She was such a great person, you know, she was

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Speaker 4: such a great person. I just think that our beliefs

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00:19:37,880 --> 00:19:40,080
Speaker 4: and our viewpoints on a lot of things didn't line up.

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Speaker 4: And I think for the long term that wouldn't have

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Speaker 4: been something that I would have been okay with, you know.

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Speaker 4: And I think that's why that's why it ended just

374
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Speaker 4: to kind of you know a lot of people might

375
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Speaker 4: assume like, oh, something bad happened. No, nothing bad happened,

376
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Speaker 4: you know. So I see her sitting there, and I

377
00:20:00,640 --> 00:20:04,240
Speaker 4: think she was with like her new her new guy, right,

378
00:20:04,400 --> 00:20:06,280
Speaker 4: I don't know. I didn't know because I didn't I

379
00:20:06,280 --> 00:20:09,919
Speaker 4: don't look into these things. But could have been the

380
00:20:09,920 --> 00:20:12,439
Speaker 4: new guy, maybe a friend, I don't know, sure, And

381
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Speaker 4: I'm sitting down and it's just getting this the tension.

382
00:20:14,800 --> 00:20:17,560
Speaker 4: The tension starts to build, you know. And and Wednesdays

383
00:20:17,600 --> 00:20:22,119
Speaker 4: is is karaoke night at Barney's you know, but in

384
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Speaker 4: between everyone so in between every karaoke song, they play

385
00:20:27,800 --> 00:20:34,600
Speaker 4: a song, right, so in between one of the songs,

386
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Speaker 4: guess what song randomly comes on?

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Speaker 3: Your song slip away?

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00:20:41,800 --> 00:20:43,080
Speaker 1: Yeah, oh wow?

389
00:20:43,200 --> 00:20:44,160
Speaker 3: And I lost it.

390
00:20:45,080 --> 00:20:48,280
Speaker 4: I was I was losing it because the tension built

391
00:20:48,280 --> 00:20:50,240
Speaker 4: that the potential was like at an eight, it went

392
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Speaker 4: to like a fourteen.

393
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Speaker 1: Wow.

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Speaker 4: She was sitting two tables behind me, you know. But

395
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Speaker 4: I wish her the best of luck and whatever, you know,

396
00:20:56,280 --> 00:20:57,640
Speaker 4: whatever she's doing in her life.

397
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Speaker 3: And but uh, but yeah, that's what happened, all right.

398
00:21:03,840 --> 00:21:05,280
Speaker 4: It was a movie scene in my head, you know,

399
00:21:05,720 --> 00:21:07,840
Speaker 4: I was thinking of the next the next video that

400
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Speaker 4: I'm gonna do.

401
00:21:10,800 --> 00:21:12,120
Speaker 1: She whizz And.

402
00:21:12,080 --> 00:21:13,560
Speaker 3: That's that's real, that's authentic.

403
00:21:13,640 --> 00:21:17,200
Speaker 1: We call the song though of that evening.

404
00:21:18,760 --> 00:21:22,840
Speaker 3: Backs against each other. I don't know, Barney's.

405
00:21:22,320 --> 00:21:26,320
Speaker 1: Got a new chick, Barney's Beanery.

406
00:21:27,440 --> 00:21:29,320
Speaker 3: I'm not good at some Wednesday night at the Beanery.

407
00:21:29,359 --> 00:21:29,679
Speaker 3: I don't know.

408
00:21:30,640 --> 00:21:33,520
Speaker 2: I have no idea romancing the beanery.

409
00:21:34,160 --> 00:21:36,919
Speaker 3: Oh, dropping the bean.

410
00:21:39,119 --> 00:21:41,480
Speaker 2: Those who know. No, if you're if you're from Burbank,

411
00:21:41,560 --> 00:21:43,320
Speaker 2: you know, anyway.

412
00:21:42,960 --> 00:21:45,159
Speaker 4: I don't know what would you name it? Because our

413
00:21:45,200 --> 00:21:47,439
Speaker 4: backs were against each other. We had one table in between.

414
00:21:47,520 --> 00:21:50,240
Speaker 4: Our backs were against each other. You know, she's probably

415
00:21:50,240 --> 00:21:51,480
Speaker 4: gonna end up seeing a click.

416
00:21:53,040 --> 00:21:54,480
Speaker 1: Back up against the beanery.

417
00:21:54,680 --> 00:21:56,280
Speaker 3: Like you said, back up against the beanery.

418
00:21:56,280 --> 00:22:03,520
Speaker 1: I like that. That was good. But now you see

419
00:22:03,600 --> 00:22:07,359
Speaker 1: I'm weird and you're here because you're a little weird.

420
00:22:07,680 --> 00:22:09,440
Speaker 3: It's just a little bit, yeah, a little bit, yeah

421
00:22:09,480 --> 00:22:09,879
Speaker 3: for sure.

422
00:22:09,960 --> 00:22:13,800
Speaker 1: So how often in your creative process of when you're

423
00:22:13,880 --> 00:22:18,640
Speaker 1: making something does it change direction? Like here's the thing, dog,

424
00:22:18,640 --> 00:22:24,000
Speaker 1: you understand, you're your own boss. You're doing your stuff.

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00:22:24,119 --> 00:22:26,800
Speaker 1: And then like it's like if you're like a mini

426
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Speaker 1: nightmare director in Hollywood and you're like, no, I changed

427
00:22:30,200 --> 00:22:34,399
Speaker 1: my mind. I want all the walls blue cut. You

428
00:22:34,440 --> 00:22:37,159
Speaker 1: know you have to stop. Jaron's here to tell me, no,

429
00:22:37,359 --> 00:22:39,119
Speaker 1: you can't do it like that. It's gonna take too

430
00:22:39,160 --> 00:22:42,879
Speaker 1: much time. You get to go. You consider all that,

431
00:22:44,280 --> 00:22:47,879
Speaker 1: but in the algorithm of your sportsmanship, you're free to

432
00:22:47,920 --> 00:22:51,000
Speaker 1: go like this, how long will it take to paint

433
00:22:51,000 --> 00:22:51,680
Speaker 1: the walls blue?

434
00:22:52,280 --> 00:22:53,040
Speaker 2: Uh?

435
00:22:53,080 --> 00:22:56,240
Speaker 1: Six hours? Cool? I'm gonna go to the gym. I'm

436
00:22:56,240 --> 00:22:58,520
Speaker 1: gonna leave the doors open so the paint drives faster.

437
00:22:59,200 --> 00:23:00,480
Speaker 1: Am I right? You're right?

438
00:23:03,160 --> 00:23:04,080
Speaker 3: Do you mind if I take this office?

439
00:23:05,680 --> 00:23:17,280
Speaker 1: Here we go direction? Oh? Where did you get that?

440
00:23:18,440 --> 00:23:20,720
Speaker 1: My favorite hoodie? I wear it? Uh, dude, that's my

441
00:23:21,480 --> 00:23:22,560
Speaker 1: that's my guys.

442
00:23:22,840 --> 00:23:24,520
Speaker 3: Yeah, you don't remember I got this.

443
00:23:25,600 --> 00:23:26,280
Speaker 1: You get that from me.

444
00:23:26,400 --> 00:23:28,560
Speaker 3: You gave this to me back when we made that video.

445
00:23:29,840 --> 00:23:34,240
Speaker 1: Dude. You know what's freaking insane? What's insane when this

446
00:23:34,320 --> 00:23:39,040
Speaker 1: comes out? That company New York is a nationality, is

447
00:23:39,080 --> 00:23:44,600
Speaker 1: going to host an event for me and Jada Kiss,

448
00:23:45,119 --> 00:23:49,359
Speaker 1: a big well known hip hop producer and rapper, and

449
00:23:49,520 --> 00:23:51,760
Speaker 1: Jada Kiss and Stephen Baldwin are going to do a

450
00:23:51,800 --> 00:23:56,680
Speaker 1: pod swap because they have their own podcast and One

451
00:23:56,760 --> 00:23:59,840
Speaker 1: Bad Movie. See the hats there, and here's my plug.

452
00:24:00,080 --> 00:24:02,000
Speaker 1: He just hooked me up with the plug. Where's my shirt?

453
00:24:02,000 --> 00:24:03,000
Speaker 1: Who took my shirt away?

454
00:24:03,520 --> 00:24:03,840
Speaker 4: Jared?

455
00:24:04,119 --> 00:24:05,879
Speaker 2: I did, Jared?

456
00:24:05,960 --> 00:24:10,000
Speaker 1: It is so here's my one Bad Movie. So for Christmas, dude,

457
00:24:10,080 --> 00:24:14,200
Speaker 1: Oh wow, this is the Christmas edition of One Bad

458
00:24:14,200 --> 00:24:18,600
Speaker 1: Movie with Johnny Valentine, who's such a weird thing, dude.

459
00:24:18,680 --> 00:24:22,359
Speaker 1: Because New York is a nationality. I'm doing an event

460
00:24:22,400 --> 00:24:22,760
Speaker 1: with them.

461
00:24:23,000 --> 00:24:23,840
Speaker 3: Do you believe in fate?

462
00:24:25,480 --> 00:24:29,080
Speaker 1: That's where we met, dude, listen, here you are. Years later,

463
00:24:29,600 --> 00:24:32,240
Speaker 1: we did a video together at the Clover Stables where

464
00:24:32,280 --> 00:24:33,000
Speaker 1: I lived.

465
00:24:33,040 --> 00:24:34,280
Speaker 3: A few things together. I don't know if you want

466
00:24:34,280 --> 00:24:35,080
Speaker 3: to talk about it or not.

467
00:24:35,240 --> 00:24:38,800
Speaker 2: But what does that mean?

468
00:24:39,800 --> 00:24:40,439
Speaker 3: Are we allowed to?

469
00:24:40,560 --> 00:24:43,399
Speaker 1: That sounded like I don't remember what it was we

470
00:24:43,440 --> 00:24:47,040
Speaker 1: did together about? What? Talking about the video we did? No?

471
00:24:47,520 --> 00:24:48,040
Speaker 3: The other thing?

472
00:24:48,600 --> 00:24:49,239
Speaker 1: What's the other thing?

473
00:24:49,400 --> 00:24:50,760
Speaker 3: You gotta say the first thing?

474
00:24:51,680 --> 00:24:53,240
Speaker 1: What's the first thing? I don't know.

475
00:24:53,280 --> 00:24:54,359
Speaker 3: I don't know if we want to talk about it.

476
00:24:54,440 --> 00:24:57,199
Speaker 4: I'm not going to do it involve horses, No, it

477
00:24:57,280 --> 00:24:59,920
Speaker 4: involves car accidents.

478
00:25:01,400 --> 00:25:02,399
Speaker 3: Did we talk about it or not?

479
00:25:02,440 --> 00:25:02,800
Speaker 1: I don't know.

480
00:25:02,920 --> 00:25:04,320
Speaker 3: I don't know if that's something we could talk about.

481
00:25:04,359 --> 00:25:05,200
Speaker 3: I forgot what I signed.

482
00:25:06,480 --> 00:25:10,800
Speaker 1: Were we in a car accident together? I was, yeah, Yeah,

483
00:25:10,960 --> 00:25:11,600
Speaker 1: tell the story.

484
00:25:12,040 --> 00:25:14,040
Speaker 3: I don't know if we're allowed to, though, I genuinely

485
00:25:14,040 --> 00:25:14,399
Speaker 3: don't know.

486
00:25:17,080 --> 00:25:20,240
Speaker 2: Because of the story, and then we'll find out.

487
00:25:20,520 --> 00:25:25,000
Speaker 3: Yeah, was it past Pastor phil Or Pete?

488
00:25:25,040 --> 00:25:25,399
Speaker 1: What was it?

489
00:25:25,480 --> 00:25:26,280
Speaker 3: What was your name?

490
00:25:27,520 --> 00:25:29,600
Speaker 1: Pastor Bill? Pastor Bill? Right?

491
00:25:30,359 --> 00:25:31,120
Speaker 3: Was it Pastor Bill?

492
00:25:31,840 --> 00:25:36,040
Speaker 1: Remind me to be honest.

493
00:25:36,040 --> 00:25:38,080
Speaker 3: I forgot about it too.

494
00:25:40,320 --> 00:25:44,840
Speaker 1: What car accident? Are we? You don't recall? No, okay, so.

495
00:25:44,960 --> 00:25:49,199
Speaker 2: It happens that very it doesn't exist yet.

496
00:25:50,160 --> 00:25:52,639
Speaker 1: Sure you didn't dream dream.

497
00:25:52,760 --> 00:25:58,160
Speaker 3: I'm pretty damn sure, trust me. I'm pretty damn sure.

498
00:25:58,200 --> 00:25:58,439
Speaker 1: Are we?

499
00:26:01,200 --> 00:26:09,560
Speaker 4: October of twenty twenty two or twenty twenty one? Twenty

500
00:26:09,560 --> 00:26:10,560
Speaker 4: twenty one, twenty two two?

501
00:26:10,680 --> 00:26:13,480
Speaker 3: Where were you? What state were you in for a

502
00:26:13,520 --> 00:26:14,080
Speaker 3: month and a half.

503
00:26:16,440 --> 00:26:22,359
Speaker 4: I don't know, New Mexico, Atlanta, Georgia? Right, okay, never mind,

504
00:26:22,960 --> 00:26:25,320
Speaker 4: this never happened. Okay, we don't talk about it.

505
00:26:25,440 --> 00:26:27,639
Speaker 1: Was that in an accident in Atlanta, Georgian? No? No, no,

506
00:26:27,840 --> 00:26:31,400
Speaker 1: sounds like it's a Dano mix up. Again. I wonder

507
00:26:31,400 --> 00:26:32,520
Speaker 1: if it's a Dano mix up.

508
00:26:33,800 --> 00:26:34,240
Speaker 3: No, I didn't.

509
00:26:34,240 --> 00:26:34,600
Speaker 1: I didn't know.

510
00:26:34,640 --> 00:26:36,359
Speaker 4: If you want, if you want to talk about all

511
00:26:36,400 --> 00:26:37,960
Speaker 4: the work that we've done together, just that.

512
00:26:40,080 --> 00:26:41,760
Speaker 3: Never mind, All right, well, let's move on.

513
00:26:42,400 --> 00:26:44,679
Speaker 2: It was it? Was it? For sure? Stephen? Was that

514
00:26:44,800 --> 00:26:46,040
Speaker 2: the ballwin that this happened to?

515
00:26:46,160 --> 00:26:46,480
Speaker 1: For sure?

516
00:26:46,520 --> 00:26:46,879
Speaker 2: Stephen?

517
00:26:46,960 --> 00:26:47,440
Speaker 1: There was three?

518
00:26:47,560 --> 00:26:50,360
Speaker 2: Yeh oh that's oh wait? Was this when you were

519
00:26:50,400 --> 00:26:53,320
Speaker 2: down there? What we talked about it with Denise? You

520
00:26:53,359 --> 00:26:55,479
Speaker 2: were down there when you met niece Richards and my

521
00:26:55,520 --> 00:26:56,720
Speaker 2: mom movie.

522
00:26:57,760 --> 00:26:59,080
Speaker 3: Yeah, I don't know. I don't know if you wanted

523
00:26:59,080 --> 00:27:00,560
Speaker 3: to talk about that or not.

524
00:27:00,600 --> 00:27:06,920
Speaker 4: Because it's not so Daniel's movie. Correct, But what car accident?

525
00:27:08,280 --> 00:27:11,440
Speaker 4: I was in a coma because of the car flip.

526
00:27:11,760 --> 00:27:12,680
Speaker 3: In the movie.

527
00:27:12,960 --> 00:27:21,600
Speaker 1: Correct. This is so staying in this interview because Daniel

528
00:27:21,640 --> 00:27:24,240
Speaker 1: Baldwin directed a movie that Billy Baldwin was in and

529
00:27:24,280 --> 00:27:26,480
Speaker 1: Stephen Baldmen was in and we shot it in Atlanta

530
00:27:26,480 --> 00:27:29,359
Speaker 1: with Denise Richards and a lovely cast, and the movie's

531
00:27:29,440 --> 00:27:34,760
Speaker 1: never come out. And Johnny plays one of the characters

532
00:27:34,800 --> 00:27:40,040
Speaker 1: in the film of the son of one of the

533
00:27:40,119 --> 00:27:44,960
Speaker 1: lead characters who's in a horrible car wreck, and his

534
00:27:45,119 --> 00:27:49,680
Speaker 1: characters is character and he's laid up in a coma.

535
00:27:50,240 --> 00:27:53,879
Speaker 3: Right, Yeah, that's the one, isn't that.

536
00:27:54,400 --> 00:27:58,560
Speaker 1: I know. I'm going, dude, I drop some pot and

537
00:27:58,640 --> 00:28:02,439
Speaker 1: forget with freaking I mean, I was back to like

538
00:28:02,480 --> 00:28:05,520
Speaker 1: a Frankly Fisher freaking sweat lodge there for a second.

539
00:28:07,000 --> 00:28:09,600
Speaker 3: It didn't come out, and we need to do something

540
00:28:09,600 --> 00:28:09,960
Speaker 3: about that.

541
00:28:12,640 --> 00:28:14,720
Speaker 1: Wait, can I ask it's a long story. We can't

542
00:28:14,720 --> 00:28:15,159
Speaker 1: talk about it.

543
00:28:15,240 --> 00:28:16,400
Speaker 3: Yeah, we can't talk about that's what I want?

544
00:28:16,600 --> 00:28:19,359
Speaker 1: No, No, Well, the good question was now people are

545
00:28:19,359 --> 00:28:21,000
Speaker 1: going to look into it. No, you were smart though,

546
00:28:21,080 --> 00:28:22,760
Speaker 1: to say, hey, can we talk about because the film's

547
00:28:22,760 --> 00:28:23,639
Speaker 1: not out yet? Correct?

548
00:28:24,280 --> 00:28:25,119
Speaker 3: Why I said that?

549
00:28:25,200 --> 00:28:28,520
Speaker 1: But dude, I'm sitting here going you're saying, can we

550
00:28:28,560 --> 00:28:31,200
Speaker 1: talk about the work? I thought we robbed a bank

551
00:28:31,240 --> 00:28:33,840
Speaker 1: and had the freaking murder a freaking security guard and

552
00:28:34,320 --> 00:28:37,040
Speaker 1: chop up his body and bury him all over? Hey,

553
00:28:37,040 --> 00:28:40,720
Speaker 1: can we talk about the other work we've done together? Oh?

554
00:28:40,800 --> 00:28:44,120
Speaker 1: My god? So cool? Yeah, no, I didn't know. I

555
00:28:44,120 --> 00:28:45,360
Speaker 1: was waiting for you to say I worked at a

556
00:28:45,400 --> 00:28:46,880
Speaker 1: strip club with you. I don't remember.

557
00:28:47,240 --> 00:28:50,160
Speaker 3: Yeah, No, maybe we did, maybe, or maybe it was

558
00:28:50,160 --> 00:28:50,560
Speaker 3: just a dream.

559
00:28:50,640 --> 00:28:54,720
Speaker 1: Dude, that's Craig. How crazy is this, Craig, cra I

560
00:28:54,760 --> 00:28:57,360
Speaker 1: have it. Where's that sweater thing you took off?

561
00:28:57,880 --> 00:29:00,239
Speaker 2: It's behind the set it.

562
00:29:00,640 --> 00:29:02,160
Speaker 1: Can you get it for me? I want to give

563
00:29:02,160 --> 00:29:03,160
Speaker 1: it to him as a gift right now?

564
00:29:03,200 --> 00:29:04,480
Speaker 2: Yeah? Can we do it at the end.

565
00:29:04,640 --> 00:29:05,680
Speaker 1: I want to do I want to give him.

566
00:29:05,920 --> 00:29:06,640
Speaker 2: Let's do it at the end.

567
00:29:06,640 --> 00:29:08,320
Speaker 1: I want to have a crazy episode.

568
00:29:08,480 --> 00:29:10,080
Speaker 2: We're gonna do it at the end, because no, no,

569
00:29:10,120 --> 00:29:11,560
Speaker 2: I got to do it right now. He has another

570
00:29:11,560 --> 00:29:14,400
Speaker 2: thing for you, right, you have one more walk off. Yeah,

571
00:29:14,960 --> 00:29:16,800
Speaker 2: I wanted to give you some merch from the Let's

572
00:29:16,800 --> 00:29:18,120
Speaker 2: do it. Let's do a squat.

573
00:29:18,840 --> 00:29:20,040
Speaker 1: Oh, let's do a merch swap.

574
00:29:20,120 --> 00:29:24,760
Speaker 2: Yeah at the end, Oh, Cherry so smart? So can

575
00:29:24,800 --> 00:29:25,320
Speaker 2: I ask them?

576
00:29:26,920 --> 00:29:28,440
Speaker 1: Is that in the way? No, you're good.

577
00:29:29,920 --> 00:29:34,560
Speaker 2: Let's gore, let's clear it, let's cell it. Yeah, yeah,

578
00:29:35,080 --> 00:29:37,440
Speaker 2: okay for those at home, we're just we're trying to

579
00:29:37,480 --> 00:29:40,840
Speaker 2: clean up the set to have it be who cares

580
00:29:40,880 --> 00:29:42,000
Speaker 2: about continuity?

581
00:29:42,120 --> 00:29:42,400
Speaker 1: Dope?

582
00:29:43,520 --> 00:29:45,640
Speaker 2: Can I Can I ask the movie that you were

583
00:29:45,640 --> 00:29:47,920
Speaker 2: alluding to? Would that be your one bad movie?

584
00:29:48,520 --> 00:29:51,840
Speaker 1: We don't know, right, but you know it's dope? Is

585
00:29:51,360 --> 00:29:55,320
Speaker 1: is Johnny Valentine's one bad movie? Is a movie this

586
00:29:55,560 --> 00:29:58,760
Speaker 1: unreleased has never even come out? That's even more mysterious?

587
00:29:59,640 --> 00:30:02,480
Speaker 1: Or is it bad? What's the title of Dan's movie?

588
00:30:02,560 --> 00:30:05,640
Speaker 1: Johnny doesn't even have a.

589
00:30:06,960 --> 00:30:10,720
Speaker 4: Say, yeah, Walking, miracle, Walking Miracles.

590
00:30:10,760 --> 00:30:12,600
Speaker 3: I can't hear them mile.

591
00:30:14,000 --> 00:30:18,120
Speaker 1: Oh yeah, it's on my I m dB. Yeah, Walking.

592
00:30:18,120 --> 00:30:21,040
Speaker 3: You've done so many movies that you forgot the movies

593
00:30:21,080 --> 00:30:21,960
Speaker 3: that you've done.

594
00:30:23,240 --> 00:30:24,960
Speaker 1: Only by the ones from by my brother.

595
00:30:25,480 --> 00:30:27,520
Speaker 3: Is a Doyle moment right here, it's a Doyle moment.

596
00:30:27,880 --> 00:30:32,480
Speaker 1: Yeah. Oh, that's every day, every day. Where's moving into

597
00:30:32,520 --> 00:30:36,800
Speaker 1: method acting right now? For Biodome too? Oh yeah, but

598
00:30:36,920 --> 00:30:41,680
Speaker 1: you were great in that and that untitled unreleased Daniel

599
00:30:41,800 --> 00:30:46,880
Speaker 1: Baldwin feature film, Thank You Apparent? What?

600
00:30:47,120 --> 00:30:50,360
Speaker 2: No, it's breaking news, breaking news, the movie has been released.

601
00:30:51,120 --> 00:30:51,880
Speaker 3: That's impossible.

602
00:30:52,680 --> 00:30:55,800
Speaker 1: A miracle could be happening right here, Johnny, you sit

603
00:30:55,880 --> 00:30:59,280
Speaker 1: and breathe. Is it stream somewhere?

604
00:30:59,640 --> 00:31:02,000
Speaker 2: No, No, it doesn't mean it's actually released.

605
00:31:02,080 --> 00:31:03,120
Speaker 1: I'm not. I knew it.

606
00:31:03,120 --> 00:31:03,760
Speaker 3: There's no way.

607
00:31:03,960 --> 00:31:09,480
Speaker 1: Wow, the power of the Valentine.

608
00:31:10,360 --> 00:31:13,200
Speaker 3: I knew it wasn't out. There's no way. All right, Yeah,

609
00:31:13,320 --> 00:31:16,480
Speaker 3: so is it or is it right?

610
00:31:16,520 --> 00:31:16,680
Speaker 2: Well?

611
00:31:16,680 --> 00:31:19,160
Speaker 1: They're gonna put it out? Are they? They're gonna put

612
00:31:19,200 --> 00:31:20,720
Speaker 1: it out somehow? So are they going to try to

613
00:31:20,720 --> 00:31:21,400
Speaker 1: monetize it? Right?

614
00:31:21,440 --> 00:31:21,760
Speaker 3: Somebody?

615
00:31:21,760 --> 00:31:22,880
Speaker 1: But somebody paid for it.

616
00:31:25,000 --> 00:31:26,640
Speaker 4: Somebody did pay for that. When do you think it's

617
00:31:26,680 --> 00:31:28,200
Speaker 4: gonna get put out next year?

618
00:31:28,320 --> 00:31:31,760
Speaker 1: Probably? Okay, you might guess. Some of these things get

619
00:31:31,800 --> 00:31:34,800
Speaker 1: a little complicated in the post production takes a minute.

620
00:31:34,840 --> 00:31:35,640
Speaker 3: You know, it'd be insane.

621
00:31:36,120 --> 00:31:37,800
Speaker 4: Say again, you know, it would be kind of crazy

622
00:31:38,080 --> 00:31:40,960
Speaker 4: if that movie got released in like twenty years and

623
00:31:41,000 --> 00:31:43,360
Speaker 4: people got the simecast after everything happens.

624
00:31:43,680 --> 00:31:47,800
Speaker 1: Yeah, like it's already a bad movie before it's happened.

625
00:31:51,200 --> 00:31:52,880
Speaker 3: Yeah, they got to do something about that cover?

626
00:31:53,160 --> 00:31:56,680
Speaker 1: Is that the one sheet? Can you send me that?

627
00:31:56,680 --> 00:32:01,200
Speaker 3: That was just a mock up? I think, interesting thing image.

628
00:32:01,360 --> 00:32:05,560
Speaker 1: Are you a producer on the film that's a mock up? No? Oh,

629
00:32:06,400 --> 00:32:11,200
Speaker 1: okay you could be. No. I wouldn't even know what

630
00:32:11,280 --> 00:32:12,640
Speaker 1: else we got for Johnny Valenco.

631
00:32:12,720 --> 00:32:15,880
Speaker 2: I have a few questions. Sure, if that's not your

632
00:32:15,920 --> 00:32:17,920
Speaker 2: one bad movie, then what's your one bad TikTok?

633
00:32:18,880 --> 00:32:20,920
Speaker 4: Well, there was something else that I did. I strolled

634
00:32:20,920 --> 00:32:24,960
Speaker 4: onto set of a Gino Caffarelli he was filming. He

635
00:32:25,040 --> 00:32:28,560
Speaker 4: was a directing a movie with Spencer Boldman and Emi

636
00:32:28,640 --> 00:32:31,080
Speaker 4: Lee Radakowski. I think that's how you say her name, right.

637
00:32:31,520 --> 00:32:33,280
Speaker 4: And this is before I was a pizza delivery boy.

638
00:32:33,360 --> 00:32:35,120
Speaker 4: I was working at delivering food for a diner. I

639
00:32:35,160 --> 00:32:39,600
Speaker 4: was like sixteen or something. You relate and I was, yeah,

640
00:32:39,640 --> 00:32:43,400
Speaker 4: we spoke about that, that's right. And then I strolled

641
00:32:43,400 --> 00:32:45,960
Speaker 4: onto set one day and they're like, hey, do you

642
00:32:45,960 --> 00:32:46,680
Speaker 4: want to be an extra?

643
00:32:46,800 --> 00:32:48,280
Speaker 3: I was like yeah. I was like, finally I get

644
00:32:48,360 --> 00:32:49,800
Speaker 3: to this is so cool? Oh my god?

645
00:32:49,920 --> 00:32:51,640
Speaker 4: Right, And I wasn't in entertainment or anything. I was

646
00:32:51,640 --> 00:32:53,959
Speaker 4: a baseball player my whole life. And then I was like,

647
00:32:54,280 --> 00:32:56,360
Speaker 4: finally the movie comes out and I'm watching it. I'm

648
00:32:56,360 --> 00:32:58,120
Speaker 4: like where am I? And I see like a silhouette

649
00:32:58,160 --> 00:33:01,120
Speaker 4: of my head in between like thirteen pe in like

650
00:33:01,200 --> 00:33:03,640
Speaker 4: one two second clip, and I was like, that's it.

651
00:33:03,680 --> 00:33:06,440
Speaker 1: I'm in there. I did it. That's mom, Look I

652
00:33:06,480 --> 00:33:06,840
Speaker 1: did it.

653
00:33:07,160 --> 00:33:16,200
Speaker 2: You know, do you have a bad TikTok You have one?

654
00:33:16,680 --> 00:33:18,640
Speaker 1: Yeah, just like in the field, like one bad movie

655
00:33:18,800 --> 00:33:21,160
Speaker 1: is you know, what's a movie you did that was

656
00:33:21,200 --> 00:33:24,080
Speaker 1: a bad experience? So now you're so prolific in so

657
00:33:24,160 --> 00:33:27,200
Speaker 1: many platforms, we have to ask you that more specific like,

658
00:33:27,280 --> 00:33:30,000
Speaker 1: is there one bad TikTok video shoot you had?

659
00:33:30,280 --> 00:33:34,480
Speaker 4: I think there was one bad TikTok chapter that I

660
00:33:34,600 --> 00:33:37,840
Speaker 4: definitely had where all of the content I was putting

661
00:33:37,880 --> 00:33:41,160
Speaker 4: out is now privated. That's all we have to say.

662
00:33:42,040 --> 00:33:43,479
Speaker 4: I was just a little embarrassing. I guess what I

663
00:33:43,520 --> 00:33:46,480
Speaker 4: was doing, you know, but you're not gonna be able

664
00:33:46,520 --> 00:33:46,920
Speaker 4: to find it.

665
00:33:47,520 --> 00:33:47,680
Speaker 1: Well.

666
00:33:47,720 --> 00:33:50,440
Speaker 2: Speaking of embarrassing social media, what advice would you have

667
00:33:50,520 --> 00:33:54,280
Speaker 2: for Steven for his social media being? Being the pro

668
00:33:54,360 --> 00:33:54,760
Speaker 2: that you are.

669
00:33:54,880 --> 00:33:58,120
Speaker 4: I think I think more people should be like Steven

670
00:33:58,480 --> 00:34:02,360
Speaker 4: and be extremely authentic, to be honest, love and not

671
00:34:02,440 --> 00:34:05,200
Speaker 4: worry about what people are thinking and saying. And I

672
00:34:05,200 --> 00:34:06,440
Speaker 4: think that's super important.

673
00:34:09,080 --> 00:34:10,479
Speaker 1: Barbarian mic drop.

674
00:34:12,000 --> 00:34:14,319
Speaker 3: Do you hear that from the freaking try to move

675
00:34:14,320 --> 00:34:14,759
Speaker 3: out the wagon?

676
00:34:16,200 --> 00:34:17,680
Speaker 1: Be more like Grandpa.

677
00:34:18,520 --> 00:34:21,000
Speaker 4: Apparently people are sending me your Twitter posts or something,

678
00:34:21,120 --> 00:34:22,839
Speaker 4: or people are seeing you on Twitter sending me your post,

679
00:34:22,880 --> 00:34:24,080
Speaker 4: which is great, cool.

680
00:34:24,200 --> 00:34:25,080
Speaker 3: Yeah, it's a great thing.

681
00:34:25,239 --> 00:34:29,560
Speaker 1: But these guys they get upset with me because there's

682
00:34:29,600 --> 00:34:33,000
Speaker 1: like sometimes in the algorithm of the algorithm.

683
00:34:33,239 --> 00:34:36,000
Speaker 3: Yeah, so to speak, you know.

684
00:34:35,960 --> 00:34:40,040
Speaker 1: There's a there's a process, a technique, a methodology. Post

685
00:34:40,080 --> 00:34:42,799
Speaker 1: this many times, make it this long, the three second rule,

686
00:34:42,840 --> 00:34:45,880
Speaker 1: blah blah blah, all this stuff. I just say to people, dude,

687
00:34:48,400 --> 00:34:54,400
Speaker 1: relax man, it's gonna be okay. See, once you have

688
00:34:54,440 --> 00:34:58,040
Speaker 1: the confidence of who you are and then you start

689
00:34:58,120 --> 00:35:02,240
Speaker 1: to roll that out into the algorithm, then it becomes

690
00:35:02,280 --> 00:35:05,680
Speaker 1: a Johnny valid time, then it becomes whatever you want

691
00:35:05,719 --> 00:35:11,000
Speaker 1: it to be. But as you learn the process of

692
00:35:11,040 --> 00:35:14,319
Speaker 1: how to reach a bigger audience, So James, John and

693
00:35:14,440 --> 00:35:20,480
Speaker 1: Jared are constantly correcting me on my social media to say, no,

694
00:35:20,719 --> 00:35:22,200
Speaker 1: you can't be that weird.

695
00:35:24,160 --> 00:35:26,120
Speaker 4: At the end of the day, I think you can

696
00:35:26,160 --> 00:35:30,360
Speaker 4: do whatever you want, right, But I I also I

697
00:35:32,040 --> 00:35:33,680
Speaker 4: have to see where they're coming from. I can't even

698
00:35:33,719 --> 00:35:36,880
Speaker 4: tell because I don't know the specific thing you're talking about.

699
00:35:39,200 --> 00:35:40,560
Speaker 4: But at the end of the day, I think that's

700
00:35:40,560 --> 00:35:42,920
Speaker 4: the power of social media. You can do whatever the

701
00:35:42,920 --> 00:35:46,040
Speaker 4: hell you want, and and and you can and like.

702
00:35:46,880 --> 00:35:50,320
Speaker 1: If there there there. Their argument, Johnny is very simple.

703
00:35:50,840 --> 00:35:52,759
Speaker 1: You know you've heard the old expression like there's a

704
00:35:52,760 --> 00:35:55,680
Speaker 1: difference between apples and oranges. Right. Well, I wake up

705
00:35:55,680 --> 00:35:59,080
Speaker 1: every morning and I tell these guys I'm Johnny Appleseed, right,

706
00:35:59,160 --> 00:36:00,640
Speaker 1: And then all of a sudden, I do a video

707
00:36:00,680 --> 00:36:02,719
Speaker 1: where I'm juggling oranges, and.

708
00:36:02,760 --> 00:36:05,880
Speaker 4: They go, yeah, you have to teach me how to

709
00:36:05,960 --> 00:36:06,440
Speaker 4: juggle like that.

710
00:36:06,440 --> 00:36:09,040
Speaker 3: Actually, I was gonna ask you about that, maybe.

711
00:36:09,840 --> 00:36:15,359
Speaker 1: Steve social media apple Seed and you're juggling oranges, and

712
00:36:15,400 --> 00:36:21,880
Speaker 1: I go, it's okay. When the people watch, they'll see

713
00:36:22,120 --> 00:36:28,320
Speaker 1: apples like telepathically the orange. I give him some stoner

714
00:36:28,600 --> 00:36:33,520
Speaker 1: bullshit and they come back to me with it's better

715
00:36:33,560 --> 00:36:36,400
Speaker 1: if you scrub the whole thing. Just stop being Johnny

716
00:36:36,400 --> 00:36:39,760
Speaker 1: apple Seed and just be you, right, James.

717
00:36:40,120 --> 00:36:44,400
Speaker 2: We're not saying you. We're just saying be ten of you,

718
00:36:44,480 --> 00:36:48,160
Speaker 2: not one hundred percent, just ten percent of no comment, Okay,

719
00:36:48,200 --> 00:36:50,239
Speaker 2: twenty five twenty five percent of Stephen Balden is what

720
00:36:50,239 --> 00:36:51,640
Speaker 2: we're suggesting on social.

721
00:36:51,719 --> 00:36:56,360
Speaker 1: Sorry, listen, I used to snort a lot of cocaine.

722
00:36:56,520 --> 00:37:01,840
Speaker 1: Now I just snort myself that I got myself snorting.

723
00:37:02,080 --> 00:37:03,080
Speaker 3: Where did you find this guy?

724
00:37:04,280 --> 00:37:08,040
Speaker 1: Exactly? They're not sure the aliens are coming, and apparently

725
00:37:08,080 --> 00:37:10,239
Speaker 1: I'm one of their leaders. I just don't know it.

726
00:37:11,360 --> 00:37:17,600
Speaker 1: So between that and hey, Seuss, I'm just chilling. All right, Yes, Jared,

727
00:37:17,719 --> 00:37:18,040
Speaker 1: all right?

728
00:37:18,040 --> 00:37:20,240
Speaker 2: If you had to remake one of Stevens movies shot

729
00:37:20,280 --> 00:37:22,200
Speaker 2: for shot on TikTok, which one would it.

730
00:37:22,120 --> 00:37:24,480
Speaker 3: Be Shot for shot on TikTok?

731
00:37:24,560 --> 00:37:27,200
Speaker 4: Well, I don't think TikTok would let up any of

732
00:37:27,239 --> 00:37:30,719
Speaker 4: his movies on it goes against all their community guidelines.

733
00:37:32,880 --> 00:37:35,120
Speaker 3: But what would you say, actually, what would you say?

734
00:37:35,640 --> 00:37:36,080
Speaker 2: Threesome?

735
00:37:36,120 --> 00:37:36,359
Speaker 1: Wow?

736
00:37:37,239 --> 00:37:38,200
Speaker 3: No, biodome?

737
00:37:38,560 --> 00:37:40,440
Speaker 2: I think I think biodome.

738
00:37:40,560 --> 00:37:41,759
Speaker 1: Yeah, biodome would be dope.

739
00:37:42,480 --> 00:37:48,239
Speaker 2: Yeah, for sure's the what's the best bad movie you

740
00:37:48,320 --> 00:37:51,240
Speaker 2: secretly love? Like? What's your guilty pleasure for bad movies?

741
00:37:51,480 --> 00:37:53,120
Speaker 3: Guilty pleasure for bad movies?

742
00:37:53,160 --> 00:37:55,120
Speaker 2: It's just horrendous and you know it's bad. It was like, oh,

743
00:37:55,200 --> 00:37:58,280
Speaker 2: it's got a soft spot in your heart.

744
00:37:58,840 --> 00:38:03,000
Speaker 4: Not a movie but Andrew Schultz stand up comedy, guilty pleasure,

745
00:38:03,400 --> 00:38:06,960
Speaker 4: but movie I would say, I would have to say,

746
00:38:07,920 --> 00:38:11,279
Speaker 4: I'm gonna be honest, I'm a car guy. I was

747
00:38:11,280 --> 00:38:13,359
Speaker 4: definitely more of a car guy in the past. Toned

748
00:38:13,400 --> 00:38:18,920
Speaker 4: it down but fast and furious. When they started turning

749
00:38:18,960 --> 00:38:22,000
Speaker 4: it into a superhero movie, it lost me.

750
00:38:22,400 --> 00:38:22,720
Speaker 1: Wow.

751
00:38:22,920 --> 00:38:30,160
Speaker 4: It was all about the family, the relationships, the relatability, connectivity.

752
00:38:29,520 --> 00:38:30,279
Speaker 3: The connectivity.

753
00:38:30,320 --> 00:38:31,920
Speaker 4: You can connect with these people and you can see

754
00:38:31,920 --> 00:38:33,279
Speaker 4: yourselves in them, shoot in their shoes.

755
00:38:33,320 --> 00:38:33,400
Speaker 2: You know.

756
00:38:33,400 --> 00:38:34,680
Speaker 4: I always thought I was Paul Walker when I was

757
00:38:34,800 --> 00:38:37,520
Speaker 4: zooming around in my six speed manual car, when I

758
00:38:37,560 --> 00:38:41,480
Speaker 4: was like But then once it turned into I mean

759
00:38:42,560 --> 00:38:46,759
Speaker 4: an action movie, but like a superhero movie, I should say,

760
00:38:47,600 --> 00:38:50,160
Speaker 4: it lost me. Everything about the culture, the car. There

761
00:38:50,200 --> 00:38:54,080
Speaker 4: was no car culture there. It was just it looked

762
00:38:54,120 --> 00:38:56,840
Speaker 4: like they did it for other reasons.

763
00:38:56,880 --> 00:39:00,000
Speaker 2: You know, which entry into the franchise would you say,

764
00:39:00,120 --> 00:39:01,960
Speaker 2: did it was it fast five or which one.

765
00:39:01,840 --> 00:39:02,480
Speaker 3: Was it was it was?

766
00:39:02,600 --> 00:39:04,359
Speaker 4: I mean I've seen them from the beginning. I mean

767
00:39:04,400 --> 00:39:06,920
Speaker 4: from the first one to the to the to the seven.

768
00:39:07,000 --> 00:39:07,640
Speaker 3: Which stop there?

769
00:39:07,719 --> 00:39:09,719
Speaker 2: Which one jumps the shark? Which one took it from?

770
00:39:09,760 --> 00:39:11,839
Speaker 2: Like stilk cars and cool actions.

771
00:39:11,800 --> 00:39:13,520
Speaker 4: It was I think it was? Was it seven or

772
00:39:13,640 --> 00:39:16,960
Speaker 4: was it eight? One of the last ones they made,

773
00:39:17,080 --> 00:39:19,960
Speaker 4: My Lord made? You know what I think they should

774
00:39:19,960 --> 00:39:22,400
Speaker 4: do and I would love to play this part. I

775
00:39:22,400 --> 00:39:26,239
Speaker 4: think they should make Fast and Furious a brand new one.

776
00:39:27,120 --> 00:39:30,839
Speaker 4: And this might be controversial, but they should make a

777
00:39:30,880 --> 00:39:33,759
Speaker 4: film of when before Paul Walker, like as he got

778
00:39:33,760 --> 00:39:41,000
Speaker 4: his license and how he like a prequel exactly are

779
00:39:41,040 --> 00:39:44,120
Speaker 4: you putting yourself up for the I will play Paul Walker.

780
00:39:44,560 --> 00:39:45,400
Speaker 3: I know about cars.

781
00:39:45,480 --> 00:39:48,040
Speaker 1: Do you have Vin's number? No?

782
00:39:48,120 --> 00:39:50,640
Speaker 3: But I think I think, Uh, I get it.

783
00:39:50,760 --> 00:39:51,319
Speaker 2: Let's do it.

784
00:39:51,400 --> 00:39:53,880
Speaker 4: Someone I know has Vin's number, but I don't have

785
00:39:53,960 --> 00:39:55,319
Speaker 4: Vin's number. And I would also love to stay.

786
00:39:55,640 --> 00:39:58,239
Speaker 1: Get Vin's number. I wanted to. That's what we know here,

787
00:39:58,360 --> 00:40:05,400
Speaker 1: one bad movie. Hey Vin, we're calling you as usual.

788
00:40:06,239 --> 00:40:08,200
Speaker 1: I just want to do the craft service. That's it.

789
00:40:08,320 --> 00:40:09,560
Speaker 4: And if we don't get to do that, at least

790
00:40:09,600 --> 00:40:11,160
Speaker 4: let me stare at you in slow motion. We could

791
00:40:11,200 --> 00:40:11,840
Speaker 4: do that too.

792
00:40:13,719 --> 00:40:14,160
Speaker 3: In the car.

793
00:40:14,239 --> 00:40:16,200
Speaker 4: We could do it at a stop light. Yeah, you know,

794
00:40:17,120 --> 00:40:18,600
Speaker 4: rest in peace, Paul Walker.

795
00:40:19,000 --> 00:40:24,040
Speaker 1: Can you imagine like you're at a red light, Johnny

796
00:40:24,120 --> 00:40:28,320
Speaker 1: Valentine's in a car, Vin Diesel's in a car. Johnny

797
00:40:28,440 --> 00:40:32,319
Speaker 1: like looks out the side window and he goes and

798
00:40:32,440 --> 00:40:33,319
Speaker 1: Vin Diesel goes.

799
00:40:36,080 --> 00:40:37,600
Speaker 3: I think we should think that would be Foe steering

800
00:40:37,680 --> 00:40:39,600
Speaker 3: him in slow motion. That would be super fun.

801
00:40:39,960 --> 00:40:41,640
Speaker 1: Vin's dope. You have you met him?

802
00:40:41,800 --> 00:40:43,800
Speaker 4: No, I haven't, but I've seen clips of him online

803
00:40:43,800 --> 00:40:46,480
Speaker 4: recently actually talking to some fans, and he was.

804
00:40:47,400 --> 00:40:53,560
Speaker 1: The sweetest, coolest, old school yeah homies ever. He's one

805
00:40:53,600 --> 00:40:55,000
Speaker 1: of the few cats like if you saw him, it's

806
00:40:55,000 --> 00:40:58,600
Speaker 1: like the next day. That's weird, That's that's rare. Yeah,

807
00:40:58,800 --> 00:41:00,840
Speaker 1: but yeah, I know I've Madam. I've hung out with

808
00:41:00,840 --> 00:41:03,040
Speaker 1: them a little bit, like at events like back in

809
00:41:03,080 --> 00:41:04,640
Speaker 1: the day, I used to go to these openings for

810
00:41:04,719 --> 00:41:08,640
Speaker 1: Planet Hollywood. Yeah, and Vin used to go to a

811
00:41:08,640 --> 00:41:11,160
Speaker 1: lot of that kind of thing. Yeah, back in the day.

812
00:41:11,880 --> 00:41:13,560
Speaker 4: Yeah, I've seen a few of the cast members at

813
00:41:13,560 --> 00:41:15,000
Speaker 4: some parties and hung out with a few of the

814
00:41:15,040 --> 00:41:18,560
Speaker 4: cast members in Miami a couple of years back during

815
00:41:18,560 --> 00:41:19,040
Speaker 4: our basel.

816
00:41:20,120 --> 00:41:23,200
Speaker 1: But how many they've made? Ten of them? Haven't they

817
00:41:23,280 --> 00:41:25,440
Speaker 1: made ten? Ten? Well?

818
00:41:25,480 --> 00:41:28,040
Speaker 2: Plus the Hobbs and shaw Entry.

819
00:41:28,600 --> 00:41:32,440
Speaker 1: I mean, because to anybody's defense, in any franchise, at

820
00:41:32,480 --> 00:41:36,000
Speaker 1: some point, after a certain number of sequels, it's jumping

821
00:41:36,080 --> 00:41:38,359
Speaker 1: the shark. Dude, it's just never going to be I'm

822
00:41:38,360 --> 00:41:42,280
Speaker 1: not defending Vin Diesel, but it's hard to keep something fresh.

823
00:41:42,320 --> 00:41:45,040
Speaker 1: This is a great way to, like Rocky Balboa started

824
00:41:45,120 --> 00:41:47,279
Speaker 1: over with right now.

825
00:41:47,360 --> 00:41:50,480
Speaker 4: I think, right now, it's all about the the authenticity

826
00:41:50,520 --> 00:41:52,400
Speaker 4: of the relatability to connect toivity.

827
00:41:52,480 --> 00:41:55,200
Speaker 3: You're right, You're time. It needs to go around the clocket.

828
00:41:55,239 --> 00:42:01,080
Speaker 1: Nicholas, remind me to call Vin Diesel. A star is born. Yeah,

829
00:42:01,120 --> 00:42:02,960
Speaker 1: Vin's number. Okay, we'll call him later.

830
00:42:03,000 --> 00:42:04,719
Speaker 2: Now, let's let's call him right now. Let's just let's

831
00:42:04,760 --> 00:42:06,799
Speaker 2: just go wild. What he's doing right now, Let's call

832
00:42:06,840 --> 00:42:07,279
Speaker 2: it Vin on the.

833
00:42:07,400 --> 00:42:09,080
Speaker 3: We I'll take a guess of what he's doing right now.

834
00:42:11,960 --> 00:42:12,440
Speaker 1: He's hanging.

835
00:42:12,480 --> 00:42:15,280
Speaker 2: He's hanging with family. He's all about the family.

836
00:42:15,360 --> 00:42:16,319
Speaker 3: Love that. I love that.

837
00:42:16,640 --> 00:42:18,520
Speaker 1: Text his number. I love that.

838
00:42:19,120 --> 00:42:22,160
Speaker 2: So So Vin Diesel versus Dwayne Johnson. You can only

839
00:42:22,160 --> 00:42:25,560
Speaker 2: have one big, massive ball dude in Hollywood, apparently, because

840
00:42:25,560 --> 00:42:28,799
Speaker 2: when they work together, they're let's say they're working personas

841
00:42:28,800 --> 00:42:30,680
Speaker 2: collide and I'm not gonna say egos, I.

842
00:42:30,640 --> 00:42:32,840
Speaker 4: Think it made a better I think that part of

843
00:42:32,880 --> 00:42:36,840
Speaker 4: the film was cool because you got to see it

844
00:42:36,920 --> 00:42:38,560
Speaker 4: brought this tension to it, and it's like, I want

845
00:42:38,560 --> 00:42:39,759
Speaker 4: to keep my eyes on what's going on?

846
00:42:39,840 --> 00:42:42,400
Speaker 2: You know, Ben Diesel versus The Rock? Who do you

847
00:42:42,440 --> 00:42:45,399
Speaker 2: go for in a fight? No, just as a fan,

848
00:42:45,520 --> 00:42:47,279
Speaker 2: as a fan from Outsiders.

849
00:42:46,960 --> 00:42:51,399
Speaker 1: Vin Diesel versus The Rock? Who do I think is

850
00:42:51,480 --> 00:42:57,520
Speaker 1: the more interesting super hero? Machismo home boy?

851
00:42:58,360 --> 00:43:03,719
Speaker 2: M m yes, on and off the camera, right, Yeah,

852
00:43:03,840 --> 00:43:08,400
Speaker 2: there's no question The Rock is badass as an action star.

853
00:43:09,640 --> 00:43:11,160
Speaker 1: Well, when you want to talk about like just the

854
00:43:11,200 --> 00:43:17,719
Speaker 1: flavor of cool, Vin Diesel's legend dog Vin Diesels, you know,

855
00:43:18,440 --> 00:43:22,760
Speaker 1: back in the day he rolled, you know big leagues

856
00:43:23,000 --> 00:43:25,759
Speaker 1: still does. But like when it comes back to the

857
00:43:25,840 --> 00:43:29,399
Speaker 1: marquee mark back in the day, eighties, nineties, like who

858
00:43:29,480 --> 00:43:33,320
Speaker 1: was like rowing in the club? Vin Diesel was a bad.

859
00:43:34,440 --> 00:43:36,200
Speaker 2: I think there's only one way to really settle this.

860
00:43:36,239 --> 00:43:38,520
Speaker 2: I think you have to two camera invite both on

861
00:43:38,520 --> 00:43:42,200
Speaker 2: one bad movie. And yeah, whoever whoever shows up first whens.

862
00:43:42,080 --> 00:43:46,960
Speaker 1: Cool, either Vin Diesel or the Rock? Yeah, Rock, then

863
00:43:47,520 --> 00:43:51,120
Speaker 1: come on the show, bro. I'll circle back with you

864
00:43:51,200 --> 00:43:52,799
Speaker 1: Dog the Rock.

865
00:43:53,440 --> 00:43:55,640
Speaker 3: Come on, Vin Diesel can make me cry.

866
00:43:56,320 --> 00:43:57,360
Speaker 2: You know that's that's important.

867
00:43:57,360 --> 00:43:57,799
Speaker 1: As an actor.

868
00:43:58,000 --> 00:43:59,360
Speaker 3: I think that's important.

869
00:44:00,239 --> 00:44:07,200
Speaker 1: Makes me cry for very different reasons. Let's just say,

870
00:44:07,400 --> 00:44:10,280
Speaker 1: if I have to compare the number of bad movies

871
00:44:10,320 --> 00:44:12,720
Speaker 1: made by Vin Diesel or the number of bad movies

872
00:44:12,719 --> 00:44:14,920
Speaker 1: made by The Rock, guess who.

873
00:44:14,719 --> 00:44:17,520
Speaker 2: Wins, Steven Baldwin.

874
00:44:24,120 --> 00:44:25,279
Speaker 1: Okay, can we let this guy go?

875
00:44:25,520 --> 00:44:27,200
Speaker 2: No, I want to play a couple of fun games.

876
00:44:27,200 --> 00:44:30,279
Speaker 2: We've never done this on. I'm gonna okay, We're gonna

877
00:44:30,280 --> 00:44:31,320
Speaker 2: play two different games.

878
00:44:31,440 --> 00:44:31,759
Speaker 1: All right.

879
00:44:31,800 --> 00:44:35,720
Speaker 2: The first one is I'm gonna describe a movie badly,

880
00:44:36,000 --> 00:44:38,400
Speaker 2: and you guys both have to guess if Steven was

881
00:44:38,440 --> 00:44:43,280
Speaker 2: in this movie or not based on my description. Oh perfect, okay, yeah, Steven,

882
00:44:43,320 --> 00:44:48,160
Speaker 2: are you listening? Get that? Get the movie. I'll do

883
00:44:48,360 --> 00:44:50,440
Speaker 2: ten ten for this game, and if I get them

884
00:44:50,480 --> 00:44:53,920
Speaker 2: all right, then then we will crown you the champion.

885
00:44:55,000 --> 00:44:56,839
Speaker 2: Oh yeah, yeah, yeah, So it's a yes or no, right,

886
00:44:56,960 --> 00:44:59,200
Speaker 2: yes or no. Well, it's gonna be if Steven was

887
00:44:59,239 --> 00:45:00,879
Speaker 2: in it or not? Yeah, so yes or no?

888
00:45:01,200 --> 00:45:03,240
Speaker 3: Okay, here we go, all right, you ready?

889
00:45:03,360 --> 00:45:06,600
Speaker 2: Yep? Okay? The one where the hero must stop the

890
00:45:06,680 --> 00:45:08,680
Speaker 2: end of the world by sitting in a room arguing

891
00:45:09,080 --> 00:45:14,040
Speaker 2: about Bible trivia with seven strangers. Was Stephen Baldwin in

892
00:45:14,080 --> 00:45:14,480
Speaker 2: this or not?

893
00:45:14,960 --> 00:45:16,640
Speaker 3: Is Little Trivia? Yeah?

894
00:45:16,840 --> 00:45:18,560
Speaker 2: You say yes, Stephen? What's your answer?

895
00:45:19,040 --> 00:45:19,760
Speaker 1: Genius club?

896
00:45:20,080 --> 00:45:23,160
Speaker 2: Yes? Good job? All right, so that's one for one,

897
00:45:23,239 --> 00:45:26,680
Speaker 2: one for one. Okay. The cyber thriller where the hero

898
00:45:26,760 --> 00:45:30,719
Speaker 2: fights evil by staring intensely at computer screens that don't

899
00:45:30,760 --> 00:45:32,359
Speaker 2: appear to be turned on at all.

900
00:45:33,960 --> 00:45:40,319
Speaker 1: Yeah, for sure, I would not recall that experience whatsoever.

901
00:45:41,880 --> 00:45:43,799
Speaker 2: So are you saying you were or were not in

902
00:45:43,880 --> 00:45:44,279
Speaker 2: this movie?

903
00:45:44,320 --> 00:45:45,360
Speaker 1: I was not in that movie.

904
00:45:46,120 --> 00:45:49,200
Speaker 2: This movie was two thousand and six Dark Storm, starring

905
00:45:49,200 --> 00:45:54,319
Speaker 2: Stephen Baldwin. Okay, two for two.

906
00:45:54,480 --> 00:45:57,799
Speaker 1: That's a sketchy description, though, bro Okay, who was misleading?

907
00:45:58,520 --> 00:46:01,960
Speaker 2: All right? Okay? The movie where the fearsome villain is

908
00:46:02,320 --> 00:46:07,080
Speaker 2: a tire a tire that kills people with psychic powers. No,

909
00:46:07,600 --> 00:46:09,400
Speaker 2: really a tire.

910
00:46:09,640 --> 00:46:11,640
Speaker 1: At tire like rolling on a car.

911
00:46:11,800 --> 00:46:15,799
Speaker 2: Yes, m.

912
00:46:17,600 --> 00:46:19,360
Speaker 1: I'm not I can't give away any clues.

913
00:46:19,480 --> 00:46:21,719
Speaker 3: Okay, wait, hold on, is it like this could be

914
00:46:21,760 --> 00:46:26,560
Speaker 3: an animation? It could be I'm gonna go yes.

915
00:46:26,600 --> 00:46:29,680
Speaker 2: Okay, your official answer is yes, Steven, what is your answer.

916
00:46:30,920 --> 00:46:34,279
Speaker 1: I'm tired from this question. But no, the answer is no,

917
00:46:34,360 --> 00:46:38,680
Speaker 1: I have no recollection of any storyline involving a deadly tire.

918
00:46:40,040 --> 00:46:42,440
Speaker 2: You are correct, Steven, Thank you. I was twenty ten

919
00:46:42,640 --> 00:46:44,359
Speaker 2: rubber for all those fans out there.

920
00:46:44,280 --> 00:46:47,120
Speaker 1: That way, thank you. Where the rubber meets the road.

921
00:46:47,280 --> 00:46:50,040
Speaker 1: One bad movie, damn it all right?

922
00:46:51,360 --> 00:46:54,120
Speaker 2: The prison escape buddy movie where our heroes have to

923
00:46:54,160 --> 00:46:56,839
Speaker 2: outrun the cops and jeans that seem two sizes too

924
00:46:56,880 --> 00:46:59,080
Speaker 2: big for any action scene.

925
00:46:59,520 --> 00:47:09,080
Speaker 1: Yes, Laurence Fishburn, Yeah, thank you, fled Yeah all right.

926
00:47:09,440 --> 00:47:12,040
Speaker 2: The film where a pastor turns into a dinosaur and

927
00:47:12,080 --> 00:47:15,239
Speaker 2: decides crime fighting is a better calling than preaching the gospel.

928
00:47:16,200 --> 00:47:16,359
Speaker 1: No.

929
00:47:16,480 --> 00:47:21,600
Speaker 3: Negative, I can't remember a dinosaur. Negative.

930
00:47:21,640 --> 00:47:26,600
Speaker 1: I haven't worked for Angel Studios much. But there you go, John,

931
00:47:26,640 --> 00:47:28,319
Speaker 1: I guess see I slipped that one in there.

932
00:47:28,400 --> 00:47:29,440
Speaker 3: A pastor.

933
00:47:31,480 --> 00:47:33,719
Speaker 2: Turns into a dinosaur dynasty that's throwing me off.

934
00:47:33,719 --> 00:47:35,080
Speaker 3: The pastor part yes.

935
00:47:35,360 --> 00:47:40,200
Speaker 2: And decides crime fighting is better than calling preaching no gospel.

936
00:47:40,280 --> 00:47:45,000
Speaker 1: No, I have a hearing loss. Did you say a

937
00:47:45,040 --> 00:47:47,839
Speaker 1: pastor that turns into a dinosaur?

938
00:47:48,040 --> 00:47:51,840
Speaker 2: I did, indeed, Yes, I don't.

939
00:47:51,600 --> 00:47:53,880
Speaker 1: Recall being in any such a movie as as.

940
00:47:53,760 --> 00:47:56,520
Speaker 2: That Okay, so both of you answers are no, No,

941
00:47:57,360 --> 00:48:00,400
Speaker 2: you're both correct. That was two thousand and eight teen's

942
00:48:00,680 --> 00:48:06,120
Speaker 2: Veloci Pastor. I'm sorry the Veloci.

943
00:48:05,719 --> 00:48:10,239
Speaker 3: Past That's hilarious. That's real velos of Pastor Veloca.

944
00:48:11,480 --> 00:48:14,600
Speaker 1: That's one bed moe in the We should have one

945
00:48:14,680 --> 00:48:17,560
Speaker 1: either the writer, star or director. We had to do

946
00:48:17,600 --> 00:48:20,160
Speaker 1: a zoom, you know, kind of riverside with those guys

947
00:48:20,760 --> 00:48:23,960
Speaker 1: reviewing that picture. Did that make the loss of Pastor?

948
00:48:24,200 --> 00:48:24,480
Speaker 2: Yes?

949
00:48:25,040 --> 00:48:26,360
Speaker 3: Did it make money in that film?

950
00:48:26,480 --> 00:48:27,839
Speaker 2: We we don't have the answer for that. I don't

951
00:48:27,840 --> 00:48:29,959
Speaker 2: think anybody has the answer to that except the account.

952
00:48:29,800 --> 00:48:33,160
Speaker 3: Ny make Money's curious to see I people, I am too.

953
00:48:33,440 --> 00:48:36,040
Speaker 2: All right, all right, this is the Christmas classic where

954
00:48:36,040 --> 00:48:39,840
Speaker 2: a serial killer becomes a snowman and nobody seems that

955
00:48:40,000 --> 00:48:41,400
Speaker 2: upset about it becomes a snowman.

956
00:48:43,080 --> 00:48:44,719
Speaker 3: A serial killer becomes a snowman.

957
00:48:45,840 --> 00:48:49,400
Speaker 1: A serial killer that becomes a snowman. Is that what

958
00:48:49,400 --> 00:48:49,840
Speaker 1: he said?

959
00:48:49,960 --> 00:48:50,400
Speaker 2: Correct?

960
00:48:53,200 --> 00:48:53,439
Speaker 3: Yes?

961
00:48:54,280 --> 00:48:58,680
Speaker 1: You say yes, Stephen, Johnny Valmentine does not think very

962
00:48:58,760 --> 00:49:02,200
Speaker 1: highly of my rep That's all I can tell you.

963
00:49:03,320 --> 00:49:04,640
Speaker 1: It's a movie where a.

964
00:49:04,640 --> 00:49:09,840
Speaker 2: What a serial killer becomes a snowman and nobody seems

965
00:49:09,840 --> 00:49:10,799
Speaker 2: that upset about it.

966
00:49:11,239 --> 00:49:12,319
Speaker 1: This is a real movie.

967
00:49:12,360 --> 00:49:13,840
Speaker 2: It's an absolute real movie.

968
00:49:14,280 --> 00:49:17,600
Speaker 1: God, oh gosh, no, this is real on per Okay, No,

969
00:49:17,640 --> 00:49:18,680
Speaker 1: I was never in that movie.

970
00:49:18,800 --> 00:49:22,120
Speaker 2: Correct. This was Jack Frost nineteen ninety seven, not to

971
00:49:22,120 --> 00:49:26,520
Speaker 2: be confused with Michael Keaton's Jack Frost and ste familiar.

972
00:49:27,640 --> 00:49:28,920
Speaker 3: Yeah it did sound familiar.

973
00:49:29,200 --> 00:49:33,279
Speaker 2: Okay. Another apocalyptic movie where the hero gets captured by

974
00:49:33,360 --> 00:49:37,319
Speaker 2: the Antichrist but somehow still looks confused even when he's

975
00:49:37,360 --> 00:49:38,000
Speaker 2: winning the fight.

976
00:49:41,320 --> 00:49:44,839
Speaker 1: I I gotta be very specific, Johnny about my faith

977
00:49:44,880 --> 00:49:47,800
Speaker 1: based titles. Say it again.

978
00:49:48,560 --> 00:49:53,040
Speaker 2: An apocalyptic movie where the hero gets captured by the antichrist,

979
00:49:53,760 --> 00:49:57,399
Speaker 2: but somehow still looks confused even when he's winning the fight.

980
00:49:59,320 --> 00:50:00,600
Speaker 1: No, I wasn't in that movie.

981
00:50:01,960 --> 00:50:06,160
Speaker 2: So yes, no, even track all right? That was two

982
00:50:06,239 --> 00:50:10,000
Speaker 2: thousand and fours six, The Mark Unleashed, starring Steven Baldwin.

983
00:50:11,040 --> 00:50:13,359
Speaker 3: We go, okay, how many are left?

984
00:50:13,560 --> 00:50:14,440
Speaker 2: I think two more?

985
00:50:14,840 --> 00:50:15,000
Speaker 1: No?

986
00:50:15,000 --> 00:50:15,520
Speaker 2: No, two more?

987
00:50:15,560 --> 00:50:16,000
Speaker 1: Two more?

988
00:50:16,040 --> 00:50:16,439
Speaker 2: All right?

989
00:50:17,160 --> 00:50:18,319
Speaker 1: This is fantastic.

990
00:50:18,640 --> 00:50:21,600
Speaker 2: Oh sorry, three more all right? The horror movie where

991
00:50:21,600 --> 00:50:24,680
Speaker 2: the deadliest object in the house is a lamp, A

992
00:50:24,800 --> 00:50:26,160
Speaker 2: literal table lamp.

993
00:50:28,200 --> 00:50:29,280
Speaker 3: I don't think you did horror.

994
00:50:29,400 --> 00:50:30,600
Speaker 1: I don't think I did that one either.

995
00:50:31,160 --> 00:50:35,360
Speaker 2: Correct. AMBITI woarf Ambityville four.

996
00:50:35,480 --> 00:50:38,279
Speaker 1: But that's so now it's three to three. What is it?

997
00:50:38,280 --> 00:50:38,920
Speaker 1: What's the score?

998
00:50:40,880 --> 00:50:44,279
Speaker 2: It's still still tied. We're just gonna go buy Who's ahead?

999
00:50:45,000 --> 00:50:50,840
Speaker 2: All right? We gotta we gotta really think hard about this.

1000
00:50:51,160 --> 00:50:56,399
Speaker 2: So a supernatural thriller where the hero discovers aliens by

1001
00:50:56,440 --> 00:50:59,520
Speaker 2: finding weird crop circles that look like someone mode of

1002
00:50:59,600 --> 00:51:07,520
Speaker 2: lawn drunk. Yes your answers, yes, Steven, Yes.

1003
00:51:08,160 --> 00:51:12,000
Speaker 1: So it's not signs by. What's his name's how do

1004
00:51:12,000 --> 00:51:15,120
Speaker 1: you say that dude's name? I can ever m night,

1005
00:51:15,360 --> 00:51:19,719
Speaker 1: shalla la la lam Lama, la m lama, ding mama. No,

1006
00:51:19,800 --> 00:51:25,680
Speaker 1: not sham lama. Yes. I remember being in a creepy,

1007
00:51:25,880 --> 00:51:29,239
Speaker 1: low budget movie. The John mcgalliard made me due for

1008
00:51:29,320 --> 00:51:32,640
Speaker 1: the commission. They paid me like fifty grand to work

1009
00:51:32,719 --> 00:51:36,160
Speaker 1: five days and it was no. Listen to me. The

1010
00:51:36,200 --> 00:51:38,200
Speaker 1: title you're about to say is one of the worst

1011
00:51:38,280 --> 00:51:41,760
Speaker 1: films I've ever been involved with in my career.

1012
00:51:41,960 --> 00:51:47,200
Speaker 2: What is it called place Silent Warnings Silent? So we

1013
00:51:47,239 --> 00:51:51,319
Speaker 2: have John John mcg the movies you do independently.

1014
00:51:50,760 --> 00:51:53,480
Speaker 1: Where they go, hey man, it's like a it's a

1015
00:51:53,640 --> 00:51:57,200
Speaker 1: nine hundred thousand dollars budget. They're shooting it in the

1016
00:51:57,200 --> 00:52:01,560
Speaker 1: traditional way. It's in Iowa, and they're putting you up

1017
00:52:01,560 --> 00:52:04,400
Speaker 1: at this hotel down the road from a cornfield because

1018
00:52:04,400 --> 00:52:06,600
Speaker 1: the movie shoots in the cornfield. So they just thought

1019
00:52:06,600 --> 00:52:08,960
Speaker 1: it would be they can pay you more if you'll

1020
00:52:08,960 --> 00:52:11,360
Speaker 1: stay in the hotel down by the cornfield. So you

1021
00:52:11,480 --> 00:52:13,080
Speaker 1: kind of hear all this from your agent and you go,

1022
00:52:14,400 --> 00:52:16,520
Speaker 1: how bad can it be? You know, motels sick down

1023
00:52:16,520 --> 00:52:18,640
Speaker 1: the road from the cornfield. You don't realize the rats

1024
00:52:19,040 --> 00:52:21,640
Speaker 1: in the cornfield are like, you know, feeding off of

1025
00:52:21,680 --> 00:52:24,640
Speaker 1: your food and blah blah blah blah blah blah blah,

1026
00:52:24,680 --> 00:52:29,720
Speaker 1: silent warnings. That was one of the more sketchier shoots

1027
00:52:29,719 --> 00:52:30,520
Speaker 1: I was involved with.

1028
00:52:30,600 --> 00:52:36,400
Speaker 2: Yeah, final question, You guys are tied right right? Okay?

1029
00:52:36,520 --> 00:52:37,080
Speaker 3: For the wind?

1030
00:52:37,200 --> 00:52:38,120
Speaker 1: For the wind.

1031
00:52:40,440 --> 00:52:43,319
Speaker 3: Or tie it could be a tie bred A thriller.

1032
00:52:43,040 --> 00:52:45,680
Speaker 2: Where a sofa becomes jealous and starts murdering people who

1033
00:52:45,680 --> 00:52:47,040
Speaker 2: try to sit on other furniture.

1034
00:52:48,280 --> 00:52:49,279
Speaker 3: Can you say that one more time?

1035
00:52:49,360 --> 00:52:53,840
Speaker 2: So a thriller where a sofa or couch becomes jealous

1036
00:52:53,920 --> 00:52:57,400
Speaker 2: and starts murdering people who try to sit on other furniture.

1037
00:53:00,239 --> 00:53:05,919
Speaker 2: A couch couch, sofa Yep, awesome, a couch, a love

1038
00:53:05,960 --> 00:53:16,919
Speaker 2: seat that feels unloved. Ah no, now, what's not fair?

1039
00:53:17,080 --> 00:53:17,640
Speaker 2: Yeah you could.

1040
00:53:17,719 --> 00:53:22,200
Speaker 1: You could Aaron's he can be like a dick, And

1041
00:53:22,640 --> 00:53:25,560
Speaker 1: this could actually be one of my movies. What are

1042
00:53:25,600 --> 00:53:26,560
Speaker 1: you gonna say? No?

1043
00:53:27,360 --> 00:53:31,000
Speaker 2: You're gonna say no. This could also be Stephen's strategies

1044
00:53:31,000 --> 00:53:33,480
Speaker 2: to make sure that it like he may not lose it.

1045
00:53:33,640 --> 00:53:35,240
Speaker 2: At the very least, he may not win.

1046
00:53:35,160 --> 00:53:37,120
Speaker 1: If it ends in a tie. It ends in a tie.

1047
00:53:37,200 --> 00:53:39,360
Speaker 1: Johnny's got to come back to One Bad Movie.

1048
00:53:39,400 --> 00:53:42,920
Speaker 2: All right, it ends in a tie. Stephen was not

1049
00:53:43,040 --> 00:53:45,760
Speaker 2: in Killer Sofa in twenty nineteen.

1050
00:53:46,840 --> 00:53:48,239
Speaker 3: Great game, great game.

1051
00:53:48,600 --> 00:53:51,520
Speaker 2: Link to all these movies, will link all the movies

1052
00:53:51,520 --> 00:53:52,040
Speaker 2: in description.

1053
00:53:52,400 --> 00:53:56,279
Speaker 3: That's great.

1054
00:53:57,320 --> 00:54:00,319
Speaker 2: Welcome back to One Bad Movies Game Edition. This one

1055
00:54:00,360 --> 00:54:02,040
Speaker 2: is called which Baldwin was Out?

1056
00:54:02,080 --> 00:54:02,360
Speaker 1: Again?

1057
00:54:03,400 --> 00:54:05,680
Speaker 2: I'm gonna give you a description of a movie and

1058
00:54:05,760 --> 00:54:09,919
Speaker 2: you have to tell me which Baldwin was in that movie?

1059
00:54:09,920 --> 00:54:12,400
Speaker 3: Is so wrong in that movie?

1060
00:54:12,440 --> 00:54:16,240
Speaker 2: Okay, Alec, William, Steven or Daniel.

1061
00:54:16,320 --> 00:54:18,480
Speaker 3: How many questions we'll do?

1062
00:54:18,960 --> 00:54:22,000
Speaker 2: We'll do ten again? How about that? Okay, this is tough.

1063
00:54:22,040 --> 00:54:25,880
Speaker 1: This is tough. I love good competition, but this is

1064
00:54:26,400 --> 00:54:27,800
Speaker 1: gonna cause my brain to melt.

1065
00:54:27,960 --> 00:54:31,719
Speaker 4: Go ahead, no, no, sure, okay, all right.

1066
00:54:32,560 --> 00:54:36,480
Speaker 2: Number one, it's the one where a guy gets turned

1067
00:54:36,480 --> 00:54:39,400
Speaker 2: into a superhero simply because an ancient lamp chooses him

1068
00:54:39,480 --> 00:54:41,640
Speaker 2: and he spends the whole movie looking like he regrets

1069
00:54:41,719 --> 00:54:42,200
Speaker 2: being in it.

1070
00:54:44,400 --> 00:54:51,279
Speaker 1: Only the hm hmm is are we trying to name

1071
00:54:51,400 --> 00:54:52,040
Speaker 1: the Baldwin?

1072
00:54:52,200 --> 00:54:54,560
Speaker 2: Yeah?

1073
00:54:54,640 --> 00:54:56,800
Speaker 3: Can there be a movie with multiple in Are you

1074
00:54:56,840 --> 00:54:57,719
Speaker 3: gonna name any of those?

1075
00:54:58,360 --> 00:54:59,080
Speaker 1: I will?

1076
00:54:59,160 --> 00:55:01,880
Speaker 2: I will point out and it's so if you name

1077
00:55:01,960 --> 00:55:03,120
Speaker 2: one of them, then it counts.

1078
00:55:05,520 --> 00:55:06,279
Speaker 1: Can you repeat that?

1079
00:55:06,600 --> 00:55:08,839
Speaker 2: Yep, it's the one where a guy gets turned into

1080
00:55:08,840 --> 00:55:12,000
Speaker 2: a superhero simply because an ancient lamp chooses him and

1081
00:55:12,040 --> 00:55:14,040
Speaker 2: he spends the whole movie looking like he regrets being

1082
00:55:14,040 --> 00:55:19,360
Speaker 2: in the movie. Our hint is we have spoken about

1083
00:55:19,360 --> 00:55:26,440
Speaker 2: this movie on One Bad Movie Ultimate. Well yeah, actually there,

1084
00:55:26,520 --> 00:55:28,960
Speaker 2: Well I'll give you another hint because there was a

1085
00:55:29,040 --> 00:55:31,960
Speaker 2: whole clip devoted to this movie.

1086
00:55:32,640 --> 00:55:36,279
Speaker 1: Yeah, I know what we're talking. Okay, is that your

1087
00:55:36,280 --> 00:55:40,120
Speaker 1: final answer? Johnny Valentine, Stephen Baldwin was in a movie

1088
00:55:40,440 --> 00:55:46,279
Speaker 1: about a genie in a lamp that what is it? Yeah?

1089
00:55:46,280 --> 00:55:47,800
Speaker 3: You got me in this one. It might be Stephen.

1090
00:55:48,480 --> 00:55:54,440
Speaker 2: It was Alec Baldwin in nineteen ninety four, The Shadow knows?

1091
00:55:55,160 --> 00:55:58,680
Speaker 2: How about this? To make this fair, we'll keep Johnny.

1092
00:55:58,719 --> 00:56:01,239
Speaker 2: You can keep saying whether it's Stephen or no, it's

1093
00:56:01,239 --> 00:56:03,719
Speaker 2: another balling, and Steven has to know which brother it

1094
00:56:03,840 --> 00:56:06,440
Speaker 2: was freaking fair. There we go.

1095
00:56:06,560 --> 00:56:08,319
Speaker 3: Okay, and what if I'm specific about who it is?

1096
00:56:08,320 --> 00:56:08,960
Speaker 3: Do I get extras?

1097
00:56:08,960 --> 00:56:09,040
Speaker 1: Oh?

1098
00:56:09,120 --> 00:56:12,080
Speaker 2: Yeah, absolutely, and even more points if you name the movie?

1099
00:56:12,080 --> 00:56:13,240
Speaker 1: Don't give him more points?

1100
00:56:13,320 --> 00:56:15,719
Speaker 2: Yeah, I know, we have to repect he's our guests, our.

1101
00:56:16,280 --> 00:56:18,799
Speaker 1: There we go, look at him. He's already to lose,

1102
00:56:19,200 --> 00:56:19,960
Speaker 1: all right, ready.

1103
00:56:20,160 --> 00:56:23,439
Speaker 2: Yeah, it's the one where our first responder spends eighty

1104
00:56:23,480 --> 00:56:25,960
Speaker 2: percent of the movie being sweaty, confused, and having more

1105
00:56:26,080 --> 00:56:30,400
Speaker 2: romantic chemistry with the other Billy first responders than the

1106
00:56:30,600 --> 00:56:34,920
Speaker 2: other actual love interest. For sure, Billy, Yeah, you have

1107
00:56:35,000 --> 00:56:37,279
Speaker 2: nailed that one, and you can you just name the movie.

1108
00:56:38,320 --> 00:56:40,960
Speaker 2: I'm bad at remembering that, but you right out I

1109
00:56:40,960 --> 00:56:42,719
Speaker 2: didn't even finish the question. You knew who it was

1110
00:56:42,880 --> 00:56:46,400
Speaker 2: backdraft correct, nineteen ninety one.

1111
00:56:46,400 --> 00:56:50,080
Speaker 4: Well, Billy balls, that means I erased my point exactly.

1112
00:56:50,320 --> 00:56:52,400
Speaker 1: Yes, I have a lot of science.

1113
00:56:53,960 --> 00:56:57,680
Speaker 2: Yes, okay, our resident expert John mcgalliard weighing in on

1114
00:56:57,719 --> 00:57:01,919
Speaker 2: the science the fire science of backdraft. Fascinating stuff, John,

1115
00:57:01,960 --> 00:57:07,759
Speaker 2: Thank you for the contribution. That's staying in all right, Ah, yes,

1116
00:57:08,120 --> 00:57:10,959
Speaker 2: thank you James for moving on all right. Number three,

1117
00:57:11,760 --> 00:57:14,040
Speaker 2: The cyber thriller where a guy tries to hack the

1118
00:57:14,040 --> 00:57:16,520
Speaker 2: government using computers that looked like they came free in

1119
00:57:16,560 --> 00:57:17,400
Speaker 2: a cereal box.

1120
00:57:19,280 --> 00:57:22,080
Speaker 1: Daniel, but you can just say.

1121
00:57:22,040 --> 00:57:27,440
Speaker 2: Steve another give the description please, a cyber thriller. Cyber

1122
00:57:27,520 --> 00:57:30,400
Speaker 2: thriller where a guy tries to hack the government using

1123
00:57:30,400 --> 00:57:34,040
Speaker 2: computers that looked like they came free in a cereal box.

1124
00:57:35,480 --> 00:57:37,120
Speaker 2: And you just have to say if it was Steven

1125
00:57:37,240 --> 00:57:39,880
Speaker 2: or got you another Baldwin.

1126
00:57:40,520 --> 00:57:44,280
Speaker 1: Dick, Now I have to name the Baldwin.

1127
00:57:44,400 --> 00:57:46,080
Speaker 2: Yes you do shit?

1128
00:57:48,320 --> 00:57:56,560
Speaker 1: Uh, Billy correct, it's a total guest. Yeah, because wait

1129
00:57:56,560 --> 00:57:58,040
Speaker 1: a second, what's the one with Sharon Stone.

1130
00:57:58,560 --> 00:57:59,520
Speaker 2: It's that slipper?

1131
00:57:59,680 --> 00:58:01,840
Speaker 1: Oh it's flipper. Yeah. Oh I thought you see your

1132
00:58:01,880 --> 00:58:05,280
Speaker 1: description was sketchy again, dude, Yeah, well that's I thought

1133
00:58:05,320 --> 00:58:07,560
Speaker 1: it was some other title. It's that's on purpose.

1134
00:58:07,680 --> 00:58:09,200
Speaker 2: Yeah, all right.

1135
00:58:09,640 --> 00:58:11,880
Speaker 1: Number four, what's the score. What's the score?

1136
00:58:12,800 --> 00:58:15,200
Speaker 2: It's even ooh?

1137
00:58:15,320 --> 00:58:15,920
Speaker 1: Get ready?

1138
00:58:16,240 --> 00:58:19,440
Speaker 2: All right? The Mob movie where the main character whispers

1139
00:58:19,480 --> 00:58:21,800
Speaker 2: every line like he's afraid to wake someone up, even

1140
00:58:21,920 --> 00:58:28,280
Speaker 2: during gunfights. Here's a hint. The main character is not

1141
00:58:28,400 --> 00:58:32,840
Speaker 2: a Baldwin. And here's a second hint. The main character

1142
00:58:32,920 --> 00:58:35,040
Speaker 2: is played by an actor that Steven has ship on

1143
00:58:35,560 --> 00:58:37,160
Speaker 2: openly another Baldwin.

1144
00:58:37,240 --> 00:58:38,320
Speaker 3: Yeah, not Stephen.

1145
00:58:39,320 --> 00:58:42,600
Speaker 1: I know what it is. Gives a description against Yes,

1146
00:58:43,040 --> 00:58:45,320
Speaker 1: and it's with Leo. And it's the ship movie. What's

1147
00:58:45,320 --> 00:58:45,720
Speaker 1: it called?

1148
00:58:46,160 --> 00:58:47,560
Speaker 2: How dare you? It's the Departed?

1149
00:58:48,080 --> 00:58:52,360
Speaker 1: Not a shit movie, a departed piece of shit? Departed?

1150
00:58:53,080 --> 00:58:59,520
Speaker 2: Who's the director again, Martin Scorsese? Marty, Wow, great movie,

1151
00:58:59,680 --> 00:59:00,440
Speaker 2: great movie.

1152
00:59:00,600 --> 00:59:01,960
Speaker 1: Wasn't Mark Wahlberg in it?

1153
00:59:02,080 --> 00:59:02,760
Speaker 2: He sure was?

1154
00:59:03,560 --> 00:59:06,480
Speaker 1: Isn't he from Boston? And he can't even do a

1155
00:59:06,960 --> 00:59:07,920
Speaker 1: Boston accent?

1156
00:59:08,040 --> 00:59:10,440
Speaker 2: He's the only one who does the accent right in

1157
00:59:10,480 --> 00:59:15,360
Speaker 2: that movie. The resident Bostonian can weigh in the short.

1158
00:59:15,200 --> 00:59:17,800
Speaker 1: Stuff over than you telling me about accents.

1159
00:59:18,160 --> 00:59:19,320
Speaker 3: Listen to this is the original.

1160
00:59:20,680 --> 00:59:22,920
Speaker 2: Thank you for the for the audience members. I am

1161
00:59:22,960 --> 00:59:26,040
Speaker 2: wearing a sweatshirt that yes, it's very important.

1162
00:59:26,360 --> 00:59:26,680
Speaker 1: All right?

1163
00:59:26,840 --> 00:59:28,320
Speaker 2: Round five? Good stuff?

1164
00:59:29,200 --> 00:59:31,479
Speaker 3: Score al to do I get an extra point?

1165
00:59:31,640 --> 00:59:32,080
Speaker 2: I think so?

1166
00:59:32,280 --> 00:59:32,480
Speaker 1: Yeah?

1167
00:59:32,520 --> 00:59:36,720
Speaker 2: We have to am I losing Johnny's ahead by one point.

1168
00:59:37,120 --> 00:59:40,760
Speaker 2: The action film where a guy gets framed, Chase shot at, arrested,

1169
00:59:40,800 --> 00:59:43,160
Speaker 2: and still manages to look like he's trying to remember

1170
00:59:43,160 --> 00:59:47,880
Speaker 2: his lines. Daniel alec I can see why you both

1171
00:59:47,880 --> 00:59:50,960
Speaker 2: said that. However it was nineteen ninety six. Is Fled,

1172
00:59:50,960 --> 00:59:52,000
Speaker 2: starring Stephen Baldwin.

1173
00:59:52,240 --> 00:59:54,959
Speaker 1: What yes it get away? Yeah?

1174
00:59:55,920 --> 01:00:01,200
Speaker 2: But officially the answer, you dude, should that's just a WASH's.

1175
01:00:02,800 --> 01:00:06,280
Speaker 1: Ship, all right? You ready? This is.

1176
01:00:08,400 --> 01:00:11,600
Speaker 2: The romantic comedy where a politician falls in love during

1177
01:00:11,640 --> 01:00:15,880
Speaker 2: a PR nightmare and somehow becomes more chaotic the more

1178
01:00:15,880 --> 01:00:17,040
Speaker 2: he tries to fix it.

1179
01:00:17,680 --> 01:00:19,360
Speaker 3: Not Stephen, It's either.

1180
01:00:20,640 --> 01:00:23,440
Speaker 1: It's either somebody knows what's going on.

1181
01:00:23,520 --> 01:00:24,160
Speaker 3: It's not Stephen.

1182
01:00:24,200 --> 01:00:25,960
Speaker 1: I'll just say that, but I know it's not Stephen.

1183
01:00:26,280 --> 01:00:30,880
Speaker 1: Say it again. The rom com.

1184
01:00:31,720 --> 01:00:33,200
Speaker 2: Do you know what you remember? What a rom com is?

1185
01:00:33,320 --> 01:00:33,919
Speaker 1: I just learned?

1186
01:00:34,040 --> 01:00:39,520
Speaker 2: Yes, yes, the rom com where a politician falls in

1187
01:00:39,560 --> 01:00:43,040
Speaker 2: love during a PR nightmare and somehow becomes more chaotic

1188
01:00:43,160 --> 01:00:46,040
Speaker 2: the more he tries to fix it.

1189
01:00:46,040 --> 01:00:48,400
Speaker 1: It could be any of them, but with a Baldwin brother.

1190
01:00:48,600 --> 01:00:49,320
Speaker 3: Sure is.

1191
01:00:52,480 --> 01:00:57,480
Speaker 2: Say it again, the romantic comedy.

1192
01:00:58,680 --> 01:01:04,280
Speaker 1: Not slow like I'm slow. I'm not slow. I'm just

1193
01:01:04,360 --> 01:01:09,880
Speaker 1: a genius. Oh snap God.

1194
01:01:10,400 --> 01:01:13,320
Speaker 2: The rom com where a politician falls in love during

1195
01:01:13,320 --> 01:01:17,640
Speaker 2: a pr nightmare and somehow makes it more chaotic the

1196
01:01:17,680 --> 01:01:19,680
Speaker 2: more he tries to pick was the answer?

1197
01:01:19,840 --> 01:01:21,680
Speaker 1: No, Baldwin, I don't know any.

1198
01:01:22,040 --> 01:01:22,520
Speaker 3: Can I guess?

1199
01:01:22,600 --> 01:01:22,800
Speaker 1: Yeah?

1200
01:01:22,840 --> 01:01:27,680
Speaker 3: I know it's not Stephen. It's either Billy or Alec?

1201
01:01:28,080 --> 01:01:30,240
Speaker 1: So was he in half a point? Now? For crying

1202
01:01:30,280 --> 01:01:30,840
Speaker 1: out loud?

1203
01:01:31,840 --> 01:01:34,160
Speaker 2: Our judges have to weigh in on that, if if,

1204
01:01:34,400 --> 01:01:37,040
Speaker 2: if he's right, So I get to guess, you get

1205
01:01:37,040 --> 01:01:41,400
Speaker 2: to guess. But if he's right, do we give him? Well,

1206
01:01:41,440 --> 01:01:47,520
Speaker 2: that's right? Oh yeah, yeah, yeah, So I'm gonna say Daniel, Okay, okay,

1207
01:01:47,640 --> 01:01:48,600
Speaker 2: it was Alec.

1208
01:01:49,840 --> 01:01:53,400
Speaker 4: Because I'm thinking of the genre itself. I don't see

1209
01:01:53,440 --> 01:01:54,120
Speaker 4: Daniel doing that?

1210
01:01:54,600 --> 01:01:58,840
Speaker 2: What political worship rom com? Was Alec Baldwin in My

1211
01:01:58,920 --> 01:02:00,600
Speaker 2: Best Friend's Girl? And two thousand and eight?

1212
01:02:01,920 --> 01:02:04,200
Speaker 1: All right? Who else was in it?

1213
01:02:04,200 --> 01:02:04,520
Speaker 2: Doesn't?

1214
01:02:04,600 --> 01:02:07,280
Speaker 3: It doesn't My best Friend's girl, Best friends Girl?

1215
01:02:08,480 --> 01:02:12,000
Speaker 1: That's horse hockey? One second? Better?

1216
01:02:12,000 --> 01:02:12,920
Speaker 3: Hope they don't see this one.

1217
01:02:13,000 --> 01:02:16,600
Speaker 1: This game. I'm toast already, Brough, I'm I'm toasting the

1218
01:02:16,640 --> 01:02:20,440
Speaker 1: Johnny Valentine vapor trail here, no problem.

1219
01:02:20,520 --> 01:02:26,360
Speaker 2: Kate Hudson and Dane Cook remember that guy Jason Big.

1220
01:02:26,640 --> 01:02:28,200
Speaker 2: Let's get all of them on the show.

1221
01:02:28,280 --> 01:02:31,520
Speaker 1: He describes his testicles as two perfect tangelaus.

1222
01:02:32,320 --> 01:02:33,200
Speaker 2: Sorry is he Kaplin?

1223
01:02:33,360 --> 01:02:36,000
Speaker 1: Go ahead? All right? True story.

1224
01:02:36,280 --> 01:02:37,880
Speaker 2: Let's get him on the pod to talk about it.

1225
01:02:37,960 --> 01:02:40,000
Speaker 1: We will, all right, Dane Cooks tangalos? Yes.

1226
01:02:40,120 --> 01:02:43,600
Speaker 2: Question seven? The Western where a bunch of cowboys talking

1227
01:02:43,600 --> 01:02:47,000
Speaker 2: about Jesus, shotguns and spiritual redemption like it's a group

1228
01:02:47,040 --> 01:02:48,680
Speaker 2: therapy session on horseback.

1229
01:02:51,040 --> 01:02:55,400
Speaker 1: You're so weird, dude, you're fired. No, because only because

1230
01:02:55,400 --> 01:02:58,880
Speaker 1: you're weird. The questions are weird. You're like you're you're

1231
01:02:58,960 --> 01:03:02,640
Speaker 1: some kind of a cinema serial psycha of some kind.

1232
01:03:03,240 --> 01:03:06,520
Speaker 1: I think it's Stephen, say it again, because I've been

1233
01:03:06,520 --> 01:03:08,800
Speaker 1: in I've been on some horses, and I've done some Westerns,

1234
01:03:08,800 --> 01:03:10,400
Speaker 1: but I don't recall what you're talking about.

1235
01:03:10,440 --> 01:03:13,040
Speaker 2: Go ahead, the Western where a bunch of cowboys talk

1236
01:03:13,080 --> 01:03:18,360
Speaker 2: about Jesus, shotguns and spiritual redemption like it's a group

1237
01:03:18,440 --> 01:03:20,680
Speaker 2: therapy session on horseback.

1238
01:03:21,280 --> 01:03:24,800
Speaker 3: Stephen Balter, Yeah.

1239
01:03:24,080 --> 01:03:27,880
Speaker 1: What western? Was a Baldwin brother in other than me? Okay,

1240
01:03:28,000 --> 01:03:32,320
Speaker 1: I got that, but now it's me.

1241
01:03:34,040 --> 01:03:37,360
Speaker 2: Correct two that I mean nineteen ninety three posse? He

1242
01:03:37,400 --> 01:03:43,800
Speaker 2: did he did indeed posse posse. Yeah, great movie.

1243
01:03:43,840 --> 01:03:48,160
Speaker 1: The Lovely Stacy Dash one of the Stars.

1244
01:03:48,440 --> 01:03:51,360
Speaker 2: Oh, that's right, Number eight, the horror movie where a

1245
01:03:51,360 --> 01:03:54,280
Speaker 2: sheriff tries to stop a supernatural force. While giving the most,

1246
01:03:54,680 --> 01:03:58,320
Speaker 2: I did not read the full script performance you've ever seen.

1247
01:04:00,280 --> 01:04:05,440
Speaker 1: A horror There's no way Steven's doing horror.

1248
01:04:05,880 --> 01:04:08,680
Speaker 2: Here's here's where, here's where they I'm not giving anything.

1249
01:04:08,400 --> 01:04:12,560
Speaker 1: Way here, here's here's here. Here's how well I'm learning, Jared. Okay,

1250
01:04:14,480 --> 01:04:17,120
Speaker 1: it's not the first part of the description. Watch just

1251
01:04:17,200 --> 01:04:19,520
Speaker 1: read the second part of the description, Jared.

1252
01:04:20,000 --> 01:04:22,439
Speaker 2: While giving the most, I did not read the full

1253
01:04:22,480 --> 01:04:23,840
Speaker 2: script performance You've ever.

1254
01:04:23,720 --> 01:04:27,360
Speaker 1: Seen it's Steven. Stephen Baldwin was in that movie. Because

1255
01:04:27,400 --> 01:04:29,920
Speaker 1: that's the only way Jared's gonna get even with me

1256
01:04:30,120 --> 01:04:32,920
Speaker 1: because my performance in the film. I'm gonna hold across

1257
01:04:33,160 --> 01:04:35,400
Speaker 1: like I never even read the script.

1258
01:04:35,440 --> 01:04:38,480
Speaker 4: I'm gonna hold myself accountable because I did say that.

1259
01:04:38,840 --> 01:04:40,560
Speaker 4: At first, I was questioning it wasn't him, So I'm

1260
01:04:40,560 --> 01:04:42,480
Speaker 4: gonna go with it wasn't him, even though it probably

1261
01:04:42,560 --> 01:04:43,080
Speaker 4: was him.

1262
01:04:43,360 --> 01:04:44,760
Speaker 3: But I'm gonna hold myself accountable.

1263
01:04:44,880 --> 01:04:47,439
Speaker 2: Okay, I like that, and for that you're rewarded because

1264
01:04:47,440 --> 01:04:50,520
Speaker 2: you're correct it was Daniel Baldwin. I was gonna say,

1265
01:04:50,560 --> 01:04:55,400
Speaker 2: Dan Vampire Clan two thousand and two. All right, two

1266
01:04:55,440 --> 01:04:57,760
Speaker 2: more so right now you still have a chance to

1267
01:04:58,280 --> 01:04:59,880
Speaker 2: redeem yourself shoul.

1268
01:05:00,120 --> 01:05:02,880
Speaker 1: Daniel Baldwin's performance in the film was lezoe. Yet never

1269
01:05:02,920 --> 01:05:07,680
Speaker 1: read the script. I've never I did not read the script.

1270
01:05:07,880 --> 01:05:08,960
Speaker 1: I've never read the script.

1271
01:05:11,400 --> 01:05:15,480
Speaker 2: What's the score, Johnny, Johnny's up to?

1272
01:05:16,560 --> 01:05:17,640
Speaker 1: That's horse hockey?

1273
01:05:18,680 --> 01:05:22,520
Speaker 2: The political satire where a guy becomes president and immediately

1274
01:05:22,520 --> 01:05:25,640
Speaker 2: starts running the country like a sitcom. Dad. Now this

1275
01:05:25,720 --> 01:05:31,200
Speaker 2: is a little bit harder because it's a TV show.

1276
01:05:33,120 --> 01:05:33,840
Speaker 3: It's not Stephen.

1277
01:05:36,440 --> 01:05:41,760
Speaker 1: Just hurts, I got a headache. Definitely, hold on, what

1278
01:05:42,640 --> 01:05:44,880
Speaker 1: read it again? It's a TV show.

1279
01:05:44,920 --> 01:05:51,160
Speaker 2: It's a TV show, it's a comedy, and it's uh

1280
01:05:51,360 --> 01:05:54,400
Speaker 2: in this episode. The episode is a political satire where

1281
01:05:54,440 --> 01:05:56,440
Speaker 2: a guy becomes president and I emily starts running the

1282
01:05:56,480 --> 01:05:57,520
Speaker 2: country like a sitcom. Dad.

1283
01:05:59,680 --> 01:06:00,440
Speaker 3: That's even.

1284
01:06:02,240 --> 01:06:02,840
Speaker 1: Not Stephen.

1285
01:06:03,080 --> 01:06:06,800
Speaker 2: You're right, it's Alex on thirty Rock. Yeah, lot that

1286
01:06:07,760 --> 01:06:12,960
Speaker 2: all right, last question, I'm a loser technically, okay, this

1287
01:06:13,000 --> 01:06:17,480
Speaker 2: could be all for all the marbles here. The thriller

1288
01:06:17,520 --> 01:06:20,800
Speaker 2: where a man becomes obsessed with spying on his attractive neighbors,

1289
01:06:20,880 --> 01:06:23,080
Speaker 2: and absolutely nobody in the movie behaves like a normal

1290
01:06:23,120 --> 01:06:23,640
Speaker 2: human being.

1291
01:06:24,720 --> 01:06:27,800
Speaker 3: Billy Billy correct.

1292
01:06:28,240 --> 01:06:29,840
Speaker 1: So we both get a point and he still wins

1293
01:06:29,840 --> 01:06:37,360
Speaker 1: by one. Yes, whoa, let's go. It's pleasure.

1294
01:06:39,000 --> 01:06:49,640
Speaker 2: Thank you for playing guys, creating those bad licks.

1295
01:06:49,640 --> 01:06:58,720
Speaker 1: It's so bad, guilty less this sun.

1296
01:07:00,200 --> 01:07:00,720
Speaker 2: So bad.

1297
01:07:00,840 --> 01:07:04,160
Speaker 1: He stood one back of the Old Show.