WEBVTT - Let’s get Funky with Lala Kent... (S3 E9 "Easy Come, Easy Go")

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte?

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<v Speaker 2>Welcome back everybody to Are You a Charlotte? Part two?

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<v Speaker 2>Thanks for joining us.

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<v Speaker 1>Let's talk about the actual episode because we haven't even

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<v Speaker 1>touched on Samantha, which is a very funny and good storyline,

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<v Speaker 1>very funny and good, and I just want to say

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<v Speaker 1>Bobby Cannavale plays the guy here. I think his name

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<v Speaker 1>is Adam Ball, which is also kind of entertaining, and

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<v Speaker 1>I do think he was based. All of our storylines

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<v Speaker 1>are based on some real story that the writers either

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<v Speaker 1>experienced or know of.

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<v Speaker 3>Really, it's too good. You can't make it up now.

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<v Speaker 3>I had to come from a real experience.

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<v Speaker 1>And I had forgotten all I remember. Obviously, funky spunk

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<v Speaker 1>became like quite you know, a big thing, and I

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<v Speaker 1>don't know. I know Bobby. I've worked with Bobby since then.

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<v Speaker 1>We were on Will and Grace together. I don't think

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<v Speaker 1>I asked him, Like before I started doing this podcast,

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<v Speaker 1>it never occurred to me to say to the guys, Hey,

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<v Speaker 1>what was that like for you?

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<v Speaker 3>Right?

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<v Speaker 2>You know what I mean?

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<v Speaker 1>And I'm dying for Bobby to come on. Bobby, please,

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<v Speaker 1>if you hear this, please come on. He's a great,

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<v Speaker 1>great person, so sweet, such a great actor. But I

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<v Speaker 1>just wonder in life, what was this like for him?

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<v Speaker 1>Like walking around like.

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<v Speaker 3>I was thinking the same thing rushing last night, I guy,

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<v Speaker 3>because obviously we know he's acting or whatever. It is

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<v Speaker 3>a script, but I'm like, I wonder if after that

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<v Speaker 3>people didn't want to blow him because they were like

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<v Speaker 3>he was.

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<v Speaker 1>He's walking down the road and people were like you,

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<v Speaker 1>I mean, like how mortify and think about that.

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<v Speaker 2>I just figured he would never get another blow job again.

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<v Speaker 1>I mean, he's doing fine. He's with Roseberr and they

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<v Speaker 1>have children. I think it all worked out. Everything's fine.

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<v Speaker 1>I think it's all good.

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<v Speaker 3>In that moment watching I was like, I wonder what

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<v Speaker 3>it was like.

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<v Speaker 2>Why didn't I ask him this when I saw him

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<v Speaker 2>in life? But I think you just I wasn't.

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<v Speaker 1>I didn't have that viewpoint of like what what was

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<v Speaker 1>this like for them? You get to have him on no,

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<v Speaker 1>I know, I know, Bobby, you must come, you must come.

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<v Speaker 1>But he's so funny in it because he's not. I

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<v Speaker 1>love his way that he does it, which is like

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<v Speaker 1>you give such good head.

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<v Speaker 2>You know, he's like really into it.

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<v Speaker 1>In such a funny way. And then also so and

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<v Speaker 1>I also love that Samantha takes him and makes him

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<v Speaker 1>drink wheat grass juice. It's really funny.

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<v Speaker 3>It's like, how long does it take for it to

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<v Speaker 3>work its way through the system?

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<v Speaker 2>Half hour?

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<v Speaker 1>I know, But then it doesn't work. I think he's

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<v Speaker 1>going to need more days.

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<v Speaker 2>I think it takes like he needs pineapple. I think

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<v Speaker 2>he needs asaie also.

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<v Speaker 3>Yeah, yeah, yea yeah, asae, pineapple, a lot of fruit, right, diet.

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<v Speaker 2>Right, he needs like more alkaline diet. I don't know.

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<v Speaker 2>I don't know. But the thing that's funny too is

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<v Speaker 2>that then I was a little unclear.

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<v Speaker 1>When she so, So it's kind of a saga, right,

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<v Speaker 1>her trying to figure out this and talking to us,

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<v Speaker 1>and Charlotte gets up and leaves.

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<v Speaker 3>Yeah, you're very angry. I know you, Charlotte, I know,

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<v Speaker 3>are so.

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<v Speaker 1>Funny, Like of all things, I'm just gonna be like no,

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<v Speaker 1>But I think that's because I'm engaged. I think I'm engaged,

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<v Speaker 1>and I'm like above this now, right, So he's not

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<v Speaker 1>going to die gather it right, So I'm like, okay, wait,

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<v Speaker 1>I've talked so many crazy things with these ladies. But whatever, Okay,

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<v Speaker 1>I'm just gonna get up and go. It was a

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<v Speaker 1>funny moment, but I think it's funny how she wants

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<v Speaker 1>to make it work. She tries to take him to

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<v Speaker 1>get the wheat ress. She tries it again, and then

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<v Speaker 1>I had forgotten that she gives him this huge speech

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<v Speaker 1>about how it is a job and you have to

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<v Speaker 1>think about your jaw, and you have to think about

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<v Speaker 1>your teeth, and you have to think about your tongue

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<v Speaker 1>and men don't know blah blah blah. And I'm also thinking, like,

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<v Speaker 1>you know, all the men watching this are like women

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<v Speaker 1>don't know.

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<v Speaker 3>Yeah, And then she's like, but with the right men, right,

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<v Speaker 3>be fabulous.

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<v Speaker 1>I know, I know, which is also it's all very

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<v Speaker 1>trippy to me. Then I forgot that she makes him.

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<v Speaker 3>Taste it right, but they don't show it like it's

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<v Speaker 3>interested they I don't know how I'm talking about what

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<v Speaker 3>you mean, like you.

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<v Speaker 2>Don't actually you seem no, you don't.

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<v Speaker 4>See the com but you see she puts his fingers

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<v Speaker 4>in his mouth. Okay, okay, okay, And she said, you're

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<v Speaker 4>fine with it.

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<v Speaker 2>I pretend he was fine with it.

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<v Speaker 3>I know, I know, fine with you.

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<v Speaker 1>You know I wasn't there on the day that day

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<v Speaker 1>that they were filming that, right, but you know that

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<v Speaker 1>was like so much discussed that. That's also why we

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<v Speaker 1>need Bobby. We need to hear about the difference takes,

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<v Speaker 1>you know what I mean, and how big of a

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<v Speaker 1>reaction versus how small of a reaction to give.

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<v Speaker 3>Yeah, once you taste your own funky spunk.

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<v Speaker 2>Yeah.

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<v Speaker 1>And I mean, I wonder how many men have actually

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<v Speaker 1>done this. I don't think very many. I don't know,

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<v Speaker 1>what do you think. I don't think so.

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<v Speaker 2>I doubt it is dying. I doubt it, right, I

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<v Speaker 2>really doubt it.

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<v Speaker 1>But then also Samantha says she's not swallowing, and I'm like, wow,

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<v Speaker 1>I would have thought that she was swallowing.

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<v Speaker 3>She seems like a swallower to me. But you know what,

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<v Speaker 3>I gave up swallowing at the age of maybe twenty four.

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<v Speaker 2>Swallowing is hard. I mean, it's rough, man, This is

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<v Speaker 2>what I want to say.

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<v Speaker 3>I don't think that cotton style card it does either.

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<v Speaker 2>You can put it on my face.

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<v Speaker 3>Hard, okay, okay, because it's great skincare, especially if you're

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<v Speaker 3>broken out my stomach, my back. If I want to

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<v Speaker 3>have a baby, do your thing, which I don't want

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<v Speaker 3>to have a baby, I understand, but not in my stomach.

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<v Speaker 3>I just don't feel hard.

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<v Speaker 2>To swallow that stuff. It's hard.

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<v Speaker 3>It's harder about the texture.

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<v Speaker 2>The texture is awful, it's awful, horrible, it's awful. But

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<v Speaker 2>also it's just such.

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<v Speaker 1>An awkward, awkward moment of like do you swallow or

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<v Speaker 1>don't you swallow?

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<v Speaker 2>And what do you do with it if you don't swallow?

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<v Speaker 1>Oh?

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<v Speaker 3>Well, back in my heyday, yes, usually when I would swallow,

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<v Speaker 3>I would chase.

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<v Speaker 2>It with like a shot of vodka. Wow.

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<v Speaker 1>Yes, okay, well that's probably the way to go, that's

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<v Speaker 1>the way to come. I would think, yeah, yeah, see

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<v Speaker 1>i've been sober for too long.

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<v Speaker 3>Yeah yeah, yeah, because I didn't it's sober until twenty eight,

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<v Speaker 3>got it. And then if you don't swallow, I think

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<v Speaker 3>you have to be near a bathroom to like spin it,

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<v Speaker 3>see the toiler rough.

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<v Speaker 1>That's just all very difficult because then it's like an

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<v Speaker 1>ache factor that you need to.

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<v Speaker 2>Go spit it out.

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<v Speaker 3>What I don't a lot calling on an empty stomach,

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<v Speaker 3>though I know.

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<v Speaker 2>That's the other thing.

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<v Speaker 1>I don't think that people, meaning men, really realize that

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<v Speaker 1>it's like a very potent, kind of weird thing to eat,

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<v Speaker 1>you know what.

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<v Speaker 2>They should try it so they understand what we go through,

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<v Speaker 2>you know, I do, I do know. But I think

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<v Speaker 2>they would.

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<v Speaker 1>Also say the same, you know about women, not that

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<v Speaker 1>they have to swallow something, but you don't. I'm trying

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<v Speaker 1>to say they we don't know yourself.

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<v Speaker 3>Before I know someone's gonna go down there. You know,

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<v Speaker 3>you justirl put it in the mouth.

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<v Speaker 2>Wow.

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<v Speaker 3>Thanks, yeah, not too much.

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<v Speaker 2>No, it's really good. What if you don't feel like

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<v Speaker 2>it's up to.

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<v Speaker 1>Par Okay, okay, great? Great, I was gonna I was

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<v Speaker 1>gonna learn something. I was looking to maybe learn some tips.

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<v Speaker 3>I'm very into my vaginal hygiene. I love it like

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<v Speaker 3>I would my skincare routine.

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<v Speaker 2>Nice. Yeah, oh that's very nice.

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<v Speaker 3>I feel bad for the people who come over my

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<v Speaker 3>amazing housekeepers that keep all of the ducks in a

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<v Speaker 3>row and me feeling like my kids can crawl on

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<v Speaker 3>the floor because they see all of my products that

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<v Speaker 3>I'm sure they're like, what Wow, I'm sure they think

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<v Speaker 3>I do porn or something.

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<v Speaker 2>I feel enough to I don't think that they think

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<v Speaker 2>you do porn. That would be so extreme but you.

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<v Speaker 1>Mean, like maybe they just think that you're really into

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<v Speaker 1>cleanliness with that, you know, I'm an extreme, right, Wow,

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<v Speaker 1>I do feel I need a list of the products though.

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<v Speaker 2>I mean, I'm super curious. Now I've got you. Wow, Okay, grant.

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<v Speaker 3>My friends and I like to go back and forth

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<v Speaker 3>with like what they're using. Like my friend told me

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<v Speaker 3>about these these wipes that taste like something.

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<v Speaker 2>No, I don't think that's good.

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<v Speaker 3>I don't think those are good for me.

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<v Speaker 2>I don't think they're good for you either.

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<v Speaker 3>Like that because I'm also really I'm a weirdo. Okay,

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<v Speaker 3>because I'm it, I shouldn't say I'm a weirdo, Okay.

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<v Speaker 3>I like to read the ingredients. I'm very funny about

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<v Speaker 3>what I put under my arm. Penny too, I don't

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<v Speaker 3>know that I love putting something on my vagina that

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<v Speaker 3>tastes like some flavor, feels no flavors.

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<v Speaker 2>That's strange, and I think that's healthy.

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<v Speaker 3>It's not healthy. But also like when he's down there,

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<v Speaker 3>I don't want him to be like, oh, a.

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<v Speaker 1>Banana, that's weird, that's so weird. No, that's so weird. No, no, no,

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<v Speaker 1>I don't think that's good. I don't think that's good

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<v Speaker 1>because there would have to be something sweet in there

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<v Speaker 1>to make the banana, and then you might get.

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<v Speaker 2>A reaction, you know what I'm saying, or something.

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<v Speaker 1>Boo yeah boo, not worth it, not worth it, worth it, Okay.

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<v Speaker 2>The carry of this.

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<v Speaker 1>When I was watching it, I feel like it's kind

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<v Speaker 1>of a film, you know, like it's a lot, like

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<v Speaker 1>a lot happens.

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<v Speaker 3>Yeah.

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<v Speaker 1>I love Charles McDougall, who directed it, one of our

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<v Speaker 1>just best. How he uses the camera or how he

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<v Speaker 1>moves the camera like it's so beautiful. You know, it's

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<v Speaker 1>like really really up the game in terms of the

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<v Speaker 1>visuals and the you know, like in the elevator, it's beautiful.

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<v Speaker 3>The elevator is amazing. Can I tell you what I love?

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<v Speaker 3>Tell me is when Carrie finally calls big Back and

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<v Speaker 3>he's in the car and it goes from the driver

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<v Speaker 3>but instead of just popping onto his face, it gives

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<v Speaker 3>you like a it's.

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<v Speaker 2>Like a whip around yeah yeah yeah yeah, to the

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<v Speaker 2>back seat. Yeah yeah yeah. Yeah. It's good.

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<v Speaker 1>It's really good because cars are hard to filming because

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<v Speaker 1>you don't have a lot of space. Right, No, Charles

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<v Speaker 1>is going to figure that out. Charles is going to

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<v Speaker 1>have an idea and he's going to do it. It's

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<v Speaker 1>going to be it's going to take thirty takes, but

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<v Speaker 1>he's going to do it.

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<v Speaker 3>It's the big moment. We watched Miranda listen to this

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<v Speaker 3>message with Carrie over and over again, and she's finally

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<v Speaker 3>decided to call him back. So I take of like

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<v Speaker 3>bigg in the car driving whip around to him, answering, right,

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<v Speaker 3>you finally did you want?

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<v Speaker 2>Definitely? And then he's just such a jerk. Oh my god.

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<v Speaker 3>Oh we love the men who are like a little

0:09:57.040 --> 0:10:00.640
<v Speaker 3>bit of like dickish kind of Do you think I

0:10:00.679 --> 0:10:03.559
<v Speaker 3>don't love that you're a hallway, you're a healthy woman.

0:10:03.679 --> 0:10:05.560
<v Speaker 1>Well, I think I've been through it too much, right,

0:10:05.600 --> 0:10:07.800
<v Speaker 1>I mean not this particular version like to me, it's

0:10:07.920 --> 0:10:10.400
<v Speaker 1>so profoundly it like if a man said to me

0:10:10.840 --> 0:10:14.000
<v Speaker 1>after this nonsense that he's put her through, and then

0:10:14.120 --> 0:10:16.920
<v Speaker 1>and he's told her in a drunken moment at a

0:10:16.920 --> 0:10:18.240
<v Speaker 1>furniture show with the.

0:10:18.280 --> 0:10:22.520
<v Speaker 2>Like like through a finch, like what out of my fate? Totally?

0:10:22.800 --> 0:10:26.000
<v Speaker 1>And then you call him back after this like dramatic

0:10:26.080 --> 0:10:28.280
<v Speaker 1>voicemail and you say what is it? And he says,

0:10:28.520 --> 0:10:30.560
<v Speaker 1>I thought about what I said and it would cost

0:10:30.600 --> 0:10:33.960
<v Speaker 1>me too much money. Click, I never speak to that person. No,

0:10:34.040 --> 0:10:37.559
<v Speaker 1>get me out of my fan done, Like, ew, how can.

0:10:37.360 --> 0:10:39.800
<v Speaker 3>You get away from him when he's calling your apartment

0:10:39.960 --> 0:10:42.720
<v Speaker 3>talking to aiden and then coming to where you are.

0:10:42.840 --> 0:10:45.960
<v Speaker 2>No, that's bad, that's stocker ish, it's stockersh.

0:10:45.240 --> 0:10:47.840
<v Speaker 3>Yeah, yeah, yeah, but that's another thing. When I was watching,

0:10:47.880 --> 0:10:50.600
<v Speaker 3>I was like, Okay, I've had this behavior with a

0:10:50.640 --> 0:10:54.960
<v Speaker 3>man before, and if this weren't a show, this is

0:10:55.000 --> 0:10:57.880
<v Speaker 3>alarming behavior to show up where I am and I'm

0:10:57.920 --> 0:11:00.240
<v Speaker 3>telling you not that I don't want anything to do

0:11:00.320 --> 0:11:03.959
<v Speaker 3>with you, and you continue. You know, of course we

0:11:04.000 --> 0:11:06.679
<v Speaker 3>hear her thoughts, so we know like I couldn't I

0:11:07.280 --> 0:11:09.240
<v Speaker 3>had to sleep with him, and she says, like me

0:11:09.360 --> 0:11:14.840
<v Speaker 3>or whatever. In real life, no, the experiences where it's like, okay,

0:11:14.920 --> 0:11:17.440
<v Speaker 3>this this is a toxic man. He just told me

0:11:17.480 --> 0:11:19.120
<v Speaker 3>he was leaving his wife, then told me he wasn't

0:11:19.160 --> 0:11:20.920
<v Speaker 3>leaving his wife, then showing up to where I am.

0:11:22.000 --> 0:11:25.520
<v Speaker 2>It's the high eyes and yeah, I'm not in the

0:11:25.640 --> 0:11:27.280
<v Speaker 2>grand gestures. Ick.

0:11:28.400 --> 0:11:31.280
<v Speaker 1>Ick. It's hard for me to feel anything but ick,

0:11:31.720 --> 0:11:35.960
<v Speaker 1>though I do feel. I feel that Sarah Jessica, and

0:11:36.040 --> 0:11:39.480
<v Speaker 1>this is like her strength one for many many strengths

0:11:39.520 --> 0:11:42.520
<v Speaker 1>really as an actress, Like things are so real, you know,

0:11:42.559 --> 0:11:45.600
<v Speaker 1>they seem so real and so deep, so like as

0:11:45.679 --> 0:11:48.600
<v Speaker 1>much as I mean, you know, there's part of me.

0:11:48.679 --> 0:11:50.560
<v Speaker 1>I obviously know what's gonna happen, right, and I know

0:11:50.600 --> 0:11:53.600
<v Speaker 1>they're gonna go kissing that elevator, But I'm just like, oh, like,

0:11:53.800 --> 0:11:54.840
<v Speaker 1>I don't like him.

0:11:55.440 --> 0:11:56.880
<v Speaker 2>I know, what are you still liking?

0:11:57.200 --> 0:11:58.920
<v Speaker 1>I mean, they have the chemistry, but she also has

0:11:58.960 --> 0:12:00.800
<v Speaker 1>the chemistry they and you don't. I'm saying she's just

0:12:00.800 --> 0:12:03.720
<v Speaker 1>so good. Though she's so good, and you do feel

0:12:04.240 --> 0:12:08.000
<v Speaker 1>I do intellectually understand the forbidden. You know, I get

0:12:08.040 --> 0:12:11.000
<v Speaker 1>the forbidden, but when he's being an ass, I'm like

0:12:11.120 --> 0:12:14.040
<v Speaker 1>boo on the forbidden. The forbidden doesn't trump that he's

0:12:14.080 --> 0:12:15.760
<v Speaker 1>a jerk, right, you know.

0:12:16.760 --> 0:12:20.200
<v Speaker 3>But what I've learned throughout time is even with friends,

0:12:20.240 --> 0:12:21.920
<v Speaker 3>I'm like, my heart isn't involved.

0:12:22.160 --> 0:12:23.760
<v Speaker 2>Yeah, I can't tell you what. Yeah.

0:12:23.960 --> 0:12:27.240
<v Speaker 3>No. Of course, as an outsider this behavior, I think

0:12:27.280 --> 0:12:27.880
<v Speaker 3>you should run.

0:12:27.920 --> 0:12:31.000
<v Speaker 2>I think it's a world of heartache, right, But you're

0:12:31.000 --> 0:12:32.800
<v Speaker 2>going to do what you want, right, It's true. And

0:12:32.840 --> 0:12:34.400
<v Speaker 2>the other thing is the unfinished business.

0:12:34.400 --> 0:12:37.640
<v Speaker 1>The unfinished business to me makes sense and not saying

0:12:37.679 --> 0:12:41.000
<v Speaker 1>that it's right, because like you're only torturing yourself by

0:12:41.120 --> 0:12:43.880
<v Speaker 1>continuing down the road of the unfinished business that we

0:12:44.000 --> 0:12:47.240
<v Speaker 1>know is a drama, right, Like there's no evidence with

0:12:47.440 --> 0:12:50.200
<v Speaker 1>big of any kind that it's not going to be

0:12:50.200 --> 0:12:54.079
<v Speaker 1>a drama. Right, So, like she's just willingly subjecting herself

0:12:54.080 --> 0:12:57.160
<v Speaker 1>to a drama. But if we do go and say okay,

0:12:57.440 --> 0:12:59.280
<v Speaker 1>we can look at the aid in relationship and realize

0:12:59.280 --> 0:13:00.960
<v Speaker 1>that he doesn't really get at her. He's not really

0:13:01.160 --> 0:13:05.240
<v Speaker 1>completely seeing her. She's not giving herself. But also he's

0:13:05.240 --> 0:13:08.000
<v Speaker 1>not completely seeing even a basic that she works from home.

0:13:08.000 --> 0:13:09.920
<v Speaker 1>When he said, I'm gonna redo your floors, let me

0:13:09.960 --> 0:13:12.440
<v Speaker 1>do this for you a nice lady, what does he say,

0:13:12.480 --> 0:13:14.679
<v Speaker 1>Like a lovely lady deserves a lovely home or something

0:13:14.679 --> 0:13:17.960
<v Speaker 1>weird like kind of traditional journey bean And then you

0:13:17.960 --> 0:13:19.920
<v Speaker 1>know he's taken her whole house apart, and she's like,

0:13:19.960 --> 0:13:21.880
<v Speaker 1>I can't work like this, Like how come he doesn't

0:13:21.880 --> 0:13:22.240
<v Speaker 1>get that?

0:13:22.320 --> 0:13:24.840
<v Speaker 2>You know what I'm trying to say, Let me do this.

0:13:24.880 --> 0:13:26.920
<v Speaker 3>I'll put you up at a hotel because you're gonna

0:13:26.960 --> 0:13:30.440
<v Speaker 3>I'm it's gonna be messy and noisy, right, But also

0:13:30.760 --> 0:13:32.600
<v Speaker 3>we're talking about the guy who like takes her to

0:13:32.640 --> 0:13:36.000
<v Speaker 3>cabins and things like he doesn't get her at all.

0:13:36.120 --> 0:13:38.840
<v Speaker 1>Right, And that to me makes sense in why you

0:13:38.840 --> 0:13:42.280
<v Speaker 1>would be going back to the person who I think

0:13:42.400 --> 0:13:46.160
<v Speaker 1>she felt he got her right even though he was withholding, right,

0:13:46.400 --> 0:13:49.400
<v Speaker 1>like you can feel someone gets you, but then they

0:13:49.480 --> 0:13:52.200
<v Speaker 1>have their reasons that they're withholding that those two things

0:13:52.200 --> 0:13:52.959
<v Speaker 1>can coexist.

0:13:53.080 --> 0:13:55.320
<v Speaker 2>I think so too, right. So I think that's what

0:13:55.400 --> 0:13:55.720
<v Speaker 2>it is.

0:13:55.840 --> 0:13:57.719
<v Speaker 1>I think that's what makes sense about it when you're

0:13:57.720 --> 0:13:59.640
<v Speaker 1>watching it, other than the fact that you know she

0:13:59.679 --> 0:14:02.440
<v Speaker 1>hasn't finished. You know she's still attached, you know what

0:14:02.440 --> 0:14:02.840
<v Speaker 1>I'm saying.

0:14:03.120 --> 0:14:05.320
<v Speaker 3>And sometimes you can't explain the attachment to.

0:14:05.320 --> 0:14:06.559
<v Speaker 2>Something exactly exactly.

0:14:06.760 --> 0:14:10.520
<v Speaker 3>That's something that is just you can't be described, right,

0:14:11.120 --> 0:14:13.160
<v Speaker 3>And everyone around you is like, make it makes sense,

0:14:13.200 --> 0:14:15.200
<v Speaker 3>and you're like, I cannot make it make sense. You

0:14:15.200 --> 0:14:18.800
<v Speaker 3>have to like live inside of my body, right understanding that's.

0:14:19.120 --> 0:14:21.600
<v Speaker 1>That's true, that's true, and that that's a really really

0:14:21.640 --> 0:14:25.040
<v Speaker 1>really important thing to remember because you can't ever fully

0:14:25.160 --> 0:14:29.480
<v Speaker 1>give advice without remembering that there is a whole experience there,

0:14:30.040 --> 0:14:32.800
<v Speaker 1>a whole lifetime leading up to it for both people, right,

0:14:32.840 --> 0:14:35.360
<v Speaker 1>and a connection that you're not present for every moment

0:14:35.440 --> 0:14:37.280
<v Speaker 1>of you know, you don't really know what goes on.

0:14:38.000 --> 0:14:40.920
<v Speaker 1>It's interesting, it's interesting. Relationships are super fascinating, which is

0:14:40.920 --> 0:14:41.800
<v Speaker 1>why the show is good.

0:14:41.840 --> 0:14:43.160
<v Speaker 2>You know, they they.

0:14:43.000 --> 0:14:47.120
<v Speaker 1>Write the difficulties of all of it. But let's talk

0:14:47.120 --> 0:14:50.240
<v Speaker 1>about Stephen Miranda for a second, because y'sah also super

0:14:50.240 --> 0:14:53.080
<v Speaker 1>fascinating relationship that's at a very different place, but also

0:14:53.160 --> 0:14:55.840
<v Speaker 1>like so kind of heartbreaking, right because like.

0:14:55.760 --> 0:14:58.960
<v Speaker 3>Although one that one always devastated me. Well, because I

0:14:59.480 --> 0:15:02.360
<v Speaker 3>just had and I find see very sexy. He's so

0:15:02.760 --> 0:15:03.480
<v Speaker 3>he's sexy.

0:15:03.640 --> 0:15:04.680
<v Speaker 2>I'm shocked.

0:15:04.720 --> 0:15:07.960
<v Speaker 1>I'm still shocked every time I'm looking back. Never did

0:15:08.000 --> 0:15:10.480
<v Speaker 1>I understand this at the time. Didn't understand this at

0:15:10.480 --> 0:15:12.360
<v Speaker 1>the time. I was like, why do they have her

0:15:12.400 --> 0:15:14.280
<v Speaker 1>with him for so long? I know, I'm sorry everyone

0:15:14.320 --> 0:15:16.320
<v Speaker 1>who loves Steve, I love him too now, I just

0:15:16.360 --> 0:15:17.160
<v Speaker 1>didn't fully.

0:15:16.880 --> 0:15:18.040
<v Speaker 2>Appreciate him at the time.

0:15:18.120 --> 0:15:21.200
<v Speaker 1>Right, And Eigenberg is such a good, good actor, Like

0:15:21.360 --> 0:15:25.040
<v Speaker 1>they are so great together. You know, they're so different,

0:15:25.200 --> 0:15:28.400
<v Speaker 1>but yet so also connected and emotionally kind of like

0:15:28.400 --> 0:15:31.000
<v Speaker 1>there's so many layers going on, and I felt so

0:15:31.160 --> 0:15:33.360
<v Speaker 1>bad for her, like she's having to kind of be

0:15:33.440 --> 0:15:35.560
<v Speaker 1>the mom again. And he's sleeping on the couch and

0:15:35.800 --> 0:15:37.800
<v Speaker 1>you know, she's got her cat and he's got his dog.

0:15:37.920 --> 0:15:39.120
<v Speaker 2>And then he.

0:15:39.120 --> 0:15:40.960
<v Speaker 1>Can't find an apartment and she has to go to

0:15:41.080 --> 0:15:44.760
<v Speaker 1>him to that horrible, horrible apartment, which is no, it's

0:15:44.760 --> 0:15:45.280
<v Speaker 1>pretty bad.

0:15:45.400 --> 0:15:47.640
<v Speaker 2>It's horrible, but he said.

0:15:47.440 --> 0:15:50.400
<v Speaker 3>It's not that bad, right right right right the doorway

0:15:50.440 --> 0:15:50.720
<v Speaker 3>to help.

0:15:50.880 --> 0:15:52.760
<v Speaker 1>Yes, yes, And she's so right. And it's like green,

0:15:52.840 --> 0:15:54.920
<v Speaker 1>which is also weirdful.

0:15:54.280 --> 0:15:55.560
<v Speaker 3>Like it's really bad.

0:15:55.920 --> 0:15:59.240
<v Speaker 1>And any any basement apartment is rough in New York,

0:15:59.360 --> 0:16:02.480
<v Speaker 1>I feel because you are so you feel like you're

0:16:02.480 --> 0:16:05.320
<v Speaker 1>on the street right, like you could hear everyone outside,

0:16:05.360 --> 0:16:06.920
<v Speaker 1>do you know what I mean? Yeah, And like people

0:16:07.000 --> 0:16:08.960
<v Speaker 1>might decide to live on your stoop, you know what

0:16:08.960 --> 0:16:11.720
<v Speaker 1>I'm saying. Like it's like it's stressful, man, it's stressful

0:16:11.720 --> 0:16:14.280
<v Speaker 1>to have and he even the first floor apartment is

0:16:14.280 --> 0:16:19.320
<v Speaker 1>stressful in my opinion. Obviously I'm very spilled, but but

0:16:19.600 --> 0:16:21.640
<v Speaker 1>you know, like like like that's that's one of my

0:16:21.680 --> 0:16:23.760
<v Speaker 1>issues with New York is the noise. You know, like

0:16:23.960 --> 0:16:25.720
<v Speaker 1>because you're trying to rest, you're trying to get a

0:16:25.720 --> 0:16:28.320
<v Speaker 1>little rest, you know, and one time I did live

0:16:29.280 --> 0:16:30.880
<v Speaker 1>I can't remember. I feel like it was at the

0:16:30.880 --> 0:16:33.640
<v Speaker 1>beginning of the show. I did live in a first

0:16:33.640 --> 0:16:35.960
<v Speaker 1>floor apartment. It was kind of in the back, so

0:16:36.000 --> 0:16:39.080
<v Speaker 1>there was some relief from the streetness of it all.

0:16:39.280 --> 0:16:42.200
<v Speaker 1>But like you really are, so you're like barely removed

0:16:42.200 --> 0:16:43.800
<v Speaker 1>from the streets, do you know what I'm saying? Like

0:16:43.880 --> 0:16:46.760
<v Speaker 1>just one step, like they can't see you, there's a door,

0:16:46.800 --> 0:16:48.040
<v Speaker 1>but I mean they're right there.

0:16:48.120 --> 0:16:50.880
<v Speaker 2>Oh it's stressful. It sounds awful.

0:16:51.040 --> 0:16:52.680
<v Speaker 1>I know, I know, I mean New York is great

0:16:52.720 --> 0:16:55.000
<v Speaker 1>in so many ways, but it's just takes a toll,

0:16:55.080 --> 0:16:57.560
<v Speaker 1>you know, it's like challenging. And the fact that I

0:16:57.560 --> 0:17:00.800
<v Speaker 1>mean Steve is so you know, he seems obviously he's

0:17:00.840 --> 0:17:02.720
<v Speaker 1>gonna roll with it. He's like he's like a kid,

0:17:02.960 --> 0:17:05.480
<v Speaker 1>you know. It's interesting, really interesting.

0:17:05.720 --> 0:17:07.119
<v Speaker 3>He's very refreshing to me.

0:17:07.440 --> 0:17:09.240
<v Speaker 2>He is refreshing, And I think he's good.

0:17:09.040 --> 0:17:13.520
<v Speaker 3>For Miranda because I relate to Miranda's her being so

0:17:13.600 --> 0:17:18.320
<v Speaker 3>high strung because that's me, okay, And like when the

0:17:18.400 --> 0:17:20.439
<v Speaker 3>dog is barking at the door and it's four in

0:17:20.440 --> 0:17:22.760
<v Speaker 3>the morning, Oh, and she wants to rip his head

0:17:22.800 --> 0:17:27.480
<v Speaker 3>off because it's like, are you and that feeling of oh,

0:17:27.600 --> 0:17:29.600
<v Speaker 3>I can't get mad at him because he's sleeping through this,

0:17:29.760 --> 0:17:32.480
<v Speaker 3>Like he's off with that girl that.

0:17:32.400 --> 0:17:35.000
<v Speaker 1>I know, and that that also is so painful that

0:17:35.040 --> 0:17:38.600
<v Speaker 1>he just moves on so easily. That's the man for you,

0:17:39.000 --> 0:17:42.080
<v Speaker 1>I know, I know I don't like that. And also

0:17:42.080 --> 0:17:44.760
<v Speaker 1>I feel bad for her. I mean, obviously we know

0:17:44.840 --> 0:17:47.080
<v Speaker 1>more is gonna happen, a lot more is gonna happen.

0:17:47.080 --> 0:17:49.840
<v Speaker 2>But like when he leaves, it is it's sad. I

0:17:49.880 --> 0:17:54.840
<v Speaker 2>feel sad, you know, I felt sad. Well, it is sad, Yeah.

0:17:54.320 --> 0:17:58.160
<v Speaker 3>Because I think he embraced all of her her quirkiness.

0:17:58.240 --> 0:18:01.200
<v Speaker 1>Yeah, he was okay, like he never I mean he's

0:18:01.200 --> 0:18:03.119
<v Speaker 1>sad with like he wants to adopt that puppy, he

0:18:03.119 --> 0:18:04.480
<v Speaker 1>wants to have a baby, and then he's said that

0:18:04.520 --> 0:18:05.680
<v Speaker 1>she doesn't want a baby, and then he wants to

0:18:05.680 --> 0:18:06.840
<v Speaker 1>adupt the puppy and then he's like.

0:18:06.800 --> 0:18:10.320
<v Speaker 2>Come on, you know, and she does it.

0:18:10.600 --> 0:18:14.680
<v Speaker 1>But like, on the other hand, he's very in love

0:18:14.680 --> 0:18:17.280
<v Speaker 1>with her, you know, which is nice. It's so nice,

0:18:17.720 --> 0:18:20.199
<v Speaker 1>and it kind of disarms her, which is nice to

0:18:20.200 --> 0:18:22.399
<v Speaker 1>see Miranda be disarmed, you know.

0:18:22.440 --> 0:18:23.399
<v Speaker 3>Oh, it's so nice.

0:18:23.480 --> 0:18:25.200
<v Speaker 1>Yeah, but then she gets that she gets that thing

0:18:25.240 --> 0:18:27.879
<v Speaker 1>back up like quickly, really quickly.

0:18:27.960 --> 0:18:33.000
<v Speaker 3>It happens very very quickly. And I but I love

0:18:33.080 --> 0:18:36.840
<v Speaker 3>her because she I love a woman who sees things

0:18:36.920 --> 0:18:42.040
<v Speaker 3>for what they are and names it, calls it out,

0:18:42.160 --> 0:18:44.760
<v Speaker 3>is very vocal that that's who she is. But she's

0:18:44.800 --> 0:18:49.120
<v Speaker 3>also a lawyer. And Steve's actually a really good guy.

0:18:49.240 --> 0:18:51.879
<v Speaker 2>Oh he's a great guy. This is why she attracted

0:18:51.920 --> 0:18:53.000
<v Speaker 2>a really good guy.

0:18:53.119 --> 0:18:57.760
<v Speaker 1>Definitely, definitely, which is hopeful. It's very hopeful. Like I

0:18:57.760 --> 0:18:59.520
<v Speaker 1>think that's why it's sad too, because that there's so

0:18:59.600 --> 0:19:00.159
<v Speaker 1>much hope there.

0:19:00.200 --> 0:19:02.600
<v Speaker 2>But obviously we know that they're going.

0:19:02.440 --> 0:19:06.280
<v Speaker 1>To continue in many different ways. You haven't seen everything

0:19:06.280 --> 0:19:09.160
<v Speaker 1>that happens, I don't think, but you know, many things

0:19:09.200 --> 0:19:12.240
<v Speaker 1>happen many it's hard to keep up with.

0:19:12.560 --> 0:19:14.080
<v Speaker 2>It's true. It's up and down.

0:19:14.119 --> 0:19:16.359
<v Speaker 1>And sometimes I don't remember all of it either because

0:19:16.400 --> 0:19:18.320
<v Speaker 1>it's a lot. It's a lot we really pack it in.

0:19:18.480 --> 0:19:21.200
<v Speaker 1>But it's believable. It's believable, you know what I'm saying. Like,

0:19:21.240 --> 0:19:24.080
<v Speaker 1>it's not like a soap opera. Yeah, you're like, well

0:19:24.080 --> 0:19:24.760
<v Speaker 1>that doesn't happen.

0:19:24.800 --> 0:19:26.760
<v Speaker 3>No, no one's turning into the devil and thank.

0:19:26.640 --> 0:19:31.160
<v Speaker 2>God, oh god, obviously. Wow, thank god, that's The Days

0:19:31.160 --> 0:19:32.959
<v Speaker 2>of Our Lives. My mom made me watch it.

0:19:32.960 --> 0:19:38.320
<v Speaker 3>It was a snowy day in December, and it traumatized me. Gosh, okay,

0:19:38.560 --> 0:19:41.679
<v Speaker 3>I remember vividly watching Days of Our Lives with that happening,

0:19:41.760 --> 0:19:42.120
<v Speaker 3>So no.

0:19:42.520 --> 0:19:45.280
<v Speaker 2>I s don't remember that. Wow like that.

0:19:55.960 --> 0:19:58.919
<v Speaker 1>Now, we haven't really talked that much about Charlotte because

0:19:58.920 --> 0:20:00.920
<v Speaker 1>one of the things we haven't talked about is Bunny

0:20:01.760 --> 0:20:03.880
<v Speaker 1>Trey's mom, Francis.

0:20:03.400 --> 0:20:07.600
<v Speaker 2>Sternhagen rest in peace. An incredible actress, an incredible person.

0:20:08.040 --> 0:20:11.320
<v Speaker 1>She's just so good. She's so good, Oh my god,

0:20:11.480 --> 0:20:14.920
<v Speaker 1>she's just so good. And she's very not like this character.

0:20:15.359 --> 0:20:18.960
<v Speaker 2>She really Yeah, she lived in Connecticut, she had land.

0:20:19.000 --> 0:20:22.360
<v Speaker 1>She's been working forever, you know, on Broadway, all different things.

0:20:23.320 --> 0:20:25.440
<v Speaker 1>She would come in and her broken stock and her

0:20:25.560 --> 0:20:28.800
<v Speaker 1>like gardening hat basically like dirty from the garden and

0:20:28.920 --> 0:20:32.000
<v Speaker 1>get made into Bunny, you know. And then she was

0:20:32.080 --> 0:20:35.800
<v Speaker 1>just a sweetheart, just so sweet, but also like not

0:20:35.880 --> 0:20:39.560
<v Speaker 1>precious about anything, just like fun, you know, really really fun.

0:20:39.600 --> 0:20:43.320
<v Speaker 2>And they're so good together, Kyle and she, Trey and Bunny.

0:20:43.840 --> 0:20:47.520
<v Speaker 1>I know, I mean, it is kind of like we've

0:20:47.600 --> 0:20:50.840
<v Speaker 1>just started with that relationship, right, So Charlotte's definitely taking

0:20:50.880 --> 0:20:53.639
<v Speaker 1>it in and trying to learn from her and obviously

0:20:53.680 --> 0:20:56.480
<v Speaker 1>wants her approval and everything. We don't really know how

0:20:56.520 --> 0:20:58.399
<v Speaker 1>weird things you're going to get at this point, you

0:20:58.480 --> 0:20:59.040
<v Speaker 1>know what I'm saying.

0:20:59.119 --> 0:21:00.480
<v Speaker 2>It's weird. Yeah, it's weird.

0:21:00.480 --> 0:21:01.840
<v Speaker 1>But the thing that I love too is that And

0:21:02.160 --> 0:21:04.240
<v Speaker 1>we'll see when we actually get to those episodes.

0:21:04.280 --> 0:21:06.760
<v Speaker 2>But like, it's the vibe is weird.

0:21:07.000 --> 0:21:09.560
<v Speaker 1>Nothing horrible happens except when she's sitting next to him

0:21:09.560 --> 0:21:10.160
<v Speaker 1>in the bathtub.

0:21:10.200 --> 0:21:10.639
<v Speaker 2>That's weird.

0:21:10.760 --> 0:21:13.360
<v Speaker 1>But it's like still got the veneer of like, oh

0:21:13.400 --> 0:21:17.080
<v Speaker 1>they're just you know, close quirky, you know what I'm saying, Like,

0:21:17.119 --> 0:21:18.119
<v Speaker 1>it's not too weird.

0:21:18.520 --> 0:21:19.919
<v Speaker 2>No, but the vibe is weird.

0:21:20.440 --> 0:21:22.720
<v Speaker 3>But even because and I don't know if this is

0:21:22.760 --> 0:21:26.000
<v Speaker 3>how it was supposed to play, But when you guys

0:21:26.000 --> 0:21:29.280
<v Speaker 3>are at lunch, the first time Bunny puts her arm on.

0:21:29.359 --> 0:21:32.040
<v Speaker 2>Tray, you clock it with it.

0:21:32.240 --> 0:21:34.680
<v Speaker 3>Yeah, as it feels weird, it's strange.

0:21:34.480 --> 0:21:35.720
<v Speaker 2>Oh, but then is learning.

0:21:36.040 --> 0:21:39.440
<v Speaker 3>But then the second time it happens, your face shows

0:21:39.480 --> 0:21:42.520
<v Speaker 3>me that you're like, oh, I just learned a little

0:21:42.520 --> 0:21:44.160
<v Speaker 3>bit of a manipulation tactic.

0:21:44.280 --> 0:21:46.840
<v Speaker 1>Yeah, definitely, because we've never really seen Charlotte try to

0:21:46.840 --> 0:21:48.280
<v Speaker 1>manipulate anything at this point.

0:21:48.880 --> 0:21:52.440
<v Speaker 2>But you're getting the ring come down. Definitely. That's right.

0:21:52.480 --> 0:21:54.399
<v Speaker 1>I've had the books, I've had this, I've had that,

0:21:54.600 --> 0:21:56.520
<v Speaker 1>I've you know, tried to hang out with my married

0:21:56.520 --> 0:21:58.320
<v Speaker 1>friends whatever. I've tried to do all these different things,

0:21:58.359 --> 0:21:59.680
<v Speaker 1>and I'm like, well, okay, I'm going to try to

0:21:59.680 --> 0:22:04.119
<v Speaker 1>figure it. Dude out by his mom. Just interesting. He

0:22:04.200 --> 0:22:06.480
<v Speaker 1>knows him best, Yeah, for sure, for sure.

0:22:06.520 --> 0:22:09.120
<v Speaker 2>And the thing that I thought about also.

0:22:08.880 --> 0:22:11.639
<v Speaker 1>Because I've never I had never talked to Kyle about

0:22:11.640 --> 0:22:13.600
<v Speaker 1>any of this until he came on, because back then

0:22:13.680 --> 0:22:15.560
<v Speaker 1>I just was never asking anybody.

0:22:15.160 --> 0:22:17.280
<v Speaker 2>Like what do you think you or whatever? I don't know,

0:22:17.560 --> 0:22:18.320
<v Speaker 2>you know, just in it.

0:22:18.359 --> 0:22:21.760
<v Speaker 1>We're in it, right, Yeah, he is, you know, because

0:22:21.800 --> 0:22:25.080
<v Speaker 1>he is Kyle McGlaughlin the actor. And obviously i'd watched

0:22:25.119 --> 0:22:26.720
<v Speaker 1>him on Twin Peaks. I don't know you were you

0:22:26.760 --> 0:22:30.840
<v Speaker 1>were really young, but I mean, you know, incredible character,

0:22:31.400 --> 0:22:36.600
<v Speaker 1>incredible actor, but always kind of covered. He has like

0:22:36.640 --> 0:22:40.120
<v Speaker 1>a cover to his to his face, to his way

0:22:40.160 --> 0:22:43.520
<v Speaker 1>that he is, you know. And he thought when they

0:22:43.560 --> 0:22:45.639
<v Speaker 1>first called him for Trey that he was going to

0:22:45.680 --> 0:22:48.360
<v Speaker 1>get to play like a normal guy, like a regular surgeon,

0:22:48.560 --> 0:22:51.320
<v Speaker 1>you know, preppy, normal guy. And then they told him like,

0:22:51.359 --> 0:22:53.840
<v Speaker 1>oh yeah, and you have, you know, some sexual dysfunction

0:22:53.960 --> 0:22:55.560
<v Speaker 1>and you're very close with your mom. And he was like,

0:22:55.640 --> 0:22:59.760
<v Speaker 1>darn it. But what I think he brings, which is

0:22:59.800 --> 0:23:03.600
<v Speaker 1>so interesting, is you aren't quite sure, Like when he

0:23:03.680 --> 0:23:06.159
<v Speaker 1>starts saying alrighty all the time, You're like, but what

0:23:06.200 --> 0:23:07.120
<v Speaker 1>does he really want?

0:23:07.359 --> 0:23:07.560
<v Speaker 2>You know?

0:23:07.680 --> 0:23:09.719
<v Speaker 1>It's interesting and I don't know what I'm gonna think

0:23:09.840 --> 0:23:13.200
<v Speaker 1>is I keep watching like what what does he really want?

0:23:13.320 --> 0:23:13.720
<v Speaker 1>I don't.

0:23:13.920 --> 0:23:17.600
<v Speaker 2>I don't know for sure. You know, yeah, did you think.

0:23:17.400 --> 0:23:21.640
<v Speaker 3>That it's almost like he goes into a trance anytime

0:23:21.760 --> 0:23:24.520
<v Speaker 3>someone touches his arm that way? Yeah, because you're like,

0:23:24.520 --> 0:23:27.720
<v Speaker 3>why don't you have the tomato with Basil at sair?

0:23:27.720 --> 0:23:29.320
<v Speaker 2>And he was like alrighty right.

0:23:29.240 --> 0:23:30.680
<v Speaker 3>And then when it appears, he acts like it's the

0:23:30.680 --> 0:23:34.160
<v Speaker 3>most gorgeous thing, right, So it's like a piece of art, right,

0:23:34.920 --> 0:23:41.919
<v Speaker 3>You're I don't I think men who have mothers like Bunny,

0:23:41.960 --> 0:23:46.000
<v Speaker 3>there are moments where you still see that mama's boy

0:23:46.040 --> 0:23:48.720
<v Speaker 3>where like they sort of need guidance and direction.

0:23:50.080 --> 0:23:52.600
<v Speaker 1>Maybe Yeah, I mean, we're gonna see where it goes, right,

0:23:52.680 --> 0:23:55.760
<v Speaker 1>like cause I don't, I don't, I don't know because

0:23:55.800 --> 0:23:58.280
<v Speaker 1>also for me when I'm rewatching it, like because I

0:23:58.359 --> 0:24:01.359
<v Speaker 1>was with Kyle in life right acting, right, Yeah, it's

0:24:01.359 --> 0:24:04.280
<v Speaker 1>so hard to separate, you know what I'm saying, Yeah,

0:24:04.280 --> 0:24:07.800
<v Speaker 1>because you're with the person eighteen hours a day doing

0:24:07.840 --> 0:24:10.440
<v Speaker 1>the stuff, you know, and you spend more time not

0:24:11.440 --> 0:24:14.280
<v Speaker 1>between action and cut that's like the small amount of time, right,

0:24:15.520 --> 0:24:18.280
<v Speaker 1>and the writing is so good that the writing, you know,

0:24:18.359 --> 0:24:21.200
<v Speaker 1>carries you through that part, right, and you're just trying

0:24:21.240 --> 0:24:23.359
<v Speaker 1>to be connected to the person, which was super easy

0:24:23.359 --> 0:24:25.560
<v Speaker 1>to be connected to Kyle because he's just a dream

0:24:25.920 --> 0:24:28.920
<v Speaker 1>like an always like as an actor, as a person

0:24:29.520 --> 0:24:34.400
<v Speaker 1>you know, in Always, he's a super sweetheart, like so easy,

0:24:34.920 --> 0:24:38.600
<v Speaker 1>incredibly easy to work with and fun you know, like

0:24:38.840 --> 0:24:39.480
<v Speaker 1>doesn't take it.

0:24:39.400 --> 0:24:41.720
<v Speaker 2>Too seriously but is totally professional.

0:24:41.960 --> 0:24:48.359
<v Speaker 1>Like interesting combinations that you don't always get, you know, Like, yeah,

0:24:48.400 --> 0:24:53.080
<v Speaker 1>sometimes actors are I.

0:24:53.040 --> 0:24:55.200
<v Speaker 2>Don't know who I should name or not name, but.

0:24:55.720 --> 0:24:58.960
<v Speaker 1>Certain actors in the show, not my actors, but other

0:24:59.040 --> 0:25:03.000
<v Speaker 1>actors big personalities, right where like you're trying to kind

0:25:03.040 --> 0:25:07.240
<v Speaker 1>of get them to do what is written, do what

0:25:07.320 --> 0:25:07.800
<v Speaker 1>I'm trying.

0:25:07.680 --> 0:25:11.119
<v Speaker 3>To say they want to go off script, and that's.

0:25:10.400 --> 0:25:12.680
<v Speaker 1>Not really allowed here right in our world, you can't

0:25:12.680 --> 0:25:15.199
<v Speaker 1>go off script, right, But like, their personalities are just

0:25:15.200 --> 0:25:19.840
<v Speaker 1>so huge and charismatic, incredibly charismatic and big personalities, and

0:25:19.880 --> 0:25:21.560
<v Speaker 1>then you're trying to get them to just do what

0:25:21.600 --> 0:25:24.400
<v Speaker 1>you wrote, you know, but they're bringing all that with him,

0:25:24.560 --> 0:25:25.560
<v Speaker 1>which is what makes.

0:25:25.400 --> 0:25:26.119
<v Speaker 2>It so great.

0:25:26.440 --> 0:25:29.080
<v Speaker 1>But also you kind of have to manage it a

0:25:29.080 --> 0:25:33.520
<v Speaker 1>little bit, you know. Kyle no managing. He's just in

0:25:33.560 --> 0:25:36.480
<v Speaker 1>the groove. He knows what he's doing, you know, he's

0:25:36.720 --> 0:25:39.040
<v Speaker 1>he might ask questions or whatever, you know what I'm saying,

0:25:39.200 --> 0:25:44.080
<v Speaker 1>But he's just so professional and great. That's largely so

0:25:44.119 --> 0:25:45.879
<v Speaker 1>you can have fun, is what I'm saying. Kind of

0:25:45.960 --> 0:25:48.959
<v Speaker 1>like it's just fun and easy, so easy. I do

0:25:49.080 --> 0:25:51.840
<v Speaker 1>also think that was really the first time, oh I

0:25:51.920 --> 0:25:54.520
<v Speaker 1>forgot I mean on Melrose. I was on Melrose for

0:25:54.520 --> 0:25:57.600
<v Speaker 1>a year working with Andrew Shoe, who had been a

0:25:57.600 --> 0:26:00.080
<v Speaker 1>soccer player before he was on Melrose, right, so he

0:26:00.119 --> 0:26:03.080
<v Speaker 1>wasn't really like an actor actor, you know what I'm saying.

0:26:02.920 --> 0:26:07.520
<v Speaker 2>Right, So it was I was always like, you know,

0:26:07.600 --> 0:26:09.639
<v Speaker 2>let's act, what I.

0:26:09.520 --> 0:26:12.560
<v Speaker 1>Mean, and he was like he was like please, please,

0:26:12.640 --> 0:26:15.240
<v Speaker 1>don't suggest any blocking, And I was like, why not?

0:26:15.520 --> 0:26:17.880
<v Speaker 1>What do you mean, Like Kyle's not like that. Cau's like, yeah,

0:26:17.880 --> 0:26:19.520
<v Speaker 1>what do you want to do, Like let's do that? Yeah,

0:26:19.560 --> 0:26:20.479
<v Speaker 1>like great, let's do that.

0:26:20.680 --> 0:26:22.960
<v Speaker 2>Let's ask for that. You know, He's just easy. It

0:26:23.000 --> 0:26:24.560
<v Speaker 2>makes it fun, you know what I'm saying.

0:26:24.840 --> 0:26:27.159
<v Speaker 3>Once the fun is gone, what are you doing totally?

0:26:27.200 --> 0:26:30.119
<v Speaker 1>And I mean sometimes sometimes to get good work, you

0:26:30.200 --> 0:26:32.040
<v Speaker 1>might not have fun, right, so you kind of have

0:26:32.080 --> 0:26:35.520
<v Speaker 1>to surrender to that as an actor, Like each situation

0:26:35.640 --> 0:26:38.440
<v Speaker 1>is different, each actors different, each actress is different, right,

0:26:38.440 --> 0:26:40.359
<v Speaker 1>and so sometimes it might not be fun, but the

0:26:40.400 --> 0:26:43.480
<v Speaker 1>work might be great, right, And that's okay because the

0:26:43.520 --> 0:26:44.560
<v Speaker 1>work is what really matters.

0:26:44.560 --> 0:26:46.880
<v Speaker 3>Do you feel like he was he was a well

0:26:46.960 --> 0:26:49.720
<v Speaker 3>balanced actor. Yeah, he could come and do his job,

0:26:49.840 --> 0:26:52.320
<v Speaker 3>make it fun, yes, but everyone got to go home

0:26:52.359 --> 0:26:53.840
<v Speaker 3>on time and it was like.

0:26:54.080 --> 0:26:55.720
<v Speaker 1>Oh, we never went home on time, But it had

0:26:55.720 --> 0:26:58.000
<v Speaker 1>nothing to do with him. That's not how we roll.

0:26:58.400 --> 0:27:00.800
<v Speaker 1>Do not know how a home on time. If there's

0:27:00.880 --> 0:27:03.880
<v Speaker 1>time in the day, we will continue to do angles

0:27:03.920 --> 0:27:06.800
<v Speaker 1>and takes. And you know, like I said, like when

0:27:06.840 --> 0:27:09.960
<v Speaker 1>we the first one of the first things I remember

0:27:09.960 --> 0:27:14.000
<v Speaker 1>about Charles McDougal was we go to Burgdorf and I'm

0:27:14.040 --> 0:27:17.520
<v Speaker 1>looking at china with Kyle and I'm flipping this plate.

0:27:17.760 --> 0:27:20.240
<v Speaker 1>He brought a crane into Burgdorf, like up on the

0:27:20.320 --> 0:27:22.920
<v Speaker 1>upper floor, and he had this shot that he wanted

0:27:22.920 --> 0:27:24.920
<v Speaker 1>to do where you would actually see the pattern of

0:27:24.960 --> 0:27:26.200
<v Speaker 1>the china and then I would flip the plate and

0:27:26.200 --> 0:27:27.920
<v Speaker 1>you would see who made it. That's what I'm saying

0:27:27.920 --> 0:27:30.480
<v Speaker 1>in the scene thirty six takes. I remember doing thirty

0:27:30.480 --> 0:27:31.440
<v Speaker 1>six takes.

0:27:31.200 --> 0:27:32.640
<v Speaker 3>Of just flipping the plate. Mm hmm.

0:27:34.000 --> 0:27:36.520
<v Speaker 1>Well he'd flip the plate and then he'd panned back

0:27:36.600 --> 0:27:38.520
<v Speaker 1>and the scene would start, so that would be the master,

0:27:38.680 --> 0:27:40.560
<v Speaker 1>you'd call it, and then you just are in the

0:27:40.600 --> 0:27:43.800
<v Speaker 1>master where you're getting the whole whole scene and then

0:27:43.880 --> 0:27:46.359
<v Speaker 1>you cut into close ups, right, So it's just a

0:27:46.359 --> 0:27:49.760
<v Speaker 1>couple seconds really, but he wanted it to be amazing.

0:27:49.560 --> 0:27:50.400
<v Speaker 3>And it was.

0:27:50.520 --> 0:27:54.000
<v Speaker 1>But I mean, thirty six takes sheep, no, no, no,

0:27:54.280 --> 0:27:57.280
<v Speaker 1>this is when we really started to get the money edible. Yeah,

0:27:57.359 --> 0:27:59.840
<v Speaker 1>it was incredible, but it was fun because like it's

0:27:59.840 --> 0:28:02.040
<v Speaker 1>a challenge trying to say because you're having to flip

0:28:02.119 --> 0:28:03.680
<v Speaker 1>the plate just right, but also be in the scene

0:28:03.680 --> 0:28:05.440
<v Speaker 1>and be you know, do your lines and be good

0:28:05.480 --> 0:28:07.520
<v Speaker 1>and whatever, you know what I mean. And also in

0:28:07.560 --> 0:28:10.040
<v Speaker 1>this scene sorry this episode is when we're walking on

0:28:10.119 --> 0:28:12.720
<v Speaker 1>the street to Tiffany's. That was also really fun because

0:28:12.720 --> 0:28:15.200
<v Speaker 1>he was on a long lens, which is what makes

0:28:15.240 --> 0:28:17.679
<v Speaker 1>it look like a film rather than like a super

0:28:18.000 --> 0:28:20.080
<v Speaker 1>short lens where they're really close on you. He's on

0:28:20.119 --> 0:28:22.880
<v Speaker 1>a long lens blocks away, and he would put Kyle

0:28:22.920 --> 0:28:25.800
<v Speaker 1>and I like five blocks away and he'd say, just walk.

0:28:26.040 --> 0:28:28.600
<v Speaker 1>And so there's a few extras right close to us,

0:28:28.600 --> 0:28:29.480
<v Speaker 1>but the rest are.

0:28:29.280 --> 0:28:30.720
<v Speaker 2>Like people in New York City.

0:28:31.119 --> 0:28:33.879
<v Speaker 1>And then he'd just be like, walk and I'd be like, Kyler,

0:28:34.000 --> 0:28:35.119
<v Speaker 1>do you think we're on our marks?

0:28:35.119 --> 0:28:36.520
<v Speaker 2>Do you think we're in the frame? You'd be like,

0:28:36.600 --> 0:28:38.520
<v Speaker 2>I don't know. Let's just walk, So you don't even

0:28:38.520 --> 0:28:40.440
<v Speaker 2>know if you're in the frame, right, Wait.

0:28:40.280 --> 0:28:42.360
<v Speaker 3>So those are people just walking through New York City?

0:28:42.440 --> 0:28:43.240
<v Speaker 2>Yeah, some of them. Yeah.

0:28:43.280 --> 0:28:45.040
<v Speaker 1>And so what they would do if you ended up

0:28:45.040 --> 0:28:46.760
<v Speaker 1>being in a take that we liked is at the end,

0:28:46.800 --> 0:28:48.920
<v Speaker 1>they would get you to sign a release. They would

0:28:48.960 --> 0:28:50.440
<v Speaker 1>say like, oh, you just walked through our scene, could

0:28:50.440 --> 0:28:52.320
<v Speaker 1>you sign a release? If that's okay, you know what

0:28:52.360 --> 0:28:54.720
<v Speaker 1>I mean. But then the people closest to us would

0:28:54.720 --> 0:28:57.760
<v Speaker 1>be extra so that they would keep walking and not

0:28:57.840 --> 0:29:00.000
<v Speaker 1>just stop or you know what I'm trying to say, yeah,

0:29:00.040 --> 0:29:00.800
<v Speaker 1>stop the scene.

0:29:00.840 --> 0:29:01.680
<v Speaker 2>But then and then we.

0:29:01.680 --> 0:29:03.840
<v Speaker 1>Walk up to the really cool shot through the window.

0:29:04.120 --> 0:29:06.800
<v Speaker 1>So he's in Tiffany's filming through the window at us

0:29:06.920 --> 0:29:10.959
<v Speaker 1>because I think at the time we couldn't film in Tiffany's.

0:29:11.400 --> 0:29:13.840
<v Speaker 1>They could film at Tiffany's, right, but they didn't want

0:29:13.880 --> 0:29:16.240
<v Speaker 1>us to come in and film. And that reminds me

0:29:16.320 --> 0:29:17.800
<v Speaker 1>of I know, you haven't seen the end of Just

0:29:17.840 --> 0:29:20.920
<v Speaker 1>like that, we Sarah Jesskin I go in Tiffany's, but

0:29:20.960 --> 0:29:23.440
<v Speaker 1>we had to go in really early before it opened,

0:29:23.640 --> 0:29:25.560
<v Speaker 1>and we had to be out at a certain time,

0:29:25.640 --> 0:29:29.000
<v Speaker 1>so we were rushed, like so rushed, But we did it,

0:29:29.040 --> 0:29:31.240
<v Speaker 1>and it was magical to be filming inside Tiffany's.

0:29:31.240 --> 0:29:32.600
<v Speaker 2>Obviously it was.

0:29:32.640 --> 0:29:34.920
<v Speaker 1>It was amazing, but back in the day we couldn't

0:29:35.040 --> 0:29:37.760
<v Speaker 1>afford and or get to be inside, so he had

0:29:37.760 --> 0:29:41.800
<v Speaker 1>to be creative about framing us in the Tiffany window,

0:29:42.160 --> 0:29:43.240
<v Speaker 1>which was so beautiful.

0:29:43.320 --> 0:29:43.920
<v Speaker 2>It worked out.

0:29:44.040 --> 0:29:48.080
<v Speaker 3>I love it because and then Carrie's voiceover talks about

0:29:48.120 --> 0:29:49.840
<v Speaker 3>how that was going to be the story.

0:29:49.920 --> 0:29:52.920
<v Speaker 2>I say, all right, which is so Charlotte and said alrighty,

0:29:53.480 --> 0:29:54.680
<v Speaker 2>I know, I know, I know.

0:29:54.880 --> 0:29:55.080
<v Speaker 1>Yeah.

0:29:55.080 --> 0:29:56.480
<v Speaker 2>The alrighty really takes.

0:29:56.560 --> 0:30:01.040
<v Speaker 3>That was like, oh my gosh, who says right? Was

0:30:01.200 --> 0:30:02.680
<v Speaker 3>now going to be your.

0:30:02.520 --> 0:30:05.600
<v Speaker 1>Respect totally, which I think is great. But obviously they

0:30:05.600 --> 0:30:07.720
<v Speaker 1>don't last, so I don't get to tell that story.

0:30:07.760 --> 0:30:09.920
<v Speaker 2>But that's okay.

0:30:10.560 --> 0:30:13.080
<v Speaker 3>And then you go into another relationship where it's like,

0:30:13.600 --> 0:30:15.440
<v Speaker 3>this is not how the story is supposed to go

0:30:15.520 --> 0:30:16.120
<v Speaker 3>in my head.

0:30:16.280 --> 0:30:18.200
<v Speaker 2>I know, but it works out. It does work out.

0:30:18.280 --> 0:30:20.440
<v Speaker 1>It's all about having to roll with it. Yeah, yeah,

0:30:20.480 --> 0:30:23.320
<v Speaker 1>which is super important. All right, Wait, very important question

0:30:23.360 --> 0:30:25.640
<v Speaker 1>that I sometimes forget, but I think we already know

0:30:25.720 --> 0:30:28.720
<v Speaker 1>some of the answer. So you've already said that you

0:30:28.720 --> 0:30:31.840
<v Speaker 1>you love Miranda and you you recognize Miranda and yourself.

0:30:31.880 --> 0:30:34.400
<v Speaker 3>At this stage of my life, I would say I'm

0:30:34.480 --> 0:30:36.400
<v Speaker 3>mostly a Miranda, mostly a Miranda.

0:30:36.520 --> 0:30:41.440
<v Speaker 2>Okay, So is there any Charlotte and La Lacan? I feel.

0:30:42.640 --> 0:30:43.360
<v Speaker 3>Not right now?

0:30:43.480 --> 0:30:45.480
<v Speaker 2>Okay, that's cool, there's always a lit I.

0:30:45.560 --> 0:30:48.760
<v Speaker 3>Just totally just lied to you, okay, though, the being

0:30:48.760 --> 0:30:52.200
<v Speaker 3>in my head and how I picture things going okay,

0:30:52.240 --> 0:30:54.480
<v Speaker 3>and that will never leave right right, That's just who

0:30:54.480 --> 0:30:57.000
<v Speaker 3>I am by nature. Right right, Like, no, the wind

0:30:57.040 --> 0:31:02.960
<v Speaker 3>wasn't supposed to blow this hard today. Oh no, that's

0:31:03.160 --> 0:31:04.520
<v Speaker 3>my old day's thrown off.

0:31:04.560 --> 0:31:07.560
<v Speaker 2>Oh no, that's funny. But sometimes I think that that.

0:31:08.360 --> 0:31:11.720
<v Speaker 1>Sometimes I think that quality can really serve you well

0:31:11.760 --> 0:31:16.400
<v Speaker 1>in life in that like you're trying to create, Like

0:31:16.440 --> 0:31:19.120
<v Speaker 1>it's a creative force, do you know what I mean?

0:31:19.240 --> 0:31:22.600
<v Speaker 3>Like I never tried to deny that part of myself.

0:31:22.720 --> 0:31:26.680
<v Speaker 3>That's good because obviously looking at the way my life

0:31:26.720 --> 0:31:29.440
<v Speaker 3>has been and that piece of me has been with

0:31:29.560 --> 0:31:31.760
<v Speaker 3>me since I was a child. And I think my

0:31:31.880 --> 0:31:37.120
<v Speaker 3>daughter Sosa, who's fifteen months now, has that same Oh great, yay,

0:31:37.640 --> 0:31:39.840
<v Speaker 3>And I'm like, you know what, I find it to

0:31:39.880 --> 0:31:42.280
<v Speaker 3>be something that served me, So why I need to

0:31:42.760 --> 0:31:44.800
<v Speaker 3>I don't need to try and fix this and alter it.

0:31:44.960 --> 0:31:46.040
<v Speaker 2>Absolutely absolutely.

0:31:46.040 --> 0:31:50.200
<v Speaker 1>So you have your untraditionally l LA podcast and so

0:31:50.280 --> 0:31:51.200
<v Speaker 1>that's on right now.

0:31:51.400 --> 0:31:53.880
<v Speaker 3>That airs every Wednesday, and a bonus episode comes out

0:31:53.920 --> 0:31:54.520
<v Speaker 3>on Mondays.

0:31:54.520 --> 0:31:58.640
<v Speaker 2>Cool and then Hare the second podcast is coming. Yes.

0:31:58.680 --> 0:32:02.960
<v Speaker 3>So I started upon with my friend Amber Childers. It's

0:32:02.960 --> 0:32:07.280
<v Speaker 3>called an unlikely affair and although there's there's nuance to

0:32:07.560 --> 0:32:11.280
<v Speaker 3>our relationship, but I won't bore you with that long

0:32:11.600 --> 0:32:17.840
<v Speaker 3>story she was the wife and I was the mystress incredible,

0:32:18.040 --> 0:32:20.680
<v Speaker 3>and I still stand by. I did not know, and

0:32:20.720 --> 0:32:22.680
<v Speaker 3>maybe had I been sober at that point in time,

0:32:22.840 --> 0:32:25.480
<v Speaker 3>I would have not painted red flags. Green doesn't matter

0:32:26.000 --> 0:32:26.440
<v Speaker 3>what it is.

0:32:26.480 --> 0:32:29.960
<v Speaker 2>So this person didn't tell you I'm married. He this

0:32:30.000 --> 0:32:32.760
<v Speaker 2>person said we are separating. I got it. This happens

0:32:32.800 --> 0:32:33.160
<v Speaker 2>so much.

0:32:33.200 --> 0:32:37.800
<v Speaker 3>And I actually found out that after I had left him,

0:32:37.960 --> 0:32:41.719
<v Speaker 3>I got a text message of a screen shot and

0:32:41.800 --> 0:32:45.560
<v Speaker 3>it was between Amber and someone she was dating at

0:32:45.560 --> 0:32:49.840
<v Speaker 3>the time, and it said from Amber, I am no

0:32:49.920 --> 0:32:51.920
<v Speaker 3>longer going to be able to see you because I've

0:32:51.920 --> 0:32:54.480
<v Speaker 3>decided to give my marriage another shot. And that way,

0:32:55.360 --> 0:32:59.040
<v Speaker 3>and so I learned, like, oh oh, I was very

0:32:59.160 --> 0:33:03.120
<v Speaker 3>much in the dark about a lot of things. So anyway,

0:33:03.360 --> 0:33:05.840
<v Speaker 3>after I had ended my relationship with the person we

0:33:05.920 --> 0:33:10.600
<v Speaker 3>had in common, I called her and made an amends and

0:33:10.640 --> 0:33:14.000
<v Speaker 3>we've just gotten so close and so nice. The timing

0:33:14.120 --> 0:33:19.080
<v Speaker 3>is perfect, and she's really helped me through a lot

0:33:19.120 --> 0:33:21.640
<v Speaker 3>of rough times that she's been through, and I offer

0:33:21.680 --> 0:33:24.200
<v Speaker 3>her support when she needs me, and it's just amazing

0:33:24.320 --> 0:33:27.120
<v Speaker 3>and untraditional relationship so much.

0:33:27.440 --> 0:33:29.320
<v Speaker 2>It'll be a lot of fun. Great.

0:33:29.400 --> 0:33:31.560
<v Speaker 1>I love to hear about women coming together. And I

0:33:31.600 --> 0:33:34.080
<v Speaker 1>do think so many people have been through situations where

0:33:34.080 --> 0:33:36.840
<v Speaker 1>they're not told the whole truth, and then people tend

0:33:36.840 --> 0:33:39.200
<v Speaker 1>to blame the women, which I think is unfair because

0:33:39.240 --> 0:33:41.880
<v Speaker 1>how do we how how do we know? We can't

0:33:42.160 --> 0:33:45.800
<v Speaker 1>see through everything. We don't know when people are manipulating

0:33:45.840 --> 0:33:46.680
<v Speaker 1>on both sides.

0:33:46.920 --> 0:33:47.840
<v Speaker 2>No, you don't know.

0:33:48.160 --> 0:33:51.760
<v Speaker 3>And it's really it's just such an uncommon bond. You

0:33:52.200 --> 0:33:54.680
<v Speaker 3>hear about people you know, going their separate ways, getting

0:33:54.720 --> 0:33:57.240
<v Speaker 3>remarried and all is good and they're like one big.

0:33:57.080 --> 0:33:57.760
<v Speaker 2>Happy family.

0:33:58.200 --> 0:34:00.720
<v Speaker 3>It is very rare that someone is the wife and

0:34:00.760 --> 0:34:03.320
<v Speaker 3>the mistress and those two end up. No said the

0:34:03.400 --> 0:34:05.400
<v Speaker 3>other day, she was like, I feel like you should

0:34:05.400 --> 0:34:07.920
<v Speaker 3>have just had an affair with me. I was like, yeah,

0:34:07.920 --> 0:34:11.120
<v Speaker 3>I feel the same way. You're much better looking.

0:34:11.760 --> 0:34:14.880
<v Speaker 2>That's so nice, that's so so nice. And so what

0:34:15.000 --> 0:34:16.520
<v Speaker 2>is going to be the topic, Like, what are you

0:34:16.560 --> 0:34:17.520
<v Speaker 2>guys going to talk about?

0:34:17.640 --> 0:34:20.600
<v Speaker 3>We're going to talk about co parenting, We're going to

0:34:20.680 --> 0:34:25.920
<v Speaker 3>talk about dating at this age, sex, what that looks

0:34:26.000 --> 0:34:29.400
<v Speaker 3>like at our age. Her kids are older than mine,

0:34:29.400 --> 0:34:36.680
<v Speaker 3>but again they share a dad, and just parenting tips

0:34:36.719 --> 0:34:38.640
<v Speaker 3>and what our kids have in common, what it's like

0:34:38.680 --> 0:34:41.560
<v Speaker 3>to raise kids in the social media world and like

0:34:41.719 --> 0:34:44.920
<v Speaker 3>nothing is going to be off limits.

0:34:45.080 --> 0:34:45.560
<v Speaker 2>Amazing.

0:34:45.640 --> 0:34:48.560
<v Speaker 3>I know that so many podcasts are like, we're unfiltered

0:34:48.600 --> 0:34:52.040
<v Speaker 3>and unapologetic, but this is very much a podcast where

0:34:52.080 --> 0:34:57.319
<v Speaker 3>it's raw and I'm just so excited. It's spicy and

0:34:57.360 --> 0:35:01.720
<v Speaker 3>sexy and and the dynamic is very different than most

0:35:01.760 --> 0:35:02.840
<v Speaker 3>podcasts out there.

0:35:02.880 --> 0:35:05.920
<v Speaker 1>Cool, very nice. I can't wait. I can't wait to listen.

0:35:05.960 --> 0:35:09.920
<v Speaker 1>I'm super curious. Yay, thank you, You're welcome. I'm so excited.

0:35:09.920 --> 0:35:11.800
<v Speaker 2>Thank you for joining us, thank you for having me.

0:35:11.800 --> 0:35:13.040
<v Speaker 2>You're super interesting.

0:35:13.239 --> 0:35:14.919
<v Speaker 3>I don't know about that, but I have the best

0:35:14.920 --> 0:35:15.480
<v Speaker 3>time with you.

0:35:15.560 --> 0:35:18.080
<v Speaker 2>Are you are You're very very interesting.