1 00:00:02,080 --> 00:00:07,480 Speaker 1: This is a headgun podcast. Hey d what's up? Hey Bee? 2 00:00:07,720 --> 00:00:09,840 Speaker 1: Did I catch you? Can you talk for a second? Yeah? 3 00:00:09,880 --> 00:00:13,080 Speaker 1: I got about five? Shoot, So what are you doing? 4 00:00:13,200 --> 00:00:16,880 Speaker 1: May eighth? Okay, well, I'm supposed to go out on 5 00:00:16,920 --> 00:00:19,880 Speaker 1: a golf course with Woody on the ninth, but I 6 00:00:19,880 --> 00:00:21,960 Speaker 1: can let me cut to it all right. You know 7 00:00:22,000 --> 00:00:24,680 Speaker 1: I'm dating Ashton Kutcher now if punked? Yeah? Yeah, yeah, 8 00:00:24,680 --> 00:00:26,079 Speaker 1: I watched that show a couple of times with my 9 00:00:26,160 --> 00:00:28,680 Speaker 1: latest twenty one year old girlfriend. She likes that kind 10 00:00:28,680 --> 00:00:32,120 Speaker 1: of stuff. So I was thinking, and this is totally 11 00:00:32,280 --> 00:00:35,440 Speaker 1: fucking crazy, maybe, but I think this would be really 12 00:00:35,479 --> 00:00:39,159 Speaker 1: cool Charlie's premiere. I bring Ashton, I bring the kids. 13 00:00:39,280 --> 00:00:41,640 Speaker 1: The kids love him and I would love to have 14 00:00:42,080 --> 00:00:46,080 Speaker 1: you and Emilia also come you know what? D sure, shoot, 15 00:00:46,120 --> 00:00:48,320 Speaker 1: why the fuck not? Let's do it. It's two thousand 16 00:00:48,320 --> 00:00:51,479 Speaker 1: and four. Blended is the nude non blended? And mc 17 00:00:51,560 --> 00:00:53,560 Speaker 1: gee then we're all gonna like do a big dinner 18 00:00:53,560 --> 00:00:56,440 Speaker 1: and mc cheese after. Yeah, that sounds great. Just let 19 00:00:56,520 --> 00:00:59,280 Speaker 1: him know no salmon. I'm on a no fish diet 20 00:00:59,400 --> 00:01:02,840 Speaker 1: right now. Okay, awesome, Bruce, I have to go cool. 21 00:01:02,880 --> 00:01:07,759 Speaker 1: Thanks to talk to you later all ye Bye, who's 22 00:01:07,800 --> 00:01:10,360 Speaker 1: that knocking at the door. It's all your friends, your 23 00:01:10,440 --> 00:01:13,319 Speaker 1: filthy horror, your husband's gone, and we've got books on 24 00:01:13,360 --> 00:01:17,040 Speaker 1: a bottle of wine to kill. It's Hollywood, it's books, 25 00:01:17,040 --> 00:01:24,240 Speaker 1: it's gossip. I'm shook, it's memoir, it's Martinis. Clebrity book Club, 26 00:01:24,959 --> 00:01:28,840 Speaker 1: Come read it while it's hot. Celebrity Book Club, tell 27 00:01:28,880 --> 00:01:34,440 Speaker 1: your secrets. We won't talk celebrity books. No boys are Alloud. 28 00:01:34,880 --> 00:01:40,000 Speaker 1: Celebrity Book Club Say it Loud and Cloud Celebrity book Club. 29 00:01:40,800 --> 00:01:45,240 Speaker 1: Buzz Man. I brought the Queer Poe podcast Wives, I'm 30 00:01:45,280 --> 00:01:48,760 Speaker 1: Steven and I'm Lively and this it's Celebrity book Clubs, 31 00:01:48,800 --> 00:01:52,080 Speaker 1: the podcast where we read celebrity memoirs so you don't 32 00:01:52,240 --> 00:01:56,920 Speaker 1: have to Hey, your best tray most friend. Oh my god, 33 00:01:56,920 --> 00:01:59,000 Speaker 1: I'm so glad we're talking about the would not be 34 00:01:59,040 --> 00:02:01,280 Speaker 1: more excited to talk about this' Like, um, this actually is. 35 00:02:01,320 --> 00:02:02,720 Speaker 1: I know we say this every time, but this book 36 00:02:02,720 --> 00:02:06,480 Speaker 1: it was insanely good. Be was the most my favorite 37 00:02:06,520 --> 00:02:09,680 Speaker 1: book of the past decade. I could not put it down. 38 00:02:09,680 --> 00:02:11,040 Speaker 1: It was one of those books where I was just like, 39 00:02:11,080 --> 00:02:13,919 Speaker 1: it's three am, it's four am. I'm don't I'm finished 40 00:02:13,919 --> 00:02:15,480 Speaker 1: it in one day. This is one of those books, 41 00:02:15,480 --> 00:02:17,320 Speaker 1: and this is I think so rare for us when 42 00:02:17,360 --> 00:02:19,919 Speaker 1: you're you're out and about and actually all you want 43 00:02:19,919 --> 00:02:22,440 Speaker 1: to do is go home and read literally about home 44 00:02:22,480 --> 00:02:24,720 Speaker 1: and read like a fucking loser, right, And you're like, oh, 45 00:02:24,800 --> 00:02:26,560 Speaker 1: I'm sorry, I didn't know it was a freaking nerd, 46 00:02:26,639 --> 00:02:29,040 Speaker 1: but I guess I am. So the book is to 47 00:02:29,160 --> 00:02:34,760 Speaker 1: me more inside out. It is a memoir of drugs 48 00:02:34,840 --> 00:02:41,600 Speaker 1: and marriage and shed Roswell, New Mexico, so to me 49 00:02:41,760 --> 00:02:45,400 Speaker 1: more obviously iconic Hollywood actress of the eighties and nineties, 50 00:02:45,440 --> 00:02:48,440 Speaker 1: two thousands and then a little bit not of and 51 00:02:48,440 --> 00:02:51,680 Speaker 1: then she kind of went away. She took it to Iowa. 52 00:02:51,880 --> 00:02:54,480 Speaker 1: She took it to her kids, well Idaho, actually right, 53 00:02:55,720 --> 00:02:58,800 Speaker 1: Always get those confused. It's hard to mix up. She 54 00:02:58,919 --> 00:03:02,000 Speaker 1: of course, is famous for her role in Say Animals Fire, 55 00:03:02,600 --> 00:03:05,760 Speaker 1: which I just watched. I've never seen that. Well, I 56 00:03:05,800 --> 00:03:08,960 Speaker 1: just watched it this past weekend. It's good. It's actually 57 00:03:09,040 --> 00:03:11,639 Speaker 1: kind of not kind of boring. Now do you say 58 00:03:11,840 --> 00:03:13,920 Speaker 1: to me or do you say jet me? Okay, I 59 00:03:13,919 --> 00:03:16,360 Speaker 1: actually don't know. And I remember being a kid and 60 00:03:16,400 --> 00:03:18,880 Speaker 1: my brother saying to me and it being kind of 61 00:03:18,880 --> 00:03:21,440 Speaker 1: this like he referred to as this like sex goddess, 62 00:03:21,480 --> 00:03:24,040 Speaker 1: and it was just like, okay, so like men think 63 00:03:24,200 --> 00:03:26,920 Speaker 1: to me is like what a hot person is, and 64 00:03:27,040 --> 00:03:29,560 Speaker 1: like me as like growing up to be a heterosexual. 65 00:03:29,600 --> 00:03:32,239 Speaker 1: I was like, okay, that's what beauty is. But I 66 00:03:32,800 --> 00:03:35,040 Speaker 1: kind of forgot how hot she was. And then like 67 00:03:35,040 --> 00:03:36,720 Speaker 1: reading this book, I'm like looking at all these photos 68 00:03:36,760 --> 00:03:39,960 Speaker 1: of her, I'm like fucking sprung. Yeah I was sprung 69 00:03:40,360 --> 00:03:46,240 Speaker 1: those books, bank Banker pages. I don't go that way, 70 00:03:46,280 --> 00:03:49,160 Speaker 1: but if I did, fuck, dude, I get on her 71 00:03:49,320 --> 00:03:54,240 Speaker 1: like white on Rice. Okay, so brat Pack the sort 72 00:03:54,240 --> 00:03:59,120 Speaker 1: of iconic crew of other femli estivus. Who else is 73 00:03:59,120 --> 00:04:02,880 Speaker 1: in the Nelson? I mean kind of everyone who was 74 00:04:02,920 --> 00:04:05,640 Speaker 1: in the breakfast Club? Yes, and Saint Almo's fires, like 75 00:04:05,760 --> 00:04:08,560 Speaker 1: basically all breakfast Club. And then we get nineties, it's 76 00:04:08,600 --> 00:04:11,840 Speaker 1: Gi Jane. It's stripped teas, and she was in she 77 00:04:11,920 --> 00:04:16,279 Speaker 1: became this like really potent sex symbol, like leading lady, 78 00:04:16,480 --> 00:04:21,480 Speaker 1: like sexual agency, firecracker, bombshell. I feel like so many 79 00:04:21,560 --> 00:04:23,479 Speaker 1: trailers of movies you would see your in. It's like 80 00:04:23,520 --> 00:04:26,200 Speaker 1: all basically these like training scenes of her body. Whether 81 00:04:26,200 --> 00:04:28,760 Speaker 1: it's Gi Jane, she's training words, stripp teas and she's 82 00:04:28,800 --> 00:04:33,159 Speaker 1: stripping wrong. This indecent proposal that is like very basic 83 00:04:33,200 --> 00:04:37,279 Speaker 1: instinct but also iconic vanity fair. Remember she did the 84 00:04:37,360 --> 00:04:39,600 Speaker 1: nude cover right, which was very like the beginning of 85 00:04:39,640 --> 00:04:41,880 Speaker 1: this whole thing of people being like, can women be? 86 00:04:42,279 --> 00:04:47,200 Speaker 1: Can women be? Working? And writing? Were sexual? Possible to 87 00:04:47,279 --> 00:04:49,839 Speaker 1: work and be sexy at the same time? We'll find 88 00:04:49,880 --> 00:04:52,679 Speaker 1: out it was she. She was like very iconic figure 89 00:04:52,720 --> 00:04:56,080 Speaker 1: for those reasons. And Nan married Bruce Willis and they 90 00:04:56,120 --> 00:05:02,599 Speaker 1: were this hot nineties power cup Tabloyd fodder. Annie Leibowitz 91 00:05:02,920 --> 00:05:05,960 Speaker 1: then married Ashton Kutcher in the two thousands, and that 92 00:05:06,080 --> 00:05:08,719 Speaker 1: I mean she kind of invented the modern tabloid era 93 00:05:08,760 --> 00:05:12,039 Speaker 1: of last week and honey tongues were a wagging a 94 00:05:12,120 --> 00:05:16,320 Speaker 1: fifteen year age difference, and we didn't see that a 95 00:05:16,440 --> 00:05:19,600 Speaker 1: woman right dating a younger man? How is that possible? People? 96 00:05:19,800 --> 00:05:23,040 Speaker 1: That what's she doing? What moistus mother of free right? 97 00:05:23,320 --> 00:05:25,400 Speaker 1: You know, why would close to five year old ever 98 00:05:25,440 --> 00:05:29,040 Speaker 1: want forty year old person? Ashton? You know, she invented 99 00:05:29,040 --> 00:05:32,440 Speaker 1: the term cougar, So she is deeply iconic. In the 100 00:05:32,600 --> 00:05:35,800 Speaker 1: late two thousands, she kind of like she kind of receded, 101 00:05:36,160 --> 00:05:37,840 Speaker 1: and then the story came out. She was like rushed 102 00:05:37,839 --> 00:05:41,760 Speaker 1: to the hospital. She odeed on synthetic pot like at 103 00:05:41,760 --> 00:05:43,880 Speaker 1: her daughter's house, and it was just very like the 104 00:05:43,960 --> 00:05:45,839 Speaker 1: tragic fall of me more and it was like what 105 00:05:45,920 --> 00:05:47,880 Speaker 1: happened to her? And it was right after ashe and 106 00:05:47,920 --> 00:05:49,880 Speaker 1: her had broken up and they were cheating rumors, and 107 00:05:49,920 --> 00:05:51,720 Speaker 1: she really kind of spiraled out of control, and that's 108 00:05:51,760 --> 00:05:55,280 Speaker 1: where the book starts. She also, I think Philly before 109 00:05:55,279 --> 00:05:57,880 Speaker 1: that wasn't even like besides Charlie's Angels, like she'd basically 110 00:05:58,000 --> 00:06:02,159 Speaker 1: kind of retired from acting a bit anyway. And so 111 00:06:02,200 --> 00:06:04,600 Speaker 1: since then, I mean, we haven't really heard from her, 112 00:06:04,640 --> 00:06:06,960 Speaker 1: And then I feel like why we chose this book. 113 00:06:07,000 --> 00:06:10,000 Speaker 1: We just started to hear the trades, you know, people 114 00:06:10,040 --> 00:06:12,039 Speaker 1: were a buzz, were a buzz, and they said that 115 00:06:12,120 --> 00:06:14,080 Speaker 1: it was like full of all this stuff about their marriages, 116 00:06:14,080 --> 00:06:15,760 Speaker 1: which we want to know the dirt. Obviously, that was 117 00:06:15,800 --> 00:06:17,200 Speaker 1: the first thing. It was like, you're going to hear 118 00:06:17,240 --> 00:06:21,719 Speaker 1: about Ashton and Demi's threesome. But then people said it 119 00:06:21,800 --> 00:06:26,320 Speaker 1: was really a testament two vulnerability and we love getting 120 00:06:26,320 --> 00:06:31,600 Speaker 1: wrong person. Honey, I wouldn't even say that. It's like 121 00:06:31,640 --> 00:06:33,960 Speaker 1: obviously we love Demi, but I wouldn't just think that 122 00:06:34,080 --> 00:06:36,440 Speaker 1: like either of us are always like oh fuck, like 123 00:06:36,600 --> 00:06:40,240 Speaker 1: demis my queen. Absolutely not like like we love Jaylo, 124 00:06:40,279 --> 00:06:41,800 Speaker 1: we love Cameradias, but like she's not someone you think 125 00:06:41,839 --> 00:06:44,080 Speaker 1: about that often, because I would say, like none of 126 00:06:44,120 --> 00:06:47,000 Speaker 1: her individual movies are that iconic on their own, but 127 00:06:47,080 --> 00:06:49,920 Speaker 1: like she became this iconic force that I think moved 128 00:06:49,920 --> 00:06:52,599 Speaker 1: beyond them and all those movies. I feel like we're 129 00:06:52,720 --> 00:06:55,880 Speaker 1: little people really still time right, it was like in 130 00:06:55,960 --> 00:06:58,200 Speaker 1: the time, and it's like we would be like ten 131 00:06:58,279 --> 00:07:00,880 Speaker 1: and seeing a trailer for gij and that is such 132 00:07:00,920 --> 00:07:05,640 Speaker 1: a like memory burned into me, Hollywood Express being like, oh, 133 00:07:05,680 --> 00:07:07,880 Speaker 1: I want to rent Gi Jane. I'm sure, just like 134 00:07:07,960 --> 00:07:12,560 Speaker 1: my dad was like, you can't rent Gi Jane. And 135 00:07:12,600 --> 00:07:15,840 Speaker 1: I remember seeing Indecent Proposal on TV and I was like, damn, 136 00:07:15,920 --> 00:07:19,040 Speaker 1: this movie is sexy. Oh shit, yeah, And I was like, 137 00:07:19,040 --> 00:07:21,160 Speaker 1: oh wait, I can't believe I'm allowed to be like 138 00:07:21,200 --> 00:07:25,240 Speaker 1: watching this, and I felt naughty for watching it. Girl. 139 00:07:26,000 --> 00:07:28,720 Speaker 1: I remember seeing shawshank Redemption as like a very young 140 00:07:28,760 --> 00:07:31,320 Speaker 1: boy and being very sort of traumatized by the opening 141 00:07:31,320 --> 00:07:34,480 Speaker 1: scene where there's like sex happening, and I was like, 142 00:07:34,800 --> 00:07:38,280 Speaker 1: because you were one of those gay guys who was 143 00:07:38,480 --> 00:07:41,480 Speaker 1: really puritanical. Yeah who when they saw sex scenes like 144 00:07:41,720 --> 00:07:44,200 Speaker 1: freaked out and cried. I remember this one said this 145 00:07:44,280 --> 00:07:47,680 Speaker 1: like family reunion, this sexy hogandas commercial came on and 146 00:07:47,760 --> 00:07:50,520 Speaker 1: my cousin Ryan screamed and ran out of the room, 147 00:07:50,520 --> 00:07:55,440 Speaker 1: and I was like, okay, loser, um, so let's just say, yeah, 148 00:07:55,480 --> 00:07:58,160 Speaker 1: let's just jump in. So what I love about this 149 00:07:58,200 --> 00:07:59,880 Speaker 1: book is so first of all, she had this app 150 00:08:00,040 --> 00:08:04,800 Speaker 1: really psychotic childhood that is the most gritty Diddy and 151 00:08:04,880 --> 00:08:07,960 Speaker 1: Meets Hunters Thompson childhood. Ever. Her parents were these like 152 00:08:08,040 --> 00:08:11,800 Speaker 1: full grifters who are always fighting, cashing bad. Literally every 153 00:08:11,800 --> 00:08:13,600 Speaker 1: scene is like she grew up at Roswaa, Mexico, which 154 00:08:13,600 --> 00:08:17,520 Speaker 1: is insane. Her parents got married at like sixteen and one. 155 00:08:17,600 --> 00:08:19,120 Speaker 1: Her dad is not even her dad and that's like, 156 00:08:19,200 --> 00:08:21,160 Speaker 1: oh right, and she finds that out later. But literally 157 00:08:21,160 --> 00:08:23,880 Speaker 1: every scene is like Daddy was on the run from Kanad, 158 00:08:24,000 --> 00:08:27,640 Speaker 1: like he'd catch seven bad checks under six aliases. Mama 159 00:08:27,720 --> 00:08:30,840 Speaker 1: was drinking again. We hit the road and an old Cadillac. 160 00:08:30,880 --> 00:08:32,960 Speaker 1: We don't know where we were going, we just drove 161 00:08:35,320 --> 00:08:37,600 Speaker 1: and then she was like, well, and then Mama took 162 00:08:37,720 --> 00:08:40,880 Speaker 1: us out and she said we're going to D's and 163 00:08:40,920 --> 00:08:45,480 Speaker 1: we left Daddy in a hurry. But come spring, Daddy 164 00:08:45,760 --> 00:08:49,679 Speaker 1: was calling mom and she ran back to the Mom 165 00:08:49,760 --> 00:08:52,000 Speaker 1: is always like Haron rollers, like smoking a cigarette and 166 00:08:52,040 --> 00:08:53,319 Speaker 1: like in a robe, like drunk in the middle of 167 00:08:53,320 --> 00:08:57,439 Speaker 1: the day. The middle of the day AMC show about 168 00:08:57,480 --> 00:09:00,840 Speaker 1: like the sixties were what you thought it really is, 169 00:09:00,920 --> 00:09:05,720 Speaker 1: and it's everyone's like there's like so much ice jangling, 170 00:09:06,000 --> 00:09:11,040 Speaker 1: there's so many like big white American concert, there's nowhere 171 00:09:11,080 --> 00:09:13,760 Speaker 1: to go in this ship town. And I was like, yeah, 172 00:09:13,800 --> 00:09:19,120 Speaker 1: we moved around a lot. Yeah, I feel like bags fast. 173 00:09:20,040 --> 00:09:21,679 Speaker 1: She's one of those people. And I feel like this 174 00:09:21,760 --> 00:09:24,000 Speaker 1: is so a theme that we've been seeing in like 175 00:09:24,040 --> 00:09:27,240 Speaker 1: a lot of celebrity memoirs where they're like, well, I 176 00:09:27,280 --> 00:09:30,040 Speaker 1: look like as a kid, how's just this scrawny kid 177 00:09:30,080 --> 00:09:32,760 Speaker 1: with jet black hair and big brown eyes. And it's like, 178 00:09:32,920 --> 00:09:34,640 Speaker 1: you mean you were hot and then you grow up 179 00:09:34,679 --> 00:09:37,440 Speaker 1: to be hot. They're always just like I was super 180 00:09:37,640 --> 00:09:42,680 Speaker 1: gangly and awkward and lanky. So what I did I 181 00:09:42,800 --> 00:09:44,959 Speaker 1: was I was so tall. All the kids made fun 182 00:09:45,000 --> 00:09:47,640 Speaker 1: of me for being so tall and thin and they're like, yeah, 183 00:09:47,640 --> 00:09:51,160 Speaker 1: I have this kind of gorgeous olive complexion, and again 184 00:09:51,200 --> 00:09:52,880 Speaker 1: I was thin and okay, you know what's insane? And 185 00:09:52,960 --> 00:09:57,400 Speaker 1: Disclosure this insane movie that everyone needs to see that's 186 00:09:57,400 --> 00:09:59,920 Speaker 1: like a reverse Me Too where she falsely accuses me 187 00:10:00,120 --> 00:10:02,840 Speaker 1: l Douglas of rape and they work at a software 188 00:10:02,880 --> 00:10:06,959 Speaker 1: company in Seattle in the nineties and she's this ballbusting 189 00:10:07,040 --> 00:10:12,680 Speaker 1: like power software executive. It's so fab but her character 190 00:10:12,800 --> 00:10:16,319 Speaker 1: is a former miss teen New Mexico and striptease. She's 191 00:10:16,400 --> 00:10:22,760 Speaker 1: a former secretary for the FBI. Roles are so jerry former, Yeah, 192 00:10:22,840 --> 00:10:25,240 Speaker 1: what did I used to do? Sure? I used to 193 00:10:25,240 --> 00:10:29,800 Speaker 1: work at Exxon as an executive. Yeah, now I'm a soldier. Well, 194 00:10:29,840 --> 00:10:31,600 Speaker 1: I think she obviously really downs people who have been 195 00:10:31,679 --> 00:10:34,680 Speaker 1: cast aside and forgotten and been short changed by life 196 00:10:34,679 --> 00:10:36,880 Speaker 1: because she was and she was always having to fend 197 00:10:36,920 --> 00:10:39,720 Speaker 1: for herself, and her parents were just like both insane, 198 00:10:39,760 --> 00:10:42,880 Speaker 1: messy alcoholics, and she was basically raising herself or having 199 00:10:42,920 --> 00:10:46,640 Speaker 1: her grandmother around. Right to jump ahead, she moved to Hollywood, 200 00:10:46,679 --> 00:10:48,680 Speaker 1: and she's like moving in with guys at sixteen. But 201 00:10:48,720 --> 00:10:51,200 Speaker 1: what's crazy is like when she's moving in with a 202 00:10:51,320 --> 00:10:53,360 Speaker 1: rock or at sixteen and the guy is twenty eight. 203 00:10:53,440 --> 00:10:55,599 Speaker 1: That's still more normal than her. Oh, I know, and 204 00:10:55,640 --> 00:10:57,480 Speaker 1: she's been like she was super nice and it was 205 00:10:57,520 --> 00:10:59,640 Speaker 1: really normal and it was fine. You're like, can I 206 00:10:59,679 --> 00:11:01,880 Speaker 1: read this passage? So when her mom and her live 207 00:11:01,920 --> 00:11:05,320 Speaker 1: in LA and they pick up guys together at the bar, 208 00:11:05,679 --> 00:11:08,400 Speaker 1: they were always men. Oh. She calls her mom Ginny. 209 00:11:08,559 --> 00:11:10,360 Speaker 1: She calls her parents by her by their first name, 210 00:11:10,400 --> 00:11:13,400 Speaker 1: because she's very not like seeing like mom paternal and 211 00:11:13,480 --> 00:11:16,880 Speaker 1: return away. There were always men. Ginny and I got 212 00:11:16,880 --> 00:11:18,760 Speaker 1: a lot of attention from them. We went out together 213 00:11:18,800 --> 00:11:21,640 Speaker 1: at night. I remember sitting at the bar at Carlos 214 00:11:21,640 --> 00:11:24,679 Speaker 1: and Charlie's, a trendy Mexican restaurant in West Hollywood. She 215 00:11:24,840 --> 00:11:26,679 Speaker 1: was drinking too much and I and the guys at 216 00:11:26,679 --> 00:11:30,880 Speaker 1: the bar flirtatiously. Whenever I recognized her boozy, blousy come 217 00:11:30,960 --> 00:11:34,320 Speaker 1: hither setting in, I cringed. One of the men took 218 00:11:34,320 --> 00:11:37,079 Speaker 1: the bait and came over to us, Are you two sisters? 219 00:11:37,120 --> 00:11:40,760 Speaker 1: He asked? It was Ginny's favorite question. No, she grinned, 220 00:11:40,920 --> 00:11:43,600 Speaker 1: this is my daughter. And it's just like this is 221 00:11:43,679 --> 00:11:47,199 Speaker 1: every passage in the book. It's just like dripping, which 222 00:11:47,800 --> 00:11:53,480 Speaker 1: seventy is naughty, intrigued, Okay, And then I know I'm 223 00:11:53,480 --> 00:11:55,600 Speaker 1: just ciber for a second about the writing. So let's 224 00:11:55,600 --> 00:11:58,240 Speaker 1: just talk for a second. This book is actually was 225 00:11:58,280 --> 00:12:01,040 Speaker 1: written by Ario Levy of The New Yorker, and it's 226 00:12:01,200 --> 00:12:03,880 Speaker 1: so ghostwritten that it doesn't even say it on the cover. 227 00:12:04,160 --> 00:12:06,920 Speaker 1: It doesn't even say with right. And then you notice 228 00:12:06,960 --> 00:12:10,040 Speaker 1: in the acknowledgements, she's the first person she thanks like 229 00:12:10,080 --> 00:12:12,920 Speaker 1: the first three knowledges um Aria Levy. There are no 230 00:12:12,960 --> 00:12:14,920 Speaker 1: words to describe my gratitude to you for helping make 231 00:12:14,960 --> 00:12:17,280 Speaker 1: this book reality. You saw all the pieces as gems 232 00:12:17,280 --> 00:12:19,199 Speaker 1: and showed me, through your mastery, how to weave them 233 00:12:19,200 --> 00:12:21,840 Speaker 1: into a tapestry. It's like she actually just fully wrote up. Yeah, 234 00:12:21,840 --> 00:12:24,679 Speaker 1: it's like obviously what happened. It was probably so Auntie name, 235 00:12:24,760 --> 00:12:27,160 Speaker 1: and they just like were like, Demi google voice this. 236 00:12:28,040 --> 00:12:32,080 Speaker 1: I think they like sat together and had Humma for sure, 237 00:12:33,080 --> 00:12:35,040 Speaker 1: and wine and the wine flu and arioles just like 238 00:12:36,360 --> 00:12:38,680 Speaker 1: didn't fly because she's so sorry, she's over now and 239 00:12:38,720 --> 00:12:40,600 Speaker 1: I do take that back, yeah, but she's like typing 240 00:12:40,600 --> 00:12:43,040 Speaker 1: away and Demi is just like, oh, that's exactly right, 241 00:12:43,080 --> 00:12:45,120 Speaker 1: thank you for capturing that. And she usually being like 242 00:12:45,320 --> 00:12:47,640 Speaker 1: thanks for helping me weave, And so she thinks she 243 00:12:47,760 --> 00:12:51,079 Speaker 1: was on I've had and being like big black frame 244 00:12:51,160 --> 00:12:57,480 Speaker 1: glasses at home in Idaho, and she's reading. She's just 245 00:12:57,559 --> 00:13:01,160 Speaker 1: like making little notes, making little notes and just where 246 00:13:01,200 --> 00:13:05,359 Speaker 1: you licked her finger to turn the iPod? Is that okay? 247 00:13:05,640 --> 00:13:07,760 Speaker 1: Or she hasn't printed out she's printing it out in 248 00:13:07,800 --> 00:13:12,880 Speaker 1: her home office and she's reading. She's definitely okay. So 249 00:13:13,640 --> 00:13:16,360 Speaker 1: if we're gonna go into the Oriel Levy stuff, let's 250 00:13:16,559 --> 00:13:18,520 Speaker 1: get into the art. And I want to talk about 251 00:13:18,559 --> 00:13:23,240 Speaker 1: another part of the acknowledgements. Absolutely okay. So the choice 252 00:13:23,240 --> 00:13:27,040 Speaker 1: of our Levy, wonderful New Yorker writer her, I guess 253 00:13:27,080 --> 00:13:32,480 Speaker 1: I haven't read stuff you're you're a subscriber. I haven't 254 00:13:32,520 --> 00:13:35,679 Speaker 1: really read an Ori lev article. But so I'm sure 255 00:13:35,760 --> 00:13:37,960 Speaker 1: she picted her because like cool, she's a great writer. 256 00:13:38,280 --> 00:13:43,240 Speaker 1: But also so Aria Levi is openly bisexual. So what 257 00:13:43,280 --> 00:13:45,719 Speaker 1: are you saying? So here's the thing, Oh, you think 258 00:13:45,800 --> 00:13:50,480 Speaker 1: Demi Moore might be demisexual. I'm in this lesbian instant 259 00:13:50,640 --> 00:13:55,800 Speaker 1: chat called Provocations. Okay, we're listening. And months ago kind 260 00:13:55,800 --> 00:13:59,320 Speaker 1: of some gossip was broke that Demi is with a 261 00:13:59,360 --> 00:14:03,400 Speaker 1: woman what named Masha. Oh wait a minute, she talked 262 00:14:03,600 --> 00:14:06,800 Speaker 1: about Masha yas bitch, That's what I'm saying. Wait wait 263 00:14:06,840 --> 00:14:08,440 Speaker 1: wait wait wait wait wait wait wait wait wait. Who 264 00:14:08,520 --> 00:14:11,000 Speaker 1: has a child and they basically have a child together, 265 00:14:11,400 --> 00:14:13,880 Speaker 1: and she thanks her in the acknowledgments and said your child. 266 00:14:13,960 --> 00:14:17,240 Speaker 1: Wait wait wait wait wait wait the woman who grew 267 00:14:17,320 --> 00:14:19,880 Speaker 1: up in like communist Russia. I wasn't used to seeing 268 00:14:19,880 --> 00:14:22,120 Speaker 1: so many presents under the tree. And then she's like 269 00:14:22,120 --> 00:14:28,360 Speaker 1: an insane Shane styling peasant. If you just google Demi Masha, 270 00:14:28,400 --> 00:14:31,560 Speaker 1: it's like this insane Shane stylist. And she's so spiky 271 00:14:31,560 --> 00:14:35,000 Speaker 1: hair and like big button down and like big wide hat. 272 00:14:35,920 --> 00:14:38,920 Speaker 1: So I'm just like, okay, Demi, now that you're in 273 00:14:39,000 --> 00:14:44,480 Speaker 1: the like l a media lesbian Wait and you heard 274 00:14:44,520 --> 00:14:47,840 Speaker 1: this in your lesbian secret group gossip chat. Yeah, anyway, 275 00:14:47,880 --> 00:14:50,640 Speaker 1: but it's like in the tabs, it's not like this 276 00:14:50,720 --> 00:14:53,520 Speaker 1: is not so secret. Oh okay. Oh And so this 277 00:14:53,560 --> 00:14:56,400 Speaker 1: girl is like denim jacket Beanie pushed back. I mean 278 00:14:56,440 --> 00:14:59,240 Speaker 1: she basically looks like Penn Badgley. It's like so la 279 00:14:59,480 --> 00:15:02,120 Speaker 1: like coach. I mean, this is the most like Ashton 280 00:15:02,160 --> 00:15:08,120 Speaker 1: Kutcher lesbian said, not stretched for her to go from 281 00:15:08,120 --> 00:15:12,840 Speaker 1: Ashton to be and it's so fred Siegel, Denham woman's 282 00:15:13,080 --> 00:15:15,680 Speaker 1: very the Denham girls at fred Siegel, who my cousin 283 00:15:15,720 --> 00:15:17,720 Speaker 1: had actually arrival with, and she said that they were 284 00:15:17,760 --> 00:15:20,320 Speaker 1: total bitches when she worked in the men's section. So 285 00:15:20,720 --> 00:15:23,200 Speaker 1: I don't know if her and mashrstel together, but basically 286 00:15:23,240 --> 00:15:25,920 Speaker 1: in the book in the last chapter when she's like 287 00:15:26,200 --> 00:15:28,840 Speaker 1: Demi's like all is well and good now, and me 288 00:15:28,920 --> 00:15:32,000 Speaker 1: and Bruce are clothes and my friend Masha comes over 289 00:15:32,040 --> 00:15:35,920 Speaker 1: for Christmas with her child, who I consider my own 290 00:15:36,240 --> 00:15:39,520 Speaker 1: addicted to blended family, yes she is so, I mean 291 00:15:39,560 --> 00:15:42,160 Speaker 1: she basically invented blended like when she went on the 292 00:15:42,240 --> 00:15:49,600 Speaker 1: Charlsie's that Um premiere and she brought Bruce and their 293 00:15:49,720 --> 00:15:53,000 Speaker 1: kids right and all holding hands and with this big, happy, 294 00:15:53,040 --> 00:15:56,400 Speaker 1: transparent like Polly family. I do that at a podcast premiere. 295 00:15:56,400 --> 00:16:02,400 Speaker 1: I bring oh wait, your Ax's new husband, his Ki 296 00:16:03,640 --> 00:16:12,520 Speaker 1: both cats, but Cheech and Orzo his cute actually dream premiere. Anyway, 297 00:16:12,760 --> 00:16:15,800 Speaker 1: who knows, Maybe Masha and Demi have broken up, but 298 00:16:15,880 --> 00:16:19,040 Speaker 1: I do just wonder whatever now that she did this 299 00:16:19,160 --> 00:16:22,560 Speaker 1: lesbian stylist, is there a reason she chose this bisexual 300 00:16:22,800 --> 00:16:27,240 Speaker 1: Yorker writer, so you think they're also fucking No, I 301 00:16:27,240 --> 00:16:31,040 Speaker 1: just think she's just based off she's community a few words. 302 00:16:31,080 --> 00:16:34,480 Speaker 1: I think they're at Dana's bar. Right to do an 303 00:16:34,480 --> 00:16:38,960 Speaker 1: Elward Generation cue reference here, right, Okay, back to away 304 00:16:38,960 --> 00:16:42,200 Speaker 1: from bisexual Anne, Yes, back to Demi. So then she 305 00:16:42,320 --> 00:16:45,160 Speaker 1: moves to La. She starts to become famous. She gets rolls. Okay, 306 00:16:45,280 --> 00:16:47,280 Speaker 1: when she's living at the department that's so melrose Place, 307 00:16:47,360 --> 00:16:49,080 Speaker 1: and that girl who is in the rooman Plansky movie 308 00:16:49,120 --> 00:16:50,680 Speaker 1: is like her neighbor and their running lines and it's 309 00:16:50,720 --> 00:16:56,480 Speaker 1: like so sex. Everything everything is like so she's like 310 00:16:56,600 --> 00:16:59,200 Speaker 1: always in complex as. She's always like moving in with 311 00:16:59,200 --> 00:17:02,880 Speaker 1: her synth friends say something, I'm so jealous of all 312 00:17:02,880 --> 00:17:07,200 Speaker 1: her boyfriends. But you know you say you're jealous, Yeah 313 00:17:07,240 --> 00:17:10,120 Speaker 1: I am, because she like has Okay, she's like dating 314 00:17:10,160 --> 00:17:12,479 Speaker 1: this guy who's like this musician. He takes her to 315 00:17:12,520 --> 00:17:14,400 Speaker 1: a show. She goes to this concert with the one 316 00:17:14,400 --> 00:17:16,879 Speaker 1: guy's and then falls in love with the lead singer, 317 00:17:17,160 --> 00:17:19,000 Speaker 1: looks up with him in the bathroom, and then she 318 00:17:19,080 --> 00:17:21,560 Speaker 1: moves in with that guy like three weeks later. I'm 319 00:17:21,600 --> 00:17:25,119 Speaker 1: so jealous of that. The bravery the boldness. She was 320 00:17:25,200 --> 00:17:28,960 Speaker 1: clearly so broken, I know, but she followed her heart 321 00:17:29,000 --> 00:17:31,359 Speaker 1: and she wasn't thinking like, oh I shouldn't do that, 322 00:17:31,400 --> 00:17:33,080 Speaker 1: you know, like you know, it actually is cool because 323 00:17:33,119 --> 00:17:35,000 Speaker 1: she was with like a guy for six years and 324 00:17:35,000 --> 00:17:36,879 Speaker 1: then she like meets another rock. But you know, when 325 00:17:36,880 --> 00:17:38,680 Speaker 1: you're agonizing over went on to break up with someone 326 00:17:38,720 --> 00:17:41,840 Speaker 1: for two years or like maybe five, I feel like 327 00:17:41,920 --> 00:17:44,720 Speaker 1: she's not doing that. Yes, should you be talking? Yes. 328 00:17:44,800 --> 00:17:46,760 Speaker 1: Her marriage to Bruce like had sort of a long 329 00:17:46,880 --> 00:17:49,160 Speaker 1: period of like kind of well, you know what, because 330 00:17:49,200 --> 00:17:51,720 Speaker 1: I think she grew up in this way where you're 331 00:17:51,760 --> 00:17:53,800 Speaker 1: ready to run, Actually you pack your backs and you're 332 00:17:53,800 --> 00:17:55,359 Speaker 1: ready to run, and she was used to that. But 333 00:17:55,600 --> 00:17:58,400 Speaker 1: that does like that that sort of impulsivity. It gives 334 00:17:58,400 --> 00:18:02,840 Speaker 1: you more experiences, had a lot of experiences. I wouldn't 335 00:18:02,840 --> 00:18:05,680 Speaker 1: also say that you're not living that life, I guess, 336 00:18:05,720 --> 00:18:08,160 Speaker 1: but you're like, oh, I'm so jealous of the fact 337 00:18:08,160 --> 00:18:10,639 Speaker 1: that she was like at a club and met a guy. 338 00:18:10,960 --> 00:18:13,800 Speaker 1: Obviously we both want to be living in like ninety three, 339 00:18:14,080 --> 00:18:17,240 Speaker 1: going to go season auditions, I know. I mean, when 340 00:18:17,320 --> 00:18:22,080 Speaker 1: someone's get you a job as the receptionist at Warner Brothers, 341 00:18:22,119 --> 00:18:24,399 Speaker 1: and that would get your foot in the door. But 342 00:18:24,480 --> 00:18:26,639 Speaker 1: I guess in that note, I just do want to 343 00:18:26,720 --> 00:18:28,919 Speaker 1: kind of like bring up my emoji sad face like 344 00:18:29,160 --> 00:18:32,239 Speaker 1: part where it's just like the rape. Yeah, it's so 345 00:18:32,359 --> 00:18:35,680 Speaker 1: depressing and her mom like semi sells her to this 346 00:18:35,720 --> 00:18:38,359 Speaker 1: man and like that is the other side of the 347 00:18:38,440 --> 00:18:41,720 Speaker 1: sunset stripe and just and just for our listeners. On 348 00:18:41,800 --> 00:18:46,000 Speaker 1: the Lily's notes, she wrote her rape slash twisted parents 349 00:18:46,040 --> 00:18:48,600 Speaker 1: and then a frowny face emoji so she would remind 350 00:18:48,640 --> 00:18:51,280 Speaker 1: herself to feel sad. It wasn't a reminder. It was 351 00:18:51,440 --> 00:18:55,560 Speaker 1: honestly just kind of a stut reaction, Okay, because you 352 00:18:55,560 --> 00:18:58,119 Speaker 1: think a emojis because you're such a zoomer. Let me 353 00:18:58,160 --> 00:19:00,479 Speaker 1: find she it's like a family friend or not even 354 00:19:00,520 --> 00:19:02,200 Speaker 1: really family. This like random guy. I mean the mom 355 00:19:02,960 --> 00:19:05,280 Speaker 1: is like promising that he'll like get her roles or whatever, 356 00:19:05,400 --> 00:19:07,000 Speaker 1: and he like takes her to lunch a few times, 357 00:19:07,000 --> 00:19:08,800 Speaker 1: he like drives her home a few times, and then 358 00:19:08,880 --> 00:19:11,080 Speaker 1: she's just like in the apartment one day when she 359 00:19:11,119 --> 00:19:13,320 Speaker 1: gets home and he's already there and her mom has 360 00:19:13,320 --> 00:19:15,879 Speaker 1: given the guy keys, right, and then he comes and 361 00:19:15,920 --> 00:19:18,560 Speaker 1: then like does rape her, and then he comes back 362 00:19:18,720 --> 00:19:21,720 Speaker 1: later and says to her, how does it feel to 363 00:19:21,720 --> 00:19:25,200 Speaker 1: be horrid by her mother for a five hundred dollars? Oh? God, 364 00:19:26,119 --> 00:19:33,200 Speaker 1: can you imagine? It's so fun? Yeah, yeah, I mean 365 00:19:33,359 --> 00:19:37,399 Speaker 1: that number would not be the number you think she would, 366 00:19:37,440 --> 00:19:39,520 Speaker 1: but for Iron, she would do it because he's like, 367 00:19:39,640 --> 00:19:41,040 Speaker 1: we was the only way I could get a new 368 00:19:41,080 --> 00:19:49,080 Speaker 1: well dog on my property. Really, I just the accusie 369 00:19:49,119 --> 00:19:52,200 Speaker 1: people weren't coming anyway. It's so fucked up. But it's 370 00:19:52,200 --> 00:19:53,800 Speaker 1: really fucked up, and you know, and she and she 371 00:19:53,880 --> 00:19:56,720 Speaker 1: describes it, and it's in this very impactful way, and 372 00:19:56,760 --> 00:19:58,399 Speaker 1: she's just been like I didn't even know what's happening, 373 00:19:58,400 --> 00:20:00,000 Speaker 1: and like I don't really Rember the seek was events, 374 00:20:00,000 --> 00:20:01,760 Speaker 1: but it's insane thing that happens to you that like 375 00:20:01,840 --> 00:20:03,920 Speaker 1: you're just always traumatized by and you don't know until 376 00:20:03,920 --> 00:20:06,119 Speaker 1: it happens, and then you're like, is it my fault? 377 00:20:06,160 --> 00:20:08,720 Speaker 1: And like the parents weren't there and just and she 378 00:20:08,760 --> 00:20:11,239 Speaker 1: continues to kind of like have this on and off 379 00:20:11,320 --> 00:20:13,760 Speaker 1: relationship with her mom and like her mom is always 380 00:20:13,800 --> 00:20:16,880 Speaker 1: selling stories to the paparazzi about her owrus and then 381 00:20:16,960 --> 00:20:20,840 Speaker 1: later the mom poses for nude pick them to the 382 00:20:20,880 --> 00:20:23,560 Speaker 1: tabloids and she was like I can do it too, 383 00:20:23,800 --> 00:20:25,760 Speaker 1: and and the de Wi Morre's just like honestly as 384 00:20:25,760 --> 00:20:27,760 Speaker 1: weird as it is. That was the thing that sent 385 00:20:27,800 --> 00:20:29,480 Speaker 1: me over the edge. And she like does acknowledge that 386 00:20:29,520 --> 00:20:32,000 Speaker 1: it's weird. That was just so awkward and it's like 387 00:20:32,040 --> 00:20:34,000 Speaker 1: that embarrassing for my kids. And it's just like her 388 00:20:34,040 --> 00:20:38,000 Speaker 1: old ass mom nude and like smoking and drunk. Instead 389 00:20:38,040 --> 00:20:41,240 Speaker 1: of just like asking Demi for money, was like, redo 390 00:20:41,400 --> 00:20:47,280 Speaker 1: your iconic photos. Okay, you also the comparison, Wait, you're 391 00:20:47,280 --> 00:20:51,399 Speaker 1: a mom redoing a tall cool photos. I mean that 392 00:20:51,400 --> 00:20:54,440 Speaker 1: would be really funny. Okay. The trip to herself sounds 393 00:20:54,440 --> 00:20:55,879 Speaker 1: like the most fun thing that's ever happened to anyone. 394 00:20:55,960 --> 00:20:58,760 Speaker 1: She shoots this, uh it was her big break. Big 395 00:20:58,760 --> 00:21:01,479 Speaker 1: break was called blame it on. She goes to Brazil. 396 00:21:01,720 --> 00:21:05,520 Speaker 1: She like befriends this local named Jasa, and she's like okay, yeah, 397 00:21:05,600 --> 00:21:10,240 Speaker 1: just like she like, you know, Jasa is bed beyond fabulous. 398 00:21:10,560 --> 00:21:12,880 Speaker 1: Like she was like, you were doing tons of coke, 399 00:21:13,040 --> 00:21:18,320 Speaker 1: like my nos absolutely disintegrated during this trip, Like I 400 00:21:18,400 --> 00:21:21,320 Speaker 1: like had an affair with like this like hot local Brazilian. 401 00:21:21,359 --> 00:21:23,240 Speaker 1: She's like living in a hotel for three months, just 402 00:21:23,280 --> 00:21:27,520 Speaker 1: like running lines like like this is the most fun 403 00:21:27,520 --> 00:21:30,200 Speaker 1: thing that's ever I want to run around Rio. Yeah, 404 00:21:30,440 --> 00:21:32,480 Speaker 1: I feel like in my mind also as a child, 405 00:21:32,640 --> 00:21:36,600 Speaker 1: like I imagined Rio to be the sexiest place. I 406 00:21:36,640 --> 00:21:41,920 Speaker 1: also had a Brazilian jazz babysitter growing up to um 407 00:21:41,960 --> 00:21:44,840 Speaker 1: oh wait, that's why you love jazz so much nowadays. Yeah, 408 00:21:44,920 --> 00:21:47,320 Speaker 1: a lot of my babysitters were like jazz students at 409 00:21:47,320 --> 00:21:51,879 Speaker 1: Berkeley School of Music. So that's why I love jazz roximity. Yeah, okay, 410 00:21:51,920 --> 00:21:54,720 Speaker 1: well you know you like what you know exactly. Oh. Also, 411 00:21:55,480 --> 00:21:57,639 Speaker 1: so one thing she doesn't. She's a lot of loves 412 00:21:57,640 --> 00:22:01,880 Speaker 1: in this book. M Bruce well Us, Ashton Kutcher, Emilia 413 00:22:01,920 --> 00:22:07,520 Speaker 1: Westavez supposed I love this part where she talks about 414 00:22:07,880 --> 00:22:10,520 Speaker 1: briefly dating Dab and she's like, I don't really remember, 415 00:22:10,600 --> 00:22:13,879 Speaker 1: but he says we did, so sure. It's probably my 416 00:22:14,160 --> 00:22:17,680 Speaker 1: favorite part of the book. And she references his memoir, 417 00:22:17,760 --> 00:22:19,720 Speaker 1: which now we have to read because she's like, yeah, 418 00:22:19,720 --> 00:22:22,560 Speaker 1: and his memoir he talks all about how we used 419 00:22:22,560 --> 00:22:25,119 Speaker 1: to date but I literally don't remember, and she was like, 420 00:22:25,280 --> 00:22:27,960 Speaker 1: maybe there was one late night rendezvous. I guess it 421 00:22:28,080 --> 00:22:31,320 Speaker 1: meant a lot to him, which is super sweet. It's cute. 422 00:22:31,640 --> 00:22:35,760 Speaker 1: It is weirdly almost fire back to that for a second. 423 00:22:35,760 --> 00:22:37,920 Speaker 1: It is like she talks about how sweet Amelia was 424 00:22:37,960 --> 00:22:40,919 Speaker 1: and he sounded definitely like a rock to her. But 425 00:22:41,080 --> 00:22:43,000 Speaker 1: like Roblo is so hot and he plays like the 426 00:22:43,080 --> 00:22:45,640 Speaker 1: cat in the movie at Amelia Westavus, I find so 427 00:22:46,000 --> 00:22:48,960 Speaker 1: well sexually unappealing. Interesting. So this this brings me to 428 00:22:49,000 --> 00:22:51,000 Speaker 1: my next point, which is the dick size of all 429 00:22:51,040 --> 00:22:54,520 Speaker 1: the men in the book. So I've curated a list here. Okay, 430 00:22:54,560 --> 00:22:58,480 Speaker 1: I'm gonna briefly with my dicknowledge. Yeah, okay, So I've 431 00:22:58,520 --> 00:23:02,680 Speaker 1: decided that Emilio, based on her description of him as 432 00:23:02,720 --> 00:23:06,679 Speaker 1: a solid rock, to me, that him six and thick. 433 00:23:07,119 --> 00:23:10,080 Speaker 1: You know what I mean. It's a sturdy, sturdy dick, 434 00:23:10,840 --> 00:23:13,439 Speaker 1: and it's just it's just nice all around, and it 435 00:23:13,440 --> 00:23:16,600 Speaker 1: gets the job done and it's really really dependable. Um, 436 00:23:17,320 --> 00:23:19,840 Speaker 1: Bruce to me is seven and thick. It's a dad 437 00:23:19,880 --> 00:23:22,080 Speaker 1: dick is what we call a dad dick. I mean 438 00:23:22,119 --> 00:23:24,960 Speaker 1: I imagine that he's like the classic hot dad. He's 439 00:23:25,040 --> 00:23:28,200 Speaker 1: five o ones and dad dick is like when you're 440 00:23:28,200 --> 00:23:29,639 Speaker 1: a kid and you see your dad's dick is always 441 00:23:29,640 --> 00:23:31,280 Speaker 1: big because you're a kid, and like a guy with 442 00:23:31,280 --> 00:23:32,960 Speaker 1: a dad dick, just like, how's this dick that's like 443 00:23:33,000 --> 00:23:35,760 Speaker 1: always big and it's like big when it's flacid. It's 444 00:23:35,760 --> 00:23:39,360 Speaker 1: a shower, not a grower, per se. So you agree, 445 00:23:39,560 --> 00:23:43,320 Speaker 1: I absolutely agree. It just seems so like Sturdy getting 446 00:23:43,440 --> 00:23:47,119 Speaker 1: my Chevy Romero. And I mean their passion was wild. 447 00:23:47,160 --> 00:23:49,880 Speaker 1: Oh wait, how this is where I got jealous. Oh 448 00:23:49,920 --> 00:23:52,280 Speaker 1: when he pulls up beside her in the Lina with 449 00:23:52,520 --> 00:23:55,840 Speaker 1: John Goodman, Yeah, Woody, Harold send thing and they're all 450 00:23:55,840 --> 00:24:00,480 Speaker 1: like screaming out this premiere. She's like dry having home 451 00:24:00,480 --> 00:24:03,400 Speaker 1: in her car. The Bruce limo pulls up beside her 452 00:24:03,440 --> 00:24:06,520 Speaker 1: on the highway in a limo is out the sunroof, 453 00:24:08,880 --> 00:24:12,239 Speaker 1: just been like hey, damn it, and like squad and 454 00:24:12,359 --> 00:24:15,199 Speaker 1: like they follow her, and I'm like, okay, that is 455 00:24:15,280 --> 00:24:19,000 Speaker 1: that's iconic. And again it's very pre cell phone, right, 456 00:24:19,160 --> 00:24:21,600 Speaker 1: you don't do that anymore. You don't just text someone hey, 457 00:24:21,640 --> 00:24:23,600 Speaker 1: you follow them in your limo. And she was like 458 00:24:23,720 --> 00:24:25,439 Speaker 1: who was the days before every celebrity was in an 459 00:24:25,480 --> 00:24:28,920 Speaker 1: suv and I would say Bruce willis like made I 460 00:24:28,960 --> 00:24:32,440 Speaker 1: don't know. He was so bald and people were like sexy. 461 00:24:32,640 --> 00:24:35,800 Speaker 1: He invented men being hot and bald. Yeah, I mean 462 00:24:36,000 --> 00:24:38,360 Speaker 1: they haven't really done a lot like since Bruce will 463 00:24:38,400 --> 00:24:40,920 Speaker 1: its baldness, there hasn't been a lot. He really owned it, 464 00:24:41,000 --> 00:24:46,439 Speaker 1: like is really like like the rock. I guess that 465 00:24:46,480 --> 00:24:48,840 Speaker 1: would be the evolution to today. That's so like just 466 00:24:48,920 --> 00:24:51,880 Speaker 1: become a full bodybuilder about it. He's just so bodybuilding 467 00:24:52,000 --> 00:24:55,960 Speaker 1: like careless. Yeah, weird, so Ashton. I feel like Ashton's 468 00:24:56,840 --> 00:24:59,560 Speaker 1: like what you think I'm I think his dick is 469 00:24:59,640 --> 00:25:07,760 Speaker 1: like long kind of thing. Yeah that I'm straight okay um. 470 00:25:07,920 --> 00:25:09,479 Speaker 1: And I just feel like he was probably really good 471 00:25:09,520 --> 00:25:13,600 Speaker 1: in bed and they had like a really good connection. 472 00:25:13,680 --> 00:25:16,159 Speaker 1: He was very vivacious pleb we ate her out for 473 00:25:17,400 --> 00:25:20,800 Speaker 1: when she talks about like they're absolute wild sexual chemistry 474 00:25:20,800 --> 00:25:22,600 Speaker 1: when they're like just going to Canyon Ranch for like 475 00:25:22,640 --> 00:25:25,440 Speaker 1: five days and never leaving bed, right, I know, I'm sure. 476 00:25:25,520 --> 00:25:28,000 Speaker 1: I also like, obviously Bruce is so nineties and like 477 00:25:28,040 --> 00:25:30,560 Speaker 1: not really eating a woman out, No, I'm sure. Like 478 00:25:30,600 --> 00:25:35,880 Speaker 1: they foket for like twelve minutes, the longest solid twelve 479 00:25:36,040 --> 00:25:39,320 Speaker 1: and then he's like all right, wait, so nineties, opening 480 00:25:39,359 --> 00:25:42,280 Speaker 1: up the fridge like being like can you get your baby. Yeah. 481 00:25:42,359 --> 00:25:47,600 Speaker 1: After for sure, grabbing is cereal? Yes, eating cereal a 482 00:25:47,800 --> 00:25:53,000 Speaker 1: big big Okay, I feel like I still want the 483 00:25:53,000 --> 00:25:56,480 Speaker 1: Bruce Willis dad deck, even after Ashton Kutchure eating me 484 00:25:56,520 --> 00:26:00,840 Speaker 1: out with his long thin five hours, because after five 485 00:26:00,880 --> 00:26:04,560 Speaker 1: hours you're like, okay, I know, I think it's eaten. Yeah, 486 00:26:05,640 --> 00:26:08,600 Speaker 1: I've been eight just to go back. Obviously has a 487 00:26:08,640 --> 00:26:13,160 Speaker 1: small dick, sure, and that's why she does. And he like, yes, 488 00:26:13,240 --> 00:26:16,399 Speaker 1: he's like hot and like can chat, but he was 489 00:26:16,480 --> 00:26:18,920 Speaker 1: just his dick has only gotten pointier over the course 490 00:26:18,960 --> 00:26:24,680 Speaker 1: of pointier. All right, How big is Masha the lesbian 491 00:26:24,760 --> 00:26:29,320 Speaker 1: stylist strap of her strap? Is it? Is it funky color? 492 00:26:29,359 --> 00:26:32,240 Speaker 1: Is it purple? Is it? She's so modern and it's 493 00:26:32,240 --> 00:26:37,800 Speaker 1: like the most like non realistic, Like it's blue, it's 494 00:26:37,920 --> 00:26:41,600 Speaker 1: very like diaal it does like it's not it's barely 495 00:26:41,640 --> 00:26:44,440 Speaker 1: even fallic shaped. It's like, no, I think it absolutely 496 00:26:44,680 --> 00:26:48,600 Speaker 1: is fallic shape. I just think it's like pink. Oh 497 00:26:48,640 --> 00:26:52,160 Speaker 1: it's a glass dildo. Oh my god, that's terrifying, which, 498 00:26:52,200 --> 00:26:55,479 Speaker 1: like our friend Alex is always saying how much she 499 00:26:55,560 --> 00:26:59,359 Speaker 1: loves because you can freeze it, and I'm like, why 500 00:26:59,680 --> 00:27:04,840 Speaker 1: why is that hot? Like as in blast dildo. You 501 00:27:04,960 --> 00:27:07,760 Speaker 1: have to try on it. I was like, I'm actually good. 502 00:27:07,880 --> 00:27:12,960 Speaker 1: Oh my god. She wants literally ice in her Nothing 503 00:27:13,000 --> 00:27:17,560 Speaker 1: turns me on like ye, Like, I get right back 504 00:27:17,600 --> 00:27:23,199 Speaker 1: the whole bio fuck so empowered doctor Evil. That's so. 505 00:27:23,320 --> 00:27:24,720 Speaker 1: I mean like when I like when a cold hand 506 00:27:24,720 --> 00:27:27,080 Speaker 1: touches me, I shiver, right, you don't want it, just 507 00:27:27,119 --> 00:27:29,960 Speaker 1: like cold onside of you. Yeah, then you're like burm 508 00:27:30,119 --> 00:27:38,119 Speaker 1: or blankets. I love when Demi just describes what punk does. Oh, 509 00:27:38,119 --> 00:27:40,520 Speaker 1: she's like, so Punked was an amazing show that Ashton 510 00:27:40,560 --> 00:27:44,280 Speaker 1: had where he didn't came and I was just so 511 00:27:44,320 --> 00:27:46,600 Speaker 1: impressed with him for having his own Oh wait, we 512 00:27:46,720 --> 00:27:50,040 Speaker 1: have to talk about Thorn. Sorry. Wait, Thorn is like 513 00:27:50,080 --> 00:27:53,680 Speaker 1: his company that I did the branding for. I don't 514 00:27:53,680 --> 00:27:56,520 Speaker 1: remember this, remember, so she at the end, she's like, 515 00:27:56,520 --> 00:27:58,720 Speaker 1: and I still do love Ashton even though we don't 516 00:27:58,760 --> 00:28:00,480 Speaker 1: speak and he did leave me, and she on me 517 00:28:00,680 --> 00:28:02,960 Speaker 1: and I really love the work we do with our organization, 518 00:28:03,720 --> 00:28:09,160 Speaker 1: which is like sexual child sexual trafficking, like software for police. 519 00:28:09,600 --> 00:28:12,520 Speaker 1: And I I'm a copywriter and I weirdly did the 520 00:28:12,560 --> 00:28:15,960 Speaker 1: copywriting for this brand okay, and I came up with 521 00:28:16,000 --> 00:28:21,760 Speaker 1: the line, um, until every child can be a kid. Also, 522 00:28:21,840 --> 00:28:26,160 Speaker 1: you're like with bringing that you're sexy voice. Yeah, until 523 00:28:26,320 --> 00:28:30,000 Speaker 1: every I was trying to be sexy. It just happened 524 00:28:30,040 --> 00:28:33,560 Speaker 1: like that, I guess anyway, but that was there sort 525 00:28:33,560 --> 00:28:37,840 Speaker 1: of manifesto cry about Ashton is Zale. He's actually kind 526 00:28:37,840 --> 00:28:41,160 Speaker 1: of like putting his money where him out, and he's 527 00:28:41,240 --> 00:28:45,520 Speaker 1: developing software for local police departments to track online predators. 528 00:28:45,800 --> 00:28:48,040 Speaker 1: And he like was the first like investor of Apple 529 00:28:48,160 --> 00:28:50,680 Speaker 1: or something like that, which like, yeah, he was the 530 00:28:50,720 --> 00:28:56,440 Speaker 1: first inventor of I'm just saying like he like literally investor, 531 00:28:57,080 --> 00:29:00,800 Speaker 1: he invented tek talk. It's like you're just I'm sorry, man. 532 00:29:01,080 --> 00:29:11,480 Speaker 1: The man's like, I'm freaking jealous. This episode is sponsored 533 00:29:11,480 --> 00:29:17,800 Speaker 1: by Zoktok. You're trying to find a cause for your 534 00:29:17,800 --> 00:29:23,240 Speaker 1: symptoms akey, back headache, running nose, itchy. I worked on 535 00:29:23,320 --> 00:29:26,320 Speaker 1: my genitals, so let me guess you stumble down a 536 00:29:26,480 --> 00:29:30,480 Speaker 1: TikTok rabbit hole full of questionable advice from so called experts. 537 00:29:30,520 --> 00:29:35,160 Speaker 1: Suddenly I have cancer. No thank you. There are better 538 00:29:35,200 --> 00:29:37,680 Speaker 1: ways to get the answers you want and the care 539 00:29:37,800 --> 00:29:41,360 Speaker 1: you deserve from trusted professionals and not random people on 540 00:29:41,360 --> 00:29:45,200 Speaker 1: the internet. The randoms I love you and my TikTok connection. 541 00:29:45,600 --> 00:29:48,600 Speaker 1: Yeah it stands, but I'm sorry. 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Go to zoc doc dot com. 559 00:30:44,360 --> 00:30:47,120 Speaker 1: Slash book Club and dabbled the zok doc app for free. 560 00:30:47,440 --> 00:30:53,120 Speaker 1: Then find a book a top rated doctor today sleigh, 561 00:30:53,320 --> 00:30:56,880 Speaker 1: many are available within twenty four hours. That's z O 562 00:30:57,560 --> 00:31:03,120 Speaker 1: C d oc dot com, slash book Club, zo dot 563 00:31:03,200 --> 00:31:15,200 Speaker 1: dot com, slash book Club, Ditch the Talk. So I 564 00:31:15,240 --> 00:31:17,120 Speaker 1: had some sort of think pieces that I was sort 565 00:31:17,160 --> 00:31:19,959 Speaker 1: of roominate it on. Okay. So it's like, so she 566 00:31:20,000 --> 00:31:21,600 Speaker 1: was in all these move Okay, she was in Striptease, 567 00:31:21,640 --> 00:31:24,400 Speaker 1: she was in a Decent Proposal, she was in Gi Jane, 568 00:31:24,920 --> 00:31:31,920 Speaker 1: And I feel like she was canonical feminist figure of 569 00:31:31,960 --> 00:31:34,920 Speaker 1: the nineties that was like such a necessary vehicle to 570 00:31:34,960 --> 00:31:37,120 Speaker 1: like move us to the culture wars. People thought she 571 00:31:37,200 --> 00:31:39,440 Speaker 1: was so controversial in these ways that we obviously now 572 00:31:39,480 --> 00:31:42,680 Speaker 1: don't think of controversial. And people panned all those films, Oh, 573 00:31:42,720 --> 00:31:45,360 Speaker 1: like a decent prosals bad because it's like a woman 574 00:31:45,400 --> 00:31:48,040 Speaker 1: being bartered for sex or whatever, and they weren't even 575 00:31:48,160 --> 00:31:50,080 Speaker 1: viewing it in this very very post that way we 576 00:31:50,080 --> 00:31:52,840 Speaker 1: would nowadays. It was like her own agency, like everything 577 00:31:52,880 --> 00:31:55,080 Speaker 1: was so second wave and like anti porn and just 578 00:31:55,120 --> 00:31:59,920 Speaker 1: like anti swack. Also again, stripptis anti sex working people. Oh, 579 00:32:00,080 --> 00:32:02,720 Speaker 1: you're selling your controversial about that movie. Was the fact 580 00:32:02,720 --> 00:32:04,520 Speaker 1: that like a mom was a stripper, which of course 581 00:32:04,600 --> 00:32:06,880 Speaker 1: now would be like non controversial at all, and it 582 00:32:06,960 --> 00:32:10,960 Speaker 1: seems cheesy, um, you know Cloine to have that be 583 00:32:11,040 --> 00:32:12,680 Speaker 1: like a plot point, be like, oh, we got it, 584 00:32:12,760 --> 00:32:14,560 Speaker 1: like she's like a really good person she strip or whatever. 585 00:32:14,600 --> 00:32:16,720 Speaker 1: But it's like back then everyone was so freaked out 586 00:32:16,760 --> 00:32:18,200 Speaker 1: by and I feel like she usually not paying for 587 00:32:18,240 --> 00:32:21,160 Speaker 1: It's like, how many memoirs do we see that are 588 00:32:21,240 --> 00:32:24,360 Speaker 1: like feminists who like becomes strippers in like Portland and 589 00:32:24,400 --> 00:32:26,760 Speaker 1: then like rite about and I And like even in 590 00:32:26,800 --> 00:32:28,440 Speaker 1: the book she kind of talks about in this way 591 00:32:28,440 --> 00:32:30,200 Speaker 1: where she's like I didn't really get the controverstory or 592 00:32:30,240 --> 00:32:31,560 Speaker 1: like it kind of was like weird to me that 593 00:32:31,680 --> 00:32:33,760 Speaker 1: was the reception. And she kind of like doesn't even 594 00:32:33,760 --> 00:32:36,720 Speaker 1: really see herself as this like feminist icon who she 595 00:32:36,840 --> 00:32:40,400 Speaker 1: just does her thing. Also, she does talk about she's 596 00:32:40,400 --> 00:32:43,760 Speaker 1: always like, uh, yeah, so I got fourteen million for Gijan, 597 00:32:43,840 --> 00:32:47,400 Speaker 1: which was the most woman was being paid in Hollywood. Meanwhile, 598 00:32:47,440 --> 00:32:50,760 Speaker 1: Bruce is getting twenty mill for Die Hard three. But 599 00:32:50,800 --> 00:32:54,640 Speaker 1: then I was panned because she smore. And it's like now, 600 00:32:54,680 --> 00:32:56,840 Speaker 1: obviously like anytime a woman asked for money. It's like 601 00:32:57,760 --> 00:33:00,880 Speaker 1: she didn't Michelle Williams like famously yes that whatever that 602 00:33:00,920 --> 00:33:03,280 Speaker 1: movie was, and she was like, this was just like 603 00:33:03,320 --> 00:33:05,480 Speaker 1: so pre that, and I feel like to be more 604 00:33:05,600 --> 00:33:08,440 Speaker 1: kind of it's like why she was able to be 605 00:33:08,560 --> 00:33:11,160 Speaker 1: this person because like I feel like every other actress 606 00:33:11,200 --> 00:33:14,360 Speaker 1: would have been too like scared of the politics around 607 00:33:14,360 --> 00:33:17,120 Speaker 1: it and not doing it well. I think. Then also 608 00:33:17,160 --> 00:33:19,480 Speaker 1: it's like the nineties again, like so raw. It's like 609 00:33:19,520 --> 00:33:22,040 Speaker 1: she didn't have a Twitter there, like was like less, 610 00:33:22,120 --> 00:33:24,120 Speaker 1: there's no thing of like to like start like a 611 00:33:24,200 --> 00:33:26,080 Speaker 1: million thing pieces. She was like, I'm just gonna do 612 00:33:26,120 --> 00:33:28,520 Speaker 1: my thing. There's gonna be talk back and she was 613 00:33:28,560 --> 00:33:31,240 Speaker 1: like she was kind of always like middle fingers up 614 00:33:31,280 --> 00:33:34,479 Speaker 1: whatever like, And then it gets to Gijane that was 615 00:33:34,560 --> 00:33:37,800 Speaker 1: such a necessary film if you absolutely and she did, 616 00:33:37,800 --> 00:33:39,680 Speaker 1: and she was like, I'm gonna train for this like 617 00:33:39,800 --> 00:33:41,800 Speaker 1: the guys trained for it. I'm gonna do the full 618 00:33:41,840 --> 00:33:44,720 Speaker 1: military training. Because now I feel like we live in 619 00:33:44,760 --> 00:33:47,800 Speaker 1: a very woke time. It's like everything is about like 620 00:33:47,800 --> 00:33:49,560 Speaker 1: a woman can do anything a man can do. But 621 00:33:49,640 --> 00:33:52,600 Speaker 1: like this was kind of the first door opening to 622 00:33:52,680 --> 00:33:55,960 Speaker 1: that plot point, and especially like a woman not only 623 00:33:56,000 --> 00:33:59,240 Speaker 1: of like the plot of Gijane, but how she trained 624 00:33:59,280 --> 00:34:02,360 Speaker 1: for the movie right and the work again dating Ashton 625 00:34:02,520 --> 00:34:05,320 Speaker 1: just like being like, yes, I'm dating this younger guy. Yes, 626 00:34:05,360 --> 00:34:07,880 Speaker 1: I'm a cougar. At the time, she absolutely did not 627 00:34:07,880 --> 00:34:09,680 Speaker 1: get credit, and I would still I would. I would 628 00:34:09,719 --> 00:34:12,399 Speaker 1: argue that today she's she's still not absolutely not seen 629 00:34:12,400 --> 00:34:15,239 Speaker 1: as a feminist icon. She is seen as like a 630 00:34:15,360 --> 00:34:18,520 Speaker 1: kind of a pulpy like fun actress. I feel like 631 00:34:18,560 --> 00:34:22,160 Speaker 1: she's kind of seen in between. But like right again, 632 00:34:22,760 --> 00:34:25,040 Speaker 1: but I think because that we look at it's like 633 00:34:25,120 --> 00:34:27,719 Speaker 1: you have to be so like overtly political and take 634 00:34:27,760 --> 00:34:30,000 Speaker 1: credit for that, and it's very rare. She did like 635 00:34:30,040 --> 00:34:32,960 Speaker 1: quote unquotely take a stand and like raised her kids 636 00:34:32,960 --> 00:34:35,200 Speaker 1: in Idaho. I'm just saying like more ways of her 637 00:34:35,280 --> 00:34:36,919 Speaker 1: just being like I'm gonna do the shoot, I'm gonna 638 00:34:36,960 --> 00:34:41,600 Speaker 1: date Ashton. The sort of aloofness to the like the 639 00:34:42,200 --> 00:34:44,719 Speaker 1: politics and the storylines of Hollywood, Like I think, like, 640 00:34:45,200 --> 00:34:47,080 Speaker 1: let her take these roles, but then kind of like 641 00:34:47,120 --> 00:34:50,440 Speaker 1: prevented her from getting credit for being this very transformative figure. 642 00:34:51,120 --> 00:34:54,240 Speaker 1: And I feel like she should get on more credit. 643 00:34:54,360 --> 00:34:57,080 Speaker 1: And I don't even know even after this book, like 644 00:34:57,120 --> 00:34:59,080 Speaker 1: she went an MPR and she did the circuit and 645 00:34:59,120 --> 00:35:00,759 Speaker 1: I feel like she's kind I kind of started to 646 00:35:00,760 --> 00:35:03,640 Speaker 1: get like a little bit of do but not like enough. Again, 647 00:35:03,680 --> 00:35:06,200 Speaker 1: that's like not her style, Like she wouldn't necessarily and 648 00:35:06,280 --> 00:35:08,120 Speaker 1: like that's what we expect. We expect it to be 649 00:35:08,160 --> 00:35:11,239 Speaker 1: so like j Lo just like at the wing, just 650 00:35:11,320 --> 00:35:13,080 Speaker 1: being like and it was so important for me to 651 00:35:13,120 --> 00:35:15,319 Speaker 1: do this film as a woman, as a woman, and 652 00:35:15,400 --> 00:35:18,520 Speaker 1: to show that a woman can executive produce a film 653 00:35:18,840 --> 00:35:21,200 Speaker 1: that she is starring in when she is like a 654 00:35:21,280 --> 00:35:23,520 Speaker 1: multi millionaire. And for her like back to the pul 655 00:35:23,560 --> 00:35:25,560 Speaker 1: people and say her comeback was just like being in 656 00:35:25,640 --> 00:35:28,400 Speaker 1: full throttle because Drew like begged her and she was like, 657 00:35:28,480 --> 00:35:31,000 Speaker 1: you know what, fine, Like this is fab I will know. 658 00:35:32,520 --> 00:35:34,239 Speaker 1: And then we're all just kind of like applauding, like 659 00:35:34,320 --> 00:35:36,520 Speaker 1: yes we love Demi, but like I don't know, it's 660 00:35:36,520 --> 00:35:38,160 Speaker 1: like Demi where I wouldn't even really call her a 661 00:35:38,239 --> 00:35:41,879 Speaker 1: gay icon. It all certainly not. The gays have never 662 00:35:41,920 --> 00:35:46,240 Speaker 1: really no latched onto her. I mean her films are strange, 663 00:35:46,320 --> 00:35:48,319 Speaker 1: I mean so straight. I will say strip tease though, 664 00:35:48,360 --> 00:35:51,720 Speaker 1: like the strip scenes are so fab Dancing is insane. 665 00:35:51,719 --> 00:35:56,000 Speaker 1: She only dances to Annie Lennox, which is so random. 666 00:35:56,360 --> 00:35:59,759 Speaker 1: The movements are so like wish she could see me now, 667 00:36:00,040 --> 00:36:05,479 Speaker 1: It's okay, cookie, really fossy vibes. Well, okay, the most 668 00:36:07,280 --> 00:36:10,480 Speaker 1: when she said like classic nineties, like the hottest thing 669 00:36:10,480 --> 00:36:12,680 Speaker 1: ever is just for a woman to wear a big 670 00:36:12,800 --> 00:36:16,840 Speaker 1: tie and nothing else. Okay. The scene when she's in 671 00:36:16,880 --> 00:36:24,000 Speaker 1: her bedroom dancing alone, dancing to a little and I 672 00:36:24,080 --> 00:36:26,279 Speaker 1: was like, oh, I need to do this movie really 673 00:36:26,400 --> 00:36:29,200 Speaker 1: iconic and she has all because that movie is so 674 00:36:29,280 --> 00:36:32,719 Speaker 1: random and like the I would call it the um 675 00:36:32,880 --> 00:36:37,000 Speaker 1: stripper drama thriller version of Apure Pet Detective. Okay, I 676 00:36:37,000 --> 00:36:41,480 Speaker 1: don't know the plot, you don't, Yeah, it's burned in 677 00:36:41,560 --> 00:36:43,719 Speaker 1: my memory. Wasn't like such a Jim Carrey fan as 678 00:36:43,719 --> 00:36:49,480 Speaker 1: a child. I know you loved his hair kind of 679 00:36:50,440 --> 00:36:53,319 Speaker 1: that started my hair, that invented your hair. Yeah, I 680 00:36:53,320 --> 00:36:56,280 Speaker 1: thought it was Conan O'Bryan, but I guess it was rude. 681 00:36:57,480 --> 00:36:59,880 Speaker 1: Well you know you got some irish in yeah. Yeah. Anyway, 682 00:37:00,000 --> 00:37:02,320 Speaker 1: I'm just saying Strimtees is a lot of random animals 683 00:37:02,400 --> 00:37:07,680 Speaker 1: in it. Um. But yes, they're all these like steamy 684 00:37:08,160 --> 00:37:12,080 Speaker 1: nineties movies with the sacks where like it fades out 685 00:37:12,160 --> 00:37:15,480 Speaker 1: on a yacht as someone's having sex super straight and 686 00:37:15,560 --> 00:37:17,520 Speaker 1: so yeah, and I think that so a gays like, 687 00:37:17,560 --> 00:37:20,239 Speaker 1: don't launch those movies and then be People dismissed the 688 00:37:20,280 --> 00:37:22,040 Speaker 1: nineties as being very I mean, I think both the 689 00:37:22,080 --> 00:37:24,440 Speaker 1: eighties and the nineties has been very like cheesy and 690 00:37:24,480 --> 00:37:26,440 Speaker 1: like the sexuality was very kind of like Lurid and 691 00:37:26,680 --> 00:37:29,960 Speaker 1: the Real pre ninety six. Yeah, and like's not like 692 00:37:30,640 --> 00:37:32,520 Speaker 1: we're not in like a Brittany air at all. We're 693 00:37:32,520 --> 00:37:36,239 Speaker 1: still just like Jay Jane. I feel like it was 694 00:37:36,239 --> 00:37:39,000 Speaker 1: maybe nineties six of like you're saying Britney kind of 695 00:37:39,000 --> 00:37:41,560 Speaker 1: invented the modern sexuality. Well, I'm just saying, like ninety 696 00:37:41,560 --> 00:37:43,560 Speaker 1: eight people are like, oh my god, it was ridiculous 697 00:37:43,640 --> 00:37:45,960 Speaker 1: late nineties stuff, which I feel like people are obsessed with. 698 00:37:46,040 --> 00:37:48,560 Speaker 1: And no, sure the esthetic is like not. I think 699 00:37:48,600 --> 00:37:52,000 Speaker 1: people blend maybe ninety four stuff with kind of like 700 00:37:52,120 --> 00:37:55,120 Speaker 1: the eighties. Right. Do you think Demi is gonna do 701 00:37:55,360 --> 00:37:58,360 Speaker 1: kind of a comeback movie maybe in the next few years. 702 00:37:59,000 --> 00:38:03,520 Speaker 1: I mean that really depends on sort of Masha's schedule. Well, 703 00:38:03,560 --> 00:38:07,040 Speaker 1: I'm the baby and the baby and whatnot. I may 704 00:38:07,080 --> 00:38:10,600 Speaker 1: ever't love her too. It doesn't seem like that's really 705 00:38:11,200 --> 00:38:13,520 Speaker 1: this book is just not seemed like she's into making 706 00:38:13,600 --> 00:38:15,560 Speaker 1: movies right now. She's very into just like her big 707 00:38:15,600 --> 00:38:19,440 Speaker 1: house in Idaho and like being a mom, unfocusing and 708 00:38:19,560 --> 00:38:23,160 Speaker 1: her big brood. So I was run in that part 709 00:38:23,160 --> 00:38:27,560 Speaker 1: when it's like all of her children stopped talking to her. Yeah, 710 00:38:27,640 --> 00:38:29,360 Speaker 1: well that was it because she was like being so 711 00:38:29,520 --> 00:38:34,000 Speaker 1: like like crazy to Ashton to like I feel like 712 00:38:34,040 --> 00:38:35,960 Speaker 1: she's just probably being so annoying about it. That's what 713 00:38:36,080 --> 00:38:39,680 Speaker 1: I think. I was like, you know, when you're not 714 00:38:39,760 --> 00:38:43,320 Speaker 1: like she started really going through it, she's like hmmm yeah, 715 00:38:43,360 --> 00:38:46,759 Speaker 1: Like first like she stopped talking to me, then she 716 00:38:46,880 --> 00:38:49,000 Speaker 1: stopped talking to me, and and it's like I feel 717 00:38:49,000 --> 00:38:52,320 Speaker 1: like she was probably like maybe kind of hashtag no boundaries, 718 00:38:52,800 --> 00:38:54,799 Speaker 1: like calling all of her daughters while they were like 719 00:38:54,840 --> 00:38:58,040 Speaker 1: at risdy and like complaining so much, just being like 720 00:38:58,320 --> 00:39:01,000 Speaker 1: so like what do you even like think this means 721 00:39:00,760 --> 00:39:03,360 Speaker 1: that like Ashton did this, and like they're all in 722 00:39:03,360 --> 00:39:06,319 Speaker 1: their razors like texting and she's not asking that many 723 00:39:06,400 --> 00:39:11,960 Speaker 1: questions about there alone and really like doing this mixed 724 00:39:11,960 --> 00:39:14,560 Speaker 1: media projects. Yeah, and they're just like my mom is 725 00:39:14,600 --> 00:39:17,080 Speaker 1: being such a pathetic loser, right, And they're like I 726 00:39:17,200 --> 00:39:19,680 Speaker 1: need a break from you. And then rumors still like 727 00:39:19,719 --> 00:39:23,120 Speaker 1: well we can hit a bong, but like, yeah, I'm 728 00:39:23,160 --> 00:39:24,960 Speaker 1: gonna need a break from it. You're gonna need you 729 00:39:24,960 --> 00:39:28,040 Speaker 1: to absolutely wrap it up. But she she works on 730 00:39:28,040 --> 00:39:31,839 Speaker 1: herself and kind of comes back from that. I mean, 731 00:39:31,840 --> 00:39:34,360 Speaker 1: the next chapter for Demi is obviously being a lesbian. 732 00:39:34,400 --> 00:39:38,040 Speaker 1: I feel like that's sort of that's the chapter. Is 733 00:39:38,080 --> 00:39:40,600 Speaker 1: that the future for her? But I actually the goss 734 00:39:40,640 --> 00:39:43,400 Speaker 1: I heard is I think like, oh, it's over. That 735 00:39:43,600 --> 00:39:47,479 Speaker 1: chapter's over, and it's like just about her now, which 736 00:39:47,520 --> 00:39:49,960 Speaker 1: is still being being best friends with her ex. So 737 00:39:50,000 --> 00:39:51,799 Speaker 1: like Julia Roberts did this thing where she was like, oh, 738 00:39:51,840 --> 00:39:53,439 Speaker 1: I'm going to a ranch and I'm an earth mother 739 00:39:53,520 --> 00:39:55,959 Speaker 1: now and I'm just like wearing big glasses and being 740 00:39:56,040 --> 00:39:59,160 Speaker 1: so shawl and the big blanket and like any photo 741 00:39:59,160 --> 00:40:00,520 Speaker 1: I've seen him to any more in the past like 742 00:40:00,560 --> 00:40:03,520 Speaker 1: five years, she's been in like a blanket and like 743 00:40:03,600 --> 00:40:07,239 Speaker 1: big wire glasses. I'm at home, like I have really 744 00:40:07,239 --> 00:40:10,960 Speaker 1: good skin and I'm at home. Um, I don't know's 745 00:40:11,000 --> 00:40:13,960 Speaker 1: what a question. It's like, are we seeing Demi randomly 746 00:40:14,000 --> 00:40:18,000 Speaker 1: in an Amazon show in two years? I mean, I okay, actually, 747 00:40:18,000 --> 00:40:19,720 Speaker 1: you know what. I take that back, because she's so 748 00:40:19,840 --> 00:40:22,399 Speaker 1: in an Amazon and Julia Roberts did this Amazon show 749 00:40:22,440 --> 00:40:25,880 Speaker 1: that I started to watch that I couldn't really get into. 750 00:40:25,960 --> 00:40:28,000 Speaker 1: Maybe she literally was in an Amazon show and she 751 00:40:28,080 --> 00:40:32,640 Speaker 1: like weirdly plays like a therapist. That's just so like, No, 752 00:40:32,800 --> 00:40:36,239 Speaker 1: that's the Julia Roberts show. Okay, she plays a therapist 753 00:40:36,320 --> 00:40:39,440 Speaker 1: who's like blacked out for the FBI or CIA or 754 00:40:39,480 --> 00:40:41,640 Speaker 1: something like that. Oh no, that I know. I know 755 00:40:41,719 --> 00:40:44,759 Speaker 1: that show. That show was like, so, Emmy, that's homecoming. Yes, 756 00:40:44,920 --> 00:40:48,200 Speaker 1: that shows good. Um, I always started to be into it. Anyway, 757 00:40:48,239 --> 00:40:50,759 Speaker 1: I feel like I could see Demi doing something like 758 00:40:50,800 --> 00:40:52,839 Speaker 1: that or like well that no, no, no no, no, that's 759 00:40:52,880 --> 00:40:55,080 Speaker 1: too like Marquis of a project that I don't think 760 00:40:55,080 --> 00:40:57,640 Speaker 1: she I think she would be like a character in 761 00:40:57,719 --> 00:41:01,919 Speaker 1: some random show in like a few episodes, because she's 762 00:41:01,920 --> 00:41:03,960 Speaker 1: so like not wanting to dive in. She's so just 763 00:41:04,520 --> 00:41:07,799 Speaker 1: all dabble. But I need to have at least like 764 00:41:07,960 --> 00:41:09,359 Speaker 1: she's so like my red I need to be at 765 00:41:09,400 --> 00:41:12,320 Speaker 1: least to spend five days a week at my ranching 766 00:41:12,440 --> 00:41:14,680 Speaker 1: item with. But all of her kids are grown up 767 00:41:15,960 --> 00:41:18,000 Speaker 1: well with Masha and her brood and the dog and 768 00:41:18,080 --> 00:41:21,759 Speaker 1: the mash is in La and then there's so many 769 00:41:21,800 --> 00:41:25,200 Speaker 1: like little tiny dogs probably like running around like they 770 00:41:25,320 --> 00:41:27,320 Speaker 1: got like a four person stroller for all the dogs. 771 00:41:27,400 --> 00:41:39,919 Speaker 1: Right segment vibes How does she live? How does she eat? 772 00:41:39,920 --> 00:41:41,759 Speaker 1: What does she wear? Well, I feel like we just 773 00:41:41,800 --> 00:41:44,440 Speaker 1: talked about what she wear. It's like she's in seven jeans, 774 00:41:44,520 --> 00:41:48,520 Speaker 1: Hudson jeans, tattered. I mean, she's very early two thousands, 775 00:41:48,600 --> 00:41:53,520 Speaker 1: like whiskered whisker jeans, whiskered earth a cafe, big black 776 00:41:53,560 --> 00:41:59,600 Speaker 1: wire frame glasses, beeny, big classic is what I wanted 777 00:41:59,600 --> 00:42:01,359 Speaker 1: to say. Though, I feel like in this way though 778 00:42:01,400 --> 00:42:05,080 Speaker 1: she kind of did invent like dimes square style of 779 00:42:05,200 --> 00:42:08,520 Speaker 1: just like like in her nineties style when she was 780 00:42:08,560 --> 00:42:11,480 Speaker 1: like dating Emelian Estevez or whatever or like initial dating Roblo, 781 00:42:11,600 --> 00:42:14,120 Speaker 1: just being like jeans and looking hot and like a 782 00:42:14,239 --> 00:42:16,920 Speaker 1: shirt like a button down. I mean, yeah, that's also 783 00:42:17,000 --> 00:42:23,959 Speaker 1: like the nineties in this way where she's just kind 784 00:42:23,960 --> 00:42:27,000 Speaker 1: of like her face is kind of plain in this way, 785 00:42:27,040 --> 00:42:29,359 Speaker 1: but she's still just like really hot. I actually feel 786 00:42:29,400 --> 00:42:32,600 Speaker 1: like her face is not playing at all, but I 787 00:42:32,640 --> 00:42:35,080 Speaker 1: think she kind but she doesn't have like more lips. 788 00:42:35,120 --> 00:42:38,480 Speaker 1: She doesn't have like you know, some crazy like brow line. 789 00:42:38,520 --> 00:42:40,400 Speaker 1: She doesn't look like Kim Kraft, you know what I mean. 790 00:42:40,480 --> 00:42:42,799 Speaker 1: It's like, no, I feel like her face is kind 791 00:42:42,840 --> 00:42:46,759 Speaker 1: of like sharp, sullen. It's so seventies. Like yeah, it's 792 00:42:46,800 --> 00:42:49,759 Speaker 1: like she's been like a lot of jaw. Yeah, she's jaw. 793 00:42:49,960 --> 00:42:52,759 Speaker 1: She's these sunken eyes. It's like you can see the 794 00:42:53,280 --> 00:42:57,839 Speaker 1: pain of the Cadillacs that dropped her off from home 795 00:42:58,040 --> 00:43:00,360 Speaker 1: to home and the Yeah, I mean you can taste 796 00:43:00,360 --> 00:43:04,760 Speaker 1: the motor oil. So I don't think she's like plain boots. Okay, 797 00:43:04,920 --> 00:43:08,239 Speaker 1: well she has look at the smuts this kind of 798 00:43:08,280 --> 00:43:13,600 Speaker 1: like about her bigger smile. Okay, so maybe she didn't 799 00:43:13,600 --> 00:43:16,440 Speaker 1: invent jeans um, but yeah, yeah, I feel like she 800 00:43:16,480 --> 00:43:18,680 Speaker 1: was class because it's brad packed, so she's Levi's it's 801 00:43:18,680 --> 00:43:22,520 Speaker 1: acid wall because she's always sounds so like big, big, 802 00:43:22,560 --> 00:43:26,160 Speaker 1: big sweater, big, A lot of dusters, yes, a lot 803 00:43:26,200 --> 00:43:30,160 Speaker 1: of huge dusters. And I feel like there's this weird 804 00:43:30,200 --> 00:43:31,920 Speaker 1: thing because it's like, well, okay, and then in La 805 00:43:32,000 --> 00:43:34,480 Speaker 1: obviously it's like the most like threadbar but I feel 806 00:43:34,480 --> 00:43:36,960 Speaker 1: like she's wearing like a threadbear gray shirt like that 807 00:43:37,040 --> 00:43:40,919 Speaker 1: there's a pace sign. Yeah, like so subtle. I've attracted 808 00:43:41,040 --> 00:43:44,879 Speaker 1: to some kind of like native designs and that kind 809 00:43:44,920 --> 00:43:47,600 Speaker 1: of very She's from New Mexico and so like there 810 00:43:47,760 --> 00:43:51,080 Speaker 1: is more of a Native American presence there. So I 811 00:43:51,080 --> 00:43:53,319 Speaker 1: feel like it's like that's where she has like an 812 00:43:53,320 --> 00:43:56,759 Speaker 1: ink lean towards those kinds of like patterns, and she 813 00:43:56,880 --> 00:44:03,120 Speaker 1: might be made an American. She might have some well, um, 814 00:44:05,160 --> 00:44:08,600 Speaker 1: and my momm yeah, and my mema always when we 815 00:44:08,640 --> 00:44:12,000 Speaker 1: walked by that photograph, she said, well, your your papa 816 00:44:12,040 --> 00:44:14,600 Speaker 1: has high cheek bones, and that's how we know that 817 00:44:14,640 --> 00:44:17,719 Speaker 1: you're Indians. So that's how I know that I'm in exactly, 818 00:44:19,000 --> 00:44:20,920 Speaker 1: And she didn't there's no story like that in this book. 819 00:44:21,520 --> 00:44:24,360 Speaker 1: Um um, okay, So how does she know? What does 820 00:44:24,360 --> 00:44:28,680 Speaker 1: she eat? What does she eat? Well? Wow, not much disorder. Well, 821 00:44:28,719 --> 00:44:30,719 Speaker 1: now that she's like over her eating disorder, is she 822 00:44:30,840 --> 00:44:32,880 Speaker 1: just being so like I think the whole thing is 823 00:44:32,920 --> 00:44:35,520 Speaker 1: she always like did eat. But I think she was 824 00:44:35,560 --> 00:44:38,160 Speaker 1: being like just like, oh, well I had this one 825 00:44:38,200 --> 00:44:40,920 Speaker 1: spoonful of oatmeal and then probably like didn't eat it 826 00:44:40,880 --> 00:44:43,600 Speaker 1: at all. But she now just been some land going 827 00:44:43,640 --> 00:44:47,400 Speaker 1: to squirrel and how yeah it's grandall or she been 828 00:44:47,480 --> 00:44:49,879 Speaker 1: so Idaho and she's just been like and and all 829 00:44:49,920 --> 00:44:52,920 Speaker 1: my my crew came over and my best gay husband, 830 00:44:53,239 --> 00:44:57,640 Speaker 1: Eric but came over and he put a big ribbi 831 00:44:57,800 --> 00:45:00,320 Speaker 1: on the grill. I think in like brew she is 832 00:45:00,360 --> 00:45:02,920 Speaker 1: doing burg She's like, Bruce comes over and he makes 833 00:45:02,920 --> 00:45:05,239 Speaker 1: burgers to the kids. But I feel like she's kind 834 00:45:05,239 --> 00:45:08,319 Speaker 1: of still snacking on peppers. I think it's probably hard 835 00:45:08,360 --> 00:45:11,040 Speaker 1: to really let go of those habits. And like maybe 836 00:45:11,080 --> 00:45:15,319 Speaker 1: she's having like a chicken sausage. Yeah. Absolutely, She's like 837 00:45:15,360 --> 00:45:18,919 Speaker 1: the apple Gate and apple Gate chicken. She's like, maybe 838 00:45:18,960 --> 00:45:22,200 Speaker 1: she has a local like she butcher that she really is. Yeah. 839 00:45:22,200 --> 00:45:25,560 Speaker 1: I don't think she's getting like a t Jo's. Yeah. 840 00:45:25,600 --> 00:45:27,560 Speaker 1: But at the same time, she's an Idaho. She's going 841 00:45:27,560 --> 00:45:29,200 Speaker 1: with her best Idaho friend and they're going to t 842 00:45:29,400 --> 00:45:31,439 Speaker 1: Jos and they're like stock him. She's like, the kids 843 00:45:31,440 --> 00:45:33,800 Speaker 1: are coming this weekend and she's doing that thing that 844 00:45:33,880 --> 00:45:39,080 Speaker 1: actually Audrey Hepburn did no where. It's like you're cooking 845 00:45:39,120 --> 00:45:41,120 Speaker 1: so much, but then you don't eat, oh right, and 846 00:45:41,160 --> 00:45:43,480 Speaker 1: you're kind of overcompensating for how much you don't eat 847 00:45:43,480 --> 00:45:45,479 Speaker 1: by how much you do come. She's like, it's Super Bowl, 848 00:45:45,480 --> 00:45:48,720 Speaker 1: We're making a big bat she's like Demi's famous chili 849 00:45:49,000 --> 00:45:51,279 Speaker 1: huh um. All right, we covered And how does she 850 00:45:51,560 --> 00:45:54,600 Speaker 1: does she live? I mean big leather couches, big, I 851 00:45:54,640 --> 00:45:58,600 Speaker 1: mean it's large style, absolutely lodge. We're talking wooden planks. 852 00:45:58,800 --> 00:46:00,400 Speaker 1: And she's always even when she like, she's always like 853 00:46:00,400 --> 00:46:02,439 Speaker 1: wanted with a canyon ranch, like when she's vacation, she's 854 00:46:02,440 --> 00:46:05,600 Speaker 1: a constant ranch yet ranch about the antler, it's like 855 00:46:05,640 --> 00:46:08,359 Speaker 1: the full nine tons of antlers. And I think, yeah, 856 00:46:08,440 --> 00:46:13,560 Speaker 1: blankets abound honestly, bear skins maybe, Oh, I'm sure. I'm 857 00:46:13,600 --> 00:46:17,200 Speaker 1: sure she was fucking Ashton on a bear skin. I 858 00:46:17,239 --> 00:46:19,239 Speaker 1: wonder if her house has one of those. Cool. I 859 00:46:19,320 --> 00:46:21,480 Speaker 1: love this like it's you know what I mean, like 860 00:46:21,520 --> 00:46:23,680 Speaker 1: a laugh, like an open second floor. Yeah. Well a 861 00:46:23,800 --> 00:46:28,359 Speaker 1: medieval times they called that a gallery. It's not interesting. Wait, 862 00:46:28,480 --> 00:46:30,920 Speaker 1: that's like really cool. I still have medieval stuff in 863 00:46:30,960 --> 00:46:33,919 Speaker 1: sixth grade, and I never made medieval stuff. Well, sixth 864 00:46:33,960 --> 00:46:36,440 Speaker 1: grade the theme was medieval things, and I did a 865 00:46:36,480 --> 00:46:42,600 Speaker 1: paper on medieval fashion, on the bucks and ladies of 866 00:46:42,719 --> 00:46:45,160 Speaker 1: the Middle Ages. Well, it's kind of funny because it's 867 00:46:45,160 --> 00:46:47,400 Speaker 1: like medieval fashions. It's actually not much written about it 868 00:46:47,400 --> 00:46:50,480 Speaker 1: because the style was so just like big sheets. So 869 00:46:50,560 --> 00:46:52,759 Speaker 1: and that's why it's that's not really much written about it, Yeah, 870 00:46:52,760 --> 00:46:56,080 Speaker 1: because it was kind of the most boring time for fashion. Okay, 871 00:46:56,239 --> 00:47:00,080 Speaker 1: well but lets you're into that, right, and maybe that 872 00:47:00,239 --> 00:47:03,960 Speaker 1: actually kind of more invented the Rachel Komei, Yeah, because 873 00:47:04,000 --> 00:47:05,920 Speaker 1: now it's so just like a line dresses and like 874 00:47:05,960 --> 00:47:08,880 Speaker 1: things like don't have a waste empire. Just feel like 875 00:47:08,920 --> 00:47:11,520 Speaker 1: I'm lost in fabric and every girl is lost in 876 00:47:11,560 --> 00:47:14,200 Speaker 1: fabric and I'm a square. I also remember some interview 877 00:47:14,200 --> 00:47:15,799 Speaker 1: with her and her even her La house was very 878 00:47:15,840 --> 00:47:17,640 Speaker 1: like and like she had there was like so many 879 00:47:17,640 --> 00:47:19,080 Speaker 1: poofs and like it was like sit on the floor 880 00:47:19,239 --> 00:47:21,600 Speaker 1: and it was very like rugs and blanks and she's 881 00:47:21,600 --> 00:47:27,040 Speaker 1: playing Mexican dominoes on the floor. What's up that like 882 00:47:27,160 --> 00:47:30,600 Speaker 1: Scandinavine word that like every bloggers obsessed with hig like 883 00:47:30,640 --> 00:47:32,760 Speaker 1: skannin even where every blogers obsessed with It's like cozy 884 00:47:32,840 --> 00:47:36,600 Speaker 1: vibes and it's just like hige for winter like sheepskin 885 00:47:36,680 --> 00:47:41,400 Speaker 1: through big big fire plumps, like getting into a basket 886 00:47:41,400 --> 00:47:44,880 Speaker 1: with your husband, tons of hot coco, so much coco 887 00:47:44,960 --> 00:47:50,080 Speaker 1: and fire pizza, num numbs and my dog dog um 888 00:47:50,160 --> 00:47:59,440 Speaker 1: who are okay, who are you in the book? Do 889 00:47:59,480 --> 00:48:02,680 Speaker 1: you think I'm her mom? I was, well, I was 890 00:48:02,680 --> 00:48:04,480 Speaker 1: thinking about this today earlier today, and I was like, 891 00:48:04,560 --> 00:48:10,000 Speaker 1: are we the Ginny and Danny? We're writing bad, bad checks. 892 00:48:10,040 --> 00:48:12,680 Speaker 1: We're getting out of town right, We're like, you know what, 893 00:48:12,760 --> 00:48:15,360 Speaker 1: I don't care. I'm taking more game. But we always 894 00:48:15,400 --> 00:48:17,680 Speaker 1: come back to each other. Very that road trip we 895 00:48:17,800 --> 00:48:20,400 Speaker 1: took to Atlantic City, we were being very ginny and 896 00:48:20,600 --> 00:48:23,040 Speaker 1: be like smoking in the cor in the car and 897 00:48:23,080 --> 00:48:25,000 Speaker 1: when I blacked out and we all had to sleep 898 00:48:25,040 --> 00:48:27,000 Speaker 1: in the sob overnight because you had a stick and 899 00:48:27,040 --> 00:48:29,320 Speaker 1: none of us could drive stuff. But we still forgave you. 900 00:48:29,360 --> 00:48:31,240 Speaker 1: And that was also the same weekend you like basically 901 00:48:31,280 --> 00:48:33,880 Speaker 1: gave me bed bugs. I should have never spoken to 902 00:48:33,920 --> 00:48:38,239 Speaker 1: you again. You really sho Stephen picked up, you know, 903 00:48:38,280 --> 00:48:40,759 Speaker 1: a bed frame off the street in nice village, but 904 00:48:40,800 --> 00:48:42,840 Speaker 1: I slept on. You know what there was the city 905 00:48:42,880 --> 00:48:45,240 Speaker 1: had an infestation. It wasn't me, Dolly, it was everywhere. 906 00:48:45,320 --> 00:48:48,080 Speaker 1: Other decisions to be made. You could, you could't. You 907 00:48:48,080 --> 00:48:50,600 Speaker 1: couldn't swing a funny person that sound without getting bed bugs. 908 00:48:50,719 --> 00:48:52,840 Speaker 1: And we went to a shitty motel. So that was 909 00:48:53,000 --> 00:48:54,839 Speaker 1: very ginny and Danny of us and oh my god, 910 00:48:54,880 --> 00:48:56,920 Speaker 1: and Bella who was with us. Our friend was the 911 00:48:56,960 --> 00:48:58,839 Speaker 1: Demi because she's like fish. Oh she was like thin 912 00:48:58,920 --> 00:49:01,080 Speaker 1: and hot and I was like into a trash can 913 00:49:01,080 --> 00:49:06,560 Speaker 1: at the Tropic Canna. Let's figure it out. But also 914 00:49:07,320 --> 00:49:11,360 Speaker 1: I'm like, you're not Zaysa, but like you want to be. 915 00:49:12,120 --> 00:49:14,839 Speaker 1: Oh god, I wish I was Za, her fabulous Brazilian friend, 916 00:49:15,000 --> 00:49:17,719 Speaker 1: like so much access to men and coach. Yeah. Um well, 917 00:49:17,760 --> 00:49:20,479 Speaker 1: I was also wondering if I'm like Adrian Linman or whatever, 918 00:49:20,600 --> 00:49:23,040 Speaker 1: like that director who's being kind of psycho and was 919 00:49:23,080 --> 00:49:24,719 Speaker 1: like being so like weird about her weight and being 920 00:49:24,719 --> 00:49:26,480 Speaker 1: like and like getting the lighting right and being such 921 00:49:26,520 --> 00:49:30,480 Speaker 1: a like perfectionist. Oh yeah, maybe that is kind of 922 00:49:30,560 --> 00:49:33,440 Speaker 1: you like yelling about something and it's like simmer and right, 923 00:49:33,560 --> 00:49:35,759 Speaker 1: Like sometimes I'm kind of yelling about stuff and just 924 00:49:35,800 --> 00:49:37,800 Speaker 1: being like like I'm getting so mad at my boyfriend 925 00:49:37,800 --> 00:49:40,160 Speaker 1: for like not hanging up his coat or like not 926 00:49:40,200 --> 00:49:43,520 Speaker 1: putting his bag in the office just like fat actually, 927 00:49:43,600 --> 00:49:45,920 Speaker 1: like you're fat and the keys going the huck. So 928 00:49:46,200 --> 00:49:48,040 Speaker 1: that is kind of that. Maybe that could be, but 929 00:49:48,040 --> 00:49:51,200 Speaker 1: I guess that's kind of negative. I feel like I 930 00:49:51,320 --> 00:49:54,600 Speaker 1: am like randomly kind of like Emilio Estevez and like 931 00:49:54,680 --> 00:49:58,879 Speaker 1: being like steady and understanding since Dick. But obviously I'm 932 00:49:58,880 --> 00:50:01,920 Speaker 1: a literally like six inch Marada. I'm also like John 933 00:50:02,000 --> 00:50:05,720 Speaker 1: Goodman hanging out of like such a minor character, babe, 934 00:50:05,719 --> 00:50:09,640 Speaker 1: Like I know that you are like spiritually, but I 935 00:50:09,760 --> 00:50:12,560 Speaker 1: might also maybe like Rumor, the one who appears just 936 00:50:12,600 --> 00:50:15,399 Speaker 1: like in the most passing reference. I feel like I'm 937 00:50:15,400 --> 00:50:19,880 Speaker 1: also kind of Rumor because it's like big, well, okay, rude. 938 00:50:19,960 --> 00:50:22,120 Speaker 1: It's like if I with my mom and me being 939 00:50:22,120 --> 00:50:25,120 Speaker 1: like sure, I'll don't like smokabol with my mom is 940 00:50:25,200 --> 00:50:28,359 Speaker 1: Rumor the one who gets your high Yeah, oh yeah. 941 00:50:28,400 --> 00:50:30,399 Speaker 1: I mean you are the one who is like Gia 942 00:50:30,440 --> 00:50:33,160 Speaker 1: is trying to be a good influencer. You'll be like, okay, mom, 943 00:50:33,160 --> 00:50:36,000 Speaker 1: like let's smoke. Your mom is like fully like trying 944 00:50:36,000 --> 00:50:38,920 Speaker 1: to like be anaa and just like got off alcohol, 945 00:50:40,200 --> 00:50:46,080 Speaker 1: and you're like, what's bit of time? It's Christmas, that's 946 00:50:46,120 --> 00:50:50,080 Speaker 1: mom out of Christmas. Carr Our next book, moving on 947 00:50:50,760 --> 00:50:54,360 Speaker 1: is oh my god, wow, our next book is a 948 00:50:54,440 --> 00:50:57,320 Speaker 1: really iconic read. I don't want to give too much away, 949 00:50:57,440 --> 00:50:59,799 Speaker 1: but you know her, you love her, You've heard her, 950 00:51:00,160 --> 00:51:05,600 Speaker 1: seen her on multiple platforms, TV, movies, music. She's an ex, 951 00:51:05,760 --> 00:51:08,279 Speaker 1: she's a wife, she's a mother, she's a daughter, She's 952 00:51:08,320 --> 00:51:12,880 Speaker 1: absolutely a cousin. She's beyond cousin. She's She's at the 953 00:51:12,960 --> 00:51:17,000 Speaker 1: end of the day, she's an American. Jessica Simpson and 954 00:51:17,120 --> 00:51:25,960 Speaker 1: her book, which is called Open Book. A lot of 955 00:51:25,960 --> 00:51:30,320 Speaker 1: tears at, a lot of romance, a lot of heartbreak, 956 00:51:30,560 --> 00:51:35,360 Speaker 1: career ups and down. All right, we're giving it away. Listen, subscribe, rate, review, 957 00:51:35,920 --> 00:51:39,560 Speaker 1: send to a move to Idaho, get a read Hollywood, 958 00:51:40,880 --> 00:51:42,960 Speaker 1: take some time off to focus on your family and 959 00:51:43,000 --> 00:51:45,719 Speaker 1: figure out what you really want. Marry someone a lot 960 00:51:45,760 --> 00:51:57,920 Speaker 1: younger than you, doll. Celebrity Book Club is presented by 961 00:51:58,040 --> 00:52:01,440 Speaker 1: Prolonged Projects and Head Guys. The show is produced by 962 00:52:01,560 --> 00:52:05,600 Speaker 1: Megmer nine, with editorial support from This Hot Guy, Andrew 963 00:52:05,680 --> 00:52:11,720 Speaker 1: Parsons and This Smoking Man Leon Napok. Engineered by Ferris Mounchy. 964 00:52:11,840 --> 00:52:15,279 Speaker 1: Original theme song by Stephen Phillips, Horse You Know Him 965 00:52:15,320 --> 00:52:19,480 Speaker 1: sixty eight woodstock artwork by Teddy Blanks. I Fucked Him 966 00:52:19,520 --> 00:52:23,080 Speaker 1: at ships Ny, Follow us on Twitter at CBC the Pod, 967 00:52:23,360 --> 00:52:27,520 Speaker 1: Subscribe on your favorite podcast app, leave us a review, hell, 968 00:52:28,320 --> 00:52:31,240 Speaker 1: and don't forget to tell your friends or your enemies 969 00:52:31,280 --> 00:52:37,360 Speaker 1: about us. That was a hit gun podcast