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Speaker 1: The volume.

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Speaker 2: Rolling Star, don't stuff.

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Speaker 1: Don't laugh like that on the you know what I mean?

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Speaker 1: Because it's like, why.

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Speaker 2: Because some conversations I wish we could have on air,

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Speaker 2: but some we just can't.

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Speaker 3: Why not, though, why we can't have some of those

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Speaker 3: conversations on Is it because of our relationships with people?

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Speaker 2: People might fill away friendships. It's not an industry, but

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Speaker 2: it's a friendship thing. I want to thinking that, like

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Speaker 2: we can't say this, but like that's a yeah, that'll

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Speaker 2: stay personal. I'm gonna laugh at her when I see her.

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Speaker 1: Yes, me too.

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Speaker 2: I'm not gonna laugh with y'all on air about it.

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Speaker 1: Yes, you good? The curls they look like it's looking

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Speaker 1: like a bowl of pasta over there.

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Speaker 4: I'm trying to figure out that's a compliment.

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Speaker 1: Yeah, you know how to you know how to pasta?

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Speaker 1: Salad looks with the ones? You know?

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Speaker 2: Are you? Are you guys more of a like linguini

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Speaker 2: angel hair?

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Speaker 1: Seeley?

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Speaker 2: Which one is that again?

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Speaker 1: I don't know. I just heard Eddie Murphy say it

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Speaker 1: one day.

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Speaker 2: O ties.

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Speaker 3: I like spaghetti, Okay, give me spaghetti lasagna. That's it,

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Speaker 3: spaghetti lasigna.

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Speaker 2: I had vegan lasagna once. Top top ten worst thing

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Speaker 2: I air in my life.

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Speaker 4: It was badly cooked.

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Speaker 5: Vegan lasagna is like one of the easiest vegan food

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Speaker 5: to make, eggplant parmesan lasagna.

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Speaker 4: Okay, egg plant lasagna.

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Speaker 2: I'll have to have it from somebody that could probably

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Speaker 2: cook because it was it was insane like I would

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Speaker 2: have I would have rather like shoot.

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Speaker 3: Every time people would be like, yo, vegan food is now,

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Speaker 3: I'm like, y'are just not eating the right vegan food.

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Speaker 1: I get it to understand.

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Speaker 2: Well, either way, we're back sponsored by Boost Bosh.

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Speaker 1: All right, man, all right, it's a lot of yeah

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Speaker 1: three boost.

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Speaker 2: This isn't like a football chain after practice. Like remember

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Speaker 2: I remember the Titans screaming each other. They wanted the victory,

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Speaker 2: but it wasn't game day. I wanted How Strong Are

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Speaker 2: You Too Strong?

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Speaker 1: Movie?

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Speaker 2: Also for five dollars a month, you can listen to

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Speaker 2: dot com, and.

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Speaker 1: For ten dollars a month you can see Baby Dey's feet.

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Speaker 2: Nope, you're waiting ten dollars on that. Don't devalue my

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Speaker 2: my homegirl.

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Speaker 1: There no know what I'm saying.

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Speaker 3: For ten dollars a month, I mean, if we get

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Speaker 3: if she gets ten dollars a toe, if she gets

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Speaker 3: boost numbers. There we go, unlimited talk text in toes.

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Speaker 2: You can send it from your boos home. It's finally

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Speaker 2: cold outside, you guys know I'm thrilled about that. But

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Speaker 2: this week I did stop buy around the corner from

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Speaker 2: the office and saw a hip Boy and Alchemist and

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Speaker 2: listen to shut the guys. I'm not just saying this

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Speaker 2: to say it because they've been on the show and

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Speaker 2: those are our guys. But hit Boy raps better than

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Speaker 2: a lot of you, so does Alchemists. This is by

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Speaker 2: far the best both of them have ever wrapped. Like.

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Speaker 2: It's kind of just you can't call them producer rappers anymore.

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Speaker 2: M hm, and al is getting personal on the ship.

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Speaker 2: It's definitely much different than the first project, Like this

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Speaker 2: feels like a rappers album. They just happen to be

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Speaker 2: able to make great beats like they're rapping on that ships.

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Speaker 3: Always good to see Alan and hit Boys doing doing

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Speaker 3: anything together and making music because those two of my

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Speaker 3: favorite producers.

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Speaker 1: But also two of my favorite producer rappers.

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Speaker 2: Yeah, so now for.

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Speaker 1: Shout out to the guys.

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Speaker 2: Goldfish available now, Yes, and they have a movie coming

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Speaker 2: along with it as well, which I'm not sure when

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Speaker 2: the movie comes out, but the trailer looks great. To marry.

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Speaker 2: Your eyes just perked up. Did you see something on

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Speaker 2: the computer? You made a face? I know that face

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Speaker 2: that you made.

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Speaker 1: What bullshit? Did you just see bras Ad? No?

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Speaker 4: Not at all? Are they free again this month?

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Speaker 1: Uh? Let me see I can remember, hey, Gooner, Yes,

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Speaker 1: Bradsers is free this month.

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Speaker 2: Yes, okay, so I've clicked that ad before and it

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Speaker 2: wasn't free.

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Speaker 1: Really. They asked you to like put your credit card

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Speaker 1: information in. That's that's how they get you. No, that's

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Speaker 1: when when the free trial is up.

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Speaker 2: I know that's how they get you, though. Who's gonna

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Speaker 2: like you think I'm adding that to my calendar on

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Speaker 2: the sixteenth? You gotta go, can't. I'm not doing that,

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Speaker 2: can your That's how they always get you with that

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Speaker 2: Internet ship of any free even apps do that to you,

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Speaker 2: like yo, just put in your ship, yeah, because I

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Speaker 2: know you're gonna forget.

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Speaker 1: Yeah, got you?

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Speaker 3: You just gonna let you put it on auto pay.

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Speaker 3: No no, no, no, no, nothing's on pay.

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Speaker 2: Maybe you saw a Hennessy ad.

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Speaker 4: Yeah, I hate Lebron so much? What do you do

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Speaker 4: to you?

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Speaker 6: I hate that.

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Speaker 2: I'm actually gonna come in here and I feel like

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Speaker 2: I hate Lebron. I'm wanted the few people that thought

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Speaker 2: it was hilarious. You don't hate Lebron, you just don't

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Speaker 2: give him the credit he's probably due.

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Speaker 1: When have I never given Lebron credit?

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Speaker 2: I've seen you scream in Don Kannon's face about it.

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Speaker 3: Oh, when it comes to being better than Jordan, Yeah, no,

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Speaker 3: nobody's a better basketba player than my.

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Speaker 2: Fair, but you like go extra extra extra in like yeah,

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Speaker 2: you start throwing in like maybe ant swine Walker's better

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Speaker 2: than him.

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Speaker 1: You just be throwing random you just like you just

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Speaker 1: say anything.

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Speaker 3: You're just saying anything. Now, No, I've never done that.

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Speaker 3: Only when it comes to Lebron being better than Jordan

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Speaker 3: do I get involved in those, And I'm not. I

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Speaker 3: don't even debate that anymore. I let people have it.

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Speaker 2: Well, we all thought that Lebron was making, or announcing

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Speaker 2: rather his decision to retire and this would be his

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Speaker 2: last year. We'd get the whole fucking Goodbye tour Lebron

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Speaker 2: Jersey trading.

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Speaker 1: He wasn't gonna retire like that. He wouldn't do that again.

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Speaker 2: We'd get his son starting at point guard for the

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Speaker 2: last game. Lebron would try to score one hundred against

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Speaker 2: the Jazz or something when everyone was injured, Like that's

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Speaker 2: what we figured we were getting this year, but nope,

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Speaker 2: just selling liquor vsop.

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Speaker 3: Listen, man, y'all wanted to stop doing any paluzas. Somebody

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Speaker 3: had to pick up the baton.

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Speaker 2: That's that's what you think it was.

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Speaker 1: That's Lebron.

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Speaker 2: Lebron think LVMAS was struggling that much that they were like,

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Speaker 2: damn we lost Paluza.

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Speaker 1: Yeah, we gotta go get Lebron.

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Speaker 2: We weren't partnered with.

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Speaker 1: We gotta go get Lebron James, Lebron James.

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Speaker 2: The influx of Hennessy just on a Saturday in New

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Speaker 2: York City has gone down Lebron.

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Speaker 3: Now, I mean we talked about it when he had

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Speaker 3: post the trail, I guess, but I knew that Lebron

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Speaker 3: would do that because Lebron feels like that's one of

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Speaker 3: the worst decisions he made, was making his decision the

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Speaker 3: way he did to go to Miami. So there was

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Speaker 3: no way that Lebron was gonna announce his retirement like

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Speaker 3: that like that.

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Speaker 1: It was just no way.

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Speaker 3: I thought it was maybe a Chipotle commercial. Choose between

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Speaker 3: chicken and beef like that was the decision, you know

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Speaker 3: what I'm saying. But I mean, it's Hennessy makes sense

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Speaker 3: because Lebron has to kill it, doesn't he.

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Speaker 2: I believe he still does. Is it low Lobo something

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Speaker 2: like that, something like that. Yeah, I believe he still

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Speaker 2: has that.

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Speaker 3: So he's in the he's in the the spirits. Yeah,

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Speaker 3: wine is spirits game. And I've had that skiller before.

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Speaker 3: It's actually pretty good.

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Speaker 2: I do. We think this is just a power move

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Speaker 2: on the music side for Lebron. Maybe NAS wanted to

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Speaker 2: bring him in on the A and R tip and

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Speaker 2: they could do maybe the Henny compilation album presented by VSOP.

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Speaker 1: Mmmm.

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Speaker 2: Maybe behind the scenes, you know, NAS has felt his

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Speaker 2: career is just, you know, not in the best place.

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Speaker 2: He kind of needs Bron to to get there. So

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Speaker 2: the incentive nods like ye, welcome to the Hennessy.

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Speaker 1: Team, Welcome to Tannesseee family.

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Speaker 2: Just give me a deluxe and We're good to go. Yeah,

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Speaker 2: advertising is hilarious. Are we gonna drink more Hennison?

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Speaker 1: Now?

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Speaker 3: Well, I can know. I don't drink Hanny, but I'm

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Speaker 3: sure some people play. You know what, let me try

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Speaker 3: that Lebron Henny. Even though it's not Lebron Henny. It's

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Speaker 3: the same any vsop that they've had on the shelves

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Speaker 3: for years, Barrelds for Foreigny.

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Speaker 1: Yeah, but it's you know, it's Lebron's. He's behind it now,

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Speaker 1: so you know.

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Speaker 2: I mean, well, I don't knock it. Get your money, Lebron,

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Speaker 2: especially getting closer to retirement. I thought it was a

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Speaker 2: very funny ad, and I feel like Lebron knows that

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Speaker 2: no matter what he does, there's always going to be

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Speaker 2: a large group of people that are gonna hate everything

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Speaker 2: he does. So lean into it and give him more ammo. No,

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Speaker 2: this is Lebron's.

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Speaker 3: This is his time to have fun and kind of

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Speaker 3: lean into things on the internet that people hate him

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Speaker 3: for and talk bad about him, kind of lean into

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Speaker 3: it to have fun.

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Speaker 1: This is this.

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Speaker 3: He probably has about two years left, I think before

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Speaker 3: he retires.

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Speaker 2: All right, well, how do you think he'll do his

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Speaker 2: his retirement announcement.

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Speaker 3: I mean, it's gonna be a big announcement. I don't

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Speaker 3: think it'll be you know, unexpected. The way his his

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Speaker 3: announcement to Miami was. I think, you know, he he'll

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Speaker 3: allude to it. He'll probably say it before the season starts,

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Speaker 3: so he can get the victory lap.

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Speaker 1: Deservedly.

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Speaker 3: So he's one of the greatest players ever. He inspired

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Speaker 3: a whole generation. A lot of these superstars or young

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Speaker 3: stars that in the league now grew up idolizing Lebron.

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Speaker 3: So he deserves his his his victory lap one last season.

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Speaker 3: So I think he'll announce it before the start of

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Speaker 3: whatever season he decides to retire. I think it'll be

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Speaker 3: at the start of that and you know he'll he'll

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Speaker 3: enjoy his victory lap.

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Speaker 1: He deserves it.

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Speaker 2: At what point do you want to just like give

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Speaker 2: not give up obviously, But I mean, your son is

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Speaker 2: in the league now, your other son is incredible, probably

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Speaker 2: will go to the league as well. Like I don't

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Speaker 2: I don't see the Lakers winning it in the next

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Speaker 2: two years. Could be completely wrong. I just don't see it.

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Speaker 2: Like you maybe just just retire, Yeah, but I think

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Speaker 2: I think spend some time at home well, it was

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Speaker 2: you know, we.

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Speaker 3: Talked about the years twenty one. I think we talked

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Speaker 3: about it years ago about you know, I felt he

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Speaker 3: was waiting for Brownie so he could be the first

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Speaker 3: father son, uh, you know players in the NBA, and

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Speaker 3: we got that, and I think it's realistic for him

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Speaker 3: to wait wait on Bryce too. I think that he's

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Speaker 3: you know, I know he has spoke about it. He

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Speaker 3: said he's not because he doesn't know what Bryce is

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Speaker 3: gonna do. How many years Bryce's gonna play college. Yeah,

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Speaker 3: I think that's cap I think Lebron knows exactly how

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Speaker 3: many years Bryce plans on playing one college. And but

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Speaker 3: I think that, you know, he's waiting for Bryce. I

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Speaker 3: mean he got he got in uh you know, he

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Speaker 3: was on the floor of Brownie the NBA game. So

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Speaker 3: I think he's like, listen, I'm still here, I'm still healthy,

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Speaker 3: Lebron is still playing.

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Speaker 1: At a very a very good level.

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Speaker 3: He's still one of the best players in the league,

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Speaker 3: still very productive. So I mean, listen, as long as

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Speaker 3: his body holds up, see if Bryce, you know, he

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Speaker 3: gets there and get on the court with both of

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Speaker 3: your sons and just like really make it a thing

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Speaker 3: that I don't think we'll ever see again.

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Speaker 2: I mean, listen, he may not have as many rings

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Speaker 2: as Brady, but he has held on to his family

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Speaker 2: by overstaying his welcome in the league. So I mean,

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Speaker 2: I've respected. It looks like a great home owner.

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Speaker 1: Was that a shot at Brady was out of town?

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Speaker 2: I love Tom?

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Speaker 1: I know you got a man. He called him a unit.

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Speaker 2: Yeah, no, I wanted to start the new family. I

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Speaker 2: was happy that got that bitch out of the way.

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Speaker 2: You love Tom. I can't remember, forgive me, how did

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Speaker 2: Kobe announce his retirement.

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Speaker 1: He announced it at the beginning of the season.

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Speaker 2: But was it a thing?

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Speaker 1: Yeah, he got a whole victory lap.

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Speaker 2: Well no, no, no, of course I remember the season, of course,

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Speaker 2: but like, was it a sit down announcement. I don't

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Speaker 2: remember Jordan when he was retiring for the first time,

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Speaker 2: it being a thing with the Wizards. It was just like, yes,

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Speaker 2: it's probably over, but like big announcement, retirement ship is it?

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Speaker 1: Well? He had the poem, right, he had the dead

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Speaker 1: basketball poem.

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Speaker 2: Okay, bron can do that with chat GBT tomorrow.

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Speaker 1: Yeah, so you know he he did he announce did it?

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Speaker 3: Did the poem come out before the season. So at

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Speaker 3: the start of the season.

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Speaker 2: Yeah okay, wait did he read it out a lot

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Speaker 2: like was? I guess I can't read about it all right?

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Speaker 2: Oh yeah, okay, I remember I remember Players Tribune.

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Speaker 1: Well damn that was ten years ship yeah wow, ten

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Speaker 1: whole years ago without Cobs in time.

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Speaker 2: Well yeah, I mean anyways, with that said, uh, go ahead,

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Speaker 2: chip on Lebron for having fun first GSOP though vs.

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Speaker 1: OP you don't bring any we have.

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Speaker 2: Versus is finally back. I was actually excited to read this. Yeah.

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Speaker 2: At Complex Con they will be doing Cash Money Versus

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Speaker 2: No Limit. I was excited to walk in here today,

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Speaker 2: endbath this. I don't know if anyone else was, but

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Speaker 2: this could be a really really cool versus.

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Speaker 1: And so it's gonna be accomplished con.

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Speaker 2: Yes, Live from Vegas. They need to do this ship

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Speaker 2: in the what's the thing?

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Speaker 1: The sphere? The sphere.

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Speaker 2: The sphere would go fucking crazy for this.

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Speaker 1: Wow.

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Speaker 3: Okay, so wait, so cash Money is going to be

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Speaker 3: there on stage.

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Speaker 2: I'm also askings No Limit going to.

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Speaker 1: Be there on stage.

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Speaker 6: Yeah.

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Speaker 2: This could either be the greatest moment in hip hop

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Speaker 2: or one of the worst. No in between, because I'm

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Speaker 2: no gray area.

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Speaker 1: It's just it's just so much a lot of questions.

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Speaker 1: I have a lot of questions.

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Speaker 2: This might be scarier than Gucci and Jeezy.

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Speaker 1: Yeah, because who's there for cash money? I mean, like who's.

305
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Speaker 2: They've done a Hot Boys reunion?

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Speaker 1: Okay, I think things have changed since then. I think

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Speaker 1: they changed.

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Speaker 2: Then they've changed and they've done another year.

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Speaker 3: Yeah, So it's like who's still in who's still in communication,

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Speaker 3: who still has a relationship with who? No Limit? I mean,

311
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Speaker 3: I don't know who. I'm sure Silk could be there,

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Speaker 3: master P will be there, isn't Mystical and Mystical was

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Speaker 3: locked up again?

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Speaker 2: Oh my god, master P one of the greatest business

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Speaker 2: men of all time. Why are you taking a versus

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Speaker 2: with your star player in jail?

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Speaker 3: Yeah, that's why I don't understand what. I just don't

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Speaker 3: get Who would I don't know. It's just a lot

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Speaker 3: of a lot of questions in there. Who's going to

320
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Speaker 3: be there for both sides?

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Speaker 4: They probably still plays music though, even if he's in jail.

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Speaker 1: No, no, they can't. They're not playing Mystical music.

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Speaker 2: Well, you know why his first era No Limit though?

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Speaker 1: You know why Mystical You know what mister in jail

325
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Speaker 1: for Yeah, why would they be playing his music.

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Speaker 2: If you think that's gonna stop No Limit from playing mystical?

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Speaker 1: I think you guys are strongly mistaken.

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Speaker 2: I think it is okay, so half the nineties is

329
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Speaker 2: gone for No Limit, like because then you can't even.

330
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Speaker 3: That's why I'm sitting here looking so confused as to

331
00:14:16,840 --> 00:14:18,839
Speaker 3: why this would be a thing, because now it's like, okay,

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Speaker 3: what what are we doing on both sides of this? Yeah,

333
00:14:22,480 --> 00:14:26,320
Speaker 3: cash Money seems to be in a better you know,

334
00:14:26,560 --> 00:14:30,480
Speaker 3: standing with each other. Then No Limit is I think, like,

335
00:14:30,760 --> 00:14:33,320
Speaker 3: I just don't know. It's a lot of when is

336
00:14:33,360 --> 00:14:34,520
Speaker 3: this October twenty fifth?

337
00:14:36,320 --> 00:14:41,280
Speaker 1: Just October is tomorrow? This I don't know about this.

338
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Speaker 1: I don't know about this one. This one might be this,

339
00:14:44,640 --> 00:14:45,600
Speaker 1: this might be a mess.

340
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Speaker 2: And like I mean, I think if you're going off

341
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Speaker 2: the nineties and early two thousands, yes it's a good versus.

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00:14:52,240 --> 00:14:55,520
Speaker 2: But I just cash money, get young money.

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Speaker 1: No, no, I mean cash money.

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Speaker 3: All right, So let me ask you. Let me look

345
00:15:00,440 --> 00:15:01,880
Speaker 3: at your eys. And now you think Nikki is showing

346
00:15:01,920 --> 00:15:03,440
Speaker 3: up to this, you think Drake is showing.

347
00:15:03,400 --> 00:15:06,000
Speaker 2: No, I don't, So what do you guys? Saying they're

348
00:15:06,000 --> 00:15:07,680
Speaker 2: just gonna play mystical records. I can't play it.

349
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Speaker 1: No, I told you they're not gonna play any mystical record.

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Speaker 4: What they said they got Snoop Dogg.

351
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Speaker 3: I'm sure they have Snoop vegas La right there sending

352
00:15:16,160 --> 00:15:19,240
Speaker 3: the jet stupid be there. But that's what I'm saying. Okay,

353
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Speaker 3: we got that's one, all right. Do we think Wayne

354
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Speaker 3: to be there?

355
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Speaker 1: Yes, yeah, I don't.

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Speaker 4: I don't.

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Speaker 2: I don't think Birdman is doing this without Wayne co because.

358
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Speaker 1: That's Juvia be there. Most likely Juvi.

359
00:15:32,120 --> 00:15:36,120
Speaker 2: Will definitely be there, and Juvis in like Bill probably

360
00:15:36,120 --> 00:15:39,000
Speaker 2: be there. I don't know what bird Man.

361
00:15:38,920 --> 00:15:40,000
Speaker 1: And Beg's relationship is.

362
00:15:40,200 --> 00:15:43,920
Speaker 2: Okay, many fresh will be there, get some big.

363
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Speaker 3: I'm saying, it's just a lot of who's showing up

364
00:15:46,720 --> 00:15:50,320
Speaker 3: to this. That's that's my only thing. It looks Listen,

365
00:15:50,480 --> 00:15:52,880
Speaker 3: the flyer looks great when you put cash money versus

366
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Speaker 3: no limit. We know the history, we know the music.

367
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Speaker 3: But then when you get down to now you know

368
00:15:56,840 --> 00:16:00,200
Speaker 3: versus as a performance. It's not like you know, just

369
00:16:00,280 --> 00:16:04,720
Speaker 3: DJ's playing records. So now if it's a performance, who's performing.

370
00:16:05,160 --> 00:16:07,440
Speaker 4: Yeah, Well, y'all think little Romeo gonna be there for.

371
00:16:07,360 --> 00:16:10,560
Speaker 2: Sure, definitely. And first of all, Romeo got some joints.

372
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Speaker 2: Let's not act like you're not throwing little Romeo in

373
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Speaker 2: the mix. Not acting that's making some of the listeners

374
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Speaker 2: because I know some people are probably giggling like Romeo

375
00:16:17,640 --> 00:16:20,840
Speaker 2: didn't have some joints. But let me brace for I

376
00:16:20,880 --> 00:16:23,560
Speaker 2: hate white hip hop fans opinions. I was not a

377
00:16:23,560 --> 00:16:26,200
Speaker 2: big fan of Snoops No Limit. I don't even know

378
00:16:26,240 --> 00:16:28,960
Speaker 2: the records that are gonna get off in Vegas with

379
00:16:29,040 --> 00:16:32,000
Speaker 2: Snoop on the No Limit side, was like, what is

380
00:16:32,000 --> 00:16:32,360
Speaker 2: it really?

381
00:16:32,640 --> 00:16:34,880
Speaker 4: They'll they'll probably cheat and just play Snoop songs.

382
00:16:35,400 --> 00:16:37,200
Speaker 1: No, they can't do that. That's fucked, that's not we're

383
00:16:37,240 --> 00:16:37,600
Speaker 1: not doing that.

384
00:16:37,880 --> 00:16:40,360
Speaker 2: Then he's allowed to play best I had.

385
00:16:40,480 --> 00:16:42,520
Speaker 3: Yeah, Like that's not No Limit, that's not you can't

386
00:16:42,520 --> 00:16:44,920
Speaker 3: do that. You got to play the songs Snoop it

387
00:16:44,960 --> 00:16:47,560
Speaker 3: out on No Limit. You can't just play joints with

388
00:16:47,680 --> 00:16:49,040
Speaker 3: doggy style, Like, you can't do that.

389
00:16:49,440 --> 00:16:53,680
Speaker 2: Do we get Thug for at least the first tape

390
00:16:54,520 --> 00:16:58,240
Speaker 2: that was cash Money legit cash Money, not like a

391
00:16:58,280 --> 00:17:00,000
Speaker 2: sub label like Young Money.

392
00:17:01,000 --> 00:17:03,440
Speaker 1: You said Thug Young Thug was signed you cash money

393
00:17:03,480 --> 00:17:03,840
Speaker 1: one point.

394
00:17:04,080 --> 00:17:07,639
Speaker 2: What Yeah, him and Richeon Mi Kwan at the table Birdman,

395
00:17:07,760 --> 00:17:10,880
Speaker 2: Oh yeah. I mean I don't know who was up paperwork,

396
00:17:11,000 --> 00:17:14,720
Speaker 2: but they were going cash money.

397
00:17:13,680 --> 00:17:15,719
Speaker 1: That's what I'm saying. So look where we're at. We're

398
00:17:15,760 --> 00:17:18,280
Speaker 1: going down to young thug like cash money.

399
00:17:18,280 --> 00:17:20,080
Speaker 2: Look that's but when you go further down the bench,

400
00:17:20,119 --> 00:17:22,640
Speaker 2: that's what separates the team. Like, like I said, the nineties,

401
00:17:22,680 --> 00:17:24,760
Speaker 2: no limit in cash money. That's a great matchup. But

402
00:17:24,880 --> 00:17:27,840
Speaker 2: the further you go down it cash money and it's

403
00:17:27,960 --> 00:17:29,000
Speaker 2: not even fucking close.

404
00:17:30,720 --> 00:17:33,040
Speaker 1: Yeah. I just don't know who's gonna be there to

405
00:17:33,080 --> 00:17:33,800
Speaker 1: perform though.

406
00:17:34,800 --> 00:17:38,160
Speaker 2: Like shout out to Turk. I love Turk. Where's Turk?

407
00:17:39,359 --> 00:17:41,040
Speaker 1: Yeah?

408
00:17:41,400 --> 00:17:42,480
Speaker 2: Like are they flying him to Vase?

409
00:17:43,200 --> 00:17:45,040
Speaker 1: Yeah, that's what I'm saying. I don't know. It looks

410
00:17:45,040 --> 00:17:45,400
Speaker 1: good though.

411
00:17:45,440 --> 00:17:46,960
Speaker 3: I mean, you know, we know, we know the history,

412
00:17:47,000 --> 00:17:49,000
Speaker 3: we know the music, we know that you know, at

413
00:17:49,000 --> 00:17:52,200
Speaker 3: that time, that era was, you know, one of the best,

414
00:17:52,680 --> 00:17:56,400
Speaker 3: especially for the South. But performing now in twenty twenty five,

415
00:17:56,480 --> 00:17:59,919
Speaker 3: with people not having relationships and not being on speaking

416
00:18:00,160 --> 00:18:02,480
Speaker 3: terms and things like that, I just don't know what

417
00:18:02,560 --> 00:18:05,320
Speaker 3: the performance of a versus looks like from these two labels.

418
00:18:05,800 --> 00:18:11,800
Speaker 2: I would love a scripted series or a proper doc

419
00:18:12,920 --> 00:18:16,560
Speaker 2: about New Orleans at that exact time, not just the

420
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Speaker 2: Cash Money story, not just the No Limit story, but

421
00:18:18,840 --> 00:18:22,000
Speaker 2: just New Orleans and that that time, because that they're

422
00:18:22,080 --> 00:18:25,240
Speaker 2: both their stories are afford absolutely insane.

423
00:18:24,880 --> 00:18:26,879
Speaker 1: Two of the most iconic rap labels of it.

424
00:18:27,040 --> 00:18:30,680
Speaker 2: And then once you get into the alleged criminal side

425
00:18:30,720 --> 00:18:33,399
Speaker 2: of both those, it's like, that's its own series and

426
00:18:33,440 --> 00:18:37,240
Speaker 2: its fucking self. Absolutely, but I mean it's self. The

427
00:18:37,280 --> 00:18:39,919
Speaker 2: Shaker gonna be there absolutely.

428
00:18:40,320 --> 00:18:44,760
Speaker 5: There's an article, sorry to interrupt about Turk Is suing

429
00:18:44,880 --> 00:18:47,400
Speaker 5: cash Money over kicking him off the anniversary tour.

430
00:18:47,480 --> 00:18:51,399
Speaker 3: Okay, so he won't be there. So we got that answer.

431
00:18:51,400 --> 00:18:53,880
Speaker 3: Turk will not be at the sphere.

432
00:18:54,000 --> 00:18:56,959
Speaker 2: I think it'll be Manny Fresh bird Man and then

433
00:18:57,000 --> 00:18:59,479
Speaker 2: Lil Wayne's only gonna perform. Man I miss my dogs,

434
00:18:59,560 --> 00:19:00,000
Speaker 2: well none of.

435
00:19:00,040 --> 00:19:04,720
Speaker 1: The dogs out there. You don't think Juvid, Maybe you

436
00:19:04,760 --> 00:19:05,160
Speaker 1: don't think.

437
00:19:06,080 --> 00:19:09,800
Speaker 2: I told you The BG Birdman thing changes depending the

438
00:19:09,840 --> 00:19:10,439
Speaker 2: flat interview.

439
00:19:10,560 --> 00:19:13,520
Speaker 1: Oh yeah, yeah, I don't know.

440
00:19:13,920 --> 00:19:17,320
Speaker 3: It's like things like this is again it's because it's

441
00:19:17,320 --> 00:19:19,439
Speaker 3: so much personal, you know, things that's going on.

442
00:19:19,520 --> 00:19:22,040
Speaker 1: It's I just don't know what it what it looks

443
00:19:22,080 --> 00:19:24,000
Speaker 1: like on stage. We don't know if it's I.

444
00:19:24,080 --> 00:19:26,720
Speaker 2: Think Monica will perform on c Murder's.

445
00:19:26,359 --> 00:19:29,200
Speaker 1: Path, No, I don't think. I don't think so. I

446
00:19:29,200 --> 00:19:31,199
Speaker 1: think it'd be a nice tribute Monica. Braindy's going on

447
00:19:31,200 --> 00:19:33,879
Speaker 1: tour though, Oh for real, wait, birthday on tour already

448
00:19:33,920 --> 00:19:36,119
Speaker 1: with a no not they're going. We talked about it.

449
00:19:36,119 --> 00:19:42,280
Speaker 1: They're going on tour. It starts really soon. Coco Jones, Yeah,

450
00:19:42,359 --> 00:19:43,359
Speaker 1: it's Barclays right.

451
00:19:43,560 --> 00:19:46,640
Speaker 4: Mm hmm. And Newark if I'm not mistaken, Oh.

452
00:19:46,560 --> 00:19:47,960
Speaker 2: We might need to go to the Yark one instead.

453
00:19:48,320 --> 00:19:51,400
Speaker 1: The Auntie is gonna be outside the Aunties.

454
00:19:52,119 --> 00:19:54,639
Speaker 4: But the Young Aunties though, Coco.

455
00:19:54,400 --> 00:19:56,760
Speaker 1: Jones gonna bring out some new a new generator.

456
00:19:56,800 --> 00:19:59,680
Speaker 5: Brandy and Monica gonna bring out some young Aunties. They

457
00:19:59,840 --> 00:20:02,760
Speaker 5: think Young Aunties is like forty, like thirty five they.

458
00:20:02,800 --> 00:20:03,280
Speaker 1: Gonna bring out.

459
00:20:03,320 --> 00:20:04,800
Speaker 3: Yeah, they gonna bring off the I'm just saying it

460
00:20:04,800 --> 00:20:08,199
Speaker 3: was Auntie. Still, they gotta get home. That's there's a lot.

461
00:20:08,240 --> 00:20:09,840
Speaker 3: There's gonna be a lot of crock pots left on.

462
00:20:11,480 --> 00:20:14,040
Speaker 1: They're leaving the crockpot on, go to the show, come back,

463
00:20:14,480 --> 00:20:19,399
Speaker 1: Oxtail Ray falling off the bone, that's what the Aunties.

464
00:20:19,440 --> 00:20:21,120
Speaker 1: Do they know at the times Brandy concert?

465
00:20:21,200 --> 00:20:22,719
Speaker 2: Yeah, Jay off for work the next day too.

466
00:20:22,760 --> 00:20:24,639
Speaker 1: I think I might go to that. I want to

467
00:20:24,640 --> 00:20:27,040
Speaker 1: go so Randy, Monica, I got to see that with.

468
00:20:27,040 --> 00:20:29,600
Speaker 2: Kelly Rowlan and Cokele Jones. I don't think I've ever

469
00:20:29,640 --> 00:20:33,439
Speaker 2: seen Brandy live eitherwiy. I don't think I've seen anyone

470
00:20:33,480 --> 00:20:34,880
Speaker 2: on that list live.

471
00:20:35,760 --> 00:20:37,000
Speaker 1: Jones. I think I've seen Monica.

472
00:20:38,359 --> 00:20:40,920
Speaker 3: I've seen her somewhere, somebody brought it out on the set,

473
00:20:41,080 --> 00:20:43,600
Speaker 3: But I've never seen Brandy sing live.

474
00:20:43,760 --> 00:20:46,320
Speaker 5: I want to hear Brandy sing folded. When Brandy get

475
00:20:46,400 --> 00:20:49,320
Speaker 5: up there or sing folded by Kaylannie, I'm gonna melt

476
00:20:49,320 --> 00:20:49,919
Speaker 5: into the floor.

477
00:20:50,119 --> 00:20:51,280
Speaker 1: She's on official remix to that.

478
00:20:51,720 --> 00:20:55,520
Speaker 5: She's so Klanie is releasing an EP full of Folded remixes.

479
00:20:55,920 --> 00:21:00,080
Speaker 5: Brandy will have one, Tony Braxton, Mario and I'm Missing

480
00:21:00,119 --> 00:21:01,240
Speaker 5: Somebody Jojo.

481
00:21:02,400 --> 00:21:02,560
Speaker 1: Well.

482
00:21:02,600 --> 00:21:04,840
Speaker 5: Also, it's also remixing it, so it's gonna be an

483
00:21:04,880 --> 00:21:06,480
Speaker 5: EP of Calne remixes.

484
00:21:08,400 --> 00:21:10,760
Speaker 1: That's interesting. Yeah, like putting out an EP of the

485
00:21:10,840 --> 00:21:11,960
Speaker 1: same song, but just like.

486
00:21:12,800 --> 00:21:15,720
Speaker 5: But but they're redone kind of so like Tony Braxton's

487
00:21:15,800 --> 00:21:18,520
Speaker 5: is called Unfolded, which is kind of switches the purpose

488
00:21:18,560 --> 00:21:19,040
Speaker 5: of the song.

489
00:21:19,680 --> 00:21:20,080
Speaker 4: Brandy.

490
00:21:20,119 --> 00:21:21,840
Speaker 5: You know, she's doing all her vocal there and I

491
00:21:21,880 --> 00:21:24,000
Speaker 5: can't wait to hear the way Jojo flips hers.

492
00:21:24,440 --> 00:21:25,960
Speaker 4: It's gonna it's gonna be a pa I just saw a.

493
00:21:25,960 --> 00:21:28,840
Speaker 3: Tank released something yesterday. I think it was Get Folded.

494
00:21:29,280 --> 00:21:30,240
Speaker 3: You know, Tank gotta.

495
00:21:30,000 --> 00:21:33,520
Speaker 5: Give you gotta make it horny.

496
00:21:35,440 --> 00:21:37,120
Speaker 1: You don't hear he's still in the gym. You don't

497
00:21:37,119 --> 00:21:40,960
Speaker 1: mean he just come out like turn the Mica on.

498
00:21:41,000 --> 00:21:41,680
Speaker 1: I'm horny like.

499
00:21:43,320 --> 00:21:47,880
Speaker 2: Paul who's already Brian McKnight or Tank. That's a wild versus.

500
00:21:48,160 --> 00:21:50,960
Speaker 1: No Tank, I'm gonna tell you what and Take is

501
00:21:50,960 --> 00:21:51,480
Speaker 1: the homie, but.

502
00:21:51,680 --> 00:21:52,720
Speaker 2: You got to make it pussy work.

503
00:21:52,840 --> 00:21:55,040
Speaker 3: Yeah, but that's just talk.

504
00:21:56,080 --> 00:21:58,879
Speaker 1: Take. It didn't take before I met a gay cruise

505
00:21:58,920 --> 00:21:59,480
Speaker 1: or something like that.

506
00:21:59,560 --> 00:22:01,400
Speaker 4: Yo, that's that sounds tankish.

507
00:22:02,320 --> 00:22:04,560
Speaker 1: They don't get hornyed in being a heterosexual and be like,

508
00:22:04,560 --> 00:22:06,800
Speaker 1: you know what, I'm going to gay cruise and get

509
00:22:06,800 --> 00:22:07,400
Speaker 1: my balls off.

510
00:22:07,440 --> 00:22:09,280
Speaker 2: Is that the opposite of horning if you heterosexual?

511
00:22:09,400 --> 00:22:11,000
Speaker 3: No, because it's like, you know, it's like, you know,

512
00:22:11,119 --> 00:22:13,520
Speaker 3: nobody's horninged in gay men. First of all, nobody's horning

513
00:22:13,560 --> 00:22:13,760
Speaker 3: in men.

514
00:22:13,840 --> 00:22:16,520
Speaker 1: So imagine gay men never have that period, So it's

515
00:22:16,520 --> 00:22:18,679
Speaker 1: not they can't say not tonight, I can't do they

516
00:22:18,840 --> 00:22:21,800
Speaker 1: always ready Tak went and performed for the gays.

517
00:22:22,200 --> 00:22:24,760
Speaker 2: Yeah all right, So tank treated the cruise like prison,

518
00:22:24,840 --> 00:22:26,040
Speaker 2: like it doesn't count if it's here.

519
00:22:28,920 --> 00:22:31,160
Speaker 1: Okay, So it wasn't a cruise. The boat was making.

520
00:22:31,200 --> 00:22:33,679
Speaker 5: The make it up for the cruise part is fucking

521
00:22:33,840 --> 00:22:34,320
Speaker 5: killing me.

522
00:22:34,800 --> 00:22:35,880
Speaker 1: I thought it was a cruise.

523
00:22:37,240 --> 00:22:39,800
Speaker 3: Was on a gay cruise or something like that. They

524
00:22:39,920 --> 00:22:43,480
Speaker 3: performed at LB L g B T QUH proud event.

525
00:22:44,200 --> 00:22:47,320
Speaker 2: Oh, I mean it's events, so that means he was booked.

526
00:22:48,640 --> 00:22:51,680
Speaker 1: It's not one. It says events. That's plural. Yeah, you

527
00:22:51,720 --> 00:22:53,560
Speaker 1: gotta perform a few times. You gotta do like you

528
00:22:53,600 --> 00:22:56,080
Speaker 1: gotta perform for the the beat.

529
00:22:56,960 --> 00:22:58,639
Speaker 2: I don't think they segregate the boat.

530
00:22:58,880 --> 00:22:59,200
Speaker 1: Okay.

531
00:22:59,520 --> 00:23:02,560
Speaker 2: The hells are in this hall okay there in the

532
00:23:02,640 --> 00:23:05,240
Speaker 2: VS is just everywhere. Yeah, okay, I definitely want to

533
00:23:05,280 --> 00:23:05,919
Speaker 2: be all accident.

534
00:23:05,960 --> 00:23:09,399
Speaker 1: It was weird. Oh d C for sure, d C.

535
00:23:09,640 --> 00:23:14,040
Speaker 1: It was oh man, d C. I think all gays

536
00:23:14,080 --> 00:23:16,360
Speaker 1: want to die and go to d C. Not even

537
00:23:16,440 --> 00:23:18,000
Speaker 1: well the ones I want to hide it go to

538
00:23:18,160 --> 00:23:21,720
Speaker 1: Land or Miami. Miami's big gay capital, like a big

539
00:23:21,760 --> 00:23:22,600
Speaker 1: gay population too.

540
00:23:22,640 --> 00:23:24,679
Speaker 4: They got a big year. They got surround the neighborhoods

541
00:23:24,680 --> 00:23:25,200
Speaker 4: that are all.

542
00:23:25,080 --> 00:23:27,840
Speaker 1: That surrounding neighborhoods. It's funny because.

543
00:23:30,640 --> 00:23:35,080
Speaker 2: It's like it's like it's white like like yo, it's rodlining.

544
00:23:35,240 --> 00:23:39,840
Speaker 1: They don't let them like oh ship, but like they

545
00:23:39,920 --> 00:23:47,000
Speaker 1: pushed them out there like full loaded surrounding their g

546
00:23:47,119 --> 00:23:49,720
Speaker 1: I bill after they pull up this around the area

547
00:23:54,000 --> 00:23:59,160
Speaker 1: Josh forload of ll is very how you know that? Listen.

548
00:24:00,160 --> 00:24:04,240
Speaker 5: Welton Wilton Manors often called Florida's gay capital and the

549
00:24:04,320 --> 00:24:06,879
Speaker 5: vibrant city of Fort Lauderdale, which is which they're nearby.

550
00:24:07,000 --> 00:24:07,200
Speaker 1: I know.

551
00:24:07,320 --> 00:24:09,520
Speaker 5: I literally was on the phone with a friend and

552
00:24:09,640 --> 00:24:11,880
Speaker 5: he was like, Yo, it's mad gay people skating around

553
00:24:11,920 --> 00:24:12,399
Speaker 5: my hotel.

554
00:24:12,520 --> 00:24:19,480
Speaker 2: Like Yo, it's a mad gay people skating around.

555
00:24:21,920 --> 00:24:22,120
Speaker 5: Yo.

556
00:24:22,440 --> 00:24:24,919
Speaker 2: You know, is not knowing where you at and then

557
00:24:24,920 --> 00:24:26,760
Speaker 2: you walk out your hotel there's a lot of people.

558
00:24:29,440 --> 00:24:32,600
Speaker 4: Forrill, that's what you're he was. He was like, there's

559
00:24:32,680 --> 00:24:34,920
Speaker 4: like a lot of gay people around, and I was like,

560
00:24:35,320 --> 00:24:35,960
Speaker 4: I never knew that.

561
00:24:36,080 --> 00:24:36,560
Speaker 1: So I looked.

562
00:24:36,640 --> 00:24:37,920
Speaker 4: I looked it up and I was like, oh, you're

563
00:24:37,920 --> 00:24:39,960
Speaker 4: in like the gay capital of like Florida.

564
00:24:40,520 --> 00:24:43,520
Speaker 1: I never knew that. I had no idea. Damn man.

565
00:24:43,840 --> 00:24:45,520
Speaker 1: You know New York like we love Old Man is

566
00:24:45,560 --> 00:24:48,760
Speaker 1: like West Hollywood. Yeah, I never knew that they have

567
00:24:48,840 --> 00:24:51,920
Speaker 1: a gay village. I feel like it's one in every city.

568
00:24:52,200 --> 00:24:54,719
Speaker 3: Yeah, it's like it's like a it's like a Soho

569
00:24:55,240 --> 00:24:57,840
Speaker 3: village in every major city.

570
00:24:58,520 --> 00:25:00,560
Speaker 2: Yeah at this point for sure. And then like Portland,

571
00:25:00,560 --> 00:25:04,679
Speaker 2: which is like extra extra like Portland is is probably

572
00:25:04,720 --> 00:25:07,120
Speaker 2: what that place in Florida thinks it is at this point.

573
00:25:07,400 --> 00:25:09,560
Speaker 1: Okay, And I mean should New.

574
00:25:09,520 --> 00:25:11,960
Speaker 2: York We lost hip hop, we've lost the best restaurants,

575
00:25:11,960 --> 00:25:13,439
Speaker 2: and we lost the gays like we used to.

576
00:25:13,440 --> 00:25:15,159
Speaker 1: Be the gay capitol too. How do we like we

577
00:25:15,400 --> 00:25:16,120
Speaker 1: rest restaurants.

578
00:25:16,800 --> 00:25:18,679
Speaker 2: I feel like you can now get good food everywhere,

579
00:25:19,119 --> 00:25:21,000
Speaker 2: like the allure of New York food wise.

580
00:25:21,240 --> 00:25:22,119
Speaker 1: I go to Vegas and get this.

581
00:25:22,119 --> 00:25:24,000
Speaker 5: See, I was gonna say Vegas has like Vegas is

582
00:25:24,040 --> 00:25:25,840
Speaker 5: like known for having really good restaurants.

583
00:25:25,920 --> 00:25:28,840
Speaker 3: Now Vegas is just a fucking carbon copy of every

584
00:25:28,880 --> 00:25:29,840
Speaker 3: major city in the world.

585
00:25:30,160 --> 00:25:32,399
Speaker 2: Yeah, you go to Vegas and think you in Paris, Like,

586
00:25:32,640 --> 00:25:34,240
Speaker 2: but they'll spend the money to get it right, like

587
00:25:34,359 --> 00:25:36,600
Speaker 2: the New York restaurants in Vegas taste exactly like.

588
00:25:36,600 --> 00:25:37,440
Speaker 1: The New York restaurants.

589
00:25:37,760 --> 00:25:39,600
Speaker 5: I don't know, man, I still think in Chicago, they

590
00:25:39,640 --> 00:25:41,280
Speaker 5: say Chicago has amazing food.

591
00:25:41,720 --> 00:25:44,479
Speaker 3: Chicago has great restaurants as well, But I still think

592
00:25:44,560 --> 00:25:46,360
Speaker 3: New York is the capital.

593
00:25:46,040 --> 00:25:49,080
Speaker 1: Of Like you can get good pizza almost anywhere. Now,

594
00:25:50,720 --> 00:25:53,879
Speaker 1: y'all say that until you go somewhere and order pizza

595
00:25:53,920 --> 00:25:54,960
Speaker 1: and be like it's ass.

596
00:25:55,440 --> 00:25:57,200
Speaker 3: Yeah, I don't think you could just get good pizza

597
00:25:57,200 --> 00:25:59,639
Speaker 3: anywhere I can get it. I'm a pizza snob though,

598
00:25:59,680 --> 00:26:01,719
Speaker 3: so I'm I'm a little different. Oh shit, Yeah, I'm

599
00:26:02,800 --> 00:26:04,280
Speaker 3: I'm a pizza snob. I know good people, but I

600
00:26:04,280 --> 00:26:05,879
Speaker 3: could add good pizza. I as soon as you bring

601
00:26:05,920 --> 00:26:08,160
Speaker 3: it off the oven, I could tell it ain't enough

602
00:26:08,240 --> 00:26:10,440
Speaker 3: cheese on, that the crust is too thick, Like I

603
00:26:10,480 --> 00:26:11,120
Speaker 3: could just look at.

604
00:26:11,080 --> 00:26:14,400
Speaker 2: It and tell New York up, like per square mile

605
00:26:14,680 --> 00:26:17,000
Speaker 2: you can get a good slice where you can't do

606
00:26:17,080 --> 00:26:18,560
Speaker 2: that in any other city. But if you just like

607
00:26:18,720 --> 00:26:21,600
Speaker 2: rival the best in New York versus the best somewhere else,

608
00:26:21,760 --> 00:26:23,840
Speaker 2: it's not going to be that far off anymore. Like, Yeah,

609
00:26:23,920 --> 00:26:25,720
Speaker 2: they've I don't if it's the internet, like they've just

610
00:26:25,840 --> 00:26:28,280
Speaker 2: learned like you can literally roller skate with a gay

611
00:26:28,320 --> 00:26:30,400
Speaker 2: and get a good slice in any city in America.

612
00:26:30,480 --> 00:26:33,399
Speaker 2: Now where that was strictly just a West Village thing.

613
00:26:33,560 --> 00:26:34,760
Speaker 3: I love when you go out of town and you

614
00:26:35,400 --> 00:26:37,560
Speaker 3: pass a pizza spot and it's called New York Pizza.

615
00:26:37,920 --> 00:26:40,760
Speaker 1: Yeah, huh, like nigga at New York. I don't care

616
00:26:40,800 --> 00:26:42,520
Speaker 1: what y'all name. This is a New York pizza, Like

617
00:26:42,760 --> 00:26:45,800
Speaker 1: New York Fried Chicken is in every city? Now, what

618
00:26:45,960 --> 00:26:46,359
Speaker 1: is New York?

619
00:26:46,800 --> 00:26:47,719
Speaker 4: I've never heard of New York?

620
00:26:47,840 --> 00:26:47,959
Speaker 6: Right?

621
00:26:48,640 --> 00:26:51,160
Speaker 1: Is that it's like just the chicken spot? Oh you're

622
00:26:51,160 --> 00:26:54,080
Speaker 1: talking about like they had a bunch in Baltimore orlans Fried,

623
00:26:54,160 --> 00:26:55,720
Speaker 1: Kennedy Fried a little Yeah.

624
00:26:55,840 --> 00:26:58,520
Speaker 2: Like shit everywhere in DC. New York Fried Chicken, like

625
00:26:58,680 --> 00:26:59,399
Speaker 2: it says it everywhere.

626
00:26:59,480 --> 00:26:59,880
Speaker 4: That's weird.

627
00:27:00,200 --> 00:27:02,639
Speaker 2: Yeah, I don't want to your frod Chicken. Yeah, that's

628
00:27:02,720 --> 00:27:05,119
Speaker 2: really not Yeah, clear, I mean, I don't even know

629
00:27:05,160 --> 00:27:06,600
Speaker 2: how we got on. How do we go from cash

630
00:27:06,640 --> 00:27:10,520
Speaker 2: money to no limit to gaze roller skating in Florida? Oh, tank, Yes,

631
00:27:10,840 --> 00:27:13,359
Speaker 2: that's a great that's a great bag though. Like yo

632
00:27:14,760 --> 00:27:17,879
Speaker 2: as a heterosexual man performing and singing R and B

633
00:27:18,040 --> 00:27:21,000
Speaker 2: at the lgbt Q Plus event and looking the way

634
00:27:21,040 --> 00:27:23,639
Speaker 2: he looked. Yeah, no, Tank, Tank did numbers.

635
00:27:23,880 --> 00:27:26,480
Speaker 1: You said, what be what does that mean?

636
00:27:26,560 --> 00:27:27,880
Speaker 4: Because I said Tank looking away, he looked.

637
00:27:27,880 --> 00:27:34,119
Speaker 5: Tank is attractive enough that even gays will find him attractive, Like, yeah, no,

638
00:27:34,280 --> 00:27:36,200
Speaker 5: Tank doesn't look gay, but Tank, it's so fine that

639
00:27:36,400 --> 00:27:37,880
Speaker 5: even gay men will find him attractive.

640
00:27:37,920 --> 00:27:40,600
Speaker 1: And they hard to place and please.

641
00:27:41,840 --> 00:27:43,840
Speaker 2: They are the probably the biggest critics we have.

642
00:27:44,720 --> 00:27:44,840
Speaker 5: Man.

643
00:27:45,040 --> 00:27:49,920
Speaker 2: Yeah, respectfully, yeah, I would say they're they're the highest critic. Okay,

644
00:27:50,560 --> 00:27:52,960
Speaker 2: women only care about gay compliments. They don't care about us.

645
00:27:53,640 --> 00:27:57,879
Speaker 1: Well, women are gay, So that's that saying that's that

646
00:27:58,200 --> 00:28:02,080
Speaker 1: is just saying they are Yeah, that's just in that como. Yeah,

647
00:28:02,080 --> 00:28:04,520
Speaker 1: they are one of the gay I like it though.

648
00:28:05,400 --> 00:28:08,359
Speaker 2: Well anyways, yes, complext Cohn will be streaming this. I

649
00:28:08,480 --> 00:28:09,480
Speaker 2: will be signing up.

650
00:28:09,480 --> 00:28:09,920
Speaker 1: I did see that.

651
00:28:10,040 --> 00:28:12,240
Speaker 3: I'm watch because I just want to. I'm just interested

652
00:28:12,240 --> 00:28:14,080
Speaker 3: to see how they're gonna pull us off, for sure,

653
00:28:14,240 --> 00:28:14,919
Speaker 3: But I'm nervous.

654
00:28:17,080 --> 00:28:18,840
Speaker 1: I don't know if this is that Peach. I don't

655
00:28:18,840 --> 00:28:21,280
Speaker 1: know if this is this is that. I don't know

656
00:28:21,320 --> 00:28:22,200
Speaker 1: if we want to do that for this?

657
00:28:22,520 --> 00:28:24,119
Speaker 2: Was it the Kirk Franklin? What was the one that

658
00:28:24,359 --> 00:28:27,359
Speaker 2: they had like technical issues and we all watched for

659
00:28:27,400 --> 00:28:29,080
Speaker 2: like three hours and then they just rescheduled it.

660
00:28:29,240 --> 00:28:33,280
Speaker 1: Babyface, I think, does any baby face in Teddy Rowley?

661
00:28:34,640 --> 00:28:35,480
Speaker 2: Yeah, I think that was it.

662
00:28:35,640 --> 00:28:38,760
Speaker 1: Baby It was one of like the face so much shade. Yeah.

663
00:28:39,640 --> 00:28:43,840
Speaker 2: I think this one it's gonna be that we'll reschedule

664
00:28:43,840 --> 00:28:45,720
Speaker 2: it to a later date that never gets rescheduled.

665
00:28:46,480 --> 00:28:48,040
Speaker 1: Yeah, I'm nervous, but it is.

666
00:28:48,160 --> 00:28:50,719
Speaker 3: It is exciting to see cash money versus no limit anyway,

667
00:28:50,760 --> 00:28:53,160
Speaker 3: So hopefully they put together a great show either way.

668
00:28:53,240 --> 00:28:54,479
Speaker 1: We will be tuned in for that one.

669
00:28:54,880 --> 00:28:58,000
Speaker 2: And I hope master P gets his flowers.

670
00:28:59,040 --> 00:28:59,920
Speaker 1: He doesn't get them already.

671
00:29:00,320 --> 00:29:02,200
Speaker 2: I don't think he gets enough. I think a lot

672
00:29:02,280 --> 00:29:04,560
Speaker 2: of the like the moguls, not just in hip hop,

673
00:29:04,600 --> 00:29:08,640
Speaker 2: but moguls period that we revere and talk about often.

674
00:29:09,640 --> 00:29:11,880
Speaker 2: Master P is what a lot of people think those

675
00:29:11,920 --> 00:29:14,760
Speaker 2: moguls are like. Master P is really direct to consumer

676
00:29:15,200 --> 00:29:18,840
Speaker 2: for sure, like out the Trunk to multimillion millionaire status

677
00:29:19,160 --> 00:29:22,840
Speaker 2: without a dough And I always like masterpiece joints.

678
00:29:22,920 --> 00:29:23,080
Speaker 1: Man.

679
00:29:23,200 --> 00:29:24,880
Speaker 2: I know he got a lot of flak for not

680
00:29:24,960 --> 00:29:27,600
Speaker 2: being the greatest rapper, but I mean I got the

681
00:29:27,640 --> 00:29:30,320
Speaker 2: hookup Holly for you hear me, he was one of

682
00:29:30,360 --> 00:29:31,280
Speaker 2: my favorites back in the day.

683
00:29:31,560 --> 00:29:35,040
Speaker 1: He was one of my favorites. Hero, he's one of

684
00:29:35,120 --> 00:29:39,040
Speaker 1: my favorites back in the year, saying huh that definitely absolutely.

685
00:29:38,600 --> 00:29:46,000
Speaker 2: He told Solange that was his war cry and almost cried. Maul,

686
00:29:46,120 --> 00:29:48,440
Speaker 2: I know you are thinking about upgrading to the all

687
00:29:48,600 --> 00:29:52,720
Speaker 2: new iPhone seventeen Pro. You constantly are talking about it

688
00:29:52,800 --> 00:29:55,120
Speaker 2: because it's designed to be the most powerful iPhone ever,

689
00:29:55,520 --> 00:29:58,200
Speaker 2: which is again something you always tell us. But are

690
00:29:58,240 --> 00:30:00,600
Speaker 2: you also thinking about the traffic on your way to

691
00:30:00,680 --> 00:30:04,080
Speaker 2: the store or transferring all the money bag data that

692
00:30:04,160 --> 00:30:06,720
Speaker 2: you have in that phone? With good news for you, Maul,

693
00:30:06,920 --> 00:30:09,080
Speaker 2: when you order a new phone online with Bootmobile, they'll

694
00:30:09,080 --> 00:30:11,520
Speaker 2: send an expert to your home or work to deliver

695
00:30:11,760 --> 00:30:14,640
Speaker 2: your brand new iPhone seventeen Pro and get you set

696
00:30:14,720 --> 00:30:17,000
Speaker 2: up on boost Mobile within minutes.

697
00:30:17,800 --> 00:30:20,960
Speaker 3: No hassle, no hassle. Visit boostmobile dot com to get started.

698
00:30:21,040 --> 00:30:24,000
Speaker 3: Delivery available for select devices purchase at boostmobile dot com.

699
00:30:24,160 --> 00:30:24,920
Speaker 1: Terms apply.

700
00:30:31,000 --> 00:30:33,880
Speaker 3: Rollers those two hundred and fifty greatest songs, Rory, were

701
00:30:33,920 --> 00:30:35,320
Speaker 3: you crying when this list came out?

702
00:30:36,520 --> 00:30:38,000
Speaker 1: Did some of your favorites not make it?

703
00:30:38,560 --> 00:30:40,040
Speaker 2: Well? We go they got you again?

704
00:30:41,000 --> 00:30:42,640
Speaker 1: Why do it got me again? Because we're talking about

705
00:30:42,640 --> 00:30:42,840
Speaker 1: a list.

706
00:30:43,640 --> 00:30:47,200
Speaker 2: Unfortunately, truthfully, I just looked at this before we started recording,

707
00:30:47,240 --> 00:30:49,360
Speaker 2: because again, I'm starting of.

708
00:30:49,440 --> 00:30:50,960
Speaker 1: The twenty first century so far.

709
00:30:51,400 --> 00:30:55,600
Speaker 2: Yes, okay, number one, don't I don't need to start

710
00:30:55,600 --> 00:30:58,640
Speaker 2: at two fifty. That doesn't care that much. Number one,

711
00:30:58,680 --> 00:30:59,800
Speaker 2: Missy Elliott, get your freak on.

712
00:31:01,400 --> 00:31:05,120
Speaker 1: That's the greatest song of the twenty first century. Get

713
00:31:05,160 --> 00:31:07,960
Speaker 1: your freaking love it, love it. I mean it's a

714
00:31:08,080 --> 00:31:14,440
Speaker 1: great record, classic record. Number one, y'all know what are

715
00:31:14,440 --> 00:31:16,120
Speaker 1: we doing? Yeah? No, I love Missy.

716
00:31:16,360 --> 00:31:19,360
Speaker 3: I mean I came on here and raved about her

717
00:31:19,440 --> 00:31:22,200
Speaker 3: Chicago show like one of the greatest we have. But

718
00:31:22,480 --> 00:31:24,480
Speaker 3: get your freak ones not the number one songs.

719
00:31:24,520 --> 00:31:26,760
Speaker 1: It's not even Missy's number one zone. Yeah, it's like

720
00:31:26,920 --> 00:31:31,080
Speaker 1: the twenty first century. Yeah nah.

721
00:31:32,000 --> 00:31:34,120
Speaker 2: Then we get right into yeah yeah, yeah, maps.

722
00:31:35,280 --> 00:31:37,200
Speaker 1: Okay, I see what's going on. I get it.

723
00:31:37,800 --> 00:31:40,640
Speaker 2: Number three Beyonce and jay Z, Crazy and Love. Then

724
00:31:40,680 --> 00:31:43,560
Speaker 2: to the White Stripes, seven Nation Army. Then we get

725
00:31:43,600 --> 00:31:47,280
Speaker 2: to Taylor Swift all too well, then Robin Dancing on

726
00:31:47,400 --> 00:31:52,760
Speaker 2: my own, Kendrick Lamar alright, radiohead, not even gonna try

727
00:31:52,800 --> 00:31:56,280
Speaker 2: to pronounce it. Britney spears toxic, then Frank Ocean thinking

728
00:31:56,320 --> 00:31:58,400
Speaker 2: about you closing up the top.

729
00:31:58,280 --> 00:32:02,040
Speaker 4: Them at better than autumn songs that's before it.

730
00:32:03,400 --> 00:32:04,800
Speaker 1: Burney spears.

731
00:32:07,400 --> 00:32:12,120
Speaker 4: Like I ain't even gonna lie alright too, like what okay.

732
00:32:12,080 --> 00:32:13,719
Speaker 3: See, I was gonna say that, But you know, if

733
00:32:13,760 --> 00:32:15,600
Speaker 3: I say that, it just seems like, all right, right,

734
00:32:16,080 --> 00:32:16,960
Speaker 3: number seven.

735
00:32:17,920 --> 00:32:19,880
Speaker 5: It's too high up, but it's better than our damn

736
00:32:19,960 --> 00:32:20,960
Speaker 5: songs they mentioned before.

737
00:32:23,000 --> 00:32:25,560
Speaker 2: I mean, all right, let's let's uh, instead of shooting

738
00:32:25,600 --> 00:32:28,800
Speaker 2: on the list, let's let's try to give some positive critiques,

739
00:32:28,840 --> 00:32:31,960
Speaker 2: some things we're happy to see. I think it's great

740
00:32:32,000 --> 00:32:35,480
Speaker 2: that scissors snooze at thirteen. Okay, I think Snooze is

741
00:32:35,520 --> 00:32:37,200
Speaker 2: one of the greatest songs of our generation.

742
00:32:37,600 --> 00:32:39,200
Speaker 1: Yeah, I love that.

743
00:32:39,280 --> 00:32:44,040
Speaker 2: Daddy Yankee Gasolina got its props at number fourteen. That

744
00:32:44,480 --> 00:32:49,320
Speaker 2: was groundbreaking Outcasts bombs over bad act. I'm not mad

745
00:32:49,360 --> 00:32:50,080
Speaker 2: at that at fifteen.

746
00:32:51,200 --> 00:32:54,520
Speaker 1: I'm really not. It's definitely one of the biggest songs

747
00:32:54,520 --> 00:32:55,960
Speaker 1: of the twenty first century, for sure.

748
00:32:56,120 --> 00:32:58,160
Speaker 2: But it's also not the best outcast song of the

749
00:32:58,280 --> 00:33:01,400
Speaker 2: twenty first century. But you know, would you take miss

750
00:33:01,520 --> 00:33:03,520
Speaker 2: Jackson or that? I would you okay, and I don't

751
00:33:03,520 --> 00:33:09,920
Speaker 2: even think it's close. Hey, y'all, Mariah carry at sixteen,

752
00:33:09,960 --> 00:33:10,600
Speaker 2: we Belong together.

753
00:33:10,680 --> 00:33:12,680
Speaker 5: It's better than every single song that y'all have mentioned

754
00:33:12,760 --> 00:33:14,760
Speaker 5: so far. That song played on the radio for like

755
00:33:14,880 --> 00:33:17,000
Speaker 5: two years straight. You couldn't escape it. It was not

756
00:33:17,040 --> 00:33:18,120
Speaker 5: a radio for two years straight.

757
00:33:18,280 --> 00:33:21,080
Speaker 2: I think if they would have put the Kissing Styles remix,

758
00:33:21,200 --> 00:33:22,600
Speaker 2: it would have maybe made it to twelve?

759
00:33:22,760 --> 00:33:24,440
Speaker 1: Is that be Cox and JD?

760
00:33:24,880 --> 00:33:26,080
Speaker 2: I believe saylong together?

761
00:33:26,280 --> 00:33:30,160
Speaker 4: Hotline Bling is not a good song. Why is that

762
00:33:30,320 --> 00:33:31,000
Speaker 4: number seventeen?

763
00:33:31,240 --> 00:33:32,760
Speaker 1: You don't think how Loane Bling is a good song.

764
00:33:33,040 --> 00:33:35,720
Speaker 5: I could be on the top twenty for No, that

765
00:33:35,880 --> 00:33:38,160
Speaker 5: was a big record. It doesn't matter how big it is.

766
00:33:39,000 --> 00:33:42,200
Speaker 5: Laughy Taffy was a big record. That doesn't matter. Someone's like,

767
00:33:42,920 --> 00:33:45,320
Speaker 5: we're talking about good Hotline Bling is not a good song.

768
00:33:45,440 --> 00:33:48,440
Speaker 5: Drake has way better songs than Hotline Blin No, I

769
00:33:48,600 --> 00:33:48,920
Speaker 5: agree with.

770
00:33:48,960 --> 00:33:49,400
Speaker 2: You for sure.

771
00:33:49,440 --> 00:33:51,760
Speaker 1: I mean, we can't say that it's not one of

772
00:33:51,840 --> 00:33:52,920
Speaker 1: his biggest records.

773
00:33:52,680 --> 00:33:54,360
Speaker 5: Though, yeah, it's one of his not one of his best?

774
00:33:54,440 --> 00:33:56,240
Speaker 5: Are we about best or biggest? Because if we go

775
00:33:56,320 --> 00:33:58,080
Speaker 5: on by biggest, then we go on by numbers in

776
00:33:58,120 --> 00:33:58,760
Speaker 5: all of those songs.

777
00:33:58,760 --> 00:33:59,680
Speaker 1: Well, I think that's what they're doing.

778
00:34:00,080 --> 00:34:02,960
Speaker 2: Know, then God's plan would have to be before Bling exactly.

779
00:34:03,560 --> 00:34:05,520
Speaker 2: But I mean, I don't think hotline Bling is a

780
00:34:05,560 --> 00:34:07,360
Speaker 2: bad song at all. I think it deserves to be

781
00:34:07,440 --> 00:34:10,160
Speaker 2: on the list. But I think there's bigger Drake Records

782
00:34:10,239 --> 00:34:13,520
Speaker 2: that would go before that. But I mean, I don't

783
00:34:13,520 --> 00:34:14,560
Speaker 2: hate hotline Bling, but.

784
00:34:14,640 --> 00:34:15,120
Speaker 1: I don't hate no.

785
00:34:15,200 --> 00:34:17,520
Speaker 4: I like hotline Bling, but that doesn't make it a like.

786
00:34:17,600 --> 00:34:20,839
Speaker 5: When I'm thinking best songs, I'm thinking like a good song,

787
00:34:20,920 --> 00:34:22,960
Speaker 5: not a catchy song, because hot line Bling is a

788
00:34:23,000 --> 00:34:26,480
Speaker 5: catchy song. I mean like a good, really really well

789
00:34:26,520 --> 00:34:29,279
Speaker 5: put together like record with depth. But maybe that's not

790
00:34:29,360 --> 00:34:31,200
Speaker 5: what they're looking for because look at what number one is.

791
00:34:31,239 --> 00:34:34,399
Speaker 5: You know what, never mind, never fuck it, never mind.

792
00:34:34,480 --> 00:34:35,720
Speaker 5: Hot line Bling is where it deserves.

793
00:34:38,360 --> 00:34:40,600
Speaker 2: Anything after that is like, you know, it's like whatever,

794
00:34:40,840 --> 00:34:42,439
Speaker 2: just you know, little arts.

795
00:34:42,960 --> 00:34:44,920
Speaker 1: Let's just put the songs in the head and just

796
00:34:44,960 --> 00:34:46,920
Speaker 1: pick them. Adele.

797
00:34:47,080 --> 00:34:51,200
Speaker 2: When did Adele's first album come out twenty eleven?

798
00:34:51,400 --> 00:34:52,920
Speaker 4: Well, I don't think that was her first album, But

799
00:34:53,000 --> 00:34:54,200
Speaker 4: twenty twenty.

800
00:34:54,000 --> 00:34:54,799
Speaker 5: One is.

801
00:34:56,600 --> 00:34:58,560
Speaker 1: Someone like You the best one there? I mean I

802
00:34:58,640 --> 00:34:59,719
Speaker 1: love that, No.

803
00:35:01,320 --> 00:35:03,840
Speaker 5: Nineteen, someone like You is not the best on nineteen.

804
00:35:03,920 --> 00:35:06,960
Speaker 5: Rolling in the Deep is the best year eighteen. I

805
00:35:07,000 --> 00:35:09,080
Speaker 5: could see them put Rolling in the Deep at number one.

806
00:35:09,360 --> 00:35:11,080
Speaker 4: Like, yeah, yeah, I agreed.

807
00:35:11,880 --> 00:35:14,000
Speaker 2: Steve Lacy bad abbit. I mean I'm not mad at it.

808
00:35:14,520 --> 00:35:15,560
Speaker 2: I'm sure he's mad at it.

809
00:35:16,280 --> 00:35:16,960
Speaker 1: He's definitely mad.

810
00:35:17,120 --> 00:35:21,239
Speaker 2: He's livid at that. Lady gat got bad romance? All right?

811
00:35:22,040 --> 00:35:23,520
Speaker 2: Whiskeyd Sam's essence.

812
00:35:23,320 --> 00:35:25,080
Speaker 4: Out, don't shit on bad romance.

813
00:35:27,239 --> 00:35:30,080
Speaker 2: I've only heard a Chapel Roone song once and that

814
00:35:30,239 --> 00:35:32,040
Speaker 2: was at the fucking whatever award show.

815
00:35:34,080 --> 00:35:36,520
Speaker 1: Your Josh is a good pick right here, D'Angelo. How

816
00:35:36,600 --> 00:35:37,160
Speaker 1: does it feel?

817
00:35:37,719 --> 00:35:40,000
Speaker 2: Yeah, yeah, there's been some and I mean you have

818
00:35:40,040 --> 00:35:42,360
Speaker 2: to see the thumb How to shout the gate of

819
00:35:42,480 --> 00:35:43,879
Speaker 2: a Yeah, I know where the gays are. My dad

820
00:35:43,960 --> 00:35:46,360
Speaker 2: was there. Yeah, and now he's shirtless to Angela.

821
00:35:46,800 --> 00:35:49,080
Speaker 1: He knew the gate outskirts of Florida. But yeah, my

822
00:35:49,120 --> 00:35:50,160
Speaker 1: dad lives did. Don't worry about it.

823
00:35:50,440 --> 00:35:52,360
Speaker 2: Twenty five ninety nine Problems.

824
00:35:52,000 --> 00:35:55,839
Speaker 5: Better than every song on the list, Better than every

825
00:35:55,920 --> 00:35:56,960
Speaker 5: single song on the list.

826
00:35:57,080 --> 00:35:58,680
Speaker 4: Like what the fuck are we doing here?

827
00:35:59,480 --> 00:36:02,160
Speaker 1: Yeah? That's me? But you know how these lists are?

828
00:36:02,400 --> 00:36:04,080
Speaker 1: They just they throw names in a hat.

829
00:36:04,239 --> 00:36:07,719
Speaker 2: Yeah, Rihanna, We Found Love. That shit could have been

830
00:36:07,800 --> 00:36:11,640
Speaker 2: number one. Yeah, that definitely could have been over one

831
00:36:11,920 --> 00:36:13,440
Speaker 2: confessional any you can play.

832
00:36:13,480 --> 00:36:16,520
Speaker 3: As soon as New Year's the ball drops, I feel

833
00:36:16,520 --> 00:36:17,920
Speaker 3: like that's going to be, like that should be the

834
00:36:17,960 --> 00:36:19,120
Speaker 3: top of the list except.

835
00:36:18,880 --> 00:36:21,000
Speaker 4: Fab Ball Drop, because that was the worst New Year's

836
00:36:21,040 --> 00:36:21,319
Speaker 4: song off.

837
00:36:21,480 --> 00:36:23,440
Speaker 1: No, I don't do that. See well, why people do that?

838
00:36:23,640 --> 00:36:26,080
Speaker 1: People don't give that record enough credit. Bro that record

839
00:36:26,160 --> 00:36:28,560
Speaker 1: is not a bad record every year to piss you

840
00:36:28,640 --> 00:36:30,399
Speaker 1: off every time at the end of the year. It's

841
00:36:30,400 --> 00:36:33,399
Speaker 1: not a record, man, it's not a bad record. It's

842
00:36:33,480 --> 00:36:34,399
Speaker 1: not We Found Love.

843
00:36:34,520 --> 00:36:37,000
Speaker 2: But you know, don't act like you guys didn't play

844
00:36:37,040 --> 00:36:41,279
Speaker 2: a big Draco and Drake. We made it on New

845
00:36:41,400 --> 00:36:43,719
Speaker 2: Year's Eve, whatever year that was, we made it. They

846
00:36:43,840 --> 00:36:46,680
Speaker 2: dropped that shit at like eleven pm on the thirty first.

847
00:36:46,800 --> 00:36:48,719
Speaker 2: That was what I wish more artists did that with

848
00:36:48,880 --> 00:36:52,719
Speaker 2: records they knew were undeniable for New Year's drop like

849
00:36:52,760 --> 00:36:55,399
Speaker 2: New Year's Eve, yeah, or like the thirtieth or something,

850
00:36:55,440 --> 00:36:56,800
Speaker 2: to give it at least a day to get in

851
00:36:56,840 --> 00:36:59,480
Speaker 2: the algorithm. Because yeah, I'm as much as I love

852
00:36:59,520 --> 00:37:02,080
Speaker 2: We Found Love, I've done like I don't know fifteen

853
00:37:02,120 --> 00:37:02,840
Speaker 2: New Year's Ease.

854
00:37:02,719 --> 00:37:05,319
Speaker 1: With that record and Yonce Formation number thirty two.

855
00:37:06,600 --> 00:37:08,680
Speaker 4: Uh, there are better Beyonce songs.

856
00:37:08,719 --> 00:37:11,080
Speaker 2: I mean, I love Formation, I feel like me myself

857
00:37:11,080 --> 00:37:14,320
Speaker 2: and I could be a little higher. Yeah, this is

858
00:37:14,400 --> 00:37:17,879
Speaker 2: I don't know, man, maul I finally agree. I'm done

859
00:37:17,920 --> 00:37:18,239
Speaker 2: with the list.

860
00:37:18,680 --> 00:37:20,839
Speaker 1: I tried to tell y'all, man, y'all, these lists are.

861
00:37:20,800 --> 00:37:23,879
Speaker 2: Like two fifty though, is absurd, Like I think lists

862
00:37:23,920 --> 00:37:26,400
Speaker 2: of fifty that we debate are tough. I don't even

863
00:37:26,440 --> 00:37:27,759
Speaker 2: know how to debate to hundred fifty songs.

864
00:37:27,880 --> 00:37:29,359
Speaker 4: Thank you next deserves to be higher.

865
00:37:29,640 --> 00:37:32,239
Speaker 3: The songs I know blinding Lights deserve blind and lights

866
00:37:32,320 --> 00:37:35,160
Speaker 3: is number forty one. Let say the biggest song is

867
00:37:35,239 --> 00:37:39,560
Speaker 3: Spotify history. How was that number forty one?

868
00:37:41,200 --> 00:37:41,920
Speaker 1: That's a great record.

869
00:37:42,040 --> 00:37:43,120
Speaker 4: Yeah, that's an amazing record.

870
00:37:43,560 --> 00:37:44,719
Speaker 2: I just went up to the top of the list

871
00:37:44,840 --> 00:37:46,480
Speaker 2: just to try to get like a gauge what the

872
00:37:46,680 --> 00:37:50,920
Speaker 2: two fifties were looking like at two hundred and forty nine. Tweet, oops,

873
00:37:50,960 --> 00:37:51,239
Speaker 2: oh my.

874
00:37:53,640 --> 00:37:57,239
Speaker 1: Great record. By the way, Wow.

875
00:37:59,080 --> 00:38:02,160
Speaker 3: That to tweet, I don't record, he loved that's a

876
00:38:02,200 --> 00:38:04,880
Speaker 3: big record. Two forty nine was like, come on.

877
00:38:05,000 --> 00:38:06,879
Speaker 2: It's just funny to go from that and then two

878
00:38:06,920 --> 00:38:09,440
Speaker 2: forty eight is Fleet Fox's Tiger Mountain Peasants.

879
00:38:13,239 --> 00:38:16,080
Speaker 1: Scarface my block. Okay, listen, I'm not mad at it.

880
00:38:17,600 --> 00:38:19,480
Speaker 2: Classic record, classic video too.

881
00:38:19,680 --> 00:38:24,560
Speaker 1: Absolutely yeah, this is this is all over the place.

882
00:38:24,880 --> 00:38:27,400
Speaker 2: Mc miller two thousand and nine. That's random, but I

883
00:38:27,880 --> 00:38:28,320
Speaker 2: fuck with that.

884
00:38:28,600 --> 00:38:29,200
Speaker 1: I respect that.

885
00:38:29,920 --> 00:38:32,560
Speaker 2: That's like one of my on the low favorite mc

886
00:38:32,600 --> 00:38:36,520
Speaker 2: miller songs that I don't think really gets it's due.

887
00:38:36,880 --> 00:38:38,919
Speaker 2: But yeah, all right, I mean they got us again.

888
00:38:39,680 --> 00:38:41,080
Speaker 3: Day and Night might need to be high in two

889
00:38:41,160 --> 00:38:46,040
Speaker 3: thirty seven. That needs to be hided in two thirty

890
00:38:46,080 --> 00:38:47,120
Speaker 3: seven that was a big record.

891
00:38:47,400 --> 00:38:50,399
Speaker 2: I mean, listen, man, they had to put John Prime there.

892
00:38:50,960 --> 00:38:53,000
Speaker 1: Yeah, they had to put it there. They had Jim

893
00:38:53,080 --> 00:38:53,760
Speaker 1: Jones version.

894
00:38:53,800 --> 00:38:54,200
Speaker 4: Shut up.

895
00:38:54,239 --> 00:38:58,080
Speaker 5: Peach is balling on it. Balling gotta be on there.

896
00:38:58,440 --> 00:39:00,160
Speaker 5: Shaboozie needs to be high or I don't like that.

897
00:39:01,680 --> 00:39:06,440
Speaker 1: It's balling on this list. That's a stat for gym.

898
00:39:06,480 --> 00:39:07,560
Speaker 1: I balling is on this list.

899
00:39:07,640 --> 00:39:08,960
Speaker 2: It's sucking or not on this list.

900
00:39:09,120 --> 00:39:11,360
Speaker 5: Oh no, sucker or not needs to be in the

901
00:39:11,400 --> 00:39:13,719
Speaker 5: top five. I'm dead ass for sure. I'm dead ass.

902
00:39:14,120 --> 00:39:14,680
Speaker 1: Suck it or not.

903
00:39:14,840 --> 00:39:15,720
Speaker 4: No, y'all don't understand.

904
00:39:15,800 --> 00:39:18,520
Speaker 5: I could really do a whole soliloquy on how good

905
00:39:18,600 --> 00:39:20,920
Speaker 5: suck it or not is as a song, Yo, it's

906
00:39:21,000 --> 00:39:22,279
Speaker 5: a fucking amazing song, bro.

907
00:39:23,120 --> 00:39:24,920
Speaker 1: But it sounds like you got like a little nostalgic,

908
00:39:25,040 --> 00:39:26,239
Speaker 1: like you going down memory line.

909
00:39:26,239 --> 00:39:28,640
Speaker 5: I have I have freestyles from when I was like

910
00:39:28,760 --> 00:39:31,480
Speaker 5: ten years old, the sucker or not? Like I why

911
00:39:31,640 --> 00:39:34,280
Speaker 5: was because kids listening to shit they have no business

912
00:39:34,320 --> 00:39:37,120
Speaker 5: listening to But how did you like?

913
00:39:37,320 --> 00:39:39,000
Speaker 1: What was your what was your bass? What was your angle?

914
00:39:39,080 --> 00:39:41,120
Speaker 1: I think it was? Oh god, it's nothing appropriate for

915
00:39:41,200 --> 00:39:42,040
Speaker 1: a ten eleven year older.

916
00:39:42,080 --> 00:39:44,480
Speaker 3: That's but that's what Okay, that's what I'm getting to.

917
00:39:44,600 --> 00:39:47,320
Speaker 3: Whatever your boss was ten year olds wasn't supposed to

918
00:39:47,320 --> 00:39:48,000
Speaker 3: be write those balls?

919
00:39:48,120 --> 00:39:49,359
Speaker 2: It was ice cream truck.

920
00:39:49,640 --> 00:39:54,799
Speaker 1: Yeah, of course it was, naturally was it? Remembering those balls? Now?

921
00:39:54,880 --> 00:39:57,040
Speaker 2: You can take your time. We'll actually stay will actually

922
00:39:57,400 --> 00:40:00,279
Speaker 2: stay quiet during the podcast for a second, us to

923
00:40:00,360 --> 00:40:01,800
Speaker 2: give you space.

924
00:40:02,280 --> 00:40:04,480
Speaker 4: If I was to call my cousins, they will remember the.

925
00:40:04,560 --> 00:40:09,239
Speaker 5: Cool Yeah yeah, we got wife here. Really, all I

926
00:40:09,320 --> 00:40:11,720
Speaker 5: remember is ass out pink. We'll ass out Pink Tims.

927
00:40:11,760 --> 00:40:15,759
Speaker 5: I can't remember the South Pink Tims is crazy, all right? Mind?

928
00:40:15,880 --> 00:40:18,719
Speaker 1: I sear of got because then you get mad at

929
00:40:18,760 --> 00:40:22,000
Speaker 1: me as pinkis for a ten year.

930
00:40:22,600 --> 00:40:23,239
Speaker 2: It was bad.

931
00:40:23,360 --> 00:40:23,919
Speaker 1: It was bad.

932
00:40:26,120 --> 00:40:26,279
Speaker 5: Yo.

933
00:40:26,960 --> 00:40:28,560
Speaker 1: Let me walk in my daughter room and she rhyme

934
00:40:28,600 --> 00:40:31,080
Speaker 1: and ass out pink tem with the I bought her.

935
00:40:31,800 --> 00:40:34,920
Speaker 3: What listen, ass out pink Tims. I'm gonna need the

936
00:40:34,960 --> 00:40:36,200
Speaker 3: next ball when you went.

937
00:40:36,080 --> 00:40:39,160
Speaker 1: From there, God, I can I remember. I cannot remember

938
00:40:39,200 --> 00:40:41,200
Speaker 1: when you go from ass out pink to the rest

939
00:40:41,239 --> 00:40:45,040
Speaker 1: of them, my cousins. Right now, ass out pink Tims.

940
00:40:45,400 --> 00:40:47,279
Speaker 2: I mean for age appropriate though. That would be a

941
00:40:48,239 --> 00:40:49,680
Speaker 2: great start to averse.

942
00:40:50,080 --> 00:40:55,720
Speaker 1: She went, She went game flow, red Rose, white ceiling. Yo, okay,

943
00:40:56,280 --> 00:40:57,839
Speaker 1: South Pink Tims, Red Rose.

944
00:40:58,960 --> 00:41:01,400
Speaker 2: It works, game, you can add it.

945
00:41:04,120 --> 00:41:06,040
Speaker 1: Your game is the funniest nigga.

946
00:41:06,400 --> 00:41:07,880
Speaker 3: I don't want to tell you how many times I

947
00:41:08,000 --> 00:41:09,680
Speaker 3: watched that clip with game Be acting like he don't

948
00:41:09,680 --> 00:41:10,520
Speaker 3: know what he was about to say.

949
00:41:11,080 --> 00:41:13,640
Speaker 1: He was like, Yo, what I said, Red Rose?

950
00:41:18,000 --> 00:41:18,279
Speaker 4: All right?

951
00:41:18,480 --> 00:41:21,320
Speaker 2: My favorite one of it, though, is when they're in

952
00:41:21,400 --> 00:41:23,520
Speaker 2: the parking lot and he asked the fan of freestyle

953
00:41:23,960 --> 00:41:27,360
Speaker 2: and whatever game is, like he went around the parking

954
00:41:27,400 --> 00:41:30,200
Speaker 2: lot like, damn, I done this, even though what I'm

955
00:41:30,200 --> 00:41:32,959
Speaker 2: gonna give me ship I don't even know. Like, mate,

956
00:41:37,640 --> 00:41:40,279
Speaker 2: your game is the sickest ever for that. Man, I

957
00:41:40,360 --> 00:41:42,520
Speaker 2: gotta I have to defect game a little bit. In

958
00:41:42,640 --> 00:41:46,719
Speaker 2: that era though, that was happening because bro, every internet.

959
00:41:46,480 --> 00:41:49,120
Speaker 1: Like that couldn't get caught when rapper could get caught

960
00:41:49,160 --> 00:41:50,840
Speaker 1: doing that at the time, because niggas was taking the

961
00:41:50,960 --> 00:41:53,080
Speaker 1: same balls across the entire country.

962
00:41:53,160 --> 00:41:56,080
Speaker 3: Yeah, because it wasn't like nobody was on the radar

963
00:41:56,160 --> 00:41:58,440
Speaker 3: where everybody's gonna hear it. Yeah, and now I got

964
00:41:58,520 --> 00:41:59,840
Speaker 3: to get rid of those rhymes and write a new one.

965
00:41:59,880 --> 00:42:02,400
Speaker 3: It was like I was just going to radio stations

966
00:42:02,440 --> 00:42:04,600
Speaker 3: and I didn't know what they was playing in LA Radio.

967
00:42:04,680 --> 00:42:05,879
Speaker 1: Back then, we didn't hear that. Ship.

968
00:42:06,280 --> 00:42:07,560
Speaker 3: So you can go from LA Radio and they come

969
00:42:07,600 --> 00:42:09,520
Speaker 3: to High ninety seven and give us the same bars.

970
00:42:09,560 --> 00:42:11,239
Speaker 3: We would never know that you spit that in LA

971
00:42:11,280 --> 00:42:12,000
Speaker 3: We wouldn't know that, and.

972
00:42:12,000 --> 00:42:14,160
Speaker 2: Ship half the time what they would spit like a

973
00:42:14,480 --> 00:42:16,960
Speaker 2: flex freestyle would end up on the album. Yeah, Like

974
00:42:17,040 --> 00:42:20,200
Speaker 2: some of our favorite whole flex freestyles are songs now

975
00:42:20,680 --> 00:42:23,640
Speaker 2: like he spent p s a As freestyle.

976
00:42:23,400 --> 00:42:26,800
Speaker 1: Red Rose White Ceiling got it though, that is classic.

977
00:42:26,920 --> 00:42:30,960
Speaker 5: That is It's one of my favorite internet like jokes too.

978
00:42:31,239 --> 00:42:34,120
Speaker 5: Like people said the Internet. It's hilarious, red.

979
00:42:34,040 --> 00:42:37,279
Speaker 3: Rose white ceiling, ass out pink TEMs. That's your that's

980
00:42:37,280 --> 00:42:41,520
Speaker 3: your red Rose white cilar You gotta start every rap

981
00:42:41,600 --> 00:42:42,920
Speaker 3: with ass out, yo.

982
00:42:43,000 --> 00:42:43,320
Speaker 1: You know what?

983
00:42:43,440 --> 00:42:44,920
Speaker 5: So I swear to God I will send you the

984
00:42:44,920 --> 00:42:46,840
Speaker 5: screenshot I wrote my cousin, I said, do you remember

985
00:42:46,880 --> 00:42:48,480
Speaker 5: my suckerd or not verse from when we were kids?

986
00:42:48,760 --> 00:42:51,000
Speaker 5: He said, So I approached them ass out pink Tims.

987
00:42:51,040 --> 00:42:52,520
Speaker 5: How could I forget a cult classic?

988
00:42:52,640 --> 00:42:56,479
Speaker 1: I ass out Tims? Is that ship?

989
00:42:56,640 --> 00:43:00,239
Speaker 3: Red Rose is the rest? Yeah, that's Themarius is red

990
00:43:00,320 --> 00:43:02,400
Speaker 3: Rose white and ass out pink Tims. That's how you

991
00:43:02,440 --> 00:43:03,759
Speaker 3: gotta start every freestyle to Mars.

992
00:43:03,800 --> 00:43:06,680
Speaker 1: Like what I say, can we push freestyle?

993
00:43:07,520 --> 00:43:08,279
Speaker 4: It was not my push.

994
00:43:08,480 --> 00:43:15,640
Speaker 5: I don't repeat my bars like you wherever. I don't

995
00:43:15,680 --> 00:43:18,520
Speaker 5: repeat my balls like you. Rory, Rory, She don't wrap it.

996
00:43:18,719 --> 00:43:21,360
Speaker 5: You take the same balls all over the country, demaras.

997
00:43:21,400 --> 00:43:22,240
Speaker 5: Don't do that, nigga.

998
00:43:22,320 --> 00:43:25,360
Speaker 2: Yo. What if y'all walk out the office and just

999
00:43:25,400 --> 00:43:27,440
Speaker 2: see me freestyle against somebody and I'm just like your

1000
00:43:27,520 --> 00:43:28,839
Speaker 2: ass out pink Tims.

1001
00:43:28,880 --> 00:43:30,600
Speaker 1: I'm gonna just keep walking. You don't know me. I'm

1002
00:43:30,600 --> 00:43:32,640
Speaker 1: gonna just keep walking right past you. Just battling people.

1003
00:43:32,680 --> 00:43:34,440
Speaker 3: It's funny that Demara's cousin was like, how could I

1004
00:43:34,480 --> 00:43:35,920
Speaker 3: forget ass out pink tea like that.

1005
00:43:37,440 --> 00:43:38,279
Speaker 2: Have to know the next bar?

1006
00:43:38,400 --> 00:43:39,960
Speaker 1: Yeah, like what was the next wrong?

1007
00:43:40,680 --> 00:43:42,279
Speaker 4: I really forgot what it was.

1008
00:43:42,560 --> 00:43:44,719
Speaker 3: Ass out pink tims. How could I forget a cold

1009
00:43:44,800 --> 00:43:47,600
Speaker 3: classic that's ahead.

1010
00:43:46,760 --> 00:43:49,759
Speaker 2: Of her time too, that's like her Nikki uh pink

1011
00:43:49,800 --> 00:43:54,919
Speaker 2: wig thick ash gas flash NICKI might old baby needs

1012
00:43:54,920 --> 00:43:56,360
Speaker 2: some some puff, so.

1013
00:43:56,440 --> 00:43:58,560
Speaker 1: You might have smoked with NICKI. Now she stole your ship.

1014
00:43:58,760 --> 00:44:01,279
Speaker 3: Now this ass out ping teams from a ten year

1015
00:44:01,280 --> 00:44:04,640
Speaker 3: old is fucking crazy. I don't teach y'all, y'all missing

1016
00:44:04,680 --> 00:44:06,080
Speaker 3: that part of it. A ten year old wrote that.

1017
00:44:08,160 --> 00:44:10,680
Speaker 5: Y'all cannot let y'all kids hang out with their older cousins.

1018
00:44:10,800 --> 00:44:12,839
Speaker 5: Y'all really can't. But that's why when people, like when

1019
00:44:12,880 --> 00:44:15,200
Speaker 5: it was all that outrage about when WAP came out

1020
00:44:15,239 --> 00:44:16,920
Speaker 5: and they were like, oh my god, the kids are

1021
00:44:17,000 --> 00:44:19,400
Speaker 5: listening to this, I'm like, man, we was listening to

1022
00:44:19,520 --> 00:44:21,279
Speaker 5: Trina and Little Kim back in the day.

1023
00:44:21,320 --> 00:44:24,440
Speaker 4: I ain't have no business, no business listen to to

1024
00:44:24,480 --> 00:44:24,920
Speaker 4: shit like that.

1025
00:44:25,360 --> 00:44:27,560
Speaker 5: Suck it or not at ten years old, like, we

1026
00:44:27,719 --> 00:44:30,160
Speaker 5: had no business listening to that type of shit, but

1027
00:44:30,280 --> 00:44:32,680
Speaker 5: our parents what we like, Our parents didn't know what

1028
00:44:32,800 --> 00:44:35,000
Speaker 5: we had access to. Because now because of the Internet,

1029
00:44:35,280 --> 00:44:37,480
Speaker 5: the parents know that we're all on the same Internet.

1030
00:44:37,680 --> 00:44:39,960
Speaker 5: Like before we were on the Internet, our parents weren't.

1031
00:44:39,960 --> 00:44:41,319
Speaker 5: They had no idea what the fuck we had act.

1032
00:44:41,400 --> 00:44:43,200
Speaker 3: That's why I'll be laughing now because I can always

1033
00:44:43,200 --> 00:44:44,720
Speaker 3: tell you I had to sneak and listen to Doggy

1034
00:44:44,760 --> 00:44:46,880
Speaker 3: Style and my moms would not let me listen to

1035
00:44:46,960 --> 00:44:47,239
Speaker 3: that shit.

1036
00:44:47,280 --> 00:44:49,200
Speaker 1: And now my moms knows more about Snoop than I do,

1037
00:44:49,880 --> 00:44:51,520
Speaker 1: So you know Snoop did? I'm like, how you know

1038
00:44:51,600 --> 00:44:53,360
Speaker 1: what Snoop doing? Like a watching.

1039
00:44:55,400 --> 00:44:57,319
Speaker 4: Snoop is the black Martha Stewart Like.

1040
00:44:57,520 --> 00:44:59,640
Speaker 3: Yeah, but the fact that my moms knows more about

1041
00:44:59,640 --> 00:45:01,640
Speaker 3: what Snoop has going on in his day to day

1042
00:45:01,719 --> 00:45:03,440
Speaker 3: now than I do, and I couldn't listen to him,

1043
00:45:04,040 --> 00:45:07,959
Speaker 3: like she would fucking take my fucking set and hide

1044
00:45:08,000 --> 00:45:08,799
Speaker 3: that shit when I was a.

1045
00:45:08,840 --> 00:45:10,960
Speaker 2: Kid baking with Martha's a little different than the jack

1046
00:45:11,040 --> 00:45:14,359
Speaker 2: Off Hour, that is true, but and parents are more

1047
00:45:15,080 --> 00:45:18,520
Speaker 2: Our parents were more trusting of TV that it was like, okay,

1048
00:45:18,719 --> 00:45:20,479
Speaker 2: like I shouldn't have been watching the big pimpin video

1049
00:45:20,560 --> 00:45:24,520
Speaker 2: at twelve. No, but you know my parents are like, oh, you.

1050
00:45:24,520 --> 00:45:28,880
Speaker 1: Can trust TV, you can trust this box. Worry about it.

1051
00:45:29,080 --> 00:45:29,919
Speaker 2: Look at Carson Daley.

1052
00:45:29,920 --> 00:45:30,640
Speaker 1: He looks so nice.

1053
00:45:30,960 --> 00:45:34,239
Speaker 3: Shout out to Vince Stables. Season two of the Vince

1054
00:45:34,239 --> 00:45:35,040
Speaker 3: Stables show.

1055
00:45:35,000 --> 00:45:37,839
Speaker 2: YEP trailer came out today, well yesterday if you're listening

1056
00:45:37,920 --> 00:45:38,080
Speaker 2: to this.

1057
00:45:38,960 --> 00:45:41,200
Speaker 1: Had a great conversation. Well that was like a podcast.

1058
00:45:41,239 --> 00:45:42,280
Speaker 1: We had atch session.

1059
00:45:42,360 --> 00:45:44,279
Speaker 3: Oh yeah, it was in LA with Vince and he

1060
00:45:44,360 --> 00:45:46,560
Speaker 3: gave us the whole story about what he had to

1061
00:45:46,640 --> 00:45:49,520
Speaker 3: go through to get this season done. Yeah, a lot

1062
00:45:49,560 --> 00:45:52,040
Speaker 3: of ups and downs, a lot of obstacles he had

1063
00:45:52,080 --> 00:45:55,680
Speaker 3: to he had to get through. And you know, I

1064
00:45:55,719 --> 00:45:57,479
Speaker 3: said all the time, Vince is one of my favorite people.

1065
00:45:58,080 --> 00:46:01,000
Speaker 3: So I'm happy that he got this done. Excited to

1066
00:46:01,040 --> 00:46:04,719
Speaker 3: see the finished product. Support it. I told ya, this

1067
00:46:04,840 --> 00:46:06,920
Speaker 3: is the first show I ever watched. Well, season one

1068
00:46:07,000 --> 00:46:08,759
Speaker 3: was the first show I ever watched on Netflix wire.

1069
00:46:08,760 --> 00:46:11,799
Speaker 3: I actually thumbed up at the end like that, yeah,

1070
00:46:11,800 --> 00:46:14,399
Speaker 3: because I mean because I think Vince had tweeted about

1071
00:46:14,400 --> 00:46:16,640
Speaker 3: it like it helps definitely does you know show and

1072
00:46:16,680 --> 00:46:19,600
Speaker 3: things like that, Robin like shit, Yeah, So I definitely

1073
00:46:19,640 --> 00:46:21,280
Speaker 3: that was the first show I ever watched on Netflix

1074
00:46:21,280 --> 00:46:23,440
Speaker 3: where I actually hit thumbs up at the end of it.

1075
00:46:23,520 --> 00:46:25,840
Speaker 3: I thought the first season was great, and again just

1076
00:46:25,920 --> 00:46:28,239
Speaker 3: knowing the backstory of everything he had to do on

1077
00:46:28,400 --> 00:46:32,439
Speaker 3: his own to get this, to get this season done,

1078
00:46:32,960 --> 00:46:35,160
Speaker 3: I'll definitely be watching this and you should to shout

1079
00:46:35,160 --> 00:46:37,879
Speaker 3: out the Vince Staples. The Vince Staples Show season two

1080
00:46:38,120 --> 00:46:40,400
Speaker 3: trailer out now November.

1081
00:46:40,040 --> 00:46:42,600
Speaker 2: Six November sixth, and uh yeah, I mean the trailer

1082
00:46:42,920 --> 00:46:46,520
Speaker 2: looks incredible and it looks much different than what season

1083
00:46:46,600 --> 00:46:49,279
Speaker 2: one was, just from down to the plot to how

1084
00:46:49,320 --> 00:46:53,239
Speaker 2: it's shot, Like, Yeah, I'm excited to see this and

1085
00:46:53,360 --> 00:46:56,359
Speaker 2: again to echo what you said, knowing what he had

1086
00:46:56,360 --> 00:46:58,600
Speaker 2: to go through for this, it made me smile when

1087
00:46:58,600 --> 00:47:00,440
Speaker 2: I saw that the trailer got posted today. Yeah, so

1088
00:47:01,560 --> 00:47:05,680
Speaker 2: congrats events November sixth. He's having a much better week

1089
00:47:05,680 --> 00:47:06,480
Speaker 2: than Tim Westwood.

1090
00:47:07,560 --> 00:47:08,960
Speaker 1: So what happened with Tim Westwood?

1091
00:47:09,440 --> 00:47:12,440
Speaker 2: Well, all right, we talked years ago Tim Westwood. There

1092
00:47:12,520 --> 00:47:15,319
Speaker 2: was some alleged like handsiness. He had gotten fired from

1093
00:47:15,360 --> 00:47:19,240
Speaker 2: BBC Radio. There was allegations, but he was officially charged

1094
00:47:19,280 --> 00:47:20,279
Speaker 2: with four counts of rape.

1095
00:47:21,440 --> 00:47:25,080
Speaker 1: Oh wow, wow, I mean it was from TMZ to BBC.

1096
00:47:25,200 --> 00:47:26,920
Speaker 2: It's all, you know ref.

1097
00:47:26,840 --> 00:47:28,560
Speaker 3: Yeah, we know that Tim had been that's why he's

1098
00:47:28,640 --> 00:47:30,759
Speaker 3: been off the air for so many years. Yeah, he

1099
00:47:30,920 --> 00:47:31,759
Speaker 3: was dealing with a lot of this.

1100
00:47:31,880 --> 00:47:34,160
Speaker 2: So but at that point it was you know, a

1101
00:47:34,239 --> 00:47:38,000
Speaker 2: lot of just allegation stuff within the workplace. You know,

1102
00:47:38,080 --> 00:47:41,759
Speaker 2: this is criminal, from assault to rape. Nineteen eighty three,

1103
00:47:41,840 --> 00:47:45,440
Speaker 2: seventeen year old girl was allegedly assaulted in London. Nineteen

1104
00:47:45,480 --> 00:47:48,080
Speaker 2: eighty six, a woman in the twenties was allegedly indecently

1105
00:47:48,120 --> 00:47:51,680
Speaker 2: assaulted in London. Between nineteen ninety five and nineteen ninety six,

1106
00:47:51,960 --> 00:47:54,520
Speaker 2: females between the age of seventeen and eighteen were allegedly

1107
00:47:54,640 --> 00:47:57,600
Speaker 2: raped in London between two thousand, two thousand and one.

1108
00:47:58,239 --> 00:48:02,200
Speaker 2: Another females seventeen to eighteen allegedly raped in London twenty ten,

1109
00:48:02,960 --> 00:48:05,600
Speaker 2: another one in twenty ten, twenty sixteen.

1110
00:48:06,520 --> 00:48:10,319
Speaker 1: Yeah, this is this is Oh, so let's get Tim

1111
00:48:10,320 --> 00:48:12,360
Speaker 1: Westwood out of here. So simple.

1112
00:48:12,640 --> 00:48:16,160
Speaker 2: I mean, everyone is is definitely old a fair trial.

1113
00:48:16,560 --> 00:48:17,120
Speaker 2: But I mean this.

1114
00:48:19,160 --> 00:48:21,120
Speaker 1: When when the rumors have been going on for this long,

1115
00:48:22,360 --> 00:48:23,960
Speaker 1: somebody's not lying, somebody's not lying.

1116
00:48:23,960 --> 00:48:26,160
Speaker 2: It's something There can always be somebody lying, but there's

1117
00:48:26,160 --> 00:48:27,360
Speaker 2: always somebody that's probably.

1118
00:48:27,120 --> 00:48:28,359
Speaker 1: Not somebody's telling the truth.

1119
00:48:29,120 --> 00:48:32,880
Speaker 2: So yeah, obviously we hope justice is served in the

1120
00:48:33,000 --> 00:48:36,239
Speaker 2: best way possible for everything here. But yeah, I don't know.

1121
00:48:36,440 --> 00:48:39,959
Speaker 2: I mean, if he was a DJ in the States,

1122
00:48:40,000 --> 00:48:44,279
Speaker 2: would this be bigger news? Well, yeah, I think this

1123
00:48:44,400 --> 00:48:46,400
Speaker 2: is what probably him Westwood was to London.

1124
00:48:46,480 --> 00:48:48,440
Speaker 3: This is probably big news in London though, but this

1125
00:48:48,560 --> 00:48:50,719
Speaker 3: is probably all over the you know, the airwaves in

1126
00:48:50,800 --> 00:48:53,920
Speaker 3: London obviously because of the Internet and things like that.

1127
00:48:54,000 --> 00:48:56,040
Speaker 3: We know who Tim Westwood is, we see his videos,

1128
00:48:56,080 --> 00:48:58,080
Speaker 3: we see as you know artists, they used to go

1129
00:48:58,160 --> 00:49:01,040
Speaker 3: up there in freestyle. But you know, people from from

1130
00:49:01,080 --> 00:49:03,080
Speaker 3: the UK have been talking about this for years. Yeah,

1131
00:49:03,200 --> 00:49:05,479
Speaker 3: there's just something that you know, they've known for years

1132
00:49:05,520 --> 00:49:09,080
Speaker 3: and I've talked about. But now he's being officially charged

1133
00:49:09,160 --> 00:49:12,360
Speaker 3: with with these uh, with these crimes and these assaults.

1134
00:49:12,360 --> 00:49:15,759
Speaker 3: So hopefully justice is served and victims can find some

1135
00:49:15,920 --> 00:49:19,000
Speaker 3: type of peace in that. But we will never be

1136
00:49:19,040 --> 00:49:20,560
Speaker 3: supporting Tim Westwood again either way.

1137
00:49:21,080 --> 00:49:24,480
Speaker 2: No, absolutely not. What are London jails like, Like, what

1138
00:49:24,640 --> 00:49:26,480
Speaker 2: is the I don't know what the prison system outside

1139
00:49:26,480 --> 00:49:29,719
Speaker 2: of America is like at all, Like in Canada, Like,

1140
00:49:29,760 --> 00:49:30,919
Speaker 2: are people scared to go to jail?

1141
00:49:32,000 --> 00:49:33,920
Speaker 3: But yeah, everywhere anywhere in the world. You're scared to

1142
00:49:33,920 --> 00:49:35,520
Speaker 3: go to jail. But I mean the jail systems are

1143
00:49:35,520 --> 00:49:39,279
Speaker 3: probably better than America. Okay, yeah, I watched a lot

1144
00:49:39,280 --> 00:49:42,319
Speaker 3: of those shows on Netflix with it. But the god

1145
00:49:42,440 --> 00:49:44,600
Speaker 3: is he goes he's locked up. I think he's actually

1146
00:49:44,640 --> 00:49:48,160
Speaker 3: from the UK and he was wrongfully convicted of murder

1147
00:49:49,040 --> 00:49:51,279
Speaker 3: and he had did some years in jail. Now he

1148
00:49:51,320 --> 00:49:53,759
Speaker 3: goes around the different jails around the world just to

1149
00:49:53,800 --> 00:49:57,560
Speaker 3: see the conditions. Some jails around the world are really nice.

1150
00:49:58,200 --> 00:49:59,600
Speaker 3: It's like, wait, this is a prison. Like some prisons

1151
00:49:59,640 --> 00:50:01,160
Speaker 3: they don't even lock the doors. You can come and go,

1152
00:50:01,600 --> 00:50:04,360
Speaker 3: oh yeah, as you please in certain certain countries. And

1153
00:50:04,440 --> 00:50:07,440
Speaker 3: then you get to certain countries where it's like literally

1154
00:50:07,560 --> 00:50:09,920
Speaker 3: because these people have no family that are you know,

1155
00:50:10,040 --> 00:50:13,360
Speaker 3: sending the money to get food and clothes. They're literally

1156
00:50:13,480 --> 00:50:15,919
Speaker 3: eating out of the sewer from the jail, oh for sure,

1157
00:50:16,000 --> 00:50:20,600
Speaker 3: but they fish out of the sewer like scraps and

1158
00:50:20,800 --> 00:50:22,560
Speaker 3: like eat and drink shit like that.

1159
00:50:23,120 --> 00:50:23,319
Speaker 1: Yeah.

1160
00:50:23,400 --> 00:50:27,120
Speaker 2: I mean, we we're not great obviously with private prisons

1161
00:50:27,200 --> 00:50:28,800
Speaker 2: and the charges that people get locked up for, and

1162
00:50:28,840 --> 00:50:30,160
Speaker 2: our judicial systems are fucking mess.

1163
00:50:30,239 --> 00:50:33,160
Speaker 1: But yes, I'm aware that there's way worse jails in

1164
00:50:33,200 --> 00:50:36,280
Speaker 1: the world. Oh yeah, running, Well, there's something that's incredible,

1165
00:50:36,280 --> 00:50:37,160
Speaker 1: the like college.

1166
00:50:37,000 --> 00:50:41,800
Speaker 2: Dorms when they showed asap rockies, uh Switzerland. Yeah, that

1167
00:50:41,800 --> 00:50:43,880
Speaker 2: shit looked nicer than my saint Peter's dorm. I mean

1168
00:50:43,920 --> 00:50:45,959
Speaker 2: he shouldn't have been fucking locked up either way.

1169
00:50:46,080 --> 00:50:48,720
Speaker 1: But like, god damn, yeah, they didn't look like rikers.

1170
00:50:48,800 --> 00:50:51,719
Speaker 1: Like I took a little R and R and let

1171
00:50:51,719 --> 00:50:52,200
Speaker 1: me go sit down.

1172
00:50:52,239 --> 00:50:53,920
Speaker 2: I was wild my phone off, like.

1173
00:50:55,640 --> 00:50:57,879
Speaker 1: I go sit there and push up, get my mile

1174
00:50:58,040 --> 00:50:58,440
Speaker 1: right here.

1175
00:50:58,520 --> 00:51:01,840
Speaker 2: Man. Would you guys ever do that show? What is

1176
00:51:01,880 --> 00:51:04,200
Speaker 2: it thirty days in where you have to like pretend no,

1177
00:51:04,400 --> 00:51:07,200
Speaker 2: hell no, those are those people are sicker than I think,

1178
00:51:07,280 --> 00:51:08,400
Speaker 2: like the survivors.

1179
00:51:08,000 --> 00:51:09,680
Speaker 1: When they find out you to mold or you the rat.

1180
00:51:10,200 --> 00:51:12,279
Speaker 4: So explain it to me because me and I'm sure

1181
00:51:12,320 --> 00:51:13,600
Speaker 4: a bunch of other listeners don't know.

1182
00:51:13,760 --> 00:51:16,400
Speaker 2: So I believe is that that's not an FX. No,

1183
00:51:16,560 --> 00:51:22,200
Speaker 2: that's a a any thank you. People volunteer to go

1184
00:51:22,400 --> 00:51:24,839
Speaker 2: into jail for thirty days. They don't commit a crime.

1185
00:51:24,920 --> 00:51:26,880
Speaker 2: They just do this for the reality show and they

1186
00:51:26,960 --> 00:51:29,759
Speaker 2: pretend to be prisoners in a prison system and just

1187
00:51:29,920 --> 00:51:32,880
Speaker 2: like exist and yeah, I don't, and.

1188
00:51:32,880 --> 00:51:35,000
Speaker 3: They kind of got to just see how people live

1189
00:51:35,080 --> 00:51:37,680
Speaker 3: in the jails. Yeah, but then you know people in jail,

1190
00:51:37,760 --> 00:51:39,400
Speaker 3: they start asking them quick like what you're in for?

1191
00:51:40,160 --> 00:51:40,600
Speaker 4: Da da da?

1192
00:51:41,320 --> 00:51:44,000
Speaker 1: Okay, like your court day da da.

1193
00:51:44,239 --> 00:51:45,759
Speaker 3: So you know people that in the jail system they

1194
00:51:45,840 --> 00:51:47,800
Speaker 3: know when something they adding up, Like Yo, said, he

1195
00:51:47,840 --> 00:51:51,320
Speaker 3: got arrested for stolen property and like he should but

1196
00:51:51,360 --> 00:51:53,040
Speaker 3: he should have been home for thirty you know what

1197
00:51:53,080 --> 00:51:55,440
Speaker 3: I'm saying. Like they start putting two and two together,

1198
00:51:56,360 --> 00:51:57,800
Speaker 3: and then they was like, yo, you a cop that

1199
00:51:57,880 --> 00:52:00,480
Speaker 3: they start asking you a police or something. So it's

1200
00:52:00,520 --> 00:52:01,799
Speaker 3: a it's a good show, but I don't I could.

1201
00:52:01,800 --> 00:52:03,480
Speaker 3: I would never do much like that. First of all,

1202
00:52:03,480 --> 00:52:07,400
Speaker 3: I'm not doing no show where I got to sleep money. No,

1203
00:52:07,800 --> 00:52:09,600
Speaker 3: it's just the experience, Like they just want to go

1204
00:52:09,640 --> 00:52:12,080
Speaker 3: in there and experience how they live in the jails.

1205
00:52:12,360 --> 00:52:13,840
Speaker 2: I do want to know though, like what would be

1206
00:52:13,880 --> 00:52:16,440
Speaker 2: a funny scenario where there would be like a money prize,

1207
00:52:17,480 --> 00:52:22,239
Speaker 2: like like if you don't get dabbed, funny cat like system.

1208
00:52:22,000 --> 00:52:24,279
Speaker 1: If you don't get shaked, you get a hundred grand Yeah, like.

1209
00:52:24,360 --> 00:52:26,799
Speaker 2: If you if you control someone else's commentsary that that's

1210
00:52:27,000 --> 00:52:27,600
Speaker 2: ten more ground.

1211
00:52:27,640 --> 00:52:30,239
Speaker 3: Yeah, if you control the phone for hour. Yeah, like

1212
00:52:30,280 --> 00:52:32,319
Speaker 3: I give you five thousand control.

1213
00:52:32,040 --> 00:52:35,040
Speaker 1: Of the phones. They gotta do SIMS jail version. Who

1214
00:52:35,120 --> 00:52:37,520
Speaker 1: was it that did a lovetion for jail?

1215
00:52:38,200 --> 00:52:39,319
Speaker 2: Now it was Kan Drewsky was.

1216
00:52:39,360 --> 00:52:40,600
Speaker 1: In it, but it was Kanye.

1217
00:52:41,000 --> 00:52:42,680
Speaker 4: No, he was in He wasn't in jail.

1218
00:52:43,400 --> 00:52:46,600
Speaker 1: No, he hit Kanye's dressing room was like a jail. Yeah.

1219
00:52:46,680 --> 00:52:49,600
Speaker 3: When he was staying at the Mercedes Benz is it

1220
00:52:49,680 --> 00:52:53,080
Speaker 3: the Dome stadium like his dressing room, he kind of had.

1221
00:52:53,000 --> 00:52:55,520
Speaker 2: It, which I don't think it was intentional. I think

1222
00:52:55,560 --> 00:52:57,359
Speaker 2: he just put a cop there and it just looked

1223
00:52:57,360 --> 00:52:57,680
Speaker 2: like a prison.

1224
00:52:58,040 --> 00:53:01,839
Speaker 3: That wasn't Kanye in one of those videos though, I'm sure, yeah,

1225
00:53:01,880 --> 00:53:02,440
Speaker 3: that wasn't him.

1226
00:53:02,520 --> 00:53:03,839
Speaker 1: Like it was the one dude that had the whole

1227
00:53:03,880 --> 00:53:06,240
Speaker 1: mask on. You could tell that wasn't Conda. That's not Kanye.

1228
00:53:06,640 --> 00:53:08,480
Speaker 2: I felt that way when him and Game performed at

1229
00:53:08,520 --> 00:53:10,160
Speaker 2: Donna two and they both had on the masks in

1230
00:53:10,200 --> 00:53:10,720
Speaker 2: the same outfit.

1231
00:53:10,800 --> 00:53:13,120
Speaker 1: I was like, that ain't gang. Yeah, yeah, that's not

1232
00:53:13,280 --> 00:53:14,000
Speaker 1: That wasn't Kanye.

1233
00:53:14,680 --> 00:53:17,320
Speaker 2: But I think maybe in the Latin America one on,

1234
00:53:17,960 --> 00:53:20,239
Speaker 2: Oh yeah, there's an FX version. I think there's a

1235
00:53:20,600 --> 00:53:21,440
Speaker 2: cash prize.

1236
00:53:21,200 --> 00:53:22,560
Speaker 1: If you thirty days in?

1237
00:53:22,719 --> 00:53:25,439
Speaker 2: If you yeah, because some people like tap out, isn't

1238
00:53:25,480 --> 00:53:26,200
Speaker 2: it sixty days in?

1239
00:53:27,120 --> 00:53:27,440
Speaker 1: Sixty?

1240
00:53:27,520 --> 00:53:29,920
Speaker 2: Oh? Then there's ninety days in. Like there's different versions.

1241
00:53:30,000 --> 00:53:32,359
Speaker 1: Yeah, there's thirty days ago. You did just sixty? All right,

1242
00:53:33,080 --> 00:53:33,600
Speaker 1: thirty more?

1243
00:53:35,120 --> 00:53:37,080
Speaker 2: How do you even like sign up for that?

1244
00:53:37,160 --> 00:53:37,359
Speaker 1: Though?

1245
00:53:37,719 --> 00:53:40,040
Speaker 2: Like the vetting process for casting must be hilarious. I

1246
00:53:40,080 --> 00:53:43,320
Speaker 2: think some of them are correction officers, aren't they? Some

1247
00:53:43,560 --> 00:53:45,600
Speaker 2: some of them like a correction officers. I mean that's

1248
00:53:45,680 --> 00:53:46,919
Speaker 2: just undercover at that point.

1249
00:53:48,320 --> 00:53:49,440
Speaker 1: Yeah, some of them with cops.

1250
00:53:50,560 --> 00:53:52,120
Speaker 2: Do they still do scared straight? Or did that?

1251
00:53:52,320 --> 00:53:52,360
Speaker 6: Like?

1252
00:53:52,680 --> 00:53:53,799
Speaker 2: Did we get too sensitive for.

1253
00:53:53,800 --> 00:53:56,960
Speaker 3: These these winans ain't scared And though you ain't scared,

1254
00:53:56,960 --> 00:53:57,680
Speaker 3: that's scared straight.

1255
00:53:57,760 --> 00:53:59,120
Speaker 1: That shit ain't worked, did you?

1256
00:53:59,400 --> 00:54:01,840
Speaker 3: It worked on my generation because I actually went to

1257
00:54:02,000 --> 00:54:05,960
Speaker 3: Rikers with my school, like we actually hell yeah we went.

1258
00:54:05,880 --> 00:54:08,600
Speaker 1: To Rikers and like that. Yeah, like I'm I'm glad

1259
00:54:08,640 --> 00:54:09,520
Speaker 1: to hear that that ship.

1260
00:54:10,000 --> 00:54:12,520
Speaker 3: What when they closed that tight ass cell, I was like, wait,

1261
00:54:12,600 --> 00:54:15,759
Speaker 3: you sleep in here and it don't open until the morning.

1262
00:54:15,880 --> 00:54:17,560
Speaker 3: So you know, you at home, you used to just

1263
00:54:17,600 --> 00:54:19,000
Speaker 3: open your room door, go to the bath, and go

1264
00:54:19,040 --> 00:54:21,480
Speaker 3: to the kitchen. When that door closed and you and

1265
00:54:21,560 --> 00:54:23,279
Speaker 3: that tight and you're like Bro's, I would lose my

1266
00:54:23,400 --> 00:54:25,640
Speaker 3: I'm too claustrophobic. I would lose my mind. I would

1267
00:54:25,640 --> 00:54:27,319
Speaker 3: have an anxiety attack as soon as that door a lot,

1268
00:54:27,560 --> 00:54:30,200
Speaker 3: knowing that this shit ain't gonna open for another twelve

1269
00:54:30,239 --> 00:54:30,920
Speaker 3: hours or something like that.

1270
00:54:31,280 --> 00:54:34,279
Speaker 2: What I think I'd be more scared in the dorm

1271
00:54:34,360 --> 00:54:36,920
Speaker 2: style rikers than in my put me in a.

1272
00:54:36,960 --> 00:54:40,520
Speaker 1: Door I need open, Nah, I can deal with no.

1273
00:54:40,640 --> 00:54:43,759
Speaker 1: I could deal with these like now you.

1274
00:54:43,800 --> 00:54:45,640
Speaker 3: Locked that big ass door and I can't open that

1275
00:54:45,680 --> 00:54:48,680
Speaker 3: shit and just take a walk, na, Na, I'll go crazy.

1276
00:54:49,480 --> 00:54:49,919
Speaker 1: It's funny.

1277
00:54:49,960 --> 00:54:52,080
Speaker 2: He said that the wayans are not scared.

1278
00:54:52,520 --> 00:54:52,600
Speaker 5: Uh.

1279
00:54:52,920 --> 00:54:55,320
Speaker 2: The Michael Chase show that we love, it's severely underrated.

1280
00:54:55,560 --> 00:54:57,680
Speaker 2: Did you see the sketch where they did Scared Straight

1281
00:54:57,960 --> 00:55:01,040
Speaker 2: and all the young kids in jail. We're terrifying all

1282
00:55:01,120 --> 00:55:04,560
Speaker 2: the inmates like they they shot them, stabbed them, beat

1283
00:55:04,600 --> 00:55:06,920
Speaker 2: them up everything. It's one of the funniest sketches. It's

1284
00:55:06,920 --> 00:55:08,960
Speaker 2: exactly what you said. Why Scared It Straight can't happen now?

1285
00:55:09,239 --> 00:55:11,360
Speaker 2: His kids wilder than the people that would try to

1286
00:55:11,400 --> 00:55:11,759
Speaker 2: scare them.

1287
00:55:11,840 --> 00:55:14,640
Speaker 3: Yeah, it's just not It was a great idea. It

1288
00:55:14,719 --> 00:55:16,480
Speaker 3: was a great experience for me, like just seeing how

1289
00:55:16,560 --> 00:55:19,600
Speaker 3: people live in prisons. But that's I don't think it's

1290
00:55:19,640 --> 00:55:21,319
Speaker 3: too much. We have too much access now. It's too

1291
00:55:21,360 --> 00:55:24,920
Speaker 3: much access. People see too much. People are desynthesized like

1292
00:55:24,960 --> 00:55:28,320
Speaker 3: this just generation is not they're not really scared of anything.

1293
00:55:28,560 --> 00:55:30,640
Speaker 2: Some of those kids in that show got a raw

1294
00:55:30,719 --> 00:55:33,319
Speaker 2: deal though, Like there was a canyon record. Some kids

1295
00:55:33,480 --> 00:55:38,120
Speaker 2: like it was like a armed robbery at fourteen. That'd

1296
00:55:38,160 --> 00:55:39,600
Speaker 2: be like a fifteen year old that talk back to

1297
00:55:39,680 --> 00:55:41,520
Speaker 2: his mom. I'm like, they shouldn't be in the same.

1298
00:55:43,360 --> 00:55:44,759
Speaker 1: Is just what are we doing this?

1299
00:55:45,840 --> 00:55:47,719
Speaker 2: We're going to scare him into trauma, not to a

1300
00:55:47,840 --> 00:55:48,359
Speaker 2: better path.

1301
00:55:48,600 --> 00:55:50,120
Speaker 1: Yeah, he's just not listening to his mom. He's not

1302
00:55:50,200 --> 00:55:50,600
Speaker 1: a bad kid.

1303
00:55:50,680 --> 00:55:53,680
Speaker 2: And then what was the That shit still goes viral

1304
00:55:54,600 --> 00:55:56,160
Speaker 2: where he tells the kid your hair is uneven.

1305
00:55:56,600 --> 00:55:59,680
Speaker 3: The gay guy, you look you look dusty? Look dusty,

1306
00:56:00,280 --> 00:56:05,040
Speaker 3: You're not that cute, got them like thank you. That's

1307
00:56:05,160 --> 00:56:07,000
Speaker 3: he missed his opportunity to be like, Yo, thanks, I

1308
00:56:07,040 --> 00:56:08,200
Speaker 3: don't care if you're not attracted to me.

1309
00:56:08,280 --> 00:56:12,400
Speaker 1: Nigga. Fuck he talking about like cool, thank you. I

1310
00:56:12,480 --> 00:56:13,080
Speaker 1: appreciate that.

1311
00:56:13,400 --> 00:56:15,960
Speaker 2: I wish they would do some type of like interview

1312
00:56:16,160 --> 00:56:18,520
Speaker 2: series or something on TikTok where they find some of

1313
00:56:18,560 --> 00:56:20,120
Speaker 2: these kids and we get like where they're at now,

1314
00:56:20,719 --> 00:56:22,040
Speaker 2: because I'm sure worked for some kids.

1315
00:56:22,120 --> 00:56:23,440
Speaker 3: Oh no, I definitely work for something. They tell you

1316
00:56:23,440 --> 00:56:24,920
Speaker 3: at the end of the show, like, yo, he's he's

1317
00:56:25,040 --> 00:56:26,880
Speaker 3: been back in school. He hasn't missed no school.

1318
00:56:27,000 --> 00:56:30,080
Speaker 2: But like someeen to sixteen of some of them at work.

1319
00:56:29,960 --> 00:56:31,800
Speaker 1: They'd be like, yo, I'm not coming. I'm not be

1320
00:56:31,800 --> 00:56:32,960
Speaker 1: getting locked up fuck this.

1321
00:56:33,120 --> 00:56:34,680
Speaker 3: But some of them you could just tell, like you

1322
00:56:34,800 --> 00:56:36,600
Speaker 3: could tell man, when you talking to some of them,

1323
00:56:36,600 --> 00:56:38,440
Speaker 3: you can look in their eyes and tell like, yo,

1324
00:56:38,560 --> 00:56:41,480
Speaker 3: he not scared, Especially if you're one of those fifteen

1325
00:56:41,480 --> 00:56:44,799
Speaker 3: sixty year old kids that's like six feet tall, you're

1326
00:56:44,840 --> 00:56:48,080
Speaker 3: not finished growing, Yeah, you like six feet one ninety.

1327
00:56:48,520 --> 00:56:49,960
Speaker 3: You look at them niggas like y'all, I'll get in

1328
00:56:49,960 --> 00:56:51,520
Speaker 3: here and wrestled with all y'all. I'm not scared of

1329
00:56:51,560 --> 00:56:54,000
Speaker 3: none of y'all. It the it's the smaller kids that

1330
00:56:54,080 --> 00:56:55,319
Speaker 3: are like, oh no, I can't come in with these

1331
00:56:55,360 --> 00:56:57,919
Speaker 3: grown men. But these young kids that be like six

1332
00:56:58,040 --> 00:57:00,640
Speaker 3: feet peint eighty one ninety, they not stick grown men.

1333
00:57:00,760 --> 00:57:01,359
Speaker 1: They don't care.

1334
00:57:01,280 --> 00:57:03,360
Speaker 2: About that ship and some of like the drug charges

1335
00:57:03,400 --> 00:57:05,720
Speaker 2: those kids had, they had to be like somewhat smart,

1336
00:57:05,840 --> 00:57:07,279
Speaker 2: like you can't do that unless you have some form

1337
00:57:07,320 --> 00:57:10,440
Speaker 2: of intelligence. They knew they couldn't get touched, so they

1338
00:57:10,440 --> 00:57:12,439
Speaker 2: didn't look scared at though. Yeah, they was just sitting

1339
00:57:12,440 --> 00:57:14,320
Speaker 2: there like, all right, you gonna hit me.

1340
00:57:14,760 --> 00:57:18,360
Speaker 3: I like seeing how the female prisoners live though, when

1341
00:57:18,400 --> 00:57:21,040
Speaker 3: they be doing each other here and ship, they get

1342
00:57:21,080 --> 00:57:24,720
Speaker 3: creative as a motherfucking some female prisoners how they die?

1343
00:57:24,800 --> 00:57:27,600
Speaker 1: They hair? They used the kool aid and all like yo,

1344
00:57:27,680 --> 00:57:30,000
Speaker 1: y'all bitch is just like y'all go to jail and

1345
00:57:30,080 --> 00:57:35,360
Speaker 1: get creative aid and peroxide? Mm hm, you did that

1346
00:57:35,440 --> 00:57:35,919
Speaker 1: in the free world.

1347
00:57:35,920 --> 00:57:40,760
Speaker 5: One of my home Yeah, out my hair, I did it.

1348
00:57:40,800 --> 00:57:43,640
Speaker 5: One of my homegirls hair. Yeah, her mother wouldn't technically

1349
00:57:43,720 --> 00:57:48,080
Speaker 5: let her dye her hair, so paroxide and kool aid

1350
00:57:48,920 --> 00:57:49,040
Speaker 5: you do.

1351
00:57:49,120 --> 00:57:51,440
Speaker 1: You're not a chemistough, So how you knew the measurements?

1352
00:57:51,480 --> 00:57:52,360
Speaker 1: Like how you I don't know.

1353
00:57:52,440 --> 00:57:53,720
Speaker 4: We just was throwing ship at the wall.

1354
00:57:53,800 --> 00:57:55,840
Speaker 1: See what stick man with your hair?

1355
00:57:56,280 --> 00:57:58,440
Speaker 4: Not not my hair, my own girl hair?

1356
00:57:58,520 --> 00:57:59,479
Speaker 1: Yeah? Is she okay?

1357
00:57:59,640 --> 00:58:01,960
Speaker 5: Is did it that? Like the changed her hair color?

1358
00:58:02,000 --> 00:58:04,080
Speaker 5: I'm sure it broke it off eventually, but I was kids.

1359
00:58:04,120 --> 00:58:06,000
Speaker 5: You know, you don't stay friends long enough when you're

1360
00:58:06,000 --> 00:58:07,080
Speaker 5: that young to figure out if.

1361
00:58:07,040 --> 00:58:09,800
Speaker 1: It all shorty edges and then moved on and like

1362
00:58:11,240 --> 00:58:14,400
Speaker 1: maybe defried all the shorty edges out and didn't move

1363
00:58:14,440 --> 00:58:17,920
Speaker 1: into another county remembers the freestyle and everything. Yeah, yeah, yeah,

1364
00:58:18,200 --> 00:58:24,680
Speaker 1: ass out pink too. Kool Aid hair? Oh my god?

1365
00:58:25,280 --> 00:58:28,120
Speaker 2: Wait, so you just made the kool aid with water

1366
00:58:28,440 --> 00:58:31,000
Speaker 2: and you don't make the kool aid, you just used

1367
00:58:31,040 --> 00:58:33,480
Speaker 2: the powder. The powder which which flavor?

1368
00:58:33,480 --> 00:58:33,960
Speaker 1: Did jews?

1369
00:58:34,360 --> 00:58:36,400
Speaker 4: I don't know cherry. I assume it was were dying red,

1370
00:58:36,480 --> 00:58:36,919
Speaker 4: so cherry.

1371
00:58:37,440 --> 00:58:41,440
Speaker 1: So just the cherry packet with peroxide. That sounds crazy.

1372
00:58:41,920 --> 00:58:47,600
Speaker 1: Sugar no sugar, no hair. Yeah, that sounds.

1373
00:58:47,360 --> 00:58:50,080
Speaker 3: Crazy that she didn't start fizzling up like and then

1374
00:58:50,920 --> 00:58:53,760
Speaker 3: because peroxide. You know, peroxide, that shit starts when you

1375
00:58:53,800 --> 00:58:55,680
Speaker 3: mix that you with other days, it starts like fizzing.

1376
00:58:56,160 --> 00:58:58,360
Speaker 3: So I could imagine with that kool A powder, like,

1377
00:58:58,840 --> 00:59:00,600
Speaker 3: and you're just sitting there whipping that shit watching it,

1378
00:59:00,720 --> 00:59:02,520
Speaker 3: that she's sitting there letting me cam that shit in

1379
00:59:02,600 --> 00:59:02,840
Speaker 3: our hea.

1380
00:59:03,240 --> 00:59:05,080
Speaker 1: Y'all was in the house doing some bullshit.

1381
00:59:05,200 --> 00:59:07,280
Speaker 2: My friend Pierce's own ear in class with a lighter

1382
00:59:07,360 --> 00:59:07,760
Speaker 2: and a needle.

1383
00:59:07,920 --> 00:59:09,200
Speaker 4: Oh yep, they used to do that too.

1384
00:59:09,680 --> 00:59:11,000
Speaker 1: Where is he at now? So I want to know

1385
00:59:11,040 --> 00:59:11,600
Speaker 1: where that kid is.

1386
00:59:12,160 --> 00:59:15,440
Speaker 2: Uh, he's back. I've talked about it before. He's back

1387
00:59:15,480 --> 00:59:18,640
Speaker 2: in Tucson now. People moved out here when he was

1388
00:59:18,760 --> 00:59:22,120
Speaker 2: thirteen because his dad was got arrested for bringing in

1389
00:59:22,280 --> 00:59:25,160
Speaker 2: illegal immigrants bush Era, and he went to come live

1390
00:59:25,200 --> 00:59:26,840
Speaker 2: with his grandparents. One of my best friends.

1391
00:59:27,440 --> 00:59:28,320
Speaker 1: Yeah, that's funny.

1392
00:59:28,680 --> 00:59:31,360
Speaker 2: Yeah, he took a fucking needle in class in Pierce's

1393
00:59:31,400 --> 00:59:34,680
Speaker 2: own ear and it worked. Like I'm sure his his

1394
00:59:34,800 --> 00:59:36,600
Speaker 2: pierced ears now are from that. I'm sure it's still.

1395
00:59:36,880 --> 00:59:40,120
Speaker 2: I was never that bored, bro, he said, it didn't hurt.

1396
00:59:40,400 --> 00:59:42,880
Speaker 2: That's just board ship, like piercing your own ear in class,

1397
00:59:42,960 --> 00:59:44,160
Speaker 2: Like you just you're just bored.

1398
00:59:46,040 --> 00:59:46,480
Speaker 1: I mean.

1399
00:59:48,360 --> 00:59:49,320
Speaker 2: Time stables. I'm cool.

1400
00:59:49,760 --> 00:59:53,000
Speaker 1: Yeah, I don't know, we're kids. Man, was he white?

1401
00:59:53,560 --> 00:59:53,840
Speaker 4: You said?

1402
00:59:53,880 --> 00:59:58,240
Speaker 2: Lopez nextan okay, white passing Mexican? Okay, So I don't

1403
00:59:58,240 --> 01:00:01,240
Speaker 2: know if that adds in some of that like demonic shit?

1404
01:00:01,400 --> 01:00:05,120
Speaker 2: Yeah never yo, what listen, man, white passing Mexicans. They

1405
01:00:05,120 --> 01:00:06,320
Speaker 2: turned into goths usually, you.

1406
01:00:06,360 --> 01:00:08,520
Speaker 5: Know, that's like the majority of your fucking fan base.

1407
01:00:08,560 --> 01:00:10,520
Speaker 5: You might want to take that out. It's GoF no

1408
01:00:10,800 --> 01:00:11,840
Speaker 5: white past in Mexican.

1409
01:00:12,560 --> 01:00:13,960
Speaker 2: One of my best friends. But I'm not, I'm not.

1410
01:00:15,000 --> 01:00:18,160
Speaker 2: I'm just I have a black friend. Yeah, I voted

1411
01:00:18,200 --> 01:00:19,360
Speaker 2: for Obama twice.

1412
01:00:19,600 --> 01:00:21,720
Speaker 3: That's like when Kelly said I like Latinos and attack

1413
01:00:21,880 --> 01:00:24,960
Speaker 3: in the text. Yo, I was crying because you know

1414
01:00:25,040 --> 01:00:27,160
Speaker 3: when you read that, it's just like, you know, Kelly's

1415
01:00:27,200 --> 01:00:27,600
Speaker 3: a great.

1416
01:00:27,480 --> 01:00:29,240
Speaker 1: Person, like she's not a bad person. But it's like

1417
01:00:29,640 --> 01:00:30,200
Speaker 1: texting that.

1418
01:00:30,560 --> 01:00:32,840
Speaker 2: You know what that sounded like. It's like what I

1419
01:00:32,920 --> 01:00:35,080
Speaker 2: have to Haha, I love Latinos.

1420
01:00:35,360 --> 01:00:43,480
Speaker 1: I love Latinos. What like? All right, I guess whatever.

1421
01:00:43,560 --> 01:00:44,520
Speaker 1: Look at my African America.

1422
01:00:44,600 --> 01:00:48,120
Speaker 3: Yeah, look at my over there there is all right, baby, dude,

1423
01:00:48,120 --> 01:00:51,120
Speaker 3: it's Mariah carry out came out. Say what you said,

1424
01:00:51,360 --> 01:00:53,160
Speaker 3: Say what you said. No, I'm just saying I didn't

1425
01:00:53,200 --> 01:00:54,800
Speaker 3: hear you supporting it. I didn't hear you say nothing

1426
01:00:54,840 --> 01:00:55,080
Speaker 3: about it.

1427
01:00:55,160 --> 01:00:56,680
Speaker 4: I haven't heard. I haven't had the chance to hear

1428
01:00:56,680 --> 01:00:56,960
Speaker 4: it yet.

1429
01:00:57,440 --> 01:00:59,560
Speaker 1: Oh you ain't even press play on, Mariah.

1430
01:00:59,640 --> 01:01:00,560
Speaker 4: I haven't had the chance.

1431
01:01:00,840 --> 01:01:02,959
Speaker 1: So I started playing it yesterday. I welwould say.

1432
01:01:02,880 --> 01:01:04,280
Speaker 3: Yesterday I started playing it because I was like, damn,

1433
01:01:04,280 --> 01:01:06,480
Speaker 3: I didn't hear nothing from the album, and I was like,

1434
01:01:06,680 --> 01:01:08,080
Speaker 3: is this an AI album? That was the first thing

1435
01:01:08,120 --> 01:01:10,400
Speaker 3: I said. Then when I played it I heard it,

1436
01:01:10,600 --> 01:01:13,800
Speaker 3: I'm like, yeah, this this feels like AI. The auto

1437
01:01:13,840 --> 01:01:14,720
Speaker 3: tune is heavy.

1438
01:01:14,640 --> 01:01:16,600
Speaker 5: And I told you that it's not. There's a difference

1439
01:01:16,600 --> 01:01:18,320
Speaker 5: between heavy auto tune and AI.

1440
01:01:18,960 --> 01:01:19,120
Speaker 1: Is it?

1441
01:01:19,400 --> 01:01:19,600
Speaker 4: Yes?

1442
01:01:19,880 --> 01:01:23,040
Speaker 5: AI is You're having a robot or a computer system

1443
01:01:23,080 --> 01:01:25,360
Speaker 5: singing this for you. That is the same thing that

1444
01:01:25,440 --> 01:01:27,800
Speaker 5: singers have been doing since the dawn of time. Mariah

1445
01:01:27,920 --> 01:01:30,200
Speaker 5: just never had to do it. But because she's given

1446
01:01:30,280 --> 01:01:32,760
Speaker 5: us her amazing voice over the years, she's it doesn't

1447
01:01:32,800 --> 01:01:34,280
Speaker 5: work the same as it used to. So she went

1448
01:01:34,320 --> 01:01:36,840
Speaker 5: in to the studio, she sang, and they pitch corrected.

1449
01:01:37,200 --> 01:01:38,520
Speaker 5: People been getting pitch corrected for.

1450
01:01:38,600 --> 01:01:40,600
Speaker 3: Now, But I feel like this, this is different because

1451
01:01:40,600 --> 01:01:43,760
Speaker 3: they already have Mariah's actual vocals. They know she with

1452
01:01:43,920 --> 01:01:47,560
Speaker 3: her voice sounds like I think they may have used

1453
01:01:47,760 --> 01:01:51,040
Speaker 3: some AI with this stuff autotune, because auto tune and AI,

1454
01:01:51,200 --> 01:01:51,680
Speaker 3: it's it's.

1455
01:01:51,680 --> 01:01:53,640
Speaker 2: Different, but it's definitely different.

1456
01:01:53,720 --> 01:01:55,720
Speaker 3: It's different, but it's it's similar in a way of

1457
01:01:57,200 --> 01:01:59,960
Speaker 3: it's gonna take your vocals, but then it's going to

1458
01:02:00,480 --> 01:02:02,920
Speaker 3: you know, autotune is gonna make sure it's in the

1459
01:02:02,960 --> 01:02:04,360
Speaker 3: same key and.

1460
01:02:04,400 --> 01:02:06,440
Speaker 1: Things like that of the of the music. It'll smooth

1461
01:02:06,440 --> 01:02:09,919
Speaker 1: out what you yeah, now AI when you're talking about

1462
01:02:10,040 --> 01:02:12,600
Speaker 1: just the vocal the AI because they have Mariah's actual

1463
01:02:12,720 --> 01:02:17,000
Speaker 1: vocals and know what she sounds like, they can implement

1464
01:02:17,080 --> 01:02:19,560
Speaker 1: it to the music and they'll probably have to use

1465
01:02:19,600 --> 01:02:22,320
Speaker 1: autotun in as well. But I think there's definitely some AI.

1466
01:02:22,560 --> 01:02:26,240
Speaker 4: What is making you feel like it's AI in comparison

1467
01:02:26,320 --> 01:02:27,520
Speaker 4: to autotune.

1468
01:02:27,480 --> 01:02:30,040
Speaker 1: Because I don't feel like Mariah actually was in the

1469
01:02:30,080 --> 01:02:30,920
Speaker 1: booths singing this.

1470
01:02:31,240 --> 01:02:32,760
Speaker 4: But why do you feel like what I'm saying is

1471
01:02:32,800 --> 01:02:35,040
Speaker 4: when you hear it, what is telling you it's AI?

1472
01:02:35,240 --> 01:02:39,520
Speaker 3: It just doesn't feel like Mariah's real vocals. It doesn't

1473
01:02:39,520 --> 01:02:42,920
Speaker 3: feel like it just feels like Mariah's voice. It doesn't

1474
01:02:42,920 --> 01:02:44,920
Speaker 3: feel like she's actually saying it and then they just

1475
01:02:44,960 --> 01:02:47,560
Speaker 3: had to pitch correct certain notes. It doesn't feel like that.

1476
01:02:47,840 --> 01:02:50,680
Speaker 3: It doesn't feel like she was actually singing that. It

1477
01:02:50,720 --> 01:02:52,800
Speaker 3: feels like they just used her her voice.

1478
01:02:53,200 --> 01:02:55,360
Speaker 5: It's sorry you're saying it doesn't feel like that. I

1479
01:02:55,440 --> 01:02:58,080
Speaker 5: want to hear I want to say, sonically, what are

1480
01:02:58,160 --> 01:03:00,200
Speaker 5: you hearing? Are you saying it doesn't sound like the

1481
01:03:00,240 --> 01:03:02,400
Speaker 5: way Mariah used to sound, because Mariah doesn't sound the

1482
01:03:02,400 --> 01:03:03,400
Speaker 5: way Maria used to sound.

1483
01:03:03,560 --> 01:03:07,160
Speaker 3: No, it just doesn't well sound and feel though like

1484
01:03:07,280 --> 01:03:09,960
Speaker 3: it didn't feel like that was I can't. It just

1485
01:03:10,000 --> 01:03:12,960
Speaker 3: didn't feel like she she actually laid those vocals to

1486
01:03:13,080 --> 01:03:13,440
Speaker 3: that song.

1487
01:03:13,600 --> 01:03:16,000
Speaker 2: Guys clown me for calling things warm forever, but that's

1488
01:03:16,000 --> 01:03:16,640
Speaker 2: what Maul's saying.

1489
01:03:17,040 --> 01:03:17,800
Speaker 1: Warm warm.

1490
01:03:18,080 --> 01:03:20,760
Speaker 3: Yeah, it doesn't. It doesn't have that don't feel warm, Yeah,

1491
01:03:20,800 --> 01:03:22,680
Speaker 3: it doesn't. It doesn't feel like she's saying and they

1492
01:03:22,760 --> 01:03:24,240
Speaker 3: just had to pitch correct certain notes.

1493
01:03:24,280 --> 01:03:25,360
Speaker 1: It doesn't. It doesn't feel like that.

1494
01:03:25,560 --> 01:03:27,640
Speaker 2: I went back and listened after you said that yesterday.

1495
01:03:28,360 --> 01:03:31,160
Speaker 2: I think you're both right. I think I do think

1496
01:03:31,240 --> 01:03:34,800
Speaker 2: Mariah laid this down in the booth, but the same way.

1497
01:03:35,080 --> 01:03:36,880
Speaker 2: Did you hear the first record off the Jadakiss and

1498
01:03:36,880 --> 01:03:39,720
Speaker 2: beating Siegel? Yes, I think they did.

1499
01:03:39,840 --> 01:03:40,880
Speaker 1: What they're doing with beans.

1500
01:03:41,200 --> 01:03:43,680
Speaker 2: They're using beans Ai voice from his previous stuff because

1501
01:03:43,720 --> 01:03:45,880
Speaker 2: of the unfortunate incident that happened to him.

1502
01:03:45,920 --> 01:03:46,320
Speaker 1: His vocal.

1503
01:03:46,360 --> 01:03:48,360
Speaker 2: Beans are sitting in there writing the ship, laying it down,

1504
01:03:48,680 --> 01:03:51,240
Speaker 2: and they're taking his old voice and putting it on

1505
01:03:51,440 --> 01:03:54,280
Speaker 2: top of what he cut to make it, you know,

1506
01:03:54,560 --> 01:03:56,560
Speaker 2: just smooth out and feel like old beans.

1507
01:03:56,760 --> 01:03:56,960
Speaker 1: Yeah.

1508
01:03:57,080 --> 01:03:59,200
Speaker 2: I think that's what they did here. I don't think

1509
01:03:59,240 --> 01:04:03,960
Speaker 2: this was just just a bit of tune and pitch correction.

1510
01:04:04,200 --> 01:04:07,040
Speaker 2: I think they laid some AI ship on top of

1511
01:04:07,360 --> 01:04:10,240
Speaker 2: what Mariah cut. That's what it sounds like to me. Yeah,

1512
01:04:10,240 --> 01:04:11,960
Speaker 2: it sounds like AI on top of what she cut.

1513
01:04:12,960 --> 01:04:15,400
Speaker 1: That's what it sounds like. I mean, I I don't know,

1514
01:04:15,640 --> 01:04:16,640
Speaker 1: it's like too digital.

1515
01:04:17,200 --> 01:04:17,600
Speaker 4: I don't know.

1516
01:04:17,760 --> 01:04:19,120
Speaker 5: What I will say is like I said, I know

1517
01:04:19,200 --> 01:04:21,720
Speaker 5: that Mariah has lost, you know, some of the boom

1518
01:04:21,760 --> 01:04:27,360
Speaker 5: of her voice, her voice because of everything that she's done.

1519
01:04:27,440 --> 01:04:31,320
Speaker 4: She doesn't really use her voice and strain her voice anymore.

1520
01:04:32,480 --> 01:04:34,720
Speaker 5: I would be surprised if she did that because I

1521
01:04:34,840 --> 01:04:39,400
Speaker 5: know how much Mariah is a vocal snob, a music snob,

1522
01:04:39,520 --> 01:04:42,760
Speaker 5: a writing snob. She's been very very critical of people,

1523
01:04:43,360 --> 01:04:46,160
Speaker 5: everybody when it comes to certain things. So for her

1524
01:04:46,320 --> 01:04:48,800
Speaker 5: to do that will go against everything that she's preached,

1525
01:04:48,800 --> 01:04:51,200
Speaker 5: and I just don't see her doing that. I know,

1526
01:04:51,440 --> 01:04:54,280
Speaker 5: using the autotune is bad enough for her. The autotune

1527
01:04:54,360 --> 01:04:57,320
Speaker 5: being that heavy, is very humbling to her. I would

1528
01:04:57,320 --> 01:04:57,800
Speaker 5: assume just so.

1529
01:04:59,120 --> 01:05:01,320
Speaker 2: Lot of performances that we've heard, like the raw vocals.

1530
01:05:01,520 --> 01:05:04,080
Speaker 5: Yeah, but what I'm saying is that's when she was younger.

1531
01:05:04,360 --> 01:05:07,360
Speaker 5: This is new, new shit, So I know that that's

1532
01:05:07,480 --> 01:05:10,280
Speaker 5: killing her to do that. So to put AI on

1533
01:05:10,400 --> 01:05:12,640
Speaker 5: top of that, it just kind of goes against everything

1534
01:05:12,680 --> 01:05:14,560
Speaker 5: she's ever talked about. But I mean, I'm not saying

1535
01:05:14,600 --> 01:05:15,320
Speaker 5: it's impossible.

1536
01:05:16,080 --> 01:05:18,800
Speaker 2: This is where I like, don't really mind AI like that,

1537
01:05:19,000 --> 01:05:23,800
Speaker 2: because Beans, for example, shit happened. Beans is still an

1538
01:05:23,960 --> 01:05:26,520
Speaker 2: incredible writer. If we can use his old voice, his

1539
01:05:26,680 --> 01:05:29,320
Speaker 2: actual old voice, to help him and him only, I

1540
01:05:29,400 --> 01:05:32,360
Speaker 2: think that's fine. Mariah is one of the greatest singers ever.

1541
01:05:32,400 --> 01:05:34,560
Speaker 2: If we can use her voice to help her her

1542
01:05:34,640 --> 01:05:37,880
Speaker 2: own career and not some BOT or some random person,

1543
01:05:38,640 --> 01:05:40,600
Speaker 2: I think AI is like acceptable.

1544
01:05:40,720 --> 01:05:42,200
Speaker 1: But is that why you haven't listened to it yet?

1545
01:05:42,200 --> 01:05:44,440
Speaker 1: Because you know it's not Mariah as you know her.

1546
01:05:44,560 --> 01:05:48,560
Speaker 5: I just have maybe partially, and maybe I feel like

1547
01:05:48,600 --> 01:05:51,560
Speaker 5: that's what it is. I feel like I haven't really

1548
01:05:51,680 --> 01:05:53,560
Speaker 5: I haven't really thought about it. I just haven't been

1549
01:05:53,680 --> 01:05:57,080
Speaker 5: in that mode. Like for me to listen to R

1550
01:05:57,160 --> 01:06:00,280
Speaker 5: and B like that we've been in that mode. You said,

1551
01:06:00,320 --> 01:06:04,200
Speaker 5: what love that has nothing to do with it, That

1552
01:06:04,240 --> 01:06:05,320
Speaker 5: has nothing to do with mold?

1553
01:06:05,360 --> 01:06:06,000
Speaker 1: Are you talking about that?

1554
01:06:06,160 --> 01:06:08,200
Speaker 5: I've been in Cardio. I've been listening to rap a lot.

1555
01:06:08,240 --> 01:06:09,480
Speaker 5: I've been listening to a lot of you.

1556
01:06:09,520 --> 01:06:11,600
Speaker 1: In that mold. Yeah, you're back in that mold. I

1557
01:06:11,680 --> 01:06:13,080
Speaker 1: love when baby d back in that moment.

1558
01:06:13,120 --> 01:06:15,120
Speaker 5: No, it's just you know, I'm gonna rap like music wise,

1559
01:06:15,120 --> 01:06:16,760
Speaker 5: I'm in a rap mode. I also have not turned

1560
01:06:16,760 --> 01:06:17,560
Speaker 5: off Mariot to sign.

1561
01:06:17,880 --> 01:06:20,640
Speaker 2: I have a theory why. Because Demarus is in love

1562
01:06:20,680 --> 01:06:23,840
Speaker 2: and she feels very vulnerable. That bothers her, so she

1563
01:06:23,920 --> 01:06:26,200
Speaker 2: needs to get someone for aggression back with some rap ship,

1564
01:06:26,280 --> 01:06:27,680
Speaker 2: like nah fuck these men all that.

1565
01:06:29,600 --> 01:06:31,160
Speaker 1: Yeah, she don't want to get too soft.

1566
01:06:31,240 --> 01:06:33,040
Speaker 2: She's scared of the feelings that I got to keep

1567
01:06:33,080 --> 01:06:33,360
Speaker 2: that great.

1568
01:06:33,400 --> 01:06:35,520
Speaker 3: He's treating her like, yeah, but she gotta show she

1569
01:06:35,560 --> 01:06:38,680
Speaker 3: ain't no punk, got no fly. Was just cuting all that,

1570
01:06:38,720 --> 01:06:39,880
Speaker 3: But I ain't no punk.

1571
01:06:40,680 --> 01:06:43,720
Speaker 1: This cardiover here Ogga Baddy's still a Bodega batty right now?

1572
01:06:44,320 --> 01:06:44,440
Speaker 6: Bad?

1573
01:06:44,680 --> 01:06:44,840
Speaker 4: Yeah?

1574
01:06:44,920 --> 01:06:47,000
Speaker 1: Okay, all that love ship would make her feel even

1575
01:06:47,040 --> 01:06:51,320
Speaker 1: more vulnerable. Women don't want to be vulnerable these days.

1576
01:06:51,840 --> 01:06:53,040
Speaker 4: I love a narrative.

1577
01:06:58,440 --> 01:06:59,440
Speaker 2: Episode I love a narrative.

1578
01:06:59,440 --> 01:07:01,560
Speaker 1: I love that get you get your shirt off.

1579
01:07:02,800 --> 01:07:04,240
Speaker 4: You said, how Marl is trying to call you out

1580
01:07:04,280 --> 01:07:05,880
Speaker 4: with ship like, but I don't do that to him though.

1581
01:07:06,080 --> 01:07:08,160
Speaker 1: What caught me out? Like you ain't in love?

1582
01:07:08,200 --> 01:07:10,760
Speaker 4: I'll be like, huh you know you say sak like

1583
01:07:10,840 --> 01:07:11,120
Speaker 4: move on.

1584
01:07:11,880 --> 01:07:12,560
Speaker 1: I did move on.

1585
01:07:13,320 --> 01:07:14,240
Speaker 4: You repeated the question.

1586
01:07:14,600 --> 01:07:16,560
Speaker 1: No, I moved on though. Then he came in and

1587
01:07:16,640 --> 01:07:19,320
Speaker 1: he added his red rose white ceiling. Yeah, what you men,

1588
01:07:21,240 --> 01:07:22,360
Speaker 1: he did that. I didn't do that.

1589
01:07:22,800 --> 01:07:24,640
Speaker 3: I shut the fuck up. I got as soon as

1590
01:07:24,680 --> 01:07:26,919
Speaker 3: you said, I was all right, I see what were on? Baby,

1591
01:07:27,640 --> 01:07:28,440
Speaker 3: she ain't trying to go there?

1592
01:07:28,480 --> 01:07:29,640
Speaker 1: All right, my bad? You got it.

1593
01:07:30,200 --> 01:07:31,800
Speaker 2: Yeah, gotta say that for TikTok.

1594
01:07:32,480 --> 01:07:33,080
Speaker 4: Well, speaking of.

1595
01:07:33,120 --> 01:07:39,000
Speaker 5: Comebacks, my boy Soldier what Soldier it's coming back? Soldier

1596
01:07:39,000 --> 01:07:39,840
Speaker 5: got a new album House.

1597
01:07:39,800 --> 01:07:41,960
Speaker 1: Soldier Boy Swag seven surprise album.

1598
01:07:42,200 --> 01:07:43,640
Speaker 2: Oh. I thought you were about to say he's about

1599
01:07:43,680 --> 01:07:45,280
Speaker 2: to put out a surprise album. I was like, well,

1600
01:07:45,920 --> 01:07:46,680
Speaker 2: not really a surprise.

1601
01:07:46,840 --> 01:07:48,720
Speaker 4: I know he surprises already.

1602
01:07:48,720 --> 01:07:51,600
Speaker 2: It's out okay, Because I could see Soldier Boy announcing

1603
01:07:51,640 --> 01:07:53,760
Speaker 2: a surprise album. Yeh, that's what I really I could

1604
01:07:53,800 --> 01:07:54,240
Speaker 2: really see that.

1605
01:07:54,480 --> 01:07:58,520
Speaker 1: That's his type of ship like y'all got to surprise

1606
01:07:58,720 --> 01:08:03,320
Speaker 1: surprise album November. First artist to ever do that announced

1607
01:08:03,360 --> 01:08:09,840
Speaker 1: the surprise album. Definitely some Soldier Boys shit Swag seven naturally.

1608
01:08:10,240 --> 01:08:13,760
Speaker 1: I mean Swag one through six was classics, yeah, series,

1609
01:08:14,240 --> 01:08:15,800
Speaker 1: I don't know, I'm not listening. I didn't know the

1610
01:08:17,680 --> 01:08:18,120
Speaker 1: Soldier Boy.

1611
01:08:19,720 --> 01:08:21,639
Speaker 4: It was what I would listen to a soldier boy

1612
01:08:21,960 --> 01:08:22,960
Speaker 4: just to see what it sounded like.

1613
01:08:24,200 --> 01:08:27,599
Speaker 2: I was see yeah, yeah, as.

1614
01:08:27,680 --> 01:08:29,160
Speaker 4: His ass, but like I would give you, listen to

1615
01:08:29,200 --> 01:08:29,360
Speaker 4: it and.

1616
01:08:29,400 --> 01:08:30,120
Speaker 1: Let me know what you'll think.

1617
01:08:30,200 --> 01:08:32,920
Speaker 2: Then I'm looking at the cover artists.

1618
01:08:32,960 --> 01:08:35,600
Speaker 1: Cool the cover artists. What does the music sound like?

1619
01:08:37,640 --> 01:08:39,679
Speaker 2: Cover art won't intrigue you to want to listen to something?

1620
01:08:39,680 --> 01:08:42,200
Speaker 1: For sure? Yeah, for sure, I'm not listening to it.

1621
01:08:42,320 --> 01:08:43,760
Speaker 1: But I'm just you know, that's just me.

1622
01:08:43,880 --> 01:08:45,120
Speaker 2: Come on, leave Vatanas on it.

1623
01:08:46,080 --> 01:08:48,760
Speaker 1: Who see lost me ready? I don't even know who

1624
01:08:48,800 --> 01:08:49,000
Speaker 1: that is?

1625
01:08:49,720 --> 01:08:50,040
Speaker 4: All right?

1626
01:08:50,200 --> 01:08:54,639
Speaker 2: First of all, out the gate, they copy my swag.

1627
01:08:54,760 --> 01:08:56,519
Speaker 2: I do like that. I like when Soldier Boy talks

1628
01:08:56,520 --> 01:08:59,320
Speaker 2: to shit because a lot of people have copied them. Okay,

1629
01:08:59,880 --> 01:09:01,639
Speaker 2: I'm sorry. Were you guys trying to hear the first

1630
01:09:01,640 --> 01:09:02,080
Speaker 2: record war?

1631
01:09:02,280 --> 01:09:03,400
Speaker 4: Oh my god, that's bad.

1632
01:09:05,280 --> 01:09:09,240
Speaker 1: H good, it's like come back in with that that.

1633
01:09:09,400 --> 01:09:11,840
Speaker 4: It is like as if like Gun and Thug like

1634
01:09:11,920 --> 01:09:16,479
Speaker 4: took mushrooms or speed, Gun and Thug took speed. It's

1635
01:09:16,520 --> 01:09:19,360
Speaker 4: funny took speed and watch.

1636
01:09:19,479 --> 01:09:20,600
Speaker 1: I wouldn't. I'm not not for me.

1637
01:09:20,680 --> 01:09:22,519
Speaker 4: I mean I would give it a second to hear

1638
01:09:22,840 --> 01:09:23,439
Speaker 4: some migos in there.

1639
01:09:23,560 --> 01:09:25,040
Speaker 2: Maybe he's just trying to prove to y'all that they

1640
01:09:25,080 --> 01:09:26,680
Speaker 2: all copy the swag. The name of the song is

1641
01:09:26,720 --> 01:09:29,440
Speaker 2: they copied my swag, and they had Thug gunn Amigo's

1642
01:09:30,040 --> 01:09:34,360
Speaker 2: style in that. That's big Draco okay, and he can

1643
01:09:34,439 --> 01:09:38,600
Speaker 2: do it without ever equing anything just to have it

1644
01:09:39,400 --> 01:09:42,280
Speaker 2: brashly hurt your ears. He can still do it that way.

1645
01:09:42,640 --> 01:09:44,040
Speaker 1: Well, listen to it. Let me know what you think.

1646
01:09:45,840 --> 01:09:46,720
Speaker 2: I mean. I got the intro.

1647
01:09:46,840 --> 01:09:47,880
Speaker 4: I think I'm cool.

1648
01:09:48,520 --> 01:09:48,880
Speaker 1: I got that.

1649
01:09:49,680 --> 01:09:53,040
Speaker 4: Y'all don't want to do They didn't really grab my

1650
01:09:53,040 --> 01:09:53,960
Speaker 4: attention with the intro.

1651
01:09:54,280 --> 01:09:57,800
Speaker 2: Y'all better relax. He's he's violently threatened me before, for real?

1652
01:09:58,040 --> 01:10:01,040
Speaker 1: Yeah on Twitter? Wait what for what?

1653
01:10:02,640 --> 01:10:03,800
Speaker 2: Haven't we talked about this before?

1654
01:10:03,920 --> 01:10:06,240
Speaker 1: We bro we've been talking for ten years. I don't

1655
01:10:06,280 --> 01:10:06,400
Speaker 1: know what.

1656
01:10:06,479 --> 01:10:08,719
Speaker 2: Don't I think we talked about this in twenty fifteen

1657
01:10:08,760 --> 01:10:11,160
Speaker 2: when it happened. I was in Houston, and I forgot

1658
01:10:11,200 --> 01:10:13,280
Speaker 2: what I said, but he like said he was gonna

1659
01:10:13,280 --> 01:10:15,719
Speaker 2: shoot me in the face, like on a public platform.

1660
01:10:16,960 --> 01:10:19,679
Speaker 1: I think I do remember that, but have y'all pieced

1661
01:10:19,720 --> 01:10:21,840
Speaker 1: it up. I was just like, we don't run into

1662
01:10:21,880 --> 01:10:24,800
Speaker 1: each other, weren't spoken damn, so it might still we

1663
01:10:24,880 --> 01:10:25,639
Speaker 1: can't get to the places.

1664
01:10:25,680 --> 01:10:27,519
Speaker 2: Big Draco, Yeah, yeah, where were we ever?

1665
01:10:27,600 --> 01:10:28,040
Speaker 1: Piece up?

1666
01:10:28,800 --> 01:10:29,800
Speaker 2: I've got access to that.

1667
01:10:29,960 --> 01:10:32,160
Speaker 1: Right, that's okay, want to piece it up?

1668
01:10:32,600 --> 01:10:33,120
Speaker 4: That's funny.

1669
01:10:33,520 --> 01:10:37,439
Speaker 1: Oh yeah, here we go. So Big Draco said, what

1670
01:10:37,520 --> 01:10:42,400
Speaker 1: do you say? You don't you don't me? Bro? This word,

1671
01:10:42,479 --> 01:10:45,920
Speaker 1: I'll kill you. Nigga shouts swag.

1672
01:10:46,720 --> 01:10:50,360
Speaker 2: I think Dad Roy streamed that because he yeh right,

1673
01:10:52,600 --> 01:10:54,439
Speaker 2: Oh no, he kept going for like the whole day.

1674
01:10:54,560 --> 01:10:55,920
Speaker 1: Oh he got he gat you more.

1675
01:10:56,439 --> 01:10:57,760
Speaker 2: I think they may have been the original. What did

1676
01:10:57,800 --> 01:10:58,280
Speaker 2: I say? Bro?

1677
01:10:58,600 --> 01:11:01,920
Speaker 3: Roy said, Bro, you were making videos of yourself? Oh yeah,

1678
01:11:01,960 --> 01:11:05,000
Speaker 3: this was my Twitter, My Twitter and our cloud was hacked.

1679
01:11:05,920 --> 01:11:08,360
Speaker 3: Just changed on my password. You retweeted and responded to

1680
01:11:08,400 --> 01:11:12,360
Speaker 3: that with, bro, you were making videos of yourself. Soldier

1681
01:11:12,400 --> 01:11:14,080
Speaker 3: Boy then responds with shut up, bitch.

1682
01:11:15,160 --> 01:11:16,679
Speaker 2: From a logic to the entire situation.

1683
01:11:17,120 --> 01:11:20,599
Speaker 3: Just shut up, bitch, all right? Well stream swag seven man,

1684
01:11:20,680 --> 01:11:22,880
Speaker 3: so you know you mean, don't be on your head, man. Yeah,

1685
01:11:22,960 --> 01:11:24,000
Speaker 3: let me know what you think about it.

1686
01:11:25,560 --> 01:11:28,760
Speaker 1: That was a nasty time. This was, and sometimes you

1687
01:11:28,760 --> 01:11:30,040
Speaker 1: do have to tell people to just shut up.

1688
01:11:30,640 --> 01:11:33,280
Speaker 2: We're coming up on the anniversary October twenty sixteen. Oh

1689
01:11:33,280 --> 01:11:34,840
Speaker 2: you gott to repost that, you think maybe that's why

1690
01:11:34,880 --> 01:11:37,800
Speaker 2: he dropped swag seven When he did it was around

1691
01:11:37,800 --> 01:11:38,320
Speaker 2: the same time.

1692
01:11:38,560 --> 01:11:40,560
Speaker 1: Oh okay, yeah, he was thinking about you.

1693
01:11:41,040 --> 01:11:44,519
Speaker 2: Yeah, you know, come nine year anniversary. Yeah, nine seven.

1694
01:11:44,800 --> 01:11:46,880
Speaker 2: You'll see. You don't even know numerology like that. You're right,

1695
01:11:47,680 --> 01:11:49,519
Speaker 2: all right, forget you went over your head.

1696
01:11:49,560 --> 01:11:49,920
Speaker 1: You're right.

1697
01:11:55,120 --> 01:11:58,320
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Speaker 2: Spin the block, I mean, I take it away.

1720
01:13:12,120 --> 01:13:14,040
Speaker 1: It's just the two of them, right, take it away, baby,

1721
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Speaker 1: dr segment right here. This is your because you you

1722
01:13:17,960 --> 01:13:22,519
Speaker 1: posted and I saw it now. Spinner's a symbol block spinners.

1723
01:13:22,840 --> 01:13:26,120
Speaker 1: Some block spinners a symbol she called for the Avengers,

1724
01:13:26,160 --> 01:13:31,520
Speaker 1: the Block Spinners. That's that's Jo and Ben Affleck reunite

1725
01:13:31,560 --> 01:13:34,519
Speaker 1: on the Red carpet for Kiss of the Spider Woman.

1726
01:13:35,920 --> 01:13:37,880
Speaker 3: So people, you know what I'm saying, Jalo and Ben

1727
01:13:37,960 --> 01:13:40,960
Speaker 3: are back together. But I'm I'm one of those people

1728
01:13:40,960 --> 01:13:42,760
Speaker 3: that think Jalo and Ben never break up.

1729
01:13:43,800 --> 01:13:45,759
Speaker 1: We just they just need to. So we just assume

1730
01:13:45,800 --> 01:13:47,000
Speaker 1: that they break up, like they don't.

1731
01:13:47,120 --> 01:13:49,960
Speaker 2: They actually think everyone ships on them. I think they

1732
01:13:50,000 --> 01:13:52,880
Speaker 2: probably have the healthiest relationship of anybody. Like we're just

1733
01:13:52,960 --> 01:13:55,320
Speaker 2: going to take a few years off, get back to it,

1734
01:13:55,520 --> 01:13:58,679
Speaker 2: do honeymoon again, or hit each other, get a break.

1735
01:13:58,760 --> 01:14:00,479
Speaker 3: Or there are two of the biggest stars in Hollywood

1736
01:14:00,520 --> 01:14:02,400
Speaker 3: and they have things to go do and they're not

1737
01:14:02,520 --> 01:14:03,599
Speaker 3: together for a couple months.

1738
01:14:04,720 --> 01:14:07,439
Speaker 1: He's going to being Batman. She's going to be Made

1739
01:14:07,439 --> 01:14:09,880
Speaker 1: in Manhattan. Like, I don't know what ye are we in?

1740
01:14:10,920 --> 01:14:12,880
Speaker 1: Great movie? Don't laugh. Made in Manhattan is a great movie.

1741
01:14:12,920 --> 01:14:14,960
Speaker 1: We're not laughing at Made Manhattan. Great movie? You would

1742
01:14:15,040 --> 01:14:17,479
Speaker 1: like Maid? I love that movie. What do you love

1743
01:14:17,520 --> 01:14:20,599
Speaker 1: about making such a real story? You can see that happen.

1744
01:14:20,800 --> 01:14:21,960
Speaker 2: It's a Bronx Cinderella story.

1745
01:14:22,040 --> 01:14:22,400
Speaker 1: Yeah, it is.

1746
01:14:22,880 --> 01:14:26,679
Speaker 5: Has she ever dated a black man in any movies, Jaylo,

1747
01:14:27,240 --> 01:14:27,839
Speaker 5: them white.

1748
01:14:27,680 --> 01:14:29,080
Speaker 4: Men been putting her through hell and her.

1749
01:14:31,000 --> 01:14:34,000
Speaker 2: Yeah, I started to like kind of feel offended of

1750
01:14:34,080 --> 01:14:36,240
Speaker 2: how they try to typecast the white man that dates

1751
01:14:36,320 --> 01:14:39,000
Speaker 2: j Loo in her career. Yeah, like only the made

1752
01:14:39,080 --> 01:14:41,839
Speaker 2: Manhattan was the only one where like Homie was understanding

1753
01:14:41,880 --> 01:14:42,720
Speaker 2: even after she lied.

1754
01:14:43,280 --> 01:14:48,840
Speaker 1: Oh nah he was. I don't know how wanch the

1755
01:14:48,880 --> 01:14:49,200
Speaker 1: frame is.

1756
01:14:49,280 --> 01:14:53,320
Speaker 3: But in Money Train, Wesley Snipes was dating her and

1757
01:14:53,439 --> 01:14:55,719
Speaker 3: wood He was like, yeah, because he took up from Woody.

1758
01:14:55,960 --> 01:14:57,960
Speaker 1: Yeah, you know what I mean.

1759
01:14:58,080 --> 01:14:59,800
Speaker 3: So she that's the black of the black. It don't

1760
01:14:59,800 --> 01:15:02,680
Speaker 3: get black, It don't get but I mean, you don't

1761
01:15:02,680 --> 01:15:07,600
Speaker 3: get black and Wesley Wesley Snipes black. She dated Wesley Snipes.

1762
01:15:07,320 --> 01:15:10,040
Speaker 2: And Money Train Jennifer Lopez film I Love.

1763
01:15:09,960 --> 01:15:12,640
Speaker 3: Interest because I think what he would like her too.

1764
01:15:12,720 --> 01:15:14,320
Speaker 3: He had a crush on her, and then you know,

1765
01:15:14,439 --> 01:15:17,599
Speaker 3: she just the chocolate. You know they can't deny that chocolate.

1766
01:15:17,720 --> 01:15:19,559
Speaker 2: I mean I felt some chemistry between her and ice

1767
01:15:19,640 --> 01:15:20,880
Speaker 2: Cube on Ana Conda.

1768
01:15:21,000 --> 01:15:22,400
Speaker 1: No, you didn't. The camera.

1769
01:15:23,760 --> 01:15:26,000
Speaker 2: He was there for five minutes. You didn't feel no

1770
01:15:26,120 --> 01:15:30,040
Speaker 2: chemistry between them. Oh, this is television. Jayla has a

1771
01:15:30,080 --> 01:15:33,000
Speaker 2: lot of great movies, y'all don't like Made Him for No,

1772
01:15:33,080 --> 01:15:35,040
Speaker 2: I really do like Made Manhattan. I would just never

1773
01:15:35,160 --> 01:15:36,680
Speaker 2: guess that you would love it.

1774
01:15:36,760 --> 01:15:37,559
Speaker 1: I love that movie.

1775
01:15:37,960 --> 01:15:40,000
Speaker 2: Is that like you're good Will Hunting? No?

1776
01:15:40,160 --> 01:15:43,000
Speaker 3: Good Will Hunting is like that's for the whites. Yeah, yeah,

1777
01:15:43,040 --> 01:15:45,200
Speaker 3: but I made him had You don't like made Him

1778
01:15:45,200 --> 01:15:45,559
Speaker 3: Had for real?

1779
01:15:45,920 --> 01:15:47,920
Speaker 2: Not do It's great again? I don't think you don't

1780
01:15:47,960 --> 01:15:49,760
Speaker 2: like that movie, baby d I know I liked it

1781
01:15:49,840 --> 01:15:50,519
Speaker 2: when I was younger.

1782
01:15:51,840 --> 01:15:53,839
Speaker 1: She was too busy ass out pink tim jab.

1783
01:15:55,080 --> 01:15:55,960
Speaker 4: Anyway, I liked it.

1784
01:15:58,439 --> 01:16:01,439
Speaker 2: Better more, but I liked it movie too. Wedding Planner

1785
01:16:01,520 --> 01:16:04,439
Speaker 2: is great. I mean we can't see is that her

1786
01:16:04,520 --> 01:16:04,840
Speaker 2: number one?

1787
01:16:04,840 --> 01:16:05,680
Speaker 1: What did I say? Number one?

1788
01:16:05,680 --> 01:16:09,120
Speaker 2: What Ralphie and it made in Manhattan?

1789
01:16:09,240 --> 01:16:11,479
Speaker 1: See well?

1790
01:16:11,520 --> 01:16:13,240
Speaker 2: I mean does enough make the lists?

1791
01:16:13,280 --> 01:16:13,320
Speaker 5: Like?

1792
01:16:13,360 --> 01:16:14,400
Speaker 2: What do we mean by love interest?

1793
01:16:15,960 --> 01:16:17,360
Speaker 1: What do you mean enough enough?

1794
01:16:17,439 --> 01:16:17,840
Speaker 4: The movie?

1795
01:16:18,320 --> 01:16:23,040
Speaker 3: Oh yeah, when she counts going through domestic abuse? No,

1796
01:16:23,080 --> 01:16:24,240
Speaker 3: I don't think that's up there. I think this is

1797
01:16:24,240 --> 01:16:27,840
Speaker 3: a more like I think these feel good these are

1798
01:16:27,920 --> 01:16:30,880
Speaker 3: feel good stories were but I'm.

1799
01:16:30,479 --> 01:16:32,800
Speaker 5: Happy that that they're spinning the block on each other

1800
01:16:32,840 --> 01:16:34,320
Speaker 5: and giving their love one more chance.

1801
01:16:34,479 --> 01:16:38,120
Speaker 2: Like yeah, yeah, well, made Manhattan to Whites only further

1802
01:16:38,479 --> 01:16:41,040
Speaker 2: confirmed that we knew you tried our clothes on when

1803
01:16:41,040 --> 01:16:44,400
Speaker 2: we left the hotel. That's it's all I did for us.

1804
01:16:44,479 --> 01:16:47,560
Speaker 1: Don't do that great movie too far? Yeah, don't do that.

1805
01:16:48,720 --> 01:16:50,800
Speaker 1: Do we think Bad Bunny's gonna bring anybody out?

1806
01:16:52,760 --> 01:16:54,960
Speaker 2: We talked about this. I think Jay Balvin. I think

1807
01:16:55,000 --> 01:17:00,240
Speaker 2: Cardi's coming out. I know we didn't know about the

1808
01:17:00,320 --> 01:17:01,120
Speaker 2: Jay Balvin situation.

1809
01:17:01,320 --> 01:17:02,559
Speaker 4: I can't see Cardi coming out.

1810
01:17:02,640 --> 01:17:04,760
Speaker 1: No, he's not bringing up him and Balvin or not really.

1811
01:17:04,840 --> 01:17:06,360
Speaker 1: I think they won't speak in terms right now.

1812
01:17:07,520 --> 01:17:16,160
Speaker 2: Carlos Santana, No, it's called Sintanna dead. I thought you're

1813
01:17:16,160 --> 01:17:17,680
Speaker 2: about to say, did argue the Super Bowl because I

1814
01:17:17,720 --> 01:17:20,880
Speaker 2: think he actually already did. But yeah, I think we

1815
01:17:20,960 --> 01:17:23,400
Speaker 2: did get the Carlos Santana guitar riff at the Super

1816
01:17:23,439 --> 01:17:26,400
Speaker 2: Bowl once. I feel like I would know if if

1817
01:17:26,520 --> 01:17:27,519
Speaker 2: the god was dead.

1818
01:17:28,439 --> 01:17:31,559
Speaker 3: He's well, it was somebody that played with Carlosontanna that died,

1819
01:17:31,840 --> 01:17:32,639
Speaker 3: like it was somebody close.

1820
01:17:33,240 --> 01:17:36,080
Speaker 1: A lot of people fucking musicians on drop Bad.

1821
01:17:36,080 --> 01:17:37,840
Speaker 3: I ain't mean to put that on Carlo Stanna, the

1822
01:17:37,920 --> 01:17:40,440
Speaker 3: legendary Carlos Santana respectfully.

1823
01:17:43,880 --> 01:17:45,519
Speaker 2: Oh no, then he all right, then Bad Bunny can

1824
01:17:45,520 --> 01:17:46,000
Speaker 2: bring him out.

1825
01:17:46,000 --> 01:17:48,680
Speaker 1: If he did the pre show, Bad Bunny did the

1826
01:17:48,720 --> 01:17:49,360
Speaker 1: Super Bowl already.

1827
01:17:49,400 --> 01:17:52,519
Speaker 4: Oh he did the one where Beyonce and Michelle and reunited.

1828
01:17:52,640 --> 01:17:56,120
Speaker 1: He did that one. Yeah, okay, if but Bad Bunny

1829
01:17:56,160 --> 01:17:59,680
Speaker 1: did the Super Bowl already halftime? Yeah, no, fuck was

1830
01:17:59,720 --> 01:18:02,759
Speaker 1: I Jay Long Shakiro brought him out away.

1831
01:18:04,439 --> 01:18:05,360
Speaker 4: I wouldn't be surprised.

1832
01:18:05,920 --> 01:18:10,479
Speaker 2: Maul's in fact correct, Yeah, Jennifer Lopezan Shakira included guest

1833
01:18:10,520 --> 01:18:13,960
Speaker 2: appearances by Bad Bunny, Jay Balvin, and Lopez's daughter.

1834
01:18:14,479 --> 01:18:17,920
Speaker 3: Yeah, Bad Bunny wasn't. I mean, he was lit back then,

1835
01:18:18,000 --> 01:18:20,679
Speaker 3: but he obviously now he's a fucking he's a megastar.

1836
01:18:20,840 --> 01:18:22,160
Speaker 1: But yeah, they brought him out.

1837
01:18:22,520 --> 01:18:24,880
Speaker 2: I remember that, nah, because that and that was also

1838
01:18:25,080 --> 01:18:28,600
Speaker 2: U Hope was already he picked that right, Hope did

1839
01:18:28,640 --> 01:18:28,880
Speaker 2: that one.

1840
01:18:29,040 --> 01:18:30,080
Speaker 1: Yeah, that was the first year.

1841
01:18:30,640 --> 01:18:32,519
Speaker 2: Not now I got to pull some some flowers back

1842
01:18:32,560 --> 01:18:34,599
Speaker 2: with Hoole. You you double him back on Bad Bunny.

1843
01:18:34,640 --> 01:18:36,880
Speaker 2: You've only been in this ship for four years and

1844
01:18:37,000 --> 01:18:39,599
Speaker 2: you repeating guests. What are you a club promoter?

1845
01:18:39,680 --> 01:18:40,800
Speaker 4: That's completely different up.

1846
01:18:40,920 --> 01:18:42,240
Speaker 3: I mean, he didn't have a he didn't have a

1847
01:18:42,720 --> 01:18:45,040
Speaker 3: that's crazy. He didn't have a whole set. But Jay

1848
01:18:45,080 --> 01:18:46,559
Speaker 3: Long Shakiro definitely brought him out though.

1849
01:18:47,680 --> 01:18:49,880
Speaker 2: See to me, I mean, of course Bad Bunny is

1850
01:18:49,920 --> 01:18:53,679
Speaker 2: not like one of the biggest artists. But nah, you can't.

1851
01:18:54,520 --> 01:18:56,320
Speaker 2: Well it's been what four years that that Hope has

1852
01:18:56,320 --> 01:18:58,080
Speaker 2: been doing this, twenty twenty five years.

1853
01:18:59,400 --> 01:19:01,160
Speaker 1: That was the year I think Drake turned down that

1854
01:19:01,280 --> 01:19:06,000
Speaker 1: year because that was COVID year. I think I think

1855
01:19:06,040 --> 01:19:07,599
Speaker 1: he turned it down maybe a year or two before

1856
01:19:07,680 --> 01:19:10,680
Speaker 1: that as well. But then yeah, jay Loo Sekira, But

1857
01:19:10,760 --> 01:19:13,120
Speaker 1: you know, there's too many artists to repeat.

1858
01:19:14,040 --> 01:19:15,680
Speaker 3: Listen, man, you know what it Bad Bunny that think

1859
01:19:15,720 --> 01:19:18,519
Speaker 3: what he did was his residency in Puerto Rico. I mean,

1860
01:19:18,840 --> 01:19:21,160
Speaker 3: I don't know how his fans failed though, because again

1861
01:19:21,240 --> 01:19:25,000
Speaker 3: he didn't do any shows in the US because he

1862
01:19:25,120 --> 01:19:27,000
Speaker 3: was in fear of Ice being at the shows and

1863
01:19:27,120 --> 01:19:29,080
Speaker 3: you know, arresting some of his fans and things like that.

1864
01:19:29,840 --> 01:19:31,479
Speaker 1: So now some of his fans fell away because like, oh,

1865
01:19:31,560 --> 01:19:33,160
Speaker 1: you not but you do the super Bowl.

1866
01:19:33,360 --> 01:19:36,320
Speaker 4: But the super Bowls that's completely that's completely different.

1867
01:19:36,479 --> 01:19:38,280
Speaker 1: What you mean Ice is saying they gonna be at

1868
01:19:38,320 --> 01:19:38,880
Speaker 1: the super Bowl.

1869
01:19:40,720 --> 01:19:42,640
Speaker 5: They're gonna be there anyway, And that's one show in

1870
01:19:42,760 --> 01:19:46,960
Speaker 5: comparison to one show, and the majority of the audience

1871
01:19:47,040 --> 01:19:50,160
Speaker 5: will not be of Hispanic descent.

1872
01:19:50,280 --> 01:19:51,800
Speaker 1: Oh, that will never happen.

1873
01:19:51,880 --> 01:19:56,600
Speaker 3: Exact kid, They could have Bad Bunny, Jay Bow have

1874
01:19:56,720 --> 01:19:58,760
Speaker 3: all of them, they go, godlet on, all of them

1875
01:19:58,760 --> 01:19:59,240
Speaker 3: could be there.

1876
01:19:59,760 --> 01:20:01,680
Speaker 1: That audience in the super Bowl is still gonna be

1877
01:20:01,680 --> 01:20:03,200
Speaker 1: predominantly white. They could.

1878
01:20:03,360 --> 01:20:05,519
Speaker 2: They could open up with with soccer before.

1879
01:20:05,840 --> 01:20:09,800
Speaker 5: Yeah, this way he's able to give his his US

1880
01:20:09,920 --> 01:20:13,760
Speaker 5: fans a show that's cast, that's you know, stream to them,

1881
01:20:13,880 --> 01:20:15,320
Speaker 5: and they don't have to pay a whole bunch of

1882
01:20:15,320 --> 01:20:15,680
Speaker 5: money for it.

1883
01:20:15,760 --> 01:20:16,880
Speaker 4: Don't have to pay any money for it.

1884
01:20:17,320 --> 01:20:19,320
Speaker 2: And yeah, well, I mean, if he's busy, maybe he

1885
01:20:19,360 --> 01:20:20,600
Speaker 2: brings out Shakira and j Lo.

1886
01:20:21,000 --> 01:20:25,320
Speaker 1: We just this one to the face. Yeah, I think

1887
01:20:26,120 --> 01:20:27,439
Speaker 1: I think he makes a political statement.

1888
01:20:28,240 --> 01:20:33,720
Speaker 2: Yeah, yes, without question. Okay, And I think and I think, uh,

1889
01:20:34,840 --> 01:20:36,680
Speaker 2: and I think he gets booed. I actually think Bad

1890
01:20:36,720 --> 01:20:40,280
Speaker 2: Bunny gets booed maybe before he makes a political statement.

1891
01:20:41,800 --> 01:20:44,760
Speaker 2: I kind of have Okay, I think we'll see he

1892
01:20:44,840 --> 01:20:48,040
Speaker 2: got booed when cell phone footage comes out. I think

1893
01:20:48,120 --> 01:20:51,439
Speaker 2: they'll they won't mike the actual crowd when the whole

1894
01:20:51,479 --> 01:20:54,360
Speaker 2: thing starts. I think he'll get just they'll fill in

1895
01:20:54,479 --> 01:20:57,879
Speaker 2: with applause, but I think there'll be cell phone footage

1896
01:20:57,920 --> 01:20:59,719
Speaker 2: of like this was the real sound of the stadium.

1897
01:21:00,080 --> 01:21:02,360
Speaker 2: And I'm not doing that to think literally, I'm talking

1898
01:21:02,360 --> 01:21:05,280
Speaker 2: about the demographic that goes to the fucking super Bowl.

1899
01:21:05,280 --> 01:21:07,000
Speaker 1: Which has a political statement. Do you think you'll make

1900
01:21:07,040 --> 01:21:08,840
Speaker 1: like you think you're gonna have like he just told me.

1901
01:21:09,160 --> 01:21:10,960
Speaker 2: Damn, I gotta learn Spanish. I'm not gonna understand the

1902
01:21:11,000 --> 01:21:11,559
Speaker 2: political statement.

1903
01:21:11,680 --> 01:21:13,280
Speaker 1: No, I'm saying you think I have like gay dancers

1904
01:21:13,320 --> 01:21:14,560
Speaker 1: and ice uniforms.

1905
01:21:18,960 --> 01:21:22,880
Speaker 2: The way Katie Perry, that is fired.

1906
01:21:24,840 --> 01:21:26,160
Speaker 1: Let me tell you something. What is it on? What

1907
01:21:26,280 --> 01:21:26,800
Speaker 1: is the Super Bowl?

1908
01:21:26,960 --> 01:21:27,200
Speaker 4: Fox?

1909
01:21:27,560 --> 01:21:29,800
Speaker 1: I don't know this, yere man. They gonna cut that

1910
01:21:29,880 --> 01:21:32,639
Speaker 1: feed so that ship gonna go to a Pepsi commercial.

1911
01:21:33,439 --> 01:21:35,599
Speaker 2: You know's a big difference between Fox and Fox News.

1912
01:21:36,280 --> 01:21:37,599
Speaker 2: Way different, Yo.

1913
01:21:37,640 --> 01:21:40,280
Speaker 1: Whatever that shit is on. If Bad Bundy come out

1914
01:21:40,280 --> 01:21:43,200
Speaker 1: there with some gay dancers and ice uniforms, that ship

1915
01:21:43,320 --> 01:21:45,479
Speaker 1: is gonna cut and go straight to a Budwis of commercial.

1916
01:21:45,520 --> 01:21:48,559
Speaker 1: I'm telling you right now, it's on Fox. They cutting

1917
01:21:48,560 --> 01:21:48,920
Speaker 1: that ship.

1918
01:21:49,000 --> 01:21:52,120
Speaker 2: I think the way, the way, the way the right

1919
01:21:52,240 --> 01:21:55,360
Speaker 2: is fired up right now. I think people will think

1920
01:21:55,400 --> 01:21:59,560
Speaker 2: they're heroes by paying insane prices just to go to

1921
01:21:59,680 --> 01:22:02,400
Speaker 2: Boo Bad Bunny. I think that's how fired up the right.

1922
01:22:02,600 --> 01:22:04,479
Speaker 1: Nah, you ain't got dan. They ain't got that type

1923
01:22:04,479 --> 01:22:06,400
Speaker 1: of fund. Oh no, actually they do. Shit be on

1924
01:22:06,479 --> 01:22:07,120
Speaker 1: them might be there.

1925
01:22:08,000 --> 01:22:09,439
Speaker 2: No, locked everyone up?

1926
01:22:10,280 --> 01:22:12,120
Speaker 1: Did they? No? Sorrows are still out.

1927
01:22:14,000 --> 01:22:16,599
Speaker 2: That's where he funneled wall. You don't understand money laundering

1928
01:22:20,439 --> 01:22:26,960
Speaker 2: once starts saying, oh shit, I mean he is anything wrong?

1929
01:22:27,080 --> 01:22:31,639
Speaker 2: Come on, guys, we can have fun sometimes, can we? Yeah?

1930
01:22:31,640 --> 01:22:34,040
Speaker 2: I think we can. I just don't think sometimes our

1931
01:22:34,080 --> 01:22:35,840
Speaker 2: listeners allow us to just make jokes because they think

1932
01:22:35,840 --> 01:22:36,479
Speaker 2: they're too serious.

1933
01:22:37,400 --> 01:22:38,800
Speaker 4: Oh no, but some never mind.

1934
01:22:39,040 --> 01:22:41,040
Speaker 1: Do we have voicemails? You've got mail?

1935
01:22:41,840 --> 01:22:44,320
Speaker 2: And of course this is sponsored by Boost. Everyone called

1936
01:22:44,360 --> 01:22:45,639
Speaker 2: in from their Boost mobile phone.

1937
01:22:47,760 --> 01:22:51,800
Speaker 6: Yo, Thomas for Chicago, just kind of got a quick

1938
01:22:51,880 --> 01:22:54,000
Speaker 6: I'm trying to make as quick as possible. So basically,

1939
01:22:54,160 --> 01:22:55,639
Speaker 6: I think I'm in love with my best friend.

1940
01:22:56,160 --> 01:22:56,280
Speaker 1: Uh.

1941
01:22:56,920 --> 01:22:58,720
Speaker 6: He's a girl, and we've like been friends for like

1942
01:22:58,760 --> 01:23:01,280
Speaker 6: the past like two years, so and we pretty much

1943
01:23:01,280 --> 01:23:03,640
Speaker 6: talk every day like we're re clutch his hell, like

1944
01:23:03,680 --> 01:23:06,040
Speaker 6: we're good. She lives all the way in Texas. I

1945
01:23:06,040 --> 01:23:08,800
Speaker 6: helped them move to Texas. She's from she's from Chicago. Uh,

1946
01:23:08,880 --> 01:23:11,160
Speaker 6: but she's always had like terrible luck with niggas, Like

1947
01:23:11,280 --> 01:23:13,600
Speaker 6: anytime she talked to a nigga, he just be the

1948
01:23:13,680 --> 01:23:16,800
Speaker 6: most like he's just being fucking dufa smurgs. Like every

1949
01:23:16,840 --> 01:23:18,439
Speaker 6: time she talked to a nigga, he's just always doing

1950
01:23:18,479 --> 01:23:20,120
Speaker 6: some goofy shit. She just always go for like the

1951
01:23:20,200 --> 01:23:22,280
Speaker 6: yoki dook or whatever. And it's usually like she'll look

1952
01:23:22,280 --> 01:23:23,920
Speaker 6: like if a nigga treats her nice, like she'll go

1953
01:23:24,080 --> 01:23:27,120
Speaker 6: for it whatever, And like I always hate that part

1954
01:23:27,200 --> 01:23:28,880
Speaker 6: about her, but like, you know, I always talk to

1955
01:23:28,920 --> 01:23:29,640
Speaker 6: her like my home, like my.

1956
01:23:29,640 --> 01:23:30,800
Speaker 4: Homegirl, Like girl, what the fuck you doing?

1957
01:23:30,840 --> 01:23:32,120
Speaker 1: Stop tweaking on these dudes whatever.

1958
01:23:32,680 --> 01:23:36,040
Speaker 6: And you know, we always have this running joke of like, uh,

1959
01:23:36,160 --> 01:23:37,960
Speaker 6: you know, at thirty we'll get married, at thirty two,

1960
01:23:38,080 --> 01:23:40,759
Speaker 6: thirty five, we'll get married and stuff. And you know, recently,

1961
01:23:40,880 --> 01:23:42,360
Speaker 6: like I'm sort of been kind of like feeling like

1962
01:23:42,439 --> 01:23:45,840
Speaker 6: really really wanted to do that because when we moved, right,

1963
01:23:45,840 --> 01:23:48,080
Speaker 6: I helped their move to Texas. We shared a hotel

1964
01:23:48,200 --> 01:23:51,280
Speaker 6: room and we like coddled to go to sleep, and

1965
01:23:51,520 --> 01:23:54,200
Speaker 6: you know, we almost like did it for real, like

1966
01:23:54,240 --> 01:23:55,800
Speaker 6: we kissed and everything, but we didn't do it. We

1967
01:23:55,880 --> 01:23:58,439
Speaker 6: almost be hearing about the friendship, uh, and that moment

1968
01:23:58,520 --> 01:23:59,640
Speaker 6: kind of really stuck with me. And I was like

1969
01:23:59,680 --> 01:24:01,920
Speaker 6: a like about like two months ago that that happened,

1970
01:24:01,960 --> 01:24:04,120
Speaker 6: but like we still talked every day since then.

1971
01:24:05,840 --> 01:24:07,479
Speaker 1: But I think I'm I think I love her. I

1972
01:24:07,560 --> 01:24:09,240
Speaker 1: think I'm in love with her. She loves me too.

1973
01:24:10,120 --> 01:24:11,840
Speaker 6: I don't know if she is in love with me back,

1974
01:24:12,000 --> 01:24:14,680
Speaker 6: but I guess I'll start dealing with this. We kind

1975
01:24:14,680 --> 01:24:15,439
Speaker 6: of live States away.

1976
01:24:17,560 --> 01:24:18,400
Speaker 1: Yo, what's up? Roy?

1977
01:24:18,439 --> 01:24:19,040
Speaker 5: And Mom? Yo?

1978
01:24:19,560 --> 01:24:23,439
Speaker 2: I need I need zoom zoom room like you email

1979
01:24:23,520 --> 01:24:25,639
Speaker 2: him now. It's like this is a zoom zoom room.

1980
01:24:25,720 --> 01:24:29,639
Speaker 2: I need so many more details like what happened after

1981
01:24:30,479 --> 01:24:33,120
Speaker 2: you guys almost did it, which is also a hilarious

1982
01:24:34,040 --> 01:24:36,320
Speaker 2: Oh there's a there's a follow up. Yeah, oh, let's

1983
01:24:36,320 --> 01:24:37,040
Speaker 2: see the follow up.

1984
01:24:38,560 --> 01:24:41,000
Speaker 1: Thomas here. So yeah, Part two. We kind of live

1985
01:24:41,080 --> 01:24:43,280
Speaker 1: States the way and we you know, we still talk

1986
01:24:43,360 --> 01:24:43,519
Speaker 1: on the.

1987
01:24:43,479 --> 01:24:46,240
Speaker 6: Phone every day, but uh, there is we you know,

1988
01:24:46,479 --> 01:24:49,080
Speaker 6: like we joke about you know, getting married.

1989
01:24:48,800 --> 01:24:51,800
Speaker 1: At thirty five, thirty whatever.

1990
01:24:51,880 --> 01:24:54,479
Speaker 6: I'm twenty seven, she's twenty six, and you know, we

1991
01:24:54,640 --> 01:24:56,640
Speaker 6: make that joke about that all the time, and we

1992
01:24:56,720 --> 01:24:58,080
Speaker 6: even joke about like, you know, what if we would

1993
01:24:58,120 --> 01:24:59,240
Speaker 6: have done it, What if we would have did it?

1994
01:24:59,560 --> 01:25:01,200
Speaker 6: You know, if we do it, like when we fall

1995
01:25:01,240 --> 01:25:02,000
Speaker 6: in love with each other.

1996
01:25:02,400 --> 01:25:03,960
Speaker 1: And last night, you know, he was on the phone

1997
01:25:03,960 --> 01:25:04,439
Speaker 1: talking about it.

1998
01:25:04,520 --> 01:25:05,680
Speaker 6: It was like, yeah, you know, like if we ever

1999
01:25:05,760 --> 01:25:08,200
Speaker 6: do it, we should probably hold off on it because

2000
01:25:08,360 --> 01:25:10,559
Speaker 6: like you fuck around, that might be it, Like we fuck.

2001
01:25:10,439 --> 01:25:11,639
Speaker 1: Around, might fall in love for real.

2002
01:25:12,200 --> 01:25:15,880
Speaker 6: So, you know, Brenda trying to be friends as long

2003
01:25:15,920 --> 01:25:17,639
Speaker 6: as possible, and it's not like I'm trying to rush

2004
01:25:18,040 --> 01:25:20,680
Speaker 6: being in a relationship with her, and she's not trying

2005
01:25:20,680 --> 01:25:22,160
Speaker 6: to rush being a relationship with me, because I feel

2006
01:25:22,200 --> 01:25:23,479
Speaker 6: like I ain't gonna lie. If I feel like we

2007
01:25:23,560 --> 01:25:25,800
Speaker 6: get into a relationship, that's gonna be it, Like that's

2008
01:25:25,840 --> 01:25:28,080
Speaker 6: gonna be my wife for real, because like, you know,

2009
01:25:28,160 --> 01:25:29,840
Speaker 6: I love all the qualities about her as a person.

2010
01:25:30,120 --> 01:25:31,880
Speaker 6: I feel like she loves all qualities about me as

2011
01:25:31,920 --> 01:25:35,960
Speaker 6: a guy, and you know, like we just might be

2012
01:25:36,080 --> 01:25:37,840
Speaker 6: a perfect match for each other. But like because we

2013
01:25:37,920 --> 01:25:42,360
Speaker 6: live states away, you know whatever, So I'm a tattoo artist,

2014
01:25:42,400 --> 01:25:44,200
Speaker 6: she's like a teacher, and so like I'm trying to

2015
01:25:44,200 --> 01:25:46,719
Speaker 6: figure out like a way to make this make sense

2016
01:25:47,360 --> 01:25:48,800
Speaker 6: or I think, you know, we should just both live

2017
01:25:48,840 --> 01:25:50,400
Speaker 6: our lives and if it comes together so that we

2018
01:25:50,520 --> 01:25:51,720
Speaker 6: do get together, then we.

2019
01:25:51,720 --> 01:25:52,240
Speaker 5: Should do that.

2020
01:25:52,439 --> 01:25:55,000
Speaker 6: So I guess what I'm trying to ask is, like, how.

2021
01:25:55,400 --> 01:25:56,639
Speaker 1: Would you deal with this situation?

2022
01:25:56,720 --> 01:25:58,720
Speaker 6: Do you just kind of let let love just like

2023
01:25:58,800 --> 01:26:00,479
Speaker 6: love each other as you as you are right now,

2024
01:26:00,479 --> 01:26:02,640
Speaker 6: and if it ever happens, it happens, or you know,

2025
01:26:03,080 --> 01:26:04,280
Speaker 6: like I don't want it to ever be like what

2026
01:26:04,360 --> 01:26:05,519
Speaker 6: could have been type shit? You know.

2027
01:26:07,160 --> 01:26:11,160
Speaker 3: Thomas, First, first of all, stop saying do it like

2028
01:26:11,600 --> 01:26:13,960
Speaker 3: this is not a Nike ad. You could just say, oh,

2029
01:26:14,000 --> 01:26:15,720
Speaker 3: you know, we almost trying to do the dirty deed.

2030
01:26:15,840 --> 01:26:19,800
Speaker 3: We almost may love. She may love Thomas, going and

2031
01:26:19,840 --> 01:26:20,400
Speaker 3: get your wife.

2032
01:26:20,479 --> 01:26:20,599
Speaker 1: Man.

2033
01:26:20,720 --> 01:26:22,920
Speaker 3: Y'all, y'all love each other, y'all, y'all best friends, you've

2034
01:26:22,920 --> 01:26:23,800
Speaker 3: known each other for years.

2035
01:26:24,120 --> 01:26:25,880
Speaker 1: You are tattoo ortis. You could tattoo anywhere.

2036
01:26:26,360 --> 01:26:26,519
Speaker 2: Yo.

2037
01:26:26,720 --> 01:26:28,360
Speaker 3: You can go to whatever city she's in, move there

2038
01:26:28,400 --> 01:26:30,479
Speaker 3: and get a booth at a tattoo shop.

2039
01:26:30,560 --> 01:26:31,599
Speaker 1: And you know what I mean.

2040
01:26:31,600 --> 01:26:33,439
Speaker 3: I know you got to get your clientele back or whatever,

2041
01:26:33,520 --> 01:26:35,320
Speaker 3: but you know, if your work is if your work

2042
01:26:35,400 --> 01:26:37,880
Speaker 3: is good, the clients will find you, but don't let

2043
01:26:37,960 --> 01:26:38,479
Speaker 3: the distance.

2044
01:26:39,479 --> 01:26:41,760
Speaker 2: Don't listen to this. I had to. I purposely cut

2045
01:26:41,800 --> 01:26:43,639
Speaker 2: them all off this time. This wasn't one of those

2046
01:26:43,680 --> 01:26:46,000
Speaker 2: where I just cut off because I'm an idiot. I

2047
01:26:46,120 --> 01:26:47,840
Speaker 2: had to cut him off. Thomas, you seem like a really,

2048
01:26:47,880 --> 01:26:50,160
Speaker 2: really nice guy. I don't want you to get hurt.

2049
01:26:50,439 --> 01:26:52,800
Speaker 2: That girl don't like you. No, she don't like you

2050
01:26:52,840 --> 01:26:53,800
Speaker 2: at all. Don't listen to them all?

2051
01:26:53,960 --> 01:26:54,640
Speaker 1: How did you get that?

2052
01:26:54,720 --> 01:26:57,599
Speaker 2: Get y'all? Life fucked up over this girl that clearly

2053
01:26:57,760 --> 01:26:58,600
Speaker 2: does not like you?

2054
01:26:58,640 --> 01:26:59,840
Speaker 1: But why didn't say you don't like him?

2055
01:27:01,160 --> 01:27:06,320
Speaker 2: They made out, They stopped any more physical stuff and

2056
01:27:06,360 --> 01:27:08,320
Speaker 2: went back to this Jokiti Joe Kyle, what if we

2057
01:27:08,360 --> 01:27:10,800
Speaker 2: did it? Oh, we've maybe just fall too much in love.

2058
01:27:11,280 --> 01:27:13,599
Speaker 2: She's keeping him on ice because she wants to keep

2059
01:27:13,640 --> 01:27:16,639
Speaker 2: fucking with other dudes that are way shittier, and she's

2060
01:27:16,680 --> 01:27:18,479
Speaker 2: playing the long game. If she ends up being thirty

2061
01:27:18,520 --> 01:27:20,439
Speaker 2: five years old, he'll be the nice guy that I

2062
01:27:20,560 --> 01:27:22,960
Speaker 2: end up with, that you know, has a steady job.

2063
01:27:23,040 --> 01:27:23,920
Speaker 4: You think it like a man.

2064
01:27:24,000 --> 01:27:26,439
Speaker 5: Women don't play the long game. Women do not play

2065
01:27:26,479 --> 01:27:28,160
Speaker 5: the long game. Men play the long game. Women do

2066
01:27:28,280 --> 01:27:29,000
Speaker 5: not play the long game.

2067
01:27:29,000 --> 01:27:30,640
Speaker 4: If she wanted that nigga, she would be with that

2068
01:27:30,760 --> 01:27:31,400
Speaker 4: nigga right now.

2069
01:27:31,520 --> 01:27:33,599
Speaker 2: No, that's but that's what I'm saying. She doesn't want

2070
01:27:33,600 --> 01:27:35,719
Speaker 2: to be with him. She's keeping him around just in case.

2071
01:27:35,840 --> 01:27:37,479
Speaker 4: No, I think she's keeping around because she likes him

2072
01:27:37,479 --> 01:27:37,960
Speaker 4: as a friend.

2073
01:27:38,520 --> 01:27:40,880
Speaker 5: I'm sure she's thought about sleeping with you, and she's

2074
01:27:40,920 --> 01:27:43,240
Speaker 5: thought about it, but she don't really want to. And

2075
01:27:43,360 --> 01:27:46,040
Speaker 5: if she does do it, I guarantee you it's like, oh, well,

2076
01:27:46,200 --> 01:27:48,120
Speaker 5: I mean he's here, and he's great, he's a good guy,

2077
01:27:48,240 --> 01:27:48,760
Speaker 5: and this is that.

2078
01:27:49,120 --> 01:27:49,640
Speaker 1: But she's not.

2079
01:27:49,880 --> 01:27:50,800
Speaker 4: She don't want you like that.

2080
01:27:51,120 --> 01:27:51,599
Speaker 1: She doesn't.

2081
01:27:51,720 --> 01:27:54,439
Speaker 5: If she did, she would move on that, especially because

2082
01:27:54,479 --> 01:27:56,439
Speaker 5: it's you saying like I'm in love with her. She

2083
01:27:56,560 --> 01:27:58,760
Speaker 5: knows you're in love with her. Women always know. We

2084
01:27:59,240 --> 01:28:00,200
Speaker 5: might pretend we don't know.

2085
01:28:00,280 --> 01:28:00,599
Speaker 4: She knows.

2086
01:28:00,720 --> 01:28:02,120
Speaker 1: So he's too much of a good guy for her.

2087
01:28:02,280 --> 01:28:02,639
Speaker 4: No, don't.

2088
01:28:02,680 --> 01:28:04,519
Speaker 5: I'm not saying that that's why she doesn't like him.

2089
01:28:04,520 --> 01:28:06,800
Speaker 5: I'm saying she just doesn't like him. Why she doesn't

2090
01:28:06,840 --> 01:28:08,760
Speaker 5: like him, I don't know, but she doesn't like him

2091
01:28:08,760 --> 01:28:09,200
Speaker 5: in that way.

2092
01:28:09,479 --> 01:28:12,560
Speaker 2: Well, he did start the first voicemail out saying that

2093
01:28:12,960 --> 01:28:16,120
Speaker 2: her type seems to be guys that you know are

2094
01:28:16,200 --> 01:28:17,719
Speaker 2: kind of pieces of shit to somebody.

2095
01:28:17,520 --> 01:28:19,200
Speaker 4: Says she runs into pieces of shit, that is the

2096
01:28:19,280 --> 01:28:19,960
Speaker 4: mean and shit type.

2097
01:28:20,600 --> 01:28:23,320
Speaker 2: Yeah, I'm not trying to put it in as bad

2098
01:28:23,400 --> 01:28:26,560
Speaker 2: taste of men or going through that phase. I'm not

2099
01:28:26,600 --> 01:28:28,439
Speaker 2: here to shit on her whatsoever. I'm just trying to

2100
01:28:28,640 --> 01:28:31,120
Speaker 2: tell Thomas that that girl does not like you like that.

2101
01:28:31,800 --> 01:28:33,720
Speaker 2: I don't know she's keeping you at bay And I

2102
01:28:33,760 --> 01:28:36,360
Speaker 2: don't know if that's even a good friend tactic because

2103
01:28:36,360 --> 01:28:37,280
Speaker 2: I like, she don't.

2104
01:28:37,160 --> 01:28:38,600
Speaker 1: Like him like that. Though I'm not going to say that.

2105
01:28:38,800 --> 01:28:40,479
Speaker 3: I'm gonna say she don't want to cross that line

2106
01:28:40,479 --> 01:28:43,360
Speaker 3: because they're best friends. He said, Right, they've been best

2107
01:28:43,400 --> 01:28:45,360
Speaker 3: friends for years. I think she doesn't want to cross

2108
01:28:45,400 --> 01:28:48,320
Speaker 3: that line and make it physical, but I'm not gonna say.

2109
01:28:48,160 --> 01:28:49,720
Speaker 4: She does would to kiss him.

2110
01:28:49,760 --> 01:28:51,880
Speaker 2: Yeah, and they already talked about the marriage shit at

2111
01:28:51,920 --> 01:28:52,880
Speaker 2: thirty five at that point.

2112
01:28:53,040 --> 01:28:54,640
Speaker 3: Like, yeah, that's what I'm saying. So I think that

2113
01:28:54,760 --> 01:28:57,040
Speaker 3: she likes him. I just think that, you know, it's like, damn,

2114
01:28:57,080 --> 01:28:59,559
Speaker 3: this is my best friend. It's like, I don't think

2115
01:28:59,600 --> 01:29:01,760
Speaker 3: she doesn't like him. Like was saying, that girl don't

2116
01:29:01,840 --> 01:29:03,320
Speaker 3: like you. I don't I don't believe that. I think

2117
01:29:03,360 --> 01:29:03,960
Speaker 3: she does like him.

2118
01:29:03,960 --> 01:29:04,360
Speaker 1: I don't think.

2119
01:29:04,640 --> 01:29:07,559
Speaker 2: I don't think every friendship is the plot to Brown Sugar.

2120
01:29:07,680 --> 01:29:10,519
Speaker 2: Like I just think that girl would they would be

2121
01:29:10,680 --> 01:29:11,720
Speaker 2: together if she wanted that.

2122
01:29:12,320 --> 01:29:13,120
Speaker 1: Yeah, they live.

2123
01:29:13,560 --> 01:29:15,479
Speaker 2: That's all he wants clearly, which is fine. Like I

2124
01:29:15,520 --> 01:29:17,240
Speaker 2: think that's great that he loves his best friend and

2125
01:29:17,360 --> 01:29:18,920
Speaker 2: wants to be with her. I think that's a great

2126
01:29:19,400 --> 01:29:23,160
Speaker 2: foundation to a relationship. But that girl would do that

2127
01:29:23,240 --> 01:29:26,120
Speaker 2: then she definitely after making out with him, felt like, nah,

2128
01:29:26,160 --> 01:29:26,600
Speaker 2: this isn't it.

2129
01:29:26,760 --> 01:29:27,840
Speaker 1: This ain't it, this is not it.

2130
01:29:27,960 --> 01:29:30,080
Speaker 4: Let me try it was it was probably let me

2131
01:29:30,200 --> 01:29:30,519
Speaker 4: try it.

2132
01:29:30,800 --> 01:29:32,080
Speaker 2: Like I don't think it was a bad guy.

2133
01:29:32,240 --> 01:29:34,439
Speaker 4: I love him, but it's like I just ain't it.

2134
01:29:34,640 --> 01:29:36,000
Speaker 4: I can't And that's that's it.

2135
01:29:36,280 --> 01:29:37,840
Speaker 2: Didn't feel like how I thought it was gonna fell,

2136
01:29:38,000 --> 01:29:40,160
Speaker 2: especially because we're so close in friends.

2137
01:29:40,000 --> 01:29:41,800
Speaker 1: Like, get him in the room, man, get that's why.

2138
01:29:43,040 --> 01:29:44,920
Speaker 4: For sure, that get her in the room, so that

2139
01:29:45,000 --> 01:29:45,680
Speaker 4: we cleared this up.

2140
01:29:45,840 --> 01:29:46,280
Speaker 1: He don't know.

2141
01:29:46,560 --> 01:29:49,400
Speaker 2: The moment she finds out he said this on a podcast,

2142
01:29:49,640 --> 01:29:53,400
Speaker 2: that might ruin their friendship. I don't know. I don't.

2143
01:29:53,600 --> 01:29:56,360
Speaker 3: Well, let's get him minute, let's let's get more of

2144
01:29:56,479 --> 01:30:00,240
Speaker 3: the backstore. Let's get more information from Thomas. Let's I'm

2145
01:30:00,720 --> 01:30:02,240
Speaker 3: have him in his zom zoom room so we can

2146
01:30:02,320 --> 01:30:03,880
Speaker 3: kind of grill him a little bit and get more

2147
01:30:04,200 --> 01:30:09,000
Speaker 3: information on what's happening with these two best friends. See,

2148
01:30:09,040 --> 01:30:10,680
Speaker 3: if he's going to prove if men and women can

2149
01:30:10,760 --> 01:30:12,600
Speaker 3: be best friends and only best friends.

2150
01:30:12,840 --> 01:30:15,520
Speaker 4: Well, he's not gonna prove that because he already disproved

2151
01:30:15,920 --> 01:30:16,720
Speaker 4: he's in love with her.

2152
01:30:17,000 --> 01:30:17,240
Speaker 2: Yeah.

2153
01:30:17,720 --> 01:30:20,680
Speaker 4: Out the game, he looks the rest of us. Look,

2154
01:30:20,720 --> 01:30:21,920
Speaker 4: he makes the rest of us look bad.

2155
01:30:23,040 --> 01:30:25,360
Speaker 1: But they're not. They haven't been all right.

2156
01:30:25,400 --> 01:30:29,360
Speaker 2: They're friends where one person wants to be with the friend. Yeah, Like,

2157
01:30:29,960 --> 01:30:35,400
Speaker 2: they're not just like platonic friends. One is actively trying

2158
01:30:35,439 --> 01:30:36,760
Speaker 2: to be with the other one that's not a friend.

2159
01:30:37,720 --> 01:30:39,680
Speaker 1: I don't know. Is he actively trying to be with her.

2160
01:30:39,720 --> 01:30:41,840
Speaker 1: I don't know if he's actively trying to if she.

2161
01:30:42,760 --> 01:30:45,120
Speaker 2: I'm sure in the conversations he's being respectful because he

2162
01:30:45,120 --> 01:30:48,880
Speaker 2: seems like a nice guy. But if she would say, hey, yes,

2163
01:30:48,960 --> 01:30:50,880
Speaker 2: let's actually try this, he would say yes, right.

2164
01:30:50,920 --> 01:30:51,760
Speaker 1: Oh immediately. Yeah.

2165
01:30:51,960 --> 01:30:53,880
Speaker 2: It's not like he would be like, nah, let's actually

2166
01:30:53,960 --> 01:30:56,200
Speaker 2: wait to see if this works out or whatever. He'll

2167
01:30:56,240 --> 01:30:58,160
Speaker 2: be like, yes, let's go into a foot Okay, yeah.

2168
01:30:58,040 --> 01:31:02,240
Speaker 3: But let's let's let's talk to Thomas. I think Thomas

2169
01:31:02,280 --> 01:31:03,920
Speaker 3: is gonna be like, yo, mam, you was right. I

2170
01:31:04,000 --> 01:31:06,160
Speaker 3: think she likes him. I think the distance, living in

2171
01:31:06,160 --> 01:31:06,640
Speaker 3: a different state.

2172
01:31:06,760 --> 01:31:09,120
Speaker 4: I don't know if she likes him or not. You

2173
01:31:09,200 --> 01:31:09,600
Speaker 4: don't know that.

2174
01:31:10,000 --> 01:31:12,960
Speaker 1: You know, they talking every day. This is best friend.

2175
01:31:12,960 --> 01:31:14,840
Speaker 3: You think you don't know if she like him. It's

2176
01:31:14,880 --> 01:31:17,600
Speaker 3: just they probably just the distance. He probably he already said, like, Yo,

2177
01:31:17,640 --> 01:31:20,000
Speaker 3: we're trying to figure it out. Like I'm a tattoo order.

2178
01:31:20,080 --> 01:31:20,920
Speaker 3: She's a teacher, Like.

2179
01:31:21,040 --> 01:31:24,040
Speaker 1: She lives there. I live here, Like so they're having

2180
01:31:24,080 --> 01:31:28,000
Speaker 1: these conversations like she likes him. But again it's you know,

2181
01:31:28,280 --> 01:31:30,439
Speaker 1: when you be hesitant, because she also be bored.

2182
01:31:32,200 --> 01:31:34,040
Speaker 4: She just moved to a new place. She could also

2183
01:31:34,160 --> 01:31:36,240
Speaker 4: just be bored. She like, like moving to a new place.

2184
01:31:36,280 --> 01:31:37,720
Speaker 4: You basically in jail. That's jail talk.

2185
01:31:38,720 --> 01:31:41,880
Speaker 1: You have no not for a woman though, for God's

2186
01:31:41,960 --> 01:31:43,559
Speaker 1: different woman.

2187
01:31:43,600 --> 01:31:45,360
Speaker 3: All y'all gotta do is put that one dress heels on,

2188
01:31:45,479 --> 01:31:48,040
Speaker 3: go to that local bar, and y'all know every nigga

2189
01:31:48,080 --> 01:31:52,000
Speaker 3: in town. That's one night, y'all know every nigga tell niggas,

2190
01:31:52,040 --> 01:31:52,920
Speaker 3: we gotta go out.

2191
01:31:52,800 --> 01:31:55,960
Speaker 1: A few times to meet some women a couple of times. Though, Yeah,

2192
01:31:55,960 --> 01:31:58,040
Speaker 1: we gotta go out. We gotta hit the spots more.

2193
01:31:58,080 --> 01:32:01,960
Speaker 2: Do you think if two people Leyden Hotel cuddled, made out,

2194
01:32:02,960 --> 01:32:05,720
Speaker 2: had known each other for a long time, continued to talk,

2195
01:32:06,600 --> 01:32:08,920
Speaker 2: and both wanted to be each other, they wouldn't pull

2196
01:32:09,000 --> 01:32:11,760
Speaker 2: the trigger to spend more time together in person? It

2197
01:32:11,880 --> 01:32:13,200
Speaker 2: both if both people wanted.

2198
01:32:13,000 --> 01:32:15,920
Speaker 1: That, I mean, it's subjective. What's the what's the circumstances.

2199
01:32:16,080 --> 01:32:21,000
Speaker 2: They live in different states, Teachers and tattoo artists, you know,

2200
01:32:21,200 --> 01:32:23,880
Speaker 2: make money to be able to go see people. I

2201
01:32:24,000 --> 01:32:26,439
Speaker 2: think if that was really something that they wanted instead

2202
01:32:26,439 --> 01:32:29,160
Speaker 2: of being fucking penpals, I know he pulled the trigger

2203
01:32:29,439 --> 01:32:33,200
Speaker 2: the next day to go see her, Yeah, in her

2204
01:32:33,280 --> 01:32:35,000
Speaker 2: town and fucking be in the hotel or her career

2205
01:32:35,120 --> 01:32:37,600
Speaker 2: or whatever. All right, she just not doing that.

2206
01:32:37,640 --> 01:32:39,160
Speaker 1: We're gonna have when we're gonna talk to him soon.

2207
01:32:39,280 --> 01:32:40,439
Speaker 1: We're gonna have him in the room.

2208
01:32:41,439 --> 01:32:43,280
Speaker 2: Bring up to the room. Now. We got to bring

2209
01:32:43,360 --> 01:32:45,760
Speaker 2: him to the studio for the live stream like we

2210
01:32:45,800 --> 01:32:46,760
Speaker 2: did with Matt. We got it.

2211
01:32:46,800 --> 01:32:47,120
Speaker 1: We don't know.

2212
01:32:47,200 --> 01:32:49,599
Speaker 3: We let's talk to the gentleman. First, Matt, we knew,

2213
01:32:49,640 --> 01:32:51,920
Speaker 3: we saw he was cool. He was a little laid back.

2214
01:32:52,120 --> 01:32:54,000
Speaker 2: We all know what Thomas, Matt'll show up to this,

2215
01:32:54,200 --> 01:32:56,640
Speaker 2: to the studio. I'm sorry, Tom, Thomas will show up

2216
01:32:56,640 --> 01:32:59,479
Speaker 2: to the studio. Elevator doors open. There was never a girl.

2217
01:33:00,080 --> 01:33:03,320
Speaker 3: Yeah, like, we gotta we gotta gotta bet this thing. Yeah,

2218
01:33:03,760 --> 01:33:05,679
Speaker 3: so yeah, let's get him in the zoms room for sure.

2219
01:33:06,520 --> 01:33:09,200
Speaker 2: All right, Well this was fun. Uh, we have a

2220
01:33:09,320 --> 01:33:10,760
Speaker 2: we have another episode that we're about to do now.

2221
01:33:10,760 --> 01:33:11,920
Speaker 2: We don't know when it's gonna come out, though.

2222
01:33:12,520 --> 01:33:14,880
Speaker 1: See how let's see how it goes. Interesting guests, very

2223
01:33:14,960 --> 01:33:16,200
Speaker 1: interesting this This could.

2224
01:33:16,000 --> 01:33:18,800
Speaker 2: Be interesting guest for Baby D two with her alliances.

2225
01:33:20,080 --> 01:33:24,080
Speaker 1: Oh I didn't even I didn't even science and the

2226
01:33:24,200 --> 01:33:25,000
Speaker 1: math on that one.

2227
01:33:25,040 --> 01:33:27,240
Speaker 3: Listen, man, Okay, all right, well let's get to that

2228
01:33:27,400 --> 01:33:30,519
Speaker 3: and we'll get that episode out to the people soon.

2229
01:33:30,880 --> 01:33:35,360
Speaker 3: Hopefully it'll be a fun, interesting conversation some answers, or

2230
01:33:35,520 --> 01:33:38,479
Speaker 3: we'll find some answers all to be absolutely crazy. Either way,

2231
01:33:38,560 --> 01:33:40,360
Speaker 3: y'all gonna get it, so we'll talk to you. I

2232
01:33:40,479 --> 01:33:41,559
Speaker 3: soon be safety blessed.

2233
01:33:41,600 --> 01:33:43,280
Speaker 1: I'm that nigga. He's just ginger peace