WEBVTT - The Princess Who Wrestled for Her Future

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised. In twelve

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<v Speaker 1>seventy one, the Italian explorer Marco Polo set off for

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<v Speaker 1>China from his home in Venice at the age of seventeen.

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<v Speaker 1>You've probably heard of Marco Polo. On his adventures, he

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<v Speaker 1>encountered all manner of marvels, islands replete with rare spices,

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<v Speaker 1>sumptuous courts, even testimony about strange, huge and exotic serpents

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<v Speaker 1>with long, jagged mouths, or, as we might know them, crocodiles.

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<v Speaker 1>After Marco Polo had spent nearly twenty years in the

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<v Speaker 1>court of the Chinese Emperor, he finally decided to return home.

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<v Speaker 1>But there was no chance he could go back the

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<v Speaker 1>way he came. An unexpected war had flared up in

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<v Speaker 1>the very center of Asia, where trade caravans passed between

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<v Speaker 1>the eastern and western parts of the continent. Marco Polo

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<v Speaker 1>had no choice but to sail around Asia to reach

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<v Speaker 1>Persia in order to ultimately get back to Venice. He

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<v Speaker 1>commanded fourteen ships that allowed him to avoid the perils

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<v Speaker 1>of trekking through the mountains, and after a few years,

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<v Speaker 1>Marco Polo finally docked at the Persian port city of Hormus.

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<v Speaker 1>As with every location he found himself in, he began

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<v Speaker 1>listening for news that might prove helpful for the rest

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<v Speaker 1>of his journey. It turned out that the wars still

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<v Speaker 1>raged in Central Asia, but there was more. Marco Polo

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<v Speaker 1>was a collector of legends and stories, and there was

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<v Speaker 1>one story from the war that captivated him. One of

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<v Speaker 1>the armies was being led by a woman. No not

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<v Speaker 1>just a woman, a giantess whose face was allegedly as

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<v Speaker 1>alluring as the moon, and whose arms were apparently strong

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<v Speaker 1>enough to move mountains. Of course, Marco Polo had heard

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<v Speaker 1>of rare cases of women leading armies in Europe, but

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<v Speaker 1>none as seemingly strong as this mysterious cutuloon. Marco Polo

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<v Speaker 1>recorded these scattered rumors he heard and moved along toward home.

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<v Speaker 1>How much of what Marco Polo heard about this so

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<v Speaker 1>called giantess is true? Even if Marco Polo's book that

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<v Speaker 1>he wrote about his journey was based on a real

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<v Speaker 1>journey to China, which is actually debatable, Historians today recognized

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<v Speaker 1>that Marco Polo's account is at the least highly embellished.

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<v Speaker 1>It was made to entertain readers, not simply quote transmit

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<v Speaker 1>information about the East. If we can't be certain that

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<v Speaker 1>Marco Polo didn't at best embellish the hearsay he jotted down,

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<v Speaker 1>how can we be certain that Kutulun, this mythical giantess,

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<v Speaker 1>even existed. As a matter of fact, we have good

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<v Speaker 1>reason to believe that she did exist, though between you

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<v Speaker 1>and me, she probably wasn't a giantess. Writing in thirteen

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<v Speaker 1>oh seven, the Persian historian Russidaldin compiled an expansive history

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<v Speaker 1>of Mongolian royalty around the same time that Marco Polo's

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<v Speaker 1>travels were being published. In his account, Russiad Aaldin also

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<v Speaker 1>mentions Kutuloun and also refers to her unusual capabilities on

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<v Speaker 1>the battlefield. We don't have any exceptional sources on Kutuloon

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<v Speaker 1>besides Marco Polo and Russiad al Din, and even they

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<v Speaker 1>wrap this obscure figure in layers of mythmaking The task

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<v Speaker 1>of excavating the historical Cutaloon is made extra difficult by

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<v Speaker 1>the fact that so much of her persona became the

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<v Speaker 1>basis for Italian plays in the eighteenth century, and in

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<v Speaker 1>German theater in the nineteenth and in Romantic opera in

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<v Speaker 1>the twentieth. Much of our modern interpretation of Kutulun is

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<v Speaker 1>colored by these works of high art. Can we cut

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<v Speaker 1>through the mist of hearsay, dramatization, and mythology to parse

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<v Speaker 1>apart any certain truths about the royal giantess. The name

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<v Speaker 1>Kutlun is often translated from Mongolian as moonlight or face

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<v Speaker 1>of the moon. That's an apt descriptor for our heroine,

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<v Speaker 1>because the face she presents changes depending on who is

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<v Speaker 1>telling her story and when her story is being told,

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<v Speaker 1>whether by a Venetian merchant in the thirteenth century, a

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<v Speaker 1>Persian historian in the fourteenth, or an Italian composer in

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<v Speaker 1>the twentieth. For now, let's assume Marco Polo's perspective. When

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<v Speaker 1>he docked in the port of Hormus off the Persian Gulf.

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<v Speaker 1>He didn't just hear rumblings of yet another conflict between

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<v Speaker 1>the Mongolian successor states. At the very center of that

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<v Speaker 1>geopolitical drama was another smaller drama, a wrestling competition of

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<v Speaker 1>all things, and a princess who offered her hand in

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<v Speaker 1>marriage to any man who could best her. As the

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<v Speaker 1>legend goes, none could. It's a great story. Marco Polo

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<v Speaker 1>wanted to write it down. I'm Danish schwartz and this

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<v Speaker 1>is noble blood. When Kutalun was born in twelve sixty

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<v Speaker 1>nothing marked her as particularly special compared to the rest

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<v Speaker 1>of the royal family. She was the daughter of Kaidu,

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<v Speaker 1>the Khan or ruler of much of Central Asia, and

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<v Speaker 1>great grandson of Genghis Khan, but we don't even know

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<v Speaker 1>the name of Kutalun's mother. Kutulun was probably born in

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<v Speaker 1>what is now Kazakhstan, in or around the busy trading

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<v Speaker 1>town of Kahili, Situated on a step in between a

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<v Speaker 1>massive freshwater lake to the north and snow capped mountains

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<v Speaker 1>to the south. This city, like so many others in

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<v Speaker 1>the emerging Chagatai Khanate, bustled with trade. Think of a

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<v Speaker 1>knit like a smaller, less formal kingdom, but with its

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<v Speaker 1>own system of government and leader. Mongol soldiers and settlers

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<v Speaker 1>technically dominated the land, but local farmers carried on with

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<v Speaker 1>their crops. Turkish nomads proselytized Islam Persian statesmen offered their

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<v Speaker 1>political expertise, and even the occasional European took lodging as

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<v Speaker 1>they hunted for lucrative spices. The world that Kutaloon was

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<v Speaker 1>born into, one that connected goods, gold, and good ideas

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<v Speaker 1>from all four corners of the globe, was only possible

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<v Speaker 1>because of the rapid and ruthless expansion of the Mongols

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<v Speaker 1>over much of the Asian continent starting in twelve o six.

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<v Speaker 1>In his lifetime, Genghis Khan and his legions forged an

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<v Speaker 1>empire that spanned all the way from Russia to the

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<v Speaker 1>Korean Peninsula. But just as soon as Genghis Khan and

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<v Speaker 1>his descendants subjugated them these lands, their unified empire began

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<v Speaker 1>to fall apart at the seams. It was already an

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<v Speaker 1>enormous challenge to govern new lands, let alone half a continent.

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<v Speaker 1>In the decades leading up to Kutalun's birth in twelve sixty,

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<v Speaker 1>the unified Mongol Empire effectively dissolved into four smaller empires.

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<v Speaker 1>But of course, the next generations of royalty dreamed of

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<v Speaker 1>stitching the once great empire back together. Kutualun's great uncle,

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<v Speaker 1>Kubla Khan, the emperor of China that Marco Polo ventured

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<v Speaker 1>off to meet, tried to force Kaidu, Kutalan's father, into

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<v Speaker 1>accepting his right to rule all of Central Asia. It

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<v Speaker 1>was naturally quite difficult for Kubla Kan to do that

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<v Speaker 1>from China, thousands of miles away, so he began with

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<v Speaker 1>an invitation. Kaidu would set off for Kubla Khan's course,

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<v Speaker 1>recognize his cousin as overlord in a customary oath swearing,

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<v Speaker 1>and then march back to his home in the Chogatai Kanate.

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<v Speaker 1>That sounds okay, but Kaidu wasn't buying it. For every

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<v Speaker 1>invitation that Kubla Khan sent, Kaidu came up with a

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<v Speaker 1>very convenient excuse of why he couldn't go. In one case,

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<v Speaker 1>Kaidu's herds were apparently too lean to travel the vast

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<v Speaker 1>distance between their cities, so Kaidu suggested they try again

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<v Speaker 1>next year. Next year didn't happen either. Kaidu understood that

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<v Speaker 1>any show of fealty to Kubla Khan would undermine his

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<v Speaker 1>own freedom in Central Asia, including his freedom to tax

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<v Speaker 1>the rivers of spice, gold, and silk parading in and

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<v Speaker 1>out of his cities. There were other cultural tensions that

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<v Speaker 1>underwrote Kaidu's strategic refusal to s submit to his cousin.

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<v Speaker 1>Kubla Khan and his clan members had adapted their empire

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<v Speaker 1>to the Chinese systems that had preceded them, building a

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<v Speaker 1>state that was agricultural, centralized, and more or less sedentary.

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<v Speaker 1>That was a far cry from what Kaidu considered a

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<v Speaker 1>more traditional Mongolian ethic pastoral, decentralized, nomadic. Kaidu believed it

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<v Speaker 1>was important that he provide his children a more traditional

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<v Speaker 1>Mongolian upbringing. Where most princesses of the medieval world lived

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<v Speaker 1>restricted lives destined for political marriages, Kutaloon was exposed to

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<v Speaker 1>a rougher life right from the beginning. In her pastoral community,

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<v Speaker 1>children learned to use the bow and arrow from a

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<v Speaker 1>young age. Boys were expected to guard larger animals like

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<v Speaker 1>camels and the cows that row across the plains, while

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<v Speaker 1>girls were tasked with protecting the sheep and goats that

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<v Speaker 1>grazed closer to home. Young Kutalun thrived in this environment.

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<v Speaker 1>She quickly developed expertise in the traditional mongol arts of

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<v Speaker 1>horse riding, archery and wrestling, to the awe and discontent

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<v Speaker 1>of her fourteen brothers. Rashid al Din writes somewhat derisively

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<v Speaker 1>that Kutulun quote went around like a boy. Kutulun's prodigious

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<v Speaker 1>fighting skills were also likely inspired by the chaos that

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<v Speaker 1>ensued from her father's earlier conflicts with Kubla Khan, her

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<v Speaker 1>great uncle. According to a tradition solidified during the reign

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<v Speaker 1>of Genghis Khan, all major representatives of the royal families

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<v Speaker 1>needed to recognize an overlord for his rule to stand

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<v Speaker 1>as legitimate. Kaidu's refusal of an overlord therefore gave Kubla

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<v Speaker 1>Khan no choice but to demand obedient by force. He

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<v Speaker 1>dispatched a general named Barak to capture the lands under

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<v Speaker 1>Kaidu's control. Barak first ambushed Kaidu in a crushing defeat,

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<v Speaker 1>but Kutalun's father was not one to back down so easily.

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<v Speaker 1>What information we have about him suggests that he was

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<v Speaker 1>forgiving and generous at court, and cold and rational on

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<v Speaker 1>the battlefield. Russiad al Din writes that he never took wine, salt,

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<v Speaker 1>or kumis traditional fermented milk alcohol, a characterization that, whether

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<v Speaker 1>true or not, corresponds with the attitude Kaidu had when

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<v Speaker 1>he pursued his military and political ambitions. Suffering from temporary losses,

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<v Speaker 1>Kaidu called upon the support of his cousins to the

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<v Speaker 1>north and surprised Barak with a force of over sixty thousand,

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<v Speaker 1>overwhelming him and effectively securing control over the Chagatai lands.

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<v Speaker 1>As Kaidu pressed his advantage over Kubla Khan in the

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<v Speaker 1>following decades and repressed descent from lesser lords, he increasingly

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<v Speaker 1>called upon the support of his daughter. Marco Polo, dedicating

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<v Speaker 1>a whole chapter to the warrior princess had this choice

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<v Speaker 1>description of her military prowess quote. Kutaloon's father never went

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<v Speaker 1>on a campaign without her, and gladly he took her

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<v Speaker 1>for not a knight in all his train played such

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<v Speaker 1>feats of arms as she did. Sometimes she would quit

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<v Speaker 1>her father's side and make a dash at the host

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<v Speaker 1>of the enemy and seize some man thereout as deftly

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<v Speaker 1>as a hawk pounces on a bird, and carry him

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<v Speaker 1>to her father. End quote. Politically prominent Mongolian women were

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<v Speaker 1>not something new. Queens took over as regents in between

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<v Speaker 1>the death of a khan and the election of a successor.

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<v Speaker 1>Sometimes they ruled for several years. Some royal women became

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<v Speaker 1>heroines of the Khanate's founding mythology, like Altani, the wife

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<v Speaker 1>of one of Genghis Khan's generals who saved his heir

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<v Speaker 1>from kidnappers. Even before Genghis Khan, Mongolian folklore passed down

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<v Speaker 1>stories of warrior queens who took up arms and led

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<v Speaker 1>hosts in dire times. But Kutulun wasn't fighting out of

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<v Speaker 1>dire need. This wasn't a desperate rescue mission, and her

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<v Speaker 1>renown didn't come from a connection to any man, let

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<v Speaker 1>alone a husband. That's exactly what troubled her father's court.

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<v Speaker 1>If Rashid al Din's dismissive comments on Kutulun's military ambitions

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<v Speaker 1>are any indication, and many onlookers saw her dismissal of

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<v Speaker 1>typical feminine duties as condemnable, certainly a line of rhetoric

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<v Speaker 1>that her brothers utilized as they tried in vain to

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<v Speaker 1>bring their father's attention back to them. The supposedly true

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<v Speaker 1>heirs to the royal estates. The traditional spirituality espoused during

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<v Speaker 1>ginghis Khan's reign supported harmony between the masculine sky and

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<v Speaker 1>the feminine earth. Did Kutalun's peers see her military leadership

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<v Speaker 1>as a benefit or a disruption to that harmony, whether

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<v Speaker 1>for optics or from personal conviction. Kaidu decreed that his

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<v Speaker 1>daughter Kutaloun would marry, but there was no chance he

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<v Speaker 1>could ever compel her to marry any particular suitor. Kutaloon

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<v Speaker 1>would be allowed to choose her own own bridegroom. In

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<v Speaker 1>this case, the courting would take place within the confines

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<v Speaker 1>of a wrestling pit. For a khan like Kai Dou,

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<v Speaker 1>the marriages of his children represented opportunities for useful political alliances.

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<v Speaker 1>To his daughters, those marriages would prove troublesome. Kutulun's younger sister, Kotuchin,

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<v Speaker 1>married young, but during her first pregnancy, her husband unexpectedly

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<v Speaker 1>fell in love with an enslaved girl. Affairs weren't uncommon,

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<v Speaker 1>but affairs laid out in public by the very parties

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<v Speaker 1>involved were well not quite strategic. In one account of

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<v Speaker 1>the story, Kutuchin's husband approached his father in law, Kaidu

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<v Speaker 1>with the enslaved girl he loved in hand, naively pleading

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<v Speaker 1>with him to recognize their own relationship as a marriage

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<v Speaker 1>and scrap the former one, you know, his marriage to

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<v Speaker 1>Kaidu's daughter. Kaidu had the man executed on the spot.

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<v Speaker 1>A different account tells us that actually Kutuchin confronted her

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<v Speaker 1>husband after discovering the affair, at which point her husband

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<v Speaker 1>supposedly bit and killed her, not the most conventional way

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<v Speaker 1>of murdering your royal wife. Katuchin's brothers protested that Kaidu

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<v Speaker 1>should execute their murderous brother in law, but the Khan

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<v Speaker 1>in this story resists by arguing that this wouldn't save

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<v Speaker 1>their already bitten to death sister. In this story, Kaidu

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<v Speaker 1>instead issues one hundred lashes, sets his son in law free,

0:17:49.840 --> 0:17:53.080
<v Speaker 1>and even goes so far in his magnanimity as to

0:17:53.160 --> 0:17:55.760
<v Speaker 1>give a different one of his daughters to the man

0:17:55.880 --> 0:17:59.159
<v Speaker 1>as a bride, since his son's quote could not allow

0:17:59.240 --> 0:18:03.760
<v Speaker 1>a stranger to take their sister's place. If this probably

0:18:03.880 --> 0:18:08.159
<v Speaker 1>apocryphal set of stories tells us anything it's that whatever

0:18:08.320 --> 0:18:13.639
<v Speaker 1>safety or autonomy royal women achieved in familial politics could

0:18:13.680 --> 0:18:20.160
<v Speaker 1>easily be violated through an unfit marriage. Women became expendable

0:18:20.560 --> 0:18:25.080
<v Speaker 1>when it was politically convenient for the surrounding ruling men

0:18:25.160 --> 0:18:30.199
<v Speaker 1>of the Kanate. In one case, Kutulun's great aunt elicited

0:18:30.320 --> 0:18:35.000
<v Speaker 1>public humiliation for simply disagreeing with a minister of her

0:18:35.080 --> 0:18:39.720
<v Speaker 1>husband's court. That minister went on to execute the great

0:18:39.760 --> 0:18:45.240
<v Speaker 1>aunt's daughter in law for adultery without illegal proceeding, violating

0:18:45.320 --> 0:18:48.960
<v Speaker 1>Angis Khan's prior mandate that no member of the royal

0:18:49.040 --> 0:18:54.320
<v Speaker 1>family could be killed without some collective agreement. As historian

0:18:54.600 --> 0:18:59.000
<v Speaker 1>Jack Weatherford argues, the era in which Kutualun lived and

0:18:59.200 --> 0:19:03.680
<v Speaker 1>fought in marked the beginning of Mongol women's erasure from

0:19:03.720 --> 0:19:09.320
<v Speaker 1>political life. Regardless of the rich tradition of powerful historical

0:19:09.560 --> 0:19:14.679
<v Speaker 1>Mongol women in her lifetime, Kutulun was the exception, not

0:19:14.880 --> 0:19:19.280
<v Speaker 1>the rule. If Kutulun had to marry, she would only

0:19:19.440 --> 0:19:22.560
<v Speaker 1>marry a man who could beat her in a wrestling match.

0:19:23.160 --> 0:19:26.119
<v Speaker 1>The chances of her finding such a man quickly was

0:19:26.200 --> 0:19:31.200
<v Speaker 1>probably pretty slim. After all, she had dominated the very

0:19:31.280 --> 0:19:35.000
<v Speaker 1>best of her father's enemies on the battlefield for years.

0:19:36.119 --> 0:19:41.080
<v Speaker 1>Marco Polo writes that Kutulun sent challenges to worthy opponents

0:19:41.119 --> 0:19:46.000
<v Speaker 1>across several kingdoms on the following terms. The first winner

0:19:46.080 --> 0:19:49.840
<v Speaker 1>receives her hand in marriage, but every man must wager

0:19:50.000 --> 0:19:54.119
<v Speaker 1>one hundred horses to enter the competition. According to the

0:19:54.200 --> 0:19:59.359
<v Speaker 1>traditional rules of Mongolian wrestling or bach, the first competitor

0:19:59.600 --> 0:20:02.840
<v Speaker 1>to touch the ground with something other than their feet

0:20:03.440 --> 0:20:08.240
<v Speaker 1>loses the match. Many a Kaki nobleman entered the gauntlet,

0:20:08.680 --> 0:20:14.520
<v Speaker 1>only to be thrown down and utterly humiliated. Kutlun allegedly

0:20:15.000 --> 0:20:21.720
<v Speaker 1>won ten thousand horses, vanquishing suitors until an exceptionally renowned

0:20:21.800 --> 0:20:26.959
<v Speaker 1>nobleman entered the picture with a new wager one thousand

0:20:27.080 --> 0:20:32.520
<v Speaker 1>horses for a chance to win her hand. Naturally, her father,

0:20:32.840 --> 0:20:37.720
<v Speaker 1>and depending on the source, also possibly Kutulun's mother begged

0:20:37.880 --> 0:20:41.800
<v Speaker 1>Kutlun to throw the match. In his account, Marco Polo

0:20:41.960 --> 0:20:45.160
<v Speaker 1>does not identify the prince for us, but he claims

0:20:45.200 --> 0:20:48.560
<v Speaker 1>he was the son of a great king, which really

0:20:48.600 --> 0:20:52.440
<v Speaker 1>isn't that helpful. But the point is that Kutulun's parents

0:20:52.640 --> 0:20:56.639
<v Speaker 1>saw this nobleman as the chance for their wild daughter

0:20:56.760 --> 0:21:01.680
<v Speaker 1>to secure a prosperous future for herself and their lineage.

0:21:02.080 --> 0:21:07.680
<v Speaker 1>In one account, Kutaloun staunchly resists her parents please. In another,

0:21:07.800 --> 0:21:12.040
<v Speaker 1>she agrees, but then something snaps upon entering the ring,

0:21:12.520 --> 0:21:15.920
<v Speaker 1>hearing the roar of the crowd, seeing across from her

0:21:15.960 --> 0:21:21.080
<v Speaker 1>an opponent worthy of equal status. The two wrestlers locked

0:21:21.240 --> 0:21:24.800
<v Speaker 1>arms for minutes on end, neither able to get the

0:21:24.800 --> 0:21:30.359
<v Speaker 1>better of the other, until finally Kutalun threw the prince down,

0:21:30.920 --> 0:21:38.760
<v Speaker 1>collected his multiplied wager, and mortified both him and her family.

0:21:40.280 --> 0:21:44.920
<v Speaker 1>Marco Polo's version of the story ends on this high note,

0:21:44.960 --> 0:21:49.040
<v Speaker 1>almost like a fairy tale, Kutaloun defeating the man that

0:21:49.160 --> 0:21:52.639
<v Speaker 1>people wanted her to throw the match to, but the

0:21:52.880 --> 0:21:57.320
<v Speaker 1>pot stirring. Rashid al Din carries the tale a little further.

0:21:58.160 --> 0:22:03.720
<v Speaker 1>After several years without a planned marriage, insidious rumors spread,

0:22:04.280 --> 0:22:10.320
<v Speaker 1>claiming that Kutaloun and her father Kaidu had an incestuous relationship.

0:22:11.000 --> 0:22:15.960
<v Speaker 1>Out of shame, Kutaloun finally relented and chose a man

0:22:16.040 --> 0:22:19.520
<v Speaker 1>to marry. But even in this story, I think it's

0:22:19.560 --> 0:22:24.160
<v Speaker 1>important to remember she chooses the man. She was never

0:22:24.280 --> 0:22:27.720
<v Speaker 1>bested by a suitor in the wrestling pit one on one.

0:22:28.840 --> 0:22:31.920
<v Speaker 1>In this version of the story, the man she chose, Abtakool,

0:22:32.119 --> 0:22:35.840
<v Speaker 1>is said to have been quote vigorous, tall and handsome,

0:22:36.640 --> 0:22:40.240
<v Speaker 1>like so many of the other figures in Kutalun's life.

0:22:40.480 --> 0:22:43.159
<v Speaker 1>We know little about him except he was of noble

0:22:43.240 --> 0:22:48.080
<v Speaker 1>ancestry and that the couple raised two sons. But there

0:22:48.160 --> 0:22:52.000
<v Speaker 1>was no chance Kutalun would settle down for an unexciting,

0:22:52.240 --> 0:22:57.439
<v Speaker 1>sedentary domestic life. She campaigned with her father until the

0:22:57.560 --> 0:23:03.159
<v Speaker 1>very end. Leadership in her father's army was indispensable in

0:23:03.200 --> 0:23:07.600
<v Speaker 1>the face of a massive geopolitical shift brewing to the east.

0:23:08.080 --> 0:23:12.199
<v Speaker 1>Kubul Khan died in twelve ninety four. After decades of

0:23:12.280 --> 0:23:17.320
<v Speaker 1>directing most of his political and military attention to invasions

0:23:17.359 --> 0:23:23.440
<v Speaker 1>of Korea and Japan. Kubul Khan's successor, Timour, quickly relinquished

0:23:23.480 --> 0:23:27.640
<v Speaker 1>those commitments and turned his attention to the west, where

0:23:27.680 --> 0:23:31.680
<v Speaker 1>he made attempts to force the unruly Central Asian war

0:23:31.800 --> 0:23:36.880
<v Speaker 1>lords to recognize Chinese rule once and for all. The

0:23:37.000 --> 0:23:42.040
<v Speaker 1>ensuing campaign was disruptive enough to deter Marco Polo from

0:23:42.080 --> 0:23:46.959
<v Speaker 1>traveling on the overland route back to Venice. The seventy

0:23:47.040 --> 0:23:51.800
<v Speaker 1>year old Kaidu did his best to deflect the impending invasion,

0:23:52.320 --> 0:23:55.760
<v Speaker 1>and with the help of his daughter, they kept Temor

0:23:55.880 --> 0:24:00.359
<v Speaker 1>in Czech after one hard fought battle on September three, third,

0:24:00.600 --> 0:24:05.000
<v Speaker 1>thirteen oh one, Kaidu ultimately took an arrow wound that

0:24:05.040 --> 0:24:09.720
<v Speaker 1>would prove fatal A month later. Rashid al Din mentions

0:24:09.800 --> 0:24:14.359
<v Speaker 1>that Kutualun's father was buried in the mountains, where in

0:24:14.400 --> 0:24:18.280
<v Speaker 1>one version of the story, Kutalun and her husband lived

0:24:18.440 --> 0:24:23.119
<v Speaker 1>modestly and guarded her father's burial place until her death

0:24:23.320 --> 0:24:28.040
<v Speaker 1>four years later. In another version of the story, more

0:24:28.080 --> 0:24:32.600
<v Speaker 1>reflective of the relationship between Kaidu and Kutalun, it said

0:24:32.600 --> 0:24:35.359
<v Speaker 1>that the Khan agitated for his daughter to be the

0:24:35.359 --> 0:24:38.640
<v Speaker 1>one to succeed him before he died. Each of her

0:24:38.680 --> 0:24:44.600
<v Speaker 1>fourteen brothers nearly revolted in response, and yet another compromise,

0:24:45.080 --> 0:24:49.800
<v Speaker 1>Kutalun remained the general of her father's elite military, while

0:24:49.840 --> 0:24:54.399
<v Speaker 1>her brother Oris took the mantle of government. Their rule

0:24:54.560 --> 0:24:59.880
<v Speaker 1>collapsed within four years, and the wrestler princess died under

0:24:59.880 --> 0:25:04.680
<v Speaker 1>he unclear circumstances, But the world that she and her

0:25:04.720 --> 0:25:08.360
<v Speaker 1>father had made out of the dramatic collapse of the

0:25:08.400 --> 0:25:14.400
<v Speaker 1>Mongol Empire had lasting consequences. Never again would a unified

0:25:14.520 --> 0:25:21.360
<v Speaker 1>Mongol power tame the autonomous step of Central Asia. Parsing

0:25:21.440 --> 0:25:26.120
<v Speaker 1>through the different versions of Kutalun's narrative yields an image

0:25:26.240 --> 0:25:30.159
<v Speaker 1>of an amicable relationship between a father who struggled to

0:25:30.240 --> 0:25:34.800
<v Speaker 1>keep his fledgling empire intact and a daughter whose skills

0:25:34.920 --> 0:25:38.840
<v Speaker 1>lent themselves to that task. For all we know, Kaidu

0:25:38.920 --> 0:25:43.320
<v Speaker 1>and Kutualun were on great terms, but reading between the

0:25:43.480 --> 0:25:49.119
<v Speaker 1>lines yields a slightly different, more complex picture. The Khan

0:25:49.200 --> 0:25:53.040
<v Speaker 1>may have offered Kutualun the chance to choose her own husband,

0:25:53.520 --> 0:25:57.280
<v Speaker 1>but both Marco Polo and Rashid al Din indicate that

0:25:57.359 --> 0:25:59.960
<v Speaker 1>this was a privilege that she had to fight for,

0:26:00.880 --> 0:26:05.840
<v Speaker 1>and fight she did. The warrior princess, as luminous as

0:26:05.880 --> 0:26:10.159
<v Speaker 1>the moon and stable as the Altai mountains, carved a

0:26:10.200 --> 0:26:13.960
<v Speaker 1>space for herself within the confines of a world that

0:26:14.119 --> 0:26:18.320
<v Speaker 1>didn't want her to take that space. Every compromise was

0:26:18.520 --> 0:26:21.479
<v Speaker 1>just as much a sign of her subjugation as it

0:26:21.640 --> 0:26:27.359
<v Speaker 1>was of her power. Nearly four centuries after Coutaloon's death,

0:26:27.720 --> 0:26:31.560
<v Speaker 1>the French diplomat Francois Petit de Lacroix was sent by

0:26:31.560 --> 0:26:35.480
<v Speaker 1>the court of Louis the fourteenth to Persia in sixteen

0:26:35.720 --> 0:26:40.520
<v Speaker 1>seventy four, where he stumbled upon the strange and strangely

0:26:40.680 --> 0:26:46.200
<v Speaker 1>familiar story of a Mongol princess turned wrestler. For one

0:26:46.240 --> 0:26:50.879
<v Speaker 1>hundred years, the English and French sponsored diplomatic missions to

0:26:51.000 --> 0:26:56.400
<v Speaker 1>the Ottoman and Cephavid empires to advance their mercantile interests abroad.

0:26:56.960 --> 0:26:59.639
<v Speaker 1>It was always useful to have someone who could speak

0:26:59.680 --> 0:27:03.119
<v Speaker 1>the land language of your competitor. Laquax was part of

0:27:03.160 --> 0:27:07.320
<v Speaker 1>that political tradition, but like so many of his contemporaries,

0:27:07.680 --> 0:27:13.520
<v Speaker 1>the so called orient also stoked his intellectual curiosity. His

0:27:13.640 --> 0:27:17.720
<v Speaker 1>father wrote the definitive biography of Genghis Khan, so the

0:27:17.800 --> 0:27:22.080
<v Speaker 1>young man had rather big shoes to fill. His interests

0:27:22.240 --> 0:27:27.520
<v Speaker 1>ranged from mystical poetry to biblical artifacts, but upon returning

0:27:27.560 --> 0:27:32.240
<v Speaker 1>to France, Laqua turned his attention on translating a compendium

0:27:32.240 --> 0:27:36.960
<v Speaker 1>of stories he had acquired on his travels. You've probably

0:27:37.040 --> 0:27:41.200
<v Speaker 1>heard of One thousand and one Nights, a frame narrative

0:27:41.359 --> 0:27:46.879
<v Speaker 1>featuring nested stories stories including Aladdin's Lamp and Ali Baba

0:27:46.880 --> 0:27:50.800
<v Speaker 1>and the Forty Thieves. Laquax was the first European to

0:27:51.000 --> 0:27:55.800
<v Speaker 1>translate the companion set of stories known as One thousand

0:27:55.840 --> 0:28:01.240
<v Speaker 1>and one Days for centuries, the last context European readers

0:28:01.320 --> 0:28:06.719
<v Speaker 1>had with Kutalun was Marco Polo's vague descriptions. At last,

0:28:07.160 --> 0:28:11.840
<v Speaker 1>Laqua breathed new life into her character, though not without

0:28:12.000 --> 0:28:20.080
<v Speaker 1>major changes to the story. Orientalists like Lacua often misconstrued dates, names,

0:28:20.240 --> 0:28:24.960
<v Speaker 1>even whole narratives as they translated from one language to another.

0:28:25.760 --> 0:28:31.000
<v Speaker 1>The so called orient became one big mesh of homogeneous

0:28:31.040 --> 0:28:36.480
<v Speaker 1>ideas and pictures. Think Agroba in Disney's Aladdin. Where in

0:28:36.520 --> 0:28:41.040
<v Speaker 1>the world exactly is Agroba supposed to be? Laqua didn't

0:28:41.080 --> 0:28:46.120
<v Speaker 1>exactly translate a new version of Kutalun's stories. Rather, he

0:28:46.240 --> 0:28:51.080
<v Speaker 1>conflated elements of her story with another narrative taken from

0:28:51.160 --> 0:28:57.320
<v Speaker 1>the twelfth century Persian poet Nizami, specifically the narrative of Turnidot,

0:28:57.880 --> 0:29:03.600
<v Speaker 1>literally the daughter of Turan. Turnidott had also tested suitors

0:29:03.680 --> 0:29:09.200
<v Speaker 1>for her hand in marriage, Except unlike Kutaloon's test, Turnidott's

0:29:09.360 --> 0:29:12.840
<v Speaker 1>test was a series of riddles, and the price of

0:29:12.920 --> 0:29:17.880
<v Speaker 1>failure was the suitor's head, not one hundred horses. And

0:29:18.000 --> 0:29:21.200
<v Speaker 1>if you're more familiar with the opera and you're wondering

0:29:21.280 --> 0:29:24.760
<v Speaker 1>why I'm pronouncing Turnidott with a T, it's because the

0:29:24.800 --> 0:29:29.720
<v Speaker 1>word is Persian, and Puccini, like me, wasn't great at pronunciation,

0:29:30.120 --> 0:29:34.160
<v Speaker 1>but in this case the Persian word is turnidot. To

0:29:34.320 --> 0:29:39.360
<v Speaker 1>eighteenth century European audiences, Turnidat and Kutaloon were more or

0:29:39.440 --> 0:29:43.080
<v Speaker 1>less the same person, despite the fact that one was

0:29:43.120 --> 0:29:47.720
<v Speaker 1>a fictional poetic character and the other was a historical princess.

0:29:48.400 --> 0:29:53.480
<v Speaker 1>In seventeen sixty two, the Italian playwright Carlo Gazzi picked

0:29:53.520 --> 0:29:56.440
<v Speaker 1>up the story of Turnidatt as the basis for a

0:29:56.600 --> 0:30:01.720
<v Speaker 1>new comedy full of playful, irreverent character. Turnidat was a

0:30:01.920 --> 0:30:06.360
<v Speaker 1>hit in eighteenth century Venice, but it wasn't until eighteen

0:30:06.440 --> 0:30:12.120
<v Speaker 1>o two when Kutaloun's European legacy would reach astronomical heights.

0:30:12.760 --> 0:30:18.840
<v Speaker 1>The German poet Friedrich Schiller translated Gozi's playful screenplay into

0:30:18.880 --> 0:30:23.920
<v Speaker 1>a sincere and heavily symbolic love story, and he produced

0:30:24.000 --> 0:30:27.120
<v Speaker 1>the play with a man who was none other than

0:30:27.240 --> 0:30:33.440
<v Speaker 1>Johann Wolfgang von Gerte. They treated their aristocratic audiences to

0:30:33.600 --> 0:30:38.640
<v Speaker 1>an abstracted, fairy tale version of Kutaloon. In this version

0:30:38.800 --> 0:30:43.720
<v Speaker 1>of the play, the audacious nobleman Kaliff agrees to compete

0:30:43.840 --> 0:30:48.000
<v Speaker 1>in Turnidat's test of riddles for her hand in marriage.

0:30:48.440 --> 0:30:53.120
<v Speaker 1>Turnidat meanwhile, is motivated to put up as many barriers

0:30:53.160 --> 0:30:57.240
<v Speaker 1>between her and her suitors as possible because, for some

0:30:57.440 --> 0:31:02.880
<v Speaker 1>unexplained reason, she just hates the male sex. Khaluff guesses

0:31:02.960 --> 0:31:05.760
<v Speaker 1>the answers to her riddles in a matter of minutes.

0:31:06.320 --> 0:31:11.760
<v Speaker 1>The spoiler alert The answers are all Christian virtues like faith, hope,

0:31:11.800 --> 0:31:17.040
<v Speaker 1>and finally love. But seeing that Turnidatt is unhappy with

0:31:17.120 --> 0:31:21.800
<v Speaker 1>the outcome, Kaliff agrees to his own execution if she

0:31:21.960 --> 0:31:24.840
<v Speaker 1>can guess his name in the course of a day.

0:31:25.640 --> 0:31:28.600
<v Speaker 1>So there's a little bit of Rumpelstiltskin in here. Too

0:31:29.720 --> 0:31:34.680
<v Speaker 1>Unable to do so, Turnidat is won over by Kaliff's selflessness.

0:31:35.160 --> 0:31:39.200
<v Speaker 1>He melts her ice cold heart through the power of love.

0:31:39.840 --> 0:31:43.680
<v Speaker 1>Turnidat cries out in the final lines, could I then,

0:31:43.880 --> 0:31:47.520
<v Speaker 1>after all this, look down in scorn on men? No?

0:31:48.240 --> 0:31:51.400
<v Speaker 1>And may Heaven forgive me all I did that made

0:31:51.480 --> 0:31:57.480
<v Speaker 1>me seem a monster in men's sight. Kutaloon embodied strength

0:31:57.560 --> 0:32:02.880
<v Speaker 1>that exceeded even her fiercest male competitors. Turnidat in fiction

0:32:03.600 --> 0:32:07.880
<v Speaker 1>was given a frail frame and an intelligent mind, though

0:32:07.920 --> 0:32:13.280
<v Speaker 1>not so intelligent as to outwit the hero Culloff. In history,

0:32:13.440 --> 0:32:20.040
<v Speaker 1>Kutaloun crushed every suitor in acts of glorious defiance. Turnidot's

0:32:20.200 --> 0:32:25.320
<v Speaker 1>ice cold heart was land to conquer. Kutaloon, in the end,

0:32:25.440 --> 0:32:30.800
<v Speaker 1>got to choose her husband. Turnidat really makes no such choice.

0:32:31.440 --> 0:32:35.040
<v Speaker 1>Far from an agent in her own life, Turnidat is

0:32:35.200 --> 0:32:40.000
<v Speaker 1>essentially a prize for the hero, a heavily distorted reflection

0:32:40.360 --> 0:32:45.400
<v Speaker 1>of the Mongol princess who once decimated armies like a hawk.

0:32:46.440 --> 0:32:51.000
<v Speaker 1>Jacomo Puccini created the most famous reproduction of Turnidat in

0:32:51.080 --> 0:32:55.640
<v Speaker 1>his nineteen twenty four opera of the same name. One

0:32:55.880 --> 0:32:59.680
<v Speaker 1>solo from Puccini's work may be the single most famous

0:32:59.720 --> 0:33:05.160
<v Speaker 1>moment and in opera history. Coincidentally that solo has Kuloff

0:33:05.480 --> 0:33:10.640
<v Speaker 1>proclaiming Turnidat as his wife. The real Kutaloon and her

0:33:10.760 --> 0:33:16.520
<v Speaker 1>victories have all but disappeared from view. Lying underneath every

0:33:16.640 --> 0:33:21.880
<v Speaker 1>depiction of the fictional Turnidat, behind every closed curtain at

0:33:21.920 --> 0:33:27.160
<v Speaker 1>her opera, is a real princess whose life was incomprehensible

0:33:27.240 --> 0:33:31.440
<v Speaker 1>to the framework of gender that modern Europe had developed

0:33:31.480 --> 0:33:35.720
<v Speaker 1>and then projected onto the world. Perhaps opera goers in

0:33:35.880 --> 0:33:40.120
<v Speaker 1>Vienna and Milan would have reacted to Kutualoun just as

0:33:40.240 --> 0:33:44.680
<v Speaker 1>Rashid al Din did, dismissive of her for going around

0:33:44.840 --> 0:33:48.040
<v Speaker 1>like a boy. That's not the type of heroin anyone

0:33:48.040 --> 0:33:51.400
<v Speaker 1>wants to see in an opera. But for all we know,

0:33:51.680 --> 0:33:55.600
<v Speaker 1>the real Kutaloon would have worn that criticism like a

0:33:55.640 --> 0:34:09.640
<v Speaker 1>badge of honor. That's the story of the real, historical Kutaloon.

0:34:10.080 --> 0:34:13.680
<v Speaker 1>But keep listening after a brief sponsor break to hear

0:34:13.880 --> 0:34:17.360
<v Speaker 1>a little bit more about how her legacy continues in

0:34:17.400 --> 0:34:27.920
<v Speaker 1>the present day. Every year, in the midst of summer,

0:34:28.160 --> 0:34:33.840
<v Speaker 1>Mongolia gears up for Nedam literally Games, a traditional festival

0:34:33.960 --> 0:34:39.360
<v Speaker 1>featuring acrobatic performances and athletic competitions. Youth face off in

0:34:39.560 --> 0:34:43.600
<v Speaker 1>horse riding and archery, but the most beloved sport is

0:34:43.760 --> 0:34:49.080
<v Speaker 1>to this day wrestling. There have probably been major esthetic

0:34:49.200 --> 0:34:54.120
<v Speaker 1>and policy changes in wrestling since the thirteenth century, namely

0:34:54.239 --> 0:34:57.880
<v Speaker 1>no more wagering horses for your opponent's hand in marriage,

0:34:58.320 --> 0:35:02.680
<v Speaker 1>but otherwise the main is pretty much the same. The

0:35:02.760 --> 0:35:05.399
<v Speaker 1>first to touch the ground with a part of their

0:35:05.440 --> 0:35:10.680
<v Speaker 1>body besides their feet loses. Before and after the match,

0:35:10.960 --> 0:35:16.080
<v Speaker 1>competitors perform an eagle dance that represents the mythical Garuda bird,

0:35:16.440 --> 0:35:21.120
<v Speaker 1>symbolizing bravery and grace. Though each region has its own

0:35:21.280 --> 0:35:26.520
<v Speaker 1>style of pre and post match rituals, Thousands of men

0:35:26.640 --> 0:35:30.960
<v Speaker 1>compete yearly, and depending on your ranking in an overall tournament,

0:35:31.360 --> 0:35:36.719
<v Speaker 1>they're bestowed with different titles like Elephant, Lion, or Giant.

0:35:37.800 --> 0:35:42.200
<v Speaker 1>The general perception is that these traditions also symbolize an

0:35:42.280 --> 0:35:48.560
<v Speaker 1>uninterrupted inheritance from the mythologized founding of Mongolia under Genghis Khan,

0:35:48.880 --> 0:35:52.400
<v Speaker 1>who himself used wrestling as a method of keeping his

0:35:52.560 --> 0:35:59.239
<v Speaker 1>troops in shape. One particularly unusual element in contemporary Mongolian

0:35:59.239 --> 0:36:03.600
<v Speaker 1>wrestling is the costume that the athletes wear, a two

0:36:03.680 --> 0:36:08.640
<v Speaker 1>piece suit that covers one's shoulders, arms, and back, but

0:36:08.840 --> 0:36:13.279
<v Speaker 1>opens to reveal the chest. Theories have circulated on the

0:36:13.320 --> 0:36:16.960
<v Speaker 1>origins of the uniform, but one of the most prominent

0:36:17.120 --> 0:36:24.560
<v Speaker 1>explanations credit Kutloon as Mongolian military and athletic institutions over

0:36:24.600 --> 0:36:30.279
<v Speaker 1>the centuries gradually began marginalizing women. It was considered far

0:36:30.400 --> 0:36:34.160
<v Speaker 1>too inappropriate for a woman to compete in a sport

0:36:34.719 --> 0:36:38.799
<v Speaker 1>seen as the domain of men. Some suggest that the

0:36:38.960 --> 0:36:43.520
<v Speaker 1>wrestling uniforms open torso emerged as a way for the

0:36:43.600 --> 0:36:49.600
<v Speaker 1>audience to confirm that all participants were indeed male. The

0:36:49.640 --> 0:36:53.279
<v Speaker 1>winner of the competition would raise their arms at the

0:36:53.400 --> 0:36:56.840
<v Speaker 1>end of a match, not only to celebrate, but also

0:36:57.000 --> 0:37:01.239
<v Speaker 1>to clarify their sex to the audience. To this day,

0:37:01.440 --> 0:37:05.320
<v Speaker 1>while women are allowed to compete in horse riding and archery,

0:37:06.080 --> 0:37:11.680
<v Speaker 1>they are barred from traditional wrestling matches. This genealogy is

0:37:11.760 --> 0:37:17.280
<v Speaker 1>all very speculative, but there is something rather poetic about

0:37:17.400 --> 0:37:21.839
<v Speaker 1>male wrestlers still motivated by the fear of suffering a

0:37:21.960 --> 0:37:27.319
<v Speaker 1>humiliating defeat at the hands of a woman. Kutalin's reputation

0:37:28.239 --> 0:37:47.840
<v Speaker 1>continues after her. Noble Blood is a production of iHeartRadio

0:37:48.280 --> 0:37:52.000
<v Speaker 1>and Grim and Mild from Aaron Manky. Noble Blood is

0:37:52.080 --> 0:37:56.640
<v Speaker 1>created and hosted by me Dana Schwartz, with additional writing

0:37:56.719 --> 0:38:02.440
<v Speaker 1>and researching by Hannah Johnston, Hannah's Wi, Mira Hayward, Courtney Sender,

0:38:02.560 --> 0:38:06.680
<v Speaker 1>and Lori Goodman. The show is edited and produced by

0:38:06.760 --> 0:38:12.120
<v Speaker 1>Noemi Griffin and rima Il Kahali, with supervising producer Josh

0:38:12.280 --> 0:38:17.680
<v Speaker 1>Thain and executive producers Aaron Manke, Alex Williams, and Matt Frederick.

0:38:18.160 --> 0:38:24.240
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcasts,

0:38:24.360 --> 0:38:26.640
<v Speaker 1>or wherever you listen to your favorite shows.