WEBVTT - Jesse Tyler Ferguson

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<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up Tour continues throughout

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<v Speaker 1>twenty twenty four. For a full list of dates and tickets,

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<v Speaker 1>go to the Craig Ferguson Show dot com slash tour.

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<v Speaker 1>See you out there, the Greig Ferguson show dot Com

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<v Speaker 1>slash Tour. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interest in people

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<v Speaker 1>about what brings them happiness. You probably know my next

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<v Speaker 1>guest from his work on Modern Family. But let me

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<v Speaker 1>tell you this. Jesse Tyler Ferguson, and he's one of

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<v Speaker 1>the Tyler Fergusons, which makes him better than me. Has

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<v Speaker 1>a fascinating career and story. Let's listen to it.

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<v Speaker 2>I have my own podcast now that I'm going to

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<v Speaker 2>talk about. Oh yeah, that's always the thing. When it's

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<v Speaker 2>like a friend of mine, I was.

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<v Speaker 1>Like, oh, I'm gonna, yeah, we're rolling out somebodyeah talk.

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<v Speaker 3>About something like they might you know, I not want

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<v Speaker 3>to talk about.

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<v Speaker 1>But ilwa was try just I mean I would try

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<v Speaker 1>you in a position today, Well you talk about something

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<v Speaker 1>you don't want to talk about. But there's very little

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<v Speaker 1>that I won't talk about. But you know, the truth

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<v Speaker 1>is as well, I think that it's it's I don't

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<v Speaker 1>want to do that to people anyway. Yeah, so why

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<v Speaker 1>would you do it in a like I'm not a

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<v Speaker 1>journalist of course. Now tell me about something you're so

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<v Speaker 1>ashamed of. Yeah, like, I don't I want to hear

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<v Speaker 1>that from you.

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<v Speaker 3>Got to get that question now, I don't know what

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<v Speaker 3>it would be.

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<v Speaker 1>Okay, Then tell me something you're really ashamed of. Yeah,

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<v Speaker 1>I don't.

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<v Speaker 3>I don't want to talk about that right now.

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<v Speaker 1>You I've always been jaious of you for two reasons.

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<v Speaker 1>Tell me, Well, one your Broadway Royalty, which is I

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<v Speaker 1>think a great thing to be. I just admirable and aspirational.

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<v Speaker 1>And the other thing is, you know, not just Jesse Ferguson,

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<v Speaker 1>you're Jesse Tyler.

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<v Speaker 2>Yeah, there's already a Jesse Ferguson, and yeah, I figured

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<v Speaker 2>it might be that. Yeah, So I had to go

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<v Speaker 2>with my middle name, and I'm named after my grandmother,

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<v Speaker 2>so I really wanted to keep the Jesse.

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<v Speaker 3>I like the name Jesse.

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<v Speaker 1>Yeah, this is nice name.

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<v Speaker 2>And I wanted kids and that I grew up with

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<v Speaker 2>to know that I had succeeded because I was bullied

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<v Speaker 2>a lot as a kid.

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<v Speaker 1>You surprised me. You from Montana or something.

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<v Speaker 2>I'm was born in Montana, raised in Albuquerque, Okay. And

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<v Speaker 2>I was just not very popular, you know. I was

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<v Speaker 2>a sort of an awkward kid, and I was pretty

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<v Speaker 2>ruthlessly bullied. And then when I made well, I you know,

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<v Speaker 2>became very successful, and the thing that I wanted to do,

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<v Speaker 2>I wanted all the assholes who bullied me to know

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<v Speaker 2>that I'd made it.

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<v Speaker 3>So I kept Ferguson.

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<v Speaker 2>So they're going to remember that name, Jessica when I

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<v Speaker 2>throwned the tyler.

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<v Speaker 1>So it's funny because have you ever met the head

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<v Speaker 1>of the Ferguson clan name? No, he's a friend of mine,

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<v Speaker 1>No really, yeah yeah yeah. His name is Adam. He

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<v Speaker 1>lives in a place called cal Karen, which is the

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<v Speaker 1>seat of the Ferguson name in Ayrshire and Scotland and

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<v Speaker 1>island Tom. He's spectacular, that's fascinating.

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<v Speaker 3>I have him.

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<v Speaker 2>When my grandmother passed away, I took a book from

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<v Speaker 2>our house and it was all about the Scottish Tartans

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<v Speaker 2>and I she had a little squatch of fabric from

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<v Speaker 2>the Ferguson Tartan so I.

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<v Speaker 1>Have that you don't have a kilt in the Ferguson tartan.

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<v Speaker 3>I don't, I don't. I should get one made.

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<v Speaker 1>I feel like I feel like I know what's coming from.

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<v Speaker 2>Let me tell you what though, I feel like the

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<v Speaker 2>Ferguson tartan is the same as the private school uniform

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<v Speaker 2>that I had to grow up wearing our Lady of Fatima,

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<v Speaker 2>and I think, I mean, it's listen, it was.

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<v Speaker 3>It's a very lovely tartan. But like that's what it

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<v Speaker 3>will remind me of.

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<v Speaker 1>But maybe it's time. Maybe it's time to let it go.

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<v Speaker 3>Yeah, to let it go and like reclaim.

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<v Speaker 1>Reclaim the reclaim the plaid. I feel like, actually that

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<v Speaker 1>that sounds like a rallying cry right, reclaim the plaid. Yeah, yeah, yeah,

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<v Speaker 1>I might be doing that for fashion Week this year,

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<v Speaker 1>reclaiming the plaid. Yeah, I'm reclaiming the plaid. It's funny

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<v Speaker 1>because when I think of you growing up in Albuquerque,

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<v Speaker 1>because you look like a lot of guys that I

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<v Speaker 1>grew up with. You, you have the coloring and the

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<v Speaker 1>complex and of a lot of people I grew up

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<v Speaker 1>with in Albuquerque. Must have been tough for someone of your.

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<v Speaker 2>My my skin tone of right, I'm not the greatest

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<v Speaker 2>place to raise the right head, well.

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<v Speaker 1>Redhead in the sun like that. Then you were bullied

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<v Speaker 1>at school, I'm amazed you're not a stack up community.

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<v Speaker 1>It sounds traumatic. Was it really bad?

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<v Speaker 3>Do you think it was pretty bad? Yeah? It was

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<v Speaker 3>pretty bad.

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<v Speaker 2>In fact, when I was in grade school in my

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<v Speaker 2>eighth grade year, I well, right before my eighth grade year,

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<v Speaker 2>I told my parents was like, it's really blea good. Yeah,

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<v Speaker 2>well they actually changed I changed schools.

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<v Speaker 1>Listening to you, did it help?

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<v Speaker 2>Yeah, I mean it was nice to be relocated to

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<v Speaker 2>a different like a different pool of people. I was,

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<v Speaker 2>you know, didn't like I didn't. It didn't change who

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<v Speaker 2>I was. I was, you know, a very shy kid,

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<v Speaker 2>so you know, I still wasn't super popular, but it

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<v Speaker 2>sort of gave me a little bit of a relief

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<v Speaker 2>from the constant bullying. But then I went to the

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<v Speaker 2>high school I went to was the one Catholic high

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<v Speaker 2>school in Albuquerque, and so a lot of the people

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<v Speaker 2>that I went to grade school with I saw them

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<v Speaker 2>again when I was in high school.

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<v Speaker 3>But it was a bigger pond, you know.

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<v Speaker 1>Right, so it was easier to escape you. Are you

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<v Speaker 1>an observant Catholic?

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<v Speaker 2>No, no, no, no, no, all right, there's your coffee.

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<v Speaker 3>What did you get?

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<v Speaker 1>Just I like a thank you very much. It's just coffee.

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<v Speaker 1>I like just a regular coffee. No sugar, no sugar,

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<v Speaker 1>no milk. Two shorts of this spread. So but in

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<v Speaker 1>a cup that normally has three.

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<v Speaker 3>Okay, okay, so that's a clever red eye.

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<v Speaker 1>Yeah that's right, it's a slightly let Do you want

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<v Speaker 1>a cup of coffee?

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<v Speaker 3>No, I've had my I've had two today and.

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<v Speaker 1>Yeah, that's that's all I get. As well, this is

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<v Speaker 1>my second, and then that's I get two cups. Ago.

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<v Speaker 1>I have become that guy. Yeah, that used to be

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<v Speaker 1>so bad. You never you never fail into that drugs

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<v Speaker 1>and alcohol and all that kind of stuff. No, no, no,

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<v Speaker 1>but I did cut back on drinking a lot this year.

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<v Speaker 3>Just you know, but your kids are young.

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<v Speaker 2>My kids are young, and I'm just I can't deal

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<v Speaker 2>with a hangover. So my coffee intake has definitely opped.

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<v Speaker 1>Yeah. Yeah. Do you ever get like this is the

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<v Speaker 1>sight of middle I think, do you ever get to

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<v Speaker 1>the point where it's nighttime and you're excited, oh because

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<v Speaker 1>morning's coming and you can.

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<v Speaker 3>Go, you know, Craig something. I wake up and I'm

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<v Speaker 3>excited for night time.

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<v Speaker 2>I'm like, oh my god, in twelve hours, are going

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<v Speaker 2>to be back in the same spot.

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<v Speaker 1>It'll be time again. Oh god. Absolutely, I get excited

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<v Speaker 1>for breakfast. I mean that pathantic is that it's like, oh,

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<v Speaker 1>I'm going to I can't eat late at night because

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<v Speaker 1>I'll get you know, into gest but in the morning,

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<v Speaker 1>I'm going to have such a breakfast right right right.

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<v Speaker 1>So let me tell you that you're you're growing up

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<v Speaker 1>in Albuquerque, in New Mexico, Yeah, right where they have

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<v Speaker 1>got the Rattlesting Museum. I believe we've discussed this, Yes, yeah,

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<v Speaker 1>we talked, and I think myself, No, you're a theater

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<v Speaker 1>kid and you're growing up in a society at that

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<v Speaker 1>time it's not really cool to be a theater kid

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<v Speaker 1>who's emerging as a gay man as well.

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<v Speaker 2>It's going to be especially in Albuquerque, New Mexico. There

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<v Speaker 2>just wasn't a community there to sort of support that

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<v Speaker 2>probably is not I would think more so now. Yeah, absolutely,

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<v Speaker 2>you know, I think Albaque has changed a lot, and

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<v Speaker 2>I I do. I do still I've always loved Albuquerque,

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<v Speaker 2>even though I had a kind of tricky childhood there.

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<v Speaker 2>But I do like going back and visiting. I've I've

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<v Speaker 2>taken my kids for that. They have the largest international

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<v Speaker 2>hot air Ballymfiesta there.

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<v Speaker 1>Yes, that's which.

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<v Speaker 2>Unbelievable. So I really like, I really like going back

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<v Speaker 2>for that. I saw a family that lives there. I

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<v Speaker 2>love the food there. I I have grown to sort

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<v Speaker 2>of appreciate the state as as a as a nice

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<v Speaker 2>place to visit now. But yeah, when I was a kid,

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<v Speaker 2>you know that, especially as a theater kid, there wasn't

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<v Speaker 2>a lot of opportunity.

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<v Speaker 3>There was a great we had a pretty great.

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<v Speaker 2>Community theater program, and I you know, I had auditioned

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<v Speaker 2>for the shows. But in my my my high school

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<v Speaker 2>didn't have a great theater program.

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<v Speaker 1>But you but you're a Catholic. There's plenty of theater

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<v Speaker 1>in the Catholic church.

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<v Speaker 3>Oh my god.

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<v Speaker 1>You know, circumstance because I was raised as a Protestant Scotland.

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<v Speaker 1>I mean we get you know, the wolves are painted

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<v Speaker 1>why and maybe we get a heater in the church.

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<v Speaker 1>Maybe don't. That's it. But you know, the Catholic kids,

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<v Speaker 1>they go wow, they kind of scared me. Actually, was like,

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<v Speaker 1>go the Korra.

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<v Speaker 2>I mean, looking back on it, I'm just you know,

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<v Speaker 2>that was you know, I go to Mass every day.

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<v Speaker 2>Every morning would start with and when I was in

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<v Speaker 2>grade school, every morning would start with a Mass, you know,

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<v Speaker 2>an abbreviated Mass, thirty minutes usually, but then we would

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<v Speaker 2>go to Mass, take the Eucharist every morning every morning. Well,

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<v Speaker 2>you know, after my first communion. Uh yeah, but I

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<v Speaker 2>had my first communion, I was baptized, I did all that,

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<v Speaker 2>all that stuff. And it's funny because my parents weren't.

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<v Speaker 2>They weren't super observant sort of the it felt like

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<v Speaker 2>a community that they were raised in and then decided

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<v Speaker 2>to raise their kids in. But you know, I kind

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<v Speaker 2>of broke the mold for what.

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<v Speaker 1>About because you're a parent, you got little kids. I

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<v Speaker 1>mean that sometimes changes people's perception of their religion and

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<v Speaker 1>their upbringing. Sure, what do you think.

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<v Speaker 2>Well, we aren't a religious family, you know, just since

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<v Speaker 2>what didn't go to church. But you know, I think

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<v Speaker 2>that it's sad thing of as I'm as I'm teaching

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<v Speaker 2>my kids, you know, I'm learning that you know, certain

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<v Speaker 2>ideas that I'm trying to teach them are rooted in

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<v Speaker 2>like my faith and certain things are rooted in like

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<v Speaker 2>just my my who I am as a person. Now,

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<v Speaker 2>you know, I meditate a lot and I like to

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<v Speaker 2>I'm spiritual, I guess in a different way. So you

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<v Speaker 2>know a lot of those a lot of those ideas

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<v Speaker 2>are pasted down to my kids. But like I you know,

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<v Speaker 2>I'm I haven't we haven't taken them to church. We

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<v Speaker 2>haven't done any of that stuff. You know, we certainly

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<v Speaker 2>certainly around. It's interesting because we you know, my son

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<v Speaker 2>now understands what Christmas is, and you know, it's you know,

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<v Speaker 2>I I was like, well do we start talking about

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<v Speaker 2>this other thing, this like Catholic component to it or not?

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<v Speaker 2>And and you know, I when I was a kid,

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<v Speaker 2>I created a Nativity scene for myself and it's this

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<v Speaker 2>really adorable thing, created on blocks with pieces of felt.

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<v Speaker 1>And I enjoyed points.

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<v Speaker 2>It's so it's so adorable, and my parents saved it

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<v Speaker 2>and they pas down to me and so we put

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<v Speaker 2>it out every year.

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<v Speaker 3>But it's just like weird thing.

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<v Speaker 2>It's you know, my kids don't know what it is.

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<v Speaker 2>I'm like, well, this is the baby Jesus. I'm like,

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<v Speaker 2>what am I talking about?

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<v Speaker 1>But I love all the tradition of all. I mean,

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<v Speaker 1>I think I feel like with religion, what I do

0:10:15.760 --> 0:10:17.160
<v Speaker 1>now is I take what I want and I leave

0:10:17.200 --> 0:10:20.120
<v Speaker 1>the rest. Yeah, and if anyone's got a problem with that,

0:10:20.240 --> 0:10:22.160
<v Speaker 1>then they had a problem in the first place. Right,

0:10:22.480 --> 0:10:25.800
<v Speaker 1>It's that whole thing of you know, a lot of

0:10:25.840 --> 0:10:28.960
<v Speaker 1>people who are angry, they were angry before they even

0:10:28.960 --> 0:10:31.200
<v Speaker 1>heard are you that's right? You know, so it's kind

0:10:31.200 --> 0:10:34.800
<v Speaker 1>of you got to let it go. Yeah. I wonder though,

0:10:34.960 --> 0:10:38.440
<v Speaker 1>because I think you said you're a spiritual person, and

0:10:38.520 --> 0:10:41.760
<v Speaker 1>I think about that a lot, and I'm not a

0:10:41.800 --> 0:10:45.200
<v Speaker 1>religious person, but I find that I can't. For a

0:10:45.240 --> 0:10:47.839
<v Speaker 1>while there I thought it was an atheist, but it

0:10:47.920 --> 0:10:53.400
<v Speaker 1>felt like too dogmatic and rigid to take like you

0:10:53.480 --> 0:10:54.360
<v Speaker 1>knew the answer.

0:10:54.520 --> 0:10:56.000
<v Speaker 3>Yeah, I get that.

0:10:56.320 --> 0:11:00.679
<v Speaker 1>Yeah, it's like, you know, all these theologians, Thomas of Aquina, Einstein,

0:11:00.720 --> 0:11:02.839
<v Speaker 1>they were all wrong. But I'm right.

0:11:02.840 --> 0:11:06.520
<v Speaker 2>Right, right, I mean, I certainly I never thought of

0:11:06.520 --> 0:11:09.880
<v Speaker 2>myself as an atheist, but I don't know, it's sort

0:11:09.880 --> 0:11:14.240
<v Speaker 2>of I think it's okay to be uncategory and uncategorizable.

0:11:14.679 --> 0:11:16.560
<v Speaker 2>I think that's okay, totally fine.

0:11:16.600 --> 0:11:19.080
<v Speaker 1>I think actually, with things that are going on right

0:11:19.080 --> 0:11:22.839
<v Speaker 1>now in lots of areas of society. Huh. I think

0:11:22.920 --> 0:11:26.720
<v Speaker 1>that that's actually good, it's healthy, because I was thinking

0:11:26.720 --> 0:11:30.040
<v Speaker 1>that there. I was. I was thinking about, you know,

0:11:30.160 --> 0:11:35.120
<v Speaker 1>what's the statute of limitations on gay because when I

0:11:35.160 --> 0:11:40.600
<v Speaker 1>was eighteen nineteen years old, I gate for you, Yeah,

0:11:42.000 --> 0:11:43.959
<v Speaker 1>how are you going to know something you like something

0:11:44.000 --> 0:11:46.960
<v Speaker 1>unless you try? And I tried it thought well, it's okay,

0:11:47.000 --> 0:11:49.440
<v Speaker 1>and I like the person involved, but it's not really

0:11:49.520 --> 0:11:54.280
<v Speaker 1>for me. And then I thought, but does that you know,

0:11:54.480 --> 0:11:56.840
<v Speaker 1>what does that? Where does that place me in the Well?

0:11:56.880 --> 0:12:01.280
<v Speaker 2>I think everything's on a spectrum, you know, So that's yeah.

0:12:01.360 --> 0:12:03.800
<v Speaker 2>I know so many people who are very straight and

0:12:03.960 --> 0:12:08.160
<v Speaker 2>have kids and have wonderful marriages, and you know, they

0:12:08.240 --> 0:12:11.960
<v Speaker 2>dabbled a bit in high school and college, and you know,

0:12:12.040 --> 0:12:13.160
<v Speaker 2>it's and.

0:12:13.120 --> 0:12:15.360
<v Speaker 1>The other way around. By the way, I know plenty

0:12:15.400 --> 0:12:17.600
<v Speaker 1>of gay men who were straight.

0:12:18.320 --> 0:12:20.959
<v Speaker 3>Now, hey, now, now that's something I haven't done. Well,

0:12:21.080 --> 0:12:21.960
<v Speaker 3>I've never dabbled.

0:12:22.240 --> 0:12:24.720
<v Speaker 1>Wow, you know, I look, if you're making fail.

0:12:26.200 --> 0:12:28.160
<v Speaker 3>I know, that's right, that's right, that's right.

0:12:28.240 --> 0:12:30.200
<v Speaker 1>Did you know right away you were like, oh gosh,

0:12:30.360 --> 0:12:31.360
<v Speaker 1>this is what I'm dealing with.

0:12:31.600 --> 0:12:34.320
<v Speaker 2>Well, I don't necessarily know how to categorize it. But

0:12:34.360 --> 0:12:39.480
<v Speaker 2>I knew that it was something that was not you know,

0:12:39.520 --> 0:12:41.160
<v Speaker 2>growing up Catholic. You know, that's sort of all you

0:12:41.160 --> 0:12:41.840
<v Speaker 2>hear about is like.

0:12:41.840 --> 0:12:43.600
<v Speaker 3>You know, anal It's.

0:12:43.520 --> 0:12:45.559
<v Speaker 2>Like, oh gosh, it just seems like it's something I'm

0:12:45.559 --> 0:12:48.640
<v Speaker 2>not super interested in. Or I didn't see a place

0:12:48.640 --> 0:12:53.120
<v Speaker 2>for myself in that, you know that in that arrangement.

0:12:53.200 --> 0:12:56.040
<v Speaker 2>But like I I don't know if I knew that

0:12:56.080 --> 0:12:58.680
<v Speaker 2>it was gay until you know, I was a little older.

0:12:58.840 --> 0:13:00.640
<v Speaker 1>But I wonder if do you think that's what I

0:13:00.720 --> 0:13:03.360
<v Speaker 1>tried to do to theater and broadways because it has

0:13:03.400 --> 0:13:06.800
<v Speaker 1>a lot of the drama and the pageantry and the

0:13:06.800 --> 0:13:11.360
<v Speaker 1>ceremony even of Catholic church, but it famously much more

0:13:11.400 --> 0:13:12.880
<v Speaker 1>accepting of gay people, right.

0:13:14.320 --> 0:13:16.760
<v Speaker 2>I mean perhaps I did like the you know at

0:13:16.840 --> 0:13:20.840
<v Speaker 2>Christmas time, the live Nativity scene. Who does you know

0:13:20.920 --> 0:13:26.319
<v Speaker 2>that the shows in church were really exciting. Yeah, but

0:13:26.400 --> 0:13:27.679
<v Speaker 2>you know it was all about for me, like the

0:13:27.679 --> 0:13:30.000
<v Speaker 2>production value. If it looked good, then I was into it,

0:13:30.320 --> 0:13:32.640
<v Speaker 2>you know, I didn't want to look great.

0:13:32.920 --> 0:13:33.120
<v Speaker 3>Yeah.

0:13:33.200 --> 0:13:37.160
<v Speaker 1>I just find that so kind of it's something very

0:13:37.200 --> 0:13:39.840
<v Speaker 1>wholesome about that. I think something lovely about it. Sure,

0:13:40.000 --> 0:13:42.439
<v Speaker 1>So how did you how did you get from Albuquerque.

0:13:42.600 --> 0:13:44.880
<v Speaker 1>To to broadly what happened.

0:13:45.080 --> 0:13:48.960
<v Speaker 2>I came to New York right after I graduated high school.

0:13:49.240 --> 0:13:51.520
<v Speaker 2>I was accepted into a performance arts academy called the

0:13:51.559 --> 0:13:54.880
<v Speaker 2>American Musical and Dramatic Academy. Uh And so my dad

0:13:54.920 --> 0:13:58.280
<v Speaker 2>and I drove cross country and his suburban and we

0:13:58.360 --> 0:14:00.600
<v Speaker 2>packed all my stuff up in the back seat. And

0:14:01.080 --> 0:14:03.200
<v Speaker 2>it was like a four day road trip for me.

0:14:04.280 --> 0:14:06.640
<v Speaker 2>You no, I know, he's so sort of him to

0:14:06.679 --> 0:14:09.760
<v Speaker 2>drive me. And then we drove into Manhattan and the suburban.

0:14:09.840 --> 0:14:11.719
<v Speaker 2>You know, my dad, it's you know, he's a used

0:14:11.720 --> 0:14:13.760
<v Speaker 2>to driving driving in Albuquque in Mexico. Here we are

0:14:13.760 --> 0:14:16.720
<v Speaker 2>in Manhattan and people are honking at us, and you know,

0:14:16.800 --> 0:14:18.680
<v Speaker 2>they are very aggressive drivers in New York.

0:14:18.720 --> 0:14:20.800
<v Speaker 3>And my dad's, you know, a rule follower.

0:14:21.040 --> 0:14:22.880
<v Speaker 2>You know, he's the type of guy that, like Hanks

0:14:22.920 --> 0:14:25.120
<v Speaker 2>twice before backing up to make sure no one's behind him.

0:14:25.400 --> 0:14:28.600
<v Speaker 2>You know this, this type of timid driving was not

0:14:28.680 --> 0:14:32.400
<v Speaker 2>going to fly in Manhattan. So he dropped me off,

0:14:32.440 --> 0:14:35.080
<v Speaker 2>we unloaded the car. I think he stayed a few

0:14:35.160 --> 0:14:37.600
<v Speaker 2>days with me while I sort of settled in, and

0:14:37.600 --> 0:14:39.960
<v Speaker 2>then he drove back to Albuquerque and left me behind

0:14:40.000 --> 0:14:41.760
<v Speaker 2>in New York and did you feel.

0:14:41.480 --> 0:14:45.040
<v Speaker 1>Like you were you were where you were meant to be. Yeah.

0:14:45.280 --> 0:14:47.840
<v Speaker 2>You know, it's interesting. I had never even before I

0:14:47.840 --> 0:14:49.280
<v Speaker 2>went to New York, I knew that's where I wanted

0:14:49.320 --> 0:14:50.360
<v Speaker 2>to go. And I think part of it is just

0:14:50.360 --> 0:14:52.400
<v Speaker 2>because I would watch the Tony Awards on TV and

0:14:52.440 --> 0:14:56.040
<v Speaker 2>I knew that this place that had this incredible theater

0:14:56.120 --> 0:14:59.000
<v Speaker 2>scene called Broadway was you know, it existed only in

0:14:59.000 --> 0:15:02.360
<v Speaker 2>New York City, and I just I had I was

0:15:02.400 --> 0:15:04.160
<v Speaker 2>aware enough of that that culture.

0:15:04.200 --> 0:15:04.360
<v Speaker 1>You know.

0:15:04.360 --> 0:15:07.280
<v Speaker 2>I had all these cast albums and I would collect

0:15:07.440 --> 0:15:10.200
<v Speaker 2>the musical scores of these shows. Even though I didn't

0:15:10.200 --> 0:15:11.880
<v Speaker 2>really play piano. I would just like to look at

0:15:11.880 --> 0:15:13.880
<v Speaker 2>the photos and like, look at the sheet music, and

0:15:14.040 --> 0:15:18.760
<v Speaker 2>I just had a great appreciation for the work that

0:15:19.200 --> 0:15:21.480
<v Speaker 2>went into putting these shows on and I want to

0:15:21.520 --> 0:15:23.119
<v Speaker 2>be a part of that in whatever capacity.

0:15:23.280 --> 0:15:25.920
<v Speaker 1>It is a real world into itself Broadway as well.

0:15:25.920 --> 0:15:29.360
<v Speaker 1>It's fascinating that there are people who are big stars

0:15:29.400 --> 0:15:33.040
<v Speaker 1>on Broadway that you know, cross the East River and

0:15:33.440 --> 0:15:35.680
<v Speaker 1>you know, people are like, I'm sorry, I don't know

0:15:35.680 --> 0:15:37.360
<v Speaker 1>who you were talking about, you know, I mean, it's

0:15:37.480 --> 0:15:38.240
<v Speaker 1>it's I had.

0:15:38.160 --> 0:15:40.600
<v Speaker 2>To explain the other day to someone who Patty Lapone was,

0:15:40.640 --> 0:15:42.400
<v Speaker 2>and I was like, I'm sorry, I don't know if

0:15:42.400 --> 0:15:42.920
<v Speaker 2>I can do this.

0:15:43.280 --> 0:15:48.400
<v Speaker 1>Wait, yeah, but I think that it's quite an interesting

0:15:48.440 --> 0:15:52.240
<v Speaker 1>thing because you there's somebody that there was anctor called,

0:15:52.280 --> 0:15:54.640
<v Speaker 1>you know, Jim Dale, of course, and Jim Dale was

0:15:54.640 --> 0:15:57.760
<v Speaker 1>a huge Broadway star, but in Britain. I knew him

0:15:57.760 --> 0:16:00.520
<v Speaker 1>from doing these kind of cheesy comedies when I was

0:16:00.560 --> 0:16:02.840
<v Speaker 1>a kid growing up. We used to that and I

0:16:02.880 --> 0:16:05.840
<v Speaker 1>only heard years later he had become this force on

0:16:05.840 --> 0:16:08.840
<v Speaker 1>on Broadway. It's such a such a strange thing. Well

0:16:08.880 --> 0:16:10.200
<v Speaker 1>have you done there recently?

0:16:10.720 --> 0:16:12.800
<v Speaker 3>My most recent thing on Broadway was a play called

0:16:12.800 --> 0:16:16.760
<v Speaker 3>Take Me Out, about a baseball team. The lead player,

0:16:16.800 --> 0:16:19.800
<v Speaker 3>who's like a Derek Jeter type, comes out of the closet.

0:16:20.160 --> 0:16:23.800
<v Speaker 3>That role was played by Jesse Williams from Grey's Anatomy Okay,

0:16:24.280 --> 0:16:27.280
<v Speaker 3>who's a fantastic stage actress. It was his stage debut,

0:16:27.800 --> 0:16:30.560
<v Speaker 3>and I played his business manager, who is a gay

0:16:30.600 --> 0:16:32.440
<v Speaker 3>man who doesn't know anything about baseball and then falls

0:16:32.480 --> 0:16:37.320
<v Speaker 3>in love with the game. C It's a beautiful play

0:16:37.320 --> 0:16:38.960
<v Speaker 3>written by Richard Greenberg.

0:16:38.560 --> 0:16:38.960
<v Speaker 1>Who.

0:16:40.600 --> 0:16:42.680
<v Speaker 3>Is such a lover of baseball, and I had these

0:16:42.720 --> 0:16:46.240
<v Speaker 3>amazing soliloquies about baseball and how they're so you know,

0:16:46.280 --> 0:16:50.240
<v Speaker 3>it's like democracy, and how it's.

0:16:49.560 --> 0:16:52.560
<v Speaker 1>A weird game. It's an interesting thing because it does

0:16:52.640 --> 0:16:56.640
<v Speaker 1>contain something that I don't think other sports do. Yeah,

0:16:56.760 --> 0:16:58.680
<v Speaker 1>it's weird. I feel that about baseball.

0:16:58.680 --> 0:17:00.880
<v Speaker 2>It's that thing of first of all, it's lonely sport.

0:17:01.040 --> 0:17:02.960
<v Speaker 2>You know, you're not you're playing kind of by yourself.

0:17:03.160 --> 0:17:05.639
<v Speaker 2>You each have your own positions. And then it's something

0:17:05.640 --> 0:17:08.240
<v Speaker 2>else that there's no clock, which is so interesting. You know,

0:17:08.280 --> 0:17:11.600
<v Speaker 2>there's no countdown. It's you have this moment on the

0:17:11.600 --> 0:17:14.080
<v Speaker 2>plate and you have Everyone has the same opportunity and

0:17:14.119 --> 0:17:18.960
<v Speaker 2>the same chance to achieve something, and they're given the

0:17:19.000 --> 0:17:20.679
<v Speaker 2>space and time to do it. And that's sort of

0:17:20.720 --> 0:17:23.720
<v Speaker 2>what this character found so beautiful about the game of baseball.

0:17:23.920 --> 0:17:27.480
<v Speaker 1>When I became an America uh huh, it was about

0:17:27.520 --> 0:17:31.600
<v Speaker 1>baseball was the thing that I've think explained America to me,

0:17:31.920 --> 0:17:34.240
<v Speaker 1>okay in a way that I didn't understand before, and

0:17:34.280 --> 0:17:36.000
<v Speaker 1>why I was so attracted to it. And here's what

0:17:36.040 --> 0:17:41.760
<v Speaker 1>it is. It is Failure is unnecessary and probably the

0:17:41.800 --> 0:17:44.960
<v Speaker 1>majority of what you will do is fail And it

0:17:45.040 --> 0:17:48.959
<v Speaker 1>doesn't matter if you can swing at the ball and

0:17:49.040 --> 0:17:51.680
<v Speaker 1>head it one time out of ten, you're a Hall

0:17:51.720 --> 0:17:55.879
<v Speaker 1>of Fame. Yeah, And I thought, oh my god. Yeah,

0:17:55.880 --> 0:17:58.880
<v Speaker 1>So if you fail, it's just part of the process.

0:17:58.880 --> 0:18:01.680
<v Speaker 1>It's just part of it. Spot a thing because where

0:18:01.680 --> 0:18:04.760
<v Speaker 1>I'm from, you fail. I tried in the first place,

0:18:04.800 --> 0:18:10.240
<v Speaker 1>audible we boys. But if you in America, you fail,

0:18:10.280 --> 0:18:13.600
<v Speaker 1>you go, well missed it next Yeah, you know, And

0:18:13.680 --> 0:18:16.359
<v Speaker 1>I love that about That's why I kind of like,

0:18:16.560 --> 0:18:18.639
<v Speaker 1>I'm not a baseball for Thattica or any means, but

0:18:18.720 --> 0:18:21.520
<v Speaker 1>I kind of like I respect it in a weird way.

0:18:21.560 --> 0:18:23.800
<v Speaker 1>I think it as a as a real soul in

0:18:23.880 --> 0:18:26.280
<v Speaker 1>it that I that I'm.

0:18:26.359 --> 0:18:27.399
<v Speaker 3>Very emotional sports.

0:18:27.480 --> 0:18:30.040
<v Speaker 1>It is right and the idea of when you have

0:18:30.200 --> 0:18:32.399
<v Speaker 1>you you've been to games, right, so you know that

0:18:32.720 --> 0:18:35.560
<v Speaker 1>they particularly actually in the Midwest or in the West

0:18:35.840 --> 0:18:39.920
<v Speaker 1>where the sun hangs forever, and there's that vibe. It's

0:18:39.960 --> 0:18:42.639
<v Speaker 1>a very it's like it has a it has a

0:18:42.640 --> 0:18:45.480
<v Speaker 1>spiritual quality about it, which I've never been able to

0:18:45.520 --> 0:18:49.879
<v Speaker 1>achieve watching other sports. It's it's amazing. Yeah, it's a

0:18:50.240 --> 0:18:56.640
<v Speaker 1>great a theater about it. Yeah, spiritual theory. The Craig

0:18:56.680 --> 0:19:00.040
<v Speaker 1>Ferguson Fancy Rascals stand up to her continues throughout the

0:19:00.119 --> 0:19:04.120
<v Speaker 1>United States in twenty twenty four. For a full list

0:19:04.119 --> 0:19:06.920
<v Speaker 1>of dates and tickets, go to the Craig fergusonshow dot

0:19:06.960 --> 0:19:13.600
<v Speaker 1>com slash tour. See you out there. Talk to me

0:19:13.600 --> 0:19:16.359
<v Speaker 1>about meditating, because I'm trying to do it, and it's.

0:19:16.280 --> 0:19:19.280
<v Speaker 2>It's what do you find hard about it? Finding the

0:19:19.359 --> 0:19:21.320
<v Speaker 2>time or just calming your body down?

0:19:21.359 --> 0:19:21.760
<v Speaker 3>Are both?

0:19:22.080 --> 0:19:25.320
<v Speaker 1>You know? I feel like what it is is that

0:19:25.480 --> 0:19:28.359
<v Speaker 1>when I try and meditate, I do. I do do it,

0:19:28.400 --> 0:19:31.280
<v Speaker 1>and I try and do it every day. It's I

0:19:31.359 --> 0:19:34.040
<v Speaker 1>kind of put a value on it, like that was

0:19:34.040 --> 0:19:37.919
<v Speaker 1>a good meditation that was it worked then or it

0:19:37.960 --> 0:19:41.399
<v Speaker 1>didn't work then. But I suspect that's probably not the

0:19:42.800 --> 0:19:44.399
<v Speaker 1>correct go about that.

0:19:44.560 --> 0:19:46.760
<v Speaker 2>I think that's right right, Well, you said right there,

0:19:46.800 --> 0:19:48.159
<v Speaker 2>you know the correct way. I don't think there is

0:19:48.160 --> 0:19:49.800
<v Speaker 2>a correct way to do it. But the type of

0:19:49.840 --> 0:19:53.960
<v Speaker 2>meditation that I started practicing was TM transcendental meditation that

0:19:54.040 --> 0:19:56.640
<v Speaker 2>I'm actually dead. Director David Lynch set up a foundation

0:19:56.840 --> 0:20:00.119
<v Speaker 2>here in Los Angeles because he became so enamored with

0:20:00.200 --> 0:20:02.080
<v Speaker 2>this type of meditation and he wanted to make it

0:20:02.119 --> 0:20:05.879
<v Speaker 2>accessible to everyone, you know, kids and people who were

0:20:05.960 --> 0:20:09.360
<v Speaker 2>suffering trauma. So he basically set up this nonprofit and

0:20:09.400 --> 0:20:11.600
<v Speaker 2>you pay, like, say, I want to learn how to

0:20:11.600 --> 0:20:13.720
<v Speaker 2>do translated on meditation. I find a week that I

0:20:13.800 --> 0:20:17.000
<v Speaker 2>want to do this, and I pay a fee and

0:20:16.240 --> 0:20:19.199
<v Speaker 2>that that money goes to help teaching other people how

0:20:19.280 --> 0:20:22.360
<v Speaker 2>to do it. So I did a week long seminar

0:20:22.800 --> 0:20:26.240
<v Speaker 2>with the David Lynch Foundation, and like, you go every day,

0:20:26.400 --> 0:20:28.639
<v Speaker 2>and I think I only had to go three or

0:20:28.640 --> 0:20:30.160
<v Speaker 2>four days, and it was just you know, you find

0:20:30.200 --> 0:20:31.520
<v Speaker 2>like I think it was like an hour and a

0:20:31.520 --> 0:20:32.840
<v Speaker 2>half or two hours, but you have to be able

0:20:32.840 --> 0:20:33.720
<v Speaker 2>to do it every day.

0:20:33.800 --> 0:20:34.920
<v Speaker 3>So I had to sort of carve it.

0:20:34.920 --> 0:20:37.199
<v Speaker 2>It was when I was shooting Modern Family, and so

0:20:37.240 --> 0:20:38.800
<v Speaker 2>I had to really make sure I had It was

0:20:38.840 --> 0:20:40.560
<v Speaker 2>my hiatus week and I didn't have any other work

0:20:40.600 --> 0:20:42.960
<v Speaker 2>to do, so I was able to clear out some

0:20:43.040 --> 0:20:44.000
<v Speaker 2>afternoons to do it.

0:20:44.080 --> 0:20:46.960
<v Speaker 3>But you know, they what it requires of you is.

0:20:47.240 --> 0:20:49.840
<v Speaker 2>Twenty minutes in the morning and twenty minutes in the

0:20:50.000 --> 0:20:54.240
<v Speaker 2>evening or the late late afternoon. And to be completely honest,

0:20:54.280 --> 0:20:56.280
<v Speaker 2>I've not been great about doing it twice a day,

0:20:56.320 --> 0:20:57.760
<v Speaker 2>and I'm trying to get back into the habit and

0:20:57.800 --> 0:20:59.159
<v Speaker 2>I feel like what I need right now is a

0:20:59.200 --> 0:20:59.960
<v Speaker 2>refresher course.

0:21:00.280 --> 0:21:02.119
<v Speaker 1>Is there a lot of instruction required.

0:21:03.240 --> 0:21:03.639
<v Speaker 3>That's the thing.

0:21:03.680 --> 0:21:06.840
<v Speaker 2>I mean, you're you're, you're, you're assigned to mantra, and

0:21:06.960 --> 0:21:10.159
<v Speaker 2>you know, they teach you how to do it. And

0:21:10.240 --> 0:21:12.080
<v Speaker 2>I learned in a group of people and then I

0:21:12.119 --> 0:21:14.560
<v Speaker 2>had sort of one on one sessions as well. But

0:21:14.640 --> 0:21:17.720
<v Speaker 2>it's really just quieting your body down, repeating this mantra

0:21:17.760 --> 0:21:20.800
<v Speaker 2>in your head and then coming into the state. And

0:21:20.840 --> 0:21:23.760
<v Speaker 2>it does take practice to sort of tune out the noise.

0:21:24.600 --> 0:21:26.439
<v Speaker 2>And some people are really good now they you know,

0:21:26.520 --> 0:21:29.040
<v Speaker 2>and they've been this for so long they can do it,

0:21:29.080 --> 0:21:31.120
<v Speaker 2>you know, in a in a loud room and they

0:21:31.119 --> 0:21:32.800
<v Speaker 2>can still go into that state of meditation.

0:21:33.000 --> 0:21:34.000
<v Speaker 3>I'm not that good.

0:21:34.200 --> 0:21:38.440
<v Speaker 1>I'm fascinated by that because I became kind of and

0:21:38.720 --> 0:21:40.240
<v Speaker 1>you know, I've been sober for a very long time,

0:21:40.320 --> 0:21:44.200
<v Speaker 1>so you know, prayer meditation is something that comes up

0:21:44.280 --> 0:21:46.960
<v Speaker 1>and there's an essential part of it and I've always

0:21:47.000 --> 0:21:50.040
<v Speaker 1>been fighting with because it was raised in Judeo Christian

0:21:50.480 --> 0:21:53.000
<v Speaker 1>you know environment. I'm like, prayer is fighting like you

0:21:53.040 --> 0:21:57.160
<v Speaker 1>say sorry and move on, and you're so big and

0:21:57.440 --> 0:22:00.720
<v Speaker 1>it's my fault. And over time I kind of, you know,

0:22:00.720 --> 0:22:03.480
<v Speaker 1>progressed a bit with that, But meditation always felt there's

0:22:03.480 --> 0:22:05.040
<v Speaker 1>a I don't know where I came up with this,

0:22:05.160 --> 0:22:08.159
<v Speaker 1>but I always felt a little indulgent, you know what

0:22:08.240 --> 0:22:13.080
<v Speaker 1>I mean. I felt like I was indulgent myself guilt. Well, yeah,

0:22:13.080 --> 0:22:15.359
<v Speaker 1>it's the same thing. It's just a different set of

0:22:15.480 --> 0:22:18.200
<v Speaker 1>a different set dressing the same guilt. I think that

0:22:18.200 --> 0:22:21.760
<v Speaker 1>that's that's right. It was like I shouldn't. Oh you

0:22:21.840 --> 0:22:24.320
<v Speaker 1>have to meditate. Oh, of course you do it because

0:22:24.359 --> 0:22:26.520
<v Speaker 1>you can show business. Yes, you know.

0:22:27.320 --> 0:22:29.679
<v Speaker 2>I mean I think that, you know, living here in

0:22:29.680 --> 0:22:33.280
<v Speaker 2>Los Angeles, that's certainly a trope to fall into. You know,

0:22:33.280 --> 0:22:35.320
<v Speaker 2>if people here that you live in LA and you meditate.

0:22:35.400 --> 0:22:37.280
<v Speaker 2>Oh boy, okay, well we know what you know.

0:22:37.320 --> 0:22:39.560
<v Speaker 1>Well, we know how much kill you get through. And

0:22:40.680 --> 0:22:41.880
<v Speaker 1>I don't live in LA anymore.

0:22:41.920 --> 0:22:42.640
<v Speaker 3>Where do you live now?

0:22:42.680 --> 0:22:47.240
<v Speaker 1>Well? New York and Scotland mostly. Really, I'm here to

0:22:47.320 --> 0:22:50.280
<v Speaker 1>do this, I well, this this podcast thing that I do.

0:22:50.920 --> 0:22:53.359
<v Speaker 1>I made a rule for myself that I wouldn't do

0:22:53.440 --> 0:22:55.480
<v Speaker 1>any of them remotely, that I would sit across. I'm

0:22:55.480 --> 0:22:57.800
<v Speaker 1>so glad you. Yeah, well you do that with your

0:22:58.560 --> 0:23:02.760
<v Speaker 1>person as well. Difference I think it does because I

0:23:02.760 --> 0:23:05.440
<v Speaker 1>think during COVID when we all go into doing the

0:23:05.520 --> 0:23:08.000
<v Speaker 1>Zoom stuff because now they do pictures by Zoom all

0:23:08.000 --> 0:23:08.480
<v Speaker 1>the time.

0:23:08.480 --> 0:23:10.200
<v Speaker 3>Pitches by Zoom, auditions by Zoom.

0:23:10.240 --> 0:23:10.920
<v Speaker 1>It's crazy.

0:23:11.000 --> 0:23:11.280
<v Speaker 3>Yeah.

0:23:11.440 --> 0:23:15.320
<v Speaker 1>Do you hear the scandal recently about fake auditions on Zoom? No? Oh,

0:23:15.440 --> 0:23:18.480
<v Speaker 1>this is amazing. So a bunch of agents apparently again

0:23:18.480 --> 0:23:20.640
<v Speaker 1>in trouble because they're saying that their clients or you're

0:23:20.720 --> 0:23:22.400
<v Speaker 1>up for this big role, but you have to put

0:23:22.400 --> 0:23:24.920
<v Speaker 1>your cell phone tape. They're not up for the big rule.

0:23:25.080 --> 0:23:27.240
<v Speaker 1>But the clients put them cell phone tape. I think

0:23:27.240 --> 0:23:30.080
<v Speaker 1>they've got a shot. So the agent looks like they're

0:23:30.080 --> 0:23:32.359
<v Speaker 1>getting them these good things.

0:23:32.600 --> 0:23:34.760
<v Speaker 3>I just said no to putting myself on tape for something.

0:23:35.200 --> 0:23:37.679
<v Speaker 1>Well, come on, you're Jesse Tyler, fucking fair.

0:23:37.800 --> 0:23:39.160
<v Speaker 3>Talk about this.

0:23:39.560 --> 0:23:41.960
<v Speaker 2>It was like the role and it's it was being

0:23:42.000 --> 0:23:45.680
<v Speaker 2>directed by an actor who I very much admire is

0:23:45.720 --> 0:23:48.679
<v Speaker 2>also starring in it, and the role to me on paper,

0:23:49.440 --> 0:23:51.800
<v Speaker 2>I only read the sides was sort of gay best

0:23:51.800 --> 0:23:54.359
<v Speaker 2>friend one on one like there wasn't anything.

0:23:54.119 --> 0:23:57.640
<v Speaker 3>Super interesting about it. But it was a well written part.

0:23:57.680 --> 0:23:59.840
<v Speaker 2>It was sure not bad at all, and I was

0:24:00.040 --> 0:24:02.359
<v Speaker 2>only would have entertained the their job before it was

0:24:02.520 --> 0:24:05.080
<v Speaker 2>offered to me, but he wanted me to put myself

0:24:05.080 --> 0:24:07.760
<v Speaker 2>on tape ten pages of this sort of gay best

0:24:07.760 --> 0:24:09.600
<v Speaker 2>friend one on one on tape, and I said, you know,

0:24:09.640 --> 0:24:12.040
<v Speaker 2>I just feel like, after eleven years of Modern Family

0:24:12.119 --> 0:24:14.840
<v Speaker 2>and Tony Award, like, I just feel like, when is it?

0:24:14.920 --> 0:24:17.560
<v Speaker 2>When have I proven myself? And I just said I'm

0:24:17.600 --> 0:24:18.840
<v Speaker 2>not going to do it. And they said, well, he

0:24:18.920 --> 0:24:21.360
<v Speaker 2>really needs to see see it. And I said, okay, well,

0:24:21.359 --> 0:24:22.960
<v Speaker 2>I guess I'm not going to get this part. And

0:24:23.040 --> 0:24:24.920
<v Speaker 2>I just saw that it was announced that a friend

0:24:24.920 --> 0:24:27.360
<v Speaker 2>of mine got the part, and I'm desperate to call

0:24:27.440 --> 0:24:29.480
<v Speaker 2>my friend and be like, did you put yourself on table.

0:24:30.440 --> 0:24:31.520
<v Speaker 3>Or he just offered to you?

0:24:31.600 --> 0:24:35.240
<v Speaker 1>But you know it's that look. I've directed things as well,

0:24:35.280 --> 0:24:38.800
<v Speaker 1>and I've I've done this into my shame. I shouldn't

0:24:38.840 --> 0:24:41.480
<v Speaker 1>have done it. But it was a long time ago.

0:24:41.960 --> 0:24:43.960
<v Speaker 1>But I asked for people to audition that I know

0:24:44.080 --> 0:24:46.000
<v Speaker 1>they could do them. Yeah, I knew. I knew they

0:24:46.000 --> 0:24:47.399
<v Speaker 1>could do the part and they would be great in

0:24:47.400 --> 0:24:49.760
<v Speaker 1>the part. But I was the director and I was

0:24:50.240 --> 0:24:53.000
<v Speaker 1>you know, I was being I was being a deck

0:24:53.560 --> 0:24:54.680
<v Speaker 1>quite frankly.

0:24:54.920 --> 0:24:57.399
<v Speaker 2>I don't mind auditioning for things, especially I feel like

0:24:57.480 --> 0:25:00.560
<v Speaker 2>if I feel like, uh, it's thing that I'm not

0:25:00.560 --> 0:25:01.879
<v Speaker 2>sure I can do because I want to make sure

0:25:01.880 --> 0:25:03.440
<v Speaker 2>that we're on the same page, that's.

0:25:03.359 --> 0:25:06.239
<v Speaker 1>Well, you're a proper, growing up actor who's no epetulant

0:25:06.640 --> 0:25:08.440
<v Speaker 1>when it comes to edition, because that's what I think

0:25:08.480 --> 0:25:11.240
<v Speaker 1>I was doing. It was like I was making people addition,

0:25:11.400 --> 0:25:13.040
<v Speaker 1>it was some kind of weird parapley. I mean, it

0:25:13.040 --> 0:25:15.600
<v Speaker 1>was a long time agoing out. I don't do that

0:25:15.920 --> 0:25:18.600
<v Speaker 1>because direct and you've directed right a little bit. Yeah, yeah,

0:25:18.640 --> 0:25:22.719
<v Speaker 1>I don't love it. Did you enjoy it?

0:25:23.040 --> 0:25:26.800
<v Speaker 3>I didn't mind it. It's not my passion. I haven't

0:25:26.840 --> 0:25:28.840
<v Speaker 3>directed anything of great importance.

0:25:28.880 --> 0:25:33.840
<v Speaker 2>But you know, it's interesting because I thought for a

0:25:33.880 --> 0:25:35.959
<v Speaker 2>while it was like, I think I could actually direct

0:25:36.000 --> 0:25:39.000
<v Speaker 2>some episodes Modern Family, and Julie Bowen was the only

0:25:39.000 --> 0:25:43.600
<v Speaker 2>cast member who actually directed us. And I ended up

0:25:43.640 --> 0:25:46.200
<v Speaker 2>not even throwing my name into the ring. And I

0:25:46.200 --> 0:25:47.359
<v Speaker 2>think they would have let me do it if I

0:25:47.400 --> 0:25:50.240
<v Speaker 2>wanted to, but I just after, like, you know, this

0:25:50.359 --> 0:25:51.520
<v Speaker 2>was like the end of the run, and after like

0:25:51.600 --> 0:25:54.639
<v Speaker 2>nine or ten years of being with this this cast,

0:25:54.720 --> 0:25:56.280
<v Speaker 2>I just felt like I didn't want to step out

0:25:56.280 --> 0:25:59.240
<v Speaker 2>of that role of being a co star or a

0:25:59.440 --> 0:26:02.359
<v Speaker 2>co acting partner and into this directorial position, like I

0:26:02.400 --> 0:26:05.800
<v Speaker 2>could not picture myself like giving Ed O'Neal direction.

0:26:06.400 --> 0:26:08.200
<v Speaker 3>I just couldn't do it. But yet I think I

0:26:08.200 --> 0:26:09.480
<v Speaker 3>would have been really good at it.

0:26:09.560 --> 0:26:12.000
<v Speaker 1>So I think, well, it changes the family dynamic. I mean,

0:26:12.000 --> 0:26:13.480
<v Speaker 1>if you were in a cast that long, it's a

0:26:13.560 --> 0:26:14.919
<v Speaker 1>kind of familial sh and it.

0:26:14.920 --> 0:26:16.720
<v Speaker 2>Would have been nice to be surrounded by people who

0:26:16.720 --> 0:26:19.720
<v Speaker 2>trusted me and the crew that already I already knew.

0:26:19.920 --> 0:26:22.240
<v Speaker 2>And the thing is, Julie Bowen did a great job.

0:26:22.480 --> 0:26:30.400
<v Speaker 1>I could see Julie being great. She's so organized, she's

0:26:30.440 --> 0:26:34.000
<v Speaker 1>a very good let's get it done. She was great. Yeah,

0:26:34.040 --> 0:26:37.120
<v Speaker 1>I can imagine she would be. She has a podcast

0:26:37.280 --> 0:26:39.880
<v Speaker 1>as well, of course she does. Yeah, I think who does.

0:26:40.520 --> 0:26:47.120
<v Speaker 1>It's a bit like having a tattoo or our blog stage. Yes,

0:26:48.320 --> 0:26:51.080
<v Speaker 1>tell me about your podcast that you do. Then dinner

0:26:51.280 --> 0:26:54.240
<v Speaker 1>with dinners on me? Dinner's on me. People eat food

0:26:54.280 --> 0:26:55.200
<v Speaker 1>from your naked.

0:26:55.040 --> 0:26:58.600
<v Speaker 2>Body, not dinners on me physically.

0:26:58.200 --> 0:27:03.800
<v Speaker 1>Honest, thataway, like it's like the people eat from you.

0:27:04.280 --> 0:27:08.680
<v Speaker 2>Although yeah, that could be an interesting twist. No, dinner's

0:27:08.680 --> 0:27:10.440
<v Speaker 2>on me meaning I pick up the bill or rather

0:27:10.520 --> 0:27:16.040
<v Speaker 2>Sony picks up the bill because they're my producers. And yes,

0:27:16.520 --> 0:27:18.040
<v Speaker 2>I take I take a friend out to to a

0:27:18.119 --> 0:27:20.919
<v Speaker 2>meal and we have a conversation over dinner and what

0:27:21.040 --> 0:27:23.320
<v Speaker 2>I love about it and what always gives I have

0:27:23.400 --> 0:27:25.840
<v Speaker 2>several friends who have podcasts as well, and some of

0:27:25.880 --> 0:27:28.240
<v Speaker 2>them have been on the show, and you know they

0:27:28.840 --> 0:27:30.919
<v Speaker 2>Doak Shepherd was just on an episode, and you know

0:27:31.000 --> 0:27:34.480
<v Speaker 2>he has obviously Armchair Expert, which is such a popular podcast,

0:27:34.840 --> 0:27:37.359
<v Speaker 2>and he arrived at the restaurant and he was just

0:27:37.480 --> 0:27:41.959
<v Speaker 2>he couldn't let the micromanaging go. He was worried about sound.

0:27:42.040 --> 0:27:45.040
<v Speaker 2>He was worried about, you know, the the ambient noises.

0:27:45.040 --> 0:27:47.560
<v Speaker 2>He was worried about the fact that a third person

0:27:47.600 --> 0:27:49.359
<v Speaker 2>was coming over to the table to like give us

0:27:49.359 --> 0:27:51.280
<v Speaker 2>our menus and tell us a special He was like, oh,

0:27:51.359 --> 0:27:51.959
<v Speaker 2>what's happening.

0:27:51.960 --> 0:27:53.080
<v Speaker 1>I was like, well, he's a director.

0:27:53.119 --> 0:27:53.679
<v Speaker 3>He's a director.

0:27:54.880 --> 0:27:57.240
<v Speaker 2>But That's what I love about my podcast is it

0:27:57.280 --> 0:27:59.360
<v Speaker 2>is feels very it feels very fly on the wall.

0:27:59.400 --> 0:28:02.320
<v Speaker 2>You feel like at this you're the third chair at

0:28:02.320 --> 0:28:04.399
<v Speaker 2>this table and you're having lunch with us or dinner

0:28:04.440 --> 0:28:06.160
<v Speaker 2>with us. And I love that you hear the way

0:28:06.160 --> 0:28:07.760
<v Speaker 2>to come over with the table and get the specials

0:28:07.760 --> 0:28:10.120
<v Speaker 2>and you hear about our dietary restrictions, and like it's

0:28:10.119 --> 0:28:12.560
<v Speaker 2>just a normal dinner service except for it happens to

0:28:12.600 --> 0:28:13.400
<v Speaker 2>be recorded.

0:28:13.560 --> 0:28:16.119
<v Speaker 1>You go to like Chili's and all of dark, or

0:28:16.280 --> 0:28:16.800
<v Speaker 1>you go to like.

0:28:17.760 --> 0:28:20.520
<v Speaker 3>Fancy usually we'll not always super fancy.

0:28:20.560 --> 0:28:23.640
<v Speaker 2>I you know, I took Weird All Yankovic was a

0:28:23.680 --> 0:28:27.000
<v Speaker 2>recent guest and he's vegan, and I took him to

0:28:27.359 --> 0:28:30.600
<v Speaker 2>uh Cafe Gratitude here in Los Angeles, which is, you know,

0:28:30.640 --> 0:28:34.360
<v Speaker 2>a very casual dining place that has amazing vegan food. Uh,

0:28:34.359 --> 0:28:36.560
<v Speaker 2>and obviously he had been there before. And then I

0:28:36.600 --> 0:28:39.360
<v Speaker 2>took Sophia Vagara to Dante, which is this beautiful new

0:28:39.400 --> 0:28:41.400
<v Speaker 2>restaurant on top of the hotel.

0:28:41.080 --> 0:28:41.880
<v Speaker 3>In Beverly Hills.

0:28:41.880 --> 0:28:44.000
<v Speaker 2>So you know, it's just sort of a mix of

0:28:44.000 --> 0:28:47.160
<v Speaker 2>where I think these people would enjoy and restaurant. I

0:28:47.320 --> 0:28:50.120
<v Speaker 2>choose it with sometimes the help of my guests, and

0:28:51.000 --> 0:28:52.520
<v Speaker 2>I try and match up, like where I think they

0:28:52.600 --> 0:28:53.080
<v Speaker 2>might like to go.

0:28:53.160 --> 0:28:55.280
<v Speaker 1>I'm going to tell you no Yankovic story. Tell me

0:28:55.360 --> 0:28:58.720
<v Speaker 1>so favorite. I love this. So out comes to visit

0:28:58.800 --> 0:29:02.640
<v Speaker 1>me in Scotland, this very old house in Scotland, and

0:29:03.080 --> 0:29:07.120
<v Speaker 1>just before your eyes, I'm in the basement slash dungeon

0:29:07.320 --> 0:29:11.560
<v Speaker 1>of this old house and I find an accordion, an

0:29:11.600 --> 0:29:15.320
<v Speaker 1>old ACCORDI like an old, fancy accordion, and I bring

0:29:15.320 --> 0:29:18.280
<v Speaker 1>it up the stairs and and Al arrived like later

0:29:18.360 --> 0:29:20.480
<v Speaker 1>that day, and he's like, oh yeah, this is a

0:29:21.240 --> 0:29:24.720
<v Speaker 1>sprinkledanger forty eight or something. And he fixed it. He

0:29:24.840 --> 0:29:26.960
<v Speaker 1>fixed it, fixed it well, he said, you know, I've

0:29:27.000 --> 0:29:28.280
<v Speaker 1>fixed it as much as I can.

0:29:28.800 --> 0:29:29.600
<v Speaker 3>That's incredible.

0:29:29.720 --> 0:29:31.600
<v Speaker 1>But it was like I couldn't believe it an accordion,

0:29:31.680 --> 0:29:34.520
<v Speaker 1>and then I'll arrived. It had a spiritual.

0:29:34.040 --> 0:29:36.040
<v Speaker 3>Compati is incredible.

0:29:35.720 --> 0:29:41.400
<v Speaker 1>MESSI Al Yankovic. I think it's like amazing happened that.

0:29:41.480 --> 0:29:43.320
<v Speaker 1>I just I really told you the story to let

0:29:43.360 --> 0:29:46.480
<v Speaker 1>you know that Al Yankovic show enough.

0:29:46.640 --> 0:29:48.440
<v Speaker 2>I met him for the first time at his house

0:29:48.480 --> 0:29:50.320
<v Speaker 2>in Hawaii. I don't know if he was if it

0:29:50.360 --> 0:29:51.640
<v Speaker 2>was his house, if he was renting it, or if

0:29:51.680 --> 0:29:52.240
<v Speaker 2>he actually.

0:29:52.120 --> 0:29:54.640
<v Speaker 1>Oh yes, because the reason was in Scotland is because

0:29:54.800 --> 0:29:57.080
<v Speaker 1>the volcanic ash thing was going on Hawaii and he

0:29:57.080 --> 0:29:57.600
<v Speaker 1>couldn't go.

0:29:57.560 --> 0:29:59.960
<v Speaker 3>There, gotcha, Yeah, okay, yeah, yeah yeah yeah.

0:30:00.160 --> 0:30:05.400
<v Speaker 1>So the only reason I so you went to his

0:30:05.480 --> 0:30:06.880
<v Speaker 1>houseband Hawaii? Yeah? Yeah.

0:30:07.160 --> 0:30:09.320
<v Speaker 3>He and Eric Stone Street were kind of buddies. Uh.

0:30:09.560 --> 0:30:12.440
<v Speaker 3>Eric was a music video of his Yeah.

0:30:12.920 --> 0:30:16.320
<v Speaker 2>And Eric and I happened to be in not only

0:30:16.320 --> 0:30:19.200
<v Speaker 2>in Hawaii, but at the same resort with our significant

0:30:19.240 --> 0:30:21.640
<v Speaker 2>others at the time. Mine I went on to marry

0:30:21.640 --> 0:30:25.000
<v Speaker 2>who's not my husband, but Eric was. I was dating

0:30:25.000 --> 0:30:27.000
<v Speaker 2>his the girlfen he was dating at the time, So

0:30:27.160 --> 0:30:30.160
<v Speaker 2>we were all at the same resort. And uh, I

0:30:30.200 --> 0:30:34.240
<v Speaker 2>mean just totally by happened. Chance happened, stance happened, chance happen.

0:30:35.040 --> 0:30:40.920
<v Speaker 1>It's probably correct. Chance stands is. I was like, you're

0:30:40.960 --> 0:30:44.920
<v Speaker 1>about to start a number. Yea happened by Yeah.

0:30:44.960 --> 0:30:45.160
<v Speaker 4>Yeah.

0:30:45.760 --> 0:30:47.920
<v Speaker 2>I have a real good habit of making up boards

0:30:48.280 --> 0:30:49.960
<v Speaker 2>and mispronouncing things all the time.

0:30:51.040 --> 0:30:51.600
<v Speaker 3>Don chance.

0:30:52.040 --> 0:30:53.840
<v Speaker 2>Uh So anyways, Eric like, do you want to go

0:30:53.880 --> 0:30:57.280
<v Speaker 2>have dinner with Alan Susan his wife, And uh, I

0:30:57.320 --> 0:31:00.640
<v Speaker 2>was like, yeah, let's let's meet them, and he all

0:31:00.640 --> 0:31:01.480
<v Speaker 2>went out to dinner together.

0:31:01.720 --> 0:31:03.880
<v Speaker 1>It's such a sweet, sweet guy. Yeah, he's lovely. He's

0:31:03.920 --> 0:31:06.200
<v Speaker 1>really a lovely man. So let's talk a little bit

0:31:06.240 --> 0:31:07.800
<v Speaker 1>a bit more than family then, because it's come up

0:31:07.840 --> 0:31:10.160
<v Speaker 1>a couple of times, it's one of those like it'll

0:31:10.200 --> 0:31:13.200
<v Speaker 1>be a legacy thing for you for your entire life. No,

0:31:13.320 --> 0:31:15.000
<v Speaker 1>of course. I mean it's like me doing the late

0:31:15.080 --> 0:31:17.520
<v Speaker 1>night show is like, no matter what you do, it's

0:31:17.520 --> 0:31:20.239
<v Speaker 1>going to committed the conversation. It doesn't matter what you do.

0:31:20.360 --> 0:31:23.960
<v Speaker 1>Now it's a thing. Yeah, did you Were you aware

0:31:24.000 --> 0:31:26.400
<v Speaker 1>of it at the time when it started out that

0:31:26.520 --> 0:31:27.760
<v Speaker 1>you were going in that way.

0:31:27.960 --> 0:31:29.920
<v Speaker 2>It felt I mean, I'm sure you felt the same

0:31:29.920 --> 0:31:31.200
<v Speaker 2>way when you were doing your show. You know, when

0:31:31.200 --> 0:31:32.880
<v Speaker 2>you're in the bubble of it, you just kind of

0:31:33.160 --> 0:31:33.560
<v Speaker 2>got to.

0:31:33.480 --> 0:31:34.000
<v Speaker 3>Do the job.

0:31:34.160 --> 0:31:35.040
<v Speaker 1>Ye's every day.

0:31:35.120 --> 0:31:37.920
<v Speaker 2>Yeah, It's interesting because now we've been off the air

0:31:38.040 --> 0:31:43.240
<v Speaker 2>for almost four years, and I find that a new

0:31:43.240 --> 0:31:46.200
<v Speaker 2>group of a new generation of people are discovering it

0:31:46.960 --> 0:31:51.800
<v Speaker 2>and or people haven't been watching or like watching it again.

0:31:52.640 --> 0:31:55.360
<v Speaker 2>I feel like there's a new wave of I don't know,

0:31:55.880 --> 0:31:58.520
<v Speaker 2>I'm receiving a lot of love from it from strangers

0:31:58.560 --> 0:31:59.760
<v Speaker 2>in a way that I hadn't before.

0:32:00.000 --> 0:32:01.520
<v Speaker 1>It's a great show, which is oh, well.

0:32:01.360 --> 0:32:01.680
<v Speaker 3>Thank you.

0:32:01.800 --> 0:32:04.120
<v Speaker 2>I mean, I'm really proud of it, but I I

0:32:04.160 --> 0:32:06.760
<v Speaker 2>think now that like I'm out of it, I really feel,

0:32:06.920 --> 0:32:08.920
<v Speaker 2>oh gosh, this is kind of a big thing, and

0:32:08.960 --> 0:32:10.800
<v Speaker 2>I can compare it to the shows that I grew

0:32:10.840 --> 0:32:12.920
<v Speaker 2>up watching that I love so much, like Friends and

0:32:12.960 --> 0:32:16.680
<v Speaker 2>Will and Grace and uh, you know Steinfeld, Like I

0:32:16.720 --> 0:32:19.560
<v Speaker 2>adore these shows, and I was like, oh, guy, I

0:32:19.600 --> 0:32:21.680
<v Speaker 2>guess I am that for for a lot of people.

0:32:21.720 --> 0:32:23.440
<v Speaker 2>I am that that thing, or I was part of

0:32:23.480 --> 0:32:25.479
<v Speaker 2>that show for a lot of people. But when it was,

0:32:25.560 --> 0:32:27.280
<v Speaker 2>when it was happening, it just felt like, you know,

0:32:27.880 --> 0:32:31.160
<v Speaker 2>it was a job. It was a great job, and

0:32:31.240 --> 0:32:34.200
<v Speaker 2>you know, we were It's it's interesting because we were

0:32:34.240 --> 0:32:36.240
<v Speaker 2>we could be because we were on for so long.

0:32:36.800 --> 0:32:39.320
<v Speaker 2>We went through that whole trajectory of like, you know,

0:32:39.320 --> 0:32:41.280
<v Speaker 2>we were the new show and everyone was excited about us,

0:32:41.320 --> 0:32:43.360
<v Speaker 2>and then we were winning Emmy Awards and then like

0:32:43.640 --> 0:32:45.520
<v Speaker 2>we kind of sort of felt like, oh god, people

0:32:45.520 --> 0:32:47.360
<v Speaker 2>are maybe getting a little sick of us. And then

0:32:47.400 --> 0:32:49.680
<v Speaker 2>we stopped winning the Emmy Awards, and then it was like, oh,

0:32:49.840 --> 0:32:52.560
<v Speaker 2>Modern Family's gone downhill, and you know, you go through

0:32:52.560 --> 0:32:54.920
<v Speaker 2>the whole thing, and they've jumped the shark and then

0:32:55.240 --> 0:32:57.040
<v Speaker 2>and then the show's done, and then it's like, oh

0:32:57.040 --> 0:32:58.920
<v Speaker 2>my god, but we missed the show so much and

0:32:58.960 --> 0:33:00.479
<v Speaker 2>we wish it would do a reboot, and now we're

0:33:00.480 --> 0:33:02.080
<v Speaker 2>in that place like people wanting the show to come

0:33:02.120 --> 0:33:05.400
<v Speaker 2>back so it's just, you know, I feel like, because

0:33:06.120 --> 0:33:08.480
<v Speaker 2>because it is a blove show, we're going to see

0:33:08.520 --> 0:33:10.680
<v Speaker 2>all those different phases of love for the show and.

0:33:10.680 --> 0:33:12.720
<v Speaker 1>Be interested that comes back because you had kids on

0:33:12.800 --> 0:33:15.440
<v Speaker 1>that show. Of course, kids do what they do as

0:33:15.480 --> 0:33:18.680
<v Speaker 1>they grow up and grow up, and then everyone's like, wait,

0:33:18.760 --> 0:33:21.480
<v Speaker 1>why isn't Manny And Manny's like six foot five with

0:33:21.520 --> 0:33:22.080
<v Speaker 1>a bad.

0:33:23.080 --> 0:33:24.960
<v Speaker 2>Well, you know, and like, I still keep in touch

0:33:25.000 --> 0:33:26.760
<v Speaker 2>with Aubrey who played my daughter on the show, and

0:33:26.840 --> 0:33:29.440
<v Speaker 2>they're still close, and I've gone I went to her

0:33:29.480 --> 0:33:33.240
<v Speaker 2>school play a few months ago, and I'm going to

0:33:33.240 --> 0:33:36.000
<v Speaker 2>go to her school musical that's coming up soon, and

0:33:36.120 --> 0:33:38.400
<v Speaker 2>I love supporting her. Her mom was like, you don't you know,

0:33:38.480 --> 0:33:39.880
<v Speaker 2>that's really sweet of you to come to this. It's like,

0:33:39.920 --> 0:33:42.120
<v Speaker 2>I feel like, you know, I'm proud of her. I

0:33:43.000 --> 0:33:45.959
<v Speaker 2>met her when she was three years old, and I

0:33:46.000 --> 0:33:47.520
<v Speaker 2>have a three year old now, and it's like I

0:33:47.560 --> 0:33:49.600
<v Speaker 2>can't even you know. That's part of the reason why

0:33:49.600 --> 0:33:51.960
<v Speaker 2>I feel so connected to hers. Like the age that

0:33:52.040 --> 0:33:53.760
<v Speaker 2>Beckett is now is when I met Aubrey, and like,

0:33:54.120 --> 0:33:56.360
<v Speaker 2>it's just such a there's so much happening in that

0:33:56.400 --> 0:33:58.800
<v Speaker 2>little brain right now that I entered her life at

0:33:58.800 --> 0:34:00.800
<v Speaker 2>that point, like, I want to be there for all

0:34:00.800 --> 0:34:02.880
<v Speaker 2>these big moments because she means something to me.

0:34:02.960 --> 0:34:06.800
<v Speaker 1>You know, it's very special, it's nice. It is nice.

0:34:06.960 --> 0:34:10.000
<v Speaker 1>It's a funny thing though, as you mentioned it with children,

0:34:10.080 --> 0:34:12.719
<v Speaker 1>because now you know you're a very busy parent and

0:34:12.880 --> 0:34:16.880
<v Speaker 1>that very busy part of parenting, which in my experience

0:34:16.920 --> 0:34:19.920
<v Speaker 1>so far, there isn't a not busy part of parenting.

0:34:21.040 --> 0:34:24.239
<v Speaker 1>You'll never sleep well again ever, Like my oldest is

0:34:24.280 --> 0:34:27.040
<v Speaker 1>coming up on twenty three. I'm like, oh, it's okay, Yeah,

0:34:27.480 --> 0:34:29.160
<v Speaker 1>trying to go to sleep, and I hope he's okay.

0:34:29.200 --> 0:34:30.439
<v Speaker 3>I kind of hope. I always feel that way.

0:34:30.560 --> 0:34:32.880
<v Speaker 1>Yeah, I guess. But the thing is it changed me

0:34:32.880 --> 0:34:36.200
<v Speaker 1>as a person alone, becoming Did you just stop drinking

0:34:36.680 --> 0:34:39.160
<v Speaker 1>when I was twenty nine? Oh okay, so this is

0:34:39.200 --> 0:34:42.000
<v Speaker 1>before kids. Oh yeah, I was ten years sober before

0:34:42.040 --> 0:34:46.440
<v Speaker 1>my son was Wow. So like I survived and I

0:34:46.520 --> 0:34:48.920
<v Speaker 1>go better. The ten years before is one. But I

0:34:48.960 --> 0:34:52.840
<v Speaker 1>don't think I became anyone I really would like to

0:34:52.840 --> 0:34:56.480
<v Speaker 1>be until at least my first kid came along. And

0:34:56.520 --> 0:34:59.160
<v Speaker 1>then I was like, okay, wait, wait a minute, I

0:34:59.760 --> 0:35:01.760
<v Speaker 1>chan used to lot. Did it do it to you? Yeah.

0:35:02.000 --> 0:35:05.600
<v Speaker 2>I mean the Oscars were last night and Emma Stone

0:35:05.880 --> 0:35:09.040
<v Speaker 2>one Best Actress and she said something about her daughter,

0:35:09.120 --> 0:35:12.160
<v Speaker 2>who I think she said it was three, and she's like,

0:35:12.200 --> 0:35:14.200
<v Speaker 2>you know, our world is technical her now. I was like,

0:35:14.239 --> 0:35:17.279
<v Speaker 2>oh god, that's so, that's exactly what it is.

0:35:17.480 --> 0:35:28.200
<v Speaker 1>Yeah. Yeah, I get nostalgic for the kids shows that

0:35:28.239 --> 0:35:31.200
<v Speaker 1>I used to watch, Like when Mila was very young,

0:35:31.760 --> 0:35:34.040
<v Speaker 1>I used to watch Teley Toby's with him and I

0:35:34.080 --> 0:35:38.319
<v Speaker 1>was like, oh my god, I wish I still smoked. Yeah,

0:35:38.760 --> 0:35:41.320
<v Speaker 1>it's be great and it's like and I still remember

0:35:41.360 --> 0:35:43.560
<v Speaker 1>all the Talley Toby's names. Is that still a thing?

0:35:43.920 --> 0:35:46.320
<v Speaker 3>I think that was so now, but it's like vintage.

0:35:46.480 --> 0:35:49.319
<v Speaker 1>Yeah, yeah, it's it's like maybe the cool two year

0:35:49.360 --> 0:35:52.719
<v Speaker 1>old watch Toby's. That's right. I don't know. I loved it.

0:35:52.840 --> 0:35:55.480
<v Speaker 1>I mean it was it's so ahead of his time. Well,

0:35:55.520 --> 0:35:58.360
<v Speaker 1>if you look at it, lacky, it's crazy.

0:35:58.480 --> 0:36:01.200
<v Speaker 3>It is made for people who are on Hashi ship.

0:36:01.080 --> 0:36:02.719
<v Speaker 1>I think so. I think there was a lot of

0:36:02.760 --> 0:36:05.640
<v Speaker 1>hash involved in the development of that. You were never

0:36:05.719 --> 0:36:07.279
<v Speaker 1>called to any of that. Where are you drugs and

0:36:07.320 --> 0:36:08.959
<v Speaker 1>alcohol and everything? No.

0:36:09.120 --> 0:36:13.600
<v Speaker 2>I partake in weeds sometimes, but mostly it's like it's

0:36:13.680 --> 0:36:15.200
<v Speaker 2>you know, very very casually and.

0:36:15.520 --> 0:36:20.720
<v Speaker 1>Weeds like having a podcast. Yeah, Cannon does it. I don't.

0:36:21.040 --> 0:36:25.040
<v Speaker 1>I actually I'm very I'm no good around it.

0:36:25.280 --> 0:36:27.040
<v Speaker 3>Yeah, weed, people aren't.

0:36:27.520 --> 0:36:29.440
<v Speaker 1>I get angry about it because I'm in New York

0:36:29.480 --> 0:36:32.000
<v Speaker 1>a lot and it's the street stink of it.

0:36:32.239 --> 0:36:35.000
<v Speaker 2>Yeah yeah, oh yeah, I know. Now that it's legalized,

0:36:35.440 --> 0:36:36.560
<v Speaker 2>it's kind of everywhere.

0:36:36.760 --> 0:36:39.040
<v Speaker 1>And I'm like, and I see an old fashioned drunk

0:36:39.120 --> 0:36:43.480
<v Speaker 1>with a bottle of you know, touching a paper bag

0:36:43.560 --> 0:36:45.360
<v Speaker 1>and a paper bag and why does he have to

0:36:45.480 --> 0:36:48.239
<v Speaker 1>hide Yeah, his scouch in a paper bag and he

0:36:48.320 --> 0:36:50.600
<v Speaker 1>smoked weed, and everybody else I guess to inhale it

0:36:51.160 --> 0:36:55.160
<v Speaker 1>or people will go cigarettes get annoyed. But if it's weed,

0:36:55.200 --> 0:36:56.160
<v Speaker 1>they're like, oh yeah, you know.

0:36:56.160 --> 0:36:58.279
<v Speaker 2>I mean I was young enough when I moved to

0:36:58.280 --> 0:37:00.239
<v Speaker 2>New York that I still remember, you know, it was

0:37:00.360 --> 0:37:01.800
<v Speaker 2>legal to smoke inside restaurants.

0:37:02.040 --> 0:37:06.799
<v Speaker 1>Oh yeah, that was the era I.

0:37:05.560 --> 0:37:08.160
<v Speaker 3>You know, where there was a smoking section and you know,

0:37:08.200 --> 0:37:09.000
<v Speaker 3>it didn't really matter.

0:37:09.360 --> 0:37:14.560
<v Speaker 4>I can remember smoking sections on airplanes, yes, like oh

0:37:14.640 --> 0:37:19.840
<v Speaker 4>my god, the idea absolutely so dangerous, dangerous.

0:37:19.760 --> 0:37:24.279
<v Speaker 2>Like oh no, can we why do airplanes still have

0:37:24.320 --> 0:37:27.480
<v Speaker 2>the little cigarette dispensers because.

0:37:27.160 --> 0:37:29.400
<v Speaker 1>They're old, they look new.

0:37:29.400 --> 0:37:31.759
<v Speaker 3>And I just feel like they they're creating new airplanes

0:37:31.800 --> 0:37:32.839
<v Speaker 3>with these little.

0:37:32.920 --> 0:37:34.920
<v Speaker 1>Well maybe they maybe there are certain markets in the

0:37:34.920 --> 0:37:37.120
<v Speaker 1>world where you're like smoke. I don't think.

0:37:37.200 --> 0:37:38.000
<v Speaker 3>I don't think so.

0:37:38.320 --> 0:37:42.400
<v Speaker 1>I think what it is is they're not new. They're clean, right, okay,

0:37:42.520 --> 0:37:44.200
<v Speaker 1>I think. I mean they're not on the seats. That's

0:37:44.200 --> 0:37:46.120
<v Speaker 1>when it's really old. But like in the bathrooms there's

0:37:46.239 --> 0:37:49.440
<v Speaker 1>like the ones on the door. Sometimes it's as fascinated

0:37:49.440 --> 0:37:51.040
<v Speaker 1>by that. Maybe I don't know. I was on a

0:37:51.080 --> 0:37:54.839
<v Speaker 1>plane yesterday, which I didn't No, I don't think I

0:37:54.880 --> 0:37:58.279
<v Speaker 1>saw any cigarette anything, but they do say that thing

0:37:58.320 --> 0:38:00.320
<v Speaker 1>about you know, I had a friend of theater rector

0:38:00.360 --> 0:38:07.200
<v Speaker 1>actually who who couldn't take a long flight without sneaking

0:38:07.280 --> 0:38:10.040
<v Speaker 1>a smoke in the bathroom. And I was like, man,

0:38:10.120 --> 0:38:13.239
<v Speaker 1>they will put you in jail. And he's like, you know,

0:38:13.320 --> 0:38:14.719
<v Speaker 1>I just take a couple of puffs and then I

0:38:14.760 --> 0:38:15.200
<v Speaker 1>put it out.

0:38:15.239 --> 0:38:19.200
<v Speaker 3>I'm like, there's some sort of a smoke detector in there.

0:38:19.080 --> 0:38:20.799
<v Speaker 1>That he says that if you put your head right

0:38:20.840 --> 0:38:27.520
<v Speaker 1>inside the bathroom, and I'm like, no, no, that's so dangerous.

0:38:29.320 --> 0:38:32.600
<v Speaker 1>But but you never you smoke a little weed and

0:38:32.640 --> 0:38:34.400
<v Speaker 1>that's it.

0:38:34.600 --> 0:38:35.759
<v Speaker 3>Mostly audibles too.

0:38:36.120 --> 0:38:39.720
<v Speaker 1>Yeah, that's the way people do it now. I couldn't

0:38:39.719 --> 0:38:45.000
<v Speaker 1>do it. Any kind of cannabis product made me very antsy.

0:38:45.280 --> 0:38:46.680
<v Speaker 3>Yeah, just sometimes tells me sleep.

0:38:46.920 --> 0:38:50.040
<v Speaker 1>Yeah, well you got your meditation for that now. Plus

0:38:50.160 --> 0:38:52.560
<v Speaker 1>you don't get to sleep now. Now you've got kids,

0:38:52.600 --> 0:38:56.320
<v Speaker 1>young children. Do you have theatrical ambitions for your children?

0:38:56.320 --> 0:38:57.920
<v Speaker 1>Do you have any rooms about that?

0:38:59.560 --> 0:38:59.880
<v Speaker 4>Oh?

0:39:00.360 --> 0:39:04.279
<v Speaker 2>It's you know because I I it's interesting because I

0:39:04.480 --> 0:39:07.120
<v Speaker 2>I was just talking about Aubrey, who I met when

0:39:07.120 --> 0:39:11.040
<v Speaker 2>she was Beckett's age, And I can't imagine, first of all,

0:39:11.239 --> 0:39:16.440
<v Speaker 2>doing the show Modern Family without Aubrey. I can't imagine that, right, So, yeah,

0:39:16.560 --> 0:39:19.120
<v Speaker 2>she's part of the experience. But I also can't imagine

0:39:19.840 --> 0:39:22.239
<v Speaker 2>bringing Beckett into an audition. I just don't think you,

0:39:22.320 --> 0:39:24.400
<v Speaker 2>first of all, would do that. Well, like, he's a

0:39:24.400 --> 0:39:28.240
<v Speaker 2>great kid. I just don't think he has. But also

0:39:28.400 --> 0:39:30.480
<v Speaker 2>just asking it, you know, it's a lot to ask

0:39:30.520 --> 0:39:30.719
<v Speaker 2>of a.

0:39:30.760 --> 0:39:34.080
<v Speaker 1>Kid, I think. So I wouldn't let my boys do it. Yeah,

0:39:34.160 --> 0:39:36.720
<v Speaker 1>And both of them were interested, and I'm like, nah, really,

0:39:36.680 --> 0:39:37.759
<v Speaker 1>the youngest ones.

0:39:38.000 --> 0:39:39.240
<v Speaker 3>What age did they show interest?

0:39:40.640 --> 0:39:42.280
<v Speaker 1>Well, they were around it all the time.

0:39:42.520 --> 0:39:42.680
<v Speaker 2>You know.

0:39:42.800 --> 0:39:45.080
<v Speaker 1>I mean it was like I had I mean, I

0:39:45.120 --> 0:39:47.880
<v Speaker 1>had the Wiggles on Late Night show because Milo liked

0:39:47.920 --> 0:39:49.719
<v Speaker 1>him when he was two, right, you know, it was

0:39:49.719 --> 0:39:52.400
<v Speaker 1>like they were always always been part of the family dynamic.

0:39:52.680 --> 0:39:54.960
<v Speaker 1>And I said, you know, Milo, who's twenty three now,

0:39:55.080 --> 0:39:58.920
<v Speaker 1>and is you know this, he graduated at SVA and

0:39:59.080 --> 0:40:02.040
<v Speaker 1>animation and he has his own animation studio and he's

0:40:02.280 --> 0:40:06.840
<v Speaker 1>you know, he's uh so, he's so in that world

0:40:07.440 --> 0:40:09.920
<v Speaker 1>that I kind of said, no, not until you decide

0:40:09.920 --> 0:40:11.319
<v Speaker 1>to be in it. But he did decide to go

0:40:11.360 --> 0:40:14.239
<v Speaker 1>in it, right right, But I didn't want to. I

0:40:14.239 --> 0:40:16.160
<v Speaker 1>didn't want to push it. And my youngest boy, yeah,

0:40:16.680 --> 0:40:18.560
<v Speaker 1>I have the same feeling, like if you're old enough

0:40:18.560 --> 0:40:19.600
<v Speaker 1>and you want to do sure.

0:40:19.920 --> 0:40:23.879
<v Speaker 2>So for me it was theater was something that brought

0:40:23.920 --> 0:40:26.080
<v Speaker 2>me out of my shell. Like I saw a play

0:40:26.120 --> 0:40:29.360
<v Speaker 2>with my mom when I was very young. I remember

0:40:29.400 --> 0:40:30.840
<v Speaker 2>sitting in the audience thinking, oh, I don't want to

0:40:30.840 --> 0:40:31.960
<v Speaker 2>be sitting in the audience. I want to be on

0:40:32.000 --> 0:40:34.200
<v Speaker 2>stage doing them what they're doing for the people in

0:40:34.200 --> 0:40:36.640
<v Speaker 2>the audience. And I asked my mom if I could

0:40:36.680 --> 0:40:38.439
<v Speaker 2>join the local I mean, it was a community theater

0:40:38.520 --> 0:40:41.520
<v Speaker 2>group wasn't anything professional, but like, uh, you know, I

0:40:41.520 --> 0:40:43.799
<v Speaker 2>think she was sort of shocked that I wanted to

0:40:43.840 --> 0:40:46.880
<v Speaker 2>do that. And I've now and I think it was

0:40:46.880 --> 0:40:48.480
<v Speaker 2>so good for me, and it really gave me a

0:40:48.560 --> 0:40:51.000
<v Speaker 2>sense of like community, and I was like, ok, here

0:40:51.040 --> 0:40:53.160
<v Speaker 2>are my people, and like I felt very comfortable around

0:40:53.520 --> 0:40:55.560
<v Speaker 2>this group of kids who are interested in this thing,

0:40:55.600 --> 0:40:57.239
<v Speaker 2>Whereas you know, at school, I didn't think I had

0:40:57.280 --> 0:41:01.320
<v Speaker 2>that that network of people that I trusted. And uh,

0:41:01.480 --> 0:41:04.840
<v Speaker 2>you know, I've taken Becket, my son, to you know,

0:41:05.280 --> 0:41:08.399
<v Speaker 2>kids shows, but like live performances of things, and he's

0:41:08.440 --> 0:41:12.399
<v Speaker 2>a really attentive audience member and he loves he loves

0:41:12.400 --> 0:41:15.640
<v Speaker 2>seeing live theater. I mean, listen, I'm taking to kids shows.

0:41:15.640 --> 0:41:17.920
<v Speaker 2>But still and I feel like if he wanted to

0:41:19.040 --> 0:41:23.040
<v Speaker 2>explore that, I would say, okay, I'm just kind of

0:41:23.080 --> 0:41:25.840
<v Speaker 2>knowing that that's what I did. But yeah, it's tricky

0:41:25.880 --> 0:41:28.960
<v Speaker 2>because we live in Los Angeles. Like the opportunities are there,

0:41:29.160 --> 0:41:31.080
<v Speaker 2>like I wanted to like bring them in and I

0:41:31.120 --> 0:41:34.239
<v Speaker 2>have an audition for something, but I just I don't know.

0:41:34.360 --> 0:41:37.399
<v Speaker 2>It's uh, it's that tricky balance of like it's an

0:41:37.480 --> 0:41:40.359
<v Speaker 2>occupation I personally love so much, but at the same time,

0:41:40.400 --> 0:41:43.279
<v Speaker 2>I know how complated and terrible it can be.

0:41:43.480 --> 0:41:46.120
<v Speaker 1>Well, it can be very painful. The rejection thing and

0:41:46.160 --> 0:41:50.600
<v Speaker 1>the idea that that I mean, look, everyone, everyone swings

0:41:50.600 --> 0:41:55.640
<v Speaker 1>and missus. Everyone you know, experiences rejection and business everyone. Yeah,

0:41:55.680 --> 0:41:58.719
<v Speaker 1>but I just couldn't bear it for my children, the

0:41:58.840 --> 0:42:02.080
<v Speaker 1>idea that they uh, you know, someone somebody would let

0:42:02.120 --> 0:42:05.360
<v Speaker 1>them know they went right, the right, right, Like I

0:42:05.360 --> 0:42:07.799
<v Speaker 1>couldn't be all. But maybe that's more about me than

0:42:07.840 --> 0:42:08.879
<v Speaker 1>as about we had.

0:42:09.160 --> 0:42:12.160
<v Speaker 2>You know, we our cast of Modern Family won four

0:42:12.320 --> 0:42:14.799
<v Speaker 2>SAG Awards, I think for our second, third, fourth, and

0:42:14.840 --> 0:42:18.840
<v Speaker 2>fifth season Aubrey again in place. My daughter joined us,

0:42:18.880 --> 0:42:21.960
<v Speaker 2>I think on the third season, so she had two

0:42:22.040 --> 0:42:26.440
<v Speaker 2>SAG Awards, you know, like that's she was six and

0:42:26.480 --> 0:42:28.960
<v Speaker 2>she had two SAG Awards, like the collective weight of

0:42:29.000 --> 0:42:31.200
<v Speaker 2>the both awards were double her weight.

0:42:31.480 --> 0:42:32.319
<v Speaker 3>It's a human being.

0:42:32.920 --> 0:42:36.520
<v Speaker 2>And I remember the year we didn't win, uh for

0:42:36.560 --> 0:42:40.520
<v Speaker 2>the first time, she was very upset. She cried and

0:42:40.600 --> 0:42:42.799
<v Speaker 2>she was like she climbed on her mom's lap and

0:42:42.840 --> 0:42:47.560
<v Speaker 2>she was bawling. And I feel like it was Francis McDermot,

0:42:47.640 --> 0:42:49.280
<v Speaker 2>who was sitting at the table next to us.

0:42:49.600 --> 0:42:51.839
<v Speaker 3>I think it was the year of like no mad

0:42:51.960 --> 0:42:53.960
<v Speaker 3>Land or one of the one of the shows she won.

0:42:55.200 --> 0:42:58.400
<v Speaker 2>And she looked over at Aubry because uh, disappointment only

0:42:58.440 --> 0:43:00.359
<v Speaker 2>gets worse as you get older, like she was so.

0:43:01.560 --> 0:43:05.279
<v Speaker 1>Jaded by it all, and I just thought, well, it's true. Yeah,

0:43:06.440 --> 0:43:08.560
<v Speaker 1>but I guess what you learn to do when you're

0:43:08.600 --> 0:43:12.400
<v Speaker 1>older is is you compartmentalize and it's not personal. And

0:43:13.040 --> 0:43:16.520
<v Speaker 1>I mean to any degree, I mean not always, but

0:43:17.680 --> 0:43:20.879
<v Speaker 1>I mean look, when I hear no, I'm still not great. Yeah, yeah,

0:43:21.040 --> 0:43:25.640
<v Speaker 1>I mean I'm still so I won't even ask. It's like, no,

0:43:25.719 --> 0:43:28.200
<v Speaker 1>I don't. I don't ask because I might hear no.

0:43:28.920 --> 0:43:33.640
<v Speaker 1>I think that it's it's a good thing though, for

0:43:33.360 --> 0:43:38.040
<v Speaker 1>a for a parent to try and protect children from

0:43:38.080 --> 0:43:40.759
<v Speaker 1>from that kind of thing people talk about. You know,

0:43:40.880 --> 0:43:42.640
<v Speaker 1>well I was spank as a kid and didn't do

0:43:42.680 --> 0:43:46.160
<v Speaker 1>me any harmy, didn't it. I mean, listen to you,

0:43:46.160 --> 0:43:48.240
<v Speaker 1>you know, like, I don't know, do you have any

0:43:48.920 --> 0:43:50.560
<v Speaker 1>do you have any kind of hard and fast rules

0:43:50.560 --> 0:43:55.759
<v Speaker 1>about parenting that you find controversial or others find controversial?

0:43:55.840 --> 0:43:59.360
<v Speaker 2>May I don't think so, I mean who knows. But

0:43:59.600 --> 0:44:02.759
<v Speaker 2>I know when Justin and I first, you know, told

0:44:02.760 --> 0:44:04.719
<v Speaker 2>our family that we were pregnant, were like, you know,

0:44:06.239 --> 0:44:09.160
<v Speaker 2>no iPads, no screens in this house, and of course

0:44:09.239 --> 0:44:11.960
<v Speaker 2>not and you know, yeah, good luck with that, right,

0:44:12.040 --> 0:44:13.080
<v Speaker 2>And I'll.

0:44:12.719 --> 0:44:15.600
<v Speaker 1>Never ever meet a better parent than somebody who's just

0:44:15.680 --> 0:44:16.919
<v Speaker 1>about to have their first kids.

0:44:17.280 --> 0:44:21.080
<v Speaker 3>I know, you know, these these things that we think

0:44:21.120 --> 0:44:21.640
<v Speaker 3>we're gonna do.

0:44:21.800 --> 0:44:26.920
<v Speaker 2>It's but anyway, Yeah, we definitely pivoted quickly. And I

0:44:26.960 --> 0:44:29.160
<v Speaker 2>don't think that I do anything super controversial.

0:44:29.320 --> 0:44:32.319
<v Speaker 3>Uh uh, they're they're you know, I mean, well, I

0:44:32.320 --> 0:44:35.080
<v Speaker 3>guess look, you're you're you're a two daddy family, is

0:44:35.160 --> 0:44:38.040
<v Speaker 3>they say in the in the.

0:44:37.400 --> 0:44:40.920
<v Speaker 1>Elementary schools in LA. That's no controversial around here, though,

0:44:41.000 --> 0:44:41.200
<v Speaker 1>was it?

0:44:41.320 --> 0:44:42.000
<v Speaker 3>I don't think so.

0:44:42.800 --> 0:44:46.399
<v Speaker 1>That's as parts of it, maybe maybe further further into the.

0:44:46.840 --> 0:44:47.799
<v Speaker 3>Yeah, yeah, I mean he said.

0:44:48.000 --> 0:44:50.840
<v Speaker 2>Becket did ask us about you know, a mom, like

0:44:50.920 --> 0:44:54.160
<v Speaker 2>where like why do some people have moms and some

0:44:54.200 --> 0:44:54.760
<v Speaker 2>people don't?

0:44:54.800 --> 0:44:58.400
<v Speaker 1>You know? It was It's interesting, I guess, because do

0:44:58.440 --> 0:45:00.600
<v Speaker 1>you have to try and explain I don't know how.

0:45:00.640 --> 0:45:02.040
<v Speaker 1>I mean, look, I haven't been in the position. I

0:45:02.040 --> 0:45:03.880
<v Speaker 1>don't know what does one do. Well.

0:45:03.920 --> 0:45:05.760
<v Speaker 2>We just explained that there are different types of families

0:45:05.800 --> 0:45:07.360
<v Speaker 2>and so people have you known want a beach, and

0:45:07.400 --> 0:45:09.360
<v Speaker 2>some people have just one mom one dad, and some

0:45:09.400 --> 0:45:10.680
<v Speaker 2>people have two dads and two months.

0:45:10.960 --> 0:45:11.920
<v Speaker 1>Yeah, he gets it.

0:45:11.960 --> 0:45:13.920
<v Speaker 3>I think that's all you didn't need to do. I

0:45:14.000 --> 0:45:15.560
<v Speaker 3>think to go too much deeper than that.

0:45:15.800 --> 0:45:18.200
<v Speaker 1>Yeah, we went a bit like that because Megan and

0:45:18.280 --> 0:45:22.000
<v Speaker 1>I got married when Milo was uh, well we got

0:45:22.040 --> 0:45:24.719
<v Speaker 1>together when he was four, so he's very young and

0:45:24.840 --> 0:45:29.640
<v Speaker 1>didn't quite understand the like, well, how come mom lives

0:45:29.800 --> 0:45:32.680
<v Speaker 1>over there? Megan's like mom, but she lives in the

0:45:32.760 --> 0:45:35.840
<v Speaker 1>house year And there was a great book about it.

0:45:35.920 --> 0:45:38.080
<v Speaker 1>There's a couple of good kid books about it, and

0:45:38.160 --> 0:45:41.239
<v Speaker 1>there's lots of different Love Makes Families or something some

0:45:41.320 --> 0:45:44.879
<v Speaker 1>guy called Todd something. I remember, the great kid's book

0:45:45.280 --> 0:45:48.480
<v Speaker 1>about all different like two daddy families, two mommy families too,

0:45:48.560 --> 0:45:51.000
<v Speaker 1>you know, one mommi family, one daddy family.

0:45:51.040 --> 0:45:54.600
<v Speaker 2>You know, our youngest is obsessed with Lama Lama, Red

0:45:54.640 --> 0:45:58.520
<v Speaker 2>Pajama and it's this it's this pretty famous book, but

0:45:58.719 --> 0:46:01.080
<v Speaker 2>you know it's all about Mama Mama and the Lama

0:46:01.400 --> 0:46:04.959
<v Speaker 2>Mama Lama and write pajama and too much trauma. He's crying,

0:46:05.200 --> 0:46:08.680
<v Speaker 2>but it keeps repeating the Mama, Lama Lama, Yeah, Mama

0:46:08.680 --> 0:46:11.840
<v Speaker 2>where's my Mama? And but he loves the book, and

0:46:11.880 --> 0:46:13.160
<v Speaker 2>so like I was like, well, yeah, we're going to

0:46:13.200 --> 0:46:14.759
<v Speaker 2>read this book because I'm not going to like change

0:46:14.800 --> 0:46:17.480
<v Speaker 2>it to Papa for that, because the whole rhyme is

0:46:17.800 --> 0:46:19.600
<v Speaker 2>built on the whole books built on this rhyme. Like

0:46:19.640 --> 0:46:22.360
<v Speaker 2>I'm going to destroy the integrity of the writing.

0:46:22.760 --> 0:46:26.520
<v Speaker 1>Good for you. That's a well trained actor, you know,

0:46:26.719 --> 0:46:29.479
<v Speaker 1>respect the text, find the way to make it work.

0:46:29.600 --> 0:46:34.719
<v Speaker 1>Don't go change in the text the act. Yes, it's right, right, Yeah,

0:46:35.000 --> 0:46:38.400
<v Speaker 1>that's right. I remember having an interesting discussion with the

0:46:38.480 --> 0:46:42.000
<v Speaker 1>Night the Ones about this classic, like my character wouldn't

0:46:42.040 --> 0:46:45.680
<v Speaker 1>say that, yes, I had written the part, okay, And

0:46:45.920 --> 0:46:48.160
<v Speaker 1>I said, well, that's the character I wrote. So if

0:46:48.200 --> 0:46:51.640
<v Speaker 1>your characters wouldn't say that, you're playing the wrong guy, right, right, right.

0:46:52.360 --> 0:46:56.120
<v Speaker 1>It wasn't a great day. When did you read? You

0:46:56.440 --> 0:46:59.839
<v Speaker 1>presume you read to your kids, right, yes, So when

0:46:59.880 --> 0:47:02.160
<v Speaker 1>I was reading to the kids, I really enjoyed myself

0:47:02.239 --> 0:47:05.000
<v Speaker 1>doing different voices and as would you do all that

0:47:05.080 --> 0:47:05.359
<v Speaker 1>as well?

0:47:05.360 --> 0:47:07.800
<v Speaker 3>I try to. Yeah, I'm really bad at dialects, but

0:47:08.000 --> 0:47:09.080
<v Speaker 3>you know that's mixed up.

0:47:09.120 --> 0:47:11.799
<v Speaker 1>Man. I love I love doing Danny and the Dinosaur.

0:47:12.200 --> 0:47:14.279
<v Speaker 1>U there was. There's a line and that I still

0:47:14.280 --> 0:47:17.840
<v Speaker 1>remember because I always a suggestive. A carry On movie,

0:47:18.719 --> 0:47:22.360
<v Speaker 1>there's a line in it where a woman says to

0:47:22.440 --> 0:47:26.480
<v Speaker 1>the dinosaur who helps her with her groceries. She said, oh,

0:47:26.680 --> 0:47:30.440
<v Speaker 1>thank you for helping me with my bundles, said a lady.

0:47:30.760 --> 0:47:33.960
<v Speaker 1>And I used to and I don't know why I

0:47:34.040 --> 0:47:36.719
<v Speaker 1>get such and I can still do Curious George by her.

0:47:37.120 --> 0:47:39.360
<v Speaker 1>Oh yeah, yeah, because I was on the road a

0:47:39.400 --> 0:47:41.799
<v Speaker 1>little bit when Liam was very young. So I used

0:47:41.800 --> 0:47:43.920
<v Speaker 1>to it and I i'd phone in and then I

0:47:43.960 --> 0:47:47.000
<v Speaker 1>would do the bedtime story and I just learned it. Yeah, yeah,

0:47:47.560 --> 0:47:49.000
<v Speaker 1>So now I can do it if you need me

0:47:49.680 --> 0:47:52.120
<v Speaker 1>to do Curious George for you right now?

0:47:52.520 --> 0:47:54.040
<v Speaker 3>Who did the audio book? You should do it?

0:47:54.120 --> 0:47:56.960
<v Speaker 1>You should recorded you know why? I can do another one. Yeah,

0:47:57.000 --> 0:47:59.680
<v Speaker 1>I'll do it for nothing. Yeah, I'll do it to

0:47:59.800 --> 0:48:02.600
<v Speaker 1>be should for the coffee, right, yeah, right, right right.

0:48:03.040 --> 0:48:05.279
<v Speaker 1>It's a joy to speak to you. You're You're such

0:48:05.280 --> 0:48:07.880
<v Speaker 1>a lovely man. I enjoyed even though you're one of

0:48:07.920 --> 0:48:11.439
<v Speaker 1>the fancy tyler Ferguson's as opposed to just an old

0:48:11.560 --> 0:48:14.600
<v Speaker 1>fashioned Ferguson, you seem to still keep your feet on

0:48:14.719 --> 0:48:15.080
<v Speaker 1>the ground.

0:48:15.120 --> 0:48:16.719
<v Speaker 3>I know where, but I know where you came from.

0:48:16.880 --> 0:48:20.200
<v Speaker 1>Yeah, I know where you came from. Yeah, yeah, you

0:48:20.200 --> 0:48:21.200
<v Speaker 1>should go there one day.

0:48:21.360 --> 0:48:21.919
<v Speaker 3>I can't wait.

0:48:22.040 --> 0:48:23.520
<v Speaker 1>Yeah. Yeah, you'd love it. They'd love you.

0:48:24.200 --> 0:48:24.360
<v Speaker 3>You know.

0:48:24.440 --> 0:48:27.840
<v Speaker 1>They live in this big, giant old country estate in Scotland,

0:48:27.920 --> 0:48:30.239
<v Speaker 1>the original Ferguson's. They're still there. I've got to go.

0:48:30.600 --> 0:48:31.840
<v Speaker 1>I should. You'd love it.

0:48:32.040 --> 0:48:32.720
<v Speaker 3>Take the kids.

0:48:33.040 --> 0:48:35.239
<v Speaker 1>Yeah, it'd be a fun thing.

0:48:35.640 --> 0:48:37.960
<v Speaker 3>Yeah, I've been. I've been to Ireland, but not Scotland.

0:48:38.000 --> 0:48:41.680
<v Speaker 3>Next d of my family's Irish, right, yeah, the Doyle side.

0:48:41.880 --> 0:48:51.200
<v Speaker 1>Yeah, I've got that too. Yeahs yeah it is. But

0:48:51.960 --> 0:48:52.680
<v Speaker 1>it's great to see.

0:48:52.840 --> 0:48:53.400
<v Speaker 3>Good to see you.

0:48:53.480 --> 0:49:04.040
<v Speaker 1>Get out of here at Popo Taker for two per