1 00:00:11,920 --> 00:00:14,680 Speaker 1: Okay. You know I like to talk, and I talk, 2 00:00:14,800 --> 00:00:16,560 Speaker 1: and you know, I'll talk about the women, and I'll 3 00:00:16,560 --> 00:00:18,119 Speaker 1: come in and I'll rant, I'd like to give a 4 00:00:18,120 --> 00:00:21,000 Speaker 1: couple of shout outs to some women doing it right. 5 00:00:21,280 --> 00:00:23,560 Speaker 1: Let's talk about the women. Let's talk about the women 6 00:00:23,600 --> 00:00:25,439 Speaker 1: who do it right, and the women who do it 7 00:00:25,520 --> 00:00:31,200 Speaker 1: Thirsty Beyonce, Queen the Queen be used to live in 8 00:00:31,200 --> 00:00:33,519 Speaker 1: my building. I'll dine out on that. And I keep 9 00:00:33,560 --> 00:00:35,360 Speaker 1: forgetting that that was the case, and I never talked 10 00:00:35,360 --> 00:00:36,479 Speaker 1: about it, and I have to talk about it more. 11 00:00:36,520 --> 00:00:40,440 Speaker 1: We live in the same building. One one elegant security 12 00:00:40,440 --> 00:00:42,599 Speaker 1: guy with her at all times, so nice. I think 13 00:00:42,680 --> 00:00:45,320 Speaker 1: his name is like Julius. She just they sent me 14 00:00:45,360 --> 00:00:49,559 Speaker 1: a truffle for Thanksgiving from the Carters. It came it 15 00:00:49,640 --> 00:00:51,880 Speaker 1: was a responsibility. I'd like a store credit. I'd like 16 00:00:51,920 --> 00:00:53,600 Speaker 1: another truffle because what happened was I was going on 17 00:00:53,640 --> 00:00:56,160 Speaker 1: a vacation. Turns out you gotta eat this fucking truffle soon. 18 00:00:56,360 --> 00:00:58,680 Speaker 1: It was like a four truffle in a little plastic 19 00:00:58,680 --> 00:01:00,840 Speaker 1: tupperword just like a little like a max of Ball 20 00:01:00,880 --> 00:01:03,400 Speaker 1: soup container, like the small one, and it was just 21 00:01:03,440 --> 00:01:06,160 Speaker 1: like the truffle came and it had such a gorgeous roma. 22 00:01:06,280 --> 00:01:08,520 Speaker 1: One out of occasion. Truffles don't last. What was I 23 00:01:08,560 --> 00:01:10,200 Speaker 1: gonna do? Bring it in my purse too, on a 24 00:01:10,240 --> 00:01:13,240 Speaker 1: plane through airport security, take it to a I don't 25 00:01:13,280 --> 00:01:15,520 Speaker 1: know it was a job, but I appreciate the carter's 26 00:01:15,840 --> 00:01:20,080 Speaker 1: sending me a note. Just gorgeousness. But anyway, I digress. 27 00:01:21,200 --> 00:01:24,800 Speaker 1: Beyonce does it like a queen. You know why. She 28 00:01:24,959 --> 00:01:28,520 Speaker 1: comes out. Whatever she's doing, she comes out, She launches 29 00:01:28,560 --> 00:01:30,399 Speaker 1: it on her own platform. She does it how she wants. 30 00:01:30,400 --> 00:01:33,040 Speaker 1: She's dressed to the fucking nine. She's fierce, the hair, 31 00:01:33,360 --> 00:01:38,120 Speaker 1: the outfit, the music, the glamazon, the diva, the talent, 32 00:01:38,280 --> 00:01:41,680 Speaker 1: the whole thing. And then she goes back into the hole. 33 00:01:42,319 --> 00:01:46,000 Speaker 1: So we appreciate it. If you ate truffle pasta from 34 00:01:46,000 --> 00:01:49,800 Speaker 1: Italy every fucking day, you'd be sick of it. Beyonce 35 00:01:49,960 --> 00:01:54,000 Speaker 1: gives us truffle linguini made in that big parmesan wheel 36 00:01:54,400 --> 00:01:59,279 Speaker 1: from Milan every so often, and we appreciate it because 37 00:01:59,280 --> 00:02:01,720 Speaker 1: she knows what the fuck she's doing. You know who 38 00:02:01,760 --> 00:02:05,040 Speaker 1: else does it like that? Taylor Swift, Come out of 39 00:02:05,040 --> 00:02:08,320 Speaker 1: your hole with your boyfriend where you hid from you've 40 00:02:08,320 --> 00:02:11,080 Speaker 1: gone into obscurity. Okay, you come out of your hole. 41 00:02:11,360 --> 00:02:13,519 Speaker 1: You walk into the v m as and you wear 42 00:02:13,680 --> 00:02:16,720 Speaker 1: a gorgeous chandelier on your body, the tightest makeup, you 43 00:02:16,760 --> 00:02:19,720 Speaker 1: look beautiful, you sing perfectly. You give them the sass, 44 00:02:19,800 --> 00:02:21,520 Speaker 1: you give them the tea, you give them the gossip. 45 00:02:21,680 --> 00:02:24,040 Speaker 1: Then you go back into your own fucking hole. That's 46 00:02:24,120 --> 00:02:29,320 Speaker 1: the way marketing was intended to be for the real queens. Okay, 47 00:02:29,600 --> 00:02:35,600 Speaker 1: Blake Lively come in, stunning, gorgeous husband, maintains a relatability 48 00:02:35,639 --> 00:02:39,400 Speaker 1: while being an icon. Okay, who came out rose from 49 00:02:39,400 --> 00:02:42,040 Speaker 1: the ashes of Gossip Girl, like where everybody else is 50 00:02:42,080 --> 00:02:44,400 Speaker 1: just sort of like at a level of medioquity in 51 00:02:44,440 --> 00:02:48,360 Speaker 1: their career, and she's the elevated queen that's stunning and 52 00:02:48,760 --> 00:02:53,440 Speaker 1: the most fashionable, amazing icon living in the suburbs with 53 00:02:53,480 --> 00:02:59,160 Speaker 1: her husband, relatable, funny family, kids, perfect life. We don't 54 00:02:59,160 --> 00:03:00,560 Speaker 1: know if that's true, but I'm just saying, like they 55 00:03:00,639 --> 00:03:02,400 Speaker 1: let us believe it is, which I want to believe. 56 00:03:02,760 --> 00:03:05,200 Speaker 1: And then she's away, you know, just living in the suburbs. 57 00:03:05,280 --> 00:03:07,800 Speaker 1: And then Christopher Buckle comes to her house, and then 58 00:03:07,840 --> 00:03:11,240 Speaker 1: she gets whatever fashion team she has descends upon her 59 00:03:11,280 --> 00:03:13,320 Speaker 1: like a pit crew, and she gets on that fucking 60 00:03:13,320 --> 00:03:17,040 Speaker 1: met ball carpet and she takes it down, and then 61 00:03:17,040 --> 00:03:19,280 Speaker 1: she goes right back into the suburbs and drinks her 62 00:03:19,280 --> 00:03:24,400 Speaker 1: malts with her babies. That's a fucking queen. So that's 63 00:03:24,520 --> 00:03:28,880 Speaker 1: a queen. It's not. It's not like this day to 64 00:03:29,160 --> 00:03:33,120 Speaker 1: day badgering, belaboring like the j Lo with the every 65 00:03:33,200 --> 00:03:35,760 Speaker 1: day the assault with the cleavage and the outfits and 66 00:03:35,800 --> 00:03:38,320 Speaker 1: the marriage in the Milan and the Paris, and the 67 00:03:38,360 --> 00:03:41,440 Speaker 1: blogs and the newsletters and the beauty products and the 68 00:03:41,520 --> 00:03:46,120 Speaker 1: but it's a fucking assault, Like, go to sleep for 69 00:03:46,160 --> 00:03:50,920 Speaker 1: a minute, then come out. We know you're hot, we 70 00:03:51,000 --> 00:03:53,680 Speaker 1: know you're sexy, we know your desire, we know you're 71 00:03:53,680 --> 00:03:55,080 Speaker 1: in love. We know you have good skin. You know 72 00:03:55,120 --> 00:03:57,200 Speaker 1: you don't drink and you sleep eight hours a day. 73 00:03:57,240 --> 00:04:00,880 Speaker 1: We know it all because you tell us every day. 74 00:04:01,360 --> 00:04:04,160 Speaker 1: Do it the way the Queen's doing. Don't. There's a 75 00:04:04,280 --> 00:04:08,640 Speaker 1: level of thirst that exists with certain people that just 76 00:04:08,840 --> 00:04:14,240 Speaker 1: need to badger you with their sexuality and fabulosity and 77 00:04:14,320 --> 00:04:16,560 Speaker 1: everything every day. We need to see it. We don't 78 00:04:16,560 --> 00:04:20,960 Speaker 1: need to see every day. It's so much more tasty 79 00:04:21,080 --> 00:04:24,080 Speaker 1: when we get it every so often when we get 80 00:04:24,080 --> 00:04:27,560 Speaker 1: it and then it's like it explodes. So less is 81 00:04:27,600 --> 00:04:30,040 Speaker 1: more when you're a diva queen. I even like the 82 00:04:30,080 --> 00:04:33,880 Speaker 1: messiness of Mariah. She's half messy whatever, live in her 83 00:04:33,880 --> 00:04:36,000 Speaker 1: own life. And then she comes out and she just 84 00:04:36,080 --> 00:04:40,479 Speaker 1: says something fabulous. She calls Megan Markle a diva where 85 00:04:40,520 --> 00:04:43,760 Speaker 1: she has some sort of wardrobe malfunction, you know on 86 00:04:43,800 --> 00:04:46,360 Speaker 1: the Today Show where something crazy happens. But like it's 87 00:04:46,400 --> 00:04:48,960 Speaker 1: the messiness of Mariah, and we celebrate it. We don't 88 00:04:48,960 --> 00:04:50,800 Speaker 1: get it all the time, and we want it. Once 89 00:04:50,800 --> 00:04:52,040 Speaker 1: in a a while. She just comes out. I think it 90 00:04:52,080 --> 00:04:54,039 Speaker 1: was New Year's even something gets fucked up and we 91 00:04:54,120 --> 00:04:56,239 Speaker 1: laugh and we talked about Then she goes back until 92 00:04:56,240 --> 00:04:58,960 Speaker 1: the Christmas special and Christopher Bucco goes to her house 93 00:04:59,360 --> 00:05:01,520 Speaker 1: and Glama on to her up and we get our 94 00:05:01,520 --> 00:05:05,760 Speaker 1: next taste, leave us wanting for more. Don't shove it 95 00:05:05,800 --> 00:05:09,680 Speaker 1: all down our throats all day. Air day, you'll lose 96 00:05:10,600 --> 00:05:26,320 Speaker 1: you lose the luster of being a true queen. When 97 00:05:26,320 --> 00:05:30,000 Speaker 1: you're on an airplane sometimes you have to know some 98 00:05:30,000 --> 00:05:32,560 Speaker 1: some flights, you're trying to watch the movie and they 99 00:05:32,560 --> 00:05:35,040 Speaker 1: make an announcement it's ninety two degrees, and Sonny, it's 100 00:05:35,080 --> 00:05:38,040 Speaker 1: forty two degrees celsius and and and Sonny, it's good. 101 00:05:38,080 --> 00:05:39,920 Speaker 1: We're having a nice day. Thank you for flying, thank 102 00:05:39,920 --> 00:05:42,080 Speaker 1: you for the rewards program, thank you for joining United 103 00:05:42,120 --> 00:05:44,839 Speaker 1: dot Com. Thank you for this. Here's the wire. Okay, 104 00:05:44,960 --> 00:05:47,479 Speaker 1: we're having you know, like, don't don't go to the 105 00:05:47,480 --> 00:05:50,320 Speaker 1: west rooms in a class that's not of your service whatever. 106 00:05:50,440 --> 00:05:53,600 Speaker 1: So recently I'm on a plane and they're now like 107 00:05:53,640 --> 00:05:55,200 Speaker 1: and it's always like the minute you get back into 108 00:05:55,279 --> 00:05:58,320 Speaker 1: your plat, there's like another announcement and always there's multiple languages. 109 00:05:58,360 --> 00:06:00,520 Speaker 1: That's fair, Like, okay, people speak to the languages on 110 00:06:00,560 --> 00:06:02,839 Speaker 1: a plane depending upon where you're going. Then they're like 111 00:06:02,920 --> 00:06:06,599 Speaker 1: giving you the core coordinates. I am, I gonna have 112 00:06:06,640 --> 00:06:08,520 Speaker 1: to fly this fucking plane or get into a boat 113 00:06:08,600 --> 00:06:10,839 Speaker 1: and like find my way with a compass, Like why 114 00:06:10,880 --> 00:06:13,400 Speaker 1: do I need to coordinate? I've gotten off, Like winds 115 00:06:13,400 --> 00:06:16,080 Speaker 1: are at this many miles per hour? What what am 116 00:06:16,120 --> 00:06:18,120 Speaker 1: I a weatherman? Now? Like what are you talking about? 117 00:06:18,160 --> 00:06:22,640 Speaker 1: Who gives an stop talking stop Like I'll do the 118 00:06:22,680 --> 00:06:24,200 Speaker 1: weather great, you don't know if you need to put 119 00:06:24,240 --> 00:06:27,000 Speaker 1: your goddamn cardigan on. But in fairness, who gives a 120 00:06:27,000 --> 00:06:28,719 Speaker 1: funk with the weather is. You don't have a stylus 121 00:06:28,800 --> 00:06:31,080 Speaker 1: coming to meet you at the airport. You're in it already. 122 00:06:31,080 --> 00:06:33,040 Speaker 1: You're on the plane, you have your clothes, were landing 123 00:06:33,440 --> 00:06:36,240 Speaker 1: the weather zero degrees? What are you doing moving on 124 00:06:36,279 --> 00:06:38,159 Speaker 1: the plane and not getting off? You're gonna be a 125 00:06:38,160 --> 00:06:42,080 Speaker 1: fucking polar bear now it's it's negative forty six degrees 126 00:06:42,120 --> 00:06:44,479 Speaker 1: even though we're landing in Florida. What are you doing 127 00:06:44,720 --> 00:06:47,920 Speaker 1: telling the piote to make a U turn and sewing 128 00:06:47,960 --> 00:06:51,680 Speaker 1: together a PARKA who fucking cares? Tell me at home 129 00:06:51,760 --> 00:06:53,839 Speaker 1: before I get on the plane what I'm flying into. 130 00:06:54,160 --> 00:06:56,400 Speaker 1: That would be helpful. We know you plan to fly 131 00:06:56,480 --> 00:06:59,159 Speaker 1: to Florida tomorrow, but it's gonna snow. Then I won't 132 00:06:59,160 --> 00:07:00,440 Speaker 1: even get on the plane and don't have to do 133 00:07:00,440 --> 00:07:02,560 Speaker 1: any of the ship. But when we're landing, I don't 134 00:07:02,560 --> 00:07:07,400 Speaker 1: need to know wind fucking speed. What am I a sailor? 135 00:07:07,440 --> 00:07:09,520 Speaker 1: I'm getting off and sailing off the tarmac. It's so 136 00:07:09,640 --> 00:07:13,040 Speaker 1: fucking annoying, talk less. We're not interested in hearing the 137 00:07:13,040 --> 00:07:16,440 Speaker 1: thoughts of the captain. One time they said to me 138 00:07:17,200 --> 00:07:19,440 Speaker 1: on the right, this is an a I swear to 139 00:07:19,520 --> 00:07:21,840 Speaker 1: God in my life, it was recently. We're flying into 140 00:07:21,880 --> 00:07:24,800 Speaker 1: like Italy. Well, this is where very wealthy people like 141 00:07:24,840 --> 00:07:27,400 Speaker 1: the houses are like thirty million dollars and celebrity. Now 142 00:07:27,400 --> 00:07:29,880 Speaker 1: we all feel poor. I don't need to know the 143 00:07:29,920 --> 00:07:33,160 Speaker 1: topography and the net worth income of the people living 144 00:07:33,160 --> 00:07:35,280 Speaker 1: in this island on the left of this plane. Let 145 00:07:35,320 --> 00:07:37,560 Speaker 1: me not know that. Let me not know that. I 146 00:07:37,560 --> 00:07:39,720 Speaker 1: don't care. Now I want to go home. I don't 147 00:07:39,760 --> 00:07:42,840 Speaker 1: even want to go so annoying, shucked the funk up 148 00:07:42,960 --> 00:07:45,400 Speaker 1: or not interested in your thoughts. We want to get 149 00:07:45,440 --> 00:07:46,720 Speaker 1: to the thing, and we want to watch the movie 150 00:07:46,720 --> 00:07:49,880 Speaker 1: and make the plane go quickly. If we're delayed, we're 151 00:07:49,920 --> 00:07:52,280 Speaker 1: gonna be on the tarmac. Let us know that I 152 00:07:52,360 --> 00:07:53,800 Speaker 1: do not need to know the wind speed.