1 00:00:00,560 --> 00:00:03,760 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:03,840 --> 00:00:13,760 Speaker 1: Stuff Works dot Com. Hello, and welcome to the podcast. 3 00:00:13,880 --> 00:00:16,160 Speaker 1: I'm fair Dowdy and I'm debling a chalk re Bardy. 4 00:00:16,400 --> 00:00:19,239 Speaker 1: And when you think about old Hollywood and the most 5 00:00:19,239 --> 00:00:22,439 Speaker 1: beautiful actresses of all time, there are probably a lot 6 00:00:22,480 --> 00:00:26,040 Speaker 1: of well known names that immediately come to mind. For example, 7 00:00:26,120 --> 00:00:30,639 Speaker 1: maybe Ava Gardner, Elizabeth Taylor, Grace, Kelly, Audrey Hefburne is 8 00:00:30,680 --> 00:00:34,159 Speaker 1: my personal favorite. And I just saw Roman Holiday, a 9 00:00:34,240 --> 00:00:37,320 Speaker 1: great one and so pretty in that it's like the 10 00:00:37,320 --> 00:00:40,040 Speaker 1: first thing you notice. But it was actually an actress 11 00:00:40,040 --> 00:00:44,440 Speaker 1: who's probably lesser known today, Hetty Lamar, who was billed 12 00:00:44,479 --> 00:00:46,680 Speaker 1: as the most beautiful girl in the world during the 13 00:00:46,760 --> 00:00:51,600 Speaker 1: nineteen thirties. In the introduction to Stephen Michael Shear's recent 14 00:00:51,600 --> 00:00:55,800 Speaker 1: biography Beautiful, The Life of Hetty Lamar, there's a description 15 00:00:55,840 --> 00:00:59,680 Speaker 1: of the author's mother's experience seeing Lamar's first American film, 16 00:00:59,720 --> 00:01:03,240 Speaker 1: which was Algiers came out in night and she saw 17 00:01:03,280 --> 00:01:07,120 Speaker 1: in a theater in Illinois, and she described the experience 18 00:01:07,319 --> 00:01:09,479 Speaker 1: of the first moment in the movie when Lamar kind 19 00:01:09,520 --> 00:01:12,360 Speaker 1: of steps out of the shadows and you see her 20 00:01:12,360 --> 00:01:15,080 Speaker 1: face for the first time. And the author's mother says 21 00:01:15,160 --> 00:01:18,880 Speaker 1: that the whole audience just gasped her beauty. It was 22 00:01:18,920 --> 00:01:21,440 Speaker 1: an audible experience. And I don't know if many of 23 00:01:21,520 --> 00:01:24,040 Speaker 1: us have had an experience like that in a movie theater. 24 00:01:24,160 --> 00:01:29,080 Speaker 1: No a uniform gasp like that. But even though Lamar's 25 00:01:29,160 --> 00:01:32,440 Speaker 1: star may have faded a bit since then, many people 26 00:01:32,480 --> 00:01:35,560 Speaker 1: realized in the late nineteen nineties, just a few years 27 00:01:35,600 --> 00:01:39,039 Speaker 1: before her death, that she was probably a lot more 28 00:01:39,080 --> 00:01:42,080 Speaker 1: than just a pretty face. Yeah, definitely, it came to 29 00:01:42,160 --> 00:01:45,120 Speaker 1: light at that time that many years ago she actually 30 00:01:45,160 --> 00:01:50,120 Speaker 1: invented something called spread spectrum technology, which was used by 31 00:01:50,160 --> 00:01:53,040 Speaker 1: the military and has become a component of modern mobile 32 00:01:53,080 --> 00:01:58,000 Speaker 1: phone technology. So definitely relevant to what we do every day. 33 00:01:58,280 --> 00:02:00,000 Speaker 1: But what we want to look at in this episode 34 00:02:00,040 --> 00:02:03,320 Speaker 1: it is how did a Hollywood starlett pull off a 35 00:02:03,360 --> 00:02:06,880 Speaker 1: contribution of this caliber in the first place and why? 36 00:02:07,000 --> 00:02:09,399 Speaker 1: And of course take a look at her glamorous, sort 37 00:02:09,440 --> 00:02:12,840 Speaker 1: of bizarre life. She led a very fascinating life and 38 00:02:12,880 --> 00:02:15,560 Speaker 1: we can't even begin to touch on all of the 39 00:02:15,600 --> 00:02:19,160 Speaker 1: details of it here. Again, the Sheer biography that I 40 00:02:19,160 --> 00:02:23,240 Speaker 1: mentioned it actually came out last year along with another biography, 41 00:02:23,520 --> 00:02:26,200 Speaker 1: and I would definitely recommend picking that up if you 42 00:02:26,280 --> 00:02:29,520 Speaker 1: find her life of interest at all, because it is fascinating. Yeah, 43 00:02:29,560 --> 00:02:32,880 Speaker 1: but we'll give you the basics. Well, we'll take you 44 00:02:32,919 --> 00:02:35,239 Speaker 1: back to the beginning like we usually do, and kind of, 45 00:02:35,680 --> 00:02:40,000 Speaker 1: I guess, show you how the seeds of this innovation began. 46 00:02:40,560 --> 00:02:43,960 Speaker 1: So Hetty Lamar was born head vig Eva Maria Keisler 47 00:02:44,000 --> 00:02:48,160 Speaker 1: on November nine, nineteen fourteen, in Vienna, Austria. And she 48 00:02:48,240 --> 00:02:51,720 Speaker 1: couldn't say head VIGs that she called herself Hetty, which 49 00:02:51,840 --> 00:02:55,280 Speaker 1: was actually pronounced Haiti. Over there, we're going to go 50 00:02:55,360 --> 00:02:58,600 Speaker 1: with the more angle size, Yeah, the angl size, better 51 00:02:58,639 --> 00:03:01,360 Speaker 1: known version of her name, Hetty. Um. But that little 52 00:03:01,440 --> 00:03:05,680 Speaker 1: nickname stuck, and I say she's kind of lucky for that. Um. 53 00:03:05,760 --> 00:03:09,040 Speaker 1: She had a nice, a nice enough childhood, definitely. Her 54 00:03:09,080 --> 00:03:13,720 Speaker 1: family was pretty well to do. They weren't extremely super wealthy, 55 00:03:13,840 --> 00:03:16,440 Speaker 1: but they were well off. Her dad, Emil, was a 56 00:03:16,440 --> 00:03:20,239 Speaker 1: prominent Jewish banker, and her mother, Gertrude, was a talented pianist. 57 00:03:21,080 --> 00:03:23,680 Speaker 1: Gertrude had given up her dreams of having a career 58 00:03:23,680 --> 00:03:25,760 Speaker 1: in music when she got married, and she got pregnant 59 00:03:25,840 --> 00:03:28,680 Speaker 1: very quickly after that, but she still helped to instill 60 00:03:28,760 --> 00:03:32,080 Speaker 1: a love of the arts and Hetty, who learned to 61 00:03:32,160 --> 00:03:34,680 Speaker 1: dance and play the piano from a very young age. 62 00:03:34,880 --> 00:03:37,800 Speaker 1: And because she was an only child too, Hetty grows 63 00:03:37,880 --> 00:03:41,680 Speaker 1: up basically like this little princess and her parents were 64 00:03:41,720 --> 00:03:45,360 Speaker 1: out socializing quite a bit, but her dad really doated 65 00:03:45,400 --> 00:03:48,400 Speaker 1: on her when he was around and played make believe 66 00:03:48,480 --> 00:03:52,200 Speaker 1: with her, told her stories, and according to Shearer, he 67 00:03:52,240 --> 00:03:56,960 Speaker 1: would also spend hours explaining how things worked to her, 68 00:03:57,080 --> 00:04:01,840 Speaker 1: everything from quick printing presses to street ours. Um. That's 69 00:04:02,280 --> 00:04:04,280 Speaker 1: that's the first thing that sort of stands out in 70 00:04:04,320 --> 00:04:08,920 Speaker 1: this early biography, this careful attention to detail. Yep, her 71 00:04:09,000 --> 00:04:12,400 Speaker 1: curiosity is sparked at this point. But her first love, 72 00:04:12,520 --> 00:04:16,120 Speaker 1: even from a young age, is acting. Her parents, however, 73 00:04:16,400 --> 00:04:18,960 Speaker 1: were dead set against it. They did not want her 74 00:04:18,960 --> 00:04:21,760 Speaker 1: to be an actress, so she had to actually trick 75 00:04:21,839 --> 00:04:25,880 Speaker 1: her mom into signing a slip and cut school to 76 00:04:25,920 --> 00:04:27,880 Speaker 1: get her first movie job as a script runner for 77 00:04:27,920 --> 00:04:31,040 Speaker 1: Sasha Film Studio in Vienna, and it was through this 78 00:04:31,080 --> 00:04:33,560 Speaker 1: connection that she picked up her first bit part as 79 00:04:33,560 --> 00:04:36,839 Speaker 1: an extra in the film Gueld after Strassa, which translates 80 00:04:36,839 --> 00:04:38,640 Speaker 1: to money in the street. And it was I think 81 00:04:38,680 --> 00:04:41,520 Speaker 1: originally a silent film, but they added sound into it later, 82 00:04:41,839 --> 00:04:43,919 Speaker 1: so she was just a I think a person sitting 83 00:04:43,960 --> 00:04:45,839 Speaker 1: on a stool or something like that in that movie, 84 00:04:45,960 --> 00:04:49,320 Speaker 1: but a start nonetheless, and at that point she realized 85 00:04:49,360 --> 00:04:52,320 Speaker 1: that she she was going to be a serious actor, 86 00:04:52,480 --> 00:04:54,800 Speaker 1: she needed to learn a little bit more about her craft, 87 00:04:54,880 --> 00:04:59,400 Speaker 1: so she enrolled at the legendary theatrical producer Max Reinhardt's 88 00:04:59,680 --> 00:05:03,880 Speaker 1: press Stags, Berlin based drama school in about nineteen thirty 89 00:05:04,040 --> 00:05:07,920 Speaker 1: and initially she got some bit parts in Renhart shows 90 00:05:08,000 --> 00:05:10,680 Speaker 1: and followed him to Vienna and started to take on 91 00:05:10,800 --> 00:05:14,880 Speaker 1: larger roles. And it was he who told the press quote, 92 00:05:15,080 --> 00:05:18,039 Speaker 1: Hetty Keithler is the most beautiful girl in the world, 93 00:05:18,120 --> 00:05:21,680 Speaker 1: so sort of making that reputation for her early on. 94 00:05:22,640 --> 00:05:24,880 Speaker 1: But it wasn't until ninety two that she got her 95 00:05:24,920 --> 00:05:27,680 Speaker 1: really big break in a check film called Ecstasy, and 96 00:05:27,720 --> 00:05:31,000 Speaker 1: this is something that she's still famous for because it 97 00:05:31,040 --> 00:05:34,479 Speaker 1: was very controversial at the time for the fact that 98 00:05:34,520 --> 00:05:37,720 Speaker 1: she appeared nude in it. Um this was very scandalous, 99 00:05:37,800 --> 00:05:41,120 Speaker 1: especially it would have been very scandalous to say an 100 00:05:41,120 --> 00:05:45,880 Speaker 1: American because Hollywood was comparatively very conservative at the time. 101 00:05:46,000 --> 00:05:49,120 Speaker 1: So the fact that she is naked in it, and 102 00:05:49,120 --> 00:05:51,760 Speaker 1: there's also a very racy sex scene. Kind of put 103 00:05:51,760 --> 00:05:53,600 Speaker 1: her on the map in a lot of ways, sometimes 104 00:05:53,600 --> 00:05:57,080 Speaker 1: not necessarily good ways, but there it was. So at 105 00:05:57,080 --> 00:05:59,720 Speaker 1: this point her star is definitely on the rise. But 106 00:05:59,800 --> 00:06:02,320 Speaker 1: the next step she takes in her personal life, which 107 00:06:02,360 --> 00:06:04,760 Speaker 1: is marriage, kind of puts her acting career on the 108 00:06:04,760 --> 00:06:07,039 Speaker 1: back burner for a little while. Yeah, she had a 109 00:06:07,040 --> 00:06:11,800 Speaker 1: reputation for maybe not picking the best of guys, and 110 00:06:11,960 --> 00:06:15,440 Speaker 1: she ended up getting married six times, but her first 111 00:06:15,480 --> 00:06:17,680 Speaker 1: marriage is the one we're going to focus on. It's 112 00:06:17,920 --> 00:06:21,840 Speaker 1: very significant because it probably planted the seed for her 113 00:06:22,200 --> 00:06:27,119 Speaker 1: eventual invention. So she married this millionaire arms stealer named 114 00:06:27,120 --> 00:06:30,640 Speaker 1: Fritz Mondel in nineteen thirty three, and at first the 115 00:06:30,720 --> 00:06:33,200 Speaker 1: two were, as you put it earlier, they're just kind 116 00:06:33,200 --> 00:06:36,600 Speaker 1: of playing house with each other. Yeah, they're wealthy. As 117 00:06:36,640 --> 00:06:40,320 Speaker 1: we mentioned, she he's just buying jewels for her, and 118 00:06:40,440 --> 00:06:42,960 Speaker 1: she's traveling on his arm, on his work trips and 119 00:06:43,000 --> 00:06:46,159 Speaker 1: everywhere that he goes. And she's sort of happy because 120 00:06:46,160 --> 00:06:50,280 Speaker 1: of this, but that doesn't last. Mondel was really controlling. 121 00:06:50,880 --> 00:06:53,560 Speaker 1: He kept her from acting and even tried to buy 122 00:06:53,640 --> 00:06:56,440 Speaker 1: up all the copies of Ecstasy in existence because he 123 00:06:56,480 --> 00:06:58,919 Speaker 1: was so jealous about it after he saw it. He 124 00:06:59,000 --> 00:07:03,880 Speaker 1: paid figures like up to sixty dollars per copy to 125 00:07:04,160 --> 00:07:07,200 Speaker 1: get all of these, and rumor has it that even 126 00:07:07,320 --> 00:07:10,800 Speaker 1: Mussolini had a copy of Ecstasy, but he refused to 127 00:07:10,840 --> 00:07:14,160 Speaker 1: sell it to Mondel for any price that he would pay. Yeah, 128 00:07:14,240 --> 00:07:19,440 Speaker 1: don't marry Starlet's if you don't like their movies. Yeah, dealers, 129 00:07:20,760 --> 00:07:24,640 Speaker 1: you tell them, Sarah. But Hetty really lost all her 130 00:07:24,680 --> 00:07:27,520 Speaker 1: respect for Mondel when she found out that he was 131 00:07:27,680 --> 00:07:33,040 Speaker 1: making arms agreements with the Nazis, and this seemed especially 132 00:07:33,080 --> 00:07:36,520 Speaker 1: wronged her. It's it's not just she that's of Jewish heritage, 133 00:07:36,520 --> 00:07:41,120 Speaker 1: but Mondel was himself of Jewish heritage, and according to Shearer, 134 00:07:41,280 --> 00:07:46,600 Speaker 1: he had become an honorary Arian, which was special status 135 00:07:46,640 --> 00:07:50,440 Speaker 1: created for Jewish people who served Hitler. Personally, it seemed 136 00:07:50,480 --> 00:07:54,480 Speaker 1: like the ultimate betrayal to Hettie absolutely, and towards the 137 00:07:54,520 --> 00:07:57,640 Speaker 1: end of their marriage she was very displeased with him 138 00:07:57,760 --> 00:08:01,520 Speaker 1: and was practically a prisoner in her own um. Mandel 139 00:08:01,600 --> 00:08:03,640 Speaker 1: was afraid that she would flee, so he made the 140 00:08:03,640 --> 00:08:09,000 Speaker 1: servants watcher and she couldn't leave, but actually him forcing 141 00:08:09,040 --> 00:08:12,160 Speaker 1: her to attend these meetings with technicians and his munitions 142 00:08:12,200 --> 00:08:14,920 Speaker 1: business partners while they were married is part of how 143 00:08:14,960 --> 00:08:17,240 Speaker 1: she got the idea and the knowledge to help create 144 00:08:17,320 --> 00:08:21,240 Speaker 1: spread spectrum technology. Yeah, but to do anything with all 145 00:08:21,280 --> 00:08:23,000 Speaker 1: this knowledge she had, she had to get away from 146 00:08:23,000 --> 00:08:25,240 Speaker 1: her husband. But what she really wanted to do was 147 00:08:25,320 --> 00:08:28,160 Speaker 1: get back into acting at that time. So she got 148 00:08:28,160 --> 00:08:31,160 Speaker 1: a maid to help her escape from Londel's house, and 149 00:08:31,320 --> 00:08:34,640 Speaker 1: she was able to meet up with Hollywood producer Louis B. Meyer, 150 00:08:34,840 --> 00:08:38,480 Speaker 1: who she had met previously through Reinhart, and she got 151 00:08:38,559 --> 00:08:40,960 Speaker 1: signed to MGM Studios. It wasn't a great deal, but 152 00:08:41,120 --> 00:08:43,120 Speaker 1: she was signed at least in back on track with 153 00:08:43,120 --> 00:08:45,920 Speaker 1: her career, and so in seven she was on her 154 00:08:45,920 --> 00:08:48,200 Speaker 1: way to the States where she became known as Hetty 155 00:08:48,280 --> 00:08:51,040 Speaker 1: Lamar for the first time. Yeah, and she did a 156 00:08:51,040 --> 00:08:55,000 Speaker 1: few Hollywood movies that did reasonably well at the box office. 157 00:08:55,120 --> 00:09:00,199 Speaker 1: Al Jeers eight, which you mentioned earlier, H M. Pullman 158 00:09:00,559 --> 00:09:04,200 Speaker 1: Esquire nineteen forty one, Tortilla Flat in nineteen forty two, 159 00:09:04,240 --> 00:09:08,079 Speaker 1: White Cargo also in nineteen forty two, the most commercially 160 00:09:08,160 --> 00:09:11,560 Speaker 1: successful film she was in there with Sampson and Delilah 161 00:09:11,600 --> 00:09:15,080 Speaker 1: in nineteen forty nine, Um but even though you know 162 00:09:15,200 --> 00:09:18,040 Speaker 1: this is a certain amount of success, she probably never 163 00:09:18,440 --> 00:09:23,199 Speaker 1: reached her full potential as a Hollywood glamorous actress, right. 164 00:09:23,240 --> 00:09:25,480 Speaker 1: I think most people think that she probably doesn't get 165 00:09:25,520 --> 00:09:28,080 Speaker 1: the credit that she deserves. And she had a tough 166 00:09:28,120 --> 00:09:31,240 Speaker 1: time coming in And there were three possible reasons for that. 167 00:09:31,320 --> 00:09:35,000 Speaker 1: One was that when she initially came to the US language, 168 00:09:35,120 --> 00:09:38,640 Speaker 1: the language barrier and the accent, they were both problems 169 00:09:38,679 --> 00:09:41,600 Speaker 1: for her when it came to certain roles. It's been 170 00:09:41,640 --> 00:09:44,160 Speaker 1: said that she often didn't know what she was saying 171 00:09:44,320 --> 00:09:47,240 Speaker 1: and she recited her lines phonetically, so in her earliest 172 00:09:48,120 --> 00:09:51,120 Speaker 1: that would be really tough. And her beauty was one 173 00:09:51,160 --> 00:09:54,480 Speaker 1: of her greatest assets. But Meyer and MGM really didn't 174 00:09:54,480 --> 00:09:56,439 Speaker 1: know what to do with her. By most accounts, they 175 00:09:56,440 --> 00:09:59,960 Speaker 1: saw her as a casting challenge, which seems so strange 176 00:10:00,200 --> 00:10:02,640 Speaker 1: considering that she was so beautiful and so marketable, But 177 00:10:03,320 --> 00:10:05,640 Speaker 1: they had to end up putting her mostly in I 178 00:10:05,880 --> 00:10:09,040 Speaker 1: Candy type of roles rather than really substantive ones because 179 00:10:09,080 --> 00:10:11,560 Speaker 1: they thought that she was basically too beautiful to be 180 00:10:11,600 --> 00:10:14,400 Speaker 1: playing someone who was normal. She couldn't be a real person. Yeah, 181 00:10:14,400 --> 00:10:16,880 Speaker 1: she couldn't be a department store clerk or someone who 182 00:10:16,960 --> 00:10:19,240 Speaker 1: was serving you coffee because she was just so gorgeous. 183 00:10:19,240 --> 00:10:21,200 Speaker 1: They thought that no one would believe it. Yeah, and 184 00:10:21,240 --> 00:10:24,280 Speaker 1: it wasn't just the bosses who saw her beauty as 185 00:10:24,280 --> 00:10:27,800 Speaker 1: a hindrance. She herself viewed her beauty as a weakness. 186 00:10:27,840 --> 00:10:31,520 Speaker 1: She's quoted as saying, my faith has been my misfortune, 187 00:10:31,679 --> 00:10:34,640 Speaker 1: A mask I cannot remove. I must live with it. 188 00:10:34,880 --> 00:10:37,600 Speaker 1: I curse it. Yeah. I never thought I'd feel sorry 189 00:10:37,600 --> 00:10:41,000 Speaker 1: for someone who's so gorgeous, but that sounds awful. And 190 00:10:41,160 --> 00:10:44,319 Speaker 1: she really thought that a girl should have brains as 191 00:10:44,360 --> 00:10:46,920 Speaker 1: well as a body, and she wanted people to know 192 00:10:47,040 --> 00:10:49,800 Speaker 1: her for that. Um. One of her role models I 193 00:10:49,840 --> 00:10:52,280 Speaker 1: read somewhere was Mota Harri. One of she really admired 194 00:10:52,320 --> 00:10:55,440 Speaker 1: Mata Hary, who was a World War One spy. Admired 195 00:10:55,440 --> 00:10:57,880 Speaker 1: her because she was made Harry was both a military 196 00:10:57,920 --> 00:11:02,000 Speaker 1: expert and a sad dress so she used the mind 197 00:11:02,040 --> 00:11:06,200 Speaker 1: body connection. Yeah. And Hettie Lamar also had just some 198 00:11:06,280 --> 00:11:10,000 Speaker 1: playing bad luck or maybe bad choices with her film roles. 199 00:11:10,040 --> 00:11:12,920 Speaker 1: She had an opportunity for some to start in some 200 00:11:13,040 --> 00:11:18,439 Speaker 1: really memorable films. The main one is the lead in Casablanca. Um. 201 00:11:18,480 --> 00:11:21,440 Speaker 1: Either she turns it down or MGM wouldn't loan her out, 202 00:11:21,520 --> 00:11:25,000 Speaker 1: but she doesn't take the role. I mean, that's you 203 00:11:25,040 --> 00:11:28,160 Speaker 1: almost think her career could have been entirely different if 204 00:11:28,160 --> 00:11:30,320 Speaker 1: she had taken that role. But I guess, I guess 205 00:11:30,320 --> 00:11:33,240 Speaker 1: you never know. Maybe Casablanca just would have been entirely 206 00:11:33,240 --> 00:11:37,480 Speaker 1: different and not as memorable. But still that that looks 207 00:11:37,520 --> 00:11:41,080 Speaker 1: like a one to regret. Well, Lamar did finally get 208 00:11:41,080 --> 00:11:43,480 Speaker 1: the chance to put her brains to work a little 209 00:11:43,480 --> 00:11:46,480 Speaker 1: bit more when she met aunt Guarde pianist and composer 210 00:11:46,520 --> 00:11:51,160 Speaker 1: George aunt hyle at a Hollywood dinner party. Now, aunt 211 00:11:51,200 --> 00:11:54,640 Speaker 1: Hyla was known for his hit Ballet Mecanique, a music 212 00:11:54,679 --> 00:11:57,840 Speaker 1: piece that was intended to be performed by several synchronized 213 00:11:57,880 --> 00:12:01,920 Speaker 1: player pianos. He also shared Lamar's hatred of the Nazis, 214 00:12:02,559 --> 00:12:05,160 Speaker 1: and they started chatting about World War Two, which had 215 00:12:05,160 --> 00:12:07,960 Speaker 1: just begun at that time in Europe, and Lamar shared 216 00:12:08,000 --> 00:12:12,040 Speaker 1: with him her idea for a problem with torpedo control 217 00:12:12,320 --> 00:12:15,760 Speaker 1: that she'd seen Mondel struggle with. She proposed creating a 218 00:12:15,800 --> 00:12:19,560 Speaker 1: system in which the torpedo and the controller were constantly 219 00:12:19,559 --> 00:12:23,079 Speaker 1: switching frequencies so that the enemy couldn't intercept or jam 220 00:12:23,160 --> 00:12:26,920 Speaker 1: the signal. Yeah, which is a pretty intense conversation to 221 00:12:26,960 --> 00:12:32,320 Speaker 1: be having at this Hollywood dinner party. Definitely, um, heavy 222 00:12:32,440 --> 00:12:36,400 Speaker 1: dinner conversation. But Aunta was intrigued with this concept and 223 00:12:36,440 --> 00:12:39,800 Speaker 1: they met many times after that to refine this frequency 224 00:12:39,840 --> 00:12:44,119 Speaker 1: hopping technique that she had proposed and apply the concepts 225 00:12:44,120 --> 00:12:47,480 Speaker 1: of from his work, from his player piano work and 226 00:12:47,640 --> 00:12:52,480 Speaker 1: sound synchronization to to what she had suggested. And so 227 00:12:52,559 --> 00:12:55,160 Speaker 1: before we go any further, because this all gets pretty 228 00:12:55,200 --> 00:12:57,559 Speaker 1: technical and um, if you're like me, you need a 229 00:12:57,600 --> 00:13:01,200 Speaker 1: little simplification of it. So just a little explanation of 230 00:13:01,240 --> 00:13:05,400 Speaker 1: frequency hopping. And this is from a Georgia tech engineering professor, 231 00:13:05,559 --> 00:13:10,640 Speaker 1: Ian Killed is quoted in the Atlantic and sorry Ian 232 00:13:10,679 --> 00:13:13,560 Speaker 1: if we have mispronounced your name, because it's a tough one. 233 00:13:14,080 --> 00:13:16,959 Speaker 1: He says, suppose you're sending something on channel five. When 234 00:13:16,960 --> 00:13:19,719 Speaker 1: an intruder finds out that you're sending the entire information 235 00:13:19,760 --> 00:13:22,400 Speaker 1: on channel five, then he or she can take everything 236 00:13:22,440 --> 00:13:25,160 Speaker 1: you're sending off channel five and reconstruct it. But when 237 00:13:25,160 --> 00:13:28,880 Speaker 1: you hop around, the intruder cannot capture this hopping and 238 00:13:28,920 --> 00:13:32,520 Speaker 1: he cannot reconstruct the information. So from a security perspective, 239 00:13:32,559 --> 00:13:36,040 Speaker 1: it's perfect. Yeah. And the way that Lamar and Auntill 240 00:13:36,840 --> 00:13:40,720 Speaker 1: figured out this system, the way they conceptualized it involved 241 00:13:40,760 --> 00:13:45,920 Speaker 1: paper rolls that were perforated with a random pattern to 242 00:13:46,160 --> 00:13:49,920 Speaker 1: delineate the frequency path, So roles with the same pattern 243 00:13:50,000 --> 00:13:53,200 Speaker 1: would be installed in the transmitter and in the receiver, 244 00:13:53,679 --> 00:13:56,480 Speaker 1: and then just like a conventional player piano, there would 245 00:13:56,520 --> 00:14:01,800 Speaker 1: be eight roles of preparations for keys, and the system 246 00:14:01,880 --> 00:14:05,520 Speaker 1: allowed for the use of eighty eight different frequencies that 247 00:14:05,559 --> 00:14:09,559 Speaker 1: could be changed at different intervals so they couldn't be intercepted. 248 00:14:09,679 --> 00:14:12,640 Speaker 1: So everything was on the move constantly and it was 249 00:14:12,679 --> 00:14:16,160 Speaker 1: all radio controlled. So they filed for and they received 250 00:14:16,160 --> 00:14:20,000 Speaker 1: a patent for the system, which they called Secret Communications System. 251 00:14:20,520 --> 00:14:23,880 Speaker 1: But the Navy, basically they weren't into this idea at all, 252 00:14:24,040 --> 00:14:27,320 Speaker 1: so the patent lay dormant basically after that for several 253 00:14:27,400 --> 00:14:30,960 Speaker 1: years until the nineteen fifties, and that was after the 254 00:14:31,000 --> 00:14:33,960 Speaker 1: invention of the transistor and others began to experiment with 255 00:14:34,000 --> 00:14:38,200 Speaker 1: the concepts that basically Lamar had laid out in the patent, 256 00:14:38,360 --> 00:14:42,920 Speaker 1: but they replaced the paper rolls with transistor based digital system. 257 00:14:43,000 --> 00:14:46,720 Speaker 1: So there were all these subsequent patents on frequency hopping, 258 00:14:47,200 --> 00:14:50,320 Speaker 1: but they did refer to the Lamar ontil one as 259 00:14:50,440 --> 00:14:55,400 Speaker 1: the generic patent, even though unfortunately it had since expired, 260 00:14:55,760 --> 00:15:00,360 Speaker 1: and we see the applications of their research all over 261 00:15:00,400 --> 00:15:03,120 Speaker 1: the place after that. By nineteen sixty two, the military 262 00:15:03,320 --> 00:15:06,480 Speaker 1: was using the same principles that Lamar and aunt hyle 263 00:15:06,880 --> 00:15:10,520 Speaker 1: had used for secure communications. For example, I think they 264 00:15:10,600 --> 00:15:12,960 Speaker 1: used it during the Cuban Missile crisis that was mentioned. 265 00:15:13,400 --> 00:15:16,760 Speaker 1: And now frequency hopping is known as spread spectrum technology 266 00:15:16,760 --> 00:15:19,880 Speaker 1: as we mentioned before, and it's used in everything from 267 00:15:19,920 --> 00:15:23,680 Speaker 1: cell phones to wireless networking systems. For example, c d 268 00:15:23,880 --> 00:15:26,800 Speaker 1: M A cell phone networks like Sprint and Verizon use them. 269 00:15:26,960 --> 00:15:29,120 Speaker 1: So we're gonna have to go back through the tech 270 00:15:29,200 --> 00:15:32,080 Speaker 1: stuff archives to see if we can find anything more 271 00:15:32,280 --> 00:15:37,080 Speaker 1: on spread spectrum. Yeah, the current uses of this Glamorous 272 00:15:37,080 --> 00:15:41,320 Speaker 1: Starlets technology definitely. As Sarah mentioned, Lamar and aunt Hyle's 273 00:15:41,320 --> 00:15:43,840 Speaker 1: original patent expired and they never made a dime off 274 00:15:43,880 --> 00:15:46,640 Speaker 1: of this, which is kind of sad. Yeah, no money, 275 00:15:46,640 --> 00:15:51,600 Speaker 1: no recognition until later, much later, recognition, much later, not 276 00:15:51,640 --> 00:15:54,320 Speaker 1: too long after creating her invention, which didn't go anywhere 277 00:15:54,320 --> 00:15:57,360 Speaker 1: at the time that they actually created it. Lamar's Hollywood 278 00:15:57,360 --> 00:16:00,560 Speaker 1: career took kind of a downward charm and she sort 279 00:16:00,560 --> 00:16:03,440 Speaker 1: of flamed out at that point. Soon after that, she 280 00:16:03,680 --> 00:16:07,320 Speaker 1: left MGM of her own folition in nineteen forty six. 281 00:16:07,680 --> 00:16:10,800 Speaker 1: Her last big hit with Samson and Delilah in ninety nine. 282 00:16:10,920 --> 00:16:13,520 Speaker 1: She does movies after that, but that was kind of 283 00:16:13,520 --> 00:16:17,080 Speaker 1: her big role that she's remembered for. She retires from 284 00:16:17,120 --> 00:16:20,840 Speaker 1: acting entirely in nineteen fifty eight, and after retiring, she 285 00:16:21,240 --> 00:16:23,560 Speaker 1: moved to Florida and lived out the rest of her 286 00:16:23,640 --> 00:16:27,560 Speaker 1: days there. But she keeps a lot of drama in 287 00:16:27,600 --> 00:16:32,080 Speaker 1: her life even though she's retired from the movies. As 288 00:16:32,120 --> 00:16:37,840 Speaker 1: we mentioned, six husbands, divorced six times, three kids to biological, 289 00:16:37,880 --> 00:16:42,160 Speaker 1: one adopted who she later disowns up. She's arrested twice 290 00:16:42,240 --> 00:16:45,960 Speaker 1: for shoplifting, once in nineteen sixty six once in nineteen nine. 291 00:16:46,800 --> 00:16:49,880 Speaker 1: Both times the charges don't stick. Yeah, she was cleared, 292 00:16:50,160 --> 00:16:53,400 Speaker 1: and she gets into it with a lot of people. 293 00:16:53,880 --> 00:16:58,000 Speaker 1: She has a strange love for litigation in her later life. 294 00:16:58,960 --> 00:17:03,120 Speaker 1: Collaborators on her nineteen sixty six autobiography Ecstasy in Me, 295 00:17:03,400 --> 00:17:08,760 Speaker 1: she sues them from misrepresentation. UM director mel Brooks. Many 296 00:17:08,800 --> 00:17:11,720 Speaker 1: people I'm sure have seen the film Blazing Saddles. It's 297 00:17:11,760 --> 00:17:15,240 Speaker 1: a Western spoof and there's a character in that movie 298 00:17:15,600 --> 00:17:19,120 Speaker 1: called Headley Lamar, and they sort of turned that name 299 00:17:19,160 --> 00:17:21,879 Speaker 1: into a prank throughout the film, and it's it's a 300 00:17:21,960 --> 00:17:24,560 Speaker 1: very funny film. But apparently Lamar did not find it 301 00:17:24,600 --> 00:17:26,919 Speaker 1: to be very funny, so she sued him for that 302 00:17:26,960 --> 00:17:30,000 Speaker 1: and they settled out of court. But despite all this drama, 303 00:17:30,359 --> 00:17:34,159 Speaker 1: she's finally recognized for her invention in n when she 304 00:17:34,240 --> 00:17:38,320 Speaker 1: receives a Pioneer Award from the Electronic Frontier Foundation, and 305 00:17:38,400 --> 00:17:42,119 Speaker 1: she also gets some other recognition from other professional engineering 306 00:17:42,160 --> 00:17:47,520 Speaker 1: groups as well. But she wasn't too impressed by this attention. 307 00:17:47,600 --> 00:17:50,320 Speaker 1: I don't think her only comment on being honored was 308 00:17:50,440 --> 00:17:55,600 Speaker 1: it's about time. So sassy to the end, head Lamar. So. 309 00:17:55,800 --> 00:18:00,199 Speaker 1: Henry Lamar died in two thousand and people close to 310 00:18:00,240 --> 00:18:03,800 Speaker 1: her say that she continued to make little inventions throughout 311 00:18:03,800 --> 00:18:08,600 Speaker 1: her life, including a pocket for tissue or Kleenex boxes 312 00:18:08,640 --> 00:18:12,760 Speaker 1: where you could put your used tissues. Um, none of 313 00:18:12,800 --> 00:18:16,240 Speaker 1: these little inventions really took off, and certainly not to 314 00:18:16,640 --> 00:18:19,960 Speaker 1: the extent of her most famous invention. She can still 315 00:18:20,040 --> 00:18:23,280 Speaker 1: kind of be an inspiration to future inventors. The Boeing 316 00:18:23,359 --> 00:18:25,919 Speaker 1: Corporation actually launched a series of ads in two thousand 317 00:18:26,000 --> 00:18:29,560 Speaker 1: three that featured Lamar's image as a woman of science, 318 00:18:29,640 --> 00:18:33,240 Speaker 1: and the title for the ad campaign was don't let 319 00:18:33,320 --> 00:18:36,239 Speaker 1: history happen without you, And we can only assume they 320 00:18:36,280 --> 00:18:41,280 Speaker 1: waited until after her death for fear of law. So true. 321 00:18:42,080 --> 00:18:44,119 Speaker 1: So that's all we have for today. But as I 322 00:18:44,200 --> 00:18:47,960 Speaker 1: mentioned earlier, there's plenty to say about Hetty Lamar and 323 00:18:48,000 --> 00:18:49,879 Speaker 1: plenty of things that we didn't get to cover today, 324 00:18:49,960 --> 00:18:52,639 Speaker 1: both from her later life and from the earlier So 325 00:18:52,800 --> 00:18:54,760 Speaker 1: if you have anything that you want to add, or 326 00:18:54,800 --> 00:18:57,119 Speaker 1: anything you want to ask, please feel free to email us. 327 00:18:57,160 --> 00:19:00,320 Speaker 1: Our email us History podcast at how stuffworks dot com, 328 00:19:00,440 --> 00:19:02,560 Speaker 1: or you can look us up on Twitter at Miston 329 00:19:02,680 --> 00:19:04,960 Speaker 1: History or on Facebook. And if you want to learn 330 00:19:05,040 --> 00:19:09,560 Speaker 1: any more about cell phone technology, where this invention eventually 331 00:19:09,640 --> 00:19:12,560 Speaker 1: wound up, we have lots of articles on the subject. 332 00:19:12,720 --> 00:19:17,240 Speaker 1: You can go to our homepage and search cellphone technology. 333 00:19:17,480 --> 00:19:24,960 Speaker 1: That's at www dot how stuff works dot com. For 334 00:19:25,080 --> 00:19:27,480 Speaker 1: more on this and thousands of other topics. Visit how 335 00:19:27,560 --> 00:19:30,200 Speaker 1: stuff works dot com. To learn more about the podcast, 336 00:19:30,400 --> 00:19:32,920 Speaker 1: click on the podcast icon in the upper right corner 337 00:19:32,960 --> 00:19:36,000 Speaker 1: of our homepage. The How Stuff Works iPhone app has 338 00:19:36,040 --> 00:19:38,520 Speaker 1: a rise. Download it today on iTunes