1
00:00:00,120 --> 00:00:19,840
Speaker 1: This episode was recorded on June eighth, twenty twenty three.

2
00:00:22,079 --> 00:00:25,599
Speaker 2: I'm gonna say something, and I think Will's gonna have

3
00:00:25,640 --> 00:00:26,840
Speaker 2: some strong opinions one.

4
00:00:26,680 --> 00:00:27,200
Speaker 3: Way or the other.

5
00:00:27,680 --> 00:00:28,240
Speaker 1: I can't wait.

6
00:00:28,520 --> 00:00:29,120
Speaker 2: I don't know about this.

7
00:00:29,120 --> 00:00:34,920
Speaker 3: It'll be fun. No more Multiverse, stop it, thank you.

8
00:00:35,280 --> 00:00:37,760
Speaker 2: I just saw it across the Spider Verse, thank you,

9
00:00:38,080 --> 00:00:41,000
Speaker 2: and it was like, it's wonderful if the animation is incredible,

10
00:00:41,200 --> 00:00:43,879
Speaker 2: acting like in the first hours, and then I'm just

11
00:00:43,920 --> 00:00:47,720
Speaker 2: like stop. And then there's a preview for the Flash Multiverse.

12
00:00:47,840 --> 00:00:50,600
Speaker 2: I'm just like, stop it, stop it, stop and stop it.

13
00:00:50,600 --> 00:00:53,120
Speaker 2: I am so sick of it. It's like everything everywhere,

14
00:00:53,120 --> 00:00:56,240
Speaker 2: all at once did it. They did it so well,

15
00:00:56,520 --> 00:00:58,840
Speaker 2: they explored it in all the human ways. And I

16
00:00:58,880 --> 00:01:01,840
Speaker 2: feel like the First Verse, which is what like four

17
00:01:01,920 --> 00:01:06,520
Speaker 2: years ago, it's amazing, introduced this idea and now what started.

18
00:01:06,120 --> 00:01:07,759
Speaker 3: As like wouldn't that be cool?

19
00:01:08,160 --> 00:01:12,160
Speaker 2: Well, but it's also a very clear human sort of

20
00:01:12,319 --> 00:01:15,480
Speaker 2: narrative reaction to a culture of too much information. Right, Like,

21
00:01:15,520 --> 00:01:18,400
Speaker 2: we live in a world where we have constant connectivity

22
00:01:18,680 --> 00:01:21,600
Speaker 2: with every human being that's ever lived there is still alive,

23
00:01:21,840 --> 00:01:24,920
Speaker 2: and we can read all information about everything. So this

24
00:01:25,080 --> 00:01:28,319
Speaker 2: notion that like we're not special, that we're like one

25
00:01:28,400 --> 00:01:32,919
Speaker 2: fragment in a multiverse sort of mindset is like super healthy.

26
00:01:32,920 --> 00:01:34,760
Speaker 2: We're all kind of going through that as a culture.

27
00:01:35,000 --> 00:01:38,600
Speaker 2: So to explore that narratively with like, you know, storytelling

28
00:01:38,720 --> 00:01:41,760
Speaker 2: is awesome, but now it just feels like this crass

29
00:01:42,800 --> 00:01:47,760
Speaker 2: the commercial capitulation where it's like, uh, we oft to

30
00:01:47,920 --> 00:01:51,040
Speaker 2: fan service everybody. So if you like Michael Keatan Batman,

31
00:01:51,080 --> 00:01:52,640
Speaker 2: we got to get you in there, and if you

32
00:01:52,720 --> 00:01:54,240
Speaker 2: like this Spider Man, we got to get you. And

33
00:01:54,280 --> 00:01:57,440
Speaker 2: it's like, stop, I don't care, Just tell a story.

34
00:01:57,880 --> 00:01:59,600
Speaker 2: Just tell one story.

35
00:02:00,280 --> 00:02:04,280
Speaker 3: Will you're you're awfully quiet? I totally agree with you.

36
00:02:07,840 --> 00:02:09,320
Speaker 3: I will go even farther.

37
00:02:09,520 --> 00:02:12,440
Speaker 4: And this is me saying that I, at least right now,

38
00:02:12,680 --> 00:02:13,320
Speaker 4: am sick of.

39
00:02:13,240 --> 00:02:17,600
Speaker 3: The superhero story. I just there's too much.

40
00:02:17,880 --> 00:02:21,200
Speaker 4: There's there being thrown at me left and right when

41
00:02:21,240 --> 00:02:23,919
Speaker 4: it comes to not only movies but also television shows

42
00:02:23,960 --> 00:02:26,200
Speaker 4: and everything and everything and everything and everything, and it's

43
00:02:26,320 --> 00:02:30,440
Speaker 4: just they took this beautiful thing that was wonderful and

44
00:02:30,480 --> 00:02:33,400
Speaker 4: now it's everywhere all the time, and it's too much.

45
00:02:33,480 --> 00:02:36,040
Speaker 4: So I think the next big thing, thankfully, and we're

46
00:02:36,040 --> 00:02:37,880
Speaker 4: starting to see this is going to be fantasy stories,

47
00:02:37,919 --> 00:02:39,360
Speaker 4: which thank god because they're my favorite.

48
00:02:39,360 --> 00:02:41,200
Speaker 3: But then I hope they don't get to that.

49
00:02:41,200 --> 00:02:43,440
Speaker 2: So will they be original fantasy story you think?

50
00:02:43,919 --> 00:02:45,480
Speaker 4: I think they'll adapt books like you know, Wheel of

51
00:02:45,480 --> 00:02:47,240
Speaker 4: Time came out on Amazon. I'm not even gonna get

52
00:02:47,240 --> 00:02:50,760
Speaker 4: into that. But but wait a minute, Willow got canceled.

53
00:02:50,800 --> 00:02:53,760
Speaker 4: Willow did get canceled and is Lord of the Rings

54
00:02:53,960 --> 00:02:56,360
Speaker 4: the Dungeons.

55
00:02:56,760 --> 00:02:59,840
Speaker 3: I heard The Dungeons. I'm watching it tomorrow.

56
00:02:59,880 --> 00:03:02,919
Speaker 2: I just go, oh my god, it was. It's so fun.

57
00:03:04,400 --> 00:03:06,760
Speaker 4: I think it's going to be that kind of like

58
00:03:06,960 --> 00:03:08,680
Speaker 4: the Guardians of the Galaxy kind of.

59
00:03:08,639 --> 00:03:11,000
Speaker 3: Intank, but it didn't do as well as a superhero.

60
00:03:11,280 --> 00:03:11,840
Speaker 3: I mean that's the thing.

61
00:03:11,880 --> 00:03:14,480
Speaker 2: It's like, these movies are still the hero. I mean

62
00:03:14,520 --> 00:03:18,240
Speaker 2: we're definitely in like late stage superhero, but we're not dumb.

63
00:03:18,280 --> 00:03:20,000
Speaker 2: But what we might be, but we're not.

64
00:03:20,040 --> 00:03:24,360
Speaker 4: I mean you already get you know, like Marvel announcing

65
00:03:24,360 --> 00:03:26,760
Speaker 4: the next six years of Marvel movies kind of things,

66
00:03:26,760 --> 00:03:27,240
Speaker 4: and it's.

67
00:03:27,040 --> 00:03:28,880
Speaker 3: Like it's just cannibalizing itself.

68
00:03:28,919 --> 00:03:31,000
Speaker 2: I mean that's what this multiverse is, Like how many

69
00:03:31,080 --> 00:03:34,080
Speaker 2: times can you reinvent? And it's like I just don't

70
00:03:34,080 --> 00:03:34,600
Speaker 2: care anymore.

71
00:03:34,680 --> 00:03:37,080
Speaker 3: You know what people should do, honestly, people should do.

72
00:03:37,120 --> 00:03:39,920
Speaker 4: If you like the superhero stuff, if you want to

73
00:03:40,240 --> 00:03:42,800
Speaker 4: jump into that world, which you should, go back and

74
00:03:42,840 --> 00:03:45,960
Speaker 4: read all the comic books. Don't let the movies happen.

75
00:03:46,000 --> 00:03:47,600
Speaker 4: Like if you want to watch movies, fine, watching movies,

76
00:03:47,640 --> 00:03:49,960
Speaker 4: but go back and actually read the stories. Read where

77
00:03:49,960 --> 00:03:52,280
Speaker 4: they started, read where they go. Read, you know, get

78
00:03:52,280 --> 00:03:54,160
Speaker 4: into X Men. Get into the fact that it's like,

79
00:03:54,160 --> 00:03:56,760
Speaker 4: wait a minute, there's seven thousand books. Yes, read them,

80
00:03:57,160 --> 00:04:00,640
Speaker 4: go the different branch read x Men. You don't think

81
00:04:00,680 --> 00:04:03,560
Speaker 4: I will. I don't let me tell you met you.

82
00:04:03,440 --> 00:04:06,680
Speaker 4: I don't know what you want to talk doctor Stringe.

83
00:04:07,880 --> 00:04:09,680
Speaker 4: But yeah, I agree with you.

84
00:04:09,720 --> 00:04:12,080
Speaker 3: It's the multiverse thing. It's too much right now.

85
00:04:12,480 --> 00:04:14,839
Speaker 2: What It's funny though, because because I didn't get into

86
00:04:14,840 --> 00:04:18,120
Speaker 2: comics as a kid, because I was overwhelmed by the

87
00:04:18,160 --> 00:04:21,119
Speaker 2: sheer multiverse factor, Like I didn't know where to start.

88
00:04:21,240 --> 00:04:23,000
Speaker 2: You know, now I guess you would. You could kind

89
00:04:23,000 --> 00:04:26,160
Speaker 2: of pick your your your channel of like comics to

90
00:04:26,200 --> 00:04:29,680
Speaker 2: start it, because there's enough meta information out there. But yeah,

91
00:04:29,720 --> 00:04:32,600
Speaker 2: I mean I feel like comics already went through this,

92
00:04:32,720 --> 00:04:34,880
Speaker 2: probably in like the seventies and eighties, right where it

93
00:04:34,960 --> 00:04:38,760
Speaker 2: was like, oh, the fourteenth iteration of Spider Man or whatever.

94
00:04:39,520 --> 00:04:40,120
Speaker 3: But yeah, with.

95
00:04:40,080 --> 00:04:44,599
Speaker 2: Movies, it's it's it's it's diminishing returns. It's really aboumber

96
00:04:44,600 --> 00:04:46,919
Speaker 2: at this point. And like, I mean, Indy loved the

97
00:04:46,920 --> 00:04:49,560
Speaker 2: New Spider Verse though, so he really liked it, so

98
00:04:50,040 --> 00:04:51,200
Speaker 2: you know, there's always going to be.

99
00:04:51,920 --> 00:04:53,039
Speaker 3: A target audience for it.

100
00:04:53,160 --> 00:04:56,480
Speaker 2: I'm just I'm exhausted by that conceit and I think

101
00:04:56,480 --> 00:04:58,760
Speaker 2: it's going to age poorly. Like I think ten years

102
00:04:58,760 --> 00:05:00,600
Speaker 2: from now, they're going to be like remember when everything

103
00:05:00,640 --> 00:05:03,600
Speaker 2: was a multiverse and they brought the actors to come.

104
00:05:03,560 --> 00:05:07,200
Speaker 1: And speaking to the fact that a lot of us

105
00:05:07,720 --> 00:05:10,839
Speaker 1: want to imagine that we are also we are living

106
00:05:10,880 --> 00:05:14,520
Speaker 1: in a multiverse and that there's like a happier us somewhere.

107
00:05:14,680 --> 00:05:17,520
Speaker 2: Exactly and so exactly, which is why everything everywhere, all

108
00:05:17,560 --> 00:05:19,800
Speaker 2: at once did it right. It was like it took

109
00:05:19,839 --> 00:05:23,720
Speaker 2: this big superhero high concept idea reduced it to a

110
00:05:23,880 --> 00:05:27,359
Speaker 2: very personal human story, a mother daughter story, you know,

111
00:05:27,440 --> 00:05:30,479
Speaker 2: running along dramat like being married, going through a divorce

112
00:05:30,560 --> 00:05:31,000
Speaker 2: like that.

113
00:05:31,279 --> 00:05:33,200
Speaker 3: But that's what you like, that's your thing.

114
00:05:33,320 --> 00:05:35,840
Speaker 4: I mean again, that's like you like the more filmmaker

115
00:05:35,920 --> 00:05:42,320
Speaker 4: style of storytelling as opposed to the multiverse. Multiverse is like,

116
00:05:42,600 --> 00:05:46,040
Speaker 4: is more what I see the multiverse as as opposed

117
00:05:46,080 --> 00:05:47,919
Speaker 4: to like, I get what they're doing. Where now we

118
00:05:47,960 --> 00:05:52,120
Speaker 4: want to make an independent like artsy film about the multiverse, Okay,

119
00:05:52,160 --> 00:05:54,960
Speaker 4: And that's your preference because that's you prefer that kind

120
00:05:55,000 --> 00:05:56,440
Speaker 4: of stuff, Whereas I like, if.

121
00:05:56,320 --> 00:05:58,280
Speaker 3: You're going to do it, you can just do it, Giant.

122
00:05:58,360 --> 00:05:58,880
Speaker 3: That's how I look.

123
00:05:59,000 --> 00:06:01,000
Speaker 2: I just wanted to have concept is I guess sure?

124
00:06:01,040 --> 00:06:04,080
Speaker 2: So like, like you know, I don't mind multiverse stuff

125
00:06:04,120 --> 00:06:07,440
Speaker 2: as long as I know that's destroying and games destroying.

126
00:06:08,320 --> 00:06:10,440
Speaker 2: I think it got blown out by that that story.

127
00:06:10,839 --> 00:06:13,400
Speaker 2: I didn't I didn't love all the adventure stuff, but

128
00:06:13,440 --> 00:06:15,760
Speaker 2: I do think that that had a plan and it

129
00:06:15,760 --> 00:06:18,360
Speaker 2: had an end. An endgame literally is called in where

130
00:06:18,360 --> 00:06:20,960
Speaker 2: it was like, Okay, this matters to these characters, certain

131
00:06:21,000 --> 00:06:23,160
Speaker 2: people are going to die, and it's going to end.

132
00:06:23,279 --> 00:06:27,000
Speaker 2: Whereas like this, I feel like, you know, Spider Verse,

133
00:06:27,000 --> 00:06:28,760
Speaker 2: and it seems I haven't seen the Flash obviously, but

134
00:06:28,800 --> 00:06:30,560
Speaker 2: I feel like that's in the same thing. It's like, oh,

135
00:06:30,600 --> 00:06:33,799
Speaker 2: we're It just feels like we're just compiling movies together

136
00:06:33,839 --> 00:06:34,520
Speaker 2: for the sake.

137
00:06:34,360 --> 00:06:38,240
Speaker 3: Of smashing something amazing with the flash. That's a film.

138
00:06:38,400 --> 00:06:39,520
Speaker 3: So here's the thing.

139
00:06:39,600 --> 00:06:42,159
Speaker 4: The live action movies are great, but for years and

140
00:06:42,240 --> 00:06:44,200
Speaker 4: years and years, the animated movies have been doing it

141
00:06:44,279 --> 00:06:46,479
Speaker 4: right when the live action movies have it, Like every

142
00:06:46,560 --> 00:06:49,520
Speaker 4: time the animated the animated Batman movies are the the

143
00:06:49,560 --> 00:06:52,000
Speaker 4: live action Batman movies come out with like Arnold Schwartzenegger,

144
00:06:52,000 --> 00:06:54,600
Speaker 4: people are going, what is this while the great animated

145
00:06:54,600 --> 00:06:58,520
Speaker 4: movies were coming out, So go watch Flashpoint Paradox, which

146
00:06:58,600 --> 00:07:03,080
Speaker 4: is a animated flash movie, which is phenomenal. So it's

147
00:07:03,120 --> 00:07:04,720
Speaker 4: like stuff like that, and it's probably ten years old,

148
00:07:04,760 --> 00:07:07,640
Speaker 4: so stuff like that. Go back and watch the animated stuff.

149
00:07:07,720 --> 00:07:09,320
Speaker 4: It's amazing. It's amazing.

150
00:07:09,360 --> 00:07:09,520
Speaker 3: See.

151
00:07:09,560 --> 00:07:12,240
Speaker 2: I think that those writers are allowed more freedom. Absolutely,

152
00:07:12,240 --> 00:07:15,200
Speaker 2: like this whole notion of Cannon and you know, when

153
00:07:15,200 --> 00:07:17,720
Speaker 2: they're throwing hundreds of millions of dollars into our movie,

154
00:07:17,720 --> 00:07:19,480
Speaker 2: it's like, well, we got to get every version of

155
00:07:19,480 --> 00:07:21,960
Speaker 2: Spider Man, every Batman in it in order to like

156
00:07:22,520 --> 00:07:25,960
Speaker 2: justify the expense and justify the theatricality of it. And

157
00:07:26,000 --> 00:07:26,840
Speaker 2: that's a bummer.

158
00:07:26,960 --> 00:07:28,840
Speaker 3: Like I hope it's animation.

159
00:07:28,960 --> 00:07:30,720
Speaker 4: So there's some animated movies out of there that do

160
00:07:30,800 --> 00:07:33,200
Speaker 4: it really well and it didn't need to be done

161
00:07:33,240 --> 00:07:35,400
Speaker 4: live action because it was already done perfectly animated.

162
00:07:36,160 --> 00:07:37,040
Speaker 3: You get that a lot too.

163
00:07:37,040 --> 00:07:40,000
Speaker 4: But when you start looking at the comic books as

164
00:07:40,160 --> 00:07:42,600
Speaker 4: American mythology, which is what they are, I mean, Superman,

165
00:07:42,640 --> 00:07:44,800
Speaker 4: these are all gods. So when you start looking at

166
00:07:44,840 --> 00:07:46,200
Speaker 4: like that and you kind of read that into it,

167
00:07:46,200 --> 00:07:47,400
Speaker 4: it just takes on a whole new life.

168
00:07:47,440 --> 00:07:48,080
Speaker 5: It's so much fun.

169
00:07:48,560 --> 00:07:53,160
Speaker 1: Well, welcome to Pod meets Multiverse. I'm Danielle Fischel, I'm

170
00:07:53,160 --> 00:07:54,200
Speaker 1: writers Strong.

171
00:07:54,000 --> 00:07:55,760
Speaker 3: And in this universe, I'm Will Fardell.

172
00:07:56,600 --> 00:08:00,600
Speaker 1: I wanted you to be super feel freedom there.

173
00:08:00,920 --> 00:08:02,560
Speaker 3: I'm waiting for the call. I'm waiting for the super

174
00:08:02,560 --> 00:08:04,400
Speaker 3: Phil Friedo single. It's been foggy, That's what happened. Be

175
00:08:04,400 --> 00:08:04,920
Speaker 3: able to see it.

176
00:08:15,240 --> 00:08:19,920
Speaker 1: So jumping into our recap today is season three, episode three,

177
00:08:20,080 --> 00:08:23,320
Speaker 1: What I Meant to Say. It originally aired October thirteenth,

178
00:08:23,440 --> 00:08:27,000
Speaker 1: nineteen ninety five. The synopsis is Corey and Tepanga experience

179
00:08:27,040 --> 00:08:30,120
Speaker 1: a roadblock in their relationship when Corey tells her I

180
00:08:30,280 --> 00:08:33,800
Speaker 1: love you, and mister Turner's friend Eli becomes the new

181
00:08:34,080 --> 00:08:37,960
Speaker 1: media arts teacher. It was directed by David Kendall. It

182
00:08:38,000 --> 00:08:42,120
Speaker 1: was written by Frendelson, Yeah right, Yeah. It was written

183
00:08:42,120 --> 00:08:45,400
Speaker 1: by Mark Blutman and Howard Buskang and guest stars Alex

184
00:08:45,480 --> 00:08:50,400
Speaker 1: de Sayer as Eli Williams and Anastasia Horne as Christy.

185
00:08:50,600 --> 00:08:53,400
Speaker 1: She was from Kids Incorporated and would later appear in

186
00:08:53,400 --> 00:08:56,760
Speaker 1: one hundred and two episodes of General Hospitals spinoff Port

187
00:08:56,880 --> 00:08:59,079
Speaker 1: Charles and Buffy.

188
00:09:00,280 --> 00:09:03,600
Speaker 4: Okay, since you just mentioned Kendall, I have a quick

189
00:09:03,600 --> 00:09:07,560
Speaker 4: message from David Kendall. So I talked to Kendall yesterday

190
00:09:07,920 --> 00:09:10,440
Speaker 4: and he said, God, I love listening to you, to

191
00:09:10,520 --> 00:09:12,439
Speaker 4: the three of you together. It's one of the highlights

192
00:09:12,480 --> 00:09:15,360
Speaker 4: of my day. And sometimes I'm just screaming at my phone.

193
00:09:16,760 --> 00:09:19,679
Speaker 4: And he said, what was the perfect example is you

194
00:09:19,720 --> 00:09:22,240
Speaker 4: guys having a ten minute discussion of why did they

195
00:09:22,320 --> 00:09:24,520
Speaker 4: do the tag this way with Bill Daniel's shirt?

196
00:09:24,559 --> 00:09:26,400
Speaker 3: Did they throw the food at him? Did they change

197
00:09:26,480 --> 00:09:28,240
Speaker 3: it and get ready to bleep?

198
00:09:28,280 --> 00:09:30,240
Speaker 4: He goes for five minutes, I'm just screaming at my

199
00:09:30,320 --> 00:09:34,200
Speaker 4: phone because it's the fucking tag. That's why we didn't

200
00:09:34,200 --> 00:09:35,439
Speaker 4: want to put him in four shirts.

201
00:09:35,679 --> 00:09:37,400
Speaker 3: It's the tag.

202
00:09:38,040 --> 00:09:40,600
Speaker 4: So I thought that was He's like, you can tell

203
00:09:40,600 --> 00:09:41,920
Speaker 4: them that I was like, okay, good so.

204
00:09:42,080 --> 00:09:45,920
Speaker 1: I the answer that we did not pose when we

205
00:09:45,920 --> 00:09:49,480
Speaker 1: were discussing the reason why is they didn't care. That

206
00:09:49,600 --> 00:09:53,520
Speaker 1: was that's essentially what it didn't care, didn't shirts, didn't

207
00:09:53,559 --> 00:09:56,400
Speaker 1: want to spend the money. They truth trully. What he's

208
00:09:56,400 --> 00:09:59,880
Speaker 1: saying is we didn't care. It was a twenty second tag.

209
00:10:00,040 --> 00:10:02,280
Speaker 1: We couldn't have cared less about it. We did what

210
00:10:02,400 --> 00:10:04,760
Speaker 1: was easy. Yes, and he said do we do? We

211
00:10:04,800 --> 00:10:06,880
Speaker 1: really want to keep Bill Daniels there? Later in the

212
00:10:07,000 --> 00:10:12,240
Speaker 1: night he's like just putting and just if it was

213
00:10:12,280 --> 00:10:15,440
Speaker 1: one of us, they would have thrown. So that is

214
00:10:15,480 --> 00:10:19,240
Speaker 1: directly from Kendall's right. Another thing for us to consider

215
00:10:19,440 --> 00:10:22,600
Speaker 1: is they don't care. I will thank you Kendall for

216
00:10:22,679 --> 00:10:23,240
Speaker 1: letting us know.

217
00:10:24,000 --> 00:10:27,560
Speaker 3: In that's now screaming at his phone again.

218
00:10:28,200 --> 00:10:30,600
Speaker 1: That's what Kendall said. It was the tag Jack means,

219
00:10:30,600 --> 00:10:35,800
Speaker 1: we don't care good enough, Okay, we open our cold open.

220
00:10:35,880 --> 00:10:38,360
Speaker 1: In Chubby's Corey is teaching to Panga how to play

221
00:10:38,360 --> 00:10:41,439
Speaker 1: pool and I remember this episode, guys. I remembered it.

222
00:10:41,920 --> 00:10:43,679
Speaker 3: Wow, Cas we were going through a big one.

223
00:10:43,840 --> 00:10:45,400
Speaker 2: It was like I remember it was a big one

224
00:10:45,440 --> 00:10:46,400
Speaker 2: for you and Ben, did.

225
00:10:46,280 --> 00:10:46,960
Speaker 3: You like I did?

226
00:10:47,040 --> 00:10:48,200
Speaker 5: Like it. Did you like it?

227
00:10:48,200 --> 00:10:48,720
Speaker 3: Did you like it?

228
00:10:48,800 --> 00:10:49,000
Speaker 4: Rider?

229
00:10:50,480 --> 00:10:53,120
Speaker 2: Something was off for me? I agree, you know what,

230
00:10:53,880 --> 00:10:56,280
Speaker 2: It's weird because we've talked about the end of season

231
00:10:56,280 --> 00:10:59,640
Speaker 2: two episodes being very dramatic and and liking that about them.

232
00:10:59,800 --> 00:11:03,000
Speaker 2: This one was missing some humor. It was missing some

233
00:11:03,000 --> 00:11:06,400
Speaker 2: some levity to balance out the Corey to Pega drama.

234
00:11:06,520 --> 00:11:09,240
Speaker 2: I guess so it felt a little I don't know,

235
00:11:09,440 --> 00:11:10,240
Speaker 2: it felt off for me.

236
00:11:10,320 --> 00:11:11,559
Speaker 3: I just wanted a little more.

237
00:11:12,400 --> 00:11:15,080
Speaker 4: At about this episode. Actually, I don't like most of

238
00:11:15,120 --> 00:11:18,120
Speaker 4: our performances. I thought all of us were really big.

239
00:11:18,200 --> 00:11:19,520
Speaker 3: Yeah.

240
00:11:19,760 --> 00:11:21,560
Speaker 4: Rider, you looked like you were going to laugh and

241
00:11:21,640 --> 00:11:23,160
Speaker 4: actually did laugh at one point.

242
00:11:23,640 --> 00:11:25,960
Speaker 3: You looked like you're gonna laugh through most of us.

243
00:11:26,080 --> 00:11:28,040
Speaker 1: To take where he was breaking, to take.

244
00:11:27,880 --> 00:11:31,679
Speaker 3: Where you both broke? Wait, which are you kidding that

245
00:11:31,720 --> 00:11:36,800
Speaker 3: you didn't get.

246
00:11:35,200 --> 00:11:38,600
Speaker 1: Breaking through the words? And then Ben breaks but thankfully

247
00:11:38,679 --> 00:11:42,600
Speaker 1: has me is the distraction in this It's I Actually,

248
00:11:42,679 --> 00:11:46,520
Speaker 1: I of course loved it because it really was like,

249
00:11:46,600 --> 00:11:50,679
Speaker 1: oh yeah, I seeing it really then remembered the feeling

250
00:11:50,960 --> 00:11:55,079
Speaker 1: of what it's like to break in a scene. So anyway, okay, Corey.

251
00:11:55,200 --> 00:11:56,960
Speaker 3: I also did not like the Corey into Panga stuff

252
00:11:57,000 --> 00:11:59,720
Speaker 3: and we'll get into that. Okay, Yeah, we'll.

253
00:11:59,520 --> 00:12:02,640
Speaker 1: Get into it. I did enjoy the episode, although that

254
00:12:02,640 --> 00:12:04,440
Speaker 1: doesn't mean I don't have any criticisms of it. But

255
00:12:04,480 --> 00:12:07,880
Speaker 1: I did overall enjoy the episode, but also can agree

256
00:12:07,920 --> 00:12:09,320
Speaker 1: with the idea that it could have used to punch up.

257
00:12:10,040 --> 00:12:10,599
Speaker 3: Yeah.

258
00:12:10,840 --> 00:12:13,400
Speaker 2: Yeah, I just want to you know. Unfortunately, the like

259
00:12:13,920 --> 00:12:16,040
Speaker 2: the lighter storyline, which is I guess.

260
00:12:16,040 --> 00:12:18,920
Speaker 3: Will wasn't good. It was not It wasn't fun.

261
00:12:18,960 --> 00:12:21,760
Speaker 2: And then the and then the the Eli storyline, which

262
00:12:21,800 --> 00:12:25,480
Speaker 2: I do like, just wasn't super funny, like it was

263
00:12:25,520 --> 00:12:27,719
Speaker 2: just I don't know, this episode just last it was

264
00:12:27,800 --> 00:12:28,800
Speaker 2: lacking balance for me.

265
00:12:29,320 --> 00:12:31,679
Speaker 1: I can agree with that. The introducing Eli, we had

266
00:12:31,679 --> 00:12:33,839
Speaker 1: a lot of exposition we had to get through because

267
00:12:33,840 --> 00:12:38,000
Speaker 1: we had to introduce his character and his obviously his

268
00:12:38,080 --> 00:12:41,160
Speaker 1: character isn't like based in like a haha funny He's

269
00:12:41,160 --> 00:12:44,160
Speaker 1: a good guy. It's like morality and media and so

270
00:12:44,200 --> 00:12:46,880
Speaker 1: there isn't like a ton of like haha there. So

271
00:12:46,920 --> 00:12:47,480
Speaker 1: I yeah, I could.

272
00:12:47,520 --> 00:12:49,320
Speaker 3: It was a strange episode for me. I didn't hate it.

273
00:12:49,320 --> 00:12:50,640
Speaker 3: It was just a strange episode for me.

274
00:12:51,200 --> 00:12:53,360
Speaker 1: So Corey is teaching Tapega how to play pool. They're

275
00:12:53,400 --> 00:12:56,400
Speaker 1: being very flirty and then to Panga and sorceles Corey

276
00:12:56,520 --> 00:12:59,240
Speaker 1: by kissing him on the cheek and he stumbles over

277
00:12:59,320 --> 00:13:02,360
Speaker 1: on the table, ruining the pool shot. And then Corey

278
00:13:02,400 --> 00:13:04,840
Speaker 1: moves on to teaching Tapega how to play darts, and

279
00:13:04,880 --> 00:13:08,880
Speaker 1: when she blows in his ear, which was apparently sexy

280
00:13:09,160 --> 00:13:14,200
Speaker 1: or something sexy thing, he accidentally hit someone who yells.

281
00:13:14,280 --> 00:13:17,120
Speaker 1: How So they decide to just sit and talk since

282
00:13:17,200 --> 00:13:19,360
Speaker 1: no one has ever been hurt that way. And I

283
00:13:19,400 --> 00:13:21,280
Speaker 1: actually thought that may have been a joke that I

284
00:13:21,440 --> 00:13:24,520
Speaker 1: just raced right through and didn't hit it all that, like,

285
00:13:25,080 --> 00:13:27,679
Speaker 1: let's sit and talk. No one ever gets hurt talking,

286
00:13:27,880 --> 00:13:31,319
Speaker 1: And of course that's exactly that's always, well not just

287
00:13:31,360 --> 00:13:33,640
Speaker 1: always what happens, but people get hurt a lot of

288
00:13:33,640 --> 00:13:35,600
Speaker 1: times through sitting and talking. So I thought maybe it

289
00:13:35,640 --> 00:13:36,920
Speaker 1: was a joke, but I didn't play it as if

290
00:13:36,960 --> 00:13:38,240
Speaker 1: it was a joke at all, So it was kind

291
00:13:38,280 --> 00:13:39,439
Speaker 1: of like, well, way.

292
00:13:40,840 --> 00:13:43,920
Speaker 4: Right away, there's a lot of kissing, Yeah, cuddling and stuff.

293
00:13:43,920 --> 00:13:46,800
Speaker 4: This is no wuz from the audience. Yeah, there was

294
00:13:46,920 --> 00:13:49,720
Speaker 4: no audience interaction with any of the kissing in this episode,

295
00:13:49,720 --> 00:13:51,000
Speaker 4: which I found kind of interesting.

296
00:13:51,080 --> 00:13:53,680
Speaker 1: It was a pre tape because the it was a

297
00:13:53,720 --> 00:13:54,280
Speaker 1: pre tape the.

298
00:13:55,640 --> 00:13:56,280
Speaker 3: Show it back.

299
00:13:56,480 --> 00:13:59,040
Speaker 4: Yeah, usually you get the wuz from the audience and

300
00:13:59,040 --> 00:14:00,600
Speaker 4: the stuff from the audience, and there weren't any.

301
00:14:00,640 --> 00:14:03,920
Speaker 2: I wonder if that's because they're a couple, right like I, well, no,

302
00:14:04,040 --> 00:14:08,480
Speaker 2: because Rusty and Betsy. But there's something maybe about just

303
00:14:08,480 --> 00:14:11,480
Speaker 2: Corey and t Banga kissing the boring it's expected.

304
00:14:12,679 --> 00:14:14,360
Speaker 3: I don't know, it's weird.

305
00:14:14,640 --> 00:14:17,840
Speaker 2: I immediately wrote down, like why is Ben dressed so

306
00:14:17,960 --> 00:14:21,680
Speaker 2: cool there? Like k e W you know, it's like

307
00:14:21,680 --> 00:14:23,960
Speaker 2: with the and that was because the gene jacket ends

308
00:14:24,040 --> 00:14:25,720
Speaker 2: up being that thing, right, But I just was.

309
00:14:25,680 --> 00:14:27,480
Speaker 3: Like, oh, they've dressed Corey cool.

310
00:14:27,520 --> 00:14:29,800
Speaker 2: And I thought, you know, with the sleeves rolled up,

311
00:14:29,840 --> 00:14:32,120
Speaker 2: it just doesn't really feel like Corey.

312
00:14:32,320 --> 00:14:32,760
Speaker 4: Uh.

313
00:14:32,840 --> 00:14:35,040
Speaker 2: And I thought maybe it was like, oh, they're they're

314
00:14:35,040 --> 00:14:37,680
Speaker 2: making him cooler now he's in a stable relationship. But

315
00:14:37,840 --> 00:14:38,640
Speaker 2: I think it was just.

316
00:14:38,760 --> 00:14:41,560
Speaker 3: A jackar And I love the set, by the way.

317
00:14:41,640 --> 00:14:44,440
Speaker 4: I love the depth of that set and the pool

318
00:14:44,440 --> 00:14:46,120
Speaker 4: table and getting to see the kind of action in

319
00:14:46,200 --> 00:14:48,920
Speaker 4: Chubbies behind You. I'm a I was a big fan

320
00:14:48,960 --> 00:14:50,000
Speaker 4: when they kind of brought that room.

321
00:14:50,080 --> 00:14:54,440
Speaker 1: Me too, Yeah, I like it, Tapega says, she's cold,

322
00:14:54,480 --> 00:14:56,640
Speaker 1: and he puts his jean jacket on her shoulders and

323
00:14:56,640 --> 00:14:59,240
Speaker 1: this is the This is the beginning of this jean

324
00:14:59,360 --> 00:15:03,000
Speaker 1: jacket lasts for decades because it came back on Girl

325
00:15:03,040 --> 00:15:05,040
Speaker 1: Meets World and when it came yeah, I came back

326
00:15:05,080 --> 00:15:06,640
Speaker 1: on Growing Throld, And when it came back I was like,

327
00:15:07,080 --> 00:15:11,160
Speaker 1: what's the gene jacket thing, what's the importance of this?

328
00:15:11,320 --> 00:15:12,640
Speaker 1: What's the importance of this strain jacket?

329
00:15:13,000 --> 00:15:13,520
Speaker 3: Who am I to?

330
00:15:15,160 --> 00:15:15,920
Speaker 1: How do is it?

331
00:15:17,200 --> 00:15:21,040
Speaker 2: I loved that Ben's yellow shirt is the exact color

332
00:15:21,520 --> 00:15:23,400
Speaker 2: of the shirt that Betsy gought for me.

333
00:15:24,520 --> 00:15:29,040
Speaker 4: It's like, oh, this is clearly just the.

334
00:15:29,680 --> 00:15:32,040
Speaker 3: Yellow. It looks good on it.

335
00:15:32,120 --> 00:15:34,600
Speaker 2: But it was just it was funny that was so definable.

336
00:15:34,880 --> 00:15:38,640
Speaker 1: Cory color, Yeah, yes, Corey has a color. Topeka says,

337
00:15:38,640 --> 00:15:41,520
Speaker 1: moving from friends to boyfriend and girlfriend has been really easy,

338
00:15:41,600 --> 00:15:44,480
Speaker 1: and Topanga asks Corey if he's feeling what she's feeling,

339
00:15:44,520 --> 00:15:47,920
Speaker 1: and she says she thinks she is, and then Corey says,

340
00:15:48,360 --> 00:15:52,600
Speaker 1: I love you, but Tapanga just sits there silently. Cory

341
00:15:52,640 --> 00:15:55,560
Speaker 1: asks to Panga if she heard him, and she asks

342
00:15:55,600 --> 00:15:58,400
Speaker 1: if they can leave, and it is awkward.

343
00:15:59,800 --> 00:16:02,480
Speaker 3: What's gonna say? Gonna say, yeah, that's what.

344
00:16:02,560 --> 00:16:05,280
Speaker 4: I never answered that question, which could have been either

345
00:16:05,360 --> 00:16:09,480
Speaker 4: funny or more poignant if Tapanga actually finishes the thought I.

346
00:16:09,440 --> 00:16:14,200
Speaker 1: Thought I was going to be a turkey chubby with cheese,

347
00:16:14,280 --> 00:16:15,040
Speaker 1: you know, like it was.

348
00:16:14,960 --> 00:16:19,480
Speaker 4: Going to be exactly I'm cold, I'm something where it's

349
00:16:19,560 --> 00:16:21,560
Speaker 4: kind of a joke. But they never even finished it,

350
00:16:21,600 --> 00:16:23,720
Speaker 4: which made you kind of go, what was she game?

351
00:16:24,000 --> 00:16:25,760
Speaker 2: Well, I did, I didn't. I thought it was fine

352
00:16:25,760 --> 00:16:27,680
Speaker 2: that it didn't get finished in this scene, but I

353
00:16:27,680 --> 00:16:29,600
Speaker 2: thought it would come back by the end of the episode.

354
00:16:29,640 --> 00:16:32,320
Speaker 2: But it doesn't, right, it never is reperend. No, it

355
00:16:32,360 --> 00:16:35,280
Speaker 2: seems like an obvious question for him to ask, what

356
00:16:35,400 --> 00:16:38,160
Speaker 2: were you going? What were you thought? I was the

357
00:16:38,160 --> 00:16:40,960
Speaker 2: same thing that I would have been thinking, And it

358
00:16:40,960 --> 00:16:42,840
Speaker 2: would have been great if it was, you know, let's

359
00:16:42,840 --> 00:16:44,640
Speaker 2: go get ice cream or whatever.

360
00:16:44,720 --> 00:16:46,720
Speaker 3: You know, Yeah, fives are coming back on me.

361
00:16:46,760 --> 00:16:50,480
Speaker 4: I need a bathroom, you know, something like that, something

362
00:16:50,560 --> 00:16:53,000
Speaker 4: just random like, oh yeah, it's.

363
00:16:52,880 --> 00:16:54,600
Speaker 3: A dangling yeah. Point.

364
00:16:54,840 --> 00:16:57,760
Speaker 4: Yes, that's an important one, I think, and that one

365
00:16:57,760 --> 00:17:01,400
Speaker 4: that could have been used either comedy or as more

366
00:17:01,400 --> 00:17:03,160
Speaker 4: of an insight into what to Panga was actually think

367
00:17:03,200 --> 00:17:04,280
Speaker 4: it right.

368
00:17:04,280 --> 00:17:06,800
Speaker 2: Because we do the same joke in a way with

369
00:17:06,880 --> 00:17:10,439
Speaker 2: Betsy right where he's holding the cup and we were

370
00:17:10,440 --> 00:17:13,119
Speaker 2: gonna go this, which is the right, which is great,

371
00:17:13,480 --> 00:17:16,400
Speaker 2: but that the implication is clear what he really meant

372
00:17:16,440 --> 00:17:18,639
Speaker 2: is clear in this case, we never I never know.

373
00:17:19,600 --> 00:17:20,080
Speaker 3: I agree.

374
00:17:20,400 --> 00:17:22,400
Speaker 1: Well, then we're in the school hallway. Sean is telling

375
00:17:22,440 --> 00:17:25,640
Speaker 1: Corey about his date with Paula Balboa at Chubby's where

376
00:17:25,640 --> 00:17:27,720
Speaker 1: he got hit in the butt with a dart by

377
00:17:27,760 --> 00:17:30,440
Speaker 1: some yahoo And.

378
00:17:31,280 --> 00:17:34,680
Speaker 2: Why would you not like ask who threw the dark

379
00:17:35,040 --> 00:17:37,040
Speaker 2: Walk into the next room where the dart board is

380
00:17:37,040 --> 00:17:38,320
Speaker 2: and say, dude.

381
00:17:38,200 --> 00:17:41,320
Speaker 1: You think you were on a date? You were being sorceld.

382
00:17:42,480 --> 00:17:45,400
Speaker 2: Yeah, everyone, this is.

383
00:17:45,359 --> 00:17:47,239
Speaker 3: The start of you looking like you going to laugh.

384
00:17:47,320 --> 00:17:50,040
Speaker 2: By the way, yes, I definitely felt like I was

385
00:17:50,040 --> 00:17:51,320
Speaker 2: breaking this entire episode.

386
00:17:51,800 --> 00:17:56,399
Speaker 3: You were just looks so horrible. This episode horrible, my

387
00:17:56,520 --> 00:17:59,160
Speaker 3: skin we are in peak bad skin rider. I didn't

388
00:17:59,160 --> 00:18:01,320
Speaker 3: notice that. Frankly, oh my god, look at it.

389
00:18:01,800 --> 00:18:04,200
Speaker 2: If you realize I am caked in makeup in order

390
00:18:04,240 --> 00:18:05,960
Speaker 2: to cut more makeup.

391
00:18:06,040 --> 00:18:08,560
Speaker 3: Until I have its all over my face. I honestly

392
00:18:08,600 --> 00:18:09,320
Speaker 3: didn't notice it.

393
00:18:09,520 --> 00:18:11,480
Speaker 1: I just know I do notice. Your hair needs to

394
00:18:11,520 --> 00:18:14,520
Speaker 1: be cut, for sure. This long hair is too much.

395
00:18:14,600 --> 00:18:17,880
Speaker 2: And this vest outfit is not working for me. There's

396
00:18:17,920 --> 00:18:19,040
Speaker 2: been ones that do this.

397
00:18:20,240 --> 00:18:22,960
Speaker 1: I am, well, I would just like you as to know,

398
00:18:23,080 --> 00:18:25,639
Speaker 1: as you know I which I watch with the subtitles on,

399
00:18:25,880 --> 00:18:29,920
Speaker 1: and the subtitles ruined this joke for me because in

400
00:18:30,040 --> 00:18:33,280
Speaker 1: the previous scene in Chubby's it says in the in

401
00:18:33,359 --> 00:18:38,520
Speaker 1: the Chiron, Sean yells ow, and so I go, oh,

402
00:18:38,600 --> 00:18:41,359
Speaker 1: he just hit Sean from the other room. And then

403
00:18:41,400 --> 00:18:43,480
Speaker 1: I thought, that's weird. They don't even address it with Sean.

404
00:18:43,520 --> 00:18:45,159
Speaker 1: And then I even thought, oh, they must have just

405
00:18:45,200 --> 00:18:48,360
Speaker 1: had right or do it because he could yell ow.

406
00:18:48,840 --> 00:18:50,600
Speaker 1: And then the joke comes back in the hallway and

407
00:18:50,640 --> 00:18:54,720
Speaker 1: I go, subtitles ruined this little joke.

408
00:18:55,000 --> 00:18:56,560
Speaker 3: I didn't remember it, but when I heard the owl,

409
00:18:56,680 --> 00:18:57,399
Speaker 3: was like, is that right?

410
00:18:57,440 --> 00:19:02,159
Speaker 1: You recognize? So that joke was ruined for me, but

411
00:19:02,200 --> 00:19:05,240
Speaker 1: I do like it. Corey doesn't admit that it was him.

412
00:19:05,240 --> 00:19:06,879
Speaker 1: He just says he has a lot of sick people

413
00:19:06,920 --> 00:19:10,199
Speaker 1: out there, man. And Sean asks how Corey's date with

414
00:19:10,280 --> 00:19:13,520
Speaker 1: Topanga went, and Corey says ninety percent good, and Sean says,

415
00:19:13,520 --> 00:19:16,480
Speaker 1: what about the other twenty percent, which is a really cute, easy,

416
00:19:16,560 --> 00:19:20,119
Speaker 1: dumb dumb Sean joke, I like it. We get a

417
00:19:20,119 --> 00:19:22,920
Speaker 1: big laugh from the audience. Corey tells Sean he may

418
00:19:22,920 --> 00:19:24,680
Speaker 1: have gotten caught up in the moment and told Tapanga

419
00:19:24,680 --> 00:19:27,159
Speaker 1: he loves her. Sean gasps and says every girl is

420
00:19:27,160 --> 00:19:28,560
Speaker 1: going to want to hear that as soon as everyone

421
00:19:28,600 --> 00:19:31,000
Speaker 1: finds out. And then Corey says, what that. I tell

422
00:19:31,000 --> 00:19:34,880
Speaker 1: her that I loved her, And Sean calls Cory atinking canary.

423
00:19:35,720 --> 00:19:37,879
Speaker 3: Yeah, thinking canary.

424
00:19:37,600 --> 00:19:40,480
Speaker 1: You're like thinking canary, which is really.

425
00:19:40,359 --> 00:19:43,360
Speaker 3: The severity of my reaction is really really good. Yeah,

426
00:19:43,480 --> 00:19:45,320
Speaker 3: it's so Yeah, it.

427
00:19:45,359 --> 00:19:48,240
Speaker 4: Lends itself to the giant acting of this episode that

428
00:19:48,280 --> 00:19:48,800
Speaker 4: we all have.

429
00:19:49,119 --> 00:19:50,320
Speaker 3: Yeah, yeah, very big.

430
00:19:50,400 --> 00:19:52,840
Speaker 1: Sean tells Eric that Corey told Tapanga he loves her,

431
00:19:52,920 --> 00:19:56,440
Speaker 1: and when Eric's lady friend says ah, Eric panics and says,

432
00:19:56,560 --> 00:19:58,560
Speaker 1: Grandma Topanga, what's not to love?

433
00:19:59,040 --> 00:19:59,440
Speaker 6: What's not?

434
00:20:00,080 --> 00:20:03,120
Speaker 1: Oh great? He grabs Corey by the back of the neck,

435
00:20:03,320 --> 00:20:06,000
Speaker 1: and Eric's lady friend we find out her name is Christy.

436
00:20:06,119 --> 00:20:08,760
Speaker 1: She walks off. Now Eric is trying to plan how

437
00:20:08,800 --> 00:20:10,919
Speaker 1: to tell Christy he loves her, but he doesn't even

438
00:20:11,000 --> 00:20:13,639
Speaker 1: know her last name. Eric says he's got to think,

439
00:20:13,720 --> 00:20:16,480
Speaker 1: and then he acts like he's in pain, and Sean suggests,

440
00:20:16,600 --> 00:20:20,560
Speaker 1: do you thinking cramp? Yep? Sean says he gets those two.

441
00:20:20,920 --> 00:20:23,679
Speaker 3: You remember this, remember doing this with you? Yeah? I

442
00:20:23,720 --> 00:20:24,919
Speaker 3: totally remember doing this with you.

443
00:20:25,040 --> 00:20:28,800
Speaker 4: Yeah, but I like, what should the thinking cramp be?

444
00:20:28,920 --> 00:20:30,240
Speaker 4: And we were like, all right, so it'll be like

445
00:20:30,280 --> 00:20:31,200
Speaker 4: in your face and you'll go.

446
00:20:31,160 --> 00:20:34,919
Speaker 3: Like, ah, now, I just like that. That Eric and

447
00:20:34,960 --> 00:20:39,399
Speaker 3: Sean Bridge.

448
00:20:38,000 --> 00:20:40,480
Speaker 1: We've been talking about it and now they're like, hey,

449
00:20:40,760 --> 00:20:45,000
Speaker 1: fellow dumb dumb love you. Sean says, dating at John

450
00:20:45,040 --> 00:20:47,199
Speaker 1: Adams High as they know it is now over, and

451
00:20:47,280 --> 00:20:49,200
Speaker 1: Corey wants to make sure that everything's still going to

452
00:20:49,280 --> 00:20:51,720
Speaker 1: be okay between him and to Panga, and Sean laughs

453
00:20:51,720 --> 00:20:54,879
Speaker 1: his entire way right or you laugh your entire way

454
00:20:54,920 --> 00:20:58,359
Speaker 1: through this line. You say, are you kidding me? From

455
00:20:58,400 --> 00:21:01,080
Speaker 1: this moment on to Panga will be a love struck

456
00:21:01,160 --> 00:21:04,200
Speaker 1: puppy hanging on your every word and you and you're

457
00:21:04,240 --> 00:21:05,960
Speaker 1: laughing fully break and are laughing.

458
00:21:06,200 --> 00:21:07,520
Speaker 3: You think I'm bully breaking.

459
00:21:09,080 --> 00:21:11,800
Speaker 1: Break and then he's holding it together until the very

460
00:21:11,920 --> 00:21:14,520
Speaker 1: end of your line, and then he breaks and you

461
00:21:14,640 --> 00:21:16,280
Speaker 1: both just laugh looking at each other.

462
00:21:16,560 --> 00:21:17,720
Speaker 2: I need to watch this again.

463
00:21:17,760 --> 00:21:19,320
Speaker 3: I totally need.

464
00:21:19,119 --> 00:21:21,080
Speaker 1: To watch it again. We always say like, oh, I'll

465
00:21:21,080 --> 00:21:22,280
Speaker 1: go back and watch it, and then we never do

466
00:21:22,520 --> 00:21:25,320
Speaker 1: really do go back and watch this because it actually

467
00:21:25,320 --> 00:21:29,720
Speaker 1: brought back a really fun feeling for me, like watching

468
00:21:29,760 --> 00:21:30,240
Speaker 1: it happen.

469
00:21:30,480 --> 00:21:32,280
Speaker 2: I have to watch this. I have to watch this. Yes,

470
00:21:33,240 --> 00:21:35,920
Speaker 2: I'm pulling this up because this is why did.

471
00:21:35,840 --> 00:21:37,720
Speaker 3: I not notice it? Notice?

472
00:21:37,760 --> 00:21:39,240
Speaker 2: I'll be honest. I had to wake up this morning

473
00:21:39,280 --> 00:21:41,120
Speaker 2: at six thirty in the morning to watch this episode,

474
00:21:41,880 --> 00:21:45,119
Speaker 2: and he was getting his waking up around seven and

475
00:21:45,119 --> 00:21:46,720
Speaker 2: brushing his teeth and doing everything.

476
00:21:46,880 --> 00:21:49,480
Speaker 1: So I was a little distrabed. Might have to watch

477
00:21:49,560 --> 00:21:50,200
Speaker 1: it's so great?

478
00:21:50,480 --> 00:21:52,919
Speaker 2: Why was I going to laugh this whole episode? I

479
00:21:53,240 --> 00:21:56,280
Speaker 2: noticed that I was going to last a laugh, but

480
00:21:56,440 --> 00:21:59,640
Speaker 2: I didn't. I didn't catch me breaking. I just thought

481
00:21:59,640 --> 00:22:02,879
Speaker 2: I was like in a weird zone of insecurity because

482
00:22:02,880 --> 00:22:03,760
Speaker 2: I look so awful.

483
00:22:04,359 --> 00:22:06,360
Speaker 1: I don't know why we why you thought this episode

484
00:22:06,400 --> 00:22:08,640
Speaker 1: was just you really apparently think it's very funny while

485
00:22:08,680 --> 00:22:09,320
Speaker 1: we're doing it.

486
00:22:10,119 --> 00:22:18,200
Speaker 3: Yeah, you're right, she's gonna.

487
00:22:18,000 --> 00:22:25,520
Speaker 2: Be Oh my god, what was happening to me?

488
00:22:25,640 --> 00:22:26,280
Speaker 3: What a bad a?

489
00:22:27,440 --> 00:22:29,040
Speaker 4: You were just looked at each other and you see

490
00:22:29,080 --> 00:22:31,280
Speaker 4: him about it, and then Danielle walks in.

491
00:22:31,240 --> 00:22:31,960
Speaker 3: I'm gonna lose it.

492
00:22:32,040 --> 00:22:35,119
Speaker 2: Even before I lose it the second will leave you scene,

493
00:22:35,200 --> 00:22:36,159
Speaker 2: I'm falling apart.

494
00:22:36,760 --> 00:22:39,240
Speaker 1: Oh no, it's so funny. And I then I'm like,

495
00:22:39,480 --> 00:22:41,720
Speaker 1: did they did you break every time? And they were

496
00:22:41,760 --> 00:22:43,600
Speaker 1: just eventually like we have to use this?

497
00:22:43,760 --> 00:22:44,479
Speaker 3: Or did they all?

498
00:22:44,600 --> 00:22:48,800
Speaker 1: Did they also love the actual feeling game gave everyone.

499
00:22:48,840 --> 00:22:51,399
Speaker 1: I don't know, but it is. It is so funny.

500
00:22:51,600 --> 00:22:54,000
Speaker 1: Then Tapega walks over and Corey steps in front of her,

501
00:22:54,040 --> 00:22:55,840
Speaker 1: but she says, I really need to go, and she

502
00:22:55,960 --> 00:22:59,199
Speaker 1: walks off, and Sean says, see, which is a funny

503
00:22:59,520 --> 00:23:02,920
Speaker 1: idea that he thinks everything's fine. Mister Feoenie is chasing

504
00:23:02,960 --> 00:23:06,679
Speaker 1: after Eli in the hallway for taking his coffee. Eli explains, no, no,

505
00:23:06,800 --> 00:23:09,360
Speaker 1: I put money in coffee poured out. It's my coffee.

506
00:23:09,560 --> 00:23:11,800
Speaker 1: Phoene says he had already put seventy five cents into

507
00:23:11,800 --> 00:23:13,960
Speaker 1: the machine. Eli only put in a nickel, so it's

508
00:23:14,119 --> 00:23:17,439
Speaker 1: his coffee. Turner runs up and reminds Eli of the

509
00:23:17,480 --> 00:23:20,400
Speaker 1: meeting he has today with a certain mister Feenie, and

510
00:23:20,440 --> 00:23:23,159
Speaker 1: Eli says, yes, I can't wait to tell that Phoenie.

511
00:23:23,240 --> 00:23:25,879
Speaker 1: He has a little mustached man running around in the

512
00:23:25,920 --> 00:23:28,320
Speaker 1: hall stealing coffee.

513
00:23:29,200 --> 00:23:30,240
Speaker 3: We did this already.

514
00:23:30,520 --> 00:23:34,760
Speaker 4: We already did this exact joke in the exact same place,

515
00:23:34,960 --> 00:23:37,280
Speaker 4: in the exact same part of the hallway with who.

516
00:23:37,680 --> 00:23:40,840
Speaker 1: They were in the cafeteria.

517
00:23:41,080 --> 00:23:43,080
Speaker 4: Another one where somebody runs in where it's like you

518
00:23:43,080 --> 00:23:44,120
Speaker 4: don't know, it's mister Phoene.

519
00:23:44,200 --> 00:23:46,359
Speaker 3: It's like, we've done this, We've seen this well. Adam

520
00:23:46,440 --> 00:23:49,280
Speaker 3: Scott tricked him. His character tricked him the.

521
00:23:49,280 --> 00:23:51,840
Speaker 1: Other way right the time we was talking about is

522
00:23:51,880 --> 00:23:56,200
Speaker 1: with chesspot. I ain't I like that whole thing.

523
00:23:56,880 --> 00:23:57,960
Speaker 3: We've done it already.

524
00:23:58,000 --> 00:24:00,520
Speaker 4: It's like this is you're essentially introducing the character of

525
00:24:00,560 --> 00:24:02,680
Speaker 4: what he's gonna do, and you're gonna do the it's

526
00:24:02,720 --> 00:24:04,199
Speaker 4: mister He's standing right behind me.

527
00:24:04,280 --> 00:24:04,639
Speaker 3: Essentially.

528
00:24:05,040 --> 00:24:07,199
Speaker 4: It's like this is the best we got. So this

529
00:24:07,240 --> 00:24:09,360
Speaker 4: is where I started to be like attacking. Come on,

530
00:24:09,520 --> 00:24:11,719
Speaker 4: we've done and it's not even like I'm okay if

531
00:24:11,760 --> 00:24:14,760
Speaker 4: it's hacky for the first time, but we've literally already

532
00:24:14,800 --> 00:24:17,119
Speaker 4: done this exact same joke.

533
00:24:17,680 --> 00:24:21,200
Speaker 3: So any time we do the they're right there, aren't that? Yeah,

534
00:24:21,200 --> 00:24:22,040
Speaker 3: they heard me the whole.

535
00:24:22,720 --> 00:24:27,280
Speaker 1: It's such a now certainly twenty three was it that

536
00:24:27,520 --> 00:24:28,600
Speaker 1: old way back then?

537
00:24:28,960 --> 00:24:33,080
Speaker 3: Yes, Yes, it was. Yes, it was because I feel.

538
00:24:32,880 --> 00:24:36,080
Speaker 2: Like it was most famously done in City Slickers Billy Crystal.

539
00:24:36,480 --> 00:24:38,720
Speaker 2: Did they have a callback in that movie? Every Where

540
00:24:38,720 --> 00:24:40,439
Speaker 2: Wich would have come out before this, It was just

541
00:24:40,480 --> 00:24:43,880
Speaker 2: like it was always the setup, and I just thought

542
00:24:43,920 --> 00:24:45,040
Speaker 2: it was a week right there.

543
00:24:45,600 --> 00:24:47,840
Speaker 4: This is the best you got is again somebody who

544
00:24:47,840 --> 00:24:49,439
Speaker 4: doesn't know they're talking to mister Feenie.

545
00:24:49,480 --> 00:24:52,639
Speaker 1: It's like, come on, I mean, yeah, I think you

546
00:24:52,720 --> 00:24:54,680
Speaker 1: guys are being a little hard on it.

547
00:24:54,880 --> 00:24:56,880
Speaker 4: I don't think I am. I don't think you're being

548
00:24:56,960 --> 00:24:59,440
Speaker 4: hard enough this time. Frankly, miss Danielle.

549
00:25:00,600 --> 00:25:01,200
Speaker 1: To shame.

550
00:25:01,680 --> 00:25:02,199
Speaker 3: I knew she did.

551
00:25:02,200 --> 00:25:06,560
Speaker 2: I knew at least is being introduced, as opposed to

552
00:25:06,600 --> 00:25:08,080
Speaker 2: the last time he was on the show where they

553
00:25:08,160 --> 00:25:08,960
Speaker 2: just ignore it.

554
00:25:09,000 --> 00:25:12,000
Speaker 3: Now he has a purpose. We find out he has

555
00:25:12,040 --> 00:25:14,200
Speaker 3: a job or had a job.

556
00:25:14,040 --> 00:25:16,919
Speaker 1: Set a conflict between the two of them. You know,

557
00:25:17,200 --> 00:25:20,440
Speaker 1: it's a ninety five TGI have sitcom.

558
00:25:20,640 --> 00:25:25,199
Speaker 4: Sometimes I am okay with that excuse. Occasionally I'm not

559
00:25:25,280 --> 00:25:27,840
Speaker 4: okay off our own jokes.

560
00:25:28,119 --> 00:25:30,240
Speaker 1: No, I know, you're right. He did make me think

561
00:25:30,280 --> 00:25:32,119
Speaker 1: of Check. It did make me think we did this

562
00:25:32,160 --> 00:25:37,040
Speaker 1: with Check just a few episodes ago in in career day. Okay, anyway,

563
00:25:37,520 --> 00:25:41,480
Speaker 1: Phoene walks off, calling oh. Eli eventually realizes the man

564
00:25:41,480 --> 00:25:44,119
Speaker 1: with the mustache is Phoenie and he offers him as coffee.

565
00:25:44,520 --> 00:25:46,880
Speaker 1: Phoene walks off, calling Eli behind him, and they walk

566
00:25:46,920 --> 00:25:49,360
Speaker 1: off to the boy's bath And now.

567
00:25:50,960 --> 00:25:54,040
Speaker 3: Yet again, the label says phoebe.

568
00:25:54,280 --> 00:25:56,120
Speaker 1: But we all know that's the boy's question.

569
00:25:55,920 --> 00:25:58,560
Speaker 4: Because I didn't notice this is the phone still there?

570
00:25:58,920 --> 00:26:00,840
Speaker 4: They don't even remove the phone, do they? I think,

571
00:26:00,880 --> 00:26:02,760
Speaker 4: so it's not like maybe the phone's not there so

572
00:26:02,800 --> 00:26:04,320
Speaker 4: it's a different supposed to be a different floor.

573
00:26:04,520 --> 00:26:09,639
Speaker 1: Good question. I think the phone now, I feel like

574
00:26:09,680 --> 00:26:12,960
Speaker 1: the phone was gone, But I also well, if.

575
00:26:12,800 --> 00:26:15,600
Speaker 4: The phone's gone, then at least they attempted to dress

576
00:26:15,640 --> 00:26:17,119
Speaker 4: it to look like it's a different place.

577
00:26:17,280 --> 00:26:19,359
Speaker 1: But Turner came running out of his classroom.

578
00:26:20,200 --> 00:26:21,800
Speaker 4: Did we see that though, or do we just see

579
00:26:21,880 --> 00:26:23,360
Speaker 4: him come from off stage right?

580
00:26:23,400 --> 00:26:25,000
Speaker 1: We don't necessarily he could be.

581
00:26:25,200 --> 00:26:28,200
Speaker 4: Up in a different floor and they're like doing there

582
00:26:28,200 --> 00:26:30,080
Speaker 4: and this is maybe Feene's office is there and the

583
00:26:30,080 --> 00:26:31,280
Speaker 4: boys bathroom is a different floor.

584
00:26:31,320 --> 00:26:32,480
Speaker 3: But I honestly don't remember.

585
00:26:32,520 --> 00:26:37,000
Speaker 1: If the telephone is not there, they did something to it. Okay,

586
00:26:37,000 --> 00:26:40,159
Speaker 1: maybe it is a forty floor tower the school.

587
00:26:40,280 --> 00:26:40,920
Speaker 3: That's possible.

588
00:26:40,960 --> 00:26:43,600
Speaker 4: It could be like the silo that new show on HBO,

589
00:26:43,680 --> 00:26:46,160
Speaker 4: which just they're all living in one hundred and twenty

590
00:26:47,119 --> 00:26:48,359
Speaker 4: high school exactly.

591
00:26:49,920 --> 00:26:50,360
Speaker 5: All right.

592
00:26:50,480 --> 00:26:54,280
Speaker 1: Then we're in the school hallway slash Turner's classroom. Tapanga

593
00:26:54,400 --> 00:26:57,080
Speaker 1: is seen walking down the hallway and Corey follows behind

594
00:26:57,080 --> 00:26:59,679
Speaker 1: her with flowers. And if either one of you guys

595
00:26:59,680 --> 00:27:02,119
Speaker 1: say that any part of what happens next is not

596
00:27:02,320 --> 00:27:04,360
Speaker 1: very funny, I have a very big bone to pick

597
00:27:04,359 --> 00:27:12,800
Speaker 1: with you. Sean yells, no, it's so funny, and then

598
00:27:13,040 --> 00:27:16,240
Speaker 1: tackles Corey with the flowers. Corey asks if he's insane,

599
00:27:16,280 --> 00:27:18,520
Speaker 1: and he tells Sean he needs to find out what's

600
00:27:18,520 --> 00:27:21,600
Speaker 1: wrong with him and Topanga. Sean steals the flowers and

601
00:27:21,720 --> 00:27:24,760
Speaker 1: hands them off to a passing football jock, who smiles

602
00:27:24,880 --> 00:27:28,000
Speaker 1: and is pleased to receive this beautiful bouquets. It was

603
00:27:28,040 --> 00:27:33,120
Speaker 1: a great He gave a great look too, in great moment. YEP,

604
00:27:33,280 --> 00:27:37,480
Speaker 1: absolutely love it. Sean says he's been thinking ow thinking

605
00:27:37,520 --> 00:27:41,159
Speaker 1: cramp again, and the problem with Corey's relationship now is

606
00:27:41,160 --> 00:27:43,920
Speaker 1: that Topanga has all the power. Corey says, what power?

607
00:27:43,960 --> 00:27:45,639
Speaker 1: And Sean says the power you give up when you

608
00:27:45,640 --> 00:27:47,640
Speaker 1: tell someone you love them. It's in all the books.

609
00:27:47,960 --> 00:27:50,560
Speaker 1: Corey asks what books he's reading, and Sean says, men

610
00:27:50,560 --> 00:27:52,680
Speaker 1: are from Mars and women want to shoot Mars out

611
00:27:52,680 --> 00:27:53,520
Speaker 1: of the stink and sky.

612
00:27:53,840 --> 00:27:57,199
Speaker 3: Which I remember this lie, I remember this joke, but

613
00:27:57,240 --> 00:27:58,440
Speaker 3: I remember this specific joke.

614
00:27:58,480 --> 00:27:58,600
Speaker 4: Well.

615
00:27:58,600 --> 00:27:59,880
Speaker 3: It was a hugely popular book.

616
00:28:00,080 --> 00:28:02,160
Speaker 2: Yeah, remember, I mean that was that was the book

617
00:28:02,200 --> 00:28:05,160
Speaker 2: that every every grown up was reading. It was such

618
00:28:05,200 --> 00:28:20,040
Speaker 2: a thing. This is ushering in the true Sean giving

619
00:28:20,119 --> 00:28:22,040
Speaker 2: horrible advice era, which.

620
00:28:22,080 --> 00:28:24,960
Speaker 1: It's a great, great character trait.

621
00:28:24,880 --> 00:28:26,560
Speaker 3: To just have. And we do this.

622
00:28:26,760 --> 00:28:28,760
Speaker 2: I think we do this for a huge chunk of

623
00:28:28,760 --> 00:28:30,800
Speaker 2: the show, like because I mean even like I was

624
00:28:30,800 --> 00:28:33,840
Speaker 2: thinking about the episode where we turn Phoene's place into a.

625
00:28:33,800 --> 00:28:35,320
Speaker 3: B and E. It has that.

626
00:28:35,600 --> 00:28:38,400
Speaker 2: It has that same vibe of like Sean thinks everything's fine,

627
00:28:38,400 --> 00:28:40,320
Speaker 2: like just keep going, we just go with it, and

628
00:28:40,320 --> 00:28:42,760
Speaker 2: he gives the worst advice and you're just going, uh,

629
00:28:42,800 --> 00:28:45,760
Speaker 2: and Corey having like listening to him because he has

630
00:28:45,760 --> 00:28:46,680
Speaker 2: no one else to te to.

631
00:28:47,240 --> 00:28:48,120
Speaker 3: I love that.

632
00:28:48,520 --> 00:28:51,120
Speaker 1: I do too. It's so great And part of what

633
00:28:51,200 --> 00:28:55,560
Speaker 1: makes it great is that the logic Sean uses to

634
00:28:55,640 --> 00:28:58,760
Speaker 1: back it up he so believes in it. The conviction

635
00:28:59,240 --> 00:29:02,560
Speaker 1: off it so wrong, and we all see it. We're

636
00:29:02,600 --> 00:29:04,560
Speaker 1: all like, oh no, oh no.

637
00:29:05,720 --> 00:29:08,240
Speaker 2: Well I wonder actually, I mean there might for kids

638
00:29:08,480 --> 00:29:11,160
Speaker 2: watching it, there could be a level of like, oh,

639
00:29:11,200 --> 00:29:14,320
Speaker 2: maybe Sean's right, you know, which is great that that

640
00:29:14,320 --> 00:29:17,320
Speaker 2: that of course turns out to be horrible advice. But

641
00:29:17,360 --> 00:29:21,440
Speaker 2: I like that Sean is so I guess this is

642
00:29:21,440 --> 00:29:24,160
Speaker 2: a great use of dumb Sean. It's like he's dumb

643
00:29:24,520 --> 00:29:27,040
Speaker 2: or he's very smart in the worst possible ways. It's

644
00:29:27,040 --> 00:29:30,760
Speaker 2: like he's he's very sophisticated about his stupids. Yes, which

645
00:29:30,800 --> 00:29:32,400
Speaker 2: is great. I just love it.

646
00:29:32,520 --> 00:29:33,160
Speaker 3: Yeah, so Sean.

647
00:29:33,360 --> 00:29:36,720
Speaker 4: And by the way, in case anybody's anybody watching is wondering, yes,

648
00:29:37,360 --> 00:29:42,080
Speaker 4: the blood drive is still going so big signs everywhere,

649
00:29:42,160 --> 00:29:46,320
Speaker 4: so just lot they try to get.

650
00:29:47,600 --> 00:29:52,360
Speaker 1: Ab negative is the universal recipient and to keep giving.

651
00:29:52,440 --> 00:29:54,720
Speaker 4: I'm telling you that blood drive is still happening, so

652
00:29:54,760 --> 00:29:55,560
Speaker 4: don't worry about it.

653
00:29:56,440 --> 00:29:59,520
Speaker 1: Oh my gosh. Okay, Sean says the way Corey gets

654
00:29:59,520 --> 00:30:01,760
Speaker 1: his power b is by making Tapega come to him.

655
00:30:02,040 --> 00:30:04,400
Speaker 1: Corey says she's avoiding me, and Sean says that's because

656
00:30:04,400 --> 00:30:07,480
Speaker 1: she's busy making her whipped list, which is a list

657
00:30:07,520 --> 00:30:09,800
Speaker 1: of all the things she wants him to do, like

658
00:30:09,840 --> 00:30:12,960
Speaker 1: walks on the beach, go to the pottery barn, drinking

659
00:30:13,040 --> 00:30:14,520
Speaker 1: international coffees.

660
00:30:15,480 --> 00:30:19,320
Speaker 4: Do you try the Viennese stops A's like, it's so

661
00:30:19,640 --> 00:30:20,400
Speaker 4: it's you know.

662
00:30:20,520 --> 00:30:23,600
Speaker 1: It's Corey as shot if he's tried the Viennese mocha,

663
00:30:24,000 --> 00:30:26,880
Speaker 1: and Sean says, oh no, it's already happening, and that

664
00:30:26,920 --> 00:30:28,680
Speaker 1: Corey needs to make a list of all the things

665
00:30:28,760 --> 00:30:29,560
Speaker 1: he wants to do.

666
00:30:29,880 --> 00:30:30,640
Speaker 3: This is peak.

667
00:30:30,920 --> 00:30:34,400
Speaker 2: This is where Corey lands as right, like that joke

668
00:30:34,560 --> 00:30:38,160
Speaker 2: is one of the first real like Cory has this

669
00:30:38,240 --> 00:30:42,280
Speaker 2: sort of like he's a little he's a little mann

670
00:30:42,320 --> 00:30:45,480
Speaker 2: who has simple pleasures and married from the time he's

671
00:30:45,480 --> 00:30:45,800
Speaker 2: a kid.

672
00:30:45,880 --> 00:30:48,200
Speaker 3: Wants to have we done that many.

673
00:30:48,360 --> 00:30:50,520
Speaker 2: We haven't done that many jokes like this yet. So

674
00:30:50,600 --> 00:30:53,600
Speaker 2: this is a moment that it's really funny and Ben

675
00:30:53,720 --> 00:30:57,000
Speaker 2: nails it, of course, and this becomes this becomes one

676
00:30:57,040 --> 00:30:59,080
Speaker 2: of well things.

677
00:30:58,440 --> 00:31:01,480
Speaker 1: Very interesting is that this is the episode where Sean,

678
00:31:01,640 --> 00:31:03,800
Speaker 1: I mean, where Corey becomes Wendy.

679
00:31:05,560 --> 00:31:07,280
Speaker 3: That's what we We'll get into all that in a

680
00:31:07,280 --> 00:31:08,200
Speaker 3: little bit, because that.

681
00:31:08,520 --> 00:31:12,680
Speaker 1: All of a sudden, Corey has everything about everything he

682
00:31:12,800 --> 00:31:16,880
Speaker 1: didn't everything that was scared everyone about Wendy, Corey has

683
00:31:17,040 --> 00:31:19,080
Speaker 1: now and it just is like kind of like a

684
00:31:19,120 --> 00:31:21,320
Speaker 1: flip of the switch, and in some ways, like what

685
00:31:21,400 --> 00:31:24,840
Speaker 1: you just said, writer, it really lands. It's very funny

686
00:31:24,880 --> 00:31:28,400
Speaker 1: that now this new aspect of Corey is little old

687
00:31:28,440 --> 00:31:31,840
Speaker 1: man who enjoys antique shopping and Viennese coffee. And then

688
00:31:31,880 --> 00:31:34,040
Speaker 1: on the other hand, the stuff that I don't think

689
00:31:34,160 --> 00:31:37,360
Speaker 1: lands well is the we belong together.

690
00:31:40,960 --> 00:31:41,080
Speaker 4: Too.

691
00:31:41,600 --> 00:31:44,640
Speaker 2: Yeah, I know, the whole episode is like weirding I

692
00:31:44,720 --> 00:31:46,640
Speaker 2: Love you too back from Takanga.

693
00:31:46,760 --> 00:31:51,200
Speaker 4: It's like, oh, who knows, he's known, he deserves it,

694
00:31:51,520 --> 00:31:52,440
Speaker 4: needs it right.

695
00:31:52,480 --> 00:31:55,120
Speaker 1: And you know what's funny, that did not bother me

696
00:31:55,560 --> 00:31:58,120
Speaker 1: all of a sudden, I kind of bought because I realized,

697
00:31:58,160 --> 00:31:59,880
Speaker 1: did we ever do a thing where it's like, who

698
00:32:00,000 --> 00:32:02,960
Speaker 1: are you weird girl? To Pang? The Lawrence never heard

699
00:32:03,000 --> 00:32:05,840
Speaker 1: of you? Like the audience met to Panga for the

700
00:32:05,840 --> 00:32:06,640
Speaker 1: first time.

701
00:32:06,840 --> 00:32:12,400
Speaker 2: In that clear and what he and when he gives that.

702
00:32:15,680 --> 00:32:17,120
Speaker 1: And you know what I don't like is in season

703
00:32:17,240 --> 00:32:18,080
Speaker 1: six when.

704
00:32:18,800 --> 00:32:23,080
Speaker 2: Exactly but I I like this dynamic because I you know,

705
00:32:23,120 --> 00:32:25,160
Speaker 2: of course, rolled my eyes at this notion of a

706
00:32:25,160 --> 00:32:26,120
Speaker 2: whipped list.

707
00:32:27,320 --> 00:32:30,360
Speaker 3: But I like the dynamic that Ben kind of or Corey.

708
00:32:30,160 --> 00:32:31,080
Speaker 2: Kind of wants to be weird.

709
00:32:31,440 --> 00:32:32,680
Speaker 3: Please say, I like that.

710
00:32:32,680 --> 00:32:34,200
Speaker 2: That's a great and I wish they had played that

711
00:32:34,320 --> 00:32:36,640
Speaker 2: out a little more, like a little bit, you know,

712
00:32:36,720 --> 00:32:37,440
Speaker 2: expanded this.

713
00:32:37,440 --> 00:32:39,640
Speaker 4: Idea of Corey being like, but I kind of like

714
00:32:40,240 --> 00:32:44,120
Speaker 4: going to The thing that's actually really great commentary is

715
00:32:44,160 --> 00:32:46,239
Speaker 4: Sean's like, no, she's going to want to do all

716
00:32:46,280 --> 00:32:46,880
Speaker 4: these half.

717
00:32:46,720 --> 00:32:49,120
Speaker 1: To these things, and you're gonna have to do all

718
00:32:49,160 --> 00:32:50,840
Speaker 1: these dude things, and Corey is a little like that.

719
00:32:51,120 --> 00:32:53,360
Speaker 1: If we have shared interests, what if we what if

720
00:32:53,360 --> 00:32:55,040
Speaker 1: we enjoy some of these things together?

721
00:32:55,080 --> 00:32:57,800
Speaker 2: I wish that it more that even more, I wish

722
00:32:58,040 --> 00:33:00,400
Speaker 2: the episode leaned into that more, because that is ahysterical

723
00:33:00,440 --> 00:33:03,560
Speaker 2: dynamic that Sean assumes all guys want to be just

724
00:33:03,640 --> 00:33:07,560
Speaker 2: like him, and Corey being l I actually be in

725
00:33:07,560 --> 00:33:08,480
Speaker 2: a long term relationship.

726
00:33:08,600 --> 00:33:10,520
Speaker 4: Can also be a dark side to that too, though,

727
00:33:10,560 --> 00:33:12,560
Speaker 4: because what essentially you're looking at as a kid like

728
00:33:12,600 --> 00:33:15,360
Speaker 4: Corey who's grown up with a very stable relationship in

729
00:33:15,400 --> 00:33:17,200
Speaker 4: front of him with his mother and father and really

730
00:33:17,240 --> 00:33:19,600
Speaker 4: wants that, and you're looking at Sean who does not

731
00:33:19,680 --> 00:33:22,720
Speaker 4: have that example and like it doesn't get it at all,

732
00:33:23,120 --> 00:33:28,400
Speaker 4: So that's great at work on different layers.

733
00:33:28,840 --> 00:33:33,880
Speaker 1: Them have their their upsides. So yeah, you know. So

734
00:33:34,160 --> 00:33:36,520
Speaker 1: Corey says like antique shopping in yard sales, and then

735
00:33:36,560 --> 00:33:38,120
Speaker 1: Sean looks at him and he says, what I just

736
00:33:38,120 --> 00:33:40,680
Speaker 1: wanted to like my list. And then Eli comes out

737
00:33:40,680 --> 00:33:43,120
Speaker 1: of Poene's office and says, he just stole coffee. He

738
00:33:43,120 --> 00:33:44,360
Speaker 1: didn't kill anybody.

739
00:33:44,600 --> 00:33:46,600
Speaker 4: That's my favorite line of the whole episode, the way

740
00:33:46,600 --> 00:33:48,000
Speaker 4: he said it, where it's just like I didn't I

741
00:33:48,000 --> 00:33:49,200
Speaker 4: didn't kill anyone kill he was.

742
00:33:50,360 --> 00:33:53,040
Speaker 1: He's so beaten down. He's so beaten down by whatever

743
00:33:53,160 --> 00:33:53,880
Speaker 1: just happened in there.

744
00:33:54,720 --> 00:33:55,080
Speaker 3: A couple of.

745
00:33:57,680 --> 00:34:00,440
Speaker 1: Turner says he is bummed because Eli have made a

746
00:34:00,480 --> 00:34:03,440
Speaker 1: great teacher. Eli doesn't understand why he doesn't like kids.

747
00:34:03,440 --> 00:34:05,520
Speaker 1: He doesn't have anything to say to kids and tell

748
00:34:05,560 --> 00:34:07,800
Speaker 1: he's trying to tell the truth about slumlords in Philly,

749
00:34:07,840 --> 00:34:09,759
Speaker 1: but that's what got him fired from producing the six

750
00:34:09,760 --> 00:34:12,960
Speaker 1: o'clock news, and Turner says that right there is what

751
00:34:13,120 --> 00:34:15,520
Speaker 1: would make him a great media arts teacher at John

752
00:34:15,520 --> 00:34:18,239
Speaker 1: Adams and Eli says, well, that'll never happen. After that's

753
00:34:18,239 --> 00:34:21,520
Speaker 1: session in Hell with mister mustache, and we get it again.

754
00:34:21,560 --> 00:34:24,719
Speaker 3: Guys, there he is behind you. At least they make

755
00:34:24,760 --> 00:34:25,200
Speaker 3: a joke of it.

756
00:34:25,320 --> 00:34:27,960
Speaker 1: Yes, Phoene's in the doorway, and he overheard that little

757
00:34:27,960 --> 00:34:30,560
Speaker 1: session in hell line, which makes Eli ask Turner if

758
00:34:30,600 --> 00:34:34,000
Speaker 1: he's there all the time, which is really good, and

759
00:34:34,040 --> 00:34:38,759
Speaker 1: Phoenie says, I prefer mister Feenie. Eli asks haven't you

760
00:34:38,800 --> 00:34:41,200
Speaker 1: put me through enough today? And Phoenie says not nearly

761
00:34:41,320 --> 00:34:43,880
Speaker 1: and tells Eli he can start the job on Monday.

762
00:34:44,200 --> 00:34:46,480
Speaker 1: He says students can benefit from a teacher who has

763
00:34:46,560 --> 00:34:51,080
Speaker 1: actually lived his subject matter and congratulations. Phoene tells Eli

764
00:34:51,120 --> 00:34:53,560
Speaker 1: he reminds him of another young teacher who was once

765
00:34:53,600 --> 00:34:56,799
Speaker 1: filled with fire and fury, and Turner thinks he's talking

766
00:34:56,840 --> 00:34:59,680
Speaker 1: about him, but Phoene says, no, you ego maniac, I

767
00:34:59,719 --> 00:35:00,960
Speaker 1: mean me me.

768
00:35:02,000 --> 00:35:02,880
Speaker 3: We missed my face.

769
00:35:03,440 --> 00:35:08,399
Speaker 2: I yank you not, thank you, Oh God, I die,

770
00:35:08,760 --> 00:35:13,920
Speaker 2: I yank you not. If there's not a more quintessential

771
00:35:14,320 --> 00:35:17,200
Speaker 2: Bill Daniels perfect delivery of Phoene.

772
00:35:17,120 --> 00:35:20,080
Speaker 1: I must have been I remember hearing it, but I must.

773
00:35:19,840 --> 00:35:23,840
Speaker 3: Have been around. I yank you. It was like I

774
00:35:24,000 --> 00:35:26,720
Speaker 3: yank you not. Oh my god.

775
00:35:26,880 --> 00:35:28,120
Speaker 2: It's like the axailures.

776
00:35:29,200 --> 00:35:32,000
Speaker 3: Can I ask my question and I honestly don't know.

777
00:35:32,080 --> 00:35:34,480
Speaker 4: That's why I'm asking. I'm not posing this as anything.

778
00:35:34,480 --> 00:35:36,200
Speaker 4: I really don't know the answer. So one of you

779
00:35:36,280 --> 00:35:39,360
Speaker 4: might does the principal higher teachers?

780
00:35:40,480 --> 00:35:42,920
Speaker 1: I think so, I.

781
00:35:42,880 --> 00:35:46,200
Speaker 2: Think there it's usually I just I'm going over this

782
00:35:46,280 --> 00:35:48,640
Speaker 2: with Indie school. It's actually a board. It's usually a

783
00:35:49,239 --> 00:35:51,440
Speaker 2: hiring board. So the principal is a big part of it.

784
00:35:51,719 --> 00:35:54,719
Speaker 2: They definitely way in but no, it's but this is

785
00:35:54,800 --> 00:35:55,120
Speaker 2: just for.

786
00:35:55,120 --> 00:35:57,480
Speaker 4: TV, Like Phoenie gives the interview and decides that a

787
00:35:57,480 --> 00:35:59,200
Speaker 4: teacher who's never taught a day in his life, by

788
00:35:59,200 --> 00:36:00,799
Speaker 4: the way, which I don't have a problem with because

789
00:36:01,080 --> 00:36:03,399
Speaker 4: they kind of address it by saying, you lived it

790
00:36:03,440 --> 00:36:06,000
Speaker 4: so your students can live at your teaching media, Like

791
00:36:06,040 --> 00:36:07,560
Speaker 4: I understand that even though the man has never been

792
00:36:07,560 --> 00:36:08,560
Speaker 4: in the classroom in his life.

793
00:36:08,960 --> 00:36:09,680
Speaker 3: I was just wondering.

794
00:36:09,719 --> 00:36:12,319
Speaker 4: I was like, do principles hire people? But they it

795
00:36:12,360 --> 00:36:13,239
Speaker 4: sounds like they're a big party.

796
00:36:13,800 --> 00:36:17,480
Speaker 2: They don't do it. Yeah, right, I mean that's the cheat,

797
00:36:17,600 --> 00:36:20,360
Speaker 2: but they definitely have a huge you know, if not

798
00:36:20,520 --> 00:36:23,240
Speaker 2: the leading voice. I'm pretty sure that's part of Okay.

799
00:36:23,320 --> 00:36:25,680
Speaker 3: I honestly just didn't know, so I was curious.

800
00:36:26,200 --> 00:36:28,880
Speaker 1: We're in the school cafeteria. Corey enters telling Sean he

801
00:36:29,000 --> 00:36:32,120
Speaker 1: was right, and Sean responds in fluent French that when

802
00:36:32,160 --> 00:36:34,959
Speaker 1: it comes to affairs of the heart, I am king.

803
00:36:36,000 --> 00:36:38,719
Speaker 1: Corey asks where he learned French, and Sean says he's

804
00:36:38,760 --> 00:36:41,719
Speaker 1: an idiot savant. Didn't you know that? They breathe right

805
00:36:41,800 --> 00:36:42,200
Speaker 1: past that.

806
00:36:42,840 --> 00:36:45,160
Speaker 2: So this was before I was actually taking French in.

807
00:36:45,719 --> 00:36:47,880
Speaker 1: Really I assumed for sure it was that you were

808
00:36:47,920 --> 00:36:48,520
Speaker 1: taking French.

809
00:36:49,440 --> 00:36:54,080
Speaker 2: No, I definitely remember learning this line, and I remember

810
00:36:54,360 --> 00:36:56,920
Speaker 2: David Colmes teaching me how to set it because he

811
00:36:56,960 --> 00:36:59,640
Speaker 2: obviously French and like worked with me on it. But

812
00:36:59,680 --> 00:37:03,080
Speaker 2: I remember remember being very awkward about it. But what

813
00:37:03,239 --> 00:37:06,640
Speaker 2: I started. I started taking Latin in high school after

814
00:37:06,719 --> 00:37:08,560
Speaker 2: Will my second.

815
00:37:08,320 --> 00:37:11,200
Speaker 3: Year after Will. Yes, so I I probably.

816
00:37:10,880 --> 00:37:12,840
Speaker 2: Was in my second year of Latin, and then I

817
00:37:13,000 --> 00:37:15,719
Speaker 2: moved to French in my junior year. So after this

818
00:37:15,800 --> 00:37:18,640
Speaker 2: I started working French. But yeah, this is this becomes

819
00:37:18,640 --> 00:37:21,120
Speaker 2: a running bit throughout. I remember I speak like three languages.

820
00:37:21,160 --> 00:37:24,520
Speaker 2: I speak Italian, you speak you speak Dutch. Yah, Yeah,

821
00:37:25,760 --> 00:37:29,840
Speaker 2: you see, I love it. But I love that I

822
00:37:29,880 --> 00:37:31,799
Speaker 2: remember that and not this one. I just I do

823
00:37:31,880 --> 00:37:35,720
Speaker 2: remember absolutely more, but I don't remember. I couldn't remember.

824
00:37:36,040 --> 00:37:38,279
Speaker 4: Yeah, they also missed a huge joke here, I thought,

825
00:37:38,280 --> 00:37:39,560
Speaker 4: and I thought they could have done it later too.

826
00:37:39,560 --> 00:37:40,960
Speaker 4: When you speak French again, when you say I'm mean

827
00:37:40,960 --> 00:37:42,560
Speaker 4: an idiot's Evan, didn't you know that?

828
00:37:42,640 --> 00:37:46,239
Speaker 3: Ben should have said I knew half of which I

829
00:37:46,239 --> 00:37:48,719
Speaker 3: thought something along those lines. I thought.

830
00:37:48,719 --> 00:37:50,200
Speaker 4: I was like, here it comes, they're gonna do something

831
00:37:50,239 --> 00:37:53,640
Speaker 4: with that, and then nothing's an idiot at all.

832
00:37:54,800 --> 00:37:58,320
Speaker 2: But I think that that's that's actually a good point.

833
00:37:59,040 --> 00:38:03,359
Speaker 2: Corey doesn't really judge Sean like Sean, and.

834
00:38:03,800 --> 00:38:07,120
Speaker 3: He judges back for it later Sean if Eric.

835
00:38:08,800 --> 00:38:12,200
Speaker 2: Would have been like, but no, if anything, Corey, I

836
00:38:12,200 --> 00:38:14,560
Speaker 2: feel like Ben often would give me this, what are

837
00:38:14,560 --> 00:38:15,360
Speaker 2: you talking about?

838
00:38:15,320 --> 00:38:15,360
Speaker 4: It?

839
00:38:16,000 --> 00:38:19,600
Speaker 3: But he wouldn't call me out or in Interestingly.

840
00:38:19,160 --> 00:38:22,719
Speaker 1: The thing he would think is Sean's cooler than me.

841
00:38:22,760 --> 00:38:24,879
Speaker 1: I don't know what he's talking about. He would think

842
00:38:24,880 --> 00:38:27,200
Speaker 1: it's on him. It would be it would become I

843
00:38:27,200 --> 00:38:29,120
Speaker 1: don't know, you have to teach me your ways.

844
00:38:29,840 --> 00:38:32,680
Speaker 4: Yeah, that's why I at the wedding when he when

845
00:38:32,719 --> 00:38:35,279
Speaker 4: you remember this, yeah, he's in six.

846
00:38:35,320 --> 00:38:36,480
Speaker 3: I hate to say it, but it is.

847
00:38:36,600 --> 00:38:39,400
Speaker 4: When when it's it made such an impact when you

848
00:38:39,560 --> 00:38:42,359
Speaker 4: finally insulted each other because he turns to you and goes,

849
00:38:42,400 --> 00:38:45,880
Speaker 4: you too, trailer trash. Don't you remember that? And it's like, oh,

850
00:38:45,920 --> 00:38:49,920
Speaker 4: like they actually started yelling at each other, so you

851
00:38:49,960 --> 00:38:50,400
Speaker 4: know they.

852
00:38:50,880 --> 00:38:52,000
Speaker 3: Don't like this.

853
00:38:52,120 --> 00:38:54,600
Speaker 1: Whole time you thought that of me. Oh, that's what

854
00:38:54,880 --> 00:38:57,200
Speaker 1: I have already issues with season six.

855
00:38:58,440 --> 00:38:59,960
Speaker 3: We're not even there, do you think.

856
00:39:00,080 --> 00:39:02,840
Speaker 1: God, at least seventeen more years before.

857
00:39:02,960 --> 00:39:05,360
Speaker 2: We were talking about, like Corey being obsessive and demanding.

858
00:39:06,840 --> 00:39:08,080
Speaker 2: I think that's all of.

859
00:39:08,840 --> 00:39:11,520
Speaker 3: Get Yes, that's gonna get bad.

860
00:39:13,680 --> 00:39:16,200
Speaker 1: Oh my god. So they breathe right past Sean being

861
00:39:16,239 --> 00:39:18,080
Speaker 1: an idiots of Avunt and Corey Showshan a note to

862
00:39:18,120 --> 00:39:20,400
Speaker 1: Penga left him that says she wants to talk, and

863
00:39:20,440 --> 00:39:22,319
Speaker 1: then to Penga comes right in to talk.

864
00:39:22,400 --> 00:39:26,239
Speaker 7: I guess yes, I want to talk in thirty seconds.

865
00:39:26,480 --> 00:39:30,040
Speaker 7: In thirty seconds, Sean is thrilled and says he should

866
00:39:30,040 --> 00:39:32,560
Speaker 7: write about a book called Sean I Hardly Knew Yah

867
00:39:33,280 --> 00:39:36,160
Speaker 7: to Penga comes over and asks to talk to Corey alone.

868
00:39:36,440 --> 00:39:39,279
Speaker 7: She says this isn't easy for her, and he says, well,

869
00:39:39,320 --> 00:39:41,520
Speaker 7: relationships take a lot of work and planning and give

870
00:39:41,560 --> 00:39:41,879
Speaker 7: and take.

871
00:39:42,239 --> 00:39:44,719
Speaker 1: She tells him they shouldn't see each other anymore, and

872
00:39:44,760 --> 00:39:46,880
Speaker 1: he wants to know if that's give or take. She

873
00:39:46,960 --> 00:39:50,920
Speaker 1: says it's over, kisses him on the cheek, swings her

874
00:39:50,960 --> 00:39:53,040
Speaker 1: glorious hair around, and walks out.

875
00:39:54,239 --> 00:39:57,200
Speaker 2: So this was this is what I knew that I

876
00:39:58,120 --> 00:40:00,719
Speaker 2: am officially in PI meets.

877
00:40:00,520 --> 00:40:01,839
Speaker 3: World viewing road.

878
00:40:02,239 --> 00:40:04,800
Speaker 2: But all I could care about was that Dusty walked

879
00:40:04,840 --> 00:40:06,880
Speaker 2: out right as you broke up with him, like I

880
00:40:06,920 --> 00:40:07,520
Speaker 2: was at the back.

881
00:40:09,440 --> 00:40:10,879
Speaker 3: To Bega is breaking up with.

882
00:40:10,880 --> 00:40:14,240
Speaker 2: Corey for the first time like legendary moment of boys World,

883
00:40:14,360 --> 00:40:16,680
Speaker 2: And all I could care about is, Oh, Dusty enters

884
00:40:16,800 --> 00:40:17,680
Speaker 2: exactly at.

885
00:40:17,560 --> 00:40:19,279
Speaker 3: The moment that you break up. Love it. It's like

886
00:40:19,440 --> 00:40:19,719
Speaker 3: love it.

887
00:40:19,840 --> 00:40:23,480
Speaker 2: I'm so Pod Pod meets worlded out that that's all I.

888
00:40:23,400 --> 00:40:26,160
Speaker 1: Yeah, Dusty's entry, Dusty's the real star. I love it.

889
00:40:27,080 --> 00:40:29,279
Speaker 1: So she says it's over. She GISs him on the cheek,

890
00:40:29,320 --> 00:40:32,279
Speaker 1: She walks out, and terribly timed and clueless Sean comes

891
00:40:32,320 --> 00:40:34,400
Speaker 1: back and says, so, how does it feel to have

892
00:40:34,440 --> 00:40:39,200
Speaker 1: the power back? Then we're in mister Turner's classroom. Corey

893
00:40:39,200 --> 00:40:41,600
Speaker 1: doesn't get it. He thought he would be with Topanga forever.

894
00:40:42,520 --> 00:40:43,360
Speaker 1: Sean is shocked.

895
00:40:43,400 --> 00:40:45,919
Speaker 4: Of course, I know. Of course you thought you're gonna

896
00:40:45,960 --> 00:40:47,600
Speaker 4: be with when you're fourteen.

897
00:40:47,960 --> 00:40:50,960
Speaker 2: This is the Wendy conversion factor that has not been

898
00:40:51,000 --> 00:40:51,799
Speaker 2: really no, and.

899
00:40:51,800 --> 00:40:52,799
Speaker 3: They're rewriting history.

900
00:40:53,480 --> 00:40:54,000
Speaker 5: I don't care.

901
00:40:54,280 --> 00:40:56,880
Speaker 4: You could go with the history you've created and still

902
00:40:56,920 --> 00:40:59,440
Speaker 4: make it off. Now, that's what I don't understand. You

903
00:40:59,480 --> 00:41:02,680
Speaker 4: didn't need the layer of creepy. You could have gone

904
00:41:02,719 --> 00:41:06,200
Speaker 4: with exactly what they had and still been great.

905
00:41:06,360 --> 00:41:08,640
Speaker 3: So that's what I didn't understand. Why they needed just.

906
00:41:08,840 --> 00:41:11,200
Speaker 2: You mean just being hurt. Oh, you mean the history, like.

907
00:41:11,239 --> 00:41:13,880
Speaker 4: The history and the we're supposed to be together forever.

908
00:41:13,920 --> 00:41:16,240
Speaker 4: I mean, it's like, why couldn't they have Why couldn't

909
00:41:16,239 --> 00:41:18,440
Speaker 4: it have just been a normal You're my first girlfriend

910
00:41:18,440 --> 00:41:21,520
Speaker 4: and you were weird and now you're not, And I mean.

911
00:41:21,360 --> 00:41:24,640
Speaker 3: It's like, there's so much they could have done. The

912
00:41:24,680 --> 00:41:25,960
Speaker 3: truth is you are heartbroken.

913
00:41:26,000 --> 00:41:29,279
Speaker 1: It's horrible, your first one, especially. There was no there

914
00:41:29,320 --> 00:41:32,640
Speaker 1: were no signs he could be blindsided. It was going

915
00:41:32,719 --> 00:41:35,160
Speaker 1: so well. We we've spent all of our time together.

916
00:41:35,200 --> 00:41:37,080
Speaker 1: We've always been on the same page. I know she

917
00:41:37,120 --> 00:41:39,359
Speaker 1: cares about me like that alone. It is it is

918
00:41:39,640 --> 00:41:43,799
Speaker 1: the way to Bang Handles. It is shocking. There's no explanation,

919
00:41:44,080 --> 00:41:45,920
Speaker 1: there's no setup, there's nothing.

920
00:41:46,239 --> 00:41:50,040
Speaker 4: So there's an episode where they've been together like this

921
00:41:50,120 --> 00:41:51,720
Speaker 4: and all of a sudden he's lost his wife.

922
00:41:51,840 --> 00:41:54,600
Speaker 2: I think, well, I think what bothers us is not

923
00:41:54,640 --> 00:41:57,040
Speaker 2: so much that Corey feels that way, because that actually

924
00:41:57,440 --> 00:42:01,239
Speaker 2: speaks to the truth of being fourteen first, because I

925
00:42:01,280 --> 00:42:04,880
Speaker 2: was definitely that way. I guess the the danger is

926
00:42:04,920 --> 00:42:07,840
Speaker 2: at the entire show of Boy Meets World, and certainly

927
00:42:07,880 --> 00:42:12,160
Speaker 2: even you know, this episode reinforces Corey's worldview. In other words,

928
00:42:12,200 --> 00:42:15,200
Speaker 2: he's he's right, you know, like the point of Boy

929
00:42:15,200 --> 00:42:17,320
Speaker 2: Meet's World in a lot of ways, is that Corey's

930
00:42:17,640 --> 00:42:21,839
Speaker 2: right to believe in this fate system, that position that

931
00:42:21,920 --> 00:42:26,160
Speaker 2: this destiny of him and Tapanga, and that's dangerous. That's

932
00:42:26,160 --> 00:42:29,759
Speaker 2: a that's a dangerous world view to insert into. I mean,

933
00:42:29,840 --> 00:42:32,640
Speaker 2: let's let's face it, it's a fictional show, right, It's

934
00:42:32,640 --> 00:42:35,719
Speaker 2: all made up. You could have made up anything, and

935
00:42:35,719 --> 00:42:40,480
Speaker 2: and to have the made up world reinforce Corey's insistence

936
00:42:40,560 --> 00:42:46,080
Speaker 2: mind but he possession. Yeah, that's that's a bizarre that

937
00:42:46,080 --> 00:42:50,200
Speaker 2: that's not great. I don't love that about I.

938
00:42:50,880 --> 00:42:53,719
Speaker 1: Yeah, you're right, You're right, because it very easily could

939
00:42:53,800 --> 00:42:57,000
Speaker 1: have been. This is the first time in my life

940
00:42:57,080 --> 00:42:59,839
Speaker 1: I have felt like I am willing to do any

941
00:43:00,080 --> 00:43:02,720
Speaker 1: thing it takes to work it out with this person

942
00:43:02,800 --> 00:43:05,960
Speaker 1: on this person, come hell or high water. I want

943
00:43:06,000 --> 00:43:07,279
Speaker 1: to find a way to make it work. But I

944
00:43:07,280 --> 00:43:09,000
Speaker 1: can't do that if she won't tell me what she's

945
00:43:09,000 --> 00:43:11,920
Speaker 1: thinking or I can't you know, like, but instead this

946
00:43:12,080 --> 00:43:15,640
Speaker 1: idea that is just there underneath, that's that we belong

947
00:43:15,760 --> 00:43:19,879
Speaker 1: together without really any true foundation. No.

948
00:43:20,280 --> 00:43:22,320
Speaker 2: And then, of course this is what all the naysayers

949
00:43:22,320 --> 00:43:25,200
Speaker 2: in later seasons Amy of course are become every p

950
00:43:25,440 --> 00:43:27,439
Speaker 2: are wrong and they're the problem. Yeah, they're the problem.

951
00:43:27,480 --> 00:43:29,640
Speaker 3: They're just obstacles, obstacles.

952
00:43:29,040 --> 00:43:32,840
Speaker 2: To this destined love. Yeah, and that's yeah dangerous. I

953
00:43:32,840 --> 00:43:34,440
Speaker 2: don't And it's also it's one of those things. I

954
00:43:34,480 --> 00:43:35,600
Speaker 2: think one of the reasons.

955
00:43:35,280 --> 00:43:37,120
Speaker 4: That I'm having so much trouble with it is something

956
00:43:37,160 --> 00:43:38,560
Speaker 4: that you and I agreed with, Danielle, and I think

957
00:43:38,560 --> 00:43:40,880
Speaker 4: writer you did not necessarily agree with, is that it

958
00:43:41,040 --> 00:43:41,960
Speaker 4: wasn't earned.

959
00:43:42,400 --> 00:43:42,800
Speaker 1: Yeah.

960
00:43:42,800 --> 00:43:45,080
Speaker 4: In that first episode of season three, all of a

961
00:43:45,120 --> 00:43:47,520
Speaker 4: sudden they he'd been in love with her forever, and

962
00:43:47,560 --> 00:43:49,680
Speaker 4: it's like, where the hell did that come from?

963
00:43:49,719 --> 00:43:49,920
Speaker 1: I know?

964
00:43:50,200 --> 00:43:51,080
Speaker 3: So now it's weird.

965
00:43:51,160 --> 00:43:54,359
Speaker 1: The funny thing is with this episode, I did drop that.

966
00:43:54,640 --> 00:43:58,800
Speaker 1: I did go That first episode felt so unearned to me,

967
00:43:58,880 --> 00:44:01,439
Speaker 1: and I was bummed. But after when that episode ended

968
00:44:01,480 --> 00:44:03,799
Speaker 1: and they kissed and then this episode started, I was like,

969
00:44:03,960 --> 00:44:07,440
Speaker 1: they're together, They're they're okay, Like I dropped that in

970
00:44:07,480 --> 00:44:09,759
Speaker 1: that first episode, and then I didn't didn't carry it

971
00:44:09,800 --> 00:44:11,560
Speaker 1: to me. It was just okay, you're in this relationship,

972
00:44:11,600 --> 00:44:17,480
Speaker 1: you love each other. Fine, But this is the first

973
00:44:17,480 --> 00:44:21,240
Speaker 1: time we set up the Wendy premise for Corey and Topanga,

974
00:44:21,719 --> 00:44:25,560
Speaker 1: and I agree with writer's point that this would have

975
00:44:25,560 --> 00:44:28,520
Speaker 1: been the moment to set up a different worldview, that

976
00:44:28,560 --> 00:44:30,600
Speaker 1: you could still root for these these people to be

977
00:44:30,680 --> 00:44:34,160
Speaker 1: together and to make it work without the underlying idea

978
00:44:34,239 --> 00:44:38,080
Speaker 1: being because it's destiny. Because I said, so, we're so

979
00:44:38,320 --> 00:44:41,200
Speaker 1: posted to yeah right, like so, yeah, that is a

980
00:44:41,200 --> 00:44:43,200
Speaker 1: little that's a little dangerous.

981
00:44:43,640 --> 00:44:54,440
Speaker 6: Yeah.

982
00:44:54,520 --> 00:44:57,279
Speaker 1: So Sean is also shocked because he was wrong. He

983
00:44:57,280 --> 00:44:59,360
Speaker 1: didn't think that would ever happen, and Corey says, this

984
00:44:59,400 --> 00:45:02,200
Speaker 1: isn't about you, and Sean says, well, I'm wrong again.

985
00:45:02,400 --> 00:45:04,359
Speaker 1: I'll deal with my pain on my own time. And

986
00:45:04,400 --> 00:45:07,400
Speaker 1: we see Sean doing a little typical Corey it's all

987
00:45:07,440 --> 00:45:11,279
Speaker 1: about me. Move here, yeah, and Sean thinks there is

988
00:45:11,320 --> 00:45:13,600
Speaker 1: something he missed, so he wants to reenact with what

989
00:45:13,719 --> 00:45:16,400
Speaker 1: happened with Tapanga. Sean urges Corey to hold his hands

990
00:45:16,400 --> 00:45:18,880
Speaker 1: and really reenact the date, and Sean says, come on,

991
00:45:18,920 --> 00:45:22,000
Speaker 1: there's no one around, so Corey begrudgingly holds his hands.

992
00:45:22,040 --> 00:45:23,040
Speaker 3: Oh my gosh, I just.

993
00:45:23,960 --> 00:45:29,480
Speaker 4: Love penis joke. Right, what are you talking about? Big hands?

994
00:45:29,880 --> 00:45:32,160
Speaker 4: That's a penis joke, isn't it. No, it's just I've

995
00:45:32,160 --> 00:45:35,040
Speaker 4: never held a guy's hands before. Held it's not it's

996
00:45:35,120 --> 00:45:37,000
Speaker 4: kind of the joke that you hear where it's like

997
00:45:37,040 --> 00:45:38,920
Speaker 4: if you've got big hands, so it's you going.

998
00:45:39,280 --> 00:45:41,160
Speaker 3: It was like, it's such a funny. I just love

999
00:45:41,280 --> 00:45:42,879
Speaker 3: the commitment that Sean has.

1000
00:45:42,920 --> 00:45:46,520
Speaker 2: Sean has I don't care what anybody thinks, we're gonna

1001
00:45:46,560 --> 00:45:48,359
Speaker 2: we're gonna commit to that. And it's like he's so

1002
00:45:48,840 --> 00:45:52,000
Speaker 2: not insecure about holding Corey's hands or you know, being

1003
00:45:52,040 --> 00:45:53,720
Speaker 2: perceived as gay as not a problem.

1004
00:45:53,960 --> 00:45:54,200
Speaker 3: Sean.

1005
00:45:54,760 --> 00:45:57,480
Speaker 2: I just love that me too, that you know, and

1006
00:45:57,520 --> 00:46:00,920
Speaker 2: then just grabby Cory's hands and having that asside like Oh, well,

1007
00:46:01,080 --> 00:46:04,239
Speaker 2: I've never felt a man's hands a boy's hands, and

1008
00:46:04,360 --> 00:46:04,799
Speaker 2: that's all.

1009
00:46:04,719 --> 00:46:06,680
Speaker 3: I thought it was.

1010
00:46:07,520 --> 00:46:11,440
Speaker 1: I didn't I didn't think about writer's penis joke. Well,

1011
00:46:11,760 --> 00:46:16,040
Speaker 1: I agree, I love this joke. I also love that

1012
00:46:16,160 --> 00:46:18,279
Speaker 1: I am not actually sure how much of this is

1013
00:46:18,360 --> 00:46:21,960
Speaker 1: commitment to Sean helping Corey versus The setup was about

1014
00:46:22,000 --> 00:46:25,480
Speaker 1: Sean committing to not being wrong again. So Sean is,

1015
00:46:26,040 --> 00:46:27,600
Speaker 1: we have walked.

1016
00:46:27,360 --> 00:46:31,040
Speaker 3: Through im because I must have been right.

1017
00:46:31,520 --> 00:46:33,080
Speaker 1: There's got to be some way that I'm going to

1018
00:46:33,120 --> 00:46:34,000
Speaker 1: come out right on this.

1019
00:46:34,480 --> 00:46:36,319
Speaker 3: He does, because he's like he left out the most

1020
00:46:36,320 --> 00:46:37,200
Speaker 3: important part.

1021
00:46:37,440 --> 00:46:42,280
Speaker 1: Is exactly so Sean hold. Sean and Corey are holding hands,

1022
00:46:42,320 --> 00:46:45,160
Speaker 1: and Corey tells Sean he loves them. Then they noticed

1023
00:46:45,200 --> 00:46:47,880
Speaker 1: a group of kids, led by the jock we saw earlier,

1024
00:46:47,920 --> 00:46:50,640
Speaker 1: who is still holding the flowers that Sean gave him.

1025
00:46:50,880 --> 00:46:54,040
Speaker 1: He is incredibly hurt. He throws the flowers down and

1026
00:46:54,160 --> 00:46:59,280
Speaker 1: walks away. And kudos and credit for a really nice

1027
00:46:59,360 --> 00:47:03,240
Speaker 1: joke that lands, that goes through the episode and still

1028
00:47:03,239 --> 00:47:07,120
Speaker 1: holds up today. So nice to see it. Applause, so funny,

1029
00:47:07,560 --> 00:47:09,280
Speaker 1: so great, really love.

1030
00:47:09,160 --> 00:47:11,719
Speaker 2: It, perfect setup and pay off. Yeah it was, it was.

1031
00:47:11,880 --> 00:47:14,240
Speaker 3: Yeah, and that extra wonderful.

1032
00:47:14,280 --> 00:47:16,920
Speaker 4: I know perfect, nailed it, nailed it, didn't have a

1033
00:47:17,000 --> 00:47:18,360
Speaker 4: line and nailed.

1034
00:47:18,120 --> 00:47:20,680
Speaker 3: It both times he was on camera. It was so good,

1035
00:47:20,840 --> 00:47:21,919
Speaker 3: so great, so good.

1036
00:47:21,960 --> 00:47:24,600
Speaker 1: Sean asks what he did after Tapanga said I love

1037
00:47:24,640 --> 00:47:27,480
Speaker 1: you back, and Corey explains to Sean Topega never set

1038
00:47:27,480 --> 00:47:29,040
Speaker 1: it back. John says, well, you left out the most

1039
00:47:29,040 --> 00:47:31,239
Speaker 1: important part. Cory says, great, now you can help me,

1040
00:47:31,280 --> 00:47:33,920
Speaker 1: and Sean says, oh no, it's over, yeah, which is

1041
00:47:34,400 --> 00:47:35,040
Speaker 1: it's amazing.

1042
00:47:35,320 --> 00:47:35,880
Speaker 3: Yeah.

1043
00:47:36,000 --> 00:47:38,800
Speaker 1: Sean notices Topanga is coming into class and tells Corey

1044
00:47:38,880 --> 00:47:41,240
Speaker 1: not to show he's hurt, and he encourages Creed Corey

1045
00:47:41,280 --> 00:47:43,759
Speaker 1: to start laughing with him. He does to Panga looks back.

1046
00:47:44,760 --> 00:47:47,160
Speaker 2: I was like, what did I say while we're laughing?

1047
00:47:47,239 --> 00:47:49,680
Speaker 2: I say something? So I went back and I turned

1048
00:47:49,680 --> 00:47:52,120
Speaker 2: on the subtitles, coping that it would and you didn't

1049
00:47:52,120 --> 00:47:54,720
Speaker 2: say any and it just says laughs. But I clearly

1050
00:47:54,800 --> 00:47:57,320
Speaker 2: say something while you're walking past us. I say something

1051
00:47:57,400 --> 00:48:01,000
Speaker 2: to Corey, like while I'm laughing, idea. I watched it

1052
00:48:01,040 --> 00:48:03,000
Speaker 2: like five times. It's like, what did I say?

1053
00:48:03,120 --> 00:48:04,960
Speaker 1: Oh that's funny. I thought you literally just went and

1054
00:48:04,960 --> 00:48:07,640
Speaker 1: you gotta laugh to make like you did it.

1055
00:48:08,280 --> 00:48:10,760
Speaker 2: Maybe that is, but I thought I was saying something

1056
00:48:11,000 --> 00:48:13,480
Speaker 2: like oh, and then he said blood like giving the

1057
00:48:13,480 --> 00:48:14,920
Speaker 2: punchline for a joke that doesn't.

1058
00:48:15,880 --> 00:48:18,239
Speaker 1: You're right, yeah, I did not pick up on that.

1059
00:48:18,239 --> 00:48:18,399
Speaker 3: Well.

1060
00:48:18,440 --> 00:48:21,239
Speaker 1: Tepega looks back over her shoulder and she seems hurt.

1061
00:48:21,480 --> 00:48:24,520
Speaker 1: He gives her a sad puppy dog look back. Turner

1062
00:48:24,560 --> 00:48:26,959
Speaker 1: asks Sean who his best friend is and he says

1063
00:48:27,000 --> 00:48:30,279
Speaker 1: you sir. So Turner asks Corey who his best friend

1064
00:48:30,360 --> 00:48:32,360
Speaker 1: is and he says Sean. Turner wants to know what

1065
00:48:32,400 --> 00:48:34,120
Speaker 1: do you do to people who mess with your best friend?

1066
00:48:34,120 --> 00:48:37,080
Speaker 1: And Corey says kill him, and Turner says, you're all right,

1067
00:48:38,239 --> 00:48:39,080
Speaker 1: little murder theme.

1068
00:48:39,239 --> 00:48:43,040
Speaker 2: You love the sure a thing that Ben does, which

1069
00:48:43,080 --> 00:48:47,040
Speaker 2: is just a great actor moment, the kill him line. Yeah,

1070
00:48:47,040 --> 00:48:48,880
Speaker 2: it's kind of intense, right, like the idea of like

1071
00:48:49,239 --> 00:48:51,200
Speaker 2: but I love that he gives this little like shrug

1072
00:48:51,320 --> 00:48:53,200
Speaker 2: like I know what you want me to say, so

1073
00:48:53,239 --> 00:48:55,520
Speaker 2: I'll get get to you. And that is I feel

1074
00:48:55,520 --> 00:48:57,680
Speaker 2: like that is that is a Ben choice. That is

1075
00:48:57,719 --> 00:48:59,600
Speaker 2: a Ben actor, you know, because as it was written,

1076
00:48:59,640 --> 00:49:00,799
Speaker 2: he could have been and like, well I would kill

1077
00:49:00,840 --> 00:49:04,319
Speaker 2: him or whatever. Then had a clear like added the

1078
00:49:04,320 --> 00:49:05,960
Speaker 2: extra layer of like, well, I know what you want

1079
00:49:06,000 --> 00:49:07,920
Speaker 2: me to say, mister Turner, so I'm going to say it,

1080
00:49:08,160 --> 00:49:09,600
Speaker 2: which is, yeah, I'd kill him.

1081
00:49:09,680 --> 00:49:11,200
Speaker 3: I mean, of course, obviously, I don't know.

1082
00:49:11,239 --> 00:49:12,799
Speaker 2: It was just a nice little like it took a

1083
00:49:12,840 --> 00:49:15,000
Speaker 2: pressure off of what otherwise was kind of an intense

1084
00:49:15,400 --> 00:49:16,719
Speaker 2: thing to say about you know.

1085
00:49:16,920 --> 00:49:17,120
Speaker 4: Well.

1086
00:49:17,560 --> 00:49:19,759
Speaker 1: The thing I read into it, even more so than

1087
00:49:19,800 --> 00:49:21,920
Speaker 1: I know what you want me to say, is an

1088
00:49:22,040 --> 00:49:25,760
Speaker 1: understanding that they all that he already knows Turner feels

1089
00:49:25,800 --> 00:49:29,279
Speaker 1: the same way. It's a shared understanding, right right, right right,

1090
00:49:29,640 --> 00:49:32,319
Speaker 1: we know we are we are of the same, which

1091
00:49:32,360 --> 00:49:35,239
Speaker 1: is exactly how he responds, You're all right?

1092
00:49:34,560 --> 00:49:35,680
Speaker 5: Uh that.

1093
00:49:35,719 --> 00:49:39,040
Speaker 1: I like that part. It adds it's it's there also

1094
00:49:39,320 --> 00:49:42,839
Speaker 1: because Turner does have a different relationship with Corey and Sean.

1095
00:49:42,920 --> 00:49:45,440
Speaker 1: We haven't seen that relationship yet so much with Corey,

1096
00:49:45,480 --> 00:49:48,160
Speaker 1: but we know that by extension of Sean having that

1097
00:49:48,200 --> 00:49:51,160
Speaker 1: relationship with Turner, even though we haven't seen it yet,

1098
00:49:51,239 --> 00:49:54,160
Speaker 1: Corey is also going to start having that little bit

1099
00:49:54,200 --> 00:49:56,799
Speaker 1: of a different relationship with Turner because he's basically the

1100
00:49:56,840 --> 00:49:58,080
Speaker 1: father figure in your life now.

1101
00:49:58,520 --> 00:50:00,840
Speaker 3: I also like the thing about Ben's before that struck me.

1102
00:50:01,000 --> 00:50:03,440
Speaker 4: This episode especially was that it's very easy for a

1103
00:50:03,520 --> 00:50:06,759
Speaker 4: child actor to quote unquote play depressed or sad when

1104
00:50:06,840 --> 00:50:09,920
Speaker 4: the lines dictated yeah, and then when they don't, they

1105
00:50:10,000 --> 00:50:12,200
Speaker 4: kind of forget that underlying cause.

1106
00:50:12,640 --> 00:50:14,359
Speaker 3: And Ben the entire.

1107
00:50:14,160 --> 00:50:16,759
Speaker 4: Episode, no matter what he was doing, had this kind

1108
00:50:16,760 --> 00:50:18,440
Speaker 4: of subdued, depressed kind of right.

1109
00:50:18,719 --> 00:50:21,000
Speaker 1: Well, you could tell that the running monologue in his

1110
00:50:21,080 --> 00:50:23,560
Speaker 1: head was I'm heartbroken. I'm heartbroken, And it.

1111
00:50:23,560 --> 00:50:24,239
Speaker 3: Was really good.

1112
00:50:24,280 --> 00:50:26,120
Speaker 4: It was very present in everything he was doing, so

1113
00:50:26,160 --> 00:50:27,719
Speaker 4: no matter what was going on around him, no matter

1114
00:50:27,760 --> 00:50:29,879
Speaker 4: what he was talking about, he still had that kind

1115
00:50:29,880 --> 00:50:30,400
Speaker 4: of depression.

1116
00:50:30,440 --> 00:50:31,040
Speaker 3: It was really good.

1117
00:50:31,160 --> 00:50:33,640
Speaker 1: Yeah, great, really great episode for Ben. I mean, they

1118
00:50:34,040 --> 00:50:37,840
Speaker 1: so far, they really all are. But he then Turner

1119
00:50:37,880 --> 00:50:40,360
Speaker 1: then introduces the class to his best friend Eli Williams,

1120
00:50:40,400 --> 00:50:43,000
Speaker 1: who will be their new media arts teacher. Turner is

1121
00:50:43,000 --> 00:50:45,360
Speaker 1: waiting for Eli to say something, but he just stands

1122
00:50:45,400 --> 00:50:48,560
Speaker 1: there for a second before saying, now what Eli says?

1123
00:50:48,560 --> 00:50:51,080
Speaker 1: He's there to teach everyone to find the truth in media,

1124
00:50:51,440 --> 00:50:55,080
Speaker 1: between what they say and what is real, and Turner

1125
00:50:55,160 --> 00:50:58,280
Speaker 1: asks Sean what Eli just said, and Sean responds something

1126
00:50:58,320 --> 00:50:59,319
Speaker 1: about Israel.

1127
00:50:59,239 --> 00:51:01,560
Speaker 3: That maybe laugh out something about Israel.

1128
00:51:01,719 --> 00:51:03,520
Speaker 2: Would you, guys, if we had if I had asked

1129
00:51:03,520 --> 00:51:07,839
Speaker 2: you before we watched this episode, remember what Eli taught Never?

1130
00:51:08,080 --> 00:51:08,640
Speaker 3: No? Never?

1131
00:51:08,840 --> 00:51:09,000
Speaker 4: Right?

1132
00:51:09,239 --> 00:51:11,440
Speaker 2: I wonder if it ever comes back. It's such a

1133
00:51:11,480 --> 00:51:16,200
Speaker 2: great subject to on a TV show. It's so perfect.

1134
00:51:16,239 --> 00:51:19,160
Speaker 2: I'm I'm excited to see what our writers did with

1135
00:51:19,200 --> 00:51:20,920
Speaker 2: it because I don't remember this at all. I do

1136
00:51:21,080 --> 00:51:23,440
Speaker 2: not remember that he was a media Yeah, I have.

1137
00:51:23,520 --> 00:51:26,799
Speaker 4: To say I honestly, as awful as this sounds, I

1138
00:51:26,800 --> 00:51:30,000
Speaker 4: don't think I can remember a single storyline that he

1139
00:51:30,040 --> 00:51:32,080
Speaker 4: was in. Neither can I, because I don't think I

1140
00:51:32,120 --> 00:51:33,719
Speaker 4: ever worked with him, like not once.

1141
00:51:34,320 --> 00:51:36,880
Speaker 2: I assumed that he started season three as a teacher,

1142
00:51:36,920 --> 00:51:38,960
Speaker 2: so to see that this was a storyline him becoming

1143
00:51:39,000 --> 00:51:42,080
Speaker 2: a teacher is shocking to me already. So I thought

1144
00:51:42,080 --> 00:51:43,719
Speaker 2: he was just another teacher at the school his friends

1145
00:51:43,719 --> 00:51:46,520
Speaker 2: with Tony. I didn't realize that the friendship predated his job.

1146
00:51:46,640 --> 00:51:47,319
Speaker 2: That's all news.

1147
00:51:47,360 --> 00:51:49,560
Speaker 4: Like, I remember certain Tony things obviously because you have

1148
00:51:50,160 --> 00:51:52,200
Speaker 4: it's with you and there's the big storyline there. But

1149
00:51:52,239 --> 00:51:54,239
Speaker 4: with Eli, I'm I was racking my brain going like,

1150
00:51:54,280 --> 00:51:56,200
Speaker 4: what else did he do when I can't remember?

1151
00:51:56,280 --> 00:51:57,960
Speaker 2: Well, because it probably isn't great.

1152
00:51:59,320 --> 00:51:59,719
Speaker 1: Or was it.

1153
00:51:59,719 --> 00:52:00,920
Speaker 3: It's just they didn't know what they didn't know.

1154
00:52:01,920 --> 00:52:04,920
Speaker 2: This whole episode is to me an indication you don't

1155
00:52:05,680 --> 00:52:09,480
Speaker 2: have how many teacher father figures do we that It's like,

1156
00:52:09,560 --> 00:52:14,000
Speaker 2: now we're adding another wise man in Corey's life to

1157
00:52:14,040 --> 00:52:16,400
Speaker 2: give advice. And when that scene hits in Chubby's I

1158
00:52:16,440 --> 00:52:18,239
Speaker 2: was like, it's a great scene, but I was like,

1159
00:52:18,360 --> 00:52:22,640
Speaker 2: I've seen this now with all you know, with Corey's dad,

1160
00:52:22,880 --> 00:52:28,279
Speaker 2: with and now with Eli, I'm just too much.

1161
00:52:28,640 --> 00:52:29,960
Speaker 1: Has so many finals.

1162
00:52:29,960 --> 00:52:31,800
Speaker 2: Oh yeah, he's not in this episodes.

1163
00:52:31,640 --> 00:52:33,680
Speaker 3: But why couldn't he have this conversation with his dad

1164
00:52:34,040 --> 00:52:35,480
Speaker 3: because they had introduced a new character.

1165
00:52:35,600 --> 00:52:38,200
Speaker 1: I know, and by the way, is so good. But yes,

1166
00:52:38,480 --> 00:52:39,280
Speaker 1: he's phenomenal.

1167
00:52:39,560 --> 00:52:42,840
Speaker 2: It's not about in a new character and playing on

1168
00:52:42,880 --> 00:52:44,760
Speaker 2: the same old tropes that have already been established.

1169
00:52:44,760 --> 00:52:45,439
Speaker 3: It's too much.

1170
00:52:45,840 --> 00:52:48,320
Speaker 2: Obviously he couldn't last after third season because it was

1171
00:52:48,320 --> 00:52:50,000
Speaker 2: just too many characters doing the same thing.

1172
00:52:50,760 --> 00:52:53,480
Speaker 1: Well, after you say something about Israel, we get the

1173
00:52:53,560 --> 00:52:56,000
Speaker 1: longest reaction shot of writer ever.

1174
00:52:56,080 --> 00:52:56,400
Speaker 4: Weird.

1175
00:52:56,760 --> 00:52:58,719
Speaker 1: It was like did they cut a line and they

1176
00:52:58,719 --> 00:53:01,880
Speaker 1: had to stay on your coverage. It was so weird.

1177
00:53:02,120 --> 00:53:04,480
Speaker 1: So Eli talks about media not always being honest, and

1178
00:53:04,480 --> 00:53:07,320
Speaker 1: then Corey stands up to talk about his experience with honesty,

1179
00:53:07,560 --> 00:53:10,720
Speaker 1: clearly referencing his situation with Tapanga. And then he catches

1180
00:53:10,800 --> 00:53:13,360
Speaker 1: himself when he looks over at Topanga and sees the difference.

1181
00:53:13,400 --> 00:53:16,400
Speaker 2: Seat got a different seat.

1182
00:53:16,960 --> 00:53:19,000
Speaker 3: She can't be in front of Corey. She just broke

1183
00:53:19,080 --> 00:53:19,520
Speaker 3: up with him.

1184
00:53:19,560 --> 00:53:21,479
Speaker 1: We'd never established that would never changed.

1185
00:53:21,520 --> 00:53:23,360
Speaker 2: Does it stay like this for the rest I know?

1186
00:53:23,680 --> 00:53:23,960
Speaker 1: Also?

1187
00:53:24,040 --> 00:53:26,320
Speaker 3: Is this Eli's class or is this Turner's class?

1188
00:53:26,360 --> 00:53:26,480
Speaker 4: Now?

1189
00:53:26,520 --> 00:53:27,319
Speaker 3: This is Turner's class?

1190
00:53:27,400 --> 00:53:29,200
Speaker 2: Turner thing, isn't it?

1191
00:53:29,360 --> 00:53:31,160
Speaker 1: Yes, it's in the same spot, in the same hallway.

1192
00:53:32,080 --> 00:53:34,480
Speaker 1: So Corey says, sorry, was that out loud? And then

1193
00:53:34,520 --> 00:53:36,840
Speaker 1: we're in the Matthew's kitchen. Corey walks in thirty minutes

1194
00:53:36,880 --> 00:53:39,040
Speaker 1: after dinner. She can tell Amy can tell that something

1195
00:53:39,080 --> 00:53:41,480
Speaker 1: is wrong, and he decides to tell her because well,

1196
00:53:41,600 --> 00:53:44,160
Speaker 1: she's gonna hear about it anyway. He tells Amy he

1197
00:53:44,239 --> 00:53:47,520
Speaker 1: went too far with Topanga. She asks him how this happened,

1198
00:53:47,560 --> 00:53:50,000
Speaker 1: and he says, well, she looked so pretty and we

1199
00:53:50,000 --> 00:53:51,960
Speaker 1: were all alone in the back room at Chubby's, so

1200
00:53:52,120 --> 00:53:54,640
Speaker 1: I just went for it. Amy is panicked and she

1201
00:53:54,719 --> 00:53:57,000
Speaker 1: breaks the glass she's holding in her hand. It's a

1202
00:53:57,280 --> 00:53:58,920
Speaker 1: very good bit, very good bit.

1203
00:53:59,040 --> 00:54:03,600
Speaker 2: I wish I think the glass before she.

1204
00:54:02,320 --> 00:54:07,239
Speaker 1: She's called any white ceramic cup. It was like she

1205
00:54:07,280 --> 00:54:10,560
Speaker 1: was already drinking glass. Yeah, or just because I didn't

1206
00:54:10,560 --> 00:54:12,560
Speaker 1: even realize she had something in her hand until it

1207
00:54:12,600 --> 00:54:15,200
Speaker 1: was broken. I know, I agree, but it's a very funny.

1208
00:54:15,239 --> 00:54:18,880
Speaker 1: It's a very funny bit, very funny. Moment Corey realizes

1209
00:54:18,880 --> 00:54:21,359
Speaker 1: what she's thinking, he stops himself to explain, no, that's

1210
00:54:21,360 --> 00:54:23,120
Speaker 1: not what happened. He told her. He just told her

1211
00:54:23,120 --> 00:54:25,280
Speaker 1: he loves her and she didn't feel the same way.

1212
00:54:25,600 --> 00:54:27,719
Speaker 1: Just then, Eric and Christie walk in from a trip

1213
00:54:27,719 --> 00:54:30,359
Speaker 1: to Pottery Barn, and she clearly has him on her

1214
00:54:30,400 --> 00:54:31,200
Speaker 1: width list.

1215
00:54:32,560 --> 00:54:33,360
Speaker 2: Storylines.

1216
00:54:35,400 --> 00:54:38,720
Speaker 4: This is I'm sorry, this is one episode of we've

1217
00:54:38,760 --> 00:54:41,560
Speaker 4: seen this, after we've seen this, after we've seen this.

1218
00:54:41,840 --> 00:54:44,000
Speaker 3: That's what I had a problem with this episode.

1219
00:54:44,040 --> 00:54:45,040
Speaker 2: It was pottery barn.

1220
00:54:45,080 --> 00:54:48,040
Speaker 4: Stuff was and I remember this beat. The reason I

1221
00:54:48,080 --> 00:54:49,799
Speaker 4: remember this beat is because they actually used the take.

1222
00:54:49,920 --> 00:54:51,799
Speaker 4: So the first first couple of times I walked in,

1223
00:54:51,840 --> 00:54:53,480
Speaker 4: I just said pottery barn and it didn't get that

1224
00:54:53,480 --> 00:54:56,560
Speaker 4: big a laugh. And this time I say pottery barn, nah,

1225
00:54:56,760 --> 00:54:58,960
Speaker 4: and I hit the end and if you I go

1226
00:54:59,040 --> 00:55:01,680
Speaker 4: pottery Barn and all of a sudden they got the

1227
00:55:01,760 --> 00:55:03,120
Speaker 4: laugh and it was another indication of me.

1228
00:55:03,160 --> 00:55:04,840
Speaker 3: It's like, oh, it's not just the words, it's also

1229
00:55:04,880 --> 00:55:05,640
Speaker 3: how you say.

1230
00:55:05,440 --> 00:55:06,160
Speaker 5: Them, right.

1231
00:55:06,680 --> 00:55:10,080
Speaker 4: But it was just the same storyline again. I mean,

1232
00:55:10,120 --> 00:55:13,120
Speaker 4: it's just yeah, this was not my favorite episode. Again,

1233
00:55:13,120 --> 00:55:14,879
Speaker 4: I didn't hate it because I thought Ben's performance was great.

1234
00:55:14,880 --> 00:55:19,080
Speaker 4: I thought Danielle's performance was great. I love seeing Alex

1235
00:55:19,120 --> 00:55:21,160
Speaker 4: come on the show. Finally they get and they actually

1236
00:55:21,160 --> 00:55:24,480
Speaker 4: introduce him. But as an actual episode, it's just not

1237
00:55:24,719 --> 00:55:25,240
Speaker 4: very good.

1238
00:55:25,560 --> 00:55:36,080
Speaker 5: Yeah.

1239
00:55:36,160 --> 00:55:38,480
Speaker 1: Well, she wants to show them the ceramic cat they

1240
00:55:38,520 --> 00:55:41,240
Speaker 1: bought it Pottery Barn, and he says later through gritted

1241
00:55:41,280 --> 00:55:44,680
Speaker 1: teeth before they exit, she asks him to say it again,

1242
00:55:44,800 --> 00:55:47,640
Speaker 1: and he tells her he loves her. Then he tells

1243
00:55:47,680 --> 00:55:50,399
Speaker 1: Corey he's going to make him eat that ceramic cat

1244
00:55:50,440 --> 00:55:53,120
Speaker 1: and wash it down with the napkin holders. And then

1245
00:55:53,239 --> 00:55:55,040
Speaker 1: we're at Chubby's and this is one of the scenes

1246
00:55:55,040 --> 00:55:58,960
Speaker 1: I remember very clearly because you wear clothes. I wear

1247
00:55:59,000 --> 00:55:59,720
Speaker 1: your clothes.

1248
00:56:00,160 --> 00:56:02,319
Speaker 3: Didn't remember it, and I did. I remembered it.

1249
00:56:02,400 --> 00:56:04,239
Speaker 1: I can remember the feel of your clothes, and I

1250
00:56:04,239 --> 00:56:07,359
Speaker 1: can remember that I wore actually like your clothes because

1251
00:56:07,360 --> 00:56:10,000
Speaker 1: I could smell you. I was like, not bad. You

1252
00:56:10,000 --> 00:56:14,320
Speaker 1: didn't sting. No, No, you didn't stink. Corey tells Sean

1253
00:56:14,320 --> 00:56:16,480
Speaker 1: he misses Tapanga, and Sean says he has to let

1254
00:56:16,520 --> 00:56:18,880
Speaker 1: it go. Corey says that everything reminds him of her,

1255
00:56:18,920 --> 00:56:20,759
Speaker 1: and when we go back to Sean's face, he has

1256
00:56:20,800 --> 00:56:23,759
Speaker 1: been replaced with Tapega, wearing his clothes and saying his

1257
00:56:23,800 --> 00:56:26,680
Speaker 1: words in his voice. Corey, don't do this to yourself.

1258
00:56:26,719 --> 00:56:29,279
Speaker 1: There is no Topanga, and I remember working this out

1259
00:56:29,280 --> 00:56:33,160
Speaker 1: with you writer, like you saying it off camera and

1260
00:56:33,200 --> 00:56:35,319
Speaker 1: you showing me how you were going to say it,

1261
00:56:35,560 --> 00:56:37,759
Speaker 1: and me kind of imitating your face a little bit

1262
00:56:37,760 --> 00:56:40,160
Speaker 1: at the end when I go there is no Topanga

1263
00:56:40,239 --> 00:56:42,000
Speaker 1: and like, I do a little face at the end there.

1264
00:56:42,360 --> 00:56:43,920
Speaker 1: I remember working it out with you.

1265
00:56:44,280 --> 00:56:44,760
Speaker 2: It's great.

1266
00:56:44,840 --> 00:56:45,839
Speaker 3: I don't remember that at all.

1267
00:56:46,200 --> 00:56:48,080
Speaker 1: Yeah, it was. I was like, oh my gosh, I

1268
00:56:48,120 --> 00:56:50,879
Speaker 1: remember doing this. So you just said your line off

1269
00:56:50,920 --> 00:56:54,040
Speaker 1: stage and I obviously mouthed it and it was. It

1270
00:56:54,080 --> 00:56:57,120
Speaker 1: was really good. So Corey. We go back to Corey's

1271
00:56:57,160 --> 00:56:59,359
Speaker 1: face and he says, you have no idea, and then

1272
00:56:59,440 --> 00:57:02,719
Speaker 1: Tapanga's on and Sean is back. Sean says, everyone gets

1273
00:57:02,800 --> 00:57:04,960
Speaker 1: dumped and Corey wants to know if he's ever been dumped.

1274
00:57:05,040 --> 00:57:06,080
Speaker 1: Sean says, of course not.

1275
00:57:06,280 --> 00:57:09,879
Speaker 2: I'm Sean before he leave, laugh, even though I've been

1276
00:57:09,960 --> 00:57:18,040
Speaker 2: dumped on the show. Yes, clearly because I was trailer trash.

1277
00:57:15,840 --> 00:57:17,360
Speaker 1: Right, but it was a whole storyline.

1278
00:57:17,560 --> 00:57:18,680
Speaker 3: Yeah, very important.

1279
00:57:19,160 --> 00:57:19,760
Speaker 5: Mm hmmm.

1280
00:57:21,240 --> 00:57:24,040
Speaker 1: Before he leaves, he drops one last anecdote in French,

1281
00:57:24,080 --> 00:57:26,240
Speaker 1: saying it's better to have loved and lost than to

1282
00:57:26,320 --> 00:57:27,240
Speaker 1: have never loved at all.

1283
00:57:27,480 --> 00:57:30,800
Speaker 2: And then I walk into the phone booth. Did you

1284
00:57:30,840 --> 00:57:33,240
Speaker 2: notice they do really awkward talking.

1285
00:57:33,600 --> 00:57:35,280
Speaker 3: I just walk to the.

1286
00:57:35,240 --> 00:57:36,200
Speaker 2: Bathroom phone booth.

1287
00:57:36,200 --> 00:57:36,320
Speaker 4: Air.

1288
00:57:37,000 --> 00:57:38,720
Speaker 2: I disappeared because I couldn't go up the stairs because

1289
00:57:38,720 --> 00:57:39,920
Speaker 2: they're coming down the stairs.

1290
00:57:40,320 --> 00:57:44,480
Speaker 3: So they clearly Kendall was over here. Just go out there, right.

1291
00:57:44,480 --> 00:57:47,040
Speaker 1: Well, they also probably don't want you to abandon Corey.

1292
00:57:47,080 --> 00:57:50,440
Speaker 1: You're probably not leaving Corey there. They probably were thinking like,

1293
00:57:50,560 --> 00:57:52,960
Speaker 1: we we want to keep Sean around, so you just

1294
00:57:52,960 --> 00:57:54,040
Speaker 1: have to make go make a phone call.

1295
00:57:54,400 --> 00:57:55,680
Speaker 3: No, I'm not, I'm gone.

1296
00:57:55,720 --> 00:57:56,200
Speaker 2: I'm done.

1297
00:57:56,280 --> 00:57:59,000
Speaker 3: Because Eli sits down with Corey, they have to No, I.

1298
00:57:58,960 --> 00:58:01,200
Speaker 1: Know you don't actually come back, but they probably character

1299
00:58:01,240 --> 00:58:04,480
Speaker 1: wise are like, we don't want Sean to abandon Corey there,

1300
00:58:04,640 --> 00:58:06,960
Speaker 1: so let's you can't go up the stairs. Let's just

1301
00:58:07,040 --> 00:58:08,400
Speaker 1: keep you there. You're gonna go make a phone call,

1302
00:58:08,440 --> 00:58:09,920
Speaker 1: and then you just don't worry about where he went.

1303
00:58:12,040 --> 00:58:14,000
Speaker 2: For me to go up the stairs, we probably tried it.

1304
00:58:14,000 --> 00:58:16,760
Speaker 2: It got awkward out the ballroom.

1305
00:58:17,760 --> 00:58:20,280
Speaker 4: Giant laugh would have been standing there as it's all awkward.

1306
00:58:20,360 --> 00:58:21,439
Speaker 4: You get another dart in the button.

1307
00:58:21,440 --> 00:58:25,360
Speaker 3: You're like, how does this keep happening? That's the kind

1308
00:58:25,360 --> 00:58:27,120
Speaker 3: of levity this show needed this episode.

1309
00:58:28,400 --> 00:58:30,800
Speaker 1: Why weren't you writing? Okay?

1310
00:58:30,920 --> 00:58:31,960
Speaker 3: They didn't let me okay?

1311
00:58:32,000 --> 00:58:34,640
Speaker 1: Corey asks what it means, and Sean says he just

1312
00:58:34,680 --> 00:58:36,960
Speaker 1: speaks that he doesn't understand it, and then he exits,

1313
00:58:36,960 --> 00:58:40,320
Speaker 1: apparently into the phone booth. Turner brings Eli into Chubby's,

1314
00:58:40,320 --> 00:58:42,400
Speaker 1: even though Eli is confused about why they'd come here

1315
00:58:42,400 --> 00:58:44,400
Speaker 1: because there are so many kids and I love how

1316
00:58:44,480 --> 00:58:46,800
Speaker 1: much he does not like kids. I think it's just

1317
00:58:46,840 --> 00:58:47,280
Speaker 1: think it's great.

1318
00:58:47,320 --> 00:58:49,680
Speaker 3: It's a teacher. Now, Yeah, it's great. I got man kid.

1319
00:58:49,960 --> 00:58:52,160
Speaker 1: Turner says he likes to make himself available in case

1320
00:58:52,200 --> 00:58:54,960
Speaker 1: anyone needs to talk, and Eli notices the weird kid

1321
00:58:54,960 --> 00:58:57,600
Speaker 1: who freaked out on him in class aka Corey and

1322
00:58:57,640 --> 00:59:00,240
Speaker 1: Turner suggests he goes up to him, and Eli says right.

1323
00:59:00,320 --> 00:59:02,600
Speaker 1: Then he answers, juice, go talk to.

1324
00:59:02,640 --> 00:59:05,960
Speaker 3: Mattrews, go talk to Matchews. I love this beat. I

1325
00:59:06,000 --> 00:59:09,000
Speaker 3: love that. And then I have a fourteen year old friend.

1326
00:59:09,560 --> 00:59:11,680
Speaker 1: They we bond and I have myself a little fourteen

1327
00:59:11,720 --> 00:59:14,360
Speaker 1: year old friends. So funny that was.

1328
00:59:14,320 --> 00:59:16,800
Speaker 3: Me trying to actually be friends with Ali. Yeah, it's like,

1329
00:59:16,800 --> 00:59:19,680
Speaker 3: what then we hang out and then that's not going to happen.

1330
00:59:19,760 --> 00:59:19,960
Speaker 5: Yeah.

1331
00:59:20,000 --> 00:59:20,080
Speaker 4: No.

1332
00:59:21,240 --> 00:59:23,360
Speaker 1: Turner leaves to go ask Chubby if he can order

1333
00:59:23,400 --> 00:59:26,680
Speaker 1: takeout for Turner and Eli, and Eli takes an opportunity.

1334
00:59:26,200 --> 00:59:28,240
Speaker 2: Ask Chubby about you have to go to the kitchen.

1335
00:59:28,400 --> 00:59:31,920
Speaker 1: Well, he says, for your takeout walk the kids do

1336
00:59:32,000 --> 00:59:34,880
Speaker 1: it for him. It's very weird. He's like, I'll see it, Chubby,

1337
00:59:34,880 --> 00:59:36,520
Speaker 1: you'll do it because normal does.

1338
00:59:37,040 --> 00:59:39,560
Speaker 4: One of the greatest, the greatest moments in boy means

1339
00:59:39,560 --> 00:59:40,080
Speaker 4: world history.

1340
00:59:40,160 --> 00:59:42,080
Speaker 1: Oh no, oh wait, writer, you missed the joke. I

1341
00:59:42,080 --> 00:59:44,000
Speaker 1: think he meant take out from another place.

1342
00:59:44,280 --> 00:59:46,480
Speaker 4: Yeah, no, he's got, he's got asked him to order

1343
00:59:46,520 --> 00:59:47,880
Speaker 4: him food from somewhere else.

1344
00:59:48,320 --> 00:59:49,120
Speaker 3: I totally missed that.

1345
00:59:49,280 --> 00:59:51,840
Speaker 1: Yeah yeah, yeah, because Eli says, is the food good here?

1346
00:59:51,880 --> 00:59:53,600
Speaker 1: And he goes, He goes, He opens up the menu

1347
00:59:53,640 --> 00:59:55,480
Speaker 1: and he goes, I'll go ask Chubby if we can order,

1348
00:59:55,640 --> 00:59:58,240
Speaker 1: if we can order in. So basically he's like, no,

1349
00:59:58,280 --> 01:00:03,120
Speaker 1: the food's not good here right well Chinese? Okay?

1350
01:00:03,360 --> 01:00:05,000
Speaker 3: I thought they were getting takeout. He had to go

1351
01:00:05,120 --> 01:00:05,800
Speaker 3: like talk to him.

1352
01:00:05,840 --> 01:00:09,200
Speaker 1: I was like, no, no, he's order from another place.

1353
01:00:09,880 --> 01:00:13,760
Speaker 1: Uh okay. So Eli takes that opportunity to go ask

1354
01:00:13,800 --> 01:00:15,640
Speaker 1: Corey if his freak out was just for the new guy.

1355
01:00:15,920 --> 01:00:17,920
Speaker 1: Corey tells him about what happened with Tapanga, and he

1356
01:00:17,960 --> 01:00:20,600
Speaker 1: says he's got nothing, no girl, and no jean jacket.

1357
01:00:20,680 --> 01:00:23,440
Speaker 1: Eli says it sounds like Tapanga is hiding something and

1358
01:00:23,480 --> 01:00:26,000
Speaker 1: that Corey needs to go out there and find the story.

1359
01:00:26,320 --> 01:00:28,200
Speaker 1: Eli says she might not come back to him, but

1360
01:00:28,240 --> 01:00:31,480
Speaker 1: without the truth, he's got nothing and without his jacket.

1361
01:00:31,400 --> 01:00:33,000
Speaker 3: He's just cold.

1362
01:00:33,360 --> 01:00:36,760
Speaker 1: Turner overhears Eli giving Corey advice, and for Turner's benefit,

1363
01:00:36,800 --> 01:00:39,560
Speaker 1: Eli yells after Corey and don't come back here, begging

1364
01:00:39,640 --> 01:00:41,120
Speaker 1: for more advice. And of course, and.

1365
01:00:41,120 --> 01:00:42,120
Speaker 3: It's Tony Quinn.

1366
01:00:42,160 --> 01:00:44,600
Speaker 1: Turner is proud hanging by the.

1367
01:00:44,640 --> 01:00:49,480
Speaker 2: Door in the most he just needs his helmet in

1368
01:00:49,560 --> 01:00:53,080
Speaker 2: his other arm it's the most unnatural kind of like

1369
01:00:53,440 --> 01:00:55,840
Speaker 2: I'm posing here just watching my friend.

1370
01:00:55,920 --> 01:00:58,000
Speaker 3: It was the I caused it.

1371
01:00:59,520 --> 01:01:03,240
Speaker 2: Reynolds because it was so funny.

1372
01:01:07,280 --> 01:01:09,560
Speaker 4: He doing mat you so looks like you're gonna be

1373
01:01:09,600 --> 01:01:12,320
Speaker 4: a good teacher, like it was so.

1374
01:01:14,160 --> 01:01:20,160
Speaker 1: And here's where I think Eli gave great advice. You

1375
01:01:20,240 --> 01:01:23,080
Speaker 1: don't know what the truth is. You have to get

1376
01:01:23,120 --> 01:01:25,640
Speaker 1: to the bottom of the truth. You have to go

1377
01:01:26,040 --> 01:01:29,360
Speaker 1: be honest and get to the story. And then Corey

1378
01:01:29,480 --> 01:01:32,600
Speaker 1: somehow takes that and doesn't do either of those two

1379
01:01:32,640 --> 01:01:39,640
Speaker 1: things really and and is a little aggressive breaking he

1380
01:01:39,960 --> 01:01:43,320
Speaker 1: climbs in through Topega's window. So then we're into Pega's bedroom.

1381
01:01:43,360 --> 01:01:43,920
Speaker 1: New settler.

1382
01:01:44,400 --> 01:01:46,200
Speaker 3: Yes, about all of this?

1383
01:01:46,640 --> 01:01:49,840
Speaker 2: Okay, okay, First of all, exterior to Peka's house.

1384
01:01:50,000 --> 01:01:54,800
Speaker 3: Did you have silt that too? Pengas house is very nice.

1385
01:01:54,920 --> 01:01:59,760
Speaker 1: Well, very famous mouthier who makes guitars for all the famous.

1386
01:02:00,360 --> 01:02:03,480
Speaker 2: But it also is that a Philadelphia house. Didn't it

1387
01:02:03,520 --> 01:02:05,160
Speaker 2: feel like a very la.

1388
01:02:05,720 --> 01:02:08,160
Speaker 1: Like I don't know, I have any idea how much

1389
01:02:08,480 --> 01:02:10,600
Speaker 1: you're gonna get for bringing do you have?

1390
01:02:11,520 --> 01:02:13,040
Speaker 2: I was looking at this house and I was it

1391
01:02:13,120 --> 01:02:14,880
Speaker 2: just didn't feel right to me. I don't know how

1392
01:02:14,920 --> 01:02:16,800
Speaker 2: you guys felt But I looked at that exterior and

1393
01:02:16,800 --> 01:02:17,120
Speaker 2: I was.

1394
01:02:17,080 --> 01:02:21,000
Speaker 1: Like, you start complaining about exterior shots and how they.

1395
01:02:20,840 --> 01:02:23,120
Speaker 3: Do not fit into the Canada boymans.

1396
01:02:22,800 --> 01:02:26,000
Speaker 1: World, you are going to be in a world of pain,

1397
01:02:26,120 --> 01:02:27,919
Speaker 1: voted off this multiverse.

1398
01:02:28,240 --> 01:02:30,360
Speaker 2: Okay, I want to know what people think. I looked

1399
01:02:30,400 --> 01:02:31,920
Speaker 2: at that house and I was like, that feels out

1400
01:02:31,960 --> 01:02:32,600
Speaker 2: of place to me.

1401
01:02:32,880 --> 01:02:39,439
Speaker 1: It does not feel It does not like strong, It did.

1402
01:02:39,360 --> 01:02:41,080
Speaker 3: Not be like the Panga and it did not feel

1403
01:02:41,080 --> 01:02:41,480
Speaker 3: like Philly.

1404
01:02:41,760 --> 01:02:44,200
Speaker 2: Those are my two thoughts. It felt right, but southern

1405
01:02:44,240 --> 01:02:48,480
Speaker 2: California like rich person's house. Southern California, rich person's house.

1406
01:02:48,520 --> 01:02:49,480
Speaker 2: That's all that that's said to me.

1407
01:02:49,560 --> 01:02:54,040
Speaker 1: I am fine believing that Topanga's family is a ridiculously

1408
01:02:54,160 --> 01:02:57,000
Speaker 1: rich family, Okay, and you just would not know it

1409
01:02:57,040 --> 01:03:01,520
Speaker 1: because because they don't, they present that way. And I

1410
01:03:01,600 --> 01:03:04,280
Speaker 1: love all the hippie stuff that was in her room.

1411
01:03:04,400 --> 01:03:07,680
Speaker 3: A bunch of extensive notes on every.

1412
01:03:07,440 --> 01:03:11,080
Speaker 1: Kay please, oh my gosh, all right, it sounds like

1413
01:03:11,080 --> 01:03:13,080
Speaker 1: you've been waiting for an opportunity.

1414
01:03:12,720 --> 01:03:16,480
Speaker 2: Quilted everything, ye, very clearly. And by the way, I'm

1415
01:03:16,640 --> 01:03:19,680
Speaker 2: listening all this stuff because I thought it was brilliant.

1416
01:03:19,760 --> 01:03:23,480
Speaker 2: I thought that this room described a character perfectly, So

1417
01:03:23,560 --> 01:03:26,920
Speaker 2: I just wanted to highlight how good set decoration is, yes,

1418
01:03:27,120 --> 01:03:30,000
Speaker 2: how good the art department is, how detailed they are,

1419
01:03:30,320 --> 01:03:32,440
Speaker 2: how much their eye you know they they have a

1420
01:03:32,480 --> 01:03:33,760
Speaker 2: Puccini Opera poster.

1421
01:03:34,240 --> 01:03:37,880
Speaker 3: Yeah, they have a Georgia O'Keefe poster. You have everything

1422
01:03:37,960 --> 01:03:40,920
Speaker 3: quilted and mismatch, like that Boho style, Like there's not

1423
01:03:41,000 --> 01:03:44,400
Speaker 3: a single color, it's all like perfect. You have a

1424
01:03:44,400 --> 01:03:46,560
Speaker 3: seashell hanging ornament over the window.

1425
01:03:47,040 --> 01:03:51,000
Speaker 2: I think there's dream prominently peace on Earth and recyclement side.

1426
01:03:51,120 --> 01:03:54,120
Speaker 2: So you have this like nods to who she ultimately was.

1427
01:03:54,280 --> 01:03:57,640
Speaker 2: You have a conserve poster. I had to like pose it.

1428
01:03:57,080 --> 01:04:00,720
Speaker 2: And then what I think is the best part, you

1429
01:04:00,800 --> 01:04:05,400
Speaker 2: have that collage magazine cutout thing, which it's the perfect

1430
01:04:05,520 --> 01:04:09,320
Speaker 2: thing because that is like kind of typical preteen tween

1431
01:04:09,520 --> 01:04:14,040
Speaker 2: girl thing mixed in with all the extra special to panganness.

1432
01:04:14,320 --> 01:04:18,720
Speaker 2: And I just thought this describes this character so perfectly

1433
01:04:19,200 --> 01:04:20,920
Speaker 2: in a what and it's like we've never seen this

1434
01:04:20,960 --> 01:04:24,160
Speaker 2: set before, but we are comfortable in it, and I

1435
01:04:24,160 --> 01:04:26,360
Speaker 2: loved it. I just love our art department. I'm so

1436
01:04:26,520 --> 01:04:28,720
Speaker 2: proud of them for theirn to detail.

1437
01:04:28,840 --> 01:04:32,800
Speaker 1: It's beautiful. It works perfectly, I think. Also I may

1438
01:04:32,840 --> 01:04:35,880
Speaker 1: have thrown in a picture of my then boyfriend Jonathan

1439
01:04:35,880 --> 01:04:37,720
Speaker 1: Taylor Thomas is in a collage.

1440
01:04:37,760 --> 01:04:43,080
Speaker 3: It was on the collage. Do people still cut on collages?

1441
01:04:43,680 --> 01:04:48,000
Speaker 1: Yeah, yeah, no they do. Yeah yeah yeah. The magazine like,

1442
01:04:48,080 --> 01:04:50,640
Speaker 1: who what kids are going to print things off the

1443
01:04:50,720 --> 01:04:54,360
Speaker 1: internet to make your collages? Gotcha? So you you print

1444
01:04:54,400 --> 01:04:57,040
Speaker 1: things and and now people will call them vision boards.

1445
01:04:57,360 --> 01:05:00,920
Speaker 1: There are things aspirations, things you want do and and

1446
01:05:01,200 --> 01:05:05,360
Speaker 1: now also you have digital inspiration boards or in collages,

1447
01:05:05,400 --> 01:05:06,520
Speaker 1: which is been interest.

1448
01:05:06,960 --> 01:05:09,560
Speaker 2: Yeah, but there was something about that, you know, hanging

1449
01:05:09,600 --> 01:05:11,920
Speaker 2: those pictures on the wall, like you see a lot

1450
01:05:11,960 --> 01:05:13,640
Speaker 2: of people did it with my photo, like they still

1451
01:05:14,080 --> 01:05:16,320
Speaker 2: had you on my wall. And that's what they usually mean,

1452
01:05:16,440 --> 01:05:18,840
Speaker 2: is this right, is like they cut my face out

1453
01:05:18,920 --> 01:05:22,880
Speaker 2: and among like ten other dudes or women that they

1454
01:05:22,880 --> 01:05:24,680
Speaker 2: were looking at, they put them on their wall. And

1455
01:05:24,920 --> 01:05:27,000
Speaker 2: it was just cool to see the tapanga, the attention

1456
01:05:27,040 --> 01:05:29,600
Speaker 2: to details personal because also we haven't seen the Boys

1457
01:05:29,720 --> 01:05:31,560
Speaker 2: bedroom that yet the season?

1458
01:05:31,600 --> 01:05:33,240
Speaker 1: Have we not the season?

1459
01:05:33,280 --> 01:05:33,320
Speaker 4: No?

1460
01:05:33,400 --> 01:05:34,400
Speaker 3: But I don't feel like the Boys.

1461
01:05:34,680 --> 01:05:36,120
Speaker 1: It's not true. We did it in the officroom. You

1462
01:05:36,120 --> 01:05:38,600
Speaker 1: guys came out with the shaving cream. Yeah, so we

1463
01:05:38,640 --> 01:05:41,920
Speaker 1: haven't seen I it doesn't have a personality.

1464
01:05:41,520 --> 01:05:44,000
Speaker 2: It doesn't have it doesn't even right, like, it hasn't

1465
01:05:44,040 --> 01:05:47,560
Speaker 2: grown with the ages of Eric and Corey. And I

1466
01:05:47,640 --> 01:05:49,960
Speaker 2: guess it's just because once you establish a set with

1467
01:05:50,080 --> 01:05:53,360
Speaker 2: the set with a parking meter, you gotta stick with it. Yeah,

1468
01:05:53,960 --> 01:05:56,920
Speaker 2: they they're stuck with that. But to see this describing

1469
01:05:56,920 --> 01:05:57,840
Speaker 2: to Panga's.

1470
01:05:57,480 --> 01:06:00,880
Speaker 1: Character perfect, I know che Chef's guess. Yeah, it was,

1471
01:06:00,960 --> 01:06:04,040
Speaker 1: It really was. It's it's beautiful. And I remember again,

1472
01:06:04,120 --> 01:06:05,960
Speaker 1: this was a big episode for me. So I remember

1473
01:06:06,600 --> 01:06:10,000
Speaker 1: being in my room and feeling like, yes, and I.

1474
01:06:09,960 --> 01:06:13,680
Speaker 2: Remember it was wonderful. It's like it feels like kind

1475
01:06:13,720 --> 01:06:17,640
Speaker 2: of secretive, like it's nighttime and it's just warmly lit inside.

1476
01:06:17,640 --> 01:06:19,720
Speaker 2: It feels like it's candle lit, right, Like there's something

1477
01:06:19,760 --> 01:06:22,080
Speaker 2: about it that feels candle lit. It's gorgeous.

1478
01:06:22,440 --> 01:06:24,680
Speaker 4: I thought the room described Topanga a lot more than

1479
01:06:24,720 --> 01:06:25,480
Speaker 4: the dialogue did.

1480
01:06:25,520 --> 01:06:29,280
Speaker 1: Frankly, yeah, yes, well, absolutely right.

1481
01:06:30,000 --> 01:06:32,400
Speaker 4: The room was the work that the dialogue was not

1482
01:06:32,560 --> 01:06:33,920
Speaker 4: because it was not a lot of it did not

1483
01:06:34,000 --> 01:06:36,760
Speaker 4: sound like Topanga. It was like you were in Tapanga's room, right,

1484
01:06:36,960 --> 01:06:37,880
Speaker 4: But it did not sound.

1485
01:06:37,720 --> 01:06:40,000
Speaker 1: Because I also remember the wardrobe. I remember thinking, I

1486
01:06:40,040 --> 01:06:43,200
Speaker 1: love the Tapanga. Where's these like plaid shorts with these

1487
01:06:43,320 --> 01:06:46,480
Speaker 1: leggings under these turquoise leggings underneath, and and this is

1488
01:06:46,680 --> 01:06:50,160
Speaker 1: this feels very much like who Tapanga is when she's

1489
01:06:50,160 --> 01:06:50,800
Speaker 1: on her own.

1490
01:06:51,080 --> 01:06:51,320
Speaker 5: Yep.

1491
01:06:53,160 --> 01:06:58,560
Speaker 1: So he breaks, breaks and enters, comes through the window.

1492
01:06:59,200 --> 01:07:01,800
Speaker 3: Yeah where and he is.

1493
01:07:01,800 --> 01:07:04,440
Speaker 1: Now somehow he took from what Eli said, he has

1494
01:07:04,480 --> 01:07:06,920
Speaker 1: taken a little bit of aggression. He's a little aggressive.

1495
01:07:07,240 --> 01:07:09,160
Speaker 1: And he says, since they're done, he wants a couple

1496
01:07:09,160 --> 01:07:12,040
Speaker 1: of things back, and she seems very taken aback by

1497
01:07:12,040 --> 01:07:14,400
Speaker 1: the fact that he is there. And he takes his

1498
01:07:14,480 --> 01:07:16,360
Speaker 1: jean jacket off the back of her door, and she

1499
01:07:16,400 --> 01:07:18,520
Speaker 1: seems a little hurt that he wants it back, but

1500
01:07:18,560 --> 01:07:20,600
Speaker 1: she also says, fine, take it and get out of here.

1501
01:07:21,240 --> 01:07:23,240
Speaker 1: And he says he has more things he wants back,

1502
01:07:23,280 --> 01:07:25,120
Speaker 1: and she says she doesn't have anything else of his.

1503
01:07:25,280 --> 01:07:30,640
Speaker 1: And and suddenly now there is clearity, aggressive, just energy,

1504
01:07:31,520 --> 01:07:33,960
Speaker 1: and it hasn't been that way up until this point.

1505
01:07:34,560 --> 01:07:37,080
Speaker 1: Corey is upset with Tapanga for blowing him off without

1506
01:07:37,120 --> 01:07:42,680
Speaker 1: any explanation. Totally valid, totally valid. Corey is upset with

1507
01:07:42,760 --> 01:07:45,720
Speaker 1: Tapanga for blowing him off without any explanation, which is

1508
01:07:46,280 --> 01:07:49,400
Speaker 1: totally valid, and Tapanga says she was scared.

1509
01:07:49,880 --> 01:07:50,720
Speaker 5: She asks in.

1510
01:07:50,760 --> 01:07:52,480
Speaker 2: Those feelings, owe him an explanation.

1511
01:07:53,440 --> 01:07:57,000
Speaker 4: No, she doesn't breaks up with somebody. You have the

1512
01:07:57,080 --> 01:07:59,920
Speaker 4: right to just break up you don't want to be so.

1513
01:08:00,400 --> 01:08:04,120
Speaker 4: I also get going from where they were, which is

1514
01:08:04,480 --> 01:08:08,360
Speaker 4: her saying in Chubbies, you know, going from from friends

1515
01:08:08,360 --> 01:08:08,960
Speaker 4: to boyfriends.

1516
01:08:08,960 --> 01:08:10,920
Speaker 3: This was just going crazy transition.

1517
01:08:11,280 --> 01:08:12,439
Speaker 2: Are you dumping you?

1518
01:08:13,000 --> 01:08:14,880
Speaker 3: I look at you too. I don't want to see

1519
01:08:14,880 --> 01:08:16,200
Speaker 3: you anybody. I don't want to see you again.

1520
01:08:17,280 --> 01:08:18,800
Speaker 2: I don't think that gives you the right to break

1521
01:08:18,800 --> 01:08:25,920
Speaker 2: into somebody's.

1522
01:08:20,600 --> 01:08:24,880
Speaker 3: And nothing is way too intensely.

1523
01:08:26,240 --> 01:08:30,519
Speaker 1: Breaking someone. We agree, Rider, you're not allowed to break

1524
01:08:30,560 --> 01:08:31,639
Speaker 1: into somebody else, my client.

1525
01:08:31,640 --> 01:08:33,760
Speaker 2: I mean, I remember feeling this way. I remember feeling

1526
01:08:33,760 --> 01:08:36,000
Speaker 2: this way when I got dumped as a teenager. The

1527
01:08:36,080 --> 01:08:38,479
Speaker 2: multiple times I got dumped, I was always heartbroken and

1528
01:08:38,479 --> 01:08:42,000
Speaker 2: I always felt like I, you know, deserve an explanation

1529
01:08:42,120 --> 01:08:44,840
Speaker 2: or deserve more of a relationship. And it was like

1530
01:08:45,000 --> 01:08:48,160
Speaker 2: when I got older, especially like when my seventeen year

1531
01:08:48,160 --> 01:08:49,920
Speaker 2: old girlfriend broke up with me and was like, no,

1532
01:08:49,960 --> 01:08:52,600
Speaker 2: we're not talking, like that's it. And then when I

1533
01:08:52,640 --> 01:08:53,440
Speaker 2: got older.

1534
01:08:53,160 --> 01:08:54,960
Speaker 1: I really appreciated that, Like that was so.

1535
01:08:55,040 --> 01:08:57,240
Speaker 2: Lovely and mature of her to just say no, writer,

1536
01:08:57,560 --> 01:08:59,400
Speaker 2: I'm not because I think what happens when you break

1537
01:08:59,439 --> 01:09:01,640
Speaker 2: up as a teenage you're as an adult. A lot

1538
01:09:01,640 --> 01:09:03,559
Speaker 2: of people do this. They think that the person that

1539
01:09:03,600 --> 01:09:06,080
Speaker 2: broke up with them can help them get over that person.

1540
01:09:07,160 --> 01:09:10,599
Speaker 2: You want some closure, right, but but you But it's

1541
01:09:10,800 --> 01:09:13,559
Speaker 2: when you actually say, like I, we're ending this relationship.

1542
01:09:13,560 --> 01:09:15,320
Speaker 2: I don't want to be in anymore. It's best to

1543
01:09:15,479 --> 01:09:17,840
Speaker 2: just take a break, like to not talk to each

1544
01:09:17,880 --> 01:09:18,479
Speaker 2: other for a while.

1545
01:09:18,760 --> 01:09:22,920
Speaker 1: The queen of no contact. When you wake up with

1546
01:09:22,960 --> 01:09:27,760
Speaker 1: somebody mud. Here's the thing, the the.

1547
01:09:28,240 --> 01:09:37,240
Speaker 2: That shirt, it's just Danielle, like whether you're up cutting

1548
01:09:37,240 --> 01:09:41,839
Speaker 2: a phone cord, just her cutting a phone card, unt.

1549
01:09:43,360 --> 01:09:49,600
Speaker 1: The call, black caller, God answer. It's part of the

1550
01:09:49,640 --> 01:09:53,240
Speaker 1: reason though people also want answers for why you want

1551
01:09:53,240 --> 01:09:54,960
Speaker 1: to break up with me, And and you pick up

1552
01:09:55,000 --> 01:09:56,920
Speaker 1: on this as the person who's doing the breaking up

1553
01:09:57,000 --> 01:10:00,639
Speaker 1: is that it's a manipulation tactic. It's tell me so

1554
01:10:00,680 --> 01:10:04,800
Speaker 1: that I can muniiculated into talking you out of it.

1555
01:10:05,320 --> 01:10:08,600
Speaker 1: In this case, though I do understand why Corey is like,

1556
01:10:09,000 --> 01:10:11,639
Speaker 1: the least you could do is explain to me where

1557
01:10:11,680 --> 01:10:15,840
Speaker 1: the change happened, because she also pursued him into this relationship.

1558
01:10:16,280 --> 01:10:18,799
Speaker 4: It's also really disrespectful to the person that you're supposed

1559
01:10:18,800 --> 01:10:21,000
Speaker 4: to care about, like we're going to all of a sudden,

1560
01:10:21,040 --> 01:10:22,600
Speaker 4: I'm just not going to tell you anything, We're not

1561
01:10:22,600 --> 01:10:23,840
Speaker 4: going to talk about it, get away from me.

1562
01:10:23,920 --> 01:10:26,680
Speaker 3: It's like, whoa wait a second. I mean, yeah, it.

1563
01:10:26,840 --> 01:10:28,519
Speaker 4: Deserves the wrong word, but it's like, do you not

1564
01:10:28,560 --> 01:10:31,160
Speaker 4: respect me enough to at least say this change that

1565
01:10:31,280 --> 01:10:31,880
Speaker 4: change whatever?

1566
01:10:31,920 --> 01:10:33,280
Speaker 3: And me you go, okay, walk away.

1567
01:10:33,280 --> 01:10:35,200
Speaker 2: I mean, it's kind of wonderful thing to bring up

1568
01:10:35,200 --> 01:10:35,599
Speaker 2: in school.

1569
01:10:36,640 --> 01:10:38,840
Speaker 3: Yeah, right, exactly in the cafeteria right.

1570
01:10:40,040 --> 01:10:41,880
Speaker 1: Or you know what, even in her living room after

1571
01:10:41,920 --> 01:10:44,280
Speaker 1: you've rang the doorbell.

1572
01:10:43,560 --> 01:10:50,080
Speaker 8: Exactly exactly exactly, you know, would you like the phone

1573
01:10:50,320 --> 01:10:53,840
Speaker 8: and dial her number rotary phone and then figure out

1574
01:10:53,840 --> 01:10:54,280
Speaker 8: what's going on?

1575
01:10:54,360 --> 01:10:54,400
Speaker 4: No?

1576
01:10:54,520 --> 01:11:00,519
Speaker 1: Absolutely so, uh, Tapenga says she was scared. She asks

1577
01:11:00,600 --> 01:11:03,400
Speaker 1: him when these feelings happened and when he knew he

1578
01:11:03,479 --> 01:11:06,040
Speaker 1: felt like that about her, and then Corey tells a

1579
01:11:06,040 --> 01:11:08,599
Speaker 1: story about liking Topanga when they were six and they

1580
01:11:08,640 --> 01:11:10,960
Speaker 1: were playing in his backyard catching fireflies.

1581
01:11:11,120 --> 01:11:11,320
Speaker 4: Wow.

1582
01:11:11,439 --> 01:11:14,960
Speaker 1: Tapanga jumps in, also remembering the story and says that

1583
01:11:15,200 --> 01:11:19,240
Speaker 1: Eric said Corey loves Topanga and Corey said, yeah, I

1584
01:11:19,360 --> 01:11:19,840
Speaker 1: hate her.

1585
01:11:20,680 --> 01:11:23,640
Speaker 4: What do you get from this? What I mean is

1586
01:11:23,680 --> 01:11:26,519
Speaker 4: why couldn't it be exactly the same thing? But saying,

1587
01:11:26,560 --> 01:11:28,880
Speaker 4: you know when I knew that I loved you is

1588
01:11:28,880 --> 01:11:30,680
Speaker 4: when you put me up against the locker and you

1589
01:11:30,720 --> 01:11:33,280
Speaker 4: had my baseball hat on. Something that we've shown, why

1590
01:11:33,320 --> 01:11:35,559
Speaker 4: does it have to now be this layer of No,

1591
01:11:35,600 --> 01:11:36,799
Speaker 4: it was when we were six.

1592
01:11:36,640 --> 01:11:42,040
Speaker 1: Years old, and the idea that's destiny that it started

1593
01:11:42,600 --> 01:11:43,679
Speaker 1: I to be together.

1594
01:11:44,880 --> 01:11:47,559
Speaker 2: Yeah, it's a it's it's like a it's a it's

1595
01:11:47,560 --> 01:11:50,160
Speaker 2: a it's like a precept of Boy Meets World that

1596
01:11:50,160 --> 01:11:51,920
Speaker 2: that Corey and to Panga were meant to be together.

1597
01:11:51,960 --> 01:11:53,639
Speaker 2: And so we're establishing it now.

1598
01:11:54,439 --> 01:11:57,120
Speaker 3: We didn't establish it in the first two seasons.

1599
01:11:56,720 --> 01:11:58,720
Speaker 2: So we're establishing it now and we just have to

1600
01:11:58,760 --> 01:12:01,000
Speaker 2: accept that that's going to be a precept of the show,

1601
01:12:01,080 --> 01:12:04,639
Speaker 2: like what isn't Yeah, we can't banging our heads against

1602
01:12:04,640 --> 01:12:07,360
Speaker 2: the wall for the rest of this recap, does keep.

1603
01:12:08,000 --> 01:12:11,400
Speaker 1: Remember what was going on in any of our writers

1604
01:12:11,520 --> 01:12:13,720
Speaker 1: personal lives at this time.

1605
01:12:14,000 --> 01:12:16,320
Speaker 3: Must have been okay.

1606
01:12:16,080 --> 01:12:19,560
Speaker 1: Somebody may have been going through something that somebody was

1607
01:12:19,600 --> 01:12:22,440
Speaker 1: going through the storytelling.

1608
01:12:21,840 --> 01:12:26,840
Speaker 2: Potential split up that then brought deciding not to split

1609
01:12:26,960 --> 01:12:28,000
Speaker 2: up and stay together.

1610
01:12:28,640 --> 01:12:31,559
Speaker 1: So the other thing to keep in mind as you

1611
01:12:31,640 --> 01:12:38,080
Speaker 1: are watching all art is that the person writing it

1612
01:12:38,320 --> 01:12:43,800
Speaker 1: really can shape. Yes, they can influence with their own worldview,

1613
01:12:44,160 --> 01:12:48,400
Speaker 1: can truly influence and change things in a way that

1614
01:12:48,640 --> 01:12:52,599
Speaker 1: also suits the narrative they want for their own life.

1615
01:12:52,840 --> 01:12:56,760
Speaker 4: Starry Night is what Van Goh saw. It doesn't necessarily

1616
01:12:56,760 --> 01:12:58,680
Speaker 4: mean it's what everybody else would have seen as they

1617
01:12:58,720 --> 01:13:01,920
Speaker 4: looked out. So it's like, yeah, that makes sense that

1618
01:13:01,920 --> 01:13:06,479
Speaker 4: that also, it just is an unnecessary level where you've

1619
01:13:06,479 --> 01:13:08,080
Speaker 4: got them. It's like, you know, second you pushed me

1620
01:13:08,080 --> 01:13:10,639
Speaker 4: against the locker, I knew that's great, right, I mean, that's.

1621
01:13:10,640 --> 01:13:13,479
Speaker 1: It's still unbelievable, but sure, at least then it's something

1622
01:13:13,479 --> 01:13:14,920
Speaker 1: we've all participated exactly.

1623
01:13:14,960 --> 01:13:16,439
Speaker 4: We're all in it, and it brings it right back

1624
01:13:16,479 --> 01:13:18,760
Speaker 4: to that moment, and that's amazing, and I it's just

1625
01:13:18,880 --> 01:13:20,160
Speaker 4: the rest was unnecessary.

1626
01:13:20,280 --> 01:13:22,400
Speaker 1: Well, Corey tells her, all I know is that you

1627
01:13:22,479 --> 01:13:28,479
Speaker 1: and I belong together. Damn it. Corey tells her, all

1628
01:13:28,560 --> 01:13:31,080
Speaker 1: I know is that you and I belong together. I've

1629
01:13:31,120 --> 01:13:33,200
Speaker 1: always been able to talk to you and to make

1630
01:13:33,240 --> 01:13:35,519
Speaker 1: you laugh, and I've always no.

1631
01:13:35,600 --> 01:13:38,880
Speaker 3: He hasn't, and I've always what I've always wanted to

1632
01:13:39,000 --> 01:13:39,959
Speaker 3: make you feel.

1633
01:13:39,840 --> 01:13:42,759
Speaker 1: Ways they wanted to take.

1634
01:13:42,080 --> 01:13:44,640
Speaker 4: Care of you, you know, because he's insulted her and

1635
01:13:44,680 --> 01:13:46,800
Speaker 4: made fun of her the entire first episode.

1636
01:13:46,400 --> 01:13:47,519
Speaker 2: That she was in his life.

1637
01:13:48,040 --> 01:13:52,639
Speaker 4: No, this is right, No, No, it's that's the part

1638
01:13:52,680 --> 01:13:53,200
Speaker 4: that bothered me.

1639
01:13:53,240 --> 01:13:54,840
Speaker 2: It was like I always wanted it was like, what

1640
01:13:54,880 --> 01:13:57,280
Speaker 2: the the point should be? I now feel this way

1641
01:13:57,320 --> 01:13:59,479
Speaker 2: about you, I do love you, now, why does it

1642
01:13:59,479 --> 01:14:02,639
Speaker 2: always have to rely on this like, oh it always

1643
01:14:02,720 --> 01:14:03,880
Speaker 2: was the way it was supposed to.

1644
01:14:04,720 --> 01:14:07,320
Speaker 4: Yes, exactly, Yes, that's how I felt watching this. That's

1645
01:14:07,360 --> 01:14:10,960
Speaker 4: the same kind of like none of this was necessary.

1646
01:14:11,120 --> 01:14:14,000
Speaker 4: You're adding all this ridiculous fate stuff into what could

1647
01:14:14,000 --> 01:14:16,960
Speaker 4: have been a very nice, very real, fourteen year old

1648
01:14:17,040 --> 01:14:20,400
Speaker 4: relationship that does already have a beginning that we've seen.

1649
01:14:20,600 --> 01:14:23,800
Speaker 2: Yes, and it actually weakens the logic of love, right, Yes,

1650
01:14:23,840 --> 01:14:26,639
Speaker 2: Because if the logic of if the point of Corey

1651
01:14:26,720 --> 01:14:29,280
Speaker 2: too Panga working out and being together and getting married

1652
01:14:29,320 --> 01:14:29,880
Speaker 2: at a young.

1653
01:14:29,760 --> 01:14:33,120
Speaker 1: Age is gonna happen, right there has to.

1654
01:14:33,240 --> 01:14:35,080
Speaker 2: It has to have been strained, it has to have

1655
01:14:35,160 --> 01:14:39,040
Speaker 2: been tested by life. But instead it's like the argument

1656
01:14:39,160 --> 01:14:41,160
Speaker 2: for it is, well, we just have to make it happen.

1657
01:14:41,200 --> 01:14:43,440
Speaker 2: It just has to work because it's always supposed.

1658
01:14:43,040 --> 01:14:46,960
Speaker 4: To, and that is weakens the love it should be

1659
01:14:47,040 --> 01:14:48,519
Speaker 4: that we were making this work.

1660
01:14:49,000 --> 01:14:56,439
Speaker 1: Rejected Excel. Okay, now I guess I'll stick to it.

1661
01:14:56,880 --> 01:15:00,240
Speaker 4: Yes, and I guess, And I would argue also in

1662
01:15:00,280 --> 01:15:04,160
Speaker 4: this world does and most fourteen year olds, most fourteen

1663
01:15:04,200 --> 01:15:09,560
Speaker 4: year olds do get heartbroken. They they do get heartbroken,

1664
01:15:09,640 --> 01:15:12,240
Speaker 4: they do fall into this trap. They do are devastated,

1665
01:15:12,240 --> 01:15:13,800
Speaker 4: they do all this kind of stuff. But most of

1666
01:15:13,840 --> 01:15:14,679
Speaker 4: them are also not.

1667
01:15:14,600 --> 01:15:17,000
Speaker 3: Like we're supposed to be together forever, right, that's not

1668
01:15:17,040 --> 01:15:21,240
Speaker 3: a normal thing. No, So it's you know, it's very weird.

1669
01:15:22,880 --> 01:15:28,960
Speaker 4: I was thinking of saying duty, duty, Yeah, just essentially

1670
01:15:29,040 --> 01:15:29,759
Speaker 4: be slap appy.

1671
01:15:29,760 --> 01:15:32,200
Speaker 1: At this point, he said this, this scene could be

1672
01:15:32,320 --> 01:15:34,360
Speaker 1: edited and scored to be a thriller where he's trying

1673
01:15:34,400 --> 01:15:34,880
Speaker 1: to kill her.

1674
01:15:35,920 --> 01:15:39,120
Speaker 3: It's like that stalker where he's like yelling through the

1675
01:15:39,400 --> 01:15:39,840
Speaker 3: door row.

1676
01:15:40,040 --> 01:15:40,719
Speaker 2: What is that movie?

1677
01:15:40,760 --> 01:15:41,000
Speaker 4: Fear?

1678
01:15:41,120 --> 01:15:43,760
Speaker 3: Fear, Yeah, fear, Yeah, it's that, Yeah, it is.

1679
01:15:44,320 --> 01:15:46,880
Speaker 4: It's one step from you're supposed to be with me

1680
01:15:47,240 --> 01:15:49,479
Speaker 4: and not with anybody else right way.

1681
01:15:49,520 --> 01:15:52,120
Speaker 1: And then Guddy is still upset. He says, I've always

1682
01:15:52,200 --> 01:15:53,960
Speaker 1: always wanted to take care of you, and then he's

1683
01:15:53,960 --> 01:15:56,080
Speaker 1: about to leave through the window and to Penga stops

1684
01:15:56,160 --> 01:15:59,280
Speaker 1: him to ask is that what I love you means?

1685
01:16:00,120 --> 01:16:05,200
Speaker 1: And he says, yeah, bye, get with it, lady, yeah,

1686
01:16:05,240 --> 01:16:10,960
Speaker 1: And then she tells Corey she loves him too.

1687
01:16:09,560 --> 01:16:12,000
Speaker 2: And I feel I just felt awful.

1688
01:16:12,080 --> 01:16:14,080
Speaker 1: I know I don't have any good I don't have

1689
01:16:14,080 --> 01:16:19,200
Speaker 1: any good feeling about like no, no, because also I'm

1690
01:16:19,240 --> 01:16:23,160
Speaker 1: not sure that is what love means, saying.

1691
01:16:24,680 --> 01:16:26,920
Speaker 3: Bullied into saying I love you too. That's what this

1692
01:16:27,000 --> 01:16:31,360
Speaker 3: episode is about.

1693
01:16:31,479 --> 01:16:33,719
Speaker 1: Love means is that you've made you make me laugh

1694
01:16:33,840 --> 01:16:37,559
Speaker 1: and you want to take care of me, and I

1695
01:16:37,600 --> 01:16:38,639
Speaker 1: guess I love you too.

1696
01:16:38,680 --> 01:16:40,360
Speaker 3: It's way more superficial than I thought.

1697
01:16:40,520 --> 01:16:45,240
Speaker 1: I wonder if there was less aggression, because there's a

1698
01:16:45,320 --> 01:16:47,559
Speaker 1: Corey comes in with a lot of aggression and a

1699
01:16:47,560 --> 01:16:51,880
Speaker 1: lot of entitlement. If there was less aggression and less

1700
01:16:52,040 --> 01:16:56,840
Speaker 1: entitlement and more vulnerability, even if the dialogue was exactly

1701
01:16:56,880 --> 01:17:00,679
Speaker 1: the same, I wonder if we would feel we would

1702
01:17:00,680 --> 01:17:03,400
Speaker 1: still feel the same way that the idea of shaping

1703
01:17:03,439 --> 01:17:06,360
Speaker 1: this love story as being destiny, and that Corey is

1704
01:17:06,439 --> 01:17:08,439
Speaker 1: adamant that no matter what, this is the way it's

1705
01:17:08,439 --> 01:17:10,280
Speaker 1: supposed to end up in anybody who's going to stop

1706
01:17:10,280 --> 01:17:12,519
Speaker 1: me is going against destiny. We're always going to argue

1707
01:17:12,520 --> 01:17:15,479
Speaker 1: with that premise. But I wonder if all of us

1708
01:17:15,479 --> 01:17:18,600
Speaker 1: would have felt quite so icky if there was a

1709
01:17:18,640 --> 01:17:22,120
Speaker 1: little if it was more vulnerable and more aggressive and

1710
01:17:22,200 --> 01:17:23,720
Speaker 1: less aggressive and take a.

1711
01:17:23,640 --> 01:17:27,120
Speaker 2: Place in her bedroom, like illed into the bedroom, demanded

1712
01:17:27,160 --> 01:17:28,920
Speaker 2: the jacket back and been so.

1713
01:17:29,800 --> 01:17:31,800
Speaker 1: I would have felt okay with him crawling. I think

1714
01:17:31,840 --> 01:17:34,000
Speaker 1: I could, even as a fourteen year old girl, putting

1715
01:17:34,000 --> 01:17:35,960
Speaker 1: myself into the shoes of a fourteen year old girl,

1716
01:17:36,120 --> 01:17:40,479
Speaker 1: romanticize the boy climbing into your window, the Romeo and

1717
01:17:40,520 --> 01:17:43,839
Speaker 1: Juliet factor if he comes in. Like I have tried,

1718
01:17:44,200 --> 01:17:47,360
Speaker 1: I've tried to stop thinking about you. My friend told

1719
01:17:47,400 --> 01:17:49,960
Speaker 1: me that I should I should, that it was really sad.

1720
01:17:49,960 --> 01:17:52,720
Speaker 2: But I want my jacket back. Let me, you know what,

1721
01:17:52,760 --> 01:17:54,599
Speaker 2: I just want to take my jacket back, and like,

1722
01:17:54,640 --> 01:17:57,320
Speaker 2: basically I want my self respect, so I'm going to go.

1723
01:17:57,680 --> 01:17:59,760
Speaker 2: That would have been great, but instead it's very aggressively

1724
01:17:59,840 --> 01:18:03,000
Speaker 2: like by if you don't understand love on the level

1725
01:18:03,040 --> 01:18:03,280
Speaker 2: that I.

1726
01:18:03,479 --> 01:18:04,400
Speaker 3: You know what, there's a few.

1727
01:18:04,320 --> 01:18:07,080
Speaker 1: Things else I want. You have all my feelings about me,

1728
01:18:07,120 --> 01:18:07,479
Speaker 1: and it's.

1729
01:18:07,400 --> 01:18:10,320
Speaker 4: Like it's really aggressive. So you know what's what's interesting

1730
01:18:10,360 --> 01:18:12,200
Speaker 4: to me is and I know why they couldn't do this.

1731
01:18:12,240 --> 01:18:13,639
Speaker 3: It's boy meets World. It's about Corey.

1732
01:18:13,680 --> 01:18:17,040
Speaker 4: The far more interesting story to me was about Tapanga,

1733
01:18:18,880 --> 01:18:21,960
Speaker 4: who's who's raised in a hippie family, who her entire

1734
01:18:22,000 --> 01:18:24,439
Speaker 4: life has been about feelings and now all of a sudden,

1735
01:18:24,520 --> 01:18:26,439
Speaker 4: she can't. She doesn't know her feelings, she doesn't know

1736
01:18:26,479 --> 01:18:28,559
Speaker 4: what's going on, and for the first time, it's like,

1737
01:18:28,640 --> 01:18:30,559
Speaker 4: my whole life has been about feelings. I was raised

1738
01:18:30,760 --> 01:18:33,519
Speaker 4: to feel everything, and now I don't know what the

1739
01:18:33,560 --> 01:18:34,080
Speaker 4: hell to do.

1740
01:18:34,240 --> 01:18:35,360
Speaker 3: That to me is such.

1741
01:18:35,160 --> 01:18:38,240
Speaker 4: An interesting story, right, And they didn't do any of that,

1742
01:18:38,400 --> 01:18:39,840
Speaker 4: and so it just kind of and I get why

1743
01:18:39,840 --> 01:18:42,240
Speaker 4: they couldn't. It's boy meets World. It's about Corey's journey.

1744
01:18:42,280 --> 01:18:45,400
Speaker 4: I understand that, but man, I thought they missed the boat.

1745
01:18:45,160 --> 01:18:48,320
Speaker 3: And then just made him really kind of sketchy. It

1746
01:18:48,360 --> 01:18:50,440
Speaker 3: was weird, Yeah, weird.

1747
01:18:50,680 --> 01:18:53,920
Speaker 1: Well, he says In response to her saying I love you,

1748
01:18:54,000 --> 01:18:57,200
Speaker 1: he says, I was always hoping you did. And he leaves,

1749
01:18:57,439 --> 01:18:59,439
Speaker 1: and we see Tapega sit on her bed and the

1750
01:18:59,520 --> 01:19:02,000
Speaker 1: Jean jack it comes back in through the window and

1751
01:19:02,040 --> 01:19:04,160
Speaker 1: she hugs it close and smiles.

1752
01:19:04,600 --> 01:19:06,479
Speaker 3: Also the head of a teddy bear and part of

1753
01:19:06,479 --> 01:19:09,160
Speaker 3: a puppy just thrown in through the window.

1754
01:19:09,200 --> 01:19:13,000
Speaker 6: For Love's so creepy.

1755
01:19:15,400 --> 01:19:18,040
Speaker 1: Then we're in the Matthews backyard. Eric says he and

1756
01:19:18,080 --> 01:19:20,240
Speaker 1: Christy should rethink the whole I love you thing because

1757
01:19:20,280 --> 01:19:22,760
Speaker 1: it's the death to any relationship. He says, to take

1758
01:19:22,760 --> 01:19:24,840
Speaker 1: my little bro, Corey. He told his girlfriend to Panga

1759
01:19:24,840 --> 01:19:29,400
Speaker 1: that he loved her, and sup up or in to

1760
01:19:29,439 --> 01:19:32,080
Speaker 1: Beanga walk out, arm in arm, and Corey tells Eric

1761
01:19:32,080 --> 01:19:34,000
Speaker 1: to tell mom and dad that he's walking to Banga home.

1762
01:19:34,040 --> 01:19:37,759
Speaker 1: He's taking the long route. Flirty flirty. Eric asks Christy

1763
01:19:37,840 --> 01:19:40,400
Speaker 1: if she wants to go to pottery barn, and Christy says,

1764
01:19:40,520 --> 01:19:43,920
Speaker 1: I love you Eric Matthews and Eric says, I love you.

1765
01:19:44,439 --> 01:19:49,160
Speaker 4: Christie didn't bother to learn her name. No, now, hold on,

1766
01:19:49,600 --> 01:19:53,759
Speaker 4: I will say Will. If this was Will from season

1767
01:19:54,040 --> 01:19:57,160
Speaker 4: five or six, this would have been ten times funnier. Oh,

1768
01:19:57,160 --> 01:20:00,920
Speaker 4: I agree, you trying to say a last name.

1769
01:20:01,320 --> 01:20:03,800
Speaker 2: If they had just let you go crazy instead of

1770
01:20:03,880 --> 01:20:06,559
Speaker 2: having a line and just said will, and you would

1771
01:20:06,560 --> 01:20:07,080
Speaker 2: have just done it.

1772
01:20:07,080 --> 01:20:08,880
Speaker 3: By season five or six, you would have just been

1773
01:20:09,080 --> 01:20:11,840
Speaker 3: Christy said how about you, how's your movie?

1774
01:20:11,960 --> 01:20:14,000
Speaker 2: And you would have done your will thing for five

1775
01:20:14,040 --> 01:20:16,320
Speaker 2: minutes and it would have been the funniest time ever

1776
01:20:16,520 --> 01:20:18,920
Speaker 2: to just let you go. And instead they kind of

1777
01:20:18,920 --> 01:20:21,519
Speaker 2: finish it pretty quickly and you sort of I was like, oh,

1778
01:20:21,560 --> 01:20:23,960
Speaker 2: that's I was waiting for you to pull will.

1779
01:20:26,000 --> 01:20:26,160
Speaker 4: Yet.

1780
01:20:26,200 --> 01:20:28,400
Speaker 2: But you would have because you did it with Phoenie Calls,

1781
01:20:28,479 --> 01:20:30,080
Speaker 2: right like what you did with Phoenie Calls.

1782
01:20:30,120 --> 01:20:31,240
Speaker 3: You would have done with this joke.

1783
01:20:31,439 --> 01:20:33,599
Speaker 2: They would have just written he doesn't know her last

1784
01:20:33,640 --> 01:20:36,680
Speaker 2: name and makes sound and you would have been hysteric.

1785
01:20:36,800 --> 01:20:37,519
Speaker 3: It would have been funny.

1786
01:20:37,520 --> 01:20:39,080
Speaker 4: But I love that there now on several dates and

1787
01:20:39,120 --> 01:20:41,120
Speaker 4: he still hasn't bother to learn her No, no, no.

1788
01:20:41,439 --> 01:20:44,559
Speaker 1: What's hard hard to ask? It's a hard question. Well,

1789
01:20:44,600 --> 01:20:46,320
Speaker 1: thank you all for joining us for this episode of

1790
01:20:46,320 --> 01:20:49,160
Speaker 1: Pod Meets World. Our next episode recap will be season three,

1791
01:20:49,240 --> 01:20:53,000
Speaker 1: episode four, He Said, She Said, which originally aired October twentieth,

1792
01:20:53,080 --> 01:20:55,280
Speaker 1: nineteen ninety five. I have no memory of the episode,

1793
01:20:55,320 --> 01:20:58,599
Speaker 1: but I do remember the name Okay, so that's something. Okay,

1794
01:20:59,080 --> 01:21:00,920
Speaker 1: thank you all for joining us you as always. You

1795
01:21:00,920 --> 01:21:03,200
Speaker 1: can follow us on Instagram pod Meets World Show. You

1796
01:21:03,200 --> 01:21:05,759
Speaker 1: can send us your emails Podmeets World Show at gmail

1797
01:21:05,760 --> 01:21:07,880
Speaker 1: dot com. Don't forget to email writer what you think

1798
01:21:07,880 --> 01:21:10,960
Speaker 1: about his complaint about the exterior of Tapega's house. And

1799
01:21:11,160 --> 01:21:12,480
Speaker 1: we have merch.

1800
01:21:12,640 --> 01:21:15,120
Speaker 3: You're supposed to buy merch.

1801
01:21:16,680 --> 01:21:19,639
Speaker 1: Podmeetsworldshow dot com. Writer, send us out.

1802
01:21:19,840 --> 01:21:24,120
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1803
01:21:24,120 --> 01:21:27,360
Speaker 2: an iHeart podcast produced and hosted by Danielle Fischel Wilferdell

1804
01:21:27,439 --> 01:21:31,040
Speaker 2: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1805
01:21:31,160 --> 01:21:34,759
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

1806
01:21:34,840 --> 01:21:38,840
Speaker 2: Tara Sudbox producer, Jackie Rodriguez, engineer and Boy Meets World

1807
01:21:38,920 --> 01:21:42,160
Speaker 2: superfan Easton Allen. Our theme song is by Kyle Morton

1808
01:21:42,200 --> 01:21:45,080
Speaker 2: of Typhoon. You can follow us on Instagram at podmets

1809
01:21:45,080 --> 01:21:48,040
Speaker 2: World Show or send us an email at Podmeets World

1810
01:21:48,040 --> 01:21:50,280
Speaker 2: Show at gmail dot com.