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Speaker 1: We've been waiting for this one for a while, we have.

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Speaker 2: I can't wait to get into it to see if

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Speaker 2: it met, exceeded or was not anywhere near expectations. Frankly,

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Speaker 2: because I'm yeah, I almost watched this one twice, and

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Speaker 2: I say, all, really yeah, I.

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Speaker 3: Had to go back and watch at least the end

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Speaker 3: of the first one because I was confused right from

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Speaker 3: the start.

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Speaker 2: Oh right, right, right, Okay, of course of course you are,

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Speaker 2: of course you were. Of course we are talking about

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Speaker 2: whatever the Kirk Cameron was one was where he turns

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Speaker 2: into a dog. We're watching the sequel today.

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Speaker 1: Correct, What was that one even called? I'm Kirk Cameron,

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Speaker 1: I'm a dog. What was the name of that was

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Speaker 1: the name of that movie? You lucky dog?

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Speaker 4: That's right, key dog.

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Speaker 1: Lis.

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Speaker 2: So once again on it everybody was lucky except the

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Speaker 2: people that had to watch the movie, though they were

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Speaker 2: not as lucky. But anyway, welcome back to Magical Rewind,

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Speaker 2: the show that makes you want to grab your friends,

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Speaker 2: your PJS and your popcorn and go back to a

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Speaker 2: time and all the houses are smart, the waves tsunamis,

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Speaker 2: and now we're doing a whole bunch of sequels I'm

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Speaker 2: Wilford Dell.

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Speaker 4: And I'm Sabrina Brian.

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Speaker 2: It is a big week here on Magical rewind Or

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Speaker 2: merr As I'm going to start calling it as we

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Speaker 2: return to sequel town for the second installment.

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Speaker 1: Of a massive and expensive.

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Speaker 2: Franchise from modern day Disney Channel. It's time for a

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Speaker 2: film we've been looking forward to for a very long time.

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Speaker 2: It is twenty seventeen's musical fantasy deck Sekendidents two.

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Speaker 1: I might be pronouncing that wrong. Is that wrong? It's

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Speaker 1: the Descendants. It's Descendants two, is what it is.

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Speaker 2: Two years after the original worldwide phenomenon first aired, everything

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Speaker 2: was perfectly lined up for this sequel announced that that

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Speaker 2: year's D twenty three xpote.

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Speaker 1: Have you ever been to D twenty three? No, I

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Speaker 1: don't think so.

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Speaker 2: You've never done the D twenty xpo. And you're as

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Speaker 2: big a Disney fan as you are. We got to

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Speaker 2: get you to D twenty three.

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Speaker 4: Okay, I'm down. It sounds like a perfect place.

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Speaker 2: For me, It really is. It sounds like it should

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Speaker 2: be called D twenty three. Sabrina Expo is really what

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Speaker 2: it should be. The movie then aired in the summer

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Speaker 2: of twenty seventeen July twenty first, to be exact, And

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Speaker 2: it was such a big deal for the Disney Company that,

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Speaker 2: for the first time ever, the premiere was simulcast across

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Speaker 2: all of their networks. That means Disney Channel, ABC, Disney XD,

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Speaker 2: free Form, Lifetime, and Lifetime Movies all ran the first run,

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Speaker 2: all at the same time, Sabrina, this is the first

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Speaker 2: d com to air off the channel at all.

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Speaker 1: So how big a deal.

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Speaker 4: Was this huge?

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Speaker 1: It was huge. I mean it's a huge deal.

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Speaker 4: It took over Disney as a whole.

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Speaker 3: It took a Yes, now, I would assume much like

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Speaker 3: and guys, I know you're getting sick of me with

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Speaker 3: my obsession, but zombies like it's taking everything yea by

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Speaker 3: a storm.

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Speaker 1: It really are.

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Speaker 2: I don't think Disney because I was on Disney XD

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Speaker 2: for a long time. I don't think Disney XD even

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Speaker 2: exists anymore. And I'm not sure Freeform doesn't it. I

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Speaker 2: think Freeform does, but Disney XD doesn't exist anymore.

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Speaker 4: Yeah.

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Speaker 2: So, well, the strategy, the gamble, I guess you could

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Speaker 2: call it that. It certainly paid off because the premiere

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Speaker 2: was viewed by just under nine million people, which was

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Speaker 2: an increase from the first movie, and on Disney Channel

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Speaker 2: alone they clocked five point three million viewers.

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Speaker 1: That is a huge win for d comms. Who do

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Speaker 1: you hear my voice? Crack I, Peter Brady? A huge

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Speaker 1: win for d coms.

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Speaker 2: It's said to have garnered twenty one million viewers in

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Speaker 2: delayed DVR and.

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Speaker 1: Streaming watches as well.

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Speaker 2: It came in as the second most watched d com ever,

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Speaker 2: beyond only which one.

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Speaker 3: High School Musical two year right, oh, High School Music

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Speaker 3: with yes, High School Musical two again, I think with

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Speaker 3: High School Musical two five point one of the million

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Speaker 3: viewers of the five point five I think that watched

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Speaker 3: it just wanted to watch it to see Zach Effron

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Speaker 3: saying to himself in a pond at a golf course.

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Speaker 1: Of course, that's why High School Musical two was so amazing.

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Speaker 2: And it's good news because at the time, by the

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Speaker 2: Wall Street Journal, this was the most expensive dcom to date,

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Speaker 2: with a budget of twelve to fifteen million dollars, which

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Speaker 2: has now, of course been blown out of the water

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Speaker 2: by Zombies four and the next Descendants movie, which we

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Speaker 2: are patiently waiting for. It was filmed in the dcom

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Speaker 2: capital of the North Toronto and of course British Columbia

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Speaker 2: over the period of one month to every time I

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Speaker 2: see movies this big, I'm kind of amazed they go

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Speaker 2: that fast. But then I see some of the effects

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Speaker 2: and I'm like, yeah, it probably only took a month,

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Speaker 2: and it's creatively set for six months after the first

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Speaker 2: film ended, Disney, as always, was looking to synergize with

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Speaker 2: merch We had the prequel novel, Rise of the Isle

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Speaker 2: of the Loss.

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Speaker 1: There were beauty products, backpacks, costumes, jewelry.

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Speaker 2: And fashion dolls, and of course, since it's a musical,

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Speaker 2: we have to talk about the soundtrack. It dropped the

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Speaker 2: same day as the premiere and debuted at number six

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Speaker 2: on the Billboard two hundred, eventually going gold with over

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Speaker 2: five hundred thousand sold.

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Speaker 1: Did you remember the music from the first movie?

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Speaker 2: Yes?

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Speaker 1: Did you rotten to the core? Oh right?

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Speaker 3: Banger banger, That's okay now. And I just recently went

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Speaker 3: to Disneyland as always, We just went for my daughter's

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Speaker 3: birthday and it's Halloween time already here in Disneyland fashion,

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Speaker 3: they start the holidays so early.

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Speaker 4: Oogy boogie bash is bag all of that.

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Speaker 2: I'm sorry, We're back it up What is the Ugy

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Speaker 2: Boogie Bash.

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Speaker 3: The Oogie Boogie Bash is at Disneyland California Adventure.

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Speaker 4: They closed down the park at six It's a separate

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Speaker 4: ticket you have to get. I went last year.

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Speaker 3: It's a whole every it's all Disney, it's a lot

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Speaker 3: of the all the villains are out there. It's lots

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Speaker 3: of different like kinds of things that throughout the park.

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Speaker 3: And then what's the really exciting part, which was for

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Speaker 3: my kids, was there's like tricker treating lines and you

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Speaker 3: go out with bags and bags and bags of candy

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Speaker 3: and also healthy treats as well, which I loved. It's

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Speaker 3: so fun and you get to actually like they really

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Speaker 3: like you know a lot of people dress up in

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Speaker 3: their Halloween costumes, so it's another time to like do

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Speaker 3: a Halloween night with your family.

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Speaker 1: I'm told it's Disney Halloween after hours party.

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Speaker 4: Okay, yes, yes, And it is so fun. It's awesome.

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Speaker 3: The lines are so much shorter, like you know, it's

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Speaker 3: and it's it's only open to the people that pay

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Speaker 3: this like special thing.

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Speaker 1: Oh wait, weird question. Is there alcohol served?

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Speaker 3: California Adventure. Yes, they have like special Halloween type drinks

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Speaker 3: and things.

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Speaker 1: Like that.

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Speaker 4: Okay, special treats.

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Speaker 3: There's different kinds of dessert stuff. Yeah, it's like a

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Speaker 3: whole thing. It's so fun. And what I was getting

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Speaker 3: to is Rotten to the Core. Even though we weren't

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Speaker 3: there for Aggie Boogie Bash, we were there during the day.

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Speaker 3: It's Halloween time at Disneyland, and Rotten to the Core

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Speaker 3: is played over and over again. So I was grooving

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Speaker 3: and skipping and just fluttering around because I love, love,

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Speaker 3: love that song.

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Speaker 4: It's my favorite descendant song.

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Speaker 1: Songs go out of my head so quickly.

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Speaker 2: The only song from any one of these things that

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Speaker 2: I can't get out of my head is still that

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Speaker 2: Dean a Teen Beach song. They're dancing on the beach

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Speaker 2: all happy. It's the only damn one I can't get

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Speaker 2: out of my head. But these I didn't remember a

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Speaker 2: single one.

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Speaker 3: So many people listening to our wonderful podcast, because I

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Speaker 3: saw a lot of people dressed as teen Beach at

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Speaker 3: the I was leaving California Adventure as Boogey Bash.

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Speaker 4: People were coming in their costumes, lots of teen Beach.

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Speaker 3: So I'm just so thankful that that many people are

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Speaker 3: listening and caring about magical rewind.

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Speaker 1: So thank you everyone at Nice.

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Speaker 2: Well, it should come to no surprise to anyone here

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Speaker 2: that you can watch des Sentence to right now in

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Speaker 2: Disney Plus. But the choices, of course yours. You can

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Speaker 2: listen to the podcast first and hear what we think,

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Speaker 2: or you watch it first and then savagely judge us

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Speaker 2: with your already formed opinions.

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Speaker 1: The good news is either way, Pyle.

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Speaker 2: We served at the end of the competition, Sabrina, the

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Speaker 2: time has finally come. How happy were you to finally

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Speaker 2: see the next chapter?

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Speaker 4: Amazing?

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Speaker 3: And again I know I read the comments. People are

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Speaker 3: just like so over me being so obsessed with zombies.

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Speaker 3: Nothing compares to zombies. But if you remember, this was

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Speaker 3: The Descendants. The first time we watched was the first

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Speaker 3: time I watched it, and I fell in love with it.

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Speaker 1: Yeah, it's great.

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Speaker 3: I was so excited, especially because there's nothing to look

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Speaker 3: forward to at this point with zombies. So I am

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Speaker 3: like all in for Descendants. I need to like fly

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Speaker 3: to their show, get I.

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Speaker 4: Want to see why the tr they're going.

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Speaker 3: They are on tour already and it's the Zombies and

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Speaker 3: Descendants like mash up and when I was at the

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Speaker 3: premiere I saw characters that I knew were from Descendants,

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Speaker 3: but have not seen them yet. So I'm just so

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Speaker 3: stoked about getting to know all the other characters that

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Speaker 3: we are going to get introduced to.

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Speaker 2: Do we know who's actually on tour from the cast

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Speaker 2: of either of these I don't know there.

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Speaker 1: I mean, is it like, are these are all.

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Speaker 4: The it's the new it's Freya.

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Speaker 1: And okay, it's the new movies.

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Speaker 3: Malachi are from the Zombies, so there, and then there

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Speaker 3: are newer characters. And again I don't know the characters

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Speaker 3: that are from Descendants. It's not any of the original one.

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Speaker 1: We should go, we should coming here.

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Speaker 4: It was already here.

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Speaker 3: It happened right after the Zombies premiere, so things were

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Speaker 3: chaotic in both of our schedules.

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Speaker 1: We should find a way to go. We'll find awesome.

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Speaker 3: It done, so we might have to we might have

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Speaker 3: to like do some flying, which I'm down I would.

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Speaker 2: Yeah, I wouldn't mind doing. It's almost done. Yeah, we'll

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Speaker 2: have to figure it out.

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Speaker 1: But anyway, I was.

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Speaker 2: Looking forward to this movie. I definitely was looking forward

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Speaker 2: to this movie. The first one was great. It's bright,

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Speaker 2: it's colorful, it's very clever with the idea of the kids,

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Speaker 2: uh you know, of villains and the kids of the

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Speaker 2: heroes of Disney.

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Speaker 1: It's very, very clever. It's a beautifully built world. So yeah,

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Speaker 1: great afters.

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Speaker 4: They did a wonderful job in the first one.

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Speaker 1: So I was bumped. Yeah, me too.

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Speaker 2: Now you might be chilling like a villain, but it's

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Speaker 2: going down between you and me, So let's get evil.

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Speaker 2: With the synopsis, mal struggles with life as princess in

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Speaker 2: training and returns to the Isle of the Lost, where

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Speaker 2: uma Ursula's daughter is determined to get revenge and descendants,

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Speaker 2: of course, would be nowhere without its insanely talented director

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Speaker 2: Kenny Ortega, one of the greatest choreographers of all time.

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Speaker 1: You can repeat this.

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Speaker 2: It's like any of the other amazing Disney legends we've

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Speaker 2: talked about on this podcast.

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Speaker 1: You can now repeat this list along with the rest

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Speaker 1: of us.

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Speaker 2: Kenny worked on movies like Dirty Dancing, Ferris Bueler's Day

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Speaker 2: Off in Pretty in Pink, and with musicians like Madonna,

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Speaker 2: Michael Jackson, and Olivia Newton John until he transitioned into

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Speaker 2: a director. He became a Disney Hall of Famer with

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Speaker 2: movies like Hocus Pocus, Newsy's Cheetah Girls Too, and the

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Speaker 2: Dcom megafranchise High School Musical. He is a Brinks truck

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Speaker 2: for the studio and is treated as such. If these

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Speaker 2: new high school musical rumors are true, I think we

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Speaker 2: could probably expect Kenny to direct that too, don't you think?

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Speaker 4: Of course?

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Speaker 1: Yeah.

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Speaker 3: I can't imagine them touching music high school musical without Kenny.

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Speaker 3: I mean, on the on the movie side, you know

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Speaker 3: that that is this is his realm.

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Speaker 4: Okay, this is I.

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Speaker 2: Can't imagine leads them doing another high school musical and

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Speaker 2: not inviting us to be part of the cast.

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Speaker 1: I mean, I think it's like, hey, it's going to

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Speaker 1: be very we'll call Bart. We'll call Bart. We'll figure out. Yes,

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Speaker 1: we'll get this.

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Speaker 2: We'll get well, we'll work our angles and we'll get

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Speaker 2: we'll get it all right. Disney is good at many

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Speaker 2: many things, that much we have established. But the one

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Speaker 2: skill you can expect, no matter what, great casting and

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Speaker 2: getting that cast to return for a sequel. And that's

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Speaker 2: thanks to some ironclad contracts and very expensive lawyers. So

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Speaker 2: descendants to prepare to see all the familiar faces. Dove Cameron,

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Speaker 2: his back is our lead maw. She's the devious daughter

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Speaker 2: of Maleficent and a Channel regular thanks to Live in Maddie,

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Speaker 2: a role that won her in Emmy. The social media

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Speaker 2: megastar has also become a pop sensation and one of

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Speaker 2: young Hollywood's most promising names. Then We've Got Cameron Boyce

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Speaker 2: returns as Carlos, the son of Corella Deville. Boyce's sky

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Speaker 2: was the limit when it came to his abilities in

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Speaker 2: his career, but sadly, he tragically passed away in twenty

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Speaker 2: nineteen at just twenty years old from complications of a seizure.

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Speaker 2: It is such a sad story, and Cameron has been

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Speaker 2: in the news lately after Adam Sandler, who he co

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Speaker 2: starred with in Grown Ups, included footage of him and

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Speaker 2: Happy Gilmore two as cameo and a tribute. Everyone I've

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Speaker 2: talked to who's ever met him said that he was

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Speaker 2: just the nicest person in the world. And every time

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Speaker 2: I see him on camera, it just makes me sad

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Speaker 2: because he.

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Speaker 1: Was so talented, so talented.

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Speaker 2: Incredible, and he's got he's got that smile that just

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Speaker 2: lights up for screen.

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Speaker 4: He's an incredible dancer, his voice is awesome.

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Speaker 2: I mean ja he did one move in this thing

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Speaker 2: where I was like, damn, you know it's yeah, It's

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Speaker 2: such a shame, such a shame, But what a legacy

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Speaker 2: he left and such a short amount of time. Sophia

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Speaker 2: Carson is once again Evie, the self obsessed daughter of

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Speaker 2: the evil Queen. She had appeared on the Disney Channel

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Speaker 2: with shows like Austin and Ally and in the Sabrina

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Speaker 2: Carpenter Co Vehicle dcom Adventures and Babysitting, but this franchise

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Speaker 2: was her big breakout. She'd later start in a Pretty

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Speaker 2: Little Liar spin off and movies like Purple Hearts, Carry

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Speaker 2: On and this Year's My Oxford Year. Sophia is currently

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Speaker 2: having what we and the biz call a moment, so

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Speaker 2: expect to see her a lot soon. And one of

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Speaker 2: our favorite names, Booboo Stewart is back. Is Jay, the

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Speaker 2: son of Jafar. He'd appeared in Twilight before this, so

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Speaker 2: he clearly is being type cast as the really good

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Speaker 2: looking guy. He's also the star of the show Good Trouble.

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Speaker 2: And then Mitchell Hope is King Ben once again. Mitchell

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Speaker 2: is best known from these movies, but he will soon

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Speaker 2: appear in a film called Killer Whale. Where he gets

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Speaker 2: trapped in a remote lagoon with a dangerous killer whale.

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Speaker 4: I'm in absolutely, absolutely yeah.

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Speaker 1: I mean anytime you're trying to kill.

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Speaker 4: At some point in this movie, by.

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Speaker 1: The way, exactly right, exactly, No.

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Speaker 2: I think the killer Whale is really cool. But then

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Speaker 2: this little kid comes in and frees him, and then

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Speaker 2: King Ben is fine, you're going to call it free

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Speaker 2: the Killer Whale.

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Speaker 1: I'll come up with a better title.

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Speaker 2: And we have China and McClain as Uma, our newly

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Speaker 2: cast villain, daughter of Ursula. She's a veteran actress who

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Speaker 2: starred in Adam Sandler's Hubie, Halloween and Grown Ups alongside

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Speaker 2: Cameron and part of the main cast for the TV

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Speaker 2: shows Black Lightning and House of Pain. But Disney fans

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Speaker 2: will remember her best as China parks to lead in

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Speaker 2: the show and Farm. And we do not have Kristin

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Speaker 2: Chenaworth or Adina Menzel in this one, unfortunately, but we

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Speaker 2: do have snell alum Bobby moynihan as the voice of Dude.

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Speaker 2: So not necessarily a fair trade, but hey.

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Speaker 1: I'll take it.

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Speaker 4: I'll take it.

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Speaker 2: And uh now I know, okay, I know we're all

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Speaker 2: having fun here. I got to get a little serious

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Speaker 2: on you right now. I've tried my hardest to avoid this,

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Speaker 2: but there's really nowhere to run, there's nowhere to turn to,

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Speaker 2: there's nowhere to hide.

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Speaker 1: No one's coming to help.

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Speaker 2: This movie has a run time of one hundred and

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Speaker 2: eleven minutes.

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Speaker 1: Truly out of their mind. People.

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Speaker 2: We look for ninety minutes here on magical re and

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Speaker 2: yet we found ourselves twenty one minutes over the target,

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Speaker 2: a full sitcom episode over the target. That's a new record,

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Speaker 2: only nine minutes below two hours. Yeah, it might as

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Speaker 2: well be a flight from LA to New York. That's

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Speaker 2: just superfluous. I can't believe this decision. Kenny has a

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Speaker 2: lot of explaining to do, Sabrina, Are you as disgusted

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Speaker 2: as I am?

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Speaker 3: You know, I felt it. I felt the twenty one

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Speaker 3: minutes where the movie dragged a bit for me. You know,

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Speaker 3: when you check your how much longer is this going on?

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Speaker 3: We're having another situation? I felt it, and.

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Speaker 4: I think for me it's like I don't know, it's

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Speaker 4: I don't know what to say about it.

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Speaker 3: Because I don't want it to be you know, it's

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Speaker 3: just you feel it.

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Speaker 4: You feel it, and it.

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Speaker 2: For me, just I also noticed and I wanted to

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Speaker 2: get into this later. There's a huge span of time

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Speaker 2: in the second act there's no song. Yes, they go

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Speaker 2: big chunk and I'm like, there nobody sung anything.

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Speaker 1: They're acting, what the hell's going on?

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Speaker 3: And then and the story is kind of dragging. It's

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Speaker 3: not like it could have been a little bit quicker.

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Speaker 3: I agree, although.

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Speaker 4: You know this cast is stunning.

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Speaker 3: Sore to watch their gorgeous faces.

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Speaker 1: Really, but it was.

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Speaker 3: It did it didn't started to get a little hazy,

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Speaker 3: and you're just kind of like, let's sharpen it up,

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Speaker 3: let's keep it moving.

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Speaker 1: Agreed, one hundred percent.

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Speaker 2: Well, maybe we can blame the writers the same powerhouse

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Speaker 2: duo from Descendants the First or well just Descendants like

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Speaker 2: Sarah Parriot and Joe Sam McGibbon. There are movie credits

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Speaker 2: include Three Men in the Little Lady and Runaway Bride,

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Speaker 2: and on TV they wrote on Desperate Housewives, then created

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Speaker 2: The Starter Wife, a show that earned them two Emmy nominations.

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Speaker 2: And now get your nicest outfits press for Cotillion.

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Speaker 1: Let's get into Descendants. Deh, That's what they call it

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Speaker 1: in France.

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Speaker 2: We are thrown right into this movie feeling a bit

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Speaker 2: of a whiplash. Actually, it's our first song. Seconds into

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Speaker 2: the film, called Ways to Be Wicked, we see mal

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Speaker 2: Evjy and Carlos hovered over a cauldron looking spooky as hell,

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Speaker 2: stirring a pot full of apples, and our villain kids

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Speaker 2: are somehow evil again. They're tormenting Ordon's perfect little high

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Speaker 2: school students with chaos like graffiti and throwing things at

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Speaker 2: the school band while they pledge allegiance to their monster parents.

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Speaker 2: They may have ended the first movie as nice guys,

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Speaker 2: but that's not the case, with the opening number being

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Speaker 2: a horrible influence by encouraging bad behavior and destruction. What

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Speaker 2: the hell is going on, Sabrina? What did you think

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Speaker 2: of the instant song and dance number? Just throwing us

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Speaker 2: right into it?

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Speaker 3: I love the instant dance. I love to be like

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Speaker 3: this is a musical buckle up. I'm totally there for that.

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Speaker 3: But I had to immediately pause put on the Descendants

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Speaker 3: one rewinded about fifteen fifteen minutes to just make sure

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Speaker 3: that what I was remembering was correct, in which they

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Speaker 3: like ended at a a dance of some sort, and

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Speaker 3: that everyone was kind of getting you know, we were mushing,

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Speaker 3: the mom was a lizard, like, I mean, I just

396
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Speaker 3: wanted to make sure I remembered right, so I had

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Speaker 3: to And then I'm going, okay, okay, right. And then

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Speaker 3: I looked and I waited all the way to the end.

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Speaker 3: I watched all the credits to see if there was like.

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Speaker 1: You know, like some in case. I was.

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Speaker 3: Like, I literally was just waiting to go, like what

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Speaker 3: the heck, because I just you know, and then I

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00:18:30,200 --> 00:18:32,840
Speaker 3: went okay, and then I kept going and then it

404
00:18:32,920 --> 00:18:33,480
Speaker 3: made sense.

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Speaker 4: But I did like the music.

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00:18:35,440 --> 00:18:39,080
Speaker 3: I loved the song. I thought it was great. Also

407
00:18:39,480 --> 00:18:42,000
Speaker 3: thought the visuals right from the start. I loved the

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Speaker 3: lockers that go through and you know, do the spell out.

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Speaker 3: I love that the flags, all the visuals were there,

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Speaker 3: the flags evil you know.

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Speaker 4: I just it was awesome. I really loved it.

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Speaker 3: And then I felt like a breath of fresh air

413
00:18:58,240 --> 00:19:01,680
Speaker 3: in my anxiety heads and as I continued to roll

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Speaker 3: to realize it was a dream scene.

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Speaker 1: Thank god, Well it was a dream Secrets.

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Speaker 2: And I'm gonna say something that might be a little

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Speaker 2: controversial and a little a little bold, but this was

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Speaker 2: some of my favorite music of any dcom that we've

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Speaker 2: seen so far. I thought the songs were almost all bops. Yes,

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Speaker 2: they had a vibe to them that was modern and hip.

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Speaker 2: It didn't seem musical as much as it did almost

422
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Speaker 2: like a music video, if.

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Speaker 3: That makes it felt like a true album.

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Speaker 1: Yeah, like an album.

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00:19:31,280 --> 00:19:34,840
Speaker 2: Yes, and I really like and there's one or two

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Speaker 2: slow ones that were a little slow for me, but

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Speaker 2: the bops like this are very catchy.

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Speaker 1: Yeah. I thought the music was great.

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Speaker 2: So yes, As my lovely co host here just said,

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Speaker 2: it is just a day dream. Mal is actually surrounded

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Speaker 2: by reporters outside of the school. There are only three

432
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Speaker 2: days left before the Royal Katillion, where she will officially

433
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Speaker 2: become a Lady of the Court. Sabrina, you seem like

434
00:19:55,320 --> 00:19:56,200
Speaker 2: the katilion type.

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Speaker 1: I'll be honest with you. Did you katillion?

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00:20:00,119 --> 00:20:04,439
Speaker 3: I did not, you know, but I was, you know,

437
00:20:04,680 --> 00:20:08,120
Speaker 3: low key, uh, jealous of the friends that I had

438
00:20:08,119 --> 00:20:10,760
Speaker 3: many friends around. There's a whole katilion thing in our

439
00:20:10,840 --> 00:20:16,000
Speaker 3: area that I really and I will, honestly, if that's

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Speaker 3: still happening when my kids are at that age, will

441
00:20:18,200 --> 00:20:19,879
Speaker 3: want to do it. I was always like they were

442
00:20:19,960 --> 00:20:24,680
Speaker 3: learning specific dances, they were learning about tablewear, etiquette, all

443
00:20:24,680 --> 00:20:26,640
Speaker 3: of that stuff. They got to dress up in these

444
00:20:26,680 --> 00:20:29,080
Speaker 3: like super cute dresses all the time. This was like

445
00:20:29,080 --> 00:20:31,840
Speaker 3: a once a week thing. At the end there was

446
00:20:31,840 --> 00:20:33,840
Speaker 3: like a graduation of it, which was the party that

447
00:20:33,880 --> 00:20:35,199
Speaker 3: I obviously wasn't invited to.

448
00:20:35,359 --> 00:20:37,199
Speaker 4: I mean just there was a lot of stuff to

449
00:20:37,240 --> 00:20:38,399
Speaker 4: be sort of jealous about.

450
00:20:38,440 --> 00:20:42,000
Speaker 1: So did you do your Kingsnira? No, I didn't do

451
00:20:42,080 --> 00:20:43,120
Speaker 1: your kna either.

452
00:20:43,200 --> 00:20:47,800
Speaker 3: No, not get a king Sennia. My dad really let

453
00:20:47,840 --> 00:20:48,720
Speaker 3: me down on that one.

454
00:20:49,000 --> 00:20:52,800
Speaker 4: Oh man, Yeah, that would have been fun too.

455
00:20:52,880 --> 00:20:56,679
Speaker 3: I'd had a good sixteenth birthday, a really fun inspects birthday,

456
00:20:56,680 --> 00:20:58,080
Speaker 3: but not a katillion.

457
00:20:58,840 --> 00:21:00,480
Speaker 1: Well, we won't tell people you're act age.

458
00:21:00,520 --> 00:21:02,800
Speaker 2: So when I learned how to say thirty in Spanish,

459
00:21:02,880 --> 00:21:04,520
Speaker 2: then that we'll have to throw that party for you,

460
00:21:04,760 --> 00:21:06,320
Speaker 2: all right, thirty year.

461
00:21:06,480 --> 00:21:08,320
Speaker 1: I don't know what it is, but I thought you

462
00:21:08,359 --> 00:21:09,280
Speaker 1: would have had a continuerrate.

463
00:21:09,359 --> 00:21:11,680
Speaker 2: No, no, Cotilion. We were not ktillion people in our

464
00:21:11,680 --> 00:21:13,560
Speaker 2: town either. Like I don't think any of the girls

465
00:21:13,600 --> 00:21:15,399
Speaker 2: went to a Kittilian or we had any of that

466
00:21:15,480 --> 00:21:16,000
Speaker 2: kind of stuff.

467
00:21:16,080 --> 00:21:16,600
Speaker 1: No.

468
00:21:16,600 --> 00:21:20,320
Speaker 3: Now a big thing is, since I've grown up, a

469
00:21:20,520 --> 00:21:23,399
Speaker 3: thing that a lot of my friends that I know

470
00:21:23,480 --> 00:21:27,200
Speaker 3: that have kids going through high school's call is NCL,

471
00:21:27,280 --> 00:21:30,640
Speaker 3: which is National Charity League, and they have a big

472
00:21:30,680 --> 00:21:33,359
Speaker 3: debutante ball at the end where you're all in white

473
00:21:33,440 --> 00:21:36,960
Speaker 3: dresses and all of that. Totally into that too. We

474
00:21:37,000 --> 00:21:39,919
Speaker 3: will get that on for Monroe. Love those kinds of

475
00:21:39,960 --> 00:21:42,760
Speaker 3: things that you're right, although I didn't get to participate

476
00:21:42,800 --> 00:21:45,920
Speaker 3: in it, so down Monroe will be in all of them.

477
00:21:47,160 --> 00:21:48,480
Speaker 1: I'm going to live through Monroe.

478
00:21:48,600 --> 00:21:52,240
Speaker 3: She's hey, that's part of getting to be a parent,

479
00:21:52,359 --> 00:21:54,160
Speaker 3: you get to do some of those kinds of things.

480
00:21:54,240 --> 00:21:55,000
Speaker 1: Nice.

481
00:21:55,280 --> 00:21:57,600
Speaker 2: So the reporters want to know if Mal has seen

482
00:21:57,640 --> 00:21:59,400
Speaker 2: herself as a lady of the court. And we notice

483
00:21:59,400 --> 00:22:01,960
Speaker 2: her hesitation, and we noticed now that her hair is blonde,

484
00:22:02,080 --> 00:22:04,520
Speaker 2: no more purple. While it is a totally different look.

485
00:22:05,040 --> 00:22:07,560
Speaker 2: She is accosted by the reporters. Ben finally steps in

486
00:22:07,600 --> 00:22:10,320
Speaker 2: with the fairy godmother, who shushes the media off campus.

487
00:22:10,760 --> 00:22:12,760
Speaker 2: Ben suggests they go somewhere on vacation to get away,

488
00:22:12,800 --> 00:22:15,120
Speaker 2: but before he can plan anything, he realizes.

489
00:22:14,720 --> 00:22:16,080
Speaker 1: He's late for a council meeting.

490
00:22:16,520 --> 00:22:19,000
Speaker 2: Evie pulls mallaway to get fitted for a very tight

491
00:22:19,119 --> 00:22:22,680
Speaker 2: yellow and blue gown with matching shoes. Of course, Mal

492
00:22:22,720 --> 00:22:25,080
Speaker 2: complains about her busy schedule and wonders what life would

493
00:22:25,080 --> 00:22:27,080
Speaker 2: be like if they were back on the Evil Island.

494
00:22:27,359 --> 00:22:29,600
Speaker 2: They're interrupted by a news report showing footage of Ben

495
00:22:29,640 --> 00:22:32,680
Speaker 2: and Mal, deemed the royal couple, dining with a lot

496
00:22:32,720 --> 00:22:37,200
Speaker 2: of strawberries. They're pictured with Aladdin and Jasmine. Mal rushes

497
00:22:37,200 --> 00:22:38,720
Speaker 2: off to one of her spell books so she can

498
00:22:38,800 --> 00:22:41,440
Speaker 2: speed read a book about manners, but Evie sees this

499
00:22:41,600 --> 00:22:44,720
Speaker 2: as cheating and knows Ben wouldn't like any secrets between them,

500
00:22:44,920 --> 00:22:47,400
Speaker 2: and even though Mal said she needs help, Evie takes

501
00:22:47,400 --> 00:22:50,119
Speaker 2: the book away. Mal admits she misses running wild and

502
00:22:50,119 --> 00:22:52,520
Speaker 2: breaking the rules by stealing, lying and fighting back home,

503
00:22:52,800 --> 00:22:55,040
Speaker 2: but Evie doesn't miss it. She loves Ordon and wants

504
00:22:55,080 --> 00:22:55,520
Speaker 2: to leave.

505
00:22:55,400 --> 00:22:56,520
Speaker 1: The past in the past.

506
00:22:57,040 --> 00:22:59,480
Speaker 2: The next day, at school, the Core four that's Mal, Carlos,

507
00:22:59,560 --> 00:23:02,080
Speaker 2: ev and Jay are walking together and every girl in

508
00:23:02,119 --> 00:23:04,560
Speaker 2: school is flirting with Jay to be his cotillion date,

509
00:23:05,000 --> 00:23:07,000
Speaker 2: but he's going solo. Okay, I got a question for

510
00:23:07,080 --> 00:23:10,159
Speaker 2: you high school. You're in high school?

511
00:23:10,640 --> 00:23:13,080
Speaker 1: Are you a Carlos or are you a j Fan?

512
00:23:13,440 --> 00:23:17,640
Speaker 2: J You are Okay, the big, muscly, long hair, sporty

513
00:23:17,800 --> 00:23:18,280
Speaker 2: kind of guy.

514
00:23:18,560 --> 00:23:20,919
Speaker 4: Not long hair. That would have been probably my breaking

515
00:23:20,960 --> 00:23:21,560
Speaker 4: point with it?

516
00:23:21,600 --> 00:23:23,159
Speaker 1: But you don't like long hair on dudes?

517
00:23:23,200 --> 00:23:24,160
Speaker 4: No, I still don't.

518
00:23:24,359 --> 00:23:25,800
Speaker 1: Oh, man, so you must have hated me.

519
00:23:25,920 --> 00:23:27,360
Speaker 4: I can't do the man bun thing, can't.

520
00:23:27,480 --> 00:23:29,160
Speaker 1: Oh No, man bun is different than long hair.

521
00:23:29,200 --> 00:23:31,600
Speaker 2: Like I like having hair, I know, but you don't

522
00:23:31,600 --> 00:23:33,080
Speaker 2: have to put it in a man I never put

523
00:23:33,080 --> 00:23:33,679
Speaker 2: my long hair.

524
00:23:33,520 --> 00:23:33,960
Speaker 1: In a man bun.

525
00:23:33,960 --> 00:23:35,920
Speaker 3: When your hair has has your hair been that long?

526
00:23:35,960 --> 00:23:37,280
Speaker 3: Has it been Jay's long length?

527
00:23:38,440 --> 00:23:41,280
Speaker 2: Maybe not that long, but pretty long middle like down

528
00:23:41,359 --> 00:23:43,560
Speaker 2: past the shoulders, middle of the back kind of really?

529
00:23:43,680 --> 00:23:44,800
Speaker 1: Yeah, yeah, my hair.

530
00:23:44,880 --> 00:23:46,879
Speaker 2: My problem is it's just too thick. So it's like

531
00:23:46,920 --> 00:23:48,200
Speaker 2: a giant lion's mane.

532
00:23:48,520 --> 00:23:50,840
Speaker 4: So it looks like a wig almost because it does.

533
00:23:51,000 --> 00:23:53,040
Speaker 2: It does it looks like you remember the old pictures

534
00:23:53,040 --> 00:23:54,800
Speaker 2: of sig Fried and Roy from back in the day,

535
00:23:54,840 --> 00:23:56,960
Speaker 2: like when they had the big Like, that's what I

536
00:23:57,000 --> 00:23:57,840
Speaker 2: look like.

537
00:23:57,960 --> 00:24:00,399
Speaker 3: My Jordan, of my husband, when he was in junior

538
00:24:00,440 --> 00:24:03,280
Speaker 3: high before he started high school, had long, thick hair,

539
00:24:03,359 --> 00:24:04,800
Speaker 3: but it was like down to his shoulders.

540
00:24:04,960 --> 00:24:06,679
Speaker 4: So I'd see pictures of it. But to me, that

541
00:24:06,720 --> 00:24:08,040
Speaker 4: looks like young Like it's.

542
00:24:07,920 --> 00:24:10,960
Speaker 2: Like, yeah, I've always I've always liked long hair. I

543
00:24:10,960 --> 00:24:12,359
Speaker 2: think it's my need to be a Viking.

544
00:24:12,880 --> 00:24:14,879
Speaker 4: Yeah, oh okay, that's different.

545
00:24:15,080 --> 00:24:15,639
Speaker 1: That is different.

546
00:24:15,720 --> 00:24:17,040
Speaker 4: We are getting into a different realm.

547
00:24:17,040 --> 00:24:18,800
Speaker 1: There, we are, We definitely are. And by the way,

548
00:24:18,840 --> 00:24:20,960
Speaker 1: I would make a horrible Viking. It would be terrible.

549
00:24:20,960 --> 00:24:22,960
Speaker 1: We're like it gets cooked enough. No, that's terrible.

550
00:24:23,760 --> 00:24:26,000
Speaker 2: So yes, every girl in the school is flirting with

551
00:24:26,080 --> 00:24:28,119
Speaker 2: Jay to be his skatilian date, but he's going solo

552
00:24:28,200 --> 00:24:29,120
Speaker 2: so he can dance.

553
00:24:28,920 --> 00:24:32,119
Speaker 1: With all of them. What a player. That reminds me

554
00:24:32,160 --> 00:24:35,000
Speaker 1: of the joke about the two bulls. Look it up.

555
00:24:35,119 --> 00:24:37,359
Speaker 1: You know you know the joke. You know you must

556
00:24:37,400 --> 00:24:40,880
Speaker 1: know the joke, right, No, you do? Okay, good. Meanwhile,

557
00:24:40,920 --> 00:24:41,560
Speaker 1: Carlos is.

558
00:24:41,480 --> 00:24:43,720
Speaker 2: Having trouble asking a girl named Jane, who is on

559
00:24:43,760 --> 00:24:46,560
Speaker 2: the preparation committee and needs a lot of answers from Mal.

560
00:24:46,880 --> 00:24:50,560
Speaker 2: But Mal looks overwhelmed by these responsibilities. She's immediately struck

561
00:24:50,560 --> 00:24:53,159
Speaker 2: and shocked by something. Her eyes turned green and it

562
00:24:53,240 --> 00:24:55,679
Speaker 2: quickly passes. She turns back to normal, giving Jane some

563
00:24:55,680 --> 00:24:58,479
Speaker 2: of the answers she needed, but something is definitely brewing,

564
00:24:59,000 --> 00:25:00,920
Speaker 2: and that's when Mal realized say that the cotillion is

565
00:25:00,960 --> 00:25:04,520
Speaker 2: a pre wedding engagement and panics. We also learned that

566
00:25:04,520 --> 00:25:06,760
Speaker 2: Ben is secretly and talks with Jane about making a

567
00:25:06,840 --> 00:25:10,720
Speaker 2: stained glass decoration for the big event. Meanwhile, now Chad

568
00:25:10,800 --> 00:25:14,240
Speaker 2: Charming is at Evie's getting his Cotillion suit tailored, hoping

569
00:25:14,280 --> 00:25:16,800
Speaker 2: to be picked as king to impress Aubrey. His now

570
00:25:16,800 --> 00:25:19,760
Speaker 2: ex girlfriend Jay walks by and alerts Chad there's a

571
00:25:19,840 --> 00:25:20,720
Speaker 2: fencing team.

572
00:25:20,480 --> 00:25:22,399
Speaker 1: Meeting in the amphitheater. In five minutes.

573
00:25:22,840 --> 00:25:25,800
Speaker 2: The athletes leave, and Evie's nerdy assistant Doug, who remember

574
00:25:25,880 --> 00:25:27,960
Speaker 2: is the son of Dopey, alerts.

575
00:25:27,600 --> 00:25:30,480
Speaker 1: Evie that with Oliver seamstress work, she is rich.

576
00:25:30,800 --> 00:25:32,440
Speaker 2: He thinks one day she'll even be able to buy

577
00:25:32,440 --> 00:25:34,639
Speaker 2: that castle that she wants and won't even need a prince.

578
00:25:34,720 --> 00:25:36,560
Speaker 1: But she insists she doesn't need a prince because she.

579
00:25:36,600 --> 00:25:39,240
Speaker 2: Has nerdy Doug, and I gotta be honest with you,

580
00:25:39,320 --> 00:25:42,160
Speaker 2: my favorite relationship of the entire movie, So this.

581
00:25:42,200 --> 00:25:45,040
Speaker 4: One is adorable.

582
00:25:45,160 --> 00:25:47,560
Speaker 2: He is kicking so far out of his coverage, and

583
00:25:47,640 --> 00:25:50,320
Speaker 2: I am proud of him because it is awesome.

584
00:25:50,400 --> 00:25:52,520
Speaker 1: I love these two and I want an entire movie

585
00:25:52,560 --> 00:25:55,320
Speaker 1: of just the two events. I know, total spin off awesome.

586
00:25:55,840 --> 00:25:57,680
Speaker 2: In the hallway, a frantic Mau is at her locker

587
00:25:57,720 --> 00:26:00,240
Speaker 2: when Ben surprises her. She's obviously still very show by

588
00:26:00,240 --> 00:26:01,760
Speaker 2: how Cotilion seems to be setting her up for the

589
00:26:01,760 --> 00:26:04,320
Speaker 2: rest of her life, which, again, when you're sixteen or seventeen,

590
00:26:04,400 --> 00:26:06,919
Speaker 2: seems to be an awful lot. Ben is another surprise

591
00:26:06,960 --> 00:26:09,280
Speaker 2: for her too, but first he notices her spell book

592
00:26:09,359 --> 00:26:12,160
Speaker 2: in the locker. He thought she donated that to a museum,

593
00:26:12,280 --> 00:26:13,159
Speaker 2: and she quickly.

594
00:26:13,000 --> 00:26:14,320
Speaker 1: Changes the subject.

595
00:26:14,560 --> 00:26:18,520
Speaker 2: Ben drags her maybe five feet away three feet away

596
00:26:18,600 --> 00:26:21,959
Speaker 2: from the lockers to reveal a brand new purple scooter

597
00:26:22,160 --> 00:26:26,720
Speaker 2: moped type thing, which is huge, something she clearly would

598
00:26:26,760 --> 00:26:28,080
Speaker 2: have seen before he pointed it.

599
00:26:28,040 --> 00:26:28,439
Speaker 1: Out to her.

600
00:26:28,560 --> 00:26:33,320
Speaker 2: It was literally next to her locker. Hey, when'd you

601
00:26:33,359 --> 00:26:34,680
Speaker 2: get this new purple moped?

602
00:26:35,960 --> 00:26:36,679
Speaker 1: Where? Where is this.

603
00:26:39,400 --> 00:26:39,600
Speaker 2: Or not?

604
00:26:40,040 --> 00:26:43,200
Speaker 4: Whose is that? Why are they? Why on why is

605
00:26:43,240 --> 00:26:44,600
Speaker 4: it in the hallway?

606
00:26:45,320 --> 00:26:48,240
Speaker 2: As many questions that come with the giant purple moped

607
00:26:48,280 --> 00:26:50,880
Speaker 2: that's there. I feel like it's something she would immediately see,

608
00:26:50,920 --> 00:26:52,600
Speaker 2: but either way, she loves it and wants to pay

609
00:26:52,640 --> 00:26:55,240
Speaker 2: him back somehow. He says they're picnic today, will do

610
00:26:55,280 --> 00:26:57,479
Speaker 2: the trick, but mal has obviously forgotten that plan. She

611
00:26:57,520 --> 00:27:00,240
Speaker 2: lies and pretends she's got everything covered and runs off

612
00:27:00,760 --> 00:27:02,360
Speaker 2: over at the ampitheater, the fencing.

613
00:27:02,040 --> 00:27:04,159
Speaker 1: Team is practicing, and since the sport forces you to.

614
00:27:04,160 --> 00:27:06,199
Speaker 2: Wear a helmet, we get a group of stunt doubles

615
00:27:06,240 --> 00:27:08,399
Speaker 2: doing some very cool work here. That was one thing

616
00:27:08,440 --> 00:27:10,080
Speaker 2: about this movie that I like quite a bit is

617
00:27:10,119 --> 00:27:14,080
Speaker 2: they made more actiony kind of sword fighty stuff that

618
00:27:14,240 --> 00:27:17,160
Speaker 2: was reminiscent of the old pirate movies and.

619
00:27:16,800 --> 00:27:20,720
Speaker 4: And something we had fun an actual fight fight.

620
00:27:20,800 --> 00:27:24,920
Speaker 2: Yeah, with kicking and punching and sword fighting and hostages

621
00:27:25,080 --> 00:27:27,239
Speaker 2: and not have not seen so far now, And it

622
00:27:27,320 --> 00:27:30,000
Speaker 2: was done in a very Disney esque way and still

623
00:27:30,040 --> 00:27:31,320
Speaker 2: would have been okay for kids.

624
00:27:31,359 --> 00:27:33,800
Speaker 1: I always remembered my friend and I.

625
00:27:34,119 --> 00:27:37,119
Speaker 2: Pitching something to Disney thirty years ago, whatever it was,

626
00:27:37,400 --> 00:27:39,520
Speaker 2: and the people at Disney we pitched you always said,

627
00:27:39,520 --> 00:27:42,480
Speaker 2: if you're doing anything like this, remember action, not violence.

628
00:27:42,840 --> 00:27:44,639
Speaker 1: And that's exactly what this was.

629
00:27:44,680 --> 00:27:46,919
Speaker 2: It was a lot of action with very little violence,

630
00:27:46,920 --> 00:27:49,760
Speaker 2: which is a great combination that exactly what you're looking for.

631
00:27:50,400 --> 00:27:52,680
Speaker 1: So yeah, the sword fighting was very very cool.

632
00:27:52,720 --> 00:27:54,720
Speaker 2: And Jay ends up in an intense battle with an

633
00:27:54,840 --> 00:27:57,280
Speaker 2: unknown opponent, and even though it's just practice, it gets

634
00:27:57,359 --> 00:28:00,280
Speaker 2: very heated and Jay almost loses the foe remove who's

635
00:28:00,280 --> 00:28:03,720
Speaker 2: their helmet? And it's a girl what girls can't do?

636
00:28:03,840 --> 00:28:04,320
Speaker 1: Yes, they can.

637
00:28:04,359 --> 00:28:08,360
Speaker 2: They're awesome because it's Lannie, who's Mulan's daughter, and everyone

638
00:28:08,520 --> 00:28:09,080
Speaker 2: is impressed.

639
00:28:09,320 --> 00:28:10,240
Speaker 1: She wants on the team.

640
00:28:10,240 --> 00:28:12,679
Speaker 2: But Chad, of course, being Chad, isn't He's a real

641
00:28:12,760 --> 00:28:15,480
Speaker 2: Chad in this movie, isn't having it. They'll be the

642
00:28:15,560 --> 00:28:17,520
Speaker 2: laughing stock of the league. And the rule book says

643
00:28:17,520 --> 00:28:21,920
Speaker 2: a team has eight men and no women. Carlos also

644
00:28:21,960 --> 00:28:23,960
Speaker 2: spots Jane and tries to ask her to the cotillion,

645
00:28:24,000 --> 00:28:26,640
Speaker 2: but once again chickens out and she painfully friend zones him.

646
00:28:27,200 --> 00:28:29,639
Speaker 1: Even his nearby dog Dude, is embarrassed for him.

647
00:28:29,680 --> 00:28:31,760
Speaker 2: And I like this scene because it looked like they

648
00:28:31,760 --> 00:28:33,960
Speaker 2: tried to do it like a Disney princess where she's

649
00:28:34,000 --> 00:28:36,680
Speaker 2: at the top of the balcony and he's standing below

650
00:28:36,720 --> 00:28:38,640
Speaker 2: and he's looking up, but he doesn't have the guts

651
00:28:38,640 --> 00:28:40,720
Speaker 2: to ask about it. Was that a nice Disney moment.

652
00:28:41,480 --> 00:28:44,960
Speaker 3: Kenny Ortega is just amazing, like beautiful keeping it in

653
00:28:44,960 --> 00:28:46,280
Speaker 3: that Disney realm.

654
00:28:46,400 --> 00:28:49,080
Speaker 4: Everything we want is right there, all because of Kenny.

655
00:28:49,320 --> 00:28:52,240
Speaker 2: There was a number of different ties into just old

656
00:28:52,280 --> 00:28:54,480
Speaker 2: school Disney shots in this movie where it's like they're

657
00:28:54,520 --> 00:28:56,040
Speaker 2: bringing it back, and I was here.

658
00:28:55,880 --> 00:28:56,960
Speaker 1: For all of it. Yes.

659
00:28:57,400 --> 00:28:59,800
Speaker 2: Later in Carlos's room, a panic mouse storms in. The

660
00:28:59,840 --> 00:29:01,760
Speaker 2: pure is getting to her and she has another green

661
00:29:01,800 --> 00:29:03,760
Speaker 2: eyed attack, snapping out of it, but this time with

662
00:29:03,840 --> 00:29:07,080
Speaker 2: a little more effort needed. She admits she misses being evil,

663
00:29:07,160 --> 00:29:09,880
Speaker 2: but knows everyone around her loves the new surroundings. Carlos

664
00:29:09,960 --> 00:29:12,960
Speaker 2: just wants to know if she brought it, but before

665
00:29:12,960 --> 00:29:16,680
Speaker 2: we can learn what it is, Chad wants Chad again.

666
00:29:16,720 --> 00:29:19,200
Speaker 2: This guy sneaks into Carlos's room with a stolen key.

667
00:29:19,400 --> 00:29:21,040
Speaker 2: He says he was just planning to use the three

668
00:29:21,120 --> 00:29:23,520
Speaker 2: D printer, but after getting caught, he just leaves.

669
00:29:23,880 --> 00:29:24,600
Speaker 1: Now alone again.

670
00:29:24,640 --> 00:29:28,120
Speaker 2: We learned that it was a truth gummy and the

671
00:29:28,120 --> 00:29:30,240
Speaker 2: only thing going through my head was they were doing drugs.

672
00:29:30,400 --> 00:29:32,560
Speaker 2: It will give Carlos the ability to tell Jane exactly

673
00:29:32,600 --> 00:29:34,840
Speaker 2: what it's Seriously, It's like, you bring my gummy. It's like,

674
00:29:34,880 --> 00:29:36,520
Speaker 2: come on, I want to I want to drop some

675
00:29:36,560 --> 00:29:37,760
Speaker 2: acid before I go to class.

676
00:29:37,920 --> 00:29:42,000
Speaker 3: I yeah that this was a little like uh oh, okay.

677
00:29:42,000 --> 00:29:43,200
Speaker 1: Take a truth gummy.

678
00:29:43,200 --> 00:29:47,160
Speaker 2: By the way, any any good THC gummy eventually becomes

679
00:29:47,160 --> 00:29:50,360
Speaker 2: a truth gummy. It will also give Carlos the ability

680
00:29:50,360 --> 00:29:52,360
Speaker 2: to tell Jane exactly what he's thinking, but it'll also

681
00:29:52,360 --> 00:29:55,400
Speaker 2: make him tell the truth about everything in his life.

682
00:29:55,880 --> 00:29:58,000
Speaker 2: But just as he's about to it, says take it.

683
00:29:58,040 --> 00:29:59,640
Speaker 2: But I'm gonna say drop it, because that's what he's

684
00:29:59,640 --> 00:30:03,520
Speaker 2: gonna do. Carlos's dog, Dude eats the gummy. Oh and

685
00:30:03,560 --> 00:30:07,560
Speaker 2: that's when dude starts talking, yep, talking, and the pup

686
00:30:07,640 --> 00:30:09,840
Speaker 2: immediately tells Carlos to just man up and help him

687
00:30:09,840 --> 00:30:10,600
Speaker 2: scratch his butt.

688
00:30:10,640 --> 00:30:16,080
Speaker 1: Okay, I didn't get.

689
00:30:15,880 --> 00:30:18,040
Speaker 2: The point of the talking dog. I'll be honest with you.

690
00:30:18,040 --> 00:30:20,880
Speaker 2: First of all, it's a truth gummy. It's not a

691
00:30:20,880 --> 00:30:23,440
Speaker 2: magic gummy that makes a dog talk.

692
00:30:23,720 --> 00:30:24,280
Speaker 1: I don't.

693
00:30:24,360 --> 00:30:27,320
Speaker 2: It was like, I get where they're going, but then

694
00:30:27,560 --> 00:30:29,600
Speaker 2: use the dog to do I mean, I get they

695
00:30:29,720 --> 00:30:31,560
Speaker 2: use him later in the one thing to kind of

696
00:30:31,680 --> 00:30:33,440
Speaker 2: prove yeah, they're they're the wand works.

697
00:30:33,480 --> 00:30:34,880
Speaker 1: I get that, but it just.

698
00:30:34,840 --> 00:30:37,760
Speaker 2: Seemed kind of unnecessary to me to have to animate

699
00:30:38,000 --> 00:30:42,280
Speaker 2: the dog. Yeah talking, I maybe he's bigger in the

700
00:30:42,520 --> 00:30:45,880
Speaker 2: future movies. And hearing Bobby Morynhan was great, but it

701
00:30:45,960 --> 00:30:48,720
Speaker 2: was just kind of like, all right, I didn't I

702
00:30:48,760 --> 00:30:50,280
Speaker 2: didn't know if this was new. And then we got

703
00:30:50,320 --> 00:30:52,720
Speaker 2: a lot of scratching his butt jokes, and it's like, Okay,

704
00:30:52,760 --> 00:30:53,360
Speaker 2: I don't just.

705
00:30:53,320 --> 00:30:55,479
Speaker 3: Didn't Yeah, I just I mean, I feel like it

706
00:30:55,680 --> 00:30:58,680
Speaker 3: was a great idea. They certainly had the budget to

707
00:30:58,720 --> 00:31:02,160
Speaker 3: do something like this, right, but I don't know if

708
00:31:02,160 --> 00:31:04,960
Speaker 3: it was necessarily executed to its fullest.

709
00:31:05,160 --> 00:31:05,680
Speaker 1: I agree.

710
00:31:05,720 --> 00:31:08,240
Speaker 2: I also felt like, as of because I'm a voiceover actor,

711
00:31:08,280 --> 00:31:13,040
Speaker 2: it's what I primarily do, I felt like it Normally,

712
00:31:13,080 --> 00:31:15,080
Speaker 2: we go and we record the voice, and then they

713
00:31:15,120 --> 00:31:18,040
Speaker 2: animate your mouth around the voice, and that's how it

714
00:31:18,080 --> 00:31:19,600
Speaker 2: looks the best. They you know, you go and you

715
00:31:19,680 --> 00:31:21,160
Speaker 2: lay down the track and then they go and they

716
00:31:21,200 --> 00:31:23,880
Speaker 2: animate around you. So they can actually I've seen it.

717
00:31:23,880 --> 00:31:26,800
Speaker 2: There's a very interesting back in the day when it

718
00:31:26,840 --> 00:31:30,320
Speaker 2: was drawing all the vowels, all the consonants, everything, they

719
00:31:30,360 --> 00:31:32,320
Speaker 2: have pictures of how your mouth looks when you make them,

720
00:31:32,320 --> 00:31:35,240
Speaker 2: and the animators can actually animate perfectly around whatever sound

721
00:31:35,280 --> 00:31:37,800
Speaker 2: your mouth is making. This one looked to me like

722
00:31:37,880 --> 00:31:40,560
Speaker 2: they were having the actors speak almost as slowly as

723
00:31:40,600 --> 00:31:41,520
Speaker 2: possible so they.

724
00:31:41,480 --> 00:31:45,640
Speaker 1: Can make the mouth flaps fit. Oh and so it didn't.

725
00:31:45,720 --> 00:31:48,480
Speaker 2: It looked like it was like, hey, come over here

726
00:31:48,560 --> 00:31:50,520
Speaker 2: and scratch my butt instead.

727
00:31:50,520 --> 00:31:52,040
Speaker 1: Of as a voiceover act, you'd be like, yeah, come on,

728
00:31:52,080 --> 00:31:53,160
Speaker 1: get over here, you know, you know you want to

729
00:31:53,160 --> 00:31:53,920
Speaker 1: scratch my butt.

730
00:31:54,400 --> 00:31:56,720
Speaker 2: But it seemed like they couldn't have him talking fast,

731
00:31:56,720 --> 00:31:58,960
Speaker 2: so it was kind of like, hey, I'm just here

732
00:31:59,040 --> 00:32:03,080
Speaker 2: to help you, and it's like okay, and it just

733
00:32:03,240 --> 00:32:06,400
Speaker 2: it didn't seem to kind of fit. So that was

734
00:32:06,400 --> 00:32:08,360
Speaker 2: as a voiceover actor that drove me crazy wherever.

735
00:32:08,440 --> 00:32:09,440
Speaker 1: I'm sure, let him just.

736
00:32:09,480 --> 00:32:12,120
Speaker 2: Act and then animate the dog's mouth around it instead

737
00:32:12,160 --> 00:32:13,800
Speaker 2: of trying to have him talk slow.

738
00:32:14,400 --> 00:32:18,480
Speaker 3: Yes, and even not being that knowledgeable in it, it

739
00:32:18,640 --> 00:32:21,040
Speaker 3: still was just kind of like you were expecting the

740
00:32:21,080 --> 00:32:24,440
Speaker 3: dog to do something more than what he ends.

741
00:32:24,360 --> 00:32:25,480
Speaker 4: Up doing within the movie.

742
00:32:25,560 --> 00:32:29,320
Speaker 3: Yes, and again you know we all know that that

743
00:32:29,480 --> 00:32:32,080
Speaker 3: takes money out of your budget to have something like

744
00:32:32,080 --> 00:32:36,080
Speaker 3: that a part of the production, right, So it was

745
00:32:36,160 --> 00:32:38,760
Speaker 3: kind of like, you know, this isn't the only myths

746
00:32:38,800 --> 00:32:40,320
Speaker 3: they do with those kinds.

747
00:32:40,120 --> 00:32:43,520
Speaker 1: Of oh, I agree, extra little bonuses. I agree.

748
00:32:43,560 --> 00:32:45,560
Speaker 2: The other thing is they were kind of trying to

749
00:32:45,560 --> 00:32:47,400
Speaker 2: go for it, but they didn't go nearly far enough

750
00:32:47,440 --> 00:32:49,480
Speaker 2: with the talking dog, which is he also ate a

751
00:32:49,480 --> 00:32:52,320
Speaker 2: truth gummy, and the whole point of the truth gummy

752
00:32:52,360 --> 00:32:53,920
Speaker 2: is that you tell the truth all the time. So

753
00:32:54,240 --> 00:32:56,959
Speaker 2: they could have more. I've got fleas and hey, your

754
00:32:57,440 --> 00:32:59,680
Speaker 2: feet stink. I mean, there's so many other things they

755
00:32:59,680 --> 00:33:02,480
Speaker 2: could have. They seem to just now the gummy made

756
00:33:02,520 --> 00:33:04,520
Speaker 2: him talk, but didn't really make him tell the truth.

757
00:33:04,880 --> 00:33:06,320
Speaker 1: Yeah, the way he was supposed.

758
00:33:06,000 --> 00:33:07,960
Speaker 4: To do, which is so which is a rule?

759
00:33:08,320 --> 00:33:08,560
Speaker 1: Yeah?

760
00:33:08,720 --> 00:33:11,240
Speaker 2: Well again you they set the rules. It's like it's

761
00:33:11,280 --> 00:33:13,600
Speaker 2: literally called the truth gummy. Okay, well it's gonna make

762
00:33:13,600 --> 00:33:17,040
Speaker 2: you tell the truth about everything, ye okay.

763
00:33:16,760 --> 00:33:19,720
Speaker 1: Well then it made the dog talk just a little bit.

764
00:33:19,760 --> 00:33:23,440
Speaker 1: What okay, Yeah, so anyway, just a little bit. Yeah, anyway. Uh,

765
00:33:23,520 --> 00:33:25,400
Speaker 1: them are on the Aisle of the Lost.

766
00:33:25,680 --> 00:33:27,400
Speaker 2: That's right, we are back for the first time in

767
00:33:27,440 --> 00:33:30,040
Speaker 2: this movie, and a smirking Harry, the son of Captain Hook.

768
00:33:30,120 --> 00:33:32,520
Speaker 2: We know this because he's wearing a fake hook walks

769
00:33:32,520 --> 00:33:35,280
Speaker 2: through town, eventually landing in the saloon. Good looking dude,

770
00:33:35,280 --> 00:33:37,280
Speaker 2: by the way, right off the bat, it's like, okay,

771
00:33:37,440 --> 00:33:41,280
Speaker 2: cool looking guy, good looking dude holding the hook. Yeah,

772
00:33:41,280 --> 00:33:43,840
Speaker 2: so it was I could see that I personally, as

773
00:33:43,840 --> 00:33:45,680
Speaker 2: I'm watching this now, trying to watch it as a kid.

774
00:33:46,360 --> 00:33:48,600
Speaker 2: See a bunch of eleven and twelve year old girls

775
00:33:48,640 --> 00:33:50,160
Speaker 2: like having posters of this guy.

776
00:33:50,000 --> 00:33:52,880
Speaker 1: On their wall. Totally you know, the bad, bad boy

777
00:33:53,040 --> 00:33:53,600
Speaker 1: kind of thing.

778
00:33:53,880 --> 00:33:57,400
Speaker 3: His accent that he does, his mannerisms totally gave me

779
00:33:58,040 --> 00:33:59,400
Speaker 3: baby Johnny.

780
00:33:59,080 --> 00:34:01,680
Speaker 1: Depp, like, oh okay, interesting that I.

781
00:34:01,680 --> 00:34:05,160
Speaker 3: Feel like he would because he wasn't basing him off

782
00:34:05,200 --> 00:34:08,640
Speaker 3: of Like for me, it looks like this actor wasn't

783
00:34:08,680 --> 00:34:10,319
Speaker 3: basing it off of like the.

784
00:34:10,239 --> 00:34:14,160
Speaker 4: Cartoon Hook No, or even the movie or the movie

785
00:34:14,160 --> 00:34:17,719
Speaker 4: Hook with Robin Williams. He wasn't basing it off of that.

786
00:34:17,840 --> 00:34:21,520
Speaker 3: He was looking into what makes sense because this audience,

787
00:34:21,560 --> 00:34:24,560
Speaker 3: if they've seen anything really on, like you know what

788
00:34:24,680 --> 00:34:26,959
Speaker 3: a like a captain, like a pirate would be, would

789
00:34:26,960 --> 00:34:28,040
Speaker 3: be Pirates.

790
00:34:27,640 --> 00:34:28,320
Speaker 4: Of the Caribbean.

791
00:34:28,440 --> 00:34:30,800
Speaker 3: So he went more with that, Johnny Depp, and it

792
00:34:30,960 --> 00:34:32,120
Speaker 3: was here for it.

793
00:34:31,719 --> 00:34:35,000
Speaker 2: It definitely yes. He walks through town, eventually landing in

794
00:34:35,040 --> 00:34:37,439
Speaker 2: a saloon. He turns on the bars TV to see

795
00:34:37,480 --> 00:34:40,800
Speaker 2: mal just as Uma, the daughter of Ursula, enters, looking

796
00:34:40,840 --> 00:34:41,439
Speaker 2: totally cool.

797
00:34:41,520 --> 00:34:42,640
Speaker 1: She throws food at the screen.

798
00:34:43,040 --> 00:34:45,719
Speaker 2: This little pirate crew, which also includes Gil, the son

799
00:34:45,760 --> 00:34:48,719
Speaker 2: of Gaston, sees our core forest traders who turn their

800
00:34:48,719 --> 00:34:51,480
Speaker 2: back on evil. Uma is ready to seek revenge, especially

801
00:34:51,480 --> 00:34:54,840
Speaker 2: on mal and we get our second song, and again

802
00:34:54,960 --> 00:34:56,960
Speaker 2: there was a very big break between song number one

803
00:34:56,960 --> 00:34:57,680
Speaker 2: and song number two.

804
00:34:57,840 --> 00:34:58,719
Speaker 1: The basing of.

805
00:34:58,719 --> 00:35:00,479
Speaker 2: The songs in this movie I found to be very odd,

806
00:35:00,480 --> 00:35:03,320
Speaker 2: but I loved the songs, including this one, It's What's

807
00:35:03,400 --> 00:35:06,440
Speaker 2: My Name, which is a big bad guy introduction.

808
00:35:06,560 --> 00:35:07,359
Speaker 1: What did you think of this?

809
00:35:07,719 --> 00:35:12,799
Speaker 3: Uh uh, Sabrina, Oh, this might be my favorite song

810
00:35:12,880 --> 00:35:13,520
Speaker 3: of this movie.

811
00:35:13,840 --> 00:35:15,640
Speaker 1: It was great. It was great.

812
00:35:16,160 --> 00:35:19,840
Speaker 4: The choreo was so good.

813
00:35:20,239 --> 00:35:25,360
Speaker 3: These dancers were incredible, the visuals that they used with

814
00:35:25,400 --> 00:35:30,040
Speaker 3: the choreo, and then it like they really worked this set.

815
00:35:30,000 --> 00:35:31,160
Speaker 4: Just like Rotten to the coo.

816
00:35:31,280 --> 00:35:34,280
Speaker 3: Oh yeah, yeah, it makes you like open your eyes

817
00:35:34,360 --> 00:35:37,000
Speaker 3: and look at this insane set that they have. They're

818
00:35:37,040 --> 00:35:40,160
Speaker 3: swinging on things, they're jumping, they're using the tables, they're

819
00:35:40,200 --> 00:35:42,400
Speaker 3: different level. I mean, there's all these levels. Then we

820
00:35:42,400 --> 00:35:45,240
Speaker 3: start getting props, we've got swords, We've got I mean.

821
00:35:45,120 --> 00:35:46,680
Speaker 4: It was so good.

822
00:35:46,760 --> 00:35:50,520
Speaker 3: Her voice is just phenomenal, Like I just I mean,

823
00:35:50,560 --> 00:35:53,880
Speaker 3: it was so such a good movie and was like,

824
00:35:54,000 --> 00:35:56,680
Speaker 3: oh my, here we are. We're here, and we've got

825
00:35:56,719 --> 00:36:02,520
Speaker 3: new villains and these villains are badass. It's a great villas,

826
00:36:02,560 --> 00:36:07,560
Speaker 3: a great villain and are dumb dumb from Guston perfectly created.

827
00:36:07,719 --> 00:36:10,439
Speaker 4: Like I mean, it's just so so good.

828
00:36:10,760 --> 00:36:12,839
Speaker 3: It really pumped me up for like, this is our

829
00:36:12,840 --> 00:36:15,520
Speaker 3: first time seeing that the fresh faces we're gonna see

830
00:36:15,520 --> 00:36:18,640
Speaker 3: in this movie, and I was like, yes, we've nailed it,

831
00:36:18,719 --> 00:36:20,520
Speaker 3: nailed on d let's move forward.

832
00:36:20,640 --> 00:36:21,560
Speaker 1: I agree percent.

833
00:36:22,280 --> 00:36:24,360
Speaker 2: As the song ends, we get a big special effects

834
00:36:24,440 --> 00:36:25,760
Speaker 2: tentacle octopus.

835
00:36:25,400 --> 00:36:26,360
Speaker 1: Arm entering the saloon.

836
00:36:27,080 --> 00:36:28,800
Speaker 2: I have a problem with all of these special effects,

837
00:36:28,840 --> 00:36:30,799
Speaker 2: but we'll get into that. It's supposed to be an

838
00:36:30,880 --> 00:36:33,480
Speaker 2: angry ursula from the next room. She apparently owns the

839
00:36:33,520 --> 00:36:35,560
Speaker 2: place on the other side of the ocean. Things are

840
00:36:35,600 --> 00:36:38,919
Speaker 2: romantic on malan Ben's picnic date. Mal is somehow able

841
00:36:38,920 --> 00:36:40,880
Speaker 2: to get tons of food in time, and Ben is

842
00:36:41,000 --> 00:36:43,480
Speaker 2: very impressed, but when he finds the spell book in

843
00:36:43,520 --> 00:36:46,400
Speaker 2: her picnic basket, he realizes she's been using dark magic

844
00:36:46,440 --> 00:36:49,200
Speaker 2: to fit in. She tries to reverse what he discovered,

845
00:36:49,320 --> 00:36:51,640
Speaker 2: and that makes him even angrier. Yeah, hey, maybe on

846
00:36:51,680 --> 00:36:53,839
Speaker 2: a date, don't try to erase my memory. They get

847
00:36:53,880 --> 00:36:56,320
Speaker 2: into a heated argument, with mal admitting she just isn't

848
00:36:56,320 --> 00:36:57,280
Speaker 2: princess material.

849
00:36:57,520 --> 00:36:58,760
Speaker 1: She sees herself as a phony.

850
00:36:58,800 --> 00:37:02,360
Speaker 2: She storms off, revealed she actually only made one peanut

851
00:37:02,360 --> 00:37:04,759
Speaker 2: butter and jelly sandwich, which well turned out to be

852
00:37:04,760 --> 00:37:05,560
Speaker 2: Ben's favorite.

853
00:37:05,719 --> 00:37:06,400
Speaker 1: Back in the room, a.

854
00:37:06,400 --> 00:37:08,959
Speaker 2: Crying Mal decides she's ready to blow this popsicle stand.

855
00:37:09,000 --> 00:37:11,560
Speaker 2: She grabs her lizard and drives off on her new

856
00:37:11,600 --> 00:37:14,640
Speaker 2: purple moped. She uses the spellbook to cross the ocean,

857
00:37:14,719 --> 00:37:16,720
Speaker 2: glide back into the Aisle of the Lost, and find

858
00:37:16,800 --> 00:37:17,800
Speaker 2: a secret loft.

859
00:37:18,239 --> 00:37:22,399
Speaker 3: And she's like sorry, it is like, okay, I've got

860
00:37:22,440 --> 00:37:24,520
Speaker 3: to get out of here, but I'm gonna use that

861
00:37:24,719 --> 00:37:25,920
Speaker 3: gift you gave me, so.

862
00:37:27,680 --> 00:37:29,920
Speaker 1: Like what a typical girl.

863
00:37:30,200 --> 00:37:32,440
Speaker 3: Oh my gosh, No, like you need to if you're

864
00:37:32,480 --> 00:37:34,600
Speaker 3: gonna go, go, honey.

865
00:37:34,440 --> 00:37:37,799
Speaker 4: Do not take his his gift he gave you, go

866
00:37:37,920 --> 00:37:40,640
Speaker 4: on your own. Why don't you try walking now?

867
00:37:41,239 --> 00:37:47,719
Speaker 3: Okay it's hers, Oh no, no, no, You're gonna try to.

868
00:37:47,680 --> 00:37:50,000
Speaker 4: Make a statement about how strong you are and how you.

869
00:37:49,960 --> 00:37:51,520
Speaker 1: Just can't make his life.

870
00:37:51,719 --> 00:37:54,719
Speaker 3: Leave all this stuff behind, start walking your ass back

871
00:37:54,760 --> 00:37:57,560
Speaker 3: over to that aisle. Like I can't even handle that.

872
00:37:57,600 --> 00:38:00,799
Speaker 3: I was so like, you're gonna take them. You're taking

873
00:38:00,800 --> 00:38:05,120
Speaker 3: the mot Okay, we're taking the moped, all right, that's great.

874
00:38:06,200 --> 00:38:08,279
Speaker 2: Ann and our don Ben is in his office when

875
00:38:08,280 --> 00:38:10,239
Speaker 2: Evie arrives with the news, and I love that when

876
00:38:10,239 --> 00:38:12,320
Speaker 2: he's like on the phone with like, please tell Lemuore,

877
00:38:12,360 --> 00:38:13,960
Speaker 2: I need to speak with him about like all the

878
00:38:14,040 --> 00:38:16,759
Speaker 2: kind of Disney references that they're making in these little

879
00:38:16,800 --> 00:38:19,160
Speaker 2: throw offs are great. He's in his office when Evie

880
00:38:19,200 --> 00:38:21,280
Speaker 2: arrives with the news that Mal has left for the island.

881
00:38:21,320 --> 00:38:24,520
Speaker 2: She left behind his ring in a note week Ben

882
00:38:24,600 --> 00:38:27,080
Speaker 2: immediately blames himself and the stress of ktillion.

883
00:38:27,160 --> 00:38:28,240
Speaker 1: Of course he's blaming himself.

884
00:38:28,360 --> 00:38:29,880
Speaker 2: He wants to go to the island and beg for

885
00:38:29,920 --> 00:38:32,319
Speaker 2: her to return, so Evie asked to tag along. They

886
00:38:32,320 --> 00:38:34,680
Speaker 2: decide to invite the boys too because safety and numbers,

887
00:38:34,680 --> 00:38:37,160
Speaker 2: but Evie makes Ben promise to change his clothes and

888
00:38:37,280 --> 00:38:40,920
Speaker 2: make sure he doesn't leave her there. Simultaneously, on the island,

889
00:38:40,960 --> 00:38:44,040
Speaker 2: Mal visits Lady Tremaine's Curl Up and Die hair salon

890
00:38:44,360 --> 00:38:45,680
Speaker 2: with paint splattered everywhere.

891
00:38:45,880 --> 00:38:49,960
Speaker 1: Okay, I have a Disney question for you. Yes, who

892
00:38:50,280 --> 00:38:54,360
Speaker 1: who is Disney? Who is Dizzey related to who's Lady Tremaine?

893
00:38:54,560 --> 00:38:56,200
Speaker 1: I didn't want to google. I wanted you to tell me.

894
00:38:56,400 --> 00:39:00,880
Speaker 3: Okay, So this is the evil stepmom of Cinderella.

895
00:39:01,719 --> 00:39:07,239
Speaker 2: Ah okay, and she's Cinderella. Cinderella's evil stepmother is called

896
00:39:07,280 --> 00:39:09,400
Speaker 2: Lady Tremaine. I'm not sure I every knew that, okay, gotcha.

897
00:39:09,520 --> 00:39:11,920
Speaker 4: Per and Dizzy is her granddaughter.

898
00:39:11,480 --> 00:39:12,319
Speaker 1: Gotcha, gotcha? Gotcha.

899
00:39:12,440 --> 00:39:15,359
Speaker 4: Oh, we didn't even talk about in our cast. Is

900
00:39:15,360 --> 00:39:18,879
Speaker 4: like a giant little actor now. I mean she has show. Yes,

901
00:39:19,000 --> 00:39:19,600
Speaker 4: she was on.

902
00:39:21,200 --> 00:39:24,879
Speaker 3: She's XO Kitty is like her. I think Flick show.

903
00:39:25,040 --> 00:39:28,879
Speaker 3: She's so good. I was son, Yes, I was so

904
00:39:28,920 --> 00:39:30,960
Speaker 3: happy to see her in this, and then it was

905
00:39:31,000 --> 00:39:34,520
Speaker 3: also her EXO Kitty was a spin off of another.

906
00:39:34,200 --> 00:39:35,680
Speaker 4: Show that she played the little Sister.

907
00:39:36,160 --> 00:39:41,920
Speaker 3: Very similar, okay, very similar character stars and shines and everything.

908
00:39:41,920 --> 00:39:44,759
Speaker 1: She oh yeah, well so cute and adorable.

909
00:39:45,160 --> 00:39:48,319
Speaker 3: Adorable even now that she's older and she's playing like

910
00:39:48,360 --> 00:39:49,440
Speaker 3: a girl in high school.

911
00:39:49,960 --> 00:39:50,400
Speaker 4: Amazing.

912
00:39:50,560 --> 00:39:50,920
Speaker 1: That's right.

913
00:39:50,960 --> 00:39:53,120
Speaker 2: This is twenty seventeen, so you forget, this is already

914
00:39:53,120 --> 00:39:55,960
Speaker 2: seven years ago. She was probably eleven there, so she's

915
00:39:55,960 --> 00:39:57,720
Speaker 2: probably seventeen, eighteen, nineteen years old already.

916
00:39:57,760 --> 00:39:59,200
Speaker 1: Oh god, this is strange to think they grow up

917
00:39:59,239 --> 00:39:59,640
Speaker 1: so fast.

918
00:40:00,320 --> 00:40:04,480
Speaker 2: Anyway, Dizzy, Tremaine's granddaughter and Evie's mentee, is cleaning up

919
00:40:04,520 --> 00:40:06,239
Speaker 2: the shop and agrees to help Mouth with a new

920
00:40:06,320 --> 00:40:08,400
Speaker 2: die job, and so we get a little montage of

921
00:40:08,400 --> 00:40:09,080
Speaker 2: a return.

922
00:40:08,840 --> 00:40:10,520
Speaker 1: To the evil purple dye.

923
00:40:10,800 --> 00:40:12,600
Speaker 2: Were we happy to see her return to her root

924
00:40:12,920 --> 00:40:14,400
Speaker 2: pun totally intended?

925
00:40:15,960 --> 00:40:18,719
Speaker 3: I actually, of course I was, although I did love

926
00:40:18,760 --> 00:40:22,640
Speaker 3: the blonde. That's what Dove Cameron looks like on red Carpet.

927
00:40:22,719 --> 00:40:25,160
Speaker 3: She's stunning and she has this gorgeous blonde air. I

928
00:40:25,200 --> 00:40:26,719
Speaker 3: loved the purple.

929
00:40:26,400 --> 00:40:30,200
Speaker 4: Tips, still kind of keeping it in realm. But what

930
00:40:30,280 --> 00:40:32,440
Speaker 4: I love the most is this wig.

931
00:40:32,280 --> 00:40:35,560
Speaker 3: Was like seven thousand times better than the first wig

932
00:40:35,560 --> 00:40:36,560
Speaker 3: of the first movie.

933
00:40:37,040 --> 00:40:38,080
Speaker 4: That wig I went.

934
00:40:38,160 --> 00:40:40,400
Speaker 3: And then when they later on, they'll do a couple

935
00:40:40,440 --> 00:40:44,239
Speaker 3: of you know, a montage of older shots when she

936
00:40:44,400 --> 00:40:47,759
Speaker 3: was in the first movie. This wig is stunning on her.

937
00:40:47,920 --> 00:40:50,120
Speaker 3: I love the bangs. I love the color being a

938
00:40:50,160 --> 00:40:51,240
Speaker 3: little bit lighter.

939
00:40:51,360 --> 00:40:53,239
Speaker 4: I was really into.

940
00:40:53,120 --> 00:40:55,200
Speaker 1: The way I went.

941
00:40:55,320 --> 00:40:57,279
Speaker 4: Damn it. I wish I would have had enough time.

942
00:40:57,640 --> 00:41:00,920
Speaker 4: I wanted to do a purple wig for this episode.

943
00:41:00,960 --> 00:41:02,719
Speaker 3: So I'm gonna have to make sure when we do

944
00:41:02,760 --> 00:41:04,319
Speaker 3: des Sentence three, I gotta bring the wig back.

945
00:41:04,320 --> 00:41:05,440
Speaker 1: Okay, I gotta a good one.

946
00:41:05,520 --> 00:41:07,879
Speaker 2: A big fan of the color, never been a fan

947
00:41:07,920 --> 00:41:10,799
Speaker 2: of bangs. Susan knows that no, not at all, not

948
00:41:10,880 --> 00:41:11,239
Speaker 2: a bang.

949
00:41:11,239 --> 00:41:13,239
Speaker 1: God, one person can pull off bangs and she just

950
00:41:13,280 --> 00:41:13,920
Speaker 1: got engaged.

951
00:41:14,600 --> 00:41:18,200
Speaker 3: Oh my god, I cannot believe you know that? Will?

952
00:41:18,800 --> 00:41:20,640
Speaker 1: Of course?

953
00:41:20,880 --> 00:41:23,240
Speaker 4: My what do you mean? Of course you don't listen

954
00:41:23,280 --> 00:41:25,680
Speaker 4: to the radio. You go on Instagram?

955
00:41:25,719 --> 00:41:26,640
Speaker 1: Where are you married?

956
00:41:26,680 --> 00:41:29,000
Speaker 2: Do you think my wife didn't run any Oh my god,

957
00:41:29,080 --> 00:41:31,680
Speaker 2: Taylor Swift gotta gate like it, like it? Oh my god,

958
00:41:31,680 --> 00:41:33,720
Speaker 2: are we invited? Because if not, how does this affect

959
00:41:33,719 --> 00:41:34,080
Speaker 2: my life?

960
00:41:34,120 --> 00:41:34,520
Speaker 3: Why do you?

961
00:41:35,080 --> 00:41:36,160
Speaker 1: Yeah? Exactly?

962
00:41:37,280 --> 00:41:40,160
Speaker 4: Okay, So you like some Tea Swift bags, guy, that's.

963
00:41:40,040 --> 00:41:43,440
Speaker 1: It, right, Lady, Taylor is the only one that can. Actually,

964
00:41:43,480 --> 00:41:44,120
Speaker 1: you're gonna.

965
00:41:43,880 --> 00:41:47,359
Speaker 3: Have girls showing up at all those cons you you

966
00:41:47,400 --> 00:41:49,799
Speaker 3: start going to with those damn bangs, and they're gonna

967
00:41:49,800 --> 00:41:51,200
Speaker 3: be perfect Tea Swift bangs.

968
00:41:51,239 --> 00:41:52,600
Speaker 1: I'm telling you that's the way it is.

969
00:41:58,360 --> 00:42:00,839
Speaker 5: Do you love sex in the City? Now you can

970
00:42:00,880 --> 00:42:05,719
Speaker 5: relive the magic from the very beginning, every date, every heartbreak,

971
00:42:06,040 --> 00:42:11,600
Speaker 5: every Cosmopolitan with me Kristin Davis aka Charlotte Yorick on

972
00:42:11,640 --> 00:42:14,759
Speaker 5: my podcast Are You a Charlotte? I'm rediscovering the show

973
00:42:14,800 --> 00:42:18,280
Speaker 5: that we all love so much, episode by episode, open

974
00:42:18,360 --> 00:42:21,920
Speaker 5: your free iHeartRadio app search Are you a Charlotte and

975
00:42:22,040 --> 00:42:22,680
Speaker 5: listen now?

976
00:42:28,239 --> 00:42:31,000
Speaker 2: Once Mel pays the little helper, pirate Harry arrives and

977
00:42:31,040 --> 00:42:32,440
Speaker 2: shakes down the kid for the money.

978
00:42:32,640 --> 00:42:35,320
Speaker 1: He eventually sees Mal and can't wait to tell Uma.

979
00:42:35,520 --> 00:42:38,480
Speaker 2: Meanwhile, now the Core three plus Ben, who is dressed

980
00:42:38,480 --> 00:42:41,200
Speaker 2: like a goth high schooler, takes a limo across the ocean.

981
00:42:41,360 --> 00:42:43,239
Speaker 2: The plan is to avoid their parents and blend in,

982
00:42:43,280 --> 00:42:46,520
Speaker 2: which isn't easy, especially since Eve is immediately robbed by

983
00:42:46,520 --> 00:42:49,680
Speaker 2: two little kids and Ben unsuccessfully tries to introduce himself

984
00:42:49,719 --> 00:42:52,840
Speaker 2: to an angry pirate. He's instructed to be mean and relaxed,

985
00:42:52,840 --> 00:42:55,200
Speaker 2: which leads to our next song, Chilling Like a Villain,

986
00:42:55,239 --> 00:42:57,600
Speaker 2: a step by step instruction manual on how to survive

987
00:42:57,600 --> 00:42:58,080
Speaker 2: the island.

988
00:42:58,600 --> 00:42:59,720
Speaker 1: I loved this song again.

989
00:43:00,160 --> 00:43:03,919
Speaker 3: I loved it, and I loved that the chorus kept

990
00:43:03,960 --> 00:43:06,560
Speaker 3: coming back and then we were doing the same movement.

991
00:43:06,640 --> 00:43:08,799
Speaker 3: I was like, this is perfect. This is Genny in

992
00:43:08,880 --> 00:43:12,120
Speaker 3: his like whole realm, Like, let's not just have awesome songs,

993
00:43:12,200 --> 00:43:16,120
Speaker 3: let's give kids choreography to like easily learn and bop

994
00:43:16,160 --> 00:43:20,160
Speaker 3: along with us Janie man Arm And.

995
00:43:20,120 --> 00:43:22,000
Speaker 2: When the song comes to a close, they bump into

996
00:43:22,440 --> 00:43:24,920
Speaker 2: gil uh Oh. It takes a minute, but he figures

997
00:43:24,920 --> 00:43:26,919
Speaker 2: out who they are and runs off to Uma. Ev

998
00:43:27,080 --> 00:43:29,440
Speaker 2: takes Ben to Mao's loft, where she's spray painting a

999
00:43:29,600 --> 00:43:32,839
Speaker 2: very impressive mural. Ben immediately apologizes for the fight, taking

1000
00:43:32,840 --> 00:43:34,839
Speaker 2: all the blame and begging her to come home, but

1001
00:43:34,880 --> 00:43:37,400
Speaker 2: Mal says she is home. She doesn't think she can

1002
00:43:37,520 --> 00:43:39,880
Speaker 2: change and knows the kingdom will eventually turn on her.

1003
00:43:40,120 --> 00:43:42,160
Speaker 2: He professes his love to her, but she can't say

1004
00:43:42,160 --> 00:43:44,719
Speaker 2: it back. She doesn't accept the ring, tells him to leave,

1005
00:43:44,760 --> 00:43:47,120
Speaker 2: and goes back to spray painting a masterpiece.

1006
00:43:46,600 --> 00:43:50,000
Speaker 1: While once again keeping his moped. He rejoins the group

1007
00:43:50,040 --> 00:43:51,680
Speaker 1: and tells them the bad news, and just.

1008
00:43:51,600 --> 00:43:53,759
Speaker 2: As Evie tries to start thinking of a plan to

1009
00:43:53,760 --> 00:43:56,040
Speaker 2: get Mal to change her mind, they realize Ben has

1010
00:43:56,080 --> 00:43:57,920
Speaker 2: walked off and they only.

1011
00:43:57,760 --> 00:43:59,279
Speaker 1: See Harry Hook.

1012
00:43:59,360 --> 00:44:01,440
Speaker 2: Junior admits they've taken Ben and the only way to

1013
00:44:01,480 --> 00:44:04,040
Speaker 2: see him again is to bring Malt to Ursula's restaurant tonight.

1014
00:44:04,320 --> 00:44:07,240
Speaker 2: Whould have predicted Ursula had a restaurant, not an obvious

1015
00:44:07,280 --> 00:44:10,399
Speaker 2: career path in my opinion, but that kind of makes sense.

1016
00:44:10,400 --> 00:44:12,880
Speaker 1: I guess nice fish fry like she's cooking like a

1017
00:44:13,000 --> 00:44:15,160
Speaker 1: fellow fish. But anyway, and with.

1018
00:44:15,239 --> 00:44:17,080
Speaker 4: The fish and chips was interesting.

1019
00:44:17,120 --> 00:44:19,040
Speaker 3: That was part of one of my that's what the

1020
00:44:19,120 --> 00:44:23,520
Speaker 3: name was, Ursula's fish and chips, And it was interesting because.

1021
00:44:24,239 --> 00:44:26,280
Speaker 1: She's a fish, she's like eating fellow fish.

1022
00:44:26,520 --> 00:44:27,560
Speaker 4: Yeah, that was ya.

1023
00:44:27,600 --> 00:44:32,360
Speaker 2: It's like why not serve Kalamari Ursula geese. And with

1024
00:44:32,440 --> 00:44:34,759
Speaker 2: these new developments, they finally get to Mal, who knows

1025
00:44:34,840 --> 00:44:37,440
Speaker 2: Uma wants her, so she confidently goes to the restaurant

1026
00:44:37,480 --> 00:44:39,880
Speaker 2: alone and upon arrival is immediately tense.

1027
00:44:40,400 --> 00:44:42,200
Speaker 1: The two girls have a war of words.

1028
00:44:42,239 --> 00:44:44,680
Speaker 2: Mal wants Ben back and Uma asks for better conditions

1029
00:44:44,680 --> 00:44:45,600
Speaker 2: on the island for the poor.

1030
00:44:46,000 --> 00:44:47,160
Speaker 1: They decide to arm wrestle.

1031
00:44:47,239 --> 00:44:49,600
Speaker 2: If malwyn she gets back Ben, but if Uma win,

1032
00:44:49,719 --> 00:44:51,920
Speaker 2: she gets the fairy Godmother's wand and when the villain

1033
00:44:52,160 --> 00:44:54,879
Speaker 2: is victorious, Mal knows this is going to be very,

1034
00:44:54,960 --> 00:44:57,760
Speaker 2: very bad. Mal returns to the group and they brainstorm

1035
00:44:57,760 --> 00:44:59,640
Speaker 2: an idea of how to deliver a fake wand then

1036
00:44:59,680 --> 00:45:02,040
Speaker 2: sneak Ben off the island. But before they get into

1037
00:45:02,040 --> 00:45:04,759
Speaker 2: deep into planning, they visit Young Dizzy, the tiny hairdresser,

1038
00:45:04,760 --> 00:45:05,880
Speaker 2: who is happy to see Evie.

1039
00:45:06,239 --> 00:45:06,799
Speaker 1: They use the.

1040
00:45:06,719 --> 00:45:09,440
Speaker 2: Girl's workspace to make smoke bombs, and Evie borrows a

1041
00:45:09,560 --> 00:45:12,360
Speaker 2: tiara that the girl made. As they leave, Evie is

1042
00:45:12,440 --> 00:45:14,239
Speaker 2: visibly sad, knowing the young girl is stuck in her

1043
00:45:14,239 --> 00:45:16,799
Speaker 2: grandma's studio unable to grow. And then the boys are

1044
00:45:16,840 --> 00:45:18,600
Speaker 2: back at their doorroom to use the three D printer

1045
00:45:18,640 --> 00:45:20,920
Speaker 2: for the wand and they catch Chad back in Carlos's

1046
00:45:20,960 --> 00:45:24,200
Speaker 2: room without permission. Such a Chad, he's making an action

1047
00:45:24,320 --> 00:45:26,799
Speaker 2: figure of himself. When do the Dog reveals that Ben

1048
00:45:26,840 --> 00:45:29,760
Speaker 2: has been captured, We also notice that Lonnie overheard everything

1049
00:45:29,760 --> 00:45:32,399
Speaker 2: while walking by. On their way back to the island loft,

1050
00:45:32,400 --> 00:45:34,800
Speaker 2: Mal tells ev she is definitely not coming back to Orodon,

1051
00:45:34,880 --> 00:45:37,439
Speaker 2: but encourages her friend to stay there, and this leads

1052
00:45:37,480 --> 00:45:39,719
Speaker 2: to our next song space between a song about their

1053
00:45:39,760 --> 00:45:41,799
Speaker 2: long friendship and the hope they'll keep in touch. We

1054
00:45:41,840 --> 00:45:46,560
Speaker 2: also see clips from Descendant one, which, if I'm honest,

1055
00:45:46,600 --> 00:45:49,440
Speaker 2: when you're halfway through the second one, you don't need

1056
00:45:49,440 --> 00:45:51,880
Speaker 2: a retrospective cutting back to the first one. It's like

1057
00:45:51,880 --> 00:45:54,440
Speaker 2: we've we're not that far in. When you're in the

1058
00:45:54,440 --> 00:45:56,239
Speaker 2: third and fourth movie, you cut back to the first one.

1059
00:45:57,000 --> 00:45:59,960
Speaker 2: You don't need to cut back to the first time

1060
00:46:00,040 --> 00:46:04,000
Speaker 2: Hunger Games when you're in the second Hunger Games, Like, but.

1061
00:46:03,960 --> 00:46:07,879
Speaker 3: I think this would be part of number one. Did

1062
00:46:07,920 --> 00:46:09,520
Speaker 3: we one hundred percent need this song?

1063
00:46:10,120 --> 00:46:12,719
Speaker 1: No, we did. This is one of the part of.

1064
00:46:12,719 --> 00:46:13,600
Speaker 4: The twenty one minutes.

1065
00:46:14,000 --> 00:46:17,759
Speaker 3: But I did like But even though like within the storyline,

1066
00:46:17,880 --> 00:46:20,319
Speaker 3: I did like the song. I love the message of

1067
00:46:20,360 --> 00:46:24,520
Speaker 3: the song. I think this is a very relatable theme

1068
00:46:24,800 --> 00:46:28,719
Speaker 3: for girls, especially as they're growing up and they're they're changing,

1069
00:46:29,280 --> 00:46:32,120
Speaker 3: you know, their their interests are changing, They're they're they're

1070
00:46:32,120 --> 00:46:34,680
Speaker 3: maybe getting boyfriends or new friend groups or whatever, and

1071
00:46:34,719 --> 00:46:37,440
Speaker 3: you grow up with somebody for so long and you

1072
00:46:37,480 --> 00:46:39,920
Speaker 3: start kind of going maybe separate ways. This is so

1073
00:46:40,080 --> 00:46:43,000
Speaker 3: relatable for girls and guys. I'm sure too, but like

1074
00:46:43,040 --> 00:46:45,839
Speaker 3: for girls to really have this like we're we are

1075
00:46:45,920 --> 00:46:48,120
Speaker 3: connected and no matter how far we go, we are

1076
00:46:48,160 --> 00:46:49,760
Speaker 3: always going to be our classes.

1077
00:46:49,920 --> 00:46:50,240
Speaker 1: Guys.

1078
00:46:50,400 --> 00:46:54,080
Speaker 3: Guy, Yeah, but some guys are right. But so I

1079
00:46:54,400 --> 00:46:57,120
Speaker 3: I really loved that theme. But was it one hundred

1080
00:46:57,120 --> 00:46:59,920
Speaker 3: percent necessary? No, But they also made it very clear

1081
00:47:00,320 --> 00:47:03,000
Speaker 3: there was no time in the timeframe to go anywhere

1082
00:47:03,000 --> 00:47:05,000
Speaker 3: else and film anything else. They were all like just

1083
00:47:05,120 --> 00:47:08,920
Speaker 3: right in that one little area outside of Mal's house

1084
00:47:09,120 --> 00:47:09,480
Speaker 3: or sure.

1085
00:47:09,719 --> 00:47:11,359
Speaker 4: Yeah, whatever that's called loft.

1086
00:47:11,520 --> 00:47:13,120
Speaker 1: Secret loft was at.

1087
00:47:12,719 --> 00:47:15,080
Speaker 3: A secret loft, so I think that was the only

1088
00:47:15,120 --> 00:47:17,359
Speaker 3: way they could kind of add a little bit more

1089
00:47:17,400 --> 00:47:20,040
Speaker 3: than just walking in the around that, right.

1090
00:47:19,880 --> 00:47:22,160
Speaker 2: And of course the two of them together with the

1091
00:47:22,239 --> 00:47:24,319
Speaker 2: voices that they have, you're never going to go wrong.

1092
00:47:24,960 --> 00:47:27,120
Speaker 1: It's great, So it just might.

1093
00:47:27,200 --> 00:47:28,640
Speaker 2: It might have been one, like if I had to

1094
00:47:28,640 --> 00:47:30,439
Speaker 2: cut a song, this probably would have been the one.

1095
00:47:30,760 --> 00:47:32,880
Speaker 2: But it wasn't, like, oh my god, I can't believe

1096
00:47:32,920 --> 00:47:34,600
Speaker 2: I have to sit through this again. You've got two

1097
00:47:35,320 --> 00:47:39,360
Speaker 2: great actresses with phenomenal voices, so it worked, right.

1098
00:47:40,040 --> 00:47:41,040
Speaker 1: And then we're back at the dorm.

1099
00:47:41,080 --> 00:47:43,160
Speaker 2: The one is finally finishing on their way out there,

1100
00:47:43,160 --> 00:47:45,279
Speaker 2: spotted by Doug who wants to know where Evie is.

1101
00:47:45,320 --> 00:47:47,160
Speaker 2: They say she's camping, which I must say is a

1102
00:47:47,160 --> 00:47:50,839
Speaker 2: pretty good lie. And then Lonnie surprises them too. She's

1103
00:47:50,840 --> 00:47:53,200
Speaker 2: overheard everything. She gives them an ultimatum. She's either going

1104
00:47:53,280 --> 00:47:54,879
Speaker 2: to join them or she's going to tell the fairy

1105
00:47:54,920 --> 00:47:57,520
Speaker 2: Godmother that Ben is gone. And now we're on the

1106
00:47:57,520 --> 00:47:59,800
Speaker 2: pirate ship, which is an incredibly which is an incredible

1107
00:47:59,840 --> 00:48:02,480
Speaker 2: computer graphic set. Ben is all tied up, held captive

1108
00:48:02,880 --> 00:48:05,840
Speaker 2: and he's said to be I imagine killed. In thirty minutes,

1109
00:48:06,160 --> 00:48:08,400
Speaker 2: Uma learns that Mal broke up with him and seems

1110
00:48:08,480 --> 00:48:11,560
Speaker 2: very interested. She reiterates her plan is for fairness when

1111
00:48:11,600 --> 00:48:14,359
Speaker 2: it comes to class warfare on the island, which, if

1112
00:48:14,360 --> 00:48:18,239
Speaker 2: we're Hona, seems like a pretty reasonable platform to take. It's,

1113
00:48:18,480 --> 00:48:19,920
Speaker 2: you know, kind of hard to hate her for that,

1114
00:48:20,080 --> 00:48:22,280
Speaker 2: and she wants everyone to be on a level playing field.

1115
00:48:22,560 --> 00:48:24,440
Speaker 2: Ben says his plan is to bring more and more

1116
00:48:24,440 --> 00:48:26,960
Speaker 2: people to Orodon and invites Uma first, but she's not

1117
00:48:27,000 --> 00:48:29,879
Speaker 2: fully sold. It seems like maybe she has something up

1118
00:48:29,880 --> 00:48:32,960
Speaker 2: her sleeve. Soon after, the boys, now with Lannie and

1119
00:48:33,200 --> 00:48:35,040
Speaker 2: Dude the dog who hid in the trunk, make it

1120
00:48:35,080 --> 00:48:37,000
Speaker 2: back to the island with the limo, now with the

1121
00:48:37,040 --> 00:48:40,040
Speaker 2: three D printed wand in hand, and with Dude told

1122
00:48:40,040 --> 00:48:41,200
Speaker 2: to stay in the limo again.

1123
00:48:41,280 --> 00:48:46,800
Speaker 1: It's like, okay, yeah, the dog just added another level

1124
00:48:46,800 --> 00:48:48,400
Speaker 1: to me. But anyway, they make.

1125
00:48:48,239 --> 00:48:50,160
Speaker 2: It to the ship just in time for our next number,

1126
00:48:50,239 --> 00:48:52,680
Speaker 2: a rap song called It's Going Down, all about the

1127
00:48:52,800 --> 00:48:55,520
Speaker 2: upcoming trade wand for king or else.

1128
00:48:55,600 --> 00:48:58,240
Speaker 1: Ben walks the plank. Did you like this one?

1129
00:48:58,920 --> 00:49:02,479
Speaker 4: This wasn't necessarily my favorite one?

1130
00:49:02,800 --> 00:49:05,959
Speaker 1: No, it wasn't my favorite either wasn't bad, but it.

1131
00:49:05,880 --> 00:49:08,120
Speaker 4: Was wasn't bad. No, it wasn't bad at all.

1132
00:49:08,160 --> 00:49:10,400
Speaker 3: Again, I'm like totally into the sets and all of

1133
00:49:10,400 --> 00:49:13,279
Speaker 3: the things that are happening. But you know, if you

1134
00:49:13,320 --> 00:49:15,719
Speaker 3: had to pick and choose, I liked it. It just

1135
00:49:15,840 --> 00:49:17,840
Speaker 3: wasn't one of those ones where I was like, damn,

1136
00:49:17,880 --> 00:49:21,640
Speaker 3: this is so good, like all around good. The song's great,

1137
00:49:22,000 --> 00:49:24,200
Speaker 3: the visuals are great, but like I mean, there were

1138
00:49:24,280 --> 00:49:26,840
Speaker 3: other ones that just jumped out of the screen to me,

1139
00:49:27,200 --> 00:49:28,919
Speaker 3: and this wasn't necessarily that one.

1140
00:49:29,080 --> 00:49:30,640
Speaker 2: It's so funny because at first, when I saw the

1141
00:49:30,680 --> 00:49:32,560
Speaker 2: set and I saw the water and I saw kind

1142
00:49:32,560 --> 00:49:33,520
Speaker 2: of some of the cheesy.

1143
00:49:33,239 --> 00:49:35,439
Speaker 1: Effects, I was like, ugh, this doesn't look very good.

1144
00:49:35,480 --> 00:49:36,160
Speaker 1: And then it hit me.

1145
00:49:36,200 --> 00:49:38,960
Speaker 2: I was like, it's not supposed to It's supposed to

1146
00:49:38,960 --> 00:49:41,880
Speaker 2: look like a Disney fairytale land. Yeah, that's the point

1147
00:49:42,160 --> 00:49:43,879
Speaker 2: that the water is supposed to be a different color,

1148
00:49:43,960 --> 00:49:46,000
Speaker 2: the pirate ship's supposed to look That's the whole point.

1149
00:49:46,120 --> 00:49:48,560
Speaker 3: Set was my favorite part, to be honest, like, and

1150
00:49:48,600 --> 00:49:50,839
Speaker 3: we're getting into we're about to get into my like

1151
00:49:50,880 --> 00:49:52,879
Speaker 3: one of my favorite scenes that just made me feel

1152
00:49:52,920 --> 00:49:58,760
Speaker 3: like this gives me all the disney Kid for me too, Yes, totally,

1153
00:49:58,800 --> 00:50:00,839
Speaker 3: but yeah, I mean I get it. Yeah, first you're

1154
00:50:00,880 --> 00:50:04,200
Speaker 3: kind of like, okay, but then you know it is.

1155
00:50:04,280 --> 00:50:06,960
Speaker 3: But the song itself was just kind of like another

1156
00:50:07,040 --> 00:50:10,759
Speaker 3: good song. It wasn't like this amazing song. But the

1157
00:50:10,880 --> 00:50:13,400
Speaker 3: set is what we have to get into when we

1158
00:50:13,440 --> 00:50:17,959
Speaker 3: get into this next scene. Because I was smiling ear

1159
00:50:18,040 --> 00:50:18,399
Speaker 3: to ear.

1160
00:50:18,520 --> 00:50:21,839
Speaker 1: It reminded me of Hook.

1161
00:50:22,120 --> 00:50:25,839
Speaker 3: Favorite movies of all times is Hook and this was Hook,

1162
00:50:25,920 --> 00:50:29,520
Speaker 3: the powder throwing, like all of it, the like, I mean,

1163
00:50:30,640 --> 00:50:31,640
Speaker 3: oh my gosh, it.

1164
00:50:31,640 --> 00:50:34,440
Speaker 4: Was so so cute. I loved it.

1165
00:50:34,600 --> 00:50:35,600
Speaker 1: I agreed it. I agree.

1166
00:50:35,680 --> 00:50:37,080
Speaker 2: I had to get out of my own head because

1167
00:50:37,080 --> 00:50:39,239
Speaker 2: I was like, look very good. But I'm like, oh no,

1168
00:50:39,280 --> 00:50:40,799
Speaker 2: it's not supposed to it's supposed to look like Hook.

1169
00:50:40,880 --> 00:50:43,719
Speaker 3: Yeah, it's supposed to look like Disney like it's like

1170
00:50:44,200 --> 00:50:45,160
Speaker 3: at Disneyland.

1171
00:50:45,320 --> 00:50:47,200
Speaker 2: And when I got that out of my head and

1172
00:50:47,280 --> 00:50:49,120
Speaker 2: saw it for what it was, I was like, it's perfect.

1173
00:50:49,200 --> 00:50:50,280
Speaker 1: It's pretty much perfect.

1174
00:50:50,360 --> 00:50:53,759
Speaker 2: Yes, And now just before the trade has made, Uma

1175
00:50:53,800 --> 00:50:55,440
Speaker 2: wants to see the wand at work to make sure

1176
00:50:55,440 --> 00:50:58,920
Speaker 2: she's getting the real deal. Oh, drive it before you

1177
00:50:58,960 --> 00:51:02,040
Speaker 2: buy it. Luckily, dude, the dog has disobeyed orders and

1178
00:51:02,120 --> 00:51:03,839
Speaker 2: is now in the ship. So, thinking on her toes,

1179
00:51:03,880 --> 00:51:06,480
Speaker 2: Mal uses the wand to quote give him a voice unquote,

1180
00:51:06,480 --> 00:51:09,040
Speaker 2: something we know he already has. And so when due

1181
00:51:09,080 --> 00:51:11,600
Speaker 2: the dog clearly asked, does this vest make me look fat?

1182
00:51:11,960 --> 00:51:15,239
Speaker 2: The wand looks legit. Harry releases the king and the

1183
00:51:15,239 --> 00:51:17,880
Speaker 2: trade is officially made. The Ordon group high tails out

1184
00:51:17,960 --> 00:51:20,239
Speaker 2: just as Uma figures out the one is useless. It

1185
00:51:20,280 --> 00:51:22,399
Speaker 2: becomes an all out war with the good guys using

1186
00:51:22,400 --> 00:51:25,200
Speaker 2: their smoke bombs and the pirates in full pirrating mode.

1187
00:51:25,280 --> 00:51:27,640
Speaker 2: We get sword fights, which Lani's very good at. We

1188
00:51:27,680 --> 00:51:29,960
Speaker 2: see rope swinging with people falling into the ocean. It's

1189
00:51:29,960 --> 00:51:32,000
Speaker 2: all very cool, and we get a lot of Kenny

1190
00:51:32,040 --> 00:51:35,520
Speaker 2: Ortega fight choreography, which is superb. It ends with the

1191
00:51:35,520 --> 00:51:37,480
Speaker 2: gang finally getting away and back in a limo, but

1192
00:51:37,680 --> 00:51:41,439
Speaker 2: oh no, Mal has accidentally left behind her spell book.

1193
00:51:41,480 --> 00:51:44,880
Speaker 2: What a damn nightmare, But what a scene. On the

1194
00:51:44,920 --> 00:51:47,479
Speaker 2: way back, Ben admits that Uma has made him see

1195
00:51:47,480 --> 00:51:49,440
Speaker 2: the truth. She just got angry that her people don't

1196
00:51:49,440 --> 00:51:51,960
Speaker 2: get the same opportunities, which makes sense. Also, we get

1197
00:51:51,960 --> 00:51:55,319
Speaker 2: the feeling that he thought Uma was pretty cute back

1198
00:51:55,360 --> 00:51:57,720
Speaker 2: at school with the cotillion just hours away. Ben offers

1199
00:51:57,760 --> 00:51:59,839
Speaker 2: Mal the chance to back out. Conflicted the core ford,

1200
00:52:00,000 --> 00:52:02,280
Speaker 2: so I had to talk it out together. Mal is broken.

1201
00:52:02,520 --> 00:52:04,240
Speaker 2: The stress is too much for her, but they encourage

1202
00:52:04,239 --> 00:52:06,000
Speaker 2: her to give it a chance. And Evie's even gonna

1203
00:52:06,000 --> 00:52:08,400
Speaker 2: make some changes to her dress so she feels more comfortable,

1204
00:52:08,760 --> 00:52:11,280
Speaker 2: and Dude even gives Carlos some words of wisdom, finally

1205
00:52:11,280 --> 00:52:14,040
Speaker 2: getting them to ask Jane out. She says yes, even

1206
00:52:14,040 --> 00:52:18,120
Speaker 2: to a suggestion they become more than friends. Ooh ooh

1207
00:52:18,280 --> 00:52:22,439
Speaker 2: really And over at team practice, Jay announces he found

1208
00:52:22,480 --> 00:52:25,640
Speaker 2: a loophole and adds Lani as the new captain. They

1209
00:52:25,680 --> 00:52:28,600
Speaker 2: needed a captain and eight men. Okay, well didn't say

1210
00:52:28,600 --> 00:52:31,160
Speaker 2: the captain couldn't be a woman. So things are really

1211
00:52:31,200 --> 00:52:34,400
Speaker 2: coming together over in Evie's room, and I'm sorry, but

1212
00:52:34,440 --> 00:52:36,440
Speaker 2: my favorite part of that scene was she gets to

1213
00:52:36,440 --> 00:52:38,279
Speaker 2: be captain. She puts on the thing and she looks

1214
00:52:38,280 --> 00:52:39,719
Speaker 2: at him. She goes, I can't wait to tell my

1215
00:52:39,800 --> 00:52:43,319
Speaker 2: mom where It's like, can you imagine telling Mulan I

1216
00:52:43,440 --> 00:52:46,640
Speaker 2: was just made the captain of the fencing team. Totally

1217
00:52:46,640 --> 00:52:49,120
Speaker 2: cool Disney moment. It's little moments like that that just

1218
00:52:49,160 --> 00:52:49,640
Speaker 2: to make.

1219
00:52:49,640 --> 00:52:52,000
Speaker 4: This movie so special.

1220
00:52:52,280 --> 00:52:54,799
Speaker 3: It does because if you are, especially if you are

1221
00:52:54,840 --> 00:52:59,000
Speaker 3: a Disney fanatic, you hear every single one of those

1222
00:52:59,040 --> 00:53:02,680
Speaker 3: little things, little to register all of them, and they

1223
00:53:02,760 --> 00:53:03,600
Speaker 3: always just do it.

1224
00:53:03,600 --> 00:53:05,120
Speaker 4: It's never like a giant moment.

1225
00:53:05,200 --> 00:53:07,839
Speaker 3: It's just like small, little, tiny moments that just mean

1226
00:53:08,280 --> 00:53:11,560
Speaker 3: so much and completely ties the whole Disney world together

1227
00:53:11,640 --> 00:53:13,280
Speaker 3: as one big universe.

1228
00:53:13,360 --> 00:53:13,879
Speaker 4: I love it.

1229
00:53:13,960 --> 00:53:18,960
Speaker 2: Okay, Disney comes to you tomorrow and they say pick, Yes,

1230
00:53:19,000 --> 00:53:20,320
Speaker 2: you can be in the next Descent.

1231
00:53:20,640 --> 00:53:23,359
Speaker 1: Yes, you gotta pick. You can't just.

1232
00:53:23,280 --> 00:53:26,400
Speaker 2: Say yes you can be in the next Descendants movie,

1233
00:53:26,520 --> 00:53:28,200
Speaker 2: or you can be in the next Zombies movie, but

1234
00:53:28,239 --> 00:53:29,280
Speaker 2: it can only be one.

1235
00:53:29,320 --> 00:53:34,640
Speaker 1: Which will do Ah.

1236
00:53:36,000 --> 00:53:43,400
Speaker 3: Okay, I love the Zombies. I think this is the

1237
00:53:43,440 --> 00:53:45,960
Speaker 3: hard part. If it were Descendants, I wouldn't need to

1238
00:53:45,960 --> 00:53:48,719
Speaker 3: read the script. I'd be down right the Zombies. I

1239
00:53:48,719 --> 00:53:50,880
Speaker 3: would kind of want to read the script and see

1240
00:53:51,440 --> 00:53:54,640
Speaker 3: what the new monster is because I would know, like

1241
00:53:54,680 --> 00:53:56,480
Speaker 3: you know what I mean, like knowing the level of

1242
00:53:56,520 --> 00:53:59,319
Speaker 3: creativity that they do with any of the characters that

1243
00:53:59,360 --> 00:54:04,480
Speaker 3: I already know, like make me you know, Rapunzel's mom

1244
00:54:04,640 --> 00:54:07,400
Speaker 3: or something like that. Like I would totally be fine

1245
00:54:07,400 --> 00:54:11,840
Speaker 3: with any of that, but with the Zombies. It's like you,

1246
00:54:13,160 --> 00:54:16,560
Speaker 3: you don't know what you're gonna play. Every monster comes

1247
00:54:16,600 --> 00:54:19,759
Speaker 3: and they're all awesome. But that would make me a

1248
00:54:19,760 --> 00:54:22,960
Speaker 3: little bit more nervous. So I think I might go

1249
00:54:23,080 --> 00:54:24,880
Speaker 3: with I don't know.

1250
00:54:24,920 --> 00:54:25,440
Speaker 4: I can't do it.

1251
00:54:25,520 --> 00:54:27,439
Speaker 1: I can't do it. I can't do it. I can't

1252
00:54:27,840 --> 00:54:29,879
Speaker 1: because I would love the Zombies I think so bad.

1253
00:54:30,080 --> 00:54:32,000
Speaker 3: I want to Paul so bad. But I want to

1254
00:54:32,000 --> 00:54:34,719
Speaker 3: work with Kenny so bad. Both of the franchises are

1255
00:54:34,880 --> 00:54:35,440
Speaker 3: so good.

1256
00:54:36,360 --> 00:54:41,440
Speaker 2: The I mean, I don't know, I don't I'm leaning

1257
00:54:41,440 --> 00:54:42,200
Speaker 2: towards the Zober.

1258
00:54:43,320 --> 00:54:45,600
Speaker 3: The chance of miss like missing a chance to work

1259
00:54:45,640 --> 00:54:49,160
Speaker 3: with Paul Owen again. I just can't see myself ever

1260
00:54:49,239 --> 00:54:52,040
Speaker 3: doing that. I know this would be a really tough one.

1261
00:54:52,160 --> 00:54:53,160
Speaker 1: Well, then we're just gonna have to be.

1262
00:54:53,239 --> 00:54:55,040
Speaker 4: I would need somebody else to make the decision for me.

1263
00:54:55,080 --> 00:54:56,680
Speaker 1: I think we're just gonna have to be in both.

1264
00:54:56,719 --> 00:54:57,840
Speaker 1: It's fine. Yes.

1265
00:55:05,040 --> 00:55:07,279
Speaker 2: Over in Evie's room, Doug is offended that he wasn't

1266
00:55:07,280 --> 00:55:09,839
Speaker 2: invited camping, and he's nervous that she went with another guy.

1267
00:55:10,080 --> 00:55:12,200
Speaker 2: To calm his suspicion, she tells him all about Ben

1268
00:55:12,280 --> 00:55:15,080
Speaker 2: being kidnapped and kisses him on the cheek and now

1269
00:55:15,120 --> 00:55:19,160
Speaker 2: they're off to work on Mal's alterations. Chad, once again

1270
00:55:19,280 --> 00:55:21,600
Speaker 2: unlawfully hanging out in Carlos's room, gets a call from

1271
00:55:21,640 --> 00:55:24,080
Speaker 2: his ex Audrey, and leaves on a six hour drive

1272
00:55:24,120 --> 00:55:25,759
Speaker 2: to help with a flat tire. This guy was a

1273
00:55:25,800 --> 00:55:27,840
Speaker 2: simp and none of this needed to be in the movie.

1274
00:55:29,120 --> 00:55:32,319
Speaker 2: The entire Chad storyline had no point. It is a

1275
00:55:32,440 --> 00:55:35,799
Speaker 2: useless storyline. Cut that down and get closer to our

1276
00:55:35,840 --> 00:55:38,000
Speaker 2: time because it didn't pay off.

1277
00:55:38,239 --> 00:55:44,120
Speaker 3: It wasn't funny, Sabrina seas. There was no reason, none,

1278
00:55:44,560 --> 00:55:46,560
Speaker 3: except for it was kind of funny that he He

1279
00:55:46,719 --> 00:55:50,880
Speaker 3: definitely played a huge part on this three D machine

1280
00:55:50,880 --> 00:55:54,200
Speaker 3: thing that he had, so you really got the sense

1281
00:55:54,239 --> 00:55:55,880
Speaker 3: that that was going to obviously be used.

1282
00:55:55,960 --> 00:55:58,320
Speaker 1: Do it once? Yeah, you know, just like the four

1283
00:55:58,400 --> 00:56:01,719
Speaker 1: times they cut to this guy. I know, no payoff. Yeah,

1284
00:56:01,800 --> 00:56:04,359
Speaker 1: that's easy to cut it. Cut that story and it might.

1285
00:56:04,320 --> 00:56:06,719
Speaker 3: Have been that might have taken us down to good

1286
00:56:06,800 --> 00:56:07,920
Speaker 3: like twelve minutes over.

1287
00:56:08,160 --> 00:56:10,279
Speaker 2: Yes, and again it's a terrible thing to say to

1288
00:56:10,280 --> 00:56:12,839
Speaker 2: cut out an actress performance because he wasn't bad. No,

1289
00:56:12,880 --> 00:56:14,279
Speaker 2: and you don't want to say you need to fire

1290
00:56:14,320 --> 00:56:16,759
Speaker 2: that guy, not by any stretch but it's just if

1291
00:56:16,800 --> 00:56:18,399
Speaker 2: you're gonna have him in the movie and you're gonna

1292
00:56:18,400 --> 00:56:20,040
Speaker 2: waste time having him in the movie, then have it

1293
00:56:20,120 --> 00:56:24,280
Speaker 2: mean something. Yeah, because the storyline there's he was literally

1294
00:56:24,400 --> 00:56:24,799
Speaker 2: just there.

1295
00:56:25,200 --> 00:56:26,120
Speaker 4: He He would.

1296
00:56:25,960 --> 00:56:28,040
Speaker 3: Have been a great character for somebody who to be

1297
00:56:28,120 --> 00:56:29,839
Speaker 3: like I want to go to the aisle as well,

1298
00:56:30,080 --> 00:56:33,120
Speaker 3: like I he finds like a new girlfriend, he like

1299
00:56:33,200 --> 00:56:34,680
Speaker 3: tagged along, found like a.

1300
00:56:34,680 --> 00:56:36,520
Speaker 1: New states a villain.

1301
00:56:37,080 --> 00:56:39,480
Speaker 4: It's a villain. Like we haven't done that, we haven't

1302
00:56:39,520 --> 00:56:40,319
Speaker 4: had someone like.

1303
00:56:40,400 --> 00:56:43,399
Speaker 1: Leave or on with you and go the other way. Yeah, yeah,

1304
00:56:43,600 --> 00:56:44,320
Speaker 1: like something.

1305
00:56:44,120 --> 00:56:45,799
Speaker 4: That could have been something that would have made it

1306
00:56:45,800 --> 00:56:46,680
Speaker 4: feel a little bit more.

1307
00:56:46,800 --> 00:56:48,759
Speaker 1: Maybe that happens in the next one. We don't know.

1308
00:56:48,800 --> 00:56:51,160
Speaker 2: Maybe, but maybe they're setting it up because they didn't

1309
00:56:51,160 --> 00:56:53,400
Speaker 2: do any anything with this one. But anyway, it is

1310
00:56:53,440 --> 00:56:55,480
Speaker 2: now the night of the Cotillion. Evie is on the

1311
00:56:55,480 --> 00:56:58,440
Speaker 2: Step and Repeat and wearing Dizzy's jewelry, praising her to

1312
00:56:58,480 --> 00:57:01,799
Speaker 2: the reporters. Jane also introduces her date Carlos to her mom.

1313
00:57:01,840 --> 00:57:05,640
Speaker 2: The fairy godmother mal finally arrives at Miss pomp and Circumstance.

1314
00:57:05,719 --> 00:57:07,680
Speaker 2: It's a little edgier of a dress that fits her

1315
00:57:07,680 --> 00:57:10,520
Speaker 2: personally much much better King Ben than enters and he's

1316
00:57:10,520 --> 00:57:11,600
Speaker 2: followed by, oh.

1317
00:57:11,440 --> 00:57:14,960
Speaker 1: My god, it's uma, what the f yes? And I

1318
00:57:15,080 --> 00:57:16,120
Speaker 1: was like what.

1319
00:57:16,600 --> 00:57:17,920
Speaker 2: I kind of knew what was happening, but I was

1320
00:57:17,920 --> 00:57:22,800
Speaker 2: still like, what is going on? Kids must have been like, yeah.

1321
00:57:22,480 --> 00:57:26,480
Speaker 3: They've must have lost their goddamn lines when they watched

1322
00:57:26,480 --> 00:57:29,960
Speaker 3: the premiere of this, like I mean, and it was

1323
00:57:30,040 --> 00:57:34,880
Speaker 3: played so well too, so well by all of the responses,

1324
00:57:35,160 --> 00:57:38,920
Speaker 3: and like you can see in Dove Cameron's eyes as

1325
00:57:38,920 --> 00:57:41,160
Speaker 3: an actor, the choices she made, you can see it

1326
00:57:41,160 --> 00:57:44,400
Speaker 3: in her eyes of this trying to put the pieces together.

1327
00:57:45,200 --> 00:57:47,040
Speaker 3: I mean, it was such a good scene for her,

1328
00:57:47,240 --> 00:57:51,960
Speaker 3: for sure. And the only thing I needed was a

1329
00:57:52,000 --> 00:57:56,360
Speaker 3: little bit more clarity of what kind of spell because

1330
00:57:56,400 --> 00:57:58,320
Speaker 3: she had like a necklace and I'm like, oh, are

1331
00:57:58,360 --> 00:58:00,960
Speaker 3: we doing like sort of a spin off of Ursula

1332
00:58:01,000 --> 00:58:02,800
Speaker 3: who has like her voice in the shell?

1333
00:58:03,080 --> 00:58:03,800
Speaker 1: Like is that it?

1334
00:58:04,480 --> 00:58:06,480
Speaker 3: And it kind of sparkled this starts to get it's

1335
00:58:06,520 --> 00:58:08,200
Speaker 3: to me. This is when I'm starting to get a

1336
00:58:08,240 --> 00:58:12,000
Speaker 3: little fuzzy of where the intentions are and I.

1337
00:58:11,960 --> 00:58:14,120
Speaker 4: Needed a little bit more detailed.

1338
00:58:14,360 --> 00:58:18,240
Speaker 1: Yeah, was it a potion? Was something? Yeah?

1339
00:58:18,920 --> 00:58:20,000
Speaker 4: We get him under the trance.

1340
00:58:20,480 --> 00:58:22,600
Speaker 2: It was like glass eyed, and like he looked like

1341
00:58:22,640 --> 00:58:24,320
Speaker 2: he was a little under a trance. It was like,

1342
00:58:24,360 --> 00:58:25,920
Speaker 2: I mean, I knew instantly what it was. But if

1343
00:58:25,920 --> 00:58:27,800
Speaker 2: I'm twelve or thirty, or you know, eleven or twelve,

1344
00:58:27,880 --> 00:58:28,280
Speaker 2: it's like.

1345
00:58:28,680 --> 00:58:30,480
Speaker 1: Why is he with her now? He couldn't have fallen

1346
00:58:30,480 --> 00:58:31,920
Speaker 1: in love. I imagine it would have been crazy. I

1347
00:58:31,920 --> 00:58:34,600
Speaker 1: will all by myself what it was.

1348
00:58:34,400 --> 00:58:37,960
Speaker 3: Like in order to break the spell the way that

1349
00:58:38,240 --> 00:58:41,040
Speaker 3: keep okay, keep going, because it's just it's starting to

1350
00:58:41,040 --> 00:58:43,400
Speaker 3: get fuzzy to me and I'm like, wait a minute, how.

1351
00:58:43,280 --> 00:58:43,920
Speaker 4: Does this happen?

1352
00:58:44,160 --> 00:58:47,040
Speaker 2: So Ben looks very taken by her and helps the

1353
00:58:47,120 --> 00:58:49,240
Speaker 2: villain down the stairs. He kisses her hand and we

1354
00:58:49,280 --> 00:58:52,920
Speaker 2: now see that she's wearing his ring. Mal has been ditched.

1355
00:58:53,280 --> 00:58:55,640
Speaker 2: Ben admits something happened on the island. He fell in love,

1356
00:58:55,680 --> 00:58:59,600
Speaker 2: and so did Uma. It is scandalous, but Uma says

1357
00:58:59,600 --> 00:59:01,400
Speaker 2: she was able to sneak through the portal and swim

1358
00:59:01,440 --> 00:59:02,640
Speaker 2: over and that this is true love.

1359
00:59:02,680 --> 00:59:04,040
Speaker 1: And with that, the new couple takes the.

1360
00:59:04,040 --> 00:59:07,400
Speaker 2: Floor for their first dance, both sporting big smiles, but

1361
00:59:07,560 --> 00:59:10,680
Speaker 2: even his parents are disturbed. Jane demands that Ben's gift

1362
00:59:10,680 --> 00:59:13,160
Speaker 2: for Mal be revealed and it's a huge stained glass

1363
00:59:13,200 --> 00:59:15,400
Speaker 2: mural that we heard about earlier. It's of him and Mal,

1364
00:59:15,440 --> 00:59:17,680
Speaker 2: and Mal looks like her true villain self, not the

1365
00:59:17,680 --> 00:59:20,560
Speaker 2: Stepford Wives persona she took on to blend in. Apparently

1366
00:59:20,600 --> 00:59:24,040
Speaker 2: that's how he sees and loves her. Ben is magnetized

1367
00:59:24,080 --> 00:59:26,200
Speaker 2: by it, but Uma is furious. She demands to be

1368
00:59:26,200 --> 00:59:28,360
Speaker 2: covered up and asks for her gift from Ben, the

1369
00:59:28,400 --> 00:59:30,560
Speaker 2: decision to bring down the barrier once and for all.

1370
00:59:30,600 --> 00:59:32,720
Speaker 2: And this is the behavior that lets malan Evy know

1371
00:59:33,080 --> 00:59:37,640
Speaker 2: Uma got the spell book. She has been under control. Mal,

1372
00:59:37,760 --> 00:59:39,640
Speaker 2: in a last ditch effort, tries to talk some sense

1373
00:59:39,680 --> 00:59:41,800
Speaker 2: into Ben. She explained she never said I love you

1374
00:59:41,840 --> 00:59:44,120
Speaker 2: because she never felt good enough for him, but now

1375
00:59:44,160 --> 00:59:46,840
Speaker 2: she knows he loves the real her. Uma tries to

1376
00:59:46,880 --> 00:59:49,000
Speaker 2: steal back his attention, but Mal says she loves him,

1377
00:59:49,040 --> 00:59:52,960
Speaker 2: and then they embrace. A true love's kiss knocks him

1378
00:59:53,000 --> 00:59:56,720
Speaker 2: out of the spell. So that's another nice little Disney moment.

1379
00:59:57,560 --> 01:00:00,000
Speaker 4: It was, britt, what did you think about the kiss?

1380
01:00:00,560 --> 01:00:02,000
Speaker 2: I thought it was a night. I thought it was

1381
01:00:02,280 --> 01:00:04,280
Speaker 2: right in between a peck and a makeout. It was

1382
01:00:04,320 --> 01:00:06,600
Speaker 2: exactly where it's supposed to be. For the first time,

1383
01:00:06,600 --> 01:00:08,640
Speaker 2: you say I love you when you're seventeen or whatever.

1384
01:00:09,160 --> 01:00:13,360
Speaker 2: And the idea that, once again, in pure Disney fashion,

1385
01:00:13,640 --> 01:00:14,800
Speaker 2: true Love's kiss breaks.

1386
01:00:14,840 --> 01:00:16,680
Speaker 1: The spell is wonderful.

1387
01:00:16,960 --> 01:00:18,600
Speaker 2: And I love how they cut to ev who just

1388
01:00:18,640 --> 01:00:20,640
Speaker 2: says true loves kiss works every time.

1389
01:00:21,720 --> 01:00:24,400
Speaker 3: Great Sophia Carson is such a great actor. Oh they're

1390
01:00:24,920 --> 01:00:27,200
Speaker 3: just that little line. I'm like, God, she's just so

1391
01:00:27,320 --> 01:00:27,840
Speaker 3: deemp cute.

1392
01:00:28,600 --> 01:00:31,160
Speaker 1: Oh great. So Uma makes a run for it.

1393
01:00:31,160 --> 01:00:32,880
Speaker 2: She's gonna jump off the ship, but just before she

1394
01:00:32,920 --> 01:00:34,919
Speaker 2: dives into the water, Mao tries to tell her she's

1395
01:00:34,960 --> 01:00:37,240
Speaker 2: more than just a villain. She can stay in or

1396
01:00:37,280 --> 01:00:40,080
Speaker 2: done if she wants to. Then, as her necklace starts

1397
01:00:40,080 --> 01:00:42,720
Speaker 2: to glow, she turns and jumps into the ocean. On landing,

1398
01:00:42,760 --> 01:00:45,760
Speaker 2: she creates a large whirlpool, completely splashing everyone and emerging

1399
01:00:45,760 --> 01:00:49,080
Speaker 2: from the deep as a huge octopus monster. As the

1400
01:00:49,120 --> 01:00:51,400
Speaker 2: tentacles violently slapped the side of the boat, Malo's eyes

1401
01:00:51,440 --> 01:00:53,439
Speaker 2: turned green once again, and this time she turns into

1402
01:00:53,480 --> 01:00:55,040
Speaker 2: a fire breathing dragon.

1403
01:00:55,840 --> 01:00:56,800
Speaker 1: And this is where I'm like.

1404
01:00:56,840 --> 01:01:03,360
Speaker 2: Okay, okay, I get it, and I like it, but

1405
01:01:03,480 --> 01:01:04,720
Speaker 2: it doesn't look good.

1406
01:01:05,280 --> 01:01:08,280
Speaker 3: No, I will say, this dragon looks much better than

1407
01:01:08,360 --> 01:01:09,040
Speaker 3: Last Dragon.

1408
01:01:09,200 --> 01:01:09,560
Speaker 1: It does.

1409
01:01:09,600 --> 01:01:11,480
Speaker 2: First of all, you're talking about the movie The Last Dragon,

1410
01:01:11,760 --> 01:01:13,280
Speaker 2: which is one of the greatest nineteen eighties.

1411
01:01:15,040 --> 01:01:19,280
Speaker 3: I'm saying the Last Descendance movie, that Dragon. This Dragon

1412
01:01:19,400 --> 01:01:20,520
Speaker 3: is much better.

1413
01:01:20,800 --> 01:01:25,640
Speaker 1: Yes, but the problem is if you're you can't do big.

1414
01:01:25,400 --> 01:01:28,600
Speaker 2: Spectacle things like this on the cheap because then all

1415
01:01:28,600 --> 01:01:32,640
Speaker 2: of a sudden it just looks cheap and you're cutting

1416
01:01:32,680 --> 01:01:37,680
Speaker 2: from these these not very well rendered creatures to then

1417
01:01:38,200 --> 01:01:41,640
Speaker 2: the obvious running back and forth on the boat like

1418
01:01:41,840 --> 01:01:45,400
Speaker 2: it like they're not like clearly they're not being moved.

1419
01:01:45,640 --> 01:01:48,360
Speaker 2: It's just everyone Gilligan's Island and going this side and

1420
01:01:48,400 --> 01:01:50,520
Speaker 2: then and so the combination.

1421
01:01:50,800 --> 01:01:52,520
Speaker 4: Why are we so scared of water?

1422
01:01:52,600 --> 01:01:54,400
Speaker 3: All of a sudden, I know, what is the thing

1423
01:01:54,480 --> 01:01:56,960
Speaker 3: with the like she's just slapping water at.

1424
01:01:56,840 --> 01:01:57,480
Speaker 1: Them and everyone?

1425
01:01:58,480 --> 01:01:59,840
Speaker 4: Why is that such a big deal?

1426
01:01:59,840 --> 01:02:01,920
Speaker 3: I'm I mean, obviously, yes, if I'm in an outfit,

1427
01:02:01,960 --> 01:02:04,360
Speaker 3: if I'm at a wedding and I have done all

1428
01:02:04,400 --> 01:02:07,000
Speaker 3: the things to be at this wedding and looking really great,

1429
01:02:07,040 --> 01:02:09,760
Speaker 3: someone starts slapping me with water, I'm gonna be pissed,

1430
01:02:09,800 --> 01:02:13,240
Speaker 3: But I'm not gonna be like I know.

1431
01:02:13,880 --> 01:02:16,040
Speaker 1: So it's in the running back of the combiny.

1432
01:02:16,040 --> 01:02:19,800
Speaker 2: It was the combination of the bad CG effects and

1433
01:02:19,800 --> 01:02:21,760
Speaker 2: then the running back and forth, and then it gets

1434
01:02:21,800 --> 01:02:25,080
Speaker 2: into this next part which I'm like, what are you doing?

1435
01:02:25,280 --> 01:02:29,680
Speaker 3: But first of all, she doesn't even look that big

1436
01:02:30,320 --> 01:02:32,480
Speaker 3: compared to the boat either.

1437
01:02:32,560 --> 01:02:33,600
Speaker 1: That's one of the reasons.

1438
01:02:35,240 --> 01:02:38,520
Speaker 3: Yeah, okay, yes, but she looks just like she like

1439
01:02:38,560 --> 01:02:41,000
Speaker 3: the camera's close to her and the boat's just the

1440
01:02:41,000 --> 01:02:41,520
Speaker 3: bit away.

1441
01:02:42,320 --> 01:02:43,959
Speaker 4: Like if I took a picture, if I had Jordan

1442
01:02:44,040 --> 01:02:44,920
Speaker 4: take a picture.

1443
01:02:44,600 --> 01:02:46,760
Speaker 1: Of me on the beach.

1444
01:02:48,440 --> 01:02:51,080
Speaker 3: With the cruise boat, the Disney cruise boat that I'd

1445
01:02:51,120 --> 01:02:53,400
Speaker 3: love to go on, hit me, hit me up, Disney,

1446
01:02:54,400 --> 01:02:55,120
Speaker 3: it would be like.

1447
01:02:55,040 --> 01:02:56,160
Speaker 4: That, Like that's what it looked like.

1448
01:02:56,200 --> 01:02:57,800
Speaker 3: It looked like the cruise boat was just a little

1449
01:02:57,800 --> 01:03:01,000
Speaker 3: bit farther away. It wasn't like she is actually giant.

1450
01:03:01,120 --> 01:03:04,920
Speaker 3: So it was and I just went, oh no, like

1451
01:03:05,000 --> 01:03:08,440
Speaker 3: we're like, oh, I'm like loving this, And now I've

1452
01:03:08,480 --> 01:03:10,840
Speaker 3: got something that I don't know if I'm gonna get past.

1453
01:03:11,080 --> 01:03:13,480
Speaker 1: I don't disagree with you at all. So so and

1454
01:03:13,520 --> 01:03:14,160
Speaker 1: here's the other thing.

1455
01:03:14,200 --> 01:03:18,840
Speaker 2: Okay, So Dragon Male takes the skies to fight Octopus Uma.

1456
01:03:19,120 --> 01:03:21,080
Speaker 2: It's fire versus water, and the boat is moving back

1457
01:03:21,080 --> 01:03:22,920
Speaker 2: and forth, which is obviously not just the people are

1458
01:03:22,960 --> 01:03:25,439
Speaker 2: moving back and forth pinball between the two monsters, making

1459
01:03:25,480 --> 01:03:27,200
Speaker 2: a lot of the passengers at least appear as if

1460
01:03:27,200 --> 01:03:30,680
Speaker 2: they're sick. And now this is where again I was like, really,

1461
01:03:31,000 --> 01:03:32,040
Speaker 2: and now Ben is seen.

1462
01:03:31,960 --> 01:03:35,160
Speaker 1: Enough, so he roars as if he's beast because his

1463
01:03:35,280 --> 01:03:37,320
Speaker 1: dad is Beast from Beauty Mesa.

1464
01:03:37,480 --> 01:03:41,440
Speaker 2: I'm like, I'm like, oh, okay, he's going to transform

1465
01:03:41,480 --> 01:03:44,280
Speaker 2: into something and we're going to see him in another

1466
01:03:44,400 --> 01:03:47,919
Speaker 2: form to show that he's also part monster, just like now,

1467
01:03:48,080 --> 01:03:48,960
Speaker 2: like they're perfect for you.

1468
01:03:49,520 --> 01:03:52,160
Speaker 3: Like his dad, like he gets that, he exactly, You're

1469
01:03:52,200 --> 01:03:53,520
Speaker 3: going to come see his dad.

1470
01:03:53,760 --> 01:03:57,960
Speaker 1: Yes, Dragon and Beast together like taking on umah.

1471
01:03:57,960 --> 01:04:00,520
Speaker 2: And I'm like okay this and then he just jumps

1472
01:04:00,520 --> 01:04:02,120
Speaker 2: into the water and starts treading water and it's like

1473
01:04:02,160 --> 01:04:03,000
Speaker 2: hey stop, And.

1474
01:04:02,920 --> 01:04:05,600
Speaker 1: I was like, wait, what the just happened?

1475
01:04:05,640 --> 01:04:07,680
Speaker 3: First of all, this is what I'm gonna bring back

1476
01:04:07,720 --> 01:04:10,480
Speaker 3: the Killer Well, I literally put in my subritases. We're

1477
01:04:10,480 --> 01:04:11,960
Speaker 3: just gonna have to jump to it because it's just

1478
01:04:12,000 --> 01:04:13,240
Speaker 3: so okay right now.

1479
01:04:13,680 --> 01:04:15,680
Speaker 4: I was waiting for like a meg.

1480
01:04:15,600 --> 01:04:17,320
Speaker 3: To come out of note Like now, I mean, why

1481
01:04:17,320 --> 01:04:19,360
Speaker 3: don't we just do the trifecta of.

1482
01:04:19,440 --> 01:04:23,160
Speaker 1: Like it's like, yeah, I conversation we've talked.

1483
01:04:22,920 --> 01:04:25,560
Speaker 3: About ocean is not my thing. I don't like to

1484
01:04:25,600 --> 01:04:28,400
Speaker 3: be in the ocean by myself. I'm so scared of sharks.

1485
01:04:28,440 --> 01:04:29,800
Speaker 3: That's just not my jam.

1486
01:04:30,200 --> 01:04:32,360
Speaker 4: So first of all, it's completely black.

1487
01:04:32,720 --> 01:04:37,040
Speaker 3: We've got a giant octopus and a dragon that like

1488
01:04:37,160 --> 01:04:39,840
Speaker 3: just my anxiety was like why would you ever do that?

1489
01:04:39,920 --> 01:04:40,080
Speaker 2: Like that?

1490
01:04:40,280 --> 01:04:43,160
Speaker 3: Are you now the meg who we haven't even seen

1491
01:04:43,200 --> 01:04:45,480
Speaker 3: since now in the movie is about to come.

1492
01:04:45,280 --> 01:04:47,160
Speaker 4: And get all of you at the same time.

1493
01:04:47,280 --> 01:04:50,479
Speaker 2: That's what's gonna You're just adding a shark in your mind.

1494
01:04:50,520 --> 01:04:53,280
Speaker 3: I'm adding, I don't even know what there's no Disney

1495
01:04:53,280 --> 01:04:55,360
Speaker 3: movie where that comes from. But like it just makes

1496
01:04:55,360 --> 01:04:58,040
Speaker 3: sense because you're in blackwater and that is never a

1497
01:04:58,080 --> 01:04:59,080
Speaker 3: place to jump into.

1498
01:05:00,120 --> 01:05:03,080
Speaker 1: I just I just didn't get it. He roars, he

1499
01:05:03,160 --> 01:05:04,240
Speaker 1: jumps into the water.

1500
01:05:04,320 --> 01:05:06,919
Speaker 2: And then he just sits between them and treads water

1501
01:05:07,000 --> 01:05:09,600
Speaker 2: and says stop where It's like, so now you've just

1502
01:05:09,680 --> 01:05:12,800
Speaker 2: given Now you're just a hostage if if Uma decides

1503
01:05:12,840 --> 01:05:14,640
Speaker 2: to get and you've just made it worse if she

1504
01:05:14,680 --> 01:05:19,120
Speaker 2: decides to attack. So I didn't understand, Like, yeah, like

1505
01:05:19,160 --> 01:05:24,120
Speaker 2: what did you just do. So, yeah, there's a meg

1506
01:05:24,200 --> 01:05:27,440
Speaker 2: down exactly, and in Sabrina's mind, you're also being surrounded

1507
01:05:27,480 --> 01:05:30,840
Speaker 2: by sharks. So yeah, he just jumps in the water

1508
01:05:30,880 --> 01:05:33,040
Speaker 2: with the girls to just tell them to stop fighting.

1509
01:05:33,080 --> 01:05:35,240
Speaker 2: They need to respect each other and be brave enough

1510
01:05:35,240 --> 01:05:37,720
Speaker 2: to be friends. He promises Uma that he'll make the

1511
01:05:37,720 --> 01:05:39,920
Speaker 2: conditions on the island better, but instead of trusting him,

1512
01:05:39,920 --> 01:05:42,040
Speaker 2: she hands him the ring with her tentacle tip and

1513
01:05:42,080 --> 01:05:46,040
Speaker 2: then swims away. Ben reboards the ship to applause because

1514
01:05:46,080 --> 01:05:52,160
Speaker 2: he didn't drown because he I don't know, but mal

1515
01:05:52,200 --> 01:05:54,840
Speaker 2: reappears smiling. No one even says, hey, you were a dragon?

1516
01:05:54,920 --> 01:05:55,880
Speaker 2: How crazy is that?

1517
01:05:55,920 --> 01:05:57,960
Speaker 1: Nope, didn't even bring that up in any way, shape.

1518
01:05:57,800 --> 01:05:58,000
Speaker 2: Or for it.

1519
01:05:58,040 --> 01:06:00,320
Speaker 3: Well, they had they had one. They had one moment

1520
01:06:00,440 --> 01:06:02,680
Speaker 3: with Evie that it was.

1521
01:06:02,720 --> 01:06:04,560
Speaker 1: She's I didn't even know, I know I could do that.

1522
01:06:04,720 --> 01:06:06,680
Speaker 1: She said to me either either, and then puts out

1523
01:06:06,680 --> 01:06:08,680
Speaker 1: her dress. Very cute. But no one else was like, hey,

1524
01:06:09,440 --> 01:06:11,360
Speaker 1: so you're a dragon. Yeah.

1525
01:06:12,080 --> 01:06:14,480
Speaker 3: I guess maybe they're not that surprised because at the

1526
01:06:14,560 --> 01:06:18,439
Speaker 3: last royal event they had her mom was also one.

1527
01:06:18,800 --> 01:06:21,840
Speaker 4: Right, maybe they're just like so phased, like I don't know.

1528
01:06:21,760 --> 01:06:24,840
Speaker 2: But also as rules guy, and you need rules for everything.

1529
01:06:24,880 --> 01:06:27,080
Speaker 2: Why is changing into a dragon change her outfit?

1530
01:06:27,920 --> 01:06:28,120
Speaker 1: Oh?

1531
01:06:28,160 --> 01:06:29,880
Speaker 4: Well, the outfits changed randomly.

1532
01:06:29,960 --> 01:06:32,960
Speaker 3: It changed in the There are outfits randomly changed in

1533
01:06:33,040 --> 01:06:35,320
Speaker 3: the EV and Mal song too.

1534
01:06:35,520 --> 01:06:37,600
Speaker 4: They just randomly were in like different outfhas.

1535
01:06:37,320 --> 01:06:39,080
Speaker 2: Well that makes sense though. They're like, hey, we're friends,

1536
01:06:39,080 --> 01:06:40,480
Speaker 2: We're going to be friends forever. Let's go to the

1537
01:06:40,480 --> 01:06:42,760
Speaker 2: closet and change and sing a song, whereas this one

1538
01:06:42,880 --> 01:06:45,440
Speaker 2: is like, hey, I'm sorry, Yes that makes.

1539
01:06:45,360 --> 01:06:46,160
Speaker 4: Is that what you think?

1540
01:06:46,360 --> 01:06:46,800
Speaker 1: Yes, that.

1541
01:06:48,480 --> 01:06:49,480
Speaker 4: Makes sense, that's what you think.

1542
01:06:49,560 --> 01:06:51,120
Speaker 2: Like look at each other, like, hey, before we sing

1543
01:06:51,120 --> 01:06:52,919
Speaker 2: a song real quick about how close we are, Let's

1544
01:06:52,960 --> 01:06:54,920
Speaker 2: just go and change real quick. Isn't that a normal

1545
01:06:54,960 --> 01:06:58,360
Speaker 2: girls thing? You and your friends before you held hands

1546
01:06:58,400 --> 01:07:00,360
Speaker 2: in song songs about how you're going to be together forever.

1547
01:07:00,400 --> 01:07:02,600
Speaker 2: Didn't stop for a wardrobe change. Come on, suprime.

1548
01:07:02,720 --> 01:07:05,600
Speaker 4: No, no, well no I disagree.

1549
01:07:05,600 --> 01:07:06,880
Speaker 1: I think you did. I think you did.

1550
01:07:06,880 --> 01:07:09,000
Speaker 2: And then you had a pillow fight and talked about boys.

1551
01:07:09,040 --> 01:07:09,800
Speaker 2: That's what girls do.

1552
01:07:11,840 --> 01:07:12,520
Speaker 1: It's a mountain.

1553
01:07:12,520 --> 01:07:14,520
Speaker 2: Sorry, am I thinking about girls from the fifties that

1554
01:07:14,600 --> 01:07:15,160
Speaker 2: never exist?

1555
01:07:15,280 --> 01:07:18,480
Speaker 4: I know, I'm like, what aver that never happened?

1556
01:07:18,800 --> 01:07:20,160
Speaker 2: In the history of the world. But I was like,

1557
01:07:20,160 --> 01:07:22,600
Speaker 2: why is seriously yelling at the screen? Why did becoming

1558
01:07:22,680 --> 01:07:23,520
Speaker 2: a dragon changer?

1559
01:07:23,640 --> 01:07:24,240
Speaker 1: Dress?

1560
01:07:24,360 --> 01:07:24,840
Speaker 4: Yeah?

1561
01:07:24,840 --> 01:07:29,240
Speaker 2: But anyway, Yes, so reboards. Everybody's clapping. Mal reappears smiling.

1562
01:07:29,280 --> 01:07:30,920
Speaker 2: No one says you were a dragon or anything, and

1563
01:07:30,960 --> 01:07:32,400
Speaker 2: she didn't even know she could do that, but everyone

1564
01:07:32,480 --> 01:07:34,800
Speaker 2: treats it like it's no big deal. The ceremony starts

1565
01:07:34,840 --> 01:07:38,560
Speaker 2: all over now with less monster octopuses or octopi. Actually

1566
01:07:38,560 --> 01:07:41,520
Speaker 2: it's octopuses by the way, and Evie has a request.

1567
01:07:41,640 --> 01:07:43,800
Speaker 2: She wants to reach back to the island to help Dizzy.

1568
01:07:43,880 --> 01:07:45,960
Speaker 2: Benci's no problem with that, but Evie isn't done. There's

1569
01:07:45,960 --> 01:07:47,840
Speaker 2: actually a lot of kids on the island who would

1570
01:07:47,840 --> 01:07:50,600
Speaker 2: love oradon and they deserve a chance. So she promises

1571
01:07:50,680 --> 01:07:52,480
Speaker 2: him a list of names, and he says it'll make

1572
01:07:52,480 --> 01:07:54,600
Speaker 2: it happen. Also a brilliant way to bring in new

1573
01:07:54,640 --> 01:07:57,200
Speaker 2: characters that we're going to see in future movies.

1574
01:07:57,640 --> 01:07:59,840
Speaker 1: And the boat captain found mel spellbook.

1575
01:08:00,080 --> 01:08:02,160
Speaker 2: Instead of hanging on to it all this time, she

1576
01:08:02,240 --> 01:08:04,080
Speaker 2: decides to give it to the fairy Godmother to keep

1577
01:08:04,120 --> 01:08:07,520
Speaker 2: in the museum forever, retiring her devious abilities, and with

1578
01:08:07,560 --> 01:08:09,400
Speaker 2: that we got our final song You and Me, a

1579
01:08:09,480 --> 01:08:12,080
Speaker 2: tale of bold and brave love not just between Mel

1580
01:08:12,160 --> 01:08:15,000
Speaker 2: and Ben, but now all of our couples, even Lonnie.

1581
01:08:14,680 --> 01:08:16,280
Speaker 1: And Jay seem to be hitting it off.

1582
01:08:16,600 --> 01:08:18,800
Speaker 2: So it's a big number everyone dancing on a water

1583
01:08:18,880 --> 01:08:22,840
Speaker 2: filled boat and watching fireworks as an EDMDJ plays what

1584
01:08:22,840 --> 01:08:23,320
Speaker 2: do we think.

1585
01:08:23,240 --> 01:08:23,920
Speaker 1: Of this big ending?

1586
01:08:23,920 --> 01:08:27,599
Speaker 2: Did you like the big water splashing and Coreata.

1587
01:08:27,040 --> 01:08:29,439
Speaker 4: Viewing so much of it because I'm like, oh, Will

1588
01:08:29,560 --> 01:08:30,919
Speaker 4: getting his water ditch.

1589
01:08:31,800 --> 01:08:34,320
Speaker 2: I love when they dance in water for no reason,

1590
01:08:34,360 --> 01:08:35,759
Speaker 2: step up two the streets.

1591
01:08:36,000 --> 01:08:39,479
Speaker 4: Yes, that's what I'm saying exactly. I loved it.

1592
01:08:39,560 --> 01:08:42,920
Speaker 3: I thought it was like a great Kenny Ortega finale

1593
01:08:43,520 --> 01:08:49,080
Speaker 3: of amazing dancers visual you know, visuals with the water,

1594
01:08:49,520 --> 01:08:52,559
Speaker 3: the way that they I mean, the partner work that

1595
01:08:52,640 --> 01:08:55,760
Speaker 3: they did it was it was a very high end

1596
01:08:56,120 --> 01:08:59,679
Speaker 3: technique kind of routine, like what the dancers were doing

1597
01:08:59,720 --> 01:09:02,360
Speaker 3: were hard, what they were doing it and dancing in

1598
01:09:02,439 --> 01:09:06,240
Speaker 3: water is not easy and not busting yours all the time, like.

1599
01:09:06,479 --> 01:09:09,200
Speaker 1: Well this is where I saw? Was it? Cameron? At

1600
01:09:09,240 --> 01:09:13,360
Speaker 1: one point he jumps jumps from like a stare.

1601
01:09:13,360 --> 01:09:14,280
Speaker 4: Or step like.

1602
01:09:16,240 --> 01:09:19,120
Speaker 1: Yeah, and then lands in a split. It was like

1603
01:09:19,280 --> 01:09:22,480
Speaker 1: all in water. It was like, oh my god, yes.

1604
01:09:22,479 --> 01:09:24,880
Speaker 3: I mean, I think they did such fun stuff. This

1605
01:09:25,080 --> 01:09:27,320
Speaker 3: was like a really fun way to end the movie.

1606
01:09:27,360 --> 01:09:30,200
Speaker 3: And I started to go ahead and just go, you

1607
01:09:30,240 --> 01:09:31,960
Speaker 3: know what I can get over. I guess I can

1608
01:09:32,400 --> 01:09:35,280
Speaker 3: get over ursula be normal sized next to the boat,

1609
01:09:35,400 --> 01:09:37,080
Speaker 3: just farther away, like I could get over that.

1610
01:09:38,280 --> 01:09:38,880
Speaker 1: And it was great.

1611
01:09:38,960 --> 01:09:39,679
Speaker 4: I thought it was good.

1612
01:09:39,720 --> 01:09:42,320
Speaker 3: It wasn't my favorite song again, I mean, we started

1613
01:09:42,360 --> 01:09:44,720
Speaker 3: off with my favorite song. What's my Name I think

1614
01:09:44,800 --> 01:09:48,200
Speaker 3: is the name of it. That's just so good.

1615
01:09:48,240 --> 01:09:49,840
Speaker 1: So the first one is We're.

1616
01:09:49,520 --> 01:09:52,040
Speaker 4: Right sorry we hit it in the beginning.

1617
01:09:52,200 --> 01:09:55,799
Speaker 3: I want the first couple, first couple of songs really

1618
01:09:55,840 --> 01:09:59,040
Speaker 3: sunk into me, set the tone. But it was great,

1619
01:09:59,120 --> 01:09:59,800
Speaker 3: a great song.

1620
01:10:00,400 --> 01:10:01,240
Speaker 1: I saw a couple things.

1621
01:10:01,280 --> 01:10:05,479
Speaker 2: First of all, I thought that the spacing of the

1622
01:10:05,560 --> 01:10:08,920
Speaker 2: musical numbers in this movie was strange. There was some

1623
01:10:08,960 --> 01:10:10,880
Speaker 2: big gaps in between there. There'd be one or two

1624
01:10:10,920 --> 01:10:12,840
Speaker 2: right in a row, and then there'd be giant gaps

1625
01:10:12,840 --> 01:10:14,040
Speaker 2: where until there was another one.

1626
01:10:14,040 --> 01:10:14,559
Speaker 1: So I thought.

1627
01:10:14,439 --> 01:10:17,200
Speaker 3: That that goes along with we're used to watching these

1628
01:10:17,280 --> 01:10:19,519
Speaker 3: musicals round that ninety minute mark.

1629
01:10:19,680 --> 01:10:21,320
Speaker 1: So yeah, they got two.

1630
01:10:22,800 --> 01:10:24,160
Speaker 4: Close to a two hour movie.

1631
01:10:24,200 --> 01:10:28,120
Speaker 3: That you're that that tempo, it's like the tempo of

1632
01:10:28,120 --> 01:10:31,040
Speaker 3: of it, you know, within that space scene that's gonna

1633
01:10:31,040 --> 01:10:33,000
Speaker 3: be different. So I think that's where it lies. But

1634
01:10:33,080 --> 01:10:35,840
Speaker 3: we you know, there's definitely some things that would have

1635
01:10:35,920 --> 01:10:38,519
Speaker 3: been totally fine to leave out.

1636
01:10:38,760 --> 01:10:38,960
Speaker 1: Yeah.

1637
01:10:39,000 --> 01:10:41,519
Speaker 2: The other thing I noticed about this Final Dance is

1638
01:10:41,600 --> 01:10:44,720
Speaker 2: there was a lot of very wide shots which I liked,

1639
01:10:44,760 --> 01:10:48,160
Speaker 2: that were very reminiscent to me of like original West

1640
01:10:48,160 --> 01:10:52,000
Speaker 2: Side Story, where you get kind of these higher up,

1641
01:10:52,160 --> 01:10:56,000
Speaker 2: wider shots where you're really seeing like they're basically there

1642
01:10:56,000 --> 01:10:59,400
Speaker 2: are times, especially Evie, they're looking right at the camera. Yeah,

1643
01:10:59,439 --> 01:11:02,519
Speaker 2: it's like they're they're part of a big dance company

1644
01:11:02,600 --> 01:11:04,680
Speaker 2: and you're seeing the entire thing going, and then you're

1645
01:11:04,720 --> 01:11:08,000
Speaker 2: cutting in for individual moves and individual shots. But they

1646
01:11:08,080 --> 01:11:09,880
Speaker 2: had some of the big, the big kind of old

1647
01:11:09,920 --> 01:11:11,200
Speaker 2: school music.

1648
01:11:11,040 --> 01:11:12,800
Speaker 4: Halls, and I loved it.

1649
01:11:12,880 --> 01:11:15,800
Speaker 3: I loved it for this movie specifically because that's how

1650
01:11:15,800 --> 01:11:17,280
Speaker 3: we ended the first movie too.

1651
01:11:17,560 --> 01:11:18,640
Speaker 4: This is what I this is.

1652
01:11:18,640 --> 01:11:20,360
Speaker 1: What I big numbers. It's always how you end.

1653
01:11:20,439 --> 01:11:23,200
Speaker 3: Yeah, And but same thing with those big shots, you'd

1654
01:11:23,240 --> 01:11:25,920
Speaker 3: get the really cool, like whatever the set is, you know,

1655
01:11:25,960 --> 01:11:30,240
Speaker 3: you get a vibe of like just a big crazy energy,

1656
01:11:30,479 --> 01:11:33,679
Speaker 3: and we did it the same same way the first

1657
01:11:33,720 --> 01:11:35,559
Speaker 3: movie was so I love that again.

1658
01:11:35,600 --> 01:11:36,599
Speaker 4: We're getting that again.

1659
01:11:36,800 --> 01:11:38,720
Speaker 1: You know me too in the second movie, me too.

1660
01:11:38,720 --> 01:11:41,040
Speaker 1: I thought it was great, but we're not done. There's

1661
01:11:41,080 --> 01:11:41,719
Speaker 1: one more scene.

1662
01:11:41,760 --> 01:11:43,799
Speaker 2: Dizzy is in her workshop when a handful of Oredon

1663
01:11:43,840 --> 01:11:47,160
Speaker 2: officials enter with Ben's invite off the island to go

1664
01:11:47,240 --> 01:11:50,000
Speaker 2: and join the school. She gleefully accepts, which is a

1665
01:11:50,080 --> 01:11:53,519
Speaker 2: very happy moment, but on a less happy ending. We

1666
01:11:53,600 --> 01:11:56,000
Speaker 2: get one last look at the ocean and then uma

1667
01:11:56,080 --> 01:11:59,120
Speaker 2: octopus monster emerges. She looks directly at the camera and

1668
01:11:59,240 --> 01:12:02,240
Speaker 2: devilishly asked the audience if they really thought that was

1669
01:12:02,280 --> 01:12:03,320
Speaker 2: the end of the story.

1670
01:12:03,720 --> 01:12:04,960
Speaker 1: It obviously isn't.

1671
01:12:05,439 --> 01:12:08,439
Speaker 2: That's our movie, but a great tease for Descendants three

1672
01:12:09,200 --> 01:12:12,960
Speaker 2: or twa again in France, in France where this is

1673
01:12:13,000 --> 01:12:25,920
Speaker 2: big descend. So it's time for our real reviews, and

1674
01:12:26,200 --> 01:12:27,880
Speaker 2: I think this week I have the joy of the

1675
01:12:27,880 --> 01:12:31,559
Speaker 2: one star review. This is from Devin L. I thought

1676
01:12:31,560 --> 01:12:34,160
Speaker 2: this movie was inappropriate for Disney Studios. I love the

1677
01:12:34,200 --> 01:12:36,600
Speaker 2: movie that there was too much physical contact for my

1678
01:12:36,720 --> 01:12:41,519
Speaker 2: children to watch. What what does that mean? Just straight

1679
01:12:41,560 --> 01:12:45,160
Speaker 2: up physical con nobody's made. There's one kiss there might

1680
01:12:45,200 --> 01:12:48,759
Speaker 2: be some hugging. Nope, there's nobody lying down, grinding on anybody,

1681
01:12:48,800 --> 01:12:50,240
Speaker 2: like what what not even.

1682
01:12:50,040 --> 01:12:54,479
Speaker 4: A little bit? I mean, she better not. What was

1683
01:12:54,520 --> 01:12:55,280
Speaker 4: our last movie?

1684
01:12:55,520 --> 01:12:56,720
Speaker 1: Oh yeah, Wish upon a Star.

1685
01:12:57,240 --> 01:13:02,559
Speaker 4: I cannot be watching Star because gonna like this six scenes. Yeah,

1686
01:13:02,800 --> 01:13:04,639
Speaker 4: this isn't even like PG. Thirteen.

1687
01:13:04,760 --> 01:13:07,920
Speaker 1: This is so g rated, perfect, perfect amount. It was.

1688
01:13:08,000 --> 01:13:11,639
Speaker 1: There wasn't a problem with that. Our our producer Lisa

1689
01:13:11,680 --> 01:13:11,920
Speaker 1: is right.

1690
01:13:11,960 --> 01:13:14,439
Speaker 2: You just wrote Harry, Harry the hook singing he'd eliminate

1691
01:13:14,520 --> 01:13:17,880
Speaker 2: and debilitate someone. Didn't upset her more than quote unquote touching. Yes,

1692
01:13:17,920 --> 01:13:20,599
Speaker 2: that is absolutely true. That's always the way it is.

1693
01:13:21,520 --> 01:13:24,639
Speaker 2: So you have the five star this week, and.

1694
01:13:24,720 --> 01:13:28,720
Speaker 3: This seems like the review I would do. All right,

1695
01:13:29,040 --> 01:13:32,920
Speaker 3: it is by bizar h. This is the best movie.

1696
01:13:33,439 --> 01:13:35,439
Speaker 3: I wish I was in this movie.

1697
01:13:35,720 --> 01:13:36,120
Speaker 4: Agreed.

1698
01:13:37,000 --> 01:13:39,439
Speaker 3: At least some people got a chance to be in

1699
01:13:39,479 --> 01:13:43,920
Speaker 3: this movie. I'm a nine year old girl. I just

1700
01:13:44,080 --> 01:13:48,599
Speaker 3: love this movie. This was incredible. I listened to every song.

1701
01:13:48,920 --> 01:13:50,479
Speaker 3: Thanks for all your hard work.

1702
01:13:51,040 --> 01:13:51,640
Speaker 4: Goodbye.

1703
01:13:51,960 --> 01:13:56,000
Speaker 1: Yeah, that's kind of says it. Thanks. That's a very

1704
01:13:56,000 --> 01:13:57,160
Speaker 1: as student from a nine year old.

1705
01:13:57,800 --> 01:13:59,759
Speaker 2: And now we come, of course, to Sabrina's favorite portion

1706
01:13:59,800 --> 01:14:02,439
Speaker 2: of program. This is our feature game of the week,

1707
01:14:02,840 --> 01:14:07,280
Speaker 2: and this one we have now, Sabrina, I hope you

1708
01:14:07,360 --> 01:14:13,360
Speaker 2: kill this because I this one's called obscure. Disney's not

1709
01:14:13,400 --> 01:14:15,720
Speaker 2: every character for the world's most popular movie studio is

1710
01:14:15,720 --> 01:14:19,040
Speaker 2: as popular as Mickey Haha or Minnie or Goofy.

1711
01:14:19,080 --> 01:14:20,360
Speaker 1: Some are a little more obscure.

1712
01:14:20,520 --> 01:14:23,000
Speaker 2: We're gonna get the description of an off the Beaten

1713
01:14:23,080 --> 01:14:26,040
Speaker 2: Path Disney character, and we have to guess who they're

1714
01:14:26,080 --> 01:14:29,160
Speaker 2: talking about. Three out of five win. I think it's

1715
01:14:29,200 --> 01:14:31,559
Speaker 2: the name of some obscure one. Do we have producer

1716
01:14:31,600 --> 01:14:33,599
Speaker 2: Jensen today or do we have somebody else with us today?

1717
01:14:34,000 --> 01:14:34,919
Speaker 4: We have MICHAELA.

1718
01:14:35,360 --> 01:14:38,560
Speaker 1: Oh, Mikayla's with us today. At least when we lose.

1719
01:14:38,280 --> 01:14:41,479
Speaker 2: It'll be in a much softer, nicer tone than when

1720
01:14:41,520 --> 01:14:46,200
Speaker 2: producer Jensen joins us. Okay, so number one, this is

1721
01:14:46,360 --> 01:14:49,719
Speaker 2: Lady and the Tramp's son from the hardly known sequel

1722
01:14:49,760 --> 01:14:52,439
Speaker 2: to Lady in the Tramp. Is it a pup b

1723
01:14:53,040 --> 01:14:56,559
Speaker 2: spot Ce, Scamp or d Buster?

1724
01:14:58,520 --> 01:15:01,000
Speaker 1: What do you got, Sabrina, Oh.

1725
01:15:03,040 --> 01:15:04,080
Speaker 4: I think it's Scamp.

1726
01:15:04,560 --> 01:15:06,400
Speaker 1: I'm going to agree. I'm going to agree with you.

1727
01:15:06,479 --> 01:15:08,040
Speaker 1: I don't know either, but I'm gonna say it's.

1728
01:15:07,960 --> 01:15:11,160
Speaker 4: A scam, or I say I think I'll go scam.

1729
01:15:11,520 --> 01:15:13,560
Speaker 4: You're right, it is yes.

1730
01:15:13,560 --> 01:15:14,919
Speaker 1: One for us. Okay.

1731
01:15:15,120 --> 01:15:18,880
Speaker 2: Number two, This tiny crook sells pirated DVDs of other

1732
01:15:18,960 --> 01:15:22,280
Speaker 2: Disney movies in a z Utopia cameo. There's a whole

1733
01:15:22,280 --> 01:15:24,040
Speaker 2: lot of words there I don't understand in a row.

1734
01:15:24,640 --> 01:15:30,639
Speaker 2: Is it a Duke Weasleton, B, Captain, cheapskate, ce, Prince,

1735
01:15:30,720 --> 01:15:31,800
Speaker 2: Priceless or.

1736
01:15:31,880 --> 01:15:35,040
Speaker 4: D Sneaky beat Sneaky Pete.

1737
01:15:36,640 --> 01:15:39,840
Speaker 2: I don't know the answer, but it's such an awesome name.

1738
01:15:40,160 --> 01:15:41,720
Speaker 2: Part of me hopes it's right, and part of me

1739
01:15:41,760 --> 01:15:44,080
Speaker 2: hopes producer Jensen just made it up. But I want

1740
01:15:44,080 --> 01:15:47,400
Speaker 2: to go with Duke Weaseleton just because it's an awesome name.

1741
01:15:47,439 --> 01:15:50,320
Speaker 1: So I'm gonna say a Duke Weaselton. You're right. Well,

1742
01:15:52,000 --> 01:15:55,240
Speaker 1: oh my gosh, I was totally making up because Sneaky.

1743
01:15:54,920 --> 01:15:58,440
Speaker 4: Pet just got into this new this movie is Utopia.

1744
01:15:58,560 --> 01:16:02,360
Speaker 1: Okay, it's good. I've never seen it. Duke Weaselton, what

1745
01:16:02,400 --> 01:16:04,000
Speaker 1: a great name. Number three.

1746
01:16:04,160 --> 01:16:08,080
Speaker 2: This purple dragon is the cult favorite mascot for Epcot Orlando.

1747
01:16:08,360 --> 01:16:12,800
Speaker 2: Is it a tally Wag, B Palette, C friendly or

1748
01:16:12,920 --> 01:16:14,439
Speaker 2: D figment?

1749
01:16:18,200 --> 01:16:20,960
Speaker 4: I don't know. I'll go a D figment.

1750
01:16:21,040 --> 01:16:23,720
Speaker 2: I guess it is D figment, figment because it's the

1751
01:16:23,720 --> 01:16:25,679
Speaker 2: figment of your imagination, the little purple dragon.

1752
01:16:25,720 --> 01:16:27,000
Speaker 1: I still have my figment? Am I?

1753
01:16:27,080 --> 01:16:27,280
Speaker 4: Right?

1754
01:16:27,680 --> 01:16:29,400
Speaker 1: Purple? Wait?

1755
01:16:29,520 --> 01:16:30,840
Speaker 4: Where is it?

1756
01:16:30,840 --> 01:16:32,880
Speaker 2: It was the he was the mascot of all of

1757
01:16:32,920 --> 01:16:35,360
Speaker 2: Epcot Center was figment, which is this tiny little purple

1758
01:16:35,439 --> 01:16:38,920
Speaker 2: dragon because he's supposed to be a figment of everybody's imagination. Okay,

1759
01:16:39,000 --> 01:16:43,360
Speaker 2: and so that I am somehow three for three people

1760
01:16:43,439 --> 01:16:43,800
Speaker 2: they know?

1761
01:16:44,240 --> 01:16:46,800
Speaker 1: Wow, I don't know how. That is number four?

1762
01:16:47,000 --> 01:16:51,599
Speaker 2: Another thief, this bumbling moron adopts Oliver before Jenny comes

1763
01:16:51,600 --> 01:16:56,920
Speaker 2: along in Oliver and Company. Yi is a shen Zi

1764
01:16:57,280 --> 01:17:01,400
Speaker 2: b Amos, ce Fagan or d tell your ride.

1765
01:17:01,840 --> 01:17:03,320
Speaker 1: I'll go first this time. I won't make you pick

1766
01:17:03,320 --> 01:17:03,680
Speaker 1: every time.

1767
01:17:03,720 --> 01:17:07,360
Speaker 2: I don't know the answer, but I'm gonna guess, b Amos,

1768
01:17:08,200 --> 01:17:09,880
Speaker 2: it's my guess.

1769
01:17:10,400 --> 01:17:14,960
Speaker 3: I actually think I want to go with that one too, Okay, Amos, Yeah, Okay,

1770
01:17:15,040 --> 01:17:15,479
Speaker 3: you're wrong.

1771
01:17:15,560 --> 01:17:16,080
Speaker 2: It is C.

1772
01:17:17,400 --> 01:17:20,600
Speaker 1: Hagan. Okay, Hagan, I have not seen that.

1773
01:17:20,640 --> 01:17:22,760
Speaker 2: I already won, because three out of five this is

1774
01:17:22,800 --> 01:17:24,920
Speaker 2: all just this is all this the joy trying to

1775
01:17:24,960 --> 01:17:28,280
Speaker 2: help me. Number five these hired henchmen try and kidnap

1776
01:17:28,320 --> 01:17:31,480
Speaker 2: the Dalmatian puppies for Corella in one hundred and one Dalmatians?

1777
01:17:31,560 --> 01:17:35,120
Speaker 2: Is it a Jose and Azzi, b Adonis and Randy,

1778
01:17:35,280 --> 01:17:38,040
Speaker 2: See Hugh and mung Or, D Jasper and Horace.

1779
01:17:39,200 --> 01:17:42,960
Speaker 1: Ooh, I haven't seen it since I was a kid.

1780
01:17:43,320 --> 01:17:46,479
Speaker 1: I know I'm gonna say, see Hugh and mung.

1781
01:17:47,479 --> 01:17:52,960
Speaker 4: I'm gonna do D Jasper and Horace. You're correct?

1782
01:17:53,200 --> 01:17:56,559
Speaker 1: Yeah, so we both won. Yeah.

1783
01:17:56,680 --> 01:18:00,640
Speaker 2: See when Jensen's not here, good vibes happen. And thank you,

1784
01:18:00,720 --> 01:18:01,920
Speaker 2: mkayl I appreciate that.

1785
01:18:02,400 --> 01:18:03,679
Speaker 1: Can we do some Sabrina sease?

1786
01:18:07,960 --> 01:18:08,479
Speaker 2: We can?

1787
01:18:08,920 --> 01:18:11,559
Speaker 3: It starts right at the top when we come out

1788
01:18:11,600 --> 01:18:17,479
Speaker 3: of Mouth's daydream, when the when the the reporter is

1789
01:18:17,520 --> 01:18:19,600
Speaker 3: asking her all these like quick questions, and then the

1790
01:18:19,680 --> 01:18:20,519
Speaker 3: last one is is.

1791
01:18:20,439 --> 01:18:21,479
Speaker 4: Your mother still a lizard?

1792
01:18:26,840 --> 01:18:28,760
Speaker 1: Is your mother still a lizard?

1793
01:18:31,240 --> 01:18:32,920
Speaker 3: I had a lot to say about the talking dog,

1794
01:18:33,000 --> 01:18:36,799
Speaker 3: but we've already gone through that, so we will move on.

1795
01:18:39,080 --> 01:18:42,439
Speaker 4: The like the chillen like a villain. I felt was again.

1796
01:18:42,600 --> 01:18:45,639
Speaker 3: We talked a little bit, but the old school Kenny

1797
01:18:45,760 --> 01:18:48,840
Speaker 3: Ortega just getting into it gave me a lot of

1798
01:18:48,920 --> 01:18:56,400
Speaker 3: thriller esque vibes within their like movement, and I loved it. Yes,

1799
01:18:56,479 --> 01:18:59,280
Speaker 3: it did like the shoulders they like lean to the

1800
01:18:59,400 --> 01:19:01,160
Speaker 3: side like the There was a lot of stuff.

1801
01:19:00,880 --> 01:19:04,040
Speaker 4: That they did which was awesome. We didn't talk about it.

1802
01:19:04,040 --> 01:19:08,639
Speaker 3: I thought you would absolutely hit this is our crown

1803
01:19:08,720 --> 01:19:10,680
Speaker 3: got an upgrade. I don't know if you remember that.

1804
01:19:10,840 --> 01:19:13,880
Speaker 1: I don't remember, but we didn't like it. Right, It was.

1805
01:19:15,360 --> 01:19:20,160
Speaker 3: Like of twenty five cent crown that you would get

1806
01:19:20,240 --> 01:19:22,720
Speaker 3: from like a claw machine. It was so it was

1807
01:19:22,800 --> 01:19:26,200
Speaker 3: so awful. The crown got an upgrade. However, did it

1808
01:19:26,280 --> 01:19:30,800
Speaker 3: seem to have been fitted to our Ben character because

1809
01:19:30,800 --> 01:19:33,880
Speaker 3: it didn't write shiny head and this giant crown that

1810
01:19:34,000 --> 01:19:37,000
Speaker 3: like had so much space around it. So although it

1811
01:19:37,040 --> 01:19:39,760
Speaker 3: got a it got a great upgrade. It looked ginormous

1812
01:19:39,760 --> 01:19:44,760
Speaker 3: on his head. Uh did you notice another Easter egg?

1813
01:19:44,800 --> 01:19:47,839
Speaker 3: We didn't mention this one, but it was a remake

1814
01:19:47,880 --> 01:19:50,160
Speaker 3: of kiss the Girl when they were doing the waltz

1815
01:19:50,240 --> 01:19:51,000
Speaker 3: him much.

1816
01:19:51,120 --> 01:19:53,280
Speaker 1: I did see that there was another one. There was

1817
01:19:53,320 --> 01:19:55,920
Speaker 1: kissing the girl. There was something else that was great.

1818
01:19:56,040 --> 01:19:58,559
Speaker 3: Yes, there was another one. I don't think I wrote

1819
01:19:58,560 --> 01:19:59,120
Speaker 3: it down.

1820
01:19:58,960 --> 01:20:01,599
Speaker 1: Though there was something else. We saw another like Easter egg.

1821
01:20:02,000 --> 01:20:03,719
Speaker 4: Yes, so I did love that.

1822
01:20:03,720 --> 01:20:06,200
Speaker 3: That was such a great again if you're a Disney

1823
01:20:06,200 --> 01:20:09,240
Speaker 3: fanatic and you got to see it. And then we

1824
01:20:09,439 --> 01:20:12,240
Speaker 3: literally went through all of my spiencies. This movie was

1825
01:20:12,320 --> 01:20:14,160
Speaker 3: just so good. There was just so much to say,

1826
01:20:14,240 --> 01:20:18,200
Speaker 3: so like, I can't I couldn't, Like I literally all

1827
01:20:18,280 --> 01:20:19,040
Speaker 3: everything that.

1828
01:20:18,960 --> 01:20:19,679
Speaker 4: We went through.

1829
01:20:20,760 --> 01:20:22,240
Speaker 1: You couldn't criticize it. I know.

1830
01:20:22,280 --> 01:20:24,000
Speaker 3: It was just it's like we already talked about it.

1831
01:20:24,000 --> 01:20:27,120
Speaker 3: I couldn't hold myself back and do it. But the

1832
01:20:27,200 --> 01:20:29,720
Speaker 3: last thing was what did what did you This is

1833
01:20:29,720 --> 01:20:31,519
Speaker 3: more of a question to you, what did you think

1834
01:20:31,560 --> 01:20:36,880
Speaker 3: about the scene where they all sit down and have

1835
01:20:37,000 --> 01:20:42,080
Speaker 3: this powow the conversation and he's like, no, yes, what

1836
01:20:42,120 --> 01:20:44,920
Speaker 3: did you think about? Was actually said to me. It

1837
01:20:45,000 --> 01:20:48,200
Speaker 3: was kind of like, why are they acting like Ben's

1838
01:20:48,200 --> 01:20:50,960
Speaker 3: been this bad guy and he can't see who you are.

1839
01:20:51,040 --> 01:20:52,000
Speaker 4: It's like more so like.

1840
01:20:52,320 --> 01:20:55,240
Speaker 3: No, mal, why don't you like open your eyes here

1841
01:20:55,800 --> 01:20:59,360
Speaker 3: and see that this guy's a great guy. He definitely

1842
01:20:59,400 --> 01:21:01,240
Speaker 3: loves you, And I think this is a you thing.

1843
01:21:01,280 --> 01:21:02,599
Speaker 3: I don't think this is a Hymn thing.

1844
01:21:03,000 --> 01:21:03,839
Speaker 1: I don't disagree.

1845
01:21:03,840 --> 01:21:05,320
Speaker 2: There was a lot of times where he was also

1846
01:21:05,439 --> 01:21:08,439
Speaker 2: apologizing for stuff that he didn't do right.

1847
01:21:08,640 --> 01:21:10,200
Speaker 3: And that that was like that, I feel like that

1848
01:21:10,320 --> 01:21:13,880
Speaker 3: was a miss like a point missed on what the

1849
01:21:14,080 --> 01:21:17,040
Speaker 3: like because we get there at the end, she said

1850
01:21:17,080 --> 01:21:18,920
Speaker 3: the reason why I didn't tell you I loved you

1851
01:21:19,080 --> 01:21:22,000
Speaker 3: was because of me, Like that was a thing. Her

1852
01:21:22,120 --> 01:21:25,000
Speaker 3: advice from her friends wasn't really necessarily like that. It

1853
01:21:25,080 --> 01:21:26,639
Speaker 3: was like, look, if he doesn't like you for where

1854
01:21:26,720 --> 01:21:28,600
Speaker 3: you are, homie could kick rocks, like.

1855
01:21:28,640 --> 01:21:31,280
Speaker 1: Let's just get loved with good advice from your friends.

1856
01:21:31,320 --> 01:21:31,840
Speaker 1: But to.

1857
01:21:34,200 --> 01:21:36,920
Speaker 3: Exactly, he wasn't treating her bad ever, not once he

1858
01:21:36,960 --> 01:21:38,680
Speaker 3: went all the way over to a place where he

1859
01:21:38,680 --> 01:21:39,799
Speaker 3: should not have been.

1860
01:21:39,920 --> 01:21:41,800
Speaker 1: To apologize for something he didn't do.

1861
01:21:41,880 --> 01:21:44,360
Speaker 3: To apologize for something he didn't do, he got captured,

1862
01:21:44,400 --> 01:21:47,000
Speaker 3: then came back, and then like still you're upset, Like

1863
01:21:47,280 --> 01:21:49,120
Speaker 3: what does this guy gotta do? I mean, he gave

1864
01:21:49,160 --> 01:21:52,439
Speaker 3: you a purple moped. You clearly forget everything about all

1865
01:21:52,479 --> 01:21:55,400
Speaker 3: the promises with the picnics like mal come on.

1866
01:21:58,360 --> 01:22:00,640
Speaker 4: As a friend, but I think this is a you know.

1867
01:22:00,720 --> 01:22:01,200
Speaker 1: It doesn't it?

1868
01:22:01,240 --> 01:22:04,800
Speaker 2: Also, though it's a little kind of stereotypical that she

1869
01:22:06,360 --> 01:22:08,559
Speaker 2: kind of realizes how much she's in love with him

1870
01:22:08,600 --> 01:22:10,080
Speaker 2: when she sees him with another woman.

1871
01:22:11,400 --> 01:22:14,639
Speaker 3: Yes, but sometimes that's what it takes.

1872
01:22:14,280 --> 01:22:18,160
Speaker 2: But it's like it is it or is it just like, well,

1873
01:22:18,760 --> 01:22:20,559
Speaker 2: now I want him because somebody else does.

1874
01:22:20,800 --> 01:22:24,679
Speaker 3: Yeah, But I do think that she showed up ready

1875
01:22:24,720 --> 01:22:29,320
Speaker 3: to like have that now that she's comfortable, she's ready

1876
01:22:29,360 --> 01:22:31,400
Speaker 3: to be in her own skin, she's ready to do that.

1877
01:22:31,600 --> 01:22:33,200
Speaker 4: So she showed up. And then yes, I mean they

1878
01:22:33,240 --> 01:22:35,439
Speaker 4: hit it over the head with the with the new thing.

1879
01:22:35,520 --> 01:22:40,080
Speaker 3: But you know, it is more so like this friendship

1880
01:22:40,120 --> 01:22:42,840
Speaker 3: talk because I think again, like I think looking at

1881
01:22:42,960 --> 01:22:45,840
Speaker 3: what I want my kids to see and Disney Channel

1882
01:22:45,960 --> 01:22:47,920
Speaker 3: is the best way to like have these like kind

1883
01:22:48,000 --> 01:22:51,320
Speaker 3: of conversations of how to interact with your friends. And

1884
01:22:51,360 --> 01:22:52,840
Speaker 3: to me, I'm like, we needed to be a little

1885
01:22:52,880 --> 01:22:54,880
Speaker 3: bit harshrn Mel. We need to see that this is

1886
01:22:54,920 --> 01:22:58,000
Speaker 3: a hurt issue. This is not ben This is you girl,

1887
01:22:58,520 --> 01:23:01,040
Speaker 3: this is you, I love you.

1888
01:23:00,439 --> 01:23:06,040
Speaker 1: This is this is a mal problem. This is a problem.

1889
01:23:06,120 --> 01:23:09,040
Speaker 2: Oh well, thank you, Sabrina. And now of course it

1890
01:23:09,080 --> 01:23:11,040
Speaker 2: is time that we rate our lovely film.

1891
01:23:11,080 --> 01:23:12,240
Speaker 1: And I know what are we.

1892
01:23:12,200 --> 01:23:13,960
Speaker 4: Going to how what is it?

1893
01:23:14,120 --> 01:23:16,120
Speaker 2: First of all, let's decide this week to go one

1894
01:23:16,160 --> 01:23:20,360
Speaker 2: to ten, okay, and we'll make one the worst okay,

1895
01:23:21,479 --> 01:23:21,800
Speaker 2: got it.

1896
01:23:22,160 --> 01:23:23,559
Speaker 1: So our option this week is it.

1897
01:23:23,479 --> 01:23:26,680
Speaker 2: One to ten fields to play at a cotillion. One

1898
01:23:26,720 --> 01:23:30,759
Speaker 2: to ten nerdy assistant love interests. One to ten very

1899
01:23:30,800 --> 01:23:35,120
Speaker 2: poorly hidden mopeds, fake hooks, to be like your dad,

1900
01:23:35,760 --> 01:23:41,439
Speaker 2: goth high schoolers. One to ten spray painted masterpieces, reasonable island,

1901
01:23:41,479 --> 01:23:43,080
Speaker 2: political and economical beliefs.

1902
01:23:45,000 --> 01:23:46,519
Speaker 1: One to ten female fencers.

1903
01:23:46,920 --> 01:23:50,559
Speaker 2: One to ten useless storylines for guys named Chad, or

1904
01:23:50,640 --> 01:23:53,559
Speaker 2: one to ten fire breathing dragons no big deal, which

1905
01:23:53,680 --> 01:23:56,120
Speaker 2: uh nbdd.

1906
01:23:58,080 --> 01:24:00,160
Speaker 3: I think I want to go with the useless story

1907
01:24:00,320 --> 01:24:04,200
Speaker 3: for guys' Chad because it's just it was really.

1908
01:24:04,320 --> 01:24:06,320
Speaker 4: I kept and I like his character.

1909
01:24:07,080 --> 01:24:09,960
Speaker 3: Hopefully in the future we're gonna see his character is

1910
01:24:10,000 --> 01:24:10,599
Speaker 3: gonna develop.

1911
01:24:10,680 --> 01:24:11,559
Speaker 4: That's the only thing I.

1912
01:24:11,479 --> 01:24:14,840
Speaker 2: Can Your idea to Kim going to the island and

1913
01:24:14,880 --> 01:24:17,840
Speaker 2: then that squeaky clean Chad guy going and living on

1914
01:24:17,880 --> 01:24:19,240
Speaker 2: the island and getting more dirty.

1915
01:24:19,280 --> 01:24:21,240
Speaker 1: That's that's totally what you gotta do with the character.

1916
01:24:21,280 --> 01:24:23,880
Speaker 3: That's a great I love it, But so we're gonna

1917
01:24:23,920 --> 01:24:25,840
Speaker 3: go if you don't mind, we're gonna go with that.

1918
01:24:26,040 --> 01:24:27,759
Speaker 2: I don't mind at all, and I think I rated

1919
01:24:27,760 --> 01:24:30,479
Speaker 2: first last time, So it is your turn to rate

1920
01:24:30,520 --> 01:24:33,760
Speaker 2: the film. What how many useless storylines for guys named

1921
01:24:33,800 --> 01:24:37,160
Speaker 2: Chad do you give this film?

1922
01:24:37,479 --> 01:24:41,639
Speaker 3: Okay, So I'm in love with this franchise. I think

1923
01:24:41,720 --> 01:24:45,200
Speaker 3: this is all things Disney needs on the channel, on

1924
01:24:45,320 --> 01:24:48,840
Speaker 3: Disney Plus, on ABC. I'm down with it being on

1925
01:24:49,760 --> 01:24:53,439
Speaker 3: I'm down with it being across every single platform out there.

1926
01:24:54,640 --> 01:24:57,800
Speaker 3: I am a Disney fanatic. I love that I go

1927
01:24:57,920 --> 01:25:00,880
Speaker 3: to Disneyland just to find Easter eggs sometimes, Like I

1928
01:25:00,960 --> 01:25:05,080
Speaker 3: really love this kind of uh proud Disney girld. I

1929
01:25:05,120 --> 01:25:08,920
Speaker 3: am in a Disney adult and I think the way

1930
01:25:08,960 --> 01:25:11,200
Speaker 3: they are so again all of the stuff that we

1931
01:25:11,240 --> 01:25:13,360
Speaker 3: got from Ursula and all that. Yeah, it was weird

1932
01:25:13,360 --> 01:25:15,680
Speaker 3: to see fish and chips, but like whatever, Like it's

1933
01:25:15,760 --> 01:25:19,599
Speaker 3: cute that she has like a you know, her own restaurant.

1934
01:25:19,640 --> 01:25:19,960
Speaker 1: Whatever.

1935
01:25:22,280 --> 01:25:26,400
Speaker 3: I the only thing I feel like was hard for

1936
01:25:26,439 --> 01:25:30,559
Speaker 3: me was that extra amount of time over the ninety minutes.

1937
01:25:30,840 --> 01:25:33,800
Speaker 3: I think that if those small little things had been

1938
01:25:33,920 --> 01:25:37,720
Speaker 3: just tightened up and taken out, it would have been

1939
01:25:37,760 --> 01:25:40,960
Speaker 3: a little bit of a better watch for me. Because

1940
01:25:41,000 --> 01:25:42,880
Speaker 3: now I am used to I am we are doing

1941
01:25:42,920 --> 01:25:45,559
Speaker 3: these ninety minute movies over and over and over again,

1942
01:25:45,560 --> 01:25:48,559
Speaker 3: and it's like when it's not that it's hard. And

1943
01:25:48,640 --> 01:25:51,000
Speaker 3: I wasn't going to watch a feature film. I was

1944
01:25:51,040 --> 01:25:54,120
Speaker 3: going to watch a Disney dcom. So that's the only

1945
01:25:54,160 --> 01:25:56,280
Speaker 3: thing that was like a hard knock for me. Other

1946
01:25:56,360 --> 01:26:03,120
Speaker 3: than that, I'm giving this a nine. Uh useless storylines

1947
01:26:03,200 --> 01:26:05,320
Speaker 3: for guys name Chad nine.

1948
01:26:05,520 --> 01:26:08,880
Speaker 1: A nine. That's a solid nine. That's a good, solid nine.

1949
01:26:08,920 --> 01:26:09,400
Speaker 1: That's good.

1950
01:26:09,439 --> 01:26:15,720
Speaker 2: That's a good score. I agree with you totally. I

1951
01:26:15,760 --> 01:26:18,920
Speaker 2: think it's too long a little bit. It's a wonderful franchise.

1952
01:26:19,640 --> 01:26:23,240
Speaker 2: It is so Disney. It's bright, it's colorful.

1953
01:26:23,280 --> 01:26:25,759
Speaker 1: The music is good, the acting is good, the dancing

1954
01:26:25,840 --> 01:26:28,880
Speaker 1: is good. I'm engaged with the characters. I like the

1955
01:26:28,920 --> 01:26:29,759
Speaker 1: world they've built.

1956
01:26:29,800 --> 01:26:31,519
Speaker 2: Some of the rules get a little muddled, but I

1957
01:26:31,560 --> 01:26:34,080
Speaker 2: like the world that they built. That being said, I

1958
01:26:34,080 --> 01:26:37,320
Speaker 2: had two problems with this film. The first is the length.

1959
01:26:37,600 --> 01:26:39,160
Speaker 2: It was too long. They could have cut a bunch

1960
01:26:39,160 --> 01:26:42,000
Speaker 2: of stuff. It's not even a Tenson span stuff. It's

1961
01:26:42,160 --> 01:26:44,240
Speaker 2: just keep it moving. It's a Disney Channel movie.

1962
01:26:44,280 --> 01:26:44,760
Speaker 1: Keep it moving.

1963
01:26:44,800 --> 01:26:45,000
Speaker 6: Yes.

1964
01:26:45,680 --> 01:26:48,200
Speaker 2: Number two the problem I had is the special effects

1965
01:26:48,200 --> 01:26:51,479
Speaker 2: at the end were not very special. And because of

1966
01:26:51,520 --> 01:26:53,519
Speaker 2: those two, I am going to knock it down half

1967
01:26:53,520 --> 01:26:57,879
Speaker 2: a point and I'm going to give it eight point five. Wowtylines,

1968
01:26:58,840 --> 01:27:01,360
Speaker 2: it was it had the movie tightened by fifteen minutes,

1969
01:27:02,000 --> 01:27:06,120
Speaker 2: and had they been able to bump up those effects

1970
01:27:06,200 --> 01:27:07,880
Speaker 2: just a little bit, this could easily have been a

1971
01:27:07,960 --> 01:27:08,800
Speaker 2: nine point five to me.

1972
01:27:08,880 --> 01:27:11,479
Speaker 1: This was again for it is they're great.

1973
01:27:11,400 --> 01:27:14,200
Speaker 4: Thing different than her turning into an octopus. That's like

1974
01:27:14,600 --> 01:27:14,920
Speaker 4: the same.

1975
01:27:15,040 --> 01:27:16,880
Speaker 2: I get why they're doing it, but then you gotta

1976
01:27:17,000 --> 01:27:19,680
Speaker 2: you gotta make it look decent. I mean, it's it

1977
01:27:19,760 --> 01:27:23,720
Speaker 2: when it takes you out, when you have the The

1978
01:27:23,800 --> 01:27:27,160
Speaker 2: dragon doesn't look very good the but I thought that I.

1979
01:27:27,080 --> 01:27:29,880
Speaker 4: Was given the dragon props. It was so much better

1980
01:27:29,920 --> 01:27:31,800
Speaker 4: than the first one. That shouldn't be that.

1981
01:27:32,200 --> 01:27:34,600
Speaker 2: Your baseline shouldn't be that it was better than the

1982
01:27:34,680 --> 01:27:35,839
Speaker 2: last one, which was awful.

1983
01:27:37,120 --> 01:27:38,760
Speaker 1: So it just and again we don't know.

1984
01:27:38,800 --> 01:27:40,679
Speaker 2: As the movies get up there, the movies are gonna

1985
01:27:40,760 --> 01:27:43,160
Speaker 2: start getting thirty forty fifty million dollar budgets. When that

1986
01:27:43,280 --> 01:27:46,759
Speaker 2: starts to happen, yeah, then you're talking a whole new world.

1987
01:27:46,960 --> 01:27:48,439
Speaker 1: So a whole new Oh.

1988
01:27:49,160 --> 01:27:51,360
Speaker 4: I've got to do one more Sabritas seas because this

1989
01:27:51,439 --> 01:27:51,960
Speaker 4: is a big one.

1990
01:27:52,000 --> 01:27:52,720
Speaker 1: Guy, see it up.

1991
01:27:53,080 --> 01:27:54,000
Speaker 4: I'm so sorry.

1992
01:27:54,080 --> 01:27:56,360
Speaker 3: I've got to add this one in because this is

1993
01:27:56,400 --> 01:28:01,840
Speaker 3: a good little, uh little moment. So I Kara sung

1994
01:28:02,880 --> 01:28:05,759
Speaker 3: because we did talk. We didn't really talk this this one.

1995
01:28:06,280 --> 01:28:10,280
Speaker 3: This movie as much about the wardrobe and how phenomenal

1996
01:28:10,520 --> 01:28:14,280
Speaker 3: the wardrobe is. It is to me, I think this

1997
01:28:14,360 --> 01:28:20,160
Speaker 3: wardrobe Trump's zombies words, and it is so good.

1998
01:28:20,160 --> 01:28:21,040
Speaker 4: It is so cool.

1999
01:28:21,120 --> 01:28:23,720
Speaker 3: I wanted like every piece of wardrobe that came out

2000
01:28:24,080 --> 01:28:26,080
Speaker 3: for like a character or for a Halloween costume.

2001
01:28:26,080 --> 01:28:29,080
Speaker 4: I mean, it is so good, so good little thing

2002
01:28:29,160 --> 01:28:29,479
Speaker 4: with her.

2003
01:28:29,960 --> 01:28:32,719
Speaker 3: So my manager had seen her and watched her season

2004
01:28:32,760 --> 01:28:36,600
Speaker 3: she was on Project Runway, and my manager was like,

2005
01:28:36,640 --> 01:28:39,000
Speaker 3: she's perfect, She's got like this like costume thing. So

2006
01:28:39,040 --> 01:28:42,120
Speaker 3: we actually used her for our second or our last tour,

2007
01:28:42,880 --> 01:28:46,800
Speaker 3: and that was before The Descendants came out. And so

2008
01:28:47,280 --> 01:28:50,559
Speaker 3: and I know Kenny came and saw our tour and

2009
01:28:50,600 --> 01:28:52,760
Speaker 3: he came to kind of critique and help us, like

2010
01:28:52,840 --> 01:28:54,840
Speaker 3: just anything that we he thought we could tighten up

2011
01:28:54,880 --> 01:28:57,760
Speaker 3: and stuff. So it's interesting to know that like he

2012
01:28:58,320 --> 01:29:00,160
Speaker 3: whether or not this is how he got the connection

2013
01:29:00,320 --> 01:29:03,240
Speaker 3: or but we were her kind of first, like tiptoe,

2014
01:29:03,320 --> 01:29:08,040
Speaker 3: And yeah, we got to because she would be amazing

2015
01:29:08,080 --> 01:29:10,559
Speaker 3: to talk to because I and that tour. I would

2016
01:29:10,600 --> 01:29:12,559
Speaker 3: say was one of my favorite costumes that we wore

2017
01:29:12,600 --> 01:29:13,400
Speaker 3: while we were on tour.

2018
01:29:13,520 --> 01:29:14,720
Speaker 4: She was so great, So.

2019
01:29:16,400 --> 01:29:18,240
Speaker 3: That was like a little thing that I'm in. My

2020
01:29:18,439 --> 01:29:21,400
Speaker 3: manager Melissa messaged me a couple of nights going away,

2021
01:29:21,520 --> 01:29:23,040
Speaker 3: do you remember her? And I was like, yeah, because

2022
01:29:23,080 --> 01:29:25,320
Speaker 3: she's the one that was on she.

2023
01:29:25,240 --> 01:29:27,479
Speaker 4: Did your guys tour. I'm like, no way, these are

2024
01:29:27,479 --> 01:29:27,840
Speaker 4: the best.

2025
01:29:28,000 --> 01:29:31,080
Speaker 3: Truly, I think at this point the best costumes we've seen.

2026
01:29:31,960 --> 01:29:34,000
Speaker 1: Disagree Channel so fun, I don't disagree.

2027
01:29:34,240 --> 01:29:36,519
Speaker 2: So great. So then we're getting let's start to get

2028
01:29:37,120 --> 01:29:39,080
Speaker 2: Oh wait, producer Lisa saying, did we mention who the

2029
01:29:39,160 --> 01:29:40,040
Speaker 2: voice of Ursula was?

2030
01:29:40,080 --> 01:29:41,160
Speaker 1: Who was the voice of Ursula?

2031
01:29:41,439 --> 01:29:41,680
Speaker 7: It was?

2032
01:29:41,680 --> 01:29:47,320
Speaker 1: Who it was? I didn't know that at all. Whoopi Goldberg.

2033
01:29:47,640 --> 01:29:50,880
Speaker 1: I did not know that Whoopyberg to be added? Oh

2034
01:29:51,080 --> 01:29:51,719
Speaker 1: my gosh.

2035
01:29:53,479 --> 01:29:56,240
Speaker 2: Well, thank you everybody so much for joining us on

2036
01:29:56,400 --> 01:29:59,240
Speaker 2: what was a very fun episode of very fun week,

2037
01:29:59,360 --> 01:30:02,439
Speaker 2: very fun movie of magical rewind Let's hope we keep

2038
01:30:02,439 --> 01:30:04,679
Speaker 2: it going next week because we got a cool one.

2039
01:30:04,720 --> 01:30:08,080
Speaker 2: We hope we're back with the hardwood for a basketball movie.

2040
01:30:08,080 --> 01:30:10,760
Speaker 1: But this one is quite the twist. It's a Jewish

2041
01:30:11,080 --> 01:30:11,840
Speaker 1: hoops movie.

2042
01:30:11,880 --> 01:30:15,240
Speaker 2: Set during Hanukkah. This is two thousand and threes Full

2043
01:30:15,240 --> 01:30:17,439
Speaker 2: Court Miracle. Yup, you heard me right, So go and

2044
01:30:17,479 --> 01:30:19,040
Speaker 2: check it out on Disney Plus and find out if

2045
01:30:19,080 --> 01:30:20,800
Speaker 2: this is even a real movie or not I think

2046
01:30:20,840 --> 01:30:22,920
Speaker 2: it is and report back to us. All right, but

2047
01:30:22,960 --> 01:30:24,640
Speaker 2: before we get into that film, join us on the

2048
01:30:24,640 --> 01:30:27,439
Speaker 2: Magical rewind feed. For all of our park Opper episodes,

2049
01:30:27,439 --> 01:30:30,320
Speaker 2: we've interviewed some of the best people ever, ever ever

2050
01:30:30,479 --> 01:30:32,479
Speaker 2: in d COM's and all the Disney stuff. They were

2051
01:30:32,520 --> 01:30:34,800
Speaker 2: always there for you to check out. And while you're there,

2052
01:30:35,200 --> 01:30:37,400
Speaker 2: don't forget to check out. Get your head in the game.

2053
01:30:37,439 --> 01:30:40,080
Speaker 2: That is Bart Johnson's brand new podcast where he is

2054
01:30:40,120 --> 01:30:42,479
Speaker 2: going to be deep diving everything High School Musical. We

2055
01:30:42,560 --> 01:30:45,160
Speaker 2: cannot wait, it's all there. They really are some of

2056
01:30:45,160 --> 01:30:48,479
Speaker 2: the best interviews about everything Disney.

2057
01:30:48,560 --> 01:30:49,760
Speaker 1: You will not be disappointed.

2058
01:30:49,800 --> 01:30:51,479
Speaker 2: And for more information, of course, you can follow us

2059
01:30:51,479 --> 01:30:54,320
Speaker 2: at Magical rewind Pod on the Instagram machine. And apparently

2060
01:30:54,360 --> 01:30:56,320
Speaker 2: it matters what you type in, because man, I found

2061
01:30:56,360 --> 01:30:57,719
Speaker 2: some weird stuff by accident.

2062
01:30:58,000 --> 01:31:24,519
Speaker 6: Thanks everybody, Bye bye.

2063
01:31:15,479 --> 01:31:18,280
Speaker 7: Hey Wildcats. It's Bart Johnson. You may know me as

2064
01:31:18,360 --> 01:31:20,840
Speaker 7: Coach Bolton from the High School Musical franchise. Can you

2065
01:31:20,840 --> 01:31:23,559
Speaker 7: believe it's been almost twenty years since we first hit

2066
01:31:23,600 --> 01:31:25,160
Speaker 7: the course at oldiest.

2067
01:31:24,840 --> 01:31:25,919
Speaker 1: High Well, celebrate.

2068
01:31:26,000 --> 01:31:29,120
Speaker 7: I'm sitting down with some of your favorite cast members, producers, dancers,

2069
01:31:29,160 --> 01:31:32,120
Speaker 7: choreographers and or to bring you the ultimate behind the

2070
01:31:32,160 --> 01:31:35,519
Speaker 7: scenes look at high school musical So Wildcats, join me

2071
01:31:35,560 --> 01:31:37,240
Speaker 7: on my new podcast, Get your Head in the Game,

2072
01:31:37,280 --> 01:31:39,479
Speaker 7: and let's go back to where it all began. Listen

2073
01:31:39,479 --> 01:31:42,880
Speaker 7: to Magical Rewind on the iHeartRadio app, Apple Podcast or

2074
01:31:42,880 --> 01:31:44,160
Speaker 7: wherever you get your podcasts.

2075
01:31:45,840 --> 01:31:49,919
Speaker 2: Hello, it's Danielle Fischl, Wright Strong and Wilfredell from Podmets

2076
01:31:49,920 --> 01:31:51,400
Speaker 2: World and we're bringing.

2077
01:31:51,040 --> 01:31:52,719
Speaker 1: You Viva Lost content.

2078
01:31:53,240 --> 01:31:56,559
Speaker 8: That's right, we are back in Las Vegas, the city

2079
01:31:56,600 --> 01:32:00,479
Speaker 8: of Sin and giving the people what they want. Full

2080
01:32:00,520 --> 01:32:02,559
Speaker 8: week of y two K content.

2081
01:32:02,840 --> 01:32:06,320
Speaker 1: Wait, we're back in Vegas? Tell me why? Well, for

2082
01:32:06,400 --> 01:32:07,760
Speaker 1: the Backstreet Boys residency.

2083
01:32:07,760 --> 01:32:08,240
Speaker 4: It's sphere.

2084
01:32:08,320 --> 01:32:09,679
Speaker 1: Of course, we sat.

2085
01:32:09,520 --> 01:32:12,680
Speaker 2: Down with Kevin Richardson and Ajmclean just minutes before they

2086
01:32:12,720 --> 01:32:16,760
Speaker 2: took the stage, and our very own Wilfredell basically became

2087
01:32:16,800 --> 01:32:18,080
Speaker 2: the newest member of the band.

2088
01:32:18,439 --> 01:32:21,439
Speaker 8: Boy band Please Plus, the man who has the longest

2089
01:32:21,520 --> 01:32:24,320
Speaker 8: running comedy show on the strip joins us and gets

2090
01:32:24,360 --> 01:32:25,040
Speaker 8: his props.

2091
01:32:25,240 --> 01:32:29,080
Speaker 1: It's Carrot Top Baby, and finally we all l O

2092
01:32:29,439 --> 01:32:30,639
Speaker 1: V e her.

2093
01:32:30,800 --> 01:32:33,639
Speaker 2: Ashley Simpson Ross joins us to talk about her upcoming

2094
01:32:33,800 --> 01:32:35,360
Speaker 2: sold out Vegas residency.

2095
01:32:35,760 --> 01:32:38,479
Speaker 8: It's a full week of nostalgic interviews you don't want

2096
01:32:38,479 --> 01:32:38,840
Speaker 8: to miss.

2097
01:32:39,160 --> 01:32:42,160
Speaker 2: Listen to Podmeats World on the iHeartRadio app, Apple Podcasts,

2098
01:32:42,200 --> 01:32:43,760
Speaker 2: or wherever you get your podcasts.