1 00:00:00,080 --> 00:00:04,480 Speaker 1: Bootleg Cat Podcasts special guests Caskie and he brought Tasty 2 00:00:04,519 --> 00:00:07,120 Speaker 1: with him. Let's get it in the kitchen. You guys 3 00:00:07,120 --> 00:00:10,000 Speaker 1: definitely are inseparable at this point. All right, man, we 4 00:00:10,080 --> 00:00:13,640 Speaker 1: got a formula that's working right now. Welcome, Thank you, Bro, 5 00:00:13,720 --> 00:00:15,560 Speaker 1: glad to be here. You've been ducking the show for 6 00:00:15,600 --> 00:00:17,160 Speaker 1: two years? Have I been dug in? I feel like 7 00:00:17,200 --> 00:00:19,520 Speaker 1: I'm just hard to get a hold of. I've I've 8 00:00:19,680 --> 00:00:22,400 Speaker 1: you've recorded here, like, I don't know how about a 9 00:00:22,480 --> 00:00:26,079 Speaker 1: thousand times strict COVID restrictions here? I had no COVID restriction. 10 00:00:26,560 --> 00:00:28,880 Speaker 1: We're the only studio in LA with zero. Coach just 11 00:00:28,920 --> 00:00:30,600 Speaker 1: busted out in the interview when I was recording one 12 00:00:30,640 --> 00:00:34,159 Speaker 1: time I got it in. Yeah, that saw how things work. Yeah, 13 00:00:34,200 --> 00:00:38,040 Speaker 1: I'm bad. I'm bad at schedules anyway, man, welcome, how's 14 00:00:38,040 --> 00:00:40,320 Speaker 1: everything well? First of all, you announced the new album 15 00:00:40,479 --> 00:00:44,120 Speaker 1: YEP this Friday, coming out Friday for twenty nine nobody 16 00:00:44,280 --> 00:00:46,919 Speaker 1: album drops. Uh, So you've been working on a lot 17 00:00:46,920 --> 00:00:50,160 Speaker 1: of music. You tease, like a project called Jaws YEP, 18 00:00:50,760 --> 00:00:54,400 Speaker 1: and then this album comes like what's cool? Yeah? I like, 19 00:00:55,080 --> 00:00:56,880 Speaker 1: none of my fans should ever listen to me when 20 00:00:56,920 --> 00:00:59,240 Speaker 1: I'm talking about what's coming out next, because I you know, 21 00:00:59,360 --> 00:01:01,520 Speaker 1: I switches up on me every day, all right. I 22 00:01:01,840 --> 00:01:05,360 Speaker 1: kind of got like ten ideas constantly brewing in my brain, 23 00:01:05,560 --> 00:01:08,560 Speaker 1: like albums that I'm working on. So like Jaws was 24 00:01:08,720 --> 00:01:11,240 Speaker 1: the project that I got all my producers on, Like 25 00:01:11,480 --> 00:01:13,480 Speaker 1: I pretty much got like six guys that been my 26 00:01:13,600 --> 00:01:16,800 Speaker 1: go to guys, including Chalk. Now, so Jaws is like 27 00:01:16,800 --> 00:01:21,360 Speaker 1: the project with everybody on it, and it's turning out. Also, honestly, 28 00:01:21,360 --> 00:01:23,760 Speaker 1: it's like half done right now. It's sick, but it's 29 00:01:23,840 --> 00:01:26,760 Speaker 1: just like it's hard to get seven dudes from different 30 00:01:26,760 --> 00:01:29,119 Speaker 1: parts of the country, you know, and and Locke lives 31 00:01:29,120 --> 00:01:32,119 Speaker 1: in Germany now, so oh shit, Jaws put on hold, 32 00:01:32,200 --> 00:01:34,360 Speaker 1: Like I think we're gonna do second session in May, 33 00:01:34,440 --> 00:01:37,360 Speaker 1: but yeah, nobody like me and Tasty record Demni every day, 34 00:01:37,440 --> 00:01:39,839 Speaker 1: so nobody was like, let's let's give him some crack. 35 00:01:39,959 --> 00:01:42,760 Speaker 1: You knock it out quickly, not really, I mean, like, 36 00:01:43,000 --> 00:01:45,520 Speaker 1: you know, it's been about six months. Some of the 37 00:01:45,560 --> 00:01:48,760 Speaker 1: records are like yes, some are brand new, but some yeah, 38 00:01:48,800 --> 00:01:51,080 Speaker 1: about six months. Because last year you did you put 39 00:01:51,080 --> 00:01:54,760 Speaker 1: out the project with Chalk find Our and the Wolf Project, 40 00:01:54,920 --> 00:01:57,040 Speaker 1: and then you're the Wolf Collab project and then you 41 00:01:57,040 --> 00:02:00,680 Speaker 1: put out like one hundred dollars mixtape. Yeah we did that, 42 00:02:01,720 --> 00:02:05,320 Speaker 1: which was you sold a thousand of them rights and copies. Yeah, 43 00:02:05,520 --> 00:02:08,080 Speaker 1: real Nipsey hustle, like man, shout out Nipsey to go. 44 00:02:08,440 --> 00:02:09,960 Speaker 1: You sold? So was it all? They were all on 45 00:02:10,040 --> 00:02:14,919 Speaker 1: USB's right now. We did. We did like eight hundred 46 00:02:15,080 --> 00:02:17,800 Speaker 1: physical CDs and like two hundred USBs or something like that. 47 00:02:17,840 --> 00:02:20,880 Speaker 1: So nice little hundred thousand dollars come up. Yeah, you 48 00:02:20,880 --> 00:02:23,080 Speaker 1: could say that, how like how did you decide what 49 00:02:23,160 --> 00:02:25,880 Speaker 1: to put on the how did you decide what to 50 00:02:25,919 --> 00:02:28,079 Speaker 1: put on the one hundred dollars project? But like the 51 00:02:28,440 --> 00:02:32,080 Speaker 1: original idea behind it was like, you know, as an artist, 52 00:02:32,080 --> 00:02:33,840 Speaker 1: you got a lot of music, you know what I mean, 53 00:02:33,880 --> 00:02:36,480 Speaker 1: you know, for managing artists is like we record hundreds 54 00:02:36,480 --> 00:02:38,679 Speaker 1: of songs and almost that nobody will ever hear. Yeah, 55 00:02:38,680 --> 00:02:40,320 Speaker 1: and a lot of it's really dope, you know. So 56 00:02:40,800 --> 00:02:42,320 Speaker 1: the kind of the idea is like we still wanted 57 00:02:42,360 --> 00:02:44,560 Speaker 1: to work on this album, like still working on Nobody, 58 00:02:44,600 --> 00:02:46,880 Speaker 1: still working on Jaws. But I don't know, we were 59 00:02:46,960 --> 00:02:48,760 Speaker 1: just like, man, what's a way that we could like 60 00:02:48,800 --> 00:02:50,760 Speaker 1: really give people these records that I don't know if 61 00:02:50,760 --> 00:02:53,120 Speaker 1: they'll come out for you know, another year or whatever, 62 00:02:53,480 --> 00:02:55,240 Speaker 1: and so we just like, I don't know, we put 63 00:02:55,280 --> 00:02:57,520 Speaker 1: our heads together. The one hundred Dollar mixege was twenty 64 00:02:57,520 --> 00:03:01,000 Speaker 1: five songs, so twenty five records. Are they never ever 65 00:03:01,040 --> 00:03:03,560 Speaker 1: going to be on DSPs? And nobody and nobody's uploaded 66 00:03:03,560 --> 00:03:06,400 Speaker 1: it online because I wrote everybody a letter, Like all 67 00:03:06,440 --> 00:03:09,320 Speaker 1: thousand came with this typewriter letter from me that was 68 00:03:09,400 --> 00:03:11,960 Speaker 1: just basically explaining to them that this was like a 69 00:03:12,280 --> 00:03:14,680 Speaker 1: sacrifice to the creative gods. You know, it's like twenty 70 00:03:14,720 --> 00:03:17,080 Speaker 1: five records I put hours in that I'm not going 71 00:03:17,160 --> 00:03:19,760 Speaker 1: to put out. They're just for the fans, and no 72 00:03:19,800 --> 00:03:22,400 Speaker 1: one's leaked. One's leaked it. I still looking at it. 73 00:03:22,480 --> 00:03:25,520 Speaker 1: I'm like, bro, we got the coolest fans man. Everybody real. 74 00:03:25,840 --> 00:03:27,840 Speaker 1: They asked me before they play it for their friends, 75 00:03:28,480 --> 00:03:30,200 Speaker 1: they'll DM me and be like, bro, can I show 76 00:03:30,240 --> 00:03:33,440 Speaker 1: my homie the table? I'm like, yeah, that's crazy quick 77 00:03:33,520 --> 00:03:38,240 Speaker 1: hunting Bag one hundred thousand, it's a nice coming, man. 78 00:03:38,400 --> 00:03:40,120 Speaker 1: Oh yeah, that was great. Me and Tasty has been 79 00:03:40,160 --> 00:03:42,880 Speaker 1: figuring out how to get the bag independent. I feel 80 00:03:42,880 --> 00:03:46,360 Speaker 1: like we've been pretty creative. Yeah, I mean Yeah, for 81 00:03:46,920 --> 00:03:48,760 Speaker 1: artists who are watching this, like, what are some of 82 00:03:48,760 --> 00:03:51,920 Speaker 1: the things that you have figured out when it I mean, 83 00:03:51,920 --> 00:03:54,920 Speaker 1: obviously you do features, and I love how you address 84 00:03:55,000 --> 00:03:56,960 Speaker 1: some of those artists that you do features for on 85 00:03:57,120 --> 00:04:02,880 Speaker 1: fine art, I said, I said. I never what I said. 86 00:04:02,880 --> 00:04:06,000 Speaker 1: I never sold out just to I never made music 87 00:04:06,080 --> 00:04:07,760 Speaker 1: just to make it deal. Except for every feature that 88 00:04:07,800 --> 00:04:09,920 Speaker 1: I ever did trying to only be a rapper and 89 00:04:10,040 --> 00:04:12,600 Speaker 1: pay the bills. But shout out them rappers. They kept 90 00:04:12,600 --> 00:04:14,720 Speaker 1: it alive. I hope they'll thrive and win. My feature 91 00:04:14,720 --> 00:04:17,120 Speaker 1: price too high, you never could buy it again. I thought, 92 00:04:17,640 --> 00:04:20,680 Speaker 1: you know, like I really do appreciate all the artist 93 00:04:20,680 --> 00:04:22,320 Speaker 1: you know. I know some people maybe look at the 94 00:04:22,360 --> 00:04:25,440 Speaker 1: features and it's like these some of these people ain't 95 00:04:25,480 --> 00:04:27,280 Speaker 1: on your level. But like, I don't know, it's all 96 00:04:27,320 --> 00:04:30,039 Speaker 1: practice for me and feed the family, come with the bag, 97 00:04:30,360 --> 00:04:32,200 Speaker 1: happy to get it. Bro. Yeah, I've seen a few 98 00:04:32,200 --> 00:04:34,159 Speaker 1: guys you've done songs with and I'm like, hm, I 99 00:04:34,160 --> 00:04:37,320 Speaker 1: don't discriminate. The money's blue. I'm in there. The money's blue. 100 00:04:37,400 --> 00:04:39,240 Speaker 1: I don't feel like it like take away from my 101 00:04:39,360 --> 00:04:41,880 Speaker 1: brand because I just I make so much music and 102 00:04:41,960 --> 00:04:44,479 Speaker 1: I don't know I'm coming every time, Like every single 103 00:04:44,480 --> 00:04:46,880 Speaker 1: one of those features, they gotta fucking they got a 104 00:04:46,880 --> 00:04:48,840 Speaker 1: ten out of ten verse so and there's always that 105 00:04:48,880 --> 00:04:51,360 Speaker 1: respect like for up and coming artists, no matter how 106 00:04:51,400 --> 00:04:54,440 Speaker 1: good they are or whatever, and I just like get 107 00:04:54,480 --> 00:04:57,640 Speaker 1: it somewhere. Yeah, Like that was my first, like I first, 108 00:04:57,720 --> 00:05:00,640 Speaker 1: my first foot in the industry was a paid features actually, 109 00:05:00,680 --> 00:05:02,599 Speaker 1: Jelly bro that was the first and the only feature 110 00:05:02,640 --> 00:05:04,560 Speaker 1: I bought, and that was like my foot in. So 111 00:05:04,680 --> 00:05:07,279 Speaker 1: well you're with that, like twenty twelve, twenty twelve, Yeah, 112 00:05:07,279 --> 00:05:09,120 Speaker 1: I actually highlights saw me last night and showed me 113 00:05:09,160 --> 00:05:11,960 Speaker 1: a video of me and Jelly from fucking nine years ago. 114 00:05:11,960 --> 00:05:14,000 Speaker 1: I was like, that's so crazy because I first met 115 00:05:14,080 --> 00:05:17,120 Speaker 1: Jelly in twenty fourteen thirteen. Yeah, he was a I 116 00:05:17,160 --> 00:05:19,320 Speaker 1: picked him, Like, I hope he's not mad at me 117 00:05:19,360 --> 00:05:20,600 Speaker 1: for saying this, but I pat him for like two 118 00:05:20,680 --> 00:05:23,000 Speaker 1: hundred and fifty dollars firs. He was like, man, fuck it, 119 00:05:23,000 --> 00:05:25,120 Speaker 1: he fucked with my managers. He's like, shit, paid for 120 00:05:25,160 --> 00:05:27,719 Speaker 1: my studio time and I'll come do it. Oh wow, 121 00:05:28,279 --> 00:05:30,080 Speaker 1: that was like my first like foot in I guess 122 00:05:30,120 --> 00:05:33,280 Speaker 1: to the game was that before cash Money yeh, pre 123 00:05:33,320 --> 00:05:35,720 Speaker 1: cast money, the song thatver even came out. It was 124 00:05:35,760 --> 00:05:37,800 Speaker 1: called day No. It was like, bro, I'm in a 125 00:05:37,839 --> 00:05:40,680 Speaker 1: triple X white tea riding in these donks in Florida 126 00:05:40,680 --> 00:05:43,800 Speaker 1: and shit, it was so you put out a mixtape 127 00:05:43,800 --> 00:05:49,400 Speaker 1: and make one hundred thousand dollars selling a thousand copies allegedly, Well, 128 00:05:49,440 --> 00:05:52,000 Speaker 1: everyone's got to get paid off. Allegedly, we made a 129 00:05:52,080 --> 00:05:57,520 Speaker 1: hundred racks. You'll do some features. What are the other 130 00:05:57,720 --> 00:06:01,440 Speaker 1: things you're doing to show stream I mean streaming bag 131 00:06:01,520 --> 00:06:03,360 Speaker 1: is we're making beats to you, guys are making beats 132 00:06:03,360 --> 00:06:07,400 Speaker 1: too Tasty taught me that he'd make a crazy bag 133 00:06:07,440 --> 00:06:09,719 Speaker 1: off of beats, and like he's been teaching me production 134 00:06:09,800 --> 00:06:11,560 Speaker 1: here and there and ship. So we put a beat 135 00:06:11,600 --> 00:06:15,200 Speaker 1: tape together out we made I'll tell you after the show, 136 00:06:16,200 --> 00:06:18,360 Speaker 1: you're druck in the high r s. Yeah, it was 137 00:06:18,839 --> 00:06:21,200 Speaker 1: a chunk. So we made good money out there as streams. 138 00:06:21,320 --> 00:06:23,880 Speaker 1: I mean the Wolf the Wolf album increased me in 139 00:06:23,920 --> 00:06:28,120 Speaker 1: his pocket is about double. That Wolf album was a 140 00:06:28,200 --> 00:06:30,560 Speaker 1: nice little game changer for you. You feel like, yeah, 141 00:06:30,600 --> 00:06:32,440 Speaker 1: shout out the Yellow Wolf. I just want to say 142 00:06:32,480 --> 00:06:35,560 Speaker 1: he's the only and the realist artist for being one 143 00:06:35,600 --> 00:06:38,760 Speaker 1: of the few that like gave me public love. But 144 00:06:38,839 --> 00:06:41,719 Speaker 1: also put a bag in my pocket. You know. Besides Berdman, 145 00:06:41,760 --> 00:06:44,640 Speaker 1: Ain't nobody ever done that, So he's real for that 146 00:06:45,080 --> 00:06:49,080 Speaker 1: big bag. Yeah, and he doesn't work with like anyone. No. Hell, 147 00:06:49,120 --> 00:06:50,480 Speaker 1: we've been waiting for him and Rich to put a 148 00:06:50,480 --> 00:06:53,040 Speaker 1: project out for like twelve years, and I wonder that 149 00:06:53,080 --> 00:06:55,039 Speaker 1: I haven't. It's never gonna happen. We've been talking about 150 00:06:55,080 --> 00:06:59,120 Speaker 1: part two, that'll be fire. He's you know, he's in 151 00:06:59,160 --> 00:07:02,279 Speaker 1: his rock mode in the album. Well, but at some 152 00:07:02,360 --> 00:07:04,440 Speaker 1: point when it's Ness said, you know, every time I 153 00:07:04,440 --> 00:07:06,320 Speaker 1: send him a record, he'd be like, man, we took 154 00:07:06,360 --> 00:07:09,480 Speaker 1: the lead on those songs. I took the lead as 155 00:07:09,520 --> 00:07:14,480 Speaker 1: far as I chose all the beats like Tasty Yeah, 156 00:07:14,480 --> 00:07:16,800 Speaker 1: Like we pretty much read Tastey's house picking beats out 157 00:07:16,840 --> 00:07:19,400 Speaker 1: for a couple of days. So I came with like 158 00:07:19,480 --> 00:07:21,600 Speaker 1: the creative direction as far as like beats and like 159 00:07:21,640 --> 00:07:23,840 Speaker 1: what you know, I kind of thought directions were gonna 160 00:07:23,840 --> 00:07:26,200 Speaker 1: be But I mean, as far as the records go, 161 00:07:26,480 --> 00:07:29,080 Speaker 1: it was pretty much even like Wolf the intro. Wolf 162 00:07:29,240 --> 00:07:30,920 Speaker 1: wrote his very right when I played on the beat. 163 00:07:30,960 --> 00:07:32,960 Speaker 1: He wrote that shit in about ten minutes. And yeah, 164 00:07:32,960 --> 00:07:34,760 Speaker 1: I feel like Wolf really brought the bars out of 165 00:07:34,840 --> 00:07:37,800 Speaker 1: him he turned up. So it was pretty I mean 166 00:07:37,800 --> 00:07:40,240 Speaker 1: it's pretty even as far as like the writing and 167 00:07:40,240 --> 00:07:42,440 Speaker 1: shit went. But he kind of like gave me the 168 00:07:42,520 --> 00:07:44,680 Speaker 1: go to to just kind of forefront the direction of you. 169 00:07:44,760 --> 00:07:46,880 Speaker 1: I feel like lyrically you had your sharpest year last 170 00:07:46,920 --> 00:07:49,000 Speaker 1: year because I feel like fine art was very much 171 00:07:49,080 --> 00:07:54,560 Speaker 1: like a very heavy on the bars. Yeah, Like what 172 00:07:54,640 --> 00:07:57,040 Speaker 1: it was was that when you know, I've been recording 173 00:07:57,080 --> 00:07:58,640 Speaker 1: myself for a long time, so a lot of times 174 00:07:58,720 --> 00:08:01,080 Speaker 1: you get in there kind of freestyle your vibes. But 175 00:08:01,160 --> 00:08:03,560 Speaker 1: when I was in Nashville working on the Wolf album, 176 00:08:03,640 --> 00:08:07,640 Speaker 1: like they record everything analog like or like through this board, 177 00:08:07,760 --> 00:08:10,120 Speaker 1: you know, so like no presets on your vocals, so 178 00:08:10,680 --> 00:08:12,200 Speaker 1: I kind of just had to get back into like 179 00:08:12,240 --> 00:08:13,880 Speaker 1: my writing bag. And then it just kind of like 180 00:08:13,920 --> 00:08:17,480 Speaker 1: reminded me, like I'm fucking top tier when I do that, 181 00:08:17,560 --> 00:08:20,400 Speaker 1: you know, So I think fine art and that. Yeah, 182 00:08:20,680 --> 00:08:22,520 Speaker 1: do you feel like because I feel like you'd always 183 00:08:22,560 --> 00:08:24,360 Speaker 1: kind of been doing your thing independently, But I feel 184 00:08:24,400 --> 00:08:28,680 Speaker 1: like from the beginning of the pandemic you had, the 185 00:08:29,160 --> 00:08:31,640 Speaker 1: pandemic brought the hustle out you and never was in you. 186 00:08:32,040 --> 00:08:34,679 Speaker 1: Pandemic just turned us up. What the fuck is the 187 00:08:34,760 --> 00:08:36,679 Speaker 1: name of the We Ain't Scared of No Police, bitch 188 00:08:37,320 --> 00:08:39,760 Speaker 1: marshal Ow. That was like, that was our biggest record. 189 00:08:39,800 --> 00:08:41,600 Speaker 1: I was gonna say, thats your biggest record up until 190 00:08:41,600 --> 00:08:44,160 Speaker 1: the Wolf album came out, and so it's like, dang god, 191 00:08:44,200 --> 00:08:45,880 Speaker 1: because like my biggest record prie of that was like 192 00:08:45,920 --> 00:08:49,920 Speaker 1: a record. Yeah, yeah, yeah, we did that. We did 193 00:08:50,000 --> 00:08:52,640 Speaker 1: the we like we were recording here right when the 194 00:08:52,679 --> 00:08:55,480 Speaker 1: Pandemic was starting to hit. Yeah, and then I was like, yeah, 195 00:08:55,520 --> 00:08:58,120 Speaker 1: we should do a fucking pandemic theme table, came up 196 00:08:58,160 --> 00:09:01,320 Speaker 1: with all the song titles, and then knocked that shit 197 00:09:01,360 --> 00:09:04,200 Speaker 1: out in like two days. It's crazy because that song 198 00:09:04,280 --> 00:09:06,760 Speaker 1: came out like a month or two prior to all 199 00:09:06,760 --> 00:09:09,240 Speaker 1: that like civil rights stuff with the Black Lives Matter 200 00:09:09,280 --> 00:09:11,480 Speaker 1: and everything, so it was just we didn't play none 201 00:09:11,520 --> 00:09:14,000 Speaker 1: of that. It's just you know, that was like, I 202 00:09:14,040 --> 00:09:15,840 Speaker 1: feel like you were one of the first guys to 203 00:09:17,360 --> 00:09:20,480 Speaker 1: put a pandemic. Everyone had a Pandemic project yeah, and 204 00:09:20,600 --> 00:09:22,400 Speaker 1: had like kind of got played out at some point, 205 00:09:22,440 --> 00:09:24,600 Speaker 1: But now, like, do you feel like because I feel 206 00:09:24,640 --> 00:09:27,200 Speaker 1: like you've had the best two and a half years 207 00:09:27,200 --> 00:09:29,880 Speaker 1: of your career since the Pandemic started or two years. Yeah. 208 00:09:29,880 --> 00:09:32,560 Speaker 1: You know what's crazy is that, like my bag kind 209 00:09:32,559 --> 00:09:34,959 Speaker 1: of slowed at first because you know, like the pandemic 210 00:09:35,040 --> 00:09:36,760 Speaker 1: hit right when we were finishing up this tour, so 211 00:09:36,800 --> 00:09:38,800 Speaker 1: like tours like a third of the bag, right, you know, 212 00:09:38,840 --> 00:09:42,360 Speaker 1: as a artist you got like streams merch tour, so 213 00:09:42,480 --> 00:09:44,960 Speaker 1: like I felt like a third of the bag was gone, right, 214 00:09:45,120 --> 00:09:47,040 Speaker 1: and then we just I don't know, me and Tacy 215 00:09:47,679 --> 00:09:50,000 Speaker 1: are addicted to money, so we're like, you know, when 216 00:09:50,080 --> 00:09:53,679 Speaker 1: some stimulus sex started coming, everybody had money. Yeah, we 217 00:09:54,080 --> 00:09:57,280 Speaker 1: features taking all the stimulus money. We got every rapper 218 00:09:57,360 --> 00:10:01,240 Speaker 1: stimulus check now, like honestly, just it brought the focus 219 00:10:01,240 --> 00:10:03,200 Speaker 1: back to the music, which was dope. And then the 220 00:10:03,240 --> 00:10:04,920 Speaker 1: woof shit happened. Like I don't know, there was just 221 00:10:04,960 --> 00:10:06,800 Speaker 1: a lot of like pivotal things going on in my 222 00:10:06,840 --> 00:10:09,360 Speaker 1: life around that time that just all added up to that. 223 00:10:09,440 --> 00:10:11,280 Speaker 1: We got to stop the interview real quick man. Shout 224 00:10:11,280 --> 00:10:14,360 Speaker 1: out to our sponsors at blue Chow. The good thing 225 00:10:14,400 --> 00:10:16,640 Speaker 1: about blue Choo not only does it make that dick 226 00:10:16,760 --> 00:10:20,720 Speaker 1: fucking you know what I mean, get that thing swinging 227 00:10:20,800 --> 00:10:24,720 Speaker 1: like it never swang before. But what I love about 228 00:10:24,720 --> 00:10:27,880 Speaker 1: blue Choo is it's all online man. You know, usually 229 00:10:27,920 --> 00:10:29,120 Speaker 1: when you want to go and get some of that, 230 00:10:29,520 --> 00:10:31,080 Speaker 1: you know, some of that good good, some of that 231 00:10:31,160 --> 00:10:33,520 Speaker 1: blue choose, maybe some viagra. First of all, it's got 232 00:10:33,520 --> 00:10:37,200 Speaker 1: the same exact active ingredients as viagra and scialis. But 233 00:10:37,240 --> 00:10:38,760 Speaker 1: you don't have to go into the doctor's office to 234 00:10:38,760 --> 00:10:40,360 Speaker 1: get it right. All you gotta do is go to 235 00:10:40,400 --> 00:10:43,520 Speaker 1: blue choo dot com. You have an online consultation and 236 00:10:43,559 --> 00:10:47,120 Speaker 1: then they discreetly send it to you. And it's also 237 00:10:47,240 --> 00:10:50,360 Speaker 1: discreet villain. You know what I'm saying, it's crazy. Let 238 00:10:50,400 --> 00:10:52,400 Speaker 1: me tell you something. Maybe you got a first date. 239 00:10:52,600 --> 00:10:54,680 Speaker 1: You want to make sure you blow them back out 240 00:10:54,720 --> 00:10:58,480 Speaker 1: that thing. You know what I'm saying, Woo pop that 241 00:10:58,520 --> 00:11:03,800 Speaker 1: blue choochu form. Some people don't like swallowing pills. Ladies 242 00:11:03,840 --> 00:11:05,480 Speaker 1: are gonna love to swallow you though. Once you're on 243 00:11:05,480 --> 00:11:08,160 Speaker 1: that blue Choo I'll tell you that much, Bud for sure. 244 00:11:08,400 --> 00:11:10,560 Speaker 1: So what you gotta do is go to bluetoo dot com, 245 00:11:10,960 --> 00:11:13,200 Speaker 1: use the promo code Bootleg, and you're gonna get a 246 00:11:13,240 --> 00:11:18,000 Speaker 1: month supply of blue Choo for free. All right. You're 247 00:11:18,000 --> 00:11:20,880 Speaker 1: gonna thank me later for this. The fact that the 248 00:11:20,960 --> 00:11:23,079 Speaker 1: NLK boys use martial law Is that what kind of 249 00:11:23,080 --> 00:11:25,200 Speaker 1: helped pop that record? Yeah, like Steve will do it 250 00:11:25,240 --> 00:11:27,800 Speaker 1: really love that record. Yeah, it was like a lot 251 00:11:27,800 --> 00:11:31,520 Speaker 1: of things, you know, the pandemic, social media, the protest video. 252 00:11:31,679 --> 00:11:34,520 Speaker 1: It was just a moment. We couldn't have planned it, 253 00:11:34,600 --> 00:11:37,400 Speaker 1: you know, it just happened. You got Jesse. Uh this 254 00:11:37,440 --> 00:11:39,319 Speaker 1: is the second video he's been in, but this video 255 00:11:39,360 --> 00:11:42,120 Speaker 1: he is like, he's like in the video, had this 256 00:11:42,200 --> 00:11:43,880 Speaker 1: idea for like a minute. You know you've seen it 257 00:11:43,920 --> 00:11:46,240 Speaker 1: with like the pop stuff. Yeah, that Jesse people were there. 258 00:11:46,280 --> 00:11:48,040 Speaker 1: I thought that was so funny. I've been wanting to 259 00:11:48,040 --> 00:11:50,040 Speaker 1: do that for a grip and Jesse and I was 260 00:11:50,080 --> 00:11:53,679 Speaker 1: tossing the idea. He was down, Like I sent him 261 00:11:53,679 --> 00:11:55,319 Speaker 1: the lyrics. He's like, I got this. I'm about to 262 00:11:55,360 --> 00:11:57,400 Speaker 1: fucking hone him. He loves it. He want to be 263 00:11:57,440 --> 00:12:00,679 Speaker 1: a rapper or something. Dude. He recorded here bro. I 264 00:12:00,760 --> 00:12:05,360 Speaker 1: remember nobody was like, Yo, we should do a comedy skit. 265 00:12:05,480 --> 00:12:08,000 Speaker 1: How about the skit when when he's homies in the 266 00:12:08,040 --> 00:12:10,439 Speaker 1: booth and he's like, yeah, I'm just thinking like more 267 00:12:10,520 --> 00:12:16,000 Speaker 1: tropical vibes. Like he's awesome that. I like. The was 268 00:12:16,120 --> 00:12:18,800 Speaker 1: like Jesse, good dude. Jesse's a good dude man. Yeah, 269 00:12:18,880 --> 00:12:20,880 Speaker 1: so yeah, because I feel like, did you barely just 270 00:12:20,880 --> 00:12:23,320 Speaker 1: meet him during the pandemic? Yeah, like I had. I 271 00:12:23,360 --> 00:12:26,160 Speaker 1: met Steve will do It because he's from Ovido, which 272 00:12:26,240 --> 00:12:28,920 Speaker 1: like my high school when it springs in Oviedo or 273 00:12:29,000 --> 00:12:31,680 Speaker 1: like rival schools, So like we had some mutual friends 274 00:12:31,679 --> 00:12:33,360 Speaker 1: and ship. I knew he was. He brought me out 275 00:12:33,360 --> 00:12:35,160 Speaker 1: to the Noake Spy and then I met them and 276 00:12:35,240 --> 00:12:39,400 Speaker 1: Jesse just he's on my way, dude, shout Florida Man 277 00:12:39,400 --> 00:12:44,679 Speaker 1: producing Steve will do It and CASKI Bro and Mike 278 00:12:44,720 --> 00:12:50,080 Speaker 1: Busey Florida characters. Bro, can you tell us about the 279 00:12:50,080 --> 00:12:55,040 Speaker 1: craziest time you've had a Mike Bucy's house? Uh no, no, no, 280 00:12:55,200 --> 00:12:58,840 Speaker 1: I love it honestly, like every time. And what's the 281 00:12:58,840 --> 00:13:02,160 Speaker 1: craziest thing you've witnessed the involved the craziest thing I've 282 00:13:02,160 --> 00:13:05,920 Speaker 1: ever seen? Well, I just saw the story post of 283 00:13:06,040 --> 00:13:10,319 Speaker 1: this lady sucking off like a thousand veteran dicks. Yeah, 284 00:13:10,480 --> 00:13:12,679 Speaker 1: that was pretty much disgusting. You were there for. This 285 00:13:13,120 --> 00:13:15,360 Speaker 1: was something you were there for. Now, I wasn't there 286 00:13:15,400 --> 00:13:18,000 Speaker 1: for that craziest shit. I was there. I mean just 287 00:13:18,040 --> 00:13:22,760 Speaker 1: like crazy orgies with like clowns and nidgets and shit 288 00:13:22,840 --> 00:13:26,559 Speaker 1: like that. What's that smell? Like? Gross? Smells like the 289 00:13:26,600 --> 00:13:29,240 Speaker 1: gathering of the Juggalos or something. It's like a trailer 290 00:13:29,320 --> 00:13:32,840 Speaker 1: park playboy mansion. Yeah, shout out to Mike. My beauty 291 00:13:32,920 --> 00:13:35,600 Speaker 1: is an absolute legend and honestly one of the kindest 292 00:13:35,640 --> 00:13:38,840 Speaker 1: people to be big got a big hard heart, like 293 00:13:38,960 --> 00:13:42,200 Speaker 1: put on for me. Just good dude, man, solid dude. Man. 294 00:13:42,440 --> 00:13:45,720 Speaker 1: Let's go back. How did uh you initially end up 295 00:13:45,720 --> 00:13:48,160 Speaker 1: linking with cash money? Like what? What? What was it 296 00:13:48,200 --> 00:13:51,240 Speaker 1: that you were doing that? For sure? Birdman's radar super 297 00:13:51,320 --> 00:13:53,400 Speaker 1: random couldn't even plan it. Like I had did this 298 00:13:53,440 --> 00:13:57,400 Speaker 1: feature for this kid, uh, my homie Noel Kid famous 299 00:13:57,440 --> 00:13:59,960 Speaker 1: at the time, and he was being managed by DJ Nash, 300 00:14:00,240 --> 00:14:03,080 Speaker 1: who was like, yep, good dude, did we talk about 301 00:14:03,120 --> 00:14:06,880 Speaker 1: DJ Nasty from Orlando? Nasty hit me up and was like, yo, 302 00:14:06,960 --> 00:14:09,080 Speaker 1: I got somebody that want to check you out and 303 00:14:09,120 --> 00:14:12,440 Speaker 1: shit bird Man, and so bird called me up one day. 304 00:14:12,559 --> 00:14:14,120 Speaker 1: It was like, basically, just because I had did this 305 00:14:14,160 --> 00:14:16,160 Speaker 1: feature record with this kid, he hadn't really heard nothing 306 00:14:16,200 --> 00:14:17,959 Speaker 1: of me, and he was like, man, come to Miami, 307 00:14:18,040 --> 00:14:19,480 Speaker 1: I want you to play me some records and then 308 00:14:19,560 --> 00:14:21,960 Speaker 1: it was just kind of on and popping from there. 309 00:14:23,040 --> 00:14:27,240 Speaker 1: Super random, super random. Birdman offers you a deal. What 310 00:14:27,360 --> 00:14:30,960 Speaker 1: year was this twenty thirteen? Fuck yeah yeah twenty thirteen. 311 00:14:31,240 --> 00:14:33,600 Speaker 1: Ye did you even like look at the contract? I 312 00:14:33,680 --> 00:14:35,720 Speaker 1: sent it off to the lawyer, but I was like, yeah, 313 00:14:35,760 --> 00:14:39,720 Speaker 1: whatever it says, let's go. Like, honestly, like birded, like 314 00:14:39,800 --> 00:14:43,560 Speaker 1: our relationship was different. It wasn't like all business y 315 00:14:43,720 --> 00:14:46,560 Speaker 1: and you know, labels, like it was just him being like, yo, shit, 316 00:14:46,640 --> 00:14:48,040 Speaker 1: I want to be a part of your career. Like 317 00:14:48,080 --> 00:14:50,880 Speaker 1: here's a bag. Like, honestly, cash money has been like 318 00:14:50,920 --> 00:14:53,040 Speaker 1: the least, Like I don't know, I was blessed for 319 00:14:53,080 --> 00:14:55,720 Speaker 1: that situation. Like they never were like strictlers on trying 320 00:14:55,720 --> 00:14:58,160 Speaker 1: to recoup money from me and just weird shit. Like 321 00:14:58,280 --> 00:15:00,000 Speaker 1: to be real, they just gave me a fat ass 322 00:15:00,120 --> 00:15:02,720 Speaker 1: bag and did some things for me. So I'm like, well, 323 00:15:02,760 --> 00:15:06,000 Speaker 1: because we always hear, yeah it's mad things about bird 324 00:15:06,080 --> 00:15:08,640 Speaker 1: all fucking or like, you know, my fans will be 325 00:15:08,720 --> 00:15:11,840 Speaker 1: like his music's changing because of cash money or birds 326 00:15:11,840 --> 00:15:13,520 Speaker 1: not putting off you know, all that kind of shit. 327 00:15:13,600 --> 00:15:16,520 Speaker 1: But like my real perspective of it is that, like, 328 00:15:16,720 --> 00:15:18,960 Speaker 1: you know, I don't think nobody owe me anything in 329 00:15:19,000 --> 00:15:22,320 Speaker 1: this world. And so to me, like birds did far 330 00:15:22,400 --> 00:15:24,600 Speaker 1: beyond what he owed me. You know, he don't owe 331 00:15:24,640 --> 00:15:26,960 Speaker 1: me shit. So he gave me, you know, two hundred 332 00:15:27,000 --> 00:15:29,240 Speaker 1: rags or something like that. When I was nineteen, you know, 333 00:15:29,320 --> 00:15:32,840 Speaker 1: I was a jit, so I was super dope. Hundreds. Yeah, 334 00:15:32,880 --> 00:15:34,640 Speaker 1: And so like they did some other shit like as 335 00:15:34,680 --> 00:15:36,960 Speaker 1: the label for me, video shoots and a couple of things. 336 00:15:37,000 --> 00:15:39,560 Speaker 1: But after that it was kind of like they were 337 00:15:39,600 --> 00:15:42,720 Speaker 1: going through this shit with wane. Streaming music became a thing, 338 00:15:42,800 --> 00:15:45,240 Speaker 1: so like the whole situation just kind of changed, and 339 00:15:45,400 --> 00:15:48,440 Speaker 1: like I think they were still like at this place 340 00:15:48,480 --> 00:15:51,080 Speaker 1: of like learning how to navigate the new music scene, 341 00:15:51,080 --> 00:15:53,680 Speaker 1: because you know, it's not the mixtape er anymore. It's like, 342 00:15:54,080 --> 00:15:56,760 Speaker 1: you know, this new era. So I think they're trying 343 00:15:56,760 --> 00:15:58,360 Speaker 1: to figure that out, and I just kind of did 344 00:15:58,360 --> 00:16:00,760 Speaker 1: my thing. But they just always gave me freedom to 345 00:16:00,880 --> 00:16:02,600 Speaker 1: put out the music I want to make the music. 346 00:16:02,720 --> 00:16:04,440 Speaker 1: They never tripped on you like recouping or nothing. Bro. 347 00:16:04,520 --> 00:16:06,960 Speaker 1: They let me put cash money logos on merch and 348 00:16:07,000 --> 00:16:09,560 Speaker 1: sell the merch and keep all the money. They bought 349 00:16:09,640 --> 00:16:12,120 Speaker 1: me a tour bus for a tour, didn't recoup any 350 00:16:12,160 --> 00:16:15,160 Speaker 1: money off that, like they should all me bro, So 351 00:16:15,240 --> 00:16:17,400 Speaker 1: all those like indie projects that you've been putting out, 352 00:16:17,560 --> 00:16:19,720 Speaker 1: like that's all you. I have one hundred percent of 353 00:16:19,760 --> 00:16:21,840 Speaker 1: all of that money, and I always have what's your 354 00:16:21,840 --> 00:16:24,200 Speaker 1: relationship like with Birdman, because I know you talked to 355 00:16:24,280 --> 00:16:26,280 Speaker 1: him not too long ago. We're talking shit like it's 356 00:16:26,320 --> 00:16:28,400 Speaker 1: just good. Like he's just kind of like a mentor. 357 00:16:28,480 --> 00:16:30,280 Speaker 1: Do you think like if you really catch a wave, 358 00:16:30,320 --> 00:16:32,800 Speaker 1: he's gonna call you and be like, hey man, yeah, 359 00:16:33,040 --> 00:16:35,160 Speaker 1: and I'd probably rocked the funk out because to me, 360 00:16:35,360 --> 00:16:38,800 Speaker 1: like he just is real solid, Like you know, from 361 00:16:38,800 --> 00:16:41,800 Speaker 1: whatever people's perspective is on like what the label could 362 00:16:41,800 --> 00:16:43,840 Speaker 1: have done. But I think people have this perception that 363 00:16:44,160 --> 00:16:46,680 Speaker 1: like a label could really make you popping, and I 364 00:16:46,720 --> 00:16:49,280 Speaker 1: think there's more things the label could have done maybe 365 00:16:49,320 --> 00:16:51,240 Speaker 1: to be behind shit, but I'm like, you know, I 366 00:16:51,280 --> 00:16:53,520 Speaker 1: think really the burden falls on the artists, and I 367 00:16:53,560 --> 00:16:55,800 Speaker 1: wasn't really ready to carry that burden at the time, 368 00:16:55,880 --> 00:16:58,880 Speaker 1: so you know, I was just legit, So there wasn't 369 00:16:58,920 --> 00:17:00,680 Speaker 1: really much they could have did. I feel like they 370 00:17:00,720 --> 00:17:02,280 Speaker 1: did a lot and if I was ready at that 371 00:17:02,360 --> 00:17:04,560 Speaker 1: there's also like a weird white rapper era low key, 372 00:17:05,200 --> 00:17:07,520 Speaker 1: like everyone was fighting to be like the white rapper 373 00:17:08,119 --> 00:17:11,719 Speaker 1: MGK was beefing with Yellow Wolf. There's Maclamore. It's like 374 00:17:12,280 --> 00:17:14,199 Speaker 1: it was just like you know, because now it's like 375 00:17:14,280 --> 00:17:16,080 Speaker 1: I feel like it's not as like weird. I'm glad 376 00:17:16,119 --> 00:17:19,200 Speaker 1: we passed with Maclamore. And no disrespect mclamoy. Great, got 377 00:17:19,240 --> 00:17:22,600 Speaker 1: a nice guy. But hey, that album was solid. No 378 00:17:22,680 --> 00:17:25,840 Speaker 1: it was not, you're crazy, bro, album was not you're 379 00:17:25,880 --> 00:17:29,320 Speaker 1: telling me that album wasn't good wings. I did not 380 00:17:29,760 --> 00:17:33,680 Speaker 1: like one song and Maclamore ry artists good. It was 381 00:17:33,720 --> 00:17:36,719 Speaker 1: a great album. Man. It wasn't better than Kendrick good 382 00:17:36,800 --> 00:17:39,600 Speaker 1: Kid Mad City, but it was a good body of 383 00:17:39,600 --> 00:17:43,480 Speaker 1: course not. It depends what. It depends what. It depends 384 00:17:43,560 --> 00:17:47,080 Speaker 1: what metrics were measured us. It was music that I 385 00:17:47,080 --> 00:17:51,159 Speaker 1: would bump. But but everybody got different flavors. I mean, 386 00:17:51,359 --> 00:17:54,160 Speaker 1: so there's no disrespect. I'm sure Macliamore wasn't a bad album, 387 00:17:54,200 --> 00:17:56,520 Speaker 1: though you said it was a bad album to me personally, 388 00:17:56,880 --> 00:17:59,080 Speaker 1: just because it's something you won't listen to, that's what 389 00:17:59,200 --> 00:18:01,240 Speaker 1: makes it bad to me. I mean, I'm not listening 390 00:18:01,320 --> 00:18:03,000 Speaker 1: to fucking Adele when I drive around, but I'm not 391 00:18:03,040 --> 00:18:06,000 Speaker 1: gonna call album trash. You know, but there's Adele songs 392 00:18:06,040 --> 00:18:09,080 Speaker 1: I like, and there's a Maclamore song you like one. 393 00:18:09,400 --> 00:18:11,800 Speaker 1: There's no way there's not a single man one playing 394 00:18:11,840 --> 00:18:13,920 Speaker 1: for me. When you first heard thrift Shop, you didn't 395 00:18:13,920 --> 00:18:16,120 Speaker 1: say this is kind of funky. Now I hated it. Yeah, 396 00:18:16,600 --> 00:18:18,639 Speaker 1: but I was like, but no, But I was also 397 00:18:19,000 --> 00:18:22,040 Speaker 1: But I was also a white rapper coming up watching 398 00:18:22,160 --> 00:18:23,679 Speaker 1: this guy. You know, I've had to do with that 399 00:18:23,720 --> 00:18:26,080 Speaker 1: a bunch of time, just watching like another dude blow up. 400 00:18:26,080 --> 00:18:28,680 Speaker 1: They're just like, what the fuck is this? What's going on? 401 00:18:29,720 --> 00:18:31,639 Speaker 1: That wasn't my wave. I wasn't really big on the 402 00:18:31,680 --> 00:18:34,000 Speaker 1: Maclimoe at Lea's probably a nice dude. Do you think 403 00:18:34,040 --> 00:18:35,880 Speaker 1: back and say to yourself, Wow, I was a part 404 00:18:35,880 --> 00:18:37,639 Speaker 1: of the rich Gang album, one of the most like 405 00:18:37,720 --> 00:18:42,040 Speaker 1: pivotal influential projects ever. Yeah. I was excited to be 406 00:18:42,080 --> 00:18:44,240 Speaker 1: a part of the whole moments where like rich Homy 407 00:18:44,320 --> 00:18:46,159 Speaker 1: and Thug were popping. That's what I'm saying. I was 408 00:18:46,200 --> 00:18:48,840 Speaker 1: around all those in those studio sessions and just like, 409 00:18:48,920 --> 00:18:50,560 Speaker 1: you know, miss that wave. It was dope. So you 410 00:18:50,600 --> 00:18:53,200 Speaker 1: were in the sessions with rich On and and younger, 411 00:18:53,240 --> 00:18:56,680 Speaker 1: they did that like Milk Marie one, and they did 412 00:18:56,680 --> 00:18:59,600 Speaker 1: that one in the studio, uh the studio that I recorded, 413 00:19:00,040 --> 00:19:01,760 Speaker 1: and uh yeah I was there. I was there when 414 00:19:01,760 --> 00:19:06,160 Speaker 1: they made fucking Lifestyle. Really yeah, what was that? Like crazy? 415 00:19:06,160 --> 00:19:07,919 Speaker 1: Everybody knew was a hit. Bird was like this is 416 00:19:07,920 --> 00:19:10,320 Speaker 1: the one, Like we all just were like the lead 417 00:19:10,359 --> 00:19:13,280 Speaker 1: on Lifestyle. As far as the Thug came up with 418 00:19:13,320 --> 00:19:15,720 Speaker 1: the metal and everything, yeah, he's yeah, he did his 419 00:19:15,800 --> 00:19:18,280 Speaker 1: name and Homi late his verse. But yeah, that was 420 00:19:18,359 --> 00:19:20,639 Speaker 1: just that was just a dope era to be around. 421 00:19:20,680 --> 00:19:22,320 Speaker 1: Like I don't know, I was like soaking up game 422 00:19:22,359 --> 00:19:24,720 Speaker 1: at that time, like just kind of just in awe. 423 00:19:24,720 --> 00:19:26,520 Speaker 1: It was. That's a pretty big deal to say you 424 00:19:26,560 --> 00:19:29,720 Speaker 1: were at the Lifestyle session. Yeah it was dope. Birdman 425 00:19:29,840 --> 00:19:33,800 Speaker 1: was there. Yep. Everyone knew. Yeah. Yeah, Like Thug had 426 00:19:33,840 --> 00:19:36,639 Speaker 1: a lot of dope records, Like he had bro records 427 00:19:36,640 --> 00:19:39,480 Speaker 1: that didn't come out to like Slim Season three or 428 00:19:39,520 --> 00:19:43,879 Speaker 1: four or three that that were dope. So like he 429 00:19:43,920 --> 00:19:45,879 Speaker 1: had all these records playing, but they were trying to 430 00:19:45,920 --> 00:19:48,439 Speaker 1: find that like real single that took it off. And 431 00:19:48,520 --> 00:19:50,480 Speaker 1: I don't know, bird got a crazy ear for music. 432 00:19:50,520 --> 00:19:52,199 Speaker 1: He was like the second they made it, he was 433 00:19:52,200 --> 00:19:54,200 Speaker 1: like this is the one we shooting the video. It's over. 434 00:19:54,480 --> 00:19:59,440 Speaker 1: I wish Rich Homie Kwan was I don't know, man, 435 00:19:59,480 --> 00:20:00,879 Speaker 1: you know he got locked out by his well, he 436 00:20:00,920 --> 00:20:03,040 Speaker 1: got locked out by his label. He was signed to 437 00:20:03,119 --> 00:20:05,359 Speaker 1: that label. Now, what's the real reason why they're not 438 00:20:05,400 --> 00:20:07,639 Speaker 1: fucking each other? Because it was some that I don't know. 439 00:20:07,680 --> 00:20:09,439 Speaker 1: I just mean, like he couldn't put out music for 440 00:20:09,480 --> 00:20:11,160 Speaker 1: like three or four years, so like he just kind 441 00:20:11,160 --> 00:20:13,200 Speaker 1: of cooled off. Why do people listen to that? I 442 00:20:13,200 --> 00:20:15,320 Speaker 1: would never listen to that. If the label told me 443 00:20:15,359 --> 00:20:17,760 Speaker 1: I can let me, I would just change my name 444 00:20:17,840 --> 00:20:20,160 Speaker 1: or something. Yeah, Rich Homi Kwan and Young Thug were 445 00:20:20,359 --> 00:20:23,080 Speaker 1: like they were like Kobe and uh in Shack back 446 00:20:23,119 --> 00:20:25,800 Speaker 1: in the day. It was a cool value. But now 447 00:20:25,800 --> 00:20:27,840 Speaker 1: you got me and Yellow. Who else was on? Who 448 00:20:27,840 --> 00:20:31,680 Speaker 1: else was technically rich Hello London on the track Durezda 449 00:20:31,760 --> 00:20:36,520 Speaker 1: Shane so dope really dope, really slept on dope artists 450 00:20:36,880 --> 00:20:40,000 Speaker 1: London that was like dope London. He pretty much hanneled 451 00:20:40,000 --> 00:20:42,880 Speaker 1: the production. Yeah, London was killing it. I remember, honestly, 452 00:20:43,000 --> 00:20:45,240 Speaker 1: like no knock to my guys, but like I had 453 00:20:45,240 --> 00:20:47,240 Speaker 1: to when they made that Milk Marie record, I like 454 00:20:47,320 --> 00:20:50,360 Speaker 1: had my guys playing some beats at first, and it 455 00:20:50,400 --> 00:20:52,879 Speaker 1: was the energy was a little dry, and then London 456 00:20:52,880 --> 00:20:56,720 Speaker 1: hopped up and went boom and just the whole fucking 457 00:20:56,800 --> 00:21:00,520 Speaker 1: room went, oh fucking it was out of there. That's crazy. 458 00:21:00,560 --> 00:21:03,800 Speaker 1: That's basically what Tasty does now. Pre Tasty. Yeah, it's 459 00:21:03,800 --> 00:21:06,680 Speaker 1: pre tasty. Like once I met Tasty, it was like, yeah, 460 00:21:06,720 --> 00:21:09,560 Speaker 1: it's damn you used to work with any of your 461 00:21:10,000 --> 00:21:12,920 Speaker 1: old orlandos. Yeah, hell yeah, all my guys and they've 462 00:21:12,920 --> 00:21:16,080 Speaker 1: all like improved and gotten really dope. Like everybody's on 463 00:21:16,160 --> 00:21:20,600 Speaker 1: jobs pretty much, Mass Hector, Tony chak Log, Tasty, Grant, 464 00:21:20,920 --> 00:21:25,320 Speaker 1: Angel Hill, me pretty much. Yo. We got to stop 465 00:21:25,320 --> 00:21:27,520 Speaker 1: the interview real quick. Tell us about I'm gonna tell 466 00:21:27,520 --> 00:21:29,640 Speaker 1: you about our partners at my bookie Man. Make sure 467 00:21:29,640 --> 00:21:32,400 Speaker 1: you go to my bookie dot ag right now. It's 468 00:21:32,480 --> 00:21:35,399 Speaker 1: gambling season. NBA playoffs are about to start. What are 469 00:21:35,400 --> 00:21:37,919 Speaker 1: we doing. You can still get your futures in on 470 00:21:37,960 --> 00:21:40,919 Speaker 1: the MVP vote as well. You can bet on everything 471 00:21:40,960 --> 00:21:42,639 Speaker 1: at my bookie man. So look what you gotta do 472 00:21:42,680 --> 00:21:45,000 Speaker 1: is go to my bookie dot com right now. Let's 473 00:21:45,080 --> 00:21:47,920 Speaker 1: go to my bookie. Use the promo code Bootleg when 474 00:21:47,920 --> 00:21:50,240 Speaker 1: you sign up for a new account. This is important. 475 00:21:50,320 --> 00:21:51,760 Speaker 1: When you sign up for a new account, use that 476 00:21:51,800 --> 00:21:55,399 Speaker 1: promo code Bootleg and they will give you a deposit 477 00:21:55,640 --> 00:21:58,560 Speaker 1: match free money up two thousand dollars. So if you 478 00:21:58,600 --> 00:22:00,320 Speaker 1: sign up and you put two hundred bucks in, gonna 479 00:22:00,320 --> 00:22:03,080 Speaker 1: give you another two hundred to bet with. Thousand, They're 480 00:22:03,080 --> 00:22:05,399 Speaker 1: gonna give you another thousand to bet with. Let's go 481 00:22:05,480 --> 00:22:07,520 Speaker 1: for the Suns all the way. Just throw all your 482 00:22:07,520 --> 00:22:11,320 Speaker 1: money on the Phoenix Suns, all right, and then bet 483 00:22:11,600 --> 00:22:13,399 Speaker 1: that the Warriors won't make it out of the first 484 00:22:13,440 --> 00:22:16,040 Speaker 1: fucking round because Joki is gonna fucking pound them in 485 00:22:16,080 --> 00:22:19,960 Speaker 1: their ass. Probably great odds on that one. Anyway. My 486 00:22:20,080 --> 00:22:23,520 Speaker 1: bookie dot ag, my bookie just fucking googled the ship. 487 00:22:23,720 --> 00:22:26,600 Speaker 1: My bookie used the promo code Bootleg, and they will 488 00:22:26,640 --> 00:22:29,800 Speaker 1: match your deposit free money, free money up to one 489 00:22:29,800 --> 00:22:33,200 Speaker 1: thousand dollars. Would you ever sign an artist? I really 490 00:22:33,280 --> 00:22:36,320 Speaker 1: want to. Yeah, I uh you know, I'm like still 491 00:22:36,440 --> 00:22:39,800 Speaker 1: uh fine tuning and learning the independent game. But I 492 00:22:39,800 --> 00:22:42,280 Speaker 1: feel like once I really feel like established and I 493 00:22:42,320 --> 00:22:44,800 Speaker 1: got like enough bag that I could put behind the 494 00:22:44,880 --> 00:22:47,800 Speaker 1: artists and blow it and not come back, then I'll 495 00:22:47,880 --> 00:22:49,600 Speaker 1: dump it in. But I got. I don't know. I 496 00:22:49,600 --> 00:22:51,399 Speaker 1: feel like I got a good year. I'd signed angel 497 00:22:52,080 --> 00:22:54,359 Speaker 1: Angel Hill. Yeah he coming on, Like shout out to 498 00:22:54,400 --> 00:22:58,480 Speaker 1: Angel Hill, come through your let's share him not for real, 499 00:22:58,720 --> 00:23:01,040 Speaker 1: get him to not move to Springfield, Missouri. Well, my 500 00:23:01,119 --> 00:23:03,000 Speaker 1: thing is that, My thing is that I don't like 501 00:23:03,080 --> 00:23:05,760 Speaker 1: I want to sign artists that I believe in and 502 00:23:05,840 --> 00:23:07,679 Speaker 1: just have like a different type of deal. Like I 503 00:23:07,840 --> 00:23:09,320 Speaker 1: just feel like all the deals that are going on 504 00:23:09,440 --> 00:23:11,679 Speaker 1: right now is like either labels trying to take too 505 00:23:11,720 --> 00:23:13,480 Speaker 1: much or it's an advance on your money. I feel 506 00:23:13,480 --> 00:23:15,600 Speaker 1: like there's ways to sign artists, make your money back, 507 00:23:15,640 --> 00:23:18,960 Speaker 1: make money, and them be rich as fuck. So yeah, 508 00:23:18,960 --> 00:23:21,600 Speaker 1: hey listen man, I think yeah, I think like it's 509 00:23:21,640 --> 00:23:25,120 Speaker 1: always tricky when you're like a super active artist, uh 510 00:23:25,680 --> 00:23:28,280 Speaker 1: still trying to make it to have another artist under you, 511 00:23:28,320 --> 00:23:29,760 Speaker 1: because it's like I want to do that, you know 512 00:23:29,800 --> 00:23:31,000 Speaker 1: what I mean. I don't want to feel that. I 513 00:23:31,000 --> 00:23:33,159 Speaker 1: don't want them to feel hindered by me. And also 514 00:23:33,280 --> 00:23:35,639 Speaker 1: just like I got a lot of ways to go. 515 00:23:35,720 --> 00:23:38,359 Speaker 1: I'm like selfish because you'll see, like you'll see like 516 00:23:38,400 --> 00:23:39,800 Speaker 1: an artist to be like yeah I got a label, 517 00:23:39,880 --> 00:23:41,160 Speaker 1: be like bro, but you ain't even all the way 518 00:23:41,240 --> 00:23:43,760 Speaker 1: like there yet, but like your damnself, do it the 519 00:23:43,840 --> 00:23:46,000 Speaker 1: right way, you know. Yeah, it's like I really want 520 00:23:46,040 --> 00:23:48,080 Speaker 1: to have that like billboard. That's why Yo Gotti is 521 00:23:48,080 --> 00:23:51,159 Speaker 1: working so well, because your Gotti established he wants everyone 522 00:23:51,240 --> 00:23:53,480 Speaker 1: to be bigger than him. He's already done it, you 523 00:23:53,480 --> 00:23:56,480 Speaker 1: know what I mean. Yeah, So in time, so uh, 524 00:23:57,400 --> 00:24:01,760 Speaker 1: you go from being on cash money fast forward, you 525 00:24:01,800 --> 00:24:05,200 Speaker 1: drop a tape Yellowolf. You're kind of like, how how 526 00:24:05,240 --> 00:24:09,760 Speaker 1: have you navigated not getting stuck in the the white 527 00:24:09,760 --> 00:24:13,639 Speaker 1: wrapper box underbelly. I feel like everybody in that box 528 00:24:13,720 --> 00:24:16,920 Speaker 1: knows I don't belong in that box like them in 529 00:24:16,960 --> 00:24:19,239 Speaker 1: there now, but like I be real, like everybody in 530 00:24:19,280 --> 00:24:22,639 Speaker 1: that box, at some point or another has acknowledged that 531 00:24:22,680 --> 00:24:25,040 Speaker 1: I'm meant to be bigger than that box, you know, 532 00:24:25,160 --> 00:24:26,960 Speaker 1: like all my homies and that, you know, I fuck 533 00:24:27,000 --> 00:24:29,760 Speaker 1: with everybody in that land. But I don't know. I mean, 534 00:24:29,800 --> 00:24:31,880 Speaker 1: the bird man, I feel like Jelly Rope broke through 535 00:24:31,880 --> 00:24:35,080 Speaker 1: the box, broke the box open, He broke the box open. 536 00:24:35,800 --> 00:24:38,639 Speaker 1: I think, I mean, I tried to do my fucking 537 00:24:38,680 --> 00:24:41,240 Speaker 1: hardest to just not be associated with the whole like 538 00:24:41,880 --> 00:24:45,240 Speaker 1: that scene, But I don't know. It's like the Wolf 539 00:24:45,280 --> 00:24:47,520 Speaker 1: thing kind of like put me in the dialogue because 540 00:24:47,680 --> 00:24:50,560 Speaker 1: Wolf's like the goat of that scene. But every but 541 00:24:50,600 --> 00:24:53,639 Speaker 1: there's a lot of people like Underwolf that are just 542 00:24:53,840 --> 00:24:57,680 Speaker 1: coow and just very much. So I feel like Wolf 543 00:24:57,760 --> 00:24:59,919 Speaker 1: is done for the for white rappers as well as 544 00:25:00,080 --> 00:25:02,320 Speaker 1: really branched out, you know what I mean. So it's 545 00:25:02,400 --> 00:25:05,320 Speaker 1: dope and he's he's brought you up. Yeah, Like, I'm 546 00:25:05,359 --> 00:25:07,919 Speaker 1: glad if anybody co signed me it was Wolf because 547 00:25:07,960 --> 00:25:11,560 Speaker 1: he understands respects the culture as honored the culture. Like 548 00:25:11,640 --> 00:25:14,520 Speaker 1: you know, I hate the rest of that scene to 549 00:25:14,520 --> 00:25:17,520 Speaker 1: be real. Yeah, I'm gonna lie like a lot of 550 00:25:17,520 --> 00:25:21,640 Speaker 1: that ship is cringy as fuck. Man. I'm just like, 551 00:25:22,080 --> 00:25:25,960 Speaker 1: I can't they just hit me up to have I 552 00:25:25,960 --> 00:25:29,080 Speaker 1: don't know, some fucking dude on some country ass rapper, 553 00:25:29,560 --> 00:25:32,840 Speaker 1: what's his name up Church or something. I was like, 554 00:25:32,880 --> 00:25:35,879 Speaker 1: it's a hard pass for me, you know, It's no, 555 00:25:36,080 --> 00:25:38,360 Speaker 1: I don't got any anything personal say about up Church 556 00:25:38,400 --> 00:25:40,280 Speaker 1: because he has seems like a nice guy. It seems 557 00:25:40,320 --> 00:25:42,240 Speaker 1: like a dope dude. I just can't have no maga 558 00:25:42,280 --> 00:25:44,640 Speaker 1: rappers on my shot. I just I don't like any 559 00:25:44,680 --> 00:25:47,800 Speaker 1: of the blurred lines between Like I don't know, like 560 00:25:48,680 --> 00:25:52,120 Speaker 1: they're ripping up Black Lives matter is crazy, Like that's 561 00:25:52,160 --> 00:25:55,479 Speaker 1: wild to me. It's like that dude who I fucking 562 00:25:55,880 --> 00:25:59,320 Speaker 1: when I was living in Tampa, that fucking weeny motherfucker 563 00:25:59,320 --> 00:26:03,240 Speaker 1: who you were talking ship to, the fat guy, the 564 00:26:03,280 --> 00:26:10,960 Speaker 1: real fat, ugly dude with the tattoos. I fucking hate 565 00:26:11,000 --> 00:26:17,719 Speaker 1: this scene. Bro like none of blue hair, and uh, 566 00:26:18,080 --> 00:26:20,600 Speaker 1: he's from Saint Pete, but nobody in Tampa fucked with 567 00:26:20,680 --> 00:26:22,720 Speaker 1: him because he was like a goof. But I think 568 00:26:22,760 --> 00:26:24,359 Speaker 1: he came from like a rich family or something. I 569 00:26:24,400 --> 00:26:28,359 Speaker 1: don't know. But then all of a sudden, he's like 570 00:26:29,160 --> 00:26:31,920 Speaker 1: a Trump rapper. He's like a Trump rapper. Here's the thing. 571 00:26:32,280 --> 00:26:35,680 Speaker 1: The craziest I've watched a lot of white rappers and 572 00:26:35,760 --> 00:26:38,480 Speaker 1: just people in general. They like find this niche that's 573 00:26:38,520 --> 00:26:41,040 Speaker 1: going and then they sell out their whole brand for 574 00:26:41,080 --> 00:26:45,040 Speaker 1: this jiggin. Because it's like one thing. I'll take being 575 00:26:45,160 --> 00:26:46,760 Speaker 1: at the level that I'm at, because you know, some 576 00:26:46,800 --> 00:26:48,840 Speaker 1: of those guys do numbers now or they're doing a 577 00:26:48,840 --> 00:26:51,640 Speaker 1: million views. But I'll tell you what, I'll always take 578 00:26:51,760 --> 00:26:55,320 Speaker 1: being at a lesser level to keep my integrity high. 579 00:26:55,359 --> 00:26:58,160 Speaker 1: Like I don't have no desire to like hit certain 580 00:26:58,240 --> 00:27:00,680 Speaker 1: number of accolades or like, you know, I think I'm 581 00:27:00,680 --> 00:27:02,960 Speaker 1: one of the dopest artists out there, and like my 582 00:27:03,040 --> 00:27:05,520 Speaker 1: whole mission and pursuit though is just like on my 583 00:27:05,560 --> 00:27:08,800 Speaker 1: own artistic path. I'll never sell that short for some 584 00:27:08,920 --> 00:27:11,919 Speaker 1: trendy like thing. I don't know. I just watched all 585 00:27:11,920 --> 00:27:15,240 Speaker 1: these exactly. I watched all of them turn from like 586 00:27:15,520 --> 00:27:19,640 Speaker 1: street rappers to like Trump maga political like that shs man. 587 00:27:19,840 --> 00:27:24,560 Speaker 1: They're just taking advantage of that whole movement die hard 588 00:27:24,600 --> 00:27:27,880 Speaker 1: and is atrocious. It's like the worst music. I mean 589 00:27:28,000 --> 00:27:30,159 Speaker 1: to me, all that's just trash. So it's annoying that 590 00:27:30,240 --> 00:27:32,760 Speaker 1: I even get like brought into you. I got all 591 00:27:32,800 --> 00:27:35,440 Speaker 1: these youtubel could you be with those guys? I didn't 592 00:27:35,720 --> 00:27:37,320 Speaker 1: you put it? But you put it this record out? 593 00:27:37,800 --> 00:27:39,800 Speaker 1: Which one? Didn't you put it? This record? Which one? 594 00:27:40,320 --> 00:27:44,680 Speaker 1: Which one? Where you know? What what are you talking about? 595 00:27:44,680 --> 00:27:46,640 Speaker 1: I got time to that. Yes, hold up now, that 596 00:27:46,720 --> 00:27:49,720 Speaker 1: wasn't to get me in the dialogue of the white 597 00:27:49,840 --> 00:27:53,200 Speaker 1: rapper ship. That was because this bitch ass motherfucker made 598 00:27:53,240 --> 00:27:56,359 Speaker 1: another record about that. I just was proving that was 599 00:27:56,359 --> 00:27:58,239 Speaker 1: like me being in the gym and just being like Hey, 600 00:27:58,320 --> 00:28:00,280 Speaker 1: let me show you that I'm way better than those 601 00:28:00,320 --> 00:28:02,560 Speaker 1: guys are like really bad at making music, so I 602 00:28:02,560 --> 00:28:05,479 Speaker 1: don't understand any of it. Honestly, the whole thing is 603 00:28:05,520 --> 00:28:08,920 Speaker 1: like I'm just like, it's just like cringe theater rap, 604 00:28:09,280 --> 00:28:11,040 Speaker 1: you know. It's like it's like rap that like you 605 00:28:11,160 --> 00:28:13,879 Speaker 1: have to watch. I call it theater rap because you 606 00:28:13,960 --> 00:28:16,639 Speaker 1: got to watch the video and listen to the fucking 607 00:28:16,720 --> 00:28:19,240 Speaker 1: ridiculous shit they say, and then you'll never listen to 608 00:28:19,280 --> 00:28:21,919 Speaker 1: the song. Shout out to the q A non rap subcategory. 609 00:28:22,080 --> 00:28:25,400 Speaker 1: Fuck all of y'all, please please disc me some more 610 00:28:25,480 --> 00:28:28,600 Speaker 1: so that I can be separated further from y'all's fan base. 611 00:28:29,080 --> 00:28:31,119 Speaker 1: I have no desire to be associated with y'all. I 612 00:28:31,119 --> 00:28:33,000 Speaker 1: don't want to make y'all's type of music. I think 613 00:28:33,040 --> 00:28:35,160 Speaker 1: all of y'all trash, and none of y'all could see 614 00:28:35,160 --> 00:28:39,320 Speaker 1: me on the mic. So let that y'all go repost that. 615 00:28:39,440 --> 00:28:41,560 Speaker 1: Put that up on YouTube. That goes for every one 616 00:28:41,560 --> 00:28:44,000 Speaker 1: of them fuckers that mentioned my name. That all all 617 00:28:44,000 --> 00:28:46,760 Speaker 1: they'll do is make YouTube blogs about me because not 618 00:28:47,080 --> 00:28:49,520 Speaker 1: one of them want to do what having a burden again? 619 00:28:49,680 --> 00:28:53,320 Speaker 1: So there we go. Uh, you got a tour coming 620 00:28:53,400 --> 00:28:58,680 Speaker 1: up in June fifty five dates, Me and Doobie fifty 621 00:28:58,720 --> 00:29:02,080 Speaker 1: five days, three months. It's a long tour. It's fucking long. 622 00:29:02,920 --> 00:29:04,800 Speaker 1: His wife on the tour with you. She's gonna be 623 00:29:04,800 --> 00:29:06,800 Speaker 1: coming to some of it. But three months is just 624 00:29:06,880 --> 00:29:09,640 Speaker 1: like ridiculously long. Is it the longest story you've ever done? 625 00:29:09,920 --> 00:29:12,640 Speaker 1: I've done, I've done like a closer. I think this 626 00:29:12,680 --> 00:29:14,720 Speaker 1: is probably the longest for Shure. I've done some long ones, 627 00:29:14,760 --> 00:29:17,320 Speaker 1: like sixty five dates or something like that, but it 628 00:29:17,400 --> 00:29:19,280 Speaker 1: was like back to back to back. So this one's 629 00:29:19,320 --> 00:29:21,080 Speaker 1: like spread out over three months, but it's a lot 630 00:29:21,120 --> 00:29:24,640 Speaker 1: of days. Like what is your like? Top five markets 631 00:29:24,680 --> 00:29:28,200 Speaker 1: like that that are like your brket Orlando that performed 632 00:29:28,240 --> 00:29:32,480 Speaker 1: for you. Orlando always the craziest, like any Florida market, Tampa, Orlando, 633 00:29:32,640 --> 00:29:37,960 Speaker 1: crazy in there, Denver, Love, Denver, Ohio, the whole state, 634 00:29:38,360 --> 00:29:43,400 Speaker 1: super dope, LA's dope, Salt Lake City, the Mormons fuck 635 00:29:43,440 --> 00:29:46,560 Speaker 1: with you, get down. A lot of the Midwest. The 636 00:29:46,600 --> 00:29:48,680 Speaker 1: Midwest is always crazy because you like, what the fuck 637 00:29:48,680 --> 00:29:50,840 Speaker 1: where we at Kansas and they'd be like five hundred 638 00:29:50,840 --> 00:29:55,720 Speaker 1: people there. Yeah, yeah, it'll be all over. What is 639 00:29:56,360 --> 00:29:58,760 Speaker 1: like for you? Like, uh, because I feel like you're 640 00:29:58,840 --> 00:30:01,960 Speaker 1: kind of uh have you when's the last time you 641 00:30:01,960 --> 00:30:03,680 Speaker 1: had that? The sixty sixth Day tour you were talking 642 00:30:03,680 --> 00:30:06,680 Speaker 1: about that was like, I mean pre pandemic. I feel 643 00:30:06,680 --> 00:30:10,720 Speaker 1: like you like are kind of a lot. You've grown 644 00:30:10,800 --> 00:30:13,400 Speaker 1: up a lot. Oh yeah, my tours swag is mad 645 00:30:13,480 --> 00:30:15,520 Speaker 1: different this time. Like i'd be up at six am 646 00:30:15,560 --> 00:30:18,440 Speaker 1: and yeah, I feel like you're like some adult shit now. Yeah, 647 00:30:18,520 --> 00:30:20,520 Speaker 1: I'm grown. Like I don't think I ever see you 648 00:30:20,560 --> 00:30:23,200 Speaker 1: like super fucked up or anything. I don't be doing that. Yeah, 649 00:30:23,440 --> 00:30:25,440 Speaker 1: I'm just like I'm trying to get a bag, bro, 650 00:30:25,520 --> 00:30:28,240 Speaker 1: I'm trying to like change my I realized, like I 651 00:30:28,280 --> 00:30:30,400 Speaker 1: think a big part of my career I was like 652 00:30:30,760 --> 00:30:33,520 Speaker 1: feeding into this like I'm a fucking rock star image, 653 00:30:33,560 --> 00:30:35,040 Speaker 1: you know, like we all kind of want to be 654 00:30:35,120 --> 00:30:37,760 Speaker 1: that as the star. And it's kind of like this 655 00:30:37,920 --> 00:30:40,200 Speaker 1: nostalgia of like I get fucked up, I don't have 656 00:30:40,240 --> 00:30:43,640 Speaker 1: responsibilities and like the older I get, I just want 657 00:30:43,680 --> 00:30:45,480 Speaker 1: to take care of my mom and my sister and 658 00:30:45,520 --> 00:30:48,200 Speaker 1: my nephew and shit. And I'm like, man, every time 659 00:30:48,240 --> 00:30:51,200 Speaker 1: I go out and get fucked up, I'm just lacking focus. 660 00:30:51,240 --> 00:30:52,960 Speaker 1: I'm missing out on the bag. I'd be setting myself, 661 00:30:53,000 --> 00:30:55,560 Speaker 1: I'd be like self sabotaging, getting two ways to Yo. 662 00:30:55,800 --> 00:30:57,360 Speaker 1: We got to stop the interview real quick to tell 663 00:30:57,400 --> 00:31:00,040 Speaker 1: you about our partners at odds Socks. Watch this. I 664 00:31:00,120 --> 00:31:02,400 Speaker 1: bet you I got odd socks on right fucking now. 665 00:31:03,120 --> 00:31:05,479 Speaker 1: Oh yeah, you see them, bad boys. These are what 666 00:31:05,520 --> 00:31:09,640 Speaker 1: we call the odd socks basics, the ankles, the ankle socks. 667 00:31:09,960 --> 00:31:12,320 Speaker 1: All right, go to odd socksofficial dot com right now. 668 00:31:12,920 --> 00:31:15,720 Speaker 1: Put the website up promo codes Bootleg keV. You're gonna 669 00:31:15,760 --> 00:31:18,160 Speaker 1: save twenty percent off at checkout. They got so many 670 00:31:18,160 --> 00:31:22,800 Speaker 1: crazy ass socks. We got twizzlers fucking Halloween. Uh. I 671 00:31:22,840 --> 00:31:25,280 Speaker 1: mean these are kind of satanic. It just says demon. 672 00:31:26,360 --> 00:31:30,120 Speaker 1: They were like, let's just do a generic demon sock. Hmm. 673 00:31:31,360 --> 00:31:34,960 Speaker 1: I mean this is kind of like a I guess, 674 00:31:35,000 --> 00:31:37,000 Speaker 1: like if you were in the eighties in Miami doing 675 00:31:37,000 --> 00:31:40,600 Speaker 1: cocaine off of a strippers asshole jaws PEPSI. I mean, 676 00:31:40,680 --> 00:31:43,400 Speaker 1: listen breaking bad Nickelodeon and keep going. But what's most 677 00:31:43,400 --> 00:31:47,360 Speaker 1: important is odd Socks is our family. Look, if you 678 00:31:47,360 --> 00:31:50,040 Speaker 1: support odd socks, you support the Bootleg cav podcast. So 679 00:31:50,080 --> 00:31:52,480 Speaker 1: go to bootleg keV. Well, you get a little bootlegkev 680 00:31:52,520 --> 00:31:54,000 Speaker 1: dot com and just check it out. But you could 681 00:31:54,000 --> 00:31:56,640 Speaker 1: also go to odd socksoficial dot com use the promo 682 00:31:56,720 --> 00:31:59,600 Speaker 1: code bootleg keV and save twenty percent off at checkout. 683 00:32:00,040 --> 00:32:01,920 Speaker 1: Do that ship right now. All right, let's get into 684 00:32:01,960 --> 00:32:04,440 Speaker 1: the interview that we've already been inside up, but we're 685 00:32:04,440 --> 00:32:06,320 Speaker 1: gonna get back to it right now. Did you ever 686 00:32:06,360 --> 00:32:08,240 Speaker 1: have like a crazy drug era of life where you 687 00:32:08,320 --> 00:32:10,120 Speaker 1: were doing that for shure, like I've been, I've been. 688 00:32:10,200 --> 00:32:13,240 Speaker 1: I'm coming up in July, I'll be three years sober 689 00:32:13,280 --> 00:32:15,440 Speaker 1: off of hard drugs. What was like your go to 690 00:32:15,560 --> 00:32:18,720 Speaker 1: hard drug like Molly and coke, Molly and coke, Molly 691 00:32:18,760 --> 00:32:22,200 Speaker 1: coke and alcohol and like perks and shit like that. 692 00:32:22,240 --> 00:32:25,240 Speaker 1: But honestly, like I didn't feel like think I was 693 00:32:25,280 --> 00:32:26,840 Speaker 1: going that crazy, But it was like right when I 694 00:32:26,880 --> 00:32:29,320 Speaker 1: met my girls, She's like, what the fuck is your lifestyle? 695 00:32:29,360 --> 00:32:31,400 Speaker 1: And I was like really started looking at my lifestyle 696 00:32:31,440 --> 00:32:33,560 Speaker 1: and I'm like, damn, I be in the studio to 697 00:32:33,800 --> 00:32:36,200 Speaker 1: fucking three am off of Molly. I come out of 698 00:32:36,320 --> 00:32:39,440 Speaker 1: sleep too. Yeah, drinking every night, jesus. I think it 699 00:32:39,520 --> 00:32:41,440 Speaker 1: was a lot of drinking like that was probably the biggest. 700 00:32:41,480 --> 00:32:43,320 Speaker 1: So probably a good way, Like you know, with all 701 00:32:43,320 --> 00:32:45,400 Speaker 1: the fentonel s going on, a probably good time to Yeah, 702 00:32:45,400 --> 00:32:49,160 Speaker 1: I'm out peace. I lost a couple of three years 703 00:32:49,600 --> 00:32:52,680 Speaker 1: sober from hard drugs from yeah, all hard drugs. We 704 00:32:52,760 --> 00:32:58,000 Speaker 1: do not consider psilocybin hard drugs. Yeah, mushrooms. Well like, now, 705 00:32:58,080 --> 00:33:00,120 Speaker 1: like I've got the sober time under my belt, so 706 00:33:00,240 --> 00:33:02,840 Speaker 1: I'll go celebrate and drink some champagne or something like that. 707 00:33:02,920 --> 00:33:05,760 Speaker 1: Like I'm not trying to fucking busting down rails in 708 00:33:05,800 --> 00:33:08,760 Speaker 1: the bathroom. I'm cool, man, you know, trying to get 709 00:33:08,840 --> 00:33:12,200 Speaker 1: rich all the drug energy be like weirdo energy too. 710 00:33:12,280 --> 00:33:13,959 Speaker 1: The older I get them, I'd be like, y'all a 711 00:33:13,960 --> 00:33:17,320 Speaker 1: bunch of fucking weirdos. Bro, Like it just drugs make 712 00:33:17,360 --> 00:33:19,760 Speaker 1: you weird. Bro. The more time I've had being sober, 713 00:33:19,800 --> 00:33:21,960 Speaker 1: the more like, Man, I'm focused on my family, my health, 714 00:33:22,040 --> 00:33:27,040 Speaker 1: my music, shipping on MAGA rappers and bro, leave those 715 00:33:27,040 --> 00:33:34,160 Speaker 1: guys alone. I just beg. I've been on your He's like, 716 00:33:34,160 --> 00:33:36,760 Speaker 1: stop associating yourself with them. I'm like, I hate on 717 00:33:36,800 --> 00:33:40,320 Speaker 1: my mind this. Stop acknowledging them because they're gonna put 718 00:33:40,320 --> 00:33:42,240 Speaker 1: you in that Because I was like, they're gonna associate 719 00:33:42,280 --> 00:33:44,320 Speaker 1: you with that ship, even if you just just leave 720 00:33:44,360 --> 00:33:46,160 Speaker 1: them alone. But he racked up and we did it, 721 00:33:46,280 --> 00:33:49,240 Speaker 1: and like we made that song in thirty minutes ship 722 00:33:49,360 --> 00:33:51,440 Speaker 1: on his life video and then like all the other 723 00:33:51,480 --> 00:33:54,640 Speaker 1: ship like Calhoun and these fucking weirdos, they just made 724 00:33:54,800 --> 00:33:58,200 Speaker 1: blogs about me. They don't want to some super weediest 725 00:33:58,240 --> 00:34:01,640 Speaker 1: man and that dud's like fifty. I was, what's funny 726 00:34:01,720 --> 00:34:03,840 Speaker 1: is that I made a joke to my homies like 727 00:34:04,000 --> 00:34:06,840 Speaker 1: he won't want rap smoke, he'll go make a YouTube blog. 728 00:34:06,960 --> 00:34:08,200 Speaker 1: And that's what he did. And I was just like, 729 00:34:08,239 --> 00:34:11,759 Speaker 1: all right, I want just off of that. I don't 730 00:34:11,760 --> 00:34:15,879 Speaker 1: make vlogs about people like I don't like you. I'm 731 00:34:15,880 --> 00:34:19,160 Speaker 1: gonna just avoid. I'm over here there. Leave me the 732 00:34:19,200 --> 00:34:23,239 Speaker 1: fuck alone. They're over there, no part of them away. 733 00:34:23,760 --> 00:34:26,279 Speaker 1: Keep all that weirdo ship away from me. That's why, Like, 734 00:34:26,320 --> 00:34:29,200 Speaker 1: you know, because like my guys are like you Doobie Rits. 735 00:34:29,600 --> 00:34:32,640 Speaker 1: Sometimes you were like, we're like teetering. We're like teetering 736 00:34:32,640 --> 00:34:35,640 Speaker 1: because the interview it from the South. Well, we have 737 00:34:35,760 --> 00:34:38,799 Speaker 1: some overlapping fans because I'm from Florida. We're from the South. Right, 738 00:34:39,040 --> 00:34:41,680 Speaker 1: Jelly Rolls, my dog and I friends and there's people 739 00:34:41,680 --> 00:34:44,160 Speaker 1: that's like yeah, like I don't, Yeah, whoever want to 740 00:34:44,160 --> 00:34:46,200 Speaker 1: be friends with them? To me, I didn't do nothing wrong. 741 00:34:46,280 --> 00:34:48,919 Speaker 1: Like all those motherfuckers came at me because I said 742 00:34:48,920 --> 00:34:50,600 Speaker 1: we was the hardest and shady. But I feel like 743 00:34:50,640 --> 00:34:53,200 Speaker 1: everybody think they're the hardest, say they're the hardest, dude, 744 00:34:53,320 --> 00:34:55,520 Speaker 1: Like every one of those guys at some point talk 745 00:34:55,560 --> 00:34:57,920 Speaker 1: about how they're the bed. Like I thought all that 746 00:34:57,960 --> 00:35:00,160 Speaker 1: shit was corny. Like they tried to like start some 747 00:35:00,200 --> 00:35:03,080 Speaker 1: ship with me. That was all for the internet, you know, 748 00:35:03,560 --> 00:35:05,160 Speaker 1: because like if you really got an issue with somebody, 749 00:35:05,160 --> 00:35:06,840 Speaker 1: you're gonna talk to him. You're gonna see him be 750 00:35:06,920 --> 00:35:09,640 Speaker 1: about some ship you don't make up, edit your fucking 751 00:35:09,760 --> 00:35:13,799 Speaker 1: vlog at your house, and spend an hour fucking edited 752 00:35:13,840 --> 00:35:16,759 Speaker 1: in this clips. You you got any features on the 753 00:35:16,920 --> 00:35:19,839 Speaker 1: on the new project Angel Hill? I got Angel Hill 754 00:35:20,040 --> 00:35:23,200 Speaker 1: introducing the world to your boy, Angel Hill. He's my 755 00:35:23,280 --> 00:35:25,920 Speaker 1: favorite one on the tape, Like I honestly, Wolf gave 756 00:35:25,960 --> 00:35:28,600 Speaker 1: me a ten out of ten fucking murder Verse that 757 00:35:28,680 --> 00:35:31,400 Speaker 1: we've been pocketing for as Yeah, that wrecking about the 758 00:35:31,400 --> 00:35:33,399 Speaker 1: break people's face. And then I got Dubi on there. 759 00:35:34,560 --> 00:35:36,880 Speaker 1: Shout out to the Dubes. Man, I'll keep my circle 760 00:35:36,920 --> 00:35:39,399 Speaker 1: tight there it is. Uh, So the album comes out 761 00:35:39,400 --> 00:35:43,000 Speaker 1: on Friday, and Adam, by the time this comes out, 762 00:35:43,000 --> 00:35:44,839 Speaker 1: of the al will be out. So because it's coming 763 00:35:44,840 --> 00:35:49,120 Speaker 1: on next week, what next week? Yeah, go get my ship, nobody, 764 00:35:49,680 --> 00:35:52,359 Speaker 1: go get the who's fucking are you gonna put another 765 00:35:52,480 --> 00:35:55,279 Speaker 1: one hundred dollars mixtape out? And get grab another hundred band? 766 00:35:55,360 --> 00:35:59,359 Speaker 1: Fucking right? Yeah? We not. We was talking about it, 767 00:35:59,400 --> 00:36:00,920 Speaker 1: but I was like, let's not do it once a year. 768 00:36:00,960 --> 00:36:02,960 Speaker 1: We'll do it like once every two years, every two 769 00:36:03,000 --> 00:36:05,360 Speaker 1: years because the year it feels like a cash grab, 770 00:36:05,400 --> 00:36:07,040 Speaker 1: even though I could do that, like I make enough 771 00:36:07,080 --> 00:36:09,680 Speaker 1: music for sure cash grab. It's a cash grab, but 772 00:36:09,719 --> 00:36:12,279 Speaker 1: you're an independent artist. To me, it's like the fact 773 00:36:12,280 --> 00:36:16,840 Speaker 1: you can say it's not cash grab is like saying 774 00:36:16,840 --> 00:36:18,799 Speaker 1: that it's for money and there's no value. To me. 775 00:36:18,880 --> 00:36:21,640 Speaker 1: It was like a really innovative way to get the 776 00:36:21,680 --> 00:36:24,000 Speaker 1: money we deserve as artists from the people that was 777 00:36:24,040 --> 00:36:26,200 Speaker 1: willing to spend that, and they got something really special. 778 00:36:26,239 --> 00:36:28,560 Speaker 1: So I felt like there wasn't like half ass songs. No, 779 00:36:28,719 --> 00:36:32,160 Speaker 1: we put we put hours in the well that feel 780 00:36:32,160 --> 00:36:35,279 Speaker 1: like it was worth it. Sold out, Did you bow 781 00:36:35,320 --> 00:36:39,719 Speaker 1: on you cheap bastard. Man. We could thousand and one man, 782 00:36:41,239 --> 00:36:44,000 Speaker 1: they was gone. Honestly, yeah, I just bought a house 783 00:36:44,000 --> 00:36:48,439 Speaker 1: so you know for the hundred sorry put it down 784 00:36:48,440 --> 00:36:53,600 Speaker 1: payment by uh anything else going on? Bro, Just honestly 785 00:36:53,880 --> 00:36:57,680 Speaker 1: music always, I'm like still trying to figure out what's 786 00:36:57,719 --> 00:36:59,799 Speaker 1: too much to drop and what's not enough. You know, 787 00:36:59,840 --> 00:37:01,759 Speaker 1: you kind of put a fire into my ass last 788 00:37:01,800 --> 00:37:03,839 Speaker 1: year when I was like working on Jaws and I 789 00:37:03,880 --> 00:37:06,400 Speaker 1: was like kind of going ghosts from everything and just 790 00:37:06,440 --> 00:37:08,640 Speaker 1: working on Jaws, and you were like, don't fucking do that. 791 00:37:09,200 --> 00:37:11,279 Speaker 1: Put your foot on their neck and drop you got 792 00:37:11,320 --> 00:37:14,520 Speaker 1: to I dropped ten videos this year already, so I'm 793 00:37:14,520 --> 00:37:16,400 Speaker 1: on It said that to me, and I was like, 794 00:37:16,520 --> 00:37:19,000 Speaker 1: Kav is fucking right, Let's flood him. So we about 795 00:37:19,000 --> 00:37:21,120 Speaker 1: to drop like four albums because I feel like when 796 00:37:21,120 --> 00:37:23,280 Speaker 1: you have like the attention, man, you can't take advantage 797 00:37:23,320 --> 00:37:25,920 Speaker 1: of that. I feel like that's low key. Where do 798 00:37:26,000 --> 00:37:28,920 Speaker 1: be kind of fucked up a little? Just do be 799 00:37:29,000 --> 00:37:31,319 Speaker 1: kind of No. No, he makes timeless music, but he 800 00:37:31,400 --> 00:37:35,560 Speaker 1: chilled out for like his bounce back. Bro. Watchun He's 801 00:37:35,560 --> 00:37:37,759 Speaker 1: gonna be fine. You guys are about tour. I just 802 00:37:37,800 --> 00:37:40,919 Speaker 1: mean like he just kind of like disappeared for like, 803 00:37:41,160 --> 00:37:42,839 Speaker 1: you know, I'm gonna be I'm gonna be honest though 804 00:37:43,160 --> 00:37:46,600 Speaker 1: I like envy artists like Doobie or like certain artists 805 00:37:46,640 --> 00:37:48,279 Speaker 1: that I could think of that have a really big 806 00:37:48,320 --> 00:37:50,880 Speaker 1: loyal fan base and they've only dropped like two projects 807 00:37:51,000 --> 00:37:54,399 Speaker 1: because I'm the opposite, you know, I'm like twelve twelve 808 00:37:54,520 --> 00:37:57,080 Speaker 1: When I look at it is everybody independent. The more 809 00:37:57,200 --> 00:37:59,520 Speaker 1: pieces to your catalog you add, the more your residual 810 00:37:59,520 --> 00:38:02,120 Speaker 1: bag is every month, my bad go up every drop. 811 00:38:02,200 --> 00:38:06,160 Speaker 1: So's keep driving to this shut up there, we'll go 812 00:38:06,200 --> 00:38:09,440 Speaker 1: get the album. It's out right now. Nobody's out tasty. 813 00:38:09,600 --> 00:38:13,400 Speaker 1: Have my fucking guy in the Angel hell on my album, 814 00:38:13,480 --> 00:38:16,840 Speaker 1: Absolute Savage, my boy Tasty. Bee's the best out in 815 00:38:16,880 --> 00:38:19,839 Speaker 1: the kitchen. Can we get some studio time? What's up 816 00:38:20,400 --> 00:38:21,000 Speaker 1: later tonight