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Speaker 1: Look Maher, oh, I see you and look over there

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Speaker 1: is that culture. Yes, goodness, Wow, Lost cult Ding Dong

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Speaker 1: Lost Cultusa's calling yet another list.

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Speaker 2: I hope you've all enjoyed the journey that we've embarked

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Speaker 2: on collectively as culturistas, reader's keys, publicists, finalists.

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Speaker 1: Lost Cultures is a collectivist podcast. We love collectivism. We

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Speaker 1: love to collect all of our listeners and gather them

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Speaker 1: and sort of take you as our own, whether you're

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Speaker 1: a Katie, a finalist, a publicist, or reader, which is

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Speaker 1: not really the order that we say that, and usually

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Speaker 1: it doesn't really matter because you are part of a

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Speaker 1: collectivist experience here at last Culture.

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Speaker 2: Matt has made a really cute hand gesture. He said,

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Speaker 2: doesn't it wasn't he did? He did little fingers kind

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Speaker 2: of windshield wiping. Okay, this doesn't really remember that one. Yes,

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Speaker 2: oh my god, Janet, Janet, Well that's a little preview

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Speaker 2: of our next list, even though she's not on that list.

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Speaker 2: On it but that would just wait, it'll all makes

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Speaker 2: sense in about a month.

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Speaker 1: Okay. But you know, in many ways she does figure

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Speaker 1: into this list because this is decades top ten decades,

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Speaker 1: and she has been a part of several decades in

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Speaker 1: the world. But yeah, but as a person who has

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Speaker 1: sort of really had an impact on many different decades,

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Speaker 1: wouldn't you say?

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Speaker 2: I would say so, And I mean the impact is

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Speaker 2: across many media, film, television, music, damn of course, music, yes, choreography,

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Speaker 2: the rich word, yeah, the written word.

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Speaker 1: Has she written books? I think she's written songs, that's true.

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Speaker 1: Let's not get ahead of ourselves. Let's talk about what's important,

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Speaker 1: which is ranking the decades. But when what do you

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Speaker 1: think earns a decade a spot on this list as

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Speaker 1: one of the top ten decades.

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Speaker 2: Here are my requirements. Okay, they need to span ten

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Speaker 2: years at least, yes, at least at least for them

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Speaker 2: to make this list. At least three of those years

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Speaker 2: had to be pretty good.

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Speaker 1: Yeah mm hmmm.

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Speaker 2: They had to have turned out at least ten pop culture.

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Speaker 1: Icons correct correct, correct, correct.

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Speaker 2: Correct correct. And I think the last requirement is that

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Speaker 2: there are pictures. Yeah, you can visualize what things looked like. Yeah,

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Speaker 2: I need to close my eyes and be able to

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Speaker 2: picture it. Now, what do you have to say?

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Speaker 1: Charisma, unique, missionary, and talent as always. All right, let's

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Speaker 1: get into it. This are the top ten decades as

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Speaker 1: ranked by Lost Culture resas Matt Rogers and Baun Yang

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Speaker 1: acclaimed podcasters, and it just gets bigger and bigger. This

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Speaker 1: is why I'm a here about why we're about to

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Speaker 1: make concisive cultural commentary on the top ten decades. And

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Speaker 1: of course every decade was considered. We sat tirelessly and

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Speaker 1: thought for months about this. Hundreds of decades. Every decade

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Speaker 1: was carefully considered. It just so happened. This is how

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Speaker 1: it shook out. I hope no decade takes offense. But

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Speaker 1: should we start at number ten?

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Speaker 2: Let's start at number ten for the list of the

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Speaker 2: top ten decades Lost cult.

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Speaker 1: Lost Culture, number ten, the ten tens. This is pretty recent.

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Speaker 1: This was actually fairly recent if you really think about

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Speaker 1: the world, if you think of the world as the clock,

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Speaker 1: this was but a half second ago. Ye, Because of course,

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Speaker 1: this is just to say the impact of this decade

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Speaker 1: is time is actually an ever flowing river. That's actually

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Speaker 1: a line from the Jurassic Park River Adventure. The twenty

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Speaker 1: tens were really Obama.

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Speaker 2: That for one, Well, let's not forget Trump too.

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Speaker 1: He was also there. See here, I am there, And

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Speaker 1: isn't that so the twenty tens us like, yes, it

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Speaker 1: was good, but also it was bad, you know what

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Speaker 1: I mean? Like, really, the first five six years of

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Speaker 1: the twenty tens were sort of a cultural period of renaissance,

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Speaker 1: and then we sort of descended into hell.

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Speaker 2: This at the beginning of this decade was the pop

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Speaker 2: diva is going.

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Speaker 1: At it off, off, off, and at it going.

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Speaker 2: Off, just dressed up in ridiculous outfits, writing ridiculous songs

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Speaker 2: about self love. I mean, there was an optimism in

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Speaker 2: the air that might have blinded us to the realities

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Speaker 2: of the world.

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Speaker 1: Absolutely, I mean, I think when Rihanna released her Loud

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Speaker 1: album that only could have been released during the Obama years,

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Speaker 1: I think she could only have felt such pride and

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Speaker 1: such experimentalism during that time, which was a very much

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Speaker 1: one of abandon very much one of possibility. And she said,

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Speaker 1: so I'm going to die my hair fire hydrant red, yes,

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Speaker 1: and say, oh no, no, what's the name?

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Speaker 2: Now? You think Loud is her most experimental album.

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Speaker 1: I think that it was our most experimental hair color,

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Speaker 1: and that bled into the music red blood red as

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Speaker 1: red as it were.

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Speaker 2: Absolutely, well, what else is there to say about the

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Speaker 2: twenty tens.

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Speaker 1: I don't know, we covered Obama, Trump and the Loud album,

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Speaker 1: but from Rihanna. So I think that's why the twenty

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Speaker 1: tens are number ten on the list of top ten decades.

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Speaker 1: Number nine.

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Speaker 3: Seventies Okay, disco inferno for real, first of all, girl,

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Speaker 3: and I would say flower power for sure, and you know,

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Speaker 3: hippie love crossing over, so it's hippie love was more sixties.

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Speaker 3: But then, of course, you know, one hundred percent what

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Speaker 3: you experienced in the seventies was something a little thing

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Speaker 3: called disco disco.

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Speaker 2: Nixon Will is maybe going to be impeached.

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Speaker 1: Here you go again saying I'm here saying bout of

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Speaker 1: power love disco, and you're saying Nixon, No.

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Speaker 2: I just we have to contextualize the pop culture with

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Speaker 2: the world culture, the political culture.

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Speaker 1: You're so right, And that's sort of the tension here

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Speaker 1: in this type of list is because during all these decades,

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Speaker 1: I mean, there were certainly icons, I mean one word Travolta,

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Speaker 1: but there was also the dark side. I mean one

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Speaker 1: word Travolta.

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Speaker 2: Travolta. Oh my god, you think Travolta is the perfect

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Speaker 2: vessel for the complexities of this decade.

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Speaker 1: Fiva Knight is my response to what you just said,

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Speaker 1: I think that basically there was a huge boom of

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Speaker 1: Travoltaism in the seventies. There was actually a political movement

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Speaker 1: they called Travoltaists were sort of all over the world,

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Speaker 1: and they didn't know what was bubbling under the surface,

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Speaker 1: which was some chaos, some tension, some tug and tug

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Speaker 1: and pull. As a part everything was getting tugged and pulled. Girl,

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Speaker 1: I mean back behind the scenes as Studio fifty four. Huh,

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Speaker 1: you don't get what's happening at Studio fifty four?

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Speaker 2: Can I say maybe one of the only decades on

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Speaker 2: this list where retroactively icons were made. When I say

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Speaker 2: the names Kelso, Fez, Jackie, I mean these are seventies

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Speaker 2: icons that were made in the nineties.

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Speaker 1: I'm gonna say something right now, and I know this

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Speaker 1: is gonna be a rural culture after it lands. Most

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Speaker 1: important Jackie of the twentieth century me Lacunis Melacunas. That's

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Speaker 1: rural culture number five, most important Jackie of the century centry.

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Speaker 2: I think that was Oh that Jackie was Mela Curtis.

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Speaker 2: I was thinking Lora Prepon was Donna. I was getting

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Speaker 2: Donna and Jackie mixed stuff.

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Speaker 1: So famously, Donna, it wasn't even funny.

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Speaker 2: I know, I know, But again, there's a darkness to

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Speaker 2: that seventies show with the Danny Masterson of it all.

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Speaker 1: You can't help yourself, Lisa Robin Kelly of it all.

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Speaker 2: Let's not forget it. I mean there was darkness a foot.

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Speaker 1: Well, anything with success comes a price, and I think

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Speaker 1: that that is the reason why the nineteen seventies are

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Speaker 1: number nine on top ten decades.

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Speaker 2: Last culture number eight seventeen seventies.

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Speaker 1: Well, look who's arrived on the scene. Her name is America.

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Speaker 1: And no I'm not talking about miss Ferreira, she would

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Speaker 1: come two hundred years later. America was first a country,

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Speaker 1: a nation, and really a statement of the world. We're here.

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Speaker 2: There are so many iconic moments from this decade. Oh honey,

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Speaker 2: I mean, honey, when I say the words the British.

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Speaker 1: Are coming, who tell me what?

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Speaker 2: Let me count the words one, two, three, four, four,

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Speaker 2: words that have resonated through the centuries.

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Speaker 1: Revere did that, Paul Revere. I Revere him. And you know,

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Speaker 1: there were so many people that were making big impacts

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Speaker 1: at this time. I mean John Hancock. Whenever you say,

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Speaker 1: put your Hancock on that. You know exactly what it is.

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Speaker 1: It means a big signature. And sure, if you did

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Speaker 1: sign a document as big as him, you might earn

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Speaker 1: the ire of your colleagues and friends. But let's just

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Speaker 1: say that. He famously said he wanted the British to

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Speaker 1: see it all the way across the Atlantic, and baby,

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Speaker 1: we certainly feel it all these years later.

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Speaker 2: Here's my theory on John Hancock. This is the place

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Speaker 2: for theories, for theories. He grew up every birthday card

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Speaker 2: that he signed. He kept it short, he kept it small.

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Speaker 2: You know, he was just writing his initials down in

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Speaker 2: the tiniest possible lettering. And I think he knew the

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Speaker 2: impact of the Declaration of Independence, and he said, you

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Speaker 2: know what, I'm gonna make my mark. Enough of the shrinking,

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Speaker 2: enough minimizing myself. I'm gonna really put my mark on

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Speaker 2: this document. And now we're talking about him.

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Speaker 1: A lot of people are saying it in quiet voices,

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Speaker 1: but I'm gonna say it with my full test right now.

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Speaker 1: John Hancock signing the Declaration of Independence was his Rihanna

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Speaker 1: loud moment. He said, I will no longer be silent.

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Speaker 1: I am dying my hair, fire fire engine read. I

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Speaker 1: am absolutely saying, hold on, what's the name John Hancock?

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Speaker 1: And I hope that the King can see it from

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Speaker 1: across the Atlantica.

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Speaker 2: You think John Hancock said, I will no longer be

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Speaker 2: silent in the words of the new Jazzmine song in

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Speaker 2: the Aladdin Live Action movie, I will.

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Speaker 1: Not remain speechless. I will not remain speechless. That's what

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Speaker 1: she said.

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Speaker 2: Oh my god, what if that song is a nod

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Speaker 2: to John Hancock?

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Speaker 1: I think everything is, And that is what The seventeen

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Speaker 1: seventies ranked at number eight on Top Ten Decades Last

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Speaker 1: College number seven twenty twenties. I hear some roaring in

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Speaker 1: the distance. I'm just gonna get out of the way. Early.

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Speaker 2: Yeah, it ended in austerity and tragedy, people jumping off

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Speaker 2: buildings in the financial district in New York on Wall Street.

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Speaker 2: But wow, oh boy, did we have a nice party

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Speaker 2: leading up to that moment.

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Speaker 1: And you know, I think it's so important that we

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Speaker 1: acknowledged that tension and that ultim ultimately this really did

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Speaker 1: not go so great. But the Roaring twenties, Wow, did

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Speaker 1: they roar in the beginning. I mean, the Great Gatsby

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Speaker 1: This was a book that really talked about excess. It

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Speaker 1: really talked about you know, the pros to cons you know,

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Speaker 1: the green light on Daisy's doc. That's definitely something that

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Speaker 1: people wrote essays about cars. That book was about cars

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Speaker 1: and the tragedies that can come out from them.

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Speaker 2: Yes, the American dream was having a car driving into

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Speaker 2: the city seeing a Broadway show perhaps, mm hmm, And

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Speaker 2: I would say it's.

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Speaker 1: About whoo oh, absolutely, let's prohibit prohibition. First of all,

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Speaker 1: can you talk about the effect of this decade on

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Speaker 1: Real Housewives themed parties?

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Speaker 2: Not just real I'm not going to limit it to

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Speaker 2: Real Housewives themed parties. I'm just gonna I'm gonna go

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Speaker 2: ahead and expand it all to and I'm sorry to

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Speaker 2: bring make it about race. It is it is white

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Speaker 2: people's favorite thing to do, a Great Gatsby themed party

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Speaker 2: to do. I think it's a white people's favorite thing

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Speaker 2: to do, you know, speak easy moment. Yeah, But I

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Speaker 2: think I think, I think what transcends race is Chicago.

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Speaker 2: I think Chicago is the thing that is a level.

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Speaker 2: I think Chicago is the more relevant nineteen twenties work

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Speaker 2: in America then the Great Gatsby because everyone loved Chicago,

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Speaker 2: but only real housewives love I mean everyone loved Chicago.

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Speaker 2: Have to throw a themed party after it. Only a

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Speaker 2: certain amount of people, a certain group of people love

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Speaker 2: the Great Gatsby to throw a party. Does that make sense?

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Speaker 1: Yeah, it made It made perfect sense to me. And

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Speaker 1: I would also say that Chicago being one of the

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Speaker 1: great films of the two thousands, stay tuned, stay but

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Speaker 1: for now we say that all this is why the

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Speaker 1: nineteen twenties rank at number seven on Top ten Decades

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Speaker 1: Lost Cult number six the two thousands. Now, what were

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Speaker 1: you saying about Chicago? Dude?

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Speaker 2: Tell this was a movie that came out in two

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Speaker 2: thousand and two, two and three.

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Speaker 1: Spiritually it came out in all those years.

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Speaker 2: It was two thousand and two. I think it was

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Speaker 2: two thousand and two. Miramax was at its peak. Thank you,

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Speaker 2: Harvey Weinstein, Thank you God, Thank you God. He was

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Speaker 2: the king of the two thousands, wouldn't you say.

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Speaker 1: For better or worse? He was. He really started ruled

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Speaker 1: the roost, ruled the roost.

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Speaker 2: I mean, he was the one who was beaming images

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Speaker 2: into our little eyeballs. Two people ruled the two thousands,

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Speaker 2: Harvey Weinstein and Lauren els Conrad, who could forget when

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Speaker 2: she burst onto the scene on the Laguna Beach and

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Speaker 2: was the breakout star earning her own show.

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Speaker 1: The Hills. At that moment, she became one of the

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Speaker 1: leading players in Hollywood, alongside Harvey Weinstein.

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Speaker 2: Now would you say that Lauren Conrad? I think she

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Speaker 2: is so fascinating because how did that happen? She's actually

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Speaker 2: one of the least compelling people in America. I would say,

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Speaker 2: I'm gonna go ahead and say.

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Speaker 1: I think we all saw our not very compelling selves

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Speaker 1: in her. And also, this was a time where you

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Speaker 1: have to you have to remember every one wanted to

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Speaker 1: look and be just like everyone else. So here was

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Speaker 1: a girl who was put on TV by stroke of luck.

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Speaker 1: She was wearing her side bang, you know what I mean.

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Speaker 1: She was sort of giving that hollistert look, and everyone said,

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Speaker 1: I can cipher my personality down to her so easily

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Speaker 1: because I know that she is exactly the boring thing

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Speaker 1: that everyone wants, and she actually a smart individual said

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Speaker 1: I'm going to take my basicness and take it to

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Speaker 1: the moon. To this day, she's a trillionaire. She's a trillionaire.

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Speaker 1: Do you remember I mean this is the two thousands.

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Speaker 1: On a personal level, for me, I moved to New York,

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Speaker 1: to the City of New York right as this City

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Speaker 1: with the Whitney Port spun off, and that was a

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Speaker 1: huge success to that show, major success, But to be real,

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Speaker 1: it wasn't. And I think that was because once someone

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Speaker 1: moved to the city, that just became a little bit

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Speaker 1: too much. They were like, oh, the city, this girl's

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Speaker 1: trying too hard. I mean the Hills sort of like

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Speaker 1: she was able to, you know, still be like a

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Speaker 1: lazy La girl.

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Speaker 2: Right. If once Whitney moved to the city, I'm sorry,

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Speaker 2: New York swallows you up.

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Speaker 1: It did.

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Speaker 2: It changed her, It changed her. But I'm saying, like,

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Speaker 2: you disappear because these people don't give a shit about you.

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Speaker 1: It's New York City. What an interesting choice to spin

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Speaker 1: off the show with the character who the entire time

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Speaker 1: in the Hills literally only ever said oh my god, seriously,

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Speaker 1: what happened then? But what then?

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Speaker 2: No?

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Speaker 1: You did not? What did you say?

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Speaker 2: She became the sort of fan favorite because she was

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Speaker 2: totally neutral. I think they didn't give Audrena a chance.

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Speaker 2: Audrena should have led something. You're making a face. I

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Speaker 2: think Audrena was the star.

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Speaker 1: Did you know that Audrina, speaking of the two thousands,

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Speaker 1: was in the film Sorority Row. Did you ever see

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Speaker 1: the film Sorority I didn't know that it was a

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Speaker 1: serial killer movie about they all came to a sorority. Yes, yes, yes, yes,

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Speaker 1: I do remember this because those were the days when

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Speaker 1: I was on IMDb every day, just looking up any

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Speaker 1: person I could think of. And I remember going on

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Speaker 1: Audrina Patrich's IMDb and in production in parentheses, I see

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Speaker 1: Sorority Row, What's this and just following it with baited breath.

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Speaker 1: The two thousands were peak IMDb message board culture.

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Speaker 2: Can we just can we also.

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Speaker 1: Just give a toast to the movies of that era.

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Speaker 1: I love it all.

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Speaker 2: Sorority boys, just friends. I'm saying this is American pie too. Uh.

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Speaker 2: Back to the House, Back to the house. These are

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Speaker 2: the movies of the two thousands. I'm not going to

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Speaker 2: say any prestige titles. I'm just going to say the

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Speaker 2: mid to low tier movies that were that were put

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Speaker 2: out in theaters, because wow, do I yearn for that

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Speaker 2: time for movies that are not very good to proliferate

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Speaker 2: the American cinema.

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Speaker 1: And that reason is why the two thousands rank at

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Speaker 1: number six on Top ten Decades Lost Culture, number five BC.

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Speaker 1: Now does this count as a decade. I think it

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Speaker 1: does because I think we can all agree that in

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Speaker 1: this world, in this little thing we call life, there

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Speaker 1: was before Christ, and after Christ, he came along and

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Speaker 1: shook it up. Don't say what you want about your

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Speaker 1: religious beliefs quietly to yourself. But you can't. You can't deny.

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Speaker 1: This young girl was a legend. She came along and

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Speaker 1: she made everybody listen, doing her tricks, making her magic,

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Speaker 1: turning water into wine. I said, this is how you

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Speaker 1: do it. This is how you capture a conversation. This

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Speaker 1: was the original LC because people were like, I'm seeing you,

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Speaker 1: and I'm watching I'm watching you.

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Speaker 2: Jesus, this is what This is what Jesus did to

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Speaker 2: the girls. This is how Jesus gagged the girls. M hm,

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Speaker 2: he did his thing, passed away. This is what the

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Speaker 2: girls said. Around the world, at least in the Roman Empire.

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Speaker 2: Start the clock again, Reset the.

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Speaker 1: Clock, start it over. Can you imagine? Yeah? I can't.

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Speaker 2: Who would have to die today in order for all

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Speaker 2: of us to be like worse worse we're restarting the

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Speaker 2: clock were the calendar is back to zero.

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Speaker 1: We all know that answer is Beyonce Noles, Beyonce Knowles.

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Speaker 1: But you know what's funny is we've been talking about

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Speaker 1: the impact of Jesus and BC is famously before. So

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Speaker 1: this was the prequel. Okay, let's talk about BC.

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Speaker 2: You had the ancient Greeks, the dinosaurs, the dinosaurs, you

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Speaker 2: have the algae, the little things in the water, sharks, sharks,

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Speaker 2: the Assyrians, the Mesopotamian mm hmm, the Chinese, the Japanese.

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Speaker 1: Oh and by the way, all these groups getting so

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Speaker 1: messy with each other, like getting all into it with

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Speaker 1: each other. Like there was not a time when there

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Speaker 1: wasn't a war. There was not a time of peace.

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Speaker 1: There was always a time of unrest until BC, and

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Speaker 1: then afterwards there was a time of relative peace before

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Speaker 1: he was sort of offt at thirty three, and then

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Speaker 1: there was unrest again. But there was a beautiful time

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Speaker 1: there in BC where it was just like sort of

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Speaker 1: like all the girls sort of tussling for the top spot.

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Speaker 2: Yes, and none of them, no, one really want out.

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Speaker 1: No to say war is not the answer.

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Speaker 2: No.

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Speaker 1: And because we finally arrived at that message. That is

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Speaker 1: why the BC is number five on top ten decades

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Speaker 1: Lost coach. Oh, this one gets me excited to even

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Speaker 1: see number four.

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Speaker 2: This was a huge decade in culture, in history.

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Speaker 1: Should we get a special guest to speak to the eighties? Yes, Mom,

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Speaker 1: come in here.

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Speaker 2: Oh my god, this is so huge. We are about

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Speaker 2: to get an expert on the eighties with us on

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Speaker 2: the podcast.

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Speaker 1: I want some tea spilled on the eighties. So take this,

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Speaker 1: put it in your ear on the podcast. Hi, Hi Katrina.

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Speaker 1: So come on now, we're talking about the top ten

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Speaker 1: decades of all time and number four is the nineteen eighties.

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Speaker 1: So could you share with us some things that happened

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Speaker 1: in the eighties? Eighties? What are your favorite memories? What

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Speaker 1: are your favorite memories? Well? I worked in disco text

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Speaker 1: she worked in disco texts. So what the kind of

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Speaker 1: things did you see there? But we'll never forget.

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Speaker 4: I'll never forget. Let me say all the fabulous styles,

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Speaker 4: the high shoulder pants, the big belts, the big air.

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Speaker 1: Who did your party with in the club that you

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Speaker 1: always talk about? Let's see?

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Speaker 4: Well, yes, I can next to Andre the Giant and

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Speaker 4: I and I chased Superman.

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Speaker 1: Oh, Christo.

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Speaker 4: I was standing there and I was kind of near

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Speaker 4: the men's bathroom and I saw him walking and I

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Speaker 4: walked into the men's bathroom to try to.

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Speaker 1: Go and meet him.

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Speaker 4: And then I was checking and I turned around.

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Speaker 1: Oh my, Patrina, that is amazing. Wow. So the eighties

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Speaker 1: you would say were a crazy, wild time. It was

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Speaker 1: a crazy world. Do you miss that?

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Speaker 4: Well, let's say I had a lot of fun. You know,

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Speaker 4: I was a bartender in a nightclub. I was the

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Speaker 4: only girl, and I had all these gorgeous guys.

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Speaker 1: Were they gay?

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Speaker 4: There was not many gay guys there, but there were some.

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Speaker 1: There were some, just like the world, not many, but

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Speaker 1: some not. I had a lot of fun. I bet

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Speaker 1: you did with all those hot guys.

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Speaker 4: You know, all the dancing. And I have to tell you,

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Speaker 4: in the eighties we had the nightclubs, but then on

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Speaker 4: special nights, the nightclubs turned into alternative dance clubs, alternative rock,

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Speaker 4: punk rock.

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Speaker 1: You loved punk rock.

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Speaker 4: I loved it because it was the time where because

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Speaker 4: I didn't really do like the you know, the real

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Speaker 4: disco dancing. But when you went to a punk rock

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Speaker 4: alternative rock nightclub, you could just go out on the

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Speaker 4: dance ploort.

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Speaker 1: You could dance by yourself. You can just dance by yourself.

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Speaker 4: The way people dressed like I because I worked in

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Speaker 4: the Varmba district and I went down to like the

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Speaker 4: West village and I went into a shop at through

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Speaker 4: at store and I bought myself a big old like code.

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Speaker 4: It was like the military code. And I and I

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Speaker 4: had white pat and leather flat shoes. And you wouldn't

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Speaker 4: dance at went against the grade.

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Speaker 1: You kind of went against the green.

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Speaker 4: You could do that in the eighties getting queer people

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Speaker 4: there and got alternative night because they were just alternative stuff.

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Speaker 1: Fabulous. You have a round of proposed between she did,

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Speaker 1: and that is why the nineteen eighties are number four

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Speaker 1: on top ten decades Lost Coast.

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Speaker 2: Thanks she did amazing. That was fab I mean we

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Speaker 2: can't we can't beat that. We cannot add to that up.

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Speaker 1: That was the first person to account. That was a witness,

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Speaker 1: primary source. Okay, number three, going seventies. I put this twice.

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Speaker 2: Matt put this on twice. I think you meant to

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Speaker 2: say nineteen sixties.

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Speaker 1: Nineteen sixties. Maybe that's what I meant to say.

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Speaker 2: Number three, number three, I mean the nineteen sixties were

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Speaker 2: This was when America and the world figured out what

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Speaker 2: was beautiful. I'm just gonna say that that's a beautiful sentiment.

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Speaker 2: This was when everyone cared about the way things looked

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Speaker 2: in a way that was not shallow, in a way

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Speaker 2: that was intentional. Indeed, that's that. This was when you

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Speaker 2: had so many new fonts appear, new styles of clothing appeared,

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Speaker 2: new hairdews appeared, new net upper styles. I'm being totally

435
00:25:38,840 --> 00:25:41,280
Speaker 2: serious here. I think the sixties were a very important

436
00:25:41,359 --> 00:25:42,320
Speaker 2: time for esthetics.

437
00:25:43,359 --> 00:25:47,119
Speaker 1: Not only that, you wouldn't even have Forrest Gump without

438
00:25:47,119 --> 00:25:51,560
Speaker 1: the sixties. Girl, you and you hate to stay tuned

439
00:25:52,160 --> 00:25:55,119
Speaker 1: because the Forest Gump came out of the nineties. Stay tuned.

440
00:25:55,240 --> 00:25:58,960
Speaker 1: Let's just say Robin Wright, she represented the sixties.

441
00:25:59,040 --> 00:26:01,159
Speaker 2: I was gonna say, you know what, I was going

442
00:26:01,240 --> 00:26:04,040
Speaker 2: to say, the seventies gave us retroactive icons. Of course,

443
00:26:04,080 --> 00:26:06,120
Speaker 2: the sixties gave us retrographtive icons.

444
00:26:06,119 --> 00:26:09,159
Speaker 1: As we two words, Janis Joplin.

445
00:26:08,920 --> 00:26:14,560
Speaker 2: I was going to say, Don draper I was going

446
00:26:14,640 --> 00:26:16,040
Speaker 2: to say, Don draper.

447
00:26:16,040 --> 00:26:17,760
Speaker 1: Man talk about how mad Man was one of the

448
00:26:17,760 --> 00:26:18,520
Speaker 1: great series.

449
00:26:19,680 --> 00:26:23,280
Speaker 2: Mad Men was appointment television, maybe one of the last

450
00:26:23,359 --> 00:26:26,080
Speaker 2: Oh well, you know what, no succession was. Succession was

451
00:26:26,119 --> 00:26:28,840
Speaker 2: monoculture and was appointment television. So I take that back.

452
00:26:28,920 --> 00:26:32,119
Speaker 2: Mad Men didn't do anything, did nothing.

453
00:26:32,600 --> 00:26:35,840
Speaker 1: But still, you know, we respect what it tried to

454
00:26:35,840 --> 00:26:39,080
Speaker 1: do and we respect it. Really trying to capture a time,

455
00:26:39,240 --> 00:26:44,080
Speaker 1: a time that is actually ranked on this list Top

456
00:26:44,200 --> 00:26:48,040
Speaker 1: ten decades. Last Coach at number three, the nineteen sixties,

457
00:26:57,880 --> 00:26:58,520
Speaker 1: number two.

458
00:27:00,600 --> 00:27:05,240
Speaker 2: Fifties, post war el Agonza, one of those.

459
00:27:05,040 --> 00:27:08,240
Speaker 1: Times where mothers were smoking cigarettes in the kitchen. They said,

460
00:27:08,280 --> 00:27:10,520
Speaker 1: you know what, go ahead, take the bike, kids, go

461
00:27:10,560 --> 00:27:13,960
Speaker 1: wherever you want. There's no risk of abduction.

462
00:27:14,320 --> 00:27:18,720
Speaker 2: This was when you go leave the door unlocked. We

463
00:27:18,880 --> 00:27:21,399
Speaker 2: just moved to the suburbs from the city, and we

464
00:27:21,480 --> 00:27:26,880
Speaker 2: have money, honey, because guess what, America is Number one.

465
00:27:27,160 --> 00:27:30,080
Speaker 1: A time of great flow from America.

466
00:27:29,600 --> 00:27:34,240
Speaker 2: Flow, amazing prosper, amazing prosper.

467
00:27:34,440 --> 00:27:39,480
Speaker 1: At this time, this was a time of very cool cars,

468
00:27:40,359 --> 00:27:44,919
Speaker 1: very cool offhand parenting like les fair as they say

469
00:27:45,320 --> 00:27:49,600
Speaker 1: yes to borrow from the French. And then of course,

470
00:27:49,680 --> 00:27:54,280
Speaker 1: you know the fifties, it was very businessman culture, you

471
00:27:54,280 --> 00:27:56,200
Speaker 1: know what I mean. They were going into the city

472
00:27:56,240 --> 00:28:00,680
Speaker 1: with their flat brimmed hats saying how you doing, Mike, Oh,

473
00:28:01,040 --> 00:28:06,480
Speaker 1: how there, don don Yeah, yeah, yeah, Well talk about

474
00:28:06,480 --> 00:28:08,720
Speaker 1: the darkness of the decade, talk about the darkness.

475
00:28:09,000 --> 00:28:12,040
Speaker 2: Well, you know what, the fifties were actually quite nice.

476
00:28:12,600 --> 00:28:16,880
Speaker 2: There wasn't there wasn't too much darkness, and that's why

477
00:28:16,880 --> 00:28:17,800
Speaker 2: it ranks so high.

478
00:28:17,920 --> 00:28:18,840
Speaker 1: That was reported.

479
00:28:19,400 --> 00:28:19,720
Speaker 3: Girl.

480
00:28:19,920 --> 00:28:22,879
Speaker 2: You know what, history is written by the victors, and

481
00:28:22,960 --> 00:28:25,359
Speaker 2: I'm sure the losers of the time would have something

482
00:28:25,440 --> 00:28:26,159
Speaker 2: else to say.

483
00:28:26,520 --> 00:28:27,040
Speaker 1: I guess what.

484
00:28:27,280 --> 00:28:29,520
Speaker 2: That wasn't us, That wasn't America.

485
00:28:30,160 --> 00:28:32,360
Speaker 1: We don't take responsibility for that. You know what. It's

486
00:28:32,400 --> 00:28:35,000
Speaker 1: like the seventies, the late seventies, nineteen seventy eight that

487
00:28:35,040 --> 00:28:38,240
Speaker 1: saw the film Grease released, and that was about the fifties.

488
00:28:38,320 --> 00:28:43,000
Speaker 2: Correct, I'm not sure Ride el High, Ride al High,

489
00:28:43,040 --> 00:28:44,040
Speaker 2: But was that the fifties.

490
00:28:44,120 --> 00:28:46,560
Speaker 1: Yeah, let's say that was the fifties. Back to the

491
00:28:46,600 --> 00:28:48,680
Speaker 1: Future also depicted in nineteen fifty five.

492
00:28:49,240 --> 00:28:53,920
Speaker 2: I mean, this was American ideal, This was American peace.

493
00:28:54,640 --> 00:28:57,720
Speaker 2: There was event and we are speaking as an American

494
00:28:58,520 --> 00:29:01,880
Speaker 2: America first to bar Donald Trump, where we're speaking as

495
00:29:01,880 --> 00:29:04,280
Speaker 2: an America first podcast and this is.

496
00:29:04,400 --> 00:29:06,720
Speaker 1: This is this is this is the time.

497
00:29:06,560 --> 00:29:10,840
Speaker 2: When people are can most universally agree as those were

498
00:29:10,880 --> 00:29:11,320
Speaker 2: the days.

499
00:29:11,840 --> 00:29:13,720
Speaker 1: You know what I think. I think that you're right.

500
00:29:13,760 --> 00:29:15,800
Speaker 1: And also, you know what I think is a literal

501
00:29:15,920 --> 00:29:20,160
Speaker 1: mess that we are taking a really sweet figure in

502
00:29:20,200 --> 00:29:23,000
Speaker 1: the culture, which was the Milkman, and we're making it

503
00:29:23,000 --> 00:29:28,120
Speaker 1: about adultery. But that happened. This is the darkness I

504
00:29:28,160 --> 00:29:29,800
Speaker 1: was talking about that they don't talk.

505
00:29:29,600 --> 00:29:32,920
Speaker 2: About the fifties were I'm just gonna say, I'm going

506
00:29:32,960 --> 00:29:36,040
Speaker 2: to venture to guests. I don't have the exact dates

507
00:29:36,040 --> 00:29:38,920
Speaker 2: and years. I think this was when we were all

508
00:29:38,960 --> 00:29:42,360
Speaker 2: a little scared. We were like, well, we have we

509
00:29:42,480 --> 00:29:46,960
Speaker 2: have a means to wipe out humanity with the nuclear weapons.

510
00:29:47,440 --> 00:29:50,680
Speaker 2: That was a time of girl, where are the nukes.

511
00:29:51,080 --> 00:29:56,640
Speaker 1: Hide under the desk? Why don't you? Oh? You know what?

512
00:29:56,680 --> 00:29:58,440
Speaker 2: And I thought there would be no darkness, And here

513
00:29:58,480 --> 00:29:59,920
Speaker 2: I am ending it on darkness.

514
00:30:00,080 --> 00:30:02,160
Speaker 1: Bet this is one of the darkest things I'll ever say.

515
00:30:02,240 --> 00:30:07,840
Speaker 1: You can find darkness anywhere anywhere. So true, so true, bestie. Oh,

516
00:30:07,920 --> 00:30:11,040
Speaker 1: this is why the nineteen AFT's rank at number two

517
00:30:11,320 --> 00:30:18,280
Speaker 1: on the Top ten decades lost cult number one the

518
00:30:18,440 --> 00:30:23,520
Speaker 1: ninety nineteen nineties, who.

519
00:30:25,280 --> 00:30:29,000
Speaker 2: Gave us these two icons right here, queen, there is

520
00:30:29,480 --> 00:30:34,520
Speaker 2: nothing that can compare to this period do you remember.

521
00:30:34,280 --> 00:30:38,640
Speaker 1: When five girls came into the public consciousness? Ginger, posh, baby,

522
00:30:38,880 --> 00:30:40,480
Speaker 1: scary and sporty.

523
00:30:40,800 --> 00:30:43,840
Speaker 2: I remember when five boys came in from the backstreet,

524
00:30:44,320 --> 00:30:45,040
Speaker 2: That's for sure.

525
00:30:45,920 --> 00:30:46,680
Speaker 1: Kevin A.

526
00:30:46,960 --> 00:30:51,280
Speaker 2: J Nick Howie how more and more, there's there was

527
00:30:51,320 --> 00:30:53,240
Speaker 2: the Brian.

528
00:30:53,080 --> 00:30:55,400
Speaker 1: Trump, Brian Trumper Trump or.

529
00:30:55,720 --> 00:31:00,640
Speaker 2: I think half of them are Trumpers. Tracks tracks, Well,

530
00:31:00,920 --> 00:31:03,720
Speaker 2: the nineties, even the scandals of the nineties, even the

531
00:31:03,800 --> 00:31:08,920
Speaker 2: darkness of the nineties was pretty pretty, pretty fun, you

532
00:31:08,920 --> 00:31:09,440
Speaker 2: know what I mean?

533
00:31:10,280 --> 00:31:13,600
Speaker 1: Well, this was the first decade of pulp, of pulp.

534
00:31:13,720 --> 00:31:17,520
Speaker 2: But I'm saying, like, God, bless Monica Lewinsky for surviving

535
00:31:17,640 --> 00:31:22,840
Speaker 2: what is a traumatic ordeal. But you gotta admit the

536
00:31:22,960 --> 00:31:26,560
Speaker 2: Lewinsky scandal was like get the popcorn out, Like this

537
00:31:26,840 --> 00:31:28,640
Speaker 2: is crazy, honey.

538
00:31:28,880 --> 00:31:31,360
Speaker 1: Not only am I chewing down popcorn to Lewinsky scandal,

539
00:31:31,400 --> 00:31:34,720
Speaker 1: I'm watching OJ fucking drive down the four or five

540
00:31:34,760 --> 00:31:36,000
Speaker 1: and I am wrapped.

541
00:31:36,480 --> 00:31:41,480
Speaker 2: I'm saying, what is going on today? I go to

542
00:31:41,640 --> 00:31:46,120
Speaker 2: the damn Multiplex. I'm waiting in line I'm waiting in

543
00:31:46,200 --> 00:31:46,840
Speaker 2: line four.

544
00:31:47,120 --> 00:31:48,560
Speaker 1: Titanic say it.

545
00:31:51,080 --> 00:31:55,760
Speaker 2: This decade gave us everything, and it was firing on

546
00:31:55,840 --> 00:31:57,480
Speaker 2: all cylinders, you know, I.

547
00:31:57,440 --> 00:32:00,960
Speaker 1: Would say two words what I said before fours And

548
00:32:01,120 --> 00:32:02,960
Speaker 1: sure someone will watch it now and they think it's

549
00:32:02,960 --> 00:32:08,200
Speaker 1: an effie movie. But guess what. You don't understand magical realism.

550
00:32:08,720 --> 00:32:13,720
Speaker 1: You don't understand nineties culture, maximalism, more is more, stupid

551
00:32:13,840 --> 00:32:20,080
Speaker 1: is smart? Do you understand nineties? If you don't get it,

552
00:32:20,120 --> 00:32:21,920
Speaker 1: then get out, get out.

553
00:32:21,960 --> 00:32:25,560
Speaker 2: And I'm gonna say some words, some names, even Clinton,

554
00:32:26,640 --> 00:32:31,280
Speaker 2: you know I was gonna say, Molly, Shannon, Cherio, Terry.

555
00:32:31,560 --> 00:32:37,600
Speaker 1: Yes, now Christ, say the words. This was a time

556
00:32:37,960 --> 00:32:43,920
Speaker 1: of true peak SNL. Oh, I think you could not deny.

557
00:32:44,480 --> 00:32:47,520
Speaker 2: You can't deny coming off of Sandler Spade, you know,

558
00:32:47,680 --> 00:32:49,720
Speaker 2: Farley like Norm.

559
00:32:49,920 --> 00:32:51,520
Speaker 1: I mean like this, what this?

560
00:32:51,680 --> 00:32:54,760
Speaker 2: There was a pre and post like Norm SNL and

561
00:32:54,800 --> 00:32:58,080
Speaker 2: this I'm sorry to wax, you know historic about SNL,

562
00:32:58,120 --> 00:33:00,760
Speaker 2: but like this, what this was when I started watching?

563
00:33:01,120 --> 00:33:04,480
Speaker 1: And I'm sure for you, oh, the same is so

564
00:33:04,560 --> 00:33:08,040
Speaker 1: true for me, Mike Myers. Is something you forgotten? Mins?

565
00:33:08,400 --> 00:33:12,920
Speaker 1: How dare I one of the kings of that decade?

566
00:33:13,040 --> 00:33:17,959
Speaker 1: Especially this decade gave us Austin? It definitely did, and

567
00:33:18,000 --> 00:33:20,360
Speaker 1: I would say that Austin powers. If anything has stood

568
00:33:20,360 --> 00:33:23,240
Speaker 1: the test of time, everyone talks about it still every day.

569
00:33:24,480 --> 00:33:27,480
Speaker 1: I would say, as millennials that we definitely get a

570
00:33:27,520 --> 00:33:29,720
Speaker 1: bad wrap from gen Z. I would say that they

571
00:33:29,880 --> 00:33:32,360
Speaker 1: definitely like think the millennials are the words they make

572
00:33:32,400 --> 00:33:34,680
Speaker 1: up are things like choogy. But here's what I'll say

573
00:33:34,720 --> 00:33:37,920
Speaker 1: to the to the gen Z generation, you're obsessed with

574
00:33:37,960 --> 00:33:42,280
Speaker 1: the nineties. We had it first, bitch. We actually created

575
00:33:42,280 --> 00:33:46,720
Speaker 1: that ship, we invented. You're obsessed. You basically what you're

576
00:33:46,760 --> 00:33:50,280
Speaker 1: doing is you're recycling our culture. So nothing that you

577
00:33:50,320 --> 00:33:51,000
Speaker 1: could ever.

578
00:33:50,960 --> 00:33:57,320
Speaker 2: Do is original because oh low rise, oh oh oh

579
00:33:57,560 --> 00:34:01,360
Speaker 2: oh oh, grunge, Olivia Rodrigo.

580
00:34:01,480 --> 00:34:06,280
Speaker 1: We created Olivia Rodrigo. It's giving derivative. Let me say

581
00:34:06,320 --> 00:34:07,120
Speaker 1: some more things.

582
00:34:08,239 --> 00:34:16,080
Speaker 2: Tamagachi, Beanie, Baby, Pokemon three, Dragon Ball Z, Princess Diana,

583
00:34:17,040 --> 00:34:23,840
Speaker 2: five Power Rangers, Sailor Moon six, seven Power Rangers. No

584
00:34:23,920 --> 00:34:27,920
Speaker 2: one could ever really pinpoint how important it was to

585
00:34:28,239 --> 00:34:32,800
Speaker 2: the first ever sexual attention captured on television was between

586
00:34:32,880 --> 00:34:36,880
Speaker 2: Kimberly the Pink Ranger and Tommy the Green Ranger. Kimberly

587
00:34:37,200 --> 00:34:40,520
Speaker 2: was he became the White Ranger, famously became the White Ranger.

588
00:34:40,640 --> 00:34:47,440
Speaker 2: Kimberly was the crush for everybody, all the boys, gay, straight, whatever,

589
00:34:47,800 --> 00:34:51,720
Speaker 2: and the and the queer girls were loving Kimberly Amy,

590
00:34:51,800 --> 00:35:01,880
Speaker 2: Joe Williamsburg, Amy, Joe Johnson, William Williams, Girl, I know,

591
00:35:02,080 --> 00:35:03,200
Speaker 2: I don't blaby.

592
00:35:02,960 --> 00:35:09,800
Speaker 1: Joe Williamsburg's Wait yeah, girl, wait? Do you remember her film?

593
00:35:10,160 --> 00:35:14,400
Speaker 1: This was a nineties film, Susie Q. Yes, I remember,

594
00:35:14,480 --> 00:35:14,880
Speaker 1: Susi Q.

595
00:35:16,160 --> 00:35:18,080
Speaker 2: Oh, My thank you is.

596
00:35:18,160 --> 00:35:22,359
Speaker 1: Why the nineties rank as number one on the Top

597
00:35:22,440 --> 00:35:23,760
Speaker 1: ten Decades Last Culture.

598
00:35:25,840 --> 00:35:28,880
Speaker 2: I think I think we nailed this, and specifically you

599
00:35:29,120 --> 00:35:30,879
Speaker 2: nailed this because you're the one who said this order

600
00:35:30,960 --> 00:35:33,160
Speaker 2: even though you included nineteen seventies.

601
00:35:34,880 --> 00:35:37,800
Speaker 1: Yeah, but you know what I meant, and you quickly

602
00:35:37,840 --> 00:35:40,000
Speaker 1: said it was the sixties, which you were right about.

603
00:35:40,600 --> 00:35:43,560
Speaker 1: And what I would say is that if you even

604
00:35:43,760 --> 00:35:48,040
Speaker 1: think that like this this list was worth its salt,

605
00:35:48,680 --> 00:35:50,440
Speaker 1: just stay tuned for two weeks from now, because my

606
00:35:50,520 --> 00:35:52,399
Speaker 1: girl that I'm looking at on the zoom screen has

607
00:35:52,440 --> 00:35:58,279
Speaker 1: perioded a list for the top ten deva moment. It

608
00:35:58,360 --> 00:36:00,600
Speaker 1: will be our last list of the year. It will

609
00:36:00,640 --> 00:36:03,160
Speaker 1: be the best list of the year, and you need

610
00:36:03,239 --> 00:36:07,520
Speaker 1: to gird your loins and really understand that we're about

611
00:36:07,560 --> 00:36:11,359
Speaker 1: to give it to you, like Christopher Reeve almost gave

612
00:36:11,400 --> 00:36:13,600
Speaker 1: it to my mother on the age in the men's

613
00:36:13,719 --> 00:36:16,839
Speaker 1: room at was It Today fifty four. I think that's

614
00:36:16,920 --> 00:36:18,600
Speaker 1: what she said. It might have been to some other bar,

615
00:36:18,719 --> 00:36:20,160
Speaker 1: it would be legendary. It was.

616
00:36:20,239 --> 00:36:24,480
Speaker 2: Indeed, if Katrina Clarities would have followed Christopher Reeve into

617
00:36:24,520 --> 00:36:26,080
Speaker 2: the men's room at Studio fifty four.

618
00:36:26,680 --> 00:36:32,080
Speaker 1: Oh my god, beautiful man. Please And she left that

619
00:36:32,200 --> 00:36:34,880
Speaker 1: part out, but I know that's true. All right, Well, listen,

620
00:36:35,200 --> 00:36:36,840
Speaker 1: thank you all for joining us. This has been an

621
00:36:36,880 --> 00:36:40,239
Speaker 1: amazing list. Stay tuned because before you even know it,

622
00:36:40,320 --> 00:36:43,239
Speaker 1: because time actually flies so fast. If this, if this

623
00:36:43,719 --> 00:36:48,239
Speaker 1: episode duration and this topic have to prove anything, time

624
00:36:48,320 --> 00:36:50,279
Speaker 1: flies so fast before you know that, it'll be a

625
00:36:50,320 --> 00:36:52,680
Speaker 1: new decade. So keep enjoying this one and keep your

626
00:36:52,760 --> 00:37:00,319
Speaker 1: eyes feeled for a new episode very soon. Bye Hu