WEBVTT - Frozen II with Ali Nahdee

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<v Speaker 1>Hi everybody. Jamie here. Hope everyone is well. So, as

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<v Speaker 1>you know, we here at the Bottlecast are thrilled to

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<v Speaker 1>bring you movie discussions every week and to continue to

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<v Speaker 1>keep learning with you and learning from you. But we

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<v Speaker 1>also often get questions about how to help and contribute

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<v Speaker 1>outside of the content that our show covers. So I

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<v Speaker 1>just wanted to take a second to quickly recommend seeking

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<v Speaker 1>out projects in your community and getting involved, especially as

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<v Speaker 1>we approach election season. Uh. We know that it is

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<v Speaker 1>not safe for everyone to participate I r L in

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<v Speaker 1>the middle of a pandemic, of course, but it is

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<v Speaker 1>really all about finding ways that you're able and comfortable

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<v Speaker 1>to participate. There's been a number of incredible mutual aid

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<v Speaker 1>organizations that have developed and expanded in recent months. There's

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<v Speaker 1>an increased need to assist in areas with increasing rates

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<v Speaker 1>of people experience saying homelessness in the summer heat, Ongoing

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<v Speaker 1>grocery delivery services for folks and seniors unable to get

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<v Speaker 1>to the store amid the pandemic. There's local progressive candidates

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<v Speaker 1>that you can help phone bake for from your own

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<v Speaker 1>home if you're not comfortable leaving home, and on and

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<v Speaker 1>on and on. It is a very stressful time and

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<v Speaker 1>it can be difficult to find a place to start,

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<v Speaker 1>but we encourage you to so talk with your friends,

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<v Speaker 1>find mutual aid efforts in your area by checking out

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<v Speaker 1>mutual aid hub dot org, and find where you fit.

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<v Speaker 1>We're always here for support and we love you. So

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<v Speaker 1>let's do this. Enjoy the show. On the dol Cast,

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<v Speaker 1>the questions asked if movies have women in them, are

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<v Speaker 1>all their discussions just boyfriends and husbands or do they

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<v Speaker 1>have individualism? The patriarchy zef invest start changing it with

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<v Speaker 1>the beck Del Cast. Okay, Jamie, do you want to

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<v Speaker 1>start this episode? I was going to, but then I

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<v Speaker 1>couldn't remember a line from any of the songs? Do

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<v Speaker 1>you remember any of the songs? They've been stuck in

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<v Speaker 1>my head and it's very annoying. Um, Okay, I got

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<v Speaker 1>I've got one. I got one on. This is gonna

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<v Speaker 1>be good. On this episode, we are going into the

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<v Speaker 1>into the no disrespect to Idina Menzel. They just make

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<v Speaker 1>her belt so much, They make her belts so through

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<v Speaker 1>so much plot in this movie. Truly, All Off doesn't

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<v Speaker 1>make me laugh. But that see and what he just started,

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<v Speaker 1>I'm there with you. I'm there with you. So this

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<v Speaker 1>is hello, Welcome to the Bechtel Cast. Everyone. Um, this

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<v Speaker 1>is our movie podcast, in which we examine film through

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<v Speaker 1>an intersectional feminist lens. Spoiler alert, most movies do not

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<v Speaker 1>fare well. We took inspiration from the Bechtel Test and that,

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<v Speaker 1>of course, is a media metric designed by queer cartoonist

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<v Speaker 1>Alison Becktel that for our purposes, requires that two people

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<v Speaker 1>of any marginalized gender who have names speak to each

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<v Speaker 1>other about something other than a man. And as we

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<v Speaker 1>as we just talked about in a Twitter exchange today,

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<v Speaker 1>they should also both be on screen. In general, that

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<v Speaker 1>is helpful. If they are on screen. Yes, if it's

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<v Speaker 1>a disembodied voice, perhaps, um, maybe that doesn't count sometimes,

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<v Speaker 1>you know, I mean it's a case to case, but generally,

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<v Speaker 1>you know, it does seem like in most cases it's

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<v Speaker 1>the least you could do and ties into the whole

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<v Speaker 1>idea of visibility involves being visible. I bravely tread. Wow. Incredible,

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<v Speaker 1>thank you. So today we are covering Frozen two. We

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<v Speaker 1>have a wonderful guest with us. She is the founder

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<v Speaker 1>of the A La test on tumbler. It's Ali Naughty. Hello,

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<v Speaker 1>I welcome. How's it going good? How are you? Thank

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<v Speaker 1>you so much for being here? Oh, thank you for

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<v Speaker 1>inviting me. I think, uh, it's funny because you guys

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<v Speaker 1>invited me based on my threat. I think on Twitter

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<v Speaker 1>about pocahonas and I was like, you know what, I'd

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<v Speaker 1>rather talk about something I enjoy. I don't enjoy pocon

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<v Speaker 1>Frozen two, So what is what is your relationship with

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<v Speaker 1>Frozen two, with the Frozen franchise all of that. So, um,

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<v Speaker 1>I hated the first movie, which is hilarious. UM. I

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<v Speaker 1>think it's because I was not in the target audience.

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<v Speaker 1>You know, it certainly wasn't made for me. Um. But

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<v Speaker 1>all of my friends really liked it. So I went

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<v Speaker 1>and saw it and was like, really, this is what

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<v Speaker 1>you guys were talking about. You know, it wasn't very impressed. UM.

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<v Speaker 1>So I when I found out about a Frozen two,

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<v Speaker 1>I was like, I don't know if it's going to

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<v Speaker 1>be any good. And then the more information that came

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<v Speaker 1>out about Frozen two, I'm like, oh, tell me more.

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<v Speaker 1>So then UM, I saw it and I did not

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<v Speaker 1>expect to like it as much as I did. It

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<v Speaker 1>easily is probably one of my favorite Disney movies. Now

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<v Speaker 1>it's like, Wow, I I can't wait to talk about

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<v Speaker 1>it in this podcast because Wow, there's just so much

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<v Speaker 1>to unpack, especially with an indigenous lens um that I

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<v Speaker 1>don't think too many people have talked about. Yeah, not

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<v Speaker 1>from what I found in any like articles written and

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<v Speaker 1>things like that. So yeah, at best it's been it

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<v Speaker 1>was like a passing reference in reviews, but nothing that

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<v Speaker 1>was actually really examined. I don't know. It was kind

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<v Speaker 1>of like surprisingly difficult for a movie that came out

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<v Speaker 1>last year to find like solid written indigenous perspectives on

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<v Speaker 1>this movie, right, And speaking of tell us about the

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<v Speaker 1>Alt tests. So I came up with the alt test

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<v Speaker 1>um when I was living overseas. So I lived in

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<v Speaker 1>Finland for about two years from like sixteen to and

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<v Speaker 1>around that time was when Standing Rock was happening, and um,

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<v Speaker 1>I was so far away anyways, from my family and

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<v Speaker 1>my friends and everything, and from any really indigenous Native

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<v Speaker 1>American person, you know, because there are indigenous people in Finland,

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<v Speaker 1>but you know, and I remember watching like the the

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<v Speaker 1>live streams and everything that was going on in Standing

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<v Speaker 1>Rock and feeling, you know, terrified that this could escalate

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<v Speaker 1>into like a third wounded knee, you know, but also wondering,

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<v Speaker 1>you know, what can I do? I can't physically be there,

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<v Speaker 1>and I'm in another country. You know what's something I

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<v Speaker 1>can do? Because I'm not a I'm not a teacher,

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<v Speaker 1>I'm not a historian, I'm not really an activist in

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<v Speaker 1>that sense. And I remember this film that I watched

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<v Speaker 1>before I moved to Finland. It was made it's called

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<v Speaker 1>Rhymes for Young Ghouls, and it was so different from

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<v Speaker 1>any indigenous movie I had watched before. The main character

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<v Speaker 1>played by Davy Jacobs. Her name is Ala, and I

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<v Speaker 1>just saw so much in that character that I had

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<v Speaker 1>never seen before in a Native woman on screen. You know,

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<v Speaker 1>she was played by an Indigenous actress. She was on

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<v Speaker 1>a reserve, dealt with a period in time in Canada

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<v Speaker 1>that was very traumatic. That is not discuss usta at

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<v Speaker 1>all about residential schools and you know, forced assimilation and

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<v Speaker 1>you know, and I went into the film Rhyme streeng

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<v Speaker 1>Goals expecting her to die, really because that's usually what

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<v Speaker 1>happens to Native women. You know, that's unfortunate. But she

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<v Speaker 1>survives all of it, like all of it. She's the

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<v Speaker 1>main character. She wasn't some white guy's girlfriend. She didn't

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<v Speaker 1>end up raped, she doesn't get killed, I mean, and

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<v Speaker 1>she faces some brutality and some really heavy scenes, but

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<v Speaker 1>she makes it to the end, she survives. And it

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<v Speaker 1>was just that film really truly touched me. So when

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<v Speaker 1>I went to see other um movies, you know, other

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<v Speaker 1>indigenous films, and I specifically was looking for, you know,

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<v Speaker 1>Native women and their roles in these films, I noticed

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<v Speaker 1>how many were not like Ala in those regards. So

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<v Speaker 1>in order to kind of contribute something, you know, in

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<v Speaker 1>light of standing rockets, like you know, there's gonna be

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<v Speaker 1>a lot of Native people who are going through a

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<v Speaker 1>really tough time right now, maybe this is something fun

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<v Speaker 1>or something a little lighter that we can kind of

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<v Speaker 1>talk about. Because I noticed it hadn't really been discussed

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<v Speaker 1>in a lot of feminist circles when it came to

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<v Speaker 1>film and media representation. So I came up with a

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<v Speaker 1>La test, and like the Bechdel test because it was

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<v Speaker 1>inspired by it. She has to be an Indigenous woman

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<v Speaker 1>who is the main character. And by indigenous, I mean

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<v Speaker 1>she could be Native American, First Nations Sammy, Maudie, Polynesian.

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<v Speaker 1>I knew, you know, any of those indigenous groups, but

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<v Speaker 1>she had to be the main character who wasn't a

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<v Speaker 1>white guy's girlfriend just does not fall in love with

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<v Speaker 1>the white man and doesn't end up raped or murdered

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<v Speaker 1>at any point in the story. And by murdered I

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<v Speaker 1>also mean like killed or dies you know on screen.

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<v Speaker 1>And so many don't pass, but the ones that do,

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<v Speaker 1>you know, the test is like, hey, you know, check

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<v Speaker 1>out these movies, and you know, the test also has

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<v Speaker 1>its limitations because you can pass the LA test and

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<v Speaker 1>be a great character, but you can pass a LA

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<v Speaker 1>tests and not be a great character either. And there

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<v Speaker 1>are several characters who don't pass who are like yikes,

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<v Speaker 1>but there are several who pass who are actually really awesome.

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<v Speaker 1>So it's just a conversation starter. Not necessarily if you

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<v Speaker 1>don't pass, you fail and you're awful. It's just right,

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<v Speaker 1>which is how we approach the Bechdel test as well.

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<v Speaker 1>So yeah, I'm so glad that that conversation is being

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<v Speaker 1>helped along with this test though. Thank you for inventing it,

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<v Speaker 1>Thank you, Thank you to Jeff Barnaby for making the

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<v Speaker 1>movie and Davy Jacobs for being a LA because wow,

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<v Speaker 1>change It's on my list of things to watch. I, um, yeah,

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<v Speaker 1>we should cover it on the show Come Back. Yes,

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<v Speaker 1>oh absolutely, And we um not long ago learned of

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<v Speaker 1>the alt test and mentioned it for the first time

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<v Speaker 1>on a on a recent episode that we covered on

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<v Speaker 1>the Witch with Guest Janisch meeting, and she had been

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<v Speaker 1>the one to make us aware of your tests. So

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<v Speaker 1>the Witch, the Black Philip Goat, Yes, I saw that.

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<v Speaker 1>I saw that movie in Philt and it scared the

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<v Speaker 1>hell out of me because I lived her next door

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<v Speaker 1>to a cemetery. So I'm like, oh my god, uh

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<v Speaker 1>movie that certainly does not pass the tests. Gracious, it

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<v Speaker 1>is horrifying. It is a terrifying one. Yeah. So Jamie,

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<v Speaker 1>what is your relationship with Frozen two? I hadn't seen

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<v Speaker 1>it yet. I mean I came to the Frozen franchise

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<v Speaker 1>by being a substitute Jim Teacher, which I think I

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<v Speaker 1>talked about on our last Frozen episode where it was

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<v Speaker 1>like the only way to get a child to do

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<v Speaker 1>what you needed them to do was to say that

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<v Speaker 1>you would play let it go if they did it.

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<v Speaker 1>And in a few span of years, Um, so I

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<v Speaker 1>I really only know the franchise as it pertains to

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<v Speaker 1>this show. Really I didn't see those this movie. Um,

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<v Speaker 1>when it came out, the conversation around this movie, it

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<v Speaker 1>was like, um, kind of strange and like, I feel

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<v Speaker 1>like what I had generally heard was like it's not

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<v Speaker 1>what you expect and like and it wasn't what I

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<v Speaker 1>was expecting either. I it was I think the more

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<v Speaker 1>I researched this movie, the more I liked it. There

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<v Speaker 1>was when I on first viewing, I was kind of confused.

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<v Speaker 1>I and I still am confused in some ways, but um,

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<v Speaker 1>I wasn't quite sure what they were trying to do

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<v Speaker 1>and like what history they were referencing. And once I

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<v Speaker 1>had a better idea of the history that they were referencing,

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<v Speaker 1>it made way more sense to me. I wish the

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<v Speaker 1>movie did a little more like work and letting you

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<v Speaker 1>know what they're talking about, But I, yeah, I I

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<v Speaker 1>don't know. It's it's I have so much, we have

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<v Speaker 1>so much to talk about. I really hoped that my insight,

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<v Speaker 1>like my lens into this movie offers some clarification because

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<v Speaker 1>I knew exactly what they were talking about. Was just

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<v Speaker 1>like wow, so oh I'm excited. Yes, I'm really excited.

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<v Speaker 1>I mean I knew nothing about particularly indigenous cultures in

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<v Speaker 1>this region. I knew less than nothing. And then the

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<v Speaker 1>more I found out down to like the very specific

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<v Speaker 1>reference of a damn being destroyed, and like the center

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<v Speaker 1>of a huge conflict is like a reference based in

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<v Speaker 1>his it was Disney was doing better work than I

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<v Speaker 1>expected them too. They did homework, imagine. UM, so I'm

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<v Speaker 1>excited to talk about it. What about you? Caitlin went

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<v Speaker 1>through his read with this franchise. UM. I saw Frozen

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<v Speaker 1>two in theaters when it came out. I see most

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<v Speaker 1>Disney movies in theaters, including the live action reboots, which

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<v Speaker 1>are never good, but I keep seeing them anyway. I

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<v Speaker 1>don't know why. Who knows who likes those movies. It

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<v Speaker 1>has to be someone. They all make a billion dollars,

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<v Speaker 1>but like I guess children um. But other than that,

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<v Speaker 1>like I tend to like most Disney properties and franchises

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<v Speaker 1>against my sometimes better judgment, and against despite knowing how

0:14:34.360 --> 0:14:37.560
<v Speaker 1>evil of a corporation Disney is. But when it comes

0:14:37.600 --> 0:14:41.080
<v Speaker 1>to Frozen, I can kind of take it or leave it.

0:14:41.240 --> 0:14:45.080
<v Speaker 1>I wasn't attached to the first one. The second one

0:14:45.480 --> 0:14:48.680
<v Speaker 1>I liked better, but I felt like the story was

0:14:48.680 --> 0:14:51.200
<v Speaker 1>pretty muddled. I like the songs, though I like the

0:14:51.240 --> 0:14:54.240
<v Speaker 1>animation overall, I thought it was pretty good. I definitely

0:14:54.280 --> 0:14:57.280
<v Speaker 1>liked the second one better than the first one. I

0:14:57.520 --> 0:15:02.080
<v Speaker 1>leave the first one. I mean, now, you guess you

0:15:02.080 --> 0:15:04.120
<v Speaker 1>can refer back to our first episode about it if

0:15:04.160 --> 0:15:06.240
<v Speaker 1>you're a listener that hasn't heard that one. But it's

0:15:06.320 --> 0:15:10.960
<v Speaker 1>so like feminism one oh one of our time that

0:15:11.160 --> 0:15:15.200
<v Speaker 1>it was a little bit like alright, Disney, like we're

0:15:15.200 --> 0:15:20.040
<v Speaker 1>making very very slow progress here, aren't we? Um right there?

0:15:20.080 --> 0:15:25.280
<v Speaker 1>Like what if sisters like each other? And instead he

0:15:25.360 --> 0:15:27.320
<v Speaker 1>does that? And in little bits where they're like this

0:15:27.480 --> 0:15:31.920
<v Speaker 1>time the like male character is obsessed with the idea

0:15:31.960 --> 0:15:33.720
<v Speaker 1>of marriage and you're like, I don't really know what

0:15:33.800 --> 0:15:39.640
<v Speaker 1>if that's a helpful subversion, but sure I have a theory.

0:15:40.360 --> 0:15:44.080
<v Speaker 1>Have either of you seen um, the nineties dub of

0:15:44.160 --> 0:15:49.040
<v Speaker 1>Sailor Moon, Yes, yes, you know how Sailor you're in

0:15:49.120 --> 0:15:52.520
<v Speaker 1>us and Sailor Neptune we're cousins because they couldn't let

0:15:52.520 --> 0:15:56.800
<v Speaker 1>them be gay. Yes, I think Anna and Elsa are

0:15:57.000 --> 0:16:02.400
<v Speaker 1>sisters and the first movie, I'm sorry they were super

0:16:02.440 --> 0:16:06.040
<v Speaker 1>gay and I'm like, I have two sisters, Like, we

0:16:06.080 --> 0:16:10.000
<v Speaker 1>don't act like that. Well, there is there was a

0:16:10.000 --> 0:16:14.240
<v Speaker 1>lot of discussion about Elsa's character being kind of queer

0:16:14.240 --> 0:16:17.840
<v Speaker 1>coded or at least like interpreted as queer by the

0:16:17.920 --> 0:16:21.280
<v Speaker 1>queer community, or at least certain members of the queer community.

0:16:21.400 --> 0:16:24.440
<v Speaker 1>So um, and some coverage around I think some of

0:16:24.480 --> 0:16:27.720
<v Speaker 1>the there's always because it's such a huge franchise, there's

0:16:27.720 --> 0:16:31.640
<v Speaker 1>always a lot of criticism and I think pieces surrounding it.

0:16:31.720 --> 0:16:35.720
<v Speaker 1>And there was another influx of I think pieces questioning

0:16:35.760 --> 0:16:39.800
<v Speaker 1>why they won't explicitly say that Elsa is a queer character.

0:16:40.320 --> 0:16:43.000
<v Speaker 1>Um in Frozen two as well, and they but yeah,

0:16:43.160 --> 0:16:47.680
<v Speaker 1>it's kind of the classic Disney like she's single, she's single,

0:16:47.720 --> 0:16:50.240
<v Speaker 1>and it's like, can we let her be queer? The

0:16:50.280 --> 0:16:57.200
<v Speaker 1>answer with Disney as always is um, yeah, anyway, well

0:16:57.280 --> 0:17:00.480
<v Speaker 1>let's should we dive into the story and then from there,

0:17:00.560 --> 0:17:04.880
<v Speaker 1>let's do it all right? So we opened on Elsa

0:17:04.960 --> 0:17:12.120
<v Speaker 1>and Anna as children, their father Agner voiced by Jamie

0:17:12.320 --> 0:17:18.040
<v Speaker 1>Would you do the honors? Alfred Molina my king. It

0:17:18.119 --> 0:17:20.920
<v Speaker 1>was very exciting to hear I think he has maybe

0:17:20.960 --> 0:17:23.480
<v Speaker 1>the like one of the first spoken lines of dialogue

0:17:23.480 --> 0:17:25.560
<v Speaker 1>after the kids are talking a little and then you

0:17:25.600 --> 0:17:28.080
<v Speaker 1>hear like he is not doing a voice he is

0:17:28.160 --> 0:17:31.639
<v Speaker 1>just speaking. Is Alfred Billina? Uh? And I was like,

0:17:31.760 --> 0:17:34.320
<v Speaker 1>oh my god. And then you see, I was kind

0:17:34.320 --> 0:17:37.040
<v Speaker 1>of a little bumped at the how they animated him

0:17:37.080 --> 0:17:39.960
<v Speaker 1>to look it kind of looks like the like what

0:17:40.160 --> 0:17:44.080
<v Speaker 1>it's like king does a picture of like what is

0:17:44.080 --> 0:17:45.760
<v Speaker 1>it like called in video games where it's just like

0:17:45.840 --> 0:17:50.160
<v Speaker 1>the stock player, like if you did google image cartoon king.

0:17:50.520 --> 0:17:53.479
<v Speaker 1>That's kind of what the king was like. Sure, I

0:17:53.520 --> 0:17:58.800
<v Speaker 1>think he should look like King Alfred Molina, but but yes,

0:17:58.880 --> 0:18:01.160
<v Speaker 1>it was exciting. Also, he's married to Evan Rachel Wood

0:18:01.160 --> 0:18:06.520
<v Speaker 1>in this movie, which you're like, all right, right, who's

0:18:06.560 --> 0:18:10.040
<v Speaker 1>like my age? She's like, you're younger than me or something,

0:18:10.200 --> 0:18:13.840
<v Speaker 1>and offered Milena's in his sixties the magic of animation.

0:18:16.480 --> 0:18:20.680
<v Speaker 1>So King Agnar comes into the children's room and tells

0:18:20.720 --> 0:18:25.280
<v Speaker 1>them about this enchanted forest whose magic was protected by

0:18:25.320 --> 0:18:30.600
<v Speaker 1>powerful spirits of air, fire, water, and earth, and it

0:18:30.720 --> 0:18:35.439
<v Speaker 1>was also home to the north Aldre people and the

0:18:36.000 --> 0:18:44.919
<v Speaker 1>girl's grandfather king exactly, he had built the north Aldre

0:18:45.040 --> 0:18:49.480
<v Speaker 1>people a damn. But then things took a turn between

0:18:49.800 --> 0:18:54.280
<v Speaker 1>the two groups and the King's men were attacked, or

0:18:54.480 --> 0:18:57.680
<v Speaker 1>so we are led to believe. But a mysterious girl

0:18:58.080 --> 0:19:03.159
<v Speaker 1>saves young are during this outbreak of violence, and the

0:19:03.200 --> 0:19:09.200
<v Speaker 1>fighting enraged the spirits, which vanished, and then a powerful

0:19:09.280 --> 0:19:12.639
<v Speaker 1>mist covered this forest which has been there ever since,

0:19:13.280 --> 0:19:17.000
<v Speaker 1>and the girls on it and Elsa are like, oh no,

0:19:17.480 --> 0:19:20.959
<v Speaker 1>will the forest ever wake again? And the parents are like,

0:19:21.000 --> 0:19:24.000
<v Speaker 1>I don't know, And then their mother says, only at

0:19:24.200 --> 0:19:27.560
<v Speaker 1>Holland knows Um, which is a river that is said

0:19:27.600 --> 0:19:30.200
<v Speaker 1>to hold all the answers to the past. I will

0:19:30.240 --> 0:19:34.040
<v Speaker 1>say that the children's reaction to this very violent story

0:19:34.359 --> 0:19:40.400
<v Speaker 1>is a little insensitive. Uh. They're like, awesome story. Yeah,

0:19:40.440 --> 0:19:44.000
<v Speaker 1>that's true. They're like, oh, cool story. And then it's

0:19:44.080 --> 0:19:48.240
<v Speaker 1>you're like, was that a cool story? Um? For them?

0:19:48.240 --> 0:19:52.440
<v Speaker 1>It was. Then we cut to Elsa and Anna as adults,

0:19:53.000 --> 0:19:58.120
<v Speaker 1>and Elsa here's this kind of angelic voice singing somewhere

0:19:58.160 --> 0:20:01.120
<v Speaker 1>in the distance, and it seemed to be calling to her,

0:20:01.560 --> 0:20:05.040
<v Speaker 1>and she says, hm hmm, maybe I should follow it

0:20:05.560 --> 0:20:09.240
<v Speaker 1>into the I'm gonna stop singing because I truly have

0:20:09.280 --> 0:20:13.320
<v Speaker 1>the worst yes, which I cannot do give the people

0:20:13.359 --> 0:20:17.840
<v Speaker 1>what they want. And then there's this um kind of

0:20:17.840 --> 0:20:22.200
<v Speaker 1>elemental disturbance because also woke up the spirits. I keep

0:20:22.200 --> 0:20:25.119
<v Speaker 1>wanting to call them the Earth, wind, and fire and

0:20:25.280 --> 0:20:29.639
<v Speaker 1>water spirits. It does every time you hear it, you're like,

0:20:29.880 --> 0:20:32.560
<v Speaker 1>you sort of are feeling like you're watching an episode

0:20:32.600 --> 0:20:37.080
<v Speaker 1>of Avatar the Last Airbender, and in this story, Elsa

0:20:37.560 --> 0:20:44.399
<v Speaker 1>is Avatar. Elsa is also the Fifth Element starring Bruce Willis.

0:20:44.800 --> 0:20:52.719
<v Speaker 1>There's a lot of movies Corbon Dallas. So okay, so

0:20:53.000 --> 0:20:58.080
<v Speaker 1>the spirits have been awakened and everyone has to evacuate Erondel,

0:20:58.280 --> 0:21:01.679
<v Speaker 1>the Kingdom where on A also live. And then the

0:21:01.840 --> 0:21:05.360
<v Speaker 1>stone Trolls from the first movie show up and their

0:21:05.520 --> 0:21:09.960
<v Speaker 1>leader is like, hey, um, there there's some wrong from

0:21:09.960 --> 0:21:13.240
<v Speaker 1>the past has to be corrected. There's some truth that

0:21:13.280 --> 0:21:16.680
<v Speaker 1>needs to be uncovered about the past. So Elsa I

0:21:16.760 --> 0:21:18.400
<v Speaker 1>was like, okay, we have to go to the enchanted

0:21:18.440 --> 0:21:22.080
<v Speaker 1>forest and find the voice and figure out what happened.

0:21:22.600 --> 0:21:28.720
<v Speaker 1>So she Anna Christoph and all Off and Swen the Reindeer,

0:21:28.800 --> 0:21:32.800
<v Speaker 1>all of her favorite characters um set off toward the forest.

0:21:33.400 --> 0:21:36.040
<v Speaker 1>After a little bit of traveling, they come upon what

0:21:36.160 --> 0:21:40.880
<v Speaker 1>I can only describe as the shimmer from Annihilation. Um,

0:21:42.359 --> 0:21:45.720
<v Speaker 1>what the you know, like the shimmer from the movie Annihilation.

0:21:45.920 --> 0:21:50.200
<v Speaker 1>But they have to kind of that's also in this movie,

0:21:51.760 --> 0:21:54.560
<v Speaker 1>and it's this dense mist that they have to pass

0:21:54.600 --> 0:21:59.000
<v Speaker 1>through to get into the enchanted forest, and once they're inside,

0:21:59.640 --> 0:22:03.280
<v Speaker 1>the spirits show up. They were starting to reveal some

0:22:03.359 --> 0:22:07.199
<v Speaker 1>clues about the past, some of the memories of the past,

0:22:07.560 --> 0:22:11.359
<v Speaker 1>um Elsa manages to tame a couple of them, and

0:22:11.400 --> 0:22:16.199
<v Speaker 1>then suddenly a group of North Aldra people and a

0:22:16.359 --> 0:22:22.000
<v Speaker 1>small number of Aaron Delian soldiers show up, including Sterling K. Brown.

0:22:22.400 --> 0:22:24.920
<v Speaker 1>Oh my gosh, I had no idea he was the

0:22:25.000 --> 0:22:28.840
<v Speaker 1>voice of that character until I watched the six part

0:22:28.920 --> 0:22:32.440
<v Speaker 1>docuseries on the making of Frozen two on Disney Plus,

0:22:32.480 --> 0:22:36.520
<v Speaker 1>which was a waste of time, but to watch, but

0:22:36.600 --> 0:22:39.159
<v Speaker 1>that is it was helpful and that I learned, um

0:22:39.200 --> 0:22:43.280
<v Speaker 1>that Sterling K. Brown one of my crushes. What is

0:22:43.400 --> 0:22:45.480
<v Speaker 1>in this movie? We both have a crush in the movie,

0:22:46.000 --> 0:22:50.640
<v Speaker 1>Yes we do. Alfred and Sterling cute. So all these

0:22:50.640 --> 0:22:53.320
<v Speaker 1>people show up and they've been trapped in this missed

0:22:53.359 --> 0:22:56.240
<v Speaker 1>the whole time, which we find out was like has

0:22:56.280 --> 0:22:59.040
<v Speaker 1>been over thirty four years, which I was I was like,

0:22:59.119 --> 0:23:00.960
<v Speaker 1>and then I was like, wait, how older Anna and

0:23:01.000 --> 0:23:04.359
<v Speaker 1>Elsa are we do we know? Are they over thirty?

0:23:04.480 --> 0:23:06.920
<v Speaker 1>Is that is that legal? In a Disney movie. I

0:23:06.960 --> 0:23:10.040
<v Speaker 1>don't think so, because the king their dad was a

0:23:10.080 --> 0:23:16.760
<v Speaker 1>little boy. Oh so they're they're okay, classic Disny. They're like, no, no, no,

0:23:16.760 --> 0:23:18.640
<v Speaker 1>no no, I can't have a woman over twenty five.

0:23:18.960 --> 0:23:21.920
<v Speaker 1>The thing is because even canonically in this movie, six

0:23:22.000 --> 0:23:27.560
<v Speaker 1>years have passed, because they were repeatedly referencing for reasons

0:23:27.560 --> 0:23:29.160
<v Speaker 1>that I sort of found to be a bit much,

0:23:29.200 --> 0:23:32.679
<v Speaker 1>but they kept referencing the amount of time between the

0:23:32.720 --> 0:23:35.359
<v Speaker 1>first Frozen movie in the second one, which is six years.

0:23:35.920 --> 0:23:41.480
<v Speaker 1>But somehow Elsa and Anna are still twenty the same age.

0:23:41.680 --> 0:23:45.160
<v Speaker 1>Question mark. All these people have converged in the midst

0:23:45.280 --> 0:23:49.000
<v Speaker 1>now and um all off gives us a nice little

0:23:49.240 --> 0:23:52.439
<v Speaker 1>recap of the plot of Frozen one for for everyone

0:23:52.560 --> 0:23:55.760
<v Speaker 1>that's there are multiple boys in this movie where I'm like, okay,

0:23:55.880 --> 0:23:59.439
<v Speaker 1>you're obsessed with the first movie. The first movie was fine,

0:23:59.480 --> 0:24:04.720
<v Speaker 1>I don't want talk about it wasn't just like whatever,

0:24:05.280 --> 0:24:07.399
<v Speaker 1>like it's so, but then yeah, Josh, God has to

0:24:07.440 --> 0:24:10.399
<v Speaker 1>recap the whole damn thing, which I did kind of

0:24:10.480 --> 0:24:14.080
<v Speaker 1>enjoy that part. K Brown Um reacts very funny when

0:24:14.119 --> 0:24:18.840
<v Speaker 1>he's like, oh no, pretty cute. So then the North

0:24:18.880 --> 0:24:22.720
<v Speaker 1>Algi people are like, by the way, we are innocent.

0:24:22.880 --> 0:24:25.440
<v Speaker 1>We did not initiate this attack. We would have never

0:24:25.520 --> 0:24:29.520
<v Speaker 1>attacked first. And then a guy who on a recognizes

0:24:29.640 --> 0:24:33.960
<v Speaker 1>as Lieutenant Mattias voiced by Sterling K. Brown, who was

0:24:34.000 --> 0:24:37.879
<v Speaker 1>their father's guard, says, well, we wouldn't have attacked first either.

0:24:38.280 --> 0:24:43.280
<v Speaker 1>It wasn't suspicious of the colonizer. Really exactly that. Okay,

0:24:43.320 --> 0:24:45.600
<v Speaker 1>this movie is very funny to me because they have

0:24:45.720 --> 0:24:48.520
<v Speaker 1>to go on this and this whole journey to uncover

0:24:48.640 --> 0:24:51.640
<v Speaker 1>the truth about the past, and it's so quickly. It's

0:24:51.680 --> 0:24:54.840
<v Speaker 1>just like, just look at the variables. You have indigenous

0:24:54.840 --> 0:24:59.119
<v Speaker 1>people and you have white colonizers, and a wrong was made.

0:24:59.320 --> 0:25:02.479
<v Speaker 1>What do you thing happened based on all of history?

0:25:02.680 --> 0:25:08.359
<v Speaker 1>Liked they probably they probably learned a very you know,

0:25:08.400 --> 0:25:11.520
<v Speaker 1>whitewashed version of history, so you're right, they're full on.

0:25:11.720 --> 0:25:13.600
<v Speaker 1>I was hoping, I mean, you know, it's not going

0:25:13.640 --> 0:25:16.239
<v Speaker 1>to happen because it's like Disney. But by the end,

0:25:16.280 --> 0:25:18.240
<v Speaker 1>I'm like, oh, this could be a great chance for

0:25:18.280 --> 0:25:22.119
<v Speaker 1>Els and Anna to become like anti imperialists and really

0:25:22.160 --> 0:25:26.520
<v Speaker 1>like be like abolish the monarchy, which of course burned

0:25:26.560 --> 0:25:31.840
<v Speaker 1>down their castle. At the end, it's two indigenous people

0:25:32.720 --> 0:25:34.760
<v Speaker 1>as the king and the Queen. So it's like, well,

0:25:34.800 --> 0:25:38.120
<v Speaker 1>I mean, captain colonizers in hell mad about that. I'm sure,

0:25:38.359 --> 0:25:43.680
<v Speaker 1>I hope so God, I hope right, because it is

0:25:43.760 --> 0:25:48.960
<v Speaker 1>Christophe indigenous as well. Yeah, okay, yeah that's what I thought.

0:25:49.720 --> 0:25:54.520
<v Speaker 1>So so then the fire spirit attacks all the people,

0:25:54.160 --> 0:25:59.400
<v Speaker 1>the little Yeah, it is a little charm mander. They're

0:25:59.520 --> 0:26:02.639
<v Speaker 1>very key. They act like puppies. And then Anna and

0:26:02.720 --> 0:26:06.400
<v Speaker 1>Alsa figure out that the girl who saved their father's

0:26:06.520 --> 0:26:10.199
<v Speaker 1>life in the forest that day many years ago was

0:26:10.640 --> 0:26:15.359
<v Speaker 1>their mother, who they also discover is north Auldra, which

0:26:15.440 --> 0:26:19.840
<v Speaker 1>means that Anna and Elsa are half north Auldra. Then

0:26:20.160 --> 0:26:24.360
<v Speaker 1>a North Auldra woman, Honeymaron, tells Elsa that in addition

0:26:24.440 --> 0:26:28.680
<v Speaker 1>to air, fire, water, and earth spirits, there is a

0:26:28.800 --> 0:26:32.639
<v Speaker 1>fifth spirit that acts as a bridge between humans and

0:26:32.680 --> 0:26:38.200
<v Speaker 1>the magic of nature. Which yeah. So then Elsa and

0:26:38.320 --> 0:26:41.600
<v Speaker 1>Anna head north to find the voice that's been singing

0:26:41.920 --> 0:26:45.760
<v Speaker 1>to Elsa. They come upon a shipwreck, these shipwreck that

0:26:45.880 --> 0:26:49.159
<v Speaker 1>killed their mother and father, and in it they find

0:26:49.400 --> 0:26:52.680
<v Speaker 1>a map to Ata Holland, the river that is said

0:26:52.720 --> 0:26:55.520
<v Speaker 1>to hold all the memories from the past. Um, because

0:26:55.520 --> 0:26:59.560
<v Speaker 1>it's real, they discover um not just legend, and they

0:26:59.600 --> 0:27:03.199
<v Speaker 1>figure out that their mother speculated that Otta Holland is

0:27:03.240 --> 0:27:07.160
<v Speaker 1>the source of Elsa's ice magic. So Elsa sets off

0:27:07.240 --> 0:27:10.040
<v Speaker 1>for Auto Holland, and not wanting to put her sister

0:27:10.040 --> 0:27:12.760
<v Speaker 1>in danger, she kind of sends on a an all

0:27:12.800 --> 0:27:16.040
<v Speaker 1>Off away on this Like this is one part of

0:27:16.080 --> 0:27:18.439
<v Speaker 1>the movie where I was like, oh my god, she

0:27:18.600 --> 0:27:23.600
<v Speaker 1>sends them down an icy slope at like five hundred

0:27:23.640 --> 0:27:27.560
<v Speaker 1>miles an hour. I was like, she's gonna accidentally murder

0:27:27.680 --> 0:27:31.120
<v Speaker 1>her sister. She's like putting her in even more danger, right,

0:27:31.520 --> 0:27:34.200
<v Speaker 1>which also happens in the first movie, Like she she

0:27:34.280 --> 0:27:38.960
<v Speaker 1>conjures up that giant like snowman that like almost kills Anna.

0:27:39.680 --> 0:27:42.439
<v Speaker 1>She's constantly putting her sister to give for like the

0:27:42.480 --> 0:27:48.000
<v Speaker 1>Big Sisterhood franchise that could me Elsa sometimes really goes

0:27:48.040 --> 0:27:50.720
<v Speaker 1>in on. I'm like, I am also not a huge

0:27:50.760 --> 0:27:54.399
<v Speaker 1>on a fan, but I wouldn't push her down a hill.

0:27:55.000 --> 0:28:00.480
<v Speaker 1>A big sister absolutely would. But hear what a drink

0:28:02.359 --> 0:28:07.320
<v Speaker 1>that was. I was like yeah, And then spoiler alert,

0:28:07.359 --> 0:28:10.199
<v Speaker 1>all Off dies not directly because of that, but he

0:28:10.240 --> 0:28:14.639
<v Speaker 1>dies later. He literally that was such a I was

0:28:14.720 --> 0:28:17.600
<v Speaker 1>just like, alright, plot, I guess it's I guess it

0:28:17.720 --> 0:28:19.439
<v Speaker 1>is the end of the second act, isn't it? And

0:28:19.520 --> 0:28:22.960
<v Speaker 1>he was It was so vague. He was like, my flakes,

0:28:23.359 --> 0:28:27.679
<v Speaker 1>my magical flakes. I don't want to go mr like

0:28:28.320 --> 0:28:34.199
<v Speaker 1>I do. It's I don't know. We're obviously not the

0:28:34.280 --> 0:28:37.520
<v Speaker 1>target demo, but it just like it couldn't be clearer

0:28:37.560 --> 0:28:40.880
<v Speaker 1>that there's going to be zero consequence for this. So

0:28:40.920 --> 0:28:42.720
<v Speaker 1>it is kind of funny to watch him like, not

0:28:42.840 --> 0:28:46.720
<v Speaker 1>my flakes, and then it's like, we're gone. I don't

0:28:46.720 --> 0:28:53.080
<v Speaker 1>know his flakes are gone. He dto oblivion. Meanwhile, um

0:28:53.080 --> 0:28:56.760
<v Speaker 1>Elsa tames the water spirit, which comes in the form

0:28:56.920 --> 0:28:59.480
<v Speaker 1>of a horse, and she rides it to Ata holland

0:29:00.080 --> 0:29:02.480
<v Speaker 1>Um and then she sees all the answers to the

0:29:02.520 --> 0:29:07.080
<v Speaker 1>past and discovers that her grandfather can Colonizer was like

0:29:07.280 --> 0:29:10.840
<v Speaker 1>magic is scary, and the North Aldro people follow magic,

0:29:10.920 --> 0:29:13.880
<v Speaker 1>so they can't be trusted, and that he had built

0:29:14.000 --> 0:29:17.640
<v Speaker 1>this damn that he had given under the pretense of

0:29:17.680 --> 0:29:20.720
<v Speaker 1>it being like a gift of peace, he actually built

0:29:20.760 --> 0:29:23.480
<v Speaker 1>it to weaken their land, and that it was him

0:29:23.520 --> 0:29:27.040
<v Speaker 1>who initiated the attack against the North Aldro people. But

0:29:27.120 --> 0:29:30.240
<v Speaker 1>Elsa has gone too deep into Ata Holland, and she

0:29:30.360 --> 0:29:35.080
<v Speaker 1>starts to freeze. She's able to use her magic to

0:29:35.160 --> 0:29:39.840
<v Speaker 1>send the memory to Anna. Anna is lost in a

0:29:39.960 --> 0:29:43.719
<v Speaker 1>cave with all Off and then she, upon seeing the memory,

0:29:43.720 --> 0:29:46.560
<v Speaker 1>knows what she has to do to set things right,

0:29:46.600 --> 0:29:50.480
<v Speaker 1>which is to break the damn which will flood Arundel.

0:29:51.120 --> 0:29:54.400
<v Speaker 1>And then that's when all Off dies because Elsa is

0:29:54.520 --> 0:30:00.320
<v Speaker 1>dying in her magic is feeding something about his flurries age.

0:30:00.320 --> 0:30:03.480
<v Speaker 1>And then and then Honest sings a song that I

0:30:03.480 --> 0:30:06.760
<v Speaker 1>thought was like very impactful and I liked about how

0:30:07.400 --> 0:30:12.480
<v Speaker 1>like she is acknowledging the like deep, irreferable harm that

0:30:12.520 --> 0:30:14.600
<v Speaker 1>her ancestors have done. She wants to do the next

0:30:14.680 --> 0:30:17.400
<v Speaker 1>right thing, and you're like, oh, it's really coming into

0:30:17.440 --> 0:30:19.640
<v Speaker 1>her own I've been waiting for this character to have

0:30:19.720 --> 0:30:23.120
<v Speaker 1>like more agency forever. This is so exciting. And then

0:30:23.160 --> 0:30:28.160
<v Speaker 1>two seconds later she gets rescued. But stuff I will say,

0:30:28.240 --> 0:30:33.200
<v Speaker 1>though not to go too deep, but my mom passed

0:30:33.240 --> 0:30:37.920
<v Speaker 1>away in September. So that song Honest sings just like

0:30:38.120 --> 0:30:40.920
<v Speaker 1>it's so hard, you know, as far as doing the

0:30:40.960 --> 0:30:44.600
<v Speaker 1>next right thing and everything. I'm like, oh, I love

0:30:44.680 --> 0:30:49.400
<v Speaker 1>this movie, but it hurts me so beautiful. Yeah, yeah,

0:30:49.640 --> 0:30:52.160
<v Speaker 1>that was my favorite song in the movie. I think

0:30:52.680 --> 0:30:55.840
<v Speaker 1>show Yourself as Mine, but that was my second. I

0:30:55.920 --> 0:31:01.120
<v Speaker 1>like Kristoff's like eight cheesy eighties rock ballad my favorite.

0:31:01.160 --> 0:31:04.160
<v Speaker 1>It's really it wasn't bad, but it was there, you know.

0:31:04.320 --> 0:31:07.800
<v Speaker 1>It's like kind of strange, much like Kristoph's entire plot

0:31:07.840 --> 0:31:11.880
<v Speaker 1>in this movie. It's just kind of I don't know

0:31:12.080 --> 0:31:14.520
<v Speaker 1>why he necessarily even needs to be there. Couldn't be

0:31:14.520 --> 0:31:17.120
<v Speaker 1>a more pointless song, but it is like, I don't know,

0:31:17.200 --> 0:31:19.840
<v Speaker 1>I'm just like I like to hear Jonathan Grops saying

0:31:20.240 --> 0:31:23.000
<v Speaker 1>I'll take it, I guess, but it is it doesn't

0:31:23.040 --> 0:31:27.440
<v Speaker 1>have a place in the movie. I don't know, question mark.

0:31:27.800 --> 0:31:32.080
<v Speaker 1>So then Anna lures the earth giants who are roaming

0:31:32.080 --> 0:31:36.280
<v Speaker 1>the land towards the damn and they destroy it, which

0:31:36.440 --> 0:31:42.040
<v Speaker 1>unfreezes Elsa because history has been made right and according

0:31:42.120 --> 0:31:45.120
<v Speaker 1>to the movie, and this causes all the water to

0:31:45.440 --> 0:31:50.240
<v Speaker 1>cascade towards Arundel, but Elsa manages to kind of get

0:31:50.240 --> 0:31:54.320
<v Speaker 1>ahead of it and freezes it to save Aarondel, because

0:31:54.360 --> 0:32:01.120
<v Speaker 1>again she is the fifth spirits of the element. She

0:32:01.400 --> 0:32:03.400
<v Speaker 1>is the d s X mocking A, the d s

0:32:03.560 --> 0:32:09.080
<v Speaker 1>X mocking I was inside the house the entire time yep.

0:32:09.720 --> 0:32:13.080
<v Speaker 1>And then the mist lifts from the forest and everyone

0:32:13.120 --> 0:32:17.840
<v Speaker 1>who was trapped inside is now free. Elsa and Anna reunite.

0:32:18.080 --> 0:32:21.920
<v Speaker 1>There's much rejoicing. Anna has made Queen of Arundel, and

0:32:21.960 --> 0:32:26.400
<v Speaker 1>then Elsa decides to join the North Aldra and look

0:32:26.440 --> 0:32:31.400
<v Speaker 1>after the forest. And that is the end of the movie.

0:32:31.680 --> 0:32:33.720
<v Speaker 1>Let's take a quick break and then we will come

0:32:33.800 --> 0:32:44.280
<v Speaker 1>right back to discuss, and we're back. Ali, is there

0:32:44.320 --> 0:32:46.080
<v Speaker 1>anything that jumps out to you right away of like

0:32:46.560 --> 0:32:50.120
<v Speaker 1>stuff you'd really really like to discuss? Oh? Okay. So

0:32:50.560 --> 0:32:53.400
<v Speaker 1>for those of you who cannot see me, Um, I'm

0:32:53.440 --> 0:32:58.640
<v Speaker 1>Anishinabe and I'm by racial. The reservation of my family

0:32:59.160 --> 0:33:03.720
<v Speaker 1>is from is the Wapple Island Reservation in Canada, and

0:33:04.200 --> 0:33:08.040
<v Speaker 1>my mother is a white woman and my father is

0:33:08.080 --> 0:33:11.720
<v Speaker 1>an Ishnabe. So I'm by racial. I'm very white passing.

0:33:12.600 --> 0:33:16.280
<v Speaker 1>And as someone who did not like the first Frozen movie,

0:33:17.160 --> 0:33:21.800
<v Speaker 1>I was so stunned that Elsa especially suddenly became this

0:33:21.880 --> 0:33:26.920
<v Speaker 1>character that I personally kind of felt represented by as

0:33:26.960 --> 0:33:34.000
<v Speaker 1>a white passing assimilated Indigenous woman because although my father

0:33:34.720 --> 0:33:37.720
<v Speaker 1>is you know of a darker shoe, I guess, a

0:33:37.840 --> 0:33:42.320
<v Speaker 1>darker skin tone than I am. He was assimilated because

0:33:42.320 --> 0:33:47.800
<v Speaker 1>his mother and his auntie were residential school survivors, so

0:33:48.400 --> 0:33:52.360
<v Speaker 1>they had their culture denied to them. You know, they

0:33:52.360 --> 0:33:55.520
<v Speaker 1>couldn't speak their own language, they had no culture. They

0:33:55.560 --> 0:34:00.400
<v Speaker 1>were taken from their family, and um My and mother

0:34:00.680 --> 0:34:05.200
<v Speaker 1>and her auntie, her sister had to actually leave the reservation,

0:34:05.280 --> 0:34:09.600
<v Speaker 1>like they ran away to Michigan and that's where we

0:34:09.640 --> 0:34:14.440
<v Speaker 1>live now. And you know they she married a white

0:34:14.480 --> 0:34:19.000
<v Speaker 1>man who was my dad's father. So, um, in order

0:34:19.040 --> 0:34:22.480
<v Speaker 1>to survive, really, I mean, you have to assimilate, especially

0:34:22.520 --> 0:34:26.600
<v Speaker 1>back then. I you know, this was during World War Two,

0:34:26.840 --> 0:34:30.000
<v Speaker 1>this was you know, all throughout. I think grandma was

0:34:30.040 --> 0:34:32.839
<v Speaker 1>born in like nineteen seventeen, I think, and she died

0:34:32.880 --> 0:34:37.200
<v Speaker 1>in nine So this is an entire century more or

0:34:37.280 --> 0:34:42.520
<v Speaker 1>less of you know, you cannot really embrace who you

0:34:42.560 --> 0:34:46.280
<v Speaker 1>are as an Native woman because you can be killed,

0:34:46.480 --> 0:34:51.879
<v Speaker 1>you can be imprisoned, you know. And um, I think

0:34:51.880 --> 0:34:55.400
<v Speaker 1>her name is i Dona, the else's mother. You know,

0:34:55.719 --> 0:34:58.839
<v Speaker 1>that character really truly spoke to me, you know, as

0:34:58.880 --> 0:35:02.680
<v Speaker 1>an Indigenous woman, because the concealed don't feel don't let

0:35:02.719 --> 0:35:06.279
<v Speaker 1>them know. Thing that Elsa you know, sings about in

0:35:06.280 --> 0:35:09.080
<v Speaker 1>the first movie isn't just about her magic now, it

0:35:09.200 --> 0:35:12.600
<v Speaker 1>is about her identity and her family and her bloodline.

0:35:13.239 --> 0:35:16.319
<v Speaker 1>And it's like, you know, her mother knew that kind

0:35:16.360 --> 0:35:19.080
<v Speaker 1>of pain she must have been going through because she

0:35:19.239 --> 0:35:22.239
<v Speaker 1>was she couldn't go home. You know, she may not

0:35:22.320 --> 0:35:25.080
<v Speaker 1>have ran away from home, but she could never return.

0:35:25.840 --> 0:35:29.960
<v Speaker 1>And this was her life now. And if the Aaron

0:35:30.000 --> 0:35:33.680
<v Speaker 1>Delian people didn't like the Nothalgra people, you know, she's

0:35:33.719 --> 0:35:36.120
<v Speaker 1>not going to announce that, oh on Northaldra. She's going

0:35:36.160 --> 0:35:39.279
<v Speaker 1>to keep that to herself and raise her daughters the

0:35:39.320 --> 0:35:42.920
<v Speaker 1>best way that she can, you know, and that would

0:35:43.000 --> 0:35:47.520
<v Speaker 1>be to assimilate, to look like, you know, the oppressor.

0:35:48.000 --> 0:35:53.279
<v Speaker 1>I suppose, so Elsa really come into terms with this.

0:35:53.440 --> 0:35:56.520
<v Speaker 1>You know something, it wasn't just the magic. It wasn't

0:35:56.560 --> 0:36:00.520
<v Speaker 1>just keeping that part hidden inside. It's like there's something

0:36:00.560 --> 0:36:04.680
<v Speaker 1>deeper than that. There's something that you know, I feel

0:36:04.680 --> 0:36:07.279
<v Speaker 1>out of place. I feel like there's a disconnect. I

0:36:07.920 --> 0:36:10.520
<v Speaker 1>you know, I may look like these people, and my

0:36:10.600 --> 0:36:15.160
<v Speaker 1>sister may you know, be able to live among them

0:36:15.200 --> 0:36:19.320
<v Speaker 1>a bit easier than I do, but you know, I

0:36:19.320 --> 0:36:21.560
<v Speaker 1>feel like something is missing and I want to know

0:36:21.600 --> 0:36:24.759
<v Speaker 1>what that is. And for her Disney to make it

0:36:25.080 --> 0:36:30.279
<v Speaker 1>indigenous heritage, like, oh, this is your family history, this

0:36:30.360 --> 0:36:33.840
<v Speaker 1>is your mother's people, these are this is your community

0:36:33.920 --> 0:36:36.960
<v Speaker 1>and your culture, and that sense of belonging and healing,

0:36:37.040 --> 0:36:42.640
<v Speaker 1>you know, that's really really powerful. And uh I am.

0:36:42.680 --> 0:36:46.080
<v Speaker 1>You know, I'm white passing. I'm trying to reconnect. I

0:36:46.200 --> 0:36:49.640
<v Speaker 1>have I up until, like, I don't know, I want

0:36:49.640 --> 0:36:53.000
<v Speaker 1>to say, a couple of years ago, I didn't think

0:36:53.040 --> 0:36:56.560
<v Speaker 1>I had any surviving relatives on my dad's side, you know.

0:36:56.719 --> 0:36:59.440
<v Speaker 1>I thought we didn't have any cousins. We didn't have

0:36:59.480 --> 0:37:02.800
<v Speaker 1>any aunts and uncles. You know, we had no idea.

0:37:03.040 --> 0:37:07.080
<v Speaker 1>And recently I discovered when I went to uh the

0:37:07.120 --> 0:37:11.960
<v Speaker 1>reservation for pow Wow, that there are so many different

0:37:12.080 --> 0:37:14.360
<v Speaker 1>you know, cousins and relatives and stuff like that. And

0:37:14.360 --> 0:37:16.640
<v Speaker 1>they're like, oh, you know, I brought my family tree

0:37:16.640 --> 0:37:18.960
<v Speaker 1>and they're like, oh that guy he's cash, Oh that

0:37:19.120 --> 0:37:21.200
<v Speaker 1>one he's nutty, that one, you know what I mean.

0:37:21.280 --> 0:37:24.520
<v Speaker 1>And I'm like and then they started looking at the

0:37:24.560 --> 0:37:27.200
<v Speaker 1>family tree and it's like we had common ancestors and

0:37:27.239 --> 0:37:31.880
<v Speaker 1>common relatives and stuff. So that reconnection to family and

0:37:31.920 --> 0:37:35.920
<v Speaker 1>to culture when it has been like forcibly taken away

0:37:35.960 --> 0:37:38.880
<v Speaker 1>from you and denied to. I mean, Frozen Too really

0:37:38.920 --> 0:37:44.480
<v Speaker 1>spoke to that part, you know, for me anyways, So

0:37:44.920 --> 0:37:48.600
<v Speaker 1>it was so, I know, I really like this movie.

0:37:49.600 --> 0:37:51.759
<v Speaker 1>This is I mean, this is honestly giving me a

0:37:51.800 --> 0:37:56.719
<v Speaker 1>whole new perspective on the themes that this movie is

0:37:57.520 --> 0:38:00.520
<v Speaker 1>speaking to. I mean, going into the movie, I was

0:38:00.560 --> 0:38:04.799
<v Speaker 1>honestly confused at the beginning, like I understood the choice

0:38:04.800 --> 0:38:06.520
<v Speaker 1>they were trying to make. I was like, I don't know,

0:38:06.640 --> 0:38:11.440
<v Speaker 1>you know, it's impossible because you know, like I've certainly

0:38:11.520 --> 0:38:15.240
<v Speaker 1>been brought up on such a warped version of history

0:38:15.320 --> 0:38:18.120
<v Speaker 1>and I'm still in the process of trying to unlearned

0:38:18.120 --> 0:38:22.759
<v Speaker 1>ship and not just unlearned stuff, but then learn the

0:38:22.920 --> 0:38:26.080
<v Speaker 1>correct version of you know, what actually happened me. It's

0:38:26.080 --> 0:38:30.760
<v Speaker 1>like a really powerful and ambitious theme in this movie

0:38:30.880 --> 0:38:33.839
<v Speaker 1>to show that to children, to show that like the

0:38:34.040 --> 0:38:38.160
<v Speaker 1>version of history you're presented with is very likely not accurate,

0:38:38.200 --> 0:38:43.040
<v Speaker 1>and that it is like kind of your responsibility in

0:38:42.719 --> 0:38:46.000
<v Speaker 1>a way to to seek out that truth and to

0:38:46.680 --> 0:38:49.040
<v Speaker 1>find it. And then on top of that, uh, is

0:38:49.040 --> 0:38:52.160
<v Speaker 1>something that I think I was like in the middle

0:38:52.160 --> 0:38:53.640
<v Speaker 1>of the movie, I was like, whoa, this is like

0:38:54.160 --> 0:38:57.640
<v Speaker 1>a pretty like bold choice for such a gigantic franchise.

0:38:57.920 --> 0:39:01.719
<v Speaker 1>The only villain in this movie is their past, Like

0:39:01.760 --> 0:39:04.840
<v Speaker 1>there is no and the first one it's who is

0:39:04.880 --> 0:39:09.960
<v Speaker 1>that guy? Though, like you know whatever hans right, and

0:39:09.960 --> 0:39:11.920
<v Speaker 1>and so in the first one it's like they are

0:39:11.960 --> 0:39:14.600
<v Speaker 1>subverting it by the twist and blah blah blah. But

0:39:14.640 --> 0:39:18.040
<v Speaker 1>like in this it's like their heritage and they're like

0:39:18.480 --> 0:39:22.960
<v Speaker 1>their ties to colonialism is the villain of the movie.

0:39:23.000 --> 0:39:26.879
<v Speaker 1>It's like a it's an evil that you I guess

0:39:26.880 --> 0:39:29.719
<v Speaker 1>you sort of see through, like the memory of the grandfather.

0:39:29.800 --> 0:39:32.560
<v Speaker 1>But for the most part, it is just like something

0:39:32.600 --> 0:39:35.680
<v Speaker 1>that they need to reckon with, and that is I mean,

0:39:35.760 --> 0:39:40.359
<v Speaker 1>that's holy sh it, especially because like when when Anna

0:39:40.520 --> 0:39:45.120
<v Speaker 1>learns learns the truth about how her grandfather initiated the

0:39:45.160 --> 0:39:48.960
<v Speaker 1>attack and that he had built the damn deliberately to

0:39:49.120 --> 0:39:53.680
<v Speaker 1>oppress the indigenous people and how you know, and honestly

0:39:53.800 --> 0:39:56.399
<v Speaker 1>something like well, that goes against everything that Aaron Dell

0:39:56.520 --> 0:39:59.879
<v Speaker 1>stands for. And it's like, well, sure, like Aaron Dell,

0:40:00.080 --> 0:40:05.080
<v Speaker 1>my masquerade is this like you know, righteous place, But like, no,

0:40:05.400 --> 0:40:10.200
<v Speaker 1>that's not how colonization works, right. I think you can

0:40:10.239 --> 0:40:12.520
<v Speaker 1>also be kind of viewed as like a meta commentary

0:40:12.600 --> 0:40:16.359
<v Speaker 1>on like Disney properties as a whole of like, here

0:40:16.480 --> 0:40:19.680
<v Speaker 1>is this like magical kingdom that you've always been presented

0:40:19.719 --> 0:40:23.279
<v Speaker 1>to this like very whitewashed magical place like and what

0:40:23.440 --> 0:40:25.279
<v Speaker 1>is being erased and what is being miss taught to you?

0:40:25.280 --> 0:40:27.440
<v Speaker 1>Because that is I mean, that's been Disney's bag for

0:40:27.480 --> 0:40:31.480
<v Speaker 1>a long fucking time. Is teaching you and glorifying and

0:40:31.520 --> 0:40:36.080
<v Speaker 1>making making it profitable to show you false versions of

0:40:36.680 --> 0:40:39.400
<v Speaker 1>of history, usually American history, that it's kind of a

0:40:39.440 --> 0:40:42.400
<v Speaker 1>free for all with them. I think the thing that

0:40:42.560 --> 0:40:46.360
<v Speaker 1>actually surprised me um when I first saw Frozen two,

0:40:46.880 --> 0:40:49.560
<v Speaker 1>because uh, I'll send it to you guys on Twitter.

0:40:49.719 --> 0:40:54.120
<v Speaker 1>It was like my live tweeting responses. It's like, all right, guys,

0:40:54.200 --> 0:40:56.440
<v Speaker 1>watched Frozen two for the first time, and here's my

0:40:56.640 --> 0:40:59.319
<v Speaker 1>reaction in real time as I'm watching it. You know,

0:41:00.200 --> 0:41:03.200
<v Speaker 1>So when they're singing that one song at the beginning

0:41:03.960 --> 0:41:09.440
<v Speaker 1>and it's not Thanksgiving but it is Thanksgiving, you know,

0:41:09.560 --> 0:41:13.560
<v Speaker 1>like they're having a harvest feast or whatever, and I'm thinking,

0:41:13.640 --> 0:41:16.120
<v Speaker 1>I'm watching it, I'm like, are they really having Thanksgiving

0:41:16.120 --> 0:41:23.120
<v Speaker 1>in Sweden? Because you know, like because and then at

0:41:23.120 --> 0:41:27.239
<v Speaker 1>the end of the movie, when they show Captain Colonizer

0:41:27.280 --> 0:41:30.120
<v Speaker 1>and he's all like, we're gonna invite them in peace,

0:41:30.320 --> 0:41:32.439
<v Speaker 1>and we're gonna see what they're you know, how many

0:41:32.520 --> 0:41:35.680
<v Speaker 1>there are and what their strength is. I was like Thanksgiving,

0:41:36.920 --> 0:41:42.759
<v Speaker 1>because Thanksgiving was not a happy feast. It was a

0:41:42.840 --> 0:41:46.960
<v Speaker 1>massacre of indigenous people. So the fact that Disney did that,

0:41:47.080 --> 0:41:51.600
<v Speaker 1>I was like, Wow, that never happens. And you know

0:41:51.600 --> 0:41:54.360
<v Speaker 1>what I mean, like never, that never happens. And that

0:41:54.480 --> 0:41:57.319
<v Speaker 1>was so it was subtle enough where I think a

0:41:57.440 --> 0:42:04.800
<v Speaker 1>kid may have not quite connected the dots what I did. Ye, Yeah,

0:42:05.040 --> 0:42:08.120
<v Speaker 1>I think one of the I guess, okay, maybe I'm like,

0:42:08.640 --> 0:42:10.719
<v Speaker 1>I don't know, I'm probably always asking too much of

0:42:10.719 --> 0:42:13.640
<v Speaker 1>a Disney movie. I kind of wish that that they

0:42:13.680 --> 0:42:17.239
<v Speaker 1>had just let if they if we already knew, you know,

0:42:17.320 --> 0:42:18.719
<v Speaker 1>and they and the movie goes out of its way

0:42:18.760 --> 0:42:21.520
<v Speaker 1>to say, well, there's no one in Arandel right now.

0:42:21.800 --> 0:42:24.960
<v Speaker 1>It's just it's empty, it's been evacuated. I kind of

0:42:25.000 --> 0:42:30.520
<v Speaker 1>wish that they had just flooded it. Is that is that? Yeah,

0:42:30.840 --> 0:42:33.680
<v Speaker 1>Like symbolically, I'm like, maybe that's a little game of

0:42:33.760 --> 0:42:38.440
<v Speaker 1>Thrones of me to to want, But but I mean

0:42:38.600 --> 0:42:41.840
<v Speaker 1>it fits that I kind of wish they had just said,

0:42:41.960 --> 0:42:45.200
<v Speaker 1>you know, fuck it. I think UM with that one,

0:42:45.239 --> 0:42:47.520
<v Speaker 1>because a lot of people felt the same way, and

0:42:47.800 --> 0:42:51.960
<v Speaker 1>I didn't just because I was thinking, you know, problematic

0:42:52.440 --> 0:42:54.880
<v Speaker 1>element of this movie is that, you know, they blame

0:42:54.880 --> 0:42:58.600
<v Speaker 1>it all on just this one specific person, you know,

0:42:58.680 --> 0:43:03.160
<v Speaker 1>and not like an actual vermint, like the one guy

0:43:03.239 --> 0:43:07.160
<v Speaker 1>who wanted to be the colonizer. The people for the

0:43:07.200 --> 0:43:10.400
<v Speaker 1>most part didn't really seem to know what was happening,

0:43:10.680 --> 0:43:12.759
<v Speaker 1>you know, because the girls didn't even know who the

0:43:12.800 --> 0:43:17.760
<v Speaker 1>Nothalgil really were anyway, So I feel like if they were,

0:43:17.800 --> 0:43:20.640
<v Speaker 1>you know, the person who already did this horrible thing

0:43:20.719 --> 0:43:22.960
<v Speaker 1>is already dead, you know, he gets killed in the

0:43:23.000 --> 0:43:28.359
<v Speaker 1>battle anyway, So that part is already like you know, avenged.

0:43:29.200 --> 0:43:32.440
<v Speaker 1>But it's not just that, you know, it's you have

0:43:32.600 --> 0:43:37.520
<v Speaker 1>to not only correct history, but you know, put in

0:43:37.560 --> 0:43:40.399
<v Speaker 1>the work to make sure you know, the harm that's

0:43:40.400 --> 0:43:44.520
<v Speaker 1>already been done can't be undone. But how you go

0:43:44.680 --> 0:43:47.960
<v Speaker 1>forward with it is the important part. So you get

0:43:48.040 --> 0:43:50.279
<v Speaker 1>rid of the damn which is causing all of this

0:43:50.440 --> 0:43:53.840
<v Speaker 1>trauma and all of this destruction to the environment that

0:43:54.000 --> 0:43:58.760
<v Speaker 1>directly still hurts the indigenous people living on it. And

0:43:59.160 --> 0:44:02.600
<v Speaker 1>to destroy or the damn and then flood out Aarondel

0:44:02.640 --> 0:44:06.000
<v Speaker 1>and destroy it. I feel like maybe the spirits were like,

0:44:06.040 --> 0:44:08.680
<v Speaker 1>you know, this is only gonna make those people hate

0:44:08.719 --> 0:44:13.279
<v Speaker 1>us more that their queen just destroyed their home, you know.

0:44:13.520 --> 0:44:17.120
<v Speaker 1>So yeah, that's what I was thinking. I'm like, I

0:44:17.160 --> 0:44:19.120
<v Speaker 1>really don't think these people are going to be all

0:44:19.160 --> 0:44:22.640
<v Speaker 1>that okay with oh, but you know, the colonialism is like, yeah,

0:44:22.640 --> 0:44:27.640
<v Speaker 1>but now my house is underwater, Like it's gonna make

0:44:27.640 --> 0:44:31.320
<v Speaker 1>ship worse, you know, probably and build more touch and

0:44:31.360 --> 0:44:35.000
<v Speaker 1>it's like that. So it's like, all right, so we're

0:44:35.000 --> 0:44:37.680
<v Speaker 1>gonna put you on the throne instead, and they're gonna

0:44:37.719 --> 0:44:40.239
<v Speaker 1>love you, and then I'm gonna stay here and we're

0:44:40.239 --> 0:44:44.839
<v Speaker 1>gonna build relations and there you go, happy ending. It's

0:44:45.000 --> 0:44:47.360
<v Speaker 1>very simplified, but it's a kid's movie, and they handled

0:44:47.400 --> 0:44:54.040
<v Speaker 1>it a lot better than they didn't Pokehona so god ever,

0:44:55.920 --> 0:44:59.879
<v Speaker 1>So do you feel overall that the representation of Indigenous

0:45:00.040 --> 0:45:04.560
<v Speaker 1>people and indigenous culture was handled responsibly and respectfully in

0:45:04.600 --> 0:45:09.239
<v Speaker 1>this film? So disclaimer, um, the northalgia of people are

0:45:09.280 --> 0:45:12.920
<v Speaker 1>based off of an existing group of indigenous people, the

0:45:13.000 --> 0:45:17.200
<v Speaker 1>Sami people. So I'm not Sammy, so I can't personally,

0:45:18.000 --> 0:45:20.920
<v Speaker 1>you know, say like, oh yeah, they did great. Um.

0:45:20.960 --> 0:45:24.239
<v Speaker 1>I did speak to um. I'm going to use his

0:45:24.560 --> 0:45:30.560
<v Speaker 1>full title here, okay, so uh Sami activists and vice

0:45:30.600 --> 0:45:34.000
<v Speaker 1>president of the Sami Council. His name is aslach Holmberg.

0:45:34.480 --> 0:45:37.239
<v Speaker 1>I actually UM talked to him when I was in

0:45:37.400 --> 0:45:43.680
<v Speaker 1>Finland because he's Sami and uh, he and members of AOSDTTANU,

0:45:43.920 --> 0:45:48.719
<v Speaker 1>where this group that were organizing this moratorium in that

0:45:48.880 --> 0:45:53.560
<v Speaker 1>opposed the Dano River fishery agreement in northern Finland. So

0:45:53.640 --> 0:45:58.200
<v Speaker 1>basically the Finnish government was trying to deny salmon fishing

0:45:58.320 --> 0:46:02.960
<v Speaker 1>rights on Sami territory and he was, you know, an

0:46:02.960 --> 0:46:08.160
<v Speaker 1>activist at that time, so he was on like a council,

0:46:08.480 --> 0:46:12.360
<v Speaker 1>you know, Sami council. He also did the voice because

0:46:12.760 --> 0:46:15.480
<v Speaker 1>Disney did a Sami dub of Frozen two and he

0:46:15.520 --> 0:46:19.240
<v Speaker 1>did he did the voice of the dad Alfred Molito.

0:46:19.960 --> 0:46:24.640
<v Speaker 1>Know it's him well legacy, but he said, you know,

0:46:24.760 --> 0:46:27.240
<v Speaker 1>he's biased of course because he worked on the film.

0:46:27.280 --> 0:46:29.879
<v Speaker 1>But he said that the Sami people were very much

0:46:29.920 --> 0:46:35.720
<v Speaker 1>involved with the representation of the nothalgia people and overall,

0:46:35.760 --> 0:46:38.480
<v Speaker 1>you know, he did like it. I've got other because

0:46:38.480 --> 0:46:40.520
<v Speaker 1>I asked other Sami people on the A La test

0:46:40.640 --> 0:46:43.239
<v Speaker 1>what they thought about it, and it's been kind of

0:46:43.280 --> 0:46:46.920
<v Speaker 1>a mixed bag. You know, there's elements that they didn't

0:46:46.960 --> 0:46:50.640
<v Speaker 1>like so much and then lots that they did. My

0:46:50.800 --> 0:46:55.960
<v Speaker 1>personal take, you kind of run the risk of when

0:46:56.640 --> 0:47:00.799
<v Speaker 1>you create a new tribe of people, you know what

0:47:00.840 --> 0:47:05.440
<v Speaker 1>I mean. Like, for example, you know, there's this one

0:47:05.520 --> 0:47:08.080
<v Speaker 1>video game I forgot what it's called, but they made

0:47:08.160 --> 0:47:14.280
<v Speaker 1>up a completely different Native American tribe and it's like, Okay,

0:47:14.360 --> 0:47:18.400
<v Speaker 1>you couldn't just use an existing one to tell your story.

0:47:19.560 --> 0:47:22.960
<v Speaker 1>But that's because it was set in America frozen not

0:47:23.200 --> 0:47:26.640
<v Speaker 1>so much. It's like, oh, it's this magical territory and

0:47:26.880 --> 0:47:30.920
<v Speaker 1>it's not real, so we can create people who exist

0:47:31.000 --> 0:47:34.640
<v Speaker 1>within it. And there's enough similarities where you kind of

0:47:34.680 --> 0:47:37.640
<v Speaker 1>know what we're talking about. But you're not doing like

0:47:37.680 --> 0:47:41.960
<v Speaker 1>the Twilight Poconist thing where you take an existing group

0:47:41.960 --> 0:47:45.560
<v Speaker 1>of people and being like, oh, they're magical, Oh they

0:47:45.600 --> 0:47:49.880
<v Speaker 1>control the elements and stuff. It's like, no, the Twolute

0:47:49.920 --> 0:47:54.120
<v Speaker 1>people do not turn into werewolves, you know. The Sami

0:47:54.160 --> 0:47:58.239
<v Speaker 1>people do not you know, work with giant rock monsters

0:47:58.280 --> 0:48:02.320
<v Speaker 1>and fire spirits and stuff. But the North algier people can,

0:48:02.840 --> 0:48:06.520
<v Speaker 1>and I like that the Nothalgia people were still just people.

0:48:06.600 --> 0:48:09.760
<v Speaker 1>They just knew how to interact with the land, So

0:48:09.920 --> 0:48:13.279
<v Speaker 1>that I felt was more respectful to what Indigenous people

0:48:13.360 --> 0:48:17.120
<v Speaker 1>are because we're not mythical, magical creatures, you know what

0:48:17.160 --> 0:48:20.319
<v Speaker 1>I mean. We just have a connection to the land

0:48:20.320 --> 0:48:22.799
<v Speaker 1>and the territory because it's a part of us. It's

0:48:22.960 --> 0:48:25.600
<v Speaker 1>not just we're not on top and then the animals

0:48:25.600 --> 0:48:29.040
<v Speaker 1>are beneath, and then you know, so on and so forth.

0:48:29.120 --> 0:48:34.279
<v Speaker 1>It's you know, a web of connection and we have

0:48:34.320 --> 0:48:38.760
<v Speaker 1>our place within the ecosystem and within this world. So

0:48:39.280 --> 0:48:45.040
<v Speaker 1>that's better than you know, oh I'm you know, and

0:48:45.120 --> 0:48:47.799
<v Speaker 1>the only person who is is Elsa and that that

0:48:47.920 --> 0:48:51.360
<v Speaker 1>works out because she's just you know, special. It's not

0:48:51.400 --> 0:48:54.799
<v Speaker 1>because oh I have this power because I'm Nothalgra is like, no,

0:48:55.000 --> 0:49:00.000
<v Speaker 1>it's because you're she's an outlier. Yeah, yeah, yeah. Hollywoo

0:49:00.160 --> 0:49:05.880
<v Speaker 1>has a long and troubling history of describing magic and

0:49:06.000 --> 0:49:09.040
<v Speaker 1>mysticism to non white people in a way that has

0:49:09.200 --> 0:49:14.000
<v Speaker 1>really negative connotations. For example, there's the magical Negro trope,

0:49:14.120 --> 0:49:18.840
<v Speaker 1>there's like the mystic Asian trope, there's like mystic Indigenous tropes.

0:49:18.880 --> 0:49:21.400
<v Speaker 1>There's like all of these things that we've seen again

0:49:21.400 --> 0:49:24.000
<v Speaker 1>and again in so many different movies, so and by

0:49:24.040 --> 0:49:27.480
<v Speaker 1>and large magic like the magic is being used to

0:49:27.600 --> 0:49:31.919
<v Speaker 1>assist a white character or to somehow aid their storyline

0:49:32.480 --> 0:49:37.120
<v Speaker 1>and to other the non white character or characters. And

0:49:37.160 --> 0:49:40.759
<v Speaker 1>I think the only real complaints that I would have

0:49:40.880 --> 0:49:43.839
<v Speaker 1>isn't necessarily the nothalgia people. Some people say that they

0:49:43.880 --> 0:49:46.239
<v Speaker 1>wish that the women would have had a bit more agency,

0:49:46.680 --> 0:49:51.200
<v Speaker 1>which I think is fair. Christoff, who is an indigenous

0:49:51.360 --> 0:49:53.479
<v Speaker 1>person as well, I feel it's kind of a missed

0:49:53.520 --> 0:49:58.160
<v Speaker 1>opportunity as a Sami character. The Nothalogra are based off

0:49:58.160 --> 0:50:00.920
<v Speaker 1>of the Sami, but Christoff in the ript is described

0:50:00.960 --> 0:50:04.800
<v Speaker 1>as a Sammy boys specifically saw me. Okay, yeah, and

0:50:05.080 --> 0:50:08.120
<v Speaker 1>it's like they could have done more than just oh

0:50:08.120 --> 0:50:12.440
<v Speaker 1>he saw me. He likes reindeer, okay. You know, but

0:50:12.640 --> 0:50:14.839
<v Speaker 1>like I don't expect them to go into like a

0:50:14.960 --> 0:50:20.680
<v Speaker 1>deep you know, like basically turning the Sami people into

0:50:20.800 --> 0:50:25.600
<v Speaker 1>like a costume like they did Poconas essentially, but you know,

0:50:26.200 --> 0:50:30.160
<v Speaker 1>it would have been nice when Anna discovers that she's

0:50:30.520 --> 0:50:34.200
<v Speaker 1>indigenous as well, that she and Kristoff could have bonded

0:50:34.200 --> 0:50:36.719
<v Speaker 1>over something like that, you know what I mean, Like,

0:50:36.800 --> 0:50:40.239
<v Speaker 1>I feel like that was a missed opportunity where I'm

0:50:40.280 --> 0:50:42.600
<v Speaker 1>glad that they kind of cut Christoff out of the

0:50:42.640 --> 0:50:46.439
<v Speaker 1>movie because it is predominantly Elsa's story, as it should be.

0:50:47.200 --> 0:50:50.319
<v Speaker 1>But it's like, man, they could have really, you know,

0:50:50.600 --> 0:50:53.839
<v Speaker 1>talked about this and bonded over that. And it's like,

0:50:54.719 --> 0:51:00.000
<v Speaker 1>obviously Anna must have had some insecurities given her last

0:51:00.120 --> 0:51:03.919
<v Speaker 1>boyfriend and what he tried to do. So I don't

0:51:03.920 --> 0:51:06.040
<v Speaker 1>know if there's any reason to fall in love with

0:51:06.120 --> 0:51:08.960
<v Speaker 1>someone you know and actually bond enough to marry them,

0:51:09.239 --> 0:51:14.400
<v Speaker 1>it could probably be over that shared experience, you know.

0:51:14.960 --> 0:51:17.280
<v Speaker 1>I think it would have been nice, I think for

0:51:17.520 --> 0:51:22.480
<v Speaker 1>the audience like as well to be kind of reminded

0:51:23.040 --> 0:51:27.200
<v Speaker 1>that Christoff is an indigenous person, because I think that,

0:51:27.320 --> 0:51:29.680
<v Speaker 1>like there's not a lot of work done to really

0:51:30.120 --> 0:51:33.440
<v Speaker 1>tell you that, and in a movie that is constantly

0:51:33.480 --> 0:51:36.759
<v Speaker 1>reminding you what happened in the last movie, uh, in

0:51:36.800 --> 0:51:39.560
<v Speaker 1>a way that is not always helpful. That would have

0:51:39.600 --> 0:51:42.759
<v Speaker 1>been a helpful thing to be reminded of. And again, yeah,

0:51:42.800 --> 0:51:45.520
<v Speaker 1>like like like you're saying, is something that could be

0:51:46.120 --> 0:51:48.759
<v Speaker 1>you know, a very valuable bond for them when there

0:51:48.840 --> 0:51:51.359
<v Speaker 1>is kind of something left to be desired for, like

0:51:51.640 --> 0:51:54.520
<v Speaker 1>why are we talking about their impending engagement that we

0:51:54.560 --> 0:51:56.800
<v Speaker 1>know is going to happen by the end of the movie,

0:51:57.160 --> 0:51:59.520
<v Speaker 1>So much like that would have been a really good

0:52:00.000 --> 0:52:04.799
<v Speaker 1>element one one thing that I would love your perspective on.

0:52:05.120 --> 0:52:08.120
<v Speaker 1>And because I was just sort of um, I do

0:52:08.440 --> 0:52:12.440
<v Speaker 1>wish that the North Aldrin people that we meet had

0:52:12.719 --> 0:52:18.279
<v Speaker 1>more to do and had a deeper characterization because for

0:52:18.680 --> 0:52:22.279
<v Speaker 1>characters that are introduced, and they are I think played

0:52:22.320 --> 0:52:29.080
<v Speaker 1>by white actors, which again is uh, I mean why right,

0:52:29.320 --> 0:52:34.520
<v Speaker 1>especially when they had hired several consultants, um Sammy consultants

0:52:34.760 --> 0:52:38.680
<v Speaker 1>who maybe they weren't trained actors, but they could go

0:52:38.760 --> 0:52:42.000
<v Speaker 1>and find some trained actors to cast in those roles.

0:52:42.840 --> 0:52:46.000
<v Speaker 1>But but even on top of that, I think that

0:52:46.280 --> 0:52:49.640
<v Speaker 1>most of the North all drink characters we meet are

0:52:49.800 --> 0:52:54.080
<v Speaker 1>there in a very surface kind of way where I

0:52:54.120 --> 0:52:57.000
<v Speaker 1>felt like, for the most part, especially with writer and Honeymaron,

0:52:57.120 --> 0:53:00.080
<v Speaker 1>that they were mostly there to just give information and

0:53:00.520 --> 0:53:04.680
<v Speaker 1>encouragement to a character that we already know. So like

0:53:04.719 --> 0:53:08.080
<v Speaker 1>a writer is like, what's up, Oh, you have a

0:53:08.200 --> 0:53:10.680
<v Speaker 1>romantic conflict? Let me be in a scene about that,

0:53:11.160 --> 0:53:13.480
<v Speaker 1>and then he's in a scene about that, and then

0:53:13.480 --> 0:53:16.360
<v Speaker 1>he's kind of gone, and then Honey, Marin gives Elsa

0:53:16.520 --> 0:53:18.680
<v Speaker 1>I think. I mean, it's a it's a cool scene

0:53:18.680 --> 0:53:24.440
<v Speaker 1>between the two of them that definitely pushes Elsa's character forward,

0:53:24.800 --> 0:53:27.520
<v Speaker 1>But I just wish that we knew more about her

0:53:27.680 --> 0:53:31.520
<v Speaker 1>and that she didn't just exist in proximity to Elsa.

0:53:32.360 --> 0:53:36.560
<v Speaker 1>H I agree. You also see a character whose name

0:53:36.680 --> 0:53:43.279
<v Speaker 1>is Elena. She seems to be I think the leader. Yeah, yeah,

0:53:43.360 --> 0:53:46.799
<v Speaker 1>she's I think she's like this is a Matrichal society

0:53:47.239 --> 0:53:49.720
<v Speaker 1>because it seems to be implied that she is the leader.

0:53:50.280 --> 0:53:55.279
<v Speaker 1>She is voiced by white actor Martha Plimpton, but yeah,

0:53:55.320 --> 0:53:58.799
<v Speaker 1>she she isn't given much to do either, aside from

0:53:59.239 --> 0:54:02.840
<v Speaker 1>kind of just delivering some exposition here and there, because

0:54:02.880 --> 0:54:05.040
<v Speaker 1>it doesn't I don't even remember seeing her in the

0:54:05.040 --> 0:54:08.239
<v Speaker 1>flashback scene, so it's not even like you know, she was,

0:54:09.120 --> 0:54:14.480
<v Speaker 1>you know, specifically shown like, um, it's this name Mattias

0:54:13.480 --> 0:54:18.839
<v Speaker 1>or Mattias Matteis. It could be anything another character who

0:54:18.840 --> 0:54:22.400
<v Speaker 1>we learned nothing about. Then, yeah, because she hasn't shown

0:54:22.440 --> 0:54:24.640
<v Speaker 1>really in the flash vac scene that I remember, so

0:54:24.719 --> 0:54:27.759
<v Speaker 1>it's not like, you know, they could have drawn back

0:54:27.760 --> 0:54:30.879
<v Speaker 1>on that and given her a bit more to do. Yeah,

0:54:30.920 --> 0:54:35.799
<v Speaker 1>couldn't she have been there during the attack that was

0:54:35.840 --> 0:54:40.839
<v Speaker 1>instigated by the Aaron Delian people, and like couldn't she

0:54:41.040 --> 0:54:43.759
<v Speaker 1>offer some perspective on it like that kind of thing?

0:54:43.800 --> 0:54:45.840
<v Speaker 1>But um, yeah, we don't see anything. Yeah, I was

0:54:45.880 --> 0:54:48.400
<v Speaker 1>hoping that. I mean again, it just seems like a

0:54:48.480 --> 0:54:53.000
<v Speaker 1>missed opportunity where having those characters there is so much

0:54:53.000 --> 0:54:55.000
<v Speaker 1>more than your average dizzy movie is going to do.

0:54:55.080 --> 0:54:59.719
<v Speaker 1>It's a valuable opportunity to give them the opportunity to

0:54:59.760 --> 0:55:03.120
<v Speaker 1>prove by their own perspectives in text. But most of

0:55:03.160 --> 0:55:07.480
<v Speaker 1>what we learned has to like appears in like snow flashback.

0:55:07.880 --> 0:55:10.000
<v Speaker 1>And I feel like in a movie where there's a

0:55:10.040 --> 0:55:15.040
<v Speaker 1>lot of snow flashbacks, why not just let them share

0:55:15.120 --> 0:55:18.520
<v Speaker 1>their own history? Like why could Helena not be more

0:55:18.640 --> 0:55:23.800
<v Speaker 1>meaningfully involved in in I guess educate, like giving Elsa

0:55:23.960 --> 0:55:27.239
<v Speaker 1>this education that she so you know, it is so

0:55:27.320 --> 0:55:31.759
<v Speaker 1>desperately wanting, like kind of touched on that like a

0:55:31.920 --> 0:55:36.600
<v Speaker 1>little bit. And I do appreciate that when Elsa does

0:55:36.719 --> 0:55:40.640
<v Speaker 1>bond with the Northalogia people, it is specifically with the women,

0:55:41.280 --> 0:55:43.839
<v Speaker 1>you know, like at the end she's holding Honey Marin's hand,

0:55:43.840 --> 0:55:47.759
<v Speaker 1>but she's holding Helena's hand, And you know, I think

0:55:47.800 --> 0:55:50.919
<v Speaker 1>they kind of like gave that impression, but I wish

0:55:50.960 --> 0:55:54.160
<v Speaker 1>they would have given us more. Yeah. Yeah, it made

0:55:54.160 --> 0:55:57.719
<v Speaker 1>it more juicy. I just but yeah, because it's it's

0:55:57.800 --> 0:56:01.440
<v Speaker 1>I don't think that then, nor the Aldrin characters fall

0:56:01.680 --> 0:56:06.000
<v Speaker 1>into the Disney tropes that we are I mean honestly

0:56:06.080 --> 0:56:09.359
<v Speaker 1>kind of expecting them to fall into. But there's still

0:56:09.400 --> 0:56:11.560
<v Speaker 1>I just wish that yet they had like a fully

0:56:11.719 --> 0:56:15.439
<v Speaker 1>realized character. And I mean, like none of the none

0:56:15.520 --> 0:56:18.279
<v Speaker 1>of those three characters really have an arc. They don't.

0:56:18.320 --> 0:56:23.280
<v Speaker 1>I mean that we are able to track at least. Yeah.

0:56:23.440 --> 0:56:25.719
<v Speaker 1>I also wanted to say really quickly because I was

0:56:25.800 --> 0:56:31.360
<v Speaker 1>looking into the updated queer readings of Elsa and Jennifer

0:56:31.440 --> 0:56:34.400
<v Speaker 1>Lee in fact addressed this because there was I think

0:56:34.440 --> 0:56:36.600
<v Speaker 1>we talked about this on our first Frozen episode. There

0:56:36.640 --> 0:56:39.839
<v Speaker 1>was a huge fan movement and like a million petitions

0:56:40.200 --> 0:56:44.080
<v Speaker 1>to explicitly acknowledge Elsa as a queer character. It was

0:56:44.160 --> 0:56:47.520
<v Speaker 1>a gigantic millions of people were involved saying I think

0:56:47.560 --> 0:56:51.400
<v Speaker 1>I think I signed the petition. I don't remember, uh,

0:56:51.400 --> 0:56:54.720
<v Speaker 1>But in any case, it was such a large response

0:56:54.800 --> 0:56:58.920
<v Speaker 1>that Jennifer Lee, they who wrote and co directed this movie,

0:56:59.760 --> 0:57:02.719
<v Speaker 1>had to acknowledge it, and so she told a New

0:57:02.760 --> 0:57:08.120
<v Speaker 1>York Times writer that the reason she doesn't explicitly say

0:57:08.160 --> 0:57:10.520
<v Speaker 1>that Elsa is a queer character in this movie, and

0:57:10.560 --> 0:57:14.240
<v Speaker 1>this is wild. She says that she has put every

0:57:14.320 --> 0:57:19.000
<v Speaker 1>Frozen character through the Myers Briggs test, and quote it

0:57:19.120 --> 0:57:21.760
<v Speaker 1>really came out that Elsa is not ready for a

0:57:21.800 --> 0:57:29.439
<v Speaker 1>relationship unquote. So she, like yalaxy brained, avoiding the fact

0:57:29.440 --> 0:57:34.040
<v Speaker 1>that Disney just doesn't like is deeply unable to acknowledge

0:57:34.080 --> 0:57:39.280
<v Speaker 1>any non heterosexuality. But the I was like the Myers

0:57:39.320 --> 0:57:46.120
<v Speaker 1>Briggs test, I just was like, my god, Jennifer Lee stretch. Further,

0:57:46.720 --> 0:57:51.480
<v Speaker 1>I wonder if people ship Honeymaron and Elsa because they

0:57:51.480 --> 0:57:54.000
<v Speaker 1>have a little scene together. You ship them? Yes, yes,

0:57:54.800 --> 0:57:59.080
<v Speaker 1>I do because they have that like tender scene together

0:57:59.280 --> 0:58:02.240
<v Speaker 1>where they like the sting the lullaby and it was

0:58:02.280 --> 0:58:06.920
<v Speaker 1>really beautiful. Frozen three, Let's learn more about Honeymaron and

0:58:07.120 --> 0:58:11.520
<v Speaker 1>Rider and Yelena specific I mean everyone, but I'm like Honey,

0:58:11.520 --> 0:58:13.960
<v Speaker 1>Marion and Elena. I want to know more about them.

0:58:14.000 --> 0:58:17.000
<v Speaker 1>I agree, well, it would it would seem as though

0:58:17.680 --> 0:58:23.200
<v Speaker 1>the reason that, unlike other Disney properties, and unlike other

0:58:23.640 --> 0:58:27.880
<v Speaker 1>Hollywood films in general, the treatment of Indigenous people is

0:58:28.200 --> 0:58:31.440
<v Speaker 1>again normally abhorrent, it would seem as though in this

0:58:31.520 --> 0:58:36.640
<v Speaker 1>movie it is handled more responsibly and respectfully, because even

0:58:36.760 --> 0:58:41.840
<v Speaker 1>unlike the first Frozen movie, the filmmakers of Frozen two

0:58:42.120 --> 0:58:46.440
<v Speaker 1>hired a few Sami people as consultants on the film.

0:58:46.760 --> 0:58:51.920
<v Speaker 1>We've already heard one of their perspectives, which is wonderful. Yes, Um,

0:58:52.000 --> 0:58:56.640
<v Speaker 1>it seems by all the accounts that I found, the

0:58:56.680 --> 0:59:00.400
<v Speaker 1>Sami people found that it was a positive collaborate ration.

0:59:00.960 --> 0:59:05.120
<v Speaker 1>They were happy with how the movie turned out. There

0:59:05.360 --> 0:59:11.440
<v Speaker 1>was some level of dissatisfaction was how Indigenous culture was

0:59:11.480 --> 0:59:14.800
<v Speaker 1>represented in the first Frozen movie. And um that the

0:59:14.800 --> 0:59:19.520
<v Speaker 1>Sami people felt that there was course correction there. And

0:59:19.560 --> 0:59:23.800
<v Speaker 1>this is relatively new, I mean, very new for a

0:59:23.800 --> 0:59:29.080
<v Speaker 1>Disney to actually do their homework on portraying cultures that

0:59:29.120 --> 0:59:34.160
<v Speaker 1>are not straight up dominant white American Disney culture that

0:59:34.280 --> 0:59:37.200
<v Speaker 1>I think I remember hearing about it. Most recently in

0:59:37.240 --> 0:59:40.840
<v Speaker 1>regards to Mowanna as well, there there was an entire

0:59:40.840 --> 0:59:43.960
<v Speaker 1>advisory council formed to make that movie. It seemed like

0:59:44.000 --> 0:59:47.680
<v Speaker 1>with generally positive result. I know that people have notes,

0:59:47.720 --> 0:59:51.560
<v Speaker 1>but like generally positive for for a Disney movie, and

0:59:51.600 --> 0:59:56.880
<v Speaker 1>it's so I mean, it is still frustrating to see

0:59:56.960 --> 1:00:02.760
<v Speaker 1>that It's it's mostly you know, like executives that are

1:00:02.880 --> 1:00:06.480
<v Speaker 1>on the other side of these advisory boards and the

1:00:06.520 --> 1:00:10.160
<v Speaker 1>fact that there is still such little progress on um,

1:00:10.200 --> 1:00:13.160
<v Speaker 1>you know, making even even though it's a very positive

1:00:13.200 --> 1:00:16.080
<v Speaker 1>thing that you know, FROs and two is you know,

1:00:16.120 --> 1:00:19.800
<v Speaker 1>portraying indigenous culture and like really making strides and attempts

1:00:19.880 --> 1:00:22.720
<v Speaker 1>to course correct on mistakes they've made. It's still, you know,

1:00:22.840 --> 1:00:27.960
<v Speaker 1>a overwhelmingly white crew on this movie, is certainly an

1:00:27.960 --> 1:00:32.280
<v Speaker 1>overwhelmingly white cast on this movie, and it's i mean,

1:00:33.120 --> 1:00:36.120
<v Speaker 1>still work to be done for sure. I actually have

1:00:36.200 --> 1:00:40.120
<v Speaker 1>a quote to so um so slate dot com writer

1:00:40.520 --> 1:00:43.320
<v Speaker 1>I think his name is I'm going to destroy your name, sir,

1:00:43.400 --> 1:00:48.520
<v Speaker 1>I'm sorry, it's InKo King. I think Ko King. He

1:00:48.640 --> 1:00:54.520
<v Speaker 1>compliments and criticizes the film's depiction of reparations. Specifically, he said,

1:00:54.560 --> 1:00:58.400
<v Speaker 1>we have so few fictional portrayals of what post colonial

1:00:58.520 --> 1:01:02.200
<v Speaker 1>restitution looks like that we should be careful of how

1:01:02.240 --> 1:01:05.480
<v Speaker 1>we depict it. But he also said that it's admirable

1:01:05.680 --> 1:01:09.320
<v Speaker 1>that fucking Lee even attempted a story like this, and

1:01:09.360 --> 1:01:11.920
<v Speaker 1>even though it could have used a little more thinking

1:01:12.000 --> 1:01:16.680
<v Speaker 1>through introducing the concept of nationalist myth making to children,

1:01:17.120 --> 1:01:21.120
<v Speaker 1>particularly in a princess movie, that the general public has

1:01:21.160 --> 1:01:24.480
<v Speaker 1>no expectations for other than to sell even more else

1:01:24.600 --> 1:01:27.560
<v Speaker 1>and ohl Off dolls this holiday season is pretty commendable.

1:01:27.960 --> 1:01:33.400
<v Speaker 1>And yeah, I agree, it's like, you know, for sure,

1:01:33.520 --> 1:01:35.360
<v Speaker 1>you know it could have used a little bit more

1:01:35.920 --> 1:01:39.240
<v Speaker 1>I guess thinking through, like he said, But then you

1:01:39.320 --> 1:01:41.880
<v Speaker 1>have to wonder how many people, Probably the higher ups

1:01:41.920 --> 1:01:44.400
<v Speaker 1>are like, no, you don't get to say that. Oh,

1:01:44.640 --> 1:01:47.800
<v Speaker 1>that's way too much. You know, we don't want to

1:01:47.880 --> 1:01:51.320
<v Speaker 1>change anybody's minds, so we just want to that's too

1:01:51.320 --> 1:01:56.160
<v Speaker 1>far sell product. Um, let's take another quick break and

1:01:56.200 --> 1:02:05.040
<v Speaker 1>then we'll come right back and we're back. I'm I'm

1:02:05.040 --> 1:02:09.840
<v Speaker 1>curious Ali on your take on this, which is that

1:02:10.640 --> 1:02:16.680
<v Speaker 1>so the North Aldra people they are designed to I mean,

1:02:16.760 --> 1:02:20.320
<v Speaker 1>I think they are distinctly not white in their design.

1:02:21.080 --> 1:02:24.640
<v Speaker 1>Now we find out that Anna and Elsa are half

1:02:24.800 --> 1:02:33.280
<v Speaker 1>North Aldra, they look quite very, very very white. And

1:02:33.600 --> 1:02:36.880
<v Speaker 1>while it is I think positive that in the Cannon

1:02:36.960 --> 1:02:41.000
<v Speaker 1>now they are half North Aldra. Um children watching this

1:02:41.040 --> 1:02:44.040
<v Speaker 1>movie know that these characters who they know and love,

1:02:44.760 --> 1:02:48.520
<v Speaker 1>uh now have the knowledge that they are indigenous. Um.

1:02:49.800 --> 1:02:54.120
<v Speaker 1>I think though, it's so helpful to see visibility on screen,

1:02:54.800 --> 1:02:57.480
<v Speaker 1>especially of main characters, the characters who you have, the

1:02:57.520 --> 1:03:00.440
<v Speaker 1>dolls of the characters who you have, the sisters of

1:03:00.440 --> 1:03:04.600
<v Speaker 1>all that, all that for them to you know, Like,

1:03:04.640 --> 1:03:08.600
<v Speaker 1>the characters are so designed to look such like Western

1:03:08.720 --> 1:03:14.320
<v Speaker 1>beauty standard blonde, blue eyed, very fair skin in their esthetic,

1:03:14.760 --> 1:03:18.760
<v Speaker 1>and I guess it just would be nice to see

1:03:19.200 --> 1:03:22.280
<v Speaker 1>more visibility and representation on screen of characters who don't

1:03:22.280 --> 1:03:25.120
<v Speaker 1>look like that. It's very clear that this was and

1:03:25.160 --> 1:03:28.200
<v Speaker 1>I think some of the criticism around this that I

1:03:28.240 --> 1:03:32.480
<v Speaker 1>think it's pretty well placed, is that like the decision

1:03:32.880 --> 1:03:37.280
<v Speaker 1>for Elsa and Anna to have indigenous roots was made

1:03:37.320 --> 1:03:39.880
<v Speaker 1>between the first and second movies. This is not in

1:03:39.920 --> 1:03:44.520
<v Speaker 1>the foundation of this story. It's almost like a redicon

1:03:44.600 --> 1:03:48.720
<v Speaker 1>in a where Yeah, yeah, because I think I remember.

1:03:48.800 --> 1:03:51.560
<v Speaker 1>I don't know if this is like unfounded or not,

1:03:51.800 --> 1:03:56.120
<v Speaker 1>but I remember there were rumors circulating that originally Frozen

1:03:56.160 --> 1:04:00.800
<v Speaker 1>two was supposed to be uh Sammy Center. I guess,

1:04:00.800 --> 1:04:03.400
<v Speaker 1>like the characters were supposed to be Sammy, and then

1:04:03.440 --> 1:04:07.120
<v Speaker 1>they changed it because I don't know if it's tumbler,

1:04:07.200 --> 1:04:10.600
<v Speaker 1>so who knows how true it is. But but I

1:04:10.920 --> 1:04:14.320
<v Speaker 1>do remember some discourse surrounding that, so I think this

1:04:14.400 --> 1:04:19.600
<v Speaker 1>was almost like, oh, well, let's try to do that

1:04:19.640 --> 1:04:22.400
<v Speaker 1>again this time, but you know, how do we do that?

1:04:22.960 --> 1:04:26.280
<v Speaker 1>And uh. But at the same time, you know, while

1:04:26.320 --> 1:04:29.560
<v Speaker 1>I agree, I'm like, you know, we have a billion

1:04:29.760 --> 1:04:33.680
<v Speaker 1>white princesses, not just in Disney but in like all

1:04:33.760 --> 1:04:37.160
<v Speaker 1>kinds of media. It would be nice to see, you know,

1:04:37.240 --> 1:04:43.280
<v Speaker 1>someone who wasn't blonde haired, blue eyed, pale skin But um,

1:04:43.400 --> 1:04:46.760
<v Speaker 1>I don't think I've seen too many stories where the

1:04:47.080 --> 1:04:52.560
<v Speaker 1>white passing indigenous person, you know, is actually given a

1:04:52.600 --> 1:04:58.400
<v Speaker 1>story about reconnection and you know, finding that culture and

1:04:58.440 --> 1:05:03.200
<v Speaker 1>that identity again, So I do appreciate that, and you know,

1:05:03.280 --> 1:05:06.440
<v Speaker 1>there was obviously thought put into it. It wasn't like, oh,

1:05:06.760 --> 1:05:10.520
<v Speaker 1>a long time ago, this relative that I don't know

1:05:11.400 --> 1:05:19.440
<v Speaker 1>was not so she's one sixteen, all right, So I

1:05:19.480 --> 1:05:22.720
<v Speaker 1>do um. And I think it's also you know, like

1:05:22.760 --> 1:05:26.520
<v Speaker 1>with Sami people, and really you know, the Arctic region

1:05:26.760 --> 1:05:30.800
<v Speaker 1>of indigenous people's there are many different skin tones, so

1:05:30.880 --> 1:05:34.560
<v Speaker 1>there are lots of very fair complexed Sami people like

1:05:34.720 --> 1:05:38.160
<v Speaker 1>Asla Holmberg. You know, unless you knew him personally or

1:05:38.240 --> 1:05:40.640
<v Speaker 1>knew of him, you probably just would have assumed he

1:05:40.680 --> 1:05:43.880
<v Speaker 1>was finished just from his complexion and his hair color

1:05:44.520 --> 1:05:50.280
<v Speaker 1>and whatnot, as opposed to Inupiat or Inuit people you know,

1:05:50.600 --> 1:05:53.480
<v Speaker 1>who are very clearly, you know, a little bit darker

1:05:53.520 --> 1:05:57.720
<v Speaker 1>but still lighter skin because of the region. So I

1:05:57.800 --> 1:06:02.600
<v Speaker 1>definitely to an extent by that. The mom I think

1:06:02.640 --> 1:06:05.960
<v Speaker 1>her name is, I'm gonna pronounce her name along. I

1:06:06.000 --> 1:06:08.840
<v Speaker 1>think it's a Dona. But the mother, you know, being

1:06:09.560 --> 1:06:13.240
<v Speaker 1>lighter complexed but still being Nothaldra but looking a little

1:06:13.280 --> 1:06:15.959
<v Speaker 1>bit different from the other ones, you know, and then

1:06:16.360 --> 1:06:21.160
<v Speaker 1>marrying a white man and having biracial children. You know,

1:06:21.320 --> 1:06:25.920
<v Speaker 1>I can understand why Anna and also wouldn't look as ethnic. Also,

1:06:26.360 --> 1:06:29.080
<v Speaker 1>you know, not to get too deep because it is Disney,

1:06:29.240 --> 1:06:35.600
<v Speaker 1>but genetics sometimes skip Like well, I mean, my dad

1:06:35.680 --> 1:06:38.240
<v Speaker 1>is very dark and me and my sisters are not.

1:06:38.480 --> 1:06:42.520
<v Speaker 1>And then my sister had her daughter who is darker

1:06:42.520 --> 1:06:46.560
<v Speaker 1>than us and is very clearly Indian, and so like,

1:06:46.600 --> 1:06:51.000
<v Speaker 1>how did that happen? She's like one eighth It looks

1:06:51.160 --> 1:06:54.960
<v Speaker 1>more like dad's daughter than we do. Interesting, how did

1:06:55.000 --> 1:06:59.200
<v Speaker 1>that hippen, so, but I think I'd have to watch

1:06:59.240 --> 1:07:01.440
<v Speaker 1>the movie again to see if there are other nothalogical

1:07:01.520 --> 1:07:05.480
<v Speaker 1>people of various shades, I guess in various skin tones,

1:07:05.960 --> 1:07:09.800
<v Speaker 1>because that also happens to, you know, within the community.

1:07:10.440 --> 1:07:13.680
<v Speaker 1>I was very I mean in in researching this. I mean,

1:07:13.760 --> 1:07:17.360
<v Speaker 1>I have learned a lot in the past couple of days.

1:07:17.400 --> 1:07:22.240
<v Speaker 1>I honestly was, um not aware of any history of

1:07:22.280 --> 1:07:25.720
<v Speaker 1>the Sami people before I started doing the research for

1:07:26.200 --> 1:07:29.800
<v Speaker 1>this episode, and the more I learned, the more impressed

1:07:29.840 --> 1:07:32.480
<v Speaker 1>with the movie I became. Because I think I was

1:07:32.520 --> 1:07:35.880
<v Speaker 1>also sort of like, are they completely fucking this up?

1:07:36.160 --> 1:07:39.640
<v Speaker 1>Or do I just not know enough about the cultures

1:07:39.640 --> 1:07:43.880
<v Speaker 1>that they're referencing, but but learning about, um, the elements

1:07:44.120 --> 1:07:47.360
<v Speaker 1>of Sami culture that they're referencing down to and we

1:07:47.400 --> 1:07:50.160
<v Speaker 1>reference this a little bit earlier. But even the presence

1:07:50.360 --> 1:07:54.480
<v Speaker 1>of a damn a colonial damn is I mean, I

1:07:54.480 --> 1:07:58.080
<v Speaker 1>couldn't find an explicit, like, you know, someone from the

1:07:58.080 --> 1:08:02.840
<v Speaker 1>production confirming this, but I guessing that it is referencing

1:08:03.080 --> 1:08:06.640
<v Speaker 1>a controversy that took place between the Sami people in

1:08:06.680 --> 1:08:10.800
<v Speaker 1>the Norwegian government in the late seventies early eighties. It's

1:08:10.840 --> 1:08:15.680
<v Speaker 1>called the alta controversy where basically the Norwegian government said

1:08:15.840 --> 1:08:19.439
<v Speaker 1>we're going to build a hydroelectric power damn, like a

1:08:19.479 --> 1:08:23.400
<v Speaker 1>power plant, UM that was going to affect um indigenous

1:08:23.439 --> 1:08:27.400
<v Speaker 1>Sami land. There was a huge conflict UM. There was

1:08:27.479 --> 1:08:31.160
<v Speaker 1>like sustained protests, there was violence, and the Sami people

1:08:31.240 --> 1:08:35.360
<v Speaker 1>ended up losing that battle. That hydro electric damn exists,

1:08:36.200 --> 1:08:40.879
<v Speaker 1>and I thought it was really like I learned something

1:08:40.960 --> 1:08:44.559
<v Speaker 1>which is great and also just um, that was more. Again,

1:08:44.560 --> 1:08:46.519
<v Speaker 1>it's just more than I would ever expect from a

1:08:46.600 --> 1:08:51.679
<v Speaker 1>Disney movie to make such a clear recent historical reference

1:08:52.040 --> 1:08:55.559
<v Speaker 1>about um. You know. So it isn't like, oh, this

1:08:55.640 --> 1:08:57.519
<v Speaker 1>is something that happened a long time ago, but it

1:08:57.520 --> 1:08:59.880
<v Speaker 1>doesn't happen now. They're referencing something that has happened in

1:09:00.320 --> 1:09:02.679
<v Speaker 1>you know, the lifespans of most parents who are seeing

1:09:02.680 --> 1:09:06.040
<v Speaker 1>this movie and seeing that I mean, and learning that

1:09:06.120 --> 1:09:08.960
<v Speaker 1>I thought was I was very impressed. I thought it

1:09:09.000 --> 1:09:13.479
<v Speaker 1>was really interesting. And then the clear I didn't know

1:09:13.600 --> 1:09:16.439
<v Speaker 1>that they were clear, but it is clear references to

1:09:16.800 --> 1:09:20.880
<v Speaker 1>the mythology connected to these cultures, that there is a

1:09:20.920 --> 1:09:25.320
<v Speaker 1>clear precedent for the horse character like that is rooted

1:09:25.760 --> 1:09:29.160
<v Speaker 1>in Norse mythology, and that's you know, and and Ali,

1:09:29.200 --> 1:09:31.320
<v Speaker 1>you probably know more than me because you've spent time

1:09:31.360 --> 1:09:34.719
<v Speaker 1>in this region. Uh, but like there was a precedent

1:09:34.800 --> 1:09:39.160
<v Speaker 1>for that. The name Iduna is like a Norse mythological

1:09:39.280 --> 1:09:43.400
<v Speaker 1>name for the goddess of health. And just there were

1:09:43.560 --> 1:09:46.840
<v Speaker 1>like details that I, you know, never would have known,

1:09:46.920 --> 1:09:51.400
<v Speaker 1>but upon investigation that there there's also like a mythological

1:09:51.400 --> 1:09:57.519
<v Speaker 1>president president. Oh my god, word precedent for for the

1:09:57.560 --> 1:10:00.960
<v Speaker 1>stone giants. That is something that's also president in mythology.

1:10:01.000 --> 1:10:05.320
<v Speaker 1>And yeah, especially comparing it to this is like I

1:10:05.360 --> 1:10:07.760
<v Speaker 1>don't know why I felt the need to go down

1:10:07.760 --> 1:10:11.760
<v Speaker 1>the rabbit hole of what a shitty dumb movie Avatar is,

1:10:12.160 --> 1:10:19.760
<v Speaker 1>the James Cameron one, but especially I liked it. I'll

1:10:19.760 --> 1:10:24.000
<v Speaker 1>talk about that another time, but there I will promise.

1:10:24.360 --> 1:10:27.000
<v Speaker 1>I was just like researching. I don't, I don't. I

1:10:27.040 --> 1:10:30.160
<v Speaker 1>couldn't tell you why, but I was researching how much

1:10:30.400 --> 1:10:35.800
<v Speaker 1>money that production put into really creating deep lore and

1:10:36.240 --> 1:10:40.000
<v Speaker 1>really doing its homework in pre production, but in the

1:10:40.040 --> 1:10:43.760
<v Speaker 1>finished product most of it is not there in any way,

1:10:43.840 --> 1:10:47.839
<v Speaker 1>like he should have written books. He should have called

1:10:47.840 --> 1:10:51.280
<v Speaker 1>a Game of Thrones and written science fiction books and

1:10:51.320 --> 1:10:54.600
<v Speaker 1>then waited until the technology was there, and then he

1:10:54.640 --> 1:10:58.400
<v Speaker 1>could have made like an HBO c g I anthology

1:10:58.600 --> 1:11:02.599
<v Speaker 1>series or something. There is like a star Trek amount

1:11:02.600 --> 1:11:04.840
<v Speaker 1>of lore connected to that movie, but they don't use

1:11:04.880 --> 1:11:07.280
<v Speaker 1>any of it in the movie. It's so frustrated. But

1:11:07.439 --> 1:11:10.400
<v Speaker 1>that's so much is lost. Yeah, yeah, I mean, I

1:11:10.439 --> 1:11:15.000
<v Speaker 1>guess they have five hundred movies left to rectify that situation.

1:11:15.160 --> 1:11:20.120
<v Speaker 1>But if we But I was impressed that Frozen two,

1:11:20.479 --> 1:11:23.880
<v Speaker 1>um kind of you know, in opposition to that does

1:11:23.960 --> 1:11:26.600
<v Speaker 1>its homework and you and it is very present and

1:11:26.680 --> 1:11:30.600
<v Speaker 1>it's plot relevant and it's all I just I don't know,

1:11:30.680 --> 1:11:33.559
<v Speaker 1>I learned a lot. And um. Also in the music

1:11:34.040 --> 1:11:39.800
<v Speaker 1>which uh, there's a really good YouTube channel called Sideways

1:11:40.120 --> 1:11:45.280
<v Speaker 1>and yeah, their work is so good. They they do

1:11:45.680 --> 1:11:50.599
<v Speaker 1>videos on usually about score music and film um, and

1:11:50.640 --> 1:11:53.760
<v Speaker 1>they talk a lot about ethno musicology and like if

1:11:53.880 --> 1:11:56.160
<v Speaker 1>a different culture is being represented in a movie, is

1:11:56.160 --> 1:11:59.120
<v Speaker 1>it present in the movie. They do a great video

1:11:59.160 --> 1:12:02.080
<v Speaker 1>on how Avatar kind of does not succeed in that

1:12:02.160 --> 1:12:04.240
<v Speaker 1>even though they did so much work and then they

1:12:04.240 --> 1:12:06.920
<v Speaker 1>didn't use it all the work they did great video.

1:12:07.120 --> 1:12:10.120
<v Speaker 1>It was Yeah, And which is another thing that it

1:12:10.680 --> 1:12:15.040
<v Speaker 1>seems that Frozen two was successful at his um researching

1:12:15.479 --> 1:12:21.200
<v Speaker 1>um Sami music and having it present, if not completely dominant,

1:12:21.280 --> 1:12:24.599
<v Speaker 1>but very present in the score, which is great because

1:12:24.600 --> 1:12:27.920
<v Speaker 1>I love the composers of of Frozen. They've got it.

1:12:27.960 --> 1:12:32.800
<v Speaker 1>They're very impressive, They're cool. Congratulations to them for I've

1:12:32.840 --> 1:12:36.439
<v Speaker 1>got two points to make based on what you just said.

1:12:36.479 --> 1:12:39.479
<v Speaker 1>So the first one in the Sami music. Uh, I

1:12:39.520 --> 1:12:43.599
<v Speaker 1>always found that kind of strange. Um just that well, Okay,

1:12:43.600 --> 1:12:46.880
<v Speaker 1>when I first saw the first Frozen, I think it's

1:12:46.880 --> 1:12:51.040
<v Speaker 1>called vuali that opens up, you know that Nan nana

1:12:51.320 --> 1:12:56.719
<v Speaker 1>hey n na na. So that was like my favorite

1:12:56.720 --> 1:12:59.760
<v Speaker 1>song and the first Frozen movie. And it's a some

1:13:00.040 --> 1:13:04.160
<v Speaker 1>a yoick um. So it's an actual traditional method of singing.

1:13:04.640 --> 1:13:09.160
<v Speaker 1>And sometimes to my understanding, this is based off of

1:13:10.000 --> 1:13:14.200
<v Speaker 1>video that Sophia Yanna did when she U came to

1:13:14.360 --> 1:13:18.760
<v Speaker 1>Standing Rock in Solidarity. Uh, She's sang a yoick and

1:13:18.840 --> 1:13:24.240
<v Speaker 1>she said that it's vocables, so you don't you aren't

1:13:24.240 --> 1:13:28.439
<v Speaker 1>actually singing words, you're singing sounds, and it's about the

1:13:28.520 --> 1:13:32.120
<v Speaker 1>feelings that you have when you sing. So that way

1:13:32.160 --> 1:13:35.479
<v Speaker 1>other people can join in and they're not really saying words,

1:13:35.560 --> 1:13:38.839
<v Speaker 1>they're just joining in with the sound and the music

1:13:39.439 --> 1:13:43.400
<v Speaker 1>for healing or for you know, And it was just

1:13:43.479 --> 1:13:46.880
<v Speaker 1>strange to me that that is a Sami method of singing.

1:13:47.560 --> 1:13:52.360
<v Speaker 1>They have a Sami character in the movie, but the

1:13:52.439 --> 1:13:55.679
<v Speaker 1>nostalgia people are the ones singing the yoik and they're

1:13:55.720 --> 1:13:59.920
<v Speaker 1>not technically Sammy, even though they're based off of the Sami.

1:14:00.080 --> 1:14:02.519
<v Speaker 1>So it's like, I'm glad they tied it in at

1:14:02.600 --> 1:14:08.080
<v Speaker 1>least because they do sing it. But I'm like, um, okay,

1:14:08.200 --> 1:14:10.120
<v Speaker 1>I didn't even make that connected. Yeah, that would make

1:14:10.160 --> 1:14:14.240
<v Speaker 1>it far more offense. But since you brought an avatar,

1:14:15.560 --> 1:14:17.719
<v Speaker 1>I'm just gonna touch on it for a second because

1:14:17.720 --> 1:14:22.519
<v Speaker 1>it does lead to another point in Frozen two. So

1:14:22.560 --> 1:14:26.400
<v Speaker 1>when I saw Avatar, I loved it. But there was

1:14:26.439 --> 1:14:29.080
<v Speaker 1>one scene in the movie where I was like, okay, uh,

1:14:29.080 --> 1:14:31.400
<v Speaker 1>this scene can go one of two ways, and if

1:14:31.439 --> 1:14:35.479
<v Speaker 1>it goes one way, i hate this movie from this

1:14:35.520 --> 1:14:38.360
<v Speaker 1>point on. And I've been enjoying myself for like two hours,

1:14:38.400 --> 1:14:41.799
<v Speaker 1>and then this happens, I'm gonna be angry. And it didn't.

1:14:41.960 --> 1:14:45.920
<v Speaker 1>It went that way, and I kept loving it. It

1:14:46.040 --> 1:14:52.200
<v Speaker 1>was when the white guy tells Zoe's Aldanna that you know,

1:14:52.280 --> 1:14:54.639
<v Speaker 1>they sent me a spy on you guys and screw

1:14:54.640 --> 1:14:57.320
<v Speaker 1>you over and she's like, you knew this was gonna happen,

1:14:57.920 --> 1:15:01.280
<v Speaker 1>and then goes to fucking x acute him and like

1:15:01.400 --> 1:15:04.040
<v Speaker 1>freaks out because in any other movie it would have

1:15:04.080 --> 1:15:07.679
<v Speaker 1>been like, no, I love him, you guys, please listen

1:15:07.680 --> 1:15:11.519
<v Speaker 1>to him this and she's like, no, you're dying now,

1:15:12.160 --> 1:15:15.439
<v Speaker 1>you know what I mean. Add Dale's x mockinma. He

1:15:15.600 --> 1:15:18.800
<v Speaker 1>you know, survives because he's got plot armor, but he

1:15:20.280 --> 1:15:23.400
<v Speaker 1>proved himself before he can show his face again. So

1:15:23.520 --> 1:15:26.439
<v Speaker 1>at least there's that, because if it would have went

1:15:26.479 --> 1:15:28.559
<v Speaker 1>the other way, I would have been very mad because

1:15:28.600 --> 1:15:32.439
<v Speaker 1>I'm so used to that narrative of the indigenous woman

1:15:33.280 --> 1:15:36.280
<v Speaker 1>falls in love with the white guy betrays her entire nation,

1:15:36.880 --> 1:15:40.320
<v Speaker 1>and you know what I mean, it's like yeah, no

1:15:41.400 --> 1:15:46.040
<v Speaker 1>so and Frozen two, by comparison, there's a scene where

1:15:46.200 --> 1:15:50.240
<v Speaker 1>Anna and Elsa are talking and Anna said, Yelena asked,

1:15:50.320 --> 1:15:53.559
<v Speaker 1>why would the spirits reward Arundel with a magical queen?

1:15:53.920 --> 1:15:57.160
<v Speaker 1>Because our mother saved our father, she saved her enemy.

1:15:57.320 --> 1:16:00.839
<v Speaker 1>Her good deed was rewarded with you. You are a gift.

1:16:01.640 --> 1:16:06.000
<v Speaker 1>And I'm like, at first, I'm like, no, I'm not

1:16:06.120 --> 1:16:08.960
<v Speaker 1>a fan of that mindset, you know, and Indigenous women

1:16:09.000 --> 1:16:12.240
<v Speaker 1>deserve better than loving their enemy for the greater good,

1:16:12.760 --> 1:16:16.559
<v Speaker 1>because loving the enemy has not stopped the enemy from

1:16:16.640 --> 1:16:19.880
<v Speaker 1>killing us. You know, it kind of goes into that

1:16:19.920 --> 1:16:26.120
<v Speaker 1>Pocahonus romanticized territory a little bit, you know, white savior

1:16:26.280 --> 1:16:30.720
<v Speaker 1>territory too, but you know, also using her power privilege

1:16:30.800 --> 1:16:33.720
<v Speaker 1>to help her community rather than you know, make excuses

1:16:33.720 --> 1:16:37.520
<v Speaker 1>and stuff. That's a welcome change. But I will say

1:16:37.640 --> 1:16:39.680
<v Speaker 1>at the beginning of the movie, when they're playing, you know,

1:16:39.880 --> 1:16:43.639
<v Speaker 1>with the snowman and whatever, and she's like, the kissing

1:16:43.640 --> 1:16:47.800
<v Speaker 1>won't save the forest. The fairy queen saves the day. Yes,

1:16:48.040 --> 1:16:52.280
<v Speaker 1>kissing did not save the forest. Her parents loved each other,

1:16:52.439 --> 1:16:55.839
<v Speaker 1>but their love wasn't enough. You know. It's like racism

1:16:55.880 --> 1:16:59.240
<v Speaker 1>and colonialism wasn't solved just because he loved one Indigenous

1:16:59.280 --> 1:17:02.719
<v Speaker 1>woman and it stayed. You know, the forest was still

1:17:03.200 --> 1:17:07.280
<v Speaker 1>in danger, the environment was still being ruined, the land

1:17:07.400 --> 1:17:11.280
<v Speaker 1>was going into chaos. And it doesn't take just loving

1:17:11.320 --> 1:17:13.720
<v Speaker 1>your enemy to make everything better. You have to do

1:17:13.760 --> 1:17:18.599
<v Speaker 1>the work. And you know, the next generation is you know,

1:17:19.040 --> 1:17:20.720
<v Speaker 1>you may not have done it, and it might not

1:17:20.800 --> 1:17:24.880
<v Speaker 1>be your fault, but for the better of the world. Really,

1:17:25.439 --> 1:17:28.200
<v Speaker 1>you know, you have to do something about it because

1:17:28.479 --> 1:17:32.200
<v Speaker 1>sweeping it under the rugs and ignoring history makes everything worse.

1:17:32.479 --> 1:17:34.479
<v Speaker 1>There was so much that we could go into about

1:17:34.479 --> 1:17:38.200
<v Speaker 1>how Frozen two even goes into environmentalism territories as far

1:17:38.200 --> 1:17:41.960
<v Speaker 1>as it's indigenous representation. But how long have you guys

1:17:41.960 --> 1:17:46.599
<v Speaker 1>want to stay here where we we're down to hear

1:17:46.600 --> 1:17:50.240
<v Speaker 1>whatever whatever you have? Like there, I hadn't even Ben

1:17:50.360 --> 1:17:54.080
<v Speaker 1>made that connection. That is God damn Frozen to that

1:17:56.120 --> 1:18:01.280
<v Speaker 1>that it's building upon clear mistakes that Disney has been

1:18:02.120 --> 1:18:06.120
<v Speaker 1>huge in perpetuating, and then you know, at making an

1:18:06.160 --> 1:18:12.080
<v Speaker 1>attempt to course correct and do that's really impressive. In

1:18:12.120 --> 1:18:14.719
<v Speaker 1>the first lines of the movie, before Alfred, Molina says

1:18:14.720 --> 1:18:18.080
<v Speaker 1>a word kissing is not going to save the forest.

1:18:23.479 --> 1:18:26.080
<v Speaker 1>Princess weeks from the Merry Suit, she did a video

1:18:26.080 --> 1:18:29.679
<v Speaker 1>a Frozen two and she was all, like Anna said,

1:18:29.720 --> 1:18:34.799
<v Speaker 1>indigenous writes up. Damn Prince is one of her favorite people.

1:18:34.920 --> 1:18:36.960
<v Speaker 1>We just we were just recorded an episode with her

1:18:37.040 --> 1:18:40.679
<v Speaker 1>last week. She's awesome. Yeah. I've been following her since

1:18:40.760 --> 1:18:48.360
<v Speaker 1>like early YouTube days. Really, what else I guess in

1:18:48.439 --> 1:18:52.720
<v Speaker 1>regards to um in the more I guess uh like

1:18:53.000 --> 1:18:57.559
<v Speaker 1>basic Disney plot that is present in this movie. I

1:18:57.600 --> 1:19:01.760
<v Speaker 1>honestly don't love it all. There's so much like I

1:19:01.800 --> 1:19:04.760
<v Speaker 1>know that like Elsa and Anna, like they have to

1:19:04.800 --> 1:19:10.400
<v Speaker 1>be together because marketing, but every Frozen movie really is

1:19:10.439 --> 1:19:13.160
<v Speaker 1>just like Anna, get out of the way, Like this

1:19:13.200 --> 1:19:16.120
<v Speaker 1>is Elsa's because Elsa is the better character, right like

1:19:16.200 --> 1:19:20.360
<v Speaker 1>she she is always more motivated, She always has a

1:19:20.439 --> 1:19:26.040
<v Speaker 1>greater mission than on a duh. And so this this

1:19:26.080 --> 1:19:29.840
<v Speaker 1>movie doesn't again where else's like by and then just

1:19:29.880 --> 1:19:32.120
<v Speaker 1>like tosses on a down a hill and the movie

1:19:32.160 --> 1:19:36.920
<v Speaker 1>does get better after that, but you know whatever for

1:19:36.920 --> 1:19:40.559
<v Speaker 1>for for a franchise that is like Sisters, Sisters, Sisters,

1:19:41.439 --> 1:19:44.520
<v Speaker 1>They're not together for a lot of this movie and there.

1:19:44.560 --> 1:19:49.960
<v Speaker 1>But I did appreciate how their missions slowly merged, like

1:19:50.000 --> 1:19:53.080
<v Speaker 1>I thought that that was that was well done, and

1:19:53.160 --> 1:19:57.920
<v Speaker 1>that the way that they basically like receive this accurate

1:19:58.160 --> 1:20:01.960
<v Speaker 1>history is different. They they have different where it is

1:20:02.000 --> 1:20:05.000
<v Speaker 1>both like you know, they have the holy shit moment

1:20:05.040 --> 1:20:07.720
<v Speaker 1>of like this is our family's history. It is not

1:20:07.800 --> 1:20:10.880
<v Speaker 1>what we've been told. But I did appreciate that they

1:20:10.920 --> 1:20:15.600
<v Speaker 1>reacted in character, which which was cool to see. Uh.

1:20:15.720 --> 1:20:18.240
<v Speaker 1>I I honestly feel like I know that we need

1:20:18.320 --> 1:20:21.479
<v Speaker 1>Kristoph to come back because marketing, but like the whole

1:20:21.520 --> 1:20:25.800
<v Speaker 1>Christoph plotline like was, yeah, what was that for? Yeah?

1:20:25.840 --> 1:20:27.679
<v Speaker 1>I didn't even mention this in the recap, but there's

1:20:27.720 --> 1:20:30.680
<v Speaker 1>a subplot where he is working up the nerve to

1:20:30.840 --> 1:20:35.720
<v Speaker 1>ask Anna to marry him, um, which it didn't necessarily

1:20:36.680 --> 1:20:40.960
<v Speaker 1>add anything for me. I think they just they're like, well,

1:20:41.000 --> 1:20:43.640
<v Speaker 1>we need to you know, he needs a reason to

1:20:43.720 --> 1:20:47.000
<v Speaker 1>be here, so let's give him something to do. Um.

1:20:47.000 --> 1:20:49.639
<v Speaker 1>What kind of what bothered me a little bit about

1:20:49.680 --> 1:20:53.400
<v Speaker 1>this is that every time he is about to ask her,

1:20:53.880 --> 1:20:57.320
<v Speaker 1>something goes wrong. And I understand that's how storytelling works,

1:20:57.400 --> 1:21:00.560
<v Speaker 1>you need obstacles, but the thing that goes wrong is

1:21:00.600 --> 1:21:05.200
<v Speaker 1>always that Anna jumps to a weird conclusion that I

1:21:05.240 --> 1:21:09.760
<v Speaker 1>feel had like potentially kind of something gendered there where

1:21:09.760 --> 1:21:11.920
<v Speaker 1>it was almost like, well, she's a woman, so she's

1:21:11.920 --> 1:21:16.919
<v Speaker 1>gonna have a wild overreaction about something where for example,

1:21:17.040 --> 1:21:20.479
<v Speaker 1>like when they first arrived in the forest and he

1:21:20.560 --> 1:21:24.640
<v Speaker 1>says something like, oh, you know, under different circumstances, this

1:21:24.680 --> 1:21:28.760
<v Speaker 1>would actually be a really romantic place, and then she says, Uh,

1:21:28.880 --> 1:21:31.640
<v Speaker 1>different circumstances, you mean like if you were here with

1:21:31.680 --> 1:21:36.200
<v Speaker 1>someone else, like she has just like Jos where it's

1:21:36.240 --> 1:21:38.960
<v Speaker 1>like what do you where is this coming from? Anna?

1:21:39.160 --> 1:21:41.519
<v Speaker 1>Like and and this happens a few different times where

1:21:41.560 --> 1:21:44.320
<v Speaker 1>she has this really like almost and I don't this

1:21:44.360 --> 1:21:47.400
<v Speaker 1>is me maybe just like being a little cynical here,

1:21:47.439 --> 1:21:50.519
<v Speaker 1>but I couldn't help but feel that they were They're like, well,

1:21:50.560 --> 1:21:55.280
<v Speaker 1>you know, she's she's overreacting because she's a woman or something.

1:21:55.360 --> 1:21:57.000
<v Speaker 1>I don't know. And I feel like I kind of

1:21:57.040 --> 1:22:00.799
<v Speaker 1>worked a little bit better if they would have reminded

1:22:00.880 --> 1:22:03.120
<v Speaker 1>us that, you know, or if she would have said

1:22:03.200 --> 1:22:06.519
<v Speaker 1>verbally she's like, hey, I know I'm acting kind of nuts,

1:22:06.720 --> 1:22:11.439
<v Speaker 1>but my last fiance tried to kill me. I am married.

1:22:12.280 --> 1:22:17.400
<v Speaker 1>You know. It's like, so maybe I'm not myself, but

1:22:17.600 --> 1:22:21.080
<v Speaker 1>we're trying to have romantic moments and I'm like, oh god,

1:22:21.160 --> 1:22:25.640
<v Speaker 1>what are your motives? Even though so it could have

1:22:25.680 --> 1:22:29.560
<v Speaker 1>been that's kind of another like missed opportunity too of

1:22:29.760 --> 1:22:33.800
<v Speaker 1>like like Anna would have very like she it would

1:22:33.800 --> 1:22:37.919
<v Speaker 1>make sense for that character to have relationship ptsd um,

1:22:38.360 --> 1:22:41.519
<v Speaker 1>but it's kind of like now we just kind of

1:22:41.520 --> 1:22:44.160
<v Speaker 1>want Jonathan Groff to talk to the moose, which is

1:22:44.240 --> 1:22:47.559
<v Speaker 1>like I guess like it's a reindeer. It's a reindeer.

1:22:47.600 --> 1:22:50.920
<v Speaker 1>I'm sorry, I got, I kept getting. I've have spent

1:22:50.920 --> 1:22:54.599
<v Speaker 1>too much time in Maine. I wish I could take

1:22:54.640 --> 1:22:57.920
<v Speaker 1>back every second. Um, but yeah, he like you know,

1:22:57.960 --> 1:23:00.800
<v Speaker 1>it just becomes kind of this like you know, like

1:23:01.200 --> 1:23:04.240
<v Speaker 1>him and the reindeer, and and that's the plot. And

1:23:04.920 --> 1:23:09.760
<v Speaker 1>I will say, I don't mind that Anna wants a relationship,

1:23:09.920 --> 1:23:12.680
<v Speaker 1>Like it doesn't bother me that, Like, I don't think

1:23:12.720 --> 1:23:15.360
<v Speaker 1>that both of you know that every princess needs to

1:23:16.000 --> 1:23:18.599
<v Speaker 1>not be in a relationship. If that's what they want.

1:23:18.640 --> 1:23:22.880
<v Speaker 1>It's pretty like established with honest character, that relationship is

1:23:22.920 --> 1:23:26.600
<v Speaker 1>part of what her version of fulfillment is. I just

1:23:26.760 --> 1:23:29.400
<v Speaker 1>it's just the way that this plot is written that

1:23:29.439 --> 1:23:32.400
<v Speaker 1>you're just it's kind of dragging out kind of a

1:23:32.439 --> 1:23:35.559
<v Speaker 1>non conflict because there was no point in the story

1:23:35.560 --> 1:23:39.879
<v Speaker 1>where I'm like she's gonna say no, Like the stakes

1:23:39.920 --> 1:23:43.840
<v Speaker 1>are low, very low. And then also the one like

1:23:44.160 --> 1:23:49.280
<v Speaker 1>problem they kind of create for um, I keep calling

1:23:49.360 --> 1:23:52.960
<v Speaker 1>him Jonathan Groff. What's this Christoph? Uh? Is that like

1:23:53.120 --> 1:23:56.639
<v Speaker 1>he is like concerned and that he is not enough

1:23:56.880 --> 1:23:59.600
<v Speaker 1>and that like he you know, which is like a

1:23:59.720 --> 1:24:03.160
<v Speaker 1>very real thing to tap into. But even and he

1:24:03.280 --> 1:24:05.800
<v Speaker 1>references that in his song where he's like, am I

1:24:05.840 --> 1:24:08.280
<v Speaker 1>good enough for her? She's so amazing all this stuff.

1:24:08.520 --> 1:24:13.240
<v Speaker 1>But then whatever conclusion he reaches is arrived at off

1:24:13.320 --> 1:24:16.360
<v Speaker 1>screen because by because he disappears for a huge chunk

1:24:16.400 --> 1:24:18.120
<v Speaker 1>of the movie and then he shows up at the

1:24:18.200 --> 1:24:21.800
<v Speaker 1>end and he's like, I have resolved my personal demons

1:24:23.240 --> 1:24:26.760
<v Speaker 1>off screen. Uh, and I'm ready to get married, and

1:24:26.800 --> 1:24:29.200
<v Speaker 1>then everything goes fine. It also made me laugh that

1:24:29.400 --> 1:24:31.840
<v Speaker 1>at the end where either of you, I'm like, maybe

1:24:31.840 --> 1:24:35.400
<v Speaker 1>I just wasn't paying close enough attention. But she's like

1:24:35.520 --> 1:24:41.200
<v Speaker 1>at her like queen coronation ceremony, and she's like surprised

1:24:41.240 --> 1:24:44.519
<v Speaker 1>that he's there. I thought that was so weird. I

1:24:44.560 --> 1:24:49.320
<v Speaker 1>think it was that he was dressed up. Okay, yeah, yeah, right,

1:24:49.360 --> 1:24:52.719
<v Speaker 1>because like, oh you think he would like really be there,

1:24:54.800 --> 1:24:57.479
<v Speaker 1>he's all dressed up. But I also like that, you know,

1:24:57.800 --> 1:25:00.160
<v Speaker 1>you don't have to assimilate baby, I like you her

1:25:00.160 --> 1:25:06.960
<v Speaker 1>in your leathery And he's like, oh, I think, well,

1:25:07.120 --> 1:25:11.200
<v Speaker 1>when when Kristof is on screen, especially, you know, for

1:25:11.520 --> 1:25:14.599
<v Speaker 1>what Whenever he's there in like Act two and three,

1:25:15.160 --> 1:25:19.240
<v Speaker 1>he seems to mostly be um saving Anna, who needs

1:25:19.280 --> 1:25:22.840
<v Speaker 1>to be saved three different times in the movie um

1:25:22.880 --> 1:25:25.040
<v Speaker 1>And this is something we talk about all the time

1:25:25.400 --> 1:25:28.840
<v Speaker 1>in movies, where like women will be damseled and they

1:25:28.880 --> 1:25:31.519
<v Speaker 1>have to be saved by their you know, a man

1:25:31.760 --> 1:25:34.040
<v Speaker 1>or their love interests or something. And I thought we

1:25:34.080 --> 1:25:38.640
<v Speaker 1>were past all this with fro the Frozen franchise, but Alas,

1:25:38.680 --> 1:25:41.519
<v Speaker 1>she has to be saved the first time when the

1:25:41.720 --> 1:25:45.120
<v Speaker 1>like the fire Spirit is kind of wreaking havoc and

1:25:45.240 --> 1:25:48.120
<v Speaker 1>spreading fire around, Kristof has to grab her and save her.

1:25:48.560 --> 1:25:52.280
<v Speaker 1>She's saved a second time when she's luring the earth

1:25:52.360 --> 1:25:55.640
<v Speaker 1>giants towards the damn and they're throwing their giant boulders

1:25:55.680 --> 1:25:58.960
<v Speaker 1>and Kristof comes riding up on Spen and grabs her

1:25:58.960 --> 1:26:01.720
<v Speaker 1>and saves her. And then moments later she saved a

1:26:01.760 --> 1:26:05.280
<v Speaker 1>third time when she's escaping and almost falls off the

1:26:05.360 --> 1:26:09.160
<v Speaker 1>dam and Kristof and Um Matteias has to they both

1:26:09.200 --> 1:26:12.280
<v Speaker 1>they both grab Rhige. I found kind of frustrating because

1:26:12.360 --> 1:26:15.559
<v Speaker 1>it was like that that moment where she's rescued comes

1:26:15.720 --> 1:26:18.840
<v Speaker 1>right after I thought like the most effective moment for

1:26:18.880 --> 1:26:21.599
<v Speaker 1>her in the entire movie, which is her singing this

1:26:21.760 --> 1:26:24.960
<v Speaker 1>song like the about you know, wanting to do the

1:26:25.000 --> 1:26:29.160
<v Speaker 1>next right thing, and then it's a very kind of

1:26:29.280 --> 1:26:31.960
<v Speaker 1>lazy choice that is constantly made in Disney movies is

1:26:31.960 --> 1:26:35.679
<v Speaker 1>made right after this kind of felt like a breakthrough moment.

1:26:35.920 --> 1:26:38.479
<v Speaker 1>So that was I was kind of bummed about that. Yeah,

1:26:38.520 --> 1:26:40.720
<v Speaker 1>I mean, I guess there's a little bit of a

1:26:40.760 --> 1:26:44.680
<v Speaker 1>deviation from what we normally see in that she is

1:26:44.720 --> 1:26:47.280
<v Speaker 1>the one pushing the story forward and she is the

1:26:47.320 --> 1:26:51.080
<v Speaker 1>one making the active choices to like destroy the damn

1:26:51.560 --> 1:26:56.880
<v Speaker 1>and like she's the one who's initiating that action. Uh,

1:26:56.960 --> 1:26:59.360
<v Speaker 1>and then you know there's destruction as a result, which

1:26:59.360 --> 1:27:01.000
<v Speaker 1>she needs to be saved from. But it's like, well,

1:27:01.040 --> 1:27:03.080
<v Speaker 1>if she can do the thing, can't she also then

1:27:03.160 --> 1:27:06.000
<v Speaker 1>like say herself or why why was it written so

1:27:06.040 --> 1:27:10.360
<v Speaker 1>that she has to be rescued several different times? And

1:27:10.439 --> 1:27:14.320
<v Speaker 1>just the idea that like having a relationship is directly

1:27:14.960 --> 1:27:18.000
<v Speaker 1>tied to a need to be rescued and that which

1:27:18.040 --> 1:27:21.120
<v Speaker 1>is inherent to every Disney relationship of like she can't

1:27:21.160 --> 1:27:26.360
<v Speaker 1>be a fully like autonomous, capable person and just like

1:27:26.880 --> 1:27:31.680
<v Speaker 1>happen to want a relationship. I don't know, truly, did

1:27:31.720 --> 1:27:34.360
<v Speaker 1>you guys know that the film well, of course the

1:27:34.400 --> 1:27:36.920
<v Speaker 1>film is dubbed in Sammy, but have you heard the

1:27:36.960 --> 1:27:43.719
<v Speaker 1>Sammy soundtrack? It is immaculate and it's on YouTube. Okay,

1:27:43.720 --> 1:27:45.880
<v Speaker 1>I'm gonna do it right after we're done with this.

1:27:46.280 --> 1:27:49.519
<v Speaker 1>That sounds great. Yeah, it is beautiful. Um. I did

1:27:49.600 --> 1:27:54.920
<v Speaker 1>want to quickly touch on Matteias who again voiced by

1:27:55.080 --> 1:27:59.320
<v Speaker 1>my crush it's Starling K. Brown. This feels like a

1:27:59.479 --> 1:28:03.559
<v Speaker 1>response that the filmmakers got and for the first Frozen

1:28:03.640 --> 1:28:11.160
<v Speaker 1>movie being too white, so they introduced a black character.

1:28:11.680 --> 1:28:15.320
<v Speaker 1>My main issue with that character is it's is we

1:28:15.439 --> 1:28:18.559
<v Speaker 1>just again Other than the fact that he was present

1:28:19.240 --> 1:28:22.400
<v Speaker 1>for this event that we already knew about, it just

1:28:22.439 --> 1:28:25.160
<v Speaker 1>seems like a very and I mean, I'm I'm like

1:28:25.560 --> 1:28:27.720
<v Speaker 1>beyond thrill that Sterling K. Brown is a part of

1:28:27.760 --> 1:28:30.400
<v Speaker 1>this cast. But as far as they wrote his character,

1:28:30.600 --> 1:28:33.840
<v Speaker 1>it just it does seem a little lip service e

1:28:34.040 --> 1:28:37.720
<v Speaker 1>on the part of the writers because his presence, like

1:28:37.800 --> 1:28:41.960
<v Speaker 1>if you if you remove him from the script, nothing

1:28:42.000 --> 1:28:45.719
<v Speaker 1>about the story, like nothing changes other than he provides

1:28:45.840 --> 1:28:49.120
<v Speaker 1>a little bit of information when they first meet. But

1:28:49.360 --> 1:28:52.560
<v Speaker 1>but it's like his presence is not extremely impactful in

1:28:52.640 --> 1:28:55.160
<v Speaker 1>this story. All of gets more to dude, than he

1:28:55.240 --> 1:28:58.680
<v Speaker 1>does write. Yeah, I'm not allowed to talk about a

1:28:58.840 --> 1:29:03.920
<v Speaker 1>lot that I UM. I didn't hate his song. I

1:29:03.960 --> 1:29:07.400
<v Speaker 1>thought his song was rather I also enjoyed son. It

1:29:07.479 --> 1:29:11.320
<v Speaker 1>was a cute one. So you know, there you go. Um.

1:29:11.360 --> 1:29:16.720
<v Speaker 1>Does anyone have any other thoughts about the movie? I

1:29:16.720 --> 1:29:21.320
<v Speaker 1>thought that the I know that I mentioned the environmentalist

1:29:21.400 --> 1:29:26.879
<v Speaker 1>issues are element of Frozen two, and that is something

1:29:27.760 --> 1:29:31.360
<v Speaker 1>that I thought that the Spirits were kind of a

1:29:31.360 --> 1:29:35.520
<v Speaker 1>metaphor for. I don't think it was just like a magical,

1:29:36.160 --> 1:29:39.479
<v Speaker 1>you know thing. I felt like with the creation of

1:29:39.520 --> 1:29:45.280
<v Speaker 1>the dam and then the attempted genocide of the nothalgia people,

1:29:45.600 --> 1:29:48.719
<v Speaker 1>you know, and then sweeping all of that under rugs.

1:29:48.760 --> 1:29:54.240
<v Speaker 1>When you ignore an environmentalist issue, you know, when you

1:29:54.320 --> 1:29:58.400
<v Speaker 1>create pipelines or you create a mind or build a

1:29:58.520 --> 1:30:03.040
<v Speaker 1>dam or whatever it is is on indigenous territory and

1:30:03.080 --> 1:30:06.760
<v Speaker 1>then try to act like, you know, nothing's happening, it's

1:30:06.800 --> 1:30:10.439
<v Speaker 1>all good. You know, things go bad. You know, the

1:30:10.520 --> 1:30:15.800
<v Speaker 1>earth actually physically starts reacting with fracking. You know, earthquakes

1:30:15.920 --> 1:30:20.360
<v Speaker 1>happen with pipelines. The water, you know, is polluted, the

1:30:20.400 --> 1:30:26.160
<v Speaker 1>soil is polluted. So I felt that elsa interacting with

1:30:26.200 --> 1:30:29.760
<v Speaker 1>the spirits wasn't necessarily just you know, oh look how

1:30:29.760 --> 1:30:34.240
<v Speaker 1>magical she is. It was healing the environment that is

1:30:34.280 --> 1:30:39.320
<v Speaker 1>in chaos because of colonialism and because of the dam

1:30:39.360 --> 1:30:42.680
<v Speaker 1>and the damage done. So you know, and like that

1:30:42.880 --> 1:30:47.680
<v Speaker 1>ties into again, you know, deforestations in lapland you know,

1:30:47.800 --> 1:30:54.360
<v Speaker 1>the reindeer dying because of global warming and things like that.

1:30:54.479 --> 1:30:57.360
<v Speaker 1>You know, So even that last scene and frozen to

1:30:57.600 --> 1:31:01.439
<v Speaker 1>when the fog lifts and the main deer start running,

1:31:01.880 --> 1:31:06.479
<v Speaker 1>you know, that's actually pretty impactful when you realize what's

1:31:06.520 --> 1:31:09.559
<v Speaker 1>going on. You know, in the Arctic right now, everything

1:31:09.600 --> 1:31:13.439
<v Speaker 1>that Greta Thunberg and aslack Homburg and Sophia Yanok and

1:31:13.520 --> 1:31:17.240
<v Speaker 1>all of them have been really preaching about isn't really

1:31:17.240 --> 1:31:19.720
<v Speaker 1>preaching because you know, they live in the Arctic. They

1:31:19.760 --> 1:31:22.479
<v Speaker 1>know what is at stake and the damage that's being done.

1:31:22.800 --> 1:31:25.880
<v Speaker 1>And I don't think Disney, like maybe I'm giving them

1:31:25.880 --> 1:31:28.200
<v Speaker 1>too much credit. I don't think they wanted to go

1:31:28.240 --> 1:31:33.000
<v Speaker 1>into Fern Gully territory where they're literally like Aaron Delians

1:31:33.040 --> 1:31:36.360
<v Speaker 1>trying to chop down the trees and stuff and it's bad.

1:31:36.600 --> 1:31:40.120
<v Speaker 1>It's more like, yeah, but the magic is out of

1:31:40.160 --> 1:31:43.000
<v Speaker 1>whack because of something they did, so we have to

1:31:43.520 --> 1:31:47.640
<v Speaker 1>do the right thing. And and the fact that, um,

1:31:47.680 --> 1:31:50.320
<v Speaker 1>you know, like doing your homework, especially in a movie

1:31:50.360 --> 1:31:54.720
<v Speaker 1>like this is so important and representing indigenous people responsibly.

1:31:54.800 --> 1:32:00.479
<v Speaker 1>Because this movie made one point five billion dollars, every

1:32:00.840 --> 1:32:05.160
<v Speaker 1>child sees a movie at one point, like, it's the

1:32:05.320 --> 1:32:09.439
<v Speaker 1>highest grossing animated like completely animated film of all time.

1:32:09.479 --> 1:32:13.320
<v Speaker 1>I think the Disney remake of the live action reboot

1:32:13.360 --> 1:32:16.880
<v Speaker 1>of Lion King Is is higher grossing, but it's like

1:32:17.040 --> 1:32:21.240
<v Speaker 1>half live action half not, so it is like kind

1:32:21.240 --> 1:32:23.120
<v Speaker 1>of in a murky area. But like as far as

1:32:23.160 --> 1:32:27.599
<v Speaker 1>like a fully animated feature, Frozen two is the most

1:32:27.840 --> 1:32:31.519
<v Speaker 1>the highest grossing. I was truly sad that Frozen two,

1:32:31.640 --> 1:32:34.320
<v Speaker 1>especially with how good it was, wasn't nominated for an

1:32:34.360 --> 1:32:38.240
<v Speaker 1>Academy Award. Yeah, yeah, that was, but I didn't into

1:32:38.280 --> 1:32:41.120
<v Speaker 1>the Spider Verse, so there we go. Yes, that was.

1:32:41.400 --> 1:32:43.720
<v Speaker 1>That was my favorite movie of that year. I love

1:32:43.760 --> 1:32:46.680
<v Speaker 1>that movie so much, and I just I mean, I

1:32:46.760 --> 1:32:49.599
<v Speaker 1>love I love animation. Like they're into the Fier Verse.

1:32:49.680 --> 1:32:52.640
<v Speaker 1>Should have been a Best Picture nominee too. It's like

1:32:52.920 --> 1:32:56.240
<v Speaker 1>people need to like especially now that um, you know,

1:32:56.360 --> 1:33:00.839
<v Speaker 1>under the present circumstance, let's say the amount of animated

1:33:00.840 --> 1:33:02.800
<v Speaker 1>projects are going way up. It's like people just need

1:33:02.840 --> 1:33:06.240
<v Speaker 1>to like let go of whatever this like animation is

1:33:06.320 --> 1:33:10.600
<v Speaker 1>just for like you can't tell a sophisticated story with animation,

1:33:11.080 --> 1:33:15.479
<v Speaker 1>Like it's just so demonstrably untrue. Has anyone seen mo

1:33:15.600 --> 1:33:21.760
<v Speaker 1>Wanna Wa Wa should have won? Wanta should have won

1:33:21.760 --> 1:33:26.479
<v Speaker 1>an Academy Award. Absolutely, Utopia one, which was cute, but

1:33:26.560 --> 1:33:30.040
<v Speaker 1>Mo Wanna Mohanna was the better film. It was so good.

1:33:30.800 --> 1:33:35.760
<v Speaker 1>Maybe cry Oh gosh, I'm never I'm not never not

1:33:35.840 --> 1:33:39.840
<v Speaker 1>crying during Mohanna every two seconds? Um? Yeah? Any does

1:33:39.880 --> 1:33:43.920
<v Speaker 1>anyone have anything else? Is there anything you want to

1:33:43.920 --> 1:33:49.400
<v Speaker 1>specifically ask me? Oh? Well, um, what would you recommend

1:33:49.680 --> 1:33:54.160
<v Speaker 1>aside from rhymes for young girls? What other? Because we're

1:33:54.400 --> 1:33:58.439
<v Speaker 1>always on the lookout for indigenous media, especially when it's

1:33:58.760 --> 1:34:02.519
<v Speaker 1>you know, shows positive representations. Are there any other films

1:34:02.560 --> 1:34:07.280
<v Speaker 1>that you would recommend? So the same filmmaker, Jeff Barnaby

1:34:07.360 --> 1:34:10.519
<v Speaker 1>who did Brime Stream Goals, also came out with this

1:34:10.960 --> 1:34:16.320
<v Speaker 1>awesome zombie film. It's on shutter It's called Blood Quantum

1:34:16.840 --> 1:34:21.120
<v Speaker 1>and it is a zombie outbreak on an Indian reservation

1:34:22.120 --> 1:34:26.519
<v Speaker 1>and the natives are immune to the disease, so they

1:34:26.560 --> 1:34:28.880
<v Speaker 1>can't turn into zombies, but everybody else does. So it's

1:34:28.920 --> 1:34:32.880
<v Speaker 1>kind of an allegory about colonialism, like should we help

1:34:32.920 --> 1:34:35.519
<v Speaker 1>you guys again? Goes what happened last time we did?

1:34:35.760 --> 1:34:38.720
<v Speaker 1>You know what I mean. So it's your typical like

1:34:38.800 --> 1:34:40.960
<v Speaker 1>I don't want to say your typical zombie movie, but

1:34:41.000 --> 1:34:43.880
<v Speaker 1>you know, just what you expect from a zombie movie,

1:34:43.920 --> 1:34:48.639
<v Speaker 1>but with enough of original twist where it's so good

1:34:48.880 --> 1:34:51.679
<v Speaker 1>and it is really really good. That's amazing, that sounds

1:34:51.720 --> 1:34:55.600
<v Speaker 1>so good. Yeah, and then there's um so some of

1:34:55.640 --> 1:35:00.360
<v Speaker 1>them they start indigenous actors and characters, but they're not

1:35:00.479 --> 1:35:05.880
<v Speaker 1>all created by indigenous directors. I think it's important to specify, like,

1:35:06.080 --> 1:35:12.759
<v Speaker 1>because an indigenous film would be you know, the indigenous writer, director,

1:35:13.040 --> 1:35:15.320
<v Speaker 1>people behind the camera as much as in front of

1:35:15.360 --> 1:35:19.439
<v Speaker 1>the camera. So Jeff Barnaby is indigenous, of course, and

1:35:19.680 --> 1:35:22.080
<v Speaker 1>that's both of those rhymes. Three Young Gals and Blood

1:35:22.160 --> 1:35:27.880
<v Speaker 1>Quantum are legit indigenous films, but films starring indigenous characters

1:35:27.920 --> 1:35:32.400
<v Speaker 1>like mo wanna Uh. There's Whale Rider, which is I

1:35:32.479 --> 1:35:35.160
<v Speaker 1>love it? Yeah, I saw that when it came out. Yeah, yeah,

1:35:35.240 --> 1:35:40.840
<v Speaker 1>that's Maudi New Zealand Indigenous people. Chris Air, who is

1:35:41.560 --> 1:35:47.520
<v Speaker 1>pretty famous, uh Native American director did Edge of America,

1:35:48.280 --> 1:35:54.720
<v Speaker 1>which is about a Native American um girls basketball team

1:35:54.800 --> 1:35:57.080
<v Speaker 1>and all of them pass a LA test. It's like

1:35:57.120 --> 1:36:01.879
<v Speaker 1>a whole ensemble, you know, of indigenous Native American girls

1:36:02.520 --> 1:36:08.519
<v Speaker 1>on this basketball team and they all pass. And Empire

1:36:08.640 --> 1:36:13.759
<v Speaker 1>of Dirt Okay, directors not indigenous, but it's a movie

1:36:14.120 --> 1:36:18.920
<v Speaker 1>about three generations of Indigenous women, the grandmother, the mother,

1:36:19.200 --> 1:36:25.040
<v Speaker 1>the daughter, and them coming together and healing together and

1:36:25.080 --> 1:36:28.759
<v Speaker 1>trying to like become a family again. And it's so good.

1:36:28.840 --> 1:36:34.000
<v Speaker 1>It's on Amazon Prime Songs. My brother taught me. The

1:36:34.120 --> 1:36:37.759
<v Speaker 1>director is also not Indigenous, but the movie takes place

1:36:37.760 --> 1:36:43.599
<v Speaker 1>on a reservation and it's very good. Then there's Leelo

1:36:43.680 --> 1:36:49.559
<v Speaker 1>and Stitch, which Alisa from Gargoyles passes the ALA test

1:36:50.240 --> 1:36:54.719
<v Speaker 1>because she's black Indian. Yeah. Yeah, I love a Lisa

1:36:54.760 --> 1:36:58.920
<v Speaker 1>Maza anyways from Gargoyles, just because it's not in the past,

1:36:59.120 --> 1:37:01.840
<v Speaker 1>it's not on reservation, it's not you know, in the

1:37:02.479 --> 1:37:06.400
<v Speaker 1>some made up fantasy thing. It's just this badass black

1:37:06.479 --> 1:37:11.640
<v Speaker 1>Native woman living in New York City, interacting with awesome

1:37:12.080 --> 1:37:15.639
<v Speaker 1>creatures and going on this adventure and just being brave

1:37:15.720 --> 1:37:24.760
<v Speaker 1>and smart and hot top three qualities. Absolutely, and actually,

1:37:25.000 --> 1:37:28.680
<v Speaker 1>hang on, is it is it over here? Okay, this

1:37:28.760 --> 1:37:32.000
<v Speaker 1>is the sequel to the book, but Rebecca Roanhors wrote,

1:37:32.479 --> 1:37:35.640
<v Speaker 1>she wrote Trail of Lightning, this one is Storm of Locusts.

1:37:35.680 --> 1:37:40.679
<v Speaker 1>It's the sequel, but the main character is a monster

1:37:40.920 --> 1:37:48.080
<v Speaker 1>hunting Navajo woman and post apocalyptic American Southwest awesome, and

1:37:48.200 --> 1:37:53.280
<v Speaker 1>it's awesome like decolonizing sci fi. It is amazing. I'm

1:37:53.320 --> 1:37:57.800
<v Speaker 1>halfway through it, so deeply recommend. Maggie Howsky is a

1:37:58.040 --> 1:38:03.840
<v Speaker 1>badass in every single definition of the word. And as

1:38:03.880 --> 1:38:06.400
<v Speaker 1>for films that don't pass the test or stories that

1:38:06.479 --> 1:38:09.320
<v Speaker 1>don't pass the tests but are still like worth checking out,

1:38:09.400 --> 1:38:14.320
<v Speaker 1>there's a movie called Mina. It's the Inuit people meeting

1:38:14.360 --> 1:38:18.759
<v Speaker 1>the new people for the first time, so there's pre contact,

1:38:18.840 --> 1:38:24.360
<v Speaker 1>pre colonial. So this uh woman who falls um is

1:38:24.439 --> 1:38:30.920
<v Speaker 1>kidnapped basically by Inuite trampers, I guess, and then you know.

1:38:31.000 --> 1:38:36.160
<v Speaker 1>The story is unusual and unorthodox, but it's got enough

1:38:36.600 --> 1:38:43.080
<v Speaker 1>nuance and complexity where I can overlook the rape scene

1:38:44.040 --> 1:38:48.640
<v Speaker 1>that happened, because which is handled better than it was

1:38:48.720 --> 1:38:53.880
<v Speaker 1>in the Revenant. My leagues and I hated that movie. Yes,

1:38:54.160 --> 1:38:55.840
<v Speaker 1>you're going to have a bear in your movie, it

1:38:55.840 --> 1:39:02.599
<v Speaker 1>should be Paddington. I've said it before, I'll say it again. Gosh, well, yeah,

1:39:02.640 --> 1:39:05.519
<v Speaker 1>thanks for all these recommendations. Or there's a lot too,

1:39:05.640 --> 1:39:08.080
<v Speaker 1>there's a lot to check out. I'm so excited. And

1:39:08.120 --> 1:39:10.800
<v Speaker 1>then of course Avatar and Cora, you know, because the

1:39:11.960 --> 1:39:15.559
<v Speaker 1>water tribe are Innuit inspired, and I really hope they

1:39:15.640 --> 1:39:21.240
<v Speaker 1>hire an innuit actress for the live action series on Netflix. Yeah,

1:39:21.439 --> 1:39:25.240
<v Speaker 1>that they don't, I'm going to be furious these be

1:39:25.400 --> 1:39:33.880
<v Speaker 1>Shymeland again. The mess, So does this movie pass the

1:39:33.880 --> 1:39:40.200
<v Speaker 1>Bechtel test? Is a lot the outside of friends and

1:39:40.280 --> 1:39:44.800
<v Speaker 1>movies is they will never struggle with the Bechtel test.

1:39:45.160 --> 1:39:48.160
<v Speaker 1>That's true, and it passes the Ala test as it

1:39:48.320 --> 1:39:51.920
<v Speaker 1>is a yes, yes it does. And then as far

1:39:52.000 --> 1:39:55.559
<v Speaker 1>as our nipple scale, um zero to five nipples. Based

1:39:55.720 --> 1:40:01.519
<v Speaker 1>on how the movie fares from an intersectional feminist standpoint, um,

1:40:01.920 --> 1:40:06.200
<v Speaker 1>I think I think I give this, like I'm inclined

1:40:06.240 --> 1:40:09.599
<v Speaker 1>to take a little nippleage off for the fact that

1:40:10.400 --> 1:40:14.880
<v Speaker 1>Anna has to be saved several times. I think there

1:40:14.960 --> 1:40:20.200
<v Speaker 1>is opportunity to include the North Aldre people who are

1:40:20.280 --> 1:40:25.000
<v Speaker 1>not Anna and Elsa more meaningful e UM. But the

1:40:25.040 --> 1:40:30.479
<v Speaker 1>fact that you these characters are given this layer of

1:40:30.840 --> 1:40:34.439
<v Speaker 1>being indigenous, you know, the discovery that they are half

1:40:34.600 --> 1:40:43.400
<v Speaker 1>North Aldre is important representation for such a popular, lucrative franchise.

1:40:43.920 --> 1:40:48.599
<v Speaker 1>So all the children who saw this now and especially

1:40:48.600 --> 1:40:51.680
<v Speaker 1>Indigenous children who saw this, they have someone And for you,

1:40:51.800 --> 1:40:55.880
<v Speaker 1>as an adult, Alley like you connected so much with

1:40:56.000 --> 1:41:00.639
<v Speaker 1>this movie. That's why representation is so important. So there's

1:41:01.120 --> 1:41:02.880
<v Speaker 1>you know, I think there's some pros and cons. There's

1:41:02.960 --> 1:41:07.080
<v Speaker 1>there's some minor weaknesses for this movie, but I think

1:41:07.479 --> 1:41:10.000
<v Speaker 1>that it does pretty well. I would give this I think,

1:41:10.000 --> 1:41:13.160
<v Speaker 1>like four nipples. I think a lot of two the

1:41:13.240 --> 1:41:16.760
<v Speaker 1>issues that we had with the first Frozen movie that

1:41:16.800 --> 1:41:20.439
<v Speaker 1>we discussed at length on that episode. UM, I feel

1:41:20.720 --> 1:41:23.280
<v Speaker 1>like some of those things are still kind of present,

1:41:23.920 --> 1:41:28.479
<v Speaker 1>but I think that they do course correct some of it.

1:41:28.960 --> 1:41:30.960
<v Speaker 1>And the fact that you know, it's a story about

1:41:30.960 --> 1:41:36.639
<v Speaker 1>two sisters who were raised in a European kingdom whose

1:41:36.680 --> 1:41:41.160
<v Speaker 1>ancestors were colonizers, and then them having to answer to

1:41:41.280 --> 1:41:47.080
<v Speaker 1>the injustices inflicted by those ancestors on an indigenous population,

1:41:47.600 --> 1:41:50.799
<v Speaker 1>and that's an interesting story. But at the same time,

1:41:51.200 --> 1:41:53.719
<v Speaker 1>I can't help but think that when the first Frozen

1:41:53.760 --> 1:41:57.760
<v Speaker 1>movie was being made, the creators never had any intention

1:41:57.840 --> 1:42:01.679
<v Speaker 1>of having Anna or Elsa be bi racial indigenous women,

1:42:02.120 --> 1:42:05.000
<v Speaker 1>which is why they look so white. But like somewhere

1:42:05.000 --> 1:42:08.080
<v Speaker 1>along the line, some person at Disney went to the

1:42:08.160 --> 1:42:12.080
<v Speaker 1>creators of Frozen and said, look, we have a diversity

1:42:12.200 --> 1:42:15.000
<v Speaker 1>quota to fill. Can you do something about that with

1:42:15.080 --> 1:42:19.280
<v Speaker 1>the Frozen sequel? And they were like, sure, let's retroactively

1:42:19.640 --> 1:42:23.080
<v Speaker 1>make the main characters half indigenous. That should do the trick.

1:42:23.720 --> 1:42:26.559
<v Speaker 1>And of course this is me speculating. I couldn't find

1:42:26.560 --> 1:42:29.360
<v Speaker 1>anything specific about this one way or the other in

1:42:29.520 --> 1:42:33.720
<v Speaker 1>my research, but that is what it feels like to me.

1:42:34.560 --> 1:42:37.479
<v Speaker 1>Even so, I'll give it four nipples because the movie

1:42:37.880 --> 1:42:42.479
<v Speaker 1>is trying and I'm grading on a curve today, so

1:42:43.040 --> 1:42:48.639
<v Speaker 1>I'll give one to Anna, one to Elsa, um, one

1:42:48.760 --> 1:42:55.320
<v Speaker 1>to Honeymaron, and one to Lena. Yeah, I'm gonna go.

1:42:55.439 --> 1:42:57.599
<v Speaker 1>I'm gonna go with four as well. I think, Yeah,

1:42:57.840 --> 1:43:00.400
<v Speaker 1>it's it's kind of interesting because it's I mean, the

1:43:00.439 --> 1:43:04.160
<v Speaker 1>fact that arguably one of the biggest franchises on the

1:43:04.240 --> 1:43:10.040
<v Speaker 1>planet prioritized not just representing an indigenous culture, but doing

1:43:10.080 --> 1:43:13.880
<v Speaker 1>so responsibly. Um in a franchise that I would not

1:43:14.360 --> 1:43:18.760
<v Speaker 1>have expected an attempt like this to be made, um

1:43:18.840 --> 1:43:22.960
<v Speaker 1>much less pretty successfully. So I think it is pretty

1:43:23.000 --> 1:43:27.240
<v Speaker 1>like an outlier in the entire Disney catalog. UM. And

1:43:27.280 --> 1:43:30.040
<v Speaker 1>I want to give credit where credit is due there um,

1:43:30.080 --> 1:43:32.639
<v Speaker 1>But yeah, docking for like I guess maybe like three

1:43:32.680 --> 1:43:35.479
<v Speaker 1>points seven five to four. This is I mean, the

1:43:35.560 --> 1:43:37.320
<v Speaker 1>nipple scale is the most important thing in the entire

1:43:37.360 --> 1:43:41.320
<v Speaker 1>world obviously, But I'm I'm fluctuating between like a three

1:43:41.360 --> 1:43:42.960
<v Speaker 1>and a half and a four because we do still

1:43:43.000 --> 1:43:46.160
<v Speaker 1>have basically that I have, like my problems with it

1:43:46.160 --> 1:43:50.040
<v Speaker 1>are kind of unchanged from the first movie, where it's

1:43:50.080 --> 1:43:54.000
<v Speaker 1>still I mean, we still have an overwhelmingly white behind

1:43:54.040 --> 1:43:57.519
<v Speaker 1>the camera team. It is. I think it is still

1:43:57.560 --> 1:44:01.479
<v Speaker 1>like a very positive thing that um, Jennifer Lee is

1:44:01.640 --> 1:44:05.439
<v Speaker 1>the writer and director of that in animation a woman, UM,

1:44:05.479 --> 1:44:07.920
<v Speaker 1>even if it is a you know, a white lady,

1:44:07.960 --> 1:44:10.920
<v Speaker 1>that still has a lot to learn. It is in

1:44:11.000 --> 1:44:15.760
<v Speaker 1>animation particularly no small deal um, as we learned in

1:44:15.760 --> 1:44:18.519
<v Speaker 1>our Brave episode where the female director was kicked off

1:44:18.520 --> 1:44:22.160
<v Speaker 1>the film. Uh so, so I I still think that

1:44:22.160 --> 1:44:26.479
<v Speaker 1>that's very impressive. But the um having white actor's voice,

1:44:26.520 --> 1:44:30.719
<v Speaker 1>indigenous characters is I mean in there's really you don't

1:44:30.720 --> 1:44:33.599
<v Speaker 1>have a leg to stand on in terms of defending

1:44:33.680 --> 1:44:36.479
<v Speaker 1>that choice that would have been truly just so easy

1:44:36.720 --> 1:44:39.800
<v Speaker 1>not to make. And then and then yeah, I mean,

1:44:39.840 --> 1:44:41.960
<v Speaker 1>I guess that the Christoph storyline is kind of a

1:44:42.000 --> 1:44:44.519
<v Speaker 1>little bit unnecessary, even though I just wish that they had.

1:44:45.200 --> 1:44:47.559
<v Speaker 1>I liked what you suggested Ali far more of like

1:44:47.680 --> 1:44:52.479
<v Speaker 1>Christoph and on a connecting on a shared culture versus

1:44:52.960 --> 1:44:55.160
<v Speaker 1>just like I have to ask her to get married

1:44:55.160 --> 1:44:57.439
<v Speaker 1>even though she's definitely gonna say yes. It's just like,

1:44:58.800 --> 1:45:02.160
<v Speaker 1>why is she so nervous of out? It a very basic,

1:45:02.320 --> 1:45:05.559
<v Speaker 1>like a kind of a weirdly basic plot point in

1:45:05.600 --> 1:45:10.920
<v Speaker 1>a very complex movie. Um. And then I do wish that, um,

1:45:11.040 --> 1:45:14.640
<v Speaker 1>the indigenous characters who we meet had more of an

1:45:14.760 --> 1:45:17.560
<v Speaker 1>arc um and had more to do, because there was

1:45:17.640 --> 1:45:20.679
<v Speaker 1>space for that in in the movie. But by and large,

1:45:20.720 --> 1:45:24.960
<v Speaker 1>I was like, really really really impressed with, um what

1:45:25.000 --> 1:45:28.920
<v Speaker 1>this movie pulled off successfully. And I guess I guess

1:45:28.920 --> 1:45:32.920
<v Speaker 1>I'll match you at four, three point seven five, I

1:45:32.960 --> 1:45:38.920
<v Speaker 1>feel mean I'm horrible now. One one to um Honey Marion,

1:45:39.160 --> 1:45:43.439
<v Speaker 1>one to Elena, Uh, one to Elsa, and then point

1:45:43.680 --> 1:45:47.400
<v Speaker 1>seven five to Anna because she gets rescued too much.

1:45:47.960 --> 1:45:51.719
<v Speaker 1>Mm hmm. Yeah, I'm gonna have to say four as well.

1:45:52.040 --> 1:45:55.920
<v Speaker 1>Just the only reason. Well, of course I'm biased because

1:45:56.000 --> 1:45:58.840
<v Speaker 1>I just I loved it so much, But for a

1:45:58.840 --> 1:46:03.719
<v Speaker 1>lot of the reasons you mentioned. To have Sami people

1:46:03.720 --> 1:46:07.559
<v Speaker 1>as consultants is good, but I feel like there should

1:46:07.560 --> 1:46:10.439
<v Speaker 1>have been more as far as like behind the camera

1:46:11.120 --> 1:46:16.080
<v Speaker 1>uh and in the voice acting studio for sure, but overall,

1:46:16.120 --> 1:46:20.840
<v Speaker 1>I think that compared to the likes of Pocahonas and

1:46:21.200 --> 1:46:28.000
<v Speaker 1>other indigenous fils ahead yes uh and other Indigenous princesses

1:46:28.040 --> 1:46:33.160
<v Speaker 1>and characters that are in predominantly white studios, you know,

1:46:33.479 --> 1:46:37.280
<v Speaker 1>It's Frozen two certainly wasn't the worst, and it surprised me.

1:46:37.479 --> 1:46:42.439
<v Speaker 1>It truly surprised me. I didn't expect anything deeper, you know,

1:46:43.560 --> 1:46:47.639
<v Speaker 1>but it was wonderful and I give it for Anna

1:46:47.720 --> 1:46:51.960
<v Speaker 1>is not getting anything, So I'm gonna give it Elsa

1:46:52.400 --> 1:46:59.880
<v Speaker 1>Elena Christoff just because he saw me. Yeah, on A

1:47:00.000 --> 1:47:03.080
<v Speaker 1>doesn't get anything, goodbye, nothing for Anna. Well, Elie, thank

1:47:03.120 --> 1:47:06.599
<v Speaker 1>you so much for joining us, for being here. Where

1:47:06.640 --> 1:47:09.840
<v Speaker 1>can people fund you online? Is there anything else you'd

1:47:09.840 --> 1:47:13.600
<v Speaker 1>like to plug? Your tumbler for example, in which you

1:47:14.320 --> 1:47:17.479
<v Speaker 1>have all the information about the ALT test all that stuff,

1:47:18.000 --> 1:47:21.559
<v Speaker 1>so the alt tests on Tumbler and then I'm also

1:47:21.960 --> 1:47:26.200
<v Speaker 1>Ali Naddy on Twitter. Thank you so much for having me.

1:47:26.520 --> 1:47:30.439
<v Speaker 1>Oh thank you. Please come back another time, like any

1:47:30.479 --> 1:47:32.240
<v Speaker 1>any time you want. We'd love to have you back.

1:47:32.320 --> 1:47:34.960
<v Speaker 1>This is like, this is so much fun. Yeah, And

1:47:35.000 --> 1:47:37.040
<v Speaker 1>if you guys ever do want to do like a

1:47:37.080 --> 1:47:42.120
<v Speaker 1>Pocahonas video, I absolutely recommend a little red Nacho on

1:47:42.120 --> 1:47:45.760
<v Speaker 1>Twitter because she is from the tribe the mart Pony,

1:47:45.880 --> 1:47:48.920
<v Speaker 1>I think that's how you say it, tribe tribe, so

1:47:49.000 --> 1:47:52.880
<v Speaker 1>she knows about like the actual history and the oral

1:47:52.920 --> 1:47:55.559
<v Speaker 1>traditions and stuff like that. Yeah, she'd be a great

1:47:55.600 --> 1:47:58.759
<v Speaker 1>guest for if we didn't when we do a Pocahonis episode.

1:47:58.840 --> 1:48:02.960
<v Speaker 1>So absolutely yeah, thanks thanks for that wreck. As far

1:48:02.960 --> 1:48:04.960
<v Speaker 1>as our stuff, you can follow us at PacTel Cast

1:48:05.040 --> 1:48:08.560
<v Speaker 1>on Twitter and Instagram, and we've got our Patreon a

1:48:08.720 --> 1:48:12.280
<v Speaker 1>k A Matreon, Patreon, dot com, slash pecktel Cast. It's

1:48:12.320 --> 1:48:14.759
<v Speaker 1>five dollars a month and it gets you to bonus

1:48:14.880 --> 1:48:18.719
<v Speaker 1>episodes every month, plus access to our entire back catalog,

1:48:19.000 --> 1:48:22.720
<v Speaker 1>which is I think like seventy episodes. Now. I don't

1:48:22.720 --> 1:48:24.760
<v Speaker 1>know how time works, but it's been it's a lot.

1:48:24.840 --> 1:48:27.360
<v Speaker 1>It's a lot of episodes you can grab. You can

1:48:27.400 --> 1:48:30.240
<v Speaker 1>grab some merch if you'd like, over at t public

1:48:30.280 --> 1:48:35.960
<v Speaker 1>dot com. Slash the Bechtel Cast and uh, we'll catch

1:48:36.000 --> 1:48:38.120
<v Speaker 1>you next week. Gang, what is it fun? I'm like,

1:48:38.160 --> 1:48:41.320
<v Speaker 1>what's a quote from this Well, after this episode, we

1:48:41.360 --> 1:48:51.080
<v Speaker 1>are about to go back into the unknown. Bye bye,