WEBVTT - Will I cancel the tour because of the Coronavirus?

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<v Speaker 1>Hey guys, welcome to the Granger Smith Podcast. This is

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<v Speaker 1>a very special addition to the podcast. This is March

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<v Speaker 1>the fourteenth. I typically record these podcasts four five, six,

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<v Speaker 1>seven days before you actually hear it on Mondays or

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<v Speaker 1>watch it, so I'm adding this intro to tell you this.

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<v Speaker 1>This podcast was recorded on the road a few days ago.

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<v Speaker 1>Since then, we've had this crazy coronavirus pandemic happen and

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<v Speaker 1>some of these questions might be irrelevant or a little

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<v Speaker 1>bit different because of the new crazy news. And so

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<v Speaker 1>I'm partly recording this for you guys so that you

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<v Speaker 1>don't hear this podcast and think, oh my gosh, he's

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<v Speaker 1>not talking about the crazy, you know, new turn of

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<v Speaker 1>events that we've had in these last few days. That

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<v Speaker 1>being said, some of you watching this might not be

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<v Speaker 1>affected that much by the coronavirus. Me personally, my world

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<v Speaker 1>has been turned upside down touring. The entire touring industry

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<v Speaker 1>has completely collapsed, and that is where artists like me

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<v Speaker 1>and so many others make all of their money. So essentially,

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<v Speaker 1>I've lost my job and I'm okay. I have YouTube

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<v Speaker 1>and other things, but the you know, I have a

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<v Speaker 1>lot of band members and crew guys on salaries, so

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<v Speaker 1>that is the concern, is trying to get them paid

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<v Speaker 1>through when we start touring again. The latest I've heard

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<v Speaker 1>is May. Somewhere around May, we're gonna start touring again

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<v Speaker 1>once again. This has nothing to do with our decision

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<v Speaker 1>or promoters or venues, are booking agents or everybody wants

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<v Speaker 1>to tour. This is the This is happening at the

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<v Speaker 1>federal level that all these gatherings are being canceled. So

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<v Speaker 1>the next podcast you hear will probably be a lot

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<v Speaker 1>about this. But I wanted to just give you a

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<v Speaker 1>quick intro so that you know, as this podcast comes

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<v Speaker 1>on it was pre coronavirus. Enjoy yourselves, you'll be safe.

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<v Speaker 1>Welcome to the Granger Smith Podcast. Hey guys, what's up.

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<v Speaker 1>It's Granger Smith. Welcome to the Granger Smith Podcast, Episode

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<v Speaker 1>twenty three. Thank you guys for listening or watching if

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<v Speaker 1>you're watching on YouTube. If you're watching on YouTube, go

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<v Speaker 1>ahead and do me a favor and subscribe to the

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<v Speaker 1>Granger Smith channel so you don't miss any of these

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<v Speaker 1>videos coming up. And then while you're at it, go

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<v Speaker 1>over there and subscribe to the Smith channel so you

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<v Speaker 1>don't miss any of our family vlogs that we just

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<v Speaker 1>love putting out. It's a huge passion of mine to

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<v Speaker 1>put out two videos a week on the Smiths and

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<v Speaker 1>then one video a week on the podcast. And we

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<v Speaker 1>are releasing these podcasts every single Monday, really early. I

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<v Speaker 1>believe they're set for about five am, so that it

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<v Speaker 1>catches everyone on their way to work, a way to school,

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<v Speaker 1>whatever that might be. I am sitting here in the

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<v Speaker 1>back of my bus in Baton Rouge, Louisiana. What a

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<v Speaker 1>crazy year this has been so far, and what a

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<v Speaker 1>crazy tour this has been. I'm sitting here looking at

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<v Speaker 1>this and I'm like, I got to do a podcast

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<v Speaker 1>and take these headphones off, and dinner is coming up.

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<v Speaker 1>So I have about thirty minutes to do this podcast,

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<v Speaker 1>and that's plenty of time. There's plenty of time to

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<v Speaker 1>talk to you guys to answer some of these questions.

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<v Speaker 1>I got these questions today from Instagram. So I'll go

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<v Speaker 1>and I'll check Instagram hashtag Granger Smith Podcast. I'll check Twitter, Facebook,

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<v Speaker 1>and I'm also checking the comments on the YouTube page too.

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<v Speaker 1>It so I'm finding these questions that you guys are

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<v Speaker 1>asking and I'm gonna dive into them first question I

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<v Speaker 1>have here is what is the most memorable thing that

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<v Speaker 1>has ever happened at one of your concerts? And I

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<v Speaker 1>like that question. I like it when people ask me

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<v Speaker 1>that because it has to be well, Okay, one instance

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<v Speaker 1>in Iraq, We're playing a tour in Iraq and literally

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<v Speaker 1>a bomb went off close to where we were having

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<v Speaker 1>a concert, and the immediate response team jumped up leaves

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<v Speaker 1>and half the room left and they made us go

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<v Speaker 1>into a bunker. Halfway through the concert. So we were

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<v Speaker 1>in a gymnasium, So we're literally crawling on the ground

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<v Speaker 1>in the gymnasium and we had to go to a

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<v Speaker 1>concrete bunker. And I am kind of an adrenaline junkie,

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<v Speaker 1>so I was loving it. Some of the other guys

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<v Speaker 1>in the band were absolutely terrified. You know, I understand why,

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<v Speaker 1>But that's number one that tops tops the question for sure,

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<v Speaker 1>what is the most memorable thing that's ever happened at

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<v Speaker 1>one of my concerts? But then after that, I would

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<v Speaker 1>have to say it would have to be some of

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<v Speaker 1>my injuries, which I've been injured several times as Earl

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<v Speaker 1>Diuvile Junior. I have completely separated a shoulder, I have

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<v Speaker 1>split my forehead open right in the middle, which cost

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<v Speaker 1>seven stitches. That was in College Station, Texas, and I

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<v Speaker 1>was running up the stage as Earl ran right into

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<v Speaker 1>the speaker. Blood went everywhere. You know, your forehead bleeds

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<v Speaker 1>really bad. So I turned and looked at the crowd,

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<v Speaker 1>and I just saw horrified faces looking back at me,

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<v Speaker 1>and I didn't realize what was happening until I saw

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<v Speaker 1>their face and then saw the drips coming off of

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<v Speaker 1>my nose and knew it was really bad. Finished that

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<v Speaker 1>concert and then went to the well. I say finished.

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<v Speaker 1>I got a towel and wiped off a little bit,

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<v Speaker 1>and then off the emergency room. And then another time

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<v Speaker 1>I fell off the stage in New Jersey. A lot

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<v Speaker 1>of you guys have heard this story. I've told this

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<v Speaker 1>on a previous podcast and fell off the stage, broke

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<v Speaker 1>two ribs, one of the ribs punctured along, got back

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<v Speaker 1>on that stage, finished that show, and then went to

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<v Speaker 1>the emergency room again. So I have a lot of

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<v Speaker 1>these little injury memories as Earl, and it's it's never fun,

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<v Speaker 1>but it always makes really good stories. And it's always

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<v Speaker 1>Earl for some reason. All right, let me look at

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<v Speaker 1>let me look what other things I have has has

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<v Speaker 1>take us through the process of coming up with a song.

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<v Speaker 1>How does it happen? And that's a that's a good question,

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<v Speaker 1>and I have several processes. I I think in terms

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<v Speaker 1>of either melodies or lyrics, and they're pretty separate. There's

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<v Speaker 1>not a lot of times that they come in together

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<v Speaker 1>in my mind, so they usually come in separately. Some

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<v Speaker 1>melody and I'm just humming and or some lyric I

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<v Speaker 1>think that's a really cool line and this is what

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<v Speaker 1>rhymes with it. So it's not too often that I

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<v Speaker 1>get them together. But what I do is I'll go

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<v Speaker 1>in and have a list of notes on my phone.

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<v Speaker 1>I'll write all the lyrics down or the titles down,

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<v Speaker 1>and then I have my voice memos and I'll kind

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<v Speaker 1>of hum melodies and then I just try to merge

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<v Speaker 1>them together. And that's typically when I get up early.

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<v Speaker 1>That's when I like to write. Make a cup of coffee,

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<v Speaker 1>pull out the old phone, pull out a pen and paper,

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<v Speaker 1>and see which ideas merge together that hopefully makes a song.

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<v Speaker 1>And you know what, most of the time, it doesn't.

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<v Speaker 1>Most of the time I sit down and write a song,

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<v Speaker 1>nothing happens, and it sucks. It's called writer's block, and

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<v Speaker 1>it's a real thing. But then when it does start

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<v Speaker 1>flowing and it feels good and the songs come out,

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<v Speaker 1>it's great. Another a way to battle writer's block. The

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<v Speaker 1>number one way to battle writer's block is to get

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<v Speaker 1>some of my buddies out to write with me, which

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<v Speaker 1>is going to happen next weekend. And so I get

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<v Speaker 1>some of my good friends out and then we all

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<v Speaker 1>come in and then we all kind of make up

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<v Speaker 1>for each other. If one of us is kind of

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<v Speaker 1>lacking with a writer's block situation, the other one could

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<v Speaker 1>knock us out of it, and vice versa, and we

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<v Speaker 1>quickly can get through some pretty good songs that way.

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<v Speaker 1>Here's a good question, the question everybody's thinking about right now.

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<v Speaker 1>Are you going to cancel any of your tour dates

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<v Speaker 1>with all the coronavirus things going on? Oh gosh, no,

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<v Speaker 1>I'm not. I'm not going to cancel it. But you know,

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<v Speaker 1>I just heard we're from Austin, Texas, and I just

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<v Speaker 1>heard south By Southwest, a huge music festival, canceled, canceled,

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<v Speaker 1>completely canceled. I can't imagine all the businesses that are

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<v Speaker 1>gonna hurt from that decision. Guys, I don't see I

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<v Speaker 1>don't see the hype from this. I know that it's

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<v Speaker 1>going to affect me negative at some point with ticket sales.

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<v Speaker 1>If it keeps on ramping up and then the news

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<v Speaker 1>keeps making it headlines and clickbait, then it's going to

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<v Speaker 1>affect musicians or anybody else in the public business. It's

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<v Speaker 1>going to affect us. So that sucks. And I don't

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<v Speaker 1>see the hype. I don't, I don't, I don't. I

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<v Speaker 1>don't understand it. Besides the fact that guys, you know this,

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<v Speaker 1>we live in a clickbait world. We live in a

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<v Speaker 1>world where everyone, all these major news stations, they want

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<v Speaker 1>you to click on their station, they want you to

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<v Speaker 1>click on their posts, they want you to watch what

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<v Speaker 1>they're saying because those views and those streams make them

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<v Speaker 1>more money. So, for instance, if if I was a

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<v Speaker 1>director of a news company, I would say, let's say, hey,

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<v Speaker 1>somebody figure out a way that we could post coronavirus

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<v Speaker 1>has mutated. And so then you know, you get these

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<v Speaker 1>little people in the background and they're like figuring out

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<v Speaker 1>and they technically I figured out a way we could

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<v Speaker 1>say that, and it's technically true, even though it's a

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<v Speaker 1>far stretch, and so then they go, great, make up something,

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<v Speaker 1>find a picture, and we'll call it coronavirus mutation faster

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<v Speaker 1>than normal. And that's a pretty good click. And you

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<v Speaker 1>and me and everyone else that sees that it's probably

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<v Speaker 1>going to click on that. That's the world we live in.

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<v Speaker 1>I don't trust it, and so it makes it tough

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<v Speaker 1>to answer your question. I'm not going to cancel any

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<v Speaker 1>tourt eights, at least I don't think so, unless it

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<v Speaker 1>turns into some kind of Walking Dead zombie apocalypse, which

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<v Speaker 1>I don't think this is going to happen. Guys, don't

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<v Speaker 1>buy into the hype. Don't buy into the hype. Next question,

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<v Speaker 1>the earpieces you use for your shows? What are they for?

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<v Speaker 1>And does it play the music? That's a good question. Look,

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<v Speaker 1>I got it right here, just got out of sound

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<v Speaker 1>check here in Baton Rouge, and these are called an

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<v Speaker 1>ear monitors, and they come in many sizes, many colors.

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<v Speaker 1>Mine are kind of a one of them is kind

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<v Speaker 1>of a clear blue, and one of them is kind

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<v Speaker 1>of a solid red. I'm smiling because you know why,

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<v Speaker 1>you know why one is blue and one is red.

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<v Speaker 1>And you could make these any color you want. You

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<v Speaker 1>could design them any way you want. I used to

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<v Speaker 1>have camouflage my old ones, my backups are camouflage. You

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<v Speaker 1>could do anything you want. I made mind blue and

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<v Speaker 1>red because red means right, ear red for right, so

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<v Speaker 1>I can just quickly see them and throw it in.

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<v Speaker 1>So what it means is and if you're a musician

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<v Speaker 1>and you know this, don't worry about it. If you

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<v Speaker 1>don't know it. Musicians, most of us now, we wear

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<v Speaker 1>these as opposed to floor monitors or wedges as they're

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<v Speaker 1>sometimes called, that play the music back to us. And

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<v Speaker 1>that's what these do. It's basically the music you're hearing

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<v Speaker 1>playing back to us. Why do we need that, Well,

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<v Speaker 1>the reason is if we're behind the speakers, which we

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<v Speaker 1>typically are, the speakers are throwing out the sound forward

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<v Speaker 1>so that the crowd could hear it, and us the band,

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<v Speaker 1>the people behind the speakers are getting a delayed version

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<v Speaker 1>of that, or an echoed version of that, or some

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<v Speaker 1>kind of distorted version of that. So it's really difficult

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<v Speaker 1>for us to play together with each other. The bass

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<v Speaker 1>player playing with the drummer, the guitar players playing together,

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<v Speaker 1>me singing to the drummers beat. All those things need

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<v Speaker 1>to be very in syne and they need to be

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<v Speaker 1>perfectly in time. So we all wear these anier monitors

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<v Speaker 1>that's run by a monitor board on the side of

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<v Speaker 1>the stage. So if you see one of our sound

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<v Speaker 1>guys on the side of the stage or at any concert,

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<v Speaker 1>that sound guy with his board, with his mixing board,

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<v Speaker 1>he is mixing the sound that the musicians on stage

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<v Speaker 1>are hearing. Only if you see the audio guy out front,

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<v Speaker 1>we call it front of house. He's out in the

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<v Speaker 1>back of the concert with a big soundboard inside the

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<v Speaker 1>play where all the fans are. He is mixing what

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<v Speaker 1>you hear from the audience perspective. He's mixing the big speakers.

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<v Speaker 1>So that's it. You gotta have both. You gotta have

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<v Speaker 1>a monitor engineer and a front of house engineer, both

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<v Speaker 1>of them. You gotta have it. It's a good question.

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<v Speaker 1>Here's one that says, what is your favorite thing to

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<v Speaker 1>do after a show? And you know, I could I

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<v Speaker 1>can kind of connect that with another question on saw

0:13:27.040 --> 0:13:29.840
<v Speaker 1>on here that said how do you unwind after a show?

0:13:30.720 --> 0:13:34.280
<v Speaker 1>And guys, when it comes to that stuff, I'm super

0:13:34.320 --> 0:13:37.400
<v Speaker 1>boring and like a part of me wants to be

0:13:37.440 --> 0:13:40.760
<v Speaker 1>able to say, oh man, after the show. That's when

0:13:40.760 --> 0:13:43.040
<v Speaker 1>it parts. That's when the party happens. We do all that,

0:13:43.120 --> 0:13:45.320
<v Speaker 1>you know. We go out and we go find the

0:13:45.320 --> 0:13:47.400
<v Speaker 1>best burger joint in town and it's closed, and we

0:13:47.440 --> 0:13:49.200
<v Speaker 1>get the owner to open it back up, and he

0:13:49.240 --> 0:13:50.599
<v Speaker 1>opens it up and they all get in there and

0:13:50.640 --> 0:13:53.120
<v Speaker 1>they fry up the best burgers. I think that's what

0:13:53.120 --> 0:13:54.800
<v Speaker 1>Elvis used to do. Elvis used to get on his

0:13:54.840 --> 0:13:57.240
<v Speaker 1>plane in the middle of the night and fly across

0:13:57.280 --> 0:13:58.800
<v Speaker 1>the country just to have a burger in the middle

0:13:58.840 --> 0:13:59.960
<v Speaker 1>of the night, and they would open it up for

0:14:01.120 --> 0:14:04.319
<v Speaker 1>the guy lived at night only because he couldn't walk

0:14:04.320 --> 0:14:08.600
<v Speaker 1>around the day. My life very very different than Elvis,

0:14:08.720 --> 0:14:12.040
<v Speaker 1>very boring. First of all, I get up pretty early.

0:14:12.840 --> 0:14:16.120
<v Speaker 1>When I'm at home. I get up around six Amberg

0:14:16.200 --> 0:14:19.040
<v Speaker 1>usually gets up a little before me, and I used

0:14:19.080 --> 0:14:21.640
<v Speaker 1>to get up at like five, but it started affecting

0:14:21.640 --> 0:14:23.280
<v Speaker 1>me too much at night because I need to get

0:14:23.320 --> 0:14:25.160
<v Speaker 1>seven hours. That's like my thing. I got to get

0:14:25.200 --> 0:14:28.480
<v Speaker 1>seven hours. So when I'm on the road it changes

0:14:28.480 --> 0:14:31.560
<v Speaker 1>a little bit. I'd usually get up around seven on

0:14:31.680 --> 0:14:35.440
<v Speaker 1>the road because if I need seven hours, I always

0:14:35.480 --> 0:14:39.440
<v Speaker 1>add an hour on the bus because it just sleeping

0:14:39.480 --> 0:14:42.800
<v Speaker 1>on a bus is rough, it rattles, it bumps. I'm

0:14:42.840 --> 0:14:44.400
<v Speaker 1>right here in this room where we are, where this

0:14:44.480 --> 0:14:48.480
<v Speaker 1>camera sitting is. The engine is right under where this

0:14:48.560 --> 0:14:53.360
<v Speaker 1>camera is sitting, so the motor is super loud. Two

0:14:53.440 --> 0:14:58.480
<v Speaker 1>nights ago, we were driving to Alabama and I heard

0:14:58.520 --> 0:15:01.120
<v Speaker 1>us pull over very abru and you hear the rumble

0:15:01.160 --> 0:15:03.800
<v Speaker 1>strips in the middle of the night. You know that's

0:15:04.120 --> 0:15:06.360
<v Speaker 1>that'll wake up quick. So we wake up to the

0:15:06.400 --> 0:15:09.960
<v Speaker 1>rumble strips, and then I hear all these emergency vehicles

0:15:10.040 --> 0:15:13.360
<v Speaker 1>fine by, you know, sirens. Like, guys, you don't want

0:15:13.360 --> 0:15:15.280
<v Speaker 1>to wake up in the middle of the night to sirens.

0:15:15.360 --> 0:15:18.480
<v Speaker 1>You just don't. That's like not something that's pleasant to

0:15:18.560 --> 0:15:20.840
<v Speaker 1>wake up to in the middle of the night. But

0:15:20.960 --> 0:15:24.560
<v Speaker 1>that's bus life. Long story short, there was a wreck

0:15:24.680 --> 0:15:27.760
<v Speaker 1>and when we had to wait. But needless to say,

0:15:28.640 --> 0:15:30.880
<v Speaker 1>I have to add about an hour to my sleep

0:15:30.920 --> 0:15:34.800
<v Speaker 1>at night. So I get up at seven And partly

0:15:34.800 --> 0:15:37.000
<v Speaker 1>what that does is the bus is quiet. I can

0:15:37.040 --> 0:15:40.000
<v Speaker 1>get some reading in, I can get some songwriting in

0:15:40.480 --> 0:15:44.040
<v Speaker 1>and get some podcasting in even on It's five point

0:15:44.040 --> 0:15:47.640
<v Speaker 1>forty five pm right now, and that kind of allows

0:15:47.640 --> 0:15:50.360
<v Speaker 1>me to get some stuff done. And then about eight

0:15:50.440 --> 0:15:53.320
<v Speaker 1>o'clock or nine o'clock between eight and nine sometime we

0:15:53.400 --> 0:15:55.440
<v Speaker 1>go to the gym. Every single day we go to

0:15:55.520 --> 0:15:59.440
<v Speaker 1>the gym, and that gets my day going to come

0:15:59.440 --> 0:16:02.920
<v Speaker 1>back and make it shake here we usually have lunch

0:16:02.960 --> 0:16:06.720
<v Speaker 1>provided then I kind of start the routine of my day,

0:16:06.920 --> 0:16:10.800
<v Speaker 1>which might be something involving country radio, and then sound checks.

0:16:11.680 --> 0:16:13.960
<v Speaker 1>All that to say, by the end of the show.

0:16:14.320 --> 0:16:16.040
<v Speaker 1>As soon as I get off the stage, I jump

0:16:16.120 --> 0:16:18.800
<v Speaker 1>right in here and I take a shower. There's a

0:16:18.800 --> 0:16:24.880
<v Speaker 1>shower right behind this wall. And I'm tired. I'm really tired.

0:16:24.960 --> 0:16:27.320
<v Speaker 1>So especially if the show's late tonight is a ten

0:16:27.360 --> 0:16:30.640
<v Speaker 1>to fifteen PM start time, and I'm gonna play ninety

0:16:30.640 --> 0:16:32.800
<v Speaker 1>minutes and that's gonna make me come back to the

0:16:32.840 --> 0:16:36.080
<v Speaker 1>bus around midnight. I'm gonna take a shower and I'm

0:16:36.120 --> 0:16:39.840
<v Speaker 1>going to crash hard. So that is my after show routine,

0:16:40.040 --> 0:16:43.760
<v Speaker 1>crashing hard, and then I will sleep till about seven,

0:16:43.840 --> 0:16:48.360
<v Speaker 1>So there's my seven hours. We'll see what else I

0:16:48.360 --> 0:16:52.119
<v Speaker 1>got here? What are the questions? I just basically screenshot

0:16:52.160 --> 0:16:54.840
<v Speaker 1>a bunch of social media questions and then I flip through.

0:16:56.480 --> 0:16:59.240
<v Speaker 1>If I wanted to get into the country music industry,

0:16:59.280 --> 0:17:05.720
<v Speaker 1>where would I start. This is from Lindsay on Instagram.

0:17:06.000 --> 0:17:12.119
<v Speaker 1>Actually I think it might be Liam Lindsay, which is

0:17:12.160 --> 0:17:16.960
<v Speaker 1>a guy. Sorry Liam, Okay, So there's two parts. I

0:17:16.960 --> 0:17:18.359
<v Speaker 1>guess there's kind of two parts of this. If you

0:17:18.760 --> 0:17:20.840
<v Speaker 1>want to get into the country music industry as an

0:17:20.920 --> 0:17:23.560
<v Speaker 1>artist or a musician, or if you want to get

0:17:23.600 --> 0:17:27.680
<v Speaker 1>into the country music industry as a uh, someone behind

0:17:27.680 --> 0:17:30.040
<v Speaker 1>the scenes in the business, And I actually could probably

0:17:30.080 --> 0:17:32.919
<v Speaker 1>say that's probably three different things because artists and musician

0:17:32.960 --> 0:17:36.320
<v Speaker 1>aren't exactly the same musicians. If you want to be

0:17:36.359 --> 0:17:39.360
<v Speaker 1>a musician in country music and you feel like you're

0:17:39.359 --> 0:17:42.199
<v Speaker 1>good enough to take it to a bigger level, you

0:17:42.240 --> 0:17:45.600
<v Speaker 1>got a network. You gotta you gotta know the right

0:17:45.640 --> 0:17:49.600
<v Speaker 1>people that know when the auditions are so and for

0:17:49.840 --> 0:17:52.399
<v Speaker 1>the most part, those are in Nashville. The big country

0:17:52.480 --> 0:17:54.639
<v Speaker 1>music tours, most of them are in Nashville. Mine is

0:17:54.680 --> 0:17:58.320
<v Speaker 1>out of Austin. Most are in Nashville. And so if

0:17:58.359 --> 0:17:59.840
<v Speaker 1>you want to be a guitar player or drummer or

0:17:59.840 --> 0:18:02.679
<v Speaker 1>a player or something like that, you probably need to

0:18:02.720 --> 0:18:04.840
<v Speaker 1>make a bunch of friends that are in other bands

0:18:05.280 --> 0:18:08.920
<v Speaker 1>so that when somebody's auditioning for a new player, you're there.

0:18:10.840 --> 0:18:13.840
<v Speaker 1>If you want to be a singer. I could do

0:18:13.880 --> 0:18:16.000
<v Speaker 1>a whole podcast on this, Liam. I don't think that's

0:18:16.000 --> 0:18:18.960
<v Speaker 1>what you're talking about, but you might be. And I

0:18:18.960 --> 0:18:21.879
<v Speaker 1>could do an entire podcast on this question alone. And

0:18:21.880 --> 0:18:24.320
<v Speaker 1>in fact, I might start doing a series on how

0:18:24.359 --> 0:18:26.639
<v Speaker 1>to be a country singer. I might. I'm thinking about it.

0:18:26.680 --> 0:18:30.359
<v Speaker 1>You guys comment below if you think I should do

0:18:30.880 --> 0:18:33.000
<v Speaker 1>a series on how to be a country singer, if

0:18:33.040 --> 0:18:38.080
<v Speaker 1>there are enough people that would like to listen, because

0:18:38.119 --> 0:18:41.560
<v Speaker 1>I can go in great links about that, but I'll

0:18:41.560 --> 0:18:43.359
<v Speaker 1>just start with the beginning of that one. If you

0:18:43.359 --> 0:18:48.080
<v Speaker 1>want to be a singer, then start with an instrument.

0:18:48.680 --> 0:18:53.600
<v Speaker 1>Start playing an instrument, whether that's guitar or keyboard, and

0:18:54.760 --> 0:18:59.600
<v Speaker 1>start singing along with that instrument. Start writing songs while

0:18:59.600 --> 0:19:01.720
<v Speaker 1>you're singing along to that instrument. This is going in order,

0:19:01.720 --> 0:19:05.560
<v Speaker 1>by the way. And then lastly, start recording the songs

0:19:05.600 --> 0:19:07.800
<v Speaker 1>that you wrote and saying while you're playing an instrument,

0:19:09.280 --> 0:19:14.160
<v Speaker 1>drive around and listen or watch that recording. That's step one.

0:19:15.280 --> 0:19:18.480
<v Speaker 1>Do that and do that for a few years, and

0:19:19.880 --> 0:19:22.880
<v Speaker 1>take good note on what you like that you hear

0:19:23.000 --> 0:19:25.240
<v Speaker 1>and what you don't like. Do more what you like,

0:19:25.400 --> 0:19:28.520
<v Speaker 1>less of what you don't and you will evolve quickly

0:19:28.600 --> 0:19:32.119
<v Speaker 1>that way. It's very important. I'm using pro Tools right

0:19:32.160 --> 0:19:35.320
<v Speaker 1>now as I'm recording this podcast, and this is the

0:19:35.359 --> 0:19:38.159
<v Speaker 1>same program and the same microphone I do work tapes

0:19:38.320 --> 0:19:41.080
<v Speaker 1>or the way I write songs. So I think it's

0:19:41.200 --> 0:19:45.400
<v Speaker 1>very important for musicians to learn some kind of recording software.

0:19:45.440 --> 0:19:49.600
<v Speaker 1>Pro Tools is the most popular if you want to

0:19:49.600 --> 0:19:51.760
<v Speaker 1>get into the music industry. If maybe that's what your

0:19:51.800 --> 0:19:55.080
<v Speaker 1>question is too. As a business person, so you may

0:19:55.320 --> 0:19:59.400
<v Speaker 1>maybe management or record label, or booking agency or publicity.

0:20:01.920 --> 0:20:07.880
<v Speaker 1>Those unfortunately are very networking type positions too. That requires internships,

0:20:08.480 --> 0:20:12.120
<v Speaker 1>once again, mostly in Nashville, sometimes New York, sometimes La

0:20:12.280 --> 0:20:17.600
<v Speaker 1>sometimes Austin, sometimes Atlanta. That requires a lot of knowing

0:20:17.600 --> 0:20:20.520
<v Speaker 1>the right people, going to the right interviews, doing a

0:20:20.560 --> 0:20:25.280
<v Speaker 1>lot of internships. And it doesn't always require an education.

0:20:26.400 --> 0:20:28.080
<v Speaker 1>And a lot of people will go to a music

0:20:28.119 --> 0:20:32.240
<v Speaker 1>school like Belmont and get a music business degree. And

0:20:32.280 --> 0:20:36.000
<v Speaker 1>what's more important than that degree is the people you

0:20:36.080 --> 0:20:41.199
<v Speaker 1>meet in that school, the professors, the other students, and

0:20:41.280 --> 0:20:47.440
<v Speaker 1>the internship possibilities that that school brings. There's so much

0:20:47.440 --> 0:20:51.119
<v Speaker 1>more to that question, but I will look at the

0:20:51.160 --> 0:20:54.320
<v Speaker 1>comments on this and kind of base base it if

0:20:54.359 --> 0:20:59.040
<v Speaker 1>I need to keep talking about that on another Monday podcast.

0:20:59.080 --> 0:21:01.199
<v Speaker 1>I get this a lot. Where's your favorite place to

0:21:01.200 --> 0:21:04.560
<v Speaker 1>put on a concert? And I'm gonna be honest that

0:21:04.600 --> 0:21:09.320
<v Speaker 1>the true answer is is it's it's the people. It's

0:21:09.359 --> 0:21:14.000
<v Speaker 1>based on the people. It's not the place. We have

0:21:14.160 --> 0:21:17.720
<v Speaker 1>played in very beautiful places. We've played in beautiful beach

0:21:17.760 --> 0:21:23.800
<v Speaker 1>towns or beautiful snow Vista resorts, but those aren't the

0:21:23.800 --> 0:21:27.960
<v Speaker 1>best concerts unless it has the best people and the

0:21:28.200 --> 0:21:30.760
<v Speaker 1>people that are most engaged. So give me one hundred

0:21:30.800 --> 0:21:33.800
<v Speaker 1>people that are super engaged, that are just die hard

0:21:33.880 --> 0:21:36.520
<v Speaker 1>fans that know every word and they're they're just they're

0:21:36.560 --> 0:21:39.399
<v Speaker 1>watching me and I could I could do any hand

0:21:39.400 --> 0:21:41.440
<v Speaker 1>motion and they follow me with it. I could walk

0:21:41.480 --> 0:21:43.200
<v Speaker 1>on the stage and they follow me with their eyes

0:21:43.240 --> 0:21:46.639
<v Speaker 1>and I could. That's I don't even have to sing.

0:21:46.760 --> 0:21:50.280
<v Speaker 1>Then they could sing for me. That's the best concert.

0:21:50.800 --> 0:21:54.800
<v Speaker 1>So it's it's not always the coolest stage or the

0:21:54.840 --> 0:21:58.679
<v Speaker 1>prettiest city, or it's not that it helps if it's

0:21:58.720 --> 0:22:00.760
<v Speaker 1>a great crowd. It helps to be with a beautiful

0:22:00.760 --> 0:22:07.879
<v Speaker 1>mountain or sunset behind you, But it's not everything. Let

0:22:07.960 --> 0:22:10.359
<v Speaker 1>me look at another question here. There's the one I

0:22:10.359 --> 0:22:12.760
<v Speaker 1>was looking for how do you unwind after a high

0:22:12.840 --> 0:22:18.720
<v Speaker 1>energy show? Now you know, I take a shower, I

0:22:19.240 --> 0:22:21.320
<v Speaker 1>turn the lights down. Got to turn the lights down.

0:22:21.359 --> 0:22:22.720
<v Speaker 1>If you want to rewind, you got to get away

0:22:22.720 --> 0:22:26.159
<v Speaker 1>from your screens. I stop the screens have like a

0:22:26.200 --> 0:22:28.159
<v Speaker 1>million lights on me right now as I speak. As

0:22:28.200 --> 0:22:32.800
<v Speaker 1>I say that, because I need to stay awake. All right,

0:22:32.800 --> 0:22:38.000
<v Speaker 1>here we go. How should I propose to my girlfriend? Bro?

0:22:39.000 --> 0:22:44.639
<v Speaker 1>You need to email Chris C. Chris at Grangersmith dot com.

0:22:45.040 --> 0:22:49.440
<v Speaker 1>That's my tour manager, and you need to say, hey, man,

0:22:49.800 --> 0:22:53.119
<v Speaker 1>Granger Smith told me on his podcast to email you

0:22:54.200 --> 0:22:56.680
<v Speaker 1>so that I could come on the stage during happens

0:22:56.680 --> 0:23:00.880
<v Speaker 1>like that at your concert and you'll Granger will get

0:23:00.920 --> 0:23:05.679
<v Speaker 1>me up and I can propose to my girlfriend. That's

0:23:06.080 --> 0:23:08.200
<v Speaker 1>how you do it, my man, That's how you do it.

0:23:08.280 --> 0:23:10.879
<v Speaker 1>Email christ granger Smith dot com and I want you

0:23:10.920 --> 0:23:14.040
<v Speaker 1>on the stage to do this. I'm assuming since you

0:23:14.119 --> 0:23:19.840
<v Speaker 1>messaged me with that question that this is a great possibility.

0:23:22.760 --> 0:23:26.480
<v Speaker 1>Let me let me, let me change change gears here

0:23:30.000 --> 0:23:34.399
<v Speaker 1>and then I'm gonna I'm gonna go and get me

0:23:34.440 --> 0:23:39.480
<v Speaker 1>a dinner at Baton Rouge. I'm gonna do a little

0:23:39.520 --> 0:23:41.199
<v Speaker 1>I'm gonna do a little eat and greet. That's what

0:23:41.240 --> 0:23:43.480
<v Speaker 1>we're doing today with the radio stations called Eating greet.

0:23:43.600 --> 0:23:46.080
<v Speaker 1>So I'm gonna eat and then people are gonna come

0:23:46.080 --> 0:23:48.600
<v Speaker 1>in and eat, and I'm gonna do a question and answer.

0:23:48.640 --> 0:23:51.000
<v Speaker 1>I'm gonna answer more questions with the radio station on

0:23:51.080 --> 0:23:55.600
<v Speaker 1>the stage to some radio winners, and then after that

0:23:55.760 --> 0:23:59.080
<v Speaker 1>it's meeting great time, and then it's showtime, and I

0:23:59.119 --> 0:24:01.640
<v Speaker 1>want you guys. I want you guys to know that

0:24:02.320 --> 0:24:04.560
<v Speaker 1>a lot of these questions were when do you come

0:24:04.600 --> 0:24:06.320
<v Speaker 1>in to my town? You know, when you come in Australia,

0:24:06.320 --> 0:24:07.560
<v Speaker 1>when you come in to Germany, when you come in

0:24:07.560 --> 0:24:10.040
<v Speaker 1>to my Hey, we're doing our best. I promise, we

0:24:10.080 --> 0:24:12.720
<v Speaker 1>are doing our best. We're gonna we are going to

0:24:13.720 --> 0:24:16.480
<v Speaker 1>be close to you this year, I promise, including Europe

0:24:17.080 --> 0:24:20.040
<v Speaker 1>hopefully Australia. So trust me, we're gonna try to make it.

0:24:20.720 --> 0:24:24.480
<v Speaker 1>Go to Grangersmith dot com forward slash Tour and you

0:24:24.480 --> 0:24:27.119
<v Speaker 1>could also get tickets and meet and greets on that

0:24:27.200 --> 0:24:30.960
<v Speaker 1>same link, so we sell both. You could always meet

0:24:31.000 --> 0:24:34.159
<v Speaker 1>me and uh, which is exactly what I'm gonna do

0:24:35.440 --> 0:24:38.640
<v Speaker 1>after this question. So I gotta I get a lot

0:24:38.640 --> 0:24:40.080
<v Speaker 1>of these and I need. I need to tackle at

0:24:40.160 --> 0:24:44.040
<v Speaker 1>least one of them. And I want you guys to

0:24:44.080 --> 0:24:46.640
<v Speaker 1>know that it's okay to ask me anything, and I'm

0:24:46.640 --> 0:24:49.600
<v Speaker 1>cool with that. But here, but here's the question. How

0:24:49.960 --> 0:24:56.280
<v Speaker 1>have you and Amber found purpose slash joy and Riv's death?

0:24:57.760 --> 0:25:02.080
<v Speaker 1>What is it? And that is yes, that is the question,

0:25:02.359 --> 0:25:06.639
<v Speaker 1>isn't it? That is the question? And that's from Rachel

0:25:07.880 --> 0:25:16.280
<v Speaker 1>on Instagram. And not only is it a great question,

0:25:16.320 --> 0:25:18.280
<v Speaker 1>but it's kind of it's kind of the question in

0:25:18.840 --> 0:25:23.840
<v Speaker 1>this kind of this kind of lost, this kind of

0:25:24.080 --> 0:25:30.080
<v Speaker 1>you know, parents, parents losing a child or the first thing,

0:25:30.680 --> 0:25:35.439
<v Speaker 1>first thing I wanted to know when this happened was,

0:25:37.800 --> 0:25:41.080
<v Speaker 1>you know, my human brain said, what's the reason? What's

0:25:41.119 --> 0:25:43.920
<v Speaker 1>the reasons? You know, like, what are the technical reasons?

0:25:45.800 --> 0:25:49.840
<v Speaker 1>And it didn't take me long to stop that wrongful thinking,

0:25:51.600 --> 0:25:56.439
<v Speaker 1>because what happened happened. And I've said before on the

0:25:56.440 --> 0:26:01.720
<v Speaker 1>Smiths that we've had to learn it happened, but it's

0:26:01.760 --> 0:26:04.840
<v Speaker 1>not happening. Right, there's a big difference. It happened, but

0:26:04.880 --> 0:26:07.639
<v Speaker 1>it's not happening. We had to learn that, and so

0:26:07.760 --> 0:26:10.520
<v Speaker 1>I also had to learn stop looking for the reasons

0:26:11.359 --> 0:26:16.080
<v Speaker 1>and start looking for the meaning. And that's been my

0:26:16.119 --> 0:26:18.280
<v Speaker 1>biggest thing, and so I could I could trade your

0:26:18.320 --> 0:26:23.359
<v Speaker 1>word purpose for meaning. There kind of go hand in hand,

0:26:25.040 --> 0:26:32.439
<v Speaker 1>and finding meaning comes from responsibility. Responsibility starts with you,

0:26:32.600 --> 0:26:36.479
<v Speaker 1>starts with yourself. And so that's what I did, is

0:26:36.680 --> 0:26:43.720
<v Speaker 1>the first thing I wanted to do was help others.

0:26:43.800 --> 0:26:46.600
<v Speaker 1>And so as soon as I felt like I was

0:26:47.600 --> 0:26:50.359
<v Speaker 1>in a place where I could function, I could brush

0:26:50.400 --> 0:26:54.359
<v Speaker 1>my teeth, I can comb my hair, then I wanted

0:26:54.359 --> 0:26:57.439
<v Speaker 1>to immediately help Amber. And once I could help Amber,

0:26:58.960 --> 0:27:03.400
<v Speaker 1>we wanted to help the kids. Once we helped the kids,

0:27:03.560 --> 0:27:09.600
<v Speaker 1>then we wanted to reach out to extended family. And

0:27:09.640 --> 0:27:12.920
<v Speaker 1>once we helped extended family, we wanted to help other

0:27:13.000 --> 0:27:17.440
<v Speaker 1>families that were in need. And so that's what we did,

0:27:17.520 --> 0:27:19.639
<v Speaker 1>and that's how we found meaning, was we continue to

0:27:19.800 --> 0:27:26.359
<v Speaker 1>grow that ring of responsibility outward with a lending hand,

0:27:26.480 --> 0:27:29.840
<v Speaker 1>with a word of encouragement, with helping, with putting a

0:27:29.880 --> 0:27:32.159
<v Speaker 1>question like this on the podcast that maybe someone is

0:27:32.200 --> 0:27:36.600
<v Speaker 1>listening to, maybe someone that needs to hear this can

0:27:36.600 --> 0:27:38.760
<v Speaker 1>find meaning in these words, and then in turn, that's

0:27:38.760 --> 0:27:41.560
<v Speaker 1>a meaning for me. And that's how you offset suffering

0:27:41.880 --> 0:27:44.880
<v Speaker 1>is through meaning. That's the only way to offset suffering

0:27:44.880 --> 0:27:47.160
<v Speaker 1>in this life. Because this life is going to have suffering.

0:27:47.200 --> 0:27:53.359
<v Speaker 1>It's inevitable. It is so much about suffering, and the

0:27:53.359 --> 0:27:56.400
<v Speaker 1>only way to fight it, to battle it, to offset

0:27:56.400 --> 0:27:59.679
<v Speaker 1>it is through meaning. So you find meaning through people,

0:27:59.760 --> 0:28:02.040
<v Speaker 1>through relationships, but you need to start with yourself. It

0:28:02.080 --> 0:28:05.000
<v Speaker 1>has to start with yourself. I'm talking about making your bed,

0:28:05.359 --> 0:28:09.080
<v Speaker 1>I'm talking about cleaning your room. I'm talking about being

0:28:09.359 --> 0:28:14.159
<v Speaker 1>a functional human. It has to start with that. And

0:28:14.280 --> 0:28:16.439
<v Speaker 1>as that ring grew out, and as Amber and I

0:28:16.480 --> 0:28:21.240
<v Speaker 1>got stronger, we started to find meaning and helping others.

0:28:22.280 --> 0:28:25.200
<v Speaker 1>And you guys have noticed a shift on my Instagram,

0:28:25.240 --> 0:28:28.119
<v Speaker 1>You've noticed a shift on the Smiths, and you've noticed

0:28:28.280 --> 0:28:32.200
<v Speaker 1>what we're doing on this podcast. I'm trying to find

0:28:32.240 --> 0:28:35.360
<v Speaker 1>meaning and it's a never ending search because we'll always

0:28:35.400 --> 0:28:40.640
<v Speaker 1>build on that, we'll always continue to season that as

0:28:40.720 --> 0:28:45.600
<v Speaker 1>much as we can. And that's what this is all about.

0:28:45.640 --> 0:28:50.120
<v Speaker 1>To me. It's about finding that meaning. And so yes, Rachel,

0:28:50.240 --> 0:28:55.400
<v Speaker 1>we have found it. And it's the responsibility and it

0:28:55.440 --> 0:28:57.120
<v Speaker 1>goes all the way out to the community and it

0:28:57.160 --> 0:29:01.600
<v Speaker 1>goes to people just like you. Thank you, guys, thank

0:29:01.640 --> 0:29:04.440
<v Speaker 1>you for listening, thank you for watching, Thank you for

0:29:04.480 --> 0:29:08.240
<v Speaker 1>supporting The Grangersmith Podcast. And everything that we do. Ye Ye,

0:29:09.080 --> 0:29:11.640
<v Speaker 1>thank you so much for supporting Ye Apparel. I mean,

0:29:11.640 --> 0:29:14.920
<v Speaker 1>that's that's I don't get to talk about it a lot,

0:29:14.960 --> 0:29:17.600
<v Speaker 1>but that is my baby. Yee Apparel is my baby

0:29:17.600 --> 0:29:20.920
<v Speaker 1>that me and my brother started in and that doesn't

0:29:20.960 --> 0:29:24.240
<v Speaker 1>exist without the support of people like y'all. So check

0:29:24.280 --> 0:29:27.480
<v Speaker 1>outye apparel dot com, check out grangersmith dot com. Forward

0:29:27.560 --> 0:29:30.360
<v Speaker 1>slash tour so I could see you out there and

0:29:30.760 --> 0:29:33.280
<v Speaker 1>ask me a question. Hashtag granger Smith on your favorite

0:29:33.720 --> 0:29:37.320
<v Speaker 1>social media channel. Love you guys, See you down the road.

0:29:37.800 --> 0:29:38.080
<v Speaker 1>Eye