1 00:00:00,440 --> 00:00:03,560 Speaker 1: Hey guys, welcome to the Granger Smith Podcast. This is 2 00:00:03,560 --> 00:00:06,920 Speaker 1: a very special addition to the podcast. This is March 3 00:00:06,960 --> 00:00:14,000 Speaker 1: the fourteenth. I typically record these podcasts four five, six, 4 00:00:14,080 --> 00:00:16,880 Speaker 1: seven days before you actually hear it on Mondays or 5 00:00:16,920 --> 00:00:20,520 Speaker 1: watch it, so I'm adding this intro to tell you this. 6 00:00:20,520 --> 00:00:23,279 Speaker 1: This podcast was recorded on the road a few days ago. 7 00:00:23,480 --> 00:00:27,800 Speaker 1: Since then, we've had this crazy coronavirus pandemic happen and 8 00:00:28,240 --> 00:00:32,000 Speaker 1: some of these questions might be irrelevant or a little 9 00:00:32,040 --> 00:00:35,599 Speaker 1: bit different because of the new crazy news. And so 10 00:00:35,760 --> 00:00:39,159 Speaker 1: I'm partly recording this for you guys so that you 11 00:00:39,200 --> 00:00:41,640 Speaker 1: don't hear this podcast and think, oh my gosh, he's 12 00:00:41,640 --> 00:00:45,199 Speaker 1: not talking about the crazy, you know, new turn of 13 00:00:45,200 --> 00:00:48,199 Speaker 1: events that we've had in these last few days. That 14 00:00:48,400 --> 00:00:53,159 Speaker 1: being said, some of you watching this might not be 15 00:00:53,320 --> 00:00:56,800 Speaker 1: affected that much by the coronavirus. Me personally, my world 16 00:00:56,840 --> 00:01:02,440 Speaker 1: has been turned upside down touring. The entire touring industry 17 00:01:02,520 --> 00:01:07,040 Speaker 1: has completely collapsed, and that is where artists like me 18 00:01:08,040 --> 00:01:13,399 Speaker 1: and so many others make all of their money. So essentially, 19 00:01:13,440 --> 00:01:17,480 Speaker 1: I've lost my job and I'm okay. I have YouTube 20 00:01:17,480 --> 00:01:19,399 Speaker 1: and other things, but the you know, I have a 21 00:01:19,440 --> 00:01:22,720 Speaker 1: lot of band members and crew guys on salaries, so 22 00:01:22,800 --> 00:01:26,199 Speaker 1: that is the concern, is trying to get them paid 23 00:01:26,440 --> 00:01:31,240 Speaker 1: through when we start touring again. The latest I've heard 24 00:01:31,440 --> 00:01:33,759 Speaker 1: is May. Somewhere around May, we're gonna start touring again 25 00:01:34,040 --> 00:01:36,600 Speaker 1: once again. This has nothing to do with our decision 26 00:01:36,840 --> 00:01:42,720 Speaker 1: or promoters or venues, are booking agents or everybody wants 27 00:01:42,760 --> 00:01:45,080 Speaker 1: to tour. This is the This is happening at the 28 00:01:45,120 --> 00:01:50,360 Speaker 1: federal level that all these gatherings are being canceled. So 29 00:01:50,400 --> 00:01:52,680 Speaker 1: the next podcast you hear will probably be a lot 30 00:01:52,720 --> 00:01:55,080 Speaker 1: about this. But I wanted to just give you a 31 00:01:55,120 --> 00:01:58,400 Speaker 1: quick intro so that you know, as this podcast comes 32 00:01:58,400 --> 00:02:04,240 Speaker 1: on it was pre coronavirus. Enjoy yourselves, you'll be safe. 33 00:02:04,840 --> 00:02:24,440 Speaker 1: Welcome to the Granger Smith Podcast. Hey guys, what's up. 34 00:02:24,480 --> 00:02:28,839 Speaker 1: It's Granger Smith. Welcome to the Granger Smith Podcast, Episode 35 00:02:28,880 --> 00:02:33,160 Speaker 1: twenty three. Thank you guys for listening or watching if 36 00:02:33,160 --> 00:02:36,080 Speaker 1: you're watching on YouTube. If you're watching on YouTube, go 37 00:02:36,120 --> 00:02:38,040 Speaker 1: ahead and do me a favor and subscribe to the 38 00:02:38,080 --> 00:02:40,440 Speaker 1: Granger Smith channel so you don't miss any of these 39 00:02:40,560 --> 00:02:42,639 Speaker 1: videos coming up. And then while you're at it, go 40 00:02:42,680 --> 00:02:45,600 Speaker 1: over there and subscribe to the Smith channel so you 41 00:02:45,639 --> 00:02:48,760 Speaker 1: don't miss any of our family vlogs that we just 42 00:02:48,880 --> 00:02:51,760 Speaker 1: love putting out. It's a huge passion of mine to 43 00:02:52,360 --> 00:02:54,920 Speaker 1: put out two videos a week on the Smiths and 44 00:02:54,960 --> 00:02:58,280 Speaker 1: then one video a week on the podcast. And we 45 00:02:58,320 --> 00:03:02,400 Speaker 1: are releasing these podcasts every single Monday, really early. I 46 00:03:02,440 --> 00:03:05,200 Speaker 1: believe they're set for about five am, so that it 47 00:03:05,240 --> 00:03:08,400 Speaker 1: catches everyone on their way to work, a way to school, 48 00:03:09,240 --> 00:03:12,960 Speaker 1: whatever that might be. I am sitting here in the 49 00:03:12,960 --> 00:03:20,519 Speaker 1: back of my bus in Baton Rouge, Louisiana. What a 50 00:03:22,680 --> 00:03:25,600 Speaker 1: crazy year this has been so far, and what a 51 00:03:25,639 --> 00:03:28,360 Speaker 1: crazy tour this has been. I'm sitting here looking at 52 00:03:28,360 --> 00:03:31,680 Speaker 1: this and I'm like, I got to do a podcast 53 00:03:31,800 --> 00:03:35,040 Speaker 1: and take these headphones off, and dinner is coming up. 54 00:03:35,080 --> 00:03:38,520 Speaker 1: So I have about thirty minutes to do this podcast, 55 00:03:39,360 --> 00:03:40,960 Speaker 1: and that's plenty of time. There's plenty of time to 56 00:03:40,960 --> 00:03:42,920 Speaker 1: talk to you guys to answer some of these questions. 57 00:03:43,600 --> 00:03:46,840 Speaker 1: I got these questions today from Instagram. So I'll go 58 00:03:46,920 --> 00:03:52,160 Speaker 1: and I'll check Instagram hashtag Granger Smith Podcast. I'll check Twitter, Facebook, 59 00:03:52,240 --> 00:03:54,680 Speaker 1: and I'm also checking the comments on the YouTube page too. 60 00:03:54,680 --> 00:03:56,760 Speaker 1: It so I'm finding these questions that you guys are 61 00:03:56,800 --> 00:04:01,200 Speaker 1: asking and I'm gonna dive into them first question I 62 00:04:01,240 --> 00:04:05,400 Speaker 1: have here is what is the most memorable thing that 63 00:04:05,440 --> 00:04:08,880 Speaker 1: has ever happened at one of your concerts? And I 64 00:04:09,040 --> 00:04:10,760 Speaker 1: like that question. I like it when people ask me 65 00:04:10,800 --> 00:04:17,520 Speaker 1: that because it has to be well, Okay, one instance 66 00:04:17,560 --> 00:04:23,479 Speaker 1: in Iraq, We're playing a tour in Iraq and literally 67 00:04:23,960 --> 00:04:27,800 Speaker 1: a bomb went off close to where we were having 68 00:04:27,800 --> 00:04:34,760 Speaker 1: a concert, and the immediate response team jumped up leaves 69 00:04:35,640 --> 00:04:38,920 Speaker 1: and half the room left and they made us go 70 00:04:38,960 --> 00:04:44,000 Speaker 1: into a bunker. Halfway through the concert. So we were 71 00:04:44,040 --> 00:04:47,919 Speaker 1: in a gymnasium, So we're literally crawling on the ground 72 00:04:47,960 --> 00:04:50,000 Speaker 1: in the gymnasium and we had to go to a 73 00:04:50,040 --> 00:04:53,400 Speaker 1: concrete bunker. And I am kind of an adrenaline junkie, 74 00:04:53,440 --> 00:04:55,880 Speaker 1: so I was loving it. Some of the other guys 75 00:04:55,880 --> 00:05:01,760 Speaker 1: in the band were absolutely terrified. You know, I understand why, 76 00:05:01,960 --> 00:05:05,880 Speaker 1: But that's number one that tops tops the question for sure, 77 00:05:06,160 --> 00:05:09,120 Speaker 1: what is the most memorable thing that's ever happened at 78 00:05:09,120 --> 00:05:13,000 Speaker 1: one of my concerts? But then after that, I would 79 00:05:13,000 --> 00:05:14,200 Speaker 1: have to say it would have to be some of 80 00:05:14,200 --> 00:05:17,279 Speaker 1: my injuries, which I've been injured several times as Earl 81 00:05:17,320 --> 00:05:22,039 Speaker 1: Diuvile Junior. I have completely separated a shoulder, I have 82 00:05:23,120 --> 00:05:25,839 Speaker 1: split my forehead open right in the middle, which cost 83 00:05:26,040 --> 00:05:28,719 Speaker 1: seven stitches. That was in College Station, Texas, and I 84 00:05:28,760 --> 00:05:31,040 Speaker 1: was running up the stage as Earl ran right into 85 00:05:31,080 --> 00:05:34,960 Speaker 1: the speaker. Blood went everywhere. You know, your forehead bleeds 86 00:05:35,120 --> 00:05:38,120 Speaker 1: really bad. So I turned and looked at the crowd, 87 00:05:38,240 --> 00:05:42,080 Speaker 1: and I just saw horrified faces looking back at me, 88 00:05:42,760 --> 00:05:46,280 Speaker 1: and I didn't realize what was happening until I saw 89 00:05:46,320 --> 00:05:48,200 Speaker 1: their face and then saw the drips coming off of 90 00:05:48,279 --> 00:05:51,680 Speaker 1: my nose and knew it was really bad. Finished that 91 00:05:52,240 --> 00:05:56,120 Speaker 1: concert and then went to the well. I say finished. 92 00:05:56,120 --> 00:05:58,240 Speaker 1: I got a towel and wiped off a little bit, 93 00:05:58,880 --> 00:06:02,720 Speaker 1: and then off the emergency room. And then another time 94 00:06:03,080 --> 00:06:04,839 Speaker 1: I fell off the stage in New Jersey. A lot 95 00:06:04,880 --> 00:06:07,480 Speaker 1: of you guys have heard this story. I've told this 96 00:06:07,560 --> 00:06:12,880 Speaker 1: on a previous podcast and fell off the stage, broke 97 00:06:13,000 --> 00:06:17,159 Speaker 1: two ribs, one of the ribs punctured along, got back 98 00:06:17,200 --> 00:06:19,320 Speaker 1: on that stage, finished that show, and then went to 99 00:06:19,400 --> 00:06:22,919 Speaker 1: the emergency room again. So I have a lot of 100 00:06:22,920 --> 00:06:27,720 Speaker 1: these little injury memories as Earl, and it's it's never fun, 101 00:06:27,720 --> 00:06:30,599 Speaker 1: but it always makes really good stories. And it's always 102 00:06:30,720 --> 00:06:34,000 Speaker 1: Earl for some reason. All right, let me look at 103 00:06:34,080 --> 00:06:36,160 Speaker 1: let me look what other things I have has has 104 00:06:38,200 --> 00:06:41,480 Speaker 1: take us through the process of coming up with a song. 105 00:06:41,839 --> 00:06:46,560 Speaker 1: How does it happen? And that's a that's a good question, 106 00:06:46,760 --> 00:06:53,039 Speaker 1: and I have several processes. I I think in terms 107 00:06:53,120 --> 00:06:57,920 Speaker 1: of either melodies or lyrics, and they're pretty separate. There's 108 00:06:57,920 --> 00:06:59,640 Speaker 1: not a lot of times that they come in together 109 00:06:59,680 --> 00:07:02,680 Speaker 1: in my mind, so they usually come in separately. Some 110 00:07:02,839 --> 00:07:06,320 Speaker 1: melody and I'm just humming and or some lyric I 111 00:07:06,320 --> 00:07:08,000 Speaker 1: think that's a really cool line and this is what 112 00:07:08,120 --> 00:07:11,280 Speaker 1: rhymes with it. So it's not too often that I 113 00:07:11,280 --> 00:07:13,280 Speaker 1: get them together. But what I do is I'll go 114 00:07:13,360 --> 00:07:17,360 Speaker 1: in and have a list of notes on my phone. 115 00:07:17,400 --> 00:07:19,440 Speaker 1: I'll write all the lyrics down or the titles down, 116 00:07:19,760 --> 00:07:23,440 Speaker 1: and then I have my voice memos and I'll kind 117 00:07:23,440 --> 00:07:25,320 Speaker 1: of hum melodies and then I just try to merge 118 00:07:25,360 --> 00:07:28,480 Speaker 1: them together. And that's typically when I get up early. 119 00:07:28,840 --> 00:07:32,240 Speaker 1: That's when I like to write. Make a cup of coffee, 120 00:07:32,600 --> 00:07:34,840 Speaker 1: pull out the old phone, pull out a pen and paper, 121 00:07:35,160 --> 00:07:39,120 Speaker 1: and see which ideas merge together that hopefully makes a song. 122 00:07:39,200 --> 00:07:40,760 Speaker 1: And you know what, most of the time, it doesn't. 123 00:07:41,120 --> 00:07:42,720 Speaker 1: Most of the time I sit down and write a song, 124 00:07:43,280 --> 00:07:48,920 Speaker 1: nothing happens, and it sucks. It's called writer's block, and 125 00:07:49,480 --> 00:07:51,800 Speaker 1: it's a real thing. But then when it does start 126 00:07:51,840 --> 00:07:54,000 Speaker 1: flowing and it feels good and the songs come out, 127 00:07:54,200 --> 00:07:59,120 Speaker 1: it's great. Another a way to battle writer's block. The 128 00:07:59,240 --> 00:08:02,280 Speaker 1: number one way to battle writer's block is to get 129 00:08:02,280 --> 00:08:04,000 Speaker 1: some of my buddies out to write with me, which 130 00:08:04,000 --> 00:08:07,240 Speaker 1: is going to happen next weekend. And so I get 131 00:08:07,240 --> 00:08:09,440 Speaker 1: some of my good friends out and then we all 132 00:08:09,440 --> 00:08:11,200 Speaker 1: come in and then we all kind of make up 133 00:08:11,200 --> 00:08:12,640 Speaker 1: for each other. If one of us is kind of 134 00:08:12,720 --> 00:08:16,320 Speaker 1: lacking with a writer's block situation, the other one could 135 00:08:16,560 --> 00:08:18,840 Speaker 1: knock us out of it, and vice versa, and we 136 00:08:19,000 --> 00:08:23,600 Speaker 1: quickly can get through some pretty good songs that way. 137 00:08:24,360 --> 00:08:30,800 Speaker 1: Here's a good question, the question everybody's thinking about right now. 138 00:08:30,920 --> 00:08:33,200 Speaker 1: Are you going to cancel any of your tour dates 139 00:08:33,480 --> 00:08:38,840 Speaker 1: with all the coronavirus things going on? Oh gosh, no, 140 00:08:39,120 --> 00:08:40,880 Speaker 1: I'm not. I'm not going to cancel it. But you know, 141 00:08:40,960 --> 00:08:43,080 Speaker 1: I just heard we're from Austin, Texas, and I just 142 00:08:43,080 --> 00:08:48,000 Speaker 1: heard south By Southwest, a huge music festival, canceled, canceled, 143 00:08:48,040 --> 00:08:51,280 Speaker 1: completely canceled. I can't imagine all the businesses that are 144 00:08:51,280 --> 00:08:55,960 Speaker 1: gonna hurt from that decision. Guys, I don't see I 145 00:08:55,960 --> 00:08:58,440 Speaker 1: don't see the hype from this. I know that it's 146 00:08:58,760 --> 00:09:02,160 Speaker 1: going to affect me negative at some point with ticket sales. 147 00:09:03,520 --> 00:09:05,520 Speaker 1: If it keeps on ramping up and then the news 148 00:09:05,800 --> 00:09:09,960 Speaker 1: keeps making it headlines and clickbait, then it's going to 149 00:09:10,080 --> 00:09:14,760 Speaker 1: affect musicians or anybody else in the public business. It's 150 00:09:14,800 --> 00:09:19,480 Speaker 1: going to affect us. So that sucks. And I don't 151 00:09:19,520 --> 00:09:21,440 Speaker 1: see the hype. I don't, I don't, I don't. I 152 00:09:21,480 --> 00:09:27,040 Speaker 1: don't understand it. Besides the fact that guys, you know this, 153 00:09:27,240 --> 00:09:29,480 Speaker 1: we live in a clickbait world. We live in a 154 00:09:29,520 --> 00:09:35,040 Speaker 1: world where everyone, all these major news stations, they want 155 00:09:35,080 --> 00:09:37,560 Speaker 1: you to click on their station, they want you to 156 00:09:37,600 --> 00:09:40,400 Speaker 1: click on their posts, they want you to watch what 157 00:09:40,480 --> 00:09:44,760 Speaker 1: they're saying because those views and those streams make them 158 00:09:44,800 --> 00:09:48,120 Speaker 1: more money. So, for instance, if if I was a 159 00:09:48,520 --> 00:09:51,880 Speaker 1: director of a news company, I would say, let's say, hey, 160 00:09:52,200 --> 00:09:55,520 Speaker 1: somebody figure out a way that we could post coronavirus 161 00:09:55,520 --> 00:09:58,960 Speaker 1: has mutated. And so then you know, you get these 162 00:09:59,000 --> 00:10:00,920 Speaker 1: little people in the background and they're like figuring out 163 00:10:00,920 --> 00:10:02,960 Speaker 1: and they technically I figured out a way we could 164 00:10:03,000 --> 00:10:05,079 Speaker 1: say that, and it's technically true, even though it's a 165 00:10:05,240 --> 00:10:08,720 Speaker 1: far stretch, and so then they go, great, make up something, 166 00:10:08,880 --> 00:10:12,680 Speaker 1: find a picture, and we'll call it coronavirus mutation faster 167 00:10:12,800 --> 00:10:15,559 Speaker 1: than normal. And that's a pretty good click. And you 168 00:10:15,640 --> 00:10:17,600 Speaker 1: and me and everyone else that sees that it's probably 169 00:10:17,600 --> 00:10:20,000 Speaker 1: going to click on that. That's the world we live in. 170 00:10:20,120 --> 00:10:23,240 Speaker 1: I don't trust it, and so it makes it tough 171 00:10:23,440 --> 00:10:26,480 Speaker 1: to answer your question. I'm not going to cancel any 172 00:10:26,520 --> 00:10:28,599 Speaker 1: tourt eights, at least I don't think so, unless it 173 00:10:28,720 --> 00:10:32,400 Speaker 1: turns into some kind of Walking Dead zombie apocalypse, which 174 00:10:32,440 --> 00:10:36,600 Speaker 1: I don't think this is going to happen. Guys, don't 175 00:10:36,600 --> 00:10:41,080 Speaker 1: buy into the hype. Don't buy into the hype. Next question, 176 00:10:43,559 --> 00:10:46,959 Speaker 1: the earpieces you use for your shows? What are they for? 177 00:10:47,480 --> 00:10:50,760 Speaker 1: And does it play the music? That's a good question. Look, 178 00:10:50,760 --> 00:10:55,040 Speaker 1: I got it right here, just got out of sound 179 00:10:55,120 --> 00:10:58,640 Speaker 1: check here in Baton Rouge, and these are called an 180 00:10:58,679 --> 00:11:03,880 Speaker 1: ear monitors, and they come in many sizes, many colors. 181 00:11:04,920 --> 00:11:06,840 Speaker 1: Mine are kind of a one of them is kind 182 00:11:06,840 --> 00:11:08,240 Speaker 1: of a clear blue, and one of them is kind 183 00:11:08,280 --> 00:11:12,319 Speaker 1: of a solid red. I'm smiling because you know why, 184 00:11:12,600 --> 00:11:14,520 Speaker 1: you know why one is blue and one is red. 185 00:11:14,559 --> 00:11:16,840 Speaker 1: And you could make these any color you want. You 186 00:11:16,840 --> 00:11:20,280 Speaker 1: could design them any way you want. I used to 187 00:11:20,320 --> 00:11:23,000 Speaker 1: have camouflage my old ones, my backups are camouflage. You 188 00:11:23,000 --> 00:11:25,960 Speaker 1: could do anything you want. I made mind blue and 189 00:11:26,000 --> 00:11:31,200 Speaker 1: red because red means right, ear red for right, so 190 00:11:31,440 --> 00:11:33,280 Speaker 1: I can just quickly see them and throw it in. 191 00:11:34,600 --> 00:11:39,199 Speaker 1: So what it means is and if you're a musician 192 00:11:39,200 --> 00:11:42,040 Speaker 1: and you know this, don't worry about it. If you 193 00:11:42,080 --> 00:11:45,840 Speaker 1: don't know it. Musicians, most of us now, we wear 194 00:11:45,880 --> 00:11:49,719 Speaker 1: these as opposed to floor monitors or wedges as they're 195 00:11:49,760 --> 00:11:53,120 Speaker 1: sometimes called, that play the music back to us. And 196 00:11:53,160 --> 00:11:56,360 Speaker 1: that's what these do. It's basically the music you're hearing 197 00:11:56,559 --> 00:11:59,400 Speaker 1: playing back to us. Why do we need that, Well, 198 00:12:00,800 --> 00:12:04,080 Speaker 1: the reason is if we're behind the speakers, which we 199 00:12:04,120 --> 00:12:07,160 Speaker 1: typically are, the speakers are throwing out the sound forward 200 00:12:07,240 --> 00:12:09,920 Speaker 1: so that the crowd could hear it, and us the band, 201 00:12:10,000 --> 00:12:13,000 Speaker 1: the people behind the speakers are getting a delayed version 202 00:12:13,000 --> 00:12:15,440 Speaker 1: of that, or an echoed version of that, or some 203 00:12:15,559 --> 00:12:18,400 Speaker 1: kind of distorted version of that. So it's really difficult 204 00:12:18,440 --> 00:12:21,560 Speaker 1: for us to play together with each other. The bass 205 00:12:21,600 --> 00:12:24,280 Speaker 1: player playing with the drummer, the guitar players playing together, 206 00:12:24,480 --> 00:12:28,600 Speaker 1: me singing to the drummers beat. All those things need 207 00:12:28,640 --> 00:12:30,120 Speaker 1: to be very in syne and they need to be 208 00:12:30,240 --> 00:12:34,280 Speaker 1: perfectly in time. So we all wear these anier monitors 209 00:12:34,880 --> 00:12:37,319 Speaker 1: that's run by a monitor board on the side of 210 00:12:37,360 --> 00:12:40,160 Speaker 1: the stage. So if you see one of our sound 211 00:12:40,160 --> 00:12:42,880 Speaker 1: guys on the side of the stage or at any concert, 212 00:12:43,480 --> 00:12:46,160 Speaker 1: that sound guy with his board, with his mixing board, 213 00:12:46,600 --> 00:12:49,520 Speaker 1: he is mixing the sound that the musicians on stage 214 00:12:49,520 --> 00:12:53,240 Speaker 1: are hearing. Only if you see the audio guy out front, 215 00:12:53,559 --> 00:12:56,080 Speaker 1: we call it front of house. He's out in the 216 00:12:56,120 --> 00:12:59,600 Speaker 1: back of the concert with a big soundboard inside the 217 00:12:59,720 --> 00:13:03,480 Speaker 1: play where all the fans are. He is mixing what 218 00:13:03,559 --> 00:13:07,120 Speaker 1: you hear from the audience perspective. He's mixing the big speakers. 219 00:13:07,520 --> 00:13:09,480 Speaker 1: So that's it. You gotta have both. You gotta have 220 00:13:10,080 --> 00:13:13,280 Speaker 1: a monitor engineer and a front of house engineer, both 221 00:13:13,280 --> 00:13:15,920 Speaker 1: of them. You gotta have it. It's a good question. 222 00:13:18,240 --> 00:13:20,800 Speaker 1: Here's one that says, what is your favorite thing to 223 00:13:20,800 --> 00:13:24,600 Speaker 1: do after a show? And you know, I could I 224 00:13:24,640 --> 00:13:27,000 Speaker 1: can kind of connect that with another question on saw 225 00:13:27,040 --> 00:13:29,840 Speaker 1: on here that said how do you unwind after a show? 226 00:13:30,720 --> 00:13:34,280 Speaker 1: And guys, when it comes to that stuff, I'm super 227 00:13:34,320 --> 00:13:37,400 Speaker 1: boring and like a part of me wants to be 228 00:13:37,440 --> 00:13:40,760 Speaker 1: able to say, oh man, after the show. That's when 229 00:13:40,760 --> 00:13:43,040 Speaker 1: it parts. That's when the party happens. We do all that, 230 00:13:43,120 --> 00:13:45,320 Speaker 1: you know. We go out and we go find the 231 00:13:45,320 --> 00:13:47,400 Speaker 1: best burger joint in town and it's closed, and we 232 00:13:47,440 --> 00:13:49,200 Speaker 1: get the owner to open it back up, and he 233 00:13:49,240 --> 00:13:50,599 Speaker 1: opens it up and they all get in there and 234 00:13:50,640 --> 00:13:53,120 Speaker 1: they fry up the best burgers. I think that's what 235 00:13:53,120 --> 00:13:54,800 Speaker 1: Elvis used to do. Elvis used to get on his 236 00:13:54,840 --> 00:13:57,240 Speaker 1: plane in the middle of the night and fly across 237 00:13:57,280 --> 00:13:58,800 Speaker 1: the country just to have a burger in the middle 238 00:13:58,840 --> 00:13:59,960 Speaker 1: of the night, and they would open it up for 239 00:14:01,120 --> 00:14:04,319 Speaker 1: the guy lived at night only because he couldn't walk 240 00:14:04,320 --> 00:14:08,600 Speaker 1: around the day. My life very very different than Elvis, 241 00:14:08,720 --> 00:14:12,040 Speaker 1: very boring. First of all, I get up pretty early. 242 00:14:12,840 --> 00:14:16,120 Speaker 1: When I'm at home. I get up around six Amberg 243 00:14:16,200 --> 00:14:19,040 Speaker 1: usually gets up a little before me, and I used 244 00:14:19,080 --> 00:14:21,640 Speaker 1: to get up at like five, but it started affecting 245 00:14:21,640 --> 00:14:23,280 Speaker 1: me too much at night because I need to get 246 00:14:23,320 --> 00:14:25,160 Speaker 1: seven hours. That's like my thing. I got to get 247 00:14:25,200 --> 00:14:28,480 Speaker 1: seven hours. So when I'm on the road it changes 248 00:14:28,480 --> 00:14:31,560 Speaker 1: a little bit. I'd usually get up around seven on 249 00:14:31,680 --> 00:14:35,440 Speaker 1: the road because if I need seven hours, I always 250 00:14:35,480 --> 00:14:39,440 Speaker 1: add an hour on the bus because it just sleeping 251 00:14:39,480 --> 00:14:42,800 Speaker 1: on a bus is rough, it rattles, it bumps. I'm 252 00:14:42,840 --> 00:14:44,400 Speaker 1: right here in this room where we are, where this 253 00:14:44,480 --> 00:14:48,480 Speaker 1: camera sitting is. The engine is right under where this 254 00:14:48,560 --> 00:14:53,360 Speaker 1: camera is sitting, so the motor is super loud. Two 255 00:14:53,440 --> 00:14:58,480 Speaker 1: nights ago, we were driving to Alabama and I heard 256 00:14:58,520 --> 00:15:01,120 Speaker 1: us pull over very abru and you hear the rumble 257 00:15:01,160 --> 00:15:03,800 Speaker 1: strips in the middle of the night. You know that's 258 00:15:04,120 --> 00:15:06,360 Speaker 1: that'll wake up quick. So we wake up to the 259 00:15:06,400 --> 00:15:09,960 Speaker 1: rumble strips, and then I hear all these emergency vehicles 260 00:15:10,040 --> 00:15:13,360 Speaker 1: fine by, you know, sirens. Like, guys, you don't want 261 00:15:13,360 --> 00:15:15,280 Speaker 1: to wake up in the middle of the night to sirens. 262 00:15:15,360 --> 00:15:18,480 Speaker 1: You just don't. That's like not something that's pleasant to 263 00:15:18,560 --> 00:15:20,840 Speaker 1: wake up to in the middle of the night. But 264 00:15:20,960 --> 00:15:24,560 Speaker 1: that's bus life. Long story short, there was a wreck 265 00:15:24,680 --> 00:15:27,760 Speaker 1: and when we had to wait. But needless to say, 266 00:15:28,640 --> 00:15:30,880 Speaker 1: I have to add about an hour to my sleep 267 00:15:30,920 --> 00:15:34,800 Speaker 1: at night. So I get up at seven And partly 268 00:15:34,800 --> 00:15:37,000 Speaker 1: what that does is the bus is quiet. I can 269 00:15:37,040 --> 00:15:40,000 Speaker 1: get some reading in, I can get some songwriting in 270 00:15:40,480 --> 00:15:44,040 Speaker 1: and get some podcasting in even on It's five point 271 00:15:44,040 --> 00:15:47,640 Speaker 1: forty five pm right now, and that kind of allows 272 00:15:47,640 --> 00:15:50,360 Speaker 1: me to get some stuff done. And then about eight 273 00:15:50,440 --> 00:15:53,320 Speaker 1: o'clock or nine o'clock between eight and nine sometime we 274 00:15:53,400 --> 00:15:55,440 Speaker 1: go to the gym. Every single day we go to 275 00:15:55,520 --> 00:15:59,440 Speaker 1: the gym, and that gets my day going to come 276 00:15:59,440 --> 00:16:02,920 Speaker 1: back and make it shake here we usually have lunch 277 00:16:02,960 --> 00:16:06,720 Speaker 1: provided then I kind of start the routine of my day, 278 00:16:06,920 --> 00:16:10,800 Speaker 1: which might be something involving country radio, and then sound checks. 279 00:16:11,680 --> 00:16:13,960 Speaker 1: All that to say, by the end of the show. 280 00:16:14,320 --> 00:16:16,040 Speaker 1: As soon as I get off the stage, I jump 281 00:16:16,120 --> 00:16:18,800 Speaker 1: right in here and I take a shower. There's a 282 00:16:18,800 --> 00:16:24,880 Speaker 1: shower right behind this wall. And I'm tired. I'm really tired. 283 00:16:24,960 --> 00:16:27,320 Speaker 1: So especially if the show's late tonight is a ten 284 00:16:27,360 --> 00:16:30,640 Speaker 1: to fifteen PM start time, and I'm gonna play ninety 285 00:16:30,640 --> 00:16:32,800 Speaker 1: minutes and that's gonna make me come back to the 286 00:16:32,840 --> 00:16:36,080 Speaker 1: bus around midnight. I'm gonna take a shower and I'm 287 00:16:36,120 --> 00:16:39,840 Speaker 1: going to crash hard. So that is my after show routine, 288 00:16:40,040 --> 00:16:43,760 Speaker 1: crashing hard, and then I will sleep till about seven, 289 00:16:43,840 --> 00:16:48,360 Speaker 1: So there's my seven hours. We'll see what else I 290 00:16:48,360 --> 00:16:52,119 Speaker 1: got here? What are the questions? I just basically screenshot 291 00:16:52,160 --> 00:16:54,840 Speaker 1: a bunch of social media questions and then I flip through. 292 00:16:56,480 --> 00:16:59,240 Speaker 1: If I wanted to get into the country music industry, 293 00:16:59,280 --> 00:17:05,720 Speaker 1: where would I start. This is from Lindsay on Instagram. 294 00:17:06,000 --> 00:17:12,119 Speaker 1: Actually I think it might be Liam Lindsay, which is 295 00:17:12,160 --> 00:17:16,960 Speaker 1: a guy. Sorry Liam, Okay, So there's two parts. I 296 00:17:16,960 --> 00:17:18,359 Speaker 1: guess there's kind of two parts of this. If you 297 00:17:18,760 --> 00:17:20,840 Speaker 1: want to get into the country music industry as an 298 00:17:20,920 --> 00:17:23,560 Speaker 1: artist or a musician, or if you want to get 299 00:17:23,600 --> 00:17:27,680 Speaker 1: into the country music industry as a uh, someone behind 300 00:17:27,680 --> 00:17:30,040 Speaker 1: the scenes in the business, And I actually could probably 301 00:17:30,080 --> 00:17:32,919 Speaker 1: say that's probably three different things because artists and musician 302 00:17:32,960 --> 00:17:36,320 Speaker 1: aren't exactly the same musicians. If you want to be 303 00:17:36,359 --> 00:17:39,360 Speaker 1: a musician in country music and you feel like you're 304 00:17:39,359 --> 00:17:42,199 Speaker 1: good enough to take it to a bigger level, you 305 00:17:42,240 --> 00:17:45,600 Speaker 1: got a network. You gotta you gotta know the right 306 00:17:45,640 --> 00:17:49,600 Speaker 1: people that know when the auditions are so and for 307 00:17:49,840 --> 00:17:52,399 Speaker 1: the most part, those are in Nashville. The big country 308 00:17:52,480 --> 00:17:54,639 Speaker 1: music tours, most of them are in Nashville. Mine is 309 00:17:54,680 --> 00:17:58,320 Speaker 1: out of Austin. Most are in Nashville. And so if 310 00:17:58,359 --> 00:17:59,840 Speaker 1: you want to be a guitar player or drummer or 311 00:17:59,840 --> 00:18:02,679 Speaker 1: a player or something like that, you probably need to 312 00:18:02,720 --> 00:18:04,840 Speaker 1: make a bunch of friends that are in other bands 313 00:18:05,280 --> 00:18:08,920 Speaker 1: so that when somebody's auditioning for a new player, you're there. 314 00:18:10,840 --> 00:18:13,840 Speaker 1: If you want to be a singer. I could do 315 00:18:13,880 --> 00:18:16,000 Speaker 1: a whole podcast on this, Liam. I don't think that's 316 00:18:16,000 --> 00:18:18,960 Speaker 1: what you're talking about, but you might be. And I 317 00:18:18,960 --> 00:18:21,879 Speaker 1: could do an entire podcast on this question alone. And 318 00:18:21,880 --> 00:18:24,320 Speaker 1: in fact, I might start doing a series on how 319 00:18:24,359 --> 00:18:26,639 Speaker 1: to be a country singer. I might. I'm thinking about it. 320 00:18:26,680 --> 00:18:30,359 Speaker 1: You guys comment below if you think I should do 321 00:18:30,880 --> 00:18:33,000 Speaker 1: a series on how to be a country singer, if 322 00:18:33,040 --> 00:18:38,080 Speaker 1: there are enough people that would like to listen, because 323 00:18:38,119 --> 00:18:41,560 Speaker 1: I can go in great links about that, but I'll 324 00:18:41,560 --> 00:18:43,359 Speaker 1: just start with the beginning of that one. If you 325 00:18:43,359 --> 00:18:48,080 Speaker 1: want to be a singer, then start with an instrument. 326 00:18:48,680 --> 00:18:53,600 Speaker 1: Start playing an instrument, whether that's guitar or keyboard, and 327 00:18:54,760 --> 00:18:59,600 Speaker 1: start singing along with that instrument. Start writing songs while 328 00:18:59,600 --> 00:19:01,720 Speaker 1: you're singing along to that instrument. This is going in order, 329 00:19:01,720 --> 00:19:05,560 Speaker 1: by the way. And then lastly, start recording the songs 330 00:19:05,600 --> 00:19:07,800 Speaker 1: that you wrote and saying while you're playing an instrument, 331 00:19:09,280 --> 00:19:14,160 Speaker 1: drive around and listen or watch that recording. That's step one. 332 00:19:15,280 --> 00:19:18,480 Speaker 1: Do that and do that for a few years, and 333 00:19:19,880 --> 00:19:22,880 Speaker 1: take good note on what you like that you hear 334 00:19:23,000 --> 00:19:25,240 Speaker 1: and what you don't like. Do more what you like, 335 00:19:25,400 --> 00:19:28,520 Speaker 1: less of what you don't and you will evolve quickly 336 00:19:28,600 --> 00:19:32,119 Speaker 1: that way. It's very important. I'm using pro Tools right 337 00:19:32,160 --> 00:19:35,320 Speaker 1: now as I'm recording this podcast, and this is the 338 00:19:35,359 --> 00:19:38,159 Speaker 1: same program and the same microphone I do work tapes 339 00:19:38,320 --> 00:19:41,080 Speaker 1: or the way I write songs. So I think it's 340 00:19:41,200 --> 00:19:45,400 Speaker 1: very important for musicians to learn some kind of recording software. 341 00:19:45,440 --> 00:19:49,600 Speaker 1: Pro Tools is the most popular if you want to 342 00:19:49,600 --> 00:19:51,760 Speaker 1: get into the music industry. If maybe that's what your 343 00:19:51,800 --> 00:19:55,080 Speaker 1: question is too. As a business person, so you may 344 00:19:55,320 --> 00:19:59,400 Speaker 1: maybe management or record label, or booking agency or publicity. 345 00:20:01,920 --> 00:20:07,880 Speaker 1: Those unfortunately are very networking type positions too. That requires internships, 346 00:20:08,480 --> 00:20:12,120 Speaker 1: once again, mostly in Nashville, sometimes New York, sometimes La 347 00:20:12,280 --> 00:20:17,600 Speaker 1: sometimes Austin, sometimes Atlanta. That requires a lot of knowing 348 00:20:17,600 --> 00:20:20,520 Speaker 1: the right people, going to the right interviews, doing a 349 00:20:20,560 --> 00:20:25,280 Speaker 1: lot of internships. And it doesn't always require an education. 350 00:20:26,400 --> 00:20:28,080 Speaker 1: And a lot of people will go to a music 351 00:20:28,119 --> 00:20:32,240 Speaker 1: school like Belmont and get a music business degree. And 352 00:20:32,280 --> 00:20:36,000 Speaker 1: what's more important than that degree is the people you 353 00:20:36,080 --> 00:20:41,199 Speaker 1: meet in that school, the professors, the other students, and 354 00:20:41,280 --> 00:20:47,440 Speaker 1: the internship possibilities that that school brings. There's so much 355 00:20:47,440 --> 00:20:51,119 Speaker 1: more to that question, but I will look at the 356 00:20:51,160 --> 00:20:54,320 Speaker 1: comments on this and kind of base base it if 357 00:20:54,359 --> 00:20:59,040 Speaker 1: I need to keep talking about that on another Monday podcast. 358 00:20:59,080 --> 00:21:01,199 Speaker 1: I get this a lot. Where's your favorite place to 359 00:21:01,200 --> 00:21:04,560 Speaker 1: put on a concert? And I'm gonna be honest that 360 00:21:04,600 --> 00:21:09,320 Speaker 1: the true answer is is it's it's the people. It's 361 00:21:09,359 --> 00:21:14,000 Speaker 1: based on the people. It's not the place. We have 362 00:21:14,160 --> 00:21:17,720 Speaker 1: played in very beautiful places. We've played in beautiful beach 363 00:21:17,760 --> 00:21:23,800 Speaker 1: towns or beautiful snow Vista resorts, but those aren't the 364 00:21:23,800 --> 00:21:27,960 Speaker 1: best concerts unless it has the best people and the 365 00:21:28,200 --> 00:21:30,760 Speaker 1: people that are most engaged. So give me one hundred 366 00:21:30,800 --> 00:21:33,800 Speaker 1: people that are super engaged, that are just die hard 367 00:21:33,880 --> 00:21:36,520 Speaker 1: fans that know every word and they're they're just they're 368 00:21:36,560 --> 00:21:39,399 Speaker 1: watching me and I could I could do any hand 369 00:21:39,400 --> 00:21:41,440 Speaker 1: motion and they follow me with it. I could walk 370 00:21:41,480 --> 00:21:43,200 Speaker 1: on the stage and they follow me with their eyes 371 00:21:43,240 --> 00:21:46,639 Speaker 1: and I could. That's I don't even have to sing. 372 00:21:46,760 --> 00:21:50,280 Speaker 1: Then they could sing for me. That's the best concert. 373 00:21:50,800 --> 00:21:54,800 Speaker 1: So it's it's not always the coolest stage or the 374 00:21:54,840 --> 00:21:58,679 Speaker 1: prettiest city, or it's not that it helps if it's 375 00:21:58,720 --> 00:22:00,760 Speaker 1: a great crowd. It helps to be with a beautiful 376 00:22:00,760 --> 00:22:07,879 Speaker 1: mountain or sunset behind you, But it's not everything. Let 377 00:22:07,960 --> 00:22:10,359 Speaker 1: me look at another question here. There's the one I 378 00:22:10,359 --> 00:22:12,760 Speaker 1: was looking for how do you unwind after a high 379 00:22:12,840 --> 00:22:18,720 Speaker 1: energy show? Now you know, I take a shower, I 380 00:22:19,240 --> 00:22:21,320 Speaker 1: turn the lights down. Got to turn the lights down. 381 00:22:21,359 --> 00:22:22,720 Speaker 1: If you want to rewind, you got to get away 382 00:22:22,720 --> 00:22:26,159 Speaker 1: from your screens. I stop the screens have like a 383 00:22:26,200 --> 00:22:28,159 Speaker 1: million lights on me right now as I speak. As 384 00:22:28,200 --> 00:22:32,800 Speaker 1: I say that, because I need to stay awake. All right, 385 00:22:32,800 --> 00:22:38,000 Speaker 1: here we go. How should I propose to my girlfriend? Bro? 386 00:22:39,000 --> 00:22:44,639 Speaker 1: You need to email Chris C. Chris at Grangersmith dot com. 387 00:22:45,040 --> 00:22:49,440 Speaker 1: That's my tour manager, and you need to say, hey, man, 388 00:22:49,800 --> 00:22:53,119 Speaker 1: Granger Smith told me on his podcast to email you 389 00:22:54,200 --> 00:22:56,680 Speaker 1: so that I could come on the stage during happens 390 00:22:56,680 --> 00:23:00,880 Speaker 1: like that at your concert and you'll Granger will get 391 00:23:00,920 --> 00:23:05,679 Speaker 1: me up and I can propose to my girlfriend. That's 392 00:23:06,080 --> 00:23:08,200 Speaker 1: how you do it, my man, That's how you do it. 393 00:23:08,280 --> 00:23:10,879 Speaker 1: Email christ granger Smith dot com and I want you 394 00:23:10,920 --> 00:23:14,040 Speaker 1: on the stage to do this. I'm assuming since you 395 00:23:14,119 --> 00:23:19,840 Speaker 1: messaged me with that question that this is a great possibility. 396 00:23:22,760 --> 00:23:26,480 Speaker 1: Let me let me, let me change change gears here 397 00:23:30,000 --> 00:23:34,399 Speaker 1: and then I'm gonna I'm gonna go and get me 398 00:23:34,440 --> 00:23:39,480 Speaker 1: a dinner at Baton Rouge. I'm gonna do a little 399 00:23:39,520 --> 00:23:41,199 Speaker 1: I'm gonna do a little eat and greet. That's what 400 00:23:41,240 --> 00:23:43,480 Speaker 1: we're doing today with the radio stations called Eating greet. 401 00:23:43,600 --> 00:23:46,080 Speaker 1: So I'm gonna eat and then people are gonna come 402 00:23:46,080 --> 00:23:48,600 Speaker 1: in and eat, and I'm gonna do a question and answer. 403 00:23:48,640 --> 00:23:51,000 Speaker 1: I'm gonna answer more questions with the radio station on 404 00:23:51,080 --> 00:23:55,600 Speaker 1: the stage to some radio winners, and then after that 405 00:23:55,760 --> 00:23:59,080 Speaker 1: it's meeting great time, and then it's showtime, and I 406 00:23:59,119 --> 00:24:01,640 Speaker 1: want you guys. I want you guys to know that 407 00:24:02,320 --> 00:24:04,560 Speaker 1: a lot of these questions were when do you come 408 00:24:04,600 --> 00:24:06,320 Speaker 1: in to my town? You know, when you come in Australia, 409 00:24:06,320 --> 00:24:07,560 Speaker 1: when you come in to Germany, when you come in 410 00:24:07,560 --> 00:24:10,040 Speaker 1: to my Hey, we're doing our best. I promise, we 411 00:24:10,080 --> 00:24:12,720 Speaker 1: are doing our best. We're gonna we are going to 412 00:24:13,720 --> 00:24:16,480 Speaker 1: be close to you this year, I promise, including Europe 413 00:24:17,080 --> 00:24:20,040 Speaker 1: hopefully Australia. So trust me, we're gonna try to make it. 414 00:24:20,720 --> 00:24:24,480 Speaker 1: Go to Grangersmith dot com forward slash Tour and you 415 00:24:24,480 --> 00:24:27,119 Speaker 1: could also get tickets and meet and greets on that 416 00:24:27,200 --> 00:24:30,960 Speaker 1: same link, so we sell both. You could always meet 417 00:24:31,000 --> 00:24:34,159 Speaker 1: me and uh, which is exactly what I'm gonna do 418 00:24:35,440 --> 00:24:38,640 Speaker 1: after this question. So I gotta I get a lot 419 00:24:38,640 --> 00:24:40,080 Speaker 1: of these and I need. I need to tackle at 420 00:24:40,160 --> 00:24:44,040 Speaker 1: least one of them. And I want you guys to 421 00:24:44,080 --> 00:24:46,640 Speaker 1: know that it's okay to ask me anything, and I'm 422 00:24:46,640 --> 00:24:49,600 Speaker 1: cool with that. But here, but here's the question. How 423 00:24:49,960 --> 00:24:56,280 Speaker 1: have you and Amber found purpose slash joy and Riv's death? 424 00:24:57,760 --> 00:25:02,080 Speaker 1: What is it? And that is yes, that is the question, 425 00:25:02,359 --> 00:25:06,639 Speaker 1: isn't it? That is the question? And that's from Rachel 426 00:25:07,880 --> 00:25:16,280 Speaker 1: on Instagram. And not only is it a great question, 427 00:25:16,320 --> 00:25:18,280 Speaker 1: but it's kind of it's kind of the question in 428 00:25:18,840 --> 00:25:23,840 Speaker 1: this kind of this kind of lost, this kind of 429 00:25:24,080 --> 00:25:30,080 Speaker 1: you know, parents, parents losing a child or the first thing, 430 00:25:30,680 --> 00:25:35,439 Speaker 1: first thing I wanted to know when this happened was, 431 00:25:37,800 --> 00:25:41,080 Speaker 1: you know, my human brain said, what's the reason? What's 432 00:25:41,119 --> 00:25:43,920 Speaker 1: the reasons? You know, like, what are the technical reasons? 433 00:25:45,800 --> 00:25:49,840 Speaker 1: And it didn't take me long to stop that wrongful thinking, 434 00:25:51,600 --> 00:25:56,439 Speaker 1: because what happened happened. And I've said before on the 435 00:25:56,440 --> 00:26:01,720 Speaker 1: Smiths that we've had to learn it happened, but it's 436 00:26:01,760 --> 00:26:04,840 Speaker 1: not happening. Right, there's a big difference. It happened, but 437 00:26:04,880 --> 00:26:07,639 Speaker 1: it's not happening. We had to learn that, and so 438 00:26:07,760 --> 00:26:10,520 Speaker 1: I also had to learn stop looking for the reasons 439 00:26:11,359 --> 00:26:16,080 Speaker 1: and start looking for the meaning. And that's been my 440 00:26:16,119 --> 00:26:18,280 Speaker 1: biggest thing, and so I could I could trade your 441 00:26:18,320 --> 00:26:23,359 Speaker 1: word purpose for meaning. There kind of go hand in hand, 442 00:26:25,040 --> 00:26:32,439 Speaker 1: and finding meaning comes from responsibility. Responsibility starts with you, 443 00:26:32,600 --> 00:26:36,479 Speaker 1: starts with yourself. And so that's what I did, is 444 00:26:36,680 --> 00:26:43,720 Speaker 1: the first thing I wanted to do was help others. 445 00:26:43,800 --> 00:26:46,600 Speaker 1: And so as soon as I felt like I was 446 00:26:47,600 --> 00:26:50,359 Speaker 1: in a place where I could function, I could brush 447 00:26:50,400 --> 00:26:54,359 Speaker 1: my teeth, I can comb my hair, then I wanted 448 00:26:54,359 --> 00:26:57,439 Speaker 1: to immediately help Amber. And once I could help Amber, 449 00:26:58,960 --> 00:27:03,400 Speaker 1: we wanted to help the kids. Once we helped the kids, 450 00:27:03,560 --> 00:27:09,600 Speaker 1: then we wanted to reach out to extended family. And 451 00:27:09,640 --> 00:27:12,920 Speaker 1: once we helped extended family, we wanted to help other 452 00:27:13,000 --> 00:27:17,440 Speaker 1: families that were in need. And so that's what we did, 453 00:27:17,520 --> 00:27:19,639 Speaker 1: and that's how we found meaning, was we continue to 454 00:27:19,800 --> 00:27:26,359 Speaker 1: grow that ring of responsibility outward with a lending hand, 455 00:27:26,480 --> 00:27:29,840 Speaker 1: with a word of encouragement, with helping, with putting a 456 00:27:29,880 --> 00:27:32,159 Speaker 1: question like this on the podcast that maybe someone is 457 00:27:32,200 --> 00:27:36,600 Speaker 1: listening to, maybe someone that needs to hear this can 458 00:27:36,600 --> 00:27:38,760 Speaker 1: find meaning in these words, and then in turn, that's 459 00:27:38,760 --> 00:27:41,560 Speaker 1: a meaning for me. And that's how you offset suffering 460 00:27:41,880 --> 00:27:44,880 Speaker 1: is through meaning. That's the only way to offset suffering 461 00:27:44,880 --> 00:27:47,160 Speaker 1: in this life. Because this life is going to have suffering. 462 00:27:47,200 --> 00:27:53,359 Speaker 1: It's inevitable. It is so much about suffering, and the 463 00:27:53,359 --> 00:27:56,400 Speaker 1: only way to fight it, to battle it, to offset 464 00:27:56,400 --> 00:27:59,679 Speaker 1: it is through meaning. So you find meaning through people, 465 00:27:59,760 --> 00:28:02,040 Speaker 1: through relationships, but you need to start with yourself. It 466 00:28:02,080 --> 00:28:05,000 Speaker 1: has to start with yourself. I'm talking about making your bed, 467 00:28:05,359 --> 00:28:09,080 Speaker 1: I'm talking about cleaning your room. I'm talking about being 468 00:28:09,359 --> 00:28:14,159 Speaker 1: a functional human. It has to start with that. And 469 00:28:14,280 --> 00:28:16,439 Speaker 1: as that ring grew out, and as Amber and I 470 00:28:16,480 --> 00:28:21,240 Speaker 1: got stronger, we started to find meaning and helping others. 471 00:28:22,280 --> 00:28:25,200 Speaker 1: And you guys have noticed a shift on my Instagram, 472 00:28:25,240 --> 00:28:28,119 Speaker 1: You've noticed a shift on the Smiths, and you've noticed 473 00:28:28,280 --> 00:28:32,200 Speaker 1: what we're doing on this podcast. I'm trying to find 474 00:28:32,240 --> 00:28:35,360 Speaker 1: meaning and it's a never ending search because we'll always 475 00:28:35,400 --> 00:28:40,640 Speaker 1: build on that, we'll always continue to season that as 476 00:28:40,720 --> 00:28:45,600 Speaker 1: much as we can. And that's what this is all about. 477 00:28:45,640 --> 00:28:50,120 Speaker 1: To me. It's about finding that meaning. And so yes, Rachel, 478 00:28:50,240 --> 00:28:55,400 Speaker 1: we have found it. And it's the responsibility and it 479 00:28:55,440 --> 00:28:57,120 Speaker 1: goes all the way out to the community and it 480 00:28:57,160 --> 00:29:01,600 Speaker 1: goes to people just like you. Thank you, guys, thank 481 00:29:01,640 --> 00:29:04,440 Speaker 1: you for listening, thank you for watching, Thank you for 482 00:29:04,480 --> 00:29:08,240 Speaker 1: supporting The Grangersmith Podcast. And everything that we do. Ye Ye, 483 00:29:09,080 --> 00:29:11,640 Speaker 1: thank you so much for supporting Ye Apparel. I mean, 484 00:29:11,640 --> 00:29:14,920 Speaker 1: that's that's I don't get to talk about it a lot, 485 00:29:14,960 --> 00:29:17,600 Speaker 1: but that is my baby. Yee Apparel is my baby 486 00:29:17,600 --> 00:29:20,920 Speaker 1: that me and my brother started in and that doesn't 487 00:29:20,960 --> 00:29:24,240 Speaker 1: exist without the support of people like y'all. So check 488 00:29:24,280 --> 00:29:27,480 Speaker 1: outye apparel dot com, check out grangersmith dot com. Forward 489 00:29:27,560 --> 00:29:30,360 Speaker 1: slash tour so I could see you out there and 490 00:29:30,760 --> 00:29:33,280 Speaker 1: ask me a question. Hashtag granger Smith on your favorite 491 00:29:33,720 --> 00:29:37,320 Speaker 1: social media channel. Love you guys, See you down the road. 492 00:29:37,800 --> 00:29:38,080 Speaker 1: Eye