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Speaker 1: You guys are my favorite and I love you all.

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Speaker 1: I've got to listen to you every day. You guys

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Speaker 1: are so funny and it's such an enjoyment. Well Loo,

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Speaker 1: thank to you every morning on my way to work,

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Speaker 1: and I'm to say hello Lady Little in the morning show.

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Speaker 1: Welcome back from the weekend. There is anyone still drunk

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Speaker 1: from St Patrick's day, So I think if you took

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Speaker 1: our blood right now, they'd give it back. They'd be like,

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Speaker 1: no donation from you. We're testing positive for all sorts

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Speaker 1: of things. Well, welcome back from the weekend. I hope

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Speaker 1: you had a great one our show Friday. People are

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Speaker 1: still talking about it. We we broke some logs. Something happens.

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Speaker 1: I'm still sweating corned beef. I'm good. Which song do

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Speaker 1: we have to start your day with? I'm about a

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Speaker 1: little and seating? Oh yeah, this is I've got to

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Speaker 1: the same every time I'm trying to find the words

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Speaker 1: don't come. My mind, can't stop dig it about you,

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Speaker 1: can't stop thing it about you? Do you? Won't do

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Speaker 1: you leave it? I think I don't go by, but

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Speaker 1: bye bye. Tell me that you want me to No,

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Speaker 1: oh no, no, pish shine tell me that you want

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Speaker 1: me to live desery. Come on and densery your hesitate,

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Speaker 1: want destiny, want dey your hesitantly feeding hard en. It's

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Speaker 1: beating hard Yeah, pretty, get out the way across the

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Speaker 1: world because you can't stop thinking about you. Don't cast stop,

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Speaker 1: don't all baby, but bye bye. Tell me that you

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Speaker 1: want me to nonaight, Oh no, don't patious, I shine.

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Speaker 1: Tell me that you want me to non decydancery, not

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Speaker 1: fell hesitate nor fancy, want desery a destiny, I feel hesitate, prisony.

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Speaker 1: You live for me? Be your I D D N

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Speaker 1: C S E song on the computer and he asked

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Speaker 1: me to spell it. No, great team, excellent. We're welcome

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Speaker 1: to the day. I hope you had a great weekend.

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Speaker 1: We have so much to do today. Andrew Lloyd Webber

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Speaker 1: is gonna be on with us, and also Royalty from

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Speaker 1: Broadway in addition to him, he's Royalty Ben Platt, remember

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Speaker 1: from Dear Evan Hanson Horse and then Manuel Miranda from

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Speaker 1: that little show called Hamilton's. Soho is that you know?

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Speaker 1: They actually did a mash up Dear Evan Hamilton's if

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Speaker 1: you want to call it that, with proceeds going to

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Speaker 1: the UH the March, the March for our Lives. This

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Speaker 1: Saturday will be talking to them a little bit. We've

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Speaker 1: got lots of stuff. But this is like Broadway Show Monday.

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Speaker 1: It is I love a parade. This is you know,

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Speaker 1: this is I love my job because I'm all about Broadway.

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Speaker 1: Around the room before we get started, Daniel, what's on

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Speaker 1: your mind today? Well, we all know how much I

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Speaker 1: love Jumanji. Okay, it's no you know, no secret here.

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Speaker 1: It's my movie. But if anybody else gives me a

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Speaker 1: DVD copy, I have enough now, thank you very much.

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Speaker 1: How many do you have? I have four people have

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Speaker 1: been kind enough to say, hey, look what I got

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Speaker 1: for you and handing me a DVD copy of Jumanji,

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Speaker 1: which I love. But I don't need all these copies,

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Speaker 1: So I just would like everyone to know. I appreciate

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Speaker 1: the gesture. But now I have enough. Juman You. I

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Speaker 1: can give you one. Can we give one away? We

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Speaker 1: can give one away? Call or nine? Uman You do

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Speaker 1: love that movie. It's weird because usually adults only watch

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Speaker 1: a movie one time. Kids watch movies over and over.

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Speaker 1: And you've watched this seven times. I've watched it a

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Speaker 1: lot scary. What's on your mind today? My apartment is

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Speaker 1: plagued with dust and I realized this after I we

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Speaker 1: did some rearrangement of my furniture over the weekend. I

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Speaker 1: cannot believe that in ten years I haven't moved my

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Speaker 1: dresser and there were these dust bunnies and clumps of

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Speaker 1: How does it get there? How does it form? What

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Speaker 1: is it? What is it comprised of? I literally looked

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Speaker 1: like what skin dirt? It's just gray. It's a great

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Speaker 1: ball of gray mask. How does it come out of nowhere?

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Speaker 1: It doesn't. It comes out off of your skin, and

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Speaker 1: then your hair, and then the dust from the city

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Speaker 1: that's blowing across the Hudson River. Fascinated by it, I

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Speaker 1: wanted to like expect, Froggy, are you there? Froggygy? Froggy

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Speaker 1: is not on? Maybe he's in the pot. There's around

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Speaker 1: the road. We very special guest coming in today to

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Speaker 1: do the horoscopes, the Brooklyn Boys from the Brooklyn Boys podcasts.

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Speaker 1: His glasses on, Grandma, let's get it going first. I'm

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Speaker 1: not going to chain on my glasses. The horoscopes. Capricorn,

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Speaker 1: you're feeling pulled in every direction. That's your heart bouncing around,

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Speaker 1: but as always, you should still follow it. Your day

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Speaker 1: is a nine. That's us. It's hard to to focus

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Speaker 1: with your head in the clouds. Be positive. You might

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Speaker 1: just radiate your way out of trouble. And your day

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Speaker 1: is at eight Pisces. Share your feelings with others to

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Speaker 1: cure any self doubt. There is power in numbers. Your

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Speaker 1: days of seven aries. Although you feel the need to

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Speaker 1: please others, don't let this cloud your individuality. Be cool

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Speaker 1: and be yourself. Your day attend horace. Don't let others

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Speaker 1: knock you off your path. Hold tight onto your schedule

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Speaker 1: and follow through on your tasks. Your day is in

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Speaker 1: Nate Geminis. You only get help when you asked for it,

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Speaker 1: but remember to return the favor. Your day is a

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Speaker 1: nine cancer. Be a little flexible. You'll find yourself fitting

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Speaker 1: into the most unlikely of places. Your day is a seven,

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Speaker 1: and your fellow a fellow Leo's don't get too hung

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Speaker 1: up on getting answers from people. Riding the waves will

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Speaker 1: lead you to shore. Your day attend riding the waves

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Speaker 1: will lead you to shore. Okay are ale, Yeah yeah,

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Speaker 1: but he said my fellow Leo's aquarium. But you're still

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Speaker 1: a fellow. Okay, keep going, keep going. This is the

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Speaker 1: worst horoscope ever. Virgo. Make plans and stick to them.

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Speaker 1: Everyone else will fall in place accordingly. Your day, unlike Scary's,

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Speaker 1: is an eight. Liberates. Sometimes you've got to hush the

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Speaker 1: internal dialogue with action. Do what you love, with who

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Speaker 1: you love your day. Attend Scorpio, you're the greatest healer.

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Speaker 1: Do the world a favor and share your gift of care.

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Speaker 1: Your day is a nine and Sagittarius is It's in

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Speaker 1: your best interest to connect with your emotions. Your passion

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Speaker 1: is going to lead you to something grand again. Your

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Speaker 1: day at ten and those are your Monday morning horoscopes.

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Speaker 1: That was really bad. I love you guys, but that

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Speaker 1: just wasn't the best. Really, don't throw me under the bus.

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Speaker 1: It was just him. No, no, it's it seemed very long,

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Speaker 1: it went on forever. It didn't. Really, It's okay. Yes,

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Speaker 1: I love you guys, don't forget. Listen to the Brooklyn

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Speaker 1: Boys podcast Darring Brody and Scary and make sure you

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Speaker 1: listen to that today. Our first caller of the week

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Speaker 1: is Heather. Hi, Heather, how are you feeling today? Hi? Alvis, Honestly,

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Speaker 1: I could be feeling better. St. Patrick's Day weekend. Yes, yeah,

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Speaker 1: I went a little too rough last night and then

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Speaker 1: I have classed this morning and I just need some motivation. Well,

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Speaker 1: don't look to us for that place. We can't handle

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Speaker 1: that responsibility. All right. So what was your drink of

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Speaker 1: choice over your St. Patrick's Day weekend? Oh? I always

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Speaker 1: go for the Cranberry vodka. Yeah. See, I would go

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Speaker 1: for the cranberry vodka too, but that you know, I'm not.

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Speaker 1: You don't get that drunk on very much? Good though,

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Speaker 1: do you? Oh? I do? I'm I'm pretty bad of

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Speaker 1: a late. Wait. Did you listen to our St. Patrick's

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Speaker 1: Weekend kickoff show on Friday morning? Absolutely? And I loved

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Speaker 1: it about Charlie Pooth. Did you think he did a

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Speaker 1: good job? Oh my god? I love his voice. He

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Speaker 1: was like he had the morning voice that was perfect.

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Speaker 1: Had neck nuts, had neck nuts, nick nuts. I tell

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Speaker 1: you what, since we loved him so much, we're gonna

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Speaker 1: replay a lot of people have missed it. That's coming

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Speaker 1: up in like thirty minutes. You're our first caller the day, Heather.

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Speaker 1: We're gonna send you an Elvis Duran shirt right now. Okay, awesome.

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Speaker 1: Thank you. Should I give her a TV? Do you

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Speaker 1: want a TV? I'm not gonna give you. Do we

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Speaker 1: have a TV? You want to give her one? Screw it?

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Speaker 1: I mean you're in college. You need a TV. Give

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Speaker 1: her a t V. You just wont hold on? You

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Speaker 1: watch some nice music. You have music for this guy.

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Speaker 1: The lg Old t V. It's a four KTV fifty

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Speaker 1: five inches five inches right there, walking Away TV. The

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Speaker 1: best TV on the planet, best in show, whatever that means.

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Speaker 1: Thank you for listening to us, and don't forget l

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Speaker 1: Old TVs are fabulous. Practically, Charlie, we're giving you Charlie

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Speaker 1: Fuths t V. He couldn't carry on the plane. You're

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Speaker 1: gonna win a cruise. You wanna come on a cruise

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Speaker 1: with you? Just want a cruise? All right? Thank you

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Speaker 1: for listening. How do you have a great day? Okay?

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Speaker 1: Thank you? All right? You guys ready for your Monday?

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Speaker 1: All right, let's have a monday. This is how you

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Speaker 1: see in the morning Stan in the Morning Show. In

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Speaker 1: today's connected world, it takes just one week link and

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Speaker 1: your personal information can get into the wrong hands. Good thing.

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Speaker 1: New Life Block with Norton now has protection for your

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Speaker 1: identity and devices. Join at LifeLock dot com and you

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Speaker 1: promo code Elvis for an extra teen percent off your

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Speaker 1: first year call us zero one hundred. In the Morning show,

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Speaker 1: it's good to see correct you with his clothing on? Yeah,

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Speaker 1: good morning guys, Friday for our St. Patrick's Day weekend

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Speaker 1: kick off show when you whipped it out for Charlie

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Speaker 1: Pooth only him, only special people, but a lot of

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Speaker 1: people were very offended by that. I wasn't kidding me.

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Speaker 1: Danielle loved it because I was so shocked that it

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Speaker 1: was bigger than it. I guess I just haven't seen

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Speaker 1: it in a while. It's like a fine wine he

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Speaker 1: gets better with. Is that what it is? All right? Well, anyway,

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Speaker 1: so Greg, is here time for your Wheel of Games? Yeah? Alright,

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Speaker 1: you ready to go? I certainly? Alright, look at the wheel.

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Speaker 1: There's actually one game on the weekend. Yeah, why the guys.

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Speaker 1: Here's the thing. It was a long weekend St. Patrick's Day.

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Speaker 1: There was a party in the n C double as on.

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Speaker 1: Everyone's watching games. He's got time for X games. Alright, Hey,

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Speaker 1: I say, we just played Calling one hundred. It's landing

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Speaker 1: on the game and the game is called Caller one hundred. Perfect.

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Speaker 1: How do you play? Basically, it's like this. You talk

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Speaker 1: to Kellen, he's your winner. Oh hey Kellen, good morning,

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Speaker 1: good morning. Are you what is so simple? You are

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Speaker 1: caller one hundred Kellen? Oh my god, that's the reason. Yeah, no, no, no,

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Speaker 1: this is lame. It's the miracle of radio. All right,

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Speaker 1: so you're gonna play a game called Caller one hundred.

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Speaker 1: Yes we are. Well, she's not caller one hundred. We

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Speaker 1: just picked up a phone that she's not called her

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Speaker 1: one hundred. You know, sometimes it's just call her one

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Speaker 1: all your game? All right, let's playing a game called

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Speaker 1: Caller one. Yeah, she's a voice on the phone. It's

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Speaker 1: like this, Kellen. You want to win a prize. Of

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Speaker 1: course he doesn't want to win. Right, there you go.

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Speaker 1: This is the worst game ever, Elvis. It was seriously

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Speaker 1: the longest weekend in my life. Let me just tell you.

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Speaker 1: You're just phoned in. You had one job and one

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Speaker 1: job only. Okay, Well, what does she win? There's no Kelly,

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Speaker 1: what do you want to win? You want to win?

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Speaker 1: To know this stray t shirt. Sure, let's step off

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Speaker 1: your shirt and give it to her. I'm gonna shirt.

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Speaker 1: It's all try t shirt. Well, thank you for thank

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Speaker 1: you for being Caller one. Thank you? What the hell

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Speaker 1: is happening? Guys? I mean co Over the weekend, it

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Speaker 1: was tiring. It was St. Patrick's Day weekend. I actually

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Speaker 1: went out with some of my friends and I'm tired, tired,

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Speaker 1: and we all here doing what we're supposed to do.

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Speaker 1: People depend on us to do the show, and we're

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Speaker 1: not giving them their money's worth, even even though they

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Speaker 1: spent I look at it like this, Sure, today might

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Speaker 1: have been a little bit of a whiff, but I

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Speaker 1: got four more days to make it up. So you

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Speaker 1: know what, By Friday, Elvis, that's what I meant, right,

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Speaker 1: And by Friday, Elvis, I'll be employee of the month.

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Speaker 1: All right. I don't think that's well. Thank you, great

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Speaker 1: game the Caller One. I gotta go back to the

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Speaker 1: desk and relax. Alright, I'm really busy this morning. If

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Speaker 1: you missed our time with Charlie Pooth on Friday, so

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Speaker 1: many people wanted to hear it. They missed it, We're

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Speaker 1: gonna play it for you coming up next. You're keeping

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Speaker 1: you current on all things Elvis the Morning Show Twitter account.

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Speaker 1: Follow us now at Elvis Durantio durrant in the Morning Show.

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Speaker 1: for ten percent off. This Elvis Durrand in the Morning Show,

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Speaker 1: Have someone from with Charlie put it on Friday. A

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Speaker 1: lot of people were bitching and moaning because they missed

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Speaker 1: it Friday. It's okay, we got it for you. We're

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Speaker 1: gonna play for you in just a second. But first

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Speaker 1: we have to get into the Danielle Report. Danielle, what's

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Speaker 1: going on? So? Black Panthers number one of the box

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Speaker 1: office for the fifth week in our row. Congratulations to

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Speaker 1: the Black Panther made another twenty seven million dollars. It

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Speaker 1: beat Laura Croft in the movies. It's the first movie

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Speaker 1: to spend five weeks at number one since Avatar did

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Speaker 1: it back in two thousand nine. Speaking of movies, tickets

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Speaker 1: for Avengers Infinity War went on sale Friday morning. Within

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Speaker 1: six hours, it had broken the record for the fastest

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Speaker 1: selling superhero movie in the first twenty four hours. The

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Speaker 1: previous record holder was Batman Versus Superman. And you all

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Speaker 1: know the movie comes out in April. The Backstreet Boys

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Speaker 1: starting their own restaurant. It's called Backstreet Barbecue. You know

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Speaker 1: you want to go back streets back bah Okay. They

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Speaker 1: also want to go into the tequila business once they

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Speaker 1: find a partner in Mexico. So I'll keep you posted.

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Speaker 1: Over the weekend, we heard that Logic and his wife

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Speaker 1: Jessica have split up after two years of marriage. I

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Speaker 1: hate seeing these stories, but that's what's going on right now.

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Speaker 1: Nothing else has come out about it. I'll keep you posted.

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Speaker 1: But Logic's new mixtape did debut at the top of

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Speaker 1: the Billboard Albums this week. So what congratulations to Logic

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Speaker 1: because he is number one. So tonight you've got the

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Speaker 1: voice over on NBC. Of course, American Idol is on

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Speaker 1: the seventh season premiere. I've Loved Hip Hop Atlanta. You've

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Speaker 1: got DC's lends up tomorrow. The Good doctors on the Resident,

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Speaker 1: the alienist Scorpion, and the list goes on and on.

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Speaker 1: Next hour, we're gonna talk about Luke Brian drinking a

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Speaker 1: beer out of a fan's cowboy boot. Okay, he just

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Speaker 1: tries me nuts. Charlie poof performing for us. He wouldn't

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Speaker 1: do it for anyone else, but obviously he likes us

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Speaker 1: because he knows we love him. Please welcome to the show,

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Speaker 1: our buddy, Charlie Poof clapping alone, a very high for

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Speaker 1: this morning of his wrong what us? Can I say?

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Speaker 1: My head enother? I was shrunk, I was gone right,

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Speaker 1: but promise seven feeling hands involved? She is sing fights

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Speaker 1: to me, honest say, was the realize for sure? Yeah?

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Speaker 1: She's so safe, you're up for love cheese. Maybe I

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Speaker 1: just gotta know how long has this been going on?

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Speaker 1: You've been clear around on me? Oh you're calling me baby?

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Speaker 1: How long has this been going on? You've been next

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Speaker 1: some shady? I've been feeling it there like a baby,

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Speaker 1: she said, wights on me honestly, the realist just for sure?

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Speaker 1: And she's said safe jeans. Maybe I just gotta know,

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Speaker 1: has this open ground on me? Will you call me baby?

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Speaker 1: Hold as it's been goinging, You've been nice, shady, I've

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Speaker 1: been filling it bailly baby, has it been going on? Baby? Yeah?

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Speaker 1: I know I heard that shout out. Can you imagine

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Speaker 1: someone can wake up at this hour and sound like that? Incredible? Yeah,

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Speaker 1: there's something screw going on. Seriously, you were lips sinking,

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Speaker 1: know you were, You were so highlighter during his definitely

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Speaker 1: smells like a cafeteria. It doesn't smell like, you know

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Speaker 1: how like some nice hotels like have like that nice

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Speaker 1: uh like like like that scent smells. It literally smells

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Speaker 1: like my high school cafeteria right now. I know what exactly.

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Speaker 1: The most incredible brunch from Project Brunch, the most incredible

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Speaker 1: brunch from Project. It's amazing. You should have some of

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Speaker 1: this food, man, it's good. I'm assuming it's guacamali because

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Speaker 1: it's green. Yes. By the way, one of the things

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Speaker 1: I love most about Charlie visiting us is he's not

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Speaker 1: a morning guy. Know. I'm I'm hiding from the world

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Speaker 1: right now in my green remember my kind of lime green.

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Speaker 1: I guess it's yellow. It is very young. It's the family.

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Speaker 1: I'll accept it into the green family. I can actually

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Speaker 1: hold this highlighter next to Charlie's outfit. Do you want

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Speaker 1: me to highlighting it's actually lost? It's actually lost? What

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Speaker 1: time do you normally get up? What I get up?

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Speaker 1: I actually get up at like nine am to go

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Speaker 1: work out with UM when my trainer Harley UM. But

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Speaker 1: that's in l A, so that's like five am. Look

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Speaker 1: like you have that crazy morning voice right now. Actually,

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Speaker 1: have you ever have you ever tried to do a

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Speaker 1: recording session in the morning so you could try to

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Speaker 1: get that bassy sound that you have now? Me and

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Speaker 1: Farrell actually work in the morning. When I when I

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Speaker 1: I think i'm working with him, I think tomorrow, but

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Speaker 1: that's in the afternoons. But usually we work at like

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Speaker 1: six o'clock in the morning. And when I asked him,

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Speaker 1: you know, you don't ask Farrell why he does things

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Speaker 1: because he's such a genius. You just go along with it.

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Speaker 1: And I finally asked him after day for like, why

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Speaker 1: are we working at six o'clock in the morning. He said,

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Speaker 1: because I have triplets and I need to spend the

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Speaker 1: day with them. But also I know all but he

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Speaker 1: also said, because it's you know, you might come up

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Speaker 1: with something you wouldn't normally do, and I agree with

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Speaker 1: that though your brain is different in the A M

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Speaker 1: versus the PM, and then there's neither one is better

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00:22:04,320 --> 00:22:06,359
Speaker 1: than the other. I don't think, but exactly, you have

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Speaker 1: a whole different vibe we all do in the morning,

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Speaker 1: just like people's brains on Sunday after St Patrick's Day,

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00:22:11,760 --> 00:22:14,399
Speaker 1: which will be on Saturday this year, isn't that right?

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Speaker 1: Is tomorrow Saint Patrick's Day we were celebrating today. Would

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Speaker 1: you like a little Irish coffee for the moment? This

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00:22:19,400 --> 00:22:25,960
Speaker 1: is Uncle Johnny by the What does your chain say? Hello, Hello,

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Speaker 1: my lady, Hello, my darling, hollow my coffee or whatever else?

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Speaker 1: Get him going and coffee. It's just a shot, I'll

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Speaker 1: tell I'll tell you a bit in the coffee, Okay,

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00:22:40,480 --> 00:22:44,560
Speaker 1: cream or not? Like the irishman. Uh, just Uncle Johnny, No, Darry.

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Speaker 1: You know when I'm in New York, my like my

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Speaker 1: Jersey accident comes out. So I just really, I just

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Speaker 1: caught myself saying coffee. It's okay, okay, okay. Let's talk

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Speaker 1: about the Heart Radio Music Awards in l A. Yeah, yeah,

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Speaker 1: you know, I take my here's here's my favorite thing.

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Speaker 1: I'm gonna take my headphones. I'm on let's take it

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00:23:00,640 --> 00:23:03,760
Speaker 1: all off. Let's um. I I didn't see any of

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Speaker 1: the awards because we were busy. I was interviewing during

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Speaker 1: and I like the sound of my voice in them.

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Speaker 1: All right, that's such a musical thing. I'm a nerd. Okay,

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Speaker 1: don't you call that nuts? You have neck nuts? What's

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00:23:19,240 --> 00:23:22,919
Speaker 1: neck nuts? Because like that? You know, radio guys love

365
00:23:22,960 --> 00:23:25,000
Speaker 1: to hear themselves in their head. That doesn't it sound

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Speaker 1: like the most visually appealing thing ever? Neck nuts? I

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Speaker 1: don't know. It depends on it depends on what you're into, Charlie.

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00:23:31,600 --> 00:23:34,520
Speaker 1: So we were talking about the I Hearts. So I

369
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Speaker 1: was interviewing Jon bon Jovi backstage, and do you heard

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00:23:39,480 --> 00:23:43,240
Speaker 1: what he said about you? Right? I was told I

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00:23:43,280 --> 00:23:45,879
Speaker 1: actually said, they conveniently put me right next to him,

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Speaker 1: and it was pretty cool, um that they put to

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Speaker 1: Jersey guys together. Um, but all he said to me,

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Speaker 1: I don't I don't know what he said in the interview,

375
00:23:52,320 --> 00:23:54,159
Speaker 1: but people said that he said nice things. What he

376
00:23:54,240 --> 00:23:56,959
Speaker 1: said to me was that we used to live right

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00:23:56,960 --> 00:24:00,359
Speaker 1: across the river from each other, Navasink River Road. And

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00:24:00,400 --> 00:24:02,560
Speaker 1: I was like, your voice just crashed right there. You're

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00:24:02,720 --> 00:24:07,560
Speaker 1: all right, I'm going to put Right. Okay, so you

380
00:24:07,640 --> 00:24:10,120
Speaker 1: live you live really close to John, really really really

381
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Speaker 1: close to him, and he fispounded me and I saw

382
00:24:14,160 --> 00:24:16,440
Speaker 1: David Brian there too. It was just pretty cool. Here's

383
00:24:16,480 --> 00:24:18,879
Speaker 1: here's what he said. He said, Charlie Pooth is from Rumson,

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Speaker 1: New Jersey. This is John bon Jovi, by the way,

385
00:24:20,960 --> 00:24:23,440
Speaker 1: and for from Jersey, you understand it and appreciate it

386
00:24:23,480 --> 00:24:25,200
Speaker 1: more than anyone. How much did you put in here?

387
00:24:25,520 --> 00:24:29,120
Speaker 1: Oh my god, just a dash? Yes, yeah, yes, he's

388
00:24:29,160 --> 00:24:33,320
Speaker 1: a little You have no other obligations anyway. Uh, he says,

389
00:24:33,359 --> 00:24:34,960
Speaker 1: So for a hundred and ten years it was just

390
00:24:35,200 --> 00:24:37,040
Speaker 1: us in the East Tree band and now Charlie Pooth

391
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Speaker 1: gets to claim to be from our neck of the woods.

392
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Speaker 1: And he says that you are so good for New

393
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Speaker 1: Jersey music business. Wow. And this Jon bon Jovie, that's

394
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Speaker 1: John bon Jovian. Did you grow up? We're a fan

395
00:24:47,280 --> 00:24:49,480
Speaker 1: of his growing up? I was, Yes, I was. I

396
00:24:49,640 --> 00:24:52,119
Speaker 1: I didn't. I was a fan of Bruce too, like

397
00:24:52,200 --> 00:24:54,080
Speaker 1: I saw. There's no there's no need to pick any

398
00:24:54,160 --> 00:24:57,119
Speaker 1: sides or anything. But I've never actually played the Stone Pony,

399
00:24:57,320 --> 00:24:59,680
Speaker 1: like he asked me if I played the Stone Pony

400
00:24:59,720 --> 00:25:02,080
Speaker 1: and as R Park and you were like two years

401
00:25:02,119 --> 00:25:05,600
Speaker 1: always like to do that would be kind of creepy.

402
00:25:05,800 --> 00:25:07,480
Speaker 1: But I know what beer smells like on the floor

403
00:25:07,760 --> 00:25:10,800
Speaker 1: when people step over, and that's what the It will

404
00:25:10,840 --> 00:25:13,960
Speaker 1: always sound like that. It's true. Right in the studio,

405
00:25:14,760 --> 00:25:19,119
Speaker 1: we're a little boozy. It smells like meat. Yeah, it

406
00:25:19,200 --> 00:25:22,760
Speaker 1: smells like a room. It SMEs like a boy's locker room.

407
00:25:22,800 --> 00:25:27,399
Speaker 1: This is really really heavy food. Eat the food and

408
00:25:27,480 --> 00:25:28,960
Speaker 1: you see, now you see this is what makes me

409
00:25:29,000 --> 00:25:31,439
Speaker 1: mad about people who moved to l A. You become

410
00:25:31,600 --> 00:25:34,639
Speaker 1: all nickety. There's that word again about your food. It's like, oh,

411
00:25:34,720 --> 00:25:37,760
Speaker 1: I can only eat like I have avocado for lunch.

412
00:25:37,920 --> 00:25:41,040
Speaker 1: I know I have become a little sensitive to cold too.

413
00:25:41,200 --> 00:25:44,280
Speaker 1: I used to walk outside and it's like thirty six

414
00:25:44,320 --> 00:25:46,640
Speaker 1: degrees and it wouldn't bother me, And now I can't

415
00:25:46,640 --> 00:25:48,840
Speaker 1: even I won't even leave my hotel room. Your voice,

416
00:25:48,880 --> 00:25:52,200
Speaker 1: by the way, it's like a chainsaw. Is it like

417
00:25:52,280 --> 00:25:55,280
Speaker 1: those girls on another radio station. We will mention who

418
00:25:55,520 --> 00:26:00,719
Speaker 1: who cracked that like that vocal fry. Apparently that's very

419
00:26:00,760 --> 00:26:03,240
Speaker 1: good for you. Apparently that's good for your voice. Though,

420
00:26:03,359 --> 00:26:09,119
Speaker 1: vocal frying number one hitting me and thinks thanks, I

421
00:26:09,160 --> 00:26:12,080
Speaker 1: don't like it at all. You just use that and

422
00:26:14,520 --> 00:26:18,160
Speaker 1: hit Let me give me give you a few things

423
00:26:18,200 --> 00:26:20,160
Speaker 1: that we're seeing with Charlie here. First of all, your

424
00:26:20,280 --> 00:26:23,399
Speaker 1: nails are done. You had you had a manicure. I

425
00:26:23,480 --> 00:26:25,560
Speaker 1: don't know what's the deal with my nails, but they

426
00:26:25,680 --> 00:26:29,000
Speaker 1: grows so fast. Like my hair also grows very fast,

427
00:26:29,080 --> 00:26:31,320
Speaker 1: and my nails go really fast. But everyone was always

428
00:26:31,359 --> 00:26:33,440
Speaker 1: thinking that I got like a French manicure, and I

429
00:26:33,560 --> 00:26:35,639
Speaker 1: really did look good. No, his nail look look at

430
00:26:36,160 --> 00:26:40,680
Speaker 1: you didn't They haven't. All I do is sleep and

431
00:26:40,760 --> 00:26:43,120
Speaker 1: drink loss of water and get lots of bed time rest.

432
00:26:43,520 --> 00:26:45,600
Speaker 1: You know, Charlie. Charlie is that friend that you know

433
00:26:46,000 --> 00:26:49,560
Speaker 1: is always in bed sleeping. You must love sleep. There's

434
00:26:49,640 --> 00:26:52,600
Speaker 1: nothing better. When when when when you find out the

435
00:26:52,640 --> 00:26:56,280
Speaker 1: news they can cans have been plantled, plans have been canceled,

436
00:26:56,640 --> 00:26:58,560
Speaker 1: and so when you immediately crawled into your bed and

437
00:26:58,680 --> 00:27:01,480
Speaker 1: like just check out. People in l A really don't

438
00:27:01,480 --> 00:27:03,320
Speaker 1: know how to say no. Like if you're in New

439
00:27:03,400 --> 00:27:06,400
Speaker 1: York and you don't want to go somewhere, you say

440
00:27:06,440 --> 00:27:08,720
Speaker 1: to your friend group on text message, you say no,

441
00:27:08,840 --> 00:27:10,800
Speaker 1: I don't want to go in l A. It's like, oh, yeah,

442
00:27:10,840 --> 00:27:12,920
Speaker 1: I could be down for that. That's what everybody says.

443
00:27:13,040 --> 00:27:15,960
Speaker 1: I could be down. Maybe maybe people say that around

444
00:27:16,040 --> 00:27:18,360
Speaker 1: here too, but I've I've definitely said that a couple

445
00:27:18,359 --> 00:27:20,399
Speaker 1: of s was so important. It is the most important

446
00:27:20,440 --> 00:27:25,280
Speaker 1: word ever I get. Yes, it really is powerful. Yes, Charlie,

447
00:27:25,760 --> 00:27:27,359
Speaker 1: I don't know. I don't. I know you have a

448
00:27:27,400 --> 00:27:30,359
Speaker 1: new house in l A. Think I think you need

449
00:27:30,440 --> 00:27:31,880
Speaker 1: to move back to the East Coast. I think you're

450
00:27:31,880 --> 00:27:33,960
Speaker 1: starting to turn into one of them. No, I'm really

451
00:27:34,040 --> 00:27:41,840
Speaker 1: not think that makes you so sad. I think you are.

452
00:27:44,359 --> 00:27:46,800
Speaker 1: I want to talk about Voice Notes. Yes, that's my

453
00:27:46,880 --> 00:27:48,919
Speaker 1: album that comes out in May eleven. I've already pre

454
00:27:49,080 --> 00:27:51,520
Speaker 1: ordered mine. Yes, yeah, no, I'm I'm mine. You know

455
00:27:51,600 --> 00:27:53,400
Speaker 1: I pay retail. I don't get this crap for free.

456
00:27:53,480 --> 00:27:56,080
Speaker 1: I pay for it because I'm a fan that's been there.

457
00:27:56,200 --> 00:28:01,280
Speaker 1: That's very nice, because I love you now. Voice Notes

458
00:28:01,720 --> 00:28:04,240
Speaker 1: is available for preorder now, but I think it's coming

459
00:28:04,240 --> 00:28:09,920
Speaker 1: out in May. Right. Just like I said before, I

460
00:28:10,080 --> 00:28:11,640
Speaker 1: was trying to help you out there soon, I don't

461
00:28:11,640 --> 00:28:14,440
Speaker 1: have to scuff up through the paper. You a reality show.

462
00:28:15,240 --> 00:28:18,639
Speaker 1: There's nothing real about any of this. But again, on

463
00:28:18,760 --> 00:28:21,520
Speaker 1: the eve of sort of of your new album coming out?

464
00:28:21,680 --> 00:28:24,240
Speaker 1: Is are you at a point now, Charlie where you're like,

465
00:28:24,640 --> 00:28:27,040
Speaker 1: they're gonna love it or you're a little nervous, little

466
00:28:27,040 --> 00:28:29,879
Speaker 1: butterfly act I was. I was just telling my sister

467
00:28:30,040 --> 00:28:33,960
Speaker 1: mikhaela Um in your wonderful, wonderful New York sized green

468
00:28:34,119 --> 00:28:38,080
Speaker 1: room that, um, I don't I get so freaked out

469
00:28:38,160 --> 00:28:40,280
Speaker 1: every time a song comes out, because even we just

470
00:28:40,360 --> 00:28:42,600
Speaker 1: put a new record out yesterday called Done for Me,

471
00:28:42,680 --> 00:28:45,200
Speaker 1: and it's it's just Kailani and I just I think

472
00:28:45,320 --> 00:28:48,680
Speaker 1: she's amazing, and I up to up to yesterday, I

473
00:28:48,800 --> 00:28:51,160
Speaker 1: was so excited and now I'm like, I don't know

474
00:28:51,280 --> 00:28:53,240
Speaker 1: if it's good, and now people are like it's good,

475
00:28:53,280 --> 00:28:56,040
Speaker 1: and so now I believe that it's good again. Artist,

476
00:28:56,200 --> 00:28:57,760
Speaker 1: you need to go through the freak out. That's a

477
00:28:57,880 --> 00:29:00,560
Speaker 1: part of that anticipation. That's a part of you know,

478
00:29:00,640 --> 00:29:03,920
Speaker 1: that fine line between fright and excitement. You're there, that's good,

479
00:29:04,000 --> 00:29:06,040
Speaker 1: that's good. I know. Well, to answer your question, I'm

480
00:29:06,040 --> 00:29:08,160
Speaker 1: never going to be the artist who thinks that everything

481
00:29:08,440 --> 00:29:11,720
Speaker 1: that he makes his like you know, water gold good,

482
00:29:11,840 --> 00:29:13,680
Speaker 1: but that that's totally fine. Are there any songs that

483
00:29:13,720 --> 00:29:15,880
Speaker 1: are out of yours now that you go, oh gosh,

484
00:29:16,000 --> 00:29:18,120
Speaker 1: I would if I could do that over again, I would,

485
00:29:18,320 --> 00:29:23,440
Speaker 1: Marvin Gay really yeah, really yeah, because it's just, uh,

486
00:29:24,200 --> 00:29:27,040
Speaker 1: clearly I should have picked a different song. Um Um,

487
00:29:27,320 --> 00:29:29,160
Speaker 1: I don't know. I just like that so that that

488
00:29:29,320 --> 00:29:33,560
Speaker 1: song for me, um doesn't really make sense anymore. I'm

489
00:29:33,720 --> 00:29:36,320
Speaker 1: very happy about the success that it had and everything,

490
00:29:36,400 --> 00:29:38,640
Speaker 1: and I do appreciate everyone's hard work on it. And

491
00:29:38,720 --> 00:29:40,600
Speaker 1: it made sense for the time it was released. Yeah,

492
00:29:40,600 --> 00:29:42,440
Speaker 1: it made sense for the timing. It was just now

493
00:29:42,600 --> 00:29:45,120
Speaker 1: I I have to I'll put it to you this way,

494
00:29:45,160 --> 00:29:47,120
Speaker 1: and when I when I go on tour this summer,

495
00:29:47,160 --> 00:29:50,080
Speaker 1: I have to figure out a way to incorporate into

496
00:29:50,200 --> 00:29:52,560
Speaker 1: the sound of everything, because this album sounds like an

497
00:29:52,560 --> 00:29:55,080
Speaker 1: album and that song will sound like, you know, someone

498
00:29:55,120 --> 00:29:56,760
Speaker 1: else's song. So I have to kind of mess it

499
00:29:56,800 --> 00:29:58,800
Speaker 1: in do that as the encore. You know, when you

500
00:29:58,880 --> 00:30:02,080
Speaker 1: walk off and everyone think you're done, you come back, Yeah,

501
00:30:02,640 --> 00:30:05,000
Speaker 1: like that exactly, and then that's when you come on stage.

502
00:30:05,400 --> 00:30:08,640
Speaker 1: I'm coming. Yeah. So Charlie, uh, do you want to

503
00:30:08,680 --> 00:30:12,480
Speaker 1: do a resing on Turtle on my knee? Are you

504
00:30:12,600 --> 00:30:18,560
Speaker 1: talking about? Um? Yes, that Alummaney on your name, I'm

505
00:30:18,600 --> 00:30:20,560
Speaker 1: saying dirt all on my name. I don't know where

506
00:30:20,600 --> 00:30:23,640
Speaker 1: people got turtle on my It doesn't even make any

507
00:30:23,680 --> 00:30:27,120
Speaker 1: sense visual that did alummaney Nope, still makes no sense.

508
00:30:29,480 --> 00:30:31,520
Speaker 1: If you know and reshoot at the video, you can

509
00:30:31,560 --> 00:30:35,920
Speaker 1: put it that, Aluman, this must be an I heeart

510
00:30:35,960 --> 00:30:38,400
Speaker 1: thing because I only heard about my heart, like everyone's

511
00:30:38,400 --> 00:30:40,280
Speaker 1: always bringing it up, turtle on my name? Like, what

512
00:30:40,880 --> 00:30:44,400
Speaker 1: who did you start? That started? Because it sounds like that.

513
00:30:45,360 --> 00:30:48,760
Speaker 1: There were lyric in mini songs? Yeah, where's the gumbo?

514
00:30:51,160 --> 00:30:56,760
Speaker 1: Great for twenty four? Had enough gum before? You know what?

515
00:30:56,880 --> 00:31:00,520
Speaker 1: Song on three? What is that it is here playing?

516
00:31:00,720 --> 00:31:03,240
Speaker 1: Tell me scary? Come on, man, I'm so glad you

517
00:31:03,600 --> 00:31:12,880
Speaker 1: guys have windows, so it's so so advanced. Finances are

518
00:31:13,000 --> 00:31:15,440
Speaker 1: kind of a really tight right now. I haven't seen

519
00:31:15,480 --> 00:31:18,880
Speaker 1: a view Sonic monitor and since like I was listening

520
00:31:18,920 --> 00:31:24,080
Speaker 1: to Scary time when anyway, it doesn't matter. Let's move on.

521
00:31:25,040 --> 00:31:28,600
Speaker 1: Let's just pretend that. Okay, we do have don't be

522
00:31:28,640 --> 00:31:32,680
Speaker 1: afraid to catch fish? Where's that my favorite? Okay, here,

523
00:31:38,960 --> 00:31:45,800
Speaker 1: that's good, that's feel like it's right there, but it's

524
00:31:45,880 --> 00:31:51,520
Speaker 1: not as great as fish Turtle. I wish I was

525
00:31:51,640 --> 00:31:53,360
Speaker 1: quick with wit. Right now, I know a lot of

526
00:31:53,440 --> 00:31:56,520
Speaker 1: songs I could probably people I don't okay, I I

527
00:31:57,080 --> 00:31:59,320
Speaker 1: understand what you're saying. Total on my knee, But why

528
00:31:59,360 --> 00:32:01,640
Speaker 1: would a turtle be I understand catching fish, but why

529
00:32:01,680 --> 00:32:03,640
Speaker 1: would a total be on a knee? Why not everybody?

530
00:32:03,920 --> 00:32:06,640
Speaker 1: You can hear the sound of people tuning out their radio.

531
00:32:08,160 --> 00:32:13,760
Speaker 1: The people want to know Charlie, I love you and

532
00:32:13,880 --> 00:32:18,360
Speaker 1: g easy. I think that sounds a smash. He's an

533
00:32:18,440 --> 00:32:20,960
Speaker 1: incredible guy, isn't he great? He is, and he's like

534
00:32:21,120 --> 00:32:23,400
Speaker 1: the rapper where I can understand everything he says to

535
00:32:23,560 --> 00:32:26,520
Speaker 1: It's very very story telling. It's I I really really

536
00:32:26,600 --> 00:32:28,280
Speaker 1: like him, and he holds you together. When we were

537
00:32:28,320 --> 00:32:30,040
Speaker 1: on the red carpet and they were so stone, it

538
00:32:30,120 --> 00:32:33,959
Speaker 1: was so much fun. Ye. I was wondering why they

539
00:32:34,000 --> 00:32:38,040
Speaker 1: were so quiet that they just smoked a lot, or

540
00:32:38,120 --> 00:32:40,080
Speaker 1: they were eating edibles, I don't know, but they were stone,

541
00:32:40,120 --> 00:32:42,000
Speaker 1: and was like, great, good for them. I just think

542
00:32:42,000 --> 00:32:44,440
Speaker 1: it's awesome. She's from Patterson, he's from the Bay to

543
00:32:44,800 --> 00:32:48,120
Speaker 1: completely opposite coast. Just come together. It's like a perfect,

544
00:32:48,200 --> 00:32:50,880
Speaker 1: perfect romantic story and just reminds me that I'm just

545
00:32:51,000 --> 00:32:56,520
Speaker 1: going to die alone. King you'll be the guy with

546
00:32:56,680 --> 00:33:04,880
Speaker 1: ten cats that they founding your body as old Man Poof.

547
00:33:06,720 --> 00:33:10,480
Speaker 1: Old Man Poof was found in uh Newark today in

548
00:33:10,640 --> 00:33:14,680
Speaker 1: his empartment, kitty eaten by kitty cannon eating with cheetos

549
00:33:15,520 --> 00:33:18,560
Speaker 1: by his cat. He looked very lonely the ripe page

550
00:33:18,600 --> 00:33:22,640
Speaker 1: of nine nine. All he did was eat cheetos and

551
00:33:22,720 --> 00:33:27,120
Speaker 1: watch porn. Why it was cheat doesn't go on? Blah

552
00:33:27,200 --> 00:33:32,880
Speaker 1: blah blah. Doc that's right, was orange? Yeah, the cats,

553
00:33:33,680 --> 00:33:38,760
Speaker 1: speaking of wieners. Speaking of wieners, Great tea. What you know?

554
00:33:38,880 --> 00:33:40,960
Speaker 1: Great Tea always loves to take his clothes off for

555
00:33:41,040 --> 00:33:43,200
Speaker 1: you being a paint. His tenis green? You know he

556
00:33:43,280 --> 00:33:47,719
Speaker 1: does that? Where's Greg? We're a contest for you? Charlie Pratt? Really? Now,

557
00:33:47,840 --> 00:33:50,280
Speaker 1: do you want what's okay? Wait? Do you want what's

558
00:33:50,280 --> 00:33:54,600
Speaker 1: in the envelope or what's under the kilt a microphone?

559
00:33:55,840 --> 00:33:58,480
Speaker 1: Good morning, Charlie, good morning. Do you want what's in

560
00:33:59,240 --> 00:34:02,040
Speaker 1: the envelope or what's under the kill? Am I allowed

561
00:34:02,080 --> 00:34:06,320
Speaker 1: to see the envelope? It's okay because I can see

562
00:34:06,320 --> 00:34:09,000
Speaker 1: the kilton something bulging, So I don't know what I'm

563
00:34:09,200 --> 00:34:10,640
Speaker 1: we know what it isn't we know what it is?

564
00:34:11,600 --> 00:34:13,480
Speaker 1: I know, Charlie. I'm gonna ask one more time, do

565
00:34:13,520 --> 00:34:16,960
Speaker 1: you want what's under the kilt or what's in the envelope? Um,

566
00:34:17,600 --> 00:34:20,320
Speaker 1: I will ask let me, let me get the envelope,

567
00:34:20,680 --> 00:34:22,920
Speaker 1: just because I'm so scarred from last time. It was

568
00:34:23,040 --> 00:34:24,759
Speaker 1: my first time. I can't believe you guys did that

569
00:34:24,880 --> 00:34:26,880
Speaker 1: to me. Still my first time. I know you did

570
00:34:26,920 --> 00:34:28,520
Speaker 1: find out last time that great t is hung like

571
00:34:28,600 --> 00:34:32,160
Speaker 1: a pancake. You have just won something that's in the envelope.

572
00:34:32,560 --> 00:34:34,920
Speaker 1: This is actually great for your Greg's hung like a

573
00:34:35,000 --> 00:34:39,200
Speaker 1: stick h in a wood table at Peter Luger. You

574
00:34:39,400 --> 00:34:42,320
Speaker 1: just want an lg old and TV? Are you serious?

575
00:34:43,160 --> 00:34:46,200
Speaker 1: Oh my god, you say a fifty five inch lg

576
00:34:46,360 --> 00:34:49,440
Speaker 1: old easy TV. I'm so glad I'm not chartering a

577
00:34:49,520 --> 00:34:56,279
Speaker 1: plan anymore and I'm flying American. Yeah, Froggy's right, So

578
00:34:56,719 --> 00:34:58,600
Speaker 1: show him what he didn't win under the kilt. Greg,

579
00:34:59,560 --> 00:35:03,719
Speaker 1: I want to give you my morning would you're gonna

580
00:35:03,719 --> 00:35:06,040
Speaker 1: make And of course I wanted to show I was

581
00:35:12,360 --> 00:35:20,960
Speaker 1: God ran away? Would you put larger than I remember?

582
00:35:25,600 --> 00:35:30,880
Speaker 1: We are so sorry that tasteless sensitive songs was m

583
00:35:31,600 --> 00:35:33,759
Speaker 1: Charlie was nice to give us the gift of music.

584
00:35:33,840 --> 00:35:36,240
Speaker 1: And we pay him back by showing your little tiny

585
00:35:36,920 --> 00:35:40,560
Speaker 1: The best comment was it's larger than I remember, which

586
00:35:40,640 --> 00:35:45,840
Speaker 1: is so surprising because hold out a minute. Oh my god,

587
00:35:46,120 --> 00:35:53,000
Speaker 1: Charlie perkis Beth House. Get out of here. That was

588
00:35:53,080 --> 00:35:56,279
Speaker 1: just you know, I love your sister. Michaela is one

589
00:35:56,320 --> 00:35:58,759
Speaker 1: of my favorites. Isn't she the best? Show her your

590
00:35:58,800 --> 00:36:03,560
Speaker 1: showing hello. I'm so sorry. I'm so sorry. She got

591
00:36:03,640 --> 00:36:06,959
Speaker 1: paparazzi the other day. Now, you know, it's getting weird. Really,

592
00:36:08,360 --> 00:36:10,120
Speaker 1: I'm waking up all of a sudden because of this.

593
00:36:10,239 --> 00:36:12,960
Speaker 1: Thank you. That's very good. It's very good for Uncle Johnny.

594
00:36:13,000 --> 00:36:14,560
Speaker 1: He's old and he's gay. He wears it to pay

595
00:36:14,800 --> 00:36:18,239
Speaker 1: yes before they're talking about me. I'm like, that's none

596
00:36:18,280 --> 00:36:23,960
Speaker 1: of that's true. He's old and comes off my teeth,

597
00:36:24,040 --> 00:36:26,279
Speaker 1: come out my glasses, Come on, he's Mr potato Head.

598
00:36:27,080 --> 00:36:29,359
Speaker 1: How was it on the clock? Is it time to go? Okay,

599
00:36:29,600 --> 00:36:31,320
Speaker 1: they're telling you, they're telling you it's time for you

600
00:36:31,360 --> 00:36:35,480
Speaker 1: to leave minutes ago. It's kind of funny. People ask

601
00:36:35,520 --> 00:36:38,160
Speaker 1: what it's like for favorite flight, her favorite artist to

602
00:36:38,200 --> 00:36:40,239
Speaker 1: come in. The artists are great there. People are just

603
00:36:40,320 --> 00:36:44,800
Speaker 1: a bunch of a holes here not today, but seriously,

604
00:36:44,840 --> 00:36:47,400
Speaker 1: I'm gonna miss my flight. I'm so glad I decided

605
00:36:47,400 --> 00:36:50,160
Speaker 1: to fly commercial. I just needed to save some money today.

606
00:36:50,400 --> 00:36:53,240
Speaker 1: You now, I gotta t I gotta carry a TV.

607
00:36:53,680 --> 00:36:56,439
Speaker 1: You enjoy your TV to you, But when you could

608
00:36:56,520 --> 00:36:58,799
Speaker 1: mail it's me, I could put it in my guest room.

609
00:36:59,560 --> 00:37:01,279
Speaker 1: When you in your team come in, we always have

610
00:37:01,360 --> 00:37:03,400
Speaker 1: the best time. Thank you, no, thank you, guys, And

611
00:37:03,440 --> 00:37:08,000
Speaker 1: I'm sorry for being so no drinking, sleeping. Usually people's

612
00:37:08,040 --> 00:37:10,160
Speaker 1: people are not nice. And you always have the best crew.

613
00:37:10,280 --> 00:37:13,320
Speaker 1: You have the best family. They love you, they do,

614
00:37:13,560 --> 00:37:15,640
Speaker 1: and you guys love me. Do we need do we

615
00:37:15,680 --> 00:37:18,839
Speaker 1: all need to big green hug right now? We're gonna

616
00:37:18,840 --> 00:37:23,560
Speaker 1: have one. And don't forget to say goodbye to the

617
00:37:23,600 --> 00:37:26,680
Speaker 1: International Union of Elevator Constructors Local one pipes and drums.

618
00:37:26,719 --> 00:37:28,719
Speaker 1: I was gonna say that doesn't happen in l A.

619
00:37:28,880 --> 00:37:31,920
Speaker 1: That's very nice that they don't have those in l A. No,

620
00:37:32,040 --> 00:37:34,480
Speaker 1: they really don't. The album you can pre order it

621
00:37:34,760 --> 00:37:36,520
Speaker 1: right now, get it right now, and get the new

622
00:37:36,560 --> 00:37:39,280
Speaker 1: single done for me. It's gonna climbing up the shots,

623
00:37:39,400 --> 00:37:41,120
Speaker 1: so by bye, and I'm gonna play for free. Okay,

624
00:37:41,160 --> 00:37:45,080
Speaker 1: play it gets your tape cassette out and Danielle is

625
00:37:45,080 --> 00:37:47,440
Speaker 1: gonna tell you when you hit record, and then you're

626
00:37:47,440 --> 00:37:52,719
Speaker 1: gonna put that lime wire. You're gonna put it on

627
00:37:53,040 --> 00:37:59,120
Speaker 1: Kazah or Bear Share and downloaded. And see, Johnny, what's

628
00:37:59,160 --> 00:38:05,600
Speaker 1: your favorite website? Now? Bears warrants a boy Boys. You

629
00:38:05,640 --> 00:38:09,520
Speaker 1: can find Charlie's new songs. You can find Charlie's new song. Charlie,

630
00:38:09,560 --> 00:38:15,440
Speaker 1: you know we Love You is never coming back. This

631
00:38:15,640 --> 00:38:18,640
Speaker 1: is such a random conglomerate of things I've seen Greg

632
00:38:19,120 --> 00:38:21,359
Speaker 1: Penis once again. I now know there's a thing called

633
00:38:21,440 --> 00:38:24,360
Speaker 1: boys Alloy dot com. There's a lot of green food

634
00:38:24,440 --> 00:38:26,640
Speaker 1: here and I got it. I'm on the plane. So

635
00:38:27,360 --> 00:38:32,160
Speaker 1: with my fifty five inch TV, I said, TV. Al right,

636
00:38:32,280 --> 00:38:41,319
Speaker 1: here's my love you, Charlie. Elvis Hello in the Morning Show.

637
00:38:42,320 --> 00:38:45,080
Speaker 1: In today's connected world, it takes just one week link

638
00:38:45,200 --> 00:38:47,920
Speaker 1: and your personal information can get into the wrong hands.

639
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Speaker 1: Good thing. New Life Block with Norton now has protection

640
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641
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Speaker 1: com and use promo code Elvis for an extra tem

642
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Speaker 1: percent off your first year. Elvis Duran in the Morning Show.

643
00:39:03,440 --> 00:39:07,160
Speaker 1: So you know it's been three years in three months,

644
00:39:07,320 --> 00:39:11,520
Speaker 1: since I had my gas trick sleeve procedure where they

645
00:39:11,719 --> 00:39:14,880
Speaker 1: ripped out three quarters of my tummy, and one of

646
00:39:14,920 --> 00:39:21,479
Speaker 1: the rules it was no more carbonated beverages. I haven't

647
00:39:21,520 --> 00:39:25,480
Speaker 1: had a bubbly beverage in over three years, So what

648
00:39:25,680 --> 00:39:28,280
Speaker 1: are you trying to say? I need a bubbly beverage.

649
00:39:28,320 --> 00:39:30,160
Speaker 1: Are you supposed to do this? I'm not supposed to

650
00:39:30,239 --> 00:39:32,560
Speaker 1: drink bubbly beverages, but I'm gonna have a sip. I'm

651
00:39:32,560 --> 00:39:34,520
Speaker 1: not gonna drink a whole cancer. I have a can

652
00:39:34,600 --> 00:39:41,320
Speaker 1: of Bubbly sparkling water strawberry Bubbly, zero calories, which is good. Explode.

653
00:39:41,360 --> 00:39:43,960
Speaker 1: I don't know. I don't know what's gonna happen to me.

654
00:39:44,400 --> 00:39:45,760
Speaker 1: We'll do that in a minute. I've got an interesting

655
00:39:45,800 --> 00:39:48,320
Speaker 1: story I have to tell you. We received a text

656
00:39:48,800 --> 00:39:51,240
Speaker 1: from one of our favorite listeners, Chavon. Good morning, Chavon,

657
00:39:52,280 --> 00:39:54,879
Speaker 1: good morning. How are you doing very well? We saw

658
00:39:54,960 --> 00:39:56,239
Speaker 1: your text? And howd you get you on the phone?

659
00:39:56,239 --> 00:40:00,840
Speaker 1: Because this is so interesting to me. Yes, it's actually crazy.

660
00:40:01,200 --> 00:40:05,319
Speaker 1: Tell everyone what happened to not you but your sister. Yes,

661
00:40:05,440 --> 00:40:09,080
Speaker 1: So yesterday I received a text and my sister said,

662
00:40:09,520 --> 00:40:11,560
Speaker 1: have you ever seen that show I didn't know I

663
00:40:11,719 --> 00:40:16,279
Speaker 1: was pregnant, and I'm like, yes I have, And sure

664
00:40:16,400 --> 00:40:19,839
Speaker 1: enough she was having a baby. So well she called

665
00:40:19,880 --> 00:40:23,360
Speaker 1: you while a baby was falling out of her What No,

666
00:40:23,600 --> 00:40:28,200
Speaker 1: not quite almost, So she had no idea, no idea.

667
00:40:28,440 --> 00:40:30,759
Speaker 1: Well wait, how how pregnant is she? How how far

668
00:40:30,760 --> 00:40:36,840
Speaker 1: along is she? Uh? Nine months? So she hasn't she

669
00:40:36,920 --> 00:40:39,960
Speaker 1: didn't What about the weight gain and like the movement inside?

670
00:40:40,120 --> 00:40:43,640
Speaker 1: Like nothing yet? Um, so she didn't gain a little

671
00:40:43,680 --> 00:40:46,480
Speaker 1: bit of weight nothing like too crazy though, like we

672
00:40:46,600 --> 00:40:50,040
Speaker 1: just kind ofated it to you know, normal weight gain

673
00:40:50,080 --> 00:40:53,640
Speaker 1: and very tiny. She's only four eleven, so gaining weight.

674
00:40:53,880 --> 00:40:55,319
Speaker 1: If she gains a little bit of weight, it looks

675
00:40:55,360 --> 00:40:58,320
Speaker 1: like a lot more prevalent than if you know, it

676
00:40:58,440 --> 00:41:02,240
Speaker 1: is anyone else is that? But she didn't have morning thickness,

677
00:41:02,400 --> 00:41:06,560
Speaker 1: She didn't have really anything any of the symptoms. Well,

678
00:41:06,600 --> 00:41:09,800
Speaker 1: how did she find out she was pregnant? So she

679
00:41:09,920 --> 00:41:13,200
Speaker 1: went to the doctor, um, just because she thought that

680
00:41:13,320 --> 00:41:15,799
Speaker 1: she had a U. T I. And then they're like, oh,

681
00:41:15,880 --> 00:41:18,279
Speaker 1: and you know, the pregnancy is positive And she was

682
00:41:18,320 --> 00:41:22,000
Speaker 1: like what and then uh They're like, yeah, you didn't know.

683
00:41:22,200 --> 00:41:23,600
Speaker 1: So then they told her that she should go to

684
00:41:23,719 --> 00:41:26,920
Speaker 1: the hospital and sure enough she was thirty weeks along

685
00:41:27,800 --> 00:41:32,040
Speaker 1: because the baby wasn't kicking or anything. Um, they she

686
00:41:32,200 --> 00:41:35,600
Speaker 1: doesn't really know like she is. I mean, the baby

687
00:41:35,719 --> 00:41:38,440
Speaker 1: is healthy now, so maybe it did move and she

688
00:41:38,560 --> 00:41:43,720
Speaker 1: kind of didn't like really put two and two together. Chavon,

689
00:41:43,920 --> 00:41:47,840
Speaker 1: that's crazy. I have seen that show and typically, I mean,

690
00:41:48,120 --> 00:41:50,959
Speaker 1: and many times a woman can be pregnant, but maybe

691
00:41:51,040 --> 00:41:53,920
Speaker 1: because she's larger in size, she doesn't know or whatever.

692
00:41:54,000 --> 00:41:56,200
Speaker 1: And I get that, but to be a tiny framed

693
00:41:56,520 --> 00:41:59,759
Speaker 1: person like your sister, and all right, well, so so

694
00:42:00,520 --> 00:42:02,920
Speaker 1: how does it change your life when you find out

695
00:42:03,000 --> 00:42:05,080
Speaker 1: I mean days before you're about to have a baby.

696
00:42:05,120 --> 00:42:07,000
Speaker 1: I mean, it's not you don't have nine months to prepare.

697
00:42:07,480 --> 00:42:10,839
Speaker 1: You're better now she's gonna have a baby, right, Yeah,

698
00:42:11,000 --> 00:42:15,200
Speaker 1: we don't have anything. So she gave birth yesterday. So

699
00:42:15,320 --> 00:42:18,000
Speaker 1: now we're just kind of like putting things together. Uh

700
00:42:18,360 --> 00:42:21,600
Speaker 1: we all we lived together with our parents. I'm in

701
00:42:21,719 --> 00:42:25,680
Speaker 1: law school right now, and uh so she We're just

702
00:42:25,760 --> 00:42:27,440
Speaker 1: going to do the best that we can, you know,

703
00:42:27,600 --> 00:42:29,920
Speaker 1: and like, you know, his family is very supportive and

704
00:42:30,200 --> 00:42:33,920
Speaker 1: you know where everyone's very involved and and happy. But

705
00:42:34,080 --> 00:42:37,040
Speaker 1: he's shocked still. So it'll definitely change our lives, but

706
00:42:37,480 --> 00:42:39,440
Speaker 1: nothing we can do about it. Now, it sounds like

707
00:42:39,560 --> 00:42:42,680
Speaker 1: it's a it's a positive. Everyone's everyone's like we're accepting it.

708
00:42:42,800 --> 00:42:44,880
Speaker 1: We have a new member of the family added to

709
00:42:44,960 --> 00:42:48,399
Speaker 1: the family, and it's all good. Yeah, yeah, it's it's

710
00:42:48,440 --> 00:42:50,759
Speaker 1: definitely good. At first, it was definitely a shock, and

711
00:42:50,840 --> 00:42:52,239
Speaker 1: it was just kind of like, all right, here we

712
00:42:52,320 --> 00:42:55,480
Speaker 1: go showtime. But you've been now that we have time

713
00:42:55,560 --> 00:42:58,000
Speaker 1: to like settle itt'll, you know, have some time to

714
00:42:58,080 --> 00:43:01,920
Speaker 1: settle in and like figure every thing out. Can imagine

715
00:43:01,920 --> 00:43:05,880
Speaker 1: that you have another another person in the house, like

716
00:43:06,120 --> 00:43:12,560
Speaker 1: without any warning, surprise baby jealous producer Sam. This happened

717
00:43:12,600 --> 00:43:14,760
Speaker 1: to someone, you know, Yeah, this happened to my sister's

718
00:43:14,800 --> 00:43:17,160
Speaker 1: co worker. They have a couple of weeks now they're

719
00:43:17,239 --> 00:43:20,440
Speaker 1: nesting for a baby. Except they just found out and

720
00:43:20,640 --> 00:43:24,680
Speaker 1: she's do soon. Like they're in the last there under

721
00:43:24,719 --> 00:43:28,120
Speaker 1: a month at least she is a month. Chavon's sister

722
00:43:28,200 --> 00:43:34,799
Speaker 1: had like three hours. Was the father shocked? Oh yeah,

723
00:43:34,960 --> 00:43:38,000
Speaker 1: I mean he was like crying. He was happy and everything.

724
00:43:38,360 --> 00:43:42,120
Speaker 1: Not cries of sorrow, but he was happy. And yeah,

725
00:43:42,200 --> 00:43:44,560
Speaker 1: it's just it definitely was kind of a shock, but

726
00:43:44,640 --> 00:43:48,680
Speaker 1: like we didn't really have time to process everything. I've

727
00:43:48,719 --> 00:43:50,319
Speaker 1: got good news and better news. The good news you're

728
00:43:50,320 --> 00:43:52,560
Speaker 1: having a baby. The bad news. His arm is already

729
00:43:52,600 --> 00:43:56,799
Speaker 1: coming out. That's an arm. Well, Chavon, thank you. Tell

730
00:43:56,840 --> 00:43:59,680
Speaker 1: your sister and tell the father, Tell everyone congratulations. I'm

731
00:43:59,680 --> 00:44:01,759
Speaker 1: so happy that you have a new baby in the

732
00:44:01,800 --> 00:44:04,439
Speaker 1: family and everyone's on board and it's all cool. That's great.

733
00:44:05,120 --> 00:44:07,279
Speaker 1: Oh yeah, thank you very much. I listened to you

734
00:44:07,360 --> 00:44:09,239
Speaker 1: guys all the time, and I'm glad that this is

735
00:44:09,360 --> 00:44:11,279
Speaker 1: something that I got to talk to you about. I know,

736
00:44:11,400 --> 00:44:12,920
Speaker 1: I know, an interesting story. I love it. Thank you,

737
00:44:13,040 --> 00:44:16,120
Speaker 1: chavonn have a great day. Okay, you hold on scary

738
00:44:16,160 --> 00:44:19,600
Speaker 1: as a question, hold on that there's any possibility that

739
00:44:19,920 --> 00:44:23,400
Speaker 1: maybe she knew but was keeping it to herself. Does

740
00:44:23,440 --> 00:44:28,680
Speaker 1: she have reasons to the conspiracy? Scary? There's a conspiracy, Chavon,

741
00:44:28,760 --> 00:44:31,080
Speaker 1: How do you want to answer that one. I think

742
00:44:31,120 --> 00:44:33,719
Speaker 1: there were things that maybe she could have she could

743
00:44:33,760 --> 00:44:36,520
Speaker 1: have thought about it, Like looking back now, it's like, oh,

744
00:44:36,600 --> 00:44:38,959
Speaker 1: maybe that was like kind of a sign, but maybe

745
00:44:39,040 --> 00:44:41,640
Speaker 1: like even that she was five or six months along,

746
00:44:41,760 --> 00:44:45,640
Speaker 1: not nine months. That's just crazy scary for a baby shower.

747
00:44:46,880 --> 00:44:50,560
Speaker 1: Baby showers are so awful anyway, not for the moment

748
00:44:51,840 --> 00:44:54,400
Speaker 1: you play those dumb games anyway, Thank you, Chavon, have

749
00:44:54,480 --> 00:44:57,279
Speaker 1: a have a great day. Yeah you too. Yeah, I

750
00:44:57,320 --> 00:45:00,920
Speaker 1: mean surprised baby here you stop drinking when you're considering

751
00:45:01,000 --> 00:45:05,640
Speaker 1: having a baby like ye to pre natal vitamins and

752
00:45:05,719 --> 00:45:10,040
Speaker 1: all that stuff, like, you know, I don't know. I

753
00:45:10,120 --> 00:45:13,799
Speaker 1: thought maybe maybe she just was afraid to see how

754
00:45:13,880 --> 00:45:16,000
Speaker 1: it was going to be received by the family. Scary

755
00:45:16,440 --> 00:45:26,000
Speaker 1: scary thinks that there's a conspiracy everywhere small and that

756
00:45:26,200 --> 00:45:30,120
Speaker 1: there's no noticeable change. I don't know, it can happen,

757
00:45:30,760 --> 00:45:32,560
Speaker 1: and it did happen. We've seen the show. Look, we

758
00:45:32,760 --> 00:45:35,279
Speaker 1: have ten million listeners out there. There's a possibility of

759
00:45:35,320 --> 00:45:38,120
Speaker 1: almost anything happening to anyone of our listeners. And it happened.

760
00:45:38,160 --> 00:45:40,120
Speaker 1: What's up straight name? I guess there could be a

761
00:45:40,200 --> 00:45:42,000
Speaker 1: twist like a show for the guy I didn't know

762
00:45:42,040 --> 00:45:46,719
Speaker 1: I got the girl pregnant? Right? That doesn't sound I

763
00:45:46,800 --> 00:45:48,160
Speaker 1: definitely do not want to be on that show. But

764
00:45:48,200 --> 00:45:51,080
Speaker 1: I'm trying to think that show. No, no, no, no no.

765
00:45:51,560 --> 00:45:54,239
Speaker 1: But I'm thinking as a guy, I can't think of

766
00:45:54,360 --> 00:45:56,680
Speaker 1: anything like this where all of a sudden my body

767
00:45:56,719 --> 00:45:58,560
Speaker 1: has changed I don't even know it, and then something's

768
00:45:58,560 --> 00:46:02,000
Speaker 1: coming out of my body that is alive. I I

769
00:46:02,360 --> 00:46:05,640
Speaker 1: can't think it would be equivalent like when you had

770
00:46:05,680 --> 00:46:08,440
Speaker 1: that hemorrhoid. That's right, that was alive, that was on

771
00:46:08,440 --> 00:46:10,040
Speaker 1: the outside of my I don't want to get this,

772
00:46:11,320 --> 00:46:13,480
Speaker 1: you know, I will say, you know, a lot happens

773
00:46:13,719 --> 00:46:16,239
Speaker 1: in nine months in a relationship. So let's just say, like,

774
00:46:16,400 --> 00:46:18,920
Speaker 1: you know, it's month number one and everything's great, and

775
00:46:18,920 --> 00:46:21,000
Speaker 1: you're in love and everything's wonderful, and you got intimate

776
00:46:21,040 --> 00:46:23,040
Speaker 1: and everything. But all of a sudden, like towards like

777
00:46:23,200 --> 00:46:25,120
Speaker 1: nine months, you're kind of like, you know, I'm thinking

778
00:46:25,120 --> 00:46:26,920
Speaker 1: about breaking up, and then all of a sudden, she's like,

779
00:46:26,920 --> 00:46:31,000
Speaker 1: oh wait, hold on, baby, that's a problem. All of

780
00:46:31,040 --> 00:46:34,080
Speaker 1: a sudden, I'm locked in in this situation. It sounds

781
00:46:34,080 --> 00:46:36,560
Speaker 1: like everyone's on board and everyone's cool and everyone's supportive.

782
00:46:36,640 --> 00:46:40,200
Speaker 1: So I'm glad it's working out there you go. So

783
00:46:40,280 --> 00:46:42,560
Speaker 1: I'm wondering, as you listen to this show right now,

784
00:46:44,480 --> 00:46:48,160
Speaker 1: that weird feeling you had this morning, Maybe it's a

785
00:46:48,239 --> 00:46:54,960
Speaker 1: child check. Maybe you're a mommy. Maybe should go get checked.

786
00:46:55,040 --> 00:46:58,319
Speaker 1: You get checked, all right, So, speaking of I don't

787
00:46:58,360 --> 00:46:59,960
Speaker 1: know what it's like to be pregnant, or the fee

788
00:47:00,239 --> 00:47:02,800
Speaker 1: is like it must be like you're bloated. How do

789
00:47:02,840 --> 00:47:04,880
Speaker 1: you feel you feel? It depends on the day. You

790
00:47:04,960 --> 00:47:10,279
Speaker 1: feel bloated in digestion, excitement, sometimes nothing, but physically you're

791
00:47:10,320 --> 00:47:15,280
Speaker 1: like you're exhausted. The first couple of months, you're absolutely exhausting. Pregnant.

792
00:47:15,360 --> 00:47:18,560
Speaker 1: What I'm about to do is gonna make me feel pregnant,

793
00:47:18,600 --> 00:47:22,520
Speaker 1: would you? No? No, I haven't had a carbonated beverage

794
00:47:22,600 --> 00:47:25,279
Speaker 1: in three years and three months and I miss it.

795
00:47:25,600 --> 00:47:27,719
Speaker 1: Please don't blow up a Bubbly beverage. By the way,

796
00:47:27,760 --> 00:47:30,399
Speaker 1: Bubbly Beverage was my favorite dry queen on Fire Island

797
00:47:30,520 --> 00:47:34,880
Speaker 1: last year. Please welcome to the stage Bubbly Beverage. So

798
00:47:35,120 --> 00:47:37,160
Speaker 1: I'm and I'm not supposed to drink it because they

799
00:47:37,239 --> 00:47:39,279
Speaker 1: say we'll stretch my stomach and I did. Look, I

800
00:47:39,360 --> 00:47:41,879
Speaker 1: need to be careful. My stomach is at the three

801
00:47:42,000 --> 00:47:44,800
Speaker 1: year mark, and they say when you have the gastric

802
00:47:44,880 --> 00:47:47,960
Speaker 1: sleeve procedure, your stomach is going to start to expand.

803
00:47:48,000 --> 00:47:50,000
Speaker 1: It's just the way it is. And I don't want

804
00:47:50,000 --> 00:47:51,319
Speaker 1: to expand it, but I want to. I just want

805
00:47:51,320 --> 00:47:54,280
Speaker 1: to taste. I want the feeling of a bubbly beverage.

806
00:47:54,400 --> 00:47:56,480
Speaker 1: I want to feel it on my tongue. Imagine not

807
00:47:56,560 --> 00:47:59,400
Speaker 1: being able to drink a carbonated beverage. And I love

808
00:47:59,440 --> 00:48:02,120
Speaker 1: carbonated stuff. And so I'm I'm about to feel it

809
00:48:02,200 --> 00:48:04,520
Speaker 1: on my tongue and then I'm gonna swallow. I'm gonna

810
00:48:04,560 --> 00:48:06,440
Speaker 1: feel it going down, and I'm gonna feel it hit

811
00:48:06,480 --> 00:48:08,960
Speaker 1: my stomach. This is gonna be This is very dramatic.

812
00:48:10,440 --> 00:48:13,600
Speaker 1: Here we go. What are you doing? What are you doing?

813
00:48:13,920 --> 00:48:15,880
Speaker 1: I thought you wanted maybe some kind of music here,

814
00:48:17,520 --> 00:48:25,480
Speaker 1: drum rock all right? Oh my gosh, Oh that is

815
00:48:25,560 --> 00:48:35,040
Speaker 1: so fabulous. Oh wow, but it hits oh kaboom, wow, wow,

816
00:48:36,040 --> 00:48:38,600
Speaker 1: Oh my god, my stomach. Don't throw up. Don't throw up?

817
00:48:45,200 --> 00:48:48,160
Speaker 1: What a weird feeling like? I don't. I don't wan anymore.

818
00:48:48,160 --> 00:48:50,239
Speaker 1: I just had one sip? Is all I need? Boy,

819
00:48:50,360 --> 00:48:52,759
Speaker 1: that was good. It's so refreshing. Was it like, did

820
00:48:52,760 --> 00:48:55,239
Speaker 1: you feel like popping all the way down? Oh my god,

821
00:48:55,320 --> 00:48:59,719
Speaker 1: that feels awesome pop rocks. Yes, No, but I feel

822
00:48:59,760 --> 00:49:02,360
Speaker 1: like it. It cleanses, you know, your mouth bubbles are

823
00:49:02,360 --> 00:49:04,840
Speaker 1: like scrubbing bubbles, scrubbing bubbles, and it goes all the

824
00:49:04,880 --> 00:49:07,680
Speaker 1: way done. When it hits your stomach. It's like, oh man,

825
00:49:08,040 --> 00:49:11,080
Speaker 1: that was awesome. I'm fascinated. Let me have one more. No,

826
00:49:12,560 --> 00:49:14,239
Speaker 1: I'm not doing big golfs. This is how I feel

827
00:49:14,280 --> 00:49:16,000
Speaker 1: when I haven't want to set a cigarette. You don't like,

828
00:49:16,040 --> 00:49:18,680
Speaker 1: give me one, Let me have another. Cigarettes. Oh my gosh,

829
00:49:18,719 --> 00:49:24,160
Speaker 1: it tastes so good. Now you've opened Pandora's box. That's

830
00:49:24,200 --> 00:49:26,320
Speaker 1: what happens with smokers. What else haven't you done in

831
00:49:26,400 --> 00:49:28,719
Speaker 1: three years? Let's let's let's do it now. That's the

832
00:49:28,760 --> 00:49:32,280
Speaker 1: only thing I've given up. That's it's seriously, no, everything

833
00:49:32,440 --> 00:49:36,440
Speaker 1: is full throttle. Everything's working. Yeah, plumbing is all good.

834
00:49:36,440 --> 00:49:38,160
Speaker 1: All right, I had to do that. You know, if

835
00:49:38,160 --> 00:49:40,960
Speaker 1: you've been through the what I've been through, the gastric sleeve.

836
00:49:42,000 --> 00:49:46,040
Speaker 1: Excuse me, if you've done it, and you know what

837
00:49:46,120 --> 00:49:48,200
Speaker 1: I'm saying. You're not supposed to have carbonated beverages. You're

838
00:49:48,200 --> 00:49:51,080
Speaker 1: not supposed to, but oh boy, that felt good. Oh boy,

839
00:49:51,520 --> 00:49:56,359
Speaker 1: like forbidden fruit. All right? See what's see? Another point

840
00:49:56,440 --> 00:49:58,839
Speaker 1: here is you take things for granted. You can drink

841
00:49:58,880 --> 00:50:04,759
Speaker 1: a carbonated beverage and time you want. What that's uh,

842
00:50:04,920 --> 00:50:08,080
Speaker 1: your your friend is coming back a l W and

843
00:50:08,160 --> 00:50:11,760
Speaker 1: about who's a l W. A Oh, Andrew Lloyd Webber.

844
00:50:12,400 --> 00:50:14,799
Speaker 1: Who do you know him well enough? You can call him? A? Yeah,

845
00:50:15,000 --> 00:50:17,480
Speaker 1: I have his email. It's a l W. At well,

846
00:50:17,520 --> 00:50:19,600
Speaker 1: I'm not gonna I'm not gonna give it away, but

847
00:50:19,840 --> 00:50:27,000
Speaker 1: it's a I actually have a mail. Yeah. Anyway, a

848
00:50:27,320 --> 00:50:30,480
Speaker 1: l W. Andrew Lloyd Webber. His book is out. The

849
00:50:30,600 --> 00:50:33,200
Speaker 1: guy is a genius and thanks to him, Broadway is

850
00:50:33,440 --> 00:50:35,839
Speaker 1: better than ever. We'll talk to Andrew Andrew Loyd Webber

851
00:50:35,840 --> 00:50:37,880
Speaker 1: in about an hour. I'm sorry, a l W. Coming up.

852
00:50:39,680 --> 00:50:44,120
Speaker 1: Elvis Duran presents twenty Something's Doing Nothing, a podcast about

853
00:50:44,160 --> 00:50:47,479
Speaker 1: two friends navigating their twenties, one mistake at a time.

854
00:50:47,640 --> 00:50:50,840
Speaker 1: You don't have a drinking problem, you have a fun problem,

855
00:50:51,160 --> 00:50:55,360
Speaker 1: exactly at least getting it out. Twenty Something's Doing Nothing.

856
00:50:55,640 --> 00:50:59,680
Speaker 1: Listen on the I Heart Radio app Elvis Duran in

857
00:50:59,719 --> 00:51:04,680
Speaker 1: the morning show. Hiring. Zip Recruiter has revolutionized how you

858
00:51:04,880 --> 00:51:08,319
Speaker 1: do it. Their technology identifies people with the right experience

859
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Speaker 1: and invites them to apply to your job. They find

860
00:51:11,400 --> 00:51:14,239
Speaker 1: great candidates for you. Try it free today at zip

861
00:51:14,320 --> 00:51:17,560
Speaker 1: recruiter dot com. Slash Elvis zip recruiter the Smartest way

862
00:51:17,600 --> 00:51:22,839
Speaker 1: to hire. Elvis Elvis durand the Elvis Durant phone tap.

863
00:51:22,920 --> 00:51:25,640
Speaker 1: All right, scary, Yes, what's your phone tap all about? Today?

864
00:51:25,880 --> 00:51:28,600
Speaker 1: Todd wants to phone tap his roommate Liam, Liam gets

865
00:51:28,640 --> 00:51:31,680
Speaker 1: sloppy drunk whenever he goes out, and on St. Patrick's

866
00:51:31,760 --> 00:51:34,520
Speaker 1: day he really went overboard and got escorted out of

867
00:51:34,560 --> 00:51:37,160
Speaker 1: the bar. But he had started this tab and he

868
00:51:37,280 --> 00:51:39,800
Speaker 1: never paid the bill. So Todd wants me to pretend

869
00:51:39,880 --> 00:51:42,480
Speaker 1: I'm from the bar trying to collect. He starts to call.

870
00:51:42,560 --> 00:51:44,359
Speaker 1: You know how many times I've received that phone call

871
00:51:44,440 --> 00:51:47,080
Speaker 1: the next day? Yeah, Elvis, you didn't pay your bill

872
00:51:47,200 --> 00:51:50,879
Speaker 1: last night, and it's a doozy. Uh well, let's see

873
00:51:50,920 --> 00:51:52,960
Speaker 1: how we can turn that into a phone tap. Here

874
00:51:53,000 --> 00:51:59,239
Speaker 1: we go, listen it. Hello, Todd, Hey for a second, dude,

875
00:51:59,480 --> 00:52:01,640
Speaker 1: let me talking that pal for Stitts out for a

876
00:52:01,680 --> 00:52:04,279
Speaker 1: couple of minutes. That this is important everything all right?

877
00:52:04,480 --> 00:52:06,200
Speaker 1: What you did the other day is getting us all

878
00:52:06,239 --> 00:52:08,920
Speaker 1: in trouble. What do well? Yeah, you was about of

879
00:52:08,960 --> 00:52:11,600
Speaker 1: course you don't remember you were not with St. Patrick's stay.

880
00:52:11,680 --> 00:52:13,480
Speaker 1: When when you do all that stuff she did, it's

881
00:52:13,520 --> 00:52:15,440
Speaker 1: getting us in trouble. They're on the other line with me.

882
00:52:16,120 --> 00:52:17,960
Speaker 1: What do you mean they're on the other line, the

883
00:52:18,239 --> 00:52:20,320
Speaker 1: didn't know what do you want? At the end of

884
00:52:20,360 --> 00:52:22,560
Speaker 1: trucks faction to kick rself at the bear. Some guy

885
00:52:22,680 --> 00:52:24,640
Speaker 1: Donovan's on the line. He wants He's saying you didn't

886
00:52:24,640 --> 00:52:29,400
Speaker 1: pay the bill and that now we talk to him.

887
00:52:29,400 --> 00:52:33,360
Speaker 1: He's thing like, I'm sally about talking to him, just

888
00:52:33,440 --> 00:52:35,560
Speaker 1: hanging up on him. You were like a three hundreds

889
00:52:35,600 --> 00:52:39,160
Speaker 1: hoar tab. The guy's really pissed off. Well, he shouldn't

890
00:52:39,160 --> 00:52:40,719
Speaker 1: have picked a shot at the bar. You gotta deal

891
00:52:40,760 --> 00:52:43,120
Speaker 1: with this right now working now, I'm in the bathroom

892
00:52:43,160 --> 00:52:45,000
Speaker 1: at work. Now, I'm not gonna talk to them outain now.

893
00:52:45,640 --> 00:52:47,239
Speaker 1: He said, you want to down there? I mean, let

894
00:52:47,400 --> 00:52:49,040
Speaker 1: he's on the line with me, Let me connect him.

895
00:52:49,120 --> 00:52:55,600
Speaker 1: Hold on hello, Yeah, hey Donovan, I got Liam here.

896
00:52:55,719 --> 00:52:57,719
Speaker 1: The guys, I'm here. I'm here. Did you come out

897
00:52:57,760 --> 00:53:00,960
Speaker 1: of your drunken coma yet? How can I help you

898
00:53:00,960 --> 00:53:03,520
Speaker 1: out here? Sir? This is Donovan from Feeling Off Bob.

899
00:53:03,880 --> 00:53:06,520
Speaker 1: Do you remember being here on Monday? I have a

900
00:53:06,560 --> 00:53:09,399
Speaker 1: big recollection of it yet, I'm everybody kicked out here?

901
00:53:09,440 --> 00:53:11,560
Speaker 1: Bar Oh you got the irish you need? You're doing? You?

902
00:53:12,640 --> 00:53:14,920
Speaker 1: Are you mocking me? Sir? I'm not mocking you. Do

903
00:53:15,000 --> 00:53:16,480
Speaker 1: you know you that you ran out of here? Do

904
00:53:16,560 --> 00:53:20,480
Speaker 1: you charge a three d twelve dollar bill? Yes, distinct,

905
00:53:20,880 --> 00:53:24,319
Speaker 1: very clear memory of being sir. But you never came

906
00:53:24,360 --> 00:53:26,319
Speaker 1: back yesterday to pay the bill. Where have you been?

907
00:53:26,400 --> 00:53:28,200
Speaker 1: Why would I come back to a bar that kicked

908
00:53:28,239 --> 00:53:30,880
Speaker 1: me out? Two of your bit bruisers, crumbly by the arm,

909
00:53:31,040 --> 00:53:32,719
Speaker 1: tossed me out and leave me on the street, and

910
00:53:32,840 --> 00:53:34,440
Speaker 1: you want me to come back and give a three

911
00:53:34,520 --> 00:53:37,200
Speaker 1: hundred dollars in Well, first of all, you got kicked

912
00:53:37,200 --> 00:53:40,760
Speaker 1: out because you were disrupting everything. Okay, do you remember anything?

913
00:53:41,520 --> 00:53:44,560
Speaker 1: I was having a great time. I was entertained, the horful.

914
00:53:44,840 --> 00:53:46,600
Speaker 1: First of all, you were mocking everybody that came in

915
00:53:46,640 --> 00:53:48,839
Speaker 1: the bar. You were like, a, look, who's you had

916
00:53:48,880 --> 00:53:51,160
Speaker 1: to have a drink? Kiss me, I'm irish, kissed me,

917
00:53:51,160 --> 00:53:53,440
Speaker 1: I'm irish to everybody that walked in. I'm not sure

918
00:53:53,640 --> 00:53:57,279
Speaker 1: to send your points, sir. Yeah, yeah, that's harassment. You

919
00:53:57,360 --> 00:53:59,200
Speaker 1: asked this one girl if you wanted to feel for

920
00:53:59,239 --> 00:54:01,279
Speaker 1: your pot of gold the end of the rainbow. I

921
00:54:01,440 --> 00:54:03,640
Speaker 1: never did any such thing. I know how to hustle

922
00:54:03,719 --> 00:54:06,520
Speaker 1: my liquor. I wasn't never too drunk drink. You know

923
00:54:06,600 --> 00:54:08,640
Speaker 1: how to handle your liquor two at a time. You

924
00:54:08,719 --> 00:54:13,520
Speaker 1: were double fisting guinness. You had Irish handcuffs on. What

925
00:54:13,600 --> 00:54:15,560
Speaker 1: do you have me do? How much you're gonna drink

926
00:54:15,560 --> 00:54:18,560
Speaker 1: at once? Bring it up your revenue. You're welcome. My

927
00:54:18,719 --> 00:54:21,279
Speaker 1: bartender Kelly cut you off. You tried to go around

928
00:54:21,320 --> 00:54:23,640
Speaker 1: the other side of the bar and deal with Brent instead,

929
00:54:23,960 --> 00:54:26,640
Speaker 1: and we kept giving you your bill. Never in my

930
00:54:27,080 --> 00:54:29,680
Speaker 1: many years have I ever paid a top on the bar.

931
00:54:29,920 --> 00:54:33,000
Speaker 1: I've been thrown out. This isn't irold. You gotta pay. Oh,

932
00:54:33,080 --> 00:54:34,600
Speaker 1: so this just happened in the past. And then he

933
00:54:34,680 --> 00:54:36,800
Speaker 1: ken time to go to whatever pool will have me,

934
00:54:36,960 --> 00:54:40,160
Speaker 1: and I kick me out. I should don't come back

935
00:54:40,239 --> 00:54:41,759
Speaker 1: and pay me for you. Then you picked up the

936
00:54:41,800 --> 00:54:44,480
Speaker 1: policeman's bagpipes when he left him on the chair, and

937
00:54:44,560 --> 00:54:47,120
Speaker 1: you started blowing into them. Do you remember that I

938
00:54:47,239 --> 00:54:49,680
Speaker 1: didn't I did no such thing. I remember that I

939
00:54:49,760 --> 00:54:52,319
Speaker 1: had to apologize for the policeman said you wouldn't get

940
00:54:52,320 --> 00:54:58,160
Speaker 1: a rab. You owe us three hundred and twelve dollars.

941
00:54:58,600 --> 00:55:02,239
Speaker 1: You me a nightclocket the bar. You wanted Shepherd's pie

942
00:55:02,320 --> 00:55:04,560
Speaker 1: for the entire table of nurses that came in. They

943
00:55:04,600 --> 00:55:07,360
Speaker 1: look like, get down here and give me that green

944
00:55:07,840 --> 00:55:10,239
Speaker 1: That there becomes nulling void when you kicked me after

945
00:55:10,320 --> 00:55:12,520
Speaker 1: the bear, I would throw out in front of all

946
00:55:12,600 --> 00:55:14,640
Speaker 1: the bear I was talking to. You make me look

947
00:55:14,719 --> 00:55:16,680
Speaker 1: like a fool. You are the reason I would come

948
00:55:16,760 --> 00:55:20,880
Speaker 1: down there. It's a bear in my boot show for

949
00:55:20,920 --> 00:55:22,840
Speaker 1: a week. All right, they're fighting Irish Why don't you

950
00:55:22,920 --> 00:55:24,520
Speaker 1: come down here so I could wash your mouth out

951
00:55:24,560 --> 00:55:27,279
Speaker 1: with Irish spring. I even have feelings in me. Look

952
00:55:27,280 --> 00:55:29,719
Speaker 1: who's since I was twil is not the world you

953
00:55:29,880 --> 00:55:32,200
Speaker 1: want answer right now? You just make those threats at

954
00:55:32,239 --> 00:55:35,800
Speaker 1: me and I'll be dubbling your pain. You'd be dubbling

955
00:55:35,920 --> 00:55:40,000
Speaker 1: me pain. Yeah, exactly, A little guy Irish actions asked me,

956
00:55:40,640 --> 00:55:42,640
Speaker 1: yeah exactly. Do you know that you've been phoned at

957
00:55:43,600 --> 00:55:49,200
Speaker 1: what William? This is scary Jones Melvista ran in the

958
00:55:49,239 --> 00:55:53,520
Speaker 1: Morning Show. Are you kidding me? Right now? That toy?

959
00:55:53,640 --> 00:56:00,440
Speaker 1: You you still all that money? I feel Just avoid

960
00:56:00,480 --> 00:56:06,200
Speaker 1: that place for the telling being about. This tap was

961
00:56:06,239 --> 00:56:10,560
Speaker 1: prerecorded with permission granted by all parties. Space Ellis Duran

962
00:56:10,680 --> 00:56:14,000
Speaker 1: Felon Tad We're on Ellis Duran in the Morning Show.

963
00:56:21,400 --> 00:56:24,360
Speaker 1: In the Morning Show, we're talking about all the morning,

964
00:56:25,880 --> 00:56:30,399
Speaker 1: the world famous and kinely delicious Lynden Manuel Miranda. He's

965
00:56:30,440 --> 00:56:33,800
Speaker 1: releasing these new Hamilton's related music and videos in this

966
00:56:34,080 --> 00:56:38,279
Speaker 1: monthly series called hamil Drops, and a very special one

967
00:56:38,360 --> 00:56:42,880
Speaker 1: from March he's doing with our buddy Ben Platt. It

968
00:56:43,000 --> 00:56:45,480
Speaker 1: came out at midnight. It's out, you can buy it.

969
00:56:45,600 --> 00:56:47,920
Speaker 1: A portion of the proceeds from the downloads go to

970
00:56:48,120 --> 00:56:50,480
Speaker 1: the March from our Lives initiative, and we're all going

971
00:56:50,520 --> 00:56:52,360
Speaker 1: to We're gonna be in Washington for that this weekend.

972
00:56:53,040 --> 00:56:55,279
Speaker 1: So fantastic. So when they said they're gonna call in,

973
00:56:55,360 --> 00:56:57,319
Speaker 1: I'm like, no, they're not. I know, we didn't believe

974
00:56:57,320 --> 00:56:59,919
Speaker 1: it either, like not too busy, but they're here, Lynne

975
00:57:00,000 --> 00:57:02,560
Speaker 1: Manuel Miranda been planning. Good morning, Welcome to the show, guys.

976
00:57:04,160 --> 00:57:08,200
Speaker 1: Good morning, guys, how are you there? You are? Good morning,

977
00:57:08,400 --> 00:57:11,799
Speaker 1: welcome back. Ben. We miss you. It's nice to talk

978
00:57:11,840 --> 00:57:16,320
Speaker 1: to you again. I'm sorry, yeah, we are too well.

979
00:57:16,360 --> 00:57:18,560
Speaker 1: I mean we're fully clothed in everything. It's kind of

980
00:57:18,600 --> 00:57:23,040
Speaker 1: boring here today, but uh lin Manuel Miranda, such a

981
00:57:23,280 --> 00:57:25,040
Speaker 1: pleasure to have you on the show as well. Talk

982
00:57:25,080 --> 00:57:27,560
Speaker 1: about first of all, talk about the hamil drops the

983
00:57:27,640 --> 00:57:30,640
Speaker 1: series You're You're You're dropping stuff like every month, right, Yeah,

984
00:57:30,720 --> 00:57:33,280
Speaker 1: that was the plan, and the plan was sort of to, uh,

985
00:57:33,720 --> 00:57:36,680
Speaker 1: you know, we had all this great Hamilton's content that

986
00:57:36,760 --> 00:57:39,439
Speaker 1: we didn't release. We didn't feel like trying to top

987
00:57:39,480 --> 00:57:41,960
Speaker 1: ourselves in another mixtape. Well, so, Ben, you get the

988
00:57:42,000 --> 00:57:44,280
Speaker 1: phone call, and I mean, I'm sure there was no

989
00:57:44,400 --> 00:57:46,880
Speaker 1: hesitation whatsoever. We actually saw the video of you guys

990
00:57:46,960 --> 00:57:49,680
Speaker 1: in the studio working on this. It's just a very

991
00:57:49,800 --> 00:57:51,640
Speaker 1: powerful song. I can't wait to play it in a second.

992
00:57:51,680 --> 00:57:53,560
Speaker 1: So then when you get the phone call, your first

993
00:57:53,640 --> 00:57:56,080
Speaker 1: thought is what why did you feel so moved to

994
00:57:56,280 --> 00:57:58,760
Speaker 1: do this right now? With lin Manuel? Well, I mean

995
00:57:58,800 --> 00:58:01,520
Speaker 1: it's sort of the greatest doublest sort of all time

996
00:58:01,560 --> 00:58:04,320
Speaker 1: because I you know, like like most Americans right now,

997
00:58:04,360 --> 00:58:08,000
Speaker 1: it's feeling incredibly frustrated that these shootings just keep happening

998
00:58:08,000 --> 00:58:09,560
Speaker 1: and happening, and they feel sort of out of control

999
00:58:09,600 --> 00:58:11,760
Speaker 1: and like there's nothing really we can do, and there's

1000
00:58:11,800 --> 00:58:13,880
Speaker 1: no sort of really effective action any of us can take,

1001
00:58:13,920 --> 00:58:16,320
Speaker 1: and especially as an actor, and I'm feel pretty helpless

1002
00:58:16,320 --> 00:58:19,240
Speaker 1: because I'm not you know, very politically knowledgable, and there's

1003
00:58:19,240 --> 00:58:21,200
Speaker 1: there's not a lot that I felt like I was

1004
00:58:21,200 --> 00:58:23,160
Speaker 1: being effective and helping except for sort of tweeting my

1005
00:58:23,200 --> 00:58:26,120
Speaker 1: anger the way that everybody is. And so to do

1006
00:58:26,240 --> 00:58:28,200
Speaker 1: something that feels like even a small drop in the

1007
00:58:28,240 --> 00:58:30,640
Speaker 1: bucket is something that's going to be helpful was just,

1008
00:58:31,000 --> 00:58:33,320
Speaker 1: you know, a huge honor. And then on the other

1009
00:58:33,400 --> 00:58:35,320
Speaker 1: side of it, you know, Lynn is just one of

1010
00:58:35,360 --> 00:58:37,840
Speaker 1: the greatest artists we have. Seeing any chance to collaborate

1011
00:58:37,880 --> 00:58:40,480
Speaker 1: with him is something I would jump at. So to

1012
00:58:40,600 --> 00:58:42,520
Speaker 1: get to do that on something that is so meaningful

1013
00:58:42,640 --> 00:58:44,760
Speaker 1: was like the greatest combo pladder of all times. So

1014
00:58:45,040 --> 00:58:47,480
Speaker 1: it was an immediate yes, of course. Well you're absolutely right.

1015
00:58:47,520 --> 00:58:50,160
Speaker 1: But Lynn Manuel Morinda, everything he touches turns to go

1016
00:58:50,240 --> 00:58:54,560
Speaker 1: Would you come up here and touch me? Is that creepy?

1017
00:58:54,800 --> 00:58:57,280
Speaker 1: My child ciphers beg to different list, Yeah, come on,

1018
00:58:57,400 --> 00:59:00,360
Speaker 1: that's it's kind of crazy. But last month, I know

1019
00:59:00,440 --> 00:59:03,720
Speaker 1: you dropped I think a Hamilton's Polka with weird owl

1020
00:59:03,800 --> 00:59:05,960
Speaker 1: and I love how you switch gears totally for this month,

1021
00:59:05,960 --> 00:59:09,440
Speaker 1: and that's pretty cool. Yeah, I mean that's sort of

1022
00:59:09,560 --> 00:59:11,960
Speaker 1: the fun of this is. It's it's um you know,

1023
00:59:12,160 --> 00:59:14,200
Speaker 1: for me, you're getting to make the Hamilton mixtape was

1024
00:59:14,280 --> 00:59:16,200
Speaker 1: like fantasy camp. It was like, who are my heroes?

1025
00:59:16,840 --> 00:59:18,240
Speaker 1: What are my heroes who have seen the show and

1026
00:59:18,280 --> 00:59:22,200
Speaker 1: are hopefully inspired to collaborate? And you know, weird? That

1027
00:59:22,360 --> 00:59:24,840
Speaker 1: was what the big was now on the on the

1028
00:59:25,040 --> 00:59:31,240
Speaker 1: mixed tape, mix tape tape old school. Um. But honestly,

1029
00:59:31,600 --> 00:59:34,440
Speaker 1: did anybody actually say no to you like that? They

1030
00:59:34,480 --> 00:59:36,520
Speaker 1: couldn't do it, because I would think everybody would like

1031
00:59:36,640 --> 00:59:39,880
Speaker 1: to work with you want to mash up? Oh well,

1032
00:59:39,920 --> 00:59:44,240
Speaker 1: I mean give us the names of people who turned down.

1033
00:59:44,280 --> 00:59:46,000
Speaker 1: We're going to call them and yell at that for you.

1034
00:59:47,400 --> 00:59:49,439
Speaker 1: I would I would never do that because I still

1035
00:59:49,520 --> 00:59:52,200
Speaker 1: have eight months last all right, yeah, you get worked

1036
00:59:53,360 --> 00:59:55,080
Speaker 1: those people, you know? Before we play the song by

1037
00:59:55,120 --> 00:59:57,040
Speaker 1: the way, and a reminder you can buy it, download

1038
00:59:57,080 --> 00:59:58,440
Speaker 1: it right now. It came out at midnight last night.

1039
00:59:58,480 --> 00:59:59,560
Speaker 1: I'll tell you how to do it in a second.

1040
01:00:00,000 --> 01:00:01,920
Speaker 1: Me up in one hour. It's it's so funny that

1041
01:00:01,960 --> 01:00:04,560
Speaker 1: we have Lennon, Manuel Miranda and Ben platt on and

1042
01:00:04,640 --> 01:00:07,320
Speaker 1: then in one hour we have Andrew Lloyd Webber coming on.

1043
01:00:07,640 --> 01:00:11,200
Speaker 1: It's all musicals, all the time, this most powerful show

1044
01:00:11,360 --> 01:00:15,640
Speaker 1: in the world. It's kind of crazy and I'm sure

1045
01:00:15,640 --> 01:00:18,200
Speaker 1: you're a fan of his. He does, okay. Uh. And

1046
01:00:18,280 --> 01:00:21,640
Speaker 1: by the way, Lin Manuel announced UH to an audience

1047
01:00:21,640 --> 01:00:23,600
Speaker 1: at the National Museum of Puerto Rican Arts and Culture

1048
01:00:23,600 --> 01:00:26,440
Speaker 1: in Chicago. He's assisting with the relief of post Hurricane

1049
01:00:26,440 --> 01:00:29,520
Speaker 1: Puerto Rico now as well. I mean, so both of you,

1050
01:00:30,480 --> 01:00:32,800
Speaker 1: Lynn and Ben, thank you so much for all you're

1051
01:00:32,880 --> 01:00:35,200
Speaker 1: doing and taking it beyond the stage and taking it

1052
01:00:35,240 --> 01:00:38,120
Speaker 1: beyond the studio to help people that really really could

1053
01:00:38,160 --> 01:00:40,280
Speaker 1: benefit from your voices, and we appreciate it very much.

1054
01:00:41,400 --> 01:00:43,400
Speaker 1: I want to give a shout out to Alex Blackamoor,

1055
01:00:43,440 --> 01:00:47,320
Speaker 1: who was the music supervisor on both Hamilton and UH

1056
01:00:47,520 --> 01:00:50,600
Speaker 1: Devan Hanton. He was sort of the perfect person then

1057
01:00:50,720 --> 01:00:52,680
Speaker 1: this two and be like, hey, can you match these up?

1058
01:00:52,720 --> 01:00:55,120
Speaker 1: And he did it. Amazing arrangement, which is what you're

1059
01:00:55,120 --> 01:00:58,000
Speaker 1: about to hear. Excellent, let me play it. A portion

1060
01:00:58,000 --> 01:00:59,920
Speaker 1: of the proceeds, of course, from the downloads go to

1061
01:01:00,120 --> 01:01:02,280
Speaker 1: the March for Our Lives initiative, which is this Saturday.

1062
01:01:02,280 --> 01:01:05,240
Speaker 1: We're all gonna be in DC for that. UH. Dear

1063
01:01:05,320 --> 01:01:09,520
Speaker 1: Evan Hamilton's basically what we're doing here. Guys, Thank you

1064
01:01:09,640 --> 01:01:11,680
Speaker 1: very much and thanks for calling in this morning. I

1065
01:01:11,720 --> 01:01:15,600
Speaker 1: appreciate it all right, we'll calculated thank you to have

1066
01:01:15,880 --> 01:01:19,360
Speaker 1: a great day. This is found tonight Linn, Manuel, Miranda

1067
01:01:19,440 --> 01:01:22,120
Speaker 1: and Ben. We may not yet have reached our gloria,

1068
01:01:23,920 --> 01:01:28,840
Speaker 1: but I will gladly to fight. And why our children

1069
01:01:28,920 --> 01:01:36,400
Speaker 1: tell this story. They'll tell the story off to love you.

1070
01:01:37,200 --> 01:01:45,560
Speaker 1: They'll tell the story off tonight to love Have you

1071
01:01:45,720 --> 01:01:52,520
Speaker 1: ever felt like nobody was there? Have you ever felt

1072
01:01:52,720 --> 01:01:58,640
Speaker 1: forgotten in the middle of nor have you ever felt

1073
01:01:58,760 --> 01:02:06,000
Speaker 1: like you would disappear, like you could fall? No one

1074
01:02:06,480 --> 01:02:16,080
Speaker 1: would hear? Well, let that lonely feelings away receives lives.

1075
01:02:16,240 --> 01:02:21,960
Speaker 1: Maybe there's a reason to believe you'll be okay, worse

1076
01:02:22,360 --> 01:02:27,840
Speaker 1: when you don't feel strong enough to stand, you can't

1077
01:02:28,320 --> 01:02:35,120
Speaker 1: reach reach out your hand and yours a glass to

1078
01:02:35,320 --> 01:02:40,640
Speaker 1: freed on something they could never take away. No matter

1079
01:02:40,800 --> 01:02:45,080
Speaker 1: what they tell you, someone will come and take you more.

1080
01:02:45,280 --> 01:02:49,160
Speaker 1: Hease a glass to all of us. Tomorrow there'll be

1081
01:02:49,240 --> 01:02:55,360
Speaker 1: more of us telling the story of Tonightly shi Ose

1082
01:02:55,960 --> 01:03:03,120
Speaker 1: the lordest. Maybe a spine to all this now, you

1083
01:03:03,480 --> 01:03:12,919
Speaker 1: told me a matter of time, even when the dark

1084
01:03:13,000 --> 01:03:16,680
Speaker 1: comes crashing through, when you need a friend to carry you,

1085
01:03:17,800 --> 01:03:22,440
Speaker 1: when you're broken along the ground, you will be found.

1086
01:03:23,120 --> 01:03:26,520
Speaker 1: So let the sun constraining it, because you'll reach ump

1087
01:03:26,600 --> 01:03:32,040
Speaker 1: and your rise again. If you only look around, you

1088
01:03:32,440 --> 01:03:36,640
Speaker 1: will be found. And when our children tell their story,

1089
01:03:37,720 --> 01:03:42,080
Speaker 1: you will be fine. I'll tell the story of tonight

1090
01:03:45,760 --> 01:03:49,800
Speaker 1: no matter what they tell you. Tomorrow, there'll be more

1091
01:03:49,880 --> 01:04:02,360
Speaker 1: of us telling story. I tonight the story Aria to

1092
01:04:02,640 --> 01:04:15,520
Speaker 1: no in the words of Daniell. Wow, that was incredible. Lynn,

1093
01:04:15,560 --> 01:04:19,240
Speaker 1: Manuel Miranda and Ben Platt uh joining forces between two

1094
01:04:19,280 --> 01:04:22,840
Speaker 1: of the most powerful shows in New York City Broadway history.

1095
01:04:23,520 --> 01:04:26,640
Speaker 1: We're talking about, of course Hamilton's and Derrivan Hanson. That

1096
01:04:26,760 --> 01:04:30,120
Speaker 1: is available now and as I said before, proceeds uh

1097
01:04:30,400 --> 01:04:32,440
Speaker 1: from the downloads will go to the March for Our

1098
01:04:32,520 --> 01:04:35,160
Speaker 1: Lives initiative, which is going down this Saturday in d C.

1099
01:04:35,720 --> 01:04:38,600
Speaker 1: And I'm I can't wait to get on the on

1100
01:04:38,680 --> 01:04:42,200
Speaker 1: the Turnpike and head on down. Yeah, we got a

1101
01:04:42,240 --> 01:04:47,880
Speaker 1: hotel room I booked booked early because you cannot find

1102
01:04:48,000 --> 01:04:51,880
Speaker 1: anything available now. And by the way, uh, Lynn is

1103
01:04:51,960 --> 01:04:56,040
Speaker 1: actually bringing back his role as Alexander Hamilton's in January

1104
01:04:56,520 --> 01:05:03,960
Speaker 1: two three week run in Puerto Rico in San Juan.

1105
01:05:04,920 --> 01:05:07,040
Speaker 1: The theater itself where they're doing the show is it

1106
01:05:07,120 --> 01:05:12,040
Speaker 1: was damaged during Hurricane Maria, undergoing repairs just in time

1107
01:05:12,120 --> 01:05:15,200
Speaker 1: for the show opening in January. Ten dollar tickets for

1108
01:05:15,280 --> 01:05:17,560
Speaker 1: the citizens of Puerto Rico to go see Hamilton's that's

1109
01:05:17,600 --> 01:05:19,920
Speaker 1: can you believe that? How much are the tickets here

1110
01:05:19,960 --> 01:05:23,919
Speaker 1: in New York? Million dollars a seat? So ten dollar

1111
01:05:23,960 --> 01:05:25,720
Speaker 1: tickets and they're always going to sell some expensive ones

1112
01:05:25,760 --> 01:05:28,320
Speaker 1: to raise money. But you know, I love it when

1113
01:05:28,360 --> 01:05:31,880
Speaker 1: guys like Lynn Manuel and uh and Ben Platt actually,

1114
01:05:32,000 --> 01:05:33,880
Speaker 1: like I said, they go outside the walls of what

1115
01:05:33,920 --> 01:05:35,320
Speaker 1: they do for a living to help other people. I

1116
01:05:35,400 --> 01:05:36,760
Speaker 1: love that, And I love that he knows what he's

1117
01:05:36,800 --> 01:05:39,520
Speaker 1: doing in January two thousand nineteen. He knows that far

1118
01:05:39,560 --> 01:05:42,440
Speaker 1: in advance what he'll be doing. What will we be doings.

1119
01:05:42,840 --> 01:05:44,680
Speaker 1: I don't even know what we're doing in five seconds?

1120
01:05:46,080 --> 01:05:48,240
Speaker 1: What are we doing in five seconds? You can talk

1121
01:05:48,320 --> 01:05:51,520
Speaker 1: about this. Thank you everyone who put up with us

1122
01:05:51,600 --> 01:05:54,320
Speaker 1: Friday for our St. Patrick's Day show. That was a

1123
01:05:54,440 --> 01:05:57,640
Speaker 1: total crap show. It was a mess. It was just

1124
01:05:57,680 --> 01:05:59,600
Speaker 1: a big fat mess, you know, and we're hearing that

1125
01:05:59,680 --> 01:06:03,200
Speaker 1: chart Pooth. His people were mad because Gregg Tea pulled

1126
01:06:03,240 --> 01:06:05,400
Speaker 1: his ween around. You know, I was kind of impressed

1127
01:06:05,440 --> 01:06:07,280
Speaker 1: with Gregg Tea at that moment. And I think it's

1128
01:06:07,320 --> 01:06:09,480
Speaker 1: because I haven't seen it in so long, so it

1129
01:06:09,600 --> 01:06:13,840
Speaker 1: was a little bigger than you missed it. Maybe maybe

1130
01:06:13,880 --> 01:06:15,840
Speaker 1: it's not bigger. Maybe your eyes are smaller. It could

1131
01:06:15,880 --> 01:06:18,640
Speaker 1: be my eyes are smaller. Yes, you might be right

1132
01:06:18,680 --> 01:06:22,760
Speaker 1: where you didn't see Greg Tea was prepping himself. He

1133
01:06:22,920 --> 01:06:27,120
Speaker 1: was fluffing himself, right, Okay, So so we know for

1134
01:06:27,200 --> 01:06:30,320
Speaker 1: a fact that Charlie's people were upset at that, so

1135
01:06:31,040 --> 01:06:34,600
Speaker 1: Charlie wasn't. I think Charlie. Charlie is okay with us,

1136
01:06:34,640 --> 01:06:36,120
Speaker 1: but I don't know. You know, as I say, the

1137
01:06:36,160 --> 01:06:39,440
Speaker 1: people are always the problem. So whatever, I love Charlie.

1138
01:06:39,480 --> 01:06:43,280
Speaker 1: He's welcome to come back anytime without those people. Anyway,

1139
01:06:44,120 --> 01:06:46,760
Speaker 1: if you're just waking up today after St. Patrick's Day weekend,

1140
01:06:47,520 --> 01:06:50,800
Speaker 1: welcome to reality, Danielle. Yes, let's get into the daniel Report.

1141
01:06:51,000 --> 01:06:54,160
Speaker 1: So Netflix just really still list of ten movies that

1142
01:06:54,200 --> 01:06:58,160
Speaker 1: are supposedly so scary that people start watching but they

1143
01:06:58,240 --> 01:07:01,800
Speaker 1: can't finish. They include Vera Nica, The Conjuring, The Void,

1144
01:07:02,040 --> 01:07:04,480
Speaker 1: Cabin Fever, and the list goes on and on. A

1145
01:07:04,600 --> 01:07:07,440
Speaker 1: new study came out it looks at smoking and television

1146
01:07:07,480 --> 01:07:09,480
Speaker 1: shows that are popular with kids, and they found that

1147
01:07:09,560 --> 01:07:13,360
Speaker 1: Netflix is a major offender. Season one of Stranger Things

1148
01:07:13,560 --> 01:07:16,000
Speaker 1: was the worst. It had a hundred and eighty two

1149
01:07:16,120 --> 01:07:19,840
Speaker 1: scenes with tobacco. The Walking Dead on AMC comes in

1150
01:07:19,960 --> 01:07:23,640
Speaker 1: a second with ninety four, so not cool. Oh, speaking

1151
01:07:23,680 --> 01:07:26,000
Speaker 1: of The Walking Dead, so last night we had the

1152
01:07:26,080 --> 01:07:29,000
Speaker 1: naked zombie appear on The Walking Dead and if you

1153
01:07:29,080 --> 01:07:32,800
Speaker 1: were expecting to see something major, it didn't happen. According

1154
01:07:32,840 --> 01:07:36,360
Speaker 1: to Brodie, he said some things about it, but you

1155
01:07:36,400 --> 01:07:39,080
Speaker 1: probably can't repeat those things. No, there was nothing there.

1156
01:07:39,600 --> 01:07:42,400
Speaker 1: You could see the zombie was that wearing clothing, but

1157
01:07:42,560 --> 01:07:46,160
Speaker 1: everything else was all, you know, eating away. There was

1158
01:07:46,200 --> 01:07:49,680
Speaker 1: nothing hanging, swinging, drooping, nothing, So if you were looking

1159
01:07:49,760 --> 01:07:54,200
Speaker 1: for that, sorry to disappoint. There's a new movie in

1160
01:07:54,240 --> 01:07:57,200
Speaker 1: the works about Shila Buff's complicated relationship with his dad.

1161
01:07:57,560 --> 01:08:00,440
Speaker 1: Shiah will be playing his dad, so that should be interesting.

1162
01:08:00,680 --> 01:08:03,160
Speaker 1: Wendy Williams is returning to her show today, um, so

1163
01:08:03,280 --> 01:08:05,680
Speaker 1: we're excited to have her back. Uh. And The Will

1164
01:08:05,760 --> 01:08:09,080
Speaker 1: and Grace Revival has been renewed for a third season,

1165
01:08:09,120 --> 01:08:12,240
Speaker 1: so you're getting that. So Marvel Comics legend Stanley lost

1166
01:08:12,360 --> 01:08:16,280
Speaker 1: his dog and former NFL superstar Jim Brown found the

1167
01:08:16,360 --> 01:08:18,720
Speaker 1: dog and returned it. So just a little tidbit for

1168
01:08:18,800 --> 01:08:21,920
Speaker 1: you this morning. And Luke Brian did a shoey during

1169
01:08:22,000 --> 01:08:23,760
Speaker 1: his concert in Australia. If you don't know what a

1170
01:08:23,800 --> 01:08:26,760
Speaker 1: shoey is, it's where you drink beer out of a shoe.

1171
01:08:27,479 --> 01:08:30,439
Speaker 1: This case was a cowboy boot. He actually took a

1172
01:08:30,520 --> 01:08:33,400
Speaker 1: cowboy boot from one of his um, one of his fans,

1173
01:08:33,600 --> 01:08:37,120
Speaker 1: and he drank uh, you know, some some some stuff

1174
01:08:37,160 --> 01:08:40,960
Speaker 1: in it. Uh whatever. Somebody said to me, is he

1175
01:08:41,040 --> 01:08:43,840
Speaker 1: gonna catch something? I don't know. I guess it depends

1176
01:08:43,880 --> 01:08:46,639
Speaker 1: on if the foot was infected. The voices on Tonight

1177
01:08:46,680 --> 01:08:49,080
Speaker 1: Idols on Tonight Love and Hip Hop Atlanta. Also the

1178
01:08:49,120 --> 01:08:51,720
Speaker 1: Alien s d sees Legends of Tomorrow, Don't Forget the

1179
01:08:51,760 --> 01:08:54,760
Speaker 1: Good Doctor Scorpion is on as well, and next hour

1180
01:08:54,920 --> 01:08:57,160
Speaker 1: we are going to talk about logic. A lot of

1181
01:08:57,160 --> 01:09:00,799
Speaker 1: stuff going on in his life right now. Vis durand

1182
01:09:00,960 --> 01:09:04,599
Speaker 1: Elvis Duran in the Morning show. In today's connected world,

1183
01:09:04,640 --> 01:09:07,479
Speaker 1: it takes just one week link and your personal information

1184
01:09:07,560 --> 01:09:10,000
Speaker 1: can get into the wrong hands. Good thing. New LifeLock

1185
01:09:10,120 --> 01:09:13,960
Speaker 1: with Norton now has protection for your identity and devices

1186
01:09:14,080 --> 01:09:17,080
Speaker 1: join at LifeLock dot com and use promo code Elvis

1187
01:09:17,120 --> 01:09:22,040
Speaker 1: for an extra temper cent off your first year d

1188
01:09:22,360 --> 01:09:32,360
Speaker 1: m S. I have a d RAND, I have an

1189
01:09:32,400 --> 01:09:39,160
Speaker 1: Elvis Elvis d Ran. I have a show. I have

1190
01:09:39,360 --> 01:09:49,880
Speaker 1: a money Monday Show, Elvis Ran Monday Show, Morning Show,

1191
01:09:49,960 --> 01:10:02,680
Speaker 1: Elvis Do Ran, Elvis Do Rand Morning Show. Will I

1192
01:10:02,760 --> 01:10:06,320
Speaker 1: wake up every morning? I turn it on without a warning.

1193
01:10:06,680 --> 01:10:08,240
Speaker 1: I kept my head out of bed and then I'm

1194
01:10:08,320 --> 01:10:11,320
Speaker 1: on the road and I'm hanging with my broke Chris.

1195
01:10:11,400 --> 01:10:13,240
Speaker 1: You know my main man. His name is Elvis Duran.

1196
01:10:13,400 --> 01:10:15,600
Speaker 1: He's the badness brother lower in the radio land. And

1197
01:10:15,720 --> 01:10:17,519
Speaker 1: I hang around to tell you on his number one fan.

1198
01:10:17,640 --> 01:10:22,439
Speaker 1: But that was time for me to blow Elvis Durray,

1199
01:10:25,479 --> 01:10:28,680
Speaker 1: your bitches. Just run away up, be staying with you,

1200
01:10:30,080 --> 01:10:37,080
Speaker 1: elvisr Ran Show. Just run a wake up, be saying

1201
01:10:37,160 --> 01:10:43,160
Speaker 1: with you. Elvis Manhill. This is Elvis Trant in the

1202
01:10:43,240 --> 01:11:16,000
Speaker 1: Morning Show. When you great the way the members, I'll

1203
01:11:16,080 --> 01:11:19,680
Speaker 1: make you fool when they take it down to this

1204
01:11:19,880 --> 01:11:24,599
Speaker 1: further this song. Hence have you working in and they

1205
01:11:24,760 --> 01:11:28,920
Speaker 1: get yourself together. When you call the domino stall that

1206
01:11:29,040 --> 01:11:34,280
Speaker 1: stuff to the pool now feel it's a flower away

1207
01:11:36,000 --> 01:11:39,719
Speaker 1: to see the colors and all the kids going home

1208
01:11:40,680 --> 01:11:53,639
Speaker 1: night is crawling up to you. Want to stay find na,

1209
01:11:53,800 --> 01:12:02,800
Speaker 1: stay up, find that snow. I just want to stay

1210
01:12:02,960 --> 01:12:20,920
Speaker 1: up my love with you. Love, and I don't don't

1211
01:12:32,479 --> 01:12:36,599
Speaker 1: want to what you're doing. I've a jumper through some loops.

1212
01:12:36,880 --> 01:12:39,280
Speaker 1: I want to get my fighting. Just want to tell you,

1213
01:12:39,520 --> 01:12:44,839
Speaker 1: tell you what you do. I not about the canimals.

1214
01:12:44,880 --> 01:12:48,040
Speaker 1: To let him ship up a timing. I'm trying. I'm

1215
01:12:48,200 --> 01:12:59,120
Speaker 1: tiding right in a little bit. Yeah, you want to

1216
01:12:59,240 --> 01:13:13,720
Speaker 1: stay my John, say John, stay up my love with you,

1217
01:13:14,680 --> 01:14:00,320
Speaker 1: to take up taking up time to day shut You

1218
01:14:00,400 --> 01:14:03,120
Speaker 1: guys are my out fat and I love you all.

1219
01:14:03,200 --> 01:14:05,439
Speaker 1: I got to listen to you every name. You guys

1220
01:14:05,479 --> 01:14:08,160
Speaker 1: are so funny and it's such an enjoyment. Well listening

1221
01:14:08,160 --> 01:14:09,680
Speaker 1: to you every morning on my way to words and

1222
01:14:09,760 --> 01:14:15,760
Speaker 1: I'm just saying hello, morning show. I don't know why

1223
01:14:15,800 --> 01:14:18,280
Speaker 1: he keeps coming back for more, but Andrew Lloyd Webber

1224
01:14:19,320 --> 01:14:21,479
Speaker 1: is on the way. He's got this book out. It's

1225
01:14:21,520 --> 01:14:25,639
Speaker 1: so interesting if you're a Broadway head like me, it's

1226
01:14:25,680 --> 01:14:29,160
Speaker 1: so fascinating to hear the stories behind how he made

1227
01:14:29,200 --> 01:14:30,680
Speaker 1: it to the very top. I mean, he is the

1228
01:14:30,800 --> 01:14:35,160
Speaker 1: ultimate musical groom. I could sit here and pick his

1229
01:14:35,280 --> 01:14:38,719
Speaker 1: brain forever and not get bored. I love him. What straining?

1230
01:14:39,080 --> 01:14:41,120
Speaker 1: I just asked him in the green room, he said, Hey,

1231
01:14:41,240 --> 01:14:43,200
Speaker 1: what's the best thing about your book? He goes nothing.

1232
01:14:43,960 --> 01:14:47,759
Speaker 1: He says, it's rubbish, ubbish, it's rubbish. Andrew Lloyd Webber

1233
01:14:47,960 --> 01:14:50,840
Speaker 1: is on the way. Uh, let's go around the room.

1234
01:14:51,280 --> 01:14:53,439
Speaker 1: Joining us, of course, is the one and only producer,

1235
01:14:53,479 --> 01:14:56,880
Speaker 1: Samantha and Danielle. And we'll start with you. Samantha, what's

1236
01:14:56,920 --> 01:14:59,160
Speaker 1: on your mind today? Just make sure you always have

1237
01:14:59,479 --> 01:15:01,840
Speaker 1: planned b for getting into your place. Okay, I want

1238
01:15:01,840 --> 01:15:03,160
Speaker 1: to take out the garbage. And I live on the

1239
01:15:03,200 --> 01:15:06,519
Speaker 1: fourth floor and I forgot my apartment keys. So I

1240
01:15:06,720 --> 01:15:09,679
Speaker 1: was stuck in the lobby of my building watching Netflix

1241
01:15:09,800 --> 01:15:11,600
Speaker 1: on the floor for two hours while I waited for

1242
01:15:11,680 --> 01:15:14,000
Speaker 1: my roommate to get home. Because I because no one

1243
01:15:14,080 --> 01:15:15,840
Speaker 1: in my area has a key. So I will be

1244
01:15:15,960 --> 01:15:18,599
Speaker 1: making a spare que today. Someone needs a key, give

1245
01:15:18,640 --> 01:15:20,920
Speaker 1: it to a neighbor. Always have a spare keke. Love

1246
01:15:21,040 --> 01:15:23,120
Speaker 1: you what you naked? When that happened to you? Alvis?

1247
01:15:23,680 --> 01:15:26,840
Speaker 1: You locked up? I got locked out naked? The hell?

1248
01:15:27,080 --> 01:15:29,800
Speaker 1: We'll talk about that later. I was I was in

1249
01:15:29,840 --> 01:15:31,960
Speaker 1: the garage. After the garage to get something in. The

1250
01:15:32,000 --> 01:15:34,360
Speaker 1: door closed and I got locked up naked, naked. Good

1251
01:15:34,439 --> 01:15:36,680
Speaker 1: for you, no, no, no, but someone had to come

1252
01:15:37,560 --> 01:15:39,840
Speaker 1: bail me out. I was boring and fully dressed. Make

1253
01:15:39,840 --> 01:15:42,559
Speaker 1: sure you have a key hidden with a friend close by.

1254
01:15:42,960 --> 01:15:45,120
Speaker 1: What's up, Danielle? So you know how I usually give

1255
01:15:45,200 --> 01:15:48,320
Speaker 1: up chocolate for Lent, and then like, I think about

1256
01:15:48,400 --> 01:15:50,720
Speaker 1: what the first chocolate I'm going to eat. Usually it's

1257
01:15:50,720 --> 01:15:53,280
Speaker 1: a Snickers bar because I love Snickers. So this year,

1258
01:15:53,360 --> 01:15:55,400
Speaker 1: since I gave up shopping for Lent, I'm trying to

1259
01:15:55,439 --> 01:15:59,320
Speaker 1: figure out what the first item. Because I wasn't allowed

1260
01:15:59,360 --> 01:16:01,360
Speaker 1: to buy clothes, their shoes or anything like that, or

1261
01:16:01,360 --> 01:16:04,799
Speaker 1: accessories like that. So I'm like, what's the first peu

1262
01:16:05,320 --> 01:16:10,080
Speaker 1: her shoes? You're obsessing, this is the problem. You're totally

1263
01:16:10,120 --> 01:16:13,479
Speaker 1: obsessing only but I can't wait. I'm like, two Worrowings,

1264
01:16:13,680 --> 01:16:18,439
Speaker 1: let us know, let us know when you decide alright? Uh? Scary?

1265
01:16:18,960 --> 01:16:22,679
Speaker 1: So I decided to be the good Son and host

1266
01:16:22,840 --> 01:16:25,320
Speaker 1: Easter at my apartment. I figured I would rent the

1267
01:16:25,360 --> 01:16:30,800
Speaker 1: wreck room upstairs. It's a space, and I'm like, but

1268
01:16:30,880 --> 01:16:33,280
Speaker 1: I feel like I'm taking all these shortcuts because to me,

1269
01:16:33,439 --> 01:16:35,960
Speaker 1: Easter is a traditional dinner that you cook and you

1270
01:16:36,080 --> 01:16:39,160
Speaker 1: spend time slaving over the stove. I don't got time

1271
01:16:39,200 --> 01:16:41,320
Speaker 1: for that. So I just called a catering company and

1272
01:16:41,360 --> 01:16:44,080
Speaker 1: I'm just gonna try and get all these pre manufactured meals?

1273
01:16:44,120 --> 01:16:48,560
Speaker 1: Am I taking taking a shortcut of bad thing? Not

1274
01:16:48,680 --> 01:16:50,920
Speaker 1: at all? Now? You know you always get the pre

1275
01:16:51,040 --> 01:16:53,760
Speaker 1: Brian to Turkey for Thanksgiving? Are you getting a pre

1276
01:16:53,880 --> 01:17:00,160
Speaker 1: Brian to rabbit for Easter? You know? No problem at all? Area,

1277
01:17:00,200 --> 01:17:01,720
Speaker 1: do we all? It's okay for scary to take the

1278
01:17:01,760 --> 01:17:06,240
Speaker 1: easy way out? Okay? Uh A. N St. Patrick's Day,

1279
01:17:07,840 --> 01:17:11,320
Speaker 1: I spent it in Vienna. Yeah it was great. I'm

1280
01:17:11,360 --> 01:17:17,760
Speaker 1: still there anyway. It was just fantastic. And no one

1281
01:17:17,840 --> 01:17:21,160
Speaker 1: celebrates St. Patrick's Day like people in America. I don't know.

1282
01:17:21,320 --> 01:17:25,960
Speaker 1: It's alright, alright, let's get into sound with Garrett. He's

1283
01:17:25,960 --> 01:17:28,479
Speaker 1: a good American. How you doing, Garrett? Good morning? All right,

1284
01:17:28,520 --> 01:17:30,760
Speaker 1: So let's do a little catchup story. So remember last

1285
01:17:30,800 --> 01:17:32,680
Speaker 1: week I played you a rap from a guy that

1286
01:17:32,760 --> 01:17:35,360
Speaker 1: wanted to get a job. It sounds like this just

1287
01:17:35,600 --> 01:17:41,040
Speaker 1: done Kane on the intention on my bands my radio.

1288
01:17:42,560 --> 01:17:46,840
Speaker 1: You want to well, I guess what an update. He's

1289
01:17:46,880 --> 01:17:49,559
Speaker 1: moving to New York next month and he's gonna work

1290
01:17:49,600 --> 01:17:53,439
Speaker 1: for that company. So the rap resume is a great idea,

1291
01:17:53,520 --> 01:17:56,839
Speaker 1: and the company said it stood out so much aside

1292
01:17:56,920 --> 01:17:59,640
Speaker 1: from just a typical resume that they could not not

1293
01:18:00,000 --> 01:18:03,559
Speaker 1: bring him in. He's gonna move from Texas to New

1294
01:18:03,640 --> 01:18:05,800
Speaker 1: York next month and start working for the agency. They

1295
01:18:05,840 --> 01:18:08,440
Speaker 1: don't say if he's gonna work on the Sprite campaign specifically,

1296
01:18:08,760 --> 01:18:10,519
Speaker 1: but it's kind of cool to see that he could

1297
01:18:10,520 --> 01:18:13,080
Speaker 1: do something creative and outside the box. All right. Now,

1298
01:18:13,720 --> 01:18:17,840
Speaker 1: let's also talk about remember when we played Great Tea's

1299
01:18:17,920 --> 01:18:20,720
Speaker 1: Daughters Ella's recorder. She was playing the recorder at home.

1300
01:18:26,439 --> 01:18:28,920
Speaker 1: He's been getting better, hold on what are you doing? Straight?

1301
01:18:29,040 --> 01:18:34,840
Speaker 1: Name by my head? He's trying to walk across the

1302
01:18:34,920 --> 01:18:37,639
Speaker 1: room and he's stuck. All right, So yeah, so alright,

1303
01:18:37,960 --> 01:18:42,200
Speaker 1: Great Teams Daughter Ella. So there's that. That's so someone

1304
01:18:42,280 --> 01:18:44,680
Speaker 1: on YouTube decided to buy a dollar recorder and even

1305
01:18:44,760 --> 01:18:47,240
Speaker 1: cheaper recorder than what Ella uses and try to play

1306
01:18:47,479 --> 01:18:58,440
Speaker 1: Camella Cabos Havannah. Let's see, all good. That's so irritating.

1307
01:18:58,520 --> 01:19:01,320
Speaker 1: It's irritating and all the dog tatus. Right now, I

1308
01:19:01,400 --> 01:19:03,760
Speaker 1: think someone's whistling. Well, it's a cheap recorder. It's not.

1309
01:19:03,960 --> 01:19:10,479
Speaker 1: It's not the expensive one. Our expensive recorders are if

1310
01:19:10,520 --> 01:19:12,120
Speaker 1: you look online. All right, so let's see if you

1311
01:19:12,160 --> 01:19:14,080
Speaker 1: can guess this song done by Fallout Boy that was

1312
01:19:14,160 --> 01:19:52,960
Speaker 1: just released. I want to dance with some fat of

1313
01:19:53,080 --> 01:20:01,840
Speaker 1: all songs from Fallout Boy to do that. Where'd you

1314
01:20:01,880 --> 01:20:05,400
Speaker 1: get that? They just put it out through a Spotify

1315
01:20:05,600 --> 01:20:09,719
Speaker 1: so it's on YouTube and you can listen to it. Finally,

1316
01:20:09,840 --> 01:20:13,240
Speaker 1: so Andy Woo Music, he does all these collaborations on YouTube,

1317
01:20:13,280 --> 01:20:15,560
Speaker 1: so he decided to take this is Me from that.

1318
01:20:15,760 --> 01:20:19,160
Speaker 1: Kiala Settle sang on The Greatest Showman and combine it

1319
01:20:19,240 --> 01:20:21,400
Speaker 1: with c A is the Greatest and you have this

1320
01:20:21,640 --> 01:20:46,720
Speaker 1: The Greatest Showman know how to do this stuff. It

1321
01:20:46,880 --> 01:20:55,840
Speaker 1: was a total mash up. The Greatest Showman's great I

1322
01:20:55,880 --> 01:20:58,120
Speaker 1: think it takes away from the song though. If you

1323
01:20:58,240 --> 01:21:00,320
Speaker 1: create this, you're so smart that you're like, I can

1324
01:21:00,360 --> 01:21:02,120
Speaker 1: combine this and this and you don't get to listen

1325
01:21:02,160 --> 01:21:05,400
Speaker 1: to this song. Well you do, but it's different. Andy

1326
01:21:05,400 --> 01:21:07,479
Speaker 1: Woo Music on YouTube if you want to listen to excellent.

1327
01:21:07,479 --> 01:21:09,439
Speaker 1: By the way, Kala Settle was on with our friend

1328
01:21:09,520 --> 01:21:12,240
Speaker 1: Ellen Kay on her show out in Los Angeles. They're

1329
01:21:12,240 --> 01:21:15,720
Speaker 1: now best friends. Wherever Kala Settle goes, everyone's falls on

1330
01:21:15,760 --> 01:21:20,479
Speaker 1: over there. She's great, thank you hey. So over the weekend,

1331
01:21:20,720 --> 01:21:22,920
Speaker 1: I was noticing, uh. I was going back through old

1332
01:21:22,960 --> 01:21:26,439
Speaker 1: tweets and things and text messages, and your Ritza came

1333
01:21:26,479 --> 01:21:29,280
Speaker 1: in on Thursday last week saying she was just minding

1334
01:21:29,320 --> 01:21:32,200
Speaker 1: your own business. She got out of the car because

1335
01:21:32,240 --> 01:21:34,640
Speaker 1: she saw a dollar bill flying through the air. She

1336
01:21:34,840 --> 01:21:37,800
Speaker 1: grabbed it and it's it was a one hundred dollar bill.

1337
01:21:38,680 --> 01:21:40,960
Speaker 1: It was just flying in the air and there's no

1338
01:21:41,160 --> 01:21:42,680
Speaker 1: way to figure out where it came from. It just

1339
01:21:43,000 --> 01:21:46,439
Speaker 1: it was a flying around a hundred dollar bills. I

1340
01:21:46,520 --> 01:21:49,280
Speaker 1: wish that would happen to me sometimes. Can you imagine

1341
01:21:50,000 --> 01:21:53,599
Speaker 1: on Instagram people were talking about it. Uh. Amethyst Vila

1342
01:21:54,240 --> 01:21:56,720
Speaker 1: was walking through she says, I was walking through my

1343
01:21:56,720 --> 01:21:59,120
Speaker 1: building complex. I found a folded stack of five dollar

1344
01:21:59,160 --> 01:22:02,320
Speaker 1: bills which equalled a hundred dollars. I just kept it.

1345
01:22:02,680 --> 01:22:05,439
Speaker 1: That's crazy. Christine says she was in the bathroom at

1346
01:22:05,479 --> 01:22:07,920
Speaker 1: the beach. She went to flush the toilet, looked down

1347
01:22:08,080 --> 01:22:10,760
Speaker 1: a hundred dollar bill on the ground. Do people really

1348
01:22:10,800 --> 01:22:13,760
Speaker 1: lose money? Then? I guess so, well, I yesterday, ten

1349
01:22:13,840 --> 01:22:16,400
Speaker 1: dollars fell out of my pocket at the soccer game,

1350
01:22:16,439 --> 01:22:18,760
Speaker 1: and my husband turned around and goes hey, and I said, well,

1351
01:22:18,760 --> 01:22:20,479
Speaker 1: I didn't even realize he could look, and I'm like, oh,

1352
01:22:20,680 --> 01:22:23,080
Speaker 1: ten dollars. I mean it's not a hundred dollars, but

1353
01:22:23,280 --> 01:22:27,519
Speaker 1: still still ten dollars. But can you imagine finding your money?

1354
01:22:27,920 --> 01:22:31,720
Speaker 1: What amount becomes suspicious? What do you mean like I

1355
01:22:31,840 --> 01:22:34,479
Speaker 1: couldn't trust x amount, Like I don't know one hundred dollars.

1356
01:22:34,560 --> 01:22:36,679
Speaker 1: This borderline scary to me. I'd be afraid to touch

1357
01:22:36,760 --> 01:22:38,880
Speaker 1: it if somebody testing you or something. Where did this

1358
01:22:39,000 --> 01:22:42,800
Speaker 1: come from? You? Definitely look around? Is there a camera seeing?

1359
01:22:43,680 --> 01:22:47,680
Speaker 1: When another Instagram post when I was ten years old,

1360
01:22:47,680 --> 01:22:50,080
Speaker 1: I found a hundred dollars a hundred dollar bill floating

1361
01:22:50,520 --> 01:22:53,320
Speaker 1: in the ocean surf, Like, where did that come from?

1362
01:22:53,360 --> 01:22:56,560
Speaker 1: Did it come from a boat? Mermaid? Mermaid? She lost it?

1363
01:22:56,880 --> 01:22:58,960
Speaker 1: I found money in front of a church on apartment

1364
01:22:59,040 --> 01:23:01,280
Speaker 1: car one night by the church. I was so broke

1365
01:23:01,680 --> 01:23:04,680
Speaker 1: I needed it badly, eighty dollars just waiting for me

1366
01:23:04,800 --> 01:23:06,280
Speaker 1: right there. I didn't see anyone around who I may

1367
01:23:06,320 --> 01:23:10,320
Speaker 1: have lost the money, so I kept it. That was

1368
01:23:10,400 --> 01:23:14,120
Speaker 1: the test. You're right in front of church. Yeah, you

1369
01:23:14,240 --> 01:23:16,920
Speaker 1: failed that one. Always donate that to the church. That's

1370
01:23:17,080 --> 01:23:19,160
Speaker 1: the test right there. Mikey says, I was walking out

1371
01:23:19,160 --> 01:23:20,920
Speaker 1: of Walmart on a windy day and I got hit

1372
01:23:20,960 --> 01:23:23,840
Speaker 1: in the face with a twenty dollar bill. Where I'm

1373
01:23:23,920 --> 01:23:25,599
Speaker 1: never in the right place and where it's raining money,

1374
01:23:25,800 --> 01:23:30,200
Speaker 1: I get hit in the face. But what's scary, you know?

1375
01:23:30,560 --> 01:23:32,400
Speaker 1: I will tell you that, half a half hour before

1376
01:23:32,439 --> 01:23:35,000
Speaker 1: the bar closes, when they're doing last call, go up

1377
01:23:35,040 --> 01:23:37,679
Speaker 1: to the bar and just look down and just start scanning,

1378
01:23:38,240 --> 01:23:40,400
Speaker 1: Like right where you put your foot rest at the bar.

1379
01:23:40,720 --> 01:23:43,240
Speaker 1: If you walk up and down, there's always money there

1380
01:23:43,240 --> 01:23:45,800
Speaker 1: because drunk people, as they get drunker towards the end

1381
01:23:45,840 --> 01:23:47,880
Speaker 1: of the night, the money comes crumbling out of their

1382
01:23:47,880 --> 01:23:50,120
Speaker 1: pocket and falls. Very good idea. That's when you look

1383
01:23:50,160 --> 01:23:52,000
Speaker 1: for the take advantage of those drunk people. You know where,

1384
01:23:52,200 --> 01:23:55,200
Speaker 1: you know where else you can find money underwheb Kathleen's desk.

1385
01:23:55,560 --> 01:23:58,160
Speaker 1: She is so unorganized, she doesn't use a wallet. She

1386
01:23:58,240 --> 01:24:00,679
Speaker 1: throws her credit cards in her bag and couple dollars,

1387
01:24:01,040 --> 01:24:02,960
Speaker 1: so half the time she takes something out of her

1388
01:24:03,000 --> 01:24:05,120
Speaker 1: purse and money falls on the floor. You can go

1389
01:24:05,200 --> 01:24:07,240
Speaker 1: steal from what girl cathletes, You wouldn't even know. Go

1390
01:24:07,360 --> 01:24:11,840
Speaker 1: see how much money's out there? Leah? How are you hi? Good?

1391
01:24:11,840 --> 01:24:13,640
Speaker 1: How are you doing very well? So you were just

1392
01:24:13,760 --> 01:24:15,760
Speaker 1: minding your own business. You went into the bathroom stall.

1393
01:24:15,800 --> 01:24:19,040
Speaker 1: Where was the bathroom? I was in a restaurant. Okay,

1394
01:24:19,200 --> 01:24:21,320
Speaker 1: you went to the bathroom stallar what'd you find in there?

1395
01:24:22,240 --> 01:24:28,640
Speaker 1: Fifteen hundred dollars dollar bills? Okay, fifteen crisp bills. So

1396
01:24:28,800 --> 01:24:32,800
Speaker 1: that is like a suspicious amount of money. So what

1397
01:24:32,880 --> 01:24:36,400
Speaker 1: did you do? So I obviously I went back to

1398
01:24:36,479 --> 01:24:38,360
Speaker 1: the table seeing you know, I went back to who

1399
01:24:38,400 --> 01:24:39,800
Speaker 1: I was eating with. I was like, oh my god,

1400
01:24:39,840 --> 01:24:42,519
Speaker 1: what do we dollars in my pocket? Oh my god,

1401
01:24:42,520 --> 01:24:44,680
Speaker 1: oh my god, you know, freaking out. Um, And we're like,

1402
01:24:44,720 --> 01:24:46,519
Speaker 1: all right, well we'll tell the management, but we're not

1403
01:24:46,560 --> 01:24:48,600
Speaker 1: going to say how much money, and we're going to

1404
01:24:48,680 --> 01:24:51,200
Speaker 1: hold onto it. So obviously the management goes, oh, well, both,

1405
01:24:51,240 --> 01:24:53,240
Speaker 1: just hold on to that for you. You know, obviously

1406
01:24:53,280 --> 01:24:56,200
Speaker 1: I'm not giving that to you no way. Um. Within

1407
01:24:56,280 --> 01:24:59,160
Speaker 1: a day, someone had contacted the restaurant because we left

1408
01:24:59,200 --> 01:25:01,880
Speaker 1: our contracting for me. Um. I ended up meeting with

1409
01:25:02,040 --> 01:25:04,360
Speaker 1: that person. They were at a funeral from out of

1410
01:25:04,439 --> 01:25:07,680
Speaker 1: town and that was their rent. Wow, So aren't you

1411
01:25:07,720 --> 01:25:10,920
Speaker 1: glad you didn't keep it? Yeah? And um, they give

1412
01:25:10,920 --> 01:25:12,479
Speaker 1: me a hundred bucks for giving it back to them.

1413
01:25:13,720 --> 01:25:17,439
Speaker 1: That was very nice. Yeah, if you find fifteen hundred

1414
01:25:17,479 --> 01:25:20,360
Speaker 1: dollars there, there's more to the story than just someone

1415
01:25:20,400 --> 01:25:23,280
Speaker 1: who has dropped money. I mean, that's that's a big

1416
01:25:23,520 --> 01:25:26,000
Speaker 1: wad of cash. You did the right thing. We love you, Leah,

1417
01:25:27,640 --> 01:25:30,000
Speaker 1: the right thing. Thank you on Monday. So it's good

1418
01:25:30,040 --> 01:25:32,200
Speaker 1: to talk to you again. Well, thanks for listening to us.

1419
01:25:32,280 --> 01:25:39,920
Speaker 1: We appreciate it. Valentina. Hello, Lady Hill in Valentina. So Valentina.

1420
01:25:40,439 --> 01:25:44,120
Speaker 1: It's Valentina has a lucky life. She just walks outside

1421
01:25:44,160 --> 01:25:47,040
Speaker 1: and it starts raining money from the guy. Right. Yes,

1422
01:25:47,200 --> 01:25:49,160
Speaker 1: So I walked out of my front door and I'm

1423
01:25:49,160 --> 01:25:53,400
Speaker 1: outside with my brother and suddenly we have money coming

1424
01:25:53,479 --> 01:25:55,400
Speaker 1: down from the sky. And we just started picking up

1425
01:25:55,479 --> 01:25:58,640
Speaker 1: twenties and twenties and more twenties, and it added up

1426
01:25:58,680 --> 01:26:01,920
Speaker 1: to about don't know where was the money coming from

1427
01:26:02,520 --> 01:26:05,600
Speaker 1: the sky. It was strange. So we live in like

1428
01:26:05,800 --> 01:26:08,160
Speaker 1: town home, so right across we had other houses and

1429
01:26:08,280 --> 01:26:11,360
Speaker 1: it was just falling from behind from above those houses

1430
01:26:11,880 --> 01:26:17,280
Speaker 1: and from an airplane or something. I'm trying to figure

1431
01:26:17,320 --> 01:26:19,960
Speaker 1: this out. I have no idea. We were still trying

1432
01:26:19,960 --> 01:26:23,920
Speaker 1: to figure it out behind a house. Well, I mean,

1433
01:26:23,960 --> 01:26:26,200
Speaker 1: I guess I just don't question it. It was raining money,

1434
01:26:26,280 --> 01:26:28,519
Speaker 1: like there was a dollar cannon. You never know, home,

1435
01:26:28,680 --> 01:26:31,360
Speaker 1: God works in mysterious ways. Maybe he thought you needed

1436
01:26:31,400 --> 01:26:34,599
Speaker 1: it and threw some snown from the sky. It's so weird. Valentino,

1437
01:26:34,920 --> 01:26:37,439
Speaker 1: I had just sat in the car ticket, so I'm

1438
01:26:37,479 --> 01:26:39,439
Speaker 1: gonna hang out with you. All right. Well, thanks for

1439
01:26:39,479 --> 01:26:41,600
Speaker 1: listening to us. Have a great day. Okay, thank you

1440
01:26:41,760 --> 01:26:46,240
Speaker 1: so much. Hi guys, it's great talking to you. Thank

1441
01:26:46,280 --> 01:26:48,519
Speaker 1: you very much. There you have it. It just rains money.

1442
01:26:48,880 --> 01:26:51,439
Speaker 1: Maybe there was a rooftop party going on somewhere and

1443
01:26:51,520 --> 01:26:53,639
Speaker 1: someone was trying to make it rain with a money

1444
01:26:53,720 --> 01:26:56,000
Speaker 1: cannon and it went off the roof and it fell

1445
01:26:56,080 --> 01:27:00,840
Speaker 1: onto the floor. Maybe kind of party. Yeah, all right,

1446
01:27:01,200 --> 01:27:04,080
Speaker 1: I want to go to one of those parties having

1447
01:27:04,080 --> 01:27:07,720
Speaker 1: a money party. Can you go about bide to the

1448
01:27:07,760 --> 01:27:14,080
Speaker 1: body party? Blow body of our fresh can Can you imagine?

1449
01:27:14,479 --> 01:27:19,719
Speaker 1: What kind of party is that cash cannon? What's trending,

1450
01:27:20,200 --> 01:27:24,760
Speaker 1: Samantha money apparently, but today's what's trending comes from Danielle. Hey,

1451
01:27:24,880 --> 01:27:27,559
Speaker 1: you give me the stuffs. So I remember growing up,

1452
01:27:27,560 --> 01:27:30,839
Speaker 1: I always love Swarowski jewelry, but it was too expensive.

1453
01:27:30,920 --> 01:27:33,479
Speaker 1: So that's why I'm obsessed with this company. Their Adore

1454
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Speaker 1: Jewelry and they're made of Swarovski crystals, but they're completely

1455
01:27:37,160 --> 01:27:40,280
Speaker 1: affordable and they're super funky looking. So Danielle and I

1456
01:27:40,400 --> 01:27:42,680
Speaker 1: have matching rings on right now. How you doing, I'm

1457
01:27:42,720 --> 01:27:44,600
Speaker 1: a picture of that. Those are pretty. I got my

1458
01:27:44,680 --> 01:27:48,640
Speaker 1: little funky staircase red jeweled ear rings right now. And

1459
01:27:48,800 --> 01:27:52,400
Speaker 1: they're always always adding things to the sales section. It's

1460
01:27:52,439 --> 01:27:54,920
Speaker 1: just my favorite word. So if you want to go,

1461
01:27:55,160 --> 01:27:58,240
Speaker 1: you know, get great quality jewelry with beautiful colors. Elvis

1462
01:27:58,240 --> 01:27:59,880
Speaker 1: Story and dot com key we're trending and I can

1463
01:28:00,120 --> 01:28:04,800
Speaker 1: you over from there. Also traveling packing for traveling your toiletries.

1464
01:28:04,800 --> 01:28:08,879
Speaker 1: It's a bit like I hate packing toiletries, especially perfume bottles,

1465
01:28:09,160 --> 01:28:12,200
Speaker 1: because they're glass and you can't really transfer it over. Well,

1466
01:28:12,560 --> 01:28:17,360
Speaker 1: Danielle found this mini refillable perfume container. It's only a

1467
01:28:17,439 --> 01:28:19,680
Speaker 1: set of five, and what you do is you just

1468
01:28:19,840 --> 01:28:22,679
Speaker 1: take the cap off your perfume, put this tiny little

1469
01:28:22,680 --> 01:28:24,640
Speaker 1: bottle on it and pump, pump pump. And then you've

1470
01:28:24,640 --> 01:28:26,559
Speaker 1: got to travel size of your perfume. You can bring

1471
01:28:26,600 --> 01:28:28,280
Speaker 1: it anywhere so you don't have to smell like hotel

1472
01:28:28,360 --> 01:28:31,400
Speaker 1: soap whenever you're traveling. Love it. You know it's not

1473
01:28:31,439 --> 01:28:33,800
Speaker 1: as good as my perfume, that's for sure. So that's

1474
01:28:33,880 --> 01:28:37,400
Speaker 1: at Elvis strand dot Com, Keyward trending what is wrong

1475
01:28:37,439 --> 01:28:39,720
Speaker 1: with you? Nate? And Nate's like tripping and falling all

1476
01:28:39,720 --> 01:28:42,080
Speaker 1: over the wrong. We got a lot of stuff going on.

1477
01:28:42,120 --> 01:28:44,880
Speaker 1: I'm trying to keep Andrew Lloyd Webber is gonna be

1478
01:28:44,880 --> 01:28:46,280
Speaker 1: on in like ten minutes. He's just hanging out in

1479
01:28:46,280 --> 01:28:48,760
Speaker 1: the other room listening to this show high and might

1480
01:28:48,880 --> 01:28:51,040
Speaker 1: change his mind and go home. No, he's using today

1481
01:28:51,040 --> 01:28:52,640
Speaker 1: and we gotta talk about his new book. He'll be

1482
01:28:52,720 --> 01:28:56,439
Speaker 1: here in the Mercedes a MG interview lounge. Uh, you

1483
01:28:56,520 --> 01:28:59,240
Speaker 1: know what, it's gonna start getting warmer soon, believe it

1484
01:28:59,320 --> 01:29:04,240
Speaker 1: or not. It's uncuffing season. This This is the time

1485
01:29:04,280 --> 01:29:07,120
Speaker 1: of year where most people are planning on breaking up

1486
01:29:07,360 --> 01:29:12,040
Speaker 1: and becoming single for the summer. So is it you

1487
01:29:12,479 --> 01:29:13,960
Speaker 1: as you listen to this show right now, are you

1488
01:29:14,040 --> 01:29:19,920
Speaker 1: thinking tis the season the summer? Or is someone about

1489
01:29:19,960 --> 01:29:24,479
Speaker 1: to break up with you. I hope not. Some of

1490
01:29:24,560 --> 01:29:34,200
Speaker 1: our favorite celebrities lasar anyway, a lot of celebrities have

1491
01:29:34,360 --> 01:29:36,400
Speaker 1: ended relationships in the last month. You've you've been keeping

1492
01:29:36,439 --> 01:29:39,560
Speaker 1: an eye on that. So, according to this analysis of

1493
01:29:39,680 --> 01:29:42,240
Speaker 1: Facebook status is for those who are still on Facebook,

1494
01:29:42,800 --> 01:29:46,160
Speaker 1: this is when most people go from status of being

1495
01:29:46,320 --> 01:29:50,360
Speaker 1: in a relationship to single. Doesn't it ready to mingle?

1496
01:29:51,120 --> 01:29:58,200
Speaker 1: What's scary? I'm googling how do you sabotage a relationship?

1497
01:29:58,240 --> 01:30:01,920
Speaker 1: Why are you? I'm just saying, don't you love people

1498
01:30:02,000 --> 01:30:07,559
Speaker 1: that actually type while they speak. I'm not saying I'm

1499
01:30:07,600 --> 01:30:09,519
Speaker 1: doing it. But you know there's somebody out there, and

1500
01:30:09,560 --> 01:30:11,479
Speaker 1: a lot of people are because if they want to

1501
01:30:11,479 --> 01:30:15,400
Speaker 1: get why google the question how to sabotage the relationship?

1502
01:30:15,439 --> 01:30:25,720
Speaker 1: Go ask your girlfriend? Anyway, this is that time. So

1503
01:30:25,880 --> 01:30:27,680
Speaker 1: who do you know? You know what? The chances are

1504
01:30:27,720 --> 01:30:29,400
Speaker 1: great that someone in your circle. If it's not you,

1505
01:30:29,560 --> 01:30:33,639
Speaker 1: someone is about to call it quit. I wonder someone

1506
01:30:33,720 --> 01:30:51,800
Speaker 1: in this room interested hiring. Zip Recruiter has revolutionized how

1507
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1511
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Speaker 1: way to hide why are you freaking out? Zero? Is

1512
01:31:16,840 --> 01:31:20,759
Speaker 1: Elvis Durand in the morning show All the Broadway Royalty

1513
01:31:20,840 --> 01:31:24,479
Speaker 1: stopping by today. I know I love it earlier as

1514
01:31:24,520 --> 01:31:28,519
Speaker 1: you know lin Manuel Miranda from Hamilton's Ben Platt from

1515
01:31:28,680 --> 01:31:30,760
Speaker 1: Dear Evan Hanson. They were here talking about their new

1516
01:31:30,800 --> 01:31:33,080
Speaker 1: song which is released and out today. Of the proceeds

1517
01:31:33,439 --> 01:31:35,400
Speaker 1: from all downloads go into the Marks for Our Lives

1518
01:31:35,439 --> 01:31:38,559
Speaker 1: and is contentciative to this Saturday. The song is called

1519
01:31:39,680 --> 01:31:43,240
Speaker 1: found Tonight and you can download it right now. Uh

1520
01:31:43,320 --> 01:31:47,160
Speaker 1: and now back to more Uh Royalty from Broadway. We

1521
01:31:47,240 --> 01:31:49,400
Speaker 1: welcome him back for his second visit, the one, the

1522
01:31:49,520 --> 01:31:54,559
Speaker 1: only Andrew Lloyd webber Well, I can't believe your back.

1523
01:31:54,840 --> 01:31:58,160
Speaker 1: It wasn't it enough pain coming last time you actually

1524
01:31:58,240 --> 01:32:02,400
Speaker 1: came back from for more torture? Yes? Did you miss us?

1525
01:32:02,520 --> 01:32:04,960
Speaker 1: Is that what it was? Oh? You know? Every morning

1526
01:32:05,000 --> 01:32:06,800
Speaker 1: I woke up and I said I must come back

1527
01:32:06,880 --> 01:32:08,680
Speaker 1: to New York and the only thing I must do

1528
01:32:08,720 --> 01:32:10,240
Speaker 1: when I get there is to come on the Elvis

1529
01:32:10,280 --> 01:32:14,080
Speaker 1: Durrant Show. And people would say, back at home, the

1530
01:32:14,200 --> 01:32:17,599
Speaker 1: guys mad it is, but I enjoyed it last time,

1531
01:32:17,720 --> 01:32:19,519
Speaker 1: thank you very much. It was good fun. I will

1532
01:32:19,600 --> 01:32:22,240
Speaker 1: tell you the response from that show was massive. So

1533
01:32:22,360 --> 01:32:24,360
Speaker 1: the fact that you agreed to come back and talk

1534
01:32:24,400 --> 01:32:26,920
Speaker 1: about new projects is it's an honor to have you.

1535
01:32:27,000 --> 01:32:31,280
Speaker 1: That's why they stopped me at immigration. Is it? You're

1536
01:32:31,400 --> 01:32:33,320
Speaker 1: flying across the pard? Do you do enjoy coming to

1537
01:32:33,360 --> 01:32:34,840
Speaker 1: the stage? Yeah, I love it, you know, And I

1538
01:32:34,880 --> 01:32:37,040
Speaker 1: mean the great thing is I mean New York is

1539
01:32:37,240 --> 01:32:40,160
Speaker 1: really the home of musicals, and it's in a great

1540
01:32:40,200 --> 01:32:42,360
Speaker 1: shape at the moment. I think Broadway is in a fantastic,

1541
01:32:42,800 --> 01:32:45,479
Speaker 1: fantastic time. I mean, there are so many good shows

1542
01:32:45,560 --> 01:32:47,280
Speaker 1: to see, and there are so many good news shows.

1543
01:32:47,400 --> 01:32:49,479
Speaker 1: I just saw Frozen the other night, Yes, so did I.

1544
01:32:49,600 --> 01:32:52,719
Speaker 1: Now that's really really good, well staged and well staged.

1545
01:32:52,920 --> 01:32:54,840
Speaker 1: What I was surprised about was that there's a lot

1546
01:32:54,920 --> 01:32:59,000
Speaker 1: of adult humor in it. It is. It looks absolutely gorgeous.

1547
01:32:59,120 --> 01:33:03,680
Speaker 1: I mean, the beauty, beautifully designed. Go go ahead, what

1548
01:33:03,800 --> 01:33:05,400
Speaker 1: what what? What? What are the shows? Have you said? Well?

1549
01:33:05,479 --> 01:33:07,040
Speaker 1: The show you see? I like that. I saw it

1550
01:33:07,120 --> 01:33:08,920
Speaker 1: quite a little while again, now was the band's visit.

1551
01:33:09,439 --> 01:33:11,559
Speaker 1: I mean I see that much appeals to me because

1552
01:33:11,680 --> 01:33:13,720
Speaker 1: it's a subject that if you think about it, and

1553
01:33:13,960 --> 01:33:16,479
Speaker 1: you imagine going into a producer and saying, I got

1554
01:33:16,560 --> 01:33:19,760
Speaker 1: this idea from musical. It's about the Egyptian military band

1555
01:33:19,840 --> 01:33:21,880
Speaker 1: who are book to appear in Tel Aviv, turn up

1556
01:33:21,920 --> 01:33:23,800
Speaker 1: at the airport and there's nobody to meet them, and

1557
01:33:23,840 --> 01:33:26,960
Speaker 1: they wandered around Tel Aviv and it's the story of

1558
01:33:27,040 --> 01:33:30,160
Speaker 1: what happens to them, and you could see a producer saying, yes,

1559
01:33:30,320 --> 01:33:32,040
Speaker 1: thank you very much. You know, we'll let you know.

1560
01:33:32,479 --> 01:33:35,720
Speaker 1: I mean, but like all great musicals, it's based on

1561
01:33:35,800 --> 01:33:40,600
Speaker 1: an idea that sounds on paper undoable. Most of them

1562
01:33:40,640 --> 01:33:43,519
Speaker 1: all sound undoable. Let's talk about Cats. Cats, by the way,

1563
01:33:44,360 --> 01:33:46,360
Speaker 1: I mean, one of the hugest shows of all time

1564
01:33:46,640 --> 01:33:49,760
Speaker 1: almost didn't get made. Almost people thought it was just

1565
01:33:49,840 --> 01:33:52,040
Speaker 1: the weirdest idea, Yes exactly. I mean it's time and

1566
01:33:52,120 --> 01:33:54,360
Speaker 1: time and time again people said you're crazy to do

1567
01:33:54,479 --> 01:33:57,720
Speaker 1: this and forget it, stop it, And you know, it

1568
01:33:58,240 --> 01:34:01,519
Speaker 1: was really against the odds. It literally with a second

1569
01:34:01,560 --> 01:34:04,839
Speaker 1: mortgage on my house because there was nobody else involved

1570
01:34:04,880 --> 01:34:07,960
Speaker 1: who had had a hit in musicals really before, and

1571
01:34:08,560 --> 01:34:11,479
Speaker 1: it was only me, and so I had to kind

1572
01:34:11,479 --> 01:34:14,080
Speaker 1: of carry all the financial side of it, and it

1573
01:34:14,240 --> 01:34:17,439
Speaker 1: was really hairy, really really Harry, we really need I

1574
01:34:17,479 --> 01:34:19,200
Speaker 1: mean I'm not making a pun because it's about cats,

1575
01:34:19,240 --> 01:34:24,000
Speaker 1: so that it was extremely firmly. But it's the musical,

1576
01:34:25,320 --> 01:34:27,680
Speaker 1: which it didn't quite I mean it very very very

1577
01:34:27,800 --> 01:34:31,000
Speaker 1: nearly didn't get on and even down to the last minute.

1578
01:34:31,040 --> 01:34:34,679
Speaker 1: It's it's it's a really strange story well about what happened,

1579
01:34:34,760 --> 01:34:37,720
Speaker 1: because we went into a theater that had not been

1580
01:34:37,840 --> 01:34:39,840
Speaker 1: used as a theater quite a long time and had

1581
01:34:39,880 --> 01:34:42,479
Speaker 1: been turned into a TV studio. But it was the

1582
01:34:42,760 --> 01:34:45,439
Speaker 1: perfect theater for us for a number of reasons because

1583
01:34:45,479 --> 01:34:47,679
Speaker 1: it was able to be a theater almost in the round,

1584
01:34:47,800 --> 01:34:50,560
Speaker 1: and we wanted to do Cats as theater in the

1585
01:34:50,640 --> 01:34:53,960
Speaker 1: round originally, and when we found the theater, we really

1586
01:34:54,000 --> 01:34:56,080
Speaker 1: wanted to go in there. But the guys who owned

1587
01:34:56,120 --> 01:34:59,760
Speaker 1: it said, look, we've had flop after flopping here, we

1588
01:35:00,040 --> 01:35:03,160
Speaker 1: got a really really good business going as a TV studios.

1589
01:35:03,520 --> 01:35:05,640
Speaker 1: You know, if you run with this show for a

1590
01:35:05,680 --> 01:35:07,439
Speaker 1: couple of years, we're never going to get this business

1591
01:35:07,520 --> 01:35:10,240
Speaker 1: going again. So they put a penalty on us, which

1592
01:35:10,280 --> 01:35:13,920
Speaker 1: were most unusual that they were betting against. They said

1593
01:35:14,000 --> 01:35:17,519
Speaker 1: that if the show only ran like six weeks, which

1594
01:35:17,560 --> 01:35:19,439
Speaker 1: is what I think they thought they would find. You know,

1595
01:35:19,560 --> 01:35:21,960
Speaker 1: there'd be no penalty at all. But if the show

1596
01:35:22,040 --> 01:35:25,479
Speaker 1: then ran for a year or two years, then that

1597
01:35:25,520 --> 01:35:29,760
Speaker 1: would really destroy their TV business, and because everybody would say, well,

1598
01:35:29,800 --> 01:35:32,720
Speaker 1: it's no longer a TV studio with somewhere else. So

1599
01:35:32,880 --> 01:35:35,920
Speaker 1: they had me with what in those days would be

1600
01:35:36,000 --> 01:35:38,960
Speaker 1: equivalent to about a sort of two or three million

1601
01:35:39,040 --> 01:35:41,720
Speaker 1: dollar penalty that would have to be paid to the

1602
01:35:41,720 --> 01:35:44,560
Speaker 1: theater owners if Cats actually ran a year. So, I

1603
01:35:44,600 --> 01:35:47,880
Speaker 1: mean it was probably the riskiest business decision you've ever met.

1604
01:35:48,120 --> 01:35:50,120
Speaker 1: It was. It was a nightmare. Did you ever pay

1605
01:35:50,160 --> 01:35:52,519
Speaker 1: off your house? Well, I mean we we did, and

1606
01:35:52,600 --> 01:35:55,080
Speaker 1: then of course, I mean it was all fine, but

1607
01:35:55,800 --> 01:35:58,040
Speaker 1: it could have been one of the biggest moments of

1608
01:35:58,200 --> 01:36:00,880
Speaker 1: Bethos in theatrical history when some really addressed a cat

1609
01:36:01,000 --> 01:36:04,600
Speaker 1: ran on that stage. It was every single thing was

1610
01:36:04,680 --> 01:36:08,000
Speaker 1: against it. I mean, the theater itself had been a graveyard.

1611
01:36:08,600 --> 01:36:11,639
Speaker 1: I mean even Greece starring Richard Gere had failed in there.

1612
01:36:11,960 --> 01:36:14,880
Speaker 1: I mean, you have to think of that. And it

1613
01:36:15,040 --> 01:36:18,080
Speaker 1: was me working for the first time away really from

1614
01:36:18,160 --> 01:36:20,320
Speaker 1: Tim Rice. The only thing I've done before that had

1615
01:36:20,360 --> 01:36:22,320
Speaker 1: been a failure, which was a show called Jeeves, which

1616
01:36:22,360 --> 01:36:26,840
Speaker 1: didn't work. I was working with the poems of a

1617
01:36:27,040 --> 01:36:30,120
Speaker 1: dead poet t S. Eliott. I'm an American poet, but

1618
01:36:30,680 --> 01:36:33,160
Speaker 1: you know he wasn't exactly around and people saying, what's

1619
01:36:33,200 --> 01:36:36,640
Speaker 1: he doing setting poetry? It's about cats, and they're going

1620
01:36:36,680 --> 01:36:39,120
Speaker 1: to ask that these cats, human beings dressed as cats

1621
01:36:39,160 --> 01:36:41,560
Speaker 1: are gonna dance. And everybody thought in Britain at the

1622
01:36:41,640 --> 01:36:43,800
Speaker 1: time that we all had two left feet when he

1623
01:36:43,880 --> 01:36:45,880
Speaker 1: came to dance. It was never thought that we could

1624
01:36:45,880 --> 01:36:47,760
Speaker 1: do a dance musical. So everybody said, well that's and

1625
01:36:48,040 --> 01:36:52,040
Speaker 1: no goes on. Our producer, Cameron Mackintosh was in those days.

1626
01:36:52,360 --> 01:36:55,120
Speaker 1: He hadn't had a big hit before. He hadn't really

1627
01:36:55,200 --> 01:36:57,280
Speaker 1: had a hit at all before, so he was an

1628
01:36:57,479 --> 01:37:01,160
Speaker 1: unknown bet. The director was Trevor Non from the Royal

1629
01:37:01,200 --> 01:37:04,280
Speaker 1: Shakespeare Company. Was the guy who runs the Royal Shakespeare Company.

1630
01:37:04,400 --> 01:37:07,840
Speaker 1: Doing the work of a dead poet said about cats,

1631
01:37:07,880 --> 01:37:10,719
Speaker 1: I mean, people thought, but he doesn't know anything about musicals.

1632
01:37:10,800 --> 01:37:13,640
Speaker 1: That's that. So you add up all those ingredients and

1633
01:37:13,800 --> 01:37:16,680
Speaker 1: everybody thought that the biggest recipe of a disaster in

1634
01:37:16,760 --> 01:37:19,360
Speaker 1: the history of London's West end was about to unleash.

1635
01:37:19,520 --> 01:37:22,000
Speaker 1: But wait, let me ask you a question. Then. By

1636
01:37:22,040 --> 01:37:24,120
Speaker 1: the way, Andrew Lloyd Webber is about to answer this question,

1637
01:37:24,320 --> 01:37:27,280
Speaker 1: the same question you're thinking of asking yourself. Why did

1638
01:37:27,360 --> 01:37:29,960
Speaker 1: you do it? What is it about you that said,

1639
01:37:30,000 --> 01:37:32,760
Speaker 1: you know what, everyone's betting against it? There's something in

1640
01:37:32,960 --> 01:37:38,000
Speaker 1: this I believe is going to be I think it's

1641
01:37:38,200 --> 01:37:41,040
Speaker 1: sort of blind faith, really. I mean, I thought we

1642
01:37:41,160 --> 01:37:44,240
Speaker 1: had something very special. I thought we were doing something

1643
01:37:44,360 --> 01:37:47,479
Speaker 1: that in its day had never really been done before.

1644
01:37:48,080 --> 01:37:52,519
Speaker 1: And it was a huge, a huge adventure. And you

1645
01:37:52,600 --> 01:37:54,719
Speaker 1: know what happens is that when you're on a boat

1646
01:37:54,800 --> 01:37:57,519
Speaker 1: that everybody thinks he is going to sink, everybody really

1647
01:37:57,560 --> 01:38:01,479
Speaker 1: pulls together. And it was an extraordinary, straordinary time, and

1648
01:38:01,840 --> 01:38:04,720
Speaker 1: it was there's nothing one could say. I mean, all

1649
01:38:04,800 --> 01:38:10,040
Speaker 1: I do remember, distinctly was backstage with Cameron Macintosh, with

1650
01:38:10,160 --> 01:38:13,800
Speaker 1: our kids waiting to go on stage and our young cast,

1651
01:38:14,520 --> 01:38:18,160
Speaker 1: and we're all saying, what are we doing here? And

1652
01:38:18,240 --> 01:38:20,760
Speaker 1: I remember standing with Cameron and waiting for the moment

1653
01:38:20,840 --> 01:38:23,599
Speaker 1: where the first cat ran out, waiting for the howls

1654
01:38:23,680 --> 01:38:27,200
Speaker 1: of laughter, and it said there was silence, and we thought,

1655
01:38:27,840 --> 01:38:30,720
Speaker 1: this is extraordinary. And then the first number happened and

1656
01:38:30,960 --> 01:38:33,679
Speaker 1: there was a huge round of applause, where there isn't

1657
01:38:33,720 --> 01:38:35,839
Speaker 1: supposed to be a round of applause because it's supposed

1658
01:38:35,840 --> 01:38:38,479
Speaker 1: to take you into the cat world. And we went

1659
01:38:38,840 --> 01:38:41,080
Speaker 1: tiptoed round to the front of house and the audience

1660
01:38:41,200 --> 01:38:44,160
Speaker 1: was loving it. I must assume that every single production

1661
01:38:44,240 --> 01:38:48,200
Speaker 1: you do do has that thought, this is gonna fail,

1662
01:38:48,400 --> 01:38:51,240
Speaker 1: not like that one. Okay, look at and by the way,

1663
01:38:51,280 --> 01:38:53,000
Speaker 1: is this one of the many stories that in your

1664
01:38:53,400 --> 01:38:55,519
Speaker 1: new book Unmasked? Oh yeah, yes, so there are a

1665
01:38:55,560 --> 01:38:57,599
Speaker 1: few stories in there. And of course what happened then

1666
01:38:58,000 --> 01:39:01,000
Speaker 1: was that everybody in the could think all wanted to

1667
01:39:01,040 --> 01:39:03,840
Speaker 1: come to cats. So there are a few stories about

1668
01:39:04,000 --> 01:39:05,760
Speaker 1: the people who came to cats. So I don't have

1669
01:39:05,800 --> 01:39:07,880
Speaker 1: to buy the book now, he just told it. But

1670
01:39:08,120 --> 01:39:12,000
Speaker 1: you know, there's five hundred pages in I'm afraid, so

1671
01:39:12,160 --> 01:39:14,120
Speaker 1: I'm I'm sure you have a lot more stories that

1672
01:39:14,200 --> 01:39:16,720
Speaker 1: I'm gonna I'm dying to here. But now that we

1673
01:39:16,880 --> 01:39:19,439
Speaker 1: know you, I can read it in your voice, which

1674
01:39:19,520 --> 01:39:22,080
Speaker 1: makes all the difference in the world, you know, I

1675
01:39:22,120 --> 01:39:24,719
Speaker 1: think it does. I mean, I wrote the book myself.

1676
01:39:24,800 --> 01:39:28,160
Speaker 1: I didn't want anybody else touching it, and I like

1677
01:39:28,400 --> 01:39:31,080
Speaker 1: to think that if you did know me, that you'd

1678
01:39:31,160 --> 01:39:34,600
Speaker 1: find that it's quite fun to write. I'm writing a

1679
01:39:34,680 --> 01:39:37,560
Speaker 1: book and it's scary. It scares the hell out of me.

1680
01:39:37,800 --> 01:39:40,240
Speaker 1: Can I give it, Nenderson? We may not want to

1681
01:39:40,360 --> 01:39:42,840
Speaker 1: broadcast this bit, but can I give you advice? I

1682
01:39:42,920 --> 01:39:49,080
Speaker 1: need advice, don't No. I mean, obviously you're proud of Unmasked.

1683
01:39:49,160 --> 01:39:51,040
Speaker 1: There's got to be something in here that you're but

1684
01:39:51,280 --> 01:39:53,880
Speaker 1: I promise you. I mean, you write the book and

1685
01:39:54,000 --> 01:39:55,800
Speaker 1: you send it in and you say that's it, thank

1686
01:39:55,840 --> 01:39:58,240
Speaker 1: you very much, and you think that's fine. Then you

1687
01:39:58,280 --> 01:40:02,240
Speaker 1: get the book back and somebody has put commas and

1688
01:40:02,360 --> 01:40:06,040
Speaker 1: hyphens and punctuation things in there, and you have to

1689
01:40:06,120 --> 01:40:08,080
Speaker 1: go all through the book taking the whole lot out.

1690
01:40:08,840 --> 01:40:11,840
Speaker 1: And I still think I'd go through there kind of nightmares, thinking,

1691
01:40:12,000 --> 01:40:14,679
Speaker 1: you know, God, let's see commas now where there aren't

1692
01:40:14,720 --> 01:40:18,080
Speaker 1: still somebody's put them in. If you ever write anything

1693
01:40:18,120 --> 01:40:19,880
Speaker 1: in the book, and then you know it's out there

1694
01:40:19,880 --> 01:40:22,320
Speaker 1: and everyone can buy it, and you think I shouldn't

1695
01:40:22,360 --> 01:40:24,040
Speaker 1: have put that in there. No, I tell you what

1696
01:40:24,200 --> 01:40:26,760
Speaker 1: it is. I'm really glad I did it, because in

1697
01:40:26,880 --> 01:40:29,120
Speaker 1: many ways, what it's done is it's made me go

1698
01:40:29,360 --> 01:40:31,760
Speaker 1: back in through old dowries and old things that I had.

1699
01:40:31,840 --> 01:40:35,360
Speaker 1: And the funny thing that you discover is that stories

1700
01:40:35,600 --> 01:40:38,559
Speaker 1: that you remembered in a certain way aren't a nactual

1701
01:40:38,640 --> 01:40:41,080
Speaker 1: fact as you remembered them, because you look at the

1702
01:40:41,160 --> 01:40:43,280
Speaker 1: diary and you say, I remembered it that way, but

1703
01:40:43,360 --> 01:40:45,400
Speaker 1: the dates don't add up. And then you make a

1704
01:40:45,479 --> 01:40:47,360
Speaker 1: few phone calls and then you talk to people and

1705
01:40:47,360 --> 01:40:49,160
Speaker 1: they said, no, no, no, of course it happened this way,

1706
01:40:49,160 --> 01:40:51,240
Speaker 1: and then you start to piece it together. So from

1707
01:40:51,320 --> 01:40:54,320
Speaker 1: my point of view, it's quite fun because it means

1708
01:40:54,400 --> 01:40:58,040
Speaker 1: that I think it's relatively accurate about what really did happen.

1709
01:40:58,120 --> 01:40:59,960
Speaker 1: But it's good to go back and get second pay

1710
01:41:00,040 --> 01:41:02,320
Speaker 1: nuns on and it's good. It's good nice to talk

1711
01:41:02,360 --> 01:41:05,639
Speaker 1: to people about you know that those times. But it's

1712
01:41:05,680 --> 01:41:09,360
Speaker 1: a long process, don't you wait? How long did it take? Well?

1713
01:41:09,479 --> 01:41:11,479
Speaker 1: I started writing in a few years ago and then

1714
01:41:11,640 --> 01:41:14,200
Speaker 1: abandoned it and then started again, and then and then

1715
01:41:15,080 --> 01:41:17,439
Speaker 1: after I finished School of Rock, I thought, now is

1716
01:41:17,479 --> 01:41:19,439
Speaker 1: the moment I can do it, because I hadn't found

1717
01:41:19,760 --> 01:41:21,439
Speaker 1: and I think I might have found a subject for

1718
01:41:21,439 --> 01:41:24,439
Speaker 1: a new musical now, but I haven't definitely decided, but

1719
01:41:24,560 --> 01:41:27,599
Speaker 1: I hadn't found one, and so I decided that now

1720
01:41:27,720 --> 01:41:29,720
Speaker 1: was the time to do it. And then once you

1721
01:41:29,800 --> 01:41:31,439
Speaker 1: sort of get into it and you sort of a

1722
01:41:31,520 --> 01:41:33,599
Speaker 1: third of the way through it, you're kind of committed.

1723
01:41:33,840 --> 01:41:35,720
Speaker 1: Aren't you happy you did it? Though? I am. Yeah,

1724
01:41:35,760 --> 01:41:37,639
Speaker 1: I'm pleased I did it. Are you tired of yourself?

1725
01:41:37,680 --> 01:41:41,920
Speaker 1: And I am so bored with myself? I say the

1726
01:41:42,040 --> 01:41:44,920
Speaker 1: introduction that I'm the most boring person I've ever written about,

1727
01:41:45,240 --> 01:41:48,519
Speaker 1: and I stand by it. Stuff, And you wrote it

1728
01:41:48,560 --> 01:41:50,880
Speaker 1: all on an iPad, which I find very interesting. Yes,

1729
01:41:51,560 --> 01:41:53,920
Speaker 1: it is interesting, But you see, I can't do technology

1730
01:41:54,920 --> 01:41:59,599
Speaker 1: id technology? Is it? Well? Yeah, I'm vaguely and I couldn't.

1731
01:41:59,640 --> 01:42:02,000
Speaker 1: Couldn't done it without my lovely p a, Jan, who's

1732
01:42:02,000 --> 01:42:04,200
Speaker 1: standing over there somewhere, so I gotta say hi, Jan.

1733
01:42:05,640 --> 01:42:09,880
Speaker 1: She had to decipher it. But I'm a vinyl man,

1734
01:42:10,000 --> 01:42:12,320
Speaker 1: you see, I go right back to the days of vinyl,

1735
01:42:12,360 --> 01:42:15,439
Speaker 1: and I don't do in a mobile phone. You don't know,

1736
01:42:15,880 --> 01:42:17,679
Speaker 1: So how do people get in contact? That's the point.

1737
01:42:17,720 --> 01:42:23,080
Speaker 1: They can't like that idea? How dirty pictures? I've got

1738
01:42:23,080 --> 01:42:25,479
Speaker 1: dirty pictures. You can't There's a nothing you can do

1739
01:42:26,040 --> 01:42:30,000
Speaker 1: I'll just show it to you live. You can put

1740
01:42:30,040 --> 01:42:32,920
Speaker 1: that one away. Do you have a landline at home? Like,

1741
01:42:33,040 --> 01:42:34,479
Speaker 1: do you have a phone in your home? I have

1742
01:42:34,560 --> 01:42:37,599
Speaker 1: a landline electricity. Do you have electricity of the house, Well,

1743
01:42:37,760 --> 01:42:41,960
Speaker 1: only when the generator works. Well? Do you feel like

1744
01:42:42,120 --> 01:42:44,280
Speaker 1: if you do cross that threshold and you start to

1745
01:42:44,400 --> 01:42:47,080
Speaker 1: immerse into technology, it'll change your life? So or you

1746
01:42:47,200 --> 01:42:48,880
Speaker 1: don't want to go down that road? Is just something

1747
01:42:48,920 --> 01:42:51,200
Speaker 1: you Let me tell you. All of the albums I

1748
01:42:51,400 --> 01:42:54,120
Speaker 1: certainly made, and all the ones I remember all sound

1749
01:42:54,240 --> 01:42:56,360
Speaker 1: better on vinyl. You do. And you can go into

1750
01:42:56,360 --> 01:43:00,280
Speaker 1: the technical reasons why and that why digital doesn't sounds

1751
01:43:00,280 --> 01:43:02,240
Speaker 1: so good on c D and all of that, and

1752
01:43:02,400 --> 01:43:04,280
Speaker 1: I you can talk about sampling rates and all that

1753
01:43:04,400 --> 01:43:06,240
Speaker 1: kind of thing. But the fact of the matter is

1754
01:43:06,840 --> 01:43:09,360
Speaker 1: is that I am ahead of the curve and who

1755
01:43:09,360 --> 01:43:13,080
Speaker 1: always been by keeping my vinyl collection, and everything sounds

1756
01:43:13,160 --> 01:43:15,559
Speaker 1: better on vinyl in my view. One of the first

1757
01:43:15,720 --> 01:43:18,479
Speaker 1: albums I remember listening to a long time ago when

1758
01:43:18,479 --> 01:43:20,960
Speaker 1: I really understood how to put an album on the

1759
01:43:21,000 --> 01:43:26,599
Speaker 1: turntable was Jesus Christ Superstar. Well, that that too, sounds

1760
01:43:26,720 --> 01:43:29,080
Speaker 1: really good. The trouble is is when they remaster a

1761
01:43:29,160 --> 01:43:31,400
Speaker 1: lot of these tracks, these things for CD or for

1762
01:43:31,560 --> 01:43:34,599
Speaker 1: whatever and for downloads and everything. Now they compressed them

1763
01:43:34,640 --> 01:43:37,880
Speaker 1: all and so that the actual sound quality. I've got

1764
01:43:37,920 --> 01:43:40,680
Speaker 1: an album coming out now which is sort of for

1765
01:43:40,800 --> 01:43:43,000
Speaker 1: my seventieth birthday, and I was sent to all the

1766
01:43:43,080 --> 01:43:45,920
Speaker 1: album and I said, no, this doesn't sound right, and

1767
01:43:46,000 --> 01:43:47,519
Speaker 1: we went back and we looked a lot of the

1768
01:43:47,600 --> 01:43:50,800
Speaker 1: tracks and at some point they've been remastered, and of

1769
01:43:50,880 --> 01:43:54,200
Speaker 1: course they've been remastered by an engineer who he's probably

1770
01:43:54,280 --> 01:43:56,840
Speaker 1: did them in a great batch, and they're not as

1771
01:43:56,920 --> 01:43:59,639
Speaker 1: good as the original ones. So that I'm rather pleased

1772
01:43:59,680 --> 01:44:03,040
Speaker 1: with this You album because it's actually remastered by me,

1773
01:44:04,280 --> 01:44:08,639
Speaker 1: and therefore therefore it's got all the tracks sounding as

1774
01:44:08,760 --> 01:44:11,559
Speaker 1: I originally intended them. Well, he hit me that it's

1775
01:44:11,600 --> 01:44:14,200
Speaker 1: it's a this is available to Okay, So we're talking

1776
01:44:14,200 --> 01:44:16,479
Speaker 1: about two things I'm dying for you to pick up.

1777
01:44:16,560 --> 01:44:19,720
Speaker 1: First of all, Andrew Lloyd Webber's Unmasked, a memoir, and

1778
01:44:19,880 --> 01:44:23,320
Speaker 1: this Andrew Lloyd Webber Unmasked, the platinum collection the Ultimate

1779
01:44:23,400 --> 01:44:27,880
Speaker 1: Greatest Hits according to You. Well, it's got It's was

1780
01:44:27,960 --> 01:44:31,519
Speaker 1: a selection put together, frank you by the record company,

1781
01:44:31,640 --> 01:44:34,000
Speaker 1: and I agreed with it. I thought it was rather good.

1782
01:44:34,040 --> 01:44:37,400
Speaker 1: They also suggested some new tracks, and so there are

1783
01:44:37,439 --> 01:44:41,160
Speaker 1: some quite interesting new versions of old songs. You know

1784
01:44:41,240 --> 01:44:44,000
Speaker 1: what I love is Lana del Rey, Well, Lana did

1785
01:44:44,080 --> 01:44:47,719
Speaker 1: a lovely recording of you Must Love Me from Vita.

1786
01:44:48,000 --> 01:44:51,280
Speaker 1: Is the new song written for Vita, Isn't Isn't it

1787
01:44:51,280 --> 01:44:54,479
Speaker 1: awesome when you have artists today that are just so

1788
01:44:54,720 --> 01:44:57,519
Speaker 1: turned on by your work they're dying to get into

1789
01:44:57,560 --> 01:44:59,560
Speaker 1: a studio and sing it for you because they do

1790
01:44:59,680 --> 01:45:01,360
Speaker 1: it for you, they want your approval. You know that.

1791
01:45:01,840 --> 01:45:04,879
Speaker 1: It's extraordinary, really, because when I was at the Grammys,

1792
01:45:04,960 --> 01:45:07,160
Speaker 1: I mean, so many of the artists there who I

1793
01:45:07,200 --> 01:45:10,200
Speaker 1: think are absolutely right there today and brilliant. They will

1794
01:45:10,479 --> 01:45:12,719
Speaker 1: come up and say I was the narrator and Joseph

1795
01:45:12,760 --> 01:45:15,320
Speaker 1: in the amazingly kind of dreamcoat. You know, well, I

1796
01:45:15,840 --> 01:45:20,160
Speaker 1: mean it's it's it's extraordinary. But Lana, I mean, I

1797
01:45:20,240 --> 01:45:22,400
Speaker 1: think has done a beautiful job with it, and I've

1798
01:45:22,760 --> 01:45:24,880
Speaker 1: always been a great mirror of hers, and it's it's

1799
01:45:24,920 --> 01:45:28,679
Speaker 1: just interesting to me to hear new interpretations of songs

1800
01:45:28,720 --> 01:45:49,599
Speaker 1: that I wrote a while ago. We have so much

1801
01:45:49,640 --> 01:45:51,720
Speaker 1: more to talk about, Andrew Lloyd Webber more coming up

1802
01:45:51,800 --> 01:45:55,280
Speaker 1: right after this, the official Twitter account of the Morning

1803
01:45:55,320 --> 01:45:59,799
Speaker 1: Show Elvis to ratio, the official Twitter account of Elvis

1804
01:46:00,160 --> 01:46:03,680
Speaker 1: and Elvi Sturrand follow us now Elvi Strand in the

1805
01:46:03,720 --> 01:46:08,880
Speaker 1: Morning Show. Elvis Strand in the Morning Show stopped wraping

1806
01:46:09,040 --> 01:46:11,400
Speaker 1: too much fun during the commercials. Andrew Lloyd Webber, of

1807
01:46:11,439 --> 01:46:13,439
Speaker 1: course here today talking about his new book is Platinum

1808
01:46:13,439 --> 01:46:15,559
Speaker 1: Collection that's out. You've got in her all your favorite

1809
01:46:15,600 --> 01:46:18,840
Speaker 1: Andrew Andrew Lloyd Webber songs done by our favorite artist.

1810
01:46:19,240 --> 01:46:21,200
Speaker 1: What a great day to have you here. Look at

1811
01:46:21,240 --> 01:46:24,880
Speaker 1: the difference between your creative process when you were in

1812
01:46:25,040 --> 01:46:28,519
Speaker 1: those days versus today. I mean, obviously, well I was

1813
01:46:28,600 --> 01:46:32,439
Speaker 1: sort of eight then, of course, But my creative process

1814
01:46:32,520 --> 01:46:35,000
Speaker 1: then was I built myself a little toy theater because

1815
01:46:35,040 --> 01:46:37,639
Speaker 1: I love theater so much. And it was also strange

1816
01:46:37,680 --> 01:46:39,000
Speaker 1: in the way because by the time I was in

1817
01:46:39,120 --> 01:46:41,759
Speaker 1: my early teens and I went to the big school,

1818
01:46:41,760 --> 01:46:45,519
Speaker 1: as it were, musicals were off the scale, off the

1819
01:46:45,680 --> 01:46:50,280
Speaker 1: radar for my generation because the Beatles were just happening,

1820
01:46:50,840 --> 01:46:53,280
Speaker 1: and everybody wanted to be a Beatle and singing London,

1821
01:46:53,560 --> 01:46:56,360
Speaker 1: swinging London was happening, and it was just one of

1822
01:46:56,400 --> 01:46:59,800
Speaker 1: those times people thought this guy is crazy. I mean

1823
01:46:59,840 --> 01:47:03,439
Speaker 1: he likes musicals. Now it may sound funny in America,

1824
01:47:03,560 --> 01:47:06,839
Speaker 1: but back in Britain at that time, I mean, musicals

1825
01:47:06,880 --> 01:47:11,599
Speaker 1: were not considered to be anywhere near the mainstream. And indeed,

1826
01:47:11,680 --> 01:47:13,519
Speaker 1: I mean the kind of you know, the kind of

1827
01:47:13,600 --> 01:47:17,760
Speaker 1: chattering class kind of parents who the school I went

1828
01:47:17,800 --> 01:47:19,280
Speaker 1: to there were, you know, there were quite a lot

1829
01:47:19,320 --> 01:47:21,200
Speaker 1: of kind of opinion makers and all that sort of thing,

1830
01:47:21,280 --> 01:47:24,200
Speaker 1: who who had their kids at the school. They thought

1831
01:47:24,280 --> 01:47:28,160
Speaker 1: that I was crazy because I'd say I like Rogerson Hammerstein.

1832
01:47:28,600 --> 01:47:32,680
Speaker 1: People say, what you like Rogerson Hammerstein, it's all sentimental,

1833
01:47:32,800 --> 01:47:36,120
Speaker 1: and they'd say you'll never walk alone Carousel, and I mean,

1834
01:47:36,200 --> 01:47:39,200
Speaker 1: these are great, great shows by one of the greatest

1835
01:47:39,240 --> 01:47:42,559
Speaker 1: melodists who ever lived. And yet people at those days,

1836
01:47:42,600 --> 01:47:47,000
Speaker 1: they just back in Britain, they thought it was below everything.

1837
01:47:47,640 --> 01:47:49,519
Speaker 1: So when the Sound of Music came to London, you

1838
01:47:49,600 --> 01:47:51,679
Speaker 1: can imagine. I remember, I remember going to the first

1839
01:47:51,760 --> 01:47:54,439
Speaker 1: night of that because I'd written a fan letter to

1840
01:47:54,560 --> 01:47:57,040
Speaker 1: Richard Rogers when I got this in my book, but

1841
01:47:57,560 --> 01:48:00,920
Speaker 1: I was thirteen, I guess, and he wrote back to

1842
01:48:01,000 --> 01:48:02,439
Speaker 1: me and said, would you like to come to the

1843
01:48:02,479 --> 01:48:04,639
Speaker 1: first night of my show? That must have been such

1844
01:48:04,680 --> 01:48:07,240
Speaker 1: a hit, which was fantastic. So I go go to

1845
01:48:07,320 --> 01:48:09,360
Speaker 1: the first side of the show, and I mean I

1846
01:48:09,800 --> 01:48:12,080
Speaker 1: loved it, you know, I mean it was tune after

1847
01:48:12,160 --> 01:48:15,000
Speaker 1: tune after tune. Next morning when I got to school,

1848
01:48:15,439 --> 01:48:17,479
Speaker 1: some of the boys have laid laid out some of

1849
01:48:17,560 --> 01:48:20,640
Speaker 1: the reviews for me, and I mean one of the

1850
01:48:20,720 --> 01:48:24,479
Speaker 1: reviews said, if you were a diabetic craving extra sickly

1851
01:48:24,560 --> 01:48:28,400
Speaker 1: sweet things, take a load of extra instudent extra insulin,

1852
01:48:28,840 --> 01:48:30,880
Speaker 1: and you will not fail to thrill to the sound

1853
01:48:30,920 --> 01:48:33,960
Speaker 1: of music. My god, you know I mean, and that

1854
01:48:34,240 --> 01:48:36,439
Speaker 1: is the show, which we all know, I mean, is

1855
01:48:36,520 --> 01:48:39,559
Speaker 1: one of the great great popular musicals of all time.

1856
01:48:40,080 --> 01:48:42,439
Speaker 1: And but what was I thought fun though, was which

1857
01:48:42,439 --> 01:48:44,760
Speaker 1: because Roger's must have pendent on Hanstein, it must have

1858
01:48:44,800 --> 01:48:48,880
Speaker 1: had the last laugh because after this ridiculous line outside

1859
01:48:48,960 --> 01:48:51,720
Speaker 1: the theater for the next seven years was you will

1860
01:48:51,800 --> 01:48:54,559
Speaker 1: not fail to thrill to the sound of music, which

1861
01:48:54,640 --> 01:48:58,559
Speaker 1: was a wonderful example of creative advertisement and my first

1862
01:48:58,680 --> 01:49:01,120
Speaker 1: lesson in it in filter. But you know, I mean,

1863
01:49:01,840 --> 01:49:03,920
Speaker 1: that was what it was. I mean, people thought that

1864
01:49:04,640 --> 01:49:08,160
Speaker 1: the sound of music was saccharin sweet slash. But do

1865
01:49:08,280 --> 01:49:11,439
Speaker 1: you miss the lean days at all? The days when

1866
01:49:11,439 --> 01:49:13,559
Speaker 1: you were first starting out and just trying to get

1867
01:49:13,760 --> 01:49:19,719
Speaker 1: get business going and getting But you know it, nothing changes.

1868
01:49:20,160 --> 01:49:22,160
Speaker 1: I mean, every time you do a new musical, you

1869
01:49:22,360 --> 01:49:25,200
Speaker 1: always think that you're pushing a new boulder, upper hill

1870
01:49:25,360 --> 01:49:28,640
Speaker 1: or whatever. And I'm right now, I'm I'm on the

1871
01:49:28,880 --> 01:49:31,439
Speaker 1: verge of thinking. I think I've got the subject I

1872
01:49:31,520 --> 01:49:34,160
Speaker 1: want to do and it'll be a very very different

1873
01:49:34,200 --> 01:49:36,000
Speaker 1: thing for me if I choose to do it. Tell

1874
01:49:36,080 --> 01:49:38,240
Speaker 1: us everything right now, I cannot tell you about it.

1875
01:49:38,400 --> 01:49:40,400
Speaker 1: I wish I could give us, give us from the

1876
01:49:40,520 --> 01:49:43,200
Speaker 1: very beginning to the very last next time, if you

1877
01:49:43,240 --> 01:49:45,040
Speaker 1: ask me back, I will, but I would love it.

1878
01:49:45,280 --> 01:49:47,200
Speaker 1: But do you know that to answer your question, you know,

1879
01:49:47,360 --> 01:49:49,479
Speaker 1: the thing is is that I don't know. I I

1880
01:49:49,520 --> 01:49:52,040
Speaker 1: get to answer a different way. I think if you

1881
01:49:52,160 --> 01:49:53,840
Speaker 1: know what you want to do in life, you're very

1882
01:49:53,920 --> 01:49:57,680
Speaker 1: very lucky. I think if you get to succeed and

1883
01:49:57,880 --> 01:50:00,560
Speaker 1: have a great time in doing what you do, you

1884
01:50:00,720 --> 01:50:04,080
Speaker 1: you are so lucky. It's not possible. I I sort

1885
01:50:04,120 --> 01:50:06,439
Speaker 1: of pinched myself every time, and I just think each

1886
01:50:06,479 --> 01:50:09,280
Speaker 1: new musical is a is a new adventure with new people,

1887
01:50:09,400 --> 01:50:11,960
Speaker 1: new team, and I just love it so much. So

1888
01:50:12,160 --> 01:50:14,040
Speaker 1: I don't know if I've answered your question, but now

1889
01:50:14,120 --> 01:50:17,160
Speaker 1: you have, it's it's it's still as invigorating to you

1890
01:50:17,280 --> 01:50:20,120
Speaker 1: now as it was. Yeah. Have you ever listened to

1891
01:50:20,479 --> 01:50:23,920
Speaker 1: a song that you have written in your headphones or

1892
01:50:23,960 --> 01:50:28,040
Speaker 1: in a studio by yourself and said, you know, you

1893
01:50:28,200 --> 01:50:29,960
Speaker 1: really hit it out of the park with that song.

1894
01:50:30,120 --> 01:50:35,120
Speaker 1: That is brilliant. Do you give yourself that personal paddle

1895
01:50:35,120 --> 01:50:38,719
Speaker 1: on the back? Well? Of course, Also, I don't write lyrics,

1896
01:50:38,800 --> 01:50:42,000
Speaker 1: and so the lyrics have to be really great and right,

1897
01:50:42,160 --> 01:50:44,680
Speaker 1: you know. Yeah, And of course if it's a if

1898
01:50:44,680 --> 01:50:49,400
Speaker 1: you're thinking of a song as a standalone single and that, Yes,

1899
01:50:49,479 --> 01:50:52,360
Speaker 1: there are certain songs of mine that I really am very,

1900
01:50:52,479 --> 01:50:55,840
Speaker 1: very very pleased with. Of course. Do you love it

1901
01:50:55,880 --> 01:50:57,759
Speaker 1: when people come up and say, you know your favorite

1902
01:50:57,800 --> 01:51:01,320
Speaker 1: song that you did you you you wrote as this? Yes,

1903
01:51:01,400 --> 01:51:03,560
Speaker 1: And it's when they say songs from Limazerabla that I

1904
01:51:03,680 --> 01:51:10,960
Speaker 1: was got a little worried. Yeah. And then people come

1905
01:51:11,000 --> 01:51:13,599
Speaker 1: up to me and they say, ah, you were lovely,

1906
01:51:13,680 --> 01:51:16,240
Speaker 1: Sarah Brightman, they say, and that time to say goodbye.

1907
01:51:16,320 --> 01:51:18,400
Speaker 1: What a fantastic song. And I had nothing to do

1908
01:51:18,479 --> 01:51:22,800
Speaker 1: with it at all. Take credit for it. By the way,

1909
01:51:22,840 --> 01:51:25,719
Speaker 1: these stories you're hearing just the tip of the iceberg

1910
01:51:25,760 --> 01:51:28,160
Speaker 1: of what you're going to get when you pick up Unmasked,

1911
01:51:28,680 --> 01:51:31,519
Speaker 1: the Andrew Andrew Lloyd Webber Memoir, which is out now.

1912
01:51:31,880 --> 01:51:34,160
Speaker 1: You've got to pick up Andrew Lloyd Webber's Unmasked the

1913
01:51:34,160 --> 01:51:36,240
Speaker 1: Platinum Collection, or just download it like I'm gonna do.

1914
01:51:37,400 --> 01:51:39,040
Speaker 1: I will say, last time you were here, I'm gonna

1915
01:51:39,040 --> 01:51:40,960
Speaker 1: see if your answer has changed. The last time you

1916
01:51:41,040 --> 01:51:42,800
Speaker 1: were here, I asked you what is your favorite song

1917
01:51:42,920 --> 01:51:45,639
Speaker 1: you didn't write? And you told me some Enchanted Evening. Well,

1918
01:51:45,800 --> 01:51:48,160
Speaker 1: I would stand by that. I still say that in

1919
01:51:48,280 --> 01:51:51,240
Speaker 1: my book, and I still think it's the I mean,

1920
01:51:51,400 --> 01:51:54,760
Speaker 1: the greatest song for me ever written, because it's so

1921
01:51:55,080 --> 01:51:59,519
Speaker 1: brilliant in its simplicity, both melodically but but particularly lyrically.

1922
01:51:59,600 --> 01:52:02,160
Speaker 1: And and and do you think that's a lyric? Anybody

1923
01:52:02,200 --> 01:52:05,719
Speaker 1: could have written that, but my goodness, it's a crafted lyric.

1924
01:52:05,920 --> 01:52:09,560
Speaker 1: It's really really extraordinary. Also contains the couplet, which is

1925
01:52:09,600 --> 01:52:11,960
Speaker 1: the best answer for anybody who asks you, what is

1926
01:52:12,080 --> 01:52:15,160
Speaker 1: the secret of writing a hit musical? You just quote

1927
01:52:15,240 --> 01:52:19,120
Speaker 1: fools give you reasons. Wise men, never try some enchanted Evening.

1928
01:52:19,160 --> 01:52:21,439
Speaker 1: You will meet a stranger it's a superb lyric and

1929
01:52:21,600 --> 01:52:25,040
Speaker 1: and it doesn't actually rhyme that off on either and

1930
01:52:25,200 --> 01:52:30,599
Speaker 1: the tune itself is peerless. Well, well, he's been here twice,

1931
01:52:30,640 --> 01:52:32,560
Speaker 1: obviously he loves it. He has so many stories that

1932
01:52:32,640 --> 01:52:34,519
Speaker 1: I just want to keep talking to him, and all

1933
01:52:34,600 --> 01:52:38,120
Speaker 1: the stories, well, I'll come back a third time. Absolutely,

1934
01:52:39,120 --> 01:52:42,519
Speaker 1: Desperation is our middle name I have. But you thought

1935
01:52:42,560 --> 01:52:44,400
Speaker 1: of Spider Man on Broadway, But we'll leave them for

1936
01:52:44,479 --> 01:52:47,719
Speaker 1: another I can tell you a lot of stories about

1937
01:52:47,720 --> 01:52:49,760
Speaker 1: Spiderman on Broadway, about its first night, but I'm not

1938
01:52:49,880 --> 01:52:55,120
Speaker 1: going to literally. Actually, I will say one thing. I

1939
01:52:55,240 --> 01:52:57,880
Speaker 1: went to it thinking the worst on its opening night,

1940
01:52:58,360 --> 01:53:00,960
Speaker 1: and I mean I find myself next to the age

1941
01:53:01,040 --> 01:53:02,880
Speaker 1: and in front of me Bill Clinton, which was a

1942
01:53:02,920 --> 01:53:04,479
Speaker 1: little sort of you know, thinking I'm going to have

1943
01:53:04,560 --> 01:53:07,479
Speaker 1: to be careful when I say here. But I actually

1944
01:53:07,560 --> 01:53:09,640
Speaker 1: on the first night, you know, when everybody says it's

1945
01:53:09,720 --> 01:53:13,880
Speaker 1: total disaster, I didn't think it was. I I think

1946
01:53:13,920 --> 01:53:18,000
Speaker 1: it was just shoehorned into the wrong thing. I don't

1947
01:53:18,000 --> 01:53:20,280
Speaker 1: think you should have ever gone anywhere near Broadway. I mean,

1948
01:53:20,360 --> 01:53:21,519
Speaker 1: it would have been one of those things that I

1949
01:53:21,640 --> 01:53:24,120
Speaker 1: thought worked quite well as a totally rock show. In

1950
01:53:24,160 --> 01:53:27,280
Speaker 1: an arena and not not even tried to talk a

1951
01:53:27,360 --> 01:53:29,720
Speaker 1: bit and it But the trouble about a musical is

1952
01:53:29,800 --> 01:53:32,439
Speaker 1: is once you get a production on the road and

1953
01:53:32,640 --> 01:53:36,920
Speaker 1: it's there, does it's like a juggonnaut going downhill, you know,

1954
01:53:37,240 --> 01:53:41,880
Speaker 1: and you can't stop it. It's very, very difficult. You know.

1955
01:53:42,000 --> 01:53:44,880
Speaker 1: It brings me back to one thing that how Prince

1956
01:53:44,960 --> 01:53:47,120
Speaker 1: said to me. What he said to me stayed with

1957
01:53:47,240 --> 01:53:49,040
Speaker 1: me forever and ever and ever, and I think it's

1958
01:53:49,080 --> 01:53:51,280
Speaker 1: one of the wisest pieces of advice I was ever

1959
01:53:51,360 --> 01:53:54,160
Speaker 1: given in my career, which is that you can't listen

1960
01:53:54,240 --> 01:53:56,720
Speaker 1: to a musical if you can't look at it. What

1961
01:53:56,880 --> 01:54:00,120
Speaker 1: he meant was that if the production was wrong and

1962
01:54:00,200 --> 01:54:03,840
Speaker 1: the design of the production was wrong, an audience is uncomfortable.

1963
01:54:04,479 --> 01:54:07,160
Speaker 1: They don't know why, but they're uncomfortable and they're uneasy

1964
01:54:07,479 --> 01:54:10,600
Speaker 1: with what they're seeing. And I think Hal's right. You know,

1965
01:54:10,720 --> 01:54:13,639
Speaker 1: you you can have a show that just looks wrong

1966
01:54:14,520 --> 01:54:17,880
Speaker 1: and you just don't feel comfortable during the evening. So

1967
01:54:17,960 --> 01:54:21,360
Speaker 1: that's why you say Frozen is beautiful. Is beautiful, And

1968
01:54:22,400 --> 01:54:26,880
Speaker 1: in my case, say take Phantom of the Opera. That

1969
01:54:27,160 --> 01:54:32,120
Speaker 1: production Maria Bjornson's extraordinary design fits so completely with what

1970
01:54:32,280 --> 01:54:35,600
Speaker 1: I wrote that there was one. I think it's very rare.

1971
01:54:35,800 --> 01:54:38,120
Speaker 1: I think for all of the ingredients to come together

1972
01:54:38,880 --> 01:54:40,680
Speaker 1: as they did for me in Phantom, or they did

1973
01:54:40,760 --> 01:54:44,080
Speaker 1: Bolan King or done with Hamilton's or whatever, for it

1974
01:54:44,160 --> 01:54:47,480
Speaker 1: to come together to that extent is very very rare. Wow,

1975
01:54:48,320 --> 01:54:51,200
Speaker 1: these stories and more. Please pick up Andrew Lloyd Webber's

1976
01:54:51,280 --> 01:54:54,400
Speaker 1: Unmasked and of course why you're reading it listening, listen

1977
01:54:54,480 --> 01:54:56,720
Speaker 1: to the collection. He has to pay off that mortgage,

1978
01:54:56,760 --> 01:55:00,800
Speaker 1: said he We're gonna pay off You're gonna pay off

1979
01:55:00,840 --> 01:55:02,720
Speaker 1: cats with this book, all that money I lost on

1980
01:55:02,800 --> 01:55:11,920
Speaker 1: bitcoins exactly. Thank you for coming back, Andrew Lloyd, Elvis, Elvis,

1981
01:55:15,800 --> 01:55:19,440
Speaker 1: Dan Marty show. In today's connected world, it takes just

1982
01:55:19,600 --> 01:55:22,480
Speaker 1: one week link and your personal information can get into

1983
01:55:22,520 --> 01:55:24,880
Speaker 1: the wrong hands. Good thing. New life Block with Norton

1984
01:55:25,400 --> 01:55:28,920
Speaker 1: now has protection for your identity and devices. Join at

1985
01:55:29,000 --> 01:55:31,480
Speaker 1: life block dot com and use promo code Elvis for

1986
01:55:31,520 --> 01:55:35,600
Speaker 1: an extra temper sent off your first year Elvis, Elvis

1987
01:55:35,720 --> 01:55:39,440
Speaker 1: durand the Elvis durand phone tap alright, scary, Yes, what's

1988
01:55:39,480 --> 01:55:41,600
Speaker 1: your phone tap all about? Today? Todd wants to phone

1989
01:55:41,640 --> 01:55:44,960
Speaker 1: tap his roommate Liam Liam gets sloppy drunk whenever he

1990
01:55:45,080 --> 01:55:47,640
Speaker 1: goes out, and on St. Patrick's Day he really went

1991
01:55:47,720 --> 01:55:50,800
Speaker 1: overboard and got escorted out of the bar. But he

1992
01:55:50,840 --> 01:55:53,000
Speaker 1: had started this tab and he never paid the bill.

1993
01:55:53,200 --> 01:55:55,440
Speaker 1: So Todd wants me to pretend I'm from the bar

1994
01:55:55,800 --> 01:55:57,760
Speaker 1: trying to collect. He starts to call. You know how

1995
01:55:57,760 --> 01:56:01,120
Speaker 1: many times I've received that phone call the next day? Yeah, Elvis,

1996
01:56:01,200 --> 01:56:05,280
Speaker 1: you didn't pay your bill last night, and it's a doozy. Ah, well,

1997
01:56:05,440 --> 01:56:07,720
Speaker 1: let's see how we can turn that into a phone tap.

1998
01:56:07,760 --> 01:56:13,440
Speaker 1: Here we go, wasn't it. Hey, can you step out

1999
01:56:13,480 --> 01:56:16,440
Speaker 1: for a second, dude, we're at out for steps out

2000
01:56:16,480 --> 01:56:18,840
Speaker 1: for a couple of minutes. That this is important everything,

2001
01:56:18,880 --> 01:56:20,840
Speaker 1: all right? What you did the other day is getting

2002
01:56:20,920 --> 01:56:23,200
Speaker 1: us all in trouble. What do do well? Yeah, you

2003
01:56:23,280 --> 01:56:25,360
Speaker 1: talk about of course you don't remember you were not

2004
01:56:25,560 --> 01:56:27,720
Speaker 1: with St. Patrick's day. When when you do all that

2005
01:56:27,800 --> 01:56:29,520
Speaker 1: stuff she did, it's getting us in trouble. They're on

2006
01:56:29,600 --> 01:56:31,600
Speaker 1: the other line with me. What do you there on

2007
01:56:31,640 --> 01:56:34,520
Speaker 1: the other line? She didn't know what do you want?

2008
01:56:34,880 --> 01:56:36,360
Speaker 1: At the end of tred fact and they kicked uself

2009
01:56:36,360 --> 01:56:38,560
Speaker 1: at the bear. Some guy Donovan's on the line. He

2010
01:56:38,600 --> 01:56:40,440
Speaker 1: wants that. He's saying you didn't pay the bill and

2011
01:56:40,560 --> 01:56:48,000
Speaker 1: that now talk to him. He's starting about talking to him,

2012
01:56:48,240 --> 01:56:50,160
Speaker 1: Just hanging up on him. You wear like a three

2013
01:56:50,200 --> 01:56:53,720
Speaker 1: hundred dollar tab. The guys really piste off. Well he

2014
01:56:53,720 --> 01:56:55,640
Speaker 1: shouldn't pick a shot at the bar. You gotta deal

2015
01:56:55,680 --> 01:56:58,040
Speaker 1: with this right now working now, I'm in the bathroom

2016
01:56:58,080 --> 01:56:59,560
Speaker 1: at work. Now, I'm not going to talk to them

2017
01:56:59,560 --> 01:57:01,720
Speaker 1: outain now he didn't you want me to go down there?

2018
01:57:01,800 --> 01:57:03,440
Speaker 1: I mean he's gone the line with me. Let me

2019
01:57:03,480 --> 01:57:10,960
Speaker 1: connect him. Hold on hello, Yeah, Hey, I'm here to guys.

2020
01:57:11,040 --> 01:57:13,000
Speaker 1: I'm here, I'm here. Did you come out of your

2021
01:57:13,240 --> 01:57:16,360
Speaker 1: drunken coma yet? How can I help you out here? Sir?

2022
01:57:16,880 --> 01:57:19,400
Speaker 1: This is Donovan from Feeling Off Bob. Do you remember

2023
01:57:19,480 --> 01:57:22,400
Speaker 1: being here on Monday? I have a big recollection of it.

2024
01:57:22,560 --> 01:57:25,200
Speaker 1: Yet I'm everybody kicked out here bar? Oh you got

2025
01:57:25,280 --> 01:57:28,360
Speaker 1: the irish you need? You're doing? You? Are youking me? Sir?

2026
01:57:28,800 --> 01:57:30,600
Speaker 1: I'm not mocking you. Do you know what that you

2027
01:57:30,640 --> 01:57:32,440
Speaker 1: went out of here? Do you charge a three d

2028
01:57:32,600 --> 01:57:37,920
Speaker 1: twelve dollar bill? Yes? Think very clear memory of beings house, sir,

2029
01:57:38,200 --> 01:57:40,560
Speaker 1: But you you never came back yesterday to pay the bill.

2030
01:57:40,760 --> 01:57:42,360
Speaker 1: Where have you been? Why would they come back to

2031
01:57:42,440 --> 01:57:44,760
Speaker 1: a barbit kicked me out, two of your bit bruisers

2032
01:57:44,880 --> 01:57:46,920
Speaker 1: crumbly by the arm, tossed me out and leave me

2033
01:57:46,960 --> 01:57:48,640
Speaker 1: on the street. And you want me to come back

2034
01:57:48,760 --> 01:57:51,160
Speaker 1: and give a three hundred dollars in cost. Well, first

2035
01:57:51,200 --> 01:57:54,720
Speaker 1: of all, you got kicked out because you were disrupting everything. Okay,

2036
01:57:54,760 --> 01:57:56,880
Speaker 1: do you remember anything having a crack. I was having

2037
01:57:56,920 --> 01:58:00,200
Speaker 1: a great time. I was entertained, the horful. For of all,

2038
01:58:00,240 --> 01:58:03,320
Speaker 1: you're mocking everybody that came in the bar. You were like, look,

2039
01:58:03,320 --> 01:58:05,720
Speaker 1: who's you have to have a drink? Kiss me, I'm irish.

2040
01:58:05,800 --> 01:58:08,160
Speaker 1: Kissed me, I'm irish to everybody that walked in. I'm

2041
01:58:08,160 --> 01:58:11,040
Speaker 1: not sure I under send your point, sir, Yeah, yeah,

2042
01:58:11,120 --> 01:58:13,680
Speaker 1: that's harassment. You asked this one girl if you wanted

2043
01:58:13,720 --> 01:58:15,200
Speaker 1: to feel for your pot of gold at the end

2044
01:58:15,200 --> 01:58:17,800
Speaker 1: of the rainbow. I never did any such thing. I

2045
01:58:17,880 --> 01:58:20,160
Speaker 1: know how to huszle my liquor. I wasn't never too

2046
01:58:20,320 --> 01:58:22,680
Speaker 1: drunk drink. You know how to handle your liquor two

2047
01:58:22,720 --> 01:58:25,360
Speaker 1: at a time. You were double fisting guinness. You had

2048
01:58:25,400 --> 01:58:29,680
Speaker 1: Irish handcuffs on. What do you have me do? How

2049
01:58:29,760 --> 01:58:31,960
Speaker 1: much are you gonna drink at once. Bring it up

2050
01:58:32,000 --> 01:58:35,200
Speaker 1: your revenue. You're welcome. My bartender, Kelly cut you off.

2051
01:58:35,440 --> 01:58:36,800
Speaker 1: You tried to go around the other side of the

2052
01:58:36,880 --> 01:58:39,760
Speaker 1: bar and deal with Brent instead, and we kept giving

2053
01:58:39,800 --> 01:58:43,160
Speaker 1: you your bill. Never in my many years, if I

2054
01:58:43,280 --> 01:58:45,640
Speaker 1: ever paid a top on the bus, I've been thrown out.

2055
01:58:45,920 --> 01:58:48,360
Speaker 1: This isn't iroling. You gotta pay. Oh, so this just

2056
01:58:48,440 --> 01:58:54,720
Speaker 1: happened in the past. Whatever will have me. I shouldn't

2057
01:58:54,800 --> 01:58:56,720
Speaker 1: come back and pay me. Then you picked up the

2058
01:58:56,760 --> 01:58:59,400
Speaker 1: policeman's bagpipes when he left him on the chair, and

2059
01:58:59,520 --> 01:59:02,080
Speaker 1: you started blowing into them. Do you remember that I

2060
01:59:02,200 --> 01:59:04,640
Speaker 1: didn't I did no such thing. I remember that I

2061
01:59:04,680 --> 01:59:07,240
Speaker 1: had apologize for the policeman so that you wouldn't get

2062
01:59:07,240 --> 01:59:13,080
Speaker 1: a rare You owe us three hundred and twelve dollars.

2063
01:59:13,240 --> 01:59:15,600
Speaker 1: I owe you nothing. You owe me a night pocket

2064
01:59:15,640 --> 01:59:18,040
Speaker 1: the bar. You ordered Shepherd's pie for the entire table

2065
01:59:18,080 --> 01:59:20,960
Speaker 1: of nurses that came in. They look like hungry. Get

2066
01:59:21,040 --> 01:59:23,560
Speaker 1: down here and give me that green that there becomes

2067
01:59:23,640 --> 01:59:25,560
Speaker 1: null in void. When you kicked me after the bear

2068
01:59:26,000 --> 01:59:27,920
Speaker 1: I would throw out in front of all the bears

2069
01:59:27,960 --> 01:59:30,160
Speaker 1: I was talking to. You make me look like a fool.

2070
01:59:30,440 --> 01:59:32,600
Speaker 1: The only reason I would come down there, it's the

2071
01:59:32,680 --> 01:59:36,520
Speaker 1: bearing my boot show far up for a week. All right,

2072
01:59:36,560 --> 01:59:38,400
Speaker 1: they're fighting Irish Why don't you come down here so

2073
01:59:38,480 --> 01:59:40,720
Speaker 1: I could wash your mouth out with Irish spring. I

2074
01:59:40,840 --> 01:59:43,520
Speaker 1: even have feelings in me. Look who since I was twelve?

2075
01:59:43,760 --> 01:59:45,760
Speaker 1: Is not the world you want to answer right now?

2076
01:59:45,960 --> 01:59:47,880
Speaker 1: You just make those threats at me and I'll be

2077
01:59:48,040 --> 01:59:52,160
Speaker 1: dubbling your pain. You'll be dubbling me pain. Yeah, exactly,

2078
01:59:52,680 --> 01:59:56,480
Speaker 1: A little guy Irish actions asked me, yeah exactly. Do

2079
01:59:56,560 --> 02:00:02,360
Speaker 1: you know that you've been phones at what you William?

2080
02:00:02,400 --> 02:00:04,720
Speaker 1: This is scary Jones. Melvis Duran in the Morning Show,

2081
02:00:06,800 --> 02:00:12,440
Speaker 1: Are you kidding me? Right now? That toy you you

2082
02:00:12,480 --> 02:00:15,720
Speaker 1: still owe that money? Well, let's still just avoid that place.

2083
02:00:15,760 --> 02:00:21,800
Speaker 1: For Italian Durant shon tap. This fallon Tab was prerecorded.

2084
02:00:21,920 --> 02:00:24,600
Speaker 1: We permission granted by all of her two space the

2085
02:00:24,720 --> 02:00:28,280
Speaker 1: ellis Duran felon Tab. We're only on Elvis Duran in

2086
02:00:28,320 --> 02:00:33,360
Speaker 1: the Morning Show. They're so spontaneous, all the topics, freaking hilarious.

2087
02:00:33,520 --> 02:00:36,120
Speaker 1: One of the best radio shows I've ever heard, This

2088
02:00:36,320 --> 02:00:37,480
Speaker 1: Duran in the Morning Show