WEBVTT - Three Crazy Dads (feat. Jill Gutowitz)

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<v Speaker 1>I worked at the cold Stone franchise that my parents owned,

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<v Speaker 1>cold Stone Neppo Baby. No, there's literally there's no. I

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<v Speaker 1>guess at the time, yes, I was an I can't

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<v Speaker 1>believe you were a cold Stone Nappo baby. That's so iconic.

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<v Speaker 1>I can't believe that. It's like Christmas and what is it?

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<v Speaker 1>Five days now and I still am not in the

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<v Speaker 1>Christmas spirit in almost anyway. I don't mean to be

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<v Speaker 1>a scrooge. I don't need to be a grinch. It's

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<v Speaker 1>not that I'm actively hating it. It's really not that.

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<v Speaker 1>It's like almost that I'm just completely apathetic about it.

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<v Speaker 1>You're you're standing on the top of Mount Trumpet right now.

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<v Speaker 1>I'm not. I'm not being a grinch. It's not that

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<v Speaker 1>I it's and it actually feels it's not like I

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<v Speaker 1>feel like a grinch in that I'm the one person

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<v Speaker 1>who's feeling this way. It seems like collectively a lot

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<v Speaker 1>of people are feeling this about this holiday season. I

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<v Speaker 1>don't know what it is. It's less of like a

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<v Speaker 1>violent overthrowing of Christmas and more of like I am

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<v Speaker 1>dissociating from this Christmas season for whatever reason. Well, it

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<v Speaker 1>also feels like the culture is not as obsessed with

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<v Speaker 1>Christmas this year, Like there haven't been any big Christmas

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<v Speaker 1>movies or memes. I haven't I haven't done my annual

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<v Speaker 1>um tweeting the Grinch poster where he's holding the ornament

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<v Speaker 1>and with the caption is he do you know? Which

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<v Speaker 1>I like, literally tweeted every year and without fail, every

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<v Speaker 1>year it goes viral. So we'll see if that happens again.

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<v Speaker 1>What are your what are your Christmas plans? By the way,

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<v Speaker 1>well this is so funny. So Justin and I my

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<v Speaker 1>best friend, and I go home to my parents for

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<v Speaker 1>Christmas usually, but this year we are going a day

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<v Speaker 1>after Christmas because Justin and I have book tickets to

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<v Speaker 1>see Adele in Vegas on Christmas Eve or in Christmas

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<v Speaker 1>on Christmas Eve, because tickets are like four hundred and

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<v Speaker 1>fifty dollars cheaper spending Christmas with Adele's. I'm spending Christmas

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<v Speaker 1>Eve with Adele and I'm staying the night at Caesar's Palace.

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<v Speaker 1>And apparently the Caesar's Palace buffet is incredible. I've been

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<v Speaker 1>told there are crab legs. I am worried about you

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<v Speaker 1>in a buffet because you do have a very sensitive tummy,

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<v Speaker 1>and I don't want you to get sick. I also have,

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<v Speaker 1>you know, not that much restraint around unlimited around food. Yeah,

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<v Speaker 1>you really really really want I'm a garbage disposal in

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<v Speaker 1>that regard, but I would like especially be careful with

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<v Speaker 1>the shell fish, babe. Yeah, that's gonna that's gonna really

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<v Speaker 1>do a number on me. And they're after a daisy.

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<v Speaker 1>I don't want to be like horny on Christmas Eve.

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<v Speaker 1>Well you could find me. You can find some Christmas trade. Yeah,

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<v Speaker 1>justin I sharing the show. You could cruise cruise at adel. Honestly,

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<v Speaker 1>it will probably be mostly faggots, like lonely faggots at

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<v Speaker 1>the Adele Christmas Eve show. Most mostly fagelis as we

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<v Speaker 1>say in Yiddish, and probably jew It and probably Jewish people,

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<v Speaker 1>probably people that don't celebrate Christmas. What are you doing

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<v Speaker 1>for for for for the holidays? Um? So, my best

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<v Speaker 1>friend Ryan and I always go to his mom's in

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<v Speaker 1>Long Island for Christmas and we are going this year. Um.

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<v Speaker 1>I think another like part of the reason why it

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<v Speaker 1>isn't feeling like Christmas this year is that every year

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<v Speaker 1>we do, you know, traditional Jewish Christmas, we go to

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<v Speaker 1>the movies on Christmas Day, and this year there really

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<v Speaker 1>isn't a big Christmas Day film release. I know, well,

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<v Speaker 1>Matilda's coming out on closest day on Netflix, but it's

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<v Speaker 1>also on Netflix, so it's like kind of not the same.

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<v Speaker 1>I mean, it's not like we even talked about not

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<v Speaker 1>going to the movies on Christmas Day because we've already

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<v Speaker 1>seen Avatar. Like I'm not going to go see The

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<v Speaker 1>Fableman's on Christmas Day or ever. Um So I think

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<v Speaker 1>we might just watch something at home, and like you know,

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<v Speaker 1>we do dinner obviously, but and usually the night before

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<v Speaker 1>we go to friends of theirs for a Christmas Eve party.

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<v Speaker 1>But I think it's going to be pretty low key Christmas.

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<v Speaker 1>I also have not been doing a lot of gift

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<v Speaker 1>buying this year. Like Ryan asked me the other day,

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<v Speaker 1>when you've been Christmas shopping, have you been buying stuff

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<v Speaker 1>for yourself as well? And I told him, actually, it's

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<v Speaker 1>more that when I've been buying things for myselves, I'm

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<v Speaker 1>also trying to Christmas shop in addition to that. Um

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<v Speaker 1>but I think my rule this year is like in

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<v Speaker 1>almost except in a few cases, if I'm not seeing

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<v Speaker 1>you on Christmas. You're not getting a gift good to know,

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<v Speaker 1>good to know, except for except for you. You are

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<v Speaker 1>getting except for me obviously. Um. I was going to ask, Okay,

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<v Speaker 1>I don't want to make you get into it, obviously

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<v Speaker 1>because there's so much to say. But you saw Avatar.

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<v Speaker 1>Oh my god. I did see Avatar on Saturday, Virgins Virgins.

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<v Speaker 1>We you were reading your survey results. We know that

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<v Speaker 1>you don't like spoilers or when we like review things

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<v Speaker 1>too early, So this isn't going to be a review

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<v Speaker 1>of Avatar. But I have to ask you, Rose, what

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<v Speaker 1>did you think? It was incredible? It was incredible, show stopping,

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<v Speaker 1>never been done before, it was. I loved it. It

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<v Speaker 1>was so much fun, It was emotional, it was beautiful.

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<v Speaker 1>It was everything I wanted and more. I think, like,

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<v Speaker 1>we'll talk about it more in depth once you've seen it,

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<v Speaker 1>because you do plan to see it, right, Yeah, I will.

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<v Speaker 1>I will eventually see it. Whenever I pulled pull together

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<v Speaker 1>the willpower to hold in my piss for three and

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<v Speaker 1>a half hours. Honestly, is it three it's three hours

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<v Speaker 1>and ten minutes. Um, I did go he midway through.

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<v Speaker 1>I was not gonna you know, James Cameron has given

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<v Speaker 1>us his blessing. He said, you should go to the

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<v Speaker 1>to the bathroom during the movies if you have to,

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<v Speaker 1>And there are many points during the movie where you

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<v Speaker 1>can just scurry off and piss for a minute or two.

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<v Speaker 1>It's fine. Um, it's a lot of movie and like,

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<v Speaker 1>you know, a lot of movie. I actually have thought before,

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<v Speaker 1>like I think this would be a really good resource

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<v Speaker 1>to have, is if someone did like TikTok's where it

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<v Speaker 1>was like, here's the perfect part in ex popular movie

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<v Speaker 1>to go to the bathroom. Maybe I'll make that my

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<v Speaker 1>TikTok Niche like James Cameron actually should have prescribed like

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<v Speaker 1>there should be like a little ding ding ding on

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<v Speaker 1>the screen, and it should well because I saw it

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<v Speaker 1>in three D, although I didn't see it an I'm out, god,

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<v Speaker 1>did you know it was? Oh? Actually wait? I did

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<v Speaker 1>barf the morning after because I went to movies. We

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<v Speaker 1>saw We saw Avatar eight We saw Avatar eight p m.

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<v Speaker 1>And I didn't have dinner before and I got a

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<v Speaker 1>huge I got a huge buget of popcorn, a pepsi

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<v Speaker 1>and Twizzlers and I ate it all on an empty stomach.

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<v Speaker 1>And when I woke up in the morning. I had

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<v Speaker 1>a hair appointment yesterday morning, and I woke up feeling nauseous,

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<v Speaker 1>and I was like, no, I had to go sit

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<v Speaker 1>in like a salon for for three hours, like I

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<v Speaker 1>can't be sick, And I like, the second I got

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<v Speaker 1>out of bed, I ran to the bathroom and puked

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<v Speaker 1>up popcorn, twistlers and PEPSI And then I had to

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<v Speaker 1>go to a salon and get my hair done for

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<v Speaker 1>three hours. Oh my god, I was asking that facetious.

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<v Speaker 1>And then I had to go and then I had

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<v Speaker 1>to go to to tie his house and eat chili.

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<v Speaker 1>Well that sounds like a great post bomb meal, honestly,

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<v Speaker 1>chili delicious. Yes, um, you're like sure? Um. I started

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<v Speaker 1>very weird. Maybe it's because we were texting, but I

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<v Speaker 1>started watching the original Avatar last night. I flicked it

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<v Speaker 1>on at nine fifty two pm, which was a terrible idea,

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<v Speaker 1>I mean, but I watched the first third of it.

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<v Speaker 1>I had forgotten the movie entirely. I've never I've only

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<v Speaker 1>seen it once in theaters when it came out. Forgot

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<v Speaker 1>it entirely. What crazy movie. And the lead, this guy,

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<v Speaker 1>the lead of this movie, what a nobody he is?

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<v Speaker 1>What he is truly truly nothing, a nothing character, a

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<v Speaker 1>nothing role, a nothing actor. Like he adds nothing to

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<v Speaker 1>the movie. And it's so I don't think. I don't

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<v Speaker 1>think he adds nothing to the movie. But he's getting

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<v Speaker 1>to that. He certainly added nothing to the world, like

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<v Speaker 1>he is not. He was not really in any other

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<v Speaker 1>big movies. He was this year in Under the Banner

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<v Speaker 1>of Heaven, that X show with Andrew Garfield, and he

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<v Speaker 1>was also a spoiler alert, he was the villain. Um,

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<v Speaker 1>oh that is a spoiler. He yeah, he's he's whatever.

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<v Speaker 1>But Avatar, the First Avatar is incredible, one of the

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<v Speaker 1>best movies ever made James Cameron and is a genius. Um.

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<v Speaker 1>Speaking of James Cameron, I saw Titannique on Friday Night. Oh,

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<v Speaker 1>I've heard amazing amazing things. Was it? Was it good? Yeah?

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<v Speaker 1>So for anyone who hasn't heard of it. Tight Tannique

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<v Speaker 1>is an off Broadway show that is basically Titanic the

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<v Speaker 1>movie as a Celine Dion jukebox musical, and Selene Dion

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<v Speaker 1>is a character. She is telling the story of Titanic

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<v Speaker 1>because in the world of this show, she was on

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<v Speaker 1>the Titanic. Um. So she is so she's telling the story. Um,

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<v Speaker 1>it's so fun. I have not had that much fun

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<v Speaker 1>at a show in in a long time. It was

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<v Speaker 1>we were hooton and holleran. Um, Frankie Grande's in it.

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<v Speaker 1>He was, he was good. Frankie Grande's Frankie Grande's in it.

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<v Speaker 1>He didn't even you know, he was very humble. He

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<v Speaker 1>did not have his own bow. He bowed with the

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<v Speaker 1>rest of the ensemble. Wow, that's beautiful. But it was

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<v Speaker 1>so fun. The actress who played Celine Dion was so amazing. Unfortunately, like,

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<v Speaker 1>because I'm sure of licensing issues, they couldn't use the

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<v Speaker 1>big big hits like it's all coming back to me now,

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<v Speaker 1>wasn't in it? No way. They probably spent all their

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<v Speaker 1>money on getting My Heart will go on. Um, But

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<v Speaker 1>it's full of a lot of like fun pop culture references.

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<v Speaker 1>Some of them are like a little bit too on

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<v Speaker 1>the nose, but it is very funny. It's a really

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<v Speaker 1>good time and if you're in New York um and

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<v Speaker 1>want just like a super fun, very gay theatrical experience,

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<v Speaker 1>I would absolutely recommend it. And tickets aren't that expensive.

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<v Speaker 1>I think we paid like a hundred bucks. I I

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<v Speaker 1>mean like I love like a cheap Broadway show or

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<v Speaker 1>just a Broadway show that's like off Broadway, off Broadway, sorry,

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<v Speaker 1>home grown, like really trying something really not like un serious,

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<v Speaker 1>unafraid to take risks. Um. I know that like eight

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<v Speaker 1>Normal was revived like this this past week with all

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<v Speaker 1>this like it organizing and all these like you know,

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<v Speaker 1>like Black Mafia celebrities that are sponsoring shows and stuff

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<v Speaker 1>and like between that between like a Noma and Titanic.

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<v Speaker 1>I have like a slate of things now to and

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<v Speaker 1>I'm back in New York t technique. It is currently

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<v Speaker 1>the fifth night of Hanukkah. Happy Hanukah to all who celebrate,

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<v Speaker 1>and um, we're celebrating today with the help of Jill Goodowitz,

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<v Speaker 1>who's here to talk about disobedience with us. Who better

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<v Speaker 1>to have than Jill honestly author of a Girls Can

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<v Speaker 1>Kiss Now and one of the most powerful lesbians on

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<v Speaker 1>the internet. We have to say she moves culture. She

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<v Speaker 1>influences me. Every day. Tis the season to light the menora,

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<v Speaker 1>fry up some latcas and spit into your hasidic ex

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<v Speaker 1>girlfriend's mouth because this is like a virgin the show.

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<v Speaker 1>Well give yesterday's pop culture today's takes. I'm ros Damo

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<v Speaker 1>and I'm Fran Toronto and U hala hala, not that

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<v Speaker 1>I mean yes that Fran. I do want to kind

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<v Speaker 1>of let you in since you are you are the

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<v Speaker 1>virgin to Judaism today is that Hanica is like not

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<v Speaker 1>a very cool holiday. It's not even like one of

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<v Speaker 1>the major Jewish holidays, and it's sort of prevalence in

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<v Speaker 1>culture is like really like an American fabrication to like

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<v Speaker 1>create like an alt Christmas or like a you know,

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<v Speaker 1>like a parallel for Christmas. But Monica is like a

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<v Speaker 1>pretty stupid holiday. Doesn't matter. I'm I'm much more of

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<v Speaker 1>a passover girl myself. Um. But one way that is

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<v Speaker 1>great to celebrate Hanaka is to watch Disobedience That to

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<v Speaker 1>dozen seventeen films starring the Rachel's, as they know, Rachel

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<v Speaker 1>Vice and Rachel mc adams. Jill. I wish you could

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<v Speaker 1>have seen us trying to think of, uh something like

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<v Speaker 1>we were trying to think of like holiday movies, and

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<v Speaker 1>then we were like, wait, Jewish holiday movies, like what

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<v Speaker 1>do we do? Like what do we do? We were

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<v Speaker 1>brainstorming for like you know, these upcoming episodes and the

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<v Speaker 1>way that I brought up Eight Crazy Nights multiple times,

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<v Speaker 1>and I just like, I feel like I didn't hear it.

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<v Speaker 1>It's like, yeah, speaking speaking of my mom last night

0:13:35.480 --> 0:13:38.520
<v Speaker 1>when she texted me, she was texting me photos and

0:13:38.679 --> 0:13:42.880
<v Speaker 1>video from our like family hanakka thing of my nephew

0:13:42.920 --> 0:13:47.280
<v Speaker 1>opening his gifts, and then she started sending me the

0:13:47.400 --> 0:13:50.440
<v Speaker 1>lyrics to eight Crazy Nights line by line, and I

0:13:50.559 --> 0:13:55.080
<v Speaker 1>kept saying stop, and I eventually had to put on

0:13:55.120 --> 0:13:59.840
<v Speaker 1>my do not disturb mode. Um. But for the virgins,

0:14:00.280 --> 0:14:02.880
<v Speaker 1>if you haven't seen Disobedience, or if you just need

0:14:02.920 --> 0:14:07.280
<v Speaker 1>a little refresher, Disobedience is a two thousand and seventeen

0:14:07.360 --> 0:14:17.360
<v Speaker 1>film directed by directed Sebastian lelo Um. It's based on

0:14:17.360 --> 0:14:20.280
<v Speaker 1>a book by the same name, and it stars um

0:14:20.360 --> 0:14:26.800
<v Speaker 1>Rachel Weiss as a former Orthodox Sidic Jewish woman who

0:14:26.880 --> 0:14:31.480
<v Speaker 1>goes home to her like small insular Hathidic community after

0:14:31.480 --> 0:14:35.000
<v Speaker 1>her father, who is the community rabbi, dies and there

0:14:35.160 --> 0:14:40.000
<v Speaker 1>she reunites with her childhood best friend who has married

0:14:40.240 --> 0:14:46.360
<v Speaker 1>her childhood lesbian lover played by um Rachel mccadams of

0:14:46.400 --> 0:14:50.600
<v Speaker 1>The Notebook and Mean Girls, and they you know, rekindle

0:14:50.960 --> 0:14:56.000
<v Speaker 1>their love affair. Um Jill I knowing you. I know

0:14:56.160 --> 0:15:00.680
<v Speaker 1>this is a very important film to you. It really is,

0:15:00.760 --> 0:15:03.560
<v Speaker 1>I mean it is. I think it is like the

0:15:04.560 --> 0:15:08.160
<v Speaker 1>maybe the one good lesbian movie done by a man,

0:15:10.200 --> 0:15:12.640
<v Speaker 1>really the only one. I'm trying to think, like when

0:15:12.680 --> 0:15:14.720
<v Speaker 1>you think of other movies that have like tried to

0:15:14.760 --> 0:15:17.200
<v Speaker 1>come up against something like Disobedience, what comes to mind?

0:15:17.840 --> 0:15:20.960
<v Speaker 1>I mean, I like Carol, I do love I stand Carol,

0:15:21.080 --> 0:15:24.160
<v Speaker 1>but I feel like, you know, like it wasn't made

0:15:24.360 --> 0:15:28.800
<v Speaker 1>only by a man. Um and like Imagine Me and You,

0:15:28.960 --> 0:15:30.800
<v Speaker 1>I would say, is another movie that is like a

0:15:30.920 --> 0:15:33.680
<v Speaker 1>lesbian movie by a man that's actually kind of good.

0:15:34.200 --> 0:15:36.880
<v Speaker 1>But the guy who wrote and directed Imagine Me and

0:15:36.920 --> 0:15:42.320
<v Speaker 1>You also directed Mamma Mia. So like it, so you

0:15:42.400 --> 0:15:48.160
<v Speaker 1>understand like culturally he gets it clearly? Is Mom and

0:15:48.200 --> 0:15:53.080
<v Speaker 1>Mia also love hanaka film in a way? Say more? Yes, Yeah,

0:15:53.320 --> 0:15:55.440
<v Speaker 1>go ahead and elaborate on that road. I'm gonna try

0:15:55.440 --> 0:15:56.800
<v Speaker 1>to I'm gonna try to see if I can make

0:15:56.840 --> 0:16:02.240
<v Speaker 1>you one so three crazy dads. Well, okay, actually I

0:16:02.320 --> 0:16:04.640
<v Speaker 1>guess Mama Mia would be more of a Christmas film

0:16:04.640 --> 0:16:07.320
<v Speaker 1>because the three Dads would be the three Wise Men,

0:16:08.920 --> 0:16:12.320
<v Speaker 1>and Amanda Sayford would be Jesus would be like the

0:16:12.400 --> 0:16:17.880
<v Speaker 1>Virgin Birth because they never figure out who her dad is. Right, So, okay,

0:16:18.320 --> 0:16:20.720
<v Speaker 1>Mamma Mia is not a Hottako film, but it is

0:16:20.720 --> 0:16:23.920
<v Speaker 1>a Christmas film and I will make you watch it

0:16:23.960 --> 0:16:29.040
<v Speaker 1>one day. Friend. Yeah, I die trying. I've watched like

0:16:29.680 --> 0:16:31.840
<v Speaker 1>probably parts of it on a plane. No. No, it

0:16:31.880 --> 0:16:34.440
<v Speaker 1>doesn't feel like it doesn't count. Also does not count

0:16:34.440 --> 0:16:37.000
<v Speaker 1>that you've only watched the share parts of Mamma Mia too.

0:16:37.120 --> 0:16:39.400
<v Speaker 1>You bring it up every time we have this argument,

0:16:39.480 --> 0:16:42.840
<v Speaker 1>and I won't stand for it. I'm in shop right now,

0:16:43.000 --> 0:16:45.360
<v Speaker 1>Like I know that that's like the point of the podcast,

0:16:45.560 --> 0:16:47.680
<v Speaker 1>but the fact that you haven't seen Mommy is honestly

0:16:47.680 --> 0:16:52.840
<v Speaker 1>shocking to me. I tried. We tried once at my house, right. No, No,

0:16:53.040 --> 0:16:54.840
<v Speaker 1>we watched. Every time I've tried to get you to

0:16:54.880 --> 0:16:58.840
<v Speaker 1>watch it, you've said, no, we watched the first minutes.

0:16:58.880 --> 0:17:01.960
<v Speaker 1>That's not true. That it's not that's not true, Ellen,

0:17:03.040 --> 0:17:06.280
<v Speaker 1>I didn't say that. I would never I would never

0:17:06.359 --> 0:17:09.520
<v Speaker 1>say that. Um, this is this is literally true. Though

0:17:09.560 --> 0:17:11.720
<v Speaker 1>the virgins have to know that we have literally watched

0:17:11.720 --> 0:17:16.080
<v Speaker 1>the first they haven't got me, which is really appropriate

0:17:16.160 --> 0:17:19.440
<v Speaker 1>because um, we're talking about Hanakah, which is the festival

0:17:19.440 --> 0:17:23.879
<v Speaker 1>of lights. Fran, do you do Fran, do you know

0:17:23.960 --> 0:17:27.360
<v Speaker 1>the story of Hanukkah. I don't know the story of Hanukkah.

0:17:27.520 --> 0:17:30.399
<v Speaker 1>I do know the story of you know, Hasidic Judaism,

0:17:30.440 --> 0:17:37.720
<v Speaker 1>because I lived in South Williamsburg for four years, five years, Jill, Jill,

0:17:37.800 --> 0:17:39.800
<v Speaker 1>could you give us like a teal d r of

0:17:39.920 --> 0:17:45.240
<v Speaker 1>the story of Hanukkah? Honestly, I cannot. I'm like, okay,

0:17:46.560 --> 0:17:49.600
<v Speaker 1>do we need it. I think it's you know, we

0:17:49.680 --> 0:17:53.479
<v Speaker 1>need it to understand that. I think it's you know,

0:17:53.680 --> 0:17:55.919
<v Speaker 1>this is our Hanaka special. I think you know, we

0:17:55.960 --> 0:17:59.280
<v Speaker 1>should should talk about it. Um. So there were these

0:18:00.400 --> 0:18:05.480
<v Speaker 1>there were these gays called the Maccabee's, and they there's

0:18:05.520 --> 0:18:09.720
<v Speaker 1>something about a temple. The temple was destroyed or something

0:18:09.760 --> 0:18:12.880
<v Speaker 1>where they built a temple and they only had enough

0:18:12.920 --> 0:18:17.960
<v Speaker 1>oil um to fuck for one night. Um, because there

0:18:18.000 --> 0:18:22.440
<v Speaker 1>are a bunch of bottoms and and there was only

0:18:22.520 --> 0:18:27.560
<v Speaker 1>enough oil um for one night. But then through the

0:18:27.600 --> 0:18:31.320
<v Speaker 1>magic of Rachel, weis the oil lasted for eight nights.

0:18:31.320 --> 0:18:34.080
<v Speaker 1>And that's how we have the story of Hanukah, which

0:18:34.200 --> 0:18:37.200
<v Speaker 1>when you say oil you mean lube, right, yes, I

0:18:37.240 --> 0:18:42.480
<v Speaker 1>mean and let me be clear, um, Disobedience has nothing

0:18:42.520 --> 0:18:46.400
<v Speaker 1>to do with hanukah Um. Really, the only Jewish holiday

0:18:46.440 --> 0:18:49.639
<v Speaker 1>that is depicted in it at all is Shabbat or

0:18:49.720 --> 0:18:54.000
<v Speaker 1>shabus Um as we as we call it. But um,

0:18:54.040 --> 0:18:57.639
<v Speaker 1>I mean, Jill, like what what what about Disobedience do

0:18:57.680 --> 0:19:01.000
<v Speaker 1>you think is so vanta stick? Even though it was

0:19:01.000 --> 0:19:04.199
<v Speaker 1>directed by a man? I mean I genuinely think it's hot.

0:19:04.800 --> 0:19:08.080
<v Speaker 1>Like I like not to get into like the like repression,

0:19:08.400 --> 0:19:12.760
<v Speaker 1>problematic lesbian repression of it all, but like it is hot,

0:19:12.800 --> 0:19:15.040
<v Speaker 1>and I do think that they have like good chemistry,

0:19:15.119 --> 0:19:19.440
<v Speaker 1>and I do like genuinely like the story. Um, so

0:19:20.359 --> 0:19:23.400
<v Speaker 1>basically the things that make a movie good in general.

0:19:24.200 --> 0:19:26.760
<v Speaker 1>But that's like it feels like a low bar. But

0:19:26.800 --> 0:19:29.760
<v Speaker 1>like when it comes to like lesbian movies, yeah, there

0:19:29.800 --> 0:19:33.240
<v Speaker 1>aren't that many good ones that fulfill that criteria. Yeah.

0:19:33.240 --> 0:19:35.320
<v Speaker 1>But also not to get too far ahead, but it

0:19:35.560 --> 0:19:38.640
<v Speaker 1>unlike most sad lesbian movies. Well, I mean, first of all,

0:19:38.680 --> 0:19:42.119
<v Speaker 1>it's not a period film, which is great to see, um,

0:19:42.760 --> 0:19:47.800
<v Speaker 1>And it has us somewhat hopeful ending. Yeah, and it's

0:19:47.840 --> 0:19:50.640
<v Speaker 1>like like somewhat somewhat like Carol, Like it's not necessarily

0:19:50.640 --> 0:19:53.760
<v Speaker 1>a coppy ending, but it's a hopeful one. Yeah, totally.

0:19:53.880 --> 0:19:56.760
<v Speaker 1>And it's like it's unique, you know, like I feel

0:19:56.800 --> 0:19:58.840
<v Speaker 1>like a lot of like the lesbian movies, like you said,

0:19:58.880 --> 0:20:01.119
<v Speaker 1>like there's so many like pure pieces and whatever that

0:20:01.200 --> 0:20:03.520
<v Speaker 1>like make the movie unique, but also then kind of

0:20:03.560 --> 0:20:07.200
<v Speaker 1>not because there's so many, and I feel like this

0:20:07.280 --> 0:20:09.800
<v Speaker 1>is actually just like whether it was a like queer

0:20:09.840 --> 0:20:14.080
<v Speaker 1>movie or not, it is like a unique story. Um yeah,

0:20:14.119 --> 0:20:16.600
<v Speaker 1>I feel like when you when we were when I

0:20:16.640 --> 0:20:19.920
<v Speaker 1>was watching this, I I was thinking kind of along

0:20:19.920 --> 0:20:21.600
<v Speaker 1>the same lines because I was like, Okay, this is

0:20:21.640 --> 0:20:24.920
<v Speaker 1>a movie that's like first and foremost about having brown hair,

0:20:25.160 --> 0:20:28.399
<v Speaker 1>and and secondly it's as CB has pointed out, and

0:20:28.560 --> 0:20:32.359
<v Speaker 1>the chat about edging, like the sexual tension in this

0:20:32.440 --> 0:20:36.560
<v Speaker 1>film is so good. And I don't know if I

0:20:36.680 --> 0:20:38.760
<v Speaker 1>just like what because okay, I'm not gonna lie, Like

0:20:38.800 --> 0:20:41.760
<v Speaker 1>the first like you know, thirty forty minutes are like

0:20:41.800 --> 0:20:44.560
<v Speaker 1>a little boring before we get to like the hot stuff.

0:20:44.600 --> 0:20:46.840
<v Speaker 1>But like I don't know if I wasn't paying attention,

0:20:46.880 --> 0:20:51.360
<v Speaker 1>but like I did not see the Rachel's and their

0:20:51.440 --> 0:20:54.359
<v Speaker 1>first the first moment that they like kind of kiss.

0:20:55.160 --> 0:20:58.359
<v Speaker 1>I was like I just remember being like what the fuck?

0:20:58.720 --> 0:21:03.400
<v Speaker 1>Because the tension between them was bubbling at such a

0:21:03.440 --> 0:21:06.600
<v Speaker 1>subtle simmer while the rest of the drama of the

0:21:06.600 --> 0:21:08.880
<v Speaker 1>film is happening around them that I was like focused

0:21:08.920 --> 0:21:11.199
<v Speaker 1>on the drama and not on like what was like

0:21:11.280 --> 0:21:14.760
<v Speaker 1>actually sparking. Um. So, I don't know. I think that

0:21:14.800 --> 0:21:19.000
<v Speaker 1>like the ways that they cannot satisfy each other, the

0:21:19.040 --> 0:21:21.880
<v Speaker 1>ways that they couldn't touch each other for so long,

0:21:22.080 --> 0:21:24.960
<v Speaker 1>was like a big part of why the lust in

0:21:24.960 --> 0:21:27.720
<v Speaker 1>this movie is like so satisfying. And like the spin scene,

0:21:27.720 --> 0:21:30.200
<v Speaker 1>obviously all the different things that like make this movie

0:21:30.240 --> 0:21:33.320
<v Speaker 1>really memorable are around, like the sex. Well, it's like

0:21:33.359 --> 0:21:35.879
<v Speaker 1>they can't they can't even acknowledge it. And and I

0:21:35.920 --> 0:21:38.359
<v Speaker 1>mean I don't think that the first forty minutes of

0:21:38.359 --> 0:21:41.240
<v Speaker 1>the film aren't boring. I actually think the tension is

0:21:41.280 --> 0:21:46.480
<v Speaker 1>so interesting, and I think you have to understand Ronete

0:21:47.000 --> 0:21:51.640
<v Speaker 1>rachel Weiss's character and how she's left and what it's

0:21:51.680 --> 0:21:53.119
<v Speaker 1>like for her to come back. And I think this

0:21:53.160 --> 0:21:57.159
<v Speaker 1>film is so good at showing rather than telling, like

0:21:57.400 --> 0:22:02.120
<v Speaker 1>so much as communicated without any one ever talking about it.

0:22:02.680 --> 0:22:06.040
<v Speaker 1>And those moments where the tension bubbles over, Like I

0:22:06.400 --> 0:22:09.440
<v Speaker 1>think about the scene where they're all having dinner and

0:22:09.560 --> 0:22:12.199
<v Speaker 1>she's like, I want to sell the house and they're like,

0:22:12.440 --> 0:22:14.080
<v Speaker 1>we'll talk about it later. We'll talk about it later.

0:22:14.160 --> 0:22:17.920
<v Speaker 1>And it's such a Jewish thing. It is. The guilt

0:22:18.200 --> 0:22:22.240
<v Speaker 1>dripping from this film is like, I mean, this is

0:22:22.320 --> 0:22:26.040
<v Speaker 1>such a Jewish movie in addition to being such a

0:22:26.080 --> 0:22:29.520
<v Speaker 1>game movie. It really in addition to being an extremely

0:22:29.560 --> 0:22:32.119
<v Speaker 1>you know, burnette movie, which has to be said again,

0:22:32.720 --> 0:22:37.320
<v Speaker 1>and the British movie. And even though Rachel mccadam's British

0:22:37.359 --> 0:22:42.120
<v Speaker 1>accent is not great because there I guess I wasn't

0:22:42.160 --> 0:22:45.320
<v Speaker 1>focused on it. Did any of y'all Did either of

0:22:45.359 --> 0:22:48.320
<v Speaker 1>you read the book, the Disobedience book that it's based on,

0:22:49.600 --> 0:22:53.200
<v Speaker 1>so I was apparently they changed it a lot, and

0:22:53.359 --> 0:22:57.239
<v Speaker 1>I mean not surprising, but like the ending of the

0:22:57.280 --> 0:22:59.920
<v Speaker 1>book is like pretty sad not to jump right to

0:22:59.920 --> 0:23:03.920
<v Speaker 1>the ending, but like they she basically decides to stay

0:23:04.000 --> 0:23:07.120
<v Speaker 1>in the community, and it's like she's like, I'm happier here,

0:23:07.240 --> 0:23:11.000
<v Speaker 1>this is my life, and you know, so be it.

0:23:11.359 --> 0:23:16.919
<v Speaker 1>I mean, unfortunately that's probably a more realisticalistic and um

0:23:17.240 --> 0:23:21.080
<v Speaker 1>because I I can't imagine what it's like to be

0:23:21.160 --> 0:23:24.639
<v Speaker 1>in that sort of like fundamentalist environment and break away

0:23:24.680 --> 0:23:28.800
<v Speaker 1>from it like obviously, like we see a person who's

0:23:28.840 --> 0:23:34.119
<v Speaker 1>done that in in Rachel Vice's character, um, and it

0:23:34.280 --> 0:23:37.720
<v Speaker 1>kind of seems like she escaped the absolute moment she could.

0:23:38.160 --> 0:23:42.119
<v Speaker 1>But I imagine like once you have lived like the

0:23:42.160 --> 0:23:44.920
<v Speaker 1>majority of your life and like not only your adolescents,

0:23:44.920 --> 0:23:46.840
<v Speaker 1>but like your adult life in a community like that,

0:23:47.320 --> 0:23:49.959
<v Speaker 1>it must be almost impossible to leave. It did make

0:23:50.000 --> 0:23:57.480
<v Speaker 1>me think of, um, my unorthors wait for Netflix reality

0:23:57.520 --> 0:23:59.880
<v Speaker 1>show for the Virgin's Jail. Can you break it down

0:24:00.480 --> 0:24:03.720
<v Speaker 1>that my unorthodox life? Oh my god, ken I I'm

0:24:03.760 --> 0:24:09.040
<v Speaker 1>like so. Julia Hart is a c e O who

0:24:09.400 --> 0:24:13.080
<v Speaker 1>got out of the Orthodox community and is now like

0:24:13.359 --> 0:24:15.879
<v Speaker 1>living in New York with in like a very like

0:24:16.080 --> 0:24:19.760
<v Speaker 1>bougie life, and her kids are kind of like some

0:24:19.840 --> 0:24:22.080
<v Speaker 1>of that. In the first season, some of them were

0:24:22.160 --> 0:24:24.879
<v Speaker 1>like out and like happy and like you know, to

0:24:24.960 --> 0:24:27.639
<v Speaker 1>be out and whatever. Some were like out but still

0:24:27.720 --> 0:24:31.400
<v Speaker 1>kind of like conservative. And one of her youngest child

0:24:31.520 --> 0:24:33.760
<v Speaker 1>is like still actually in the community living with her

0:24:34.160 --> 0:24:36.640
<v Speaker 1>X and like, uh kind of kind of like can't

0:24:36.640 --> 0:24:39.119
<v Speaker 1>get him out, like he is really starting to believe

0:24:39.160 --> 0:24:40.680
<v Speaker 1>in all of it, and like the same kind of

0:24:40.720 --> 0:24:43.200
<v Speaker 1>stuff we were just talking about. But one of the daughters.

0:24:43.320 --> 0:24:51.639
<v Speaker 1>Miriam is like an out bisexual, horny queen. Um we do, yeah,

0:24:51.760 --> 0:24:54.440
<v Speaker 1>we have you Rose. Have you started watching the second season?

0:24:54.920 --> 0:24:57.120
<v Speaker 1>I have not, and I know that a lot has

0:24:57.160 --> 0:25:04.119
<v Speaker 1>transpired because wasn't there like a whole scandal with her husband. Yes,

0:25:04.320 --> 0:25:07.800
<v Speaker 1>well I've only watched the first episode, so I haven't

0:25:08.040 --> 0:25:11.080
<v Speaker 1>really like gotten into it, but I know that, um,

0:25:11.119 --> 0:25:14.199
<v Speaker 1>you know, like bought Cheva, the other daughter, she's like

0:25:14.440 --> 0:25:17.879
<v Speaker 1>fully like she's gone full influencer. Her and her husband,

0:25:17.920 --> 0:25:19.919
<v Speaker 1>who was like a little bit more conservative, like have

0:25:20.080 --> 0:25:22.960
<v Speaker 1>broken up and she is just like out there living

0:25:23.000 --> 0:25:25.720
<v Speaker 1>her like Bravo girl life. Well she got the taste

0:25:25.720 --> 0:25:29.639
<v Speaker 1>of fame. So that makes a lot of sense. It

0:25:29.720 --> 0:25:33.240
<v Speaker 1>also makes sense, you know, not to get to like serious,

0:25:33.480 --> 0:25:36.280
<v Speaker 1>but it does, you know, makes sense that of all

0:25:36.320 --> 0:25:39.520
<v Speaker 1>of Julia's children, the one who is still like deeply

0:25:39.560 --> 0:25:43.840
<v Speaker 1>invested in the community is the boy. Because like it's

0:25:43.880 --> 0:25:49.120
<v Speaker 1>a culture that you know, um, women as lesser and

0:25:49.240 --> 0:25:52.560
<v Speaker 1>like literally like separates and segregates them. Yeah, the men's

0:25:52.640 --> 0:25:58.200
<v Speaker 1>day winning. Yes, as you know, as we see in Disobedience, like, um,

0:25:58.200 --> 0:26:01.160
<v Speaker 1>when they go to school, Um, you know, the men

0:26:01.440 --> 0:26:04.520
<v Speaker 1>and the women are kept separately. The women sit in

0:26:04.560 --> 0:26:07.359
<v Speaker 1>a different part of the synagogue. You know, women have

0:26:07.480 --> 0:26:10.359
<v Speaker 1>to wear wigs all the time and like be like

0:26:10.480 --> 0:26:13.680
<v Speaker 1>totally bundled up and like can only show their bodies

0:26:13.720 --> 0:26:16.040
<v Speaker 1>to their husbands and are like literally just there to

0:26:16.160 --> 0:26:20.360
<v Speaker 1>like roll their little like wheeled backpacks around and they three,

0:26:22.119 --> 0:26:38.080
<v Speaker 1>they're a little wheeled back. I think one of my

0:26:38.160 --> 0:26:41.400
<v Speaker 1>favorite moments in this movie, and I think the best

0:26:41.440 --> 0:26:46.720
<v Speaker 1>line is when Rachel Vice asked Rachel McAdams, do you

0:26:46.760 --> 0:26:49.800
<v Speaker 1>still only fancy women? And she gives for that sort

0:26:49.840 --> 0:26:53.439
<v Speaker 1>of like look like and because like looks from like

0:26:53.520 --> 0:26:56.960
<v Speaker 1>underhrise and like yes, and it's very It's it's very

0:26:57.040 --> 0:27:03.040
<v Speaker 1>like thor thor going do you want to form a yes?

0:27:03.280 --> 0:27:08.200
<v Speaker 1>It is? Yeah. I love it. I honestly like watching

0:27:08.200 --> 0:27:10.120
<v Speaker 1>it made me want to read the book a little

0:27:10.160 --> 0:27:13.520
<v Speaker 1>more because apparently it's the book. The story is like

0:27:13.560 --> 0:27:16.960
<v Speaker 1>really autobiographical, like the author like went through this thing

0:27:17.000 --> 0:27:21.280
<v Speaker 1>and is Rachel weis Um And each chapter has like

0:27:21.320 --> 0:27:24.040
<v Speaker 1>a kind of like opening like kind of teaching or

0:27:24.080 --> 0:27:29.280
<v Speaker 1>like scripture specifically from Um you know, Judaism and like

0:27:29.400 --> 0:27:32.440
<v Speaker 1>or like from the Orthodox Church and and the way

0:27:32.480 --> 0:27:36.560
<v Speaker 1>that they created like alignments about like love was like

0:27:36.680 --> 0:27:39.280
<v Speaker 1>part of like how the story came together. But like

0:27:39.440 --> 0:27:42.000
<v Speaker 1>I I personally just think that like whenever I watched

0:27:42.040 --> 0:27:46.280
<v Speaker 1>things like this where um kind of cultish or like

0:27:46.359 --> 0:27:50.600
<v Speaker 1>weird religion, weird like religious like forces are the thing

0:27:50.640 --> 0:27:54.000
<v Speaker 1>you're up against. Like I honestly always get really invested

0:27:54.040 --> 0:27:56.520
<v Speaker 1>in the world, Like did you ever this is like

0:27:56.600 --> 0:27:58.959
<v Speaker 1>a stupid reference. Did you guys ever read the Poison?

0:27:58.960 --> 0:28:04.000
<v Speaker 1>Would Bible the barbecan rose? You would love that? But

0:28:04.040 --> 0:28:07.239
<v Speaker 1>that one's more about like Baptist like missionary culture and

0:28:07.240 --> 0:28:11.120
<v Speaker 1>stuff like that, but like weird culti religious like kind

0:28:11.160 --> 0:28:14.520
<v Speaker 1>of things that like service backdrops for stories like this,

0:28:14.560 --> 0:28:19.080
<v Speaker 1>And I'm like always like immediately hooked. It is fascinating.

0:28:19.240 --> 0:28:24.639
<v Speaker 1>But I also just like I can't conceptualize of believing

0:28:25.160 --> 0:28:31.320
<v Speaker 1>in God like that. But I also that, Yeah, but

0:28:31.359 --> 0:28:34.200
<v Speaker 1>I also know that for a lot of people, like

0:28:34.280 --> 0:28:37.439
<v Speaker 1>even if they tell themselves, even if even if they

0:28:37.480 --> 0:28:40.680
<v Speaker 1>tell themselves, that's what it's about. Like it's not necessarily

0:28:40.800 --> 0:28:44.520
<v Speaker 1>really about that. It's like about community, it's about structure,

0:28:44.560 --> 0:28:47.320
<v Speaker 1>it's about tradition. I mean even like even as a

0:28:47.400 --> 0:28:50.880
<v Speaker 1>very reformed Jewish person, like my Judaism is so much

0:28:50.920 --> 0:28:54.760
<v Speaker 1>more like cultural than it is religious. And I think

0:28:54.800 --> 0:28:59.520
<v Speaker 1>for most people in my family, um, And like I

0:28:59.520 --> 0:29:01.280
<v Speaker 1>get that there is a comfort in that and in

0:29:01.400 --> 0:29:03.040
<v Speaker 1>safety and that. And you see a lot of these

0:29:03.040 --> 0:29:08.520
<v Speaker 1>socidic communities like they're so insular. You know, you have

0:29:08.560 --> 0:29:12.200
<v Speaker 1>a similar experience of Judaism, I really do. I mean,

0:29:12.240 --> 0:29:15.120
<v Speaker 1>like I when I was younger, like when I was

0:29:15.160 --> 0:29:20.440
<v Speaker 1>like a kid, my grandparents definitely were like more invested

0:29:20.560 --> 0:29:23.280
<v Speaker 1>than my parents were, and they didn't really like care

0:29:23.480 --> 0:29:25.959
<v Speaker 1>or like push us to like you know whatever. But

0:29:26.080 --> 0:29:29.280
<v Speaker 1>like we when my grandparents were like super around, we

0:29:29.320 --> 0:29:32.040
<v Speaker 1>went to Temple a lot. And I did like resent

0:29:32.200 --> 0:29:35.840
<v Speaker 1>it a lot, even from a young age, because there

0:29:35.920 --> 0:29:38.360
<v Speaker 1>was like just like the stuff, you know, like of

0:29:38.440 --> 0:29:40.720
<v Speaker 1>like my grandma being like you have to wear a

0:29:40.800 --> 0:29:43.040
<v Speaker 1>dress and like tights and like the pretty shoes and

0:29:43.040 --> 0:29:45.800
<v Speaker 1>like I just like there was just like some like

0:29:46.200 --> 0:29:48.640
<v Speaker 1>gender stuff going for me, like at a very early

0:29:48.640 --> 0:29:50.440
<v Speaker 1>age where I was like I don't like this, and

0:29:50.440 --> 0:29:54.320
<v Speaker 1>I associated all of that with Temple, you know, because

0:29:54.320 --> 0:29:56.000
<v Speaker 1>it was like I only had to dress up like

0:29:56.040 --> 0:29:58.360
<v Speaker 1>that when I went to Temple and I hated it. Um.

0:29:58.840 --> 0:30:02.880
<v Speaker 1>And I think that like I was never bought mitzvohed Um,

0:30:02.880 --> 0:30:05.400
<v Speaker 1>like I really came to like resent it. I also

0:30:05.560 --> 0:30:09.840
<v Speaker 1>was raised in like a really um Catholic high school,

0:30:09.960 --> 0:30:12.120
<v Speaker 1>like not like a Catholic school, but like everyone in

0:30:12.160 --> 0:30:15.400
<v Speaker 1>the school was Catholic or Christian. They were like I think,

0:30:15.480 --> 0:30:18.000
<v Speaker 1>like ten Jews in the school. And so I think

0:30:18.040 --> 0:30:21.160
<v Speaker 1>that like it made me always feel there's something about

0:30:21.280 --> 0:30:24.640
<v Speaker 1>Judaism that like in numerous ways made me feel isolated,

0:30:25.040 --> 0:30:30.000
<v Speaker 1>and none of it was actually Judaism's fault necessarily, um,

0:30:30.080 --> 0:30:33.800
<v Speaker 1>and I think that I like very much, uh you know,

0:30:33.880 --> 0:30:36.200
<v Speaker 1>trying to like leave it behind and only in the

0:30:36.280 --> 0:30:39.400
<v Speaker 1>last you know, i'd say, like five years, I feel

0:30:39.400 --> 0:30:43.640
<v Speaker 1>like I have like found a new like adult appreciation

0:30:43.880 --> 0:30:47.440
<v Speaker 1>for like cultural Judaism, and like I feel really like

0:30:47.920 --> 0:30:50.960
<v Speaker 1>strongly connected to other people who have had like similar

0:30:51.600 --> 0:30:54.960
<v Speaker 1>upbringings and are like from like you know, Jewish Brooklyn,

0:30:55.120 --> 0:30:57.360
<v Speaker 1>like anything that like feels like what it felt like

0:30:57.400 --> 0:30:58.840
<v Speaker 1>when I was a kid. I'm now kind of like

0:31:00.040 --> 0:31:03.400
<v Speaker 1>picking and choosing the stuff that does feel good, you know,

0:31:03.600 --> 0:31:07.080
<v Speaker 1>and like I totally get what you mean about, like

0:31:07.240 --> 0:31:11.160
<v Speaker 1>especially about like the way that being Jewish like in

0:31:11.240 --> 0:31:15.200
<v Speaker 1>a predominantly Christian country, which is the one we live

0:31:15.240 --> 0:31:18.400
<v Speaker 1>in like is isolating, and so it does make me

0:31:18.520 --> 0:31:22.400
<v Speaker 1>understand why there are communities that like are so insular,

0:31:22.720 --> 0:31:27.040
<v Speaker 1>because they're like it's like almost a reaction to that.

0:31:27.640 --> 0:31:30.120
<v Speaker 1>UM And I also have kind of had the same

0:31:30.160 --> 0:31:34.600
<v Speaker 1>experience where like, I like I grew up I mean

0:31:34.840 --> 0:31:37.920
<v Speaker 1>pretty like we didn't go to temple that often, but

0:31:38.000 --> 0:31:40.640
<v Speaker 1>like I did go to Hebrew School. My mom worked

0:31:40.720 --> 0:31:42.760
<v Speaker 1>at the at the temple I went to when I

0:31:42.800 --> 0:31:44.920
<v Speaker 1>was little. For a little bit, I did have a

0:31:44.960 --> 0:31:50.480
<v Speaker 1>bar mitzvah. The theme was Broadway obviously. UM. And when

0:31:50.480 --> 0:31:53.240
<v Speaker 1>I got older, you know, I like totally rejected it.

0:31:53.320 --> 0:31:55.400
<v Speaker 1>I like I have not been in its inside a

0:31:55.480 --> 0:31:58.960
<v Speaker 1>temple in a long time. I think probably since my

0:31:59.000 --> 0:32:01.640
<v Speaker 1>brother's wedding. I don't like I don't have a minora.

0:32:01.760 --> 0:32:04.120
<v Speaker 1>I didn't like the candles last night for Hankka. But

0:32:05.640 --> 0:32:10.720
<v Speaker 1>I like I do find comfort in, you know, the

0:32:11.600 --> 0:32:14.800
<v Speaker 1>rituals of it all, Like I do. I do still

0:32:14.880 --> 0:32:17.720
<v Speaker 1>like you know, like eating a lot because during Hanukkah,

0:32:17.920 --> 0:32:20.800
<v Speaker 1>or like getting like getting holla during Russia Shanna and

0:32:20.800 --> 0:32:23.240
<v Speaker 1>dipping it in honey. I can't do apples, sim allergic

0:32:23.280 --> 0:32:27.000
<v Speaker 1>to them. Um. I like being around the people I

0:32:27.080 --> 0:32:30.120
<v Speaker 1>love during the Jewish holidays. I do like the you know,

0:32:30.200 --> 0:32:33.560
<v Speaker 1>like the Passover story and like doing some kind of

0:32:33.600 --> 0:32:37.680
<v Speaker 1>like makeshift meal or in place of a satyr um.

0:32:38.120 --> 0:32:40.520
<v Speaker 1>And you're totally right. It's like there is a lot

0:32:40.560 --> 0:32:44.640
<v Speaker 1>of comfort in people who have had the same kind

0:32:44.640 --> 0:32:48.320
<v Speaker 1>of um like cultural experiences as you and I do

0:32:48.520 --> 0:32:53.720
<v Speaker 1>like feel some sort of kinship, especially with queer Jewish people,

0:32:53.840 --> 0:32:56.560
<v Speaker 1>as long as they're not like taking it a little

0:32:56.560 --> 0:32:59.960
<v Speaker 1>too seriously. Yeah, totally. And yeah, I would say like

0:33:00.000 --> 0:33:02.560
<v Speaker 1>if there's one thing that I would like to like

0:33:02.680 --> 0:33:06.880
<v Speaker 1>take from Judaism or culture, like cultural Judaism and like

0:33:07.360 --> 0:33:09.800
<v Speaker 1>you know, own it in my own life is like

0:33:09.920 --> 0:33:13.760
<v Speaker 1>the gathering with a meal, you know what I mean,

0:33:13.800 --> 0:33:16.000
<v Speaker 1>Like even if it's like in every Sunday you know,

0:33:16.080 --> 0:33:19.760
<v Speaker 1>bagels and locks like whatever, Like, well, Judaism is about food.

0:33:20.400 --> 0:33:23.720
<v Speaker 1>Like let's be clear, period, Judaism is about Judaism is

0:33:23.760 --> 0:33:28.400
<v Speaker 1>about sharing food eating and it's like and it's fun

0:33:28.440 --> 0:33:32.040
<v Speaker 1>and this is crazy feels good to like gather with

0:33:32.080 --> 0:33:34.200
<v Speaker 1>a bunch of people and cook. It's crazy people have

0:33:34.240 --> 0:33:36.840
<v Speaker 1>been doing this forever and it still feels good. Um

0:33:36.920 --> 0:33:39.800
<v Speaker 1>And like yeah, I've like you know, other like queer

0:33:39.880 --> 0:33:43.000
<v Speaker 1>Jewish friends. Like we've even gotten together and like done

0:33:43.040 --> 0:33:45.920
<v Speaker 1>that where it's like you know, pass over a russiashana

0:33:45.960 --> 0:33:47.960
<v Speaker 1>and just like made a lot goods in like in

0:33:48.000 --> 0:33:50.600
<v Speaker 1>an air fryer or like just you know kind of

0:33:50.640 --> 0:33:53.680
<v Speaker 1>like created our own little rituals and like that stuff

0:33:53.720 --> 0:33:58.400
<v Speaker 1>feels good to me. Um. And also though it's such

0:33:58.440 --> 0:34:01.560
<v Speaker 1>an annoying process because it's so much fucking preparation. I

0:34:01.720 --> 0:34:04.720
<v Speaker 1>ate them last night. Are you jealous? I'm so jealous.

0:34:04.760 --> 0:34:07.000
<v Speaker 1>I do have a package of frozen Trader Joe's Law

0:34:07.000 --> 0:34:09.160
<v Speaker 1>because in my freezer that I would help me to

0:34:09.600 --> 0:34:12.960
<v Speaker 1>those kind of go off. They do off have an

0:34:12.960 --> 0:34:14.799
<v Speaker 1>air frier, so I'm gonna just pop them in there,

0:34:14.840 --> 0:34:18.160
<v Speaker 1>have them with some apple sauce and sour cream, and um,

0:34:18.440 --> 0:34:22.120
<v Speaker 1>live my life. It really is, to the to your point, Jill,

0:34:22.239 --> 0:34:25.680
<v Speaker 1>like a kind of like queer like generational thing that

0:34:25.719 --> 0:34:28.319
<v Speaker 1>happens with people that like used to be religious or

0:34:28.320 --> 0:34:31.160
<v Speaker 1>had religious families, because like we have these like deep

0:34:31.239 --> 0:34:35.279
<v Speaker 1>and stated like aversions to whatever it is. The thing

0:34:35.400 --> 0:34:37.719
<v Speaker 1>is because of like skirts and tights like you said,

0:34:37.719 --> 0:34:39.880
<v Speaker 1>are like me, it's like these these like you know,

0:34:40.040 --> 0:34:43.680
<v Speaker 1>disgusting like air apostle, like you know, short sleeve polos

0:34:43.800 --> 0:34:46.520
<v Speaker 1>or like button downs that I like hated, like like

0:34:46.560 --> 0:34:48.719
<v Speaker 1>khakis that I got from coals that are like I

0:34:48.800 --> 0:34:52.000
<v Speaker 1>hate and like they look horrible or whatever, um or

0:34:51.760 --> 0:34:53.920
<v Speaker 1>the other things that are because like also like just

0:34:54.040 --> 0:34:57.000
<v Speaker 1>church is boring, Like let's let's say that it's not

0:34:57.440 --> 0:35:01.280
<v Speaker 1>churches boring objectively, and when you are eight, it's even

0:35:01.360 --> 0:35:04.759
<v Speaker 1>more boring and like borderline impossible to pay attention to.

0:35:05.160 --> 0:35:08.600
<v Speaker 1>So why are children subjected to this thing? Um? Anyway,

0:35:08.680 --> 0:35:10.720
<v Speaker 1>I used to sneak I used to sneak a book

0:35:10.760 --> 0:35:15.840
<v Speaker 1>in and put it in my um in my prayer

0:35:15.880 --> 0:35:19.160
<v Speaker 1>book to to read, like so I could pretend and

0:35:19.160 --> 0:35:20.719
<v Speaker 1>then I would just like stand up when we had

0:35:20.760 --> 0:35:23.239
<v Speaker 1>to stand up. It was like secretly sitting there like

0:35:23.280 --> 0:35:27.120
<v Speaker 1>reading Harry Potter or whatever. Literally same I would get

0:35:27.120 --> 0:35:29.480
<v Speaker 1>in trouble though, like I would read like Garfield comics

0:35:29.480 --> 0:35:32.680
<v Speaker 1>and stuff like that. Yeah, but I but my point

0:35:32.760 --> 0:35:34.920
<v Speaker 1>is is like I feel like, you know, we have

0:35:35.080 --> 0:35:38.719
<v Speaker 1>this like childhood that's like dripping with religion or like

0:35:38.840 --> 0:35:40.960
<v Speaker 1>you know, we have these divergence to religion and then

0:35:41.360 --> 0:35:44.440
<v Speaker 1>when we have our own autonomy, were like this fucking

0:35:44.600 --> 0:35:48.640
<v Speaker 1>sucks like fuck you religion, you never and then like

0:35:48.719 --> 0:35:51.120
<v Speaker 1>four or five years later we're like, oh, like I

0:35:51.160 --> 0:35:53.160
<v Speaker 1>still need to make a meaning of the world, and

0:35:53.280 --> 0:35:56.240
<v Speaker 1>and like want like community and like maybe a little

0:35:56.239 --> 0:35:59.720
<v Speaker 1>spirituality to maybe a little you know, mysticism or something.

0:35:59.719 --> 0:36:01.680
<v Speaker 1>And and we kind of like seek back, which is

0:36:01.719 --> 0:36:05.200
<v Speaker 1>why like astrology is popular now and like things like

0:36:05.239 --> 0:36:07.759
<v Speaker 1>that where it's like we feel or rather what I've

0:36:07.800 --> 0:36:10.080
<v Speaker 1>said this before, like I'm feeling like the God shaped

0:36:10.120 --> 0:36:12.040
<v Speaker 1>hole in my life with like thinks like you know,

0:36:12.120 --> 0:36:15.440
<v Speaker 1>just the leftover parts of the religion or traditions that

0:36:15.480 --> 0:36:18.960
<v Speaker 1>I like actually like, well, there's a difference between religion

0:36:19.000 --> 0:36:22.880
<v Speaker 1>and spirituality, and I think so many of us like

0:36:22.880 --> 0:36:26.880
<v Speaker 1>like the spirituality part of it. Like I even as

0:36:26.920 --> 0:36:30.160
<v Speaker 1>a kid, like I was interested in the sort of

0:36:30.239 --> 0:36:32.759
<v Speaker 1>mysticism of Judaism, and I found a lot of the

0:36:32.880 --> 0:36:40.000
<v Speaker 1>ritual beautiful. Um yeah, like Elijah like um, you know,

0:36:40.120 --> 0:36:44.680
<v Speaker 1>like the the stories of in the you know, in

0:36:44.760 --> 0:36:48.560
<v Speaker 1>the Torah or whatever, and um. But yeah, yeah, I

0:36:48.600 --> 0:36:51.719
<v Speaker 1>think there is like the God shaped hole, like we

0:36:51.800 --> 0:36:55.120
<v Speaker 1>have found things to fill it with, whether they're you know,

0:36:55.239 --> 0:37:02.680
<v Speaker 1>astrology or partying or Rachel visus spit. Can we talk

0:37:02.680 --> 0:37:06.759
<v Speaker 1>about the spit. We actually am not sure if I've

0:37:06.800 --> 0:37:12.080
<v Speaker 1>ever seen you know, spit on. I can't recall like

0:37:12.120 --> 0:37:15.720
<v Speaker 1>a kind of spit like moment in any other movie.

0:37:16.080 --> 0:37:18.720
<v Speaker 1>I didn't realize rewatching it that it doesn't only happen once,

0:37:18.800 --> 0:37:23.319
<v Speaker 1>it's multiple times. It's a it's like lengthy sequence and

0:37:23.400 --> 0:37:26.400
<v Speaker 1>a lengthy kind of and it's spit. It's yeah, and

0:37:26.400 --> 0:37:28.520
<v Speaker 1>it's like it's like a dribble to you know, like

0:37:28.560 --> 0:37:30.600
<v Speaker 1>it's like it's kind of like l it's not like

0:37:30.640 --> 0:37:35.520
<v Speaker 1>a like hot kind of like like aggressive like hawk like,

0:37:35.640 --> 0:37:40.960
<v Speaker 1>it's like it's very it's very sexual. It's really it's

0:37:41.080 --> 0:37:45.560
<v Speaker 1>like you have to really like spit to get into

0:37:45.640 --> 0:37:49.280
<v Speaker 1>a like a slow dribble into and like she really

0:37:49.280 --> 0:37:51.839
<v Speaker 1>like drinks it up. But it's well, I think it's

0:37:51.960 --> 0:37:56.960
<v Speaker 1>I think it's purposely supposed to feel religious, like it's

0:37:56.960 --> 0:38:00.399
<v Speaker 1>supposed to look it's supposed to stand in for kind

0:38:00.400 --> 0:38:06.759
<v Speaker 1>of religious sacrament. Yeah, yeah, absolutely, it's it's like baptized

0:38:06.760 --> 0:38:10.800
<v Speaker 1>with rachel issis spit. I mean, it's a baptism that's

0:38:10.840 --> 0:38:14.160
<v Speaker 1>that's Christian. But it's like, you know, it's like drinking

0:38:14.160 --> 0:38:20.200
<v Speaker 1>the wine you know on shop bet or some or something. Um,

0:38:20.400 --> 0:38:25.160
<v Speaker 1>would you let Rachel Vice spit in your mouth? Yes,

0:38:26.840 --> 0:38:29.480
<v Speaker 1>I'm not even like a spit girl actually, to be honest,

0:38:29.520 --> 0:38:34.279
<v Speaker 1>but if it was Rachel, I have, like I have

0:38:34.400 --> 0:38:37.839
<v Speaker 1>like a thing with like um specifically like mouth and noises,

0:38:38.400 --> 0:38:41.239
<v Speaker 1>like like people chewing like really like like Fox with

0:38:41.280 --> 0:38:44.960
<v Speaker 1>me um. So I'm not Phoebe producer as well. She

0:38:46.160 --> 0:38:47.920
<v Speaker 1>I mean she threatened us at the beginning. She threatened

0:38:47.920 --> 0:38:51.640
<v Speaker 1>me at the beginning of this episode. Yeah, no, I

0:38:51.719 --> 0:38:54.759
<v Speaker 1>like there's some like mouth stuff that I'm like not

0:38:54.840 --> 0:38:58.920
<v Speaker 1>fully on board. Like I think that like certain spitting

0:38:58.960 --> 0:39:03.080
<v Speaker 1>scenarios can be hot that specific one of the slowness

0:39:03.160 --> 0:39:05.279
<v Speaker 1>of it and like the fact that you can see

0:39:05.320 --> 0:39:08.600
<v Speaker 1>that like it's really the exchange of the juices that

0:39:08.640 --> 0:39:13.520
<v Speaker 1>it feels good for them and like that that doesn't

0:39:13.520 --> 0:39:16.000
<v Speaker 1>resonate for me. And let me tell you that spit

0:39:16.080 --> 0:39:18.480
<v Speaker 1>dribble is going in so slow it's cold by the

0:39:18.560 --> 0:39:24.520
<v Speaker 1>time your mouth it's cold. Yeah, I would prefer like

0:39:24.560 --> 0:39:26.680
<v Speaker 1>a fast spit, but I'm not, Like, I'm not a

0:39:26.680 --> 0:39:28.759
<v Speaker 1>spit girl, like we Rose and I have talked about

0:39:28.800 --> 0:39:31.400
<v Speaker 1>this on the pod before, but like I I definitely

0:39:31.640 --> 0:39:34.360
<v Speaker 1>someone who I'm never the spitter. I'm always getting spat

0:39:34.440 --> 0:39:36.960
<v Speaker 1>on and I don't know how spitters find me, but

0:39:37.040 --> 0:39:40.200
<v Speaker 1>they do. And I'm like, Okay, yes, spit on me

0:39:40.360 --> 0:39:42.680
<v Speaker 1>whatever way you want. But like then we get to

0:39:42.719 --> 0:39:44.600
<v Speaker 1>do the things that I want to do. But like

0:39:44.719 --> 0:39:47.399
<v Speaker 1>it does it is interesting that you know, the man

0:39:47.480 --> 0:39:50.200
<v Speaker 1>who directed this, I don't know, Like I don't even

0:39:50.239 --> 0:39:52.279
<v Speaker 1>care about like looking into him or like what his

0:39:52.400 --> 0:39:55.719
<v Speaker 1>intentions were as a director. But like, but like if

0:39:55.760 --> 0:39:58.799
<v Speaker 1>you're gonna fabricate this spit thing, which I wonder if

0:39:58.840 --> 0:40:02.000
<v Speaker 1>it's in the book, probably not, you know, there's a

0:40:02.120 --> 0:40:06.719
<v Speaker 1>kind of humiliation kink thing going on or like he

0:40:06.800 --> 0:40:09.040
<v Speaker 1>was trying to figure he was trying to just as

0:40:09.080 --> 0:40:12.359
<v Speaker 1>you were saying, like metaphorize this spit thing to be like,

0:40:12.400 --> 0:40:15.680
<v Speaker 1>oh this is like about her as a person or something.

0:40:15.719 --> 0:40:17.399
<v Speaker 1>It was just I don't think it. I don't see

0:40:17.400 --> 0:40:21.000
<v Speaker 1>it as humiliating, like like it's I think it's like

0:40:21.040 --> 0:40:24.359
<v Speaker 1>a gift that she's giving her right. No, I mean,

0:40:24.560 --> 0:40:29.480
<v Speaker 1>I I'm not trying to say like like humiliation core kink,

0:40:29.600 --> 0:40:34.400
<v Speaker 1>but like spit in kink or in sexuality has the

0:40:34.440 --> 0:40:37.919
<v Speaker 1>association of degradation. And I was like wondering if that,

0:40:38.719 --> 0:40:42.240
<v Speaker 1>I think. I think it depends on your kink, because

0:40:42.280 --> 0:40:46.520
<v Speaker 1>like I am someone who, like I do engage and

0:40:46.880 --> 0:40:51.000
<v Speaker 1>spit play a little, and I would say most of

0:40:51.040 --> 0:40:53.759
<v Speaker 1>the time the person being spout on or in is

0:40:53.800 --> 0:40:57.480
<v Speaker 1>like begging for it, and it's really it really is

0:40:57.560 --> 0:40:59.759
<v Speaker 1>like a gift you are giving them. And I think

0:41:00.200 --> 0:41:03.040
<v Speaker 1>that is at least when I watched the film, That's

0:41:03.040 --> 0:41:05.920
<v Speaker 1>how I read it is that Rachel McAdams is so

0:41:06.040 --> 0:41:10.799
<v Speaker 1>obsessed with Rachel Vice that she wants literally any part

0:41:10.840 --> 0:41:13.400
<v Speaker 1>of her she can get. She she wants to take

0:41:13.480 --> 0:41:18.000
<v Speaker 1>her inside her body in one of she can. Yeah,

0:41:18.239 --> 0:41:21.320
<v Speaker 1>I know, I agree. I agree. I think that like,

0:41:21.320 --> 0:41:24.360
<v Speaker 1>like friend, I see what you're saying about the humiliation stuff,

0:41:24.360 --> 0:41:27.279
<v Speaker 1>but I think that like it's like a there is

0:41:27.280 --> 0:41:30.680
<v Speaker 1>like a vulnerability, like an exchange of vulnerability. I think

0:41:30.760 --> 0:41:34.080
<v Speaker 1>Rachel mcadam's character is like at her most vulnerable there

0:41:34.719 --> 0:41:37.759
<v Speaker 1>and I think that it could go that route. But

0:41:37.800 --> 0:41:39.719
<v Speaker 1>I do think that like, yeah, it's like a gift.

0:41:39.760 --> 0:41:43.160
<v Speaker 1>That's like Rachel Vice is like giving her this like

0:41:43.560 --> 0:41:52.960
<v Speaker 1>tender dribble into her mouth. Yeah your um, yeah, Like

0:41:53.000 --> 0:41:57.560
<v Speaker 1>it's like it's I think it's like Rachel Vice's character

0:41:57.719 --> 0:42:01.279
<v Speaker 1>knows how like intense and vul holnerable that moment is

0:42:01.360 --> 0:42:04.480
<v Speaker 1>for her partner, and so I think it wouldn't make

0:42:04.520 --> 0:42:07.840
<v Speaker 1>sense if it was like really a hawk. You know,

0:42:08.120 --> 0:42:11.640
<v Speaker 1>it really makes sense for were We should talk for

0:42:11.640 --> 0:42:16.239
<v Speaker 1>forty more minutes about this analyze. Absolutely, You're so right

0:42:16.280 --> 0:42:19.680
<v Speaker 1>about the vulnerability though, because like so much of what

0:42:19.800 --> 0:42:23.440
<v Speaker 1>Rachel McAdams has to do in this movie is, you know,

0:42:23.600 --> 0:42:26.120
<v Speaker 1>she to be with Rachel Weiss, she has to like

0:42:26.280 --> 0:42:31.560
<v Speaker 1>lose all of this armor she has um armed herself

0:42:31.640 --> 0:42:34.600
<v Speaker 1>with UM to like move about in the world, like

0:42:34.880 --> 0:42:36.680
<v Speaker 1>you know, like the clothing, like the wig. I mean

0:42:36.719 --> 0:42:39.279
<v Speaker 1>when she takes the wig, Like every time she takes

0:42:39.280 --> 0:42:41.400
<v Speaker 1>the wig off of this movie is a gay And

0:42:41.440 --> 0:42:44.160
<v Speaker 1>somehow her hair still looks amazing underneath it. I don't

0:42:44.160 --> 0:42:48.319
<v Speaker 1>know how how she does it. It's that little like

0:42:48.400 --> 0:42:53.160
<v Speaker 1>short Bob, I don't know, it stays intact. It looks great. Yeah,

0:42:53.200 --> 0:42:55.600
<v Speaker 1>I mean, she's so vulnerable in this movie, and you know,

0:42:55.680 --> 0:42:58.360
<v Speaker 1>by the end of it. And I also love how

0:42:59.160 --> 0:43:01.719
<v Speaker 1>the dynamic between the three of them because we're meant

0:43:01.719 --> 0:43:06.280
<v Speaker 1>to understand that Um, Rachel, Rachel and the guy UM

0:43:06.640 --> 0:43:11.279
<v Speaker 1>were very close friends growing up and I like that

0:43:11.400 --> 0:43:14.319
<v Speaker 1>at that as the movie ends, and you know, he

0:43:14.640 --> 0:43:17.680
<v Speaker 1>realizes that they have like restarted their love affair and

0:43:17.719 --> 0:43:22.080
<v Speaker 1>that Rachel McAdams is pregnant. There's not like what I

0:43:22.120 --> 0:43:24.239
<v Speaker 1>guess we would expect in a movie like this of

0:43:24.400 --> 0:43:28.640
<v Speaker 1>some huge like blow up scene where you know, he

0:43:28.800 --> 0:43:32.840
<v Speaker 1>screams and like there's all this like shame being bandied around.

0:43:32.840 --> 0:43:36.400
<v Speaker 1>It all happens like very matter of fact Lee, and

0:43:36.440 --> 0:43:40.240
<v Speaker 1>it even ends with him, you know, like giving Rachel

0:43:40.280 --> 0:43:43.960
<v Speaker 1>McAdams his blessing to be free, like in front of

0:43:44.000 --> 0:43:50.640
<v Speaker 1>their entire congregation. And I really like that those characters

0:43:50.800 --> 0:43:55.080
<v Speaker 1>feel so lived in and really seemed like they understand

0:43:55.120 --> 0:44:00.480
<v Speaker 1>each other. Just a really well made movie that dynamic

0:44:00.520 --> 0:44:05.280
<v Speaker 1>of like the trio is so good and doesn't happen

0:44:05.360 --> 0:44:07.319
<v Speaker 1>a lot. I mean, I think like in real life

0:44:07.440 --> 0:44:11.120
<v Speaker 1>or in movies like where you get to see basically

0:44:11.480 --> 0:44:16.400
<v Speaker 1>the man who feels affronted by the lesbianism um like

0:44:16.400 --> 0:44:20.279
<v Speaker 1>like sucking hard, but you can see that he has

0:44:20.320 --> 0:44:22.839
<v Speaker 1>the capacity to become violently angry about it and then

0:44:22.920 --> 0:44:25.920
<v Speaker 1>kind of like takes it in processes and gives his

0:44:26.000 --> 0:44:28.840
<v Speaker 1>blessing and like it's yeah, it's it's the best case scenario,

0:44:28.920 --> 0:44:31.959
<v Speaker 1>I think for a setting like this, because he's also

0:44:32.040 --> 0:44:35.719
<v Speaker 1>always known because we like find out through the course

0:44:35.760 --> 0:44:38.680
<v Speaker 1>of the movie that they were in love when they

0:44:38.680 --> 0:44:43.480
<v Speaker 1>were teenagers, and even we're walked in on by Ronite's father,

0:44:43.960 --> 0:45:04.799
<v Speaker 1>the Rabbi, which I mean that how many times has

0:45:04.880 --> 0:45:10.200
<v Speaker 1>rachelis played a lesbian like multiple? Two? Only two? I

0:45:10.239 --> 0:45:14.319
<v Speaker 1>think only two, only two? And I did when I

0:45:14.360 --> 0:45:17.640
<v Speaker 1>interviewed her for The Favorite, I asked her kiss her,

0:45:18.160 --> 0:45:21.279
<v Speaker 1>asked her who is a better kisser, Rachel mcadam's or

0:45:21.320 --> 0:45:25.680
<v Speaker 1>Olivia Coleman, And she said she couldn't pick one. How

0:45:25.800 --> 0:45:32.880
<v Speaker 1>could she? It's gotta be Olivia Coleman totally, It's got

0:45:32.960 --> 0:45:37.640
<v Speaker 1>to be. I mean a blessing to participate in either couple.

0:45:37.800 --> 0:45:41.040
<v Speaker 1>But wow, I mean the Favorite. I mean, we could

0:45:41.040 --> 0:45:43.040
<v Speaker 1>do it a whole other episode on the Favorite, but like, wow,

0:45:43.200 --> 0:45:45.880
<v Speaker 1>we could and probably will at some point. Um. I

0:45:45.960 --> 0:45:48.359
<v Speaker 1>also loved the use of music in this movie with

0:45:48.480 --> 0:45:52.319
<v Speaker 1>the Cure. Um. I loved like that was kind of

0:45:52.360 --> 0:45:56.320
<v Speaker 1>the way that they like almost broke the tension between

0:45:56.360 --> 0:45:59.800
<v Speaker 1>them when they were in Rene's father house by listening

0:45:59.840 --> 0:46:02.319
<v Speaker 1>to The Cure and then it played again over the

0:46:02.360 --> 0:46:04.600
<v Speaker 1>credits at the end, it was such a like lovely

0:46:04.640 --> 0:46:09.480
<v Speaker 1>little touch. I love it. It's like the muscle memory

0:46:09.680 --> 0:46:12.440
<v Speaker 1>they like they play the song that they clearly listened

0:46:12.440 --> 0:46:15.000
<v Speaker 1>to together and then when they fucked, when now we

0:46:15.040 --> 0:46:17.440
<v Speaker 1>have to fuck, Like but it's also such like a

0:46:17.560 --> 0:46:20.279
<v Speaker 1>it's not even like a let's fuck. It's like a

0:46:20.680 --> 0:46:24.319
<v Speaker 1>like such a tender reminder. How many times can I

0:46:24.360 --> 0:46:27.239
<v Speaker 1>describe their relationship as tender? On this episode? I want

0:46:28.840 --> 0:46:32.080
<v Speaker 1>about tenderness and also about coldness. Like it's a very

0:46:32.200 --> 0:46:36.840
<v Speaker 1>bleak film and it's color palette in, you know, the

0:46:37.520 --> 0:46:41.120
<v Speaker 1>kind of sparseness of the language, but then it makes

0:46:41.320 --> 0:46:45.719
<v Speaker 1>that's what makes those moments where it becomes extremely like

0:46:45.960 --> 0:46:52.879
<v Speaker 1>passionate and tender even more startling. Yeah, and the war exactly. Yeah. Yeah,

0:46:53.040 --> 0:46:56.760
<v Speaker 1>Like the tenderness is like so much like the tenderness

0:46:56.800 --> 0:46:58.960
<v Speaker 1>is the thing you focus on because both of these

0:46:59.040 --> 0:47:02.600
<v Speaker 1>characters are like dead inside before they're reunited. Like Rachel

0:47:02.640 --> 0:47:05.359
<v Speaker 1>Weiss has like back in her New York life, Like

0:47:05.760 --> 0:47:08.520
<v Speaker 1>there's this montage that like shows that like she is

0:47:08.560 --> 0:47:11.120
<v Speaker 1>not feeling or doing amazing or she's just kind of

0:47:11.120 --> 0:47:14.359
<v Speaker 1>floating through life. And obviously Rachel mcadam's character is like

0:47:14.600 --> 0:47:16.759
<v Speaker 1>not doing great either, and they both kind of like

0:47:17.000 --> 0:47:20.560
<v Speaker 1>reinvigorate each other. And that is what like love feels like.

0:47:20.600 --> 0:47:22.480
<v Speaker 1>You know, like I think a lot of the time

0:47:22.800 --> 0:47:26.040
<v Speaker 1>when you're it just feels like a like a reunion

0:47:26.080 --> 0:47:27.440
<v Speaker 1>and you're like, oh my god, are all of my

0:47:28.080 --> 0:47:30.799
<v Speaker 1>woes and sorrows like gone? And they're not. They're just

0:47:30.880 --> 0:47:33.520
<v Speaker 1>like I don't know, it seems like she has a

0:47:33.520 --> 0:47:37.319
<v Speaker 1>pretty nice life. She's like photographing like old tattooed men

0:47:37.480 --> 0:47:41.080
<v Speaker 1>and hooking up with guys and bars. Yeah, I mean

0:47:41.200 --> 0:47:43.000
<v Speaker 1>I thought that the sequence where she's like hooking up

0:47:43.000 --> 0:47:45.239
<v Speaker 1>with the guys and bars was supposed to be I

0:47:45.280 --> 0:47:47.400
<v Speaker 1>thought that that because it showed like her hooking up

0:47:47.440 --> 0:47:50.880
<v Speaker 1>with guys and then like doing like boring work or something.

0:47:51.000 --> 0:47:52.719
<v Speaker 1>It was like this montage to me that was like

0:47:52.800 --> 0:47:56.319
<v Speaker 1>trying to paint like the monotony of her life or

0:47:56.360 --> 0:47:58.920
<v Speaker 1>like or like the fact that she was floating through it.

0:47:58.960 --> 0:48:01.279
<v Speaker 1>But maybe I was reading too hard into that. Well,

0:48:01.320 --> 0:48:03.719
<v Speaker 1>that's also that also comes after she finds out her

0:48:03.719 --> 0:48:05.960
<v Speaker 1>father's dead, and I think that it's supposed to like

0:48:06.239 --> 0:48:09.759
<v Speaker 1>show that she's trying to go emotions of her life

0:48:09.800 --> 0:48:14.160
<v Speaker 1>as if her father dying hasn't impacted her, right, it

0:48:14.239 --> 0:48:17.880
<v Speaker 1>really has right, right? Right? Right? Right? Yeah? Yeah, I

0:48:17.920 --> 0:48:21.239
<v Speaker 1>think like the the I think it's supposed to show

0:48:21.280 --> 0:48:24.239
<v Speaker 1>that she has like a big life back in back

0:48:24.239 --> 0:48:27.000
<v Speaker 1>in the big city. Um. But yeah, I think like

0:48:27.160 --> 0:48:28.799
<v Speaker 1>the hooking up with a guy in the bar is

0:48:28.840 --> 0:48:33.560
<v Speaker 1>kind of like a dark scene where she's like spiraling. Um.

0:48:33.800 --> 0:48:36.160
<v Speaker 1>And but I don't know, it's I guess it's hard

0:48:36.200 --> 0:48:38.399
<v Speaker 1>to say because we we really don't see that much

0:48:38.440 --> 0:48:42.640
<v Speaker 1>of her life before we go um to England. Um.

0:48:43.239 --> 0:48:47.400
<v Speaker 1>If her photographs are good, yeah, we never get to

0:48:47.440 --> 0:48:50.799
<v Speaker 1>see the book, the photography book. Do you think she's

0:48:50.840 --> 0:48:53.920
<v Speaker 1>big on Instagram? No? I think she's like an art

0:48:53.920 --> 0:48:59.279
<v Speaker 1>bitch and like pretentious and like won't touch social media. Yeah.

0:48:59.600 --> 0:49:01.800
<v Speaker 1>So what do you think if you had to write

0:49:01.880 --> 0:49:04.239
<v Speaker 1>like the sequel or like the fan fiction, like what

0:49:04.320 --> 0:49:06.280
<v Speaker 1>do you think happens after the end of the movie

0:49:06.719 --> 0:49:12.240
<v Speaker 1>Disobedience to Here we Go Again? It also features share

0:49:12.719 --> 0:49:19.719
<v Speaker 1>yeah as as her mom. Of course what happens? I

0:49:19.760 --> 0:49:23.880
<v Speaker 1>think Disobedience to follows Unfortunately, don't think Rachel vices in it.

0:49:23.920 --> 0:49:27.520
<v Speaker 1>I think it's like Rachel McAdams, Um, she moves to

0:49:27.640 --> 0:49:33.720
<v Speaker 1>California and it starts like her own journey and meets

0:49:33.760 --> 0:49:38.319
<v Speaker 1>that porter and no, I don't know, I think, but

0:49:38.360 --> 0:49:43.480
<v Speaker 1>I think that it would be like her story, you know, yeah,

0:49:43.640 --> 0:49:46.600
<v Speaker 1>because I don't. I do think that, like what we're

0:49:46.640 --> 0:49:48.520
<v Speaker 1>meant to understand by the end of the film is

0:49:48.560 --> 0:49:52.600
<v Speaker 1>that Rachel McAdams has to figure out her next step herself.

0:49:52.719 --> 0:49:56.640
<v Speaker 1>And like even though Rachel offers offers like that she

0:49:56.719 --> 0:49:59.520
<v Speaker 1>can come live with her, like that's not it's not

0:49:59.600 --> 0:50:03.200
<v Speaker 1>really escaping anything, and she has to like follow her

0:50:03.239 --> 0:50:07.279
<v Speaker 1>own path. I think she becomes like a mom in

0:50:07.520 --> 0:50:11.399
<v Speaker 1>a mom fluencer um and she makes a TikTok that's

0:50:11.440 --> 0:50:15.920
<v Speaker 1>all about how she like escaped you know, fundamentalism and

0:50:16.480 --> 0:50:21.719
<v Speaker 1>like totally monetizes the experience evidently in California, which is

0:50:21.719 --> 0:50:23.799
<v Speaker 1>going to be really hard for her to navigate, you know,

0:50:23.840 --> 0:50:27.080
<v Speaker 1>the insular Hollywood lesbian scene in l A. I think

0:50:27.120 --> 0:50:29.480
<v Speaker 1>that she would have a hard time here. Yeah, I

0:50:29.520 --> 0:50:31.560
<v Speaker 1>think that it would be really hard to go from

0:50:31.560 --> 0:50:34.879
<v Speaker 1>her life there and and Rachel vice and come here

0:50:35.200 --> 0:50:39.040
<v Speaker 1>and go to like the abbey or chapel on like

0:50:39.160 --> 0:50:46.760
<v Speaker 1>Wednesday night. Feel like that's what I'm that Like, Okay,

0:50:47.040 --> 0:50:49.000
<v Speaker 1>like this is what I left my home and family

0:50:49.040 --> 0:50:52.360
<v Speaker 1>for a lot of backwards hats, like a lot of Yeah,

0:50:53.120 --> 0:50:55.839
<v Speaker 1>maybe she would, maybe she would catch the eye of

0:50:55.880 --> 0:51:00.320
<v Speaker 1>like you know, a Christian Stewart type and then not

0:51:00.480 --> 0:51:03.839
<v Speaker 1>at the abbey ab but you know, she like she

0:51:03.880 --> 0:51:06.680
<v Speaker 1>meets someone and like gets invited to some sort of

0:51:06.680 --> 0:51:09.279
<v Speaker 1>like you know, fancy party in the hills and then

0:51:09.360 --> 0:51:13.440
<v Speaker 1>meets a lesbian and becomes part of a you know,

0:51:14.040 --> 0:51:17.160
<v Speaker 1>a lesbian power couple. Yeah. I want her to have

0:51:17.239 --> 0:51:21.080
<v Speaker 1>like a like Princess Diaries kind of sequel where she

0:51:21.360 --> 0:51:24.719
<v Speaker 1>like a Cinderella story, you know, where she finds the

0:51:24.800 --> 0:51:28.200
<v Speaker 1>queen of the lesbians and is like, you know, gets

0:51:28.200 --> 0:51:33.840
<v Speaker 1>this like great, exactly, Yeah, okay, make over makeupver Montage,

0:51:33.880 --> 0:51:37.040
<v Speaker 1>make over Montage at you know, the Army Surplus store,

0:51:37.440 --> 0:51:40.440
<v Speaker 1>at the at the at the dog Martin store or

0:51:40.480 --> 0:51:43.600
<v Speaker 1>maybe Okay. So she meets Olivia Coleman, who's like a lesbian,

0:51:44.280 --> 0:51:47.080
<v Speaker 1>like you know, like the most powerful lesbian, and turns

0:51:47.120 --> 0:51:50.839
<v Speaker 1>out Coleman is like escaped Mormonism, so she's also an

0:51:50.840 --> 0:51:54.520
<v Speaker 1>ex fundamentalist and they bond over that. And she used

0:51:54.520 --> 0:51:57.680
<v Speaker 1>to be on Real Housewives with Salt Lake City. Oh,

0:52:00.120 --> 0:52:05.640
<v Speaker 1>Merrit and she is Merideth playing who I've always thought

0:52:05.840 --> 0:52:08.319
<v Speaker 1>is Meredith Mars. There's one of them that looks a

0:52:08.400 --> 0:52:10.319
<v Speaker 1>lot like Rachel Weiss in a weird way. I think

0:52:10.320 --> 0:52:13.320
<v Speaker 1>it's Meredith. It is Meredith yet, yeah, so that makes sense.

0:52:13.719 --> 0:52:18.360
<v Speaker 1>She leaves, oh my god, with another Rachel Vice type,

0:52:19.160 --> 0:52:23.319
<v Speaker 1>but an older Rachel Weiss type. It's the beginning of

0:52:23.360 --> 0:52:26.680
<v Speaker 1>the movie is Rachel mcadam's hooking up with like like

0:52:26.800 --> 0:52:29.120
<v Speaker 1>many people in a row, and they all have like

0:52:29.239 --> 0:52:32.839
<v Speaker 1>shoulder length brown hair. Yeah, it's still a brunette story.

0:52:33.239 --> 0:52:36.280
<v Speaker 1>Oh my god, Rachel Rachel Viss's hair in this movie,

0:52:36.320 --> 0:52:40.080
<v Speaker 1>I mean in every movie, obviously Magnet, especially in this film.

0:52:40.160 --> 0:52:45.759
<v Speaker 1>It's just this incredible mane of touseled dark locks, and

0:52:45.840 --> 0:52:48.040
<v Speaker 1>she's never wearing a hat, even though it looks really

0:52:48.080 --> 0:52:53.800
<v Speaker 1>fucking cold outside. She refuses. I think the darkest moment

0:52:53.880 --> 0:52:55.879
<v Speaker 1>of the movie is when she puts on the wig,

0:52:55.880 --> 0:52:57.480
<v Speaker 1>because it's like no, no, no no, no, we need the hair,

0:52:57.719 --> 0:53:00.520
<v Speaker 1>like please, oh my god, forgot him her putting on

0:53:00.600 --> 0:53:05.040
<v Speaker 1>the wig. It's so funny. And then she gets recognized

0:53:05.440 --> 0:53:12.320
<v Speaker 1>by by Rachel McAdams right or and then she takes

0:53:12.320 --> 0:53:14.480
<v Speaker 1>it off. Have you ever worn one of those wigs,

0:53:14.520 --> 0:53:17.719
<v Speaker 1>because I have you have I have yet? Can you

0:53:17.800 --> 0:53:20.319
<v Speaker 1>tell us the story like how it was for it

0:53:20.400 --> 0:53:24.799
<v Speaker 1>was for um bush Wig. One year I did a

0:53:24.840 --> 0:53:28.200
<v Speaker 1>performance in which I was playing a Hosidic woman. You

0:53:28.280 --> 0:53:32.479
<v Speaker 1>did performance from and from and from Yes, from which

0:53:32.560 --> 0:53:35.359
<v Speaker 1>is from which is a term. I don't think I

0:53:35.440 --> 0:53:39.839
<v Speaker 1>knew either before Disobedience, but I guess it's like, you know,

0:53:40.040 --> 0:53:45.920
<v Speaker 1>being being as like hassidically female as possible, like with

0:53:46.000 --> 0:53:50.120
<v Speaker 1>the rolling backpack and the wig and the like the

0:53:50.280 --> 0:53:55.800
<v Speaker 1>like MAXI skirt. Yeah, I UM was watching this movie

0:53:55.840 --> 0:53:58.480
<v Speaker 1>and thinking a lot about like you know, hometown loves

0:53:58.680 --> 0:54:03.280
<v Speaker 1>or like rekindling childhood flames or whatever, and I'm wondering,

0:54:03.320 --> 0:54:05.560
<v Speaker 1>like do y'all have like you know like I was.

0:54:05.640 --> 0:54:07.520
<v Speaker 1>I was like thinking of Shiva Baby when I was

0:54:07.560 --> 0:54:11.399
<v Speaker 1>watching this, and like movies like that, we're like where

0:54:11.440 --> 0:54:14.720
<v Speaker 1>you have an old flame, another great queer Jewish fellow.

0:54:14.840 --> 0:54:18.600
<v Speaker 1>I wish. I mean, I feel like I've said this

0:54:18.760 --> 0:54:22.000
<v Speaker 1>so many times in my life that I I was

0:54:22.480 --> 0:54:25.239
<v Speaker 1>like the kind of queer person who was so repressed

0:54:25.280 --> 0:54:28.799
<v Speaker 1>that I like really didn't even like admit it to

0:54:28.880 --> 0:54:32.319
<v Speaker 1>myself or no, until my early twenties and then like

0:54:32.520 --> 0:54:37.480
<v Speaker 1>didn't kiss a girl until I was twenty three. Um,

0:54:37.560 --> 0:54:41.600
<v Speaker 1>and I whenever I watched like this is fucked up.

0:54:41.640 --> 0:54:43.000
<v Speaker 1>I know this is fucked up to say, but like

0:54:43.040 --> 0:54:45.759
<v Speaker 1>when I watched like these repression stories about like a

0:54:45.800 --> 0:54:48.239
<v Speaker 1>hometown love or whatever, I'm like, I wish I had

0:54:48.280 --> 0:54:51.600
<v Speaker 1>like a repressed hometown love, which like I which like

0:54:51.840 --> 0:54:55.000
<v Speaker 1>I kind of when you watch shows about queer teens

0:54:55.040 --> 0:54:59.920
<v Speaker 1>like falling in love, you're like you, yeah, I was

0:55:00.040 --> 0:55:03.480
<v Speaker 1>really not doing that. No, Like I really do in

0:55:03.520 --> 0:55:05.120
<v Speaker 1>a way wish that I knew what it was like

0:55:05.200 --> 0:55:07.840
<v Speaker 1>to be like sixteen and like in love with a

0:55:07.920 --> 0:55:11.200
<v Speaker 1>girl and like couldn't tell anyone. But also like knowing

0:55:11.239 --> 0:55:12.839
<v Speaker 1>the environment I grew up and I think it would

0:55:12.840 --> 0:55:16.680
<v Speaker 1>have been um really really scary, Like I think my

0:55:16.719 --> 0:55:20.280
<v Speaker 1>life could have taken a dark turn. Um. Phoebe wants

0:55:20.320 --> 0:55:22.719
<v Speaker 1>to know if any of us have read Milk Fed

0:55:22.800 --> 0:55:27.319
<v Speaker 1>by Marissa Broder. I I've seen all of our book talk. Yes,

0:55:28.320 --> 0:55:31.120
<v Speaker 1>wait what what is it? Yeah? No, this is like

0:55:31.200 --> 0:55:34.680
<v Speaker 1>also like within the Shiva Baby Disobedience can and like

0:55:35.000 --> 0:55:39.520
<v Speaker 1>a queer kind of like quirky Jewish love story. Um,

0:55:39.560 --> 0:55:43.160
<v Speaker 1>it's like I don't. It's I like it, but it's not.

0:55:43.239 --> 0:55:45.520
<v Speaker 1>It's not my favorite. But um it's like, how do

0:55:45.560 --> 0:55:48.759
<v Speaker 1>I even explain it. It's like a girl, um who

0:55:48.800 --> 0:55:51.000
<v Speaker 1>I think works at a talent agency in l a

0:55:51.080 --> 0:55:52.719
<v Speaker 1>and like because it kind of has a lot of

0:55:52.760 --> 0:55:56.160
<v Speaker 1>like like food and like body stuff, meets this girl

0:55:56.239 --> 0:56:01.200
<v Speaker 1>who works in a froyo store. Um who she is?

0:56:01.200 --> 0:56:06.840
<v Speaker 1>That what it's called a froio store? Um who right? Exactly?

0:56:06.960 --> 0:56:09.919
<v Speaker 1>Who she like becomes like kind of like sexually obsessed with.

0:56:10.480 --> 0:56:15.719
<v Speaker 1>And that girl is a has like not not quite

0:56:15.719 --> 0:56:18.239
<v Speaker 1>like a full Orthodox family, I don't think so, but

0:56:18.280 --> 0:56:24.000
<v Speaker 1>like like a really like uh definitely like conservative Orthodox

0:56:24.120 --> 0:56:27.200
<v Speaker 1>leaning family. And she goes in, she the girl, the

0:56:27.239 --> 0:56:29.239
<v Speaker 1>main girl that goes in, has dinner with them, and

0:56:29.480 --> 0:56:34.200
<v Speaker 1>like is gets into it about Israel and Palestine, and

0:56:34.400 --> 0:56:36.520
<v Speaker 1>I don't know. It's like I definitely think it's like

0:56:37.160 --> 0:56:41.239
<v Speaker 1>an interesting worthy read and it's pretty funny, but um, yeah,

0:56:41.520 --> 0:56:43.319
<v Speaker 1>I honestly, I mean the fact that she works at

0:56:43.320 --> 0:56:46.480
<v Speaker 1>a fio store is that is that I call that

0:56:46.600 --> 0:56:51.920
<v Speaker 1>hyper realism. That is truly I feel like I know

0:56:52.000 --> 0:56:54.200
<v Speaker 1>so many people from childhood that worked at at at

0:56:54.320 --> 0:56:58.040
<v Speaker 1>fio joints. There was this um, this ice cream store

0:56:58.040 --> 0:57:01.160
<v Speaker 1>called Oberweise in my hometown that everyone wanted to work for.

0:57:01.239 --> 0:57:04.120
<v Speaker 1>And I remember going to apply and the manager was like, oh,

0:57:04.239 --> 0:57:05.680
<v Speaker 1>do you have any qualifications? I was like no, this

0:57:05.800 --> 0:57:07.640
<v Speaker 1>being my first job, and he's like okay, and he

0:57:07.719 --> 0:57:10.640
<v Speaker 1>like pulls out that like stack of like a hundred

0:57:10.640 --> 0:57:16.400
<v Speaker 1>applications from like other fourteen year olds to prioritize over mine.

0:57:16.920 --> 0:57:19.440
<v Speaker 1>He got your ass, Yeah, he really did. He was like,

0:57:19.560 --> 0:57:23.960
<v Speaker 1>good luck, um, But yeah, I I honestly so I

0:57:24.000 --> 0:57:26.120
<v Speaker 1>fell in love with when I was like around seventeen

0:57:26.200 --> 0:57:28.800
<v Speaker 1>or so with my first boyfriend in a very suburban,

0:57:29.120 --> 0:57:33.000
<v Speaker 1>you know, part of Chicago, And I honestly would would

0:57:33.000 --> 0:57:35.680
<v Speaker 1>love to write that story. I think that likes there's

0:57:35.680 --> 0:57:38.960
<v Speaker 1>something about I know that everyone's doing like everyone does

0:57:39.000 --> 0:57:41.520
<v Speaker 1>like repressed career love stories. But also on that note,

0:57:41.560 --> 0:57:46.080
<v Speaker 1>like I would watch Mormon disobedience like that needs to

0:57:46.120 --> 0:57:49.360
<v Speaker 1>be a thing. Well that's almost that. That's that's there's

0:57:49.440 --> 0:57:52.800
<v Speaker 1>there's like a whole porn category of that, right, But

0:57:53.400 --> 0:57:56.400
<v Speaker 1>you know, famously not not very narrative driven. I mean,

0:57:56.440 --> 0:57:58.919
<v Speaker 1>for you it is because you love the narrative of Yeah,

0:57:58.960 --> 0:58:03.840
<v Speaker 1>that's all I care about Um, you if you went home,

0:58:04.080 --> 0:58:08.120
<v Speaker 1>do you think you would reunite with your your high

0:58:08.120 --> 0:58:11.280
<v Speaker 1>school lover? No, he ended up being like a total

0:58:11.480 --> 0:58:15.960
<v Speaker 1>dirt bag. Um, but never say never, never say never exactly.

0:58:16.040 --> 0:58:17.960
<v Speaker 1>And I think you can find your way back to

0:58:17.960 --> 0:58:20.680
<v Speaker 1>each other. And you could spit in him. Yeah, I

0:58:20.680 --> 0:58:23.560
<v Speaker 1>could spit in him. Um we did meet at boy

0:58:23.560 --> 0:58:33.040
<v Speaker 1>Scout camp, another another fundamentalist organization. Yeah, yeah, it's all

0:58:33.120 --> 0:58:38.000
<v Speaker 1>full circle. Absolutely absolutely. I think you should. I would watch,

0:58:38.040 --> 0:58:39.480
<v Speaker 1>and I think you should write it, and I think

0:58:39.520 --> 0:58:41.000
<v Speaker 1>I feel like I feel like I have maybe a

0:58:41.040 --> 0:58:43.520
<v Speaker 1>contentious opinion on this because I know that like so

0:58:43.560 --> 0:58:46.840
<v Speaker 1>many like teens in gen Z and like whatever, not

0:58:46.920 --> 0:58:49.200
<v Speaker 1>just I mean not just the youths, but you know,

0:58:49.640 --> 0:58:53.560
<v Speaker 1>say like no more repression stories or stories about coming

0:58:53.560 --> 0:58:55.760
<v Speaker 1>out and like whatever. And it's like, for I would

0:58:55.800 --> 0:58:58.919
<v Speaker 1>say most of the queer people that are alive, those

0:58:58.920 --> 0:59:02.640
<v Speaker 1>stories really still resonate and still define a lot of

0:59:02.680 --> 0:59:07.760
<v Speaker 1>people's lives. And the you know, like the Disobedience and

0:59:07.880 --> 0:59:11.280
<v Speaker 1>Carols of the world. Um, they fucking are hitting, you

0:59:11.280 --> 0:59:13.120
<v Speaker 1>know what I mean, they hit And like I would watch,

0:59:13.160 --> 0:59:16.080
<v Speaker 1>like I I really like those movies. I find them

0:59:16.120 --> 0:59:18.520
<v Speaker 1>to be really hot. Unfortunately, like maybe something to break

0:59:18.520 --> 0:59:21.400
<v Speaker 1>down in my in a therapy session. But also and

0:59:21.440 --> 0:59:24.400
<v Speaker 1>also very true, like yes, it's that we that there's

0:59:24.400 --> 0:59:27.440
<v Speaker 1>a whole generation of queer kids who are like finding

0:59:27.480 --> 0:59:30.520
<v Speaker 1>it easier to come out and like quote unquote live

0:59:30.560 --> 0:59:34.520
<v Speaker 1>authentically or whatever. But for a lot of a lot

0:59:34.560 --> 0:59:37.680
<v Speaker 1>of people around the world, Um, they still can't do

0:59:37.760 --> 0:59:39.760
<v Speaker 1>that safely. And a lot of us you know, grew

0:59:39.800 --> 0:59:43.440
<v Speaker 1>up with without having that experience. And so I think

0:59:43.480 --> 0:59:47.080
<v Speaker 1>there is still a lot of power in those stories

0:59:47.320 --> 0:59:50.919
<v Speaker 1>and they are still really hot. They're hot. We need

0:59:50.960 --> 0:59:58.360
<v Speaker 1>more hot elder millennial repressed. That's the thing though, is

0:59:58.400 --> 1:00:01.000
<v Speaker 1>like the thing when when people are no more repression

1:00:01.000 --> 1:00:04.280
<v Speaker 1>stories or whatever, which I've probably said before, like really

1:00:05.400 --> 1:00:07.680
<v Speaker 1>like I've probably said it before, but like that's just

1:00:07.800 --> 1:00:10.960
<v Speaker 1>you know, the experienced poisoning effect of like you know, internet,

1:00:11.000 --> 1:00:14.160
<v Speaker 1>the internet and discourse and like and I feel like, um,

1:00:14.200 --> 1:00:16.320
<v Speaker 1>what we're really saying to your point, Jill, is like,

1:00:16.440 --> 1:00:19.560
<v Speaker 1>can you just tell the stories better? Like because no

1:00:19.600 --> 1:00:22.600
<v Speaker 1>one's complaining about Carol, no one, we would that that

1:00:22.640 --> 1:00:25.200
<v Speaker 1>movie is so perfect. So we're going to write a

1:00:25.360 --> 1:00:32.960
<v Speaker 1>Hanukkah movie about some kind of you know, queer trends repression,

1:00:33.920 --> 1:00:37.680
<v Speaker 1>m Jill. You will direct it, Oh my god, Yes,

1:00:38.280 --> 1:00:41.400
<v Speaker 1>and it's gonna be great. It's gonna win an oscar

1:00:41.760 --> 1:00:46.080
<v Speaker 1>in seven and we're going to It's gonna take us

1:00:46.080 --> 1:00:48.480
<v Speaker 1>some time to develop, and the fourteen year olds are

1:00:48.560 --> 1:00:53.439
<v Speaker 1>going to run us off social media. Yeah. Absolutely, We're

1:00:53.440 --> 1:00:59.000
<v Speaker 1>all going to be dead and can yeah exiled like

1:00:59.160 --> 1:01:07.960
<v Speaker 1>Rachel Weiss slide into our d M s at Like

1:01:07.960 --> 1:01:11.360
<v Speaker 1>a Virgin. Fore tell us if you would let Rachel

1:01:11.480 --> 1:01:16.280
<v Speaker 1>Vice spit in your mouth what your favorite Hanko tradition is. Whatever.

1:01:17.000 --> 1:01:18.880
<v Speaker 1>Next week we'll be back with the best of two

1:01:18.960 --> 1:01:21.920
<v Speaker 1>thousand two episode, going through all of the things we

1:01:21.960 --> 1:01:24.320
<v Speaker 1>loved this year and very few of the things we

1:01:24.360 --> 1:01:26.960
<v Speaker 1>didn't love that I really liked that we did not

1:01:27.040 --> 1:01:33.280
<v Speaker 1>get negative. As always, please like and subscribe, rate us

1:01:33.320 --> 1:01:36.439
<v Speaker 1>on Spotify, leave us reviews on Apple Podcasts. It helps

1:01:36.480 --> 1:01:39.200
<v Speaker 1>us out so much. I'm your co host, Rose Damn You.

1:01:39.200 --> 1:01:41.800
<v Speaker 1>You can find me anywhere online at Rose Damn You,

1:01:42.080 --> 1:01:44.840
<v Speaker 1>and you can find me at France, squishco anywhere you like.

1:01:45.560 --> 1:01:48.800
<v Speaker 1>Like a Virgin is an iHeart Radio production. Our producers

1:01:48.800 --> 1:01:51.840
<v Speaker 1>Phoebe Unter, with support from Lindsay Hoffman, Julian Weller, Jess

1:01:51.840 --> 1:01:57.040
<v Speaker 1>Cranechurch and Nikki Etur Until next week. Hogsama Virgins has

1:01:57.240 --> 1:02:03.320
<v Speaker 1>a tast