WEBVTT - Why Now?

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<v Speaker 1>Once the last time you took a time out. I'm

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<v Speaker 1>iv Rodsky, author of the New York Times bestseller fair

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<v Speaker 1>Play and Find your Unicorn Space, activist on the gender

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<v Speaker 1>division of labor, attorney and family mediator. And I'm doctor

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<v Speaker 1>Addina Rukar, a Harvard physician and medical correspondent with an

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<v Speaker 1>expertise and the science of stress, resilience, mental health, and burnout.

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<v Speaker 1>We're so excited to share our podcast, time Out, a

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<v Speaker 1>production of iHeart Podcasts and Hello Sunshine. We're peeling back

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<v Speaker 1>the layers around why society makes it so easy to

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<v Speaker 1>guard men's time like it's diamonds and treat women's time

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<v Speaker 1>like it's infinite, like sand. And So, whether you're partnered

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<v Speaker 1>with or without children, or in a career where you

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<v Speaker 1>want more boundaries, this is the place for you, for

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<v Speaker 1>people of all family structures. So take this time out

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<v Speaker 1>with us to learn, get inspired, and most importantly, reclaim

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<v Speaker 1>your time. Listen to Timeout, a fair Play podcast on

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<v Speaker 1>the iHeartRadio app, Apple Podcasts, or We're however you get

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<v Speaker 1>your podcasts. From the creator of The Bright Sessions, comes

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<v Speaker 1>a new fiction podcast for all ages. When a fellow

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<v Speaker 1>student vanishes, Max starts to look into the disappearance. Her

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<v Speaker 1>investigation draws her deep into the dark woods around Hastings,

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<v Speaker 1>and even deeper into the secrets and lies the course

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<v Speaker 1>through the veins of this sleepy town. This New Ya Mystery,

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<v Speaker 1>from writer director Lauren Chippin, is an audio drama with

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<v Speaker 1>heart and wit that involves the audience in a way

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<v Speaker 1>no fiction podcast ever has. Starting February sixteenth, pleasten to

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<v Speaker 1>Maxie Miles on the iHeartRadio app, Apple Podcasts or wherever

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<v Speaker 1>you get your favorite shows? Roses are red? She shot

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<v Speaker 1>him six starts and violets are blue. It's almost like

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<v Speaker 1>her dream man came into her life. Are you looking

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<v Speaker 1>for love? I'd do anything for us and a little

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<v Speaker 1>murder too. She would kill her own daughters to get

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<v Speaker 1>away with it. He has a weapon, chopped a gun

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<v Speaker 1>In honor of Valentine's Day. Listen to Crazy and Love

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<v Speaker 1>the entire month of February on the iHeartRadio app, Apple

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<v Speaker 1>podcast asked or wherever you get your podcasts? What can

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<v Speaker 1>I say? Love? Med Me Crazy? Welcome to Reparations The

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<v Speaker 1>Big Payback, a production of color Farm Media, iHeartRadio and

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<v Speaker 1>The Black Effect podcast Network. I'm Erica Alexander and I

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<v Speaker 1>Whitney down. There's no reef reparations and what is needed

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<v Speaker 1>for people. We are the ones that were injured, solos

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<v Speaker 1>and solos enslavement is stuff. The people who are owed

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<v Speaker 1>for slavery are no longer here. I want to check.

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<v Speaker 1>I don't think reparations is a good idea. Everyone should

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<v Speaker 1>be given the damage that was done to their family

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<v Speaker 1>cash payment. I don't want to no government, and though

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<v Speaker 1>reparations should be welcomed by all, some folks may want checks.

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<v Speaker 1>But what we're really talking about is closing that wealth

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<v Speaker 1>gap and making people hold me here. We are on

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<v Speaker 1>the corner of Wall and Broad Street, one of the

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<v Speaker 1>most like famous corners in America. Right, it's the seat

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<v Speaker 1>of capitalism. We're standing at the feet of George Washington,

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<v Speaker 1>founder of our country, who's looking across Wall Street at

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<v Speaker 1>the New York Stock Exchange. Is this it? This is it?

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<v Speaker 1>It's smaller than I thought. It looks more oppressive than pictures.

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<v Speaker 1>I was doing a little research before we came down

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<v Speaker 1>here Erica. And you know, the value of the companies

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<v Speaker 1>contained in the New York Stock has changes over thirty

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<v Speaker 1>trillion dollars. That's ten trillion dollars, more than the nation's

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<v Speaker 1>GDP every year or thirty Amazon and the value and

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<v Speaker 1>the amount of trading that is done every day there

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<v Speaker 1>are out of money that passes through. There is I

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<v Speaker 1>think over one hundred and sixty billion dollars every day.

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<v Speaker 1>When you think of Wall Street, what do you think

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<v Speaker 1>of I think of this. I mean, it's a lot

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<v Speaker 1>of stone. There's all these really beautiful polished bronze doors

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<v Speaker 1>with sparkling glass and a lot of really decorative iron

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<v Speaker 1>work around, and it's kind of telling everybody, well, if

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<v Speaker 1>you're a white man, you can come in, but everybody

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<v Speaker 1>else stay out. Meant to intimidate, and it does. It's

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<v Speaker 1>not only intimidating to New Yorkers, but I think it's

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<v Speaker 1>meant to be intimidating to the world. What I didn't

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<v Speaker 1>realize is that directly across the street is Federal Hall's

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<v Speaker 1>walk up there a little bit America. We're standing in

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<v Speaker 1>front of Federal Hall Memorial, and that's another gothic building,

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<v Speaker 1>and out in front of it there's a statue of

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<v Speaker 1>George Washington. And it really struck me and I saw us,

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<v Speaker 1>here's the founder of our country, and he's looking across

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<v Speaker 1>the street at the stock Exchange as if he's looking

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<v Speaker 1>at the capitalist foundation of the country. But this is

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<v Speaker 1>where he took the oath of office upstairs in this building. Wow. Yeah,

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<v Speaker 1>they really did a nice job on the bronze work

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<v Speaker 1>near his crutch. And it matters because you're looking up

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<v Speaker 1>at him and you're meant to see his penis first

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<v Speaker 1>and then go up to his face and follow his

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<v Speaker 1>eyes to the stock Exchange. At least that's not what

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<v Speaker 1>I see at our back is George Washington. If we

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<v Speaker 1>look to our right, we can see Trinity Church, the

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<v Speaker 1>oldest church. I think he's one of those churches in

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<v Speaker 1>the country, oldest church in New York. If you look

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<v Speaker 1>across the street directly in front of us as a

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<v Speaker 1>stock exchange, and then if you look down the street

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<v Speaker 1>to the water, do you know what's down that street

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<v Speaker 1>the location of New York's first slave market that was

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<v Speaker 1>founded in seventeen eleven. So we should have, like the

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<v Speaker 1>four points of the compass, in America, we have politics, money, religion, slavery.

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<v Speaker 1>That sounds right. Black people will always make up the

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<v Speaker 1>four points. And in fact none of these things could exist.

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<v Speaker 1>These politics, that religion, or that money without slavery, And

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<v Speaker 1>that's the unfortunate part. For them to have white freedom

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<v Speaker 1>and white success, they needed black bodies. You know, when

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<v Speaker 1>I met you, Whitney, I had no idea that I

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<v Speaker 1>would be stuck with you for this long. We've been

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<v Speaker 1>talking about reparations for two years. It's only been two

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<v Speaker 1>years for us, but it's been one hundred and fifty

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<v Speaker 1>years for our country. Did you ever imagine yourself making

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<v Speaker 1>a project about reparations with a guy named Whitney Burton

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<v Speaker 1>Dow from the colony of Cambridge, Massachusetts. No, like you

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<v Speaker 1>often point out a rolling of a wasp or a colonist. Well, yeah,

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<v Speaker 1>I guess if you come from Cambridge, Massachusetts in your

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<v Speaker 1>name Mats Whitney Burton Dow, you look a little whitish.

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<v Speaker 1>So yeah, but who better than you to represent for

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<v Speaker 1>your people? Well, if you're talking about white people, yes, yes,

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<v Speaker 1>I'm white people. Yeah, you're a guy white people in America.

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<v Speaker 1>That's you. Well, Hamas Hollywood. You know you're no pauper.

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<v Speaker 1>I've seen your house. If you did, you wouldn't be

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<v Speaker 1>saying that I need reparations just as much as anybody.

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<v Speaker 1>I am. No Cambridge Whitney Dow and I didn't just

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<v Speaker 1>pop into people's movie screens and on stages and in

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<v Speaker 1>theaters all over the world. I have an origin story.

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<v Speaker 1>We all have origin stories. And origin stories are how

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<v Speaker 1>you live. They don't hopefully determine who you are. Yeah,

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<v Speaker 1>it's about the stories we tell ourselves. And I guess

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<v Speaker 1>story shape our present reality. And I think that's where

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<v Speaker 1>every story starts. Every good story is between reality and myth. Like,

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<v Speaker 1>what's possible telling the truth? Well, you're setting a pretty

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<v Speaker 1>high bar that you and I are going to get

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<v Speaker 1>to the truth. Everybody lives different truths now. I think

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<v Speaker 1>your truth is mixed me a lot alive. Thanks for that.

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<v Speaker 1>Are you talking about me personally, Erica or collectively as

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<v Speaker 1>the white guy here? Both reparations. It's a complicated issue,

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<v Speaker 1>and I'm not sure if I'm the right person to

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<v Speaker 1>tell the story with you, Erica. Yeah, I might be

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<v Speaker 1>too white. Well, I'm extra black, I'm extra crispy black.

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<v Speaker 1>Does that offset some of my whiteness? Is that what

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<v Speaker 1>you're saying? No, No, you're white. You white. You gotta

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<v Speaker 1>live with it, you know, any of my problem, I'm

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<v Speaker 1>gonna coattail on your blackness here. By the way, this

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<v Speaker 1>is a conversation. If we're going to go on this

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<v Speaker 1>journey about reparations, it ain't about you. No, you would

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<v Speaker 1>say it is about you. But I'm Harry, it's child

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<v Speaker 1>you hear me. I'm here to rescue my people. And

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<v Speaker 1>the last time I checked, we just got a new

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<v Speaker 1>black woman VP. Right now I'm feeling like, ain't nothing

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<v Speaker 1>too big for me? And if not you Whitney, then

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<v Speaker 1>who step up? If we're going to do this, We've

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<v Speaker 1>got to make a plan. We've got to find experts.

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<v Speaker 1>We gotta, you know, find people who actually know what

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<v Speaker 1>they're talking about. Oh, just goose your eyes and make

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<v Speaker 1>a wish count to three. Yeah, that's come on. That's

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<v Speaker 1>Sheila Jackson Lee. That's Congressional hearing on HR forty nineteen.

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<v Speaker 1>America is a place and welcomes the diversity of thought.

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<v Speaker 1>We even welcome the diversity of thought among the multi

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<v Speaker 1>colored chocolate people that are African Americans. Did you hear

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<v Speaker 1>that multi colored chocolate? Do you see how she got down,

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<v Speaker 1>old girl as a warrior? If we were to pay

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<v Speaker 1>reparations today, we would only divide the country further. About

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<v Speaker 1>to turn on him like mister and colored purple. Reparations,

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<v Speaker 1>by definition, are only given to victims. Victims had no consent.

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<v Speaker 1>What you're supposed to say? I give you permission to

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<v Speaker 1>rid Lady Massa. You here comes Donnis, Mister Wakanda, buckle up.

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<v Speaker 1>We recognize our lineage as a generational trust as inheritance,

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<v Speaker 1>and the real dilemma posed by reparations is just that,

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<v Speaker 1>a dilemma of inheritance. Yep, that's what's happening in DC.

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<v Speaker 1>I guess that's why HR forty, a built to discuss reparations,

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<v Speaker 1>has been stuck in committee for thirty years. But meanwhile,

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<v Speaker 1>on these mean streets here we are out here, man,

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<v Speaker 1>it's crazy. The remnants of this history is all around us.

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<v Speaker 1>Look for your children's eyes to see the true magic

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<v Speaker 1>of a forest. It's a storybook world for them. You

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<v Speaker 1>look and see a tree. They see the wrinkled face

0:10:48.840 --> 0:10:52.199
<v Speaker 1>of a wizard with arms outstretched to the sky. They

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<v Speaker 1>see treasure in pebbles, They see a windy path that

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<v Speaker 1>could lead to adventure, and they see you there, fearless

0:10:59.440 --> 0:11:03.040
<v Speaker 1>guide if this fascinating orld, find a forest near you

0:11:03.160 --> 0:11:06.280
<v Speaker 1>and start exploring at Discover the Forest dot org. Brought

0:11:06.280 --> 0:11:08.240
<v Speaker 1>to you by the United States Forest Service and the

0:11:08.280 --> 0:11:11.640
<v Speaker 1>ad Council. Look for your children's eyes to see the

0:11:11.679 --> 0:11:15.480
<v Speaker 1>true magic of a forest. It's a storybook world for them.

0:11:15.840 --> 0:11:18.760
<v Speaker 1>You look and see a tree. They see the wrinkled

0:11:18.800 --> 0:11:21.839
<v Speaker 1>face of a wizard with arms outstretched to the sky.

0:11:22.320 --> 0:11:25.439
<v Speaker 1>They see treasure and pebbles. They see a windy path

0:11:25.559 --> 0:11:29.680
<v Speaker 1>that could lead to adventure, and they see you. They're fearless.

0:11:29.679 --> 0:11:33.280
<v Speaker 1>Guide if this fascinating orld, find a forest near you

0:11:33.400 --> 0:11:36.520
<v Speaker 1>and start exploring at Discover the Forest dot org. Brought

0:11:36.559 --> 0:11:38.480
<v Speaker 1>to you by the United States Forest Service and the

0:11:38.559 --> 0:11:42.080
<v Speaker 1>AD Council. Adoption of teams from foster care is a

0:11:42.120 --> 0:11:44.400
<v Speaker 1>topic not enough people know about, and we're here to

0:11:44.520 --> 0:11:47.479
<v Speaker 1>change that. I'm April Dinuity, host of the new podcasts

0:11:47.600 --> 0:11:51.600
<v Speaker 1>Navigating Adoption presented by adopt us Kids. Each episode brings

0:11:51.640 --> 0:11:55.040
<v Speaker 1>you compelling, real life adoption stories told by the families

0:11:55.040 --> 0:11:58.400
<v Speaker 1>that live them, with commentary from experts. Visit adopt us

0:11:58.520 --> 0:12:02.079
<v Speaker 1>Kids dot org, slash podcast, or subscribe to Navigating Adoption

0:12:02.160 --> 0:12:04.800
<v Speaker 1>presented by adopt us Kids, brought to you by the

0:12:04.880 --> 0:12:07.680
<v Speaker 1>US Department of Health and Human Services, Administration for Children

0:12:07.679 --> 0:12:15.160
<v Speaker 1>and Families and the Council. Oh snapp, it's the New

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<v Speaker 1>York's Municipal slave Market. There's a sign here areably less

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<v Speaker 1>than two feet across and just over one foot high.

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<v Speaker 1>It is drawing on it and has the green New

0:12:32.040 --> 0:12:35.800
<v Speaker 1>York Parks emblement. It says on Wall Street between Pearl

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<v Speaker 1>and Water Streets, a market that auction enslaved people of

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<v Speaker 1>African ancestry was established by a common Council law on

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<v Speaker 1>November thirtieth, seventeen eleven. This is the New York's Municipal

0:12:46.280 --> 0:12:50.840
<v Speaker 1>slave market sign. But you can look up from this

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<v Speaker 1>site and see Trinity Church, and you can see the

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<v Speaker 1>New York Stock Exchange and the foundation of it all.

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<v Speaker 1>The American slavery gets a two by two plaque. No,

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<v Speaker 1>I've been here before, but this is the first time

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<v Speaker 1>I'm seeing this, so I'm a little pissed off. I

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<v Speaker 1>don't know why it's not more prominent. I don't know

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<v Speaker 1>why it's just a sign. Look, there's a big old

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<v Speaker 1>statue towards Washington over there. Big buildings that we talked

0:13:18.280 --> 0:13:20.760
<v Speaker 1>about with stones look like it should be here, and

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<v Speaker 1>this looked like it it could be knocked over by

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<v Speaker 1>a hard wind. How does it make you feel thinking

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<v Speaker 1>about all this, You're visibly upset, You're shaking. I'm much shaking.

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<v Speaker 1>I'm upset. I mean, I really wish I could rip

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<v Speaker 1>that sucker out. It's not even worth it being there.

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<v Speaker 1>And then also I'm kind of mad because I haven't

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<v Speaker 1>been here before. I didn't see it. There are people

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<v Speaker 1>walking through, their immigrants and got their children, they've got

0:13:50.080 --> 0:13:52.760
<v Speaker 1>off their families. They should be able to see it.

0:13:53.480 --> 0:13:56.360
<v Speaker 1>There should be the stain of it in New Yorkers

0:13:56.400 --> 0:13:58.400
<v Speaker 1>should have to live with it, they should have to

0:13:58.480 --> 0:14:01.160
<v Speaker 1>learn about it, they should be confronted with it. I

0:14:01.200 --> 0:14:03.439
<v Speaker 1>want them to really acknowledge slavery. I want them to

0:14:03.480 --> 0:14:07.079
<v Speaker 1>give us justice. Black people want justice. We deserve it.

0:14:07.520 --> 0:14:10.960
<v Speaker 1>We should have it by any means necessary. And part

0:14:10.960 --> 0:14:12.640
<v Speaker 1>of that justice is that you should not be able

0:14:12.640 --> 0:14:16.480
<v Speaker 1>to come and walk by a slave market marker and

0:14:16.640 --> 0:14:19.080
<v Speaker 1>not be moved by it, or at least have to

0:14:19.120 --> 0:14:25.720
<v Speaker 1>reckon with it or see it. That was so brutal.

0:14:26.280 --> 0:14:28.920
<v Speaker 1>Being there with you, Erica, someone who I care about,

0:14:29.200 --> 0:14:32.960
<v Speaker 1>and seeing the vistal reaction, the pain that it caused

0:14:33.000 --> 0:14:36.720
<v Speaker 1>you to be there, it left me feeling kind of helpless.

0:14:37.280 --> 0:14:39.240
<v Speaker 1>And I know that if i'd been alone, If I

0:14:39.280 --> 0:14:41.000
<v Speaker 1>had been there by myself, I would have find some

0:14:41.080 --> 0:14:43.760
<v Speaker 1>way to push myself away from it and the absurdity

0:14:43.800 --> 0:14:47.880
<v Speaker 1>of it and just kind of intellectualize it. Where being

0:14:47.880 --> 0:14:51.080
<v Speaker 1>there with you forced me to own it a bit.

0:14:51.520 --> 0:14:54.600
<v Speaker 1>But that's my problem, not yours. It is your problem

0:14:54.840 --> 0:14:58.680
<v Speaker 1>and black people's burden to bear. I mean, we gave

0:14:58.720 --> 0:15:02.640
<v Speaker 1>you money and pay the big on your loan. Who

0:15:02.680 --> 0:15:05.840
<v Speaker 1>needs bootstraps when they've got friends like you, Whitney. That's

0:15:05.880 --> 0:15:08.720
<v Speaker 1>what I mean earlier when I said your truth is

0:15:08.760 --> 0:15:12.520
<v Speaker 1>filled with a lot of lies. These realities they show

0:15:12.600 --> 0:15:16.600
<v Speaker 1>up for me every day. Meanwhile, you're underwater thinking your

0:15:16.680 --> 0:15:21.040
<v Speaker 1>real estate has value. What I'm thinking about is solutions,

0:15:21.160 --> 0:15:24.280
<v Speaker 1>And I really believe the only way towards a true

0:15:24.280 --> 0:15:29.800
<v Speaker 1>reconciliation is to create a funded reparations program. And white

0:15:29.800 --> 0:15:31.560
<v Speaker 1>Americans do you have to decide if they want to

0:15:31.640 --> 0:15:34.240
<v Speaker 1>rise with Black Americans or fall with them. I see you,

0:15:34.280 --> 0:15:36.920
<v Speaker 1>Whitney down. You're doing something. I mean, you're here, you're

0:15:36.960 --> 0:15:40.680
<v Speaker 1>working on it, you're talking about it, But don't expect

0:15:40.720 --> 0:15:44.240
<v Speaker 1>the parade or props or showing up to clean up

0:15:44.280 --> 0:15:48.240
<v Speaker 1>the mess you've made. Yeah, it is a big mess

0:15:48.480 --> 0:15:52.200
<v Speaker 1>and Erica. You've told me in the past that you

0:15:52.240 --> 0:15:54.680
<v Speaker 1>feel like James Baldwin or taught in the Hasse Coats

0:15:54.680 --> 0:15:57.400
<v Speaker 1>has said that you don't really believe, you don't really

0:15:57.440 --> 0:16:00.640
<v Speaker 1>have faith that white people of the ability to change.

0:16:01.240 --> 0:16:03.920
<v Speaker 1>And I totally understand that if I were black, I

0:16:03.920 --> 0:16:07.640
<v Speaker 1>imagine I would feel the exact same way, and especially

0:16:08.240 --> 0:16:10.680
<v Speaker 1>looking at the events the last you know, a few

0:16:10.720 --> 0:16:13.760
<v Speaker 1>weeks and we've had three or four thousand white people

0:16:13.840 --> 0:16:16.800
<v Speaker 1>storming the Capitol and it looks horrible. Those images were

0:16:16.840 --> 0:16:21.360
<v Speaker 1>just like atrocious. But at the same time, we've also

0:16:21.440 --> 0:16:25.080
<v Speaker 1>had millions of white people in the street marching alongside

0:16:25.160 --> 0:16:29.360
<v Speaker 1>black and brown people protesting police violence. So that does

0:16:29.440 --> 0:16:31.960
<v Speaker 1>make me a little optimistic. I hope it doesn't sound

0:16:32.040 --> 0:16:35.160
<v Speaker 1>corny that I do believe we can change, right, Maybe

0:16:35.160 --> 0:16:37.600
<v Speaker 1>I feel like I kind of have to believe we

0:16:37.680 --> 0:16:41.600
<v Speaker 1>can change. Like in Evanston, Illinois, things are changing. I've

0:16:41.600 --> 0:16:45.040
<v Speaker 1>known his reparation Robin and rolls of parks. Now, so

0:16:45.960 --> 0:16:51.120
<v Speaker 1>that's different. How about that she's a rock star. Four

0:16:51.240 --> 0:16:55.080
<v Speaker 1>hundred years after the first enslaved Africans got off the boat,

0:16:55.840 --> 0:16:59.560
<v Speaker 1>Alderman Robin Ruth Simmons passes the first Reparations bill in

0:16:59.640 --> 0:17:03.600
<v Speaker 1>a man Erica, oh Man, talk about the long arc.

0:17:05.000 --> 0:17:07.000
<v Speaker 1>You got to keep an eye on her. We will,

0:17:07.160 --> 0:17:12.760
<v Speaker 1>but I want to show you something first. So Erica,

0:17:13.040 --> 0:17:15.080
<v Speaker 1>tell me what do you see here? What were you

0:17:15.119 --> 0:17:19.520
<v Speaker 1>walking up to? Oh, we're Duanne in Elk Street and

0:17:19.600 --> 0:17:23.720
<v Speaker 1>it says African burial ground way. So they're building a

0:17:23.720 --> 0:17:27.080
<v Speaker 1>federal building at two hundred fifty six million dollar building.

0:17:27.080 --> 0:17:29.040
<v Speaker 1>And when they broke ground on if they discovered this

0:17:29.080 --> 0:17:33.760
<v Speaker 1>burial ground, what does this say here? Changing landscape obscures

0:17:33.800 --> 0:17:38.600
<v Speaker 1>the past. The African burial ground was labeled Negroes Burial

0:17:38.640 --> 0:17:43.160
<v Speaker 1>Ground on the seventeen fifty five map at right. Colonial

0:17:43.200 --> 0:17:47.920
<v Speaker 1>New York laws banned African funerals and officially consecrated graveyards,

0:17:48.040 --> 0:17:52.760
<v Speaker 1>prohibited gatherings of large numbers of enslaved Africans, and decreed

0:17:52.800 --> 0:17:56.760
<v Speaker 1>that funerals had to be held during daylight. Nonetheless, Africans

0:17:56.800 --> 0:18:00.840
<v Speaker 1>and their descendants held burial ceremonies in amentary outside the

0:18:00.840 --> 0:18:04.440
<v Speaker 1>city wall, near a ravine. As New York City expanded northeast.

0:18:04.480 --> 0:18:07.040
<v Speaker 1>The burial ground was closed in seventeen ninety four and

0:18:07.080 --> 0:18:10.520
<v Speaker 1>eventually divided into lots for sale the land was filled

0:18:10.560 --> 0:18:13.760
<v Speaker 1>in and buildings were constructed on top. For almost two centuries,

0:18:14.119 --> 0:18:17.560
<v Speaker 1>New York City's growth obscured the graves, and the African

0:18:17.560 --> 0:18:20.840
<v Speaker 1>burial ground was nearly forgotten. So we tried to put

0:18:21.240 --> 0:18:24.920
<v Speaker 1>a Starbucks on it. It's a metaphor, right, The foundation

0:18:25.720 --> 0:18:29.600
<v Speaker 1>is African Americans. Americans built on top of it. They

0:18:29.640 --> 0:18:34.160
<v Speaker 1>turned their barrel ground into real estate. But that foundation

0:18:34.280 --> 0:18:38.640
<v Speaker 1>wasn't paid for. It was paid for in blood, guts

0:18:38.880 --> 0:18:44.240
<v Speaker 1>and suffering. I think fifty of the people buried here

0:18:44.320 --> 0:18:48.960
<v Speaker 1>were children. So we talk about reparations for work and

0:18:49.200 --> 0:18:54.719
<v Speaker 1>value created, but what about reparations for all the people

0:18:55.320 --> 0:18:57.399
<v Speaker 1>that were destroyed by it? At fifty percent of it

0:18:57.440 --> 0:19:00.760
<v Speaker 1>as children, the people who actually never had a life.

0:19:01.600 --> 0:19:05.760
<v Speaker 1>So this is showing the levels of different centuries and

0:19:05.840 --> 0:19:08.920
<v Speaker 1>what they built on top of those coffins. It's a diagram.

0:19:09.640 --> 0:19:12.119
<v Speaker 1>We're a ground level, right, Yeah, We're a ground level.

0:19:12.480 --> 0:19:15.960
<v Speaker 1>So on top there's three different centuries. In the lowest,

0:19:16.080 --> 0:19:18.880
<v Speaker 1>righty year at least is the seventeen hundreds. People were

0:19:18.920 --> 0:19:22.400
<v Speaker 1>buried in individual coffins up to three deep. But that

0:19:22.440 --> 0:19:27.800
<v Speaker 1>looks exactly like the slave ship diagrams coming across. That's

0:19:27.800 --> 0:19:31.240
<v Speaker 1>interesting from Africa. So they went out like they came in.

0:19:31.880 --> 0:19:37.280
<v Speaker 1>That's a cold, cold thought. Let's walk up to the

0:19:37.320 --> 0:19:45.480
<v Speaker 1>next marker. This one is says Africans in early New

0:19:45.560 --> 0:19:50.080
<v Speaker 1>York before the American Revolution, New York had more enslaved Africans.

0:19:50.280 --> 0:19:53.960
<v Speaker 1>It's most valuable commodity than any other colony in the North.

0:19:54.520 --> 0:19:57.199
<v Speaker 1>You're leaving out the most important thing here. It's not

0:19:57.280 --> 0:19:59.840
<v Speaker 1>that these people were just here, they say, and they

0:20:00.040 --> 0:20:02.719
<v Speaker 1>give an account of their work. Women sewed, cooked, harvest,

0:20:02.760 --> 0:20:06.480
<v Speaker 1>didn't cared for owners, children, labors tore up cobblestone streets,

0:20:06.520 --> 0:20:09.240
<v Speaker 1>dug trenches, laid and joined the pipe sections, and filled

0:20:09.240 --> 0:20:12.320
<v Speaker 1>in the trenches. Pay one dollar a day in slave

0:20:12.359 --> 0:20:16.679
<v Speaker 1>workers wages went to their owners. That's real. Yeah. And

0:20:16.800 --> 0:20:19.159
<v Speaker 1>you know, one of the reasons why the slave market

0:20:19.200 --> 0:20:22.960
<v Speaker 1>was established down on Wall Street was because there were

0:20:23.040 --> 0:20:28.320
<v Speaker 1>so many enslaved Africans here and the actual way the

0:20:28.400 --> 0:20:30.960
<v Speaker 1>labor pool was structured wasn't really structure. There to sending

0:20:30.960 --> 0:20:32.800
<v Speaker 1>people out in the street to earn money, and they

0:20:32.840 --> 0:20:35.440
<v Speaker 1>wanted to sort of like codify into something more structure.

0:20:35.880 --> 0:20:39.280
<v Speaker 1>By the way, this whole thing is about white fear. Yeah,

0:20:39.320 --> 0:20:42.200
<v Speaker 1>you should be fucking afraid because if we ever get

0:20:42.280 --> 0:20:46.080
<v Speaker 1>what we deserve and if we ever start to balance

0:20:46.119 --> 0:20:49.400
<v Speaker 1>those books, there ain't no stopping us. And it's over.

0:20:49.480 --> 0:20:52.359
<v Speaker 1>It's not just the rebrowning of America, it's the black

0:20:52.440 --> 0:20:56.119
<v Speaker 1>nation coming into its own. So yeah, they try to

0:20:56.160 --> 0:21:02.120
<v Speaker 1>bury us too black, too strong. From seventeen ninety four

0:21:02.119 --> 0:21:05.680
<v Speaker 1>and estimated fifteen thousand enslaved in Free Africans were laid

0:21:05.760 --> 0:21:08.880
<v Speaker 1>to rest in the African Fifteen thousand bodies are here.

0:21:09.640 --> 0:21:14.080
<v Speaker 1>Seven burial mounds mark the locations of the re internments.

0:21:14.560 --> 0:21:17.320
<v Speaker 1>Oh here, they are over here, So this is it.

0:21:17.800 --> 0:21:20.960
<v Speaker 1>Look at the mounds here? Oh my god, Now to me,

0:21:21.119 --> 0:21:25.400
<v Speaker 1>this is significant. My god, look at that. What does

0:21:25.440 --> 0:21:29.280
<v Speaker 1>it make you feel to stand here and look at this? Well,

0:21:29.280 --> 0:21:32.320
<v Speaker 1>I'm very proud. I'm glad to see them. And I

0:21:32.359 --> 0:21:35.640
<v Speaker 1>don't know I gained comfort from them being here. I'd

0:21:35.680 --> 0:21:38.720
<v Speaker 1>come out here and eat my lunch with them. What

0:21:38.840 --> 0:21:41.960
<v Speaker 1>do you think? It's funny because you know, you look

0:21:41.960 --> 0:21:44.879
<v Speaker 1>over at the stone and it's all representational. This is

0:21:44.880 --> 0:21:48.119
<v Speaker 1>so much more concrete. These are real burial mounds. And

0:21:48.200 --> 0:21:52.480
<v Speaker 1>knowing that the remains line underneath it, and knowing that

0:21:52.840 --> 0:21:56.480
<v Speaker 1>they're aligned in a certain way with their heads facing Africa.

0:21:57.160 --> 0:22:04.000
<v Speaker 1>I think it's beautiful. It's beautiful. Hi. I'm Hillary Clinton,

0:22:04.080 --> 0:22:06.800
<v Speaker 1>and I'm excited to be back with a new season

0:22:06.880 --> 0:22:09.560
<v Speaker 1>of you and Me both. You know, when we started

0:22:09.600 --> 0:22:12.480
<v Speaker 1>this podcast, we were going through some tough times, and

0:22:12.600 --> 0:22:15.440
<v Speaker 1>let's face it, we still are. But I am a

0:22:15.480 --> 0:22:19.679
<v Speaker 1>firm believer we're stronger together. So please join me for

0:22:19.840 --> 0:22:23.200
<v Speaker 1>more conversations with people who will make you think, make

0:22:23.280 --> 0:22:26.960
<v Speaker 1>you laugh, and help us find a path forward. Listen

0:22:27.000 --> 0:22:30.560
<v Speaker 1>to you and Me both on the iHeartRadio app, Apple podcasts,

0:22:30.640 --> 0:22:46.320
<v Speaker 1>or wherever you get your podcasts. The Gangster Chronicles podcast

0:22:46.400 --> 0:22:50.160
<v Speaker 1>is a weekly conversation that revolves around underworld, the criminals

0:22:50.200 --> 0:22:53.560
<v Speaker 1>and entertainers into victims, crime and law enforcement. We cover

0:22:53.640 --> 0:22:57.360
<v Speaker 1>all facets of the game. Gangster Chronicles podcast doesn't glorify

0:22:57.520 --> 0:23:01.639
<v Speaker 1>promotilised activities. We just discussed the ramifications and repercussions of

0:23:01.680 --> 0:23:04.680
<v Speaker 1>these activities because at the wall, if you played gamester games,

0:23:04.720 --> 0:23:08.200
<v Speaker 1>you are ultimately rewarded with Gainster prizes. Our Heart Radio

0:23:08.280 --> 0:23:10.960
<v Speaker 1>is number one for podcasts, but don't take our award

0:23:11.000 --> 0:23:14.480
<v Speaker 1>for it. Find Against the Chronicles podcast on iHeartRadio app

0:23:14.560 --> 0:23:18.840
<v Speaker 1>or wherever you get your podcast. Hello and welcome to

0:23:18.880 --> 0:23:21.360
<v Speaker 1>our show. I'm Zoe de Channel and I'm so excited

0:23:21.400 --> 0:23:23.800
<v Speaker 1>to be joined by my friends and cast meets Hannah

0:23:23.800 --> 0:23:26.960
<v Speaker 1>Simone and Lamar and Morris to recap our hit television

0:23:27.000 --> 0:23:30.159
<v Speaker 1>series New Girl. Join us every Monday on the Welcome

0:23:30.160 --> 0:23:32.760
<v Speaker 1>to Our Show podcast, where we'll share behind the scenes

0:23:32.800 --> 0:23:35.680
<v Speaker 1>stories of your favorite New Girl episodes, reveal the truth

0:23:35.720 --> 0:23:39.119
<v Speaker 1>behind the legendary game True American, and discuss how this

0:23:39.160 --> 0:23:42.240
<v Speaker 1>show got made with the writers, guest stars, and directors

0:23:42.240 --> 0:23:44.840
<v Speaker 1>who made the show so special. Fans have been begging

0:23:44.920 --> 0:23:47.040
<v Speaker 1>us to do a New Girl recap for years, and

0:23:47.080 --> 0:23:50.040
<v Speaker 1>we finally meet a podcast where we answer all your

0:23:50.080 --> 0:23:53.800
<v Speaker 1>burning questions like is there really a bear in every

0:23:53.800 --> 0:23:57.440
<v Speaker 1>episode of New Girl? Plus each week you'll hear hilarious

0:23:57.520 --> 0:24:00.200
<v Speaker 1>stories like this at the end when he said you

0:24:00.280 --> 0:24:02.760
<v Speaker 1>got some Schmidt on your face. I feel like I

0:24:02.840 --> 0:24:05.360
<v Speaker 1>pitched that jomp. I believe that. I feel like I did.

0:24:05.359 --> 0:24:07.040
<v Speaker 1>I'm not on a thousand percent I want to say

0:24:07.080 --> 0:24:09.879
<v Speaker 1>that was I tossed that without Listen to the Welcome

0:24:09.920 --> 0:24:13.520
<v Speaker 1>to Our Show podcast on the iHeart Radio app, Apple Podcasts,

0:24:13.680 --> 0:24:24.400
<v Speaker 1>or wherever you got your podcasts, and they shall rise again. Hey,

0:24:24.440 --> 0:24:28.800
<v Speaker 1>you know they give tours of this stuff. M Black

0:24:28.840 --> 0:24:34.240
<v Speaker 1>Gotham thirty books. Totally worth it. Definitely, I'd buy several tickets.

0:24:34.280 --> 0:24:36.400
<v Speaker 1>I got to take my mom and show her all

0:24:36.400 --> 0:24:40.480
<v Speaker 1>these hidden gems because she's agree in the family. Oh man,

0:24:41.000 --> 0:24:43.359
<v Speaker 1>it's a shame because no matter how hard she worked

0:24:43.359 --> 0:24:46.919
<v Speaker 1>with me, it wasn't enough, and she won't live to

0:24:47.000 --> 0:24:52.040
<v Speaker 1>see a new world that's created through the application of reparations.

0:24:52.040 --> 0:24:56.159
<v Speaker 1>So like the Africans, underneath those buildings, it's gonna be

0:24:56.160 --> 0:24:59.600
<v Speaker 1>beyond her flesh and bone. But that means it's fertile ground.

0:25:00.280 --> 0:25:03.560
<v Speaker 1>It's very furtive. My mother's in it, it's blessed and

0:25:03.720 --> 0:25:07.800
<v Speaker 1>highly favored. Well, really strikes me about it, Eric, because

0:25:07.880 --> 0:25:11.560
<v Speaker 1>that it's called the African burial ground. But it's not

0:25:11.920 --> 0:25:16.200
<v Speaker 1>just African history. It's white history too, and it's history

0:25:16.200 --> 0:25:20.439
<v Speaker 1>that's layered across generations. And it's not just about what

0:25:20.480 --> 0:25:22.560
<v Speaker 1>happened before it happened hundreds of years ago. You can

0:25:22.600 --> 0:25:26.520
<v Speaker 1>also see in how it's impacted what's happening today and

0:25:26.520 --> 0:25:28.600
<v Speaker 1>how you and I how our own families are living

0:25:28.600 --> 0:25:31.399
<v Speaker 1>within the legacy of slavery. Yeah, no, I get it.

0:25:31.440 --> 0:25:33.280
<v Speaker 1>I mean My brother's a Philly copp and my sister

0:25:33.400 --> 0:25:37.040
<v Speaker 1>is a social worker, and they work within the racist

0:25:37.040 --> 0:25:39.960
<v Speaker 1>system that we're talking about every day. You know, that's

0:25:39.960 --> 0:25:42.560
<v Speaker 1>how they make their living. The weird part is if

0:25:42.560 --> 0:25:46.359
<v Speaker 1>systematic reformation is needed, and reparations is part of the cure,

0:25:47.160 --> 0:25:49.600
<v Speaker 1>we have to get ready because there's a whole lot

0:25:49.600 --> 0:25:52.679
<v Speaker 1>of black folks that are baked into the current architecture

0:25:53.240 --> 0:25:54.760
<v Speaker 1>and they ain't gonna get out. So, I mean, it's

0:25:54.760 --> 0:25:57.280
<v Speaker 1>a rough ride. It would disrupt everything. So we got

0:25:57.280 --> 0:25:59.600
<v Speaker 1>to be careful what we wish for first, to do

0:25:59.720 --> 0:26:02.000
<v Speaker 1>no arm Maybe we need to step out of our

0:26:02.000 --> 0:26:15.000
<v Speaker 1>current reality for a moment. Revend Barber says that we're

0:26:15.000 --> 0:26:18.240
<v Speaker 1>in the third week instruction. So Whitney, this is our

0:26:18.280 --> 0:26:23.040
<v Speaker 1>opportunity to map out a blueprint, to chart a new destiny,

0:26:23.160 --> 0:26:27.800
<v Speaker 1>to decide who our builders are, our architects, our machinists.

0:26:28.560 --> 0:26:30.560
<v Speaker 1>You would probably need a few arsonists. We're gonna have

0:26:30.600 --> 0:26:33.560
<v Speaker 1>to tear some things down along the way. But first

0:26:34.160 --> 0:26:43.399
<v Speaker 1>we need vision imagination. You mean a reimagination that's a

0:26:43.520 --> 0:26:47.239
<v Speaker 1>new change. Oh, it's amazing what a good composition can

0:26:47.280 --> 0:26:52.760
<v Speaker 1>be to carry us away. Okay, I'm ready. I think, Well,

0:26:52.840 --> 0:26:54.399
<v Speaker 1>let's be real, you always feel your best at the

0:26:54.440 --> 0:26:58.080
<v Speaker 1>beginning of the marathon. I hope, I'm ready. Yeah, I hope.

0:26:58.080 --> 0:27:04.560
<v Speaker 1>I bought a black Power bar this season. On reparations

0:27:04.640 --> 0:27:07.240
<v Speaker 1>the big payback. I didn't have a lot of skills.

0:27:07.320 --> 0:27:09.280
<v Speaker 1>I was a bad student. That was kind of this

0:27:09.560 --> 0:27:11.840
<v Speaker 1>historic Charlie got thrown out of schools. I was always

0:27:11.880 --> 0:27:14.359
<v Speaker 1>getting too fights. So that's why you got into race work,

0:27:14.520 --> 0:27:18.840
<v Speaker 1>because you were a mediocre white man anywhere anywhere, exactly

0:27:18.840 --> 0:27:22.640
<v Speaker 1>what you're saying. I failed everywhere else, So race took

0:27:22.680 --> 0:27:24.199
<v Speaker 1>me in it. I made a career out of it

0:27:24.520 --> 0:27:27.520
<v Speaker 1>because that's what we need in this business. We need

0:27:27.520 --> 0:27:32.639
<v Speaker 1>to rejects awesome. Look, we have to define reparations. Some

0:27:32.680 --> 0:27:35.800
<v Speaker 1>people want to define reparations as a give me a check.

0:27:36.320 --> 0:27:40.040
<v Speaker 1>That's not reparations. They treat us like animals more or

0:27:40.119 --> 0:27:43.600
<v Speaker 1>less than like human beings. And we are the ones

0:27:43.960 --> 0:27:47.520
<v Speaker 1>who lost our lives building this country and got paid

0:27:47.720 --> 0:27:51.399
<v Speaker 1>not one dime for it. But everybody else is reaping

0:27:51.480 --> 0:27:55.959
<v Speaker 1>the benefits. That's ople money. My life revolves primarily around

0:27:56.280 --> 0:27:59.320
<v Speaker 1>my discovery that my ancestors were the largest slave trading

0:27:59.400 --> 0:28:02.720
<v Speaker 1>family US history. When I looked at you, Wikipedia, my

0:28:02.840 --> 0:28:06.000
<v Speaker 1>god brother, you're not playing you like the John Lewis

0:28:06.040 --> 0:28:11.240
<v Speaker 1>of the Aristocrats the inspiration for me and Reparations. I

0:28:11.400 --> 0:28:16.400
<v Speaker 1>know that the injustice and the discrimination in the racism

0:28:16.680 --> 0:28:20.000
<v Speaker 1>is a shared problem, but which has to be confronted

0:28:20.040 --> 0:28:23.840
<v Speaker 1>if we're gonna move on successfully together. My life wouldn't

0:28:23.840 --> 0:28:26.240
<v Speaker 1>have been any different if I was black, because it's

0:28:26.280 --> 0:28:29.480
<v Speaker 1>the core of who you are. Everyone has a burden,

0:28:29.800 --> 0:28:32.959
<v Speaker 1>it's how you handle the burden, and so I truly

0:28:33.000 --> 0:28:36.080
<v Speaker 1>don't feel that there was a privilege. Absolutely not. Um.

0:28:36.240 --> 0:28:40.640
<v Speaker 1>What happened was we were standing there and suddenly the

0:28:40.640 --> 0:28:45.640
<v Speaker 1>window shatters. The policeman told me that he was trying

0:28:45.720 --> 0:28:51.080
<v Speaker 1>to kill some blackbirds, meaning my children who were standing

0:28:51.280 --> 0:28:55.920
<v Speaker 1>at the window. Had it not been for a double

0:28:56.120 --> 0:29:01.480
<v Speaker 1>paned windows, probably I would have that morning lost two

0:29:01.520 --> 0:29:05.440
<v Speaker 1>of my children. If I had enough money to ease

0:29:05.560 --> 0:29:09.760
<v Speaker 1>the disparities and enough programs directed run by black people

0:29:09.920 --> 0:29:12.880
<v Speaker 1>to help us, then I would even be willing not

0:29:13.000 --> 0:29:17.320
<v Speaker 1>to have Campbell Harris speed vice president. What goes on

0:29:17.360 --> 0:29:20.720
<v Speaker 1>your playlist the reparations playlist? Well, what I play for

0:29:20.760 --> 0:29:23.480
<v Speaker 1>my students at the end of the semester is when

0:29:23.520 --> 0:29:30.400
<v Speaker 1>will we get paid? This podcast is produced by Eric Alexander,

0:29:30.560 --> 0:29:33.960
<v Speaker 1>Ben Arnon and Whitney Dawn. The executive producers are Charlomagne

0:29:34.000 --> 0:29:37.240
<v Speaker 1>the God and Dolly s. Bishop. The supervising producers Nicole

0:29:37.320 --> 0:29:40.960
<v Speaker 1>Childers and the lead producers Devin Madock Robins, the producer

0:29:41.000 --> 0:29:44.200
<v Speaker 1>writer Serice Castle, and the associate producers Kevin Fan With

0:29:44.240 --> 0:29:48.200
<v Speaker 1>additional research support provided by Nile Blast. Original music by

0:29:48.320 --> 0:29:58.000
<v Speaker 1>dj DTP Reparations. The Big Payback is a production of

0:29:58.000 --> 0:30:02.400
<v Speaker 1>color Farm Media, iHeartRadio and The Black Effect Podcast Network

0:30:02.560 --> 0:30:07.400
<v Speaker 1>in association with best Case Studios. For more podcasts from iHeartRadio,

0:30:07.560 --> 0:30:11.560
<v Speaker 1>visit the iHeartRadio app, Apple podcast or wherever you listen

0:30:11.560 --> 0:30:14.880
<v Speaker 1>to your favorite shows. I'm Time montegu and I'm the

0:30:14.920 --> 0:30:19.160
<v Speaker 1>host of Calling BS, the first podcast about purpose washing.

0:30:19.320 --> 0:30:21.880
<v Speaker 1>In this show, we dig into the difference between what

0:30:22.080 --> 0:30:25.560
<v Speaker 1>organizations say they stand for and the actions they are

0:30:25.640 --> 0:30:29.360
<v Speaker 1>actually taking. Let's call BS on the businesses that deserve

0:30:29.400 --> 0:30:33.000
<v Speaker 1>it and also make some concrete suggestions for cleaning that

0:30:33.120 --> 0:30:37.720
<v Speaker 1>BS up. Listen to Calling BS every Wednesday on the

0:30:37.760 --> 0:30:44.120
<v Speaker 1>iHeartRadio app, Apple podcasts, or wherever you get your podcasts. Hello,

0:30:44.160 --> 0:30:46.440
<v Speaker 1>and welcome to our show. I'm Zoe de Channel and

0:30:46.480 --> 0:30:48.600
<v Speaker 1>I'm so excited to be joined by my friends and

0:30:48.680 --> 0:30:51.800
<v Speaker 1>cast mates Hannah Samone and Lamar and Morris to recap

0:30:51.880 --> 0:30:55.560
<v Speaker 1>our hit television series New Girl. Join us every Monday

0:30:55.680 --> 0:30:58.040
<v Speaker 1>on the Welcome to Our Show podcast, where we'll share

0:30:58.080 --> 0:31:00.720
<v Speaker 1>behind the scenes stories of your favorite New Girl episodes.

0:31:00.960 --> 0:31:03.400
<v Speaker 1>Each week, we answer all your burning questions like is

0:31:03.520 --> 0:31:06.080
<v Speaker 1>there really a bear in every episode of New Girl?

0:31:06.240 --> 0:31:09.400
<v Speaker 1>Plus you'll hear hilarious stories like this that was one

0:31:09.400 --> 0:31:11.360
<v Speaker 1>of your thanks you brought back from hot Yeah, yeah,

0:31:11.480 --> 0:31:19.160
<v Speaker 1>brought beaus all professional basketball players yea hoo. Yeah. Listen

0:31:19.240 --> 0:31:22.120
<v Speaker 1>to the Welcome to Our Show podcast on the iHeartRadio app,

0:31:22.480 --> 0:31:27.760
<v Speaker 1>Apple podcast, or wherever you get your podcasts. But what's up?

0:31:27.800 --> 0:31:30.560
<v Speaker 1>What's Up? This is Rabbin Dixon, co host of Reasonably

0:31:30.680 --> 0:31:33.680
<v Speaker 1>Shade Dy, which has just been nominated for an inn

0:31:33.720 --> 0:31:37.080
<v Speaker 1>Double ACP Image Award in the Outstanding Arts and Entertainment

0:31:37.200 --> 0:31:40.640
<v Speaker 1>Podcast category. This is so big for Gezelle and I,

0:31:40.880 --> 0:31:44.080
<v Speaker 1>and of course we must thank all of our fantastic listeners,

0:31:44.440 --> 0:31:48.480
<v Speaker 1>but we need your help. Visit vote dot in Double

0:31:48.560 --> 0:31:52.200
<v Speaker 1>ACP Image Awards dot net to vote for Reasonably Shady.

0:31:52.560 --> 0:31:58.160
<v Speaker 1>That's vote dot NAACP Image Awards dot net, But don't wait.

0:31:58.560 --> 0:32:02.240
<v Speaker 1>Voting closes on February every fifth at nine pm Eastern,

0:32:02.640 --> 0:32:06.080
<v Speaker 1>and make sure to listen to Reasonably Shady every single

0:32:06.160 --> 0:32:09.440
<v Speaker 1>Monday on the Black Effect Podcast Network