WEBVTT - Conversations With DJ Yella

0:00:01.840 --> 0:00:04.400
<v Speaker 1>What's up and welcome back to another episode of No

0:00:04.559 --> 0:00:07.520
<v Speaker 1>Sealers Podcast with your hosts Now fuck That with your

0:00:07.560 --> 0:00:17.640
<v Speaker 1>loaw Glasses Malone. The thing about no sellings you listen to,

0:00:17.680 --> 0:00:20.960
<v Speaker 1>I don't really do interview and I always find myself

0:00:21.079 --> 0:00:23.759
<v Speaker 1>just talking to interesting people about the rest and shit

0:00:24.400 --> 0:00:28.240
<v Speaker 1>and something I always looked at that you did that.

0:00:28.320 --> 0:00:30.480
<v Speaker 1>I had an idea and everybody thought I was crazy,

0:00:31.040 --> 0:00:34.040
<v Speaker 1>Like I had wrote a porno, Like I wrote it

0:00:34.800 --> 0:00:36.960
<v Speaker 1>and I wanted to produce and shoot it. Now, I

0:00:36.960 --> 0:00:39.080
<v Speaker 1>didn't want to direct it, but I wanted to produce it,

0:00:39.360 --> 0:00:40.920
<v Speaker 1>but it was raunchy as fuck because it was a

0:00:40.960 --> 0:00:46.160
<v Speaker 1>slave porn. I know myself, street crip right, like no

0:00:46.280 --> 0:00:49.200
<v Speaker 1>for real, and it was like plantation. I was gonna

0:00:49.200 --> 0:00:54.440
<v Speaker 1>shoot on a plantation, slave masters, slaves, you know, just

0:00:54.520 --> 0:00:57.440
<v Speaker 1>all the crazy shit that can gone. And I wrote

0:00:57.440 --> 0:00:59.920
<v Speaker 1>it and it's dope as fuck, but I just never

0:01:00.760 --> 0:01:02.440
<v Speaker 1>could go through with shooting it. Now, I don't know

0:01:02.440 --> 0:01:05.080
<v Speaker 1>if God was just on my ass, like niggas, you

0:01:05.200 --> 0:01:07.880
<v Speaker 1>just I give you all this intellect and this is

0:01:07.880 --> 0:01:09.720
<v Speaker 1>what you're about to do with it. But I just

0:01:09.800 --> 0:01:12.480
<v Speaker 1>thought like I'm one of them type of niggas that

0:01:12.640 --> 0:01:14.400
<v Speaker 1>like when I fuck with shit, I want to just

0:01:14.600 --> 0:01:17.040
<v Speaker 1>make this shit. I want to make an impact. And

0:01:17.120 --> 0:01:19.240
<v Speaker 1>I used to sell sharm like I had I was

0:01:19.240 --> 0:01:22.920
<v Speaker 1>branding my sherm and shit. I had a really interested take,

0:01:23.000 --> 0:01:25.640
<v Speaker 1>even though for real, my older homies to tell you,

0:01:25.680 --> 0:01:28.440
<v Speaker 1>like I I'd be about to hustle and out write down,

0:01:28.520 --> 0:01:30.880
<v Speaker 1>like when I start selling weed, I wrote down all

0:01:30.920 --> 0:01:33.399
<v Speaker 1>them profits. I was looking at the ideas. Okay, these

0:01:33.480 --> 0:01:36.520
<v Speaker 1>niggas is bagging up eight hundred and fifty dollars off

0:01:36.520 --> 0:01:39.520
<v Speaker 1>of a pound of stress. Okay, well look I'm finna

0:01:39.560 --> 0:01:41.600
<v Speaker 1>funk all that. I'll fit a bag up four fifty

0:01:42.959 --> 0:01:46.319
<v Speaker 1>my nickel bags. Finna be crazy fact and almost got

0:01:46.319 --> 0:01:48.520
<v Speaker 1>out hooded to a whole gang. Where was Pj's and

0:01:48.560 --> 0:01:51.200
<v Speaker 1>Morning because I had these cheap ass bag But I

0:01:51.200 --> 0:01:54.200
<v Speaker 1>can't help it. That's how my brain works as a creative,

0:01:54.320 --> 0:01:56.520
<v Speaker 1>Like I don't know how to be in some shit

0:01:56.640 --> 0:01:58.480
<v Speaker 1>and just get by you.

0:01:58.680 --> 0:02:01.360
<v Speaker 2>To push the envelope, stretched the walls a little bit.

0:02:01.240 --> 0:02:05.640
<v Speaker 1>Of oh yeah, oh god. So it's funny, you know

0:02:05.680 --> 0:02:08.640
<v Speaker 1>when you were in with another creative person and you

0:02:08.680 --> 0:02:11.839
<v Speaker 1>know too, like when do you feel like you kind

0:02:11.840 --> 0:02:13.880
<v Speaker 1>of just was like, yeah, I ain't tripping. I've done enough.

0:02:15.120 --> 0:02:16.480
<v Speaker 1>How long ago?

0:02:17.560 --> 0:02:17.800
<v Speaker 3>Man?

0:02:19.080 --> 0:02:22.320
<v Speaker 4>Well, easy Shuneral was music? That was definitely that was

0:02:22.360 --> 0:02:26.160
<v Speaker 4>it the damn that I'm good, just that fast.

0:02:26.200 --> 0:02:29.840
<v Speaker 1>I didn't you think that's twelve years. No, that's twenty five,

0:02:30.040 --> 0:02:31.400
<v Speaker 1>twenty five eighty back then.

0:02:32.040 --> 0:02:33.000
<v Speaker 2>No, he was you saying.

0:02:33.000 --> 0:02:35.960
<v Speaker 5>He's saying how long ago it was record? You're saying

0:02:35.960 --> 0:02:37.160
<v Speaker 5>it was twelve years into his.

0:02:37.120 --> 0:02:39.119
<v Speaker 1>Career, had already been making record. I know for sure.

0:02:39.120 --> 0:02:40.440
<v Speaker 1>I heard I seen surgery.

0:02:41.000 --> 0:02:45.120
<v Speaker 3>Oh yeah, that was I've been in the music game

0:02:47.080 --> 0:02:50.960
<v Speaker 3>way before music. That was just DJ, like one of

0:02:50.960 --> 0:02:52.840
<v Speaker 3>the first DJs graduy.

0:02:52.840 --> 0:02:55.200
<v Speaker 1>So when the first time you DJ had to be?

0:02:56.120 --> 0:02:58.280
<v Speaker 1>I think the first DJ? Actually I did.

0:02:58.400 --> 0:03:05.000
<v Speaker 4>I was a kid my brother's wedding reception and it

0:03:05.120 --> 0:03:10.360
<v Speaker 4>was eight tracks. I wasn't mixing or nothing, but I

0:03:10.400 --> 0:03:12.960
<v Speaker 4>had cute all the songs, so I can just put

0:03:12.960 --> 0:03:14.560
<v Speaker 4>it in the song and put play in. The hit

0:03:15.400 --> 0:03:18.920
<v Speaker 4>of that album was there and I didn't know I

0:03:19.000 --> 0:03:21.120
<v Speaker 4>was DJed. I was just playing some music.

0:03:21.320 --> 0:03:23.880
<v Speaker 1>First time you got a table? Yeah, where's the first

0:03:23.880 --> 0:03:24.680
<v Speaker 1>time you got a table?

0:03:25.320 --> 0:03:25.840
<v Speaker 3>High school?

0:03:26.320 --> 0:03:29.000
<v Speaker 1>So this is you high school? You had to be

0:03:29.240 --> 0:03:35.960
<v Speaker 1>a Yeah you went to conferent Yeah, I wanted to

0:03:36.000 --> 0:03:37.600
<v Speaker 1>go to CONF so bad. My mom was like, no, no,

0:03:37.720 --> 0:03:40.080
<v Speaker 1>you're gonna tear. They ain't got no AP classes in CONF.

0:03:40.800 --> 0:03:43.680
<v Speaker 1>Try to rest in peace, Olivia Man, she was not. Yeah,

0:03:44.000 --> 0:03:47.000
<v Speaker 1>she wasn't fucking with nothing that didn't have AP classes.

0:03:47.320 --> 0:03:49.480
<v Speaker 1>I think she knew my mind was already doing a

0:03:49.480 --> 0:03:51.880
<v Speaker 1>lot as a kid. She was trying to keep it

0:03:51.880 --> 0:03:55.040
<v Speaker 1>distracted with all of these different, you know, educational challenges.

0:03:55.320 --> 0:03:59.360
<v Speaker 1>I still found some way to get pushed. So at

0:03:59.360 --> 0:04:02.440
<v Speaker 1>that point, you know what I mean. You making records for sure?

0:04:02.480 --> 0:04:03.920
<v Speaker 1>I know you were a part of making surgery.

0:04:04.080 --> 0:04:09.600
<v Speaker 3>Yeah, well no, well I made a record men clientele

0:04:10.760 --> 0:04:11.720
<v Speaker 3>before surgery.

0:04:12.400 --> 0:04:14.160
<v Speaker 1>It was called No.

0:04:14.240 --> 0:04:17.040
<v Speaker 4>It was the same year, but it was just before surgery.

0:04:17.880 --> 0:04:21.000
<v Speaker 4>It was called slice. And we're just doing it learning.

0:04:20.680 --> 0:04:23.640
<v Speaker 3>Because that we were new to the drum machine, new

0:04:23.680 --> 0:04:24.840
<v Speaker 3>the keyboards.

0:04:24.400 --> 0:04:24.760
<v Speaker 1>All us.

0:04:24.960 --> 0:04:26.080
<v Speaker 3>All this was brand new.

0:04:26.240 --> 0:04:30.520
<v Speaker 4>Wasn't no going on online and listen to somebody something. No,

0:04:30.600 --> 0:04:34.279
<v Speaker 4>it was all trying to figure out how to make

0:04:34.320 --> 0:04:35.080
<v Speaker 4>a machine work.

0:04:35.720 --> 0:04:38.400
<v Speaker 3>You had to read the manual back then. It wasn't

0:04:38.440 --> 0:04:40.279
<v Speaker 3>on your phone and everything is there.

0:04:40.279 --> 0:04:42.640
<v Speaker 1>It was just what was y'all cooking with? Then your

0:04:42.640 --> 0:04:43.520
<v Speaker 1>first joint it was.

0:04:43.880 --> 0:04:47.360
<v Speaker 3>The first one was an mx R. It was just

0:04:47.520 --> 0:04:49.599
<v Speaker 3>learning and it was it was okay.

0:04:50.440 --> 0:04:53.640
<v Speaker 4>But then the first song that I did me and

0:04:53.680 --> 0:04:55.159
<v Speaker 4>Cliente was on the line Draw.

0:04:56.680 --> 0:04:59.880
<v Speaker 1>And I just had Roger Lynn. Yeah, he had his own.

0:04:59.760 --> 0:05:03.120
<v Speaker 4>Sand ain't the same. Then we went to the DMX.

0:05:03.440 --> 0:05:07.080
<v Speaker 4>That's what we use for.

0:05:05.839 --> 0:05:10.160
<v Speaker 3>Most of the music, DMX and ESP twelve and twelve hundred.

0:05:10.440 --> 0:05:14.840
<v Speaker 1>It's crazy. You was already making thirteen records for thirteen years,

0:05:15.040 --> 0:05:17.120
<v Speaker 1>so you probably gonna be done with it. Yeah, so

0:05:17.240 --> 0:05:19.800
<v Speaker 1>nothing pushes your mind to do no crazy shit now,

0:05:19.920 --> 0:05:23.200
<v Speaker 1>like just as a creative because no matter what, even

0:05:23.240 --> 0:05:24.680
<v Speaker 1>when I argue with Doc, when I go see dre

0:05:24.880 --> 0:05:27.839
<v Speaker 1>Right and arguing because he trying to act like you're

0:05:27.839 --> 0:05:32.560
<v Speaker 1>not cool, bro, your mind can't be. He always be like, man,

0:05:32.600 --> 0:05:35.360
<v Speaker 1>you always got some shit going. I'm like, how could you, like,

0:05:35.440 --> 0:05:37.800
<v Speaker 1>how could my mind stop trying to have shit going?

0:05:38.400 --> 0:05:40.080
<v Speaker 1>You know what I mean? I don't know, Like we

0:05:40.360 --> 0:05:43.200
<v Speaker 1>I feel like all our experience has been so crazy

0:05:43.279 --> 0:05:46.919
<v Speaker 1>that like I want to make a comic book, I don't.

0:05:47.600 --> 0:05:51.040
<v Speaker 1>I don't my little bro metro man shit, we do

0:05:51.200 --> 0:05:55.039
<v Speaker 1>marketing shit. I mean, we just constantly learning new shit

0:05:55.120 --> 0:05:58.320
<v Speaker 1>about life and we lie to ourselves like it's about money.

0:05:59.000 --> 0:06:01.479
<v Speaker 1>We be lying tell him all the time, you only

0:06:01.480 --> 0:06:04.080
<v Speaker 1>feel like it's about money, because that's just you train

0:06:04.200 --> 0:06:08.760
<v Speaker 1>to feel that. It's like this pursuit of just doing

0:06:08.800 --> 0:06:11.600
<v Speaker 1>some dope ass ship all the time that drives it.

0:06:12.080 --> 0:06:14.000
<v Speaker 1>And I'm just trying to figure out, like, how do

0:06:14.080 --> 0:06:18.000
<v Speaker 1>you curve that? Because if you was making records in

0:06:18.080 --> 0:06:21.520
<v Speaker 1>eighty two, nigga, you still to even be ahead of

0:06:22.080 --> 0:06:24.440
<v Speaker 1>hip hop at that early yeah, you know what I mean? Like,

0:06:24.880 --> 0:06:28.920
<v Speaker 1>I just was working on a joint and it took

0:06:29.000 --> 0:06:31.560
<v Speaker 1>me back through some crazy studies because it was a

0:06:32.839 --> 0:06:35.839
<v Speaker 1>It's based off Plannet rock, so it's the whole metro

0:06:35.920 --> 0:06:39.159
<v Speaker 1>for so I'm studying, doing my homeworks and to only

0:06:39.200 --> 0:06:42.760
<v Speaker 1>realize hip hop was influencing and B. I mean like

0:06:42.760 --> 0:06:46.000
<v Speaker 1>a like planning rock probably is how Midnight start finally

0:06:46.279 --> 0:06:48.360
<v Speaker 1>getting Oh yeah, you know what I mean. Definitely, And

0:06:48.400 --> 0:06:50.280
<v Speaker 1>at the time of R and B was suppressive hip hop.

0:06:50.279 --> 0:06:52.760
<v Speaker 1>So how do you curve that creator? Because I know

0:06:52.800 --> 0:06:54.880
<v Speaker 1>it's still there? How stop you know something?

0:06:54.920 --> 0:06:56.840
<v Speaker 3>I don't think it's there.

0:06:57.000 --> 0:07:01.680
<v Speaker 4>It's just after the funeral and I seen you know,

0:07:01.960 --> 0:07:03.760
<v Speaker 4>I have never seen a minute of a couple of

0:07:03.760 --> 0:07:06.520
<v Speaker 4>funeral I never seen them put the cask in in

0:07:06.520 --> 0:07:07.320
<v Speaker 4>the ground and put.

0:07:07.160 --> 0:07:09.080
<v Speaker 3>The dirt and hammer it down.

0:07:09.160 --> 0:07:11.160
<v Speaker 4>I'm like, I never they just wanted to do that

0:07:11.200 --> 0:07:13.080
<v Speaker 4>for nobody was steal nothing or whatever.

0:07:13.240 --> 0:07:15.800
<v Speaker 3>You know, these weird people. And right then I just

0:07:16.360 --> 0:07:17.920
<v Speaker 3>there was a couple of guys with me. I said,

0:07:18.320 --> 0:07:19.559
<v Speaker 3>that's it. I'm done with music.

0:07:19.840 --> 0:07:22.800
<v Speaker 4>I didn't think about it, didn't analyze it. It was

0:07:22.840 --> 0:07:23.600
<v Speaker 4>just like it's gone.

0:07:23.640 --> 0:07:26.360
<v Speaker 3>It's just like it just flowed out.

0:07:26.720 --> 0:07:29.200
<v Speaker 1>But even the other creative parts, like because you end

0:07:29.280 --> 0:07:30.520
<v Speaker 1>up starting to do some stuff.

0:07:30.400 --> 0:07:32.320
<v Speaker 3>In the movie. I did the movies longer.

0:07:32.360 --> 0:07:36.680
<v Speaker 4>I did them fifteen years, three hundred and fifty movies.

0:07:36.960 --> 0:07:41.440
<v Speaker 4>I mean I filmed everything, edited everything, took all the pictures,

0:07:41.440 --> 0:07:42.280
<v Speaker 4>did all the music.

0:07:43.040 --> 0:07:48.400
<v Speaker 3>I was like a one mand just everything fifteen years straight.

0:07:49.520 --> 0:07:51.760
<v Speaker 3>And it was just I was doing four or five

0:07:51.840 --> 0:07:52.520
<v Speaker 3>movies a month.

0:07:53.080 --> 0:07:56.000
<v Speaker 1>Who the fuck started you? Who fuck made you say

0:07:56.000 --> 0:08:00.400
<v Speaker 1>you could do? Like DJ Yeller? Yeah, that's a ball

0:08:00.480 --> 0:08:01.560
<v Speaker 1>for show, Like how did you?

0:08:01.760 --> 0:08:05.160
<v Speaker 3>My buddy big Man rest in peace?

0:08:05.680 --> 0:08:07.880
<v Speaker 4>He brong the idea first, he brung it to E

0:08:09.080 --> 0:08:13.520
<v Speaker 4>about porn, and he just kind of just did nothing.

0:08:13.600 --> 0:08:14.840
<v Speaker 3>He brong it to me, all.

0:08:14.800 --> 0:08:17.880
<v Speaker 4>Right, let's do it, because see I thought my initial

0:08:17.920 --> 0:08:20.800
<v Speaker 4>thought was, like a producer, like we do music, we

0:08:20.920 --> 0:08:25.520
<v Speaker 4>do a git that's my idea to make movies like records,

0:08:26.160 --> 0:08:28.160
<v Speaker 4>four or five records of months, so it's four or

0:08:28.240 --> 0:08:28.840
<v Speaker 4>five movies.

0:08:29.040 --> 0:08:29.760
<v Speaker 3>He brought it to me.

0:08:29.840 --> 0:08:33.200
<v Speaker 4>I didn't, so I went out and bought the equipment, everything,

0:08:33.679 --> 0:08:34.480
<v Speaker 4>no how to use.

0:08:34.640 --> 0:08:36.719
<v Speaker 3>None of them had to learn it.

0:08:37.840 --> 0:08:38.800
<v Speaker 1>That's fucking cool.

0:08:39.160 --> 0:08:40.920
<v Speaker 3>Yeah, it just it came in.

0:08:41.160 --> 0:08:43.720
<v Speaker 1>Didn't fucks with you? Nothing about nothing. You don't see

0:08:43.720 --> 0:08:45.720
<v Speaker 1>nothing to be like I need to create something in

0:08:45.840 --> 0:08:47.640
<v Speaker 1>this No nothing.

0:08:48.160 --> 0:08:51.679
<v Speaker 3>I'm satisfied with life.

0:08:51.840 --> 0:08:55.160
<v Speaker 5>Right from my opinion, I think, just me seeing it.

0:08:55.160 --> 0:08:58.640
<v Speaker 5>It's like with how everybody treat your generation. Just none

0:08:58.679 --> 0:09:01.880
<v Speaker 5>of your generation you got and stuff. Y'all are like

0:09:02.559 --> 0:09:03.360
<v Speaker 5>so y'all on.

0:09:03.520 --> 0:09:06.960
<v Speaker 2>Mount Olympus, you know what I mean. It's like Poseidon

0:09:07.040 --> 0:09:07.720
<v Speaker 2>don't need nothing.

0:09:08.559 --> 0:09:12.240
<v Speaker 3>In two weeks were getting a Grammy lifetime for war.

0:09:12.640 --> 0:09:17.120
<v Speaker 3>It's just okay, that's cool. You know, It's just I'm

0:09:17.200 --> 0:09:19.640
<v Speaker 3>just satisfying with life.

0:09:19.920 --> 0:09:23.160
<v Speaker 1>What's the last thing, here's something, what's the last thing

0:09:23.200 --> 0:09:25.280
<v Speaker 1>that pumped you up? She was like, man, I kind

0:09:25.280 --> 0:09:28.680
<v Speaker 1>of think I want to do fuck however we create

0:09:28.760 --> 0:09:30.760
<v Speaker 1>minus anything. I don't give if you woke up and

0:09:30.800 --> 0:09:33.880
<v Speaker 1>wanted to draw a picture when the last time you

0:09:33.920 --> 0:09:38.480
<v Speaker 1>felt like creatively you needed to express.

0:09:39.720 --> 0:09:40.280
<v Speaker 3>That sense.

0:09:41.200 --> 0:09:44.560
<v Speaker 4>I can't remember since movies was that was it? So

0:09:44.679 --> 0:09:46.960
<v Speaker 4>DJ and I ended up movies the same way I

0:09:47.000 --> 0:09:49.920
<v Speaker 4>did music. Okay, I'm done, it's over.

0:09:50.120 --> 0:09:52.560
<v Speaker 1>So do you think DJ? And that's even when you

0:09:52.559 --> 0:09:55.040
<v Speaker 1>have to DJ at this point and create those daily

0:09:55.120 --> 0:09:57.920
<v Speaker 1>mixes when you have to kind of like not daily mixes,

0:09:57.960 --> 0:10:00.559
<v Speaker 1>but when you go to because you always get booked. Yeah, yeah,

0:10:01.880 --> 0:10:06.280
<v Speaker 1>right when you mix, is that kind of like kind

0:10:06.280 --> 0:10:07.920
<v Speaker 1>of the same thing where you're creating a flow.

0:10:08.920 --> 0:10:14.480
<v Speaker 4>I'm having fun DJAN like in the old days when

0:10:14.520 --> 0:10:16.760
<v Speaker 4>we was first me Andre was first DJ.

0:10:17.880 --> 0:10:21.600
<v Speaker 3>That's the fun I'm having. It's because it's not I

0:10:21.600 --> 0:10:22.960
<v Speaker 3>gotta creative, I got no.

0:10:23.080 --> 0:10:27.360
<v Speaker 4>I just it's a dip'mos a different atmosphere because like

0:10:27.400 --> 0:10:30.080
<v Speaker 4>next week I go to Australia, I'm always out the

0:10:30.120 --> 0:10:35.360
<v Speaker 4>country and they still love hip hop like the old days,

0:10:35.400 --> 0:10:38.199
<v Speaker 4>the eighties and the nineties, they still got it.

0:10:38.200 --> 0:10:40.880
<v Speaker 3>I don't know if it's because they behind times or whatever,

0:10:41.360 --> 0:10:45.679
<v Speaker 3>but they still like the old school and that's all

0:10:45.679 --> 0:10:46.680
<v Speaker 3>I play is old school.

0:10:46.920 --> 0:10:49.840
<v Speaker 1>I'm playing nothing new everybody.

0:10:50.400 --> 0:10:53.719
<v Speaker 3>It's something about that. It's it's got real soul in

0:10:53.800 --> 0:10:58.520
<v Speaker 3>that MU and means something and in DJ in is

0:10:58.600 --> 0:11:01.920
<v Speaker 3>the same way. And I just a few years ago

0:11:02.040 --> 0:11:04.760
<v Speaker 3>it came to me DJ.

0:11:05.320 --> 0:11:07.480
<v Speaker 4>I never wanted the DJ ever again, and it just

0:11:07.559 --> 0:11:10.640
<v Speaker 4>came to me. I'm like that then on use turntables and.

0:11:10.760 --> 0:11:16.160
<v Speaker 1>Like I said, crazy, but then you got.

0:11:16.280 --> 0:11:19.000
<v Speaker 4>I jumped in and like, okay, but see I jumped

0:11:19.000 --> 0:11:20.160
<v Speaker 4>into different from everybody.

0:11:20.240 --> 0:11:23.880
<v Speaker 3>Everybody else just carry their needles, headphone. No, I'm bringing

0:11:23.960 --> 0:11:26.040
<v Speaker 3>my unit. I wanted to be the same.

0:11:26.120 --> 0:11:29.880
<v Speaker 4>Every night, the same equipments, my same microphone.

0:11:30.720 --> 0:11:33.600
<v Speaker 3>I think of it just like music. I'm doing it all.

0:11:33.880 --> 0:11:35.520
<v Speaker 1>So that so maybe it is DJ.

0:11:35.760 --> 0:11:36.559
<v Speaker 3>Yeah.

0:11:36.880 --> 0:11:40.120
<v Speaker 1>I had a dope conversation with Lonzo about DJ. I

0:11:40.160 --> 0:11:42.120
<v Speaker 1>was talking to him about I was writing kind of

0:11:42.160 --> 0:11:45.520
<v Speaker 1>these like again, I'm one of those type of creators

0:11:45.520 --> 0:11:48.160
<v Speaker 1>where like I'll be focused on one idea, like oh g,

0:11:48.600 --> 0:11:51.720
<v Speaker 1>he's talking about where I'll make an album, but behind

0:11:51.760 --> 0:11:55.840
<v Speaker 1>I'm writing so like I started writing kind of this

0:11:56.000 --> 0:11:59.160
<v Speaker 1>hip hop story of the West Coast pre n W

0:11:59.200 --> 0:12:02.920
<v Speaker 1>as all of us grew up like me, him, you know,

0:12:02.920 --> 0:12:06.679
<v Speaker 1>he's younger than me. For our lives. N w A

0:12:06.800 --> 0:12:09.160
<v Speaker 1>starts hip hop on the West coast, but now you're

0:12:09.160 --> 0:12:11.360
<v Speaker 1>starting to learn about Uncle Jam's arms, trying to learn

0:12:11.440 --> 0:12:14.240
<v Speaker 1>about you know, world class record cler and then you

0:12:14.320 --> 0:12:17.480
<v Speaker 1>kind of get into the clubs. Yeah, I never knew

0:12:17.559 --> 0:12:20.760
<v Speaker 1>niggas went to our pine village because when I got

0:12:20.760 --> 0:12:27.679
<v Speaker 1>a car, niggas does not take your jail people over there,

0:12:27.720 --> 0:12:29.760
<v Speaker 1>that white folks, you know what I mean. So I

0:12:29.800 --> 0:12:32.720
<v Speaker 1>was talking to Lonzo about that our pine village stuff,

0:12:32.720 --> 0:12:35.400
<v Speaker 1>and so I started writing. But I was just starting

0:12:35.440 --> 0:12:39.640
<v Speaker 1>to really notice how like y'all are the first that

0:12:39.760 --> 0:12:42.960
<v Speaker 1>took to hip hop DJ and I just thought that

0:12:43.120 --> 0:12:45.880
<v Speaker 1>was dope. So now that for you to come back

0:12:45.960 --> 0:12:48.120
<v Speaker 1>and love it as dope, I think we love it too.

0:12:48.160 --> 0:12:49.760
<v Speaker 1>I think we even love it here. Still, I think

0:12:49.920 --> 0:12:55.240
<v Speaker 1>we don't have the opportunity. I think I didn't travel,

0:12:55.280 --> 0:12:57.360
<v Speaker 1>not like nearly as much as you, but I didn't

0:12:57.360 --> 0:13:01.360
<v Speaker 1>travel a lot. I think Americas set to victim of

0:13:03.760 --> 0:13:10.400
<v Speaker 1>what's the word convenience. So whatever's current, whatever's easy, But

0:13:10.520 --> 0:13:13.360
<v Speaker 1>you can't tell me that if you don't put yellow

0:13:13.480 --> 0:13:16.840
<v Speaker 1>or battle Cat in some place at some bar dja sect.

0:13:17.600 --> 0:13:20.600
<v Speaker 1>We don't show up, especially if it's right there. But

0:13:20.679 --> 0:13:23.040
<v Speaker 1>I think the promoters are just lazy. It's like, oh,

0:13:23.080 --> 0:13:24.000
<v Speaker 1>what's the next hot thing?

0:13:24.120 --> 0:13:30.480
<v Speaker 3>Yeah they're not. I mean they can call themselves promoters,

0:13:30.520 --> 0:13:32.760
<v Speaker 3>but it's a totally it's.

0:13:32.559 --> 0:13:35.720
<v Speaker 1>Just fly they make on their phone or what it's

0:13:36.320 --> 0:13:37.160
<v Speaker 1>make it on their phone.

0:13:37.240 --> 0:13:39.760
<v Speaker 3>Yeah, it's it's different.

0:13:39.840 --> 0:13:43.880
<v Speaker 4>You know, all Facebook, and that don't mean nothing.

0:13:44.840 --> 0:13:48.120
<v Speaker 3>I got two hundred and seventy thousand people on Instagram, okay,

0:13:48.160 --> 0:13:49.360
<v Speaker 3>but none of them live here.

0:13:49.640 --> 0:13:53.360
<v Speaker 4>So I ain't dependent on filling this place up with

0:13:53.480 --> 0:13:54.480
<v Speaker 4>the fan because.

0:13:54.240 --> 0:13:55.640
<v Speaker 1>They from all over the world.

0:13:55.960 --> 0:13:56.960
<v Speaker 2>I mean I can change that.

0:13:57.120 --> 0:14:01.800
<v Speaker 1>But yeah, that's a great conversation y'all. Y'all love because

0:14:01.800 --> 0:14:04.400
<v Speaker 1>he will tap your ship in. But again, this is

0:14:04.440 --> 0:14:07.880
<v Speaker 1>one of those type of things that we just I

0:14:07.880 --> 0:14:11.240
<v Speaker 1>don't think. I don't know like and again I don't

0:14:11.280 --> 0:14:14.120
<v Speaker 1>know what n W A success feels. This is different.

0:14:14.600 --> 0:14:16.560
<v Speaker 1>I mean, you start fucking the world up, you know,

0:14:17.040 --> 0:14:18.800
<v Speaker 1>maybe you fuck up the world, you get tired. But

0:14:19.640 --> 0:14:27.720
<v Speaker 1>it's so hard to imagine be not creating, like maybe

0:14:27.800 --> 0:14:30.040
<v Speaker 1>not records. I could see that day. Even then, it's

0:14:30.040 --> 0:14:33.480
<v Speaker 1>hard because I'm just starting to like I didn't, and

0:14:33.840 --> 0:14:35.880
<v Speaker 1>I was hustling the whole time. So when hip hop

0:14:35.920 --> 0:14:38.880
<v Speaker 1>saved my life, it was really fun. You still hustling, Yeah,

0:14:39.000 --> 0:14:41.400
<v Speaker 1>it's well now now I'm not hustling at all. Now

0:14:41.400 --> 0:14:44.720
<v Speaker 1>I'm just in love with you. Yeah, I'm still hustling.

0:14:44.920 --> 0:14:47.320
<v Speaker 1>It's still yeah, but you're starting to find ways to.

0:14:47.960 --> 0:14:49.920
<v Speaker 1>What I'm starting to find ways is like I gave

0:14:49.960 --> 0:14:52.280
<v Speaker 1>you this vinyls, I don't got to be there to

0:14:52.280 --> 0:14:55.320
<v Speaker 1>get the money today. Like I'm looking at my phone.

0:14:55.600 --> 0:14:57.800
<v Speaker 1>So my homeboy outside of me and what I do

0:14:58.200 --> 0:15:00.240
<v Speaker 1>and do my I go do my promotion and then

0:15:00.280 --> 0:15:03.920
<v Speaker 1>my hoom waiting strongly where people can order music directly

0:15:03.960 --> 0:15:06.920
<v Speaker 1>from me, and I sell my autographic album, my autographs.

0:15:07.880 --> 0:15:10.360
<v Speaker 1>I probably do four or five a day. So I'm

0:15:10.400 --> 0:15:12.600
<v Speaker 1>not there and that is a cool way to because

0:15:12.640 --> 0:15:13.600
<v Speaker 1>it don't feel like hustling.

0:15:13.600 --> 0:15:13.760
<v Speaker 2>Now.

0:15:13.840 --> 0:15:17.720
<v Speaker 3>Yeah, it's the same, but it's just a cool new level.

0:15:19.160 --> 0:15:22.800
<v Speaker 1>But I just couldn't imagine not creating, you know what

0:15:22.840 --> 0:15:26.200
<v Speaker 1>I mean, Like like I said, I was writing something,

0:15:26.200 --> 0:15:27.680
<v Speaker 1>I was writing the album that I that I just

0:15:27.720 --> 0:15:30.200
<v Speaker 1>gave you. The behind the scenes, I'm writing hip hop

0:15:30.240 --> 0:15:34.200
<v Speaker 1>on the West Coast from seventy eighth yeah, just starting

0:15:34.240 --> 0:15:37.400
<v Speaker 1>with Roger and Lonzo, how he told me the story,

0:15:37.400 --> 0:15:39.560
<v Speaker 1>how they worked at Alpine Village together, and then how

0:15:39.560 --> 0:15:42.480
<v Speaker 1>they start going different, they find a different DJ.

0:15:42.640 --> 0:15:47.000
<v Speaker 4>Yeah, when they became different. And then that's when I

0:15:47.080 --> 0:15:51.160
<v Speaker 4>came right in. I mean because when I came in,

0:15:51.920 --> 0:15:55.600
<v Speaker 4>Dre was not even a thought. It was two three

0:15:55.680 --> 0:15:59.600
<v Speaker 4>years down the line before even even around. So I

0:15:59.640 --> 0:16:05.400
<v Speaker 4>did all the leg work, hanging posters, snatching posters.

0:16:05.440 --> 0:16:08.120
<v Speaker 1>Back then, you know, it was like this crewe us

0:16:08.400 --> 0:16:11.080
<v Speaker 1>we enemies. I mean, like Uncle Johnson, We're still in me.

0:16:12.680 --> 0:16:16.440
<v Speaker 1>So listen, it's funny. So my man Super six Edwin,

0:16:16.520 --> 0:16:19.240
<v Speaker 1>who actually used to finance a lot of the Uncle

0:16:19.280 --> 0:16:24.200
<v Speaker 1>Jam's armies Dragon Race that when drag race with my dad.

0:16:25.400 --> 0:16:27.480
<v Speaker 1>Since I was a little kid, all those Super six

0:16:28.080 --> 0:16:30.000
<v Speaker 1>that's what we called him. I didn't know he was

0:16:30.080 --> 0:16:32.800
<v Speaker 1>involved in nothing hip hop related when it is like

0:16:32.840 --> 0:16:36.360
<v Speaker 1>this esteemed kind of grown when he talked to us.

0:16:36.800 --> 0:16:39.680
<v Speaker 3>He's super cool. I haven't seen him since them day.

0:16:39.600 --> 0:16:42.200
<v Speaker 1>He had a crazy stroke. I'm praying, like, yeah, yeah,

0:16:43.000 --> 0:16:45.360
<v Speaker 1>what I'm saying. He used when I realized that he

0:16:45.520 --> 0:16:48.080
<v Speaker 1>was a part of it, and none of them will

0:16:48.120 --> 0:16:51.840
<v Speaker 1>admit that it had to be a competition level. So

0:16:51.880 --> 0:16:54.960
<v Speaker 1>the only people to ever admit it was you and Line.

0:16:55.320 --> 0:16:59.600
<v Speaker 1>But I wrote the story ironically like these two competing

0:16:59.680 --> 0:17:03.760
<v Speaker 1>parties crew, because that's what hip hop really is. No,

0:17:03.920 --> 0:17:04.600
<v Speaker 1>it's a party.

0:17:04.760 --> 0:17:08.280
<v Speaker 3>My first time going out snatching posters. We call it

0:17:08.320 --> 0:17:10.840
<v Speaker 3>the rip. You don't take the whole poster. You just

0:17:10.920 --> 0:17:14.000
<v Speaker 3>ripped the date in the time and the play.

0:17:14.200 --> 0:17:17.200
<v Speaker 4>So are you seeing Uncle John Army? Nothing on the bottom?

0:17:17.280 --> 0:17:19.600
<v Speaker 4>So I'm on Century in.

0:17:19.640 --> 0:17:23.480
<v Speaker 3>Western It's a lot of poles on there. I'm ripping them.

0:17:23.880 --> 0:17:28.440
<v Speaker 3>Rogers show up, but I'm went my guy, he's seven

0:17:28.480 --> 0:17:31.440
<v Speaker 3>to sure. We're both from Compton. We don't know nothing

0:17:31.480 --> 0:17:32.040
<v Speaker 3>about it.

0:17:33.480 --> 0:17:38.560
<v Speaker 4>Yeah, yeah, okay Central And I got a five pounds

0:17:38.600 --> 0:17:41.159
<v Speaker 4>staple gun in my hand and he come up.

0:17:41.320 --> 0:17:43.320
<v Speaker 3>You know, they come up on us, like what you're doing.

0:17:43.560 --> 0:17:46.119
<v Speaker 1>I'm snatching these posters? That was my poster.

0:17:46.520 --> 0:17:50.359
<v Speaker 3>Okay, what you know? We like what you gonna do?

0:17:50.680 --> 0:17:55.080
<v Speaker 3>You don't know we're from Compton. You don't want to

0:17:55.080 --> 0:17:57.560
<v Speaker 3>mess with it. And that was the first time I

0:17:57.720 --> 0:18:00.000
<v Speaker 3>ever met him. Right there, they just say nothing else.

0:18:00.000 --> 0:18:03.399
<v Speaker 3>But we kept on putting our posters on top of

0:18:03.400 --> 0:18:04.640
<v Speaker 3>their posters, right in the face.

0:18:04.920 --> 0:18:07.399
<v Speaker 1>I was crazy. So what was the competing venues at

0:18:07.400 --> 0:18:07.840
<v Speaker 1>that point?

0:18:08.080 --> 0:18:10.560
<v Speaker 4>It was, well, we had the club even after dark,

0:18:10.840 --> 0:18:16.320
<v Speaker 4>we had a steady play. They would do veterans different places,

0:18:17.160 --> 0:18:21.320
<v Speaker 4>the sports arena. It was just But then there was

0:18:21.359 --> 0:18:27.159
<v Speaker 4>another crew called the Virgin Productions. We they hung their

0:18:27.240 --> 0:18:28.600
<v Speaker 4>posters on ours.

0:18:28.960 --> 0:18:29.920
<v Speaker 1>Who the fuck is.

0:18:29.880 --> 0:18:31.239
<v Speaker 3>That they was?

0:18:31.840 --> 0:18:34.720
<v Speaker 4>I think their career was over after this one night

0:18:34.800 --> 0:18:39.040
<v Speaker 4>because the Wrecking Crew we all went to they danced before,

0:18:39.320 --> 0:18:40.240
<v Speaker 4>you know, early.

0:18:41.480 --> 0:18:42.320
<v Speaker 3>We mopped them up.

0:18:42.840 --> 0:18:46.480
<v Speaker 1>Really this class as mobbing motherfucker.

0:18:47.480 --> 0:18:51.840
<v Speaker 3>It was Linzo, me, Unknown DJ. It was like a

0:18:51.840 --> 0:18:55.200
<v Speaker 3>whole from that neighborhood. It was a bunch of us.

0:18:55.480 --> 0:18:58.200
<v Speaker 1>So Unknown was with so Unknown in the fucker with

0:18:58.320 --> 0:19:00.200
<v Speaker 1>Uncle jam evinced No.

0:19:00.200 --> 0:19:06.760
<v Speaker 4>No, well that was after the Reckon, after even after

0:19:06.880 --> 0:19:08.600
<v Speaker 4>dark ended and then we started doing music.

0:19:09.160 --> 0:19:12.440
<v Speaker 1>That's how I ended up doing that. But see that's

0:19:13.040 --> 0:19:16.399
<v Speaker 1>Unknown was there before me and the recond crew. I

0:19:16.440 --> 0:19:23.880
<v Speaker 1>never knew that. Wow. But I always tell Drake, I'm

0:19:23.880 --> 0:19:27.480
<v Speaker 1>telling you. I tell cue, y'all do a horrible job

0:19:27.960 --> 0:19:31.000
<v Speaker 1>of telling Like why if you read my book, you know,

0:19:31.200 --> 0:19:33.159
<v Speaker 1>and that's what I had to do. Even if you

0:19:33.200 --> 0:19:36.760
<v Speaker 1>had a book, you know what I'm saying, but yeah,

0:19:36.800 --> 0:19:39.960
<v Speaker 1>we gotta know this ship because this is the funniest

0:19:39.960 --> 0:19:43.359
<v Speaker 1>ship about it. Like I always share with the hummies

0:19:43.359 --> 0:19:47.200
<v Speaker 1>because like it's a party. These niggas was all party

0:19:47.320 --> 0:19:50.880
<v Speaker 1>because somewhere when we came up in the game, we

0:19:50.880 --> 0:19:53.320
<v Speaker 1>were just all gaming. And don't get me wrong, we

0:19:53.320 --> 0:19:55.639
<v Speaker 1>did go to party. You go funching and other people commuting,

0:19:55.680 --> 0:19:58.000
<v Speaker 1>but you didn't realize that's what it pop was about.

0:19:58.080 --> 0:20:00.080
<v Speaker 1>So we looked at n w A as if it

0:20:00.119 --> 0:20:02.639
<v Speaker 1>wasn't fun, you know what I mean, because it was.

0:20:03.080 --> 0:20:05.920
<v Speaker 1>The music was very active. Even the World Class Record

0:20:05.960 --> 0:20:10.240
<v Speaker 1>Cup was all fun ship. But somewhere along the line

0:20:10.520 --> 0:20:14.240
<v Speaker 1>it got away from that concept of this all is

0:20:14.280 --> 0:20:15.639
<v Speaker 1>the descendantive party.

0:20:15.480 --> 0:20:19.879
<v Speaker 3>Because there was no money. Early days of n w

0:20:20.080 --> 0:20:22.240
<v Speaker 3>A breaking there was no money.

0:20:22.280 --> 0:20:23.280
<v Speaker 1>Girls.

0:20:23.760 --> 0:20:26.960
<v Speaker 3>That was my pa. If you game, you.

0:20:27.000 --> 0:20:29.240
<v Speaker 1>Up in here, you know you come up in here,

0:20:29.760 --> 0:20:32.520
<v Speaker 1>I finla get you. Ain't got to pay filming. You know,

0:20:32.800 --> 0:20:33.320
<v Speaker 1>I'm the man.

0:20:33.800 --> 0:20:37.360
<v Speaker 4>So he had a different drip. I can't speak for them.

0:20:37.800 --> 0:20:40.040
<v Speaker 4>I had a different drive. It was about the girl.

0:20:40.280 --> 0:20:41.400
<v Speaker 4>It was about nothing else.

0:20:41.520 --> 0:20:42.200
<v Speaker 3>Wasn't about the.

0:20:42.119 --> 0:20:46.159
<v Speaker 4>Money, And my whole career had never been about money.

0:20:46.480 --> 0:20:48.119
<v Speaker 1>It can't be though I don't care about me, it

0:20:48.200 --> 0:20:50.760
<v Speaker 1>can't be it's nothing. I tell him that all the time,

0:20:50.760 --> 0:20:53.640
<v Speaker 1>and he think got crazy. I'm like, when you that's

0:20:53.760 --> 0:20:54.679
<v Speaker 1>not what the music.

0:20:55.160 --> 0:20:55.760
<v Speaker 2>They don't get.

0:20:57.320 --> 0:20:59.160
<v Speaker 3>Music for money though you know that.

0:20:59.359 --> 0:21:01.720
<v Speaker 1>No, no, but no, not like that. I mean, none

0:21:01.800 --> 0:21:04.440
<v Speaker 1>of it can be about money, because if it's about money,

0:21:04.480 --> 0:21:07.840
<v Speaker 1>I really genuine believe you sell it short like you

0:21:08.000 --> 0:21:11.480
<v Speaker 1>have to kind of be in trend, like in like

0:21:11.920 --> 0:21:16.800
<v Speaker 1>entrenched and just fucking fucking ship up. Just if you're

0:21:16.800 --> 0:21:19.240
<v Speaker 1>gonna promote you got the best party on the box.

0:21:19.359 --> 0:21:22.000
<v Speaker 1>If you're gonna make record, your record, go jam the hardest.

0:21:22.040 --> 0:21:25.359
<v Speaker 1>This is kind of the people to me who really

0:21:25.400 --> 0:21:28.960
<v Speaker 1>get paid. This is what they're thinking. They cannot be

0:21:29.040 --> 0:21:30.600
<v Speaker 1>thinking of how to make money because you will take

0:21:30.600 --> 0:21:31.600
<v Speaker 1>too many shortcuts.

0:21:31.920 --> 0:21:35.200
<v Speaker 4>Well now, I think nowadays it's about the money because

0:21:35.240 --> 0:21:39.199
<v Speaker 4>it's overnight. You know your success overnight, do something on

0:21:39.240 --> 0:21:41.199
<v Speaker 4>TikTok or whatever you're hit.

0:21:41.680 --> 0:21:45.080
<v Speaker 3>You know, no effort, no skill.

0:21:45.880 --> 0:21:46.360
<v Speaker 2>Quick too.

0:21:46.480 --> 0:21:48.040
<v Speaker 3>Yeah, you can get the.

0:21:48.040 --> 0:21:51.160
<v Speaker 1>Barriers of entry, you know what I mean. Like even

0:21:51.200 --> 0:21:55.080
<v Speaker 1>when I first came, like my engineer Guido, you remind

0:21:55.080 --> 0:21:58.399
<v Speaker 1>me of Guido Jailly, But that nigga slammed the door

0:21:58.400 --> 0:22:01.760
<v Speaker 1>on my face, like you gotta get tired. Like, remember,

0:22:01.840 --> 0:22:04.560
<v Speaker 1>everybody didn't have a studio. This is oh yeah, three four.

0:22:04.680 --> 0:22:05.719
<v Speaker 1>Everybody didn't have no fun.

0:22:05.840 --> 0:22:08.080
<v Speaker 3>Oh yeah, more people.

0:22:07.840 --> 0:22:11.159
<v Speaker 1>Had it than fucking nineteen ninety, but everybody didn't have it.

0:22:11.240 --> 0:22:13.639
<v Speaker 1>So we're recording on that. That means you got to

0:22:13.640 --> 0:22:17.240
<v Speaker 1>pay the Oh yeah, all this crazy shit and somebody

0:22:17.320 --> 0:22:20.000
<v Speaker 1>really got to know how to work just.

0:22:20.000 --> 0:22:23.400
<v Speaker 4>In the box, oh I mean, and especially in our days,

0:22:24.080 --> 0:22:27.480
<v Speaker 4>that's why we learned everything, mixing.

0:22:27.640 --> 0:22:32.800
<v Speaker 1>Court everything from scratch. You didn't know, ye, so yeah,

0:22:33.040 --> 0:22:36.800
<v Speaker 1>I was. I was thinking about that. But so unknown

0:22:36.920 --> 0:22:40.919
<v Speaker 1>DJ was who originally was in the World Cup Alonso.

0:22:41.000 --> 0:22:44.520
<v Speaker 1>When you first get unknown, and then the other people

0:22:44.600 --> 0:22:47.000
<v Speaker 1>that were just was in DJs.

0:22:47.400 --> 0:22:52.680
<v Speaker 4>Doctor Rock that was one of the first djsc Rock.

0:22:52.760 --> 0:22:56.240
<v Speaker 3>He was a wreaking crew. He was the main DJ there.

0:22:57.080 --> 0:23:00.879
<v Speaker 3>He from right around the corner from the Eve. Yeah,

0:23:00.960 --> 0:23:03.440
<v Speaker 3>doctor ro doctor Drake.

0:23:03.520 --> 0:23:07.120
<v Speaker 4>Can't where his name come from, but yeah, Rock was there,

0:23:07.240 --> 0:23:09.920
<v Speaker 4>and it's so funny. He was the hottest. He was

0:23:09.960 --> 0:23:13.399
<v Speaker 4>the hottest DJ when I got it. When I got there,

0:23:14.280 --> 0:23:17.400
<v Speaker 4>he was only there one week. The next week he vanished.

0:23:17.800 --> 0:23:19.560
<v Speaker 5>Hold on Nose is the bar that you say, like

0:23:19.720 --> 0:23:23.640
<v Speaker 5>how there was a dude named doctor Rock and then

0:23:23.960 --> 0:23:28.840
<v Speaker 5>Drake coming in behind and like I'm just like him. No, no, no,

0:23:28.880 --> 0:23:30.840
<v Speaker 5>I'm not saying like that, but that is what happens, right,

0:23:30.880 --> 0:23:32.960
<v Speaker 5>and then that person becomes even bigger.

0:23:32.680 --> 0:23:35.120
<v Speaker 2>Than I know, Doctor Rock, Like, hold on, doctor, I'm

0:23:35.160 --> 0:23:37.520
<v Speaker 2>the doctor. Like everybody again, it's the Doctor car.

0:23:37.680 --> 0:23:39.280
<v Speaker 5>I know that has to be kind of irritated to

0:23:39.320 --> 0:23:41.320
<v Speaker 5>a certaery, but you get at that's part of the

0:23:41.359 --> 0:23:42.040
<v Speaker 5>game too, where.

0:23:41.920 --> 0:23:44.280
<v Speaker 2>You got to be like, man, I gave Dre his name.

0:23:44.320 --> 0:23:47.280
<v Speaker 2>He was looking up to me. You might, yeah, not

0:23:47.400 --> 0:23:47.919
<v Speaker 2>know that.

0:23:47.840 --> 0:23:50.080
<v Speaker 3>But they even thought of it was a couple of years.

0:23:50.160 --> 0:23:53.040
<v Speaker 2>Yeah, I know, in two three years, I get it,

0:23:53.160 --> 0:23:55.800
<v Speaker 2>Like that's you just said that. I didn't want to

0:23:55.880 --> 0:23:56.879
<v Speaker 2>just breeze over that to you.

0:23:57.040 --> 0:23:58.840
<v Speaker 1>I'm like, that's not doctor Rock.

0:23:58.920 --> 0:23:59.120
<v Speaker 4>Yeah.

0:23:59.640 --> 0:24:01.120
<v Speaker 3>The doctor went.

0:24:02.119 --> 0:24:05.240
<v Speaker 4>He had to leave town because some guys or something

0:24:05.280 --> 0:24:07.520
<v Speaker 4>he let him use their card whatever that, and they

0:24:07.680 --> 0:24:08.400
<v Speaker 4>something happened.

0:24:09.119 --> 0:24:10.920
<v Speaker 3>He had to leave. He went to Texas.

0:24:11.000 --> 0:24:12.000
<v Speaker 1>They got a regular job.

0:24:12.280 --> 0:24:15.719
<v Speaker 3>He went. He was a DJ in Texas.

0:24:15.880 --> 0:24:24.280
<v Speaker 1>Yeah. Ship damn. So that was the first class you

0:24:24.440 --> 0:24:30.159
<v Speaker 1>was taking down the rips hoster. Yeah, so did you

0:24:30.240 --> 0:24:32.800
<v Speaker 1>ever did you ever sit down? Did you ever talk

0:24:32.840 --> 0:24:36.480
<v Speaker 1>to Roger? No? Never, you ever?

0:24:38.040 --> 0:24:38.280
<v Speaker 3>Never?

0:24:39.160 --> 0:24:43.439
<v Speaker 4>And I was I was DJing, so me and Lonzo

0:24:43.680 --> 0:24:46.840
<v Speaker 4>up like when they first did the Sports Arena, we

0:24:47.000 --> 0:24:48.720
<v Speaker 4>get up there early and just check it out and

0:24:49.000 --> 0:24:51.120
<v Speaker 4>that was it. We go back to the club. But yeah,

0:24:51.280 --> 0:24:54.680
<v Speaker 4>I mean that was they was the enemy. Anybody besides us.

0:24:54.640 --> 0:24:57.840
<v Speaker 1>Was the enemy. How does Lee or play to this?

0:24:58.000 --> 0:25:00.199
<v Speaker 1>Was he anything of a promoter at that time? The

0:25:00.240 --> 0:25:02.159
<v Speaker 1>white man lear Cohen, I know they said he was

0:25:02.200 --> 0:25:04.000
<v Speaker 1>a promoter, but I don't think. I don't know if

0:25:04.000 --> 0:25:06.720
<v Speaker 1>he was a fact he's from LA. The dude that

0:25:06.800 --> 0:25:09.000
<v Speaker 1>was running death jamets over YouTube.

0:25:08.640 --> 0:25:13.240
<v Speaker 3>Music, I don't know not. I never heard him a

0:25:13.359 --> 0:25:14.760
<v Speaker 3>promoter from.

0:25:15.800 --> 0:25:18.720
<v Speaker 5>I didn't know lys from LA mostly on New York

0:25:18.760 --> 0:25:20.240
<v Speaker 5>though he is a you don't know a lot of

0:25:20.359 --> 0:25:22.320
<v Speaker 5>was he deaf jam no leor.

0:25:22.160 --> 0:25:24.359
<v Speaker 1>Is originally a dude from LA. Like he's been out

0:25:24.400 --> 0:25:26.199
<v Speaker 1>here with the college out here. He was promoting on

0:25:26.240 --> 0:25:29.520
<v Speaker 1>the same Really, I'm telling you, man, I'm been getting

0:25:29.520 --> 0:25:32.560
<v Speaker 1>the game Linzo in school. He's like, yeah, that dude,

0:25:32.600 --> 0:25:35.040
<v Speaker 1>and different people say, man, I know him from people

0:25:35.119 --> 0:25:40.040
<v Speaker 1>listening he and he like explained by the boundly lyric

0:25:40.080 --> 0:25:43.359
<v Speaker 1>Corran Cohen, like who are responsible for? So everybody that

0:25:43.480 --> 0:25:47.280
<v Speaker 1>signed a death Jam post nineteen eighty four and he

0:25:47.400 --> 0:25:50.479
<v Speaker 1>signed them. All these people signed the YouTube he started

0:25:50.480 --> 0:25:53.919
<v Speaker 1>three hundred. He's like one of the most powerful people

0:25:53.960 --> 0:25:57.240
<v Speaker 1>in the music business right now. He's over YouTube. He's

0:25:57.320 --> 0:26:01.160
<v Speaker 1>like brilliant man. But he's from a U. I think

0:26:01.200 --> 0:26:06.200
<v Speaker 1>he's a Jewish man that that uh for most parties. No,

0:26:06.320 --> 0:26:07.920
<v Speaker 1>he's not from here, but he's from so where else.

0:26:07.960 --> 0:26:10.320
<v Speaker 1>But he cut his bones right in that leant And

0:26:10.400 --> 0:26:16.320
<v Speaker 1>around the same time Russ came and got uh the Posse,

0:26:16.840 --> 0:26:18.440
<v Speaker 1>Arrol and all of them from shout out to l

0:26:18.440 --> 0:26:25.040
<v Speaker 1>A Posse, Darryl, bobcat uh Pool buffing them. He met Lear.

0:26:25.960 --> 0:26:29.120
<v Speaker 1>It became kind of like over management for Death Jim

0:26:29.200 --> 0:26:32.880
<v Speaker 1>over rush, so Leo started signing all of this stuff.

0:26:33.160 --> 0:26:35.840
<v Speaker 1>So that was a part of the whole Again, l

0:26:35.840 --> 0:26:38.200
<v Speaker 1>A don't really excuse me. The West Coast of general

0:26:38.240 --> 0:26:41.600
<v Speaker 1>don't get a lot of credit hip hop. But yeah,

0:26:41.640 --> 0:26:44.439
<v Speaker 1>we was important even to Death Jim because you know,

0:26:45.400 --> 0:26:47.320
<v Speaker 1>before that you had to to me, it seemed like

0:26:47.359 --> 0:26:52.040
<v Speaker 1>you had to have like Hella, like weird acts like

0:26:52.160 --> 0:26:54.640
<v Speaker 1>Beastie boys like you have a punk rock group that.

0:26:54.640 --> 0:26:57.440
<v Speaker 3>Makes they had to get on the radio. We had

0:26:57.480 --> 0:26:58.320
<v Speaker 3>no radio play.

0:26:58.680 --> 0:27:00.119
<v Speaker 2>So that's crazy.

0:27:00.119 --> 0:27:02.560
<v Speaker 1>I went gold and platinum with no.

0:27:02.720 --> 0:27:07.680
<v Speaker 3>None, zero people, just exactly no video play for MTV bandits.

0:27:07.920 --> 0:27:11.600
<v Speaker 1>Ye man, I didn't realize that band Rick James, They're

0:27:11.600 --> 0:27:12.520
<v Speaker 1>really with a good company.

0:27:13.119 --> 0:27:14.880
<v Speaker 2>I mean at the time that sounds like a bad thing,

0:27:14.920 --> 0:27:15.720
<v Speaker 2>like they banned.

0:27:15.640 --> 0:27:19.639
<v Speaker 1>But I was the only way you can see video.

0:27:19.359 --> 0:27:21.639
<v Speaker 2>Of YouTube and Instagram was like we bandoned Metro. I

0:27:21.640 --> 0:27:22.119
<v Speaker 2>would love it.

0:27:22.119 --> 0:27:24.600
<v Speaker 1>I'd be like, oh yeah, but that's what like we

0:27:24.680 --> 0:27:29.040
<v Speaker 1>got marketing. Yeah, Like like so what they do is

0:27:29.040 --> 0:27:30.439
<v Speaker 1>like I go through a lot of that stuff now

0:27:30.480 --> 0:27:35.400
<v Speaker 1>because my music is so like culturally salty that they

0:27:35.520 --> 0:27:38.240
<v Speaker 1>kind of shadow banded and they won't ban you because

0:27:38.240 --> 0:27:41.040
<v Speaker 1>they like, oh it's talent, but you can't market it.

0:27:41.680 --> 0:27:43.919
<v Speaker 2>Yeah, I'm me saying, cancel these nuts everywhere.

0:27:44.000 --> 0:27:45.359
<v Speaker 1>Yeah, and I'm just talking crazy.

0:27:45.400 --> 0:27:48.880
<v Speaker 2>I'm just talking yeah.

0:27:48.960 --> 0:27:51.920
<v Speaker 6>I mean for me, it's I mean, but it's real.

0:27:53.160 --> 0:27:57.680
<v Speaker 1>Nobody won't real, nobody won't with people really, So when

0:27:57.720 --> 0:28:02.240
<v Speaker 1>you I just you know, I'll never forget I made

0:28:02.240 --> 0:28:05.760
<v Speaker 1>two pok months. To me, it's brilliant, right, it's crazy, right,

0:28:05.800 --> 0:28:10.040
<v Speaker 1>shout out to niggas on the Mike. Niggas actually the

0:28:10.119 --> 0:28:12.480
<v Speaker 1>one of the programmers, one of the most important programmers

0:28:12.480 --> 0:28:14.920
<v Speaker 1>on the West Coast right here. I heeart you feel

0:28:14.960 --> 0:28:19.600
<v Speaker 1>me Kggi al Nai. So when I said two pok

0:28:19.640 --> 0:28:22.240
<v Speaker 1>months do here because it was like a thing, right.

0:28:22.280 --> 0:28:24.840
<v Speaker 1>But to me making that song, I was just thinking

0:28:25.640 --> 0:28:28.080
<v Speaker 1>what hip hop was. Right. This is me after meeting

0:28:28.280 --> 0:28:33.640
<v Speaker 1>Eric Be. This is after meeting herk. This is after

0:28:33.720 --> 0:28:36.240
<v Speaker 1>sitting down all the knowledge finding coming together, and I

0:28:36.280 --> 0:28:38.800
<v Speaker 1>could make sense out of hippo as his street urban

0:28:38.920 --> 0:28:42.320
<v Speaker 1>kind of experience. And we've giving people an entry into

0:28:42.320 --> 0:28:46.440
<v Speaker 1>a life they didn't even believe it exists. So I'm

0:28:46.560 --> 0:28:51.120
<v Speaker 1>circuling myself back to eighty two, right, So we make

0:28:51.200 --> 0:28:53.920
<v Speaker 1>that good by ourselves. That was my first gold record

0:28:53.920 --> 0:28:57.440
<v Speaker 1>and we made it ourselves. It was no label. This

0:28:57.520 --> 0:29:00.520
<v Speaker 1>is just me understanding the party. So it's like, Okay,

0:29:00.520 --> 0:29:02.640
<v Speaker 1>I'm gonna getting a parties a nigga who don't even

0:29:02.760 --> 0:29:04.640
<v Speaker 1>like the party. Now, I'm gonna make me a party

0:29:04.720 --> 0:29:08.400
<v Speaker 1>song now. Competing not got me one. Right Now, I'm

0:29:08.400 --> 0:29:11.600
<v Speaker 1>figuring out hip hop, got records, and I'm getting marketing.

0:29:11.640 --> 0:29:14.280
<v Speaker 1>I'm like damn so hip hop. Conna is like this

0:29:15.000 --> 0:29:17.720
<v Speaker 1>take into this world that they never People didn't believe

0:29:17.800 --> 0:29:20.320
<v Speaker 1>Compton was real. Like all the shit that y'all was

0:29:20.360 --> 0:29:22.400
<v Speaker 1>talking about niggas, it was like, ben g, it ain't

0:29:22.400 --> 0:29:25.600
<v Speaker 1>really like, yeah it is. That's I mean, it's fun,

0:29:25.720 --> 0:29:29.400
<v Speaker 1>but yeah, that's pretty much attitude. Everybody talk like that, right,

0:29:29.560 --> 0:29:31.160
<v Speaker 1>you know what I mean? Like they didn't like I

0:29:31.200 --> 0:29:33.080
<v Speaker 1>had a conversation with doctor. He's like, man, I don't know, man,

0:29:33.120 --> 0:29:35.480
<v Speaker 1>I feel like we influence so much bullshit. No, y'all

0:29:35.520 --> 0:29:38.320
<v Speaker 1>just was saying the shit niggas was saying. I can

0:29:38.400 --> 0:29:39.960
<v Speaker 1>see if you came up with some of this shit,

0:29:40.080 --> 0:29:42.880
<v Speaker 1>but you ain't the first one to said nigga calling

0:29:42.920 --> 0:29:45.680
<v Speaker 1>woman the bitch. This was normal. I heard all these

0:29:45.760 --> 0:29:48.920
<v Speaker 1>niggas talking like this, grading them just how they talk.

0:29:49.800 --> 0:29:53.280
<v Speaker 1>So as I'm kind of making my own journey in

0:29:53.360 --> 0:29:56.800
<v Speaker 1>modern times through you know, basic hip hop, it was like,

0:29:58.240 --> 0:30:01.520
<v Speaker 1>what does fuck the police sound like today? Like for

0:30:01.720 --> 0:30:04.480
<v Speaker 1>the police today, don't sound like that. They play that

0:30:04.520 --> 0:30:08.600
<v Speaker 1>ship on CNN. White man be like this fuck the police.

0:30:09.480 --> 0:30:11.160
<v Speaker 1>When them niggas made that shit, I was a kid.

0:30:11.240 --> 0:30:15.960
<v Speaker 1>I remember black churches being mad as fuck and mother, get.

0:30:15.840 --> 0:30:17.800
<v Speaker 2>People killed the police.

0:30:17.800 --> 0:30:22.400
<v Speaker 5>Today is Poundtown, my pussy pink, my boody old brown and.

0:30:22.400 --> 0:30:26.400
<v Speaker 2>Sexy red type ship. It's with a shock factor to

0:30:26.440 --> 0:30:26.959
<v Speaker 2>a degree.

0:30:27.360 --> 0:30:31.239
<v Speaker 1>It's different people up only because it just wasn't like

0:30:31.280 --> 0:30:32.760
<v Speaker 1>that song. I ain't even I don't even know why

0:30:32.760 --> 0:30:36.959
<v Speaker 1>people make it all them things are accurate. Who cares her?

0:30:37.800 --> 0:30:39.520
<v Speaker 1>They're just making a big deal out of something that's

0:30:39.560 --> 0:30:43.920
<v Speaker 1>really late. It wasn't really like a prolific stand right,

0:30:44.000 --> 0:30:47.480
<v Speaker 1>So but the audacity, like we talked about tell people

0:30:47.520 --> 0:30:50.320
<v Speaker 1>your pussy pink, everybody had no you got a good

0:30:50.320 --> 0:30:53.160
<v Speaker 1>point though, So but so I'm working on it, right

0:30:53.160 --> 0:30:54.800
<v Speaker 1>and I'm like, what does this sound like? So now

0:30:54.800 --> 0:30:58.320
<v Speaker 1>I'm and this is crazy? How chronicle my career round?

0:30:58.320 --> 0:31:00.880
<v Speaker 1>I'm like, I got my party song? So I'm right

0:31:00.920 --> 0:31:02.720
<v Speaker 1>here at the world class rentre. Now how do I

0:31:02.760 --> 0:31:05.400
<v Speaker 1>get to straight out of comptent? What is that sound

0:31:05.520 --> 0:31:09.720
<v Speaker 1>like today? What's the stands? Culturally? I mean that people

0:31:09.720 --> 0:31:12.240
<v Speaker 1>don't know where can I invite them to that? They

0:31:12.400 --> 0:31:15.560
<v Speaker 1>never thought this is how niggas like where I'm from think.

0:31:16.440 --> 0:31:18.960
<v Speaker 1>So I started, I swear to god, it was just deep. Yeah.

0:31:19.160 --> 0:31:25.960
<v Speaker 1>I started looking up the word culture fashion, location, religion,

0:31:26.360 --> 0:31:29.760
<v Speaker 1>and one of the words was morality. Swear to God,

0:31:29.800 --> 0:31:32.400
<v Speaker 1>it was like, morality, that's a part of culture, things

0:31:32.480 --> 0:31:35.560
<v Speaker 1>that you know, certain places think is right and wrong.

0:31:36.440 --> 0:31:39.600
<v Speaker 1>So I'm looking I'm like, damn, morality. I ain't never

0:31:39.640 --> 0:31:42.200
<v Speaker 1>heard n w A. They made a song about attitude,

0:31:42.240 --> 0:31:45.960
<v Speaker 1>but morality is I can go deeper, you know what

0:31:46.000 --> 0:31:48.160
<v Speaker 1>i mean. Mind you, these motherfucker's been putting on for

0:31:48.240 --> 0:31:51.080
<v Speaker 1>the cult of forty years. So everybody know us. Everybody

0:31:51.160 --> 0:31:53.880
<v Speaker 1>know everything about our culture, every street urban culture, they

0:31:53.960 --> 0:31:58.520
<v Speaker 1>know everything. Them niggas argue with me about gaming, I

0:31:58.720 --> 0:32:00.360
<v Speaker 1>argue with me. I'll be like, bro, yes, it's really

0:32:00.400 --> 0:32:01.040
<v Speaker 1>just you and your friend.

0:32:01.240 --> 0:32:01.920
<v Speaker 3>No, it's more.

0:32:02.520 --> 0:32:04.360
<v Speaker 1>There has to be more. You you have to follow

0:32:04.360 --> 0:32:06.320
<v Speaker 1>a rule in this bylog you have to sign. It's

0:32:06.320 --> 0:32:10.320
<v Speaker 1>not like that your friends, you know what I mean.

0:32:10.320 --> 0:32:12.360
<v Speaker 1>It's really you and the guys you grew up with it.

0:32:12.920 --> 0:32:15.640
<v Speaker 1>Sometimes shit happened and you got to handle it right

0:32:15.680 --> 0:32:19.479
<v Speaker 1>there exactly. But I'm working on it. I'm looking at morality.

0:32:19.560 --> 0:32:22.240
<v Speaker 1>I'm studying it, and I'm like, damn, So, what's a

0:32:22.440 --> 0:32:26.320
<v Speaker 1>moral stands that we all have right here that nobody

0:32:26.320 --> 0:32:29.680
<v Speaker 1>else had? And I came up with two different ideas

0:32:29.680 --> 0:32:32.560
<v Speaker 1>because I realized from a market at that point, it

0:32:32.680 --> 0:32:35.680
<v Speaker 1>had to be a story everybody knew, they just didn't

0:32:35.680 --> 0:32:38.520
<v Speaker 1>know our side of the story. So I came up

0:32:38.520 --> 0:32:42.800
<v Speaker 1>with two ideas. Remember it was both no, no, no,

0:32:42.880 --> 0:32:45.440
<v Speaker 1>that was that was one for the TV show I was.

0:32:45.480 --> 0:32:48.440
<v Speaker 1>I wrote this dumb TV show two sides. The one

0:32:48.480 --> 0:32:54.200
<v Speaker 1>about the the LA riots. Yeah, when we talked about

0:32:54.200 --> 0:32:58.440
<v Speaker 1>how the dudes may started the I had that idea

0:32:58.880 --> 0:33:02.160
<v Speaker 1>and I kind of a nagodye idea call any white

0:33:02.160 --> 0:33:06.240
<v Speaker 1>man a dude or Tupac must die, right, which was

0:33:06.320 --> 0:33:09.400
<v Speaker 1>kind of this story about how if you jump somebody

0:33:09.480 --> 0:33:12.920
<v Speaker 1>where we're from, we all know you might get shot,

0:33:13.720 --> 0:33:20.160
<v Speaker 1>can't nobody? Yeah you guys heard it. Yeah, Yeah, it's crazy,

0:33:20.600 --> 0:33:23.280
<v Speaker 1>but the visual sure all the time. Yeah, they think

0:33:23.320 --> 0:33:26.000
<v Speaker 1>of it. And to me, it was like Shakespeare and

0:33:26.000 --> 0:33:29.160
<v Speaker 1>and part of the title is so disrespectful, and I'm

0:33:29.160 --> 0:33:33.560
<v Speaker 1>like disrespectful, Like, trust me, if you jump a nigga

0:33:33.600 --> 0:33:35.920
<v Speaker 1>from where we're from, they not gonna say you must die.

0:33:36.080 --> 0:33:37.320
<v Speaker 1>It's not gonna come out that way.

0:33:37.520 --> 0:33:39.640
<v Speaker 5>And that and that's the part of the title too.

0:33:39.720 --> 0:33:42.520
<v Speaker 5>Came on like me with him talking so much about

0:33:42.600 --> 0:33:45.160
<v Speaker 5>marketing and stuff me telling them like, yo, people buy

0:33:45.200 --> 0:33:47.560
<v Speaker 5>into two things, like movies and movements.

0:33:47.760 --> 0:33:49.120
<v Speaker 2>So if you ever, like in the Red had a

0:33:49.160 --> 0:33:50.200
<v Speaker 2>movement another thing.

0:33:50.200 --> 0:33:51.800
<v Speaker 5>I was like, we don't have a big movement, but

0:33:51.840 --> 0:33:54.280
<v Speaker 5>you are one of the best storytellers ever liked. So

0:33:54.320 --> 0:33:56.000
<v Speaker 5>I'm like, it needs to be like a movie. And

0:33:56.000 --> 0:33:58.960
<v Speaker 5>then you think of Romeo Must Die, John Tucker Must Die.

0:33:59.000 --> 0:34:01.640
<v Speaker 5>Those are movies. So it was just a playoff of that.

0:34:01.920 --> 0:34:04.680
<v Speaker 5>So we just took everybody to the movies over the weekend.

0:34:05.040 --> 0:34:07.840
<v Speaker 5>So it just like how he reacted to it, Like

0:34:07.880 --> 0:34:10.040
<v Speaker 5>everybody was like, but this is crazy, you know what

0:34:10.080 --> 0:34:12.480
<v Speaker 5>I mean. It ain't something you keep revisiting over and over,

0:34:12.520 --> 0:34:14.920
<v Speaker 5>but you remember if you've seen it. It's like I

0:34:15.040 --> 0:34:16.839
<v Speaker 5>seen nothing like you know what I mean? And yeah,

0:34:16.880 --> 0:34:19.239
<v Speaker 5>that was a lot of things. And people just.

0:34:20.080 --> 0:34:23.920
<v Speaker 1>Noss because you're saying must I'm like, bro, that's not tough.

0:34:24.960 --> 0:34:29.520
<v Speaker 1>That is if I'd be like, fuck, I hate Tupac,

0:34:30.040 --> 0:34:33.840
<v Speaker 1>that's what we would say. But it's you know, Shakespearean

0:34:33.880 --> 0:34:37.640
<v Speaker 1>to say it's poetic this person must die. But long

0:34:37.680 --> 0:34:40.960
<v Speaker 1>story short, as I started to figure out the idea

0:34:40.960 --> 0:34:44.239
<v Speaker 1>and I'm like, okay, I know how we all know

0:34:44.400 --> 0:34:46.680
<v Speaker 1>how we go, so I just need to explain how

0:34:46.680 --> 0:34:50.440
<v Speaker 1>it goes. But that kind of became me getting into

0:34:50.520 --> 0:34:55.839
<v Speaker 1>nineteen eighty eight. It's like, let me write this kind

0:34:55.880 --> 0:34:59.600
<v Speaker 1>of this cultural take about something that everybody knew about

0:35:00.320 --> 0:35:02.600
<v Speaker 1>and then to me when we first was doing it,

0:35:02.640 --> 0:35:07.000
<v Speaker 1>you know, metro Co producing a joint and I'm like, okay,

0:35:07.040 --> 0:35:09.200
<v Speaker 1>this is cool, And even making the video, it was

0:35:09.200 --> 0:35:11.120
<v Speaker 1>so second nature because this is like something that I

0:35:11.160 --> 0:35:14.480
<v Speaker 1>went through and got jumped by niggas and I'm bust

0:35:14.480 --> 0:35:17.560
<v Speaker 1>on the niggas help me. Ye could have gave me

0:35:17.520 --> 0:35:24.319
<v Speaker 1>your head up. Niggay'all know me. But watching like y'all

0:35:24.320 --> 0:35:28.400
<v Speaker 1>have like this hella crazy blueprint your whole generation. And

0:35:28.440 --> 0:35:32.759
<v Speaker 1>I don't just mean I'm talking about the first day

0:35:32.800 --> 0:35:37.160
<v Speaker 1>you got a fucking turntable. It's a hell of DNA

0:35:37.520 --> 0:35:41.080
<v Speaker 1>right there that we don't really focus and I'm glad

0:35:41.120 --> 0:35:45.080
<v Speaker 1>I learned it. So even sitting down talking with you,

0:35:45.080 --> 0:35:47.600
<v Speaker 1>you know, I never thought I was gonna come ask

0:35:47.719 --> 0:35:49.880
<v Speaker 1>Yellow about it. Nigga. I know your life, Nigga, they

0:35:49.920 --> 0:35:52.799
<v Speaker 1>made a movie. I know niggas that know you told

0:35:52.800 --> 0:35:55.680
<v Speaker 1>me you was early in DJ yell. You know, I knew.

0:35:55.760 --> 0:35:58.719
<v Speaker 1>I know niggas that know you, so I know the

0:35:58.880 --> 0:36:02.600
<v Speaker 1>story of it, but it just to really political somebody

0:36:02.600 --> 0:36:05.120
<v Speaker 1>who has the experience of where it like, I finally

0:36:05.160 --> 0:36:07.120
<v Speaker 1>fell in love with hip hop. Now I'll get to

0:36:07.120 --> 0:36:11.360
<v Speaker 1>talk to somebody that saw it start, not nineteen eighty seven,

0:36:12.000 --> 0:36:15.760
<v Speaker 1>in nineteen seventy nine, you know what I'm saying. Coolio

0:36:15.960 --> 0:36:17.640
<v Speaker 1>was telling me he was right. We got wrapping at

0:36:17.680 --> 0:36:18.560
<v Speaker 1>seventy nine rest.

0:36:18.719 --> 0:36:23.560
<v Speaker 4>So Kolio used to come when I djated.

0:36:23.800 --> 0:36:25.520
<v Speaker 3>Coolio used to come down and down to Eve.

0:36:25.960 --> 0:36:32.240
<v Speaker 6>Yeah yeah, because I think it right, that's in the happening.

0:36:32.480 --> 0:36:34.520
<v Speaker 1>Yeah yeah, So a nigga from on the Park going

0:36:34.560 --> 0:36:36.600
<v Speaker 1>to the Athens. I guess it probably wasn't that bad.

0:36:36.719 --> 0:36:42.799
<v Speaker 4>Damn the Colors to a totally different neighborhood than that.

0:36:43.000 --> 0:36:47.080
<v Speaker 1>Sure, I lot of pocket there, but I had to

0:36:47.160 --> 0:36:50.440
<v Speaker 1>pass so I couldn't imagine how Coolio was going through

0:36:50.440 --> 0:36:50.880
<v Speaker 1>the Athene.

0:36:51.719 --> 0:36:55.040
<v Speaker 6>That's crazy. But you know what Glasses did. Did Lonzo

0:36:55.080 --> 0:36:58.160
<v Speaker 6>ever tell you who kind of kept it?

0:36:58.400 --> 0:36:58.600
<v Speaker 3>Yeah?

0:36:58.640 --> 0:37:02.160
<v Speaker 6>I mean for the gags, wouldn't be tripping a cat Dan.

0:37:02.280 --> 0:37:04.800
<v Speaker 6>He's from the West Side named yellow Ice.

0:37:05.719 --> 0:37:06.719
<v Speaker 1>No tell me about him?

0:37:07.320 --> 0:37:10.920
<v Speaker 6>Well, Loonzo told me, and I heard it from Yellow

0:37:11.000 --> 0:37:15.120
<v Speaker 6>Hece his real name is Keith duncan uh Lonzo because

0:37:15.160 --> 0:37:15.839
<v Speaker 6>I even asked him.

0:37:15.840 --> 0:37:17.920
<v Speaker 1>I said, man, he's like, yeah, well.

0:37:17.920 --> 0:37:21.440
<v Speaker 6>Keith kept everything, you know, peaceful. Yeah, I mean because

0:37:21.480 --> 0:37:24.439
<v Speaker 6>he he knew a lot of people from both sets. Yeah,

0:37:24.440 --> 0:37:26.920
<v Speaker 6>I mean from both I mean multiple hoods, not this

0:37:27.080 --> 0:37:31.000
<v Speaker 6>but and uh but yeah he was he Lonzo said,

0:37:31.040 --> 0:37:33.440
<v Speaker 6>He's the one kind of kept the peace where he

0:37:33.480 --> 0:37:36.480
<v Speaker 6>didn't have no no gang violence going on up there

0:37:36.480 --> 0:37:37.799
<v Speaker 6>at the eve after dark.

0:37:38.360 --> 0:37:42.480
<v Speaker 1>West Side has always been really influential, even before it

0:37:42.560 --> 0:37:46.000
<v Speaker 1>was like extra gay, Like I remember when you really

0:37:46.000 --> 0:37:48.960
<v Speaker 1>start hearing about them in a violent ways told with

0:37:48.960 --> 0:37:54.480
<v Speaker 1>the nuning, but previously that day were really influential. Get

0:37:54.560 --> 0:37:58.160
<v Speaker 1>some money and they were meant something and the gras

0:37:58.200 --> 0:38:03.760
<v Speaker 1>scheme of what was happening, right, that's dope to hear that.

0:38:03.760 --> 0:38:06.440
<v Speaker 1>That's that's crazy because I think about that all the time.

0:38:06.440 --> 0:38:09.160
<v Speaker 1>And I was just looking at that super Bowl performance. Man,

0:38:09.360 --> 0:38:12.520
<v Speaker 1>so that was cool. I like when they give hints

0:38:12.520 --> 0:38:14.120
<v Speaker 1>and where all this started at.

0:38:14.960 --> 0:38:16.840
<v Speaker 6>Yeah, what'd you think about that when you've seen that

0:38:16.960 --> 0:38:17.720
<v Speaker 6>on the Super Bowl?

0:38:17.920 --> 0:38:21.239
<v Speaker 1>I thought that was a player. I thought it was important.

0:38:22.280 --> 0:38:25.120
<v Speaker 1>I'm I'm I'm I'm always on dreading them. Like even

0:38:25.160 --> 0:38:27.239
<v Speaker 1>Dre was cussing up, cussing us out about two Pole.

0:38:27.280 --> 0:38:30.200
<v Speaker 1>He was cussing me and met about damn it classes

0:38:30.800 --> 0:38:36.200
<v Speaker 1>he's got some ship going on. Yeah, him cuts me

0:38:36.200 --> 0:38:39.279
<v Speaker 1>out just made me smile. Yeah, he knew I was

0:38:39.320 --> 0:38:41.520
<v Speaker 1>just getting off because it was like, this is just

0:38:41.600 --> 0:38:44.680
<v Speaker 1>hip hop. I'm not It's not a stance. It's saying

0:38:44.760 --> 0:38:48.000
<v Speaker 1>I didn't say funck nobody. This is just me being

0:38:48.040 --> 0:38:52.480
<v Speaker 1>dope and people being sold. And like I said, intrigued

0:38:52.520 --> 0:38:56.759
<v Speaker 1>with how he grew up, you know, I mean, well,

0:38:56.760 --> 0:38:58.480
<v Speaker 1>once he figured it out, it made sense, and then

0:38:58.520 --> 0:39:01.880
<v Speaker 1>everybody else told him. I think I don't think he

0:39:01.960 --> 0:39:06.080
<v Speaker 1>actually looked at him or DJ Quick Quick cuss me out.

0:39:06.280 --> 0:39:10.080
<v Speaker 1>Man Quick did a concert somewhere and he was on

0:39:10.160 --> 0:39:14.560
<v Speaker 1>stage going off the fuck glasses pump motherfucker talking ship

0:39:14.600 --> 0:39:17.000
<v Speaker 1>about Tupac and I'm just looking at the ship, laughing

0:39:17.040 --> 0:39:18.160
<v Speaker 1>in the video like look at this.

0:39:18.360 --> 0:39:20.080
<v Speaker 2>Yeah, me and g was kind of nudging each other

0:39:20.200 --> 0:39:21.719
<v Speaker 2>like look this like this.

0:39:21.920 --> 0:39:23.000
<v Speaker 3>It was amazing.

0:39:23.680 --> 0:39:26.839
<v Speaker 5>Like a lot of people thought it was like a reach,

0:39:26.920 --> 0:39:28.800
<v Speaker 5>like a hell marry, and it's like no, we actually

0:39:28.800 --> 0:39:31.200
<v Speaker 5>curated and concoct to something on purpose, like we can

0:39:31.239 --> 0:39:33.640
<v Speaker 5>continually do this. It was just a and to see

0:39:33.640 --> 0:39:35.840
<v Speaker 5>how many people froze up for two three weeks and

0:39:35.840 --> 0:39:37.840
<v Speaker 5>everybody was yeah, it was like corrupt.

0:39:38.400 --> 0:39:40.920
<v Speaker 1>Yeah, but I think the initial.

0:39:42.120 --> 0:39:47.239
<v Speaker 5>Gangster rihism of the nerve heard it as got that

0:39:47.600 --> 0:39:48.760
<v Speaker 5>talk always the audacity.

0:39:48.800 --> 0:39:51.239
<v Speaker 1>I ain't got nothing else two dollars, but he got

0:39:51.280 --> 0:39:56.319
<v Speaker 1>some audacity. But now it was like when they all

0:39:56.440 --> 0:39:58.719
<v Speaker 1>saw they was like I get it, even oh man,

0:39:58.760 --> 0:40:02.360
<v Speaker 1>I get it. That ship is though, but I get it,

0:40:02.440 --> 0:40:05.239
<v Speaker 1>you know what I mean? It was you know, I

0:40:05.280 --> 0:40:07.160
<v Speaker 1>could imagine like I asked him when they put off

0:40:07.400 --> 0:40:11.560
<v Speaker 1>the police and how crazy it was, you know, yeah,

0:40:11.600 --> 0:40:14.640
<v Speaker 1>but now you look at that song. That is not

0:40:14.800 --> 0:40:17.680
<v Speaker 1>how it was. That is not how that ship is.

0:40:17.680 --> 0:40:20.680
<v Speaker 1>Now that ship is the theme of the world seeing

0:40:20.840 --> 0:40:24.399
<v Speaker 1>then and don limit up there the police not how

0:40:24.400 --> 0:40:26.560
<v Speaker 1>it was. It was fucked up.

0:40:27.080 --> 0:40:31.480
<v Speaker 6>I think when I think when that came out, the

0:40:31.520 --> 0:40:35.239
<v Speaker 6>world was upset at them for putting that out, you

0:40:35.280 --> 0:40:36.319
<v Speaker 6>know what I mean, It was like.

0:40:37.800 --> 0:40:41.440
<v Speaker 1>Here you say that like you like you yeah, you're

0:40:41.480 --> 0:40:43.800
<v Speaker 1>talking about the hero talking about the you got the

0:40:43.840 --> 0:40:44.399
<v Speaker 1>song right now.

0:40:49.560 --> 0:40:57.359
<v Speaker 7>We just had the balls to say it saying it.

0:40:57.440 --> 0:40:59.600
<v Speaker 3>You know in our days, you didn't say it to

0:40:59.640 --> 0:41:02.680
<v Speaker 3>a cop. Yeah, all the COPI.

0:41:03.920 --> 0:41:05.640
<v Speaker 1>I swear to God, I'll be hooking. I'll be like,

0:41:05.680 --> 0:41:08.680
<v Speaker 1>he should fuck you up. I'm telling nobody else, I

0:41:08.719 --> 0:41:11.440
<v Speaker 1>said on the podcast, some of y'all deserve to get

0:41:11.480 --> 0:41:14.000
<v Speaker 1>y'all ass well, you shouldn't be talking to know he.

0:41:15.719 --> 0:41:19.000
<v Speaker 3>Be a god fuck you motherfucker. Ain't live.

0:41:19.280 --> 0:41:24.160
<v Speaker 1>Don't get fucked up a song, nigga, my homeboy, my

0:41:24.239 --> 0:41:27.239
<v Speaker 1>boy Jesse. Shout out to Jesse, my boy Jesse. Who

0:41:27.600 --> 0:41:29.680
<v Speaker 1>you know. We came up street racing together. He got

0:41:29.680 --> 0:41:33.920
<v Speaker 1>a police hot so he's like a traffic car and

0:41:33.960 --> 0:41:36.319
<v Speaker 1>he'd be pulling people like watch this. Sometimes he'd be

0:41:36.360 --> 0:41:38.040
<v Speaker 1>on the phone with me and let me hearing our

0:41:38.080 --> 0:41:40.920
<v Speaker 1>people talking, they'll be doing. He'll be like this, motherfucker

0:41:40.960 --> 0:41:43.000
<v Speaker 1>been on the phone for ten minutes. I'm just following.

0:41:43.120 --> 0:41:45.319
<v Speaker 1>You don't even see, I said, he said. Watch I

0:41:45.320 --> 0:41:47.520
<v Speaker 1>pulled him up. Watch how they talked to me. Talk

0:41:47.560 --> 0:41:50.080
<v Speaker 1>to me crazy, pull him over. He's like, well, you

0:41:50.080 --> 0:41:51.839
<v Speaker 1>know you've been on your phone. No, No, I just

0:41:51.920 --> 0:41:54.040
<v Speaker 1>was I was looking at the map. I've been sitting

0:41:54.080 --> 0:41:56.080
<v Speaker 1>next to you. No, you just making shu up. See

0:41:56.080 --> 0:41:57.680
<v Speaker 1>that's the fucking problem with the POE and they just

0:41:57.680 --> 0:42:01.200
<v Speaker 1>start going bad. And Jesse from the Jump, Oh wow.

0:42:01.600 --> 0:42:05.560
<v Speaker 1>So he like, fuck y'all motherfuckers. You motherfuckers think y'all

0:42:05.600 --> 0:42:07.960
<v Speaker 1>too good. He like nigga I'm from the Jungles. He

0:42:08.080 --> 0:42:13.239
<v Speaker 1>was like, Zee, this motherfucker from Crito's talking shit to me.

0:42:14.560 --> 0:42:17.239
<v Speaker 1>So I don't. I'm not like even when I talked

0:42:17.239 --> 0:42:19.320
<v Speaker 1>to Docum member. I don't blame hip hop for this.

0:42:20.200 --> 0:42:24.239
<v Speaker 1>I think hip hop definitely give you some nuts. Now

0:42:24.360 --> 0:42:27.120
<v Speaker 1>how you use your nuts different, I don't give a

0:42:27.120 --> 0:42:29.239
<v Speaker 1>fuck how many n w A stigns come. I ain't

0:42:29.320 --> 0:42:32.719
<v Speaker 1>never said that to the police, You lying man. I

0:42:32.800 --> 0:42:34.399
<v Speaker 1>just said some ship to all kinds of human beings.

0:42:34.480 --> 0:42:36.120
<v Speaker 1>I'm not gonna talk to no nigga that can legally

0:42:36.200 --> 0:42:40.760
<v Speaker 1>kill me. Always figured out as a young nigga fighting

0:42:40.760 --> 0:42:44.319
<v Speaker 1>the court, I'm the fuck with. Nobody had to tell

0:42:44.360 --> 0:42:47.480
<v Speaker 1>me that. Something about talking to crazy to a motherfucker

0:42:47.520 --> 0:42:50.360
<v Speaker 1>with a gun just never made got a budge.

0:42:51.000 --> 0:42:52.680
<v Speaker 2>Like when I was in tu one of the cops

0:42:52.800 --> 0:42:53.640
<v Speaker 2>sidebar real quick.

0:42:53.719 --> 0:42:56.040
<v Speaker 5>Just on the police and the leverage they have, they

0:42:56.080 --> 0:42:59.040
<v Speaker 5>said they will have undercover police they'll know drug dealers

0:42:59.080 --> 0:43:00.399
<v Speaker 5>is selling drugs on the corner.

0:43:00.480 --> 0:43:03.440
<v Speaker 2>That'll go up literally shoot the dude to.

0:43:03.360 --> 0:43:04.920
<v Speaker 5>Shoot him in the head and then drop a knife

0:43:04.920 --> 0:43:06.600
<v Speaker 5>next to him, be like he attacked me, and write

0:43:06.640 --> 0:43:08.520
<v Speaker 5>a re police report that he attacked him and they

0:43:08.520 --> 0:43:10.239
<v Speaker 5>have to shoot him. And I'm like, that's how they

0:43:10.280 --> 0:43:13.000
<v Speaker 5>get really drug dealers in Trinidad. I'm like, that's crazy,

0:43:13.000 --> 0:43:14.520
<v Speaker 5>Like if they was doing that out here.

0:43:14.320 --> 0:43:17.320
<v Speaker 1>Like like like damn, don't.

0:43:20.080 --> 0:43:21.920
<v Speaker 2>Be like drop a knife next to you. He attacking.

0:43:22.520 --> 0:43:24.520
<v Speaker 1>I guess as a as a as a as a

0:43:24.560 --> 0:43:26.279
<v Speaker 1>game member, and as a D boy, you know, for

0:43:26.320 --> 0:43:28.640
<v Speaker 1>whatever being the game ever means. But as a D boy,

0:43:28.719 --> 0:43:35.239
<v Speaker 1>for sure I understood their conflicts. You you have a

0:43:35.280 --> 0:43:38.360
<v Speaker 1>necessary purpose in the community. My job is to not

0:43:38.400 --> 0:43:42.520
<v Speaker 1>get caught your job. That didn't make me hate you,

0:43:42.520 --> 0:43:44.200
<v Speaker 1>you know what I mean. I don't hate the defensive end.

0:43:44.200 --> 0:43:45.920
<v Speaker 1>If I'm the quarterback of the team, I get it.

0:43:45.960 --> 0:43:49.560
<v Speaker 1>This is our job. Some people man like I said,

0:43:49.600 --> 0:43:53.640
<v Speaker 1>the army doing ship and maybe fuck you motherfuck up. Bro,

0:43:53.719 --> 0:43:57.759
<v Speaker 1>you've been on your phone ten minutes. One time, one

0:43:57.800 --> 0:43:59.840
<v Speaker 1>of them pulled over Jail, feeling you Jail didn't have

0:43:59.840 --> 0:44:02.960
<v Speaker 1>no motherfucker drivers like he like, he called me, he

0:44:03.040 --> 0:44:05.359
<v Speaker 1>was like, gee, what's up. I'm like, what's that? He's like, man,

0:44:05.400 --> 0:44:07.120
<v Speaker 1>you fuck with jail felling. I'm like, yeah, nigga love

0:44:07.200 --> 0:44:09.959
<v Speaker 1>jail feeling. He's like, all right for you. That nigga

0:44:09.960 --> 0:44:12.360
<v Speaker 1>gonna be able to keep his car. Wow, where a

0:44:12.440 --> 0:44:16.200
<v Speaker 1>god got to jail jail? It's going to good? Look

0:44:16.200 --> 0:44:19.640
<v Speaker 1>it out, like, nigga, that is weird. You know how

0:44:19.640 --> 0:44:21.080
<v Speaker 1>that happened to stell Son too?

0:44:21.520 --> 0:44:22.120
<v Speaker 3>Oh wow?

0:44:22.600 --> 0:44:26.000
<v Speaker 1>Chris Steel asked. Chris playing professional football, he got put

0:44:26.040 --> 0:44:27.839
<v Speaker 1>over by the home you know, called me like, hey,

0:44:28.080 --> 0:44:31.000
<v Speaker 1>is this nigga really your nephew? That's my nap Lucky

0:44:31.000 --> 0:44:34.400
<v Speaker 1>you nigga, I know your uncle. Nigga. Wow, nigga crazy.

0:44:35.120 --> 0:44:41.000
<v Speaker 1>So I always believe in having paid police friends. You

0:44:41.040 --> 0:44:44.799
<v Speaker 1>ain't lying, you know what I get in w A's plight.

0:44:44.880 --> 0:44:48.759
<v Speaker 1>But I'm always like, no, I'm not gonna We'll be

0:44:48.800 --> 0:44:50.840
<v Speaker 1>on my own side. But I ain't even said fuck y'all.

0:44:51.239 --> 0:44:53.560
<v Speaker 1>I did a song with a D You gonna look

0:44:53.600 --> 0:44:56.160
<v Speaker 1>it up. It's a song with a D and uh

0:44:56.360 --> 0:44:58.840
<v Speaker 1>one of my other homeboys, and it's a fuck the

0:44:58.880 --> 0:45:01.080
<v Speaker 1>police officer. My whole verse is explaining why I'm not

0:45:01.120 --> 0:45:06.120
<v Speaker 1>saying fuck because I genuinely believe, like you better mean

0:45:06.160 --> 0:45:08.360
<v Speaker 1>this shit. And if I ain't talking about shooting nobody,

0:45:08.400 --> 0:45:09.640
<v Speaker 1>I ain't got no bitines saying fuck.

0:45:09.840 --> 0:45:11.120
<v Speaker 3>When Game, when.

0:45:10.960 --> 0:45:12.600
<v Speaker 1>The whole Black Wall set shit first started with the

0:45:12.600 --> 0:45:14.480
<v Speaker 1>g and this ship and Game was putting together ship,

0:45:14.520 --> 0:45:16.520
<v Speaker 1>he was like, gee, man, we finished disting niggas. Youre

0:45:16.480 --> 0:45:19.280
<v Speaker 1>trying to jump on. Nah, I've been at to shoot

0:45:19.280 --> 0:45:21.839
<v Speaker 1>at fifty in them, So I'm gonna do this other song.

0:45:21.840 --> 0:45:23.960
<v Speaker 1>You're gonna do this song? Okay? Cool? This ain't this nobody?

0:45:24.000 --> 0:45:24.279
<v Speaker 2>All right?

0:45:25.280 --> 0:45:26.600
<v Speaker 1>I can't get in the middle of the ship that

0:45:26.640 --> 0:45:29.680
<v Speaker 1>I don't believe in shooting the nigga. That's right. My

0:45:29.680 --> 0:45:33.120
<v Speaker 1>friends really shoot you about this shit. I really careful.

0:45:35.920 --> 0:45:37.840
<v Speaker 1>So austral you, how long is that trip? Like, what

0:45:37.880 --> 0:45:39.000
<v Speaker 1>does that look like for you? Now?

0:45:40.880 --> 0:45:46.280
<v Speaker 4>It's about fifty hours of flying forty five minutes set.

0:45:46.520 --> 0:45:49.439
<v Speaker 1>I just see it. So so it's one.

0:45:49.400 --> 0:45:55.840
<v Speaker 5>Day, yes, all in Australia for one Yeah, and it's crazy.

0:45:56.239 --> 0:45:59.960
<v Speaker 4>Sydney is the closest I'm going to Purf, which is

0:46:00.400 --> 0:46:01.520
<v Speaker 4>six hours from the.

0:46:02.160 --> 0:46:05.560
<v Speaker 1>Like from New York twenty four and a half hour flight.

0:46:07.560 --> 0:46:11.759
<v Speaker 4>I think it's twenty one plus airport time plus going.

0:46:12.320 --> 0:46:14.040
<v Speaker 3>Yeah, like a whole day.

0:46:14.719 --> 0:46:17.239
<v Speaker 1>Oh real day. I like how kids say today, Like

0:46:17.800 --> 0:46:20.759
<v Speaker 1>no for real? So then you drop six hours that's

0:46:21.040 --> 0:46:21.600
<v Speaker 1>I just sold.

0:46:21.680 --> 0:46:23.800
<v Speaker 3>No, no, we fly another six hours.

0:46:24.000 --> 0:46:25.680
<v Speaker 1>Oh six hours of flight.

0:46:25.920 --> 0:46:31.440
<v Speaker 3>Yeah, it's across the country. Sydney did first. Yeah, so

0:46:31.480 --> 0:46:33.719
<v Speaker 3>it's like landing in New York.

0:46:33.960 --> 0:46:41.520
<v Speaker 4>And then I had to go to La Yeah, YO said,

0:46:41.520 --> 0:46:43.160
<v Speaker 4>it's forty five forty five minutes?

0:46:43.280 --> 0:46:44.680
<v Speaker 1>What kind of what kind of event is it?

0:46:46.120 --> 0:46:46.200
<v Speaker 3>So?

0:46:46.320 --> 0:46:51.560
<v Speaker 4>I don't know because when they when the deal, I

0:46:51.640 --> 0:46:52.800
<v Speaker 4>don't DJ parties.

0:46:52.920 --> 0:46:56.919
<v Speaker 3>I don't DJ the dance. No, they just look like.

0:46:56.840 --> 0:47:00.839
<v Speaker 1>A performance like yeah, yeah, so it's just I seen

0:47:00.880 --> 0:47:04.439
<v Speaker 1>I've seen Jeff do it. Jeff. Yeah. I just said

0:47:04.520 --> 0:47:07.600
<v Speaker 1>like that, do you do you do you work on it?

0:47:07.600 --> 0:47:09.040
<v Speaker 1>Do you work on when you get home or at

0:47:09.040 --> 0:47:09.359
<v Speaker 1>this point?

0:47:09.480 --> 0:47:09.640
<v Speaker 7>Nah?

0:47:09.880 --> 0:47:09.920
<v Speaker 5>No?

0:47:11.480 --> 0:47:15.319
<v Speaker 1>So you got your blends from samples, alty set set?

0:47:15.880 --> 0:47:17.520
<v Speaker 1>How creative do you like to go with that ship?

0:47:17.760 --> 0:47:20.439
<v Speaker 3>I mean I do more talking. You know, DJ don't

0:47:20.480 --> 0:47:23.399
<v Speaker 3>talk to Mike. I don't know why, but that's how

0:47:23.440 --> 0:47:25.920
<v Speaker 3>I grew up. You had to talk. You had to

0:47:25.920 --> 0:47:29.440
<v Speaker 3>get the point to me. A DJ is not what

0:47:29.520 --> 0:47:33.439
<v Speaker 3>you do. It's can you keep the party going from

0:47:33.440 --> 0:47:36.360
<v Speaker 3>this time to that time? That's all. It ain't about

0:47:36.360 --> 0:47:39.200
<v Speaker 3>nothing else. If the floor is empty, you ain't doing it.

0:47:39.800 --> 0:47:41.359
<v Speaker 1>And who is your favorite DJ?

0:47:43.120 --> 0:47:43.160
<v Speaker 5>Me?

0:47:44.560 --> 0:47:44.840
<v Speaker 3>Second?

0:47:45.960 --> 0:47:46.040
<v Speaker 7>Me?

0:47:46.640 --> 0:47:49.560
<v Speaker 1>I never looked at other DJs, another DJ except Dre

0:47:49.719 --> 0:47:55.920
<v Speaker 1>because we j first and then he come out. Yeah,

0:47:56.080 --> 0:47:58.359
<v Speaker 1>I mean you never like no other person. I've never

0:47:58.440 --> 0:48:01.680
<v Speaker 1>seen any because in the DJ days, we was always

0:48:01.680 --> 0:48:02.960
<v Speaker 1>in the club DJ.

0:48:03.160 --> 0:48:06.880
<v Speaker 3>So I never went to I've never been to clubs

0:48:07.400 --> 0:48:08.280
<v Speaker 3>seeing up the DJ.

0:48:08.560 --> 0:48:11.160
<v Speaker 1>That's how I fell as a rapper. Everybody my first

0:48:11.160 --> 0:48:15.319
<v Speaker 1>concert I was there, ye, people asking me about they

0:48:15.360 --> 0:48:17.280
<v Speaker 1>be like, man, glad you ever seen the WSS Like Nigga,

0:48:17.360 --> 0:48:21.920
<v Speaker 1>I lived it. I had the same experiences, so look

0:48:21.960 --> 0:48:23.680
<v Speaker 1>at it like that. But now I kind of find

0:48:23.680 --> 0:48:26.440
<v Speaker 1>myself catching those moments when I can, Oh, really, I

0:48:26.440 --> 0:48:29.200
<v Speaker 1>gotta check you out. I gotta come see it. So

0:48:29.280 --> 0:48:32.120
<v Speaker 1>the first concerts you went to, you was actually rapping

0:48:32.160 --> 0:48:34.560
<v Speaker 1>at the Normany Casino and Guardian Oh one.

0:48:34.480 --> 0:48:37.080
<v Speaker 3>Wow, that's the other one.

0:48:37.560 --> 0:48:40.440
<v Speaker 4>Yeah, Yeah, I met a hustler.

0:48:41.719 --> 0:48:44.279
<v Speaker 1>You never went to a I never even wanted to

0:48:45.280 --> 0:48:48.680
<v Speaker 1>because I really believed in the music as like a soundtrack.

0:48:48.719 --> 0:48:51.759
<v Speaker 1>To how we lived. I was living it like when

0:48:51.800 --> 0:48:53.840
<v Speaker 1>dud See the Shadiest One came out. We was in

0:48:53.880 --> 0:48:55.960
<v Speaker 1>low riders, going on the boulevard as fresh out of

0:48:56.000 --> 0:48:59.320
<v Speaker 1>high school. So all do you glasses now? I'm forty

0:48:59.360 --> 0:49:01.640
<v Speaker 1>three okay, four forty four?

0:49:04.280 --> 0:49:08.000
<v Speaker 6>Shit, So we just lived it though, And who was

0:49:08.080 --> 0:49:09.760
<v Speaker 6>on that ticket with you?

0:49:09.719 --> 0:49:13.200
<v Speaker 1>You remember? Oh? I did it myself. Oh every My

0:49:13.320 --> 0:49:18.040
<v Speaker 1>whole journey into hip hop has been like God replaced.

0:49:18.040 --> 0:49:20.839
<v Speaker 1>So I lost. I had a and I know this

0:49:20.880 --> 0:49:23.920
<v Speaker 1>is a little talking to you. I had a popping

0:49:23.960 --> 0:49:26.320
<v Speaker 1>as siren spot one hundred and eighteen in the moments

0:49:26.600 --> 0:49:29.320
<v Speaker 1>and when I lost it, like, I tried to open

0:49:29.360 --> 0:49:32.480
<v Speaker 1>back up a couple but shit, just everything that could

0:49:32.520 --> 0:49:35.920
<v Speaker 1>go wrong with So I came up with this idea

0:49:35.920 --> 0:49:38.400
<v Speaker 1>to start a record late, and I brought a tekiki.

0:49:38.960 --> 0:49:42.680
<v Speaker 1>I'ma started record later, and everybody looked at me crazy,

0:49:42.680 --> 0:49:44.359
<v Speaker 1>even though on my own boysards like nigga, you don't

0:49:44.400 --> 0:49:46.279
<v Speaker 1>know nothing about rapping. I'm like, yeah, but I could

0:49:46.320 --> 0:49:49.280
<v Speaker 1>wrap like I got a rhythm and I'm art tickling.

0:49:49.360 --> 0:49:51.360
<v Speaker 1>I ain't never drink or smoke, so I'm soul like

0:49:51.360 --> 0:49:55.600
<v Speaker 1>I could. I'm a great storyteller. Already and so I

0:49:55.640 --> 0:49:57.480
<v Speaker 1>started working on it and I got good at it,

0:49:57.520 --> 0:50:01.359
<v Speaker 1>but it was all to replaced the business loss. So

0:50:01.480 --> 0:50:04.840
<v Speaker 1>I opened the Regulabel. So my first concert, nobody booked

0:50:04.840 --> 0:50:07.920
<v Speaker 1>me for. We booked it ourselves. We sold all our

0:50:07.960 --> 0:50:11.520
<v Speaker 1>CDs ourselves. I mean, I didn't. We came in with

0:50:11.560 --> 0:50:14.600
<v Speaker 1>the same mentality of hustling drugs, and that's what I'm saying.

0:50:14.640 --> 0:50:18.560
<v Speaker 1>Initially I was hustling. Everything about it was making money

0:50:18.680 --> 0:50:22.120
<v Speaker 1>or how does it help the business? Twenty eleven, I

0:50:22.160 --> 0:50:24.480
<v Speaker 1>started falling in love with the craft, the art of

0:50:24.520 --> 0:50:27.120
<v Speaker 1>it all and what made it special. And then I

0:50:27.160 --> 0:50:29.960
<v Speaker 1>start sharing it with my bro with Metro, like, hey, fool, like,

0:50:31.400 --> 0:50:34.080
<v Speaker 1>it can't be about money. Dre used to say that, man,

0:50:34.160 --> 0:50:36.520
<v Speaker 1>it can't be about no money. Rich ass nigga talking

0:50:36.520 --> 0:50:36.799
<v Speaker 1>about it.

0:50:37.640 --> 0:50:39.359
<v Speaker 6>But you know what, that's the same thing he tell

0:50:39.480 --> 0:50:40.200
<v Speaker 6>me all the time.

0:50:40.520 --> 0:50:43.600
<v Speaker 1>And I do that and it sounds crazy. I remember

0:50:43.640 --> 0:50:45.920
<v Speaker 1>it sounded crazy to me. Nigga, I get it, and

0:50:45.960 --> 0:50:47.239
<v Speaker 1>Higgas ain't crazy, I tell him.

0:50:47.320 --> 0:50:50.040
<v Speaker 5>He think like I said, I'm forty, right, I got

0:50:50.040 --> 0:50:51.920
<v Speaker 5>a seventeen year old, twelve year I got a wife,

0:50:52.200 --> 0:50:54.000
<v Speaker 5>I'm making music twenty years You can't even do this

0:50:54.080 --> 0:50:55.640
<v Speaker 5>eight years, nine years and I ain't no money.

0:50:55.640 --> 0:50:57.560
<v Speaker 2>We just doing it for the love. Wife's like, what

0:50:57.640 --> 0:50:58.279
<v Speaker 2>the money is?

0:50:58.920 --> 0:51:03.040
<v Speaker 1>Money? It's different that I get what. I get what

0:51:03.120 --> 0:51:06.319
<v Speaker 1>he's saying, but I know what see I'm telling them

0:51:06.400 --> 0:51:09.920
<v Speaker 1>niggas is the same nigga, dread ya, same ship. So

0:51:10.280 --> 0:51:12.200
<v Speaker 1>because I don't know how Dre really he acts like

0:51:12.239 --> 0:51:14.040
<v Speaker 1>he be in there want to do something that nigga

0:51:14.080 --> 0:51:18.399
<v Speaker 1>is like, man, we just gonna do but it had

0:51:18.600 --> 0:51:21.080
<v Speaker 1>You have to be driven by the purpose of whatever

0:51:21.120 --> 0:51:24.600
<v Speaker 1>it is. Right, if you making songs for the party,

0:51:24.640 --> 0:51:27.560
<v Speaker 1>you gotta want It's like your whole purpose gotta be

0:51:28.400 --> 0:51:30.799
<v Speaker 1>how to make the party go crazy with this song?

0:51:31.520 --> 0:51:34.319
<v Speaker 1>When you making a film, like how do you you know,

0:51:34.480 --> 0:51:37.359
<v Speaker 1>carry out the ship? And it gotta be that way

0:51:37.920 --> 0:51:39.600
<v Speaker 1>you do business to make money.

0:51:39.680 --> 0:51:41.879
<v Speaker 2>I mean, don't let him confuse you. My label called

0:51:42.040 --> 0:51:42.800
<v Speaker 2>Timeless Music.

0:51:42.840 --> 0:51:44.560
<v Speaker 5>So my initial I wasn't like I'm about to try

0:51:44.560 --> 0:51:46.640
<v Speaker 5>to get rich, I'm gonna go make rap Like No,

0:51:46.719 --> 0:51:48.480
<v Speaker 5>it's I'm in love with this and this is what

0:51:48.520 --> 0:51:50.920
<v Speaker 5>I'm spending my life on. So this needs to generate

0:51:51.000 --> 0:51:53.440
<v Speaker 5>business so I can take care of myself. Right, So

0:51:53.480 --> 0:51:56.239
<v Speaker 5>it wasn't let's go get rich. I'm gonna make some mix,

0:51:56.280 --> 0:51:58.120
<v Speaker 5>some records, like you know what I mean. So yeah,

0:51:58.280 --> 0:52:00.440
<v Speaker 5>just so that's not misconstru true.

0:52:03.120 --> 0:52:05.800
<v Speaker 1>Like what he said to you, It is just a business.

0:52:05.840 --> 0:52:09.440
<v Speaker 1>But it can't be about the money. The business is

0:52:09.560 --> 0:52:12.279
<v Speaker 1>just the business. But you gotta be I'll tell you

0:52:12.360 --> 0:52:14.279
<v Speaker 1>right now, I'll be driven by different shit. Like when

0:52:14.280 --> 0:52:16.480
<v Speaker 1>I opened up my site that's doing good now, the

0:52:16.520 --> 0:52:19.920
<v Speaker 1>Cript store, I wasn't really worried about making money. I

0:52:19.960 --> 0:52:22.600
<v Speaker 1>was like, Yo, I'm trying to open up something, make

0:52:22.680 --> 0:52:24.640
<v Speaker 1>a store. People could come and they feel like a

0:52:24.640 --> 0:52:26.840
<v Speaker 1>guilty pleasure coming to buy something from the crypt store.

0:52:28.000 --> 0:52:30.520
<v Speaker 1>Who goes to the cryptstore dot com? You know what

0:52:30.520 --> 0:52:33.480
<v Speaker 1>I mean. That's how I'm thinking. I'm thinking like them

0:52:33.560 --> 0:52:35.720
<v Speaker 1>niggas start then and then you just do the business.

0:52:35.719 --> 0:52:38.399
<v Speaker 1>The business is gonna pay you any you know. When

0:52:38.440 --> 0:52:41.040
<v Speaker 1>I did my first thing at the Normany Casino, my

0:52:41.120 --> 0:52:43.960
<v Speaker 1>older brother shout out to Pool, but Pool wanted me

0:52:44.000 --> 0:52:48.120
<v Speaker 1>to sell tickets for it was a guy named Sean Healey.

0:52:48.760 --> 0:52:52.560
<v Speaker 1>He would make all the rappers sell tickets to open

0:52:52.680 --> 0:52:55.399
<v Speaker 1>up for like different hue right to get in front

0:52:55.400 --> 0:52:57.759
<v Speaker 1>of the big audience. But he would charge you for

0:52:57.800 --> 0:52:59.840
<v Speaker 1>the tickets. So the charge you three thousand dollars and

0:52:59.880 --> 0:53:02.879
<v Speaker 1>you that to sell three hundred tickets to get your money.

0:53:04.120 --> 0:53:06.960
<v Speaker 1>And I remember my brother came to me, was like, man,

0:53:07.080 --> 0:53:09.400
<v Speaker 1>you know, we gonna we're gonna give him three thousand

0:53:09.440 --> 0:53:11.799
<v Speaker 1>dollars and he gonna let us open up for who

0:53:11.840 --> 0:53:14.200
<v Speaker 1>was it at that time if somebody baby nd thanks

0:53:14.239 --> 0:53:16.880
<v Speaker 1>to something somebody popping in two thousand and four, and

0:53:16.920 --> 0:53:19.799
<v Speaker 1>I remember looking like, I mean two thousand and five,

0:53:19.840 --> 0:53:22.840
<v Speaker 1>I'm like, I'm not paying nobody to bring people today.

0:53:22.920 --> 0:53:26.080
<v Speaker 1>That shit just didn't make sense to me as fucker, Yeah,

0:53:26.320 --> 0:53:29.160
<v Speaker 1>what the fuck, I'm gonna pay you. I know enough

0:53:29.160 --> 0:53:31.440
<v Speaker 1>people to come bring And so I remember telling my

0:53:31.440 --> 0:53:33.560
<v Speaker 1>older brothers like, yeah, we should just find a venue

0:53:33.960 --> 0:53:35.839
<v Speaker 1>and then we're gonna book it ourselves. And this shit

0:53:36.040 --> 0:53:39.200
<v Speaker 1>nigga been street racing, low riding gang members selling us.

0:53:39.239 --> 0:53:41.560
<v Speaker 1>We know a lot of people. We'll make them pay

0:53:41.640 --> 0:53:45.800
<v Speaker 1>us to come see me wrapping. He's he looked at me, grady,

0:53:45.800 --> 0:53:48.160
<v Speaker 1>He's like, nigga, ain't nobody finishes. I'm like, yeah, my

0:53:48.200 --> 0:53:50.880
<v Speaker 1>CD been out there, we hustling and everybody know it.

0:53:50.920 --> 0:53:53.080
<v Speaker 1>And they fucked with us. They fuck with me, so

0:53:53.080 --> 0:53:55.680
<v Speaker 1>they gonna pay. And I remember that was our first

0:53:55.680 --> 0:53:58.120
<v Speaker 1>show and I sold the tickets ten dollars pre sale,

0:53:58.160 --> 0:54:01.840
<v Speaker 1>fifteen dollars at the door. My first concert I made four.

0:54:01.600 --> 0:54:04.840
<v Speaker 3>Thousand mile wow, my first one.

0:54:04.880 --> 0:54:08.640
<v Speaker 1>My third concert was for fred dre recipes from South Saw.

0:54:08.960 --> 0:54:11.840
<v Speaker 1>All right, they booked me for their private but I

0:54:12.040 --> 0:54:13.799
<v Speaker 1>refuse to pay other people to wrap.

0:54:13.920 --> 0:54:17.800
<v Speaker 3>Yeah, I never when I hear about that, people paying

0:54:17.840 --> 0:54:18.120
<v Speaker 3>to be.

0:54:19.920 --> 0:54:21.920
<v Speaker 1>You pay to be on stage.

0:54:22.000 --> 0:54:24.439
<v Speaker 3>For a couple of times, I'm like, what, I've never

0:54:24.520 --> 0:54:24.920
<v Speaker 3>heard of that.

0:54:25.000 --> 0:54:30.560
<v Speaker 1>But I'm like, because the way we grew up, we

0:54:30.600 --> 0:54:31.839
<v Speaker 1>would never had We.

0:54:31.840 --> 0:54:34.880
<v Speaker 4>Never had to perform in front of somebody trying to

0:54:34.880 --> 0:54:37.640
<v Speaker 4>get somebody to like. We just did our own stuff

0:54:38.239 --> 0:54:43.359
<v Speaker 4>in this pay to be an opening that what that

0:54:43.360 --> 0:54:44.080
<v Speaker 4>don't make sense?

0:54:44.760 --> 0:54:46.080
<v Speaker 3>It never made sense to me.

0:54:46.120 --> 0:54:49.320
<v Speaker 1>I'm like a like a former advertising you know what

0:54:49.320 --> 0:54:50.600
<v Speaker 1>I'm saying exactly.

0:54:52.000 --> 0:54:55.160
<v Speaker 4>Yeah, But then I look at it, like, why are

0:54:55.160 --> 0:54:57.640
<v Speaker 4>you doing ten thousand songs and nobody know.

0:54:57.600 --> 0:55:00.600
<v Speaker 1>Who you are? New York there doing a concert? No

0:55:00.719 --> 0:55:05.680
<v Speaker 1>you aren't, So yeah, I open up for Yell, I

0:55:05.800 --> 0:55:07.759
<v Speaker 1>open up for washing Malone. You know what I mean.

0:55:07.880 --> 0:55:11.480
<v Speaker 3>It's like, yeah, it's a different breed now. It's totally.

0:55:12.719 --> 0:55:15.000
<v Speaker 1>No notoriety that clout or whatever for the rest of

0:55:15.040 --> 0:55:18.160
<v Speaker 1>your life, career, you know, and that's what they're paying for.

0:55:18.440 --> 0:55:21.279
<v Speaker 3>Oh okay, yeah, I've never understood it. I'm with you.

0:55:22.200 --> 0:55:24.279
<v Speaker 1>I was like, no shirt, I would not pay.

0:55:24.280 --> 0:55:27.200
<v Speaker 5>It's a question like when you see stuff like I

0:55:27.239 --> 0:55:29.439
<v Speaker 5>don't know if you've noticed it, but like hit Boy

0:55:29.520 --> 0:55:32.560
<v Speaker 5>producing albums for nas, right, like the younger generation working

0:55:32.600 --> 0:55:34.719
<v Speaker 5>with the older generation. Is it people that you see

0:55:35.080 --> 0:55:37.440
<v Speaker 5>on the West Coast that's younger, like a generation where

0:55:37.440 --> 0:55:39.160
<v Speaker 5>you're like, man, I like to work with more people

0:55:39.200 --> 0:55:40.800
<v Speaker 5>that you do. You ever want to like be in

0:55:40.840 --> 0:55:43.280
<v Speaker 5>a mixed because I feel like me as a producer,

0:55:43.400 --> 0:55:46.399
<v Speaker 5>like seeing y'all generation, like on the West Coast, there

0:55:46.560 --> 0:55:49.080
<v Speaker 5>is like a disconnect where we talk about that like

0:55:49.200 --> 0:55:52.120
<v Speaker 5>battle Cats should be producing Zoel Sama records, you know

0:55:52.160 --> 0:55:55.759
<v Speaker 5>what I mean, Warren g should be producing Wally the

0:55:55.840 --> 0:55:57.040
<v Speaker 5>Sense records, you know what I mean.

0:55:57.120 --> 0:55:59.680
<v Speaker 2>Like it needs to be. It can't be like we

0:56:00.280 --> 0:56:02.000
<v Speaker 2>did our thing and y'all got to figure it out too.

0:56:02.040 --> 0:56:05.400
<v Speaker 3>To they just separate, you know, they just but like

0:56:05.480 --> 0:56:07.200
<v Speaker 3>you said, they ever get together.

0:56:07.320 --> 0:56:09.600
<v Speaker 5>But like he was saying, we feel I feel like

0:56:09.680 --> 0:56:11.799
<v Speaker 5>I'm from your tree, like you know what I'm saying.

0:56:12.000 --> 0:56:14.640
<v Speaker 5>So when you yeah, he feels like he's from ice

0:56:14.719 --> 0:56:18.520
<v Speaker 5>cube tree. So if y'all feel like there's a disconnect,

0:56:18.880 --> 0:56:21.360
<v Speaker 5>that's where it'd be like, Yeah, it's like it's like

0:56:21.440 --> 0:56:23.399
<v Speaker 5>cutting off your kids to it, dude, Like, yeah, y'all

0:56:23.440 --> 0:56:25.120
<v Speaker 5>figure it out, grow up. But out of that now,

0:56:25.200 --> 0:56:27.160
<v Speaker 5>obviously y'all figured it out on your own, and we

0:56:27.360 --> 0:56:30.120
<v Speaker 5>are going to figure it out, like the next generation

0:56:30.239 --> 0:56:32.359
<v Speaker 5>gonna come, with or without whoever's coming.

0:56:32.400 --> 0:56:33.480
<v Speaker 2>People are gonna figure it out.

0:56:33.520 --> 0:56:36.480
<v Speaker 5>But do you ever be feeling like like, yeah, you

0:56:36.560 --> 0:56:39.359
<v Speaker 5>want to work with the younger generation or like yeah,

0:56:39.480 --> 0:56:40.799
<v Speaker 5>rub those elbows and kind of.

0:56:41.200 --> 0:56:44.680
<v Speaker 8>Or is it I mean if I was doing music,

0:56:46.520 --> 0:56:49.040
<v Speaker 8>that'd be a smart way, yeah, to get with the

0:56:50.360 --> 0:56:51.520
<v Speaker 8>new Yeah, the next general.

0:56:52.080 --> 0:56:54.040
<v Speaker 5>When I think of like we're chroynic two thousand and one,

0:56:54.080 --> 0:56:56.440
<v Speaker 5>I'll just be like I'm not even crying two thousand one.

0:56:56.520 --> 0:56:59.120
<v Speaker 5>Like d times, I'll be thinking like, man, Dre just

0:56:59.160 --> 0:57:03.840
<v Speaker 5>missed the opportunity to have obviously corrupt you know, dazh

0:57:04.040 --> 0:57:06.080
<v Speaker 5>all of them eminem Snoop Dre and he could have

0:57:06.080 --> 0:57:09.880
<v Speaker 5>had glasses problem, Nipsey, Hustle Jay rock like that was

0:57:09.960 --> 0:57:12.320
<v Speaker 5>sitting right there in two thousand and seven eight and

0:57:12.440 --> 0:57:14.319
<v Speaker 5>he just didn't grab it. And it's like he would

0:57:14.320 --> 0:57:17.360
<v Speaker 5>have been responsible for that whole next generation to be

0:57:17.480 --> 0:57:20.680
<v Speaker 5>like yeah, and he just like, now, y'all figure it out.

0:57:20.800 --> 0:57:21.800
<v Speaker 5>That's kind of a feel.

0:57:22.000 --> 0:57:23.480
<v Speaker 1>But I'm gonna tell you. But I'm gonna tell you

0:57:23.600 --> 0:57:26.040
<v Speaker 1>it his defense and I cannot believe I'm.

0:57:25.840 --> 0:57:29.560
<v Speaker 2>Defending it, but the New West Press exactly.

0:57:30.000 --> 0:57:32.720
<v Speaker 1>But it's really be the landscape. Like I don't think

0:57:32.760 --> 0:57:34.640
<v Speaker 1>it was the art the rappers he had the problem with.

0:57:34.840 --> 0:57:37.080
<v Speaker 1>I think he didn't have a sonic landscape that he

0:57:37.160 --> 0:57:41.560
<v Speaker 1>felt comfortable, like he felt confident about, like when like

0:57:41.920 --> 0:57:44.080
<v Speaker 1>you notice, when you start making music, you gotta have

0:57:44.280 --> 0:57:47.120
<v Speaker 1>like a feel that's going on and then you hit

0:57:47.200 --> 0:57:48.960
<v Speaker 1>something and then you rock. And I just think he

0:57:49.120 --> 0:57:52.520
<v Speaker 1>just never caught that feel again about it. As far

0:57:52.600 --> 0:57:54.720
<v Speaker 1>as the landscape of music as a whole, we got

0:57:54.760 --> 0:57:56.480
<v Speaker 1>with we'll talk to him, we gonna see him and asking,

0:57:56.600 --> 0:58:00.840
<v Speaker 1>but I just think the whole music landscape shifted. I

0:58:01.000 --> 0:58:04.800
<v Speaker 1>think you have to dj. I think what make hip

0:58:04.840 --> 0:58:07.880
<v Speaker 1>hop great is you have to DJ. You DJ and

0:58:08.080 --> 0:58:11.000
<v Speaker 1>you know what's moving everybody at a party, you know

0:58:11.160 --> 0:58:14.440
<v Speaker 1>what's making everybody feel good. And then the day you

0:58:14.520 --> 0:58:17.400
<v Speaker 1>stop DJing. That could last a long time based off

0:58:17.440 --> 0:58:20.880
<v Speaker 1>how much Timmy, but eventually, like you have to be

0:58:21.760 --> 0:58:23.400
<v Speaker 1>in tune with the streets going on.

0:58:23.720 --> 0:58:26.760
<v Speaker 5>I think, Yeah, you make more money, your your things

0:58:26.800 --> 0:58:28.040
<v Speaker 5>in the sharp, you're not as hungry.

0:58:28.280 --> 0:58:29.640
<v Speaker 2>You get to remove from the street.

0:58:32.400 --> 0:58:37.600
<v Speaker 1>Yeah, okay, what you did. I mean, I don't hit

0:58:37.680 --> 0:58:40.040
<v Speaker 1>the album, most of them to come without.

0:58:40.880 --> 0:58:42.080
<v Speaker 3>Yeah, you're never going to go.

0:58:43.840 --> 0:58:45.560
<v Speaker 5>I don't think we ever want Dread to make another

0:58:45.680 --> 0:58:47.760
<v Speaker 5>Fuck the Police or make another Crown Tails one or

0:58:47.840 --> 0:58:50.040
<v Speaker 5>exactly the chronic. It is like you know what I mean, Like,

0:58:50.320 --> 0:58:53.280
<v Speaker 5>let's say Kanye, right with somebody like Kanye, it's like

0:58:53.360 --> 0:58:55.760
<v Speaker 5>how much he changed directions and stuff. None of his

0:58:55.840 --> 0:58:58.000
<v Speaker 5>stuff really sound the same, and his fan base kind

0:58:58.040 --> 0:59:00.360
<v Speaker 5>of follows him and kind of still support him as

0:59:00.360 --> 0:59:00.640
<v Speaker 5>a person.

0:59:00.680 --> 0:59:02.840
<v Speaker 1>I mean that's what you if you still trying to

0:59:02.920 --> 0:59:06.080
<v Speaker 1>make music over years, you have to change, of course,

0:59:06.440 --> 0:59:06.880
<v Speaker 1>I mean.

0:59:07.240 --> 0:59:09.440
<v Speaker 3>Your life to stay your own style, but you'll be

0:59:09.560 --> 0:59:10.080
<v Speaker 3>in the dust.

0:59:11.160 --> 0:59:13.680
<v Speaker 1>I mean, too short kind of guy. But you're still

0:59:13.800 --> 0:59:16.840
<v Speaker 1>to say and I think we don't want that that's true.

0:59:16.960 --> 0:59:20.480
<v Speaker 1>Like like I was hello critical and Drake drop Compton

0:59:20.560 --> 0:59:22.280
<v Speaker 1>that sonic last gay, I was like, god, damn it,

0:59:22.520 --> 0:59:28.200
<v Speaker 1>I need funky. So it has to be hard for

0:59:28.400 --> 0:59:30.960
<v Speaker 1>any creative to be like, listen, you don't want to

0:59:30.960 --> 0:59:31.560
<v Speaker 1>have a hit album.

0:59:31.560 --> 0:59:33.560
<v Speaker 5>And then and you said that, like I said, you

0:59:33.640 --> 0:59:36.840
<v Speaker 5>sitting that Mount Olympus. It's only down you could go.

0:59:36.960 --> 0:59:38.880
<v Speaker 5>So it do make you be kind of like I

0:59:38.920 --> 0:59:41.320
<v Speaker 5>don't know about putting out nothing because yeah, I know

0:59:41.360 --> 0:59:44.080
<v Speaker 5>he probably look at Compton like like, yes, it came

0:59:44.080 --> 0:59:46.800
<v Speaker 5>out of number two, like damn it, like yeah, it

0:59:47.480 --> 0:59:48.880
<v Speaker 5>feels like a and.

0:59:48.920 --> 0:59:51.160
<v Speaker 1>I'm sure when it left his in he felt confident

0:59:51.200 --> 0:59:55.520
<v Speaker 1>about it. But then like if it I mean, artists

0:59:55.640 --> 0:59:58.600
<v Speaker 1>art But then I think most people you know, still

0:59:58.640 --> 1:00:01.560
<v Speaker 1>in the music business, no matter who, you still want

1:00:01.560 --> 1:00:04.080
<v Speaker 1>to compete to some degree. I mean maybe you don't,

1:00:04.360 --> 1:00:06.640
<v Speaker 1>but I think if you've been winning as long as

1:00:06.720 --> 1:00:08.720
<v Speaker 1>some of them been winning, like you want to compete.

1:00:09.080 --> 1:00:11.920
<v Speaker 1>You don't want to get your ass, you say.

1:00:11.960 --> 1:00:14.360
<v Speaker 5>With him, he'd be very much trying to still be

1:00:14.480 --> 1:00:16.720
<v Speaker 5>like I'm still better than all y'all, and I'm still

1:00:16.920 --> 1:00:19.040
<v Speaker 5>like you know what I mean, you see that you

1:00:19.160 --> 1:00:19.920
<v Speaker 5>know so I don't know.

1:00:20.040 --> 1:00:22.640
<v Speaker 2>I guess it's different people. We are individuals, you know.

1:00:22.760 --> 1:00:24.720
<v Speaker 1>But and then and then you may feel like I said,

1:00:25.400 --> 1:00:27.080
<v Speaker 1>I don't think he ever had the problem with him

1:00:27.320 --> 1:00:29.640
<v Speaker 1>because all of us was already working with cause like,

1:00:30.440 --> 1:00:32.120
<v Speaker 1>but I think it got to a place to where

1:00:32.120 --> 1:00:34.600
<v Speaker 1>it was like the music, man is this music? Ship

1:00:34.720 --> 1:00:37.520
<v Speaker 1>is great? So much ship. And then when you got it,

1:00:37.600 --> 1:00:40.600
<v Speaker 1>you got it, You're on fire. Dogs like where you're

1:00:40.680 --> 1:00:44.440
<v Speaker 1>looking in the dark? Where is this ship at? You

1:00:44.520 --> 1:00:45.840
<v Speaker 1>know what I'm saying, Where is this ship?

1:00:46.840 --> 1:00:46.880
<v Speaker 5>So?

1:00:47.240 --> 1:00:49.640
<v Speaker 4>I don't know, man, what you got to get to

1:00:49.720 --> 1:00:52.920
<v Speaker 4>the point you gotta be done with it. I mean,

1:00:53.080 --> 1:00:56.440
<v Speaker 4>just oversee whatever, or just.

1:00:57.160 --> 1:00:59.919
<v Speaker 3>Go onifaication, go enjoy life.

1:01:01.440 --> 1:01:04.920
<v Speaker 4>You get to that point, Okay, you can't make another hit.

1:01:05.520 --> 1:01:07.960
<v Speaker 4>You can't do that because it's just it's just the

1:01:08.000 --> 1:01:12.280
<v Speaker 4>way it is. The time's changed too much. The new

1:01:12.400 --> 1:01:14.320
<v Speaker 4>generation is totally different.

1:01:14.680 --> 1:01:16.280
<v Speaker 2>That's why I was staying top ten with the youth.

1:01:16.360 --> 1:01:18.600
<v Speaker 5>Is where even me at forty, all my artists are

1:01:18.640 --> 1:01:20.640
<v Speaker 5>ten years fifteen years earlier than me, and I stay

1:01:20.800 --> 1:01:23.160
<v Speaker 5>very much top ten with them and give them game,

1:01:23.240 --> 1:01:26.520
<v Speaker 5>but also give them room to them telling me certain stuff,

1:01:26.560 --> 1:01:28.800
<v Speaker 5>and me just absorbing it and being like, all right, yeah,

1:01:28.880 --> 1:01:29.360
<v Speaker 5>let's try that.

1:01:29.560 --> 1:01:31.720
<v Speaker 1>Like my probably I want to hold the niggas that

1:01:31.840 --> 1:01:34.960
<v Speaker 1>just think eather shit, you gotta listen to the youth.

1:01:35.600 --> 1:01:36.320
<v Speaker 1>I can't believe it.

1:01:36.560 --> 1:01:39.200
<v Speaker 2>Like he's my son seventeen, you know, I say seventeen.

1:01:39.360 --> 1:01:41.920
<v Speaker 5>I can't tell him sometimes I love because he'd be like,

1:01:41.960 --> 1:01:43.560
<v Speaker 5>I don't see what's so great about little wange.

1:01:43.560 --> 1:01:46.400
<v Speaker 2>That's so good, right, because he's seventeen and he didn't

1:01:46.440 --> 1:01:46.880
<v Speaker 2>see it, right.

1:01:47.000 --> 1:01:47.800
<v Speaker 1>It's just funny to.

1:01:47.800 --> 1:01:49.200
<v Speaker 2>See, you know what I mean?

1:01:49.280 --> 1:01:52.640
<v Speaker 1>But you know what it is like. Also, like I

1:01:52.760 --> 1:01:54.800
<v Speaker 1>think there's such a space at this point of hip

1:01:54.800 --> 1:01:57.720
<v Speaker 1>hop if you you either that nigga you not. And

1:01:57.840 --> 1:01:59.480
<v Speaker 1>I think it's the time when you feel like you're

1:01:59.520 --> 1:02:02.720
<v Speaker 1>not it. So when you convince yourself you not, you

1:02:02.800 --> 1:02:05.160
<v Speaker 1>know it's probably like I'm gonna do something else. But

1:02:05.240 --> 1:02:08.000
<v Speaker 1>when you know it, you just know it, and at

1:02:08.040 --> 1:02:10.040
<v Speaker 1>that point you just messing up how you gonna match

1:02:10.160 --> 1:02:12.960
<v Speaker 1>up with current society at that time. That's how it

1:02:13.160 --> 1:02:15.000
<v Speaker 1>is like for me as a creative right, it's like

1:02:15.560 --> 1:02:17.600
<v Speaker 1>I got y'all covered, but let me see where'm gonna

1:02:17.600 --> 1:02:20.040
<v Speaker 1>meet y'all at because I can't meet y'all right, where

1:02:20.120 --> 1:02:22.360
<v Speaker 1>y'all at? You might have to walk up a little

1:02:22.360 --> 1:02:23.800
<v Speaker 1>bit more. But I'm gonna put out some music. But

1:02:24.040 --> 1:02:25.800
<v Speaker 1>i'm gonna catch you right at that. I'm gonna cut

1:02:25.840 --> 1:02:27.480
<v Speaker 1>you all right at the past. And I got you.

1:02:27.640 --> 1:02:30.360
<v Speaker 1>But I could imagine a time whereas a creative like

1:02:30.920 --> 1:02:32.360
<v Speaker 1>I'm not gonna be as motivating.

1:02:32.880 --> 1:02:34.800
<v Speaker 3>Oh yeah, right, I mean that's what you think about.

1:02:35.520 --> 1:02:37.000
<v Speaker 1>Yeah, it's gonna it's gonna happen.

1:02:37.160 --> 1:02:38.640
<v Speaker 3>We don't want it to happen.

1:02:38.840 --> 1:02:41.800
<v Speaker 1>But for sure, which I can make, I'll probably still

1:02:41.840 --> 1:02:42.920
<v Speaker 1>be making them by myself.

1:02:43.360 --> 1:02:45.360
<v Speaker 2>So we didn't really, I'm sorry. We kind of went

1:02:45.400 --> 1:02:45.840
<v Speaker 2>on the tangent.

1:02:45.960 --> 1:02:48.080
<v Speaker 5>So do you want to put your fingerprints across things

1:02:48.120 --> 1:02:49.640
<v Speaker 5>on the coast again or with music at all?

1:02:49.720 --> 1:02:52.480
<v Speaker 3>Or you No, I'm good, I'm satisfied.

1:02:53.000 --> 1:02:55.360
<v Speaker 1>But to you other credit, I'll give you credit though.

1:02:56.440 --> 1:02:58.320
<v Speaker 1>You're not the kind of person that won't talk to somebody.

1:02:58.360 --> 1:03:00.880
<v Speaker 1>If they want to talk to you, they could come

1:03:00.960 --> 1:03:03.040
<v Speaker 1>say hey, and this is what I tell you that

1:03:03.240 --> 1:03:06.680
<v Speaker 1>I think we got wrong when we came in, Like

1:03:07.560 --> 1:03:10.400
<v Speaker 1>we feel like everybody, all the elder should be teachers,

1:03:11.160 --> 1:03:14.040
<v Speaker 1>and they are, but maybe they don't. That's not the drop.

1:03:14.280 --> 1:03:16.160
<v Speaker 1>I don't think you run this motherfucker trying to ministry

1:03:16.200 --> 1:03:21.400
<v Speaker 1>hit become yesterday and now listen to But if I

1:03:21.520 --> 1:03:24.120
<v Speaker 1>ever reach for you, I could always grab you if

1:03:24.160 --> 1:03:27.640
<v Speaker 1>I had question even here today. So I think that's

1:03:27.720 --> 1:03:30.000
<v Speaker 1>all we really couldn't use. And I always tell people

1:03:30.120 --> 1:03:32.200
<v Speaker 1>like different I tell here and I'll be like heah, man,

1:03:32.240 --> 1:03:33.760
<v Speaker 1>you need to make sure you reach out to yetherw

1:03:33.880 --> 1:03:37.600
<v Speaker 1>just this nigga knows some shit about djaying that niggas

1:03:37.640 --> 1:03:40.320
<v Speaker 1>don't know. So again, I think it's on us to

1:03:40.480 --> 1:03:43.560
<v Speaker 1>carry the legacy of it all being in past information

1:03:43.960 --> 1:03:46.560
<v Speaker 1>like shit were talking about now, so now it's dope

1:03:46.600 --> 1:03:48.280
<v Speaker 1>to when I start writing that store, I'm gonna be

1:03:48.280 --> 1:03:49.920
<v Speaker 1>able to reach out like, man, look, could you do this?

1:03:50.600 --> 1:03:52.560
<v Speaker 1>And I think everything else will work your cell phone

1:03:53.280 --> 1:03:55.440
<v Speaker 1>as long as I'm you know, driving the car, I

1:03:55.520 --> 1:03:59.120
<v Speaker 1>think I feel pop it off, feeling.

1:03:58.880 --> 1:04:02.880
<v Speaker 6>It you know what, I'm gonna just piggyback off what

1:04:03.000 --> 1:04:06.120
<v Speaker 6>you said because like my son, he's sixteen, right, and

1:04:06.320 --> 1:04:09.120
<v Speaker 6>so you know I'll be with yelling a lot. And

1:04:09.320 --> 1:04:12.320
<v Speaker 6>you know he was even talking about like these current rappers.

1:04:12.440 --> 1:04:14.600
<v Speaker 6>He's like, oh dad, n w A wasn't all that.

1:04:14.720 --> 1:04:19.240
<v Speaker 6>I said, son, you you sixteen, and you have no

1:04:19.440 --> 1:04:23.680
<v Speaker 6>idea like you know, like like what you'd be trying

1:04:23.680 --> 1:04:26.720
<v Speaker 6>to explain to your son. It's like they don't understand.

1:04:26.800 --> 1:04:28.840
<v Speaker 6>He's like, I will so and so got more money

1:04:28.880 --> 1:04:32.640
<v Speaker 6>than in w A. I said, well, the money was

1:04:32.760 --> 1:04:35.920
<v Speaker 6>not like it is today. But I said, and on

1:04:36.120 --> 1:04:41.440
<v Speaker 6>top of that, they made original music, lying and.

1:04:42.640 --> 1:04:46.560
<v Speaker 1>Niggas all got that. I'll be telling me or oh

1:04:46.680 --> 1:04:49.400
<v Speaker 1>I know, but line, I know. So the next time

1:04:49.440 --> 1:04:54.040
<v Speaker 1>you he Joe saying, you called me on three way glasses.

1:04:54.120 --> 1:04:57.480
<v Speaker 6>Look he be so you know, and I'll tell him.

1:04:57.480 --> 1:05:00.439
<v Speaker 6>I said, so you gotta remember what you you think

1:05:00.640 --> 1:05:02.840
<v Speaker 6>they don't have that. But see, I mean you know

1:05:04.080 --> 1:05:06.080
<v Speaker 6>because you on you own to.

1:05:06.240 --> 1:05:08.960
<v Speaker 1>See they got all this money. I'm looking at niggas

1:05:09.040 --> 1:05:09.960
<v Speaker 1>line exactly.

1:05:10.520 --> 1:05:12.360
<v Speaker 6>And so I'll be trying to explain to my son

1:05:12.440 --> 1:05:14.160
<v Speaker 6>and his friends. You know, they in my car and

1:05:14.200 --> 1:05:16.360
<v Speaker 6>they you know, they be teaching me. They called me out,

1:05:16.400 --> 1:05:18.560
<v Speaker 6>what's up, mister Yeller because they know he's my boy,

1:05:19.120 --> 1:05:21.160
<v Speaker 6>and I'm like, I'm not yellow, I said, but that's

1:05:21.240 --> 1:05:23.920
<v Speaker 6>my partner. And they was like, oh, well, how is

1:05:23.960 --> 1:05:26.080
<v Speaker 6>he does? He got a big house? And then I said,

1:05:26.800 --> 1:05:29.280
<v Speaker 6>he got a decent house. I said, but it's not

1:05:29.400 --> 1:05:32.000
<v Speaker 6>about that. I said, you see these rappers on TV

1:05:32.240 --> 1:05:33.960
<v Speaker 6>and this and this and that, and I said a

1:05:33.960 --> 1:05:37.240
<v Speaker 6>lot of stuff you see, they don't own it, you know,

1:05:38.000 --> 1:05:41.640
<v Speaker 6>I said, but n w A, you wouldn't have the

1:05:41.800 --> 1:05:44.880
<v Speaker 6>rappers you have today without standing on their shoulders.

1:05:45.200 --> 1:05:45.800
<v Speaker 2>Like we all like.

1:05:48.360 --> 1:05:51.120
<v Speaker 1>In w A money. Them niggas don't got like NBA

1:05:51.320 --> 1:05:54.320
<v Speaker 1>talent up all the money and ship between the amber

1:05:54.560 --> 1:05:55.360
<v Speaker 1>w A about three.

1:05:55.320 --> 1:05:56.640
<v Speaker 3>Four niggas exactly.

1:05:56.680 --> 1:06:00.680
<v Speaker 1>The ain't just yellow yellow got some money, but this

1:06:00.720 --> 1:06:03.440
<v Speaker 1>is niggas got some money too, right, and nigga got

1:06:03.520 --> 1:06:05.600
<v Speaker 1>the white people money. And look and so when he

1:06:06.120 --> 1:06:09.120
<v Speaker 1>like when you gave him this your album, right, he's like,

1:06:11.120 --> 1:06:12.280
<v Speaker 1>who who? I don't know.

1:06:13.400 --> 1:06:18.560
<v Speaker 6>They are the reason that these lady advisors, they created

1:06:18.600 --> 1:06:22.400
<v Speaker 6>this label because of them. But see when a lot

1:06:22.480 --> 1:06:26.720
<v Speaker 6>of the teenagers or the youngsters, they don't know that. Man.

1:06:27.120 --> 1:06:29.240
<v Speaker 1>My dad used to say something to me that you

1:06:30.080 --> 1:06:36.280
<v Speaker 1>is wasted young because if I was again, I remember

1:06:36.280 --> 1:06:39.880
<v Speaker 1>they used to say this ship now I'm one of

1:06:39.920 --> 1:06:42.400
<v Speaker 1>them niggas. Yeah, I was like, damn, I wish I

1:06:42.480 --> 1:06:44.760
<v Speaker 1>knew this because I'd have for sure been a savage

1:06:45.080 --> 1:06:47.040
<v Speaker 1>exact because you said, like, if I was your son's

1:06:47.040 --> 1:06:48.200
<v Speaker 1>age and I knew what I knew, that I'll be

1:06:48.240 --> 1:06:50.560
<v Speaker 1>asking these niggas every question why I'd be a monster

1:06:50.680 --> 1:06:53.720
<v Speaker 1>by nineteen biggas, Boy, they be government tried to.

1:06:54.080 --> 1:06:54.520
<v Speaker 3>To kill me.

1:06:55.480 --> 1:06:59.240
<v Speaker 1>I got too much power. Exactly, these people going crazy exactly,

1:06:59.400 --> 1:06:59.840
<v Speaker 1>that's type.

1:07:00.160 --> 1:07:02.800
<v Speaker 5>This is like an NBA player today, Anthony Davis standing

1:07:02.840 --> 1:07:05.600
<v Speaker 5>on Bill Russell's shoulders. Of course, Anthony Davis has way

1:07:05.680 --> 1:07:08.560
<v Speaker 5>more money than what Wilt Chamberlain ever saw, but he

1:07:08.600 --> 1:07:10.360
<v Speaker 5>wouldn't exist without them and stuff.

1:07:10.400 --> 1:07:12.200
<v Speaker 2>So you can't shun him or be like, oh that

1:07:12.320 --> 1:07:14.320
<v Speaker 2>niggas ain't nothing read to them. It's like, bro, you

1:07:14.440 --> 1:07:16.200
<v Speaker 2>sounds crazy. You know what I'm saying.

1:07:16.680 --> 1:07:20.480
<v Speaker 1>Again Again, if everybody so many me and Charlotte Mane

1:07:20.520 --> 1:07:22.120
<v Speaker 1>talk about this all the time. Bro, so many niggas

1:07:22.120 --> 1:07:24.240
<v Speaker 1>can lie about what they got and then obviou see

1:07:24.280 --> 1:07:26.640
<v Speaker 1>them like all the niggas. So that's why I stopped

1:07:26.640 --> 1:07:29.360
<v Speaker 1>even caring about the money conversation, even the Oprahs and shit,

1:07:29.400 --> 1:07:32.760
<v Speaker 1>that ship line. It's a lot of exaggeration, but something

1:07:32.760 --> 1:07:34.560
<v Speaker 1>I want to say, I'm gonna let you We're gonna

1:07:34.800 --> 1:07:38.040
<v Speaker 1>cut the shit off. Me and my nigga was talking

1:07:38.160 --> 1:07:40.880
<v Speaker 1>right and we was talking about Easy. Now, I've really

1:07:41.240 --> 1:07:43.640
<v Speaker 1>been doing a really great job. I don't I don't

1:07:43.760 --> 1:07:46.560
<v Speaker 1>like talk talking to yellers, dope, because I get to

1:07:46.600 --> 1:07:49.480
<v Speaker 1>talk to Yether. There's certain like I can't talk to you.

1:07:50.120 --> 1:07:51.720
<v Speaker 1>I don't need to talk I'm not these o. I

1:07:51.720 --> 1:07:52.960
<v Speaker 1>don't got to talk to you about Drake Is. I

1:07:52.960 --> 1:07:56.040
<v Speaker 1>don't talked to Drake Qne myself, but I can't talk

1:07:56.080 --> 1:08:00.800
<v Speaker 1>to Easy at this point, right. So now to know

1:08:00.960 --> 1:08:03.840
<v Speaker 1>that you and Drake could do in w A, he

1:08:04.080 --> 1:08:06.320
<v Speaker 1>saw that that was evident because of what she was

1:08:06.360 --> 1:08:08.840
<v Speaker 1>able to do with the world class. So even if

1:08:08.880 --> 1:08:10.840
<v Speaker 1>he questioned it, at least at that point he was

1:08:11.000 --> 1:08:13.240
<v Speaker 1>what these niggas know how to make the yeah? Yeah,

1:08:13.600 --> 1:08:16.720
<v Speaker 1>I mean so, how the fuck did he figure out

1:08:16.840 --> 1:08:19.639
<v Speaker 1>Unique was gonna be able to do bone because Unique

1:08:19.680 --> 1:08:21.880
<v Speaker 1>hadn't done anything except the stuff that he did on

1:08:22.000 --> 1:08:24.760
<v Speaker 1>woofless with the the what's that group?

1:08:25.240 --> 1:08:25.639
<v Speaker 3>Unique?

1:08:26.000 --> 1:08:28.760
<v Speaker 1>He did something before boom, That's what I'm no. He

1:08:28.840 --> 1:08:33.040
<v Speaker 1>did what's those dudes that was on woofless? It was

1:08:33.120 --> 1:08:37.559
<v Speaker 1>two dudes? Now you're on market? Yes I did that, Okay,

1:08:38.160 --> 1:08:40.920
<v Speaker 1>I did all them. So then how the fuck did

1:08:41.000 --> 1:08:43.600
<v Speaker 1>he figure out Unique was gonna get a do boom? Like?

1:08:43.720 --> 1:08:44.720
<v Speaker 1>How did he get that? Right?

1:08:44.880 --> 1:08:44.920
<v Speaker 5>Like?

1:08:45.040 --> 1:08:47.120
<v Speaker 1>How do you think?

1:08:47.160 --> 1:08:47.519
<v Speaker 2>I don't know.

1:08:49.080 --> 1:08:52.360
<v Speaker 3>Because when they came in, people don't really know.

1:08:52.520 --> 1:08:56.760
<v Speaker 4>I met them first. Man, he was doing the show backstage.

1:08:56.840 --> 1:09:01.680
<v Speaker 4>They walked in singing, you know, rapping to well.

1:09:01.720 --> 1:09:04.400
<v Speaker 1>I'm like, dras, you see this.

1:09:04.600 --> 1:09:06.840
<v Speaker 3>Guy over here, go talk to him. Eric just came

1:09:06.920 --> 1:09:07.200
<v Speaker 3>back in.

1:09:07.400 --> 1:09:09.599
<v Speaker 4>Y'all talked to him, and by the time we got

1:09:09.680 --> 1:09:13.240
<v Speaker 4>off the road trip, they was in LA from a

1:09:13.360 --> 1:09:15.320
<v Speaker 4>bus and I'm just like.

1:09:16.080 --> 1:09:18.280
<v Speaker 3>And they heard my song that I made for you

1:09:18.479 --> 1:09:20.839
<v Speaker 3>more Mark he call for the Love of Money exactly.

1:09:21.439 --> 1:09:22.920
<v Speaker 3>I didn't even know they heard the song.

1:09:23.280 --> 1:09:26.120
<v Speaker 4>I guess Eric let him in it, and they made

1:09:26.160 --> 1:09:28.920
<v Speaker 4>the song for I don't know if that was first

1:09:29.160 --> 1:09:32.240
<v Speaker 4>or Unique song for it, but I didn't even know

1:09:32.320 --> 1:09:33.360
<v Speaker 4>they was rapping to it.

1:09:33.760 --> 1:09:35.360
<v Speaker 1>They said, oh yeah, these guys wrapped up?

1:09:35.880 --> 1:09:37.120
<v Speaker 3>Who wrapped on what song?

1:09:37.439 --> 1:09:39.840
<v Speaker 1>How the fuck did he figure out Unique was gonna

1:09:39.840 --> 1:09:42.080
<v Speaker 1>be able to do that? I don't like, it's easy

1:09:42.120 --> 1:09:44.920
<v Speaker 1>to gamble on you and Drake. It's easy. I mean,

1:09:44.960 --> 1:09:48.040
<v Speaker 1>it's don't get me wrong, It's a childish, young motherfucker's

1:09:48.040 --> 1:09:51.040
<v Speaker 1>making music. Yeah, Unique had done ship.

1:09:52.680 --> 1:09:56.400
<v Speaker 3>I don't know how that one happened, you know what

1:09:56.439 --> 1:09:56.680
<v Speaker 3>I mean.

1:09:56.800 --> 1:09:59.800
<v Speaker 1>You usually always take a group gonna take him there,

1:10:00.200 --> 1:10:04.800
<v Speaker 1>dre and yelling like Unique does the records. It's just crazy.

1:10:07.400 --> 1:10:10.040
<v Speaker 3>Or something already. He must have had one made. I'm

1:10:10.120 --> 1:10:14.200
<v Speaker 3>quite sure he must have, because I'm like, he just

1:10:14.280 --> 1:10:17.719
<v Speaker 3>came from nowhere. I am never heard of him from anything.

1:10:18.880 --> 1:10:22.080
<v Speaker 1>It was. That's crazy. That's one of them things that

1:10:22.640 --> 1:10:25.839
<v Speaker 1>in the whole landscape of people talking about easy and business,

1:10:27.080 --> 1:10:30.519
<v Speaker 1>that's hard. Remember when you lose your producer. The end

1:10:30.560 --> 1:10:32.720
<v Speaker 1>of cash money for young Money was when they lost

1:10:32.760 --> 1:10:35.720
<v Speaker 1>Many and the no Limit when they lost Beats by

1:10:35.760 --> 1:10:38.599
<v Speaker 1>the pound, and the Bad Boy is when they lost

1:10:38.920 --> 1:10:42.559
<v Speaker 1>the hit Man, the end of death row. He lost

1:10:42.640 --> 1:10:48.400
<v Speaker 1>Drake right, but Ruthless Right, You spent over and you

1:10:48.479 --> 1:10:52.120
<v Speaker 1>get Unique to produce, which is probably a top five time.

1:10:52.680 --> 1:10:57.160
<v Speaker 1>How the fuck do you figure that out? Remember nobody

1:10:57.240 --> 1:11:01.280
<v Speaker 1>figured that. They figured out easy figure that out in

1:11:01.320 --> 1:11:01.879
<v Speaker 1>the nineties.

1:11:02.200 --> 1:11:05.679
<v Speaker 5>Yeah, they just a lot of people be under raising,

1:11:05.840 --> 1:11:07.840
<v Speaker 5>underrating the producer being there.

1:11:07.920 --> 1:11:10.639
<v Speaker 2>They think, oh, it's just nigga making beans.

1:11:11.920 --> 1:11:13.880
<v Speaker 1>Eric had an ear, but he didn't have an hear

1:11:14.240 --> 1:11:17.280
<v Speaker 1>he can produce himself to get out of paper bag,

1:11:17.400 --> 1:11:19.479
<v Speaker 1>not at all, or or yeah or right around yeah.

1:11:19.560 --> 1:11:25.360
<v Speaker 3>Nothing. But he just, I guess, took a chance. That's

1:11:25.400 --> 1:11:28.880
<v Speaker 3>what I think. Just took a chance. Gimble, he knew

1:11:28.920 --> 1:11:34.519
<v Speaker 3>how to roll them dice, so he rolled a seven eleven,

1:11:35.280 --> 1:11:36.040
<v Speaker 3>seven eleven.

1:11:40.360 --> 1:11:42.959
<v Speaker 1>Good looking out for tuning into The note Seller's podcast,

1:11:43.280 --> 1:11:46.040
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

1:11:46.479 --> 1:11:48.880
<v Speaker 1>This episode was recorded right here on the West coast

1:11:48.920 --> 1:11:52.080
<v Speaker 1>of the USA and produced by my homeboys A King

1:11:52.200 --> 1:11:55.200
<v Speaker 1>for the Black Effect Podcast Network and now Hard Radio.

1:11:55.720 --> 1:12:01.200
<v Speaker 1>Yeah Sti