1 00:00:00,120 --> 00:00:03,320 Speaker 1: Kiss Aphim, Billie Eilish, Share one or two point seven, 2 00:00:03,760 --> 00:00:08,680 Speaker 1: Good Morning, Ryan Seacrest with you, Sissany and Tanya. So 3 00:00:10,240 --> 00:00:12,319 Speaker 1: I read the reviews and I have to tell you, 4 00:00:12,360 --> 00:00:14,320 Speaker 1: as I said, this is my favorite Taylor Swift, Tom, 5 00:00:15,120 --> 00:00:18,560 Speaker 1: It's my favorite Taylor Swift Doom. I love all the songs. 6 00:00:18,560 --> 00:00:20,160 Speaker 1: I sing along till the I don't know they connect 7 00:00:20,280 --> 00:00:24,319 Speaker 1: to me. And maybe it's like five years ago. I 8 00:00:24,320 --> 00:00:27,080 Speaker 1: would have said same for that current album, but I 9 00:00:27,080 --> 00:00:29,200 Speaker 1: don't know these songs just like I turn these songs 10 00:00:29,280 --> 00:00:31,720 Speaker 1: up and I love it. And I read the reviews 11 00:00:32,600 --> 00:00:39,520 Speaker 1: of her first performances. Oh my gosh, don't get me started. Okay, 12 00:00:39,520 --> 00:00:43,760 Speaker 1: we'll take it right and come right back here. Opening 13 00:00:43,840 --> 00:00:46,440 Speaker 1: night it was Glyndale Arizona. It was what three hours long? 14 00:00:46,440 --> 00:00:49,919 Speaker 1: Tailor Yes, she sang forty four songs. That's incredible, team 15 00:00:50,040 --> 00:00:54,680 Speaker 1: costume changes. I cannot wait for her to come here. 16 00:00:55,840 --> 00:00:57,920 Speaker 1: Is every show going to be like that? I hope? 17 00:00:57,960 --> 00:01:00,280 Speaker 1: So why would she switch it up? Yeah? I believe 18 00:01:00,320 --> 00:01:02,120 Speaker 1: that they're going to be the same, But there's an 19 00:01:02,160 --> 00:01:04,760 Speaker 1: acoustic set that's in the middle of the show, and 20 00:01:04,840 --> 00:01:07,240 Speaker 1: she's going to be changing those songs out from City 21 00:01:07,280 --> 00:01:09,480 Speaker 1: to City. So you don't know what a record for 22 00:01:09,520 --> 00:01:12,720 Speaker 1: the most attended female concert of all time. Yeah, sixty 23 00:01:12,800 --> 00:01:16,120 Speaker 1: nine thousand people, beating Madonna's record from nineteen eighty seven 24 00:01:16,120 --> 00:01:18,920 Speaker 1: that was here in Anaheim. But look at the set list. 25 00:01:19,720 --> 00:01:23,080 Speaker 1: It reads like an entire catalog of songs. It's incredible. 26 00:01:23,880 --> 00:01:28,320 Speaker 1: It's her eras. I'm very much into it, and Mark, 27 00:01:28,360 --> 00:01:30,240 Speaker 1: I don't want to say anything, but can I say something? 28 00:01:30,600 --> 00:01:32,840 Speaker 1: Say it? Please? Do you know what I'm thinking that 29 00:01:32,920 --> 00:01:36,279 Speaker 1: I know we're doing or do you not know? Sissy? 30 00:01:36,360 --> 00:01:40,720 Speaker 1: Do you know what we're doing? I usually do read 31 00:01:40,760 --> 00:01:42,440 Speaker 1: your mind, and right now I'm just drawing. No. But 32 00:01:42,480 --> 00:01:47,560 Speaker 1: how's it do with this concert tour? Oh? Giving away tickets? Oh? Yeah? 33 00:01:47,640 --> 00:01:51,560 Speaker 1: Is this what you want to do? We're securing very 34 00:01:51,560 --> 00:01:54,360 Speaker 1: difficult tickets to see Taylor Swift. You know I didn't 35 00:01:54,360 --> 00:01:57,600 Speaker 1: know this. I mean, we're digging deep into the deepness 36 00:01:57,640 --> 00:02:00,760 Speaker 1: to get these tickets to give away soon. So I 37 00:02:00,760 --> 00:02:04,240 Speaker 1: don't want to act surprised when we tell you, right, Tony, 38 00:02:04,320 --> 00:02:09,320 Speaker 1: why are you completely completely speechless? And because I don't 39 00:02:09,320 --> 00:02:14,120 Speaker 1: think you understand like this setless too? She really picked 40 00:02:14,160 --> 00:02:16,600 Speaker 1: the best of the best. I feel as though she 41 00:02:16,720 --> 00:02:19,600 Speaker 1: really took her time. These are the songs that we watched. 42 00:02:19,600 --> 00:02:24,079 Speaker 1: Of course she took her time. But like everything, everything 43 00:02:24,360 --> 00:02:28,160 Speaker 1: like is just down to a t just perfection at 44 00:02:28,200 --> 00:02:31,200 Speaker 1: its best. And I'm just I just love her so 45 00:02:31,280 --> 00:02:35,720 Speaker 1: much and the fact I can't well, we're working on 46 00:02:35,760 --> 00:02:38,080 Speaker 1: secure in your shots to Cocy. Taylor sweat and she 47 00:02:38,120 --> 00:02:40,040 Speaker 1: did the ten minute version of All two. Well, oh 48 00:02:40,240 --> 00:02:42,280 Speaker 1: she had to. If she didn't do that, that would 49 00:02:42,320 --> 00:02:44,880 Speaker 1: have been cruel. How did she ended? Do you know 50 00:02:44,919 --> 00:02:49,440 Speaker 1: how she ended the show? Karma? Did she do? Encourse? 51 00:02:49,480 --> 00:02:51,000 Speaker 1: Do you know how that whole thing went? You know? 52 00:02:51,040 --> 00:02:53,400 Speaker 1: You walk off, come back, walk up? We gotta no, 53 00:02:53,639 --> 00:02:55,720 Speaker 1: I don't know if she did encore. Oh, we have 54 00:02:55,760 --> 00:03:03,079 Speaker 1: somebody on the line. Okay, thanks do we Ashley? Good morning? 55 00:03:03,240 --> 00:03:06,640 Speaker 1: How are you? Oh? The old Ashley can't come to 56 00:03:06,680 --> 00:03:10,760 Speaker 1: the phone right now? Okay, tell me about new Ashley. 57 00:03:11,280 --> 00:03:15,600 Speaker 1: What happened? You saw Taylor Swift opening weekend? Yeah, we 58 00:03:15,760 --> 00:03:20,600 Speaker 1: got it. I'm a change woman. Yeah, I'm still recovering. 59 00:03:20,760 --> 00:03:24,520 Speaker 1: I saw her over the weekend and it's life changing. Everyone. 60 00:03:24,760 --> 00:03:27,800 Speaker 1: Everyone has to go, wait, what stood out? We know 61 00:03:28,120 --> 00:03:31,080 Speaker 1: we see what we see, but what stood out to you? 62 00:03:31,120 --> 00:03:35,480 Speaker 1: As like, so amazing. I think it's just like the 63 00:03:35,720 --> 00:03:40,280 Speaker 1: artistic direction, the stage production, the performance value that she 64 00:03:40,360 --> 00:03:43,320 Speaker 1: puts on. Like, I get that other artists do that, 65 00:03:43,520 --> 00:03:46,360 Speaker 1: but the difference between Taylor and other artists is there's 66 00:03:46,400 --> 00:03:49,560 Speaker 1: always just this week, this wink to her fans, and 67 00:03:49,720 --> 00:03:52,480 Speaker 1: like she lets us know that she's listening to us, 68 00:03:52,560 --> 00:03:55,400 Speaker 1: that she's watching our TikTok, and she incorporates that into 69 00:03:55,400 --> 00:03:57,720 Speaker 1: the show and it just makes you feel really loved. 70 00:03:58,320 --> 00:04:03,920 Speaker 1: Do you know who's bummed who? Every other artist? Yeah, 71 00:04:05,080 --> 00:04:08,320 Speaker 1: every other artist. I'm just thinking, like, imagine if you're 72 00:04:08,320 --> 00:04:10,000 Speaker 1: about to go out on your tour and you just 73 00:04:10,080 --> 00:04:14,920 Speaker 1: see that dropped the mic performance. Now, it's like another level, right, 74 00:04:16,560 --> 00:04:19,760 Speaker 1: She's in the complete lead of her own In my opinion, 75 00:04:19,880 --> 00:04:22,719 Speaker 1: it's just completely different than anything else that you can see. 76 00:04:23,640 --> 00:04:27,480 Speaker 1: Um okay, so Ashley, how did you get your tickets? Um? 77 00:04:27,520 --> 00:04:29,360 Speaker 1: I had a friend who got lucky with a pre 78 00:04:29,480 --> 00:04:31,960 Speaker 1: sale code and she was looking out for me. Did 79 00:04:31,960 --> 00:04:33,600 Speaker 1: she do an encore? Two? En course? How did the 80 00:04:33,640 --> 00:04:37,440 Speaker 1: show end? No? There was no encourse go a way through, 81 00:04:38,040 --> 00:04:40,680 Speaker 1: but honestly, she performed for over three hours, so I 82 00:04:40,680 --> 00:04:43,520 Speaker 1: don't know that we were expecting. I'm kind of over there, 83 00:04:43,640 --> 00:04:48,680 Speaker 1: like pretend on so weird. It's weird to me now too, 84 00:04:48,839 --> 00:04:51,200 Speaker 1: Like you go off, you stand back there for five minutes, 85 00:04:51,200 --> 00:04:52,600 Speaker 1: then you come back and you do what you had 86 00:04:52,600 --> 00:04:55,200 Speaker 1: on the set list. Anyway, just go straight through. I'm 87 00:04:55,240 --> 00:04:58,240 Speaker 1: with you. It's like, so weird. Did I stand there to? Yeah? 88 00:05:00,560 --> 00:05:03,159 Speaker 1: Down to the setlist and the three songs are already there. 89 00:05:04,960 --> 00:05:07,880 Speaker 1: Whoever comes on next, we should talk to him about that. 90 00:05:09,120 --> 00:05:11,680 Speaker 1: We ended with Karma, which was perfect. That was the 91 00:05:11,680 --> 00:05:15,240 Speaker 1: perfect end. Oh good, Actually your voice sounds different. Yeah, 92 00:05:15,279 --> 00:05:19,320 Speaker 1: you're a changed woman. You're aged, and I'm a changed woman. Well, 93 00:05:19,320 --> 00:05:22,320 Speaker 1: thank you so much for that almost live report from 94 00:05:22,400 --> 00:05:25,560 Speaker 1: her show, No problem, all right. She waited a couple 95 00:05:25,560 --> 00:05:27,839 Speaker 1: of days to report, but we got the report. Shanno. 96 00:05:28,080 --> 00:05:32,040 Speaker 1: Coop Disneyland. You know they're celebrating a hundred years. You 97 00:05:32,080 --> 00:05:34,800 Speaker 1: can join the celebration with tickets to Disneyland coming up 98 00:05:34,839 --> 00:05:35,080 Speaker 1: next