1 00:00:00,440 --> 00:00:37,600 Speaker 1: Celebrity book Club. R r r r R. Who's that 2 00:00:37,760 --> 00:00:40,920 Speaker 1: knocking at the door. It's all your friends, your filthy horse, 3 00:00:41,040 --> 00:00:43,560 Speaker 1: your husband's gone, and you've got books on a bottle 4 00:00:43,600 --> 00:00:48,479 Speaker 1: of wine to kill. It's books, it's gossip. I'm shook. 5 00:00:48,840 --> 00:00:56,360 Speaker 1: It's memoir, it's martiniok club can read it while it's hot. 6 00:00:56,760 --> 00:01:03,400 Speaker 1: Clem book Club, tell your secrets. We won't. No boys 7 00:01:03,440 --> 00:01:11,280 Speaker 1: are allowed. Say it loud and powd buzz man. I 8 00:01:11,360 --> 00:01:17,440 Speaker 1: brought the queer foe. Hey, best friend, Hey, best friend? 9 00:01:19,000 --> 00:01:25,360 Speaker 1: How is my dog doing today? Oh? Golligee, Willikers? I 10 00:01:25,440 --> 00:01:30,560 Speaker 1: am doing honestly, Okay, how are you? Thanks for checking in. No, 11 00:01:30,680 --> 00:01:33,800 Speaker 1: it's been a really rough week with the invasion of Ukraine, 12 00:01:34,000 --> 00:01:35,920 Speaker 1: and you know, I know everyone has a lot on 13 00:01:35,959 --> 00:01:40,200 Speaker 1: their plate, especially podcasters, and so thank you for yeah, 14 00:01:40,319 --> 00:01:43,080 Speaker 1: just for asking how I am, because it has been tough, sweetheart. 15 00:01:43,280 --> 00:01:47,720 Speaker 1: Um okay. So yeah, we read an epic books this week, 16 00:01:47,880 --> 00:01:50,680 Speaker 1: a newly topical book as of a few months ago. 17 00:01:50,760 --> 00:01:54,200 Speaker 1: I guess last may I believe was it really that 18 00:01:54,280 --> 00:01:57,800 Speaker 1: while ago? Yeah? Well, because I went to Okay, So 19 00:01:57,840 --> 00:02:02,640 Speaker 1: we read DMX's memoir Earl, The Autobiography of DMX as 20 00:02:02,720 --> 00:02:09,079 Speaker 1: told to Smokey Dfontaine Love much an amazing name. Love 21 00:02:09,120 --> 00:02:13,320 Speaker 1: when a ghost written is and as told to well, 22 00:02:13,480 --> 00:02:16,480 Speaker 1: it's almost you said the words right out of my 23 00:02:16,520 --> 00:02:20,160 Speaker 1: mouth my mouth rather than like oh with or like 24 00:02:20,240 --> 00:02:25,000 Speaker 1: something that's like, yeah, it's absolutely as told to Smokey 25 00:02:25,080 --> 00:02:27,800 Speaker 1: dfid I know. It's like, let's drop the ruse that 26 00:02:27,960 --> 00:02:31,000 Speaker 1: DMX and Smoky d are like side by side at 27 00:02:31,000 --> 00:02:38,120 Speaker 1: their laptops Google Doking know they're in the same Google Talk, Like, 28 00:02:38,360 --> 00:02:40,880 Speaker 1: let's just drop that charade. I feel like it was 29 00:02:40,960 --> 00:02:44,240 Speaker 1: all as told to on one weekend in Phoenix. Yeah, 30 00:02:44,320 --> 00:02:46,400 Speaker 1: because it keeps coming back to this, just like Wild 31 00:02:46,520 --> 00:02:53,639 Speaker 1: Drive and Arizona desert rattlesnakes, dolls, and then present day 32 00:02:53,720 --> 00:02:57,239 Speaker 1: DMX like sitting in his car being like, oh, this 33 00:02:57,280 --> 00:02:59,680 Speaker 1: is all I asked for, but also like fame is crazy, 34 00:03:00,160 --> 00:03:02,720 Speaker 1: like he can only get solace like sitting in his 35 00:03:02,840 --> 00:03:05,480 Speaker 1: car and like a parking lawn Phoenix, which also same, 36 00:03:05,840 --> 00:03:08,160 Speaker 1: it's very country music to just be like it's only 37 00:03:08,280 --> 00:03:11,400 Speaker 1: the open road for me, which to bring up BLAZZI again. 38 00:03:11,520 --> 00:03:15,600 Speaker 1: I feel like in this book, Smoogy Defontaine is like, oh, 39 00:03:15,639 --> 00:03:18,880 Speaker 1: Phoenix hadn't really seen any celebrities besides like a few 40 00:03:19,000 --> 00:03:21,919 Speaker 1: like golf players and maybe some athletes. But in Rosa 41 00:03:21,919 --> 00:03:24,440 Speaker 1: Blazzi's book, she says the best place to look for 42 00:03:25,040 --> 00:03:29,560 Speaker 1: celebrity athletes is Phoenix, like the Phoenix Airport and like 43 00:03:29,840 --> 00:03:33,320 Speaker 1: various christ steakhouse in Phoenix. Right, Ruth Chris is, but 44 00:03:33,360 --> 00:03:35,280 Speaker 1: I guess they hadn't seen some to the stature of 45 00:03:35,320 --> 00:03:38,520 Speaker 1: famous DMX. Yeah, and maybe it's also like I don't know, 46 00:03:38,520 --> 00:03:40,440 Speaker 1: I mean this was this book has in about two thousand, 47 00:03:40,640 --> 00:03:42,880 Speaker 1: so I think like Phoenix is one of the fastest 48 00:03:42,880 --> 00:03:44,800 Speaker 1: growing metropolitan areas in the country, and I think over 49 00:03:44,880 --> 00:03:46,800 Speaker 1: the past ten years it's expanded quite a lot. It 50 00:03:46,880 --> 00:03:50,080 Speaker 1: become much more of a destination year round and an 51 00:03:50,120 --> 00:03:54,200 Speaker 1: investment because we both have investments, and we own fractional 52 00:03:54,280 --> 00:03:58,160 Speaker 1: shares in several homes in the greater Phoenix area. And 53 00:03:58,280 --> 00:04:01,200 Speaker 1: we'll be talking more about arrived homes and our investments 54 00:04:02,000 --> 00:04:04,080 Speaker 1: in the VIP lounge. You'll learn all about how to 55 00:04:04,080 --> 00:04:09,240 Speaker 1: become a fractional landlord and fast growing metropolitan areas. Raleigh Durham. 56 00:04:10,040 --> 00:04:12,280 Speaker 1: So in this book is also so again it's called 57 00:04:12,400 --> 00:04:15,400 Speaker 1: E R L And I'm sorry, I can't quite get 58 00:04:15,440 --> 00:04:17,640 Speaker 1: to the cover because I read this on an iPad 59 00:04:18,800 --> 00:04:21,880 Speaker 1: because since my book did not arrive in time, I 60 00:04:21,920 --> 00:04:25,800 Speaker 1: did have to download a pirated copy from a Russian 61 00:04:25,920 --> 00:04:30,680 Speaker 1: book website in honor of the Ukrainian invasion. It does. 62 00:04:31,160 --> 00:04:35,520 Speaker 1: The website is DMX world dot. Are you now we 63 00:04:35,560 --> 00:04:40,440 Speaker 1: know where you stand? Not cool, Stephen. I looked for 64 00:04:40,640 --> 00:04:44,960 Speaker 1: Ukrainian pirated DMX websites and there weren't any. Okay, I tried. 65 00:04:45,320 --> 00:04:47,520 Speaker 1: This is very those tweets that are like, do not 66 00:04:47,880 --> 00:04:51,800 Speaker 1: shame an old woman when you're getting parogis like right now, 67 00:04:51,880 --> 00:04:54,600 Speaker 1: because when you go to Brighton Beach for food, like, 68 00:04:54,800 --> 00:04:57,400 Speaker 1: don't shame your story. Kee, Yeah, I saw you signal 69 00:04:57,480 --> 00:05:00,280 Speaker 1: boost that into my TL. Thank you so much. Well, 70 00:05:02,880 --> 00:05:04,719 Speaker 1: you know I'm a big supporter of bread and beach, 71 00:05:04,760 --> 00:05:11,760 Speaker 1: small restaurants, so food adventure life. Okay, So the cover 72 00:05:11,839 --> 00:05:14,560 Speaker 1: of this book is DMX kind of hugging himself in 73 00:05:14,600 --> 00:05:17,479 Speaker 1: that way when you can pretend you're making out with yourself, 74 00:05:17,880 --> 00:05:23,840 Speaker 1: like a physical guy love a good physical gay. Yeah, 75 00:05:23,880 --> 00:05:25,520 Speaker 1: he's definitely and not. I'm sure that was the entire 76 00:05:25,560 --> 00:05:28,800 Speaker 1: shront of the photo show. Yeah, he was like, I 77 00:05:28,839 --> 00:05:31,200 Speaker 1: want to look like I'm making out with myself. Um, 78 00:05:31,279 --> 00:05:33,200 Speaker 1: it's in that kind of like CPIA tone that was 79 00:05:33,279 --> 00:05:35,960 Speaker 1: big and I feel, I want to say, hip hop 80 00:05:36,000 --> 00:05:41,920 Speaker 1: photo shoots in the late nineties. Yeah. And also I'm 81 00:05:41,960 --> 00:05:44,840 Speaker 1: just like sure, I guess the kind of reddish CPIA. 82 00:05:44,920 --> 00:05:46,520 Speaker 1: I don't know. I don't think that you really see 83 00:05:46,560 --> 00:05:50,320 Speaker 1: this and think a black and white photo these days. Honey, 84 00:05:50,320 --> 00:05:52,720 Speaker 1: it's just black and white. You know. They're not giving 85 00:05:52,760 --> 00:05:54,800 Speaker 1: in a tent. No, they're giving this the tin. And 86 00:05:55,000 --> 00:05:56,880 Speaker 1: in the book it has like a lot of fun 87 00:05:57,000 --> 00:05:59,359 Speaker 1: kind of being a little scrap bookie with like old 88 00:05:59,360 --> 00:06:02,039 Speaker 1: photos and lyrics, and then we have glossy photo. I 89 00:06:02,080 --> 00:06:04,360 Speaker 1: do yeah, I do love so this book has little 90 00:06:04,520 --> 00:06:08,279 Speaker 1: scrapbook photos like every few pages, um kind of presented 91 00:06:08,320 --> 00:06:11,680 Speaker 1: polaroid style, and you see the inside of the projects, 92 00:06:11,680 --> 00:06:14,320 Speaker 1: the school, you know, the street, corner of the grandma's house. 93 00:06:14,320 --> 00:06:16,479 Speaker 1: It's like he's showing all the locations and really giving 94 00:06:16,520 --> 00:06:20,240 Speaker 1: you a visceral sense of the area. Okay, grew up 95 00:06:20,400 --> 00:06:23,200 Speaker 1: my favorite photo in the glossy section of this book 96 00:06:23,200 --> 00:06:26,120 Speaker 1: because obviously DMX loves dogs and we're gonna get into 97 00:06:26,160 --> 00:06:28,599 Speaker 1: that is his face. I don't know if you have 98 00:06:28,680 --> 00:06:31,680 Speaker 1: this in your PDF but his face is like imposed 99 00:06:31,800 --> 00:06:37,080 Speaker 1: into a dog. Oh that that is that's giving the 100 00:06:37,200 --> 00:06:42,640 Speaker 1: cats remaink movie. No, it's very Jaylor Swift, very sort 101 00:06:42,680 --> 00:06:45,920 Speaker 1: of Uncanny Valley, if we can use that phrase correctly 102 00:06:46,080 --> 00:06:48,960 Speaker 1: or incorrectly. Yeah, I don't. I don't like that. That's 103 00:06:49,040 --> 00:06:53,120 Speaker 1: making me feel weird. No, so I gotta tell obviously. DMX, 104 00:06:53,240 --> 00:06:57,680 Speaker 1: huge influential rapper, died last year and I walked by 105 00:06:58,160 --> 00:07:03,039 Speaker 1: this is so podcaster. I like came across his funeral procession, 106 00:07:03,160 --> 00:07:06,000 Speaker 1: just like going into a natural wine bar last year, 107 00:07:08,120 --> 00:07:10,880 Speaker 1: and it was like so many like wheelies and like 108 00:07:11,000 --> 00:07:14,080 Speaker 1: at Barclays and like three piece cars or whatever. And 109 00:07:14,160 --> 00:07:16,720 Speaker 1: I was so to me just being like to myself, 110 00:07:16,760 --> 00:07:20,160 Speaker 1: being like I wish I went me, Me to me thought, 111 00:07:20,240 --> 00:07:22,640 Speaker 1: I was like, uh, I wish I went to his 112 00:07:22,720 --> 00:07:26,320 Speaker 1: funeral procession earlier. But then you were there and you 113 00:07:26,360 --> 00:07:28,200 Speaker 1: were like, well now I'm getting natural wine. So I'll 114 00:07:28,240 --> 00:07:30,200 Speaker 1: just observed. Well, it was a little like it was 115 00:07:30,320 --> 00:07:36,600 Speaker 1: kind of over the residents the procession leaving. Okay, Um, yeah, 116 00:07:36,640 --> 00:07:38,720 Speaker 1: I mean yeah, I guess this book depressed me because 117 00:07:38,760 --> 00:07:41,360 Speaker 1: it ends on like such a spiritual god moment where 118 00:07:41,400 --> 00:07:44,800 Speaker 1: he's like I married, like I have my kids, like 119 00:07:44,840 --> 00:07:47,680 Speaker 1: I have my album like it, and then he's thirty 120 00:07:47,720 --> 00:07:49,840 Speaker 1: one and then he died of like a cocaine. But 121 00:07:49,920 --> 00:07:52,160 Speaker 1: he did have like twenty more good years in after 122 00:07:52,160 --> 00:07:54,320 Speaker 1: this book was written, So I wouldn't say that it's 123 00:07:54,360 --> 00:07:56,560 Speaker 1: so sad. It's like, yeah, he had. I mean what 124 00:07:56,720 --> 00:08:01,200 Speaker 1: annoyed me about this book with fifty young? Absolutely, but 125 00:08:01,520 --> 00:08:03,720 Speaker 1: you do you do have to remember that those were 126 00:08:03,720 --> 00:08:06,280 Speaker 1: fifty good years and we should. It's true I don't 127 00:08:06,320 --> 00:08:10,120 Speaker 1: have any hit albums yet and I'm thirty blanks. So 128 00:08:10,560 --> 00:08:12,920 Speaker 1: I do wish that this book had gone a little 129 00:08:12,960 --> 00:08:15,640 Speaker 1: bit further. So my introduction to DMX, of course, so Dmax, 130 00:08:15,680 --> 00:08:17,600 Speaker 1: for those who don't know, became famous sort of the 131 00:08:17,680 --> 00:08:23,880 Speaker 1: late nineties. His crews called the rough Riders. Um, you 132 00:08:23,960 --> 00:08:28,800 Speaker 1: may be familiar with this sort of our logo. Nineties 133 00:08:28,880 --> 00:08:31,880 Speaker 1: kids will get it. I mean I remember me Indianna 134 00:08:32,160 --> 00:08:38,200 Speaker 1: just wrapping DMX through our private school middle school halls. Yeah, 135 00:08:38,320 --> 00:08:40,680 Speaker 1: was that? So you were listening to him in middle school, 136 00:08:41,120 --> 00:08:44,360 Speaker 1: middle school? Give a dog a Bone? I mean my 137 00:08:44,440 --> 00:08:47,560 Speaker 1: introduction to him, I would say, was the Eliah jet 138 00:08:47,679 --> 00:08:51,079 Speaker 1: Lee film Romeo Must Die, which is, you know, a 139 00:08:51,400 --> 00:08:54,040 Speaker 1: modern take on the on the Romeo and Juliette story 140 00:08:54,040 --> 00:08:56,480 Speaker 1: of an uh some you know, kind of like West 141 00:08:56,520 --> 00:08:59,600 Speaker 1: Side story is in many ways. Um. But the Worrying 142 00:08:59,679 --> 00:09:02,440 Speaker 1: Gangs are a black gang in a Chinese gang, you know, 143 00:09:02,520 --> 00:09:06,600 Speaker 1: fighting for waterfront rights. Um. And then Aliyah and Gentley 144 00:09:06,679 --> 00:09:08,960 Speaker 1: have the sort of star cross lover's story although they 145 00:09:09,000 --> 00:09:12,000 Speaker 1: never even like fucking the movie or even kiss. This 146 00:09:12,080 --> 00:09:15,240 Speaker 1: whole book is much more of like a rise to 147 00:09:15,280 --> 00:09:17,400 Speaker 1: fame rather than like we're not getting much of his 148 00:09:17,520 --> 00:09:20,880 Speaker 1: like film work, the famous movie Belly that he was 149 00:09:20,920 --> 00:09:24,080 Speaker 1: in a very influential film, and it's like have you 150 00:09:24,120 --> 00:09:27,960 Speaker 1: seen it? I have? Oh, okay, yeah, and it did 151 00:09:28,080 --> 00:09:31,600 Speaker 1: influence you it well, I'm saying I think it influence 152 00:09:31,720 --> 00:09:34,079 Speaker 1: like more other filmmakers. I don't know if it influenced 153 00:09:34,120 --> 00:09:38,360 Speaker 1: me as a hip hop filmmaker. Um. So his mom 154 00:09:38,400 --> 00:09:42,040 Speaker 1: was a Jehovah's witness and it's like again, Jehovah's Witnesses, 155 00:09:42,679 --> 00:09:48,760 Speaker 1: so uch a random religion to um. Yeah, you know, 156 00:09:48,800 --> 00:09:51,920 Speaker 1: and she was not very godly with all the beating. No, 157 00:09:52,240 --> 00:09:55,280 Speaker 1: she wasn't really really violent. Um. Yeah. This book, like 158 00:09:55,320 --> 00:09:58,520 Speaker 1: many books, you know, lots of abuse in the childhood, 159 00:09:58,800 --> 00:10:02,440 Speaker 1: kind of Chanade Star. It's from Yonkers, which is just 160 00:10:02,480 --> 00:10:03,880 Speaker 1: a set of New York for those who don't know. 161 00:10:04,480 --> 00:10:08,080 Speaker 1: So you know, I've spent some time in Yonkers somewhat recently. 162 00:10:09,040 --> 00:10:12,920 Speaker 1: Oh when we went to Peppes Pizza, annoying me. I 163 00:10:12,920 --> 00:10:15,320 Speaker 1: was there for like one day for kind of like 164 00:10:15,360 --> 00:10:17,400 Speaker 1: a memorial service kind of thing because you know, my 165 00:10:17,559 --> 00:10:21,199 Speaker 1: family friend like who died recently, Matt, and yeah, he 166 00:10:21,559 --> 00:10:23,840 Speaker 1: grew up in Yonkers. His family owned like a candy 167 00:10:23,880 --> 00:10:27,719 Speaker 1: style like in the forties or whatever. We did kind 168 00:10:27,720 --> 00:10:30,320 Speaker 1: of like a walking tour of Yonkers, like see places 169 00:10:30,320 --> 00:10:32,079 Speaker 1: that he had been and like went to his old school, 170 00:10:32,080 --> 00:10:33,160 Speaker 1: which I don't know if it was the school that 171 00:10:33,200 --> 00:10:35,160 Speaker 1: DMX went to or not. But what was kind of 172 00:10:35,160 --> 00:10:37,360 Speaker 1: clear from walking on Yonkers is there is very much 173 00:10:37,360 --> 00:10:42,520 Speaker 1: a tale of two Yonkers, which DMX quite adequately describes 174 00:10:42,559 --> 00:10:44,240 Speaker 1: in the book, where you like, you have like a 175 00:10:44,400 --> 00:10:48,400 Speaker 1: very sort of like clean cut, upper middle class, white 176 00:10:48,440 --> 00:10:52,679 Speaker 1: superbio Yonkers and then you have the poorer black side 177 00:10:52,679 --> 00:10:56,920 Speaker 1: of town. And you know that segregation still exists to 178 00:10:56,960 --> 00:10:59,120 Speaker 1: this day, and we see that in urban areas all 179 00:10:59,160 --> 00:11:03,040 Speaker 1: across the country. Absolutely, So anyway, I'm saying, like it's 180 00:11:03,040 --> 00:11:05,800 Speaker 1: the Yonkers of DMX's childhood. Seems like it's very much 181 00:11:05,800 --> 00:11:08,040 Speaker 1: still kind of the accrusity, although he does talk about 182 00:11:08,040 --> 00:11:10,600 Speaker 1: how the waterfront, you could like really get up to 183 00:11:10,640 --> 00:11:12,680 Speaker 1: no good at the waterfront, and they have very much 184 00:11:12,720 --> 00:11:16,280 Speaker 1: like boota jedge the waterfront, since where are there like 185 00:11:16,360 --> 00:11:18,800 Speaker 1: high tops. It was like all parking in high tops 186 00:11:18,800 --> 00:11:21,480 Speaker 1: and condos and like empty condos and empty high tops. 187 00:11:21,760 --> 00:11:25,240 Speaker 1: He mentioned the aqueduct also as like a place where 188 00:11:25,280 --> 00:11:28,280 Speaker 1: like kids could like run and hide. And the aqueduct 189 00:11:28,360 --> 00:11:31,840 Speaker 1: has now turned into like where the racetrack is and 190 00:11:31,880 --> 00:11:35,800 Speaker 1: that casino Resorts World casino, and I think it stretches 191 00:11:35,880 --> 00:11:39,640 Speaker 1: along the water. Well, hold on, you're thinking of resource 192 00:11:39,679 --> 00:11:44,080 Speaker 1: Worcusino by JFK. Yeah, that's not what we're aqueduct. Well 193 00:11:44,120 --> 00:11:46,120 Speaker 1: don't you think people have to get a map here? 194 00:11:46,160 --> 00:11:49,240 Speaker 1: But I feel like the aqueduct does run from there 195 00:11:49,280 --> 00:11:52,679 Speaker 1: two yonkers. I think the aqueduct runs all the way 196 00:11:52,720 --> 00:11:55,000 Speaker 1: from the Adirondacks or whatever. But I don't think he's 197 00:11:55,040 --> 00:11:57,560 Speaker 1: talking about that. I don't think he wasn't like walking 198 00:11:57,559 --> 00:12:00,319 Speaker 1: all the way down to like Queens and like Jay times, 199 00:12:00,320 --> 00:12:03,120 Speaker 1: he's running for so long and him like him and 200 00:12:03,160 --> 00:12:05,240 Speaker 1: I'm just like, how long have you been walking for? 201 00:12:05,440 --> 00:12:08,360 Speaker 1: I was really impressed by his sense of direction in 202 00:12:08,440 --> 00:12:11,040 Speaker 1: this book. Yeah, he definitely does a lot of walking 203 00:12:11,120 --> 00:12:14,840 Speaker 1: and running. Well, running became an escape for him literally figuratively, 204 00:12:14,840 --> 00:12:16,160 Speaker 1: and then of course as the time when he literally 205 00:12:16,240 --> 00:12:18,599 Speaker 1: escapes from jail, I'm staying right and just runs and 206 00:12:18,720 --> 00:12:21,680 Speaker 1: runs and his friend is like, Okay, stay here, I'll 207 00:12:21,679 --> 00:12:24,240 Speaker 1: be right back, and then never comes back. And so 208 00:12:24,320 --> 00:12:26,839 Speaker 1: this family just like takes him in and then he 209 00:12:26,880 --> 00:12:30,000 Speaker 1: finds his way home, but they like ran for days, 210 00:12:30,240 --> 00:12:31,800 Speaker 1: which I was very impressed by, and it was very 211 00:12:31,840 --> 00:12:34,120 Speaker 1: cold upstate. So just back one second to his mom 212 00:12:34,160 --> 00:12:36,439 Speaker 1: being and Jehovah's witness. So there's one time when he 213 00:12:36,480 --> 00:12:38,600 Speaker 1: gets hit by a car and he's like half the 214 00:12:38,679 --> 00:12:41,240 Speaker 1: people and the ghetto like got hit, like got in 215 00:12:41,280 --> 00:12:43,680 Speaker 1: some accident or something and got money from it, and 216 00:12:43,720 --> 00:12:45,640 Speaker 1: just like I was kind of hoping for like my payout, 217 00:12:45,840 --> 00:12:47,800 Speaker 1: and then like someone came to his house and was 218 00:12:47,840 --> 00:12:52,679 Speaker 1: like you could get ten thousand dollars like in wrongful, 219 00:12:53,120 --> 00:12:56,559 Speaker 1: like yeah, accident injury lawsuit payment from this car accident. 220 00:12:56,760 --> 00:12:59,160 Speaker 1: And his mom was like, no, we're good because we're 221 00:12:59,240 --> 00:13:01,680 Speaker 1: Jehovah's witness, so we're not supposed to take things that 222 00:13:01,760 --> 00:13:05,400 Speaker 1: like we don't get. Yeah. She was like, he who 223 00:13:05,480 --> 00:13:08,319 Speaker 1: is like not humble, like doesn't take ten kids. He 224 00:13:08,480 --> 00:13:11,720 Speaker 1: was just like are you kidding? Like are you kidding? 225 00:13:11,720 --> 00:13:13,760 Speaker 1: Mean while he's like sleeping on the floor, and then 226 00:13:13,800 --> 00:13:15,920 Speaker 1: she's like locking him in his room and like only 227 00:13:16,000 --> 00:13:17,720 Speaker 1: letting him go to the bathroom. And I was like, 228 00:13:18,400 --> 00:13:21,520 Speaker 1: you're really not well because you know, Jehovah's don't celebrate birthdays. 229 00:13:22,240 --> 00:13:29,160 Speaker 1: Oh wow, yeah, because birthdays are like two bragodocious my 230 00:13:29,200 --> 00:13:34,360 Speaker 1: new favorite word. God, that's rough. That is really rough. 231 00:13:34,520 --> 00:13:38,360 Speaker 1: Nagine not having a thirty person dinner. Yeah no, I 232 00:13:38,360 --> 00:13:40,840 Speaker 1: mean the abuse, the physical abuse was bad enough, but 233 00:13:40,880 --> 00:13:45,839 Speaker 1: no birthdays, no birthdays, Yeah, that's really rude. Um. So 234 00:13:46,200 --> 00:13:48,200 Speaker 1: during all this like a lone time, you know, he 235 00:13:48,280 --> 00:13:51,200 Speaker 1: take he has like so many spiral journals and he's 236 00:13:51,200 --> 00:13:54,400 Speaker 1: writing down rhymes and rhymes and rhymes, which made me 237 00:13:54,440 --> 00:13:57,160 Speaker 1: think about raw dogging with no headphones and like, how 238 00:13:57,200 --> 00:13:59,000 Speaker 1: I feel like I did used to journal Moore as 239 00:13:59,000 --> 00:14:02,600 Speaker 1: a child and then now with my phone. He was like, oh, 240 00:14:02,600 --> 00:14:05,520 Speaker 1: like I would just walk around yonkers and he was like, 241 00:14:05,559 --> 00:14:08,480 Speaker 1: I would just think so much. Yeah, the thinking you 242 00:14:08,520 --> 00:14:15,120 Speaker 1: can do when you're not listening to a goddamn podcast. Yeah, no, 243 00:14:15,200 --> 00:14:17,760 Speaker 1: I'm not much thinking. My boy X was not listening 244 00:14:17,800 --> 00:14:20,840 Speaker 1: to podcasts, and it shows. It absolutely shows because he 245 00:14:20,920 --> 00:14:24,480 Speaker 1: was coming up with many a rap. So cut to 246 00:14:24,640 --> 00:14:28,440 Speaker 1: when he's like later in his twenties and like teens 247 00:14:28,480 --> 00:14:30,520 Speaker 1: and is like trying to get signed. I found it 248 00:14:30,640 --> 00:14:34,120 Speaker 1: very interesting that puff Daddy was like, he's too rough 249 00:14:34,240 --> 00:14:37,400 Speaker 1: and I can't like market him. M m yeah that 250 00:14:37,480 --> 00:14:40,920 Speaker 1: faget puff Daddy, I know, and didn't like sign him 251 00:14:40,920 --> 00:14:44,080 Speaker 1: at first, but you know, it also sounds like, uh 252 00:14:44,520 --> 00:14:48,000 Speaker 1: did he He He was encouraging of him and like really 253 00:14:48,000 --> 00:14:49,720 Speaker 1: pushed him to be his best and like did believe 254 00:14:49,720 --> 00:14:51,720 Speaker 1: in him. Well, he did end up signing him. So 255 00:14:52,440 --> 00:14:54,680 Speaker 1: and this is all alleged or whatever, but I'm sure 256 00:14:54,800 --> 00:14:58,520 Speaker 1: did he was attracted to DMX. He's an attractive man. 257 00:14:58,920 --> 00:15:01,720 Speaker 1: He's a very attrac a man, and he was very 258 00:15:01,760 --> 00:15:04,760 Speaker 1: cool with lesbians. Okay, So yeah, so let's talk about 259 00:15:04,760 --> 00:15:06,720 Speaker 1: the fact that a his aunt was a lesbian and 260 00:15:06,760 --> 00:15:09,320 Speaker 1: he was just like my aunt was a lesbian and 261 00:15:09,360 --> 00:15:11,000 Speaker 1: I didn't really think that was weird. And then she 262 00:15:11,040 --> 00:15:13,680 Speaker 1: was always bringing abound girlfriends and their girlfriends were always 263 00:15:13,720 --> 00:15:16,160 Speaker 1: bringing around girlfriends and there was this like full Albert 264 00:15:16,160 --> 00:15:18,040 Speaker 1: house going on in his grandma's house, and he was 265 00:15:18,280 --> 00:15:19,760 Speaker 1: like they would be like having so many parties when 266 00:15:19,760 --> 00:15:22,120 Speaker 1: he was twelve, and then being like we're going into 267 00:15:22,120 --> 00:15:24,480 Speaker 1: the bedroom and like shutting the door and doing grown 268 00:15:24,520 --> 00:15:26,240 Speaker 1: folks things and you can just like hang out in 269 00:15:26,240 --> 00:15:29,120 Speaker 1: the living room. I know. It was like this full 270 00:15:29,280 --> 00:15:32,720 Speaker 1: Tampa Bay is like Polly's scenario. And he's like, first 271 00:15:32,720 --> 00:15:35,440 Speaker 1: she was like, my aunt Verna didn't like take too 272 00:15:35,520 --> 00:15:37,280 Speaker 1: much crap, if you know what I mean. And then 273 00:15:37,320 --> 00:15:40,320 Speaker 1: a few paragraphs later he's like, so she was a lesbian, right, 274 00:15:40,440 --> 00:15:42,440 Speaker 1: because he starts out being just like she was like 275 00:15:42,440 --> 00:15:44,960 Speaker 1: a sturdy woman or something. He said something, and my 276 00:15:45,080 --> 00:15:48,520 Speaker 1: like my radar goes off, and then three paragraphs later 277 00:15:48,600 --> 00:15:51,320 Speaker 1: he's just like, she was a straight up lesbian. Verna 278 00:15:51,640 --> 00:15:55,760 Speaker 1: is also a very lesbian name. Verna. Yeah, yeah, it's 279 00:15:55,760 --> 00:16:03,040 Speaker 1: got a nice solidity too, na real horror hard fem. 280 00:16:04,280 --> 00:16:07,040 Speaker 1: So yeah, that's cool. Although he does you know, there 281 00:16:07,160 --> 00:16:10,800 Speaker 1: is a lot of reference says to people taking up 282 00:16:10,840 --> 00:16:13,560 Speaker 1: the ass as a negative, and I just will put 283 00:16:13,560 --> 00:16:16,600 Speaker 1: this out there as a criticism of hip hop, especially 284 00:16:16,600 --> 00:16:18,800 Speaker 1: at this time. In the lyrics, it seems like you 285 00:16:18,840 --> 00:16:22,680 Speaker 1: are saying that being a homosexual and specifically being the 286 00:16:22,720 --> 00:16:25,480 Speaker 1: penetrative receptive partner is bad. And I don't know if 287 00:16:25,560 --> 00:16:27,840 Speaker 1: I you know, if I'm okay with that. We get 288 00:16:27,880 --> 00:16:32,800 Speaker 1: so Diane Keaton and something's gotta give. Jack Nicholson is 289 00:16:32,840 --> 00:16:35,520 Speaker 1: like listening to hip hop and she's like, I'm sorry, 290 00:16:35,680 --> 00:16:43,160 Speaker 1: why does every word have to rhyme with bitch? But 291 00:16:43,360 --> 00:16:45,120 Speaker 1: he's really creative at coming up with a lot of 292 00:16:45,120 --> 00:16:48,560 Speaker 1: different words to rhyme with bitch. I was okay. So 293 00:16:48,600 --> 00:16:50,960 Speaker 1: in one of his first battles and he's like going 294 00:16:50,960 --> 00:16:54,080 Speaker 1: to all these yonkers battles and it's like he battled 295 00:16:54,080 --> 00:16:56,600 Speaker 1: this guy, Bill Blast, who I was like obsessed that 296 00:16:56,600 --> 00:16:59,080 Speaker 1: this guy's name is Bill Blast. Yeah, no, that that 297 00:16:59,160 --> 00:17:01,280 Speaker 1: stuck out to me. This was like it was like 298 00:17:01,360 --> 00:17:05,800 Speaker 1: not this like gay iconic designer um and he was 299 00:17:05,840 --> 00:17:09,040 Speaker 1: like the biggest man to beat in the town at 300 00:17:09,080 --> 00:17:10,880 Speaker 1: the time. Let me see if I have the rhyme. 301 00:17:10,920 --> 00:17:13,280 Speaker 1: But so this guy just like they're roasting each other 302 00:17:13,320 --> 00:17:15,199 Speaker 1: and it's like, wait, this is the one where he 303 00:17:15,240 --> 00:17:18,560 Speaker 1: was like you chugged like you butt chuggar there was, 304 00:17:18,680 --> 00:17:20,760 Speaker 1: But the word butt wasn't it a lot? Is the 305 00:17:20,840 --> 00:17:23,679 Speaker 1: rhyme you're talking about. No, this one was he was 306 00:17:23,760 --> 00:17:26,080 Speaker 1: just so like, your mother's like a bitch and she 307 00:17:26,200 --> 00:17:31,200 Speaker 1: like sucks my dick and she's ugly. Oh yeah, Like 308 00:17:31,680 --> 00:17:33,440 Speaker 1: I went in for the kill, like I decided to 309 00:17:33,480 --> 00:17:35,639 Speaker 1: get really personal and hit him where it hurts. Oh no, 310 00:17:36,400 --> 00:17:38,920 Speaker 1: I love it, he goes. I decided to get really disrespectful, 311 00:17:40,280 --> 00:17:42,520 Speaker 1: and it's just like and then it's just like your 312 00:17:42,560 --> 00:17:45,040 Speaker 1: mother's fat and your sister's ugly, and I fucked them 313 00:17:45,040 --> 00:17:47,600 Speaker 1: both and then I killed them and you're just like, Okay, 314 00:17:47,640 --> 00:17:49,520 Speaker 1: I mean I don't know if that actually is that personal, 315 00:17:49,600 --> 00:17:53,640 Speaker 1: to be honest, No, but I think the butt chugging one, 316 00:17:53,680 --> 00:17:56,520 Speaker 1: there was one where he was like, I drilled holes 317 00:17:56,520 --> 00:17:59,640 Speaker 1: in your ass and like blood, it's like coming out 318 00:17:59,680 --> 00:18:01,920 Speaker 1: of it. What's interesting things. So we talked a lot 319 00:18:01,920 --> 00:18:05,240 Speaker 1: about pussy in this book and sort of achieving it, 320 00:18:05,359 --> 00:18:08,520 Speaker 1: getting it. He does lose his vCard at fourteen to 321 00:18:08,560 --> 00:18:10,480 Speaker 1: like a twenty six year old woman who lives in 322 00:18:10,520 --> 00:18:13,680 Speaker 1: his building, and he was just like and thinking, actually 323 00:18:13,680 --> 00:18:15,840 Speaker 1: did take advantage of me. But I was into it 324 00:18:15,960 --> 00:18:19,520 Speaker 1: and it's like and then he's like and from that 325 00:18:19,560 --> 00:18:21,639 Speaker 1: moment on, just like I was always trying to get 326 00:18:21,720 --> 00:18:24,600 Speaker 1: pussy um and sort of like talks about the different 327 00:18:24,600 --> 00:18:27,680 Speaker 1: ways that you can get pussy. But I do feel 328 00:18:27,680 --> 00:18:31,200 Speaker 1: like he's never bragging about the size of his member, 329 00:18:31,240 --> 00:18:35,600 Speaker 1: and I'm like normal because I think it's normal boots, 330 00:18:35,680 --> 00:18:37,560 Speaker 1: and because he well, he talks about when he like 331 00:18:37,640 --> 00:18:39,639 Speaker 1: went to prison, it was like because it was like 332 00:18:39,720 --> 00:18:41,879 Speaker 1: low security, he was actually the worst part was like 333 00:18:41,920 --> 00:18:44,080 Speaker 1: getting no pussy because I've been getting in on the regular, 334 00:18:44,400 --> 00:18:45,760 Speaker 1: but I feel like he was. I was kind of 335 00:18:45,760 --> 00:18:47,720 Speaker 1: surprised because sometimes I felt like he was kind of 336 00:18:47,760 --> 00:18:51,000 Speaker 1: having a dry spell where he was winning all these 337 00:18:51,080 --> 00:18:54,280 Speaker 1: rap battles and he was like, yeah, funny enough, I 338 00:18:54,320 --> 00:18:58,960 Speaker 1: actually wasn't getting pussy from them. He was, and it 339 00:18:59,000 --> 00:19:01,640 Speaker 1: took him a while to then when I think get 340 00:19:01,760 --> 00:19:03,639 Speaker 1: some more comments, I see it as when he finally 341 00:19:03,640 --> 00:19:06,919 Speaker 1: shaved his head. Yeah, is when he definitely found some 342 00:19:06,960 --> 00:19:09,960 Speaker 1: power in that. And then his first love is this 343 00:19:10,000 --> 00:19:14,639 Speaker 1: girl who's from Connecticut, Yeah, who he had had like 344 00:19:14,640 --> 00:19:16,240 Speaker 1: a vision of when he was a kid, and my 345 00:19:16,320 --> 00:19:18,760 Speaker 1: vision he just oh no, no, no, this is before her. 346 00:19:19,080 --> 00:19:21,240 Speaker 1: He had like a girlfriend from Connecticut who like had 347 00:19:21,240 --> 00:19:25,439 Speaker 1: a car and they were like inseparable and he's right, 348 00:19:25,480 --> 00:19:27,959 Speaker 1: and then like he saw her in Stamford and he 349 00:19:28,000 --> 00:19:29,440 Speaker 1: was like in line for the club and she was like, wait, 350 00:19:29,440 --> 00:19:30,720 Speaker 1: why didn't we meet up today? And he was like, 351 00:19:30,760 --> 00:19:32,199 Speaker 1: I was looking for you and it's kind of like, 352 00:19:32,200 --> 00:19:37,080 Speaker 1: what is this story about you? Guys like not. He 353 00:19:37,240 --> 00:19:40,080 Speaker 1: calls her and is like, I'm coming to Stamford and 354 00:19:40,119 --> 00:19:44,040 Speaker 1: she's like, okay, sketchy, and so he goes to the 355 00:19:44,080 --> 00:19:46,760 Speaker 1: mall she works at and she's like meet me at nine. 356 00:19:47,200 --> 00:19:48,399 Speaker 1: But I think it's just like he had been in 357 00:19:48,480 --> 00:19:50,439 Speaker 1: jail for three months and she didn't expect him to 358 00:19:50,440 --> 00:19:52,840 Speaker 1: like show up at the mall, right, so she just 359 00:19:52,920 --> 00:19:55,000 Speaker 1: doesn't go to meet him, and so he's like pissed 360 00:19:55,440 --> 00:19:57,720 Speaker 1: and then they got to fight outside this club. She's like, well, who, 361 00:19:57,760 --> 00:20:00,639 Speaker 1: we come to Stamford without money anyway, and he was 362 00:20:00,680 --> 00:20:05,200 Speaker 1: just like literally me, I'm into you. Yeah. I mean 363 00:20:05,240 --> 00:20:07,240 Speaker 1: honestly reminds me of the time I would to Stamford 364 00:20:07,280 --> 00:20:09,840 Speaker 1: to interview for the Jerry Springer Show after I was 365 00:20:09,880 --> 00:20:12,400 Speaker 1: like an intern for them in Chicago. I went to Stamford. 366 00:20:12,480 --> 00:20:14,920 Speaker 1: You had no money in your pocket. It felt like that. 367 00:20:15,000 --> 00:20:18,040 Speaker 1: I don't know. I was so like walking from the 368 00:20:18,080 --> 00:20:21,000 Speaker 1: Metro North and it was like so windy and desolate 369 00:20:21,040 --> 00:20:23,920 Speaker 1: and a highway, and he is like, damn, Stanford is 370 00:20:23,960 --> 00:20:26,760 Speaker 1: not like Yonkers, like it's not walkable. Yeah, and then 371 00:20:26,800 --> 00:20:28,919 Speaker 1: I like left my interview and I was in my 372 00:20:29,080 --> 00:20:32,159 Speaker 1: H and M suit dress pants just being kind of 373 00:20:32,200 --> 00:20:35,960 Speaker 1: like walking along a semi sidewalk highway like getting back 374 00:20:35,960 --> 00:20:39,679 Speaker 1: on the train. So I did have money, but you 375 00:20:39,680 --> 00:20:41,760 Speaker 1: didn't have to again set your pit bull on a 376 00:20:41,800 --> 00:20:44,520 Speaker 1: grandma to rob her to get back on the train, 377 00:20:44,880 --> 00:20:49,080 Speaker 1: which he does later do he trains his dogs to 378 00:20:49,160 --> 00:20:54,240 Speaker 1: become thieves. He also, okay, he does train his dog 379 00:20:54,440 --> 00:21:00,760 Speaker 1: to do like kill raccoons, which is hard for us 380 00:21:00,800 --> 00:21:02,560 Speaker 1: as a cat. Po mean, as you know, I'm like 381 00:21:02,600 --> 00:21:05,120 Speaker 1: famously anti dog and procat. When I'm just reading about 382 00:21:05,200 --> 00:21:07,000 Speaker 1: him being like yeah, and then I got my dog 383 00:21:07,040 --> 00:21:09,840 Speaker 1: to kill these stupid cats, I was just like, well, 384 00:21:09,840 --> 00:21:12,439 Speaker 1: this is this. I feel a little bit justified because 385 00:21:12,480 --> 00:21:15,879 Speaker 1: dogs literally are evil and kill for sport. I mean 386 00:21:15,960 --> 00:21:19,920 Speaker 1: cats kill for sport too, but they kill nice and rabbits. Yeah, 387 00:21:19,960 --> 00:21:22,280 Speaker 1: and like, yes, last night, did my cat try to 388 00:21:22,320 --> 00:21:26,200 Speaker 1: take the top of the goldfish tank off and get 389 00:21:26,240 --> 00:21:28,040 Speaker 1: in there. Yeah, I mean cat. I guess I'm not 390 00:21:28,080 --> 00:21:30,800 Speaker 1: saying cats aren't statistic, but I'm just saying they're cute. Yeah, 391 00:21:30,880 --> 00:21:35,240 Speaker 1: cats are cut and they are murderers as well. But yeah, 392 00:21:35,280 --> 00:21:37,080 Speaker 1: I guess it was that because then at one point 393 00:21:37,119 --> 00:21:40,199 Speaker 1: he hangs this cat from a tree to teach his 394 00:21:40,359 --> 00:21:43,200 Speaker 1: dog at a trump which I did kind of funny, 395 00:21:43,720 --> 00:21:48,760 Speaker 1: sorry stick and twisted animal humor anyone. But then I 396 00:21:48,880 --> 00:21:51,040 Speaker 1: was like literally just crying on my couch like two 397 00:21:51,040 --> 00:21:53,560 Speaker 1: hours ago because his dog, Boomer was his best friend 398 00:21:53,800 --> 00:21:57,520 Speaker 1: and a van kills his dog. Well, that's not as 399 00:21:57,520 --> 00:22:01,840 Speaker 1: traumatizing as his first jog black Gy, who got murdered 400 00:22:01,840 --> 00:22:04,440 Speaker 1: by the police. Do you rememberber this scene where they 401 00:22:04,480 --> 00:22:07,720 Speaker 1: literally shoot the dog. Okay, no, I guess I okay, yet, 402 00:22:08,080 --> 00:22:10,600 Speaker 1: I mean the trauma and then this other his Boomer, 403 00:22:10,720 --> 00:22:13,000 Speaker 1: the other dog he sees literally like flip in the 404 00:22:13,040 --> 00:22:16,600 Speaker 1: air ten times over and the van just keeps on driving, 405 00:22:17,200 --> 00:22:21,320 Speaker 1: keeps on going. So wait, okay, speaking of trigger warning, 406 00:22:21,359 --> 00:22:24,480 Speaker 1: more animal death, do you remember the scene with the butterfly? Okay, 407 00:22:24,560 --> 00:22:26,240 Speaker 1: I'm gonna I'm gonna this will be like the first 408 00:22:26,240 --> 00:22:27,879 Speaker 1: time you heard it because this was really beautiful and 409 00:22:27,920 --> 00:22:29,720 Speaker 1: this actually think speaks, So I think DMX is a 410 00:22:29,720 --> 00:22:34,760 Speaker 1: really beautiful soul and he is very very emotional and thoughtful. 411 00:22:34,800 --> 00:22:36,480 Speaker 1: He's been through a lot of trauma in his life 412 00:22:36,480 --> 00:22:39,600 Speaker 1: and he puts that into his art. So he thing 413 00:22:39,680 --> 00:22:41,399 Speaker 1: is like he was very very smart, and he was 414 00:22:41,440 --> 00:22:44,240 Speaker 1: always like doing really well in school, and like that 415 00:22:44,280 --> 00:22:46,320 Speaker 1: was partly why he was so like badly behaved because 416 00:22:46,320 --> 00:22:48,040 Speaker 1: he was always like finishing the test before everyone else 417 00:22:48,080 --> 00:22:49,240 Speaker 1: and then being like, well, I want to like funk 418 00:22:49,280 --> 00:22:53,280 Speaker 1: around and like I'm not being challenged enough at my school, 419 00:22:53,880 --> 00:22:56,040 Speaker 1: and so you know, then I'm going to start to 420 00:22:56,080 --> 00:22:58,119 Speaker 1: just like do other shit and throw spitballs. And that 421 00:22:58,200 --> 00:23:00,679 Speaker 1: sort of like escalated over time to when he like 422 00:23:00,680 --> 00:23:02,359 Speaker 1: did commit arson at that other school and then was 423 00:23:02,359 --> 00:23:05,440 Speaker 1: like always getting arrested for robbing. But early on as 424 00:23:05,440 --> 00:23:09,120 Speaker 1: a child, he finds this like butterfly outside and he's 425 00:23:09,119 --> 00:23:11,199 Speaker 1: like so excited about it and slapping around and he 426 00:23:11,240 --> 00:23:15,760 Speaker 1: manages to catch it in a jar and then he 427 00:23:16,680 --> 00:23:18,439 Speaker 1: covers it with the lid and then he like has 428 00:23:18,480 --> 00:23:19,920 Speaker 1: an ext to his bed and he's so excited. It's 429 00:23:19,920 --> 00:23:22,080 Speaker 1: so beautiful and it's like wings. Probably's some beautiful thing 430 00:23:22,119 --> 00:23:25,000 Speaker 1: he's ever seen. He wakes up the next morning and 431 00:23:25,080 --> 00:23:27,600 Speaker 1: the butterfly obviously is dead, and he realized that he 432 00:23:27,680 --> 00:23:30,640 Speaker 1: forgot to like punch holes from the top. So this 433 00:23:30,720 --> 00:23:32,960 Speaker 1: is him talking about that. I couldn't believe that I'd 434 00:23:33,000 --> 00:23:35,240 Speaker 1: forgotten to do that because of how excited I was 435 00:23:35,280 --> 00:23:37,720 Speaker 1: when I caught it, because all I was thinking about 436 00:23:38,080 --> 00:23:40,360 Speaker 1: was how cool it was to have I didn't even 437 00:23:40,359 --> 00:23:43,960 Speaker 1: give that butterfly a chance to live. Now my butterfly 438 00:23:44,119 --> 00:23:47,359 Speaker 1: was dead. Grandma tried to console me, but I cried 439 00:23:47,400 --> 00:23:51,240 Speaker 1: and cried being selfish. I'd fucked around and killed the 440 00:23:51,240 --> 00:23:53,439 Speaker 1: most beautiful thing I had ever seen in my life. 441 00:23:55,320 --> 00:23:59,439 Speaker 1: Isn't that so so poignant, so beautiful. I just you know, 442 00:23:59,560 --> 00:24:01,359 Speaker 1: I think that part really endeared me to him, and 443 00:24:01,400 --> 00:24:04,239 Speaker 1: I think it really like cast a beautiful light on 444 00:24:04,960 --> 00:24:06,359 Speaker 1: all of this stuff that does in the book, because 445 00:24:06,359 --> 00:24:08,880 Speaker 1: you know, everything is really just like his story and 446 00:24:08,960 --> 00:24:11,120 Speaker 1: as aggressive as he is, you know, it's all just 447 00:24:11,160 --> 00:24:13,880 Speaker 1: like that, it's all coming from this really hard wine 448 00:24:13,920 --> 00:24:17,640 Speaker 1: emotion that he's that he's felt and that he's experienced. 449 00:24:17,960 --> 00:24:20,359 Speaker 1: Every time I feel like one of the dog does happen. 450 00:24:20,600 --> 00:24:23,359 Speaker 1: He was so just like oh God, Like is this 451 00:24:23,560 --> 00:24:27,400 Speaker 1: like Judgment Day and all life the Jehovah guilt and 452 00:24:27,640 --> 00:24:29,320 Speaker 1: just like has been through so much and it is 453 00:24:29,359 --> 00:24:32,320 Speaker 1: just like especially and it's like all the drama with 454 00:24:32,440 --> 00:24:36,320 Speaker 1: his dad. Yeah, his dad bounced, but then his dad 455 00:24:36,400 --> 00:24:38,879 Speaker 1: was like a watercolorist and like this one time his 456 00:24:39,040 --> 00:24:42,000 Speaker 1: dad and I feel like he, you know, throughout the 457 00:24:42,040 --> 00:24:44,840 Speaker 1: book he gives life forgiveness, I think, to his parents 458 00:24:44,920 --> 00:24:46,280 Speaker 1: at the end of the book because he's like, that's 459 00:24:46,280 --> 00:24:48,760 Speaker 1: the only way I can move on. But I feel 460 00:24:48,800 --> 00:24:52,639 Speaker 1: like these reflections that he's like as when he's telling 461 00:24:52,680 --> 00:24:56,440 Speaker 1: Smoky Defontaine where he's like, see what my like mom 462 00:24:56,520 --> 00:24:58,640 Speaker 1: or dad said, They're like they weren't like how are you, 463 00:24:58,920 --> 00:25:01,639 Speaker 1: like I miss you? They or like do you have 464 00:25:01,680 --> 00:25:05,080 Speaker 1: a lawyer? Yeah? I think Smokey is like helping like 465 00:25:05,119 --> 00:25:07,040 Speaker 1: elucidate those points for him just being like and this 466 00:25:07,160 --> 00:25:09,360 Speaker 1: was that another moment where it's like the parent could 467 00:25:09,400 --> 00:25:11,359 Speaker 1: have said something to show that they cared, and then 468 00:25:11,400 --> 00:25:14,840 Speaker 1: they didn't, And there was like very few moments where 469 00:25:14,400 --> 00:25:18,800 Speaker 1: they did. This time that his dad like says he 470 00:25:18,840 --> 00:25:20,359 Speaker 1: wants to see him and he shows up to like 471 00:25:20,359 --> 00:25:22,199 Speaker 1: one of his like rap battles and it's like one 472 00:25:22,240 --> 00:25:25,399 Speaker 1: of the more like official shows he's having. He's like, 473 00:25:26,000 --> 00:25:28,640 Speaker 1: looks at this guy and he was accused wearing leg 474 00:25:28,720 --> 00:25:33,920 Speaker 1: warmers M and MS is like, I'm talking multiple pairs 475 00:25:33,920 --> 00:25:37,680 Speaker 1: of leg warmers, red corduroy pants, red corduroy shure with 476 00:25:37,720 --> 00:25:41,960 Speaker 1: elbow patches. He was like, no, this cannot like just 477 00:25:42,000 --> 00:25:45,840 Speaker 1: like this alternate and is not my dad, And then 478 00:25:45,880 --> 00:25:48,720 Speaker 1: the dad does just ask him, like do you have 479 00:25:48,760 --> 00:25:50,920 Speaker 1: a lawyer? I think his dad is trying to give 480 00:25:51,000 --> 00:25:53,680 Speaker 1: him like fatherly advice to make sure he's not getting 481 00:25:53,720 --> 00:25:59,840 Speaker 1: like screwed over that. But DMX is a little bit 482 00:26:00,040 --> 00:26:03,639 Speaker 1: just like why not, like how are you? Or like 483 00:26:03,720 --> 00:26:07,520 Speaker 1: and I miss you? Just like this fake it's very 484 00:26:07,600 --> 00:26:09,639 Speaker 1: I know you didn't watch second season of Cheer, but 485 00:26:09,800 --> 00:26:13,040 Speaker 1: just like this girl on Cheer her dad who was 486 00:26:13,119 --> 00:26:15,800 Speaker 1: like she's the girl from Boston and her dad was 487 00:26:15,840 --> 00:26:18,400 Speaker 1: like arrested for rape and he's finally out of jail 488 00:26:18,440 --> 00:26:20,639 Speaker 1: and he's calling her and like trying to get her 489 00:26:20,680 --> 00:26:22,800 Speaker 1: an agent, and she's kind of just like, I'm actually 490 00:26:22,840 --> 00:26:26,280 Speaker 1: not trying to hear your random advice right now because 491 00:26:26,720 --> 00:26:31,119 Speaker 1: you were in jail for my whole life. Wow, that 492 00:26:31,160 --> 00:26:34,080 Speaker 1: sounds intense. Yeah, I need to finish watching that Netflix 493 00:26:34,119 --> 00:26:39,639 Speaker 1: original series Cheer. Yeah. I mean, you know, parent relations 494 00:26:39,680 --> 00:26:43,639 Speaker 1: are hard, and you know it can be tough to 495 00:26:43,680 --> 00:26:46,800 Speaker 1: connect with your child, and then there's always I mean, 496 00:26:46,840 --> 00:26:48,080 Speaker 1: I feel like you've seen this also in a lot. 497 00:26:48,080 --> 00:26:49,560 Speaker 1: It's like very jain and seconds and then it's like 498 00:26:49,880 --> 00:26:51,679 Speaker 1: and then you're suspicious of the parent when they kind 499 00:26:51,720 --> 00:26:53,919 Speaker 1: of like come back, when you start to get a 500 00:26:53,960 --> 00:26:55,719 Speaker 1: little bit of heat on you, you know, and then 501 00:26:55,760 --> 00:26:58,320 Speaker 1: all of a sudden, you're cool, and now your parent 502 00:26:58,359 --> 00:27:01,120 Speaker 1: wants to talk and it's a little like you're right, 503 00:27:01,200 --> 00:27:04,480 Speaker 1: I mean, yeah, you don't like trust it. Another thing 504 00:27:04,520 --> 00:27:08,040 Speaker 1: of his like relationship after the Connecticut girl, like were 505 00:27:08,080 --> 00:27:10,240 Speaker 1: to assume there are a lot of like random girls, 506 00:27:10,240 --> 00:27:12,960 Speaker 1: but then well he does because he moves to Rachel. 507 00:27:13,000 --> 00:27:15,439 Speaker 1: He's been like then I was getting pussy like regularly 508 00:27:15,680 --> 00:27:17,760 Speaker 1: and sounds like there was always just like a steady 509 00:27:17,840 --> 00:27:21,320 Speaker 1: stream of pussy, right, I know. But then he's like, 510 00:27:21,600 --> 00:27:24,520 Speaker 1: I feel thinks very like trying to like respect his 511 00:27:24,560 --> 00:27:26,879 Speaker 1: wife because he never he's like not praying about it 512 00:27:27,000 --> 00:27:29,040 Speaker 1: so much in an Anthony key this way, you know 513 00:27:29,080 --> 00:27:30,960 Speaker 1: what I mean, he knows his wife is reading this 514 00:27:31,840 --> 00:27:36,160 Speaker 1: that's the vibe of this book is my wife, because 515 00:27:36,160 --> 00:27:38,040 Speaker 1: then he's like, my favorite thing to do is just 516 00:27:38,080 --> 00:27:40,600 Speaker 1: to watch movies and drink I see with my wife. 517 00:27:46,680 --> 00:27:53,639 Speaker 1: This episode is sponsored by zok Doc. You're trying to 518 00:27:53,680 --> 00:27:57,440 Speaker 1: find a cause for your symptoms akey, back, headache, Runny 519 00:27:57,600 --> 00:28:02,159 Speaker 1: knows itchy. I worked my genitals, so let me guess 520 00:28:02,200 --> 00:28:05,400 Speaker 1: you stumble down a TikTok rabbit hole full of questionable 521 00:28:05,400 --> 00:28:08,960 Speaker 1: advice from so called experts. Suddenly I have cancer. No, 522 00:28:09,119 --> 00:28:13,200 Speaker 1: thank you. There are better ways to get the answers 523 00:28:13,240 --> 00:28:16,399 Speaker 1: you want and the care you deserve from trusted professionals 524 00:28:16,440 --> 00:28:20,159 Speaker 1: and not random people on the internet. Though randoms, I 525 00:28:20,240 --> 00:28:23,720 Speaker 1: love you and my TikTok connection. Yeah it stands, but 526 00:28:23,800 --> 00:28:26,919 Speaker 1: I'm sorry. You shouldn't be getting medical advice from some 527 00:28:27,080 --> 00:28:31,280 Speaker 1: groner grandmother's basement in Toronto. Zok doc helps you find 528 00:28:31,320 --> 00:28:34,720 Speaker 1: expert doctors and medical professionals that specialize in the care 529 00:28:34,880 --> 00:28:38,120 Speaker 1: you need and deliver the type of experience you want. 530 00:28:38,480 --> 00:28:42,400 Speaker 1: That's right, Ditch the talk, get the doc. Zoktok is 531 00:28:42,440 --> 00:28:44,840 Speaker 1: the only free app that lets you find a book. 532 00:28:44,880 --> 00:28:48,360 Speaker 1: Doctors who are patient reviewed, take your insurance, are available 533 00:28:48,360 --> 00:28:51,520 Speaker 1: when you need them and treat almost every condition under 534 00:28:51,560 --> 00:28:55,440 Speaker 1: the sun. No more doctor roulette or scouring the internet 535 00:28:55,480 --> 00:28:58,840 Speaker 1: for questionable reviews. With zok doc, you have a trusted 536 00:28:58,880 --> 00:29:02,240 Speaker 1: guide to conne due to your favorite doctor you haven't 537 00:29:02,280 --> 00:29:05,320 Speaker 1: met yet. I love a trusted guide, like the time 538 00:29:05,360 --> 00:29:08,000 Speaker 1: I climbed to Machi Pechu on the Inca Trail with 539 00:29:08,040 --> 00:29:11,000 Speaker 1: a team of sherpas. Millions of people use zokdos free 540 00:29:11,000 --> 00:29:13,040 Speaker 1: app to find and book a doctor in their neighborhood 541 00:29:13,160 --> 00:29:15,760 Speaker 1: who is patient reviewed and fits their needs and schedule 542 00:29:16,040 --> 00:29:19,680 Speaker 1: just right. So find your sherpa at zoc dot dot com. 543 00:29:19,920 --> 00:29:21,880 Speaker 1: Go to zoc dot dot com slash book club and 544 00:29:21,920 --> 00:29:25,760 Speaker 1: dabbled the zok doc app for free. Then find and 545 00:29:26,080 --> 00:29:31,120 Speaker 1: book a top rated doctor today, Sleigh. Many are available 546 00:29:31,160 --> 00:29:36,200 Speaker 1: within twenty four hours. That's z o C d oc 547 00:29:36,760 --> 00:29:41,440 Speaker 1: dot com slash book Club, zok dot dot com slash 548 00:29:41,720 --> 00:29:55,880 Speaker 1: book Club. Ditch the talk, um. I want to talk 549 00:29:55,920 --> 00:29:58,560 Speaker 1: about this part when he had gotten his one of 550 00:29:58,600 --> 00:30:01,760 Speaker 1: his songs on w BLA, one of my favorite radio stations, 551 00:30:01,760 --> 00:30:04,040 Speaker 1: one of the seven point five. But he's like, Okay, 552 00:30:04,040 --> 00:30:06,800 Speaker 1: I need to get it on Hot nine seven, and 553 00:30:06,880 --> 00:30:11,040 Speaker 1: so he had like he sees Wendy Williams car double part, 554 00:30:11,160 --> 00:30:13,840 Speaker 1: because you know, back then it wasn't just TikTok okay, 555 00:30:14,000 --> 00:30:15,520 Speaker 1: you had a tape and you had to give it 556 00:30:15,520 --> 00:30:17,480 Speaker 1: to someone. No, I mean he's really irl. I mean 557 00:30:17,480 --> 00:30:21,160 Speaker 1: they're running around the records. I mean people were pressing 558 00:30:21,200 --> 00:30:24,280 Speaker 1: mixtapes to vinyl. I saw Wendy Williams walking out. Wendy 559 00:30:24,320 --> 00:30:26,719 Speaker 1: was the biggest female personality on the station. She had 560 00:30:26,720 --> 00:30:29,080 Speaker 1: a primetime slot, and because of all the Howard's stern 561 00:30:29,160 --> 00:30:31,600 Speaker 1: like gossiping she did about everybody at hip hop, she 562 00:30:31,720 --> 00:30:34,480 Speaker 1: was becoming one of the most known and most hated 563 00:30:34,560 --> 00:30:36,840 Speaker 1: radio people on these coasts. She had double part, but 564 00:30:36,920 --> 00:30:38,840 Speaker 1: now the car that was next to the curb had 565 00:30:38,880 --> 00:30:40,760 Speaker 1: pulled off, so she was running to get her joint 566 00:30:40,800 --> 00:30:44,000 Speaker 1: out of the middle of the street. All right, all right, 567 00:30:44,040 --> 00:30:47,040 Speaker 1: give me one, she told Wall in a hurry. Wendy 568 00:30:47,120 --> 00:30:49,760 Speaker 1: wasn't the best person to give can't touch me kid too. 569 00:30:49,840 --> 00:30:52,200 Speaker 1: She wasn't ed Lover or mixo DJ like Red Alert 570 00:30:52,280 --> 00:30:54,560 Speaker 1: or funk Masterflex. But at least she would hear it 571 00:30:54,600 --> 00:30:56,960 Speaker 1: and hopefully talk about it. As I watched her drive away, 572 00:30:57,000 --> 00:30:59,240 Speaker 1: I felt like Wall and I had accomplished something. Then 573 00:30:59,280 --> 00:31:02,280 Speaker 1: I saw something that I couldn't believe they're lying on 574 00:31:02,320 --> 00:31:04,720 Speaker 1: the ground was the record WHA had just given her. 575 00:31:05,240 --> 00:31:07,880 Speaker 1: That fucking bitch dropped my single along the Street. I 576 00:31:08,040 --> 00:31:18,400 Speaker 1: was crushed, obsessed with her throwing this huge I know, 577 00:31:18,880 --> 00:31:22,280 Speaker 1: this huge final out on the show. I guess we 578 00:31:22,320 --> 00:31:27,040 Speaker 1: haven't really touched a base about how Sherry Shepherd is replacing. Yeah, 579 00:31:27,080 --> 00:31:31,280 Speaker 1: and let's definitely loop back off line about that. Um yeah, 580 00:31:31,760 --> 00:31:33,160 Speaker 1: and I all I can say is that I hope 581 00:31:33,160 --> 00:31:37,719 Speaker 1: it's for Wendy's best. Yes, I do think Wendy probably 582 00:31:39,160 --> 00:31:43,360 Speaker 1: Wendsy a break, um, but I hope she returns with 583 00:31:43,920 --> 00:31:46,720 Speaker 1: just quick Sidebart. Do you remember the Bart where he 584 00:31:46,840 --> 00:31:49,840 Speaker 1: called called one of his teachers a flat ass coffee 585 00:31:49,920 --> 00:31:55,640 Speaker 1: drinking bitch. It's like sixt eighty. She's yelling at him 586 00:31:55,640 --> 00:31:59,920 Speaker 1: for something like that was accurate, like insult a lot, 587 00:32:00,000 --> 00:32:03,080 Speaker 1: but a teacher because teachers are so drinking coffee, have 588 00:32:03,240 --> 00:32:06,080 Speaker 1: flat as that are just like always drinking like wheat coffee, 589 00:32:06,080 --> 00:32:09,600 Speaker 1: and you're like, damn, that's all you do, wheat ass teachers, 590 00:32:09,680 --> 00:32:15,120 Speaker 1: loud coffee bitch. Like, especially as a kid, you're always 591 00:32:15,120 --> 00:32:18,760 Speaker 1: just like what is up with grown ups and coffee? Okay? 592 00:32:19,280 --> 00:32:22,240 Speaker 1: Crazy question. When did you start drinking coffee? Thank you 593 00:32:22,320 --> 00:32:26,000 Speaker 1: for asking. Um, it was actually I was not till 594 00:32:26,040 --> 00:32:27,959 Speaker 1: I was like twenty five. It was kind of like 595 00:32:28,280 --> 00:32:31,080 Speaker 1: twenty five. Yeah, it was like post my policy. That's 596 00:32:31,080 --> 00:32:35,200 Speaker 1: also when you started drinking off as well. Yes, it was. 597 00:32:35,880 --> 00:32:37,400 Speaker 1: I think it was actually really because when it came 598 00:32:37,400 --> 00:32:39,640 Speaker 1: bec a freelancer, and it was always always like I 599 00:32:39,680 --> 00:32:42,000 Speaker 1: don't need it, Like I don't want that. I don't 600 00:32:42,000 --> 00:32:43,680 Speaker 1: need the energy, you know, It's like I haven't have 601 00:32:43,680 --> 00:32:48,160 Speaker 1: a natural energy coursing through my veins. And I also 602 00:32:48,240 --> 00:32:50,120 Speaker 1: just thought that like coffee was for grown ups and 603 00:32:50,200 --> 00:32:53,560 Speaker 1: did taste bitter and gross. Right, You're like I need 604 00:32:53,600 --> 00:32:56,160 Speaker 1: something sweet. Well I wasn't even like one thing sweet. 605 00:32:56,200 --> 00:32:57,840 Speaker 1: I just literally just like actually wait, I would have 606 00:32:57,840 --> 00:32:59,520 Speaker 1: like ocean spray cran in the morning and like a 607 00:32:59,560 --> 00:33:05,200 Speaker 1: bakele um, big oceans. But you're like you're like Fiday 608 00:33:05,320 --> 00:33:09,320 Speaker 1: opening up this ocean spray. Well that's okay, that's just 609 00:33:09,400 --> 00:33:13,080 Speaker 1: like me being real. And then I think like once 610 00:33:13,120 --> 00:33:15,360 Speaker 1: it's for me freelancer, I was like I'm addicted to 611 00:33:15,440 --> 00:33:18,080 Speaker 1: like because freelancing is about like pretending, you know what 612 00:33:18,160 --> 00:33:20,920 Speaker 1: I mean, and coffee is the ultimate prop so I 613 00:33:21,000 --> 00:33:24,800 Speaker 1: kind of became more like I needed somebody getting my coffee. 614 00:33:24,880 --> 00:33:28,040 Speaker 1: So right there, email and well and it's a chance 615 00:33:28,120 --> 00:33:31,440 Speaker 1: to go on, I mean chance to leave, chance to 616 00:33:31,560 --> 00:33:36,160 Speaker 1: leave the old apartment, leave the old house. Well, and 617 00:33:36,280 --> 00:33:39,680 Speaker 1: especially because our our apartment in our early twenties was 618 00:33:39,920 --> 00:33:42,320 Speaker 1: ridden with bad bugs, so we needed it. We needed 619 00:33:42,360 --> 00:33:46,520 Speaker 1: everything we could to leave. I mean, I feel like 620 00:33:46,520 --> 00:33:49,640 Speaker 1: my relationship coffee is fully also just like fake, Like 621 00:33:49,680 --> 00:33:51,480 Speaker 1: all I wanted to do was to be like a 622 00:33:51,520 --> 00:33:55,160 Speaker 1: beat poet drinking coffee. So being an adult, you know 623 00:33:55,160 --> 00:33:57,040 Speaker 1: what I mean? So what Yeah, how old were you? 624 00:33:57,280 --> 00:33:59,720 Speaker 1: You were fourteen? You were wearing I started getting ice 625 00:34:00,120 --> 00:34:03,400 Speaker 1: pacinos from the white honed pantry in high school that 626 00:34:03,560 --> 00:34:07,200 Speaker 1: we're just like pure sugar and so like original jangling 627 00:34:07,360 --> 00:34:10,839 Speaker 1: iced coffee, gay panic and then your memoirs, Like more 628 00:34:10,840 --> 00:34:13,279 Speaker 1: than anything, I wanted to be an adult and I 629 00:34:13,320 --> 00:34:15,000 Speaker 1: wanted to go to dunk it Like all I wanted 630 00:34:15,080 --> 00:34:19,160 Speaker 1: was grown up stuff, just like coffees, iced coffees, coffee 631 00:34:19,200 --> 00:34:23,000 Speaker 1: and diners. You know, for some people's I Dmax grew 632 00:34:23,040 --> 00:34:26,719 Speaker 1: up too early. He really did. He really did a 633 00:34:26,719 --> 00:34:31,320 Speaker 1: lot of trauma, as we mentioned. Okay, wait, do you 634 00:34:31,360 --> 00:34:36,160 Speaker 1: rememb the bart where he was like talking about his 635 00:34:36,360 --> 00:34:38,839 Speaker 1: some of his lyrics, and he was like, wait, I'm 636 00:34:38,840 --> 00:34:41,799 Speaker 1: just gonna find that. Are you talking about U? It's 637 00:34:41,880 --> 00:34:44,080 Speaker 1: dark and hell is Hot, which was like his first 638 00:34:44,440 --> 00:34:48,200 Speaker 1: big album off of def Jam. He goes and while 639 00:34:48,200 --> 00:34:50,120 Speaker 1: I got a lot of heat from my lyrics on 640 00:34:50,320 --> 00:34:53,719 Speaker 1: X's Coming, and then in parentheses the lyrics if you 641 00:34:53,800 --> 00:34:58,720 Speaker 1: got a daughter older than fifteen, I'm a raper. Those 642 00:34:58,760 --> 00:35:01,080 Speaker 1: critics seem to forget that I had a prayer on 643 00:35:01,120 --> 00:35:09,680 Speaker 1: the album as well, just like, actually back it up, critics, Okay, 644 00:35:09,880 --> 00:35:12,200 Speaker 1: oh yeah, so I said I would rape your fifteen 645 00:35:12,280 --> 00:35:16,040 Speaker 1: year old daughter. Um, yeah, there's also prayer and I 646 00:35:16,080 --> 00:35:18,359 Speaker 1: am a man of God weep with. Then the next 647 00:35:18,360 --> 00:35:21,319 Speaker 1: line is, ironically, a woman actually did charge me with 648 00:35:21,400 --> 00:35:25,080 Speaker 1: rape that summer, purely a case of mistaken identity. I 649 00:35:25,160 --> 00:35:28,240 Speaker 1: wasn't even at the party where the alleged assault took place, 650 00:35:28,400 --> 00:35:31,080 Speaker 1: and just hear the lawyers being like, alleged, alleged, alleged 651 00:35:31,200 --> 00:35:33,560 Speaker 1: aged Okay, that's what I was saying. It was like, 652 00:35:33,600 --> 00:35:35,560 Speaker 1: and that's right before when he finally gets married to 653 00:35:35,600 --> 00:35:39,120 Speaker 1: his longtime Worferen, He's like, totally ironically as featured in 654 00:35:39,120 --> 00:35:43,399 Speaker 1: The Atlanta's Morrist song woman Accused Me a rape. Just 655 00:35:43,520 --> 00:35:48,040 Speaker 1: let's slide that in which is would have life's classic 656 00:35:48,120 --> 00:35:53,279 Speaker 1: little ironies. Was wondering, I mean, hip hop historians get 657 00:35:53,320 --> 00:35:55,879 Speaker 1: at me if I'm wrong, But here's some lyrics from 658 00:35:55,880 --> 00:36:00,719 Speaker 1: I'm like, was he the originator of making Sasame Street badass? 659 00:36:01,000 --> 00:36:03,640 Speaker 1: And kind of like using Sesame Street lyrics to like 660 00:36:03,760 --> 00:36:06,160 Speaker 1: a lot of clothing of like having Oscar the Grouch 661 00:36:06,239 --> 00:36:08,480 Speaker 1: with like a gold chain, and like, you know, do 662 00:36:08,480 --> 00:36:10,959 Speaker 1: you have the lyric that you're reference? I have the lyric. Yeah, 663 00:36:10,960 --> 00:36:12,560 Speaker 1: He's like, yo, I have the stream that I've been 664 00:36:12,600 --> 00:36:16,600 Speaker 1: having a lot, which that's so meny, I've been having 665 00:36:16,680 --> 00:36:19,440 Speaker 1: a dream that I've been having. I just you're always 666 00:36:19,440 --> 00:36:23,759 Speaker 1: like I'm remembering a memory that Sesame Street turned into 667 00:36:23,800 --> 00:36:26,400 Speaker 1: a crack spot, all of them dead, not a sound 668 00:36:26,400 --> 00:36:28,920 Speaker 1: to be heard from the Monster, the Count, the Grouch 669 00:36:29,040 --> 00:36:33,960 Speaker 1: or Big bird Um. Anyway, just I wonder if he 670 00:36:34,120 --> 00:36:38,359 Speaker 1: is the originator of like making of Sesame stuff like 671 00:36:38,440 --> 00:36:41,880 Speaker 1: badass Sesame streets. I mean, listen, it's you know Sesame Street. 672 00:36:42,000 --> 00:36:44,959 Speaker 1: You know they're street. It's in the name street. They're 673 00:36:45,040 --> 00:36:47,440 Speaker 1: raised on these streets. I like the part where he 674 00:36:47,480 --> 00:36:50,279 Speaker 1: talks about how like he was not sort of like 675 00:36:50,480 --> 00:36:55,520 Speaker 1: in the fashionable um type of man that ladies wanted 676 00:36:55,560 --> 00:36:57,520 Speaker 1: in the eighties because like girls wanted to fuck like 677 00:36:57,560 --> 00:37:00,319 Speaker 1: Prince and so they wanted like, I'm like, they wanted 678 00:37:00,320 --> 00:37:03,440 Speaker 1: to like Latin guys or guys with like green eyes 679 00:37:03,600 --> 00:37:07,279 Speaker 1: or like puffy ass collars and like sort of more 680 00:37:07,320 --> 00:37:10,719 Speaker 1: like feminine men, and he was just like sorry, Like, 681 00:37:11,760 --> 00:37:13,920 Speaker 1: but even later, I feel like he is a little 682 00:37:13,960 --> 00:37:16,520 Speaker 1: more like like he does get like cool rough riders 683 00:37:16,600 --> 00:37:19,640 Speaker 1: jerseys and like gets cool leather jackets, but like he 684 00:37:19,760 --> 00:37:22,680 Speaker 1: is more about being like shirtless with pants, yeah, which 685 00:37:22,719 --> 00:37:25,319 Speaker 1: is extremely hot. Um. And he like talks about all 686 00:37:25,360 --> 00:37:28,680 Speaker 1: these other rappers that have like gorgeous leather jackets, and 687 00:37:28,719 --> 00:37:31,719 Speaker 1: he's like that wasn't really me, Like I kind of 688 00:37:31,760 --> 00:37:35,800 Speaker 1: my thing was just like chain shirtless sweatpants, um, which 689 00:37:35,840 --> 00:37:37,279 Speaker 1: is well. He also, you know, he was like he 690 00:37:37,280 --> 00:37:39,000 Speaker 1: couldn't afford close a lot, and then he was always 691 00:37:39,000 --> 00:37:42,799 Speaker 1: like stealing sheer lean jackets like that was a big thing, 692 00:37:43,160 --> 00:37:45,319 Speaker 1: but then he would like sell it to like get drugs. 693 00:37:45,360 --> 00:37:48,520 Speaker 1: We should talk about the drug stuff briefly, just because 694 00:37:48,600 --> 00:37:50,799 Speaker 1: you know it is obviously important to his story. He 695 00:37:50,880 --> 00:37:57,080 Speaker 1: did die of drug overdose. Who can induce heart attack? Right? 696 00:37:57,280 --> 00:38:01,960 Speaker 1: And you know he talks like he talks very briefly 697 00:38:02,080 --> 00:38:05,239 Speaker 1: in his teens about like getting introduced to drugs and 698 00:38:05,280 --> 00:38:07,799 Speaker 1: then like wanting to do them more and more and 699 00:38:07,920 --> 00:38:11,120 Speaker 1: like smoking crack laced pod and you know it's like 700 00:38:11,360 --> 00:38:13,680 Speaker 1: and then like you know this period where he was 701 00:38:13,719 --> 00:38:15,480 Speaker 1: just like super like kind of cracked down on the 702 00:38:15,520 --> 00:38:17,600 Speaker 1: street and he was like embarrassed, like running to his 703 00:38:17,640 --> 00:38:20,799 Speaker 1: sister because he like felt like he was like really 704 00:38:20,840 --> 00:38:24,080 Speaker 1: losing it, but like he kind of like, I don't know. 705 00:38:24,080 --> 00:38:26,000 Speaker 1: Then he kind of moves on from that section and 706 00:38:26,040 --> 00:38:28,520 Speaker 1: it's briefly mentioned, but it doesn't like come back as 707 00:38:28,560 --> 00:38:31,560 Speaker 1: like a demon that's haunting him. I guess, no, I know, 708 00:38:31,640 --> 00:38:33,600 Speaker 1: And I was wondering about that because I feel like 709 00:38:33,719 --> 00:38:37,040 Speaker 1: it does come back, But I think what happens is, like, right, 710 00:38:37,080 --> 00:38:39,799 Speaker 1: he's smoking weed and then does like get more like 711 00:38:39,840 --> 00:38:42,680 Speaker 1: hooked on crack and like, and so it goes to 712 00:38:42,800 --> 00:38:47,320 Speaker 1: show that weed is a gateway drug. It is coffee, 713 00:38:47,719 --> 00:38:51,400 Speaker 1: then weed, coffee, then weed together, then coffee and weed together, 714 00:38:51,440 --> 00:38:55,200 Speaker 1: then coffee laced weed, and then you're jab so but 715 00:38:55,320 --> 00:38:58,760 Speaker 1: also it's like, do be careful, stick to cbed flavored 716 00:38:58,840 --> 00:39:03,960 Speaker 1: seltzer as know who you're getting it from. Know who 717 00:39:03,960 --> 00:39:08,160 Speaker 1: you're getting your like day trip, hem been view seltzer from, 718 00:39:09,080 --> 00:39:14,320 Speaker 1: know the Delhi you're buying a recess CBT s sie 719 00:39:14,320 --> 00:39:16,759 Speaker 1: pomegranate recess. Trying to think there's anything else I wanted 720 00:39:16,800 --> 00:39:20,160 Speaker 1: to mention, Oh, you know, he did have asthma as 721 00:39:20,200 --> 00:39:22,200 Speaker 1: a child, which of course I related to as a 722 00:39:22,239 --> 00:39:25,760 Speaker 1: suffer of asthma. Um Asthma is also a big issue 723 00:39:25,920 --> 00:39:32,280 Speaker 1: in urban communities because of air quality and pollution, and 724 00:39:32,560 --> 00:39:37,040 Speaker 1: as someone who suffered, you know it is an undiscussed ailment, 725 00:39:37,360 --> 00:39:40,080 Speaker 1: underdiscussed ailment. I think for a lot of kids, and 726 00:39:40,160 --> 00:39:41,839 Speaker 1: you know, it's often seen as oh, you're seen as 727 00:39:41,880 --> 00:39:44,880 Speaker 1: a bitch ass little pussy if you're coughing, if you 728 00:39:44,920 --> 00:39:48,239 Speaker 1: can't run the half mile road race, but the other 729 00:39:48,360 --> 00:39:52,399 Speaker 1: kindergarteners because you need to get your nebula as if 730 00:39:52,440 --> 00:39:55,920 Speaker 1: you have a inhaler. I mean, I'm guilty to that. 731 00:39:56,000 --> 00:39:58,399 Speaker 1: I will say, I thought you were always making fun 732 00:39:58,400 --> 00:40:02,200 Speaker 1: of people who had inhalers. We're little bitches. But yet 733 00:40:02,239 --> 00:40:05,799 Speaker 1: I still can't like run without getting out of breath 734 00:40:05,840 --> 00:40:09,040 Speaker 1: so right, and who's laughing now? And now I can 735 00:40:09,120 --> 00:40:14,520 Speaker 1: run a mile on the treadmill and then stop and 736 00:40:14,600 --> 00:40:19,200 Speaker 1: I can run a few blocks, stop, pick up again stop. Okay. 737 00:40:19,239 --> 00:40:20,839 Speaker 1: I was also just one more thing I was wrong. 738 00:40:20,920 --> 00:40:24,160 Speaker 1: He does talk about belly. I forgot this part where 739 00:40:24,160 --> 00:40:27,359 Speaker 1: he like this is also again him like a like 740 00:40:27,480 --> 00:40:29,520 Speaker 1: being so like my wife is reading this is like 741 00:40:29,560 --> 00:40:31,560 Speaker 1: he had a sex scene so he told his wife 742 00:40:31,560 --> 00:40:35,719 Speaker 1: to stay home that day. And also, yeah, because I 743 00:40:35,760 --> 00:40:39,239 Speaker 1: want to get into how in what they called intimacy 744 00:40:39,880 --> 00:40:46,279 Speaker 1: advisors on movieses and he is coordinating top stuff. He's 745 00:40:46,320 --> 00:40:49,840 Speaker 1: coordinating this sex scene. DMX has being the intimacy coordinator. 746 00:40:49,880 --> 00:40:53,759 Speaker 1: You're saying, yeah, he's like okay, He's like, okay, so 747 00:40:53,920 --> 00:40:56,560 Speaker 1: this is what's going to happen. They were like, they 748 00:40:56,560 --> 00:40:58,400 Speaker 1: want me to fuck you from behind. I'm gonna do 749 00:40:58,440 --> 00:41:00,680 Speaker 1: a few pumps, so then I'm like lifting up your 750 00:41:00,760 --> 00:41:09,080 Speaker 1: left leg. Then I'm going to flip you over her. Um, hello, 751 00:41:09,160 --> 00:41:12,799 Speaker 1: taking all the romance out of them right, hello? Um 752 00:41:12,840 --> 00:41:15,640 Speaker 1: that's so like anytime an actor is talking about a 753 00:41:15,680 --> 00:41:18,160 Speaker 1: sex scene, they're like, here's I think most people don't 754 00:41:18,160 --> 00:41:23,520 Speaker 1: realize shooting a sex scene is incredibly uns It's totally 755 00:41:23,560 --> 00:41:27,680 Speaker 1: all these people are watching. You're cold, so cold, You're 756 00:41:27,680 --> 00:41:30,200 Speaker 1: wrapped in so many sheets, you have to do ten takes. 757 00:41:30,840 --> 00:41:33,360 Speaker 1: It's the least erotic thing on the planet and the 758 00:41:33,680 --> 00:41:35,719 Speaker 1: only other thing I wanted to bring up, which I 759 00:41:35,760 --> 00:41:39,200 Speaker 1: was just like his determination of like rapping and how 760 00:41:39,239 --> 00:41:43,000 Speaker 1: beautiful was was like when he gets like beaten almost 761 00:41:43,000 --> 00:41:46,680 Speaker 1: to death and he gets his jaw wired shot for 762 00:41:46,800 --> 00:41:51,919 Speaker 1: three months has had his jaw wired shot, and Friend 763 00:41:51,920 --> 00:41:53,759 Speaker 1: of the Pot Alex and Friend of the Pot and 764 00:41:53,960 --> 00:41:57,759 Speaker 1: Coulter also had our jaw wired shot. After talk about 765 00:41:57,800 --> 00:42:04,200 Speaker 1: a hip hop supergrim Kanye DMX and artist's body confidence 766 00:42:04,239 --> 00:42:06,759 Speaker 1: in Ann could love to see what they'd come up 767 00:42:06,800 --> 00:42:13,600 Speaker 1: with in this studio in heaven. Um. Anyway, he's still 768 00:42:13,640 --> 00:42:16,360 Speaker 1: like he like starts to wrap in his jaws hurting, 769 00:42:16,400 --> 00:42:18,400 Speaker 1: but he's like, I need to push through and like 770 00:42:18,560 --> 00:42:22,880 Speaker 1: do this battle like post the job, just like you 771 00:42:23,040 --> 00:42:26,799 Speaker 1: podcasting after your top surgery. I mean I was going 772 00:42:26,840 --> 00:42:31,800 Speaker 1: to stay little me sliding up in this rolling chair, 773 00:42:31,880 --> 00:42:39,640 Speaker 1: adjusting this this soundproofing folder, putting up curtains. Yeah, basically 774 00:42:39,680 --> 00:42:44,680 Speaker 1: the same thing. Truly iconic. Let's make you an honorary 775 00:42:44,840 --> 00:43:06,640 Speaker 1: rough rider, What she um? What does she eat? What 776 00:43:06,719 --> 00:43:10,759 Speaker 1: does she eat? He she really? I mean it, I know, 777 00:43:10,800 --> 00:43:14,000 Speaker 1: and I'm obsessed with it. I should say he like 778 00:43:14,280 --> 00:43:16,880 Speaker 1: is I feel like he's thin? I mean he is 779 00:43:16,920 --> 00:43:19,480 Speaker 1: being like sort of poor to the boots and as 780 00:43:19,520 --> 00:43:21,800 Speaker 1: always like I was hungry and like didn't have food, 781 00:43:21,880 --> 00:43:24,520 Speaker 1: and we're like fighting over cereal, fighting cel and he's 782 00:43:24,520 --> 00:43:29,040 Speaker 1: like steery stealing cereal from his like roommates, cabins, like 783 00:43:29,080 --> 00:43:31,200 Speaker 1: at the group home, and he's like those were the 784 00:43:31,200 --> 00:43:33,200 Speaker 1: best meals we had. But it's not. I feel like 785 00:43:33,280 --> 00:43:36,560 Speaker 1: when he when he starts to get really successful and 786 00:43:36,760 --> 00:43:39,440 Speaker 1: like he's a little more just like, oh can I 787 00:43:39,440 --> 00:43:42,359 Speaker 1: get a Heineken in his like Phoenix flashbacks, Like he's 788 00:43:42,400 --> 00:43:45,520 Speaker 1: being more Heineken's less like oh yeah. Then we went 789 00:43:45,520 --> 00:43:48,640 Speaker 1: to Ruth's Chris's and like he's not being so caught 790 00:43:48,719 --> 00:43:50,800 Speaker 1: like with puff Daddy. I feel like going and getting 791 00:43:50,840 --> 00:43:53,319 Speaker 1: such a tuna tower. No, I don't think it's an 792 00:43:53,320 --> 00:43:54,880 Speaker 1: Ahey tower. I mean I wonder if it's just like 793 00:43:54,960 --> 00:43:58,359 Speaker 1: simple like simple steak, like one bite for me, one 794 00:43:58,360 --> 00:44:00,840 Speaker 1: bite for my dog, and he's sharing a steak with 795 00:44:00,960 --> 00:44:02,920 Speaker 1: this well that was so cute. He was like me 796 00:44:03,000 --> 00:44:07,800 Speaker 1: and Boomer shared literally everything. Yeah, it's I mean vegetables. 797 00:44:07,800 --> 00:44:09,240 Speaker 1: I don't think he was seeing a lot of vegetables 798 00:44:09,239 --> 00:44:12,920 Speaker 1: in his childhood. But I'm like, what were you know? 799 00:44:13,880 --> 00:44:16,880 Speaker 1: Does he fux with a salad like it's cut to 800 00:44:17,000 --> 00:44:21,000 Speaker 1: twenty ten your DMX, it's the middle of the day. 801 00:44:21,120 --> 00:44:24,520 Speaker 1: Are you having a Caesar? My crazy he is. I 802 00:44:24,520 --> 00:44:27,640 Speaker 1: think he's a little more cob actually, okay, we want 803 00:44:27,640 --> 00:44:31,720 Speaker 1: like a few more food grips, hard world egg, turkey, 804 00:44:31,840 --> 00:44:34,640 Speaker 1: Like it's more protein. Like I could see some cobs 805 00:44:34,719 --> 00:44:37,440 Speaker 1: or Caesar's being sent to the studio. I guess you're right. 806 00:44:37,480 --> 00:44:39,560 Speaker 1: If it's food being sent to the studio, it's maybe 807 00:44:39,600 --> 00:44:41,680 Speaker 1: not a Caesar, and that's going to be wet with 808 00:44:41,719 --> 00:44:43,760 Speaker 1: all the equipment. I mean, not that a cob also 809 00:44:43,880 --> 00:44:46,520 Speaker 1: can't be wet as well, but but as Caesar just 810 00:44:46,800 --> 00:44:48,480 Speaker 1: sort of has to be wet at the end of 811 00:44:48,520 --> 00:44:51,480 Speaker 1: the day. Yeah, I do think it's like a meat loaf, steak, 812 00:44:51,719 --> 00:44:55,920 Speaker 1: maybe like a turkey club. Okay, it's always protein based. 813 00:44:56,400 --> 00:45:00,120 Speaker 1: But I also bet he like now and then we'll 814 00:45:00,160 --> 00:45:02,520 Speaker 1: like fuck with the pasta. But rarely like I could 815 00:45:02,520 --> 00:45:07,680 Speaker 1: see him being like that actually makes me gassy. No. Yeah, yeah, 816 00:45:07,680 --> 00:45:13,200 Speaker 1: that's tracking for me because he's not so coffee. No, 817 00:45:13,320 --> 00:45:15,439 Speaker 1: he's not cost and he's not so Jerry, and he's 818 00:45:15,480 --> 00:45:17,919 Speaker 1: not being so shrimp belfrighto. And again this is where 819 00:45:17,920 --> 00:45:20,719 Speaker 1: he's not that Ruth's Chris's. Yeah, I think it's a 820 00:45:20,719 --> 00:45:25,520 Speaker 1: little more like Heineken steak. Okay, Um, what does he where? Well, 821 00:45:25,840 --> 00:45:28,680 Speaker 1: he's obsessed with hoodies, I'll tell you that right now. 822 00:45:28,880 --> 00:45:31,839 Speaker 1: I feel like his whole Like the amount of times 823 00:45:31,960 --> 00:45:34,120 Speaker 1: the word hoodie appears in this book is maybe like 824 00:45:34,239 --> 00:45:36,799 Speaker 1: one hundred times. Where he's talking about like what he wore, 825 00:45:36,800 --> 00:45:39,759 Speaker 1: and it's like he that's his comfort space, and like 826 00:45:39,760 --> 00:45:43,080 Speaker 1: obviously the hoodies became more expensive as him went on. Okay, 827 00:45:43,120 --> 00:45:47,000 Speaker 1: but then he's wearing this like amazing almost like overall 828 00:45:47,320 --> 00:45:51,759 Speaker 1: esque outfit here this fat that fat farm. Yeah, I 829 00:45:51,760 --> 00:45:54,680 Speaker 1: mean that's a cool but I think it's cool. I 830 00:45:54,680 --> 00:45:56,759 Speaker 1: mean that's also just like a large sort of like 831 00:45:56,840 --> 00:46:00,440 Speaker 1: late nineties like when breaker material like jumps suit kind 832 00:46:00,480 --> 00:46:04,279 Speaker 1: of thing isn't jumpsuit camo. I feel like no. But 833 00:46:04,440 --> 00:46:06,799 Speaker 1: and then he's in so he's doing a lot of overalls, 834 00:46:06,840 --> 00:46:09,239 Speaker 1: a lot of overalls, I mean his thing is like 835 00:46:09,320 --> 00:46:11,680 Speaker 1: the goals like big Chain, Yeah, I mean those are 836 00:46:11,719 --> 00:46:13,880 Speaker 1: styled photoshoots, and I do think there's like, you know, 837 00:46:13,920 --> 00:46:20,360 Speaker 1: I appreciate that there is a homeroticism to his shoots 838 00:46:20,400 --> 00:46:25,160 Speaker 1: and his sexuality, um in a way that you know, 839 00:46:25,239 --> 00:46:29,319 Speaker 1: not necessarily all of the rappers we're doing at this time. Well, 840 00:46:29,360 --> 00:46:32,400 Speaker 1: he is not afraid of, yeah, showing some skin. It's 841 00:46:32,400 --> 00:46:36,800 Speaker 1: he's very shirtless, yeah, but very way. But I'm saintly 842 00:46:36,880 --> 00:46:39,160 Speaker 1: even that like that overall pick like this isn't just 843 00:46:39,239 --> 00:46:41,560 Speaker 1: like oh, you're wearing a beater like this is like 844 00:46:41,880 --> 00:46:43,920 Speaker 1: overall to me is way like gay or and more 845 00:46:44,000 --> 00:46:47,279 Speaker 1: sexual in this way because it's like the reference is 846 00:46:47,320 --> 00:46:50,480 Speaker 1: not just like, oh, I'm at home, Like the reference 847 00:46:50,600 --> 00:46:54,120 Speaker 1: is like I am like this fashion worker and it's 848 00:46:54,120 --> 00:46:56,120 Speaker 1: like a little bit loose, and it's like and like 849 00:46:56,160 --> 00:46:58,560 Speaker 1: you might see the nipple, but then you're not fully 850 00:46:58,560 --> 00:47:01,080 Speaker 1: seeing the nipple. Like just sure off is just kind 851 00:47:01,080 --> 00:47:03,960 Speaker 1: of like not necessarily erotic in the same way as 852 00:47:04,080 --> 00:47:07,200 Speaker 1: an overall is. I think it might And sorry, just 853 00:47:07,239 --> 00:47:10,400 Speaker 1: to stand for my man dmx yr rip, I don't 854 00:47:10,400 --> 00:47:13,560 Speaker 1: think he'd want you be calling him gay on this pulse. 855 00:47:13,840 --> 00:47:17,160 Speaker 1: Well I'm allowed to interpret his fashion choices, however, I choose. 856 00:47:17,160 --> 00:47:22,680 Speaker 1: I mean, look, we are free here in America, Okay. 857 00:47:22,880 --> 00:47:26,480 Speaker 1: I don't think those overalls and T shirts is homo erotic. 858 00:47:26,719 --> 00:47:30,080 Speaker 1: I think that's like a little more just evoking general 859 00:47:30,120 --> 00:47:34,480 Speaker 1: workwear and kind of being I think that anytime that 860 00:47:34,520 --> 00:47:37,640 Speaker 1: you're showing a nipple and it's not because just because 861 00:47:37,640 --> 00:47:41,200 Speaker 1: you're shirtless, that that is more erotic than just being shirtless. 862 00:47:42,000 --> 00:47:46,080 Speaker 1: Sorry I'm saying erotic. I guess I'm like, it's intentional, 863 00:47:46,520 --> 00:47:48,200 Speaker 1: it is in touchal. I guess I'm just saying like, 864 00:47:48,280 --> 00:47:51,279 Speaker 1: I don't think he's trying to attract men there with 865 00:47:51,320 --> 00:47:54,600 Speaker 1: a home eroticism, but I think you can he's celebrating 866 00:47:54,640 --> 00:47:58,040 Speaker 1: just his straight sexuality, was showing one nipple. So you're 867 00:47:58,080 --> 00:48:01,160 Speaker 1: saying a firehouse is not home or nothing homorotic about 868 00:48:01,200 --> 00:48:03,680 Speaker 1: that because they all have wives. A firehouse is very 869 00:48:03,719 --> 00:48:06,799 Speaker 1: homorotic because they cooked together every single night, right, So 870 00:48:06,840 --> 00:48:09,839 Speaker 1: I think it's evoking firehouse culture, in which case there's 871 00:48:09,840 --> 00:48:13,319 Speaker 1: a homeoroticism there. I guess here he's wearing like goggles. 872 00:48:13,400 --> 00:48:15,480 Speaker 1: I think he's just kind of like playing with a 873 00:48:15,480 --> 00:48:20,040 Speaker 1: little more streetwear pieces than being homoerotic and I'll die 874 00:48:20,200 --> 00:48:24,600 Speaker 1: on this hill of overalls. I guess I think there 875 00:48:24,719 --> 00:48:27,200 Speaker 1: is this thing of like overalls have gotten gay or 876 00:48:27,200 --> 00:48:31,200 Speaker 1: over time because like gays are being I'm not talking 877 00:48:31,239 --> 00:48:34,600 Speaker 1: about the contemporary reference of overalls. I'm talking about at 878 00:48:34,640 --> 00:48:37,960 Speaker 1: this moment in time that structured to the overalls, that 879 00:48:38,120 --> 00:48:42,520 Speaker 1: suggestion of the nipple. There is something more playful there 880 00:48:42,600 --> 00:48:44,319 Speaker 1: that you're just going to have to deal with. This 881 00:48:44,400 --> 00:48:47,520 Speaker 1: photos gay or to me, where he is the overalls 882 00:48:47,560 --> 00:48:54,320 Speaker 1: are just completely undone and he's account the chest. Yeah, 883 00:48:54,440 --> 00:48:59,840 Speaker 1: this to me is a gay or photo. Yeah, I 884 00:49:00,120 --> 00:49:02,959 Speaker 1: see what you mean, because well the zipper coming down 885 00:49:03,000 --> 00:49:06,720 Speaker 1: there with the it's like, yeah, it's like the zipped 886 00:49:07,320 --> 00:49:10,319 Speaker 1: And yeah, I do think one overall on is still 887 00:49:10,320 --> 00:49:15,319 Speaker 1: a little bit gayer. There's this scene where somewhere because 888 00:49:15,360 --> 00:49:18,800 Speaker 1: also that evokes like a purse and you know that's gay. Okay, 889 00:49:18,920 --> 00:49:28,480 Speaker 1: that wait, having one one strap. Well, I guess another 890 00:49:28,560 --> 00:49:30,880 Speaker 1: gay thing is like the first thing he does is 891 00:49:30,920 --> 00:49:37,360 Speaker 1: like a dog collars made, which is very fatal. And 892 00:49:37,400 --> 00:49:40,279 Speaker 1: then okay, and then what I still do think his 893 00:49:40,400 --> 00:49:42,839 Speaker 1: big overall is straight. But then this is another gay 894 00:49:42,880 --> 00:49:46,319 Speaker 1: moment where he's like he had just gotten his new 895 00:49:46,400 --> 00:49:49,840 Speaker 1: rough Rider jerseys, and he's like, some guy spills a 896 00:49:49,920 --> 00:49:52,280 Speaker 1: drink on him and he's like, not just any drink, 897 00:49:52,560 --> 00:49:57,600 Speaker 1: like a fruity like mango, just like a fruity cocktail 898 00:49:57,760 --> 00:50:02,120 Speaker 1: and he's like seriously, Oh and it's so colored, pretty cocktail. Yeah, 899 00:50:02,160 --> 00:50:04,319 Speaker 1: And I will bring up Freddy cocktails in the VIP 900 00:50:04,440 --> 00:50:07,120 Speaker 1: lounge because I have something to say about them. Oh 901 00:50:07,280 --> 00:50:11,200 Speaker 1: did you have Fretty cocktails at the podcast conference that 902 00:50:11,239 --> 00:50:13,759 Speaker 1: you entered? And it was and it was the only option. Oh, 903 00:50:13,760 --> 00:50:17,560 Speaker 1: because was the audible dot com sponsored cocktail. Okay, I 904 00:50:17,600 --> 00:50:21,200 Speaker 1: really can't wait to hear about this and the vip lounge. Okay, 905 00:50:21,400 --> 00:50:25,200 Speaker 1: how does she live? How does she live? I mean 906 00:50:25,280 --> 00:50:27,920 Speaker 1: what school is? He's like a hometown girl and he's like, 907 00:50:27,960 --> 00:50:30,120 Speaker 1: so coming back to Yonkers after all this time, and 908 00:50:30,280 --> 00:50:33,000 Speaker 1: like that's just like where he feels comfy. Yeah, with 909 00:50:33,160 --> 00:50:35,520 Speaker 1: his you know wife. I mean that is pretty cool. 910 00:50:35,560 --> 00:50:37,920 Speaker 1: He dreamed of this. How often does that happen? You 911 00:50:37,960 --> 00:50:41,920 Speaker 1: see this hot chick in your neighborhood, you're young, and 912 00:50:41,960 --> 00:50:44,440 Speaker 1: then you end up marrying her. You know, God, if 913 00:50:44,480 --> 00:50:49,080 Speaker 1: only I'd married my next her. Niamhbor Paulina Metropolis thank 914 00:50:49,120 --> 00:50:53,239 Speaker 1: or i'd be now exactly. You saw her in her 915 00:50:53,360 --> 00:50:57,600 Speaker 1: Greek robe and then she shows up one day and 916 00:50:57,640 --> 00:51:00,279 Speaker 1: you could just have to try really hard, but you 917 00:51:00,360 --> 00:51:03,920 Speaker 1: finally do marry her. Finally Mary convinced her mom that 918 00:51:04,000 --> 00:51:08,719 Speaker 1: I'm right. Yeah, how does he live? I mean, I 919 00:51:08,760 --> 00:51:13,759 Speaker 1: want to say it's big, sectional, it's comfy. Yeah, he's 920 00:51:13,840 --> 00:51:17,759 Speaker 1: comfy boots, not getting a ton of interior design choices. 921 00:51:17,800 --> 00:51:21,960 Speaker 1: But maybe there's like so many framed dog too much 922 00:51:21,960 --> 00:51:29,320 Speaker 1: framed dog photograph, fool photography, like Swarovski encrusted dog statues. 923 00:51:29,400 --> 00:51:32,680 Speaker 1: Maybe I think it's more that and like right framed 924 00:51:32,880 --> 00:51:37,359 Speaker 1: like records and like crazy dog sculptures, verse having like 925 00:51:37,440 --> 00:51:41,719 Speaker 1: such a basket of like weird dog toys that are 926 00:51:41,760 --> 00:51:44,080 Speaker 1: like fake ducks. And I don't think he's No, I 927 00:51:44,120 --> 00:51:46,799 Speaker 1: don't think he is some like dip miss podcast or 928 00:51:46,840 --> 00:51:50,680 Speaker 1: couple with their basket full of like bespoke ass chewy 929 00:51:50,760 --> 00:51:56,640 Speaker 1: dot com toys. These fogs are playing with the bodies 930 00:51:56,680 --> 00:52:01,080 Speaker 1: of cats they've murdered. Yeah, heres you when he described 931 00:52:01,120 --> 00:52:03,719 Speaker 1: and he's like, here's the thing about raccoons. When they 932 00:52:03,880 --> 00:52:05,839 Speaker 1: and he's like really going through the process and he's 933 00:52:05,840 --> 00:52:09,600 Speaker 1: like when they are murdered. Their eyes do bug out 934 00:52:09,719 --> 00:52:13,000 Speaker 1: a lot. It's like the thing about a raccoon is 935 00:52:13,000 --> 00:52:15,200 Speaker 1: they're kind of big, but they're the same weight as 936 00:52:15,239 --> 00:52:18,560 Speaker 1: a really large cat, So for my pits, like they 937 00:52:18,600 --> 00:52:22,279 Speaker 1: could take either one. I do think raccoons are like 938 00:52:22,320 --> 00:52:24,359 Speaker 1: really cute, like when you see them up close and 939 00:52:24,400 --> 00:52:26,400 Speaker 1: then you kind of like they're apparted them that I 940 00:52:26,440 --> 00:52:29,239 Speaker 1: find really cute, And like a little part of me 941 00:52:29,360 --> 00:52:33,640 Speaker 1: is like, but we discriminated against them because they eat garbage. Well, 942 00:52:33,680 --> 00:52:36,520 Speaker 1: aren't they like mean too or is that just a stereotype. 943 00:52:36,520 --> 00:52:38,319 Speaker 1: I think that's a stereotype. Because they come out at night, 944 00:52:38,360 --> 00:52:42,000 Speaker 1: we're like so like we're so anti like nocturnal creature. 945 00:52:42,040 --> 00:52:44,880 Speaker 1: It's like the same way that we're anti like people 946 00:52:44,960 --> 00:52:47,960 Speaker 1: who are in the nightlife industry because they're nocturnal and 947 00:52:48,000 --> 00:52:51,319 Speaker 1: we assume that they're like ill behaved and they're they're miscreants, 948 00:52:52,080 --> 00:52:56,840 Speaker 1: and like raccoons are clubbers and they are women of 949 00:52:56,880 --> 00:52:58,799 Speaker 1: the night and like they need to be respected, right, 950 00:52:58,840 --> 00:53:00,920 Speaker 1: And they're like curvy and they have these like tiny 951 00:53:01,120 --> 00:53:04,600 Speaker 1: hands but like baked stomachs, so like clever to be 952 00:53:04,640 --> 00:53:09,719 Speaker 1: tiny and pick stomach. No, the tiny hands are cute Um, 953 00:53:09,760 --> 00:53:11,480 Speaker 1: I just remember I walked by this one that was 954 00:53:11,520 --> 00:53:15,080 Speaker 1: like eating out of the trash and I was like, damn, okay, 955 00:53:15,320 --> 00:53:19,560 Speaker 1: right they're freakings. Um so yeah, I do think it 956 00:53:19,640 --> 00:53:25,680 Speaker 1: is like gorgeous custom crystal dog sculptures around the house 957 00:53:25,719 --> 00:53:28,920 Speaker 1: and then like framed records and may I think it's 958 00:53:28,960 --> 00:53:31,160 Speaker 1: like he is a scrapbook. I feel like he is 959 00:53:31,160 --> 00:53:34,080 Speaker 1: a little maybe like framing some of his lyrics on. 960 00:53:34,480 --> 00:53:36,319 Speaker 1: But would he frame his lyrics or would he just 961 00:53:36,360 --> 00:53:39,239 Speaker 1: like or would it be like okay, like there's like 962 00:53:39,280 --> 00:53:42,080 Speaker 1: photos of family. I mean, this is pretty much like 963 00:53:42,120 --> 00:53:45,480 Speaker 1: an everyone's house and that's not that like wild so 964 00:53:45,600 --> 00:53:51,200 Speaker 1: photos of family, wild of media conjecture. Um. But maybe 965 00:53:51,200 --> 00:53:54,280 Speaker 1: it's more like there's like a beautiful like a note 966 00:53:54,360 --> 00:54:00,319 Speaker 1: that like dot MC of the like yonkers like Big 967 00:54:00,400 --> 00:54:04,239 Speaker 1: Daddy Cat gave him in nineteen ninety six and it's 968 00:54:04,280 --> 00:54:11,359 Speaker 1: like the fray right frame note. I was going through 969 00:54:11,520 --> 00:54:15,279 Speaker 1: like some of his older original tracks, and it is 970 00:54:15,440 --> 00:54:18,640 Speaker 1: interesting to hear his more just like early nineties totally 971 00:54:18,680 --> 00:54:22,319 Speaker 1: old school rap style like Pree when he became like 972 00:54:22,400 --> 00:54:25,719 Speaker 1: so give a Dog a Bone like rough Rider, I 973 00:54:25,719 --> 00:54:28,480 Speaker 1: feel like it was softer but right, yeah, he hadn't 974 00:54:28,480 --> 00:54:31,360 Speaker 1: found his voice yet. He was. Yeah, it was less growl, 975 00:54:32,239 --> 00:54:33,719 Speaker 1: but I think that was him like being the go 976 00:54:33,880 --> 00:54:38,320 Speaker 1: I should probably like sound like you know, these older rappers, 977 00:54:38,320 --> 00:54:41,800 Speaker 1: and he hadn't found like his full dog self yet, 978 00:54:42,440 --> 00:54:44,440 Speaker 1: you know, in the way that we started sounding like 979 00:54:44,520 --> 00:54:48,800 Speaker 1: Mark Marin at first, when we started podding, um, okay, 980 00:54:48,960 --> 00:54:52,160 Speaker 1: who are you in the book? This part? Do I 981 00:54:52,239 --> 00:54:55,319 Speaker 1: have it? This is so me. I had stolen some 982 00:54:55,400 --> 00:54:57,120 Speaker 1: tims I was wearing that night, and they were a 983 00:54:57,120 --> 00:54:59,439 Speaker 1: few sizes too big from my feet. To make them fit, 984 00:54:59,480 --> 00:55:02,000 Speaker 1: I bawled up some sweatstalks and stuff them in the 985 00:55:02,000 --> 00:55:03,799 Speaker 1: front of each boot. She didn't have to see that 986 00:55:03,840 --> 00:55:06,440 Speaker 1: because I didn't walk that night. I thought of you 987 00:55:06,560 --> 00:55:12,279 Speaker 1: also at that, like buying tims that are too big 988 00:55:12,360 --> 00:55:14,759 Speaker 1: or like what's fine you fee? So I've just been 989 00:55:14,840 --> 00:55:17,640 Speaker 1: like I'm hoping to like wear them to impress a 990 00:55:17,680 --> 00:55:19,600 Speaker 1: girl about like wearing them to an event, so like 991 00:55:19,640 --> 00:55:21,640 Speaker 1: hopefully I will just kind of have to sit or 992 00:55:21,719 --> 00:55:25,520 Speaker 1: stand and not really like clump around your your foot 993 00:55:25,560 --> 00:55:32,880 Speaker 1: does morphia always wearing shoes too big? So in that sense, 994 00:55:33,120 --> 00:55:36,920 Speaker 1: I am X Yeah, who am I am? I like 995 00:55:37,440 --> 00:55:39,320 Speaker 1: one of the kids at one of the group homes 996 00:55:39,320 --> 00:55:42,480 Speaker 1: who got made fun of for his big nose as 997 00:55:42,520 --> 00:55:45,000 Speaker 1: a kid. I mean, I saw some parts of you 998 00:55:45,040 --> 00:55:48,120 Speaker 1: know X, and you where you know, I feel like 999 00:55:48,760 --> 00:55:50,440 Speaker 1: you have a dream and you're just going to go 1000 00:55:50,520 --> 00:55:54,279 Speaker 1: after dog with a bone. Yeah, yeah, a dog with 1001 00:55:54,320 --> 00:55:57,719 Speaker 1: a bone. That's that's generous. I suppose, I guess I 1002 00:55:57,760 --> 00:56:00,440 Speaker 1: feel like I mean, I thought I do find him 1003 00:56:00,480 --> 00:56:04,560 Speaker 1: inspiring as a figure. I wasn't necessary. I wouldn't saying 1004 00:56:04,880 --> 00:56:08,879 Speaker 1: you're fully X. Yeah. I mean, listen, you know I've 1005 00:56:08,920 --> 00:56:10,839 Speaker 1: said it before. I'll say it again. I've been to jail, 1006 00:56:11,080 --> 00:56:13,280 Speaker 1: been arrested four times, spent the night in jail twice. 1007 00:56:14,080 --> 00:56:18,160 Speaker 1: I felt the cold steel of handcuffs on my thin, 1008 00:56:18,440 --> 00:56:24,520 Speaker 1: delicate little wrists, and god damn it if I didn't 1009 00:56:24,719 --> 00:56:27,279 Speaker 1: escape when I had the chance. So in that sense, 1010 00:56:27,280 --> 00:56:29,560 Speaker 1: I also didn't relate to him because I was just like, huh, well, 1011 00:56:29,600 --> 00:56:31,440 Speaker 1: I never sort of broke out of jail, and that 1012 00:56:31,560 --> 00:56:35,040 Speaker 1: sounded cool, right, And I kind of was like, you 1013 00:56:35,080 --> 00:56:37,680 Speaker 1: should have in the day, the day you spent there, 1014 00:56:37,760 --> 00:56:39,920 Speaker 1: you should have ran away. I should I should have 1015 00:56:40,000 --> 00:56:46,319 Speaker 1: broke out of the holding facility in Red Hookum. Huh yeah. 1016 00:56:46,400 --> 00:56:48,759 Speaker 1: I don't know. I was just like am I x 1017 00:56:49,120 --> 00:56:53,680 Speaker 1: am I the lesbian aunt having parties and being like, 1018 00:56:53,760 --> 00:56:56,919 Speaker 1: don't come into my room. I do think we are 1019 00:56:56,960 --> 00:57:01,200 Speaker 1: the lesbians at his own Yes, okay, the lesbians having 1020 00:57:01,280 --> 00:57:06,440 Speaker 1: crazy varieties. You're racy times in the nineties, old school, 1021 00:57:06,760 --> 00:57:09,400 Speaker 1: very much. Stay tuned for the vip Lounge coming up 1022 00:57:09,680 --> 00:57:12,279 Speaker 1: right the fuck now, where we are going to get 1023 00:57:12,320 --> 00:57:18,520 Speaker 1: into Lily's first big conference slash summit, which I really 1024 00:57:18,560 --> 00:57:21,800 Speaker 1: can't wait to hear about. You're really gonna want to listen, 1025 00:57:22,400 --> 00:57:28,080 Speaker 1: no pun intended, because it was a podcast lanyards, drinks 1026 00:57:28,600 --> 00:57:33,960 Speaker 1: Q and a sessions, seated panels, standing room only panels, 1027 00:57:34,360 --> 00:57:38,200 Speaker 1: wrist bands. I'm on the fucking edge of mind, similar 1028 00:57:38,440 --> 00:57:45,720 Speaker 1: to a DMX concert. Basically, you had a battle, yes, yeah, no, 1029 00:57:45,800 --> 00:57:51,840 Speaker 1: it was basically rap battled with an associate producer for 1030 00:57:51,960 --> 00:57:55,520 Speaker 1: Radio Lab and shit went all the way down and 1031 00:57:55,520 --> 00:57:57,920 Speaker 1: you'll hear about it right now on the vip lounge. 1032 00:57:58,000 --> 00:58:01,600 Speaker 1: And for those of you who don't sell um, sorry losers, 1033 00:58:01,640 --> 00:58:05,440 Speaker 1: but for those of you who do, we'll see you now. Yeah, best, 1034 00:58:14,720 --> 00:58:19,640 Speaker 1: welcome to the v ip Lounge. That's right here. We 1035 00:58:19,680 --> 00:58:25,480 Speaker 1: are again, still talking, still alive, still podcasting still kicking 1036 00:58:25,560 --> 00:58:31,480 Speaker 1: and we are reporting live after the event of the year. 1037 00:58:31,680 --> 00:58:34,320 Speaker 1: Of course, I am not talking about Putin's invasion of 1038 00:58:34,360 --> 00:58:37,800 Speaker 1: the Ukraine. I'm talking about Lilli Marada's invasion of the 1039 00:58:37,880 --> 00:58:41,880 Speaker 1: Wife Hotel in downtown Brooklyn, New York. Okay, so the 1040 00:58:41,880 --> 00:58:44,560 Speaker 1: Wife Hotel is actually in Williams work and that is 1041 00:58:44,600 --> 00:58:47,080 Speaker 1: what I mean. Thank you, Wow, sad. Have you ever 1042 00:58:47,120 --> 00:58:52,440 Speaker 1: even been to the Wife? Um? Yeah, I actually I 1043 00:58:52,480 --> 00:58:54,080 Speaker 1: have been to the Wife and I've stayed there and 1044 00:58:54,120 --> 00:58:58,040 Speaker 1: I've um and I've fucked a guy there. Awesome, Yeah, totally. 1045 00:58:58,200 --> 00:59:02,720 Speaker 1: Um did that happen in your dream? Okay, so let's 1046 00:59:02,760 --> 00:59:06,080 Speaker 1: just fill our listeners. And so you went to I 1047 00:59:06,200 --> 00:59:09,560 Speaker 1: like honestly, like I was, I was like, I heard 1048 00:59:09,640 --> 00:59:11,400 Speaker 1: a rumor about this summit, and I was like, wait 1049 00:59:11,440 --> 00:59:13,720 Speaker 1: a minute, there's a summit happening. But then I was 1050 00:59:13,800 --> 00:59:15,120 Speaker 1: gonna be out of town. I was like, well, Lily, 1051 00:59:15,160 --> 00:59:17,800 Speaker 1: we'll go. But I didn't really realize like this was 1052 00:59:17,880 --> 00:59:22,240 Speaker 1: a full up summit. Like every joke I've ever wanted 1053 00:59:22,280 --> 00:59:24,960 Speaker 1: to make about a summit like this was was a summit. No, 1054 00:59:25,200 --> 00:59:29,640 Speaker 1: this was amazing opportunity brought to us by one of 1055 00:59:29,640 --> 00:59:31,640 Speaker 1: our producers, and I feel like we both were like 1056 00:59:31,720 --> 00:59:33,920 Speaker 1: I also assumed it was going to be on Zoom 1057 00:59:34,560 --> 00:59:37,240 Speaker 1: and then I like looked it up and I was like, 1058 00:59:37,280 --> 00:59:39,720 Speaker 1: hold on, it's at the Way Hotel, Like wait a second, 1059 00:59:39,760 --> 00:59:43,080 Speaker 1: there's free lunch. And then I was like, wait a second, 1060 00:59:43,880 --> 00:59:47,400 Speaker 1: Chuck D Hip Hop Legend, Public Enemy is going to 1061 00:59:47,520 --> 00:59:50,280 Speaker 1: be there, Oh damn. And then I was like Radio 1062 00:59:50,360 --> 00:59:52,240 Speaker 1: Lab is going to be there. This is a full 1063 00:59:52,400 --> 00:59:55,160 Speaker 1: as summit. And that was just a taste of the 1064 00:59:55,280 --> 00:59:59,120 Speaker 1: VIP Lounge. Subscribe on Patreon dot com, slash CBC the 1065 00:59:59,160 --> 01:00:02,160 Speaker 1: Pod to get more content like that every single week 1066 01:00:02,200 --> 01:00:05,959 Speaker 1: for only five dollars a month. Again, that's Patreon dot com, 1067 01:00:06,000 --> 01:00:08,920 Speaker 1: slash CBC the Pod. For five dollars a month, you 1068 01:00:08,960 --> 01:00:12,800 Speaker 1: get access to the VIP Lounge every single week. That's 1069 01:00:12,840 --> 01:00:16,240 Speaker 1: more Stephen and Lily every single week for only five 1070 01:00:16,280 --> 01:00:21,720 Speaker 1: dollars a month. VIP subscribe. Bro Stop Book is presented 1071 01:00:21,760 --> 01:00:25,120 Speaker 1: by Project rap Rap. The show is produced by dog 1072 01:00:25,240 --> 01:00:29,040 Speaker 1: Mag mun Night without a Choic, support from Poundmaster, Leon 1073 01:00:29,160 --> 01:00:33,240 Speaker 1: Nay Fox, Andrew Parsons, Madam Chaplin, a production manager. Meow 1074 01:00:33,600 --> 01:00:36,280 Speaker 1: is Perceive for lin or is your Themeshop by Stephen 1075 01:00:36,320 --> 01:00:41,040 Speaker 1: film's horse, his rhymes fucking blow, fuck your mother, or 1076 01:00:41,320 --> 01:00:45,720 Speaker 1: by Blights and Chip said, what rough washer, Twitter and 1077 01:00:45,760 --> 01:00:48,880 Speaker 1: snees is a pot. Subscribe on your favorite podcast, leave 1078 01:00:48,960 --> 01:00:51,240 Speaker 1: a few in my cage, and don't forget to tell 1079 01:00:51,320 --> 01:00:52,320 Speaker 1: you dogs about us