1 00:00:00,720 --> 00:00:03,040 Speaker 1: I am all in. 2 00:00:08,200 --> 00:00:20,640 Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,680 --> 00:00:24,280 Speaker 3: He everybody, Scott Patterson, I am all in podcast, one 4 00:00:24,320 --> 00:00:27,319 Speaker 3: of them productions iHeart Radio. I'm joined by my intrepid crew, 5 00:00:27,720 --> 00:00:31,400 Speaker 3: Danielle Romo, tarrasud Amy, Sugarman. 6 00:00:31,480 --> 00:00:33,279 Speaker 1: What do we think of this episode? This is uh? 7 00:00:33,479 --> 00:00:36,760 Speaker 1: This is season five episode? Was it three three or 8 00:00:36,800 --> 00:00:37,800 Speaker 1: four three three? 9 00:00:38,000 --> 00:00:41,159 Speaker 4: Yeah? You mean the best episode of the whole. 10 00:00:42,920 --> 00:00:47,640 Speaker 3: I will say. I will say this now. I get 11 00:00:47,680 --> 00:00:50,360 Speaker 3: the whole mad Zuker thing. I get it now. Okay, 12 00:00:51,440 --> 00:00:55,720 Speaker 3: that is like a shining star who who hit our 13 00:00:55,800 --> 00:01:01,560 Speaker 3: atmosphere at hyper speed. Yes, and just kind of he 14 00:01:01,720 --> 00:01:03,600 Speaker 3: just blew me away. I mean you don't even notice 15 00:01:03,600 --> 00:01:05,480 Speaker 3: anybody else when he's in the scene. 16 00:01:06,120 --> 00:01:07,640 Speaker 4: I agree, he's a straight dream boat. 17 00:01:07,840 --> 00:01:10,199 Speaker 5: We can talk about it eventually when we get there. 18 00:01:10,319 --> 00:01:12,120 Speaker 5: But I disagree. 19 00:01:12,720 --> 00:01:16,440 Speaker 1: Oh my goodness, we've got some controversy. Ladies and gentlemen. 20 00:01:17,360 --> 00:01:20,960 Speaker 1: All right, Danielle, give us, give synopsize us, and prepare 21 00:01:21,000 --> 00:01:24,520 Speaker 1: us for this this this little We're gonna have some 22 00:01:24,520 --> 00:01:25,920 Speaker 1: fisticuffs here. Maybe I don't know. 23 00:01:26,080 --> 00:01:29,720 Speaker 4: We are we are There will be some parts, all right. 24 00:01:29,800 --> 00:01:32,480 Speaker 5: So this is season five episode three Written in the 25 00:01:32,480 --> 00:01:36,400 Speaker 5: Stars Air day October fifth, two thousand and four, Lorelai 26 00:01:36,440 --> 00:01:39,120 Speaker 5: and Luke have their first official date, and Lorlai spends 27 00:01:39,160 --> 00:01:43,480 Speaker 5: the night at least after romantic dinner. Her appearance at 28 00:01:43,480 --> 00:01:46,400 Speaker 5: the diner wearing his shirt the next morning initially goes 29 00:01:46,480 --> 00:01:49,640 Speaker 5: unnoticed by the people in the town. Richard and Emily 30 00:01:49,680 --> 00:01:53,800 Speaker 5: bicker about their separation protocol. Paris reveals Asher has passed 31 00:01:53,800 --> 00:01:58,360 Speaker 5: away and is handling his affairs and funeral arrangements, and 32 00:01:58,640 --> 00:02:01,360 Speaker 5: Rory reunites with old friends after returning to you. 33 00:02:02,240 --> 00:02:08,320 Speaker 4: Oh and a new one, and they have first note 34 00:02:08,600 --> 00:02:12,079 Speaker 4: in the previously on when they reshow. I think we 35 00:02:12,120 --> 00:02:13,600 Speaker 4: talked about it when she said it the first time, 36 00:02:13,639 --> 00:02:16,720 Speaker 4: But when she says, Mary, you're such a prude, it's like, 37 00:02:17,560 --> 00:02:22,120 Speaker 4: so call back to the merry thing that happened at Chilton. 38 00:02:22,200 --> 00:02:25,120 Speaker 4: It's just like, I don't know, I always notice it. 39 00:02:25,960 --> 00:02:28,519 Speaker 6: Also, this is a big episode for this podcast. 40 00:02:29,000 --> 00:02:34,600 Speaker 5: I know that I exactly what we named the podcast. 41 00:02:37,040 --> 00:02:40,560 Speaker 4: Wait, Scott, what did you think of this episode? Most important? 42 00:02:42,760 --> 00:02:43,200 Speaker 1: Overall? 43 00:02:43,280 --> 00:02:51,720 Speaker 3: My overall sense of it was that this is a 44 00:02:51,880 --> 00:02:56,680 Speaker 3: very polished, very kind of perfect Yeah, everybody, you know, 45 00:02:56,720 --> 00:02:59,160 Speaker 3: it seems like everybody's really at the height of their 46 00:02:59,200 --> 00:03:02,240 Speaker 3: powers at this point. Yes, with the acting and the 47 00:03:02,320 --> 00:03:05,440 Speaker 3: directing and the lighting and the editing and the music. 48 00:03:05,440 --> 00:03:08,160 Speaker 3: I mean, it's all just come together, all those different departments, 49 00:03:08,200 --> 00:03:11,040 Speaker 3: because the wardrobe everything, there's so many different departments, so 50 00:03:11,080 --> 00:03:14,679 Speaker 3: many people can contributing and it's all just gelling and 51 00:03:15,120 --> 00:03:16,000 Speaker 3: it's it's. 52 00:03:15,840 --> 00:03:19,000 Speaker 1: Really it feels like a very mature show. 53 00:03:19,120 --> 00:03:19,400 Speaker 7: Now. 54 00:03:20,360 --> 00:03:23,480 Speaker 3: It feels like all the kinks are out and it's 55 00:03:23,639 --> 00:03:27,000 Speaker 3: just kind of glorious. It's like, look at that beauty 56 00:03:27,200 --> 00:03:30,680 Speaker 3: sail Look at that beautiful sailboat just going through the water. 57 00:03:30,840 --> 00:03:31,760 Speaker 1: I mean, who. 58 00:03:31,560 --> 00:03:32,320 Speaker 4: Wrote this one? 59 00:03:32,680 --> 00:03:32,840 Speaker 1: Oh? 60 00:03:35,440 --> 00:03:38,840 Speaker 4: Amy, Amy, It is so funny. 61 00:03:38,920 --> 00:03:42,040 Speaker 1: And Kenny Ortega directed episode. 62 00:03:41,920 --> 00:03:44,680 Speaker 4: The This is why I love it so much. It 63 00:03:44,800 --> 00:03:48,160 Speaker 4: is so funny. This episode. It is just so good. 64 00:03:48,560 --> 00:03:50,600 Speaker 1: Yeah, he's he knows where to put a camera. 65 00:03:51,640 --> 00:03:54,720 Speaker 4: And I kind of think Lauren steals the episode, like 66 00:03:54,840 --> 00:03:57,480 Speaker 4: she's so amazing in it throughout. 67 00:03:57,040 --> 00:04:04,600 Speaker 1: The Yeah, it was it was something. So that's that's 68 00:04:04,680 --> 00:04:05,200 Speaker 1: my sense. 69 00:04:05,240 --> 00:04:09,680 Speaker 4: And do you buy chance? Remember if you did like 70 00:04:10,120 --> 00:04:13,120 Speaker 4: a lot of exercising before this episode. 71 00:04:13,200 --> 00:04:16,880 Speaker 5: Who laid off on some cheeseburgers substitutes? 72 00:04:18,040 --> 00:04:22,360 Speaker 4: The fes have to be like bull shirtless. 73 00:04:23,520 --> 00:04:26,440 Speaker 1: No, no, no, I don't I don't bother with that. 74 00:04:27,760 --> 00:04:30,200 Speaker 1: I just grind. I don't care. I don't care. I 75 00:04:30,200 --> 00:04:31,960 Speaker 1: don't care. I don't care about that. 76 00:04:32,839 --> 00:04:36,520 Speaker 4: You know, is that weird to watch yourself in those scenes? 77 00:04:36,760 --> 00:04:37,799 Speaker 1: Yeah? That was a little strange. 78 00:04:38,320 --> 00:04:38,600 Speaker 2: Ha ha. 79 00:04:39,000 --> 00:04:40,799 Speaker 6: I can't wait to get to Wait, do you actually 80 00:04:40,839 --> 00:04:42,360 Speaker 6: have a tattoo? Or was that for the show? 81 00:04:42,880 --> 00:04:46,719 Speaker 1: I have to I have to actually yeah, oh. 82 00:04:46,600 --> 00:04:52,080 Speaker 5: I know, learning so much about Scott every single day, I. 83 00:04:52,440 --> 00:04:55,359 Speaker 1: Forgot that I was quite exposed in this episode. And 84 00:04:55,480 --> 00:04:56,360 Speaker 1: now I'm talking to you. 85 00:04:56,400 --> 00:05:02,599 Speaker 5: Guys, we're all none of us are looking at the screen. 86 00:05:02,640 --> 00:05:03,240 Speaker 5: We're all just. 87 00:05:05,120 --> 00:05:07,520 Speaker 6: It was weird watching knowing that I'm going to talk 88 00:05:07,560 --> 00:05:14,000 Speaker 6: to you today. I'm sorry, Scott, I started me to look. 89 00:05:14,240 --> 00:05:16,960 Speaker 1: I know, it's like and it was. There were even 90 00:05:17,040 --> 00:05:19,880 Speaker 1: some parts of it where it's like, whoa look out 91 00:05:19,920 --> 00:05:21,640 Speaker 1: for that sheet that's going a little too low there. 92 00:05:22,640 --> 00:05:24,840 Speaker 5: Yes, you know what I mean, she was going a 93 00:05:24,839 --> 00:05:25,279 Speaker 5: little low. 94 00:05:26,000 --> 00:05:30,640 Speaker 1: It's like it was starting to get dicey a little 95 00:05:30,640 --> 00:05:32,560 Speaker 1: bit there. But yeah, it was. 96 00:05:33,839 --> 00:05:36,240 Speaker 4: Did we go from the beginning, Because first we get 97 00:05:36,279 --> 00:05:39,720 Speaker 4: to the poolhouse where Richard lives and he's got his valet, 98 00:05:40,720 --> 00:05:44,000 Speaker 4: who she calls Jeeves, which is just like, oh god, 99 00:05:44,880 --> 00:05:50,200 Speaker 4: first of all, the rich fanciness is so amazing that 100 00:05:50,480 --> 00:05:52,600 Speaker 4: her maid is talking to his valet. 101 00:05:53,920 --> 00:05:57,880 Speaker 3: Anyway, you can't really tell. I couldn't really tell initially 102 00:05:57,920 --> 00:05:59,760 Speaker 3: that it was a poolhouse. I was saying, like, where 103 00:06:00,960 --> 00:06:02,680 Speaker 3: I thought Richard moved down the house, and then I said, 104 00:06:02,680 --> 00:06:03,600 Speaker 3: alway's in the poolhouse. 105 00:06:03,640 --> 00:06:03,960 Speaker 2: Okay. 106 00:06:04,680 --> 00:06:06,200 Speaker 6: I was like, who has a pool Like? It took 107 00:06:06,240 --> 00:06:06,800 Speaker 6: me a second. 108 00:06:07,640 --> 00:06:11,520 Speaker 4: Also, a lot of people would call that a guest house. Yeah, 109 00:06:11,880 --> 00:06:12,960 Speaker 4: like it's a house. 110 00:06:13,360 --> 00:06:17,320 Speaker 5: It's not like a banna like there's there's fancy furniture. 111 00:06:17,960 --> 00:06:19,840 Speaker 6: I think it's because Lorela and Rory were like, oh, 112 00:06:19,960 --> 00:06:22,039 Speaker 6: the last time we were in here was like literally 113 00:06:22,080 --> 00:06:23,719 Speaker 6: when I pushed you in the pool. So I don't 114 00:06:23,720 --> 00:06:27,360 Speaker 6: think they use it besides, like summer maybe right, it's. 115 00:06:27,279 --> 00:06:29,440 Speaker 4: Where you change they're so rich. It's where you like 116 00:06:29,800 --> 00:06:33,440 Speaker 4: change your clothes when you're down at the pool from 117 00:06:33,480 --> 00:06:34,800 Speaker 4: the big mansion. 118 00:06:35,400 --> 00:06:38,560 Speaker 6: Seven steps from the maiden, so rare. 119 00:06:39,279 --> 00:06:41,359 Speaker 5: Yeah. 120 00:06:41,520 --> 00:06:44,040 Speaker 4: I did think it was very funny though, the whole 121 00:06:44,120 --> 00:06:46,360 Speaker 4: bit about like, well, what did you already tell your 122 00:06:46,360 --> 00:06:49,720 Speaker 4: grandfather you need to not give him all the good talking. 123 00:06:49,839 --> 00:06:52,440 Speaker 4: You need to repeat everything you said to him to me. 124 00:06:52,800 --> 00:06:55,320 Speaker 1: They're all talking. By the time they got to they 125 00:06:55,320 --> 00:06:56,200 Speaker 1: were all talked out. 126 00:06:58,600 --> 00:07:00,000 Speaker 4: I'll live in that poolhouse, by the way. 127 00:07:00,560 --> 00:07:04,000 Speaker 3: I like how they're handling so so you know, one 128 00:07:04,040 --> 00:07:06,600 Speaker 3: thing I do want to say, I think this is 129 00:07:06,640 --> 00:07:08,800 Speaker 3: the kind of an episode, and this is the kind 130 00:07:08,800 --> 00:07:11,560 Speaker 3: of a show now that I think fans were hoping 131 00:07:11,640 --> 00:07:16,119 Speaker 3: that it would become m because I think a lot 132 00:07:16,280 --> 00:07:20,960 Speaker 3: of TV shows fail to do this well, to give 133 00:07:21,120 --> 00:07:24,320 Speaker 3: the their audience, their dedicated audience who for a couple 134 00:07:24,360 --> 00:07:26,800 Speaker 3: of years have been so invested, and then they give 135 00:07:26,800 --> 00:07:28,840 Speaker 3: them something that is like a disappointment. 136 00:07:28,920 --> 00:07:30,520 Speaker 1: This is not a disappointment. 137 00:07:30,600 --> 00:07:34,480 Speaker 3: This is like they're they're happy about Luke and Laurel, 138 00:07:34,520 --> 00:07:39,040 Speaker 3: and they're happy about new things happening with Rory. They're happy. Well, 139 00:07:39,080 --> 00:07:40,920 Speaker 3: I don't know if they're terribly happy about Richard and 140 00:07:40,920 --> 00:07:43,160 Speaker 3: Emiley being broken up, but at least they figured out 141 00:07:43,200 --> 00:07:47,239 Speaker 3: a way to keep them together on the same property, 142 00:07:47,320 --> 00:07:50,040 Speaker 3: so we can still have the joy of the both of. 143 00:07:49,960 --> 00:07:53,200 Speaker 4: Them, him walking in going to the study. 144 00:07:54,000 --> 00:07:55,840 Speaker 3: So we're gonna get some lighter moments with them, and 145 00:07:55,880 --> 00:08:00,560 Speaker 3: then we see the Iceberg kind of melting appointment. 146 00:08:02,160 --> 00:08:04,720 Speaker 1: So there's still comedy. They're still gleaning the comedy out 147 00:08:04,720 --> 00:08:06,800 Speaker 1: of that. Yeah, and it and it. 148 00:08:06,720 --> 00:08:10,040 Speaker 3: Appears the iceberg's melting a little bit. Now I see 149 00:08:10,040 --> 00:08:12,640 Speaker 3: a path back to Emily and Richard getting back together, 150 00:08:12,680 --> 00:08:14,400 Speaker 3: which is good news, hope. 151 00:08:14,480 --> 00:08:15,480 Speaker 1: So but but. 152 00:08:15,480 --> 00:08:17,560 Speaker 3: I think this is the show that everybody hoped that 153 00:08:17,640 --> 00:08:19,520 Speaker 3: it would be. It lived up to its potential. 154 00:08:19,520 --> 00:08:21,880 Speaker 4: In other words, well, how many shows can you think of? 155 00:08:21,880 --> 00:08:24,320 Speaker 4: We're season five is the best ever? 156 00:08:24,520 --> 00:08:27,280 Speaker 1: Right, it's still building, right, it's still. 157 00:08:27,000 --> 00:08:31,840 Speaker 3: Developing, it's still and it's really it's it's very satisfying 158 00:08:31,880 --> 00:08:33,440 Speaker 3: to watch, very very very satisy. 159 00:08:33,440 --> 00:08:35,320 Speaker 1: Anyway, so let's uh, let's keep going here. 160 00:08:35,400 --> 00:08:37,679 Speaker 4: So what did you think when we learned that Richard 161 00:08:37,760 --> 00:08:41,079 Speaker 4: and Emily once went skinny dipping and she wore an overcoat, 162 00:08:41,120 --> 00:08:42,680 Speaker 4: but still she went skinny dipping. 163 00:08:44,040 --> 00:08:47,240 Speaker 1: Well he's a Yale man, right, So yeah, don't they 164 00:08:47,320 --> 00:08:50,040 Speaker 1: They do that kind of thing, and you know, they 165 00:08:50,080 --> 00:08:52,000 Speaker 1: get it's very cold out and they go skinny dipping 166 00:08:52,080 --> 00:08:52,920 Speaker 1: or it's very warm out. 167 00:08:53,080 --> 00:08:54,240 Speaker 4: How about the debate. 168 00:08:54,760 --> 00:08:57,079 Speaker 1: But that was a thing back in the day because 169 00:08:57,080 --> 00:09:00,000 Speaker 1: I because I used to do Yeah. 170 00:09:00,440 --> 00:09:04,600 Speaker 4: I mean, I think they don't call a skinny dipping right, 171 00:09:04,800 --> 00:09:07,600 Speaker 4: what are they called? What do you kids call it? 172 00:09:07,800 --> 00:09:09,040 Speaker 1: Tara? 173 00:09:10,040 --> 00:09:10,199 Speaker 4: You do? 174 00:09:10,720 --> 00:09:11,280 Speaker 5: Yeah? 175 00:09:11,720 --> 00:09:13,120 Speaker 6: I was thinking, I'm like, did, I mean? 176 00:09:13,160 --> 00:09:13,360 Speaker 4: Yeah? 177 00:09:13,760 --> 00:09:14,880 Speaker 5: Is there another word for it? 178 00:09:15,120 --> 00:09:16,440 Speaker 1: Do you guys did Tara? 179 00:09:16,559 --> 00:09:16,640 Speaker 5: Did? 180 00:09:16,760 --> 00:09:19,200 Speaker 1: Did? When you were going to high school? Did people streak? 181 00:09:19,679 --> 00:09:20,640 Speaker 1: You know what streaking is? 182 00:09:20,960 --> 00:09:23,040 Speaker 4: That's kind of over? 183 00:09:23,400 --> 00:09:26,440 Speaker 6: Yeah, I don't know. No one would streak. 184 00:09:27,760 --> 00:09:30,000 Speaker 4: That was a big trend for a hot minute. 185 00:09:30,240 --> 00:09:32,640 Speaker 3: You know, you don't need to streak anymore because there's 186 00:09:32,679 --> 00:09:35,480 Speaker 3: enough psychos out there running around naked anyway, right, so 187 00:09:35,679 --> 00:09:36,760 Speaker 3: it's like you see him daily. 188 00:09:37,080 --> 00:09:39,120 Speaker 4: Yeah, I think it's not even called streaking because they're 189 00:09:39,160 --> 00:09:39,560 Speaker 4: just living. 190 00:09:40,800 --> 00:09:43,599 Speaker 1: There's the guy down the street. 191 00:09:43,880 --> 00:09:45,840 Speaker 4: Wait, what did you guys think? This made me laugh 192 00:09:45,960 --> 00:09:49,400 Speaker 4: so much of the debate of the word potty. 193 00:09:49,760 --> 00:09:52,200 Speaker 6: Oh, it made me think of you, Amy, because you 194 00:09:52,240 --> 00:09:53,040 Speaker 6: say potty. 195 00:09:53,280 --> 00:09:55,000 Speaker 4: I know. I think it's because I have so many 196 00:09:55,120 --> 00:09:58,199 Speaker 4: nieces that we say the word potty is so much. 197 00:09:58,320 --> 00:10:00,440 Speaker 6: Do you I never said potty? Is kid? I think 198 00:10:00,480 --> 00:10:04,320 Speaker 6: I always said bathroom? Like, thinking back, my parents did too. 199 00:10:05,640 --> 00:10:07,440 Speaker 4: What do you teach your kid Scott? Did he did 200 00:10:07,480 --> 00:10:10,200 Speaker 4: he say potty or bathroom when he was little five? 201 00:10:11,160 --> 00:10:12,240 Speaker 1: Uh? 202 00:10:12,600 --> 00:10:14,920 Speaker 3: I think yeah, it starts out as potty and. 203 00:10:15,720 --> 00:10:18,400 Speaker 4: Yeah, yeah, it's so Loreli to hate potty though. 204 00:10:19,920 --> 00:10:23,120 Speaker 6: Yeah, and also like just because Rory grew up around 205 00:10:23,160 --> 00:10:24,839 Speaker 6: all the adults, it's like she never had to speak 206 00:10:24,880 --> 00:10:25,280 Speaker 6: to Rory. 207 00:10:25,320 --> 00:10:29,000 Speaker 4: And like then we get literally what I thought was 208 00:10:29,040 --> 00:10:33,840 Speaker 4: one of the funniest scenes lower LII trying to flirt 209 00:10:33,960 --> 00:10:37,280 Speaker 4: with Luke while Luke is like doing his job and 210 00:10:37,320 --> 00:10:40,440 Speaker 4: being so cool, and then he goes nods start to 211 00:10:40,480 --> 00:10:43,680 Speaker 4: come over. Those jeans are really working for you, they're 212 00:10:43,720 --> 00:10:48,720 Speaker 4: working for me. Like Luke's got game? He yeah, yes, 213 00:10:49,679 --> 00:10:52,480 Speaker 4: oh he's got Massive Game. 214 00:10:53,120 --> 00:10:57,360 Speaker 5: He said something else that was, oh god, like insinuating 215 00:10:57,400 --> 00:10:59,240 Speaker 5: that they're going to hook up that night, and I just, 216 00:10:59,679 --> 00:11:02,360 Speaker 5: damn it, it's really annoying me that I can't remember 217 00:11:02,400 --> 00:11:02,719 Speaker 5: what it was. 218 00:11:02,800 --> 00:11:04,960 Speaker 4: Well, he's all, those jeans are really working for you, 219 00:11:05,040 --> 00:11:09,480 Speaker 4: they're working for me. Oh my god. The funniest is 220 00:11:09,480 --> 00:11:17,520 Speaker 4: when he's all hot plates is when she does some 221 00:11:17,640 --> 00:11:20,040 Speaker 4: kind of wonderful She's all, are you gonna show up 222 00:11:20,080 --> 00:11:22,559 Speaker 4: with the diamond earrings and take me to an art museum? 223 00:11:22,920 --> 00:11:25,920 Speaker 4: That whole bit is some kind of wonderful. Did you 224 00:11:25,920 --> 00:11:29,880 Speaker 4: guys get that? Okay? Have you seen some kind of wonderful. 225 00:11:30,160 --> 00:11:32,880 Speaker 4: None of you. Oh my god, there's a whole bit 226 00:11:33,040 --> 00:11:36,520 Speaker 4: that's lost on you. So when she's she's there. 227 00:11:36,520 --> 00:11:38,800 Speaker 1: Who's in some kind of wonderful. 228 00:11:40,840 --> 00:11:45,080 Speaker 4: For some reason, some kind of wonderful is Oh my god, 229 00:11:45,160 --> 00:11:49,800 Speaker 4: give me a second. Mary Stuart Masterson Leah Thompson and 230 00:11:49,920 --> 00:11:53,480 Speaker 4: Eric Stolts. And Eric Stolts is kind of like the 231 00:11:53,559 --> 00:11:56,439 Speaker 4: kid from the poor side of town, and Leah Thompson's 232 00:11:56,520 --> 00:12:00,520 Speaker 4: like the rich, rich gal, and he wants to go 233 00:12:00,559 --> 00:12:02,000 Speaker 4: on a date with her, and she's got kind of 234 00:12:02,040 --> 00:12:04,600 Speaker 4: the like popular, mean boyfriend that she broke up with. 235 00:12:04,640 --> 00:12:08,400 Speaker 4: But Mary Stuart Masterson is like his friend who he 236 00:12:08,760 --> 00:12:12,240 Speaker 4: eventually ends up with, obviously, but he like it's kind 237 00:12:12,280 --> 00:12:14,719 Speaker 4: of that sort of pretty and pink type thing. It's 238 00:12:14,760 --> 00:12:17,760 Speaker 4: sort of pretty in pink reverse. Did you guys see 239 00:12:17,760 --> 00:12:18,360 Speaker 4: Pretty and Pink? 240 00:12:19,080 --> 00:12:19,640 Speaker 6: Yeah? 241 00:12:19,720 --> 00:12:22,680 Speaker 4: Okay, so it's the reverse. So it's basically the same 242 00:12:22,720 --> 00:12:28,480 Speaker 4: movie reversed. And anyway, her whole shtick is she's doing 243 00:12:29,160 --> 00:12:32,120 Speaker 4: the plot of some kind of wonderful He takes her 244 00:12:32,120 --> 00:12:35,160 Speaker 4: on this big date. But that's very interesting because that 245 00:12:35,240 --> 00:12:37,719 Speaker 4: must have seemed weird to you guys watching it. 246 00:12:38,240 --> 00:12:39,959 Speaker 6: I just thought it was funny, Like I thought she 247 00:12:40,040 --> 00:12:41,680 Speaker 6: was just being a flirt, and then when she turns 248 00:12:41,720 --> 00:12:43,360 Speaker 6: around and she's like, oh, are you gonna look like 249 00:12:43,400 --> 00:12:44,120 Speaker 6: as I walk back? 250 00:12:44,280 --> 00:12:45,400 Speaker 4: Well, that was cute. 251 00:12:45,679 --> 00:12:47,840 Speaker 5: Can I give you the line that I was thinking about? 252 00:12:48,200 --> 00:12:48,600 Speaker 4: Course? 253 00:12:48,840 --> 00:12:51,960 Speaker 5: Okay, Luke goes, But tonight I will give you my 254 00:12:52,040 --> 00:12:56,160 Speaker 5: extremely positive views on other aspects of your being. Oh yeah, 255 00:12:56,360 --> 00:12:59,760 Speaker 5: And I was like, oh snap, it is not g rated. 256 00:12:59,800 --> 00:13:01,000 Speaker 5: Go more girls anymore. 257 00:13:01,240 --> 00:13:05,320 Speaker 4: Now he's kind of a dirty birdie, he is. He 258 00:13:05,360 --> 00:13:08,520 Speaker 4: would be totally a sexter if there was like cell phones, 259 00:13:08,600 --> 00:13:11,640 Speaker 4: like if they had iPhones, he would. 260 00:13:12,160 --> 00:13:15,600 Speaker 5: He really would be. You're one hundred percent right, Yeah, 261 00:13:15,640 --> 00:13:16,040 Speaker 5: he'd be. 262 00:13:16,000 --> 00:13:18,400 Speaker 6: Like sex with tenine texting. 263 00:13:19,760 --> 00:13:23,040 Speaker 4: With those old phones. What's ten You have. 264 00:13:22,960 --> 00:13:25,920 Speaker 6: To click like the Nobel three times to get the letter? 265 00:13:26,240 --> 00:13:27,440 Speaker 5: That old school texting. 266 00:13:29,720 --> 00:13:31,920 Speaker 4: But anyway, I just love that scene. I mean, Scott, 267 00:13:31,920 --> 00:13:33,760 Speaker 4: are you laughing? Like, how do you feel when you're 268 00:13:33,800 --> 00:13:34,240 Speaker 4: watching that? 269 00:13:34,440 --> 00:13:35,960 Speaker 1: I was, I was charmed. 270 00:13:36,040 --> 00:13:38,280 Speaker 3: But I was definitely charmed by that scene. I thought 271 00:13:38,280 --> 00:13:42,200 Speaker 3: it was very cleverly written and well acted, and yeah 272 00:13:42,200 --> 00:13:46,760 Speaker 3: it was. It was good the whole It's again. 273 00:13:47,160 --> 00:13:50,160 Speaker 1: Uh you know what Kenny or take it? 274 00:13:50,240 --> 00:13:50,360 Speaker 7: Did? 275 00:13:50,360 --> 00:13:53,640 Speaker 1: He made it look like a movie. Yes, these were 276 00:13:53,679 --> 00:13:54,319 Speaker 1: movie shots. 277 00:13:55,520 --> 00:13:58,160 Speaker 4: Yeah, there's something that the way he does it, it's 278 00:13:58,280 --> 00:14:02,520 Speaker 4: just so awesome. So okay. Then we get a quick 279 00:14:02,559 --> 00:14:06,880 Speaker 4: scene with Emily getting the letter about the Heart Association 280 00:14:07,240 --> 00:14:10,360 Speaker 4: and is you know that's where we hear the maids say, well, 281 00:14:10,400 --> 00:14:13,719 Speaker 4: I called his valet and blah blah blah. So we're 282 00:14:13,760 --> 00:14:16,320 Speaker 4: sort of getting sprinkles of that. Then we get to 283 00:14:16,400 --> 00:14:20,480 Speaker 4: the dorm and the couch, the famous couch is getting 284 00:14:20,520 --> 00:14:25,280 Speaker 4: moved in and we see Marty. Were you happy to 285 00:14:25,280 --> 00:14:25,840 Speaker 4: see Marty? 286 00:14:26,200 --> 00:14:29,840 Speaker 5: I feel like Marty like really wanted a shot of 287 00:14:29,920 --> 00:14:32,720 Speaker 5: being with Rory and he just got snubbed. Like, poor 288 00:14:32,760 --> 00:14:34,560 Speaker 5: guy just straight up got snubbed. 289 00:14:34,800 --> 00:14:39,720 Speaker 4: He's trying, he's he's sort of stuck in friend zone. 290 00:14:39,800 --> 00:14:41,960 Speaker 1: He's in the friend zone. Yeah, I was gonna say. 291 00:14:41,800 --> 00:14:42,680 Speaker 4: He's not getting out. 292 00:14:43,000 --> 00:14:45,040 Speaker 5: I had high hopes for him, and I will say 293 00:14:45,080 --> 00:14:46,320 Speaker 5: I'm a little sad about it. 294 00:14:47,240 --> 00:14:48,680 Speaker 4: He's cute, he. 295 00:14:48,680 --> 00:14:50,800 Speaker 3: Likes to be he's comfortable in the friend zone. He 296 00:14:50,840 --> 00:14:52,360 Speaker 3: doesn't want to get out of the friend zone. 297 00:14:52,480 --> 00:14:54,760 Speaker 1: Yeah, he wouldn't. He wouldn't know what to do outside 298 00:14:54,760 --> 00:14:55,600 Speaker 1: of the friend zone. 299 00:14:55,800 --> 00:14:58,320 Speaker 4: Did anyone get his joke though about meeting Nicole Ritchie. 300 00:14:58,640 --> 00:14:59,880 Speaker 4: Maybe we talk about it in pocable. 301 00:15:00,080 --> 00:15:01,720 Speaker 1: That was that was a big slam. 302 00:15:02,400 --> 00:15:04,040 Speaker 4: I'm gonna have to have to dig into that. 303 00:15:04,360 --> 00:15:08,520 Speaker 5: Yeah, so then you spent the next six week showering. 304 00:15:09,040 --> 00:15:12,560 Speaker 4: Yeah, I would have to do we learn? Were you 305 00:15:12,680 --> 00:15:15,200 Speaker 4: shocked that Asher is dead? 306 00:15:16,920 --> 00:15:19,400 Speaker 3: You know, it's the one time it was I was, 307 00:15:19,800 --> 00:15:21,960 Speaker 3: you know, I was gonna say last week, isn't it 308 00:15:22,040 --> 00:15:24,800 Speaker 3: nice that Paris wasn't in these episodes? And then here 309 00:15:24,880 --> 00:15:28,920 Speaker 3: she is again. But it's nice to see her playing 310 00:15:28,960 --> 00:15:34,640 Speaker 3: a different color than just sort of yeah nihacle rage. 311 00:15:34,960 --> 00:15:38,480 Speaker 3: And I thought she did very well. I really, you know, 312 00:15:38,520 --> 00:15:41,120 Speaker 3: it opened me up to the character more and I 313 00:15:41,160 --> 00:15:45,840 Speaker 3: started liking her more and empathizing with her more. But 314 00:15:45,880 --> 00:15:49,480 Speaker 3: it was extremely But again, look at the words she 315 00:15:49,600 --> 00:15:51,720 Speaker 3: gets to say. 316 00:15:51,920 --> 00:15:56,280 Speaker 4: I mean all Paris. I mean when Rory were like 317 00:15:56,640 --> 00:15:59,200 Speaker 4: doing it, No, he wasn't brought down my bibe. 318 00:16:00,080 --> 00:16:02,120 Speaker 6: Then there was China, and there was a callback to 319 00:16:02,200 --> 00:16:05,040 Speaker 6: that same thing, like two more scenes. 320 00:16:05,280 --> 00:16:09,200 Speaker 4: Wait, just was I did I miss it? What is it? Yeah? 321 00:16:09,240 --> 00:16:12,600 Speaker 6: It was at the didn't Marty say it? No, Marty 322 00:16:12,680 --> 00:16:14,200 Speaker 6: or one of the guys that party liked. 323 00:16:15,840 --> 00:16:20,120 Speaker 5: Marty and Rory went right to saying like, oh did 324 00:16:20,160 --> 00:16:23,040 Speaker 5: you did he die while having sex? Like essentially that's 325 00:16:23,040 --> 00:16:24,120 Speaker 5: what they alluded to. 326 00:16:24,560 --> 00:16:30,600 Speaker 4: And also asked if she was with Asher, because remember 327 00:16:30,640 --> 00:16:33,600 Speaker 4: when she's hanging up the things, and Logan's like, were 328 00:16:33,640 --> 00:16:35,320 Speaker 4: you with him? 329 00:16:35,480 --> 00:16:37,680 Speaker 5: Oh? I didn't catch that. 330 00:16:38,240 --> 00:16:40,360 Speaker 4: Oh what? Oh god? I love Logans. 331 00:16:40,480 --> 00:16:43,600 Speaker 1: Oh yeah, no, no, he said, why are you hanging 332 00:16:43,640 --> 00:16:45,760 Speaker 1: those ups? This old guys? Were you guys together? Or 333 00:16:45,800 --> 00:16:46,200 Speaker 1: something like that? 334 00:16:46,440 --> 00:16:49,480 Speaker 4: They sold out of Orlando Blue. Anyway, we'll get to it. 335 00:16:55,440 --> 00:17:01,600 Speaker 4: I actually feel a little sad for Paris. I did too. Yeah, yeah, 336 00:17:01,720 --> 00:17:02,120 Speaker 4: she's sad. 337 00:17:02,200 --> 00:17:03,360 Speaker 1: Yeah, I'm not quite there yet. 338 00:17:04,920 --> 00:17:07,040 Speaker 4: And it is a little weird that she's sort of 339 00:17:07,119 --> 00:17:11,760 Speaker 4: taking control of things. That's definitely odd, rather than the kids. Well, 340 00:17:11,760 --> 00:17:14,200 Speaker 4: and why are they not a secret? They're so out 341 00:17:14,320 --> 00:17:19,280 Speaker 4: in the open. It's like very weird to the fact 342 00:17:19,280 --> 00:17:22,040 Speaker 4: that the lawyer's calling her, come on, that's unrealistic. 343 00:17:23,119 --> 00:17:25,399 Speaker 6: Well, I think she was a secret to the school, 344 00:17:25,440 --> 00:17:27,040 Speaker 6: but not to his family because I know. 345 00:17:27,119 --> 00:17:30,200 Speaker 4: But it's still disturbs. Okay. So then we get this 346 00:17:30,280 --> 00:17:33,760 Speaker 4: sort of setup that when Loralai walks through town and 347 00:17:33,800 --> 00:17:37,120 Speaker 4: gets to the newsstand, that that's where the gossip happens, 348 00:17:37,359 --> 00:17:40,080 Speaker 4: and it's Bebet, Miss Patty, and then what's that other 349 00:17:40,200 --> 00:17:43,679 Speaker 4: lady's name? Does anybody know? Oh, missus Cassini. 350 00:17:44,359 --> 00:17:45,359 Speaker 6: Have we seen her before? 351 00:17:45,720 --> 00:17:48,159 Speaker 4: I feel like we have someone's gonna yell at us 352 00:17:48,200 --> 00:17:51,400 Speaker 4: on Instagram because we don't remember. They get real mad 353 00:17:51,440 --> 00:17:55,720 Speaker 4: that we don't remember everything of everything, but shouldn't have think, 354 00:17:57,760 --> 00:18:01,719 Speaker 4: Oh god, okay, so that bit is very cute and 355 00:18:02,240 --> 00:18:06,320 Speaker 4: we needed it for later. So Scott, you still just like, 356 00:18:06,960 --> 00:18:09,800 Speaker 4: I guess everybody's just feeling good about the whole episode. 357 00:18:09,440 --> 00:18:13,959 Speaker 3: Right, Yeah, well yeah, I mean it's uh, it's just 358 00:18:14,040 --> 00:18:17,720 Speaker 3: one delightful scene after another. I mean there's no week 359 00:18:18,560 --> 00:18:22,040 Speaker 3: there's no subpar scenes that the writing is great all 360 00:18:22,080 --> 00:18:22,639 Speaker 3: the way through. 361 00:18:22,680 --> 00:18:24,360 Speaker 1: The performances are great all the way through. 362 00:18:24,400 --> 00:18:24,639 Speaker 2: So far. 363 00:18:24,760 --> 00:18:27,280 Speaker 4: Yeah, I agree with you on there's no subpar scene. 364 00:18:27,359 --> 00:18:27,960 Speaker 1: No, they're not. 365 00:18:28,040 --> 00:18:29,919 Speaker 3: All of them were home runs, you know, It's like 366 00:18:30,280 --> 00:18:32,440 Speaker 3: stringing them together was great. 367 00:18:32,680 --> 00:18:34,800 Speaker 5: I like a lorla. I referred to Miss Patty and 368 00:18:34,840 --> 00:18:39,240 Speaker 5: Bebbe as Hello Magazine of gossip column. 369 00:18:41,240 --> 00:18:42,840 Speaker 4: So then we kind of get to the one sort 370 00:18:42,880 --> 00:18:45,680 Speaker 4: of painful scene for me, not painful in a bad 371 00:18:45,680 --> 00:18:48,159 Speaker 4: way like it was written painful. It just was a 372 00:18:48,240 --> 00:18:53,600 Speaker 4: sad scene because the Gilmours are sitting there discussing everything 373 00:18:54,240 --> 00:18:56,920 Speaker 4: and that he's got the car in the driveway and 374 00:18:56,960 --> 00:18:59,119 Speaker 4: it's leaking oil and she says, you should go to 375 00:18:59,160 --> 00:19:01,199 Speaker 4: the gas station or whatever, and he goes, this is 376 00:19:01,240 --> 00:19:04,360 Speaker 4: the way it's going to be, and I just thought, ouch, 377 00:19:05,119 --> 00:19:06,520 Speaker 4: they are not doing good. 378 00:19:06,720 --> 00:19:10,280 Speaker 3: Yeah, but he did agree to go down the road 379 00:19:10,640 --> 00:19:14,720 Speaker 3: to the gas station to true classic car, So that 380 00:19:14,880 --> 00:19:17,480 Speaker 3: to me is like, oh, they're kind of back in 381 00:19:17,520 --> 00:19:18,280 Speaker 3: the marriage again. 382 00:19:18,600 --> 00:19:22,320 Speaker 4: They're being civil about their separation, is where I'm at, Like, 383 00:19:22,359 --> 00:19:30,199 Speaker 4: it's not daggers, but it's just they're cooperating in their separation. 384 00:19:31,400 --> 00:19:34,879 Speaker 1: And that's the pathway back to, you know, reconnecting. 385 00:19:35,480 --> 00:19:39,119 Speaker 4: Well, that's good. It's a good way to look at it. 386 00:19:39,800 --> 00:19:41,840 Speaker 4: I'm looking at it a little bit more cringey, like 387 00:19:41,920 --> 00:19:44,200 Speaker 4: I'm mom and dad are fighting. 388 00:19:43,880 --> 00:19:45,280 Speaker 1: But they hated each other. 389 00:19:45,359 --> 00:19:50,920 Speaker 4: They just fight, right, or they wouldn't speak. All right, 390 00:19:50,960 --> 00:19:51,399 Speaker 4: I'll give you. 391 00:19:52,560 --> 00:19:56,520 Speaker 3: His concession was to me, he said, I still love 392 00:19:56,560 --> 00:19:58,000 Speaker 3: you and I want to come back. 393 00:19:59,400 --> 00:20:04,760 Speaker 4: Well, well he hasn't done it yet. He's just taking 394 00:20:04,840 --> 00:20:06,600 Speaker 4: the cars to the gas station now. 395 00:20:06,880 --> 00:20:09,560 Speaker 1: But that's that's a big gesture. 396 00:20:09,400 --> 00:20:11,880 Speaker 4: All right, you're right, I'll give you that he agreed 397 00:20:12,040 --> 00:20:14,040 Speaker 4: rather than saying like it's my driveway too. 398 00:20:14,440 --> 00:20:17,520 Speaker 3: He wants to be agreeable because he he you know, 399 00:20:17,800 --> 00:20:21,120 Speaker 3: I think they both want to get back that's where 400 00:20:21,119 --> 00:20:21,560 Speaker 3: they were. 401 00:20:21,960 --> 00:20:26,040 Speaker 4: Well, all right, we'll see. Uh now it's the time. 402 00:20:26,359 --> 00:20:30,960 Speaker 4: The moment has come, the moment we've all been waiting for. 403 00:20:31,040 --> 00:20:32,240 Speaker 1: The best moment of your life. 404 00:20:33,480 --> 00:20:36,800 Speaker 4: Okay, here's what I will say. It was a game 405 00:20:36,920 --> 00:20:43,000 Speaker 4: changing moment for me in the series because I immediately loved him, 406 00:20:44,280 --> 00:20:46,719 Speaker 4: Like I was like, he stood out to me being 407 00:20:46,960 --> 00:20:50,800 Speaker 4: so I was team Logan, like real fast. I literally 408 00:20:50,880 --> 00:20:54,959 Speaker 4: was like, just who, I don't care. So they're at 409 00:20:55,000 --> 00:20:56,080 Speaker 4: the coffee stand. 410 00:20:55,880 --> 00:20:57,959 Speaker 1: You know, I agree. He kind of does blow them 411 00:20:58,040 --> 00:20:58,960 Speaker 1: both out of the water. 412 00:20:59,080 --> 00:21:00,000 Speaker 4: Yes, he's steals. 413 00:21:00,280 --> 00:21:03,880 Speaker 1: The whole character he gets to play is. 414 00:21:05,359 --> 00:21:06,000 Speaker 4: Rather not. 415 00:21:08,119 --> 00:21:10,840 Speaker 3: I can see where people would find him nauseating, but 416 00:21:10,880 --> 00:21:14,639 Speaker 3: where other people would find him extremely attractive. 417 00:21:15,359 --> 00:21:17,479 Speaker 5: Like the first thing that came to my head was 418 00:21:17,720 --> 00:21:21,720 Speaker 5: this is a Logan? What a tool? Like literally that 419 00:21:21,880 --> 00:21:24,120 Speaker 5: was in my head. I was just like, this cannot 420 00:21:24,200 --> 00:21:27,639 Speaker 5: be the guy that everyone thinks is cool. And I 421 00:21:27,720 --> 00:21:30,520 Speaker 5: just keep hearing like Dean, which team are you on? Dean, 422 00:21:30,600 --> 00:21:34,400 Speaker 5: Jess or Logan. I'm like, how is Logan in this race? 423 00:21:34,520 --> 00:21:36,400 Speaker 4: Both could feel that way. 424 00:21:37,600 --> 00:21:41,600 Speaker 6: I was gonna say that, like, I don't dislike Logan, 425 00:21:41,800 --> 00:21:43,800 Speaker 6: but I kind of agree with Danielle that he kind 426 00:21:43,800 --> 00:21:47,080 Speaker 6: of came in hot and like you you're not you 427 00:21:47,119 --> 00:21:49,320 Speaker 6: don't love him at first, but you're intrigued. 428 00:21:50,040 --> 00:21:53,520 Speaker 4: No, I loved him because he is the although Jess 429 00:21:53,560 --> 00:21:57,680 Speaker 4: did this in a certain way, but Logan really gives 430 00:21:57,760 --> 00:21:59,960 Speaker 4: Roy a run for her money. That's what I was 431 00:22:01,200 --> 00:22:05,720 Speaker 4: kissing her, but he's not like running over her. He 432 00:22:05,880 --> 00:22:09,560 Speaker 4: is like ready to sort of spar and even how 433 00:22:09,560 --> 00:22:12,720 Speaker 4: when he's gonna say fun, wasn't it like this guy's 434 00:22:12,760 --> 00:22:17,119 Speaker 4: at Yale. This guy is not dumb like he's at Yale. Plus, 435 00:22:17,160 --> 00:22:19,920 Speaker 4: I just think he's so cute and I love that 436 00:22:20,000 --> 00:22:22,239 Speaker 4: he's sort of like he's got a hint of like 437 00:22:22,400 --> 00:22:24,520 Speaker 4: bad boy. He's sort of got a little Dean, a 438 00:22:24,520 --> 00:22:28,880 Speaker 4: little Jess, a little lots of people. Oh, I love him. 439 00:22:29,040 --> 00:22:31,359 Speaker 5: I hope it turns around. I hope in the next 440 00:22:31,359 --> 00:22:35,240 Speaker 5: few episodes that I don't know, I don't know my 441 00:22:35,359 --> 00:22:39,320 Speaker 5: thought changes on him, but I'm just like, so, do you. 442 00:22:39,320 --> 00:22:41,280 Speaker 4: Think he was a jerk to Marty or did you 443 00:22:41,280 --> 00:22:44,600 Speaker 4: think he was just like remembered just. 444 00:22:44,480 --> 00:22:47,879 Speaker 5: Like he felt very arrogant. That's the best way I 445 00:22:47,920 --> 00:22:50,040 Speaker 5: can I can explain it. He just felt arrogant in 446 00:22:50,119 --> 00:22:51,479 Speaker 5: every single scene he had, I think. 447 00:22:51,600 --> 00:22:54,400 Speaker 3: But I think he was just being himself. That's the character. 448 00:22:54,640 --> 00:22:57,399 Speaker 3: He was being himself. He wasn't trying to it's you know, 449 00:22:57,520 --> 00:23:00,879 Speaker 3: to the manner born right right, right, right right, It's 450 00:23:01,000 --> 00:23:06,119 Speaker 3: it's hard not to be that when you're in your environment, 451 00:23:06,160 --> 00:23:08,920 Speaker 3: You're you're at your place. You know, you're at Yale. 452 00:23:09,040 --> 00:23:11,840 Speaker 3: Dad went to Yale, his father went to you. You know, 453 00:23:11,920 --> 00:23:15,760 Speaker 3: you can just you can just feel the bloodline, right, 454 00:23:15,840 --> 00:23:19,399 Speaker 3: it's just coming out of him, so totally right you 455 00:23:19,480 --> 00:23:20,600 Speaker 3: either rejected out of hand. 456 00:23:20,600 --> 00:23:25,400 Speaker 4: I don't like that for Ror totally. 457 00:23:25,480 --> 00:23:27,159 Speaker 5: I just don't know if I like want that for 458 00:23:27,359 --> 00:23:28,320 Speaker 5: Rory right now. 459 00:23:28,480 --> 00:23:32,560 Speaker 4: Like, well, it comes to its complications, we will learn. 460 00:23:32,760 --> 00:23:38,040 Speaker 4: But right out the gate, I'm like, this guy is 461 00:23:38,440 --> 00:23:43,760 Speaker 4: a stud. He's a little bit of a pompous. 462 00:23:43,359 --> 00:23:46,680 Speaker 1: Like you think Richard was like that when he was young. 463 00:23:47,400 --> 00:23:48,560 Speaker 1: You think he reminds me. 464 00:23:48,720 --> 00:23:51,600 Speaker 4: I think Richard was sweeter. I think Richard would never 465 00:23:51,680 --> 00:23:53,920 Speaker 4: be like Richard was super sweet. 466 00:23:54,000 --> 00:23:57,879 Speaker 5: I bet he seems like what was Digger's dad, Lloyd 467 00:23:58,160 --> 00:23:58,600 Speaker 5: or Floyd? 468 00:23:59,280 --> 00:24:02,560 Speaker 1: Which one was it? 469 00:24:02,880 --> 00:24:06,280 Speaker 5: He kind of reminds me like a younger Floyd, Like 470 00:24:06,359 --> 00:24:10,119 Speaker 5: you know how how Floyd is kind of I don't know, 471 00:24:10,240 --> 00:24:13,120 Speaker 5: a little bit of a snake. That's that's what Logan 472 00:24:13,240 --> 00:24:16,600 Speaker 5: looks like. I again, no one yelled at me because 473 00:24:16,600 --> 00:24:20,800 Speaker 5: it's my first time seeing him. But first impression, first impression, 474 00:24:20,800 --> 00:24:21,440 Speaker 5: I'm just like. 475 00:24:22,359 --> 00:24:24,480 Speaker 3: You think he's got too much game. It's like too 476 00:24:24,560 --> 00:24:27,200 Speaker 3: it comes too easy to him, like that level of game. 477 00:24:27,359 --> 00:24:33,600 Speaker 3: Maybe maybe it's too much, right, Yeah, he think he's 478 00:24:33,640 --> 00:24:34,560 Speaker 3: a serious student. 479 00:24:34,640 --> 00:24:37,040 Speaker 1: Do you think he's an overachiever? Do you do you 480 00:24:37,080 --> 00:24:39,320 Speaker 1: think he's a Does he came up to you like 481 00:24:39,359 --> 00:24:42,199 Speaker 1: a guy who was riding on his family's coattails and 482 00:24:42,240 --> 00:24:44,359 Speaker 1: wasn't working hard? And that he. 483 00:24:45,880 --> 00:24:48,240 Speaker 3: That's a country made of ice cream. He's he's the 484 00:24:48,240 --> 00:24:52,800 Speaker 3: way we were. He's he's what Streisand objected to. But 485 00:24:53,440 --> 00:24:57,520 Speaker 3: it's what Streysand objected to so strongly in that film, 486 00:24:57,880 --> 00:25:00,199 Speaker 3: Like what's wrong with you people? It's eleanor Roosevelt. What 487 00:25:00,200 --> 00:25:02,000 Speaker 3: are you making jokes about her for? Because it's what 488 00:25:02,040 --> 00:25:03,720 Speaker 3: we do. We make jokes you, why are you being 489 00:25:03,760 --> 00:25:06,239 Speaker 3: so serious? You know what's wrong with you? Which we 490 00:25:06,280 --> 00:25:08,080 Speaker 3: make fun of everything. That's how we get through the day, 491 00:25:08,160 --> 00:25:10,600 Speaker 3: you know, And that's that's to me what Logan is. 492 00:25:10,640 --> 00:25:13,800 Speaker 3: He's just making fun of everything because it masks pain, 493 00:25:13,920 --> 00:25:18,320 Speaker 3: It masks yeah, whatever, you know, trauma he's gone through. 494 00:25:18,480 --> 00:25:22,040 Speaker 3: Just because he's wealthy, just because he's you know, obviously 495 00:25:23,080 --> 00:25:25,640 Speaker 3: a privileged kid, doesn't mean he doesn't have issues, right, 496 00:25:25,720 --> 00:25:28,600 Speaker 3: So that's that's to me what that's saying. So I 497 00:25:28,720 --> 00:25:31,160 Speaker 3: was pulled in by it. Actually, I see what you. 498 00:25:31,119 --> 00:25:31,679 Speaker 1: Mean, Daniel. 499 00:25:32,000 --> 00:25:33,760 Speaker 4: Yeah, yeah, yeah, I do see what you mean. 500 00:25:33,800 --> 00:25:36,359 Speaker 3: I can see how it's like, oh boy, that's going 501 00:25:36,400 --> 00:25:38,000 Speaker 3: to rub a lot of people the wrong way. 502 00:25:38,040 --> 00:25:41,119 Speaker 5: But I'm definitely not writing him off, Like I'm like, 503 00:25:41,160 --> 00:25:43,720 Speaker 5: I'm going to give him a chance. But just right now, 504 00:25:44,200 --> 00:25:47,440 Speaker 5: it's a little jarring. So I'm waiting for the next 505 00:25:47,480 --> 00:25:49,480 Speaker 5: few episodes to really get to know him. 506 00:25:49,840 --> 00:25:52,880 Speaker 4: Your first impression, So and then Marty says I kind 507 00:25:52,880 --> 00:25:55,879 Speaker 4: of hate those guys, and Rory says, can't see why, 508 00:25:56,320 --> 00:25:58,040 Speaker 4: and she sort of is like, ugh. 509 00:25:58,200 --> 00:26:00,520 Speaker 5: Yeah, you see, Marty feels like the guy for me, 510 00:26:00,720 --> 00:26:04,359 Speaker 5: no anybody else, Like right now, I'm like, Marty seems 511 00:26:04,359 --> 00:26:07,000 Speaker 5: so cute, Like why why is Rory sleeping on him? 512 00:26:07,080 --> 00:26:09,639 Speaker 5: Like she's sleeping on being together with Marty? Like he's 513 00:26:10,200 --> 00:26:13,600 Speaker 5: not the guy he feels like it right now to me, Like. 514 00:26:13,760 --> 00:26:16,800 Speaker 6: The next friend zones him quick though, I guess. 515 00:26:17,080 --> 00:26:19,280 Speaker 4: But but how do you go back from finding someone 516 00:26:19,400 --> 00:26:22,119 Speaker 4: naked in the hallway. 517 00:26:22,720 --> 00:26:25,280 Speaker 3: Marty's the stable one, Marty's the guy you marry. He's 518 00:26:25,280 --> 00:26:26,840 Speaker 3: never gonna cheat on you. He's going to be a 519 00:26:26,840 --> 00:26:30,040 Speaker 3: great husband, he's going to be a great father, He's going. 520 00:26:30,000 --> 00:26:31,040 Speaker 1: To earn a great living. 521 00:26:32,160 --> 00:26:36,080 Speaker 3: And you could be bored your entire life with Logan. Logan, 522 00:26:37,160 --> 00:26:39,720 Speaker 3: that's gonna be a little different. 523 00:26:40,400 --> 00:26:42,440 Speaker 4: Logan's gonna give her a run for her money. That's 524 00:26:42,440 --> 00:26:46,119 Speaker 4: what I'm saying. He is like coming in hot and 525 00:26:46,160 --> 00:26:49,480 Speaker 4: who was the girl? Somebody, somebody needs to figure out. 526 00:26:49,520 --> 00:26:53,520 Speaker 4: Who was that girl that was like his arm around her? 527 00:26:53,720 --> 00:26:55,919 Speaker 6: Is that we'll get We'll get tod Amy, But I 528 00:26:56,000 --> 00:26:59,960 Speaker 6: know one of the background actors in this episode. No, yeah, 529 00:27:00,280 --> 00:27:02,280 Speaker 6: we'll get to it. We'll get to it, Okay, you 530 00:27:02,280 --> 00:27:02,560 Speaker 6: have to. 531 00:27:02,480 --> 00:27:07,960 Speaker 4: Tell us, all right, so we get to meet the man. 532 00:27:08,200 --> 00:27:11,479 Speaker 3: But but I will say this, when he comes on screen. 533 00:27:11,880 --> 00:27:13,160 Speaker 3: I didn't look at anybody else. 534 00:27:14,880 --> 00:27:18,440 Speaker 4: Yeah, the actor, the. 535 00:27:18,440 --> 00:27:23,000 Speaker 3: Person has real charisma and real magnifal and real talent. 536 00:27:23,200 --> 00:27:26,359 Speaker 3: He's extremely appealing, extremely talented actor. 537 00:27:27,080 --> 00:27:29,280 Speaker 4: He did the same thing in The Good Wife. Like 538 00:27:29,320 --> 00:27:33,280 Speaker 4: there were a lot of big actors in The Good Wife, 539 00:27:33,880 --> 00:27:38,960 Speaker 4: and he I always gravitated toward him, even with like 540 00:27:39,040 --> 00:27:43,680 Speaker 4: Christine Baranski and Juliana Marga Lees and like a bunch 541 00:27:43,720 --> 00:27:46,879 Speaker 4: of others, You're still like, who's that guy? And that 542 00:27:47,040 --> 00:27:50,720 Speaker 4: was you know, Matt Zukri is like he's he's amazing 543 00:27:51,480 --> 00:27:54,280 Speaker 4: or ipee the resident though, why, oh my god. 544 00:27:54,320 --> 00:27:56,840 Speaker 6: I texted Amy when I saw it and I was like, 545 00:27:57,080 --> 00:27:58,200 Speaker 6: this just breaks my heart. 546 00:27:58,240 --> 00:28:03,520 Speaker 4: Right before we watch this episode too, they canceled his show. Yes, yeah, 547 00:28:04,040 --> 00:28:06,080 Speaker 4: what I was doing well, I don't know. I mean 548 00:28:06,200 --> 00:28:08,199 Speaker 4: six seasons. Look, he did fine. I'm sure he got 549 00:28:08,240 --> 00:28:10,280 Speaker 4: a good couple of bucks, but still. 550 00:28:10,840 --> 00:28:12,960 Speaker 6: But he was getting I know, Amy, you're behind, but 551 00:28:13,080 --> 00:28:15,800 Speaker 6: like I watched up until the Christmas break and it 552 00:28:15,920 --> 00:28:18,840 Speaker 6: was so good to catch them. I'm like, did they 553 00:28:18,840 --> 00:28:21,720 Speaker 6: finish out? I wonder if they finished out like what 554 00:28:21,920 --> 00:28:23,840 Speaker 6: was lingering from the end of the season or it's 555 00:28:23,880 --> 00:28:24,400 Speaker 6: just done done. 556 00:28:24,440 --> 00:28:25,960 Speaker 4: I don't know, I don't know there are more episodes 557 00:28:25,960 --> 00:28:27,240 Speaker 4: that are going to even air or is it just 558 00:28:27,400 --> 00:28:28,080 Speaker 4: dumb hope? 559 00:28:28,400 --> 00:28:28,600 Speaker 7: Huh? 560 00:28:28,680 --> 00:28:30,840 Speaker 6: I need I need any closure? 561 00:28:32,000 --> 00:28:32,200 Speaker 3: Yeah? 562 00:28:32,280 --> 00:28:36,080 Speaker 1: Well he's you know, he'll he'll, he's always going to 563 00:28:36,160 --> 00:28:37,960 Speaker 1: land on his feet. He'll get another show. 564 00:28:38,360 --> 00:28:38,840 Speaker 4: Yeah. 565 00:28:38,960 --> 00:28:40,640 Speaker 1: Speaking of Louisville. 566 00:28:40,960 --> 00:28:44,680 Speaker 3: I'm going to be in Louisville at the Louisville Popcorn 567 00:28:44,800 --> 00:28:47,680 Speaker 3: July sixteenth through eighteen. Just wanted to get that in 568 00:28:47,800 --> 00:28:49,320 Speaker 3: so as we're talking about Louisville. 569 00:28:49,560 --> 00:28:53,440 Speaker 4: Yeah, I'm not sure we were, but that's okay. 570 00:28:53,640 --> 00:28:56,120 Speaker 6: I like literally was like, did I forget somebody? 571 00:28:57,200 --> 00:28:59,680 Speaker 4: So then we have Rory and Harris hugging, which was 572 00:28:59,800 --> 00:29:04,520 Speaker 4: very and I was like, Paris wants to have a wake, 573 00:29:04,640 --> 00:29:07,680 Speaker 4: which Rory says, yes, okay. So then now we get 574 00:29:07,720 --> 00:29:11,840 Speaker 4: to the best Loralai coming out the door for her date. 575 00:29:12,160 --> 00:29:16,200 Speaker 4: She is so cute. Are you kidding me? She looks 576 00:29:16,200 --> 00:29:19,719 Speaker 4: smoking hot? Did you guys not agree? When she comes 577 00:29:19,760 --> 00:29:21,240 Speaker 4: out of house, I'm like, are you kidding me? 578 00:29:21,480 --> 00:29:23,959 Speaker 5: I gotta give it to Laurlai and Luke in this 579 00:29:24,040 --> 00:29:29,720 Speaker 5: episode they are definitely thriving and you're glowing. 580 00:29:30,240 --> 00:29:35,480 Speaker 4: I agree, And then that scene they're really giving like 581 00:29:35,800 --> 00:29:39,760 Speaker 4: both of you, but especially Lauren, like all that physical comedy, 582 00:29:40,040 --> 00:29:42,760 Speaker 4: like the getting in the car and the whole thing, 583 00:29:42,920 --> 00:29:44,800 Speaker 4: and then she's like, we'll get better at this, Like 584 00:29:45,040 --> 00:29:47,320 Speaker 4: it's so funny to watch. 585 00:29:48,680 --> 00:29:51,120 Speaker 1: That was a lot of fun to rehearse. We found 586 00:29:51,160 --> 00:29:52,120 Speaker 1: all that in rehearsal. 587 00:29:53,240 --> 00:29:54,000 Speaker 4: Oh that's cool. 588 00:29:54,080 --> 00:29:57,120 Speaker 3: And the thing to do in rehearsal, the thing to 589 00:29:57,200 --> 00:29:59,760 Speaker 3: do when when they say action is not to overdo 590 00:29:59,840 --> 00:30:02,720 Speaker 3: all that stuff. It's hard not to overdo all that stuff, 591 00:30:03,640 --> 00:30:06,040 Speaker 3: you know, because there's a lot there. You can really 592 00:30:06,120 --> 00:30:08,400 Speaker 3: ham it up. I think we were right right on 593 00:30:08,480 --> 00:30:11,360 Speaker 3: the borderline of ham but not quite. 594 00:30:11,520 --> 00:30:14,600 Speaker 1: I think we pulled it off. I enjoy I think so. 595 00:30:15,800 --> 00:30:16,160 Speaker 5: I think so. 596 00:30:16,240 --> 00:30:17,960 Speaker 4: I mean, I think she's really good at it because 597 00:30:17,960 --> 00:30:19,920 Speaker 4: it reminded me of the scene when she's trying to 598 00:30:19,960 --> 00:30:22,440 Speaker 4: act cool around you and touch the table. 599 00:30:24,680 --> 00:30:28,240 Speaker 5: I weirdly love that, like I feel, I mean, obviously, 600 00:30:28,800 --> 00:30:31,800 Speaker 5: Luke has been a very established character, but I felt 601 00:30:31,800 --> 00:30:35,880 Speaker 5: like in this episode it made it even more prevalent, 602 00:30:36,040 --> 00:30:39,280 Speaker 5: like because we learned so much about him, like that 603 00:30:39,320 --> 00:30:42,880 Speaker 5: he goes to this tavern that it's Luke's Luke, or right, 604 00:30:43,040 --> 00:30:43,680 Speaker 5: Luke's Luke. 605 00:30:43,840 --> 00:30:46,360 Speaker 4: Luke's Luke Ye, Luke Luke. 606 00:30:45,960 --> 00:30:49,280 Speaker 5: Right, yeah, and that like these two people are really 607 00:30:49,320 --> 00:30:53,200 Speaker 5: important to his life and helped him, you know, create 608 00:30:53,240 --> 00:30:55,120 Speaker 5: the diner and like all that kind of stuff. Like 609 00:30:55,360 --> 00:30:57,560 Speaker 5: I just felt like we got a lot of backstory 610 00:30:57,680 --> 00:31:01,840 Speaker 5: and felt and Luke was very like humanized in this 611 00:31:01,960 --> 00:31:04,959 Speaker 5: scene for me, like he is a person with a history. 612 00:31:05,440 --> 00:31:10,920 Speaker 4: Hello, Missus Landingham, Catherine justin I know, oh my god, 613 00:31:11,040 --> 00:31:13,320 Speaker 4: my god, Like I want. 614 00:31:13,120 --> 00:31:15,720 Speaker 6: No shock to see her. This was the year before 615 00:31:16,240 --> 00:31:18,600 Speaker 6: she started Desperate Housewives. 616 00:31:18,160 --> 00:31:21,720 Speaker 4: And after she was Missus Landingham on the West Wing. 617 00:31:22,720 --> 00:31:25,080 Speaker 4: I didn't watch the last thing, but oh my gosh, 618 00:31:25,120 --> 00:31:27,480 Speaker 4: that was amazing, Like that was amazing. 619 00:31:28,000 --> 00:31:31,040 Speaker 3: So here's here's what was interesting for me watching it 620 00:31:32,000 --> 00:31:35,880 Speaker 3: that dating scene is that it's one of the few 621 00:31:35,960 --> 00:31:37,800 Speaker 3: times and I don't think it's the first time, but 622 00:31:37,840 --> 00:31:39,520 Speaker 3: it's one of the few times we see Luke. 623 00:31:39,360 --> 00:31:40,200 Speaker 1: Without us hat on. 624 00:31:40,800 --> 00:31:41,480 Speaker 4: Yeah yep. 625 00:31:41,600 --> 00:31:44,400 Speaker 3: And it's like it's like a mask came off. He 626 00:31:44,440 --> 00:31:47,640 Speaker 3: wears that hat. He's a certain guy. He no longer 627 00:31:47,680 --> 00:31:50,120 Speaker 3: has that hat on. He's on a date. He's a 628 00:31:50,160 --> 00:31:50,960 Speaker 3: different guy. 629 00:31:51,440 --> 00:31:53,320 Speaker 1: We get to know it. We get to see a 630 00:31:53,360 --> 00:31:54,760 Speaker 1: whole new layer of this guy. 631 00:31:54,800 --> 00:31:58,520 Speaker 3: First of all, is adjusting, Like, gosh, you know, I 632 00:31:58,520 --> 00:32:01,400 Speaker 3: thought I look a lot different with the hat off 633 00:32:01,440 --> 00:32:03,640 Speaker 3: than I do with it on. Yeah, so I had 634 00:32:03,640 --> 00:32:05,520 Speaker 3: to get used to that. But it's a it's a 635 00:32:05,600 --> 00:32:07,280 Speaker 3: it's a different personality too. 636 00:32:07,440 --> 00:32:11,720 Speaker 5: It's it's so interesting you say that because your first 637 00:32:12,280 --> 00:32:14,719 Speaker 5: like big scenes with Lrela, you don't have your hat on, 638 00:32:14,920 --> 00:32:16,320 Speaker 5: like when you guys first kissed. 639 00:32:16,600 --> 00:32:18,440 Speaker 1: No hat, right. 640 00:32:18,640 --> 00:32:21,360 Speaker 5: The state no hat like that is a very right. 641 00:32:21,920 --> 00:32:26,480 Speaker 4: You go from being to reach the lauralized loop. Hates 642 00:32:26,720 --> 00:32:31,480 Speaker 4: symbolizes that. It's almost like Clark Kent to Superman. 643 00:32:32,320 --> 00:32:40,680 Speaker 7: Yeah, yeah, I'm saying, but I was also and I 644 00:32:40,720 --> 00:32:43,600 Speaker 7: know that, you know, the tension of the sexual tension 645 00:32:43,640 --> 00:32:46,400 Speaker 7: between them and the mutual attraction is there. 646 00:32:47,360 --> 00:32:51,880 Speaker 3: You feel it, you know, you know they like each 647 00:32:51,880 --> 00:32:54,480 Speaker 3: other and they're blushy all around each other and nervous 648 00:32:54,520 --> 00:32:57,760 Speaker 3: and but you know, I was watching out for the 649 00:32:57,840 --> 00:33:01,600 Speaker 3: signposts of are these do these to have the future? 650 00:33:01,760 --> 00:33:06,160 Speaker 3: Because you know, is she going to be less jokey 651 00:33:06,600 --> 00:33:09,720 Speaker 3: and he's going to be a little warmer so that 652 00:33:09,800 --> 00:33:12,440 Speaker 3: they kind of mesh better, or is she going to 653 00:33:12,600 --> 00:33:15,520 Speaker 3: be her same jokey, throw it away self, or is 654 00:33:15,560 --> 00:33:17,560 Speaker 3: she going to get a little bit more serious, and 655 00:33:17,600 --> 00:33:20,440 Speaker 3: he's going to so that they can meet somewhere in 656 00:33:20,440 --> 00:33:21,480 Speaker 3: the middle, so we can. 657 00:33:21,400 --> 00:33:24,440 Speaker 4: See Joe being that I'm seeing meshing where he's a 658 00:33:24,440 --> 00:33:28,440 Speaker 4: little more fun. Yeah, she has our serious moments. 659 00:33:29,040 --> 00:33:31,440 Speaker 5: And he's a little more like lovey, which we haven't 660 00:33:31,480 --> 00:33:32,040 Speaker 5: really seen. 661 00:33:32,280 --> 00:33:33,120 Speaker 1: I have not seen that. 662 00:33:33,240 --> 00:33:36,720 Speaker 5: Yeah, but I have one word for you guys, like horoscope. 663 00:33:37,480 --> 00:33:41,080 Speaker 4: Oh my god, that just. 664 00:33:41,040 --> 00:33:44,160 Speaker 5: Proved everything to me. I was like, yep, yep and yep, 665 00:33:44,280 --> 00:33:47,880 Speaker 5: like this is in the stars, Like this relationship is 666 00:33:47,920 --> 00:33:48,720 Speaker 5: in the stars. 667 00:33:49,320 --> 00:33:52,480 Speaker 4: This is what I love about. Okay, But the same thing, 668 00:33:52,560 --> 00:33:56,400 Speaker 4: the horoscope can be the sweetest, most meaningful thing ever 669 00:33:56,560 --> 00:33:59,680 Speaker 4: right where you're like, oh my gosh, he has the 670 00:33:59,720 --> 00:34:05,520 Speaker 4: horse go. But that same plot device can be hilarious 671 00:34:05,800 --> 00:34:10,840 Speaker 4: at the town meeting when she's like horoscope, Yeah, that's 672 00:34:10,880 --> 00:34:13,600 Speaker 4: what I love. Is it Like nothing gets too schmaltzy 673 00:34:14,360 --> 00:34:18,000 Speaker 4: because the same thing is funny and then it's never 674 00:34:18,120 --> 00:34:20,360 Speaker 4: too sappy. You're like, oh my god, I love it. 675 00:34:20,560 --> 00:34:24,759 Speaker 4: Love this point, like the story of Sniffy because the 676 00:34:24,800 --> 00:34:26,400 Speaker 4: fact that the dog died. 677 00:34:26,239 --> 00:34:27,920 Speaker 1: And they run on the back of the menu, you're 678 00:34:27,920 --> 00:34:28,759 Speaker 1: going to read the whole fa. 679 00:34:31,040 --> 00:34:39,839 Speaker 6: And then it just ends like ends, it ends, and. 680 00:34:39,840 --> 00:34:42,240 Speaker 4: I love that he remembers the first time they met 681 00:34:42,360 --> 00:34:46,040 Speaker 4: and the whole thing. Wait, are you a scorpio? What 682 00:34:46,120 --> 00:34:47,319 Speaker 4: are you in real life? 683 00:34:47,719 --> 00:34:51,600 Speaker 1: I am not. I do have I have had my 684 00:34:51,760 --> 00:34:52,480 Speaker 1: chart done. 685 00:34:53,160 --> 00:34:54,759 Speaker 4: Well, what's your birthday? What's your son? 686 00:34:55,160 --> 00:34:55,680 Speaker 1: Nine eleven? 687 00:34:55,719 --> 00:35:00,600 Speaker 4: I'm a virgo nine to eleven, by the way. 688 00:35:00,680 --> 00:35:02,480 Speaker 1: But I do have a lot of Scorpio in me. 689 00:35:03,120 --> 00:35:09,239 Speaker 4: We'rego one scorpio October, end of October into November eight. 690 00:35:09,239 --> 00:35:13,960 Speaker 4: Ears kept that in there, and then it happened better 691 00:35:14,000 --> 00:35:19,080 Speaker 4: than meeting logan. You're in, you are all. 692 00:35:19,120 --> 00:35:21,360 Speaker 6: I didn't know it was in this episode. 693 00:35:22,200 --> 00:35:26,120 Speaker 5: You know, not to say I am a psychic, but 694 00:35:26,239 --> 00:35:28,120 Speaker 5: in the last episode I was like, I am waiting 695 00:35:28,400 --> 00:35:32,080 Speaker 5: for Luke to be all in and here you go 696 00:35:32,880 --> 00:35:35,719 Speaker 5: delivering the give a line of this podcast. 697 00:35:36,120 --> 00:35:37,839 Speaker 3: Let me ask you three, have you ever been in 698 00:35:37,840 --> 00:35:40,000 Speaker 3: that position on the receiving end of a guy who 699 00:35:40,040 --> 00:35:40,759 Speaker 3: says I'm all in? 700 00:35:41,160 --> 00:35:45,239 Speaker 4: No, No, I mean no, just doesn't go that way. 701 00:35:45,640 --> 00:35:47,080 Speaker 5: No, I think I have. 702 00:35:48,520 --> 00:35:51,000 Speaker 4: Yeah, my husband in all in, yeah. 703 00:35:50,920 --> 00:35:54,279 Speaker 5: Because I mean this is no one cares. But we 704 00:35:54,280 --> 00:35:55,080 Speaker 5: were coworkers. 705 00:35:55,160 --> 00:35:55,319 Speaker 4: Care. 706 00:35:55,920 --> 00:35:59,719 Speaker 5: We were coworkers, and we crossed a line of friendship, 707 00:36:00,480 --> 00:36:02,319 Speaker 5: and I was like, I don't know, I don't know 708 00:36:02,400 --> 00:36:04,640 Speaker 5: if I want to do this, and he's like, I 709 00:36:04,680 --> 00:36:07,080 Speaker 5: want to, Like, I am here when you want to, 710 00:36:07,960 --> 00:36:10,319 Speaker 5: and so that's his version of I'm all in. But yeah, 711 00:36:10,400 --> 00:36:11,200 Speaker 5: I guess kind of. 712 00:36:11,280 --> 00:36:13,560 Speaker 4: Yeah, Well it seems to be working out for you. 713 00:36:14,360 --> 00:36:15,480 Speaker 5: It's working out pretty well. 714 00:36:17,400 --> 00:36:19,879 Speaker 1: Now. If you were in a position Amy and and Tar, 715 00:36:20,800 --> 00:36:21,480 Speaker 1: how would you feel? 716 00:36:21,880 --> 00:36:24,319 Speaker 3: Is it too much? I guess it depends on how 717 00:36:24,320 --> 00:36:28,200 Speaker 3: you feel about the guy, right, sure? Yeah, I mean 718 00:36:28,920 --> 00:36:33,040 Speaker 3: that was eight years coming. That was a big hanging 719 00:36:33,080 --> 00:36:34,080 Speaker 3: out there for eight years. 720 00:36:34,120 --> 00:36:36,680 Speaker 4: Man, I date the more of a Logan. I'm just 721 00:36:36,719 --> 00:36:38,359 Speaker 4: gonna say a little bit. 722 00:36:38,280 --> 00:36:41,320 Speaker 6: More think of like think of like Logan. 723 00:36:41,000 --> 00:36:41,600 Speaker 4: Is what I date. 724 00:36:41,680 --> 00:36:43,640 Speaker 3: I date, but I think, but can you wait a minute, 725 00:36:43,760 --> 00:36:46,600 Speaker 3: can you You can't see Logan sitting down with Rory 726 00:36:46,680 --> 00:36:48,239 Speaker 3: one day and saying I'm all in. 727 00:36:48,920 --> 00:36:50,480 Speaker 1: No, No, that's not a. 728 00:36:50,480 --> 00:36:53,919 Speaker 4: Logan I'm yeah, it's not even a Dean move. 729 00:36:54,480 --> 00:36:57,080 Speaker 1: You want to chase the guy you like. You want 730 00:36:57,080 --> 00:36:58,600 Speaker 1: to be the one that says I'm all in. 731 00:36:59,239 --> 00:37:02,279 Speaker 4: Pretty much, but it's a I could see you are 732 00:37:02,520 --> 00:37:05,080 Speaker 4: you are? I could see just doing that. 733 00:37:05,560 --> 00:37:08,480 Speaker 5: He kind of did yeah, yeah, he did kind of did. 734 00:37:08,600 --> 00:37:12,680 Speaker 6: Yeah, I mean not the best way, but like Luke 735 00:37:12,719 --> 00:37:14,560 Speaker 6: did it better, way better, but you know what I mean, 736 00:37:14,680 --> 00:37:16,120 Speaker 6: Like he was like, just. 737 00:37:16,120 --> 00:37:18,839 Speaker 5: Come run away with me, like I I want this, 738 00:37:19,040 --> 00:37:21,600 Speaker 5: like I want you, you know. Yeah, so he did 739 00:37:21,640 --> 00:37:22,640 Speaker 5: do it in his own way. 740 00:37:23,400 --> 00:37:26,560 Speaker 4: Yeah, huh, Logan is more complix. 741 00:37:26,760 --> 00:37:28,200 Speaker 3: You know, I'm going to open up a can of 742 00:37:28,200 --> 00:37:31,280 Speaker 3: worms here and we can always edit this out. Never 743 00:37:34,320 --> 00:37:36,880 Speaker 3: would you say that this scene was anti feminist? 744 00:37:38,080 --> 00:37:38,400 Speaker 7: M m? 745 00:37:39,200 --> 00:37:43,000 Speaker 1: Do you see this as a feminist show and empowering women? 746 00:37:43,400 --> 00:37:45,600 Speaker 1: Women don't need men. That's kind of the message we 747 00:37:45,719 --> 00:37:47,319 Speaker 1: really need guys, we don't really need. 748 00:37:47,400 --> 00:37:48,800 Speaker 4: No, I don't think that's the message. 749 00:37:48,800 --> 00:37:50,960 Speaker 1: You don't think that's you think that's part of the message. 750 00:37:51,040 --> 00:37:52,480 Speaker 1: That's not part of the message you're getting. 751 00:37:52,600 --> 00:37:57,279 Speaker 3: No, I don't think this relationship really challenged that whole 752 00:37:57,600 --> 00:37:58,960 Speaker 3: that whole fame and that whole premise. 753 00:37:59,000 --> 00:38:03,560 Speaker 4: He's her equal and he respects her and one hundred percent, 754 00:38:04,320 --> 00:38:06,799 Speaker 4: and he's also exactly how she is. 755 00:38:07,000 --> 00:38:10,080 Speaker 5: He's also saying I chose I'm choosing you choose me, 756 00:38:10,400 --> 00:38:12,279 Speaker 5: you know, like he's saying, I am all in, like 757 00:38:12,360 --> 00:38:13,359 Speaker 5: meet me here. 758 00:38:13,600 --> 00:38:15,160 Speaker 1: So he's being the vulnerable one. 759 00:38:15,560 --> 00:38:16,840 Speaker 4: Yeah, right, I think he's. 760 00:38:17,640 --> 00:38:21,760 Speaker 1: To dominate or her or order her around or pressure. 761 00:38:21,760 --> 00:38:25,120 Speaker 3: It's nothing like that, No, he's saying, which is why 762 00:38:25,120 --> 00:38:27,719 Speaker 3: it's a guy like that doing it that way. 763 00:38:28,200 --> 00:38:32,360 Speaker 4: He's being confident, but also like not playing games like 764 00:38:32,440 --> 00:38:35,400 Speaker 4: he's he's being he's really stepping up and being like 765 00:38:36,840 --> 00:38:38,520 Speaker 4: a true love. 766 00:38:39,200 --> 00:38:40,680 Speaker 5: Yep, I agree, Okay. 767 00:38:40,680 --> 00:38:41,759 Speaker 4: I'm in I am all. 768 00:38:41,880 --> 00:38:44,560 Speaker 6: I think that. I think that comes back around and 769 00:38:44,680 --> 00:38:47,600 Speaker 6: not to jump ahead, but just in this conversation when 770 00:38:47,640 --> 00:38:51,560 Speaker 6: they're at the town meeting and they're like the owner 771 00:38:51,600 --> 00:38:53,960 Speaker 6: of the diner and the owner of the inn are dating, 772 00:38:54,400 --> 00:38:57,120 Speaker 6: and they basically put them as equals as two important 773 00:38:57,600 --> 00:38:59,080 Speaker 6: yesiness owners in the town. 774 00:38:59,360 --> 00:39:02,080 Speaker 4: Great point, Well, and we'll get to this. But Luke 775 00:39:02,120 --> 00:39:07,720 Speaker 4: steps up again and says, this is my relationship and hers. 776 00:39:07,960 --> 00:39:10,200 Speaker 4: He doesn't say this is mine. He says this is 777 00:39:10,239 --> 00:39:13,760 Speaker 4: mine and hers, not yours, not yours, not yours, mine 778 00:39:13,840 --> 00:39:20,400 Speaker 4: and hers. He's very I would call him whatever the 779 00:39:20,480 --> 00:39:22,080 Speaker 4: supporter of a feminist is. 780 00:39:23,760 --> 00:39:27,960 Speaker 3: That's him, right, So he is pro feminist I think 781 00:39:28,120 --> 00:39:32,279 Speaker 3: because he's not because if she said no or it 782 00:39:32,320 --> 00:39:35,479 Speaker 3: didn't work out for whatever reason, he would not be 783 00:39:36,080 --> 00:39:39,959 Speaker 3: he would accept it mm hmm. He would hate because 784 00:39:40,000 --> 00:39:44,279 Speaker 3: he has enough respect for her and their friendship ultimately 785 00:39:44,360 --> 00:39:45,600 Speaker 3: to step back and say. 786 00:39:45,680 --> 00:39:48,239 Speaker 4: He has give her the space respect for her. 787 00:39:48,719 --> 00:39:51,440 Speaker 1: That's the point, right, he has completely. 788 00:39:51,280 --> 00:39:57,479 Speaker 4: In my opinion, one thousand percent more than Christopher, more 789 00:39:57,560 --> 00:40:02,120 Speaker 4: than Digger, more than more than any of them. He 790 00:40:02,280 --> 00:40:06,040 Speaker 4: considers her his complete equal. Now that doesn't mean he's 791 00:40:06,080 --> 00:40:08,640 Speaker 4: not going to come and fix the deck and and 792 00:40:08,680 --> 00:40:13,359 Speaker 4: give her the loan that she needed, right, but he 793 00:40:13,440 --> 00:40:16,919 Speaker 4: considers her his partner in my opinion. 794 00:40:17,120 --> 00:40:18,600 Speaker 1: I'm just throwing it out there. 795 00:40:18,680 --> 00:40:21,520 Speaker 4: I just want to I love the conversation a little. 796 00:40:21,280 --> 00:40:23,160 Speaker 1: Bit and see what was going to come out. 797 00:40:23,560 --> 00:40:30,640 Speaker 4: Good one one, Okay, well, then. 798 00:40:33,719 --> 00:40:36,760 Speaker 1: Take the garbage cans out. I'll be right back, okay. 799 00:40:36,840 --> 00:40:38,680 Speaker 5: I can't believe it happened this fast. 800 00:40:40,040 --> 00:40:43,960 Speaker 1: I was like, whoa, four years years. 801 00:40:45,000 --> 00:40:47,320 Speaker 6: But it was also like the next scene, like there. 802 00:40:47,200 --> 00:40:50,280 Speaker 5: Was no yeah, it was here going full throw. 803 00:40:51,960 --> 00:40:54,239 Speaker 4: And it was not awkward. And I wrote, oh MG, 804 00:40:54,600 --> 00:40:58,440 Speaker 4: holy s h. I t and I've seen it, and 805 00:40:58,480 --> 00:41:02,440 Speaker 4: I also stay it was cute, not weird, Whereas there 806 00:41:02,480 --> 00:41:05,000 Speaker 4: was a hint of weird for me with Digger. This 807 00:41:05,200 --> 00:41:06,280 Speaker 4: was cute, not weird. 808 00:41:06,840 --> 00:41:10,680 Speaker 6: I agree, with you. Yeah, and when he's like making 809 00:41:10,719 --> 00:41:13,760 Speaker 6: a list of this, like the song the CDs. 810 00:41:13,719 --> 00:41:16,680 Speaker 4: Well, guys, is that not? Is there not any kind 811 00:41:16,719 --> 00:41:20,960 Speaker 4: of weird parallel to Rory and Dean talking about music 812 00:41:21,040 --> 00:41:23,839 Speaker 4: and candy man yea the first time they do it 813 00:41:24,360 --> 00:41:27,640 Speaker 4: and these two do it and it's YouTube Blondie Sparks. 814 00:41:27,680 --> 00:41:29,759 Speaker 4: I don't know who the Sparks are. Bowie. I was like, 815 00:41:29,880 --> 00:41:33,879 Speaker 4: oh wow, so now you're telling me though you did 816 00:41:33,880 --> 00:41:36,440 Speaker 4: not get this script? Do do do you get your script? 817 00:41:36,760 --> 00:41:42,160 Speaker 4: And it says Luke and Loralai in bed, Luke shirtless. 818 00:41:42,280 --> 00:41:45,040 Speaker 4: You're telling me that you did not do extra pushups, 819 00:41:45,120 --> 00:41:47,840 Speaker 4: you did not stop eating carbs that week. You're just 820 00:41:47,840 --> 00:41:50,600 Speaker 4: telling me you were easy breezy. I do not believe. 821 00:41:50,800 --> 00:41:53,799 Speaker 1: I may have done four or five push ups, and 822 00:41:53,880 --> 00:41:57,040 Speaker 1: I may have skipped the pasta at lunch that day. 823 00:41:57,320 --> 00:41:58,080 Speaker 4: It sounds of it. 824 00:41:58,320 --> 00:41:59,200 Speaker 1: I will grant you. 825 00:41:59,160 --> 00:42:04,560 Speaker 3: That I have no recollection collection of that though, Senator. 826 00:42:05,080 --> 00:42:06,160 Speaker 1: But I may have. 827 00:42:06,239 --> 00:42:09,600 Speaker 4: I will say, Danielle, we're gonna admit to you, Scott, 828 00:42:09,640 --> 00:42:13,880 Speaker 4: We're gonna admit some truth to you. Danielle and I 829 00:42:13,920 --> 00:42:17,560 Speaker 4: have where I'm like, did you watch the episode? It's 830 00:42:17,560 --> 00:42:19,640 Speaker 4: the best one ever. I love it so much. And 831 00:42:19,680 --> 00:42:21,759 Speaker 4: she's like, I just watched it, and then I'm like, 832 00:42:21,920 --> 00:42:25,960 Speaker 4: oh my god, Scott is shirtless. Okay, the way I 833 00:42:26,120 --> 00:42:29,120 Speaker 4: watched it twenty years ago and the way I watched 834 00:42:29,160 --> 00:42:33,239 Speaker 4: it now, I'm not gonna lie different because different. Twenty 835 00:42:33,360 --> 00:42:37,239 Speaker 4: years ago, I didn't know you, so I was just 836 00:42:37,360 --> 00:42:45,200 Speaker 4: watching Luke. Now I had a blur of like, oh. 837 00:42:44,440 --> 00:42:48,040 Speaker 5: God, and all I can see is Scott. 838 00:42:48,719 --> 00:42:48,959 Speaker 4: Yeah. 839 00:42:49,200 --> 00:42:50,800 Speaker 5: Yeah, it was really hard. 840 00:42:51,040 --> 00:42:53,040 Speaker 1: Did you a headset? 841 00:42:53,280 --> 00:42:56,480 Speaker 5: I literally like, there's Scott. 842 00:42:57,600 --> 00:43:00,520 Speaker 4: It was just so SHM. 843 00:43:00,560 --> 00:43:01,120 Speaker 5: Not gonna lie. 844 00:43:01,200 --> 00:43:03,200 Speaker 6: I was like, I was like, oh, I wish I 845 00:43:03,320 --> 00:43:04,160 Speaker 6: like fast forward. 846 00:43:04,200 --> 00:43:10,759 Speaker 4: It's so weird watching it. I will say I will 847 00:43:10,760 --> 00:43:13,600 Speaker 4: take one for the team here. You're not bad to 848 00:43:13,680 --> 00:43:17,319 Speaker 4: look at. Good job, good job, I can say that. 849 00:43:17,719 --> 00:43:20,800 Speaker 4: But it was very different this time. It's not a secret. 850 00:43:20,920 --> 00:43:22,719 Speaker 4: I've admitted it. When I watched for the first time, 851 00:43:22,719 --> 00:43:26,560 Speaker 4: I definitely had crush on Luke. I always look I 852 00:43:26,680 --> 00:43:29,600 Speaker 4: like Dean, I love jazz, and then I really loved Logan. 853 00:43:30,080 --> 00:43:32,120 Speaker 4: But I had a crush on Luke because and I 854 00:43:32,160 --> 00:43:35,160 Speaker 4: did say this to the email too, like you were okay, 855 00:43:35,239 --> 00:43:38,279 Speaker 4: And I mean this in the nicest way. Possible when 856 00:43:38,680 --> 00:43:45,120 Speaker 4: twenty years ago, I was twenty nine and you were 857 00:43:45,160 --> 00:43:48,000 Speaker 4: like in your forties, so that was like reasonable these 858 00:43:48,040 --> 00:43:52,520 Speaker 4: guys are They didn't think they weren't going to be 859 00:43:52,520 --> 00:43:55,759 Speaker 4: attracted to Luke then at all because he was the 860 00:43:55,880 --> 00:43:56,680 Speaker 4: dad to them. 861 00:43:57,840 --> 00:44:00,719 Speaker 1: I was forty five. I was forty five and that's right. 862 00:44:00,760 --> 00:44:03,080 Speaker 4: And I was almost thirty or in my early thirty 863 00:44:03,160 --> 00:44:04,560 Speaker 4: so that was like totally reasonable. 864 00:44:04,760 --> 00:44:08,680 Speaker 5: People in high school were like into Jess and Dean exactly. 865 00:44:08,800 --> 00:44:11,960 Speaker 4: My crush would have been on Luke and Christopher. I've 866 00:44:11,960 --> 00:44:14,919 Speaker 4: always admitted I had a huge crush on Christopher too, 867 00:44:15,160 --> 00:44:18,720 Speaker 4: So I would like the dad characters, whereas these guys 868 00:44:18,719 --> 00:44:23,759 Speaker 4: would have liked the Rory boy Yeah, the boyfriends. Yeah, 869 00:44:23,880 --> 00:44:28,640 Speaker 4: it was like inappropriate that I liked Logan probably, although 870 00:44:28,760 --> 00:44:30,719 Speaker 4: how is Somebody tell me how old Matt Zuger is? 871 00:44:30,719 --> 00:44:30,880 Speaker 7: Is he? 872 00:44:30,920 --> 00:44:33,160 Speaker 4: Even in my realm he's in his forties. 873 00:44:34,719 --> 00:44:35,960 Speaker 1: Yeah, he's probably. 874 00:44:36,120 --> 00:44:39,240 Speaker 4: It's well, he's probably it's forty. 875 00:44:39,440 --> 00:44:42,600 Speaker 6: He's forty, right, so that's not creepy. 876 00:44:42,600 --> 00:44:45,480 Speaker 4: He must have been playing old because he was forty. 877 00:44:46,400 --> 00:44:50,080 Speaker 6: He always liked a twenty five playing like nineteen twenty. 878 00:44:50,200 --> 00:44:58,080 Speaker 4: Yeah. Anyway, I'm distracted by the the sheet was going 879 00:44:58,160 --> 00:45:03,520 Speaker 4: abnormally lo tho. I was like, oh, like, does someone 880 00:45:03,520 --> 00:45:04,640 Speaker 4: come out and like move that? 881 00:45:04,760 --> 00:45:06,080 Speaker 1: Yeah, we did have a sheet pollar? 882 00:45:06,880 --> 00:45:09,279 Speaker 4: Is that true? They like, ye, can't go. 883 00:45:09,239 --> 00:45:14,200 Speaker 3: To the expensive sheet pullars are really expensive, like to 884 00:45:14,239 --> 00:45:16,120 Speaker 3: get a good one, because if you get a bad 885 00:45:16,120 --> 00:45:19,799 Speaker 3: sheet pollar, then you know you're out there whistling Dixie. 886 00:45:20,520 --> 00:45:22,120 Speaker 3: You're out in the ring without a coat on, you 887 00:45:22,200 --> 00:45:22,680 Speaker 3: know what I mean. 888 00:45:23,400 --> 00:45:27,120 Speaker 4: Then she the alarm goes off. You guys are so sleepy, 889 00:45:27,160 --> 00:45:31,720 Speaker 4: bloody blah. She goes downstairs. I literally wrote, oh my god, 890 00:45:31,840 --> 00:45:34,200 Speaker 4: I am dead. I am dead. Oh my god, ha 891 00:45:34,200 --> 00:45:37,000 Speaker 4: ha ha, Like it is so funny. 892 00:45:38,560 --> 00:45:41,280 Speaker 5: No music in the diner, Like everyone just stopped. 893 00:45:43,360 --> 00:45:45,120 Speaker 6: I was shocked that she didn't think about it, because 894 00:45:45,160 --> 00:45:46,759 Speaker 6: a second she's like downstairs, I'm like, oh my god, 895 00:45:46,760 --> 00:45:49,000 Speaker 6: there are people downstairs. It's it's the next one. Like 896 00:45:49,080 --> 00:45:51,400 Speaker 6: I knew it, but A shocked that she didn't. 897 00:45:52,480 --> 00:45:54,480 Speaker 5: But she's there when Luke is there, right and Luke 898 00:45:54,640 --> 00:45:55,880 Speaker 5: is with her. 899 00:45:55,760 --> 00:45:59,440 Speaker 6: Didn't even think Caesar's Caesar's been running the diner for 900 00:45:59,760 --> 00:46:01,959 Speaker 6: god knows how long now, since he was out of town. 901 00:46:04,040 --> 00:46:08,040 Speaker 6: So that's why I was like, huh, I thought it. 902 00:46:08,000 --> 00:46:11,920 Speaker 4: Was hysterical, and then the the script when she comes 903 00:46:11,960 --> 00:46:15,400 Speaker 4: back up look at me like, and it's just the 904 00:46:15,520 --> 00:46:20,440 Speaker 4: banter they have is just oh, it was so funny. 905 00:46:20,480 --> 00:46:26,000 Speaker 4: Well they don't now, they know now whole thing. You 906 00:46:26,040 --> 00:46:27,280 Speaker 4: guys are so good together. 907 00:46:28,400 --> 00:46:40,560 Speaker 8: Yes, yes, man, yes, brings it amazing. 908 00:46:39,760 --> 00:46:43,960 Speaker 3: Emotional seeing yourself kidding I. 909 00:46:43,920 --> 00:46:47,440 Speaker 4: Know, I know, just kidding. I still do not know 910 00:46:47,480 --> 00:46:49,120 Speaker 4: I could. I don't think I could watch if I 911 00:46:49,239 --> 00:46:52,520 Speaker 4: was like half naked on screen, I could not look. 912 00:46:52,560 --> 00:46:54,560 Speaker 4: I can look at some pictures, I can't look at 913 00:46:54,560 --> 00:47:01,080 Speaker 4: myself fully clothed, Like can you just watch that? I mean, yeah, 914 00:47:01,120 --> 00:47:02,960 Speaker 4: are you like O good? 915 00:47:03,160 --> 00:47:08,040 Speaker 1: Yeah? I was sitting there judging myself. I was okay 916 00:47:08,080 --> 00:47:09,960 Speaker 1: with it. I was like, oh yeah, well yeah, not 917 00:47:10,040 --> 00:47:10,520 Speaker 1: too bad. 918 00:47:10,680 --> 00:47:12,640 Speaker 4: Because you had not any posten. You did like eight 919 00:47:12,719 --> 00:47:17,600 Speaker 4: hundred and twelve pookas okay. So then we get our 920 00:47:17,760 --> 00:47:22,839 Speaker 4: second appearance by the love of my life Logan Huntsburger. 921 00:47:23,360 --> 00:47:25,480 Speaker 4: We probably don't even know his name yet, we don't 922 00:47:25,480 --> 00:47:27,399 Speaker 4: know that his name is Huntsburger for sure. But so 923 00:47:27,440 --> 00:47:32,440 Speaker 4: she's hanging the flyers and there he is Ben looking 924 00:47:32,480 --> 00:47:37,360 Speaker 4: for the girl, and they have that amazing banter. 925 00:47:39,000 --> 00:47:42,320 Speaker 6: It was good. It was I thoroughly enjoyed that advanter. 926 00:47:43,320 --> 00:47:47,520 Speaker 6: It's hard to keep up, yeah yeah, yeah, and leeps up. 927 00:47:47,480 --> 00:47:48,799 Speaker 4: With him and he keeps up with her. 928 00:47:48,920 --> 00:47:51,200 Speaker 6: But like it kind of reminded me of like the 929 00:47:51,239 --> 00:47:53,960 Speaker 6: way Laura, I like, is really great at her banter 930 00:47:54,120 --> 00:47:58,480 Speaker 6: with people, and like Rory stepped up, like she was like, 931 00:47:58,560 --> 00:48:00,560 Speaker 6: I'm not gonna let this guy up all over me, 932 00:48:00,640 --> 00:48:00,799 Speaker 6: you know. 933 00:48:01,520 --> 00:48:04,799 Speaker 3: Yeah, Logan does have that Laura Lai element to him 934 00:48:05,560 --> 00:48:07,960 Speaker 3: where he's just throwing a stream of consciousness. He's just 935 00:48:08,000 --> 00:48:11,480 Speaker 3: throwing stuff out there, man, and it's all great. Yeah, 936 00:48:12,280 --> 00:48:13,080 Speaker 3: got to keep up with. 937 00:48:13,120 --> 00:48:16,520 Speaker 1: Him, yeah yeah, yeah, yeah. 938 00:48:16,560 --> 00:48:19,399 Speaker 4: And Laura Luke and Laurai keep up, and Christopher keeps 939 00:48:19,480 --> 00:48:22,680 Speaker 4: up with Laurai. They have that same thing. So I guess, 940 00:48:23,880 --> 00:48:27,080 Speaker 4: although I do think Jess kept up with Rory, Dean 941 00:48:27,440 --> 00:48:30,000 Speaker 4: is a different It's different, whereas this is the first 942 00:48:30,000 --> 00:48:32,120 Speaker 4: person where it's like, oh my god, not only is 943 00:48:32,120 --> 00:48:35,240 Speaker 4: this person keeping up, but he's kind of inching ahead. 944 00:48:35,440 --> 00:48:38,960 Speaker 3: Oh sure, No, he's he's he's pushing the narrative. Yeah, 945 00:48:39,160 --> 00:48:41,120 Speaker 3: I mean he's he's making the rules of that. 946 00:48:41,719 --> 00:48:43,520 Speaker 4: And it's hard to argue with that interaction. 947 00:48:43,800 --> 00:48:48,880 Speaker 1: You know, it's like, you know, yeah, absolutely so. 948 00:48:48,920 --> 00:48:53,840 Speaker 4: Then we see Paris with the pipe just like that. 949 00:48:54,120 --> 00:48:55,160 Speaker 4: But I was so sweet. 950 00:48:55,800 --> 00:48:58,120 Speaker 6: Yeah, it's like Rory is such a good friend, Like 951 00:48:59,440 --> 00:49:02,400 Speaker 6: Rory is probably like, yeah, they hugged. Yeah, even though 952 00:49:02,440 --> 00:49:04,719 Speaker 6: Rory probably thinks like she's kind of crazy with all this, 953 00:49:04,840 --> 00:49:06,280 Speaker 6: like she's still supporting her friend. 954 00:49:06,239 --> 00:49:11,839 Speaker 4: Totally puts her arm around her. So Okay. Then we 955 00:49:11,920 --> 00:49:16,120 Speaker 4: go to the gossip circle again and it's like they're 956 00:49:16,200 --> 00:49:18,480 Speaker 4: not talking about her, and she's just stunned. 957 00:49:19,040 --> 00:49:23,560 Speaker 6: She's waiting for where was this gossip circle like two 958 00:49:23,600 --> 00:49:24,120 Speaker 6: weeks ago? 959 00:49:25,239 --> 00:49:26,719 Speaker 4: You know what I mean? I'd love to hear what 960 00:49:26,760 --> 00:49:29,960 Speaker 4: they said about the incident with Rory and Lindsey. 961 00:49:29,719 --> 00:49:31,080 Speaker 6: And lindsay That's what I was thinking. 962 00:49:31,120 --> 00:49:33,080 Speaker 4: I would have loved to hear that, Well, they. 963 00:49:33,280 --> 00:49:37,399 Speaker 5: Were watching, do you remember that, like when the whole town, Yeah, 964 00:49:37,440 --> 00:49:38,799 Speaker 5: the hotel watching. 965 00:49:38,719 --> 00:49:40,560 Speaker 6: But I would have liked to see the new stand 966 00:49:40,600 --> 00:49:43,800 Speaker 6: gossip of that the whole. 967 00:49:43,600 --> 00:49:46,239 Speaker 4: Town was watching him her throw his stuff out. 968 00:49:46,440 --> 00:49:50,439 Speaker 5: I don't know, Like Ben, it's definitely exo exo gossip girl, 969 00:49:50,600 --> 00:49:56,800 Speaker 5: isn't she Like yeah, she's runs. 970 00:49:58,000 --> 00:50:01,560 Speaker 6: Yeah, ms Patty Studio is in the middle of the 971 00:50:01,600 --> 00:50:03,839 Speaker 6: town and the door is always wide open. 972 00:50:04,239 --> 00:50:12,360 Speaker 4: Totally so okay. Then I love that Lorli calls Luke 973 00:50:13,560 --> 00:50:15,359 Speaker 4: you know what I mean to say, like. 974 00:50:17,719 --> 00:50:18,480 Speaker 6: No one's talking. 975 00:50:18,880 --> 00:50:23,920 Speaker 4: She hey, And then I was still on for tonight. 976 00:50:24,400 --> 00:50:27,239 Speaker 4: It's just so steady. He just does not care. 977 00:50:29,080 --> 00:50:31,840 Speaker 3: Isn't it quite charming though that they're nervous about it 978 00:50:31,920 --> 00:50:34,200 Speaker 3: getting out because they don't want to sort of ruffle 979 00:50:34,320 --> 00:50:35,720 Speaker 3: the town feathers. 980 00:50:36,280 --> 00:50:36,560 Speaker 4: Yes. 981 00:50:37,120 --> 00:50:39,600 Speaker 3: I also because that's a big sea ching that's for 982 00:50:39,680 --> 00:50:41,680 Speaker 3: everybody in that town, or at least the people go 983 00:50:41,760 --> 00:50:42,839 Speaker 3: the diner, know, those two. 984 00:50:44,040 --> 00:50:47,160 Speaker 4: The thing I love is that both of them are 985 00:50:47,520 --> 00:50:49,480 Speaker 4: trying to be on the same page as each other. 986 00:50:49,840 --> 00:50:51,560 Speaker 4: Do you want it out? I don't care. It can 987 00:50:51,600 --> 00:50:52,960 Speaker 4: be out, It doesn't have to be out. Do you 988 00:50:53,000 --> 00:50:55,919 Speaker 4: want it out all time? That nobody's being like no 989 00:50:55,920 --> 00:50:59,480 Speaker 4: one can know or we need to tell everybody, like 990 00:50:59,520 --> 00:51:02,399 Speaker 4: they just want to be on the same page with it, 991 00:51:02,560 --> 00:51:03,560 Speaker 4: which I thought, Oh that. 992 00:51:03,640 --> 00:51:08,759 Speaker 1: I like, he ain't digger. Yeah. 993 00:51:09,640 --> 00:51:12,480 Speaker 4: So then we see Emily having her solo dinner. 994 00:51:12,600 --> 00:51:12,839 Speaker 1: Yeah. 995 00:51:12,880 --> 00:51:14,719 Speaker 3: I think I think they're similar in that, you know, 996 00:51:14,840 --> 00:51:19,200 Speaker 3: Luke kind of does have a kitchen in his bedroom 997 00:51:20,040 --> 00:51:21,200 Speaker 3: like dig out a weird kitchen. 998 00:51:21,200 --> 00:51:22,719 Speaker 1: Do it anyway? Go ahead, I'll shut up, go ahead. 999 00:51:24,200 --> 00:51:29,520 Speaker 4: No. So is that maid's name Madonna Louise? Yes, they 1000 00:51:29,520 --> 00:51:34,440 Speaker 4: said her name so many times and relatable that Emily's 1001 00:51:34,520 --> 00:51:37,480 Speaker 4: like sees Richard going to the car and she's just 1002 00:51:37,600 --> 00:51:41,400 Speaker 4: completely stunned where is he going? Which to your point, Scott, 1003 00:51:41,760 --> 00:51:44,799 Speaker 4: that to me was the indicator that hope is not 1004 00:51:45,040 --> 00:51:49,680 Speaker 4: lost because she cares where is he going? 1005 00:51:52,080 --> 00:51:53,960 Speaker 1: So that was made her feel like it made her 1006 00:51:54,000 --> 00:51:55,600 Speaker 1: feel like a jealous teenager again. 1007 00:51:56,320 --> 00:52:01,720 Speaker 4: Yes, so Lourla is now wearing the best metallic blazer 1008 00:52:01,760 --> 00:52:05,920 Speaker 4: I've ever seen, and they're going to the town meeting. 1009 00:52:06,160 --> 00:52:08,560 Speaker 4: And also she's got like a bag of marshmallows, which. 1010 00:52:08,400 --> 00:52:11,120 Speaker 5: I love her for always lighting snacks. 1011 00:52:11,680 --> 00:52:13,920 Speaker 6: Yeah, and I like the pit stop the town meeting 1012 00:52:14,000 --> 00:52:16,040 Speaker 6: before the actual date totally. 1013 00:52:16,680 --> 00:52:21,880 Speaker 4: And so they're debating Gypsy's car accident and that was like, 1014 00:52:21,920 --> 00:52:24,600 Speaker 4: it was so brilliant because we're kind of invested in that, 1015 00:52:24,640 --> 00:52:27,759 Speaker 4: what's going on? What's going on Andrew and Gypsy and 1016 00:52:27,800 --> 00:52:32,480 Speaker 4: then Docie it's a serious matter. We need to discuss 1017 00:52:33,040 --> 00:52:37,440 Speaker 4: the proprietor of the inn and the diner owner. And 1018 00:52:37,560 --> 00:52:39,799 Speaker 4: I was like, this is something we have feared for 1019 00:52:39,920 --> 00:52:40,960 Speaker 4: quite some time. 1020 00:52:42,600 --> 00:52:45,279 Speaker 5: I was like, it's telling though that they said for 1021 00:52:45,360 --> 00:52:49,799 Speaker 5: quite some time because the town. Maybe the reason why 1022 00:52:49,880 --> 00:52:52,200 Speaker 5: I hear talking about it is because they wanted this 1023 00:52:52,280 --> 00:52:52,800 Speaker 5: to happen. 1024 00:52:53,440 --> 00:52:55,279 Speaker 1: Yeah, I mean that's like something. 1025 00:52:59,120 --> 00:53:04,200 Speaker 4: I'm like, they're right, that's us. 1026 00:53:04,239 --> 00:53:07,000 Speaker 1: That was very funny. That was really funny. 1027 00:53:07,200 --> 00:53:11,759 Speaker 4: And the drama with the florist and the candy shop owner. 1028 00:53:13,120 --> 00:53:15,200 Speaker 6: I like how it wasn't Laura I and Luke. It's 1029 00:53:15,239 --> 00:53:17,680 Speaker 6: like the owner of the diner and the owner of 1030 00:53:17,719 --> 00:53:19,200 Speaker 6: the inn totally. 1031 00:53:20,840 --> 00:53:27,520 Speaker 4: And then Luke just is not playing, and she liked it. 1032 00:53:27,640 --> 00:53:31,000 Speaker 4: She likes that you just were not playing. You're like, 1033 00:53:31,400 --> 00:53:32,440 Speaker 4: this is not happening. 1034 00:53:33,200 --> 00:53:37,719 Speaker 6: And Emily always has impeccable timing with her phone. 1035 00:53:38,000 --> 00:53:40,919 Speaker 4: Yes, so Emily's interrupting because she's in the car now 1036 00:53:41,040 --> 00:53:45,400 Speaker 4: driving around because she can't be home if he's not home. 1037 00:53:45,640 --> 00:53:49,719 Speaker 4: I did notice they've switched a speakerphone though, and the 1038 00:53:49,760 --> 00:53:52,560 Speaker 4: cumber Luke was talking on his Now we've got speakerphone. 1039 00:53:54,920 --> 00:53:57,879 Speaker 4: So anyway, I love the whole thing showing the horoscope 1040 00:53:59,560 --> 00:54:03,399 Speaker 4: and he's as a couple of middle fingers. God, did 1041 00:54:03,400 --> 00:54:04,279 Speaker 4: you guys catch this? 1042 00:54:04,960 --> 00:54:05,360 Speaker 8: Scott? 1043 00:54:05,440 --> 00:54:10,400 Speaker 4: Do you catch it? Well you guys. So Luke's up 1044 00:54:10,400 --> 00:54:12,920 Speaker 4: there doing his thing, right, and did you see what 1045 00:54:12,960 --> 00:54:13,279 Speaker 4: he did? 1046 00:54:15,560 --> 00:54:17,480 Speaker 1: Oh yeah, yeah, yeah, yeah, he gave a wink at 1047 00:54:17,520 --> 00:54:17,799 Speaker 1: the end. 1048 00:54:19,920 --> 00:54:22,240 Speaker 4: I think it's our Oh yeah, you gotta watch the wink. 1049 00:54:22,239 --> 00:54:25,480 Speaker 4: I think that's our second wink where he really uses 1050 00:54:25,520 --> 00:54:27,200 Speaker 4: that very second. 1051 00:54:27,600 --> 00:54:28,320 Speaker 1: That's the Laurela. 1052 00:54:29,480 --> 00:54:35,000 Speaker 4: And then I'm sorry, I'm sorry, I'm sorry because Emily went. 1053 00:54:35,120 --> 00:54:36,759 Speaker 6: It took me a second to be like, why is 1054 00:54:36,800 --> 00:54:40,040 Speaker 6: she sorry? And then it like clicks and I was like, oh. 1055 00:54:40,080 --> 00:54:42,319 Speaker 4: Oh my god. The whole thing was so good though. 1056 00:54:42,360 --> 00:54:44,880 Speaker 4: She's perfect there consoling Paris. 1057 00:54:45,280 --> 00:54:49,239 Speaker 6: Oh god, so this scene is I know one of 1058 00:54:49,239 --> 00:54:50,640 Speaker 6: the background actors show. 1059 00:54:50,719 --> 00:54:52,919 Speaker 4: Wait, have Jackie pull it up so we can see. 1060 00:54:52,960 --> 00:54:55,360 Speaker 6: So it's the guy bringing in the keg. 1061 00:54:55,640 --> 00:54:58,560 Speaker 1: And then well. 1062 00:54:58,560 --> 00:55:00,200 Speaker 6: Yeah, he's one of the guys. And then when and 1063 00:55:00,520 --> 00:55:03,200 Speaker 6: Rory and Marty are talking, he's standing right between. But 1064 00:55:04,040 --> 00:55:06,920 Speaker 6: it's one of my really close friend's husbands. No, he's 1065 00:55:06,920 --> 00:55:10,000 Speaker 6: now on the CW show Superman and Lois well, can 1066 00:55:10,000 --> 00:55:13,040 Speaker 6: he come on? Probably? Yeah, And I knew he was 1067 00:55:13,080 --> 00:55:14,839 Speaker 6: in the show like he's because when he found out 1068 00:55:14,840 --> 00:55:16,000 Speaker 6: I was doing the podcast. I used to go to 1069 00:55:16,040 --> 00:55:17,279 Speaker 6: their house all the time, I was like, oh, I'm 1070 00:55:17,280 --> 00:55:18,040 Speaker 6: doing this podcast. 1071 00:55:18,280 --> 00:55:19,399 Speaker 4: He's like I was. 1072 00:55:19,360 --> 00:55:21,200 Speaker 6: In Gilmore Girls and it was one of my first 1073 00:55:21,200 --> 00:55:21,879 Speaker 6: acting roles. 1074 00:55:21,920 --> 00:55:26,640 Speaker 4: Ever, does he talk on Superman and Lois or yeah, 1075 00:55:26,640 --> 00:55:28,520 Speaker 4: he's a regular, he's a song now He's like real, 1076 00:55:28,680 --> 00:55:30,160 Speaker 4: oh wow, yeah yeah yeah. 1077 00:55:30,440 --> 00:55:33,320 Speaker 6: And he never told me which episode, So I texted 1078 00:55:33,360 --> 00:55:36,200 Speaker 6: them last night. I'm like, we got there in the podcast, 1079 00:55:36,239 --> 00:55:38,480 Speaker 6: We're here, it's the episode. So I just thought it 1080 00:55:38,520 --> 00:55:39,880 Speaker 6: was funny, like I actually knew someone. 1081 00:55:40,080 --> 00:55:41,799 Speaker 4: We'll do it. Let's do a deep dive again on 1082 00:55:41,880 --> 00:55:45,160 Speaker 4: background acting. Bring him on? 1083 00:55:46,280 --> 00:55:46,800 Speaker 6: Uh? 1084 00:55:46,840 --> 00:55:51,800 Speaker 4: And then what did you all think when Marty asks 1085 00:55:51,800 --> 00:55:53,920 Speaker 4: about the boyfriend? She's got the whole I don't know, 1086 00:55:54,160 --> 00:55:56,080 Speaker 4: and then she goes to Dean's. 1087 00:55:56,680 --> 00:55:59,840 Speaker 6: It made me angry, to be honest, tell me more. 1088 00:56:00,320 --> 00:56:03,359 Speaker 6: I was just like, you're at this wake, you have 1089 00:56:03,440 --> 00:56:06,880 Speaker 6: Marty in front of you, and you drive all the 1090 00:56:06,920 --> 00:56:12,880 Speaker 6: way the stars hollow, like, come on, like you already 1091 00:56:12,960 --> 00:56:14,360 Speaker 6: kind of ruined the marriage, you know? 1092 00:56:17,000 --> 00:56:24,440 Speaker 3: Yeah, I like it's the last thing you expected and 1093 00:56:24,480 --> 00:56:26,000 Speaker 3: you got it from. 1094 00:56:27,800 --> 00:56:30,719 Speaker 1: The writing. Yeah, So I really. 1095 00:56:32,440 --> 00:56:38,040 Speaker 3: It's just another sign of high level writing. You use 1096 00:56:38,560 --> 00:56:43,879 Speaker 3: you know, your you you sing the ones that brung you. Yeah, 1097 00:56:44,160 --> 00:56:49,400 Speaker 3: and that scene and that storyline brung brung us. Yeah, 1098 00:56:49,440 --> 00:56:53,160 Speaker 3: whether we liked it or not, it was it heightened 1099 00:56:53,160 --> 00:56:57,280 Speaker 3: the tension. And going back to it and it's real, 1100 00:56:57,360 --> 00:57:00,520 Speaker 3: it just felt so real. It's it felt like what 1101 00:57:01,239 --> 00:57:04,680 Speaker 3: a lot of people would do in that situation, you know, 1102 00:57:05,000 --> 00:57:06,640 Speaker 3: because you know, what are we dealing with. 1103 00:57:06,719 --> 00:57:09,279 Speaker 1: We're dealing with the death. We're dealing with death here 1104 00:57:09,560 --> 00:57:14,319 Speaker 1: and it's probably and Gilmore has done it before and 1105 00:57:14,360 --> 00:57:16,240 Speaker 1: it's always very light hearted, but this was a little 1106 00:57:16,280 --> 00:57:24,280 Speaker 1: more impactful, right, And it impacted Paris and Rory. 1107 00:57:24,080 --> 00:57:27,160 Speaker 3: And Rory was thinking about her future and you know, 1108 00:57:27,720 --> 00:57:31,160 Speaker 3: going from the wake to Deans is the logical thing 1109 00:57:31,280 --> 00:57:34,760 Speaker 3: to do, emotionally speaking, emotionally logical thing to do. 1110 00:57:34,920 --> 00:57:37,320 Speaker 4: Especially when Marty's pushing her on who's your boyfriend? 1111 00:57:37,600 --> 00:57:40,840 Speaker 3: But I think it also says it shows us where 1112 00:57:40,880 --> 00:57:48,800 Speaker 3: Rory is in this story. Yeah, confused, she's kind of lost, 1113 00:57:48,960 --> 00:57:51,120 Speaker 3: but she's also a human being and she has needs 1114 00:57:51,600 --> 00:57:54,840 Speaker 3: and she wants love too, and she doesn't want to 1115 00:57:54,840 --> 00:57:57,880 Speaker 3: put off her life or her her wants or her 1116 00:57:57,960 --> 00:58:01,840 Speaker 3: needs even for one night. And this just sort of 1117 00:58:01,880 --> 00:58:06,000 Speaker 3: highlighted how you have to live maybe every moment like 1118 00:58:06,040 --> 00:58:10,120 Speaker 3: it's your last and just you know that mixed with 1119 00:58:10,160 --> 00:58:13,680 Speaker 3: confusion and pain and yeah. 1120 00:58:14,880 --> 00:58:16,800 Speaker 6: That scene also when she shows. 1121 00:58:16,560 --> 00:58:19,320 Speaker 3: Up, I mean, she's not connecting with anybody, is she. 1122 00:58:19,320 --> 00:58:21,880 Speaker 3: She didn't connect with Logan, She's not connecting with Marty. 1123 00:58:22,040 --> 00:58:25,400 Speaker 4: She she doesn't know that she's going. She's connected with Logan. 1124 00:58:25,440 --> 00:58:26,280 Speaker 4: She just doesn't know it yet. 1125 00:58:26,360 --> 00:58:28,320 Speaker 1: No, she but she's but you know what I mean, 1126 00:58:28,440 --> 00:58:32,360 Speaker 1: she's she's connected with Dean. So she's connected with him. 1127 00:58:32,360 --> 00:58:35,120 Speaker 6: And you can tell that because at that scene, they 1128 00:58:35,160 --> 00:58:37,160 Speaker 6: don't say a word to each other. He just steps 1129 00:58:37,200 --> 00:58:40,240 Speaker 6: aside and and she walks into the house like they 1130 00:58:40,280 --> 00:58:40,720 Speaker 6: don't need to. 1131 00:58:40,720 --> 00:58:42,200 Speaker 4: Say anything, right, right? 1132 00:58:42,560 --> 00:58:44,560 Speaker 6: But was that was that his house or was it 1133 00:58:44,600 --> 00:58:45,360 Speaker 6: his parents house? 1134 00:58:45,680 --> 00:58:47,920 Speaker 4: That's his parents house, which I'm surprised that he can 1135 00:58:47,960 --> 00:58:49,600 Speaker 4: just let her in because I wonder if they hate 1136 00:58:49,640 --> 00:58:52,960 Speaker 4: her or not. But here's the other thing I love 1137 00:58:53,000 --> 00:58:59,560 Speaker 4: about this episode. We get Logan. We obviously are not stupid. 1138 00:58:59,680 --> 00:59:04,760 Speaker 4: We know Oh that oh interesting, right, Obviously I assume 1139 00:59:04,800 --> 00:59:08,640 Speaker 4: they've hired Matt zugri On knowing what's to come. They're 1140 00:59:08,640 --> 00:59:11,680 Speaker 4: not pounding us over the head with Logan. We got 1141 00:59:12,000 --> 00:59:15,560 Speaker 4: just enough. Logan got a sprinkle of them. Yeah, And 1142 00:59:15,600 --> 00:59:17,320 Speaker 4: that's the thing that I think they do so well 1143 00:59:17,440 --> 00:59:21,240 Speaker 4: is like they dangle the carrot. We like him, we're in, 1144 00:59:21,320 --> 00:59:23,920 Speaker 4: but we're not being like, he's not at the party 1145 00:59:24,040 --> 00:59:27,040 Speaker 4: trying to kiss her. It's just like just enough. And 1146 00:59:27,080 --> 00:59:28,920 Speaker 4: so I'm a big fan of that. 1147 00:59:31,520 --> 00:59:37,720 Speaker 3: Yeah, there's time. There's plenty of time, and we know 1148 00:59:37,800 --> 00:59:40,720 Speaker 3: they're going to take their time to develop which is 1149 00:59:40,760 --> 00:59:42,040 Speaker 3: the best way to do it. 1150 00:59:42,720 --> 00:59:46,440 Speaker 1: Yep, the best. It's the old school way to develop characters. 1151 00:59:46,480 --> 00:59:48,080 Speaker 1: And they have the time to do it. 1152 00:59:48,120 --> 00:59:50,640 Speaker 3: So you got to do it, because I mean, what 1153 00:59:50,800 --> 00:59:53,080 Speaker 3: is this show if not for its unique characters. 1154 00:59:53,160 --> 00:59:56,120 Speaker 1: It's and it's relationships. That's the show. You have to 1155 00:59:56,120 --> 00:59:56,400 Speaker 1: do it. 1156 00:59:57,680 --> 00:59:59,520 Speaker 4: So here's my other question for you guys. So you 1157 00:59:59,560 --> 01:00:03,920 Speaker 4: guys are remember the episode, remember an episode last week's Fights, 1158 01:00:03,960 --> 01:00:07,480 Speaker 4: this week's Tights when Rory goes out with the guy 1159 01:00:07,680 --> 01:00:11,760 Speaker 4: that Emily remember Emily knows his name was Graham. It 1160 01:00:11,840 --> 01:00:15,200 Speaker 4: was played by Teddy Dunn, the guy at the bar. Yes, 1161 01:00:15,560 --> 01:00:16,480 Speaker 4: remember that guy. 1162 01:00:16,360 --> 01:00:19,840 Speaker 1: The guy who who who hung out? 1163 01:00:21,560 --> 01:00:21,720 Speaker 3: Yeah? 1164 01:00:21,760 --> 01:00:27,160 Speaker 4: Yeah, yeah, So I think I'm accurate in saying this, 1165 01:00:27,200 --> 01:00:29,040 Speaker 4: and I'm pretty sure I've read it, is that there 1166 01:00:29,160 --> 01:00:33,600 Speaker 4: was potential that Teddy Dunn was going to actually be 1167 01:00:34,560 --> 01:00:39,080 Speaker 4: Logan or some incarnation of Logan, and then he got 1168 01:00:39,160 --> 01:00:43,200 Speaker 4: Veronica Mars whatever whatever. And I get that because there 1169 01:00:43,240 --> 01:00:46,560 Speaker 4: are some similarities in Logan to Teddy Dunn and that 1170 01:00:46,840 --> 01:00:49,240 Speaker 4: we don't know it yet and we'll get there about 1171 01:00:49,520 --> 01:00:52,400 Speaker 4: the gilmour Is knowing the Huntsburgers, blah blah blah. So 1172 01:00:52,720 --> 01:00:55,400 Speaker 4: you can tell that Amy definitely wanted to write in 1173 01:00:56,160 --> 01:00:56,880 Speaker 4: a Yale Boy. 1174 01:00:57,080 --> 01:01:00,919 Speaker 1: There was a Yale Boy. It was take one form 1175 01:01:01,000 --> 01:01:02,200 Speaker 1: or another, but it was coming, and. 1176 01:01:02,160 --> 01:01:04,720 Speaker 4: I just am I'm very happy that it ended up 1177 01:01:04,720 --> 01:01:05,280 Speaker 4: being that souper. 1178 01:01:06,840 --> 01:01:10,480 Speaker 1: I am too. He's terrific. He's really terrific. 1179 01:01:11,160 --> 01:01:12,800 Speaker 4: I personally think it's a waste of time to do 1180 01:01:12,840 --> 01:01:16,600 Speaker 4: favorite lines because obviously I know what the favorite line is. 1181 01:01:17,000 --> 01:01:20,680 Speaker 6: Yeah, we all four agree that the favorite line. 1182 01:01:20,880 --> 01:01:24,760 Speaker 5: Yeah, I'll give an honorable mention for Paris's line about Asher, 1183 01:01:25,400 --> 01:01:28,320 Speaker 5: which one how and she goes, this great man was 1184 01:01:28,360 --> 01:01:31,680 Speaker 5: not brought down by my vagina. But I am all 1185 01:01:31,720 --> 01:01:32,959 Speaker 5: in trumps everything else. 1186 01:01:33,160 --> 01:01:37,040 Speaker 1: Yeah, let's not tarnish the famous anything. 1187 01:01:37,120 --> 01:01:39,760 Speaker 4: So okay, so now we have to think of what 1188 01:01:39,760 --> 01:01:40,919 Speaker 4: we're gonna brow. 1189 01:01:41,600 --> 01:01:45,960 Speaker 3: Oh well, I mean, you know, we're gonna, We're gonna. 1190 01:01:46,360 --> 01:01:52,560 Speaker 3: I'm gonna give it a ten plus newsplay paper, horoscope clippings. 1191 01:01:53,240 --> 01:01:58,400 Speaker 4: Good one good one, giving it ten posters for Asher's Wake, 1192 01:02:00,200 --> 01:02:00,680 Speaker 4: Let's go on. 1193 01:02:01,440 --> 01:02:05,080 Speaker 5: I will give it nine out of ten. Luke flannels 1194 01:02:05,080 --> 01:02:06,160 Speaker 5: on loore line. 1195 01:02:06,240 --> 01:02:11,880 Speaker 6: Oh good and get that was mine? Oh, I will 1196 01:02:11,920 --> 01:02:16,840 Speaker 6: give it? Uh? What else is? 1197 01:02:17,040 --> 01:02:17,120 Speaker 1: Like? 1198 01:02:17,120 --> 01:02:18,800 Speaker 6: What other items were in this episode? 1199 01:02:20,320 --> 01:02:26,760 Speaker 4: M potties? I was just I will just give it. 1200 01:02:27,480 --> 01:02:29,680 Speaker 4: I wanted to end this episode by saying I have to. 1201 01:02:29,600 --> 01:02:33,320 Speaker 1: Go deducting five, five tenths. 1202 01:02:33,000 --> 01:02:36,400 Speaker 4: Or sniffies, you'll give it nine ten? 1203 01:02:37,240 --> 01:02:48,560 Speaker 6: Danielle said nine, yeah, yeah, one tenth deduction Logan, Oh mine, 1204 01:02:48,880 --> 01:02:53,880 Speaker 6: mine is mine? The point five My point five is 1205 01:02:54,040 --> 01:02:56,760 Speaker 6: just the last scene with Dean because it just made 1206 01:02:56,760 --> 01:02:58,040 Speaker 6: me disappointed in Rory. 1207 01:02:59,760 --> 01:03:02,360 Speaker 4: It's gonna take a couple of years before Dan I 1208 01:03:02,360 --> 01:03:05,200 Speaker 4: can really get a good judge from Danielle on Logan 1209 01:03:05,240 --> 01:03:06,920 Speaker 4: because she's gonna go through some ups and downs. 1210 01:03:07,080 --> 01:03:08,800 Speaker 6: But also I feel like, Danielle, didn't you have like 1211 01:03:09,280 --> 01:03:12,440 Speaker 6: you like us watching we didn't know who Logan was 1212 01:03:12,480 --> 01:03:15,600 Speaker 6: coming into it. You've had us like telling you like, oh. 1213 01:03:17,200 --> 01:03:20,560 Speaker 5: I had such for Logan, like I thought he was 1214 01:03:20,600 --> 01:03:23,680 Speaker 5: going to be this unicorn and you know whatever, and 1215 01:03:24,120 --> 01:03:28,800 Speaker 5: I'm just like, yeah, I don't even have words. I 1216 01:03:28,880 --> 01:03:29,160 Speaker 5: just have that. 1217 01:03:32,200 --> 01:03:38,840 Speaker 6: Oh, the item I'll give it is is couches. I'll couches. 1218 01:03:39,800 --> 01:03:42,480 Speaker 4: But what about the lubin in tune? Remember wasn't Emily 1219 01:03:42,520 --> 01:03:46,600 Speaker 4: going or the pipe? The pipes? 1220 01:03:47,480 --> 01:03:54,520 Speaker 1: Everybody? I think we're done? Uh, I mean, I. 1221 01:03:54,360 --> 01:03:57,680 Speaker 5: Mean Laura Lai and Luke being I am all in 1222 01:03:58,240 --> 01:04:01,360 Speaker 5: is just everything I needed in this world. 1223 01:04:01,280 --> 01:04:04,640 Speaker 3: Right, this, this, this episode I think brought a lot 1224 01:04:04,720 --> 01:04:06,920 Speaker 3: of joy. 1225 01:04:07,960 --> 01:04:12,440 Speaker 1: To the loyal fans. Heck, it was almost better than 1226 01:04:12,440 --> 01:04:12,840 Speaker 1: a wedding. 1227 01:04:13,160 --> 01:04:16,600 Speaker 4: Right, This is to me one of the best episodes 1228 01:04:16,600 --> 01:04:17,919 Speaker 4: of the whole thing. 1229 01:04:18,160 --> 01:04:18,840 Speaker 1: Yeah, this is. 1230 01:04:20,600 --> 01:04:21,040 Speaker 6: So good. 1231 01:04:21,200 --> 01:04:28,880 Speaker 1: Yeah it really was. Anyway, thank you everybody for download. 1232 01:04:28,400 --> 01:04:30,959 Speaker 4: Oh My God. Next week is Tippy Canoe. 1233 01:04:30,600 --> 01:04:34,400 Speaker 3: And Taylor two Oh my God, Season five, episode four, 1234 01:04:36,400 --> 01:04:37,439 Speaker 3: and listen for real. 1235 01:04:37,880 --> 01:04:40,560 Speaker 1: Uh don't forget to check. 1236 01:04:40,400 --> 01:04:44,200 Speaker 4: Out your appearance in Louisville. 1237 01:04:44,240 --> 01:04:47,920 Speaker 3: Louisville July sixteenth through eighteen. I might just be there 1238 01:04:47,960 --> 01:04:49,840 Speaker 3: Saturday and Sunday. I don't know if I'm going to 1239 01:04:49,840 --> 01:04:50,600 Speaker 3: be there Friday. 1240 01:04:50,680 --> 01:04:52,320 Speaker 4: Now do you know who else is going to be there? 1241 01:04:52,320 --> 01:04:53,160 Speaker 4: From Gail Mark. 1242 01:04:53,120 --> 01:04:57,960 Speaker 3: Uh, I think Yanikue is being gonna Oh wow, I 1243 01:04:58,040 --> 01:05:04,840 Speaker 3: think it's I think it's Yanikue and myself and and 1244 01:05:05,200 --> 01:05:09,200 Speaker 3: I think I'm doing one with Sean Gone later on 1245 01:05:09,280 --> 01:05:14,000 Speaker 3: in the summer. I just can't announce it yet. But anyway, 1246 01:05:14,040 --> 01:05:18,360 Speaker 3: so that's it. So see it Louisville Popcorn July sixteenth 1247 01:05:18,360 --> 01:05:21,280 Speaker 3: through eighteen, or July seventeen and eighteen, whatever it's going 1248 01:05:21,320 --> 01:05:22,600 Speaker 3: to be, it's going to be one of those two 1249 01:05:23,160 --> 01:05:26,920 Speaker 3: best fans on the planet. Thanks for downloading Stay Safe, everybody. 1250 01:05:28,720 --> 01:05:32,480 Speaker 5: Excuse me, you can't end the podcast without saying the line, yeah, 1251 01:05:32,520 --> 01:05:36,480 Speaker 5: thank you. Actually after this episode, this episode, good. 1252 01:05:36,320 --> 01:05:39,360 Speaker 3: God, you're right when you're you're really right here, You're 1253 01:05:39,440 --> 01:05:45,600 Speaker 3: like one hundred episodes. Jesus, look at me just running 1254 01:05:45,640 --> 01:05:47,280 Speaker 3: off to have to go to the bathroom for the 1255 01:05:47,320 --> 01:05:52,520 Speaker 3: last thirty minute. Give it to us anyway, that's going 1256 01:05:52,600 --> 01:05:57,000 Speaker 3: to do with everybody. Thanks for downloading. The best fans 1257 01:05:57,120 --> 01:05:59,200 Speaker 3: on planet Earth and any other planet that I am 1258 01:05:59,280 --> 01:06:04,760 Speaker 3: aware of about you guys, but all the best, and 1259 01:06:04,760 --> 01:06:08,280 Speaker 3: and I guess you know by now. If you don't, 1260 01:06:08,280 --> 01:06:44,520 Speaker 3: I'll remind you I am all in. Stay safe everyone, Hey, everybody, 1261 01:06:44,560 --> 01:06:47,880 Speaker 3: and don't forget. Follow us on Instagram at I Am 1262 01:06:47,960 --> 01:06:52,880 Speaker 3: all In podcast, and email us at Gilmore at iHeartRadio 1263 01:06:53,240 --> 01:06:54,120 Speaker 3: dot com. 1264 01:06:54,320 --> 01:06:55,200 Speaker 1: Oh you're Gilmore friends. 1265 01:06:55,200 --> 01:06:56,960 Speaker 3: If you're looking for the best cup of coffee in 1266 01:06:56,960 --> 01:07:00,480 Speaker 3: the world, go to my website from my company scotty 1267 01:07:00,560 --> 01:07:02,600 Speaker 3: P dot com s c O T T y P 1268 01:07:02,760 --> 01:07:08,000 Speaker 3: dot com, scotty p dot com Grade one Specialty Coffee 1269 01:07:08,600 --> 01:07:08,640 Speaker 3: M