WEBVTT - One on One: Brandon Barash

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<v Speaker 1>I am all in. Oh, let's kiss you. I am

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<v Speaker 1>all in with Scott Patterson and I Heart Radio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast Miniso

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<v Speaker 1>here one on one interview. Uh. I Heart Radios one

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<v Speaker 1>of theven productions. And we have Brandon Barash, who appeared

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<v Speaker 1>in uh Those Lazy, Hazy Crazy Days, episode one, season three,

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<v Speaker 1>that's when we first seem last time we seems as

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<v Speaker 1>Jamie in season four, episode twelve, Family Matter. Welcome to

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<v Speaker 1>the show, Brandon, How are you doing? Heyy, good to

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<v Speaker 1>see you, guys. Good to see you, Brandon, So thanks

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<v Speaker 1>for coming on. Of course, thanks for Yeah. Man, you

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<v Speaker 1>played the role of Jamie when Gilmore Grows for three

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<v Speaker 1>episodes two thousand to two thousand four, student at Princeton,

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<v Speaker 1>Paris's very first boyfriend. Um, you were also So that

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<v Speaker 1>was the first time. Last time we saw you was

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<v Speaker 1>season four, episode twelve A Family Matter. So we have

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<v Speaker 1>that to look forward to from St. Louis. Uh. You

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<v Speaker 1>lived in Missouri, Texas, California. Family business is Oh my goodness,

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<v Speaker 1>really wow? Damn? What else do you know about? Look

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<v Speaker 1>at this guy? Wow? We need to talk. Yeah, I

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<v Speaker 1>know all about that company. Cisco. Yeah, I do. How

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<v Speaker 1>do you know about Cisco because I have a coffee company.

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<v Speaker 1>We're trying to get in, yes, and we know that

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<v Speaker 1>we know there the beverage, the beverage portion of that

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<v Speaker 1>businesses is quite large. In the coffee slice of the

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<v Speaker 1>beverage business is something I wanted to try to get

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<v Speaker 1>a piece of, but it's very difficult to get a meeting.

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<v Speaker 1>So you went to USC you got a degree. Wow,

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<v Speaker 1>you're on the West Wing Criminal Minds, and you've been

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<v Speaker 1>on General Hospital two thousand seventeen and two thousand sixteen,

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<v Speaker 1>and since two thousand nineteen you've been on Days of

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<v Speaker 1>Our Lives. You're working your butt off. You play Jake Demera.

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<v Speaker 1>So let's talk about the first time you got the role,

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<v Speaker 1>and uh, tell us how you got the part? All right?

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<v Speaker 1>So I was, I was fresh out of college, all right.

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<v Speaker 1>I had gotten to use a douche industry term, hip

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<v Speaker 1>pocketed by an agency from our senior showcase, which for

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<v Speaker 1>non industry people basically means they'll kind of see something

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<v Speaker 1>in you, but they don't like you enough to say, yes,

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<v Speaker 1>we're gonna sign you and you're gonna take up space

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<v Speaker 1>on our roster. Hey, Brad, Brad Pitt was hip pocketed.

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<v Speaker 1>There you go, And so I would get pocketed by

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<v Speaker 1>this agency. And one of the first auditions they sent

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<v Speaker 1>me out on it was Gilmore Girls. I was working

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<v Speaker 1>at Nordstrom selling clothing at the time, and drove to

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<v Speaker 1>Warner Brothers on my lunch break, drove back, found out

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<v Speaker 1>when I got back, I got a call back. Cool,

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<v Speaker 1>So the callback was scheduled for a day when I

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<v Speaker 1>was supposed to be in Manhattan Beach on like a

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<v Speaker 1>staycation hero. Right. This was before smartphones. Okay, this is

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<v Speaker 1>when we still had to take out the Thomas Guide

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<v Speaker 1>right and page L four and then continue to page

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<v Speaker 1>like a six point three. And we didn't have ways.

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<v Speaker 1>The point is, so I couldn't gauge how much traffic

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<v Speaker 1>there was going to be from Manhattan Beach to Warner Brothers.

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<v Speaker 1>I miscalculated, uh really really badly, not in my favor.

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<v Speaker 1>And it was about an hour late to my audition.

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<v Speaker 1>All right. Called my manager on the way. I said,

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<v Speaker 1>I'm would be an hour late. Should I just turn around?

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<v Speaker 1>He's like, no, I just go. I walked in the

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<v Speaker 1>room and I just started making fun of myself about

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<v Speaker 1>how late I was because it was the only thing

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<v Speaker 1>I could think I could do, and made some really

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<v Speaker 1>terrible jokes in the process, and uh walked out of

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<v Speaker 1>the audition not knowing what the hell had just happened,

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<v Speaker 1>and was driving home and found out I booked the

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<v Speaker 1>part and it was, Yeah, it was. It was the

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<v Speaker 1>coolest feeling ever because I don't know my sad card right,

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<v Speaker 1>So they, you know, taft Hart lead me in and

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<v Speaker 1>and it was it's a big set, uh, And I thought, great,

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<v Speaker 1>I'm gonna go quit my job now because it's only

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<v Speaker 1>up and up from here. And cut to five years later,

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<v Speaker 1>I was still working in retail, but five years later

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<v Speaker 1>I was able to finally quit my day jobs. Oh good. Um. Yeah,

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<v Speaker 1>So what do you remember about your first Dawn set?

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<v Speaker 1>I was freaked out, as as is evident by my

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<v Speaker 1>brilliant acting um in that first episode in any I mean,

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<v Speaker 1>I was my acting chops were not up for the

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<v Speaker 1>television when I did go more girls. But that's okay,

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<v Speaker 1>So I didn't notice anything. You did a fine job.

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<v Speaker 1>What are you talking about anyway? You're too kinds, You're

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<v Speaker 1>two kinds. You you you you filled the role perfectly. Yeah,

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<v Speaker 1>it was just I couldn't get out of my head though.

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<v Speaker 1>You know, as young actors, like the biggest hurdle that

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<v Speaker 1>we have is to just tell that voice to shut

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<v Speaker 1>the hell up, right, you know, the voice is like,

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<v Speaker 1>how's this going? Are they? Like? Am I making senses?

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<v Speaker 1>I don't even know what my scene partner just said,

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<v Speaker 1>but I'm gonna say in my line. It was just

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<v Speaker 1>I was so in my head on all the episodes.

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<v Speaker 1>So you only have you only have one voice, not voices. Well,

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<v Speaker 1>I'm only telling you about the ones I got you yet,

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<v Speaker 1>So yeah, so anyway, no, I mean I was I

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<v Speaker 1>didn't know, you know, my ass from my elbow on

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<v Speaker 1>a set at usc which is where I went. I

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<v Speaker 1>got my degree in theater, and I could have moved

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<v Speaker 1>to New York the day after graduation and established myself

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<v Speaker 1>as a really great theater actor. They only and I

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<v Speaker 1>think the curriculum has changed since, but they only gave

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<v Speaker 1>us I think two classes um auditioning for the camera

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<v Speaker 1>and acting for the camera. And they were just kind

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<v Speaker 1>of thrown in at the end of our curriculum. So,

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<v Speaker 1>you know, hitting a mark, we not not once we

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<v Speaker 1>were heard sitting a market. So it was just all

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<v Speaker 1>this new information swirling around in my head. I was

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<v Speaker 1>a nervous wreck. But I guess I made it work.

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<v Speaker 1>You did, you know? Yeah? You you blended in perfectly.

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<v Speaker 1>I mean it was all a good buddy um. Anyway,

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<v Speaker 1>so you had what we all described a perfect Princeton

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<v Speaker 1>preppy vibe going, uh, tell us, tell us what you

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<v Speaker 1>remember about that character. I remember in you know, throughout

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<v Speaker 1>the audition process, the note I kept getting was young

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<v Speaker 1>Bill Clinton, think young phil It okay. And this is

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<v Speaker 1>of course after the getting on the whole thing. I

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<v Speaker 1>was like, well, which which part about Bill Clinton's life

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<v Speaker 1>in my emulating year? Just to be clear, be careful,

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<v Speaker 1>should I take a cigar into the mission room or

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<v Speaker 1>and so you know, the notes I kept getting were

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<v Speaker 1>think young Bill Clinton and speak faster, okay. And so

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<v Speaker 1>it was, you know, just trying to negotiate again all

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<v Speaker 1>of those things that the cameras, the lights, the booms,

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<v Speaker 1>the you know, the the mind splitting silence of a

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<v Speaker 1>TV set or a movie set, right, and so it

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<v Speaker 1>was just, yeah, young Bill Clinton is what I keep

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<v Speaker 1>remembering from that whole process. Yeah, that's very interesting, very interesting.

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<v Speaker 1>Um so paris uh fell for Jamie at first. Uh,

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<v Speaker 1>pretty hard, you know, pretty hard. She was her first point.

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<v Speaker 1>What do you think about the character of Paris. I, well,

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<v Speaker 1>I'm Eliza was great. I'm sure she still was great.

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<v Speaker 1>Um speaking about her like she's not here anymore. But yeah,

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<v Speaker 1>she was great to work with. Uh, she was. Paris

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<v Speaker 1>was intense and uh I think you know, I think

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<v Speaker 1>Jamie enjoyed that. It was it was a different Uh.

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<v Speaker 1>You know, he wasn't used to that. You know, he

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<v Speaker 1>was kind of a slower speed kind of guy. But

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<v Speaker 1>he was just along for the ride until we all

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<v Speaker 1>know he wasn't we all know what happened there? Um?

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<v Speaker 1>Would you have liked to see that relationship continue on

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<v Speaker 1>through the series? My career would have loved that. Look,

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<v Speaker 1>I'm not I'm not an happy worrying might now I'm

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<v Speaker 1>very happy, but back then, yeah, yeah, I was bummed

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<v Speaker 1>out for sure when when I found out that she

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<v Speaker 1>had left Jamie for an older man and Jamie's time

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<v Speaker 1>and was it stars hollow? Is that right? Was it

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<v Speaker 1>was over? So you were born into the Cisco food business. Um,

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<v Speaker 1>did you did? Did your parents support you when you

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<v Speaker 1>were announced you were going into acting or did your

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<v Speaker 1>dad wants you to come in uh to that business

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<v Speaker 1>so he could teach you that business. Was there any

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<v Speaker 1>pressure there? What was the reaction like when he said

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<v Speaker 1>I'm going I want to go to USC and get

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<v Speaker 1>a theater degree. It was well, I mean, look, the

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<v Speaker 1>food business was was a very important part of my

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<v Speaker 1>family's history. They immigrated here from Ukraine, actually a town

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<v Speaker 1>called She told me, um, you know back hundred sixteen

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<v Speaker 1>years ago when they were doing the same thing they're

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<v Speaker 1>doing now, except they were singling out juice. And so

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<v Speaker 1>they came here and they started. My great grandfather started

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<v Speaker 1>a fruit stand, and the fruit stand, this is a

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<v Speaker 1>long story short turned into the biggest seafood purveyor in

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<v Speaker 1>the Midwest. He didn't make the best decisions, you know.

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<v Speaker 1>At that point my dad was working with the company

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<v Speaker 1>as well. The company went under. So then my dad

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<v Speaker 1>got offered a great job from H. B. Cisco Cisco

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<v Speaker 1>Foods out in Los Angeles when I was I think

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<v Speaker 1>three years old, so that's when we moved out here.

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<v Speaker 1>So yeah, I come from a very kind of corporate family. Conservative,

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<v Speaker 1>not in like the political sense me no conservative now,

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<v Speaker 1>but conservative and that you know, you should be a doctor,

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<v Speaker 1>lawyer or do something corporate. And so when I got

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<v Speaker 1>accepted by USC into their b f A program which

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<v Speaker 1>only accepts ten to twenty students a year, and my

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<v Speaker 1>dad said, well, you'd be silly not to not to

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<v Speaker 1>take that UM. And at the time I wanted to

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<v Speaker 1>do Uh, I was really torn because my whole m

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<v Speaker 1>you know, young life, I'd wanted to be a doctor.

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<v Speaker 1>I wanted to be a cardiaco with the pedic search.

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<v Speaker 1>That was like, that was my jam. Science was my jam.

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<v Speaker 1>The human body, you know, I just I couldn't get

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<v Speaker 1>enough of it. I still can't. But two years, about

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<v Speaker 1>a year and a half into college, I was, you know,

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<v Speaker 1>taking twenty two units a semester. I was in classroom

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<v Speaker 1>eight in the morning to ten at night between classes

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<v Speaker 1>and theater rehearsals. And finally, halfway through my sophomore year,

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<v Speaker 1>I thought, Okay, I'm doing fine at both of these things,

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<v Speaker 1>but I'm not. I'm not excelling it one. And if

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<v Speaker 1>I'm honest with myself, me, you know, going through the

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<v Speaker 1>premed motions is now more about what my family wants

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<v Speaker 1>me to do rather than what I want to do.

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<v Speaker 1>And once I came to terms with that and was

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<v Speaker 1>able to say, all right, I'm gonna, you know, put

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<v Speaker 1>all the proverbial eggs in one basket and go for

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<v Speaker 1>the acting. I called my dad and I was terrified,

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<v Speaker 1>and he was. He couldn't have been more supple. It

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<v Speaker 1>was awesome. It was it was a game changer. It

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<v Speaker 1>sounds like it sounds like a great man, great guy.

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<v Speaker 1>He wasn't. Maybe we all have fathers like that. Um right,

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<v Speaker 1>my god, um well, it certainly seems like you made

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<v Speaker 1>the right choice. You're making a lot of people happy

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<v Speaker 1>in your career. Um. Do you still get nervous? And

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<v Speaker 1>this is from me, do you still get nervous going

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<v Speaker 1>to auditions? Absolutely? I get you know. I think I

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<v Speaker 1>think nerves are healthy. I think the day, as performers,

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<v Speaker 1>the day we stop getting nervous is the day we

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<v Speaker 1>should start finding something else to do. I think a

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<v Speaker 1>healthy dose of nerves, as long as you know how

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<v Speaker 1>to harness them. I think it's good for any performer.

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<v Speaker 1>I really do, any artist. It's uh, yeah, I get

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<v Speaker 1>nervous going to auditions. I get nervous, you know. I

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<v Speaker 1>mean I've probably filmed I don't know, between well, episodes

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<v Speaker 1>of daytime television, and I still get nervous before I

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<v Speaker 1>go on, and it's part of my ritual. I enjoy

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<v Speaker 1>the nerves I I you know, it's more of like

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<v Speaker 1>a surge of adrenaline now whereas before. And I'm sure

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<v Speaker 1>you can relate to this. Any you know actor can

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<v Speaker 1>harken back to their younger days and find a time

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<v Speaker 1>where their nerves ruled then, right, And it's a real

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<v Speaker 1>paradigm shift happens when you realize you're in control of that.

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<v Speaker 1>That makes sense, Yeah, Yeah, for me, it was just

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<v Speaker 1>all about the level of preparation to write to control

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<v Speaker 1>the nerves. Yeah, because if you're prepared, you know that

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<v Speaker 1>you're ready for anything that happens in that room or

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<v Speaker 1>on that set, and you can be loose and you

0:13:49.520 --> 0:13:54.760
<v Speaker 1>can play a Preparation is huge, Um, because there's really

0:13:54.760 --> 0:13:58.280
<v Speaker 1>two schools, right, it's like not really knowing. I mean,

0:13:58.520 --> 0:14:00.920
<v Speaker 1>you hear the stories of Brando and Jack Nicholson. They

0:14:00.920 --> 0:14:03.640
<v Speaker 1>don't want to know. They don't want to repeat their lines,

0:14:03.679 --> 0:14:06.400
<v Speaker 1>they don't want to rehearse. James con never wanted to rehearse.

0:14:06.440 --> 0:14:08.280
<v Speaker 1>I did a film with him, he did. He didn't

0:14:08.280 --> 0:14:10.280
<v Speaker 1>want to rehearse. He knew his stuff. He looked at it.

0:14:10.360 --> 0:14:12.480
<v Speaker 1>Once he knew it, let's just do it list I don't.

0:14:12.520 --> 0:14:14.719
<v Speaker 1>I don't want to make it stale, and we need

0:14:14.760 --> 0:14:18.440
<v Speaker 1>to keep it fresh. And so there's but unfortunately, when

0:14:18.480 --> 0:14:21.000
<v Speaker 1>you work in television, you're in these very tight schedules,

0:14:21.680 --> 0:14:24.600
<v Speaker 1>and yeah, you gotta know your stuff called especially in

0:14:25.080 --> 0:14:27.960
<v Speaker 1>soap operas. For God's sake, you guys are covering. You

0:14:28.000 --> 0:14:31.240
<v Speaker 1>guys are doing how many pages a day we do

0:14:32.880 --> 0:14:34.840
<v Speaker 1>on average? When I walk in the building, I'll do

0:14:34.920 --> 0:14:40.400
<v Speaker 1>anywhere between usually between fifteen and thirty pages. It's crazy,

0:14:40.520 --> 0:14:44.560
<v Speaker 1>that's crazy, and it's nuts, man, But it's it's such

0:14:44.600 --> 0:14:49.720
<v Speaker 1>a great lesson in preparation, like we're saying, and commitment.

0:14:50.240 --> 0:14:52.480
<v Speaker 1>You know, you have to walk if you want to

0:14:52.520 --> 0:14:54.480
<v Speaker 1>do good work, and doing good work is important to you,

0:14:54.520 --> 0:14:56.800
<v Speaker 1>and being a good scene partner is important to you,

0:14:56.840 --> 0:15:00.360
<v Speaker 1>then you have to walk into that building knowing you're lines,

0:15:00.400 --> 0:15:03.280
<v Speaker 1>knowing your intention, you know, knowing all that right, like

0:15:03.920 --> 0:15:06.880
<v Speaker 1>having broken down the script and knowing the circumstances your

0:15:06.920 --> 0:15:10.480
<v Speaker 1>characters walking into because when you you know, at one

0:15:10.480 --> 0:15:13.400
<v Speaker 1>o'clock whenever these shows are on, when you turn on

0:15:13.440 --> 0:15:18.240
<v Speaker 1>a daytime television show, you're not seeing a fleshed out product.

0:15:18.360 --> 0:15:21.000
<v Speaker 1>You're just not because there's not time for that. You're

0:15:21.040 --> 0:15:24.760
<v Speaker 1>seeing a rehearsal. You're seeing, you know what You and

0:15:24.800 --> 0:15:26.840
<v Speaker 1>I on Gilmer Girls or any other prime time show

0:15:27.480 --> 0:15:31.880
<v Speaker 1>would spend thirty forty minutes doing while we're blocking, while

0:15:31.880 --> 0:15:35.000
<v Speaker 1>they're calling in you know everybody too, you know the

0:15:35.280 --> 0:15:38.120
<v Speaker 1>grips and props and everybody to watch while they're lighting.

0:15:38.880 --> 0:15:43.920
<v Speaker 1>That's you're watching the first one of those on daytime.

0:15:44.360 --> 0:15:46.560
<v Speaker 1>And so it, yeah, it takes a lot, It takes

0:15:46.560 --> 0:15:48.680
<v Speaker 1>a lot of discipline commitments. So do you have a

0:15:48.720 --> 0:15:52.440
<v Speaker 1>system that was learned memorizing your lines? You do? How

0:15:52.480 --> 0:15:54.880
<v Speaker 1>do you do? How do you It's evolved, it's evolved

0:15:54.880 --> 0:15:56.880
<v Speaker 1>over time. I used to, and you're gonna think I'm

0:15:56.880 --> 0:16:01.520
<v Speaker 1>a nut. I used to take yellow legal pads and

0:16:01.600 --> 0:16:04.960
<v Speaker 1>write every scene, every single not every scene in the script,

0:16:05.040 --> 0:16:06.320
<v Speaker 1>but every scene that I was in. So if I

0:16:06.360 --> 0:16:10.160
<v Speaker 1>had twelve scenes that day, thirty six pages, I would

0:16:10.160 --> 0:16:13.880
<v Speaker 1>sit and write out, you know, the scene from beginning

0:16:13.880 --> 0:16:17.960
<v Speaker 1>to end, including stage directions. And that helped me get

0:16:18.000 --> 0:16:19.760
<v Speaker 1>into the character's said, to help me get into the

0:16:19.800 --> 0:16:22.800
<v Speaker 1>writer's and the directors, so that by the time I

0:16:22.840 --> 0:16:25.600
<v Speaker 1>had to break the script down and actually memorize the

0:16:25.640 --> 0:16:29.040
<v Speaker 1>lines they were memorized because you know, pen to pen

0:16:29.160 --> 0:16:32.960
<v Speaker 1>to mind for me, happens to work. That's your theater training.

0:16:33.520 --> 0:16:37.320
<v Speaker 1>It is, it is and so but then you know

0:16:38.800 --> 0:16:41.640
<v Speaker 1>there were nights it was taken me four hours. Script

0:16:41.800 --> 0:16:45.680
<v Speaker 1>can't do it, and you and I can't do like

0:16:45.800 --> 0:16:50.480
<v Speaker 1>you can can't do that and so and so. You

0:16:50.480 --> 0:16:53.240
<v Speaker 1>can do it if you're in a play. Oh yeah,

0:16:53.280 --> 0:16:54.960
<v Speaker 1>you know you have the you have have the time

0:16:55.000 --> 0:16:56.880
<v Speaker 1>and rehearsal to do that. If you're gonna play. You

0:16:56.920 --> 0:17:00.760
<v Speaker 1>can't do that on serious television's funny, no chance. So

0:17:00.800 --> 0:17:02.360
<v Speaker 1>then now what I do. You know, I have my

0:17:02.400 --> 0:17:05.760
<v Speaker 1>iPad and I have which totally I don't know how

0:17:05.840 --> 0:17:08.199
<v Speaker 1>if you work from an iPad or you work from paper.

0:17:09.160 --> 0:17:13.080
<v Speaker 1>I prefer paper. But again, doing the volume of scenes

0:17:13.119 --> 0:17:15.400
<v Speaker 1>I do a day, the amount of paper I'm wasting,

0:17:15.440 --> 0:17:18.600
<v Speaker 1>and you know, just ink and everything, and it's great

0:17:18.640 --> 0:17:21.479
<v Speaker 1>to keep everything together on one device. I know, if

0:17:21.520 --> 0:17:23.080
<v Speaker 1>I go to work and I have five scripts that

0:17:23.080 --> 0:17:25.280
<v Speaker 1>I'm working on that week, they're all in this timy

0:17:25.320 --> 0:17:28.239
<v Speaker 1>little device. So now it's you know, it's on the

0:17:28.240 --> 0:17:31.360
<v Speaker 1>iPad and it's just this um I have a system

0:17:31.400 --> 0:17:39.480
<v Speaker 1>that I go through. It's much more streamline. Now, well,

0:17:39.760 --> 0:17:44.280
<v Speaker 1>we want to say big congrats on your engagement to Isabella.

0:17:45.160 --> 0:17:50.159
<v Speaker 1>Thank you. Photo is that Devotov because one team is

0:17:50.240 --> 0:17:55.200
<v Speaker 1>de Voto? Yeah? Uh uh, and we saw that adorable

0:17:55.240 --> 0:18:00.000
<v Speaker 1>proposal on Instagram. How is the wedding planning coming along?

0:18:00.320 --> 0:18:03.200
<v Speaker 1>It's going well. We found a date. We found the venue,

0:18:03.280 --> 0:18:07.760
<v Speaker 1>which is like half the battle right, so uh, we're lucky.

0:18:07.800 --> 0:18:11.280
<v Speaker 1>We found the venue that covers a lot of you know,

0:18:12.080 --> 0:18:14.399
<v Speaker 1>the things that you'd have to normally go outside and rent.

0:18:15.200 --> 0:18:18.600
<v Speaker 1>So h the hardest thing, man, is this guest list?

0:18:18.760 --> 0:18:28.840
<v Speaker 1>It's right, be careful man. Yeah, people have the humans

0:18:28.880 --> 0:18:32.400
<v Speaker 1>have the uncanny ability to make someone else's wedding one

0:18:32.560 --> 0:18:44.360
<v Speaker 1>h about them. It's just it's really getting married. Yeah. Um,

0:18:44.400 --> 0:18:47.479
<v Speaker 1>so fans loved, they really enjoyed that your daughter Harper

0:18:47.520 --> 0:18:50.720
<v Speaker 1>was involved in the proposal. Did she help that? Did

0:18:50.760 --> 0:18:53.280
<v Speaker 1>she help you use those nerves when you were popping

0:18:53.280 --> 0:18:58.120
<v Speaker 1>the question hunt the please? She eases every every nerve

0:18:58.240 --> 0:19:02.000
<v Speaker 1>in my body, that little girl. Yeah, oh yeah yeah.

0:19:02.240 --> 0:19:04.720
<v Speaker 1>And it was just as much about her as it

0:19:04.920 --> 0:19:09.880
<v Speaker 1>was my fiance. I mean, the reality is I would

0:19:09.920 --> 0:19:13.880
<v Speaker 1>not be marrying Lisa without Harper. I mean she led

0:19:13.880 --> 0:19:17.440
<v Speaker 1>me directly to her. Harper was in a Spanish Emergence

0:19:17.440 --> 0:19:19.159
<v Speaker 1>summer camp one year, and he said, was one of

0:19:19.160 --> 0:19:22.760
<v Speaker 1>her teachers. And that's how it happened. And you know,

0:19:22.800 --> 0:19:25.479
<v Speaker 1>we got to know her very well, and she started

0:19:25.480 --> 0:19:28.520
<v Speaker 1>spending time around us. And one day, Harper, when she

0:19:28.600 --> 0:19:31.000
<v Speaker 1>was I think five, sits me down at the breakfast

0:19:31.000 --> 0:19:35.280
<v Speaker 1>table and she said, Daddy, are you and Lisa friends?

0:19:36.080 --> 0:19:38.640
<v Speaker 1>I said, yeah, nothing was going on, and I said yeah.

0:19:38.720 --> 0:19:45.040
<v Speaker 1>She said, you guys should be together. I said, wait, what,

0:19:45.240 --> 0:19:48.240
<v Speaker 1>how do you know what that even means? What? What? What?

0:19:48.240 --> 0:19:50.879
<v Speaker 1>What do you mean be together? And she explains the

0:19:50.880 --> 0:19:53.280
<v Speaker 1>concept of being together with somebody, being a partner with somebody.

0:19:53.840 --> 0:19:57.600
<v Speaker 1>Where did you get this, bro, And and so she

0:19:57.720 --> 0:20:00.719
<v Speaker 1>has been advocating for this relationship since before it happened.

0:20:00.720 --> 0:20:02.639
<v Speaker 1>And then we waited a while. Once it did happen,

0:20:03.000 --> 0:20:06.919
<v Speaker 1>we waited a while to tell her because dating as

0:20:06.960 --> 0:20:10.280
<v Speaker 1>a single parent it's a minefield, man, And if you

0:20:10.400 --> 0:20:14.840
<v Speaker 1>have your kids best intentions at heart, you're not going

0:20:14.880 --> 0:20:17.840
<v Speaker 1>to introduce that kid to every person you did, because

0:20:17.840 --> 0:20:23.239
<v Speaker 1>that would just I mean, come on. Yeah, So you know,

0:20:23.320 --> 0:20:27.080
<v Speaker 1>we waited, god, almost a year I think, until we

0:20:27.200 --> 0:20:29.080
<v Speaker 1>told her, until we knew that it was going in

0:20:29.080 --> 0:20:33.240
<v Speaker 1>a serious direction. Then it became I knew it, And

0:20:33.280 --> 0:20:36.800
<v Speaker 1>when is she going to become my step mom? Yeah?

0:20:36.960 --> 0:20:40.960
<v Speaker 1>And so you know, and it's just it's great because

0:20:40.960 --> 0:20:44.200
<v Speaker 1>we get along well with with my ex wife, Harper's mom,

0:20:44.359 --> 0:20:47.400
<v Speaker 1>and it's you know, they're sure ups and downs, but

0:20:48.000 --> 0:20:52.040
<v Speaker 1>it's um, yeah, Harbor, my daughter is fully on board

0:20:52.280 --> 0:20:56.399
<v Speaker 1>and we wouldn't be here without her. So important, isn't it.

0:20:56.400 --> 0:21:01.080
<v Speaker 1>It's so important, so important. Yeah, well, I'm really happy

0:21:01.119 --> 0:21:06.800
<v Speaker 1>for you. That's great. So do you have a passion

0:21:06.840 --> 0:21:11.199
<v Speaker 1>for music? M isn't that fantastic? What's the status of

0:21:11.280 --> 0:21:15.480
<v Speaker 1>your band, pork Chuck. The status of my band pork

0:21:15.600 --> 0:21:19.040
<v Speaker 1>Chuck is well, we couldn't perform at all during the

0:21:19.080 --> 0:21:23.040
<v Speaker 1>pandemic at least. So what we did to kind of,

0:21:23.119 --> 0:21:27.000
<v Speaker 1>you know, get rid of the bug was we broadcast

0:21:27.040 --> 0:21:29.960
<v Speaker 1>a couple of shows from this great studio in Burbank,

0:21:31.040 --> 0:21:34.480
<v Speaker 1>and I think we did that three are so times,

0:21:34.800 --> 0:21:37.400
<v Speaker 1>which was a lot of fun. The hard thing with

0:21:37.480 --> 0:21:43.119
<v Speaker 1>the guys in the band is that I'm on days. Uh.

0:21:43.320 --> 0:21:47.399
<v Speaker 1>One guy is still in general hospital and to the

0:21:47.440 --> 0:21:51.359
<v Speaker 1>other one lives in Nashville, and another one lives pretty

0:21:51.359 --> 0:21:55.080
<v Speaker 1>far south of Los Angeles, an one within Sacramento. So

0:21:56.160 --> 0:21:59.760
<v Speaker 1>it's very difficult for us to get our schedules SYNCD

0:21:59.840 --> 0:22:03.439
<v Speaker 1>up to say, hey, we're gonna go on tour, you know,

0:22:04.640 --> 0:22:08.480
<v Speaker 1>the third week of October, market out because it doesn't

0:22:08.480 --> 0:22:11.960
<v Speaker 1>work for everybody. So we're trying to figure out a

0:22:11.960 --> 0:22:13.240
<v Speaker 1>time when we can go out on the road, but

0:22:13.280 --> 0:22:16.520
<v Speaker 1>we have full intentions of hopefully doing that. Sometimes do

0:22:16.560 --> 0:22:22.000
<v Speaker 1>you have management and the whole thing? And yeah, we

0:22:22.080 --> 0:22:24.040
<v Speaker 1>have booking you know, we have a booking manager. We

0:22:24.040 --> 0:22:26.080
<v Speaker 1>don't have a band manager, but we do have a

0:22:26.280 --> 0:22:28.480
<v Speaker 1>you know, a booking manager we worked very closely with

0:22:28.600 --> 0:22:31.040
<v Speaker 1>and she books us, and you know, she's booked us

0:22:31.040 --> 0:22:34.960
<v Speaker 1>anywhere from like you know, two fifty people person comedy

0:22:34.960 --> 0:22:38.280
<v Speaker 1>clubs to like the Wilbert Theater in Boston and you know,

0:22:38.480 --> 0:22:42.000
<v Speaker 1>all venues in between. And so yeah, I think what

0:22:42.040 --> 0:22:44.560
<v Speaker 1>we'd like to play is, you know, a house that's

0:22:44.600 --> 0:22:46.720
<v Speaker 1>really no bigger than like four because we know we

0:22:46.760 --> 0:22:49.160
<v Speaker 1>can sell that out and and it's a party. We're

0:22:49.200 --> 0:22:51.080
<v Speaker 1>a cover band and we just you know, we put

0:22:51.119 --> 0:22:55.040
<v Speaker 1>our own twist on on classic songs and just have

0:22:55.119 --> 0:22:59.399
<v Speaker 1>a party. Yeah, well that is fantastic. Are you ready

0:22:59.400 --> 0:23:02.920
<v Speaker 1>for rapping fire? I'm gonna fire. I'm gonna I'm gonna

0:23:02.920 --> 0:23:04.880
<v Speaker 1>fire questions at you haven't done this in a while

0:23:04.920 --> 0:23:06.960
<v Speaker 1>with the guests, but I'm gonna fire all these questions

0:23:06.960 --> 0:23:08.520
<v Speaker 1>that we gotta do. We gotta go through a quick

0:23:08.760 --> 0:23:11.200
<v Speaker 1>That's why it's called rapid fire. Ready. Oh, that's that's

0:23:11.200 --> 0:23:13.280
<v Speaker 1>the rapid part of it. This is the rapid apartment.

0:23:14.520 --> 0:23:17.399
<v Speaker 1>You got that part? Okay? How many coups of coffee

0:23:17.440 --> 0:23:21.080
<v Speaker 1>you having today? Zero? Are you a team Logan, Team Jess,

0:23:21.080 --> 0:23:28.639
<v Speaker 1>Team Dean? Huh? Exactly? What is your favorite Gilmore girl's character?

0:23:30.320 --> 0:23:32.919
<v Speaker 1>There you go? What would you order it? Luke Steiner?

0:23:33.280 --> 0:23:35.880
<v Speaker 1>I would order a grilled cheese inside of talks? Would

0:23:35.880 --> 0:23:40.000
<v Speaker 1>you rather go on a road trip with Taylor or Michelle? Both?

0:23:40.440 --> 0:23:44.080
<v Speaker 1>Finish the lyric? Where you lead? I will follow dot

0:23:44.080 --> 0:23:51.080
<v Speaker 1>dot dot take me to your leader. Jackson's vegetables are

0:23:51.080 --> 0:23:54.680
<v Speaker 1>Suki's baked goods, sake goods every day the week and

0:23:54.720 --> 0:23:57.440
<v Speaker 1>twice onthiing there you go. Would you rather listen to

0:23:57.560 --> 0:24:02.760
<v Speaker 1>Drella's harp or the Trooperdour's cover? So songs, songs, children

0:24:02.800 --> 0:24:08.440
<v Speaker 1>prep or Stars, Hollow high Man. There you go. It

0:24:08.600 --> 0:24:11.760
<v Speaker 1>was a pleasure of Brandon. Um, thank you so much.

0:24:12.359 --> 0:24:16.440
<v Speaker 1>Good luck with everything. I hope the band gets back

0:24:16.480 --> 0:24:19.480
<v Speaker 1>together and starts touring. I know people love that. UM

0:24:19.920 --> 0:24:23.399
<v Speaker 1>so much fun and uh, it was a pleasure talking

0:24:23.440 --> 0:24:27.639
<v Speaker 1>to you, and uh, good luck with the wedding. Stay safe,

0:24:27.760 --> 0:24:30.679
<v Speaker 1>all the best to you my friends. Likewise, all right,

0:24:30.720 --> 0:25:03.560
<v Speaker 1>take care m hm hey everybody, and don't forget follow

0:25:03.640 --> 0:25:07.480
<v Speaker 1>us on Instagram at I Am all In podcast and

0:25:07.600 --> 0:25:12.320
<v Speaker 1>email us at Gilmore at I heart radio dot com.

0:25:12.320 --> 0:25:14.120
<v Speaker 1>Oh you Gilmore fans. If you're looking for the best

0:25:14.200 --> 0:25:17.000
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0:25:17.040 --> 0:25:19.800
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0:25:19.920 --> 0:25:22.800
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0:25:22.840 --> 0:25:34.639
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