1 00:00:00,120 --> 00:00:04,200 Speaker 1: The wickedly talented Adela Zeem. It's one more thing. 2 00:00:05,000 --> 00:00:07,400 Speaker 2: I'm one more thing. 3 00:00:11,920 --> 00:00:14,600 Speaker 1: Or whatever it was that John Travolta family see said 4 00:00:14,640 --> 00:00:15,720 Speaker 1: at the award show. 5 00:00:15,800 --> 00:00:19,239 Speaker 2: And I think he was Adell does Eem and he was. 6 00:00:19,200 --> 00:00:24,000 Speaker 1: Talking about Iggy Azalea. Wasn't he No, No, he wasn't no. 7 00:00:24,600 --> 00:00:27,960 Speaker 2: Uh a, Dina Manzelle. 8 00:00:27,520 --> 00:00:28,120 Speaker 1: Oh, you're right. 9 00:00:28,280 --> 00:00:28,480 Speaker 2: Yeah. 10 00:00:28,520 --> 00:00:30,840 Speaker 1: Anyway, it doesn't make a difference to my premise here. 11 00:00:31,440 --> 00:00:33,440 Speaker 1: This is just another hard to pronounce name that I 12 00:00:33,440 --> 00:00:38,080 Speaker 1: don't know. Iggy Azalea is the number one Only Fans 13 00:00:38,360 --> 00:00:43,400 Speaker 1: model currently is a musician of some sort. I don't 14 00:00:43,440 --> 00:00:48,160 Speaker 1: know what she does on Only Fans. She makes nine 15 00:00:48,240 --> 00:00:51,400 Speaker 1: point two million dollars a month. 16 00:00:53,840 --> 00:00:54,400 Speaker 2: A month. 17 00:00:54,600 --> 00:00:59,560 Speaker 1: The age we're living in is like the gold Rush 18 00:00:59,560 --> 00:01:03,240 Speaker 1: and someone. I mean, it just it seems like the 19 00:01:03,240 --> 00:01:07,920 Speaker 1: the the supply and demand can't continue it the way 20 00:01:07,920 --> 00:01:10,640 Speaker 1: it is. It's just it's so new. Things haven't shaken out, 21 00:01:10,840 --> 00:01:13,000 Speaker 1: because at some point, I think things got to shake out, 22 00:01:13,040 --> 00:01:16,280 Speaker 1: don't they. There's no reason one young hot chick makes 23 00:01:16,319 --> 00:01:18,880 Speaker 1: nine point two million dollars a month when there are 24 00:01:19,240 --> 00:01:21,360 Speaker 1: unlimited young hot chicks. I mean, at some point I 25 00:01:21,360 --> 00:01:25,200 Speaker 1: would think that that's not really what I was My 26 00:01:25,319 --> 00:01:27,200 Speaker 1: main focus was going to be I was going to 27 00:01:27,240 --> 00:01:28,360 Speaker 1: talk about this person here. 28 00:01:29,760 --> 00:01:32,360 Speaker 2: I just to answer that. I think it would have 29 00:01:32,400 --> 00:01:40,360 Speaker 2: happened already. There are undeniably few women. It reminds me 30 00:01:40,440 --> 00:01:43,240 Speaker 2: in a weird way of like the world of podcasting. 31 00:01:43,319 --> 00:01:45,120 Speaker 1: Which always got to teak about here in a second. 32 00:01:45,440 --> 00:01:52,360 Speaker 2: Oh okay, interesting if similar dynamics. You've gotta be good 33 00:01:52,440 --> 00:01:57,280 Speaker 2: at it or like sexually attractive or whatever. You've got 34 00:01:57,320 --> 00:01:59,440 Speaker 2: to be willing to put the time and effort into it, 35 00:01:59,480 --> 00:02:01,640 Speaker 2: such as it is laying around in your underwear or 36 00:02:01,640 --> 00:02:05,120 Speaker 2: committing various acts or whatever. And then you've got to 37 00:02:05,200 --> 00:02:10,720 Speaker 2: be known. And that's why you know, like they're Joe Rogan, 38 00:02:11,480 --> 00:02:14,520 Speaker 2: who's got you know, a very good podcast. Well it's 39 00:02:14,600 --> 00:02:17,560 Speaker 2: very popular, so self evidently it's it's good to a 40 00:02:17,560 --> 00:02:20,359 Speaker 2: lot of people. Well, he was also the host of 41 00:02:20,440 --> 00:02:23,440 Speaker 2: Fear Factor and a big mma guy. He had a 42 00:02:23,480 --> 00:02:27,320 Speaker 2: built in magnet, he had a built in name and everything. 43 00:02:27,680 --> 00:02:30,200 Speaker 2: And so it is in the hottie industry. 44 00:02:31,600 --> 00:02:34,880 Speaker 1: Yeah, so here's one of your hotties. She doesn't do 45 00:02:35,400 --> 00:02:39,440 Speaker 1: anything other than like wear tight clothing and occasionally bikinis. 46 00:02:39,960 --> 00:02:44,960 Speaker 1: She's a virgin and a devout Christian who goes to 47 00:02:45,000 --> 00:02:48,800 Speaker 1: mass regularly. But for whatever reason, she caught on. Her 48 00:02:48,880 --> 00:02:57,240 Speaker 1: name is Sophie Rain and she last year or this 49 00:02:57,280 --> 00:02:59,640 Speaker 1: is how much money she has made so far. This 50 00:02:59,720 --> 00:03:01,760 Speaker 1: is her total net worth at this point. She's twenty 51 00:03:01,800 --> 00:03:06,119 Speaker 1: years old. Started this when she was eighteen. She has 52 00:03:06,280 --> 00:03:09,480 Speaker 1: a net worth of just over eighty million dollars. 53 00:03:10,120 --> 00:03:13,000 Speaker 2: Yeah, yeah, I remember when she first came. 54 00:03:13,280 --> 00:03:16,720 Speaker 1: And she doesn't radar screen and she's attractive, but she 55 00:03:16,919 --> 00:03:21,880 Speaker 1: is not I'll see five more attractive women today today, 56 00:03:22,280 --> 00:03:23,079 Speaker 1: just going to the mall. 57 00:03:24,040 --> 00:03:27,440 Speaker 2: Yeah, well you got the wrong picture. Well I'm looking 58 00:03:27,440 --> 00:03:30,560 Speaker 2: at it, built like a brick out house. 59 00:03:30,560 --> 00:03:32,359 Speaker 1: You gotta go to the mall more often. So are 60 00:03:32,480 --> 00:03:35,240 Speaker 1: lots of people, that's my point. Yeah, so are lots 61 00:03:35,280 --> 00:03:37,560 Speaker 1: of people. I just don't understand them all. I just 62 00:03:37,560 --> 00:03:40,680 Speaker 1: don't know one catches on over another. I really really 63 00:03:40,680 --> 00:03:43,920 Speaker 1: don't get it. But clearly they do. Eighty million dollars. 64 00:03:43,960 --> 00:03:47,080 Speaker 1: She's twenty years old. She doesn't even do anything. 65 00:03:46,680 --> 00:03:51,120 Speaker 2: Really, no, she just well she sells the vision of 66 00:03:51,160 --> 00:03:57,240 Speaker 2: the version the Virgin Horror. That's like timeless. I am 67 00:03:57,320 --> 00:04:00,440 Speaker 2: pure and innocent. I am not a tran pep will 68 00:04:00,440 --> 00:04:03,400 Speaker 2: not get a disease from me, but I will do 69 00:04:03,520 --> 00:04:07,640 Speaker 2: anything with you anything. It's like the greatest male fantasy 70 00:04:07,640 --> 00:04:09,400 Speaker 2: in the history of the world. I guess. 71 00:04:09,960 --> 00:04:12,360 Speaker 1: I mean that's true. How that translates to this, I 72 00:04:12,360 --> 00:04:16,680 Speaker 1: don't quite get. But including one guy who gave her 73 00:04:16,800 --> 00:04:20,560 Speaker 1: four million dollars last year, one rich guy, for doing 74 00:04:20,640 --> 00:04:23,640 Speaker 1: nothing really other than wearing the color bikini he wants 75 00:04:23,640 --> 00:04:24,080 Speaker 1: her to wear. 76 00:04:24,920 --> 00:04:27,760 Speaker 2: I guess now that I really don't. 77 00:04:28,320 --> 00:04:30,960 Speaker 1: Have you ever been to a beach, sir, so just 78 00:04:31,200 --> 00:04:33,200 Speaker 1: the Oh yeah, there's an example. I was just in 79 00:04:33,279 --> 00:04:36,080 Speaker 1: Miami South Beach. There's lots of girls that look like her, 80 00:04:37,360 --> 00:04:39,760 Speaker 1: They're all over the place. But she's got a brand, 81 00:04:40,040 --> 00:04:42,839 Speaker 1: built brand. How you become the name that somebody would 82 00:04:42,839 --> 00:04:45,680 Speaker 1: search he on, that's its own magic. I guess, yeah, 83 00:04:45,920 --> 00:04:48,200 Speaker 1: you know, I suppose lots of show businesses is that way. 84 00:04:48,240 --> 00:04:50,360 Speaker 1: There's lots of bands that sound the same white as 85 00:04:50,360 --> 00:04:53,560 Speaker 1: one pop up and the other one doesn't. Is always 86 00:04:53,560 --> 00:04:56,400 Speaker 1: been a bit of a mystery. But I was going 87 00:04:56,480 --> 00:04:57,920 Speaker 1: to get to this article that was in the New 88 00:04:57,960 --> 00:05:01,640 Speaker 1: York Times yesterday about how pop podcasting has gone video 89 00:05:01,800 --> 00:05:04,880 Speaker 1: to such a certain extent and all my favorite podcasts, 90 00:05:05,000 --> 00:05:09,240 Speaker 1: including ours soon have now put cameras in there so 91 00:05:09,279 --> 00:05:12,280 Speaker 1: you can watch also, And there's just so much demand 92 00:05:12,839 --> 00:05:15,960 Speaker 1: for watching the podcast that you had been listening to. 93 00:05:16,200 --> 00:05:19,680 Speaker 1: Lex Friedman does it now, Joe Rogan's been doing it forever. 94 00:05:21,240 --> 00:05:24,200 Speaker 1: Commentary Magazine. I listened their podcast. They got cameras now 95 00:05:24,240 --> 00:05:25,840 Speaker 1: and you can watch them on YouTube. I never have 96 00:05:26,200 --> 00:05:28,520 Speaker 1: I have no need to see them saying the things 97 00:05:28,560 --> 00:05:30,599 Speaker 1: they're saying while I listened to them to talk, but 98 00:05:30,640 --> 00:05:31,720 Speaker 1: a lot of you do apparently. 99 00:05:32,560 --> 00:05:35,400 Speaker 2: Yeah, I'm surprised by this, I've gotta admit, because just 100 00:05:35,440 --> 00:05:37,880 Speaker 2: the way I take in audio entertainment, it wouldn't make 101 00:05:37,880 --> 00:05:41,640 Speaker 2: any sense to be watching it because I'm walking or 102 00:05:41,720 --> 00:05:45,320 Speaker 2: driving or doing housework or whatever. 103 00:05:45,440 --> 00:05:48,240 Speaker 1: I used to think that. But the first radio show 104 00:05:48,240 --> 00:05:51,400 Speaker 1: that was regularly on television that I was aware of 105 00:05:51,480 --> 00:05:53,520 Speaker 1: was Imus way back in the day, and he was 106 00:05:53,560 --> 00:05:56,839 Speaker 1: on MSNBC in the morning. Famously got fired. They hired 107 00:05:57,920 --> 00:05:59,800 Speaker 1: Joe Scarborough is a fill in, and the rest is 108 00:06:00,800 --> 00:06:03,440 Speaker 1: but uh Imus was on in the morning, and like 109 00:06:03,520 --> 00:06:06,000 Speaker 1: sometimes they'd say something and I would come out of 110 00:06:06,000 --> 00:06:08,040 Speaker 1: my I'm listening to it. I'd come out of the 111 00:06:08,080 --> 00:06:10,160 Speaker 1: bathroom and walk down the Hall and like zap back 112 00:06:10,240 --> 00:06:12,839 Speaker 1: to watch them say it for some reason. I'm not 113 00:06:12,880 --> 00:06:17,400 Speaker 1: exactly even sure why myself, but videos of podcasters and 114 00:06:17,440 --> 00:06:20,680 Speaker 1: so we're testing our cameras today or tomorrow to get 115 00:06:20,680 --> 00:06:23,360 Speaker 1: that going too. I'm not excited about it, but if 116 00:06:23,360 --> 00:06:26,359 Speaker 1: we get some more listeners slash viewers, it's obviously a 117 00:06:26,360 --> 00:06:26,880 Speaker 1: good idea. 118 00:06:27,000 --> 00:06:30,120 Speaker 2: Hanson said, I have to be shirtless. Well, that's how 119 00:06:30,120 --> 00:06:32,880 Speaker 2: we're tying into the whole only fans thing, Michael. We're 120 00:06:32,880 --> 00:06:36,200 Speaker 2: trying to harness both of those dynamics at once. 121 00:06:37,560 --> 00:06:40,520 Speaker 1: It's out of the box one thing that COVID did, 122 00:06:41,160 --> 00:06:45,640 Speaker 1: and maybe just the ubiquity of video casts, there doesn't 123 00:06:45,680 --> 00:06:48,479 Speaker 1: seem to be much of a demand for lighting being 124 00:06:48,640 --> 00:06:52,360 Speaker 1: fantastic or you're wearing certain clothes or having makeup. Because 125 00:06:52,360 --> 00:06:55,640 Speaker 1: there's Joe Rogan doesn't obviously doesn't care at all how 126 00:06:55,640 --> 00:06:57,840 Speaker 1: he looks. The lighting is terrible. He's sitting there in 127 00:06:57,880 --> 00:07:00,680 Speaker 1: a sweatshirt. He looks like he hasn't watched his I mean, 128 00:07:00,720 --> 00:07:03,320 Speaker 1: he didn't care, and he's a he makes it whatever. 129 00:07:03,360 --> 00:07:05,880 Speaker 1: He made three hundred million dollars on his deal. Well, 130 00:07:05,880 --> 00:07:07,599 Speaker 1: and you've commented that his news breaks. 131 00:07:07,640 --> 00:07:12,440 Speaker 2: Halpern will hold these rodeos where various thinkers commentators will 132 00:07:12,440 --> 00:07:15,560 Speaker 2: get together and comment in real time, which is really cool. 133 00:07:15,600 --> 00:07:18,400 Speaker 2: But a lot of the times they're sitting there on 134 00:07:18,480 --> 00:07:20,360 Speaker 2: the same T shirt they worked out in. 135 00:07:20,920 --> 00:07:24,080 Speaker 1: Yeah, with headphones on and bad lighting. So Ryan caring 136 00:07:24,120 --> 00:07:25,440 Speaker 1: about that has gone out the window. 137 00:07:25,680 --> 00:07:28,040 Speaker 2: Well, normally you'd be trucked down to Manhattan, I mean 138 00:07:28,120 --> 00:07:32,120 Speaker 2: back in the day. Oh yeah, Literally you had to 139 00:07:32,200 --> 00:07:34,800 Speaker 2: be there in the studio wearing a suit with makeup 140 00:07:34,840 --> 00:07:35,520 Speaker 2: on your face. 141 00:07:35,800 --> 00:07:37,400 Speaker 1: Yeah, they would fly you in if they're going to 142 00:07:37,480 --> 00:07:39,120 Speaker 1: have you on the show. And then it became popular 143 00:07:39,160 --> 00:07:42,600 Speaker 1: for a while to have these mobile studios that would 144 00:07:42,600 --> 00:07:44,480 Speaker 1: come around. It was just a van with a tiny 145 00:07:44,520 --> 00:07:46,800 Speaker 1: little set in it, and they could come to your 146 00:07:46,920 --> 00:07:49,320 Speaker 1: place of work or your home. You'd go out and 147 00:07:49,360 --> 00:07:51,160 Speaker 1: sit in the van with the proper lighting, in the 148 00:07:51,200 --> 00:07:54,320 Speaker 1: proper set and the makeup person. But that's just nobody 149 00:07:54,360 --> 00:07:57,760 Speaker 1: needs that anymore, so that was all unnecessary, apparently, Jack 150 00:07:57,920 --> 00:08:00,800 Speaker 1: was it? Is this the slopifying of a America? Or 151 00:08:00,880 --> 00:08:03,600 Speaker 1: is it just that the ideas are what counts? I mean, 152 00:08:03,640 --> 00:08:05,400 Speaker 1: like that, I came across I shared a couple of 153 00:08:05,440 --> 00:08:06,200 Speaker 1: things on the show today. 154 00:08:06,240 --> 00:08:12,600 Speaker 2: I thought we're very smart, persuasive ideas, And if the 155 00:08:12,640 --> 00:08:15,480 Speaker 2: guy expressing that was on like it was wearing like 156 00:08:15,520 --> 00:08:19,080 Speaker 2: an ill fitting golf shirt, I wouldn't diminish the idea 157 00:08:19,120 --> 00:08:20,000 Speaker 2: in the least to me. 158 00:08:20,120 --> 00:08:23,600 Speaker 1: No, well, or nor the reverse. Somebody who's got nothing 159 00:08:23,640 --> 00:08:26,360 Speaker 1: to say. Being good looking with perfect makeup and perfect 160 00:08:26,360 --> 00:08:27,680 Speaker 1: air does nothing for me. 161 00:08:28,280 --> 00:08:31,280 Speaker 2: Maybe it's the falling away of that sort of pretense, 162 00:08:31,280 --> 00:08:32,120 Speaker 2: which would be great. 163 00:08:32,160 --> 00:08:33,600 Speaker 1: That's got to be a good thing, doesn't it. 164 00:08:33,600 --> 00:08:35,319 Speaker 2: I don't have a big problem with it. No, no, 165 00:08:35,360 --> 00:08:37,040 Speaker 2: because I think a lot of that pretense and you 166 00:08:37,080 --> 00:08:39,280 Speaker 2: see it in politics still. I mean, why do they 167 00:08:39,280 --> 00:08:41,280 Speaker 2: all wear the damn blue suit and the red tie 168 00:08:41,320 --> 00:08:45,080 Speaker 2: and the flag pin and the all got the same 169 00:08:45,160 --> 00:08:47,080 Speaker 2: damn haircut, A lot of them doing the rest of it. 170 00:08:47,080 --> 00:08:49,760 Speaker 2: It's all pretense. Yeah, you know, I think being average 171 00:08:49,800 --> 00:08:51,119 Speaker 2: looking makes you more relatable. 172 00:08:52,000 --> 00:08:54,000 Speaker 1: Well, then I should be damned relatable. 173 00:08:54,480 --> 00:08:58,600 Speaker 2: I should be favorable guys on her, the every man. Yeah. 174 00:08:58,760 --> 00:09:03,079 Speaker 1: Yeah, it's got to be bad use for eventually, for 175 00:09:03,320 --> 00:09:05,760 Speaker 1: hot young chicks wanting to get into TV. If it 176 00:09:05,880 --> 00:09:09,760 Speaker 1: just doesn't matter, maybe that will be the last boice matter. 177 00:09:10,240 --> 00:09:12,400 Speaker 2: Back to our previous discussion. 178 00:09:12,000 --> 00:09:14,280 Speaker 1: Ah, there you go. That'll be the last holdout having 179 00:09:14,280 --> 00:09:16,760 Speaker 1: a young hotty do your weather for whatever reason. 180 00:09:18,600 --> 00:09:21,400 Speaker 2: You know, that's I shouldn't admit this. It's a point 181 00:09:21,400 --> 00:09:26,720 Speaker 2: of personal cowardice. No, it's probably not cowardice. But you 182 00:09:26,800 --> 00:09:28,760 Speaker 2: remember back in the day when there were a handful 183 00:09:28,800 --> 00:09:35,080 Speaker 2: of lawsuits female newscasters sued because they were fired in 184 00:09:35,120 --> 00:09:38,960 Speaker 2: favor of younger hotties. Yeah, and we were on the 185 00:09:39,000 --> 00:09:45,240 Speaker 2: side of Look, it's show business. I mean, if they 186 00:09:45,320 --> 00:09:48,600 Speaker 2: think somebody else is going to get more clicks, more views, whatever, 187 00:09:49,400 --> 00:09:52,320 Speaker 2: you're in show business. You're not the you know, the 188 00:09:52,360 --> 00:09:56,320 Speaker 2: production manager at GM or something, fired in favor of 189 00:09:56,520 --> 00:09:59,640 Speaker 2: a hotter girl with the bigger boobs or something. You're 190 00:09:59,679 --> 00:10:02,800 Speaker 2: in the Look how attractive. I am business. And I 191 00:10:03,160 --> 00:10:06,360 Speaker 2: know a gal. She's a friend, the wife of a 192 00:10:06,360 --> 00:10:09,600 Speaker 2: friend who was involved in some of that stuff. By 193 00:10:09,640 --> 00:10:16,760 Speaker 2: the way, brilliant woman, like, intimidatingly smart, great reporter, I 194 00:10:16,800 --> 00:10:24,600 Speaker 2: mean researcher again, intimidatingly smart and tough. And I haven't 195 00:10:24,600 --> 00:10:26,520 Speaker 2: had that conversation with her. 196 00:10:28,200 --> 00:10:29,600 Speaker 1: Do you think she's on the other side. 197 00:10:29,400 --> 00:10:29,960 Speaker 2: Of the argument. 198 00:10:30,320 --> 00:10:32,559 Speaker 1: Oh she was, No, she sued, Oh she's smart. Of 199 00:10:32,600 --> 00:10:35,240 Speaker 1: those lawsuits, that's nuts. There's no justifying that. I don't 200 00:10:35,280 --> 00:10:38,280 Speaker 1: care how damn smart you are. It's ridiculous. It's ridiculous. 201 00:10:38,400 --> 00:10:41,480 Speaker 1: It's like saying, sorry, Nirvana, you can't be a band. 202 00:10:41,840 --> 00:10:45,040 Speaker 1: Synthesizers are a thing and we can't change. 203 00:10:45,800 --> 00:10:48,240 Speaker 2: Well, no, I didn't know. That's a poor metaphor. And 204 00:10:48,240 --> 00:10:54,000 Speaker 2: I'll tell you why. She sees her job as being 205 00:10:54,160 --> 00:11:02,600 Speaker 2: a reporter and anchor. The network is like, yeah, that 206 00:11:02,679 --> 00:11:05,000 Speaker 2: we need you to do that. But you're a pretty 207 00:11:05,000 --> 00:11:07,800 Speaker 2: thing for people to look at. Well, that's part of 208 00:11:07,920 --> 00:11:08,480 Speaker 2: your job. 209 00:11:08,559 --> 00:11:09,640 Speaker 1: Did she win or lose? 210 00:11:10,720 --> 00:11:17,000 Speaker 2: I don't remember how it ended, honestly. I remember Christine Kraft. 211 00:11:17,280 --> 00:11:19,520 Speaker 2: She was the first to sue in California. 212 00:11:19,600 --> 00:11:24,000 Speaker 1: Right, how maybe maybe I alter my metaphor slightly. You're 213 00:11:24,040 --> 00:11:26,839 Speaker 1: a band that was very, very popular, but now you've 214 00:11:26,840 --> 00:11:29,000 Speaker 1: gotten a little older and people aren't as interested in 215 00:11:29,120 --> 00:11:30,040 Speaker 1: you anymore. 216 00:11:30,120 --> 00:11:32,720 Speaker 2: All right, So is it is it show business or 217 00:11:32,840 --> 00:11:38,240 Speaker 2: is it a production job? That's the that's the problem 218 00:11:38,400 --> 00:11:41,040 Speaker 2: that what happened. That's like the conundrum. 219 00:11:41,160 --> 00:11:42,880 Speaker 1: Wouldn't it be easy to get around by saying I 220 00:11:42,960 --> 00:11:45,040 Speaker 1: hired you in the first place because you were so hot. 221 00:11:45,080 --> 00:11:46,560 Speaker 1: There was a number of people that could do the 222 00:11:46,600 --> 00:11:49,080 Speaker 1: reporting you do. I hired you because you're the hottest one. 223 00:11:49,720 --> 00:11:52,679 Speaker 2: Yeah. Well, the government has never come to terms with that. 224 00:11:53,360 --> 00:11:57,480 Speaker 2: Where does show business turn into journalism? How would you 225 00:11:57,640 --> 00:12:01,640 Speaker 2: fire a newspaper columnist in favor of a younger hot 226 00:12:01,800 --> 00:12:03,480 Speaker 2: of course, not right. 227 00:12:03,360 --> 00:12:05,600 Speaker 1: Unless they're going on MSNBC or going on the cable 228 00:12:05,600 --> 00:12:08,960 Speaker 1: news channels and getting lots of attention for my my newspaper. 229 00:12:09,000 --> 00:12:11,360 Speaker 2: Which I'm not trying to be obtuse here. I'm just 230 00:12:11,400 --> 00:12:15,960 Speaker 2: saying it's difficult to draw the line where that becomes 231 00:12:16,240 --> 00:12:17,079 Speaker 2: age discrimination. 232 00:12:17,160 --> 00:12:18,959 Speaker 1: I'll tell you one place you can draw the line easily. 233 00:12:19,000 --> 00:12:19,240 Speaker 2: Weather. 234 00:12:19,400 --> 00:12:21,640 Speaker 1: Anybody could do the freaking weather. They're just reading it 235 00:12:21,679 --> 00:12:25,160 Speaker 1: from a computer, so that's got no talent whatsoever. They're 236 00:12:25,160 --> 00:12:27,640 Speaker 1: always going to go with the younger otter one that. 237 00:12:27,520 --> 00:12:31,800 Speaker 2: Goes to the Supreme Court. Nine oh, Catanji Brown Jackson 238 00:12:31,920 --> 00:12:37,160 Speaker 2: high five and Scalia these types meant, not scal high 239 00:12:37,240 --> 00:12:43,640 Speaker 2: five and the Gorsic Yeah nine O ruling. Well, I 240 00:12:43,679 --> 00:12:44,360 Speaker 2: guess that's it.