WEBVTT - Episode 7: Old Devil Moon

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<v Speaker 1>Previously on does this murder make me look a Trio

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<v Speaker 1>Dead Bodies, Dandy Tush and Kinki Kelly.

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<v Speaker 2>James, surely you must have a suspicion about the murderer's identity.

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<v Speaker 1>You want another truth, I got nothing.

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<v Speaker 3>There's not a trace of this will. I'm done with

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<v Speaker 3>this shit.

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<v Speaker 4>James looked in the shower to find TJ's limp body

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<v Speaker 4>covered in blood.

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<v Speaker 5>Step into my pentagram.

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<v Speaker 1>Reginalds, whatever you're doing, stop it right now.

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<v Speaker 4>Meanwhile, in the library, one of my guests decided to strike.

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<v Speaker 4>They broke into my hidden safe, found my will, and

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<v Speaker 4>burned it to a press. Ah, dear listener, the end

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<v Speaker 4>is near, the phrase audience members of the Inheritance never

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<v Speaker 4>once heard. Let's start with a flashback to the night

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<v Speaker 4>of everyone's arrival. I was still alive and still gay

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<v Speaker 4>good times. I stood with James in my bedroom and said,

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<v Speaker 4>it's almost time.

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<v Speaker 3>The trap is set.

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<v Speaker 4>Now.

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<v Speaker 1>If I die tonight, you won't.

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<v Speaker 4>But if I do, there will be a lot you'll

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<v Speaker 4>need to figure out. I could tell you everything now,

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<v Speaker 4>but I won't. If you solve my murder, you'll need

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<v Speaker 4>to earn it, otherwise you'll be like everyone else. Wanting

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<v Speaker 4>things handed to you. No, if you solve a mystery,

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<v Speaker 4>it becomes yours and then you can write about it.

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<v Speaker 3>You're looking for inspiration.

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<v Speaker 1>Right, yes, but I don't want your death to be

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<v Speaker 1>my inspiration.

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<v Speaker 4>Too bad. The meuse strikes when she strikes. If all

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<v Speaker 4>goes to plan, we'll catch my wannabe killer this weekend.

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<v Speaker 4>Then we'll sit and write this whole mess down, every

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<v Speaker 4>sticky detail. Of course, I'll take sixty five percent of

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<v Speaker 4>all sales, but that's to haggle over later.

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<v Speaker 1>What if you you're wrong. There's no guarantee you'll make

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<v Speaker 1>it out of this.

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<v Speaker 4>Then I'll have honored the oldest rule, and show business

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<v Speaker 4>always leave them wanting more. Besides, life's but a walking shadow,

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<v Speaker 4>a poor player that struts and frets his hour upon

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<v Speaker 4>the stage and then has hurt no more. I know

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<v Speaker 4>my films are a bit frivolous, but there's a place

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<v Speaker 4>in this world for pure entertainment, don't you think? Oh,

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<v Speaker 4>speaking of that, I have something for you. This book

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<v Speaker 4>is one of my most prized possessions. I was going

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<v Speaker 4>to give it to Wilmer, but he wouldn't understand its importance.

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<v Speaker 4>That and I'm pretty sure he's illiterate. You're like a

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<v Speaker 4>son to me anyway.

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<v Speaker 1>Oh if you give him ouse a cookie?

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<v Speaker 4>Classic Everything you need to be a great writer is

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<v Speaker 4>in those pages.

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<v Speaker 3>You just have to look here.

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<v Speaker 1>Take the back entrance, will you sure? Thanks for being

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<v Speaker 1>so kind to me, Bandy call me Jeremiah.

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<v Speaker 3>Those closest to me do.

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<v Speaker 4>It's my middle name. Now go see you on the

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<v Speaker 4>flip side, kid, I'm coming.

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<v Speaker 6>In a house on him.

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<v Speaker 7>Lives a kay and his friends want him dead?

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<v Speaker 8>Right?

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<v Speaker 7>Why someone wants to kill him even though it's wrong?

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<v Speaker 7>Since the world is matter wrong, Thanny is born, it's

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<v Speaker 7>very closely listen with yourris see if you can guess

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<v Speaker 7>switch one of these queens?

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<v Speaker 3>Maybe is the killer? Who is the killer? Who did it?

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<v Speaker 1>Who wanted?

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<v Speaker 3>Who crept in his man?

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<v Speaker 2>Who did.

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<v Speaker 6>Was it?

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<v Speaker 3>Was it?

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<v Speaker 6>Me? Who could it be?

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<v Speaker 1>Who did it? They're drugging like flies? Who didn't.

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<v Speaker 7>These guys like guys?

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<v Speaker 1>Who did it?

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<v Speaker 6>Who was it?

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<v Speaker 1>He?

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<v Speaker 4>What me?

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<v Speaker 7>Does this word make me?

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<v Speaker 3>Look? Now?

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<v Speaker 4>When we last heard James, he barricaded himself in my

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<v Speaker 4>study after his devilish rendezvous with Reginald.

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<v Speaker 1>The gay killer has been staring into my gay eyes

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<v Speaker 1>this entire time. It's gay Reginald.

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<v Speaker 4>So he did what any writer turned amateur detective would do,

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<v Speaker 4>scan through the secret audio footage to find out more information.

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<v Speaker 1>Okay, okay, what's the time stamp? Ah, everyone's first night

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<v Speaker 1>in the house before we found Vandy's body. This is

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<v Speaker 1>Reginald's bedroom.

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<v Speaker 6>Can well sure it could be a doctor?

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<v Speaker 3>No, something believable new.

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<v Speaker 1>Let me see here later that night.

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<v Speaker 4>I'm telling you, Henry, there's nothing on the street like

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<v Speaker 4>this stuff.

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<v Speaker 6>I can't afford it.

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<v Speaker 3>Well, beget what you pay for.

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<v Speaker 1>Weird, but no, let's go further back. Before everyone arrived.

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<v Speaker 4>Reginald, have you finished the seating arrangements for dinner?

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<v Speaker 9>Oh?

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<v Speaker 3>Yeah, I threw as many bodies as I could between

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<v Speaker 3>us and Kelly's gas Can I see?

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<v Speaker 4>No, don't sit me next to Moon. I have to

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<v Speaker 4>break bad news to her, very bad news.

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<v Speaker 1>Vandy had to break bad news to Moon. Interesting. Okay,

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<v Speaker 1>a little further back that afternoon, two.

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<v Speaker 9>Boxes of Samoa's, three lemonades, seven tagalongs, and forty eight

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<v Speaker 9>thin mints. I really appreciate your business, sir, swiping cookie

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<v Speaker 9>contraband from the Girl Scouts of America warehouse and upselling

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<v Speaker 9>it to older gays who are terrified of interacting with children.

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<v Speaker 9>Is the only way I can put myself through. Bard say,

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<v Speaker 9>you have a weird look on your face. Are you

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<v Speaker 9>stroking out your.

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<v Speaker 3>Skin? It's so Do you moisturizes? Nope? Should I you're

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<v Speaker 3>naturally that mummam moist that do?

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<v Speaker 6>Hey, mister, you're sort of shaking.

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<v Speaker 9>And frothing at the mouth.

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<v Speaker 1>Okay, Oh yes, house, Oh.

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<v Speaker 3>Yes, I just hands free climax to my boy shirts,

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<v Speaker 3>I mean my boxer's, uh, my thong. Has anyone ever

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<v Speaker 3>painted you?

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<v Speaker 1>Just my priest?

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<v Speaker 3>How would you feel about me drawing you in the nude?

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<v Speaker 1>Um?

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<v Speaker 3>What?

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<v Speaker 1>No, the computer died. This one room generator must be capote.

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<v Speaker 4>James knew what he had to do.

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<v Speaker 8>I'm breaking into Reginald's arts studio. But first, James tiptoed

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<v Speaker 8>back to his bedroom, where he stashed the gun that

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<v Speaker 8>Wilmer brought. He might need it if he planned to

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<v Speaker 8>confront Reginald.

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<v Speaker 3>Only the gun.

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<v Speaker 1>It's gone, ooh, a paper clip.

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<v Speaker 4>Meanwhile, in Henry's room, the interior designer tossed and turned.

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<v Speaker 2>I haven't been this tense since I learned Max was

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<v Speaker 2>turning Harry Potter into a television series, and Daniel Radcliffe

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<v Speaker 2>wanted nothing to do with it. Oh, Vandy, why'd you

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<v Speaker 2>have to be such a prick? There was enough room

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<v Speaker 2>in the Hudson Valley for both of us. We could

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<v Speaker 2>have been friends, or, if not friends, the kind of

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<v Speaker 2>gay men who waved to each other in public, then

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<v Speaker 2>hiss behind closed doors midnight time for daddy's medicine. If

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<v Speaker 2>grandmother could see me now, she'd be so disappointed. She

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<v Speaker 2>always warned me to stay away from needles. Sorry, mem

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<v Speaker 2>I'm weak.

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<v Speaker 3>Maybe I can stop.

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<v Speaker 2>Maybe I can be happy without having to curb my

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<v Speaker 2>appetite and fit into a Rondorf's speedo this summer.

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<v Speaker 1>Put down the needle, Henry put it down.

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<v Speaker 3>That's it. That's who am I kidding?

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<v Speaker 4>Ah On the other side of my house, Weaponless and afraid,

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<v Speaker 4>James picked the lock to Reginald Studio with a rainbow

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<v Speaker 4>colored paper clip and snuck inside.

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<v Speaker 1>Man, this place is weird. The paintings are all covered,

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<v Speaker 1>which creepy and look a fire. Someone's been here recently.

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<v Speaker 4>Dear listener, have you ever been inside an art studio

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<v Speaker 4>in the middle of a storm with dozens of covered paintings?

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<v Speaker 4>The art studio of a man you suspect is responsible

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<v Speaker 4>for multiple homicides and may or may not be in

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<v Speaker 4>direct contact with the devil. The last time James had

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<v Speaker 4>been this scared was when Armie Hammer slid into his

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<v Speaker 4>DMS for some reason.

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<v Speaker 1>I'm dr on to this painting in the corner and

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<v Speaker 1>when I saw earlier, let me uncover it. The missing

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<v Speaker 1>girl scout cookies twink, Only he looks different, younger, definitely

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<v Speaker 1>still over eighteen. Let's not get carried away. But no, impossible,

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<v Speaker 1>It's only a painting. It can't What was that sounds

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<v Speaker 1>like it's coming from. Is that a hidden door? This

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<v Speaker 1>studio has another room? Here goes nothing, Dear God, I'm

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<v Speaker 1>more anxious than when I watched Studdy Redmain in the Danish.

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<v Speaker 4>Carp Without intending to James had stumbled inside.

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<v Speaker 1>A laboratory or laboratory laboratory, man, I never know how

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<v Speaker 1>I pronounced that word.

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<v Speaker 4>Half mes lab, half a cultist, wet dreams, test tubes, pipets, microscopes, thermometers, funnels,

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<v Speaker 4>more pipets, and candles along the floor in the shape

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<v Speaker 4>of a pentagram. Oh, and a trunk in the corner.

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<v Speaker 4>James moved with trepidation toward the trunk and lifted the lid.

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<v Speaker 4>Inside was a shrunken man who looked more than one

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<v Speaker 4>hundred years old. He was emaciated, and his skeleton wrists

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<v Speaker 4>were handcuffed together. The man's eyes widened when he saw James.

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<v Speaker 1>Wait, I recognize you. I mean you look completely different

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<v Speaker 1>and on the verge of death. But you have the

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<v Speaker 1>same eyes as that girl Scout Twink in the painting.

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<v Speaker 6>It me.

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<v Speaker 1>Twink, Canni Kenneth, it was your voice I heard on

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<v Speaker 1>the recording. I will help you, I promise.

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<v Speaker 4>But life isn't fair, dear listener, and not all prematurely

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<v Speaker 4>ate twigs get a happy ending. Kenneth raised a shaky

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<v Speaker 4>hand towards James, but before their fingers could touch, Kenneth's

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<v Speaker 4>eyes closed and he slipped away.

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<v Speaker 1>Wake up, old twig, way, God.

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<v Speaker 3>You had to poke your nose where it didn't belong, didn't.

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<v Speaker 1>You, Rechald You're here holding a gun and pointing it

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<v Speaker 1>right at me.

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<v Speaker 5>You bet you're gay round ass I am.

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<v Speaker 3>There's a man in my life who's made all the difference.

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<v Speaker 3>You may know him as Lucifer, or Beelzebub or Mephistopheles,

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<v Speaker 3>not to be confused with mister Mustopheles from the long

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<v Speaker 3>running musical and ill faded movie. Can't you're talking about Satan,

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<v Speaker 3>the supreme being of evil? I'm his sex slave? What

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<v Speaker 3>a hello? Low? Once Lola fucking gets bitch, I remember

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<v Speaker 3>the day we met? Eighteen sixty nine? Who what a year?

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<v Speaker 3>As in Ulysses S. Grant was our president, The World's

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<v Speaker 3>Force Rodeo was held in Colorado and then disaster September

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<v Speaker 3>twenty fourth, Black Friday, the.

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<v Speaker 1>Sorry are you saying you're one hundred and fifty five

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<v Speaker 1>years old?

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<v Speaker 3>No, dummy, I was thirty when the story took place,

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<v Speaker 3>so I'm saying I'm one hundred and eighty five years old.

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<v Speaker 3>Will you keep up? Now? Back to eighteen sixty nine,

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<v Speaker 3>two men j Fisk and James Gould took advantage to

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<v Speaker 3>the president to gain insider information and manipulate the market.

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<v Speaker 3>I was living in Manhattan and I built a name

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<v Speaker 3>for myself on Wall Street.

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<v Speaker 5>I lost everything and that fallout.

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<v Speaker 3>One night, I climbed at the top of the Empire

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<v Speaker 3>State Building. I was about to jump when a man

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<v Speaker 3>came out of the shadows. What you do? When he said?

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<v Speaker 3>I told him I was gonna take my own life.

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<v Speaker 3>You see, I've always been vain and back then I

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<v Speaker 3>used to make my own moisturizer from honey, crushed almonds

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<v Speaker 3>and pig fat, and pig fat don't come cheap. My friend,

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<v Speaker 3>and this man told me that instead of jumping off

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<v Speaker 3>the roof, I could sell him my soul. What do

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<v Speaker 3>I get in return? I asked, anything you want? He said.

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<v Speaker 3>My first request was to become successful and have people

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<v Speaker 3>fear me, even though the reason for my success would

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<v Speaker 3>be unclear. The man said no, because he'd already made

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<v Speaker 3>that deal with Ryan Murphy. What about if I star

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<v Speaker 3>in a television drama about politics while using my fame

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<v Speaker 3>to take advantage of adolescence. The man said no to

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<v Speaker 3>that too, since he'd made that deal with Kevin Spacey.

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<v Speaker 3>Allegedly also, he asked, what is television? And finally I said,

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<v Speaker 3>what a about eternal youth? That the man said that

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<v Speaker 3>I can do? And he did. In exchange for my

0:15:07.920 --> 0:15:11.040
<v Speaker 3>soul and my devotion, the devil granted me the ability

0:15:11.160 --> 0:15:14.640
<v Speaker 3>to suck the life from a human being and digest it,

0:15:15.440 --> 0:15:18.760
<v Speaker 3>keeping myself glowing a youthful leg every day. With spade,

0:15:19.360 --> 0:15:22.120
<v Speaker 3>he fashioned a paintbrush from one of my ribs, and

0:15:22.200 --> 0:15:26.720
<v Speaker 3>on the end he placed eyelashes from angry gay orphans.

0:15:26.880 --> 0:15:32.680
<v Speaker 3>This became my paintbrush, and my own skin became my canvases.

0:15:33.880 --> 0:15:36.080
<v Speaker 3>Little did I know there was another man on the

0:15:36.160 --> 0:15:40.800
<v Speaker 3>roof that night, Oscar Wild. He overheard my deal with

0:15:40.840 --> 0:15:43.120
<v Speaker 3>the devil and wrote a book about it, The Picture

0:15:43.120 --> 0:15:44.080
<v Speaker 3>of Dorian.

0:15:43.800 --> 0:15:46.720
<v Speaker 1>Gay Gray, The Picture of Dorian Gray Whatever.

0:15:47.480 --> 0:15:50.760
<v Speaker 3>Over the years, I've lured hundreds of young men into

0:15:50.800 --> 0:15:54.800
<v Speaker 3>my home. I've flayed every inch of my own body

0:15:54.880 --> 0:15:58.680
<v Speaker 3>and stretched the pieces of my skin into canvases and

0:15:58.920 --> 0:16:02.280
<v Speaker 3>used my pagan rush to paint them, and by doing so,

0:16:03.400 --> 0:16:06.760
<v Speaker 3>ingest the spirits of these twinks. You see this curve

0:16:06.800 --> 0:16:09.880
<v Speaker 3>below my ear. His name was Antonio. The toughness of

0:16:09.880 --> 0:16:12.840
<v Speaker 3>my left nostril, that's Maurice. My creamy shoulders, those were

0:16:12.920 --> 0:16:16.880
<v Speaker 3>chan Paul. I have capped myself young all these years,

0:16:17.280 --> 0:16:21.080
<v Speaker 3>both World War, civil rights, gay rights, hell. I even

0:16:21.160 --> 0:16:24.640
<v Speaker 3>survived the OC being canceled on Fox.

0:16:25.200 --> 0:16:26.520
<v Speaker 1>How do you lure the twinks?

0:16:26.800 --> 0:16:29.360
<v Speaker 3>Easy? I tell them, I want to my girl scout

0:16:29.400 --> 0:16:31.640
<v Speaker 3>cookies and lock them up, draining them dry until there

0:16:31.640 --> 0:16:33.760
<v Speaker 3>are pile of bones, which I then burned The fireplace,

0:16:34.400 --> 0:16:37.000
<v Speaker 3>and now well, now it's your turn.

0:16:37.880 --> 0:16:41.480
<v Speaker 1>Wait a second, what about Vandy and Tush and Kelly and.

0:16:41.400 --> 0:16:42.880
<v Speaker 3>Oh no, I had nothing to do with them.

0:16:43.400 --> 0:16:46.400
<v Speaker 1>Your room is linked to Kelly's. You were cheating on Vandy.

0:16:46.640 --> 0:16:47.920
<v Speaker 1>You stole the gun to kill me.

0:16:48.200 --> 0:16:51.280
<v Speaker 3>I stole it to protect myself, and thanks Satan, I

0:16:51.360 --> 0:16:53.920
<v Speaker 3>did because now that you know my secret, it is

0:16:54.040 --> 0:16:55.600
<v Speaker 3>time to meet your maker.

0:16:55.760 --> 0:16:57.280
<v Speaker 5>Farewell, James.

0:16:58.360 --> 0:17:03.560
<v Speaker 3>It's been hmmm cool getting to know you. What the

0:17:03.600 --> 0:17:07.320
<v Speaker 3>hell this gun's full of blanks?

0:17:07.359 --> 0:17:12.040
<v Speaker 4>Suddenly Wilmer appeared. Yes, kid, Wilmer.

0:17:12.920 --> 0:17:13.879
<v Speaker 1>Reginald's the killer.

0:17:14.200 --> 0:17:14.560
<v Speaker 6>I know.

0:17:15.280 --> 0:17:16.480
<v Speaker 1>I heard you in the hallway.

0:17:16.640 --> 0:17:19.600
<v Speaker 6>I've always known what kind of a monster my stepfather is.

0:17:20.040 --> 0:17:22.560
<v Speaker 1>You knew he sucked the life out of twigs.

0:17:22.880 --> 0:17:25.320
<v Speaker 6>Not specifically, but I got an overall creepy vibe.

0:17:26.200 --> 0:17:26.640
<v Speaker 3>Reginald.

0:17:26.920 --> 0:17:30.280
<v Speaker 6>That gun you just tried to kill James with it's fake,

0:17:31.160 --> 0:17:35.120
<v Speaker 6>a prop from one of Daddy's movies. I was never

0:17:35.240 --> 0:17:38.920
<v Speaker 6>actually going to kill my father. It was a last

0:17:38.960 --> 0:17:40.919
<v Speaker 6>resort to scare him.

0:17:41.240 --> 0:17:45.119
<v Speaker 3>Now he's gone, no matter, I'll have to silence you

0:17:45.160 --> 0:17:47.160
<v Speaker 3>both another way.

0:17:48.280 --> 0:18:06.280
<v Speaker 10>A big sharp knife, run James, Oh, get off me.

0:18:07.560 --> 0:18:10.159
<v Speaker 1>Get off me. Why isn't anyone on me.

0:18:11.600 --> 0:18:15.560
<v Speaker 4>Then, faster than Adele lost all that weight. Reginald had

0:18:15.600 --> 0:18:17.680
<v Speaker 4>the knife press to James's neck.

0:18:18.680 --> 0:18:23.320
<v Speaker 5>Don't worry, James, I'll bathe in your precious blood.

0:18:24.240 --> 0:18:29.919
<v Speaker 3>Reginald, stop your next Wilma not if not, if I

0:18:30.240 --> 0:18:35.680
<v Speaker 3>do this my painting, you get your hands off that.

0:18:35.880 --> 0:18:38.640
<v Speaker 6>Watch your twinkard burn bitch.

0:18:39.040 --> 0:18:47.840
<v Speaker 3>Wilmer No, no, no, no, my babe.

0:18:48.359 --> 0:18:51.600
<v Speaker 1>He's getting older.

0:18:52.280 --> 0:18:56.359
<v Speaker 4>As the painting burned, frown lines appeared around Reginald's mouth,

0:18:56.720 --> 0:18:59.959
<v Speaker 4>crow's feet by his eyes. He was aging by the second.

0:19:00.240 --> 0:19:05.639
<v Speaker 1>Quick Wilmer burn another one. I'm melting.

0:19:07.400 --> 0:19:08.840
<v Speaker 5>I'm melting.

0:19:09.280 --> 0:19:12.000
<v Speaker 4>Reginald's let go of James and clutched his own neck.

0:19:12.560 --> 0:19:15.879
<v Speaker 4>Jowls had begun to form. His man breast billowed and

0:19:16.000 --> 0:19:17.640
<v Speaker 4>sagged more.

0:19:17.640 --> 0:19:20.400
<v Speaker 1>Wilmer burn it all.

0:19:21.200 --> 0:19:23.320
<v Speaker 3>No, stop it, I'll do anything.

0:19:23.359 --> 0:19:25.600
<v Speaker 1>Admit to the murders case. That's what you did.

0:19:25.760 --> 0:19:32.200
<v Speaker 3>Fine, fine, just stop with the paintings. Is that? Yes?

0:19:32.680 --> 0:19:37.280
<v Speaker 1>Yes, the power's back on. Oh my god, what is it?

0:19:37.320 --> 0:19:37.520
<v Speaker 11>Boy?

0:19:39.480 --> 0:19:40.560
<v Speaker 1>It's worse in the light.

0:19:43.800 --> 0:19:47.160
<v Speaker 4>As will mc grabbed the weeping Reginald, James pulled out

0:19:47.160 --> 0:19:50.320
<v Speaker 4>his cell phone. He had bars praise be.

0:19:53.440 --> 0:19:57.440
<v Speaker 1>I'm in the Monroe Estate, and I just caught a murderer. Yes,

0:19:57.560 --> 0:19:58.520
<v Speaker 1>I'll hold.

0:20:00.359 --> 0:20:04.680
<v Speaker 4>Everyone slept peacefully that night, well everyone who wasn't dead,

0:20:05.080 --> 0:20:08.760
<v Speaker 4>although being dead myself one does sleep well in the afterlife,

0:20:08.800 --> 0:20:12.840
<v Speaker 4>so let me revise that statement. All of my guests

0:20:12.880 --> 0:20:16.679
<v Speaker 4>slept peacefully that night, except Reginald, who was locked in

0:20:16.720 --> 0:20:17.960
<v Speaker 4>the broom cupboard.

0:20:17.720 --> 0:20:19.240
<v Speaker 3>And looked like a potato chip.

0:20:20.040 --> 0:20:23.040
<v Speaker 4>James slept especially sound, knowing he'd stopped to kill her

0:20:23.040 --> 0:20:26.040
<v Speaker 4>and avenged my death. He awoke the next morning to

0:20:26.080 --> 0:20:29.359
<v Speaker 4>the cheerful sound of the piano coming from downstairs. He

0:20:29.480 --> 0:20:32.440
<v Speaker 4>threw on a robe and found my HouseGuest drinking chock

0:20:32.480 --> 0:20:36.440
<v Speaker 4>full of nuts instant coffee and listening to moons singing.

0:20:37.440 --> 0:20:42.280
<v Speaker 12>Come on in here, Come on in here, alexander'sractime band,

0:20:42.720 --> 0:20:45.800
<v Speaker 12>Come on in here, Come on in here. It's the

0:20:45.840 --> 0:20:51.080
<v Speaker 12>best band in the land. James, you're awake. I am

0:20:51.160 --> 0:20:55.120
<v Speaker 12>so overjoyed that Reginald is locked away. That I forced

0:20:55.200 --> 0:20:59.840
<v Speaker 12>Polly to play something, didn't I Polly? You resisted, which

0:20:59.840 --> 0:21:02.840
<v Speaker 12>you never do, but I wore you down.

0:21:03.359 --> 0:21:05.639
<v Speaker 5>I'm trying to be respectful of the dead.

0:21:06.160 --> 0:21:09.800
<v Speaker 12>Come on along, come on along, let me take you

0:21:09.960 --> 0:21:16.440
<v Speaker 12>by the hand. Come up to the man, Pauline, How

0:21:16.680 --> 0:21:18.560
<v Speaker 12>unlike you to make a mistake.

0:21:19.080 --> 0:21:23.719
<v Speaker 11>You never hit a wrong note. I guess I'm tired mooney,

0:21:23.920 --> 0:21:25.040
<v Speaker 11>and who could blame you?

0:21:25.600 --> 0:21:25.879
<v Speaker 1>Shall?

0:21:25.920 --> 0:21:27.440
<v Speaker 12>I do the chorus once more?

0:21:27.680 --> 0:21:29.760
<v Speaker 3>Wad stop?

0:21:30.200 --> 0:21:32.800
<v Speaker 1>Now that the storm is stopped, law enforcement will be

0:21:32.880 --> 0:21:36.520
<v Speaker 1>here as soon as the roads are cleared. Reginald is

0:21:36.640 --> 0:21:37.240
<v Speaker 1>locked away?

0:21:37.359 --> 0:21:40.080
<v Speaker 3>Do we take a peek? I hear his face and body.

0:21:40.080 --> 0:21:43.119
<v Speaker 1>You're all funny, Honestly, it's something you can't unsee. I

0:21:43.480 --> 0:21:46.480
<v Speaker 1>suggest you don't. Oh, I've seen a lot of weird

0:21:46.480 --> 0:21:49.680
<v Speaker 1>shit in my day. Wait, where's Henry? Has anyone seen him?

0:21:49.760 --> 0:21:51.000
<v Speaker 1>Maybe he's still sleeping.

0:21:51.320 --> 0:21:54.000
<v Speaker 4>Someone should check, and someone did.

0:21:55.080 --> 0:21:57.360
<v Speaker 1>Henry, Henry, are you in there?

0:21:58.560 --> 0:21:58.960
<v Speaker 5>Locked?

0:22:00.240 --> 0:22:00.720
<v Speaker 3>But wait?

0:22:01.760 --> 0:22:07.000
<v Speaker 1>My paper clip? Henry.

0:22:07.680 --> 0:22:10.280
<v Speaker 4>James rushed to Henry's bed, where he found the interior

0:22:10.320 --> 0:22:13.520
<v Speaker 4>decorator with a needle in his arm. His lips were

0:22:13.600 --> 0:22:15.240
<v Speaker 4>tapped and blew.

0:22:16.000 --> 0:22:17.639
<v Speaker 1>An overdose.

0:22:18.560 --> 0:22:20.760
<v Speaker 3>Way over. What's that On the.

0:22:20.720 --> 0:22:26.640
<v Speaker 4>Floor next to Henry's bed was a wand it wasn't real,

0:22:26.720 --> 0:22:30.560
<v Speaker 4>of course, but James gently picked it up and placed

0:22:30.600 --> 0:22:32.119
<v Speaker 4>it on Henry's chest.

0:22:33.280 --> 0:22:36.760
<v Speaker 1>I hope you're at Hogwarts now, Henry, and I double

0:22:36.800 --> 0:22:38.240
<v Speaker 1>hope you're not a hufflepuff.

0:22:39.680 --> 0:22:42.679
<v Speaker 4>Once James collected himself, there was someone he had to

0:22:42.680 --> 0:22:43.359
<v Speaker 4>speak with.

0:22:43.840 --> 0:22:48.800
<v Speaker 1>Immediately, Reginald. We need to talk.

0:22:49.320 --> 0:22:51.600
<v Speaker 3>Well, then come on in.

0:22:52.119 --> 0:22:55.040
<v Speaker 1>I'm coming too. Chuck stop, Reginald.

0:22:55.320 --> 0:23:01.160
<v Speaker 3>Oh my god, Ah, look away, Jack. I can't bear

0:23:01.200 --> 0:23:02.439
<v Speaker 3>for you to see me like this.

0:23:02.880 --> 0:23:05.960
<v Speaker 1>You look like a prolapsed anus Reginald. I just found

0:23:06.000 --> 0:23:09.800
<v Speaker 1>Henry upstairs, dead with a needle in his arm. I've

0:23:09.840 --> 0:23:12.240
<v Speaker 1>seen him with needles before, and I've seen you selling

0:23:12.320 --> 0:23:15.160
<v Speaker 1>him stuff that first night when we were looking for Vandy.

0:23:15.240 --> 0:23:20.600
<v Speaker 3>Oh fine, fine, I don't have the energy to lie

0:23:20.600 --> 0:23:23.240
<v Speaker 3>in my quest for eternal youth and to maintain my

0:23:23.400 --> 0:23:30.280
<v Speaker 3>unnatural beauty. I've developed a whole host of concoctions. You

0:23:30.320 --> 0:23:31.520
<v Speaker 3>saw my laboratory.

0:23:32.000 --> 0:23:33.040
<v Speaker 1>Is that how you pronounce it?

0:23:33.119 --> 0:23:37.600
<v Speaker 3>Well, Henry's been using my crowning achievement, cometh pic. It's

0:23:37.680 --> 0:23:41.280
<v Speaker 3>essentially ozembic for weight loss plus meth rat poison and

0:23:41.320 --> 0:23:43.560
<v Speaker 3>a little bit of sweet and low. But I didn't

0:23:43.640 --> 0:23:46.960
<v Speaker 3>kill my best customer, at least not on purpose.

0:23:47.560 --> 0:23:52.359
<v Speaker 1>I guess that makes sense sort of. Henry was never hungry,

0:23:52.480 --> 0:23:57.320
<v Speaker 1>stomach always hurt, and now he's dead. Reginald. You owe

0:23:57.400 --> 0:24:00.399
<v Speaker 1>us some answers now.

0:24:00.440 --> 0:24:04.359
<v Speaker 4>Moments later, my remaining guests resembled around Reginald, who was

0:24:04.400 --> 0:24:06.480
<v Speaker 4>tied to the back of a chair in the living room.

0:24:06.760 --> 0:24:09.200
<v Speaker 6>Damn, it's hard to look at you, Reginald. You make

0:24:09.720 --> 0:24:12.000
<v Speaker 6>Jimmy Carter look like Sean Mendes.

0:24:12.400 --> 0:24:15.720
<v Speaker 1>Explain yourself. You killed Vandy so you'd inherit this estate.

0:24:16.440 --> 0:24:17.680
<v Speaker 1>Why do the others have to die?

0:24:17.800 --> 0:24:19.080
<v Speaker 11>And how did you do it?

0:24:19.800 --> 0:24:23.960
<v Speaker 3>First of all, I owe you nothing, and second, I

0:24:24.000 --> 0:24:24.840
<v Speaker 3>didn't kill them.

0:24:25.359 --> 0:24:27.080
<v Speaker 6>No one believes you.

0:24:27.640 --> 0:24:30.919
<v Speaker 3>I don't care tell the cops I did it. I

0:24:30.960 --> 0:24:33.320
<v Speaker 3>won't argue there's no point in living when I look

0:24:33.440 --> 0:24:36.800
<v Speaker 3>like the inside of a Durian fruit. I'll take the blame.

0:24:37.800 --> 0:24:41.680
<v Speaker 3>But I only killed the twinks. Is it weird?

0:24:41.720 --> 0:24:42.760
<v Speaker 12>I sort of believe him.

0:24:42.920 --> 0:24:48.000
<v Speaker 1>Yes, Reginald, you killed them, TJ Kelly Tush, just tell

0:24:48.080 --> 0:24:48.760
<v Speaker 1>us why.

0:24:48.960 --> 0:24:53.000
<v Speaker 3>I can't tell you why because I didn't do it.

0:24:53.280 --> 0:24:56.479
<v Speaker 1>Tell us why you killed Vandy? Then? Because of the house.

0:24:57.160 --> 0:24:58.960
<v Speaker 1>He found out you were fucking Jack and you thought

0:24:59.000 --> 0:25:00.560
<v Speaker 1>he'd divorced you idiots.

0:25:01.160 --> 0:25:04.359
<v Speaker 3>You think Vandy would leave this place to me. He's

0:25:04.400 --> 0:25:07.600
<v Speaker 3>more likely to leave it to that fucking bird. I

0:25:07.640 --> 0:25:10.960
<v Speaker 3>have no idea what Vandy put in his will. Besides,

0:25:11.000 --> 0:25:12.439
<v Speaker 3>he was always changing his mind.

0:25:12.640 --> 0:25:17.399
<v Speaker 12>Have you found the will, James, No, I'm.

0:25:17.240 --> 0:25:20.520
<v Speaker 1>Sure it's in his safe. I wish, more than anything

0:25:20.520 --> 0:25:21.439
<v Speaker 1>I knew where it was.

0:25:26.000 --> 0:25:29.240
<v Speaker 3>Are you sure that you are.

0:25:31.040 --> 0:25:32.560
<v Speaker 4>If you want to find us?

0:25:38.240 --> 0:25:44.199
<v Speaker 1>Ju see.

0:25:44.280 --> 0:25:48.200
<v Speaker 6>Gay Gus did Leah so longer reveal how to find

0:25:48.240 --> 0:25:51.400
<v Speaker 6>Vandy's safe through a legally allowed parody of Cinderella's grave

0:25:51.480 --> 0:25:52.399
<v Speaker 6>from into the woods.

0:25:53.320 --> 0:25:56.040
<v Speaker 12>She's always one step ahead of me.

0:25:56.280 --> 0:26:00.000
<v Speaker 1>The face of God. Do you think Leah is singing about.

0:26:01.280 --> 0:26:03.080
<v Speaker 3>Bandy? He's not my God.

0:26:03.680 --> 0:26:08.800
<v Speaker 1>My God is the devil? Open your eyes?

0:26:10.280 --> 0:26:11.000
<v Speaker 3>What does she mean?

0:26:11.200 --> 0:26:13.359
<v Speaker 4>There were a lot of pictures in this house, proper

0:26:13.400 --> 0:26:14.280
<v Speaker 4>portraits and such.

0:26:15.359 --> 0:26:16.639
<v Speaker 3>Most of them are of Vanny.

0:26:17.119 --> 0:26:19.080
<v Speaker 4>His eyes are closed, and pretty much all of them.

0:26:19.200 --> 0:26:22.520
<v Speaker 6>Daddy always wished his eyes were blue. He tried colored

0:26:22.520 --> 0:26:26.280
<v Speaker 6>contexts once, but ended up looking like Kesha. He hated

0:26:26.320 --> 0:26:30.159
<v Speaker 6>his eyes, That's why he always closed them, and he

0:26:30.359 --> 0:26:33.320
<v Speaker 6>did refer to himself as the god of horror Flix

0:26:33.359 --> 0:26:34.400
<v Speaker 6>more than once.

0:26:34.920 --> 0:26:39.520
<v Speaker 12>Leah sang open your eyes. Maybe there's a painting of

0:26:39.640 --> 0:26:43.080
<v Speaker 12>Vandy with his eyes, you know, not closed.

0:26:43.040 --> 0:26:45.800
<v Speaker 1>And maybe the safe with the will is hidden behind

0:26:45.840 --> 0:26:50.800
<v Speaker 1>that portrait. But there are loads in this house of portraits.

0:26:50.840 --> 0:26:52.480
<v Speaker 1>I mean, should we.

0:26:52.520 --> 0:26:57.200
<v Speaker 4>Check and check? They did, Moon, Polly, Jacques, and James

0:26:57.440 --> 0:27:01.399
<v Speaker 4>searched the house while Wilmer watched over Reginald. Eventually, James

0:27:01.400 --> 0:27:03.520
<v Speaker 4>found an oil painting of me in my study.

0:27:04.080 --> 0:27:04.520
<v Speaker 3>I had a.

0:27:04.560 --> 0:27:08.359
<v Speaker 4>Commissioned from my sixtieth birthday with my sweet Dash and

0:27:08.600 --> 0:27:13.639
<v Speaker 4>Jessica in my lap rip and in this painting my

0:27:13.800 --> 0:27:15.840
<v Speaker 4>eyes were wide open.

0:27:16.359 --> 0:27:20.200
<v Speaker 1>Everyone I found it. Stand back.

0:27:23.520 --> 0:27:25.920
<v Speaker 11>It swings open like a door or.

0:27:25.880 --> 0:27:29.240
<v Speaker 1>A swing and look there safe.

0:27:30.760 --> 0:27:33.240
<v Speaker 3>It's locked. Damn it.

0:27:33.720 --> 0:27:36.000
<v Speaker 12>How are we supposed to figure out the code? There

0:27:36.080 --> 0:27:38.800
<v Speaker 12>must be thousands of combinations. We don't know how many

0:27:38.880 --> 0:27:39.560
<v Speaker 12>numbers are.

0:27:47.200 --> 0:27:51.080
<v Speaker 1>Of course, the code is probably miss thank you, laya salaga,

0:27:51.840 --> 0:27:53.840
<v Speaker 1>thank you wherever you are.

0:27:54.600 --> 0:28:00.320
<v Speaker 4>James entered the code, twisted the knob, and been the

0:28:00.359 --> 0:28:06.240
<v Speaker 4>safe where he expected to see my will, Only it's empty.

0:28:07.160 --> 0:28:08.960
<v Speaker 11>Well that was anti climactic.

0:28:09.200 --> 0:28:12.600
<v Speaker 12>I don't believe there's James, don't be sad.

0:28:13.240 --> 0:28:14.199
<v Speaker 5>Reginald did it?

0:28:14.240 --> 0:28:14.800
<v Speaker 4>We got him?

0:28:15.480 --> 0:28:16.480
<v Speaker 3>Yeah, I guess you're right.

0:28:17.680 --> 0:28:21.000
<v Speaker 4>As the others returned to the living room, James lingered

0:28:21.040 --> 0:28:22.479
<v Speaker 4>a moment longer at the safe.

0:28:22.800 --> 0:28:27.440
<v Speaker 1>An empty safe. It seems so unlike Bandy.

0:28:27.680 --> 0:28:32.320
<v Speaker 4>Unless James turned and noticed the fireplace in my study.

0:28:32.800 --> 0:28:34.960
<v Speaker 1>Why is there a small pile of ashes at the

0:28:35.080 --> 0:28:40.400
<v Speaker 1>base but no fire in the hearth? Hmm, maybe I

0:28:40.400 --> 0:28:46.040
<v Speaker 1>should investigate. No, don't go there, James, Reginald is responsible.

0:28:48.440 --> 0:28:49.520
<v Speaker 1>Bandy would be proud of you.

0:28:50.640 --> 0:28:54.080
<v Speaker 4>And so, with a heavy heart, James decided to visit

0:28:54.120 --> 0:28:56.920
<v Speaker 4>my body one last time before it was taken away.

0:28:57.920 --> 0:29:03.640
<v Speaker 4>He went to my bedroom and like that things got interesting.

0:29:05.360 --> 0:29:10.160
<v Speaker 1>Wilmer, I didn't think anyone was in Dandy's bedroom, anyone alive,

0:29:10.200 --> 0:29:12.880
<v Speaker 1>at least who's with Reginald.

0:29:13.160 --> 0:29:15.360
<v Speaker 6>Moon is singing to him, which I'd argue is its

0:29:15.400 --> 0:29:19.240
<v Speaker 6>own form of torture. I hate seeing them like this.

0:29:20.880 --> 0:29:33.240
<v Speaker 6>Tush Kelly, that random less but mostly daddy. He wasn't

0:29:33.280 --> 0:29:35.040
<v Speaker 6>Father of the Year, but he was still my pop.

0:29:36.400 --> 0:29:40.200
<v Speaker 6>It's stupid, but I came to tell him I helped

0:29:40.280 --> 0:29:43.120
<v Speaker 6>catch his killer. He didn't think much of me in life,

0:29:43.120 --> 0:29:47.280
<v Speaker 6>but I'm glad I honored his death in some way.

0:29:48.080 --> 0:29:51.280
<v Speaker 1>He cared a lot about his legacy, what he left

0:29:51.320 --> 0:29:52.240
<v Speaker 1>behind in the world.

0:29:53.000 --> 0:29:57.560
<v Speaker 3>So his movies, sure, but.

0:29:59.200 --> 0:30:02.800
<v Speaker 1>You you're his legacy, he really thinks.

0:30:02.800 --> 0:30:04.120
<v Speaker 3>So I know.

0:30:04.240 --> 0:30:09.960
<v Speaker 6>So, oh, Kelly, even in death, he finds a way.

0:30:10.280 --> 0:30:12.920
<v Speaker 4>Wilma went to keep Moon and Jacques company as they

0:30:13.040 --> 0:30:17.000
<v Speaker 4>chaperone Reginald. As James reached the bottom of the stairs,

0:30:17.400 --> 0:30:21.600
<v Speaker 4>he noticed Polly in the foyer, bags packed and placed

0:30:21.640 --> 0:30:23.520
<v Speaker 4>by the entrance, going somewhere.

0:30:24.800 --> 0:30:27.040
<v Speaker 11>I'm not staying in this hell hole a moment longer

0:30:27.040 --> 0:30:29.480
<v Speaker 11>than I have to. As soon as the cops come,

0:30:29.880 --> 0:30:33.920
<v Speaker 11>I'm out. I plan on taking a long vacation in Mexico.

0:30:34.080 --> 0:30:35.840
<v Speaker 11>Flush this out of my system.

0:30:36.400 --> 0:30:38.920
<v Speaker 1>Nice luggage, thanks, Moon.

0:30:38.760 --> 0:30:41.000
<v Speaker 11>And I are on the road so much. I splurged

0:30:41.040 --> 0:30:42.160
<v Speaker 11>on fancy bags.

0:30:42.200 --> 0:30:43.000
<v Speaker 13>Totally worth it.

0:30:43.160 --> 0:30:44.640
<v Speaker 1>Oh they're monogrammed.

0:30:44.720 --> 0:30:49.040
<v Speaker 11>Yeah mm for Mooney, peb for me, Polly Barker.

0:30:49.400 --> 0:30:50.520
<v Speaker 3>Cute.

0:30:50.760 --> 0:30:52.560
<v Speaker 1>I'm heading back to my cabin for a shower and

0:30:52.640 --> 0:30:54.960
<v Speaker 1>some fresh clothes. If I don't see you before you go,

0:30:55.320 --> 0:30:59.000
<v Speaker 1>it's been nice meeting you. Kind of you too, James,

0:31:00.080 --> 0:31:00.440
<v Speaker 1>You too.

0:31:05.160 --> 0:31:07.840
<v Speaker 4>James trudged through the snow on my property back to

0:31:07.920 --> 0:31:11.240
<v Speaker 4>his cabin. He sunk to the ground with each step.

0:31:11.600 --> 0:31:15.000
<v Speaker 4>Before he knew it, his pants were soaked, and not

0:31:15.200 --> 0:31:24.920
<v Speaker 4>in a fun way. Once inside his cabin, the silence

0:31:24.960 --> 0:31:29.960
<v Speaker 4>overwhelmed him. The weekend hit James on at once, the murders,

0:31:30.160 --> 0:31:30.720
<v Speaker 4>my death.

0:31:31.360 --> 0:31:38.000
<v Speaker 1>Everything Well, I'm probably out of a job, Reginald will

0:31:38.040 --> 0:31:41.480
<v Speaker 1>probably go to jail, and Wilmer will probably sell the house.

0:31:42.560 --> 0:31:46.000
<v Speaker 1>Now I'll have no excuse not to write, which is

0:31:46.040 --> 0:31:50.040
<v Speaker 1>what Mandy would have wanted. But where do I even begin?

0:31:52.440 --> 0:31:55.160
<v Speaker 1>Why do I want to be a writer? Kind of

0:31:55.320 --> 0:31:56.800
<v Speaker 1>masochistic idiot?

0:31:56.920 --> 0:31:58.440
<v Speaker 5>Am I?

0:31:58.480 --> 0:32:02.240
<v Speaker 1>Oh? I almost forgot? He's present If you Give a

0:32:02.360 --> 0:32:05.640
<v Speaker 1>Mouse a Cookie? What did you tell me?

0:32:05.760 --> 0:32:06.120
<v Speaker 3>Vanby?

0:32:06.760 --> 0:32:09.560
<v Speaker 4>Everything you need to be a great writer is in

0:32:09.680 --> 0:32:10.560
<v Speaker 4>those pages.

0:32:11.560 --> 0:32:12.680
<v Speaker 3>You just have to look.

0:32:13.120 --> 0:32:14.960
<v Speaker 1>If only that were actually true.

0:32:15.720 --> 0:32:17.880
<v Speaker 4>James studied the cover of If You Give a Mouse

0:32:17.920 --> 0:32:21.400
<v Speaker 4>a Cookie, uncertain how a book for children could possibly

0:32:21.480 --> 0:32:25.680
<v Speaker 4>help him write, least of all about this, until he

0:32:25.920 --> 0:32:28.920
<v Speaker 4>opened it and started to read.

0:32:29.720 --> 0:32:31.840
<v Speaker 5>Where's some of the words.

0:32:31.280 --> 0:32:38.600
<v Speaker 1>Circled carry Russell and Matthew Reese. This isn't just a book,

0:32:39.680 --> 0:32:48.760
<v Speaker 1>It's a code.

0:32:45.440 --> 0:32:46.600
<v Speaker 4>Rock next time on?

0:32:46.840 --> 0:32:48.840
<v Speaker 1>Does this murder make me look gay?

0:32:49.120 --> 0:32:49.600
<v Speaker 4>Or back?

0:32:50.120 --> 0:32:50.880
<v Speaker 3>Poor Teddy?

0:32:51.200 --> 0:32:52.800
<v Speaker 1>That's horrible?

0:32:53.040 --> 0:32:54.800
<v Speaker 3>Oh choking a dick?

0:32:54.920 --> 0:33:00.960
<v Speaker 12>Wilmer, Holy shit, I'm hard as a rock.

0:32:59.680 --> 0:33:02.880
<v Speaker 1>Stop got them?

0:33:02.920 --> 0:33:05.000
<v Speaker 3>Twinks? No, they don't count.

0:33:05.120 --> 0:33:08.040
<v Speaker 1>This is America, twinks always count.

0:33:09.520 --> 0:33:12.320
<v Speaker 13>Does this murder make me look gay? Stars? Michael Ury

0:33:12.480 --> 0:33:17.160
<v Speaker 13>as James Wilson, Douglas Sills as Reginald Divine, Robin de

0:33:17.240 --> 0:33:21.840
<v Speaker 13>Jesus as Wilmer Munroe, Sienne Jackson as Jacques Saint Cox,

0:33:22.720 --> 0:33:26.560
<v Speaker 13>Sean Patrick Doyle as Madame Moon, Brad Oscar as Tush

0:33:26.640 --> 0:33:31.320
<v Speaker 13>Von Munch, Nathan Lee Graham as Henry Jacobs, Frankie Grande

0:33:31.520 --> 0:33:35.600
<v Speaker 13>as Kelly Raymore, and Flanagan, Seth Rudetsky as Polly Barker,

0:33:36.240 --> 0:33:40.680
<v Speaker 13>Leah Delaria as tj featuring Kate McKinnon as Angela Lansferry

0:33:41.040 --> 0:33:44.960
<v Speaker 13>with Leah Salonga as herself, and Jonathan Freeman as Vandy

0:33:45.080 --> 0:33:50.680
<v Speaker 13>Jeremiah Munroe the Third Additional performances by Ryan Steele, Mallory Portnoy,

0:33:51.160 --> 0:33:55.720
<v Speaker 13>Emily Lynn Nacho, Tam Bonting. Written and directed by Ted Mallower.

0:33:56.400 --> 0:34:01.160
<v Speaker 13>Executive producer Ted Mallower executive producers for Ninth Planet Audio

0:34:01.400 --> 0:34:05.480
<v Speaker 13>Elizabeth Baquitt and Jimmy Miller. Hank Woodard served as story editor.

0:34:06.240 --> 0:34:10.319
<v Speaker 13>Original score composed by Peter Lherman. Original score produced and

0:34:10.440 --> 0:34:14.160
<v Speaker 13>mixed by Alex bonanoff theme song performed by Ted Mallower.

0:34:14.800 --> 0:34:18.400
<v Speaker 13>Written by Ted Mallower and Peter Lerman piano accompaniment for

0:34:18.480 --> 0:34:22.480
<v Speaker 13>Madam Moon by Jacob Yates. Casting by Adam Caldwell, Karen

0:34:22.560 --> 0:34:26.240
<v Speaker 13>Cassel and Rachel Hoffman at Telsey and Company. Audio post

0:34:26.239 --> 0:34:31.280
<v Speaker 13>production by One Thousand Birds principal recording, dialogue, editing, sound

0:34:31.280 --> 0:34:35.640
<v Speaker 13>design and mixing by Torren Geller, Andrew Tracy and Haley Livingston.

0:34:36.080 --> 0:34:40.600
<v Speaker 13>Audio post executive producers Gwen Frailing and Kiera McKnight. Production

0:34:40.719 --> 0:34:46.719
<v Speaker 13>coordinators Hannah Dickinson, Gillian Langanelli, Isabella Danzy and Rose kelso Key.

0:34:46.800 --> 0:34:51.000
<v Speaker 13>Art by Ben Wiseman. Production accounting by Dill pret singh

0:34:51.400 --> 0:34:56.600
<v Speaker 13>Special thanks to Jordan Serf, Daniella Fetterman, Morgan Gould, Eric Harper,

0:34:57.239 --> 0:35:03.400
<v Speaker 13>Aaron Jenkin, Chelsea Krepps, Will O'Donnell, Don Saltzman, Michael Stearns,

0:35:03.440 --> 0:35:06.120
<v Speaker 13>and Josh Pultz. Does This Murder Make Me Look Gay?

0:35:06.320 --> 0:35:09.160
<v Speaker 13>Is a production of Ninth Planet Audio in association with

0:35:09.239 --> 0:35:13.000
<v Speaker 13>iHeart Podcasts. This podcast was recorded under a SAG after

0:35:13.040 --> 0:35:14.840
<v Speaker 13>a collective bargaining agreement.

0:35:18.800 --> 0:35:22.440
<v Speaker 1>Has done a overlanding rentro. I don't know, I know no.

0:35:24.360 --> 0:35:26.520
<v Speaker 5>Ninth Planet Audio cap gon.

0:35:26.560 --> 0:35:28.960
<v Speaker 13>We're overlanding, You're over landing over