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Speaker 1: Previously on does this murder make me look a Trio

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Speaker 1: Dead Bodies, Dandy Tush and Kinki Kelly.

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Speaker 2: James, surely you must have a suspicion about the murderer's identity.

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Speaker 1: You want another truth, I got nothing.

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Speaker 3: There's not a trace of this will. I'm done with

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Speaker 3: this shit.

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Speaker 4: James looked in the shower to find TJ's limp body

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Speaker 4: covered in blood.

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Speaker 5: Step into my pentagram.

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Speaker 1: Reginalds, whatever you're doing, stop it right now.

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Speaker 4: Meanwhile, in the library, one of my guests decided to strike.

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Speaker 4: They broke into my hidden safe, found my will, and

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Speaker 4: burned it to a press. Ah, dear listener, the end

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Speaker 4: is near, the phrase audience members of the Inheritance never

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Speaker 4: once heard. Let's start with a flashback to the night

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Speaker 4: of everyone's arrival. I was still alive and still gay

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Speaker 4: good times. I stood with James in my bedroom and said,

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Speaker 4: it's almost time.

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Speaker 3: The trap is set.

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Speaker 4: Now.

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Speaker 1: If I die tonight, you won't.

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Speaker 4: But if I do, there will be a lot you'll

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Speaker 4: need to figure out. I could tell you everything now,

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Speaker 4: but I won't. If you solve my murder, you'll need

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Speaker 4: to earn it, otherwise you'll be like everyone else. Wanting

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Speaker 4: things handed to you. No, if you solve a mystery,

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Speaker 4: it becomes yours and then you can write about it.

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Speaker 3: You're looking for inspiration.

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Speaker 1: Right, yes, but I don't want your death to be

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Speaker 1: my inspiration.

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Speaker 4: Too bad. The meuse strikes when she strikes. If all

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Speaker 4: goes to plan, we'll catch my wannabe killer this weekend.

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Speaker 4: Then we'll sit and write this whole mess down, every

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Speaker 4: sticky detail. Of course, I'll take sixty five percent of

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Speaker 4: all sales, but that's to haggle over later.

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Speaker 1: What if you you're wrong. There's no guarantee you'll make

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Speaker 1: it out of this.

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Speaker 4: Then I'll have honored the oldest rule, and show business

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Speaker 4: always leave them wanting more. Besides, life's but a walking shadow,

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Speaker 4: a poor player that struts and frets his hour upon

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Speaker 4: the stage and then has hurt no more. I know

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Speaker 4: my films are a bit frivolous, but there's a place

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Speaker 4: in this world for pure entertainment, don't you think? Oh,

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Speaker 4: speaking of that, I have something for you. This book

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Speaker 4: is one of my most prized possessions. I was going

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Speaker 4: to give it to Wilmer, but he wouldn't understand its importance.

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Speaker 4: That and I'm pretty sure he's illiterate. You're like a

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Speaker 4: son to me anyway.

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Speaker 1: Oh if you give him ouse a cookie?

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Speaker 4: Classic Everything you need to be a great writer is

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Speaker 4: in those pages.

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Speaker 3: You just have to look here.

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Speaker 1: Take the back entrance, will you sure? Thanks for being

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Speaker 1: so kind to me, Bandy call me Jeremiah.

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Speaker 3: Those closest to me do.

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Speaker 4: It's my middle name. Now go see you on the

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Speaker 4: flip side, kid, I'm coming.

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Speaker 6: In a house on him.

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Speaker 7: Lives a kay and his friends want him dead?

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Speaker 8: Right?

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Speaker 7: Why someone wants to kill him even though it's wrong?

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Speaker 7: Since the world is matter wrong, Thanny is born, it's

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Speaker 7: very closely listen with yourris see if you can guess

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Speaker 7: switch one of these queens?

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Speaker 3: Maybe is the killer? Who is the killer? Who did it?

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Speaker 1: Who wanted?

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Speaker 3: Who crept in his man?

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Speaker 2: Who did.

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Speaker 6: Was it?

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Speaker 3: Was it?

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Speaker 6: Me? Who could it be?

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Speaker 1: Who did it? They're drugging like flies? Who didn't.

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Speaker 7: These guys like guys?

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Speaker 1: Who did it?

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Speaker 6: Who was it?

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Speaker 1: He?

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Speaker 4: What me?

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Speaker 7: Does this word make me?

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Speaker 3: Look? Now?

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Speaker 4: When we last heard James, he barricaded himself in my

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Speaker 4: study after his devilish rendezvous with Reginald.

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Speaker 1: The gay killer has been staring into my gay eyes

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Speaker 1: this entire time. It's gay Reginald.

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Speaker 4: So he did what any writer turned amateur detective would do,

85
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Speaker 4: scan through the secret audio footage to find out more information.

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Speaker 1: Okay, okay, what's the time stamp? Ah, everyone's first night

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Speaker 1: in the house before we found Vandy's body. This is

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Speaker 1: Reginald's bedroom.

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Speaker 6: Can well sure it could be a doctor?

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Speaker 3: No, something believable new.

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Speaker 1: Let me see here later that night.

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Speaker 4: I'm telling you, Henry, there's nothing on the street like

93
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Speaker 4: this stuff.

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Speaker 6: I can't afford it.

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Speaker 3: Well, beget what you pay for.

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Speaker 1: Weird, but no, let's go further back. Before everyone arrived.

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Speaker 4: Reginald, have you finished the seating arrangements for dinner?

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Speaker 9: Oh?

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Speaker 3: Yeah, I threw as many bodies as I could between

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Speaker 3: us and Kelly's gas Can I see?

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Speaker 4: No, don't sit me next to Moon. I have to

102
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Speaker 4: break bad news to her, very bad news.

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Speaker 1: Vandy had to break bad news to Moon. Interesting. Okay,

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Speaker 1: a little further back that afternoon, two.

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Speaker 9: Boxes of Samoa's, three lemonades, seven tagalongs, and forty eight

106
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Speaker 9: thin mints. I really appreciate your business, sir, swiping cookie

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Speaker 9: contraband from the Girl Scouts of America warehouse and upselling

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Speaker 9: it to older gays who are terrified of interacting with children.

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Speaker 9: Is the only way I can put myself through. Bard say,

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Speaker 9: you have a weird look on your face. Are you

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Speaker 9: stroking out your.

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Speaker 3: Skin? It's so Do you moisturizes? Nope? Should I you're

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Speaker 3: naturally that mummam moist that do?

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Speaker 6: Hey, mister, you're sort of shaking.

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Speaker 9: And frothing at the mouth.

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Speaker 1: Okay, Oh yes, house, Oh.

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Speaker 3: Yes, I just hands free climax to my boy shirts,

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Speaker 3: I mean my boxer's, uh, my thong. Has anyone ever

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Speaker 3: painted you?

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Speaker 1: Just my priest?

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Speaker 3: How would you feel about me drawing you in the nude?

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Speaker 1: Um?

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Speaker 3: What?

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Speaker 1: No, the computer died. This one room generator must be capote.

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Speaker 4: James knew what he had to do.

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Speaker 8: I'm breaking into Reginald's arts studio. But first, James tiptoed

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Speaker 8: back to his bedroom, where he stashed the gun that

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Speaker 8: Wilmer brought. He might need it if he planned to

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Speaker 8: confront Reginald.

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Speaker 3: Only the gun.

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Speaker 1: It's gone, ooh, a paper clip.

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Speaker 4: Meanwhile, in Henry's room, the interior designer tossed and turned.

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Speaker 2: I haven't been this tense since I learned Max was

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Speaker 2: turning Harry Potter into a television series, and Daniel Radcliffe

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Speaker 2: wanted nothing to do with it. Oh, Vandy, why'd you

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Speaker 2: have to be such a prick? There was enough room

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Speaker 2: in the Hudson Valley for both of us. We could

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Speaker 2: have been friends, or, if not friends, the kind of

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Speaker 2: gay men who waved to each other in public, then

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Speaker 2: hiss behind closed doors midnight time for daddy's medicine. If

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Speaker 2: grandmother could see me now, she'd be so disappointed. She

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Speaker 2: always warned me to stay away from needles. Sorry, mem

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Speaker 2: I'm weak.

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Speaker 3: Maybe I can stop.

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Speaker 2: Maybe I can be happy without having to curb my

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Speaker 2: appetite and fit into a Rondorf's speedo this summer.

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Speaker 1: Put down the needle, Henry put it down.

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Speaker 3: That's it. That's who am I kidding?

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Speaker 4: Ah On the other side of my house, Weaponless and afraid,

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Speaker 4: James picked the lock to Reginald Studio with a rainbow

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Speaker 4: colored paper clip and snuck inside.

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Speaker 1: Man, this place is weird. The paintings are all covered,

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Speaker 1: which creepy and look a fire. Someone's been here recently.

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Speaker 4: Dear listener, have you ever been inside an art studio

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Speaker 4: in the middle of a storm with dozens of covered paintings?

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Speaker 4: The art studio of a man you suspect is responsible

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Speaker 4: for multiple homicides and may or may not be in

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Speaker 4: direct contact with the devil. The last time James had

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Speaker 4: been this scared was when Armie Hammer slid into his

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Speaker 4: DMS for some reason.

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Speaker 1: I'm dr on to this painting in the corner and

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Speaker 1: when I saw earlier, let me uncover it. The missing

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Speaker 1: girl scout cookies twink, Only he looks different, younger, definitely

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Speaker 1: still over eighteen. Let's not get carried away. But no, impossible,

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Speaker 1: It's only a painting. It can't What was that sounds

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Speaker 1: like it's coming from. Is that a hidden door? This

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Speaker 1: studio has another room? Here goes nothing, Dear God, I'm

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Speaker 1: more anxious than when I watched Studdy Redmain in the Danish.

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Speaker 4: Carp Without intending to James had stumbled inside.

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Speaker 1: A laboratory or laboratory laboratory, man, I never know how

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Speaker 1: I pronounced that word.

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Speaker 4: Half mes lab, half a cultist, wet dreams, test tubes, pipets, microscopes, thermometers, funnels,

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Speaker 4: more pipets, and candles along the floor in the shape

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Speaker 4: of a pentagram. Oh, and a trunk in the corner.

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Speaker 4: James moved with trepidation toward the trunk and lifted the lid.

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Speaker 4: Inside was a shrunken man who looked more than one

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Speaker 4: hundred years old. He was emaciated, and his skeleton wrists

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Speaker 4: were handcuffed together. The man's eyes widened when he saw James.

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Speaker 1: Wait, I recognize you. I mean you look completely different

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Speaker 1: and on the verge of death. But you have the

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Speaker 1: same eyes as that girl Scout Twink in the painting.

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Speaker 6: It me.

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Speaker 1: Twink, Canni Kenneth, it was your voice I heard on

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Speaker 1: the recording. I will help you, I promise.

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Speaker 4: But life isn't fair, dear listener, and not all prematurely

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Speaker 4: ate twigs get a happy ending. Kenneth raised a shaky

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Speaker 4: hand towards James, but before their fingers could touch, Kenneth's

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Speaker 4: eyes closed and he slipped away.

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Speaker 1: Wake up, old twig, way, God.

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Speaker 3: You had to poke your nose where it didn't belong, didn't.

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Speaker 1: You, Rechald You're here holding a gun and pointing it

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Speaker 1: right at me.

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Speaker 5: You bet you're gay round ass I am.

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Speaker 3: There's a man in my life who's made all the difference.

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Speaker 3: You may know him as Lucifer, or Beelzebub or Mephistopheles,

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Speaker 3: not to be confused with mister Mustopheles from the long

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Speaker 3: running musical and ill faded movie. Can't you're talking about Satan,

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Speaker 3: the supreme being of evil? I'm his sex slave? What

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Speaker 3: a hello? Low? Once Lola fucking gets bitch, I remember

200
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Speaker 3: the day we met? Eighteen sixty nine? Who what a year?

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Speaker 3: As in Ulysses S. Grant was our president, The World's

202
00:13:24,360 --> 00:13:30,280
Speaker 3: Force Rodeo was held in Colorado and then disaster September

203
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Speaker 3: twenty fourth, Black Friday, the.

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Speaker 1: Sorry are you saying you're one hundred and fifty five

205
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Speaker 1: years old?

206
00:13:37,960 --> 00:13:40,600
Speaker 3: No, dummy, I was thirty when the story took place,

207
00:13:40,600 --> 00:13:42,720
Speaker 3: so I'm saying I'm one hundred and eighty five years old.

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Speaker 3: Will you keep up? Now? Back to eighteen sixty nine,

209
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Speaker 3: two men j Fisk and James Gould took advantage to

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Speaker 3: the president to gain insider information and manipulate the market.

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Speaker 3: I was living in Manhattan and I built a name

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Speaker 3: for myself on Wall Street.

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Speaker 5: I lost everything and that fallout.

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Speaker 3: One night, I climbed at the top of the Empire

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Speaker 3: State Building. I was about to jump when a man

216
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Speaker 3: came out of the shadows. What you do? When he said?

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Speaker 3: I told him I was gonna take my own life.

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Speaker 3: You see, I've always been vain and back then I

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Speaker 3: used to make my own moisturizer from honey, crushed almonds

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Speaker 3: and pig fat, and pig fat don't come cheap. My friend,

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Speaker 3: and this man told me that instead of jumping off

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Speaker 3: the roof, I could sell him my soul. What do

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Speaker 3: I get in return? I asked, anything you want? He said.

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Speaker 3: My first request was to become successful and have people

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Speaker 3: fear me, even though the reason for my success would

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Speaker 3: be unclear. The man said no, because he'd already made

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00:14:44,520 --> 00:14:46,920
Speaker 3: that deal with Ryan Murphy. What about if I star

228
00:14:47,040 --> 00:14:49,400
Speaker 3: in a television drama about politics while using my fame

229
00:14:49,480 --> 00:14:51,800
Speaker 3: to take advantage of adolescence. The man said no to

230
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Speaker 3: that too, since he'd made that deal with Kevin Spacey.

231
00:14:54,560 --> 00:14:59,240
Speaker 3: Allegedly also, he asked, what is television? And finally I said,

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Speaker 3: what a about eternal youth? That the man said that

233
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Speaker 3: I can do? And he did. In exchange for my

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00:15:07,920 --> 00:15:11,040
Speaker 3: soul and my devotion, the devil granted me the ability

235
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Speaker 3: to suck the life from a human being and digest it,

236
00:15:15,440 --> 00:15:18,760
Speaker 3: keeping myself glowing a youthful leg every day. With spade,

237
00:15:19,360 --> 00:15:22,120
Speaker 3: he fashioned a paintbrush from one of my ribs, and

238
00:15:22,200 --> 00:15:26,720
Speaker 3: on the end he placed eyelashes from angry gay orphans.

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Speaker 3: This became my paintbrush, and my own skin became my canvases.

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Speaker 3: Little did I know there was another man on the

241
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Speaker 3: roof that night, Oscar Wild. He overheard my deal with

242
00:15:40,840 --> 00:15:43,120
Speaker 3: the devil and wrote a book about it, The Picture

243
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Speaker 3: of Dorian.

244
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Speaker 1: Gay Gray, The Picture of Dorian Gray Whatever.

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Speaker 3: Over the years, I've lured hundreds of young men into

246
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Speaker 3: my home. I've flayed every inch of my own body

247
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Speaker 3: and stretched the pieces of my skin into canvases and

248
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Speaker 3: used my pagan rush to paint them, and by doing so,

249
00:16:03,400 --> 00:16:06,760
Speaker 3: ingest the spirits of these twinks. You see this curve

250
00:16:06,800 --> 00:16:09,880
Speaker 3: below my ear. His name was Antonio. The toughness of

251
00:16:09,880 --> 00:16:12,840
Speaker 3: my left nostril, that's Maurice. My creamy shoulders, those were

252
00:16:12,920 --> 00:16:16,880
Speaker 3: chan Paul. I have capped myself young all these years,

253
00:16:17,280 --> 00:16:21,080
Speaker 3: both World War, civil rights, gay rights, hell. I even

254
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Speaker 3: survived the OC being canceled on Fox.

255
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Speaker 1: How do you lure the twinks?

256
00:16:26,800 --> 00:16:29,360
Speaker 3: Easy? I tell them, I want to my girl scout

257
00:16:29,400 --> 00:16:31,640
Speaker 3: cookies and lock them up, draining them dry until there

258
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Speaker 3: are pile of bones, which I then burned The fireplace,

259
00:16:34,400 --> 00:16:37,000
Speaker 3: and now well, now it's your turn.

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Speaker 1: Wait a second, what about Vandy and Tush and Kelly and.

261
00:16:41,400 --> 00:16:42,880
Speaker 3: Oh no, I had nothing to do with them.

262
00:16:43,400 --> 00:16:46,400
Speaker 1: Your room is linked to Kelly's. You were cheating on Vandy.

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Speaker 1: You stole the gun to kill me.

264
00:16:48,200 --> 00:16:51,280
Speaker 3: I stole it to protect myself, and thanks Satan, I

265
00:16:51,360 --> 00:16:53,920
Speaker 3: did because now that you know my secret, it is

266
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Speaker 3: time to meet your maker.

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Speaker 5: Farewell, James.

268
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Speaker 3: It's been hmmm cool getting to know you. What the

269
00:17:03,600 --> 00:17:07,320
Speaker 3: hell this gun's full of blanks?

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00:17:07,359 --> 00:17:12,040
Speaker 4: Suddenly Wilmer appeared. Yes, kid, Wilmer.

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Speaker 1: Reginald's the killer.

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00:17:14,200 --> 00:17:14,560
Speaker 6: I know.

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00:17:15,280 --> 00:17:16,480
Speaker 1: I heard you in the hallway.

274
00:17:16,640 --> 00:17:19,600
Speaker 6: I've always known what kind of a monster my stepfather is.

275
00:17:20,040 --> 00:17:22,560
Speaker 1: You knew he sucked the life out of twigs.

276
00:17:22,880 --> 00:17:25,320
Speaker 6: Not specifically, but I got an overall creepy vibe.

277
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Speaker 3: Reginald.

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00:17:26,920 --> 00:17:30,280
Speaker 6: That gun you just tried to kill James with it's fake,

279
00:17:31,160 --> 00:17:35,120
Speaker 6: a prop from one of Daddy's movies. I was never

280
00:17:35,240 --> 00:17:38,920
Speaker 6: actually going to kill my father. It was a last

281
00:17:38,960 --> 00:17:40,919
Speaker 6: resort to scare him.

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Speaker 3: Now he's gone, no matter, I'll have to silence you

283
00:17:45,160 --> 00:17:47,160
Speaker 3: both another way.

284
00:17:48,280 --> 00:18:06,280
Speaker 10: A big sharp knife, run James, Oh, get off me.

285
00:18:07,560 --> 00:18:10,159
Speaker 1: Get off me. Why isn't anyone on me.

286
00:18:11,600 --> 00:18:15,560
Speaker 4: Then, faster than Adele lost all that weight. Reginald had

287
00:18:15,600 --> 00:18:17,680
Speaker 4: the knife press to James's neck.

288
00:18:18,680 --> 00:18:23,320
Speaker 5: Don't worry, James, I'll bathe in your precious blood.

289
00:18:24,240 --> 00:18:29,919
Speaker 3: Reginald, stop your next Wilma not if not, if I

290
00:18:30,240 --> 00:18:35,680
Speaker 3: do this my painting, you get your hands off that.

291
00:18:35,880 --> 00:18:38,640
Speaker 6: Watch your twinkard burn bitch.

292
00:18:39,040 --> 00:18:47,840
Speaker 3: Wilmer No, no, no, no, my babe.

293
00:18:48,359 --> 00:18:51,600
Speaker 1: He's getting older.

294
00:18:52,280 --> 00:18:56,359
Speaker 4: As the painting burned, frown lines appeared around Reginald's mouth,

295
00:18:56,720 --> 00:18:59,959
Speaker 4: crow's feet by his eyes. He was aging by the second.

296
00:19:00,240 --> 00:19:05,639
Speaker 1: Quick Wilmer burn another one. I'm melting.

297
00:19:07,400 --> 00:19:08,840
Speaker 5: I'm melting.

298
00:19:09,280 --> 00:19:12,000
Speaker 4: Reginald's let go of James and clutched his own neck.

299
00:19:12,560 --> 00:19:15,879
Speaker 4: Jowls had begun to form. His man breast billowed and

300
00:19:16,000 --> 00:19:17,640
Speaker 4: sagged more.

301
00:19:17,640 --> 00:19:20,400
Speaker 1: Wilmer burn it all.

302
00:19:21,200 --> 00:19:23,320
Speaker 3: No, stop it, I'll do anything.

303
00:19:23,359 --> 00:19:25,600
Speaker 1: Admit to the murders case. That's what you did.

304
00:19:25,760 --> 00:19:32,200
Speaker 3: Fine, fine, just stop with the paintings. Is that? Yes?

305
00:19:32,680 --> 00:19:37,280
Speaker 1: Yes, the power's back on. Oh my god, what is it?

306
00:19:37,320 --> 00:19:37,520
Speaker 11: Boy?

307
00:19:39,480 --> 00:19:40,560
Speaker 1: It's worse in the light.

308
00:19:43,800 --> 00:19:47,160
Speaker 4: As will mc grabbed the weeping Reginald, James pulled out

309
00:19:47,160 --> 00:19:50,320
Speaker 4: his cell phone. He had bars praise be.

310
00:19:53,440 --> 00:19:57,440
Speaker 1: I'm in the Monroe Estate, and I just caught a murderer. Yes,

311
00:19:57,560 --> 00:19:58,520
Speaker 1: I'll hold.

312
00:20:00,359 --> 00:20:04,680
Speaker 4: Everyone slept peacefully that night, well everyone who wasn't dead,

313
00:20:05,080 --> 00:20:08,760
Speaker 4: although being dead myself one does sleep well in the afterlife,

314
00:20:08,800 --> 00:20:12,840
Speaker 4: so let me revise that statement. All of my guests

315
00:20:12,880 --> 00:20:16,679
Speaker 4: slept peacefully that night, except Reginald, who was locked in

316
00:20:16,720 --> 00:20:17,960
Speaker 4: the broom cupboard.

317
00:20:17,720 --> 00:20:19,240
Speaker 3: And looked like a potato chip.

318
00:20:20,040 --> 00:20:23,040
Speaker 4: James slept especially sound, knowing he'd stopped to kill her

319
00:20:23,040 --> 00:20:26,040
Speaker 4: and avenged my death. He awoke the next morning to

320
00:20:26,080 --> 00:20:29,359
Speaker 4: the cheerful sound of the piano coming from downstairs. He

321
00:20:29,480 --> 00:20:32,440
Speaker 4: threw on a robe and found my HouseGuest drinking chock

322
00:20:32,480 --> 00:20:36,440
Speaker 4: full of nuts instant coffee and listening to moons singing.

323
00:20:37,440 --> 00:20:42,280
Speaker 12: Come on in here, Come on in here, alexander'sractime band,

324
00:20:42,720 --> 00:20:45,800
Speaker 12: Come on in here, Come on in here. It's the

325
00:20:45,840 --> 00:20:51,080
Speaker 12: best band in the land. James, you're awake. I am

326
00:20:51,160 --> 00:20:55,120
Speaker 12: so overjoyed that Reginald is locked away. That I forced

327
00:20:55,200 --> 00:20:59,840
Speaker 12: Polly to play something, didn't I Polly? You resisted, which

328
00:20:59,840 --> 00:21:02,840
Speaker 12: you never do, but I wore you down.

329
00:21:03,359 --> 00:21:05,639
Speaker 5: I'm trying to be respectful of the dead.

330
00:21:06,160 --> 00:21:09,800
Speaker 12: Come on along, come on along, let me take you

331
00:21:09,960 --> 00:21:16,440
Speaker 12: by the hand. Come up to the man, Pauline, How

332
00:21:16,680 --> 00:21:18,560
Speaker 12: unlike you to make a mistake.

333
00:21:19,080 --> 00:21:23,719
Speaker 11: You never hit a wrong note. I guess I'm tired mooney,

334
00:21:23,920 --> 00:21:25,040
Speaker 11: and who could blame you?

335
00:21:25,600 --> 00:21:25,879
Speaker 1: Shall?

336
00:21:25,920 --> 00:21:27,440
Speaker 12: I do the chorus once more?

337
00:21:27,680 --> 00:21:29,760
Speaker 3: Wad stop?

338
00:21:30,200 --> 00:21:32,800
Speaker 1: Now that the storm is stopped, law enforcement will be

339
00:21:32,880 --> 00:21:36,520
Speaker 1: here as soon as the roads are cleared. Reginald is

340
00:21:36,640 --> 00:21:37,240
Speaker 1: locked away?

341
00:21:37,359 --> 00:21:40,080
Speaker 3: Do we take a peek? I hear his face and body.

342
00:21:40,080 --> 00:21:43,119
Speaker 1: You're all funny, Honestly, it's something you can't unsee. I

343
00:21:43,480 --> 00:21:46,480
Speaker 1: suggest you don't. Oh, I've seen a lot of weird

344
00:21:46,480 --> 00:21:49,680
Speaker 1: shit in my day. Wait, where's Henry? Has anyone seen him?

345
00:21:49,760 --> 00:21:51,000
Speaker 1: Maybe he's still sleeping.

346
00:21:51,320 --> 00:21:54,000
Speaker 4: Someone should check, and someone did.

347
00:21:55,080 --> 00:21:57,360
Speaker 1: Henry, Henry, are you in there?

348
00:21:58,560 --> 00:21:58,960
Speaker 5: Locked?

349
00:22:00,240 --> 00:22:00,720
Speaker 3: But wait?

350
00:22:01,760 --> 00:22:07,000
Speaker 1: My paper clip? Henry.

351
00:22:07,680 --> 00:22:10,280
Speaker 4: James rushed to Henry's bed, where he found the interior

352
00:22:10,320 --> 00:22:13,520
Speaker 4: decorator with a needle in his arm. His lips were

353
00:22:13,600 --> 00:22:15,240
Speaker 4: tapped and blew.

354
00:22:16,000 --> 00:22:17,639
Speaker 1: An overdose.

355
00:22:18,560 --> 00:22:20,760
Speaker 3: Way over. What's that On the.

356
00:22:20,720 --> 00:22:26,640
Speaker 4: Floor next to Henry's bed was a wand it wasn't real,

357
00:22:26,720 --> 00:22:30,560
Speaker 4: of course, but James gently picked it up and placed

358
00:22:30,600 --> 00:22:32,119
Speaker 4: it on Henry's chest.

359
00:22:33,280 --> 00:22:36,760
Speaker 1: I hope you're at Hogwarts now, Henry, and I double

360
00:22:36,800 --> 00:22:38,240
Speaker 1: hope you're not a hufflepuff.

361
00:22:39,680 --> 00:22:42,679
Speaker 4: Once James collected himself, there was someone he had to

362
00:22:42,680 --> 00:22:43,359
Speaker 4: speak with.

363
00:22:43,840 --> 00:22:48,800
Speaker 1: Immediately, Reginald. We need to talk.

364
00:22:49,320 --> 00:22:51,600
Speaker 3: Well, then come on in.

365
00:22:52,119 --> 00:22:55,040
Speaker 1: I'm coming too. Chuck stop, Reginald.

366
00:22:55,320 --> 00:23:01,160
Speaker 3: Oh my god, Ah, look away, Jack. I can't bear

367
00:23:01,200 --> 00:23:02,439
Speaker 3: for you to see me like this.

368
00:23:02,880 --> 00:23:05,960
Speaker 1: You look like a prolapsed anus Reginald. I just found

369
00:23:06,000 --> 00:23:09,800
Speaker 1: Henry upstairs, dead with a needle in his arm. I've

370
00:23:09,840 --> 00:23:12,240
Speaker 1: seen him with needles before, and I've seen you selling

371
00:23:12,320 --> 00:23:15,160
Speaker 1: him stuff that first night when we were looking for Vandy.

372
00:23:15,240 --> 00:23:20,600
Speaker 3: Oh fine, fine, I don't have the energy to lie

373
00:23:20,600 --> 00:23:23,240
Speaker 3: in my quest for eternal youth and to maintain my

374
00:23:23,400 --> 00:23:30,280
Speaker 3: unnatural beauty. I've developed a whole host of concoctions. You

375
00:23:30,320 --> 00:23:31,520
Speaker 3: saw my laboratory.

376
00:23:32,000 --> 00:23:33,040
Speaker 1: Is that how you pronounce it?

377
00:23:33,119 --> 00:23:37,600
Speaker 3: Well, Henry's been using my crowning achievement, cometh pic. It's

378
00:23:37,680 --> 00:23:41,280
Speaker 3: essentially ozembic for weight loss plus meth rat poison and

379
00:23:41,320 --> 00:23:43,560
Speaker 3: a little bit of sweet and low. But I didn't

380
00:23:43,640 --> 00:23:46,960
Speaker 3: kill my best customer, at least not on purpose.

381
00:23:47,560 --> 00:23:52,359
Speaker 1: I guess that makes sense sort of. Henry was never hungry,

382
00:23:52,480 --> 00:23:57,320
Speaker 1: stomach always hurt, and now he's dead. Reginald. You owe

383
00:23:57,400 --> 00:24:00,399
Speaker 1: us some answers now.

384
00:24:00,440 --> 00:24:04,359
Speaker 4: Moments later, my remaining guests resembled around Reginald, who was

385
00:24:04,400 --> 00:24:06,480
Speaker 4: tied to the back of a chair in the living room.

386
00:24:06,760 --> 00:24:09,200
Speaker 6: Damn, it's hard to look at you, Reginald. You make

387
00:24:09,720 --> 00:24:12,000
Speaker 6: Jimmy Carter look like Sean Mendes.

388
00:24:12,400 --> 00:24:15,720
Speaker 1: Explain yourself. You killed Vandy so you'd inherit this estate.

389
00:24:16,440 --> 00:24:17,680
Speaker 1: Why do the others have to die?

390
00:24:17,800 --> 00:24:19,080
Speaker 11: And how did you do it?

391
00:24:19,800 --> 00:24:23,960
Speaker 3: First of all, I owe you nothing, and second, I

392
00:24:24,000 --> 00:24:24,840
Speaker 3: didn't kill them.

393
00:24:25,359 --> 00:24:27,080
Speaker 6: No one believes you.

394
00:24:27,640 --> 00:24:30,919
Speaker 3: I don't care tell the cops I did it. I

395
00:24:30,960 --> 00:24:33,320
Speaker 3: won't argue there's no point in living when I look

396
00:24:33,440 --> 00:24:36,800
Speaker 3: like the inside of a Durian fruit. I'll take the blame.

397
00:24:37,800 --> 00:24:41,680
Speaker 3: But I only killed the twinks. Is it weird?

398
00:24:41,720 --> 00:24:42,760
Speaker 12: I sort of believe him.

399
00:24:42,920 --> 00:24:48,000
Speaker 1: Yes, Reginald, you killed them, TJ Kelly Tush, just tell

400
00:24:48,080 --> 00:24:48,760
Speaker 1: us why.

401
00:24:48,960 --> 00:24:53,000
Speaker 3: I can't tell you why because I didn't do it.

402
00:24:53,280 --> 00:24:56,479
Speaker 1: Tell us why you killed Vandy? Then? Because of the house.

403
00:24:57,160 --> 00:24:58,960
Speaker 1: He found out you were fucking Jack and you thought

404
00:24:59,000 --> 00:25:00,560
Speaker 1: he'd divorced you idiots.

405
00:25:01,160 --> 00:25:04,359
Speaker 3: You think Vandy would leave this place to me. He's

406
00:25:04,400 --> 00:25:07,600
Speaker 3: more likely to leave it to that fucking bird. I

407
00:25:07,640 --> 00:25:10,960
Speaker 3: have no idea what Vandy put in his will. Besides,

408
00:25:11,000 --> 00:25:12,439
Speaker 3: he was always changing his mind.

409
00:25:12,640 --> 00:25:17,399
Speaker 12: Have you found the will, James, No, I'm.

410
00:25:17,240 --> 00:25:20,520
Speaker 1: Sure it's in his safe. I wish, more than anything

411
00:25:20,520 --> 00:25:21,439
Speaker 1: I knew where it was.

412
00:25:26,000 --> 00:25:29,240
Speaker 3: Are you sure that you are.

413
00:25:31,040 --> 00:25:32,560
Speaker 4: If you want to find us?

414
00:25:38,240 --> 00:25:44,199
Speaker 1: Ju see.

415
00:25:44,280 --> 00:25:48,200
Speaker 6: Gay Gus did Leah so longer reveal how to find

416
00:25:48,240 --> 00:25:51,400
Speaker 6: Vandy's safe through a legally allowed parody of Cinderella's grave

417
00:25:51,480 --> 00:25:52,399
Speaker 6: from into the woods.

418
00:25:53,320 --> 00:25:56,040
Speaker 12: She's always one step ahead of me.

419
00:25:56,280 --> 00:26:00,000
Speaker 1: The face of God. Do you think Leah is singing about.

420
00:26:01,280 --> 00:26:03,080
Speaker 3: Bandy? He's not my God.

421
00:26:03,680 --> 00:26:08,800
Speaker 1: My God is the devil? Open your eyes?

422
00:26:10,280 --> 00:26:11,000
Speaker 3: What does she mean?

423
00:26:11,200 --> 00:26:13,359
Speaker 4: There were a lot of pictures in this house, proper

424
00:26:13,400 --> 00:26:14,280
Speaker 4: portraits and such.

425
00:26:15,359 --> 00:26:16,639
Speaker 3: Most of them are of Vanny.

426
00:26:17,119 --> 00:26:19,080
Speaker 4: His eyes are closed, and pretty much all of them.

427
00:26:19,200 --> 00:26:22,520
Speaker 6: Daddy always wished his eyes were blue. He tried colored

428
00:26:22,520 --> 00:26:26,280
Speaker 6: contexts once, but ended up looking like Kesha. He hated

429
00:26:26,320 --> 00:26:30,159
Speaker 6: his eyes, That's why he always closed them, and he

430
00:26:30,359 --> 00:26:33,320
Speaker 6: did refer to himself as the god of horror Flix

431
00:26:33,359 --> 00:26:34,400
Speaker 6: more than once.

432
00:26:34,920 --> 00:26:39,520
Speaker 12: Leah sang open your eyes. Maybe there's a painting of

433
00:26:39,640 --> 00:26:43,080
Speaker 12: Vandy with his eyes, you know, not closed.

434
00:26:43,040 --> 00:26:45,800
Speaker 1: And maybe the safe with the will is hidden behind

435
00:26:45,840 --> 00:26:50,800
Speaker 1: that portrait. But there are loads in this house of portraits.

436
00:26:50,840 --> 00:26:52,480
Speaker 1: I mean, should we.

437
00:26:52,520 --> 00:26:57,200
Speaker 4: Check and check? They did, Moon, Polly, Jacques, and James

438
00:26:57,440 --> 00:27:01,399
Speaker 4: searched the house while Wilmer watched over Reginald. Eventually, James

439
00:27:01,400 --> 00:27:03,520
Speaker 4: found an oil painting of me in my study.

440
00:27:04,080 --> 00:27:04,520
Speaker 3: I had a.

441
00:27:04,560 --> 00:27:08,359
Speaker 4: Commissioned from my sixtieth birthday with my sweet Dash and

442
00:27:08,600 --> 00:27:13,639
Speaker 4: Jessica in my lap rip and in this painting my

443
00:27:13,800 --> 00:27:15,840
Speaker 4: eyes were wide open.

444
00:27:16,359 --> 00:27:20,200
Speaker 1: Everyone I found it. Stand back.

445
00:27:23,520 --> 00:27:25,920
Speaker 11: It swings open like a door or.

446
00:27:25,880 --> 00:27:29,240
Speaker 1: A swing and look there safe.

447
00:27:30,760 --> 00:27:33,240
Speaker 3: It's locked. Damn it.

448
00:27:33,720 --> 00:27:36,000
Speaker 12: How are we supposed to figure out the code? There

449
00:27:36,080 --> 00:27:38,800
Speaker 12: must be thousands of combinations. We don't know how many

450
00:27:38,880 --> 00:27:39,560
Speaker 12: numbers are.

451
00:27:47,200 --> 00:27:51,080
Speaker 1: Of course, the code is probably miss thank you, laya salaga,

452
00:27:51,840 --> 00:27:53,840
Speaker 1: thank you wherever you are.

453
00:27:54,600 --> 00:28:00,320
Speaker 4: James entered the code, twisted the knob, and been the

454
00:28:00,359 --> 00:28:06,240
Speaker 4: safe where he expected to see my will, Only it's empty.

455
00:28:07,160 --> 00:28:08,960
Speaker 11: Well that was anti climactic.

456
00:28:09,200 --> 00:28:12,600
Speaker 12: I don't believe there's James, don't be sad.

457
00:28:13,240 --> 00:28:14,199
Speaker 5: Reginald did it?

458
00:28:14,240 --> 00:28:14,800
Speaker 4: We got him?

459
00:28:15,480 --> 00:28:16,480
Speaker 3: Yeah, I guess you're right.

460
00:28:17,680 --> 00:28:21,000
Speaker 4: As the others returned to the living room, James lingered

461
00:28:21,040 --> 00:28:22,479
Speaker 4: a moment longer at the safe.

462
00:28:22,800 --> 00:28:27,440
Speaker 1: An empty safe. It seems so unlike Bandy.

463
00:28:27,680 --> 00:28:32,320
Speaker 4: Unless James turned and noticed the fireplace in my study.

464
00:28:32,800 --> 00:28:34,960
Speaker 1: Why is there a small pile of ashes at the

465
00:28:35,080 --> 00:28:40,400
Speaker 1: base but no fire in the hearth? Hmm, maybe I

466
00:28:40,400 --> 00:28:46,040
Speaker 1: should investigate. No, don't go there, James, Reginald is responsible.

467
00:28:48,440 --> 00:28:49,520
Speaker 1: Bandy would be proud of you.

468
00:28:50,640 --> 00:28:54,080
Speaker 4: And so, with a heavy heart, James decided to visit

469
00:28:54,120 --> 00:28:56,920
Speaker 4: my body one last time before it was taken away.

470
00:28:57,920 --> 00:29:03,640
Speaker 4: He went to my bedroom and like that things got interesting.

471
00:29:05,360 --> 00:29:10,160
Speaker 1: Wilmer, I didn't think anyone was in Dandy's bedroom, anyone alive,

472
00:29:10,200 --> 00:29:12,880
Speaker 1: at least who's with Reginald.

473
00:29:13,160 --> 00:29:15,360
Speaker 6: Moon is singing to him, which I'd argue is its

474
00:29:15,400 --> 00:29:19,240
Speaker 6: own form of torture. I hate seeing them like this.

475
00:29:20,880 --> 00:29:33,240
Speaker 6: Tush Kelly, that random less but mostly daddy. He wasn't

476
00:29:33,280 --> 00:29:35,040
Speaker 6: Father of the Year, but he was still my pop.

477
00:29:36,400 --> 00:29:40,200
Speaker 6: It's stupid, but I came to tell him I helped

478
00:29:40,280 --> 00:29:43,120
Speaker 6: catch his killer. He didn't think much of me in life,

479
00:29:43,120 --> 00:29:47,280
Speaker 6: but I'm glad I honored his death in some way.

480
00:29:48,080 --> 00:29:51,280
Speaker 1: He cared a lot about his legacy, what he left

481
00:29:51,320 --> 00:29:52,240
Speaker 1: behind in the world.

482
00:29:53,000 --> 00:29:57,560
Speaker 3: So his movies, sure, but.

483
00:29:59,200 --> 00:30:02,800
Speaker 1: You you're his legacy, he really thinks.

484
00:30:02,800 --> 00:30:04,120
Speaker 3: So I know.

485
00:30:04,240 --> 00:30:09,960
Speaker 6: So, oh, Kelly, even in death, he finds a way.

486
00:30:10,280 --> 00:30:12,920
Speaker 4: Wilma went to keep Moon and Jacques company as they

487
00:30:13,040 --> 00:30:17,000
Speaker 4: chaperone Reginald. As James reached the bottom of the stairs,

488
00:30:17,400 --> 00:30:21,600
Speaker 4: he noticed Polly in the foyer, bags packed and placed

489
00:30:21,640 --> 00:30:23,520
Speaker 4: by the entrance, going somewhere.

490
00:30:24,800 --> 00:30:27,040
Speaker 11: I'm not staying in this hell hole a moment longer

491
00:30:27,040 --> 00:30:29,480
Speaker 11: than I have to. As soon as the cops come,

492
00:30:29,880 --> 00:30:33,920
Speaker 11: I'm out. I plan on taking a long vacation in Mexico.

493
00:30:34,080 --> 00:30:35,840
Speaker 11: Flush this out of my system.

494
00:30:36,400 --> 00:30:38,920
Speaker 1: Nice luggage, thanks, Moon.

495
00:30:38,760 --> 00:30:41,000
Speaker 11: And I are on the road so much. I splurged

496
00:30:41,040 --> 00:30:42,160
Speaker 11: on fancy bags.

497
00:30:42,200 --> 00:30:43,000
Speaker 13: Totally worth it.

498
00:30:43,160 --> 00:30:44,640
Speaker 1: Oh they're monogrammed.

499
00:30:44,720 --> 00:30:49,040
Speaker 11: Yeah mm for Mooney, peb for me, Polly Barker.

500
00:30:49,400 --> 00:30:50,520
Speaker 3: Cute.

501
00:30:50,760 --> 00:30:52,560
Speaker 1: I'm heading back to my cabin for a shower and

502
00:30:52,640 --> 00:30:54,960
Speaker 1: some fresh clothes. If I don't see you before you go,

503
00:30:55,320 --> 00:30:59,000
Speaker 1: it's been nice meeting you. Kind of you too, James,

504
00:31:00,080 --> 00:31:00,440
Speaker 1: You too.

505
00:31:05,160 --> 00:31:07,840
Speaker 4: James trudged through the snow on my property back to

506
00:31:07,920 --> 00:31:11,240
Speaker 4: his cabin. He sunk to the ground with each step.

507
00:31:11,600 --> 00:31:15,000
Speaker 4: Before he knew it, his pants were soaked, and not

508
00:31:15,200 --> 00:31:24,920
Speaker 4: in a fun way. Once inside his cabin, the silence

509
00:31:24,960 --> 00:31:29,960
Speaker 4: overwhelmed him. The weekend hit James on at once, the murders,

510
00:31:30,160 --> 00:31:30,720
Speaker 4: my death.

511
00:31:31,360 --> 00:31:38,000
Speaker 1: Everything Well, I'm probably out of a job, Reginald will

512
00:31:38,040 --> 00:31:41,480
Speaker 1: probably go to jail, and Wilmer will probably sell the house.

513
00:31:42,560 --> 00:31:46,000
Speaker 1: Now I'll have no excuse not to write, which is

514
00:31:46,040 --> 00:31:50,040
Speaker 1: what Mandy would have wanted. But where do I even begin?

515
00:31:52,440 --> 00:31:55,160
Speaker 1: Why do I want to be a writer? Kind of

516
00:31:55,320 --> 00:31:56,800
Speaker 1: masochistic idiot?

517
00:31:56,920 --> 00:31:58,440
Speaker 5: Am I?

518
00:31:58,480 --> 00:32:02,240
Speaker 1: Oh? I almost forgot? He's present If you Give a

519
00:32:02,360 --> 00:32:05,640
Speaker 1: Mouse a Cookie? What did you tell me?

520
00:32:05,760 --> 00:32:06,120
Speaker 3: Vanby?

521
00:32:06,760 --> 00:32:09,560
Speaker 4: Everything you need to be a great writer is in

522
00:32:09,680 --> 00:32:10,560
Speaker 4: those pages.

523
00:32:11,560 --> 00:32:12,680
Speaker 3: You just have to look.

524
00:32:13,120 --> 00:32:14,960
Speaker 1: If only that were actually true.

525
00:32:15,720 --> 00:32:17,880
Speaker 4: James studied the cover of If You Give a Mouse

526
00:32:17,920 --> 00:32:21,400
Speaker 4: a Cookie, uncertain how a book for children could possibly

527
00:32:21,480 --> 00:32:25,680
Speaker 4: help him write, least of all about this, until he

528
00:32:25,920 --> 00:32:28,920
Speaker 4: opened it and started to read.

529
00:32:29,720 --> 00:32:31,840
Speaker 5: Where's some of the words.

530
00:32:31,280 --> 00:32:38,600
Speaker 1: Circled carry Russell and Matthew Reese. This isn't just a book,

531
00:32:39,680 --> 00:32:48,760
Speaker 1: It's a code.

532
00:32:45,440 --> 00:32:46,600
Speaker 4: Rock next time on?

533
00:32:46,840 --> 00:32:48,840
Speaker 1: Does this murder make me look gay?

534
00:32:49,120 --> 00:32:49,600
Speaker 4: Or back?

535
00:32:50,120 --> 00:32:50,880
Speaker 3: Poor Teddy?

536
00:32:51,200 --> 00:32:52,800
Speaker 1: That's horrible?

537
00:32:53,040 --> 00:32:54,800
Speaker 3: Oh choking a dick?

538
00:32:54,920 --> 00:33:00,960
Speaker 12: Wilmer, Holy shit, I'm hard as a rock.

539
00:32:59,680 --> 00:33:02,880
Speaker 1: Stop got them?

540
00:33:02,920 --> 00:33:05,000
Speaker 3: Twinks? No, they don't count.

541
00:33:05,120 --> 00:33:08,040
Speaker 1: This is America, twinks always count.

542
00:33:09,520 --> 00:33:12,320
Speaker 13: Does this murder make me look gay? Stars? Michael Ury

543
00:33:12,480 --> 00:33:17,160
Speaker 13: as James Wilson, Douglas Sills as Reginald Divine, Robin de

544
00:33:17,240 --> 00:33:21,840
Speaker 13: Jesus as Wilmer Munroe, Sienne Jackson as Jacques Saint Cox,

545
00:33:22,720 --> 00:33:26,560
Speaker 13: Sean Patrick Doyle as Madame Moon, Brad Oscar as Tush

546
00:33:26,640 --> 00:33:31,320
Speaker 13: Von Munch, Nathan Lee Graham as Henry Jacobs, Frankie Grande

547
00:33:31,520 --> 00:33:35,600
Speaker 13: as Kelly Raymore, and Flanagan, Seth Rudetsky as Polly Barker,

548
00:33:36,240 --> 00:33:40,680
Speaker 13: Leah Delaria as tj featuring Kate McKinnon as Angela Lansferry

549
00:33:41,040 --> 00:33:44,960
Speaker 13: with Leah Salonga as herself, and Jonathan Freeman as Vandy

550
00:33:45,080 --> 00:33:50,680
Speaker 13: Jeremiah Munroe the Third Additional performances by Ryan Steele, Mallory Portnoy,

551
00:33:51,160 --> 00:33:55,720
Speaker 13: Emily Lynn Nacho, Tam Bonting. Written and directed by Ted Mallower.

552
00:33:56,400 --> 00:34:01,160
Speaker 13: Executive producer Ted Mallower executive producers for Ninth Planet Audio

553
00:34:01,400 --> 00:34:05,480
Speaker 13: Elizabeth Baquitt and Jimmy Miller. Hank Woodard served as story editor.

554
00:34:06,240 --> 00:34:10,319
Speaker 13: Original score composed by Peter Lherman. Original score produced and

555
00:34:10,440 --> 00:34:14,160
Speaker 13: mixed by Alex bonanoff theme song performed by Ted Mallower.

556
00:34:14,800 --> 00:34:18,400
Speaker 13: Written by Ted Mallower and Peter Lerman piano accompaniment for

557
00:34:18,480 --> 00:34:22,480
Speaker 13: Madam Moon by Jacob Yates. Casting by Adam Caldwell, Karen

558
00:34:22,560 --> 00:34:26,240
Speaker 13: Cassel and Rachel Hoffman at Telsey and Company. Audio post

559
00:34:26,239 --> 00:34:31,280
Speaker 13: production by One Thousand Birds principal recording, dialogue, editing, sound

560
00:34:31,280 --> 00:34:35,640
Speaker 13: design and mixing by Torren Geller, Andrew Tracy and Haley Livingston.

561
00:34:36,080 --> 00:34:40,600
Speaker 13: Audio post executive producers Gwen Frailing and Kiera McKnight. Production

562
00:34:40,719 --> 00:34:46,719
Speaker 13: coordinators Hannah Dickinson, Gillian Langanelli, Isabella Danzy and Rose kelso Key.

563
00:34:46,800 --> 00:34:51,000
Speaker 13: Art by Ben Wiseman. Production accounting by Dill pret singh

564
00:34:51,400 --> 00:34:56,600
Speaker 13: Special thanks to Jordan Serf, Daniella Fetterman, Morgan Gould, Eric Harper,

565
00:34:57,239 --> 00:35:03,400
Speaker 13: Aaron Jenkin, Chelsea Krepps, Will O'Donnell, Don Saltzman, Michael Stearns,

566
00:35:03,440 --> 00:35:06,120
Speaker 13: and Josh Pultz. Does This Murder Make Me Look Gay?

567
00:35:06,320 --> 00:35:09,160
Speaker 13: Is a production of Ninth Planet Audio in association with

568
00:35:09,239 --> 00:35:13,000
Speaker 13: iHeart Podcasts. This podcast was recorded under a SAG after

569
00:35:13,040 --> 00:35:14,840
Speaker 13: a collective bargaining agreement.

570
00:35:18,800 --> 00:35:22,440
Speaker 1: Has done a overlanding rentro. I don't know, I know no.

571
00:35:24,360 --> 00:35:26,520
Speaker 5: Ninth Planet Audio cap gon.

572
00:35:26,560 --> 00:35:28,960
Speaker 13: We're overlanding, You're over landing over