1 00:00:00,280 --> 00:00:05,960 Speaker 1: Well, talk about a blast from the past. We have 2 00:00:06,800 --> 00:00:10,280 Speaker 1: gone our separate holiday ways for some adventures as you 3 00:00:10,360 --> 00:00:14,560 Speaker 1: hear today's recording. But we wanted to bring you a 4 00:00:14,600 --> 00:00:18,239 Speaker 1: weird thing. We did something that's somewhat historic in the 5 00:00:18,440 --> 00:00:23,239 Speaker 1: How Stuff Works Podcast network, Isn't that right, man? Yes, 6 00:00:23,360 --> 00:00:26,960 Speaker 1: this is one of our first forays into the fiction space. 7 00:00:27,440 --> 00:00:31,120 Speaker 1: This occurred in list one. Wasn't the first. We we 8 00:00:31,240 --> 00:00:35,440 Speaker 1: pioneered it previously, because this one came out in and 9 00:00:36,360 --> 00:00:42,239 Speaker 1: I believe Control Group was I think, but we but 10 00:00:42,320 --> 00:00:49,080 Speaker 1: we did this in August. Wow, that's that's incredible. This 11 00:00:49,159 --> 00:00:54,640 Speaker 1: is back when Alex Williams was our producer. Yeah, the 12 00:00:54,720 --> 00:01:00,160 Speaker 1: one and only. That is one of your not as 13 00:01:00,160 --> 00:01:02,760 Speaker 1: close coal workers, but close friends, I believe it's fair 14 00:01:02,800 --> 00:01:06,560 Speaker 1: to say. And he does fantastic sound design here. He 15 00:01:06,640 --> 00:01:10,640 Speaker 1: has one of my favorite cameos. Uh and he makes 16 00:01:10,720 --> 00:01:14,360 Speaker 1: this amazing song. If you don't care for this story, 17 00:01:14,640 --> 00:01:17,840 Speaker 1: admittedly it's weird, stick around for the song at the end. 18 00:01:17,880 --> 00:01:20,720 Speaker 1: We're telling you like it's a it's a slow crescendo 19 00:01:20,840 --> 00:01:23,920 Speaker 1: toward that song, which is easily one of the best 20 00:01:23,959 --> 00:01:27,120 Speaker 1: parts of this of this show. But right, we always 21 00:01:27,200 --> 00:01:32,520 Speaker 1: wanted to do fiction, and years back, Matt and I 22 00:01:32,560 --> 00:01:36,640 Speaker 1: received a fantastic and in no small way disturbing listener 23 00:01:36,720 --> 00:01:41,240 Speaker 1: mail which we created a story around that Matt produced 24 00:01:42,200 --> 00:01:46,880 Speaker 1: and sound designed, and then we also created a couple 25 00:01:47,000 --> 00:01:50,600 Speaker 1: of other fiction pieces. You can find them here or there, 26 00:01:50,720 --> 00:01:52,960 Speaker 1: but we usually don't We usually don't bring him out 27 00:01:53,760 --> 00:01:59,560 Speaker 1: too often. This one features a cavalcade of how stuff works, 28 00:01:59,680 --> 00:02:05,080 Speaker 1: uh guests, performers, and it takes place Nol does a 29 00:02:05,120 --> 00:02:09,320 Speaker 1: great job, Matt is all. Matt is in here as 30 00:02:10,000 --> 00:02:13,760 Speaker 1: a don't want to spoil it, like you're like, this 31 00:02:13,800 --> 00:02:15,720 Speaker 1: guy did a great job. This guy did a good job. 32 00:02:15,800 --> 00:02:20,480 Speaker 1: Matt was there, No, no, no, I've I've tried. I 33 00:02:20,520 --> 00:02:25,080 Speaker 1: don't want to say so yes, fantastic performance, Matt, and 34 00:02:25,120 --> 00:02:27,040 Speaker 1: I don't want to like. I don't want to give 35 00:02:27,080 --> 00:02:29,760 Speaker 1: it away though, because I feel like if I say 36 00:02:29,760 --> 00:02:34,959 Speaker 1: why I think your performance in this is so good, 37 00:02:35,440 --> 00:02:40,400 Speaker 1: then I'll inevitably end up talking about your character. There's 38 00:02:40,560 --> 00:02:49,520 Speaker 1: satisfied customers is coming around the bend and satisfied customers Uh. 39 00:02:49,639 --> 00:02:52,280 Speaker 1: So we we hope you enjoy. We hope you enjoy 40 00:02:52,360 --> 00:02:54,480 Speaker 1: this little fiction piece we wrote. Let us know if 41 00:02:54,480 --> 00:02:57,000 Speaker 1: you like to hear more of them. Uh, it does 42 00:02:57,160 --> 00:03:03,160 Speaker 1: feature Lauren Vogel Bomb and Annie Reese. It also features 43 00:03:03,160 --> 00:03:07,359 Speaker 1: our own Tristan McNeil. Who else is in there? No? 44 00:03:07,600 --> 00:03:11,280 Speaker 1: Brown is my favorite? Brown? Is your favorite? One? A 45 00:03:11,280 --> 00:03:17,720 Speaker 1: silver coin? Yes, there is a weird silver dollar scam 46 00:03:17,760 --> 00:03:21,480 Speaker 1: that sets off. That's right, let's let let's let people here, 47 00:03:21,600 --> 00:03:26,000 Speaker 1: Let's send him that way. Hey, enjoy this. Ben Ben 48 00:03:26,000 --> 00:03:29,000 Speaker 1: out did himself and we created something silly. We we 49 00:03:29,040 --> 00:03:32,519 Speaker 1: hope you have a wonderful holiday. From us to you, 50 00:03:33,080 --> 00:03:41,680 Speaker 1: How may we help you? Every night, in cities and 51 00:03:41,800 --> 00:03:46,920 Speaker 1: towns across America, the same conversation takes place. But where 52 00:03:47,000 --> 00:03:51,080 Speaker 1: did these hungry diners turn for convenient burger and an 53 00:03:51,080 --> 00:03:55,520 Speaker 1: easy beverage? Standing in front of the fast food friar, 54 00:03:55,720 --> 00:03:59,880 Speaker 1: like the ferryman before the river sticks, this food employees 55 00:04:00,000 --> 00:04:03,440 Speaker 1: Sam Sullivan is about to learn that some comboo meal 56 00:04:03,760 --> 00:04:07,280 Speaker 1: deals come with much more than the sight of rising 57 00:04:07,360 --> 00:04:30,640 Speaker 1: the coke. M M. Hello, Sam, it's uncle Roy. Listen. 58 00:04:30,680 --> 00:04:33,480 Speaker 1: Have you heard from Amanda? No, she was supposed to 59 00:04:33,560 --> 00:04:35,960 Speaker 1: go to your place tonight, right, It's just that I 60 00:04:35,960 --> 00:04:37,840 Speaker 1: haven't heard from her yet, and it's getting late. I 61 00:04:38,000 --> 00:04:40,400 Speaker 1: texted and Calumn, but there was no response. Hey, no 62 00:04:40,600 --> 00:04:43,240 Speaker 1: phones at work, sam Come on, keep it moving to 63 00:04:43,400 --> 00:04:46,200 Speaker 1: the work. Look, I'm sure she's fine. Okay. Maybe she 64 00:04:46,240 --> 00:04:48,680 Speaker 1: went to a movie or a holiday party or something. 65 00:04:49,120 --> 00:04:50,720 Speaker 1: I hope. So it's just with all the stuff in 66 00:04:50,760 --> 00:04:53,680 Speaker 1: the news lately, you never know. Because she's fine. Look, 67 00:04:53,720 --> 00:04:55,159 Speaker 1: I have to get going. Could you just send me 68 00:04:55,160 --> 00:04:58,480 Speaker 1: a text when she gets there? Okay, well, thanks Uncle Roy. 69 00:04:58,720 --> 00:05:05,080 Speaker 1: Back to work. Then, welcome to the easels Burgers. How 70 00:05:05,120 --> 00:05:09,800 Speaker 1: may I help you, Samuel? Just the man I was 71 00:05:09,920 --> 00:05:19,200 Speaker 1: looking for? Uh? Hello, can I help you with your order? Yes, 72 00:05:19,320 --> 00:05:23,680 Speaker 1: let's see, I'll have a blackened goat chart. I'm sorry, 73 00:05:25,440 --> 00:05:29,839 Speaker 1: I mean I'll have an atoll cobbler. Yes, if that's 74 00:05:29,880 --> 00:05:33,880 Speaker 1: also your total is dollar tin? Yeah? Please drive around 75 00:05:33,880 --> 00:05:40,479 Speaker 1: to the second window. Okay, here we sir? Are you 76 00:05:40,520 --> 00:05:45,799 Speaker 1: all right? What? Oh? The chains? Pay no mind, Samuel. 77 00:05:45,880 --> 00:05:49,160 Speaker 1: I have something very important to tell you. How do 78 00:05:49,200 --> 00:05:52,679 Speaker 1: you know my name? No time? Listen and listen closely. 79 00:05:54,240 --> 00:05:57,120 Speaker 1: Years ago you made a promise and a bargain, and 80 00:05:57,200 --> 00:06:01,080 Speaker 1: now this promise comes due tonight. You will be visited 81 00:06:01,120 --> 00:06:04,719 Speaker 1: by three spirits. Not all wish you well, but you 82 00:06:04,800 --> 00:06:11,040 Speaker 1: must answer each question, each request, and you must remember Ultimately, 83 00:06:11,240 --> 00:06:14,000 Speaker 1: how you answer is up to you. The choices will 84 00:06:14,080 --> 00:06:21,479 Speaker 1: always and only be your own. Ah okay, yeah sure, pal, 85 00:06:21,640 --> 00:06:24,400 Speaker 1: but spirits are no spirits. The apple cobbler here is 86 00:06:24,400 --> 00:06:31,280 Speaker 1: still a dollar ten. This should suffice, remember, Samuel, the 87 00:06:31,400 --> 00:06:43,960 Speaker 1: choices are your own. Dude, Those real silver dollars? Uh? Well, 88 00:06:44,400 --> 00:06:46,000 Speaker 1: you know, I think so? Hey, did you get a 89 00:06:46,000 --> 00:06:47,839 Speaker 1: loaded that guy? No? No, no, I didn't see anyone. 90 00:06:47,920 --> 00:06:51,240 Speaker 1: Was he weird? You know? Christmas man Holidays brings out 91 00:06:51,360 --> 00:06:53,359 Speaker 1: the freaks. He was trying to do some sort of 92 00:06:53,480 --> 00:06:56,000 Speaker 1: bit or something. I guess. Hang on a sex sample. 93 00:06:56,400 --> 00:07:00,359 Speaker 1: Those silver dollars from eighteen oh four, Well the store 94 00:07:00,400 --> 00:07:03,679 Speaker 1: can still take them, right, Well, yeah, but we should 95 00:07:03,720 --> 00:07:05,839 Speaker 1: totally switch them out. I mean, you got any ones? 96 00:07:06,360 --> 00:07:10,800 Speaker 1: I think so? Yeah? Here's here's two bucks, and as 97 00:07:10,800 --> 00:07:15,040 Speaker 1: assistant manager, I declare that I'll take one considerat a 98 00:07:15,040 --> 00:07:18,000 Speaker 1: finders feed. Are these worth like money? Like money money? 99 00:07:18,320 --> 00:07:21,400 Speaker 1: Keep kidding me? Yes, yes, Sam, these old coins are 100 00:07:21,440 --> 00:07:24,320 Speaker 1: worth at least their weight in silver, probably more. But 101 00:07:24,400 --> 00:07:27,000 Speaker 1: how did that guy know my name? Who cares? Look? 102 00:07:27,160 --> 00:07:30,120 Speaker 1: Whoever he is? That nutjob just paid us hundreds of 103 00:07:30,160 --> 00:07:42,840 Speaker 1: dollars for a preheated cobbler welcome to beasels Burgers. Would 104 00:07:42,840 --> 00:07:47,280 Speaker 1: you care to try our spit roasted Bub's glutton grille? Oh? 105 00:07:47,360 --> 00:07:52,160 Speaker 1: That does sound nice, intellectable In fact, I don't care 106 00:07:52,200 --> 00:07:56,560 Speaker 1: to try one? Oh and a number three as well? Huh? 107 00:07:56,680 --> 00:08:04,760 Speaker 1: And and to drink milk? M no, no, sir, I'm 108 00:08:04,800 --> 00:08:11,920 Speaker 1: afraid we do not. I'll have an Okay, that'll be 109 00:08:12,040 --> 00:08:15,320 Speaker 1: eight dollars and nine cents. Please drive around to the 110 00:08:15,400 --> 00:08:20,440 Speaker 1: second wind Sam, Sam Sullivan, it's so wonderful to see 111 00:08:20,480 --> 00:08:24,480 Speaker 1: you again. I'm sorry have we met? Oh? Yes, but 112 00:08:24,560 --> 00:08:26,880 Speaker 1: it was a long time ago. I think that's the 113 00:08:26,880 --> 00:08:30,840 Speaker 1: phrase you'd use back before your parents were born or 114 00:08:30,880 --> 00:08:35,800 Speaker 1: their parents, back when everything was dark. I don't know 115 00:08:35,880 --> 00:08:38,000 Speaker 1: if you remember now, but it usually comes back to 116 00:08:38,080 --> 00:08:43,760 Speaker 1: everyone in time. Uh sure, okay, fine, whatever, Here we go. 117 00:08:44,120 --> 00:08:47,080 Speaker 1: One orange fanto, one bub scletton grill, and a number 118 00:08:47,120 --> 00:08:51,960 Speaker 1: three with fries perfect A. One more thing, Yes, could 119 00:08:52,000 --> 00:08:55,520 Speaker 1: you spit in it? What? Could you spit in the 120 00:08:55,559 --> 00:08:59,280 Speaker 1: bag as a favor? I'm not sure that's a good idea, sir, 121 00:08:59,800 --> 00:09:02,200 Speaker 1: And she has a good idea, so I'm not spit 122 00:09:02,360 --> 00:09:07,440 Speaker 1: in the bag, okay, Jesus, all right, that'll still be 123 00:09:07,520 --> 00:09:13,000 Speaker 1: eight dollars and cents here keep the change. How about 124 00:09:13,000 --> 00:09:16,679 Speaker 1: I give you something else, Sam, as a tip. Your 125 00:09:16,760 --> 00:09:20,600 Speaker 1: daughter isn't at the movies, She isn't at a holiday party. 126 00:09:20,679 --> 00:09:23,960 Speaker 1: Are you a friend of Amanda's? What? A friend of everyone's? 127 00:09:24,080 --> 00:09:30,720 Speaker 1: At the end, it's just another beginning. What perfect, my, my, 128 00:09:31,200 --> 00:09:36,840 Speaker 1: What a time we're having, Remember Sam, that's the thing 129 00:09:36,880 --> 00:09:50,240 Speaker 1: about kids, They're never wear your thing. Hey, Tim, Yeah, 130 00:09:50,280 --> 00:09:53,000 Speaker 1: I'm starting to get a weird feeling a little under 131 00:09:53,000 --> 00:09:55,400 Speaker 1: the weathers. Is there anyone else we could call in? 132 00:09:55,480 --> 00:09:57,760 Speaker 1: And I'm afraid not, Man, it's just you and me 133 00:09:58,160 --> 00:10:01,560 Speaker 1: on the graveyard shift till dawn. You want some ass 134 00:10:01,559 --> 00:10:06,920 Speaker 1: bread and some coffee, some cocaine? Uh? No, I appreciate it, 135 00:10:06,920 --> 00:10:09,480 Speaker 1: but I think I just need to take a restroom break. 136 00:10:09,640 --> 00:10:11,120 Speaker 1: Can you keep your eye on the drive through for 137 00:10:11,160 --> 00:10:39,000 Speaker 1: a second? Yeah? Sure? Why not? M Hi, you reached Amanda. 138 00:10:39,160 --> 00:10:40,720 Speaker 1: I'm not able to get to the phone right now, 139 00:10:40,840 --> 00:10:46,760 Speaker 1: so yeah, leave me a message, Okay? Bye? Hi Man, 140 00:10:46,800 --> 00:10:49,440 Speaker 1: Dots Dad, I'm just calling to check in. Uncle Roy 141 00:10:49,520 --> 00:10:51,720 Speaker 1: said he hasn't heard from you. Could you send us 142 00:10:51,720 --> 00:10:54,240 Speaker 1: a text when you get this right? Bye? Love you? 143 00:11:04,000 --> 00:11:08,000 Speaker 1: Did anyone come through? Nope? I guess the fans are 144 00:11:08,040 --> 00:11:26,120 Speaker 1: all waiting for you, buddy whatever. Welcome to beasels burgers. 145 00:11:26,120 --> 00:11:27,959 Speaker 1: May I interest you in an as a frost frapp 146 00:11:28,040 --> 00:11:36,679 Speaker 1: or a pale horseman Smoothie. You're quite out and look, lady, 147 00:11:36,840 --> 00:11:39,000 Speaker 1: I don't know who you people are what the hell 148 00:11:39,080 --> 00:11:41,240 Speaker 1: you think is so funny? But I am going to 149 00:11:41,320 --> 00:11:46,640 Speaker 1: call the cops on you tonight. I don't think you 150 00:11:46,760 --> 00:11:56,720 Speaker 1: understand what's happening here. I'll come around. That's better. Here, 151 00:11:56,920 --> 00:12:07,000 Speaker 1: I'll show you something. Call your manager over what's his name? Tim? Hello? Tim? Hey? Tim? Yeah? Here, 152 00:12:07,040 --> 00:12:10,640 Speaker 1: I'll try again, Tim. Oh, Tim, I know what happened 153 00:12:10,640 --> 00:12:14,000 Speaker 1: to your parakeets, Smarty remember her? The feathers were so soft, 154 00:12:14,120 --> 00:12:19,360 Speaker 1: the snaps so surprising. Dude, I said, yeah, you don't 155 00:12:19,400 --> 00:12:23,400 Speaker 1: hear that. No one can hear us, Sam, not unless 156 00:12:23,400 --> 00:12:26,640 Speaker 1: they're already touched by the dark. Unless you mean the 157 00:12:26,679 --> 00:12:30,360 Speaker 1: fryer or the a c Then no, no, Sam, I 158 00:12:30,400 --> 00:12:33,280 Speaker 1: did not hear that. What is up? Come check this 159 00:12:33,320 --> 00:12:36,760 Speaker 1: out at the window. I'm telling you, Sam, it doesn't matter. 160 00:12:37,000 --> 00:12:40,360 Speaker 1: Watch I'm waving. See me waving a very human thing 161 00:12:40,440 --> 00:12:43,360 Speaker 1: to do, like remembering to blink. What am I supposed 162 00:12:43,360 --> 00:12:45,920 Speaker 1: to be looking at Sam. Could you close the window? 163 00:12:46,280 --> 00:12:48,600 Speaker 1: Could you close the window? Please? Don't let all the 164 00:12:48,640 --> 00:12:51,280 Speaker 1: heat out? Are you seriously telling me you're in on this? 165 00:12:51,559 --> 00:12:55,000 Speaker 1: You know what? That is pretty dumb, even for you, man, 166 00:12:55,080 --> 00:12:57,720 Speaker 1: you tell him Sam, look, man, maybe you really are 167 00:12:57,800 --> 00:13:00,280 Speaker 1: into the weather or something. I know, working on the 168 00:13:00,320 --> 00:13:03,320 Speaker 1: holidays it sucks, but it's time and a half and 169 00:13:03,360 --> 00:13:04,920 Speaker 1: I got no one else to fill in here, So 170 00:13:05,080 --> 00:13:07,560 Speaker 1: just could you try and take it easy for me? Please? 171 00:13:08,040 --> 00:13:10,680 Speaker 1: Giving me a heart attack here? It's been a ghost 172 00:13:10,679 --> 00:13:13,760 Speaker 1: town all night. We haven't seen a single customer since 173 00:13:13,920 --> 00:13:17,240 Speaker 1: what the silver dollar guy. We're basically being paid to 174 00:13:17,320 --> 00:13:19,400 Speaker 1: sit on our butts here for a few hours. Can 175 00:13:19,440 --> 00:13:22,640 Speaker 1: you just hang please? You're telling me that you cannot 176 00:13:22,760 --> 00:13:27,360 Speaker 1: see her. There is no one to see Sam, Jesus, man, 177 00:13:27,400 --> 00:13:33,839 Speaker 1: would you get it together. I'm gonna grab a smoke now. 178 00:13:34,600 --> 00:13:36,559 Speaker 1: You can't trust the others, but you can trust me. 179 00:13:36,960 --> 00:13:38,640 Speaker 1: I want to make a deal with you, Sam Sullivan, 180 00:13:38,880 --> 00:13:40,640 Speaker 1: A better deal than the one you made before. I 181 00:13:40,800 --> 00:13:44,360 Speaker 1: never made a deal with anyone. Oh yes, yes you did. 182 00:13:44,920 --> 00:13:47,280 Speaker 1: Maybe you didn't know it, but the deal was made nonetheless, 183 00:13:47,800 --> 00:13:49,840 Speaker 1: and now we'll make a new one. I will give 184 00:13:49,880 --> 00:13:53,760 Speaker 1: you a prophecy, and you will give me a keepsake. Look, 185 00:13:53,800 --> 00:13:58,120 Speaker 1: I'm not sure if I understand the reliquary. Yes, that's 186 00:13:58,120 --> 00:14:00,840 Speaker 1: the word. Your grandfather's pocket watch. Do you remember the 187 00:14:00,840 --> 00:14:03,160 Speaker 1: one you gave Amanda when she graduated high school? How 188 00:14:03,160 --> 00:14:06,720 Speaker 1: did you know about the pocket watch? Reach into your pocket, Sam, 189 00:14:06,760 --> 00:14:11,440 Speaker 1: that's where pocket watches belong, isn't it? How? Oh my god? 190 00:14:11,480 --> 00:14:13,800 Speaker 1: Here it is. But but it wasn't here a second ago. 191 00:14:14,000 --> 00:14:15,920 Speaker 1: And there wasn't all that blood drying on it either. 192 00:14:15,960 --> 00:14:18,520 Speaker 1: I imagine. I don't know what sort of game you 193 00:14:18,600 --> 00:14:21,680 Speaker 1: people are playing, but I promise you give me the watch, 194 00:14:21,840 --> 00:14:24,560 Speaker 1: give me the reliquary, and I will help you find 195 00:14:24,600 --> 00:14:36,520 Speaker 1: your daughter. Okay, here the agreement is sealed. M heed 196 00:14:36,600 --> 00:14:40,160 Speaker 1: me close, Oh mortal. These three things I prophecy. You 197 00:14:40,200 --> 00:14:43,480 Speaker 1: will find one thing lost, you will lose one thing found, 198 00:14:43,760 --> 00:14:48,160 Speaker 1: and your choice in the end will be wrong. Hey wait, 199 00:14:48,720 --> 00:14:55,960 Speaker 1: what the hell? God damn it? Welcome to beasels Burgher's. 200 00:14:56,000 --> 00:15:00,680 Speaker 1: How may I help you? Mandy? We're where have you been? 201 00:15:00,720 --> 00:15:02,640 Speaker 1: Your uncle? Roy? And I'd been calling you all night. 202 00:15:03,680 --> 00:15:07,080 Speaker 1: I'm not sure where I am at. I'm just sort 203 00:15:07,120 --> 00:15:10,920 Speaker 1: of floating. They said I can come and ask you 204 00:15:11,000 --> 00:15:14,280 Speaker 1: for something. Yeah, just drive around and meet me at 205 00:15:14,320 --> 00:15:18,760 Speaker 1: the window. But I can't drive around. I read the car. 206 00:15:20,320 --> 00:15:22,440 Speaker 1: I'm sorry it was a sharp turn and I wasn't 207 00:15:22,480 --> 00:15:25,800 Speaker 1: drunker or anything, but I was probably driving too fast. 208 00:15:25,840 --> 00:15:28,880 Speaker 1: And then get it down into the lake. I think 209 00:15:28,920 --> 00:15:31,560 Speaker 1: maybe Vanessa got out, but I'm not sure. Amanda, are 210 00:15:31,640 --> 00:15:35,840 Speaker 1: you open? I only have a little time. I wanted 211 00:15:35,840 --> 00:15:39,720 Speaker 1: to ask you for a memory. Do you remember when 212 00:15:39,760 --> 00:15:42,800 Speaker 1: Mom was alive, back when the chemo took over, and 213 00:15:42,880 --> 00:15:47,800 Speaker 1: we sat by the bedside night and day, waiting, listening. 214 00:15:49,440 --> 00:15:52,800 Speaker 1: Remember all those things you thought but never told anyone, 215 00:15:54,000 --> 00:15:59,720 Speaker 1: how death has a sound and a smell. And I 216 00:16:00,080 --> 00:16:02,760 Speaker 1: remember how a Granny hospital used to take me on 217 00:16:02,840 --> 00:16:07,760 Speaker 1: field trips there the cafeteria to Georgia State and a 218 00:16:07,760 --> 00:16:11,000 Speaker 1: pizza place to keep me from saying Mom right after 219 00:16:11,080 --> 00:16:15,640 Speaker 1: the latest treatment. Remember how we would both speak, sleep 220 00:16:15,720 --> 00:16:20,160 Speaker 1: sometimes just watching her, watching a shallow breath, wondering if 221 00:16:20,200 --> 00:16:24,280 Speaker 1: her chest would rise again or in all sham the 222 00:16:24,320 --> 00:16:28,480 Speaker 1: one we just saw would be last. This isn't real, 223 00:16:28,920 --> 00:16:32,640 Speaker 1: that's what you said to that part. I remember at 224 00:16:32,640 --> 00:16:38,480 Speaker 1: the memory I want from you? Where is there? So 225 00:16:38,640 --> 00:16:44,480 Speaker 1: I am at Mom's bedside and Grady, you're praying, you're praying, 226 00:16:45,600 --> 00:16:51,000 Speaker 1: Dear God, were God's were Hell or whoever's bothering to listen? 227 00:16:52,040 --> 00:16:57,680 Speaker 1: Keep them safe? Please please, at least keep Manty safe. 228 00:16:58,560 --> 00:17:06,480 Speaker 1: I'll do will do anything. And there you were in 229 00:17:06,560 --> 00:17:09,680 Speaker 1: the room with flickering, a low light, flores and that 230 00:17:09,840 --> 00:17:18,240 Speaker 1: wash everything in a sick greene. But you weren't. No 231 00:17:18,240 --> 00:17:22,439 Speaker 1: one ever really is. There are ears and eyes and 232 00:17:22,600 --> 00:17:26,840 Speaker 1: hands all around us in the dark, but you reached 233 00:17:26,840 --> 00:17:33,240 Speaker 1: out that they can do it, that you can save me. 234 00:17:33,320 --> 00:17:36,120 Speaker 1: But you have to make a choice, a choice. That's 235 00:17:36,160 --> 00:17:41,720 Speaker 1: how these things work. They'll be back soon. I miss 236 00:17:41,760 --> 00:17:52,080 Speaker 1: you already here. No wait, Mandy, Amanda, well, my friend, 237 00:17:52,880 --> 00:17:57,840 Speaker 1: here we find ourselves again, wheels within wheels. I trust 238 00:17:57,880 --> 00:18:00,560 Speaker 1: you've enjoyed our new acquaintances. Listen, you, you son of 239 00:18:00,600 --> 00:18:04,600 Speaker 1: a You can't leave, Samuel. If you try to open 240 00:18:04,640 --> 00:18:07,520 Speaker 1: the doors, you'll find them stuck fast. Should you crawl 241 00:18:07,560 --> 00:18:13,440 Speaker 1: through the window, you'll find you cannot fit. Listen, listen, close, 242 00:18:14,560 --> 00:18:20,400 Speaker 1: and listen. Well, your daughter is in the hospital as 243 00:18:20,440 --> 00:18:23,800 Speaker 1: we speak, three floors down, in fact, from the same 244 00:18:23,880 --> 00:18:28,280 Speaker 1: room where your wife passed into our arms, where you 245 00:18:28,359 --> 00:18:33,160 Speaker 1: and I first met, And I am as they say, 246 00:18:33,440 --> 00:18:38,159 Speaker 1: a creature of my word? Why can't I move a 247 00:18:38,240 --> 00:18:41,440 Speaker 1: small precaution only to make sure I have your full attention? 248 00:18:42,040 --> 00:18:47,880 Speaker 1: Where were were? Yes, Amanda Sullivan, currently comatose, brain dead 249 00:18:47,960 --> 00:18:52,240 Speaker 1: and doomed? How many missed calls from Roy? I wonder 250 00:18:53,119 --> 00:18:55,639 Speaker 1: will it haunt you years from now? The calls you 251 00:18:55,720 --> 00:19:01,720 Speaker 1: missed while you were speaking with a ghost. That's what 252 00:19:01,880 --> 00:19:06,639 Speaker 1: your daughter is now. But we can bring her back, Samuel, 253 00:19:07,119 --> 00:19:10,760 Speaker 1: as we agreed, all you have to do is choose, 254 00:19:11,280 --> 00:19:16,080 Speaker 1: Oh God, the phone, choose, choose what? Choose? Who will 255 00:19:16,119 --> 00:19:20,200 Speaker 1: take her place? Of course nature? After all the phores 256 00:19:20,280 --> 00:19:24,960 Speaker 1: of vacuum here. I'll make it easy for you. The 257 00:19:25,119 --> 00:19:29,879 Speaker 1: next person who comes to your window can be your sacrifice, 258 00:19:30,680 --> 00:19:35,480 Speaker 1: your tribute to the dark. What do I have to do? 259 00:19:36,720 --> 00:19:42,239 Speaker 1: All you have to do, Samuel is say yes, I 260 00:19:42,280 --> 00:19:51,880 Speaker 1: will hear you. Welcome to beasels Burgers. How many how 261 00:19:51,920 --> 00:20:50,320 Speaker 1: may help you? M m m m m yeah. Another 262 00:20:50,680 --> 00:20:59,359 Speaker 1: sadisfied customer, come one, another side flide customer, Well well well, 263 00:20:59,480 --> 00:21:18,119 Speaker 1: well yeah, another satisfied customer, Another sadisfod customer, When will 264 00:21:18,280 --> 00:21:52,800 Speaker 1: when will? And there you have it, a story of morals. 265 00:21:52,880 --> 00:22:00,000 Speaker 1: I would say, well, what do you think Samuel learned No, um, 266 00:22:00,040 --> 00:22:03,560 Speaker 1: don't don't spit in the bag. That's what I learned. 267 00:22:03,720 --> 00:22:07,040 Speaker 1: That's what I learned. That was one of my favorite parts. Actually, 268 00:22:07,520 --> 00:22:09,439 Speaker 1: I think it's a great part. But don't spit in 269 00:22:09,480 --> 00:22:11,639 Speaker 1: the bag. If a creeper runs up on you and 270 00:22:11,640 --> 00:22:15,159 Speaker 1: you saw do it when no one's looking. Like if 271 00:22:15,240 --> 00:22:17,280 Speaker 1: someone asked me to do it, I would. I would 272 00:22:17,280 --> 00:22:19,480 Speaker 1: probably do it. When do you? Yeah? What when are 273 00:22:19,520 --> 00:22:22,600 Speaker 1: you gonna get that opportunity? Yeah, you gotta live. But 274 00:22:23,280 --> 00:22:25,919 Speaker 1: he was so forceful, like spit in the bag. He 275 00:22:25,960 --> 00:22:29,760 Speaker 1: obviously wanted something right, something maybe even more than spit. 276 00:22:30,160 --> 00:22:32,680 Speaker 1: And we just talked about d n A right. That's true. 277 00:22:33,600 --> 00:22:37,520 Speaker 1: The point point that you make come on, well, well 278 00:22:37,560 --> 00:22:40,199 Speaker 1: you know, I don't know if he learns anything. We 279 00:22:40,240 --> 00:22:43,040 Speaker 1: don't know what he decides to do. That's true. So 280 00:22:43,119 --> 00:22:44,960 Speaker 1: I guess the question for the listeners is what would 281 00:22:45,000 --> 00:22:47,919 Speaker 1: you decide to do if you were if you were 282 00:22:48,000 --> 00:22:51,720 Speaker 1: somehow in that situation, We'll just save your daughter. I mean, 283 00:22:53,040 --> 00:22:55,920 Speaker 1: I think, unfortunately, I know what I would do. I 284 00:22:55,960 --> 00:22:58,399 Speaker 1: think most spit in the bag, wouldn't you. I've definitely 285 00:22:58,440 --> 00:23:00,639 Speaker 1: spit in the bag, and I would say welcome to 286 00:23:00,680 --> 00:23:04,320 Speaker 1: Beaselsberger's pull on through to the second window and you know, 287 00:23:04,440 --> 00:23:06,840 Speaker 1: see what happens, although would probably end up being you know, 288 00:23:06,880 --> 00:23:11,800 Speaker 1: a parent, there's got it. You know, there's always a twist. Yeah, exactly, 289 00:23:11,880 --> 00:23:14,560 Speaker 1: Very oh, Henry, I think this may be one of 290 00:23:14,600 --> 00:23:17,320 Speaker 1: the first times you played a villain. Yeah. I was 291 00:23:17,400 --> 00:23:22,000 Speaker 1: feeling it. I was enjoying myself. Although you know, my 292 00:23:22,080 --> 00:23:25,040 Speaker 1: favorite part is when Alex was on this very mike 293 00:23:25,520 --> 00:23:28,280 Speaker 1: and actually was on our show. I think that that 294 00:23:28,320 --> 00:23:31,400 Speaker 1: made me really happy. Yeah, and we're doing a bang 295 00:23:31,440 --> 00:23:35,760 Speaker 1: up job. No less, Yeah, yeah, no less. And most importantly, 296 00:23:35,960 --> 00:23:39,600 Speaker 1: we hope that you enjoyed this show at least a 297 00:23:39,760 --> 00:23:44,119 Speaker 1: fraction as much as we enjoyed making it. And I 298 00:23:44,160 --> 00:23:47,159 Speaker 1: want to say, Noel, no offense to anyone, but I 299 00:23:47,240 --> 00:23:50,640 Speaker 1: really liked your assistant manager. Yeah, dude, I really try 300 00:23:50,680 --> 00:23:54,760 Speaker 1: to embody the role. Uh, you know, really live out 301 00:23:54,800 --> 00:23:59,280 Speaker 1: my cantankerous, curmudgeon ly old man kind of like dream. 302 00:23:59,320 --> 00:24:03,359 Speaker 1: It's just such a it's just such a perfect jerk 303 00:24:03,480 --> 00:24:07,520 Speaker 1: line for someone to be annoyed by having said yeah twice, 304 00:24:07,760 --> 00:24:11,879 Speaker 1: I said, yeah, but it was the it was the 305 00:24:12,160 --> 00:24:15,960 Speaker 1: were the gold coins or silver coins? Silver dollars from 306 00:24:15,960 --> 00:24:19,160 Speaker 1: eighteen o four actually worth a quite a bit of money. 307 00:24:19,200 --> 00:24:23,639 Speaker 1: It's silver dollars, right, they fall and and of course, 308 00:24:23,840 --> 00:24:27,200 Speaker 1: uh this, this sort of stuff would not happen without 309 00:24:27,240 --> 00:24:30,560 Speaker 1: the most important part of the show, which is you, 310 00:24:31,080 --> 00:24:37,280 Speaker 1: not general you, specifically you listening to this now, yes, 311 00:24:37,840 --> 00:24:43,840 Speaker 1: also specifically you, which reminds us it's time for chat 312 00:24:43,840 --> 00:24:51,320 Speaker 1: at corners. Our first message comes from Luke, who says 313 00:24:51,640 --> 00:24:55,080 Speaker 1: I lived near the beautiful Ocala, Florida, which for years 314 00:24:55,119 --> 00:24:58,560 Speaker 1: has been a prime spot for rainbow gatherings. Oh boy, 315 00:24:58,600 --> 00:25:02,320 Speaker 1: you guys, oh here we go, all saying every February 316 00:25:02,359 --> 00:25:04,480 Speaker 1: people come from all over the US to meet there 317 00:25:04,520 --> 00:25:08,119 Speaker 1: in the National Forest on Valentine's Day, the annual rainbow 318 00:25:08,119 --> 00:25:11,800 Speaker 1: gathering is in full swing to welcome people home to pray, 319 00:25:12,040 --> 00:25:15,520 Speaker 1: chant and send positive vibes towards the mutual goal of 320 00:25:15,600 --> 00:25:19,200 Speaker 1: world peace. Now that is a great goal, I think, 321 00:25:20,280 --> 00:25:23,920 Speaker 1: I mean all the always says you're correcting. Assuming there's 322 00:25:23,920 --> 00:25:26,520 Speaker 1: no background checks to join up on the crew. And 323 00:25:26,640 --> 00:25:29,560 Speaker 1: there are many runaway street kids and people with warrants 324 00:25:29,600 --> 00:25:32,080 Speaker 1: hanging out him on the ranks. There's also a bunch 325 00:25:32,080 --> 00:25:35,320 Speaker 1: of not safer work nudity but in my experience it's 326 00:25:35,359 --> 00:25:42,040 Speaker 1: mostly been old hippies and young feral children running around. Oh, 327 00:25:42,080 --> 00:25:46,280 Speaker 1: feral children, fair children. When I last attended to gathering, 328 00:25:46,359 --> 00:25:49,479 Speaker 1: my then girlfriend now wife and I brought oranges as 329 00:25:49,480 --> 00:25:52,880 Speaker 1: a gift to share with those we came in contact with. 330 00:25:53,200 --> 00:25:55,800 Speaker 1: The oranges went quick and we were hugged almost every 331 00:25:55,800 --> 00:25:59,879 Speaker 1: one hundred feet. Everyone we encountered was extremely friendly and welcome, 332 00:26:00,520 --> 00:26:02,840 Speaker 1: but being an avid listener of the show, I'm suspicious 333 00:26:02,840 --> 00:26:05,919 Speaker 1: of everyone and cautious to not eat anything offered to me. 334 00:26:06,480 --> 00:26:10,679 Speaker 1: But you know, Luke doesn't mind offering out oranges people 335 00:26:11,080 --> 00:26:14,440 Speaker 1: well he know where he does, but the other people don't. 336 00:26:14,800 --> 00:26:16,320 Speaker 1: I love the show, and I found the Mars thought 337 00:26:16,320 --> 00:26:20,400 Speaker 1: experiment very interesting. I couldn't help thinking that any colonization 338 00:26:20,400 --> 00:26:22,960 Speaker 1: attempts on Mars would be similar to the PlayStation two 339 00:26:23,000 --> 00:26:27,040 Speaker 1: game Red Faction, which is a fantastic game, Luke, and 340 00:26:27,080 --> 00:26:30,399 Speaker 1: inevitably there would be no equal treatment, just the ruling 341 00:26:30,400 --> 00:26:32,400 Speaker 1: class and the working class on the planet who would 342 00:26:32,400 --> 00:26:35,399 Speaker 1: find out they are seen as expendable stepping stones for 343 00:26:35,440 --> 00:26:39,000 Speaker 1: the rich. Keep up the great work, Luke. If you guys, 344 00:26:39,080 --> 00:26:41,000 Speaker 1: have you guys ever heard of Red Faction? Like Red 345 00:26:41,000 --> 00:26:43,000 Speaker 1: Faction back in the day. Cool. So it's like a 346 00:26:43,000 --> 00:26:45,400 Speaker 1: sandbox he kind of game, right, yes, exactly, and it's 347 00:26:45,400 --> 00:26:47,800 Speaker 1: based on destruction of buildings. But the whole idea of 348 00:26:47,840 --> 00:26:50,520 Speaker 1: the plot is that on Mars you've basically got miners 349 00:26:50,520 --> 00:26:54,399 Speaker 1: and scrappers and then the wealthy people that control the 350 00:26:54,440 --> 00:26:57,720 Speaker 1: minds and the scrappings. Well, for our next shout out, 351 00:26:57,760 --> 00:27:00,600 Speaker 1: I have one from Kent. Maybe it's Ken f It's 352 00:27:00,600 --> 00:27:02,360 Speaker 1: all there's no space, so I'm gonna call him Ken. 353 00:27:02,600 --> 00:27:04,439 Speaker 1: I like it. Let's see how he signed it. Now 354 00:27:04,440 --> 00:27:09,760 Speaker 1: it's ken Man let down Apollo eleven and Yugoslavian engineers 355 00:27:09,760 --> 00:27:12,480 Speaker 1: as the subject. Guys, I just watched Houston We have 356 00:27:12,520 --> 00:27:15,240 Speaker 1: a Problem and never knew there was a conspiracy theory 357 00:27:15,280 --> 00:27:18,520 Speaker 1: regarding the Apollo program and Yugoslavia. The comment that a 358 00:27:18,600 --> 00:27:21,240 Speaker 1: debt was owed to the US, with repayment being tied 359 00:27:21,240 --> 00:27:24,880 Speaker 1: to the infamous Ugo automobile was the icing on the cake. 360 00:27:25,119 --> 00:27:27,879 Speaker 1: Have you done or could you investigate this odd claim 361 00:27:27,960 --> 00:27:31,359 Speaker 1: in your typical deep dive fashion? The movie seemed complete, However, 362 00:27:31,359 --> 00:27:34,440 Speaker 1: I suspect there is more to the story. Great show. 363 00:27:34,480 --> 00:27:38,840 Speaker 1: Thanks for years of interesting discussions. Ken, that's cool. Yeah, 364 00:27:39,000 --> 00:27:40,800 Speaker 1: the UGO in and of itself is a is a 365 00:27:40,880 --> 00:27:45,399 Speaker 1: neat story, right then, Yeah, the the UGO of the vehicle, 366 00:27:45,560 --> 00:27:48,439 Speaker 1: yeah yeah, yeah, we have a if you're interested in 367 00:27:48,520 --> 00:27:50,240 Speaker 1: were the one that exploded when you hit it or 368 00:27:50,280 --> 00:27:52,440 Speaker 1: something like that, like it was because of the location 369 00:27:52,480 --> 00:27:55,760 Speaker 1: of the engine or something, location of the gas tank maybe, 370 00:27:55,760 --> 00:27:59,000 Speaker 1: so there maybe a couple of those. Yeah, So you 371 00:27:59,080 --> 00:28:02,960 Speaker 1: can learn more about the difficulties with some of the 372 00:28:02,960 --> 00:28:05,760 Speaker 1: cars produced under the communist era if you go to 373 00:28:05,800 --> 00:28:09,119 Speaker 1: car stuff and check out I think cars behind the 374 00:28:09,160 --> 00:28:13,719 Speaker 1: Iron Curtain. Yeah, Iron Curtain cars, uh, and they have 375 00:28:14,560 --> 00:28:18,760 Speaker 1: I have some pretty interesting stuff there. But I will 376 00:28:18,800 --> 00:28:22,160 Speaker 1: say not every not every car they put put out 377 00:28:22,200 --> 00:28:24,040 Speaker 1: during that era was bad. Well, I want to know 378 00:28:24,040 --> 00:28:27,720 Speaker 1: what the connection is to Apollo eleven. So yeah, we 379 00:28:27,800 --> 00:28:30,200 Speaker 1: gotta check out this movie and maybe we can I 380 00:28:30,240 --> 00:28:32,239 Speaker 1: don't know. I mean, we can do these interviews later. 381 00:28:32,320 --> 00:28:34,439 Speaker 1: We can get the filmmaker. That'd be pretty cool we 382 00:28:34,480 --> 00:28:39,080 Speaker 1: show Dodi. Yeah, thank you for that recommendation, and also 383 00:28:39,800 --> 00:28:42,200 Speaker 1: let us know what you guys think of the interviews 384 00:28:42,480 --> 00:28:44,720 Speaker 1: if if they seem to your cup of tea. It 385 00:28:44,720 --> 00:28:47,320 Speaker 1: seems like people are enjoying them for the most part. 386 00:28:47,320 --> 00:28:49,120 Speaker 1: We're trying to spread it out to where you have 387 00:28:49,360 --> 00:28:52,760 Speaker 1: kind of a traditional episode that we do three of 388 00:28:52,840 --> 00:28:54,600 Speaker 1: us in the studio and then bring somebody else in 389 00:28:54,800 --> 00:28:56,760 Speaker 1: every once in a while. It's fun for us, we 390 00:28:56,800 --> 00:28:58,560 Speaker 1: have it's fun for you because we learned a ton, 391 00:28:58,720 --> 00:29:00,640 Speaker 1: Like really, we learned so much when we have somebody 392 00:29:00,680 --> 00:29:02,760 Speaker 1: else in here, and we got a couple of real 393 00:29:02,840 --> 00:29:04,880 Speaker 1: cool ones coming up in the near future that are 394 00:29:04,920 --> 00:29:07,120 Speaker 1: already in the can. Yeah. Yeah, yeah, we've been doing 395 00:29:07,120 --> 00:29:10,760 Speaker 1: our homework. We've been we have been Honors students, you know, 396 00:29:10,880 --> 00:29:12,400 Speaker 1: we've been. We've been working at it. So we have 397 00:29:12,600 --> 00:29:17,120 Speaker 1: one more shout out for today and it is from 398 00:29:17,400 --> 00:29:21,040 Speaker 1: Michael z. Michael says, Hi, just looking up stuff on 399 00:29:21,080 --> 00:29:24,640 Speaker 1: Instagram and can't remember if you guys have done a 400 00:29:24,680 --> 00:29:27,960 Speaker 1: podcast on The Man from to Read. If not, I 401 00:29:27,960 --> 00:29:31,000 Speaker 1: think it would make a good show, short and sweetened 402 00:29:31,000 --> 00:29:34,400 Speaker 1: to the point. Michael Z, Um, this is this is 403 00:29:34,440 --> 00:29:36,800 Speaker 1: a very interesting tale. Have you guys heard of the 404 00:29:36,800 --> 00:29:40,760 Speaker 1: Man from to Read? Yes, we did an episode video 405 00:29:41,400 --> 00:29:43,320 Speaker 1: episode on it, or at last part of the video 406 00:29:43,320 --> 00:29:46,960 Speaker 1: episode it. So the legend is there's this guy who 407 00:29:47,080 --> 00:29:52,600 Speaker 1: lands in Japan. Um. I think Michael, you maybe perhaps 408 00:29:52,600 --> 00:29:56,360 Speaker 1: you were inspired by our utsuro Bune episode. But there's 409 00:29:56,360 --> 00:29:58,720 Speaker 1: a guy who lands in a Japanese airport. He has 410 00:29:58,720 --> 00:30:02,920 Speaker 1: a passport that no unrecognizes. He claims he's from a 411 00:30:03,000 --> 00:30:07,840 Speaker 1: country called Tarred, and all of his according to the story, 412 00:30:07,880 --> 00:30:13,480 Speaker 1: all of his um stuff looks real, and the people 413 00:30:13,600 --> 00:30:17,480 Speaker 1: encountered him began to think that perhaps he was from 414 00:30:17,520 --> 00:30:21,440 Speaker 1: a parallel dimension or another universe just slightly tilted to 415 00:30:21,480 --> 00:30:26,520 Speaker 1: the left of our own. But there is no confirmed 416 00:30:26,600 --> 00:30:30,400 Speaker 1: primary source of this, there's no It's kind of like 417 00:30:30,440 --> 00:30:35,160 Speaker 1: Barren Stein, Barren Stein Bears, you know, Barren stain um. 418 00:30:35,280 --> 00:30:38,520 Speaker 1: But it is. It is interesting. Michael. I'm gonna dig 419 00:30:38,640 --> 00:30:40,600 Speaker 1: in and see if I can just send you the 420 00:30:40,680 --> 00:30:46,040 Speaker 1: link to our video, maybe the one about mysterious disappearances. 421 00:30:46,040 --> 00:30:48,400 Speaker 1: So I will send that to you, And thanks for 422 00:30:48,720 --> 00:30:50,800 Speaker 1: asking about it. I wonder if we could do an 423 00:30:50,840 --> 00:30:55,280 Speaker 1: audio podcast about mysterious disappearances. It just gets very dark, 424 00:30:55,480 --> 00:30:59,440 Speaker 1: you know, like Eliza Lamb. That that bothered me, that 425 00:31:00,040 --> 00:31:02,560 Speaker 1: more so than I think almost any we've done, just 426 00:31:02,600 --> 00:31:05,240 Speaker 1: because it was so fresh kind of and like the 427 00:31:05,320 --> 00:31:09,000 Speaker 1: evidence that's out there, like that video is just very chilling. 428 00:31:10,520 --> 00:31:12,640 Speaker 1: That was a that was an interesting one. But then 429 00:31:12,680 --> 00:31:13,960 Speaker 1: you know, I guess we did that. The one of 430 00:31:14,000 --> 00:31:18,920 Speaker 1: the National Parks disappearance one right is dark as well. Um, 431 00:31:18,960 --> 00:31:21,440 Speaker 1: but yeah, I think anytime you're talking about people just 432 00:31:22,440 --> 00:31:25,760 Speaker 1: vanishing into thin air, it's always a little bit disturbing. 433 00:31:26,080 --> 00:31:30,160 Speaker 1: And send us your examples or things that you think 434 00:31:30,240 --> 00:31:32,800 Speaker 1: your fellow listeners would like to hear in the future. 435 00:31:32,920 --> 00:31:41,479 Speaker 1: This concludes our Gosh, but not our show, Never Fear. Matt, 436 00:31:41,520 --> 00:31:47,000 Speaker 1: Noel and I will return next week with something completely different, 437 00:31:47,080 --> 00:31:50,680 Speaker 1: maybe an interview, maybe an episode where we dive deep 438 00:31:50,720 --> 00:31:53,480 Speaker 1: on one of your suggestions. There's only one way to 439 00:31:53,560 --> 00:31:57,080 Speaker 1: find out, well there there they were like probably several ways. 440 00:31:57,280 --> 00:31:59,560 Speaker 1: I'm sure you could ask someone you know who also 441 00:31:59,640 --> 00:32:02,880 Speaker 1: listens to the show, but the easiest way to find 442 00:32:02,880 --> 00:32:05,920 Speaker 1: out will be to tune in wherever you get your podcast. 443 00:32:05,960 --> 00:32:07,840 Speaker 1: In the meantime, you can find every audio or video 444 00:32:07,840 --> 00:32:11,400 Speaker 1: episode we've ever done on our website deep Breath stuff 445 00:32:11,400 --> 00:32:15,080 Speaker 1: they don't want you to know dot Com Early it 446 00:32:15,160 --> 00:32:19,440 Speaker 1: feels long. Y'all can also hit me up on my 447 00:32:19,520 --> 00:32:25,440 Speaker 1: beeper at two two two two nine area code too. 448 00:32:26,360 --> 00:32:29,280 Speaker 1: And that's the end of this classic episode. If you 449 00:32:29,360 --> 00:32:33,440 Speaker 1: have any thoughts or questions, about this episode. You can 450 00:32:33,440 --> 00:32:36,040 Speaker 1: get into contact with us in a number of different ways. 451 00:32:36,240 --> 00:32:37,800 Speaker 1: One of the best is to give us a call. 452 00:32:37,840 --> 00:32:41,120 Speaker 1: Our number is one eight three three st d w 453 00:32:41,520 --> 00:32:43,480 Speaker 1: y t K. If you don't want to do that, 454 00:32:43,760 --> 00:32:46,120 Speaker 1: you can send us a good old fashioned email. We 455 00:32:46,160 --> 00:32:50,800 Speaker 1: are conspiracy at i heart radio dot com. Stuff they 456 00:32:50,800 --> 00:32:52,720 Speaker 1: don't want you to know is a production of I 457 00:32:52,840 --> 00:32:55,960 Speaker 1: heart Radio. For more podcasts from my heart Radio, visit 458 00:32:55,960 --> 00:32:58,720 Speaker 1: the i heart Radio app, Apple Podcasts, or wherever you 459 00:32:58,800 --> 00:32:59,880 Speaker 1: listen to your favorite shows.